Steer Drive Quotes

Like driving along a bumpy road and losing control of the steering wheel, tossing you—just a tad—off the road. The wheels kick up some dirt, but you're able to pull it back. Yet no matter how hard you try to drive straight, something keeps jerking you to the side. You have so little control over anything anymore. And at some point, the struggle becomes too much—too tiring—and you consider letting go. Allowing tragedy... or whatever... to happen.

I loved fast driving.Isaiah and I had drag raced all last summer. What I didn't love was a middle-aged nut job who couldn't steer straight.

If you have no good drive in you, your life will not be steered through a good direction. It will miss its destined station. Passion or drive is what moves the vehicle of a fulfilled life.

Got to be worth a try, I suppose," said Crowley. "It's not as if I haven't got lots of other work to do, God knows." His forehead creased for a moment, and then he slapped the steering wheel triumphantly. "Ducks!" he shouted. "What?" "That's what water slides off!" Aziraphale took a deep breath. "Just drive the car, please," he said wearily.

beauty has been known to drive men wild, like the sirens did. Man’s challenge is to steer clear from it.” - Salvadore about temptation

Driving a stick is like sex,” he stated. “Every person you’re with is different. They’re like a code that needs to be broken.” He turned and ran his hands up both sides of the steering wheel, slow and smooth. “What parts like to be touched.” His sensual voice started stirring its way through my body. “Licked. Sucked. Bitten.

Take care of your car in the garage, and the car will take care of you on the road.

THE RIDE TO MY APARTMENT is an exercise in stunt driving. Trying desperately to keep my mouth on Kate and not get us killed. She sits on my lap straddling my waist, kissing my neck, tonguing my ear— driving me out of my frigging mind. I’ve got one hand on the steering wheel and the other wedged between us, gliding over her stomach, her neck, and those perfect breasts that tease me through her half-open shirt. Do not try this at home, kids.

Sam tapped her hand on the steering wheel. Patrick held his hand outside the car and made air waves. I just sat between them. After the song finished, I said something. 'I feel infinite.' And Sam and Patrick looked at me like I said the greatest thing they ever heard. Because the song was that great and because we all really paid attention to it. Five minutes of a lifetime were truly spent, and we felt young in a good way. I have since bought the record, and I would tell you what it was, but truthfully, it's not the same unless you're driving to your first real party, and you're sitting in the middle seat of a pickup with two nice people when it starts to rain.

You drive like a maniac,” I said through clenched teeth. “That’s not the only thing I do like a maniac, Brooke.” His hand moved away from the steering wheel and settled on my thigh.

When your drive is moving your purpose, focus must hold the wheels else your might miss the way. And do you know what that means? Avoid Crash!!!. Stay focused!

On Harpy’s Drive we passed a row of trees, each one with its trunk unnaturally bloated and covered with black fuzz. I had no idea what the fuzz did, but we steered clear of it. The law of navigating post-Shift Atlanta was simple: if you don’t know what it is, don’t touch it.

It will be as if I'd never existed. The words ran through my head, lacking the perfect clarity of my hallucination last night. They were just words, soundless, like print on a page. Just words, but they ripped the hole wide open, and I stomped on the brake, knowing I should not drive while this incapacitated. I curled over, pressing my face against the steering wheel and trying to breathe without lungs.

Watching someone you love die is like driving through a fog. You know you're headed somewhere but you can't see your hand in front of your face; you're so focused on steering without crashing that you never say the things you want to say.

But somehow, once you start playing behind the steering wheel of God, you realize just how powerful it is to be the imagination driving the natural world (64).

I am emotional about engines, if you hurt my car, you hurt my heart.

Days and months are travellers of eternity. So are the years that pass by. Those who steer a boat across the sea, or drive a horse over the earth till they succumb to the weight of years, spend every minute of their lives travelling. There are a great number of ancients, too, who died on the road. I myself have been tempted for a long time by the cloud-moving wind - filled with a strong desire to wander.

Sometimes quiet is violent I find it hard to hide it My pride is no longer inside It's on my sleeve My skin will scream reminding me of Who I killed inside my dream I hate this car that I'm driving There's no hiding for me I'm forced to deal with what I feel There is no distraction to mask what is real I could pull the steering wheel

I climb behind the steering wheel... I drive off immediately without once looking back; it's a long journey but it leads to freedom.

What bothered me most, though, was that I couldn’t fix anything. I couldn’t control anything. It was like driving a bumper car without a steering wheel. I kept getting slammed, and I just had to sit there and hold on tight.

Your driver is on the steer, driving you and you can feel free to doze in the car; this is trust built on competence. Competence is to ensure that your actions put people's hearts at ease when things are in your hands.

He could be wearing a red letterman’s jacket, driving around in a Corvette with the top down, one arm on the steering wheel, on his way to pick up his girl for the sock hop.

And here’s an example of deliberate violation of a Fake Rule:   Fake Rule: The generic pronoun in English is he. Violation: “Each one in turn reads their piece aloud.”   This is wrong, say the grammar bullies, because each one, each person is a singular noun and their is a plural pronoun. But Shakespeare used their with words such as everybody, anybody, a person, and so we all do when we’re talking. (“It’s enough to drive anyone out of their senses,” said George Bernard Shaw.) The grammarians started telling us it was incorrect along in the sixteenth or seventeenth century. That was when they also declared that the pronoun he includes both sexes, as in “If a person needs an abortion, he should be required to tell his parents.” My use of their is socially motivated and, if you like, politically correct: a deliberate response to the socially and politically significant banning of our genderless pronoun by language legislators enforcing the notion that the male sex is the only one that counts. I consistently break a rule I consider to be not only fake but pernicious. I know what I’m doing and why.

I was clenching the steering wheel like a granny, but driving like I was trying out for NASCAR.

Intelligence without wisdom is a like a car without a steering wheel. You can drive it as long as you don’t consider steering part of driving.

Asking someone else to drive your sports car is like asking someone else to kiss your girlfriend.

The steering wheel is turned by the driver, not the indicator, or the road sign.

I heard an old man speak once, someone who had been sober for fifty years, a very prominent doctor. He said that he’d finally figured out a few years ago that his profound sense of control, in the world and over his life, is another addiction and a total illusion. He said that when he sees little kids sitting in the back seat of cars, in those car seats that have steering wheels, with grim expressions of concentration on their faces, clearly convinced that their efforts are causing the car to do whatever it is doing, he thinks of himself and his relationship with God: God who drives along silently, gently amused, in the real driver's seat.

The only picture of Tarrou he would always have would be the picture of a man who firmly gripped the steering-wheel of his car when driving, or else the picture of that stalwart body, now lying motionless. Knowing meant that: a living warmth, and a picture of death.

I'm glad this happened," he said softly. I hoped it was for real,and I didn't want to talk about it too much and ruin the lovely illusion that we were a couple. So I said noncommittally, "Me too." "Because I've been trying to get you back since the seventh grade." I must have given him a very skeptical look. He laughed at my expression. "Yeah, I have a funny way of showing it. I know. But you're always on my mind. You're in the front of my mind,on the tip of my tongue. So if someone breaks a beaker in chemistry class, I raise my hand and tell Ms. Abernathy you did it. If somebody brings a copy of Playboy to class, I stuff it in your locker." "Oh!" I thought back to the January issue. "I wondered where that came from." "And if Everett Walsh tells the lunch table what a wicked kisser you are and how far he would have gotten with you if his mother hadn't come in-" I stamped my foot on the floorboard of the SUV."That is so not true! He'd already gotten as far as he was going. He's not that cute, and I had to go home and study for algebra. "-It drives me insane to the point that I tell him to shut up or I'll make him shut up right there in front of everybody. Because I am supposed to be your boyfriend, and my mother is supposed to hate you,and you're supposed to be making out with me." Twisted as this declaration was,it was the sweetest thing a boy had ever said to me.I dwelled on the soft lips that had formed the statement,and on the meaning of his words. "Okay." I scooted across the seat and nibbled the very edge of his superhero chin. "Ah," he gasped, moving both hands from the steering wheel to the seat to brace himself. "I didn't mean now.I meant in general.Your dad will come out of the house and kill me.

Yes, a guide can help point the way to your own sense of self and your purpose in life. No, a guide can't replace your own search. When you are in your car driving through town, signposts can tell you where each road goes, but only you can turn the steering wheel.

You steer down lightless highways, and you invent a destination because movement is key.

She was in control of her life, even though it seemed she wasn’t. All she had to do was take the steering wheel and start driving.

Among all the machines, motorcar is my favorite machine.

Girls can do that. Steer a man away from death or drive him right to it.

Carlos Marcello and the war orphans did cross my mind during the drive, and I sat the whole way facing the driver. He was a little guy, and if he took his hand off the steering wheel I was going to take his head off for him.

As I sailed down the road people began screaming to get away. You know, from the vomit. I realised that this vomiting caper was almost like having a super power. Maybe I could get people to do what I wanted or threaten to drown them in vomit. I could rule the world! Or, even better, I could steer my raft to McDonalds and demand a year’s supply of free cheese burgers or I’d fill the drive-thru with vomit!

Want me to drive?” Wade asks. “I won’t take any detours.” I slam on the brakes and come to a dead stop right in the middle of the road. “Sure. Why not? My life is one big fucking detour,” I yell. Then I bang my head on the steering wheel and I can’t help it. I start to cry.

Take up citizenship and the conversion it entailed, send a couple of your sons to the levy when they were of age, pay taxes calculated not to drive you and your family into penury or the mountains and the life of a bandit. Oh, and while you’re at it, steer clear of debt and disease. Chances were — mostly — if you did all that, you’d never starve, never have your home burned down and your children raped before your eyes, never have to wear a slave collar.

[Calvin's Mom is driving him somewhere.] CALVIN: Mom, can I drive on the way back? CALVIN'S MOM: Of course not, Calvin. CALVIN: Can I just steer then? I promise I won't crash. CALVIN'S MOM: No, Calvin. CALVIN: Can I work the gas and brakes while YOU steer? CALVIN'S MOM: No, Calvin. CALVIN: You never let me do anything.

Grandma traded at Connie’s because she had never learned to drive a car, but she held a grudge against Big Boy, who had said to her one day in front of a whole storeful of customers, “What’ll it be, tootsie?” When I moved in, she was only too happy to make me her errand girl. Daily, she folded money into my palm and sent me down the street for Tums or cornstarch or prune juice. As I headed out the door, she never failed to remind me to steer clear of both Big Boy and the dirty-magazine aisle.

Sometimes quiet is violent I find it hard to hide it My pride is no longer inside It's on my sleeve My skin will scream reminding me of Who I killed inside my dream I hate this car that I'm driving There's no hiding for me I'm forced to deal with what I feel There is no distraction to mask what is real I could pull the steering wheel I have these thoughts, so often I ought To replace that slot with what I once bought 'Cause somebody stole my car radio And now I just sit in silence I ponder of something terrifying 'Cause this time there's no sound to hide behind I find over the course of our human existence One thing consists of consistence And it's that we're all battling fear Oh dear, I don't know if we know why we're here Oh my, too deep, please stop thinking I liked it better when my car had sound There are things we can do But from the things that work there are only two And from the two that we choose to do Peace will win and fear will lose It is faith and there's sleep We need to pick one please because Faith is to be awake And to be awake is for us to think And for us to think is to be alive And I will try with every rhyme To come across like I am dying To let you know you need to try to think I have these thoughts, so often I ought To replace that slot with what I once bought 'Cause somebody stole my car radio And now I just sit in silence

Even as I wrote my note to Fern, for instance, expressing sentiments and regrets that were real, a part of me was noticing what a fine and sincere note it was, and anticipating the effect on Fern of this or that heartfelt phrase, while yet another part was observing the whole scene of a man in a dress shirt and no tie sitting at his breakfast nook writing a heartfelt note on his last afternoon alive, the blondwood table's surface trembling with sunlight and the man's hand steady and face both haunted by regret and ennobled by resolve, this part of me sort of hovering above and just to the left of myself, evaluating the scene, and thinking what a fine and genuine-seeming performance in a drama it would make if only we all had not already been subject to countless scenes just like it in dramas ever since we first saw a movie or read a book, which somehow entailed that real scenes like the one of my suicide note were now compelling and genuine only to their participants, and to anyone else would come off as banal and even somewhat cheesy or maudlin, which is somewhat paradoxical when you consider – as I did, setting there at the breakfast nook – that the reason scenes like this will seem stale or manipulative to an audience is that we’ve already seen so many of them in dramas, and yet the reason we’ve seen so many of them in dramas is that the scenes really are dramatic and compelling and let people communicate very deep, complicated emotional realities that are almost impossible to articulate in any other way, and at the same time still another facet or part of me realizing that from this perspective my own basic problem was that at an early age I’d somehow chosen to cast my lot with my life’s drama’s supposed audience instead of with the drama itself, and that I even now was watching and gauging my supposed performance’s quality and probable effects, and thus was in the final analysis the very same manipulative fraud writing the note to Fern that I had been throughout the life that had brought me to this climactic scene of writing and signing it and addressing the envelope and affixing postage and putting the envelope in my shirt pocket (totally conscious of the resonance of its resting there, next to my heart, in the scene), planning to drop it in a mailbox on the way out to Lily Cache Rd. and the bridge abutment into which I planned to drive my car at speeds sufficient to displace the whole front end and impale me on the steering wheel and instantly kill me. Self-loathing is not the same thing as being into pain or a lingering death, if I was going to do it I wanted it instant’ (175-176)

On the drive to Paris, Michelle barely drew breath, speaking to her uncle about her holiday and pointing out landmarks to Delta. Secretly, Delta was relieved. She needed time to acclimatize to the potent force that was Édouard Valois. Sitting beside him in the front of the black Mercedes-Benz, she was all too aware of his presence: his sheer size, his stunning profile, his elegant hands upon the steering wheel deftly controlling the luxury machine, his dynamic and intriguing personality. He was living, breathing masculine perfection.

Do not let others drive that vehicle, called life, for you. Grab that steering wheel and discover unexplored destinations.

You have the ability to drive your brain and the capability to nab the steering wheel back any time you feel yourself veering off the road you intended to take.

I am so obsessed with the cars that sometimes I feel like my heart is not a muscle, it's an engine.

I yanked my steering wheel hard, cutting off a BMW with a very loud horn. I extended my middle finger, for once driving like the Miami native I was, and accelerated over the causeway.

Feel like driving your car into the nearest telegraph pole? Therapist Dr Jeremy Hodges can steer you in a better direction. FREE bottle of anti-depressants for the first ten appointments. Or

Fifteen minutes later I’m hunched over the steering wheel of a two-seater that looks like something you’d find in your corn flakes packet. The Smart is insanely cute and compact, does about seventy miles to a gallon, and is the ideal second car for nipping about town but I’m not nipping about town. I’m going flat out at maybe a hundred and fifty kilometers per hour on the autobahn while some joker is shooting at me from behind with a cannon that fires Porsches and Mercedes. Meanwhile, I’m stuck driving something that handles like a turbocharged baby buggy. I’ve got my fog lights on in a vain attempt to deter the other road users from turning me into a hood ornament, but the jet wash every time another executive panzer overtakes me keeps threatening to roll me right over onto my roof. And that’s before you factor in the deranged Serbian truck drivers driven mad with joy by exposure to a motorway that hasn’t been cluster-bombed and then resurfaced by the lowest bidder.

Why is it forbidden down here and promised up there? Drunken driving. Maybe God doesn’t want humanity to drink while it’s driving the universe to its place, holding on to the steering wheel of heaven

Emma Garcia gripped the steering wheel of the stolen pick-up truck she wished she wasn’t driving. In the entirety of her twenty-six years, she hadn’t taken as much as a piece of gum without paying for it, until today…

Everything about it was false. Right then, in that office, with the realization that no one knew the truth about my life, my thoughts about the world were shaken. Like driving along a bumpy road and losing control of the steering wheel, tossing you-just a tad-off the road. The wheels kick up some dirt, but you're able to pull it back. Yet no matter how tightly you grip the wheel, no matter how hard you try to drive straight, something keeps jerking you to the side. You have so little control over anything anymore. And at some point, the struggle becomes too much-too tiring-and you consider letting go. Allowing tragedy...or whatever...to happen.

I had recently read to my dismay that they have started hunting moose again in New England. Goodness knows why anyone would want to shoot an animal as harmless and retiring as the moose, but thousands of people do—so many, in fact, that states now hold lotteries to decide who gets a permit. Maine in 1996 received 82,000 applications for just 1,500 permits. Over 12,000 outof-staters happily parted with a nonrefundable $20 just to be allowed to take part in the draw. Hunters will tell you that a moose is a wily and ferocious forest creature. Nonsense. A moose is a cow drawn by a three-year-old. That’s all there is to it. Without doubt, the moose is the most improbable, endearingly hopeless creature ever to live in the wilds. Every bit of it—its spindly legs, its chronically puzzled expression, its comical oven-mitt antlers—looks like some droll evolutionary joke. It is wondrously ungainly: it runs as if its legs have never been introduced to each other. Above all, what distinguishes the moose is its almost boundless lack of intelligence. If you are driving down a highway and a moose steps from the woods ahead of you, he will stare at you for a long minute (moose are notoriously shortsighted), then abruptly try to run away from you, legs flailing in eight directions at once. Never mind that there are several thousand square miles of forest on either side of the highway. The moose does not think of this. Clueless as to what exactly is going on, he runs halfway to New Brunswick before his peculiar gait inadvertently steers him back into the woods, where he immediately stops and takes on a startled expression that says, “Hey—woods. Now how the heck did I get here?” Moose are so monumentally muddle-headed, in fact, that when they hear a car or truck approaching they will often bolt out of the woods and onto the highway in the curious hope that this will bring them to safety. Amazingly, given the moose’s lack of cunning and peculiarly-blunted survival instincts, it is one of the longest-surviving creatures in North America. Mastodons, saber-toothed tigers, wolves, caribou, wild horses, and even camels all once thrived in eastern North America alongside the moose but gradually stumbled into extinction, while the moose just plodded on. It hasn’t always been so. At the turn of this century, it was estimated that there were no more than a dozen moose in New Hampshire and probably none at all in Vermont. Today New Hampshire has an estimated 5,000 moose, Vermont 1,000, and Maine anywhere up to 30,000. It is because of these robust and growing numbers that hunting has been reintroduced as a way of keeping them from getting out of hand. There are, however, two problems with this that I can think of. First, the numbers are really just guesses. Moose clearly don’t line up for censuses. Some naturalists think the population may have been overstated by as much as 20 percent, which means that the moose aren’t being so much culled as slaughtered. No less pertinent is that there is just something deeply and unquestionably wrong about killing an animal that is so sweetly and dopily unassuming as a moose. I could have slain this one with a slingshot, with a rock or stick—with a folded newspaper, I’d almost bet—and all it wanted was a drink of water. You might as well hunt cows.

What bothered me most, though, was that i couldn't fix anything. I couldn't control anything. It was like driving a bumper car without a steering wheel. I kept getting slammed, and I just had to sit there and hold on tight.

Get in or you’ll miss the fun.” Fun? I slid into the seat. The engine purred to life. She floored the accelerator and the car jerked forward. She took a hard right and the tires screeched when she pulled out onto the main road. I gripped the armrest. “Who the f*ck gave you your license?” “Watch your language, Noah, and the state of Kentucky. Why did you miss your appointment?” I loved fast driving. Isaiah and I had drag raced all last summer. What I didn’t love was a middle-aged nut job who couldn’t steer straight. “You want to pull over and let me drive?” Mrs. Collins laughed and cut off a tractor trailer merging onto the freeway. “You’re a riot. Focus, Noah. The appointment.”

Like driving along a bumpy road and losing control of the steering wheel, tossing you—just a tad—off the road. The wheels kick up some dirt, but you’re able to pull it back. Yet no matter how tightly you grip the wheel, no matter how hard you try to drive straight, something keeps jerking you to the side. You have so little control over anything anymore. And at some point, the struggle becomes too much— too tiring—and you consider letting go. Allowing tragedy… or whatever… to happen.

A pirate walks into a bar with a parrot on his shoulder, a peg leg, and a steering wheel on his pants,” Derek said. “The bartender says, ‘Hey, you’ve got a steering wheel on your pants.’ And the pirate goes, ‘Arrrgh, I know. It’s driving me nuts.

There is a feeling that I had Friday night after the homecoming game that I don't know if I will ever be able to describe except to say that it is warm. Sam and Patrick drove me to the party that night, and I sat in the middle of Sam's pickup truck. Sam loves her pick up truck because I think it reminds her of her dad.The feeling I had happened when Sam told Patrick to find a station on the radio. And kept getting commercials. And commercials. And a really bad song about love that had the word "baby" in it. And then more commercials. And finally he found this really amazing song about this boy, and we all got quiet. Sam tapped her hand on the steering wheel. Patrick held his hand outside the car and made air waves. And I just sat between them. After the song finished I said something. "I feel infinite" And Sam and Patrick looked at me like I said the greatest thing they ever heard. Because the song was the greatest and we all paid attention to it.Five minutes of a lifetime were truly spent,and we felt young in a good way. I have since bought the record, and I would tell you what it is, but truthfully, it's not the same unless you're driving to your first real part, and you're sitting in the middle seat of a pickup with two nice people when it starts to rain.

Cars are evolving to match the new paradigm. Soon, things like steering wheels, pedals and rear-view mirrors will seem ancient. More practically, we will all be better able to optimize our time and attention to focus on more important tasks, family, work, and self care.

But at that moment all I could see was the wolf in the white van, so alive, so strong. Hidden from view, unnoticed, concealed. And I thought, maybe he's real, this wolf, and he's really out there in a white van somewhere, riding around. Maybe he's in the far back, pacing back and forth, circling, the pads of his huge paws raw and cracking, his thick, sharp claws dully clicking against the raised rusty steel track ridges on the floor. Maybe he's sound asleep, or maybe he's just pretending. And then the van stops somewhere, maybe, and somebody gets out and walks around the side to the back and grabs hold of the handle and flings the doors open wide. Maybe whoever's kept him wears a mechanic's jumpsuit and some sunglasses, and he hasn't fed the great wolf for weeks, cruising the streets of the city at night, and the wolf's crazy with hunger now; he can't even think. Maybe he's not locked up in the back at all: he could be riding in the passenger seat, like a dog, just sitting and staring out the open window, looking around, checking everybody out. Maybe he's over in the other seat behind the steering wheel. Maybe he's driving.

While driving, we think, even for just a moment, about jerking the steering wheel into oncoming traffic or leaping off the balcony of a ship and into the abyss of the black water below. They’re passing thoughts and little dares we allow our psyche, because we’re tired of not living and we want the fear. We want to remember why we want to live. And some of us were more tempted than others at the thrill of how, in the moment, everything could change. Of how it’s not about who we are but what we are, and animals don’t apologize for whatever they need to do to survive.

He’d been the one to lie and cheat in their relationship. So why was he punishing her? Why-- Who cared why, she told herself. She’d just spent a week on a cattle drive. She’d saved fifty steers from drowning. She’d crossed a raging river and had lived to tell the tale. Jeff was beneath her notice.

As she fought the slick roads, her phone rang. She cursed herself for not plugging it into her car charger, at least then she could’ve answered through the hands free device. The next bend was coming up, she knew from her daily drives up and down. Her knuckles were white from the death grip she had on the steering wheel.

While driving, we think, even for just a moment, about jerking the steering wheel into oncoming traffic or leaping off the balcony of a ship and into the abyss of the black water below. They’re passing thoughts and little dares we allow our psyche, because we’re tired of not living and we want the fear. We want to remember why we want to live.

In high school I developed a habit of wandering through shopping malls after school, swaying through the bright, chill mezzanines until I was so dazed with consumer goods and product codes, with promenades and escalators, with mirrors and Muzak and noise and light, that a fuse would blow in my brain and all at once everything would become unintelligible: color without form, a babble of detached molecules. Then I would walk like a zombie to the parking lot and drive to the baseball field, where I wouldn't even get out of the car, just sit with my hands on the steering wheel and stare at the Cyclone fence and the yellowed winter grass until the sun went down and it was too dark for me to see.

Pride takes a minor accomplishment and makes it feel like a major one. From the start, it drives a wedge between the possessor and reality, subtly and not so subtly changing her perceptions of what something is and what it isn't. It is these steering opinions, only loosely secured by fact or accomplishment, that send us careering toward delusion or worse.

I turned the steering wheel as far as I could. The old blue Volvo didn't believe in power steering. "More," my father said. I thought I was going to die. I thought I might have a heart attack. I thought if I ever had to drive that car, I'd end up looking like Arnold Schwarzenegger. "I think I'm having a heart attack," I said. "What?" "Never mind.

In summer, waiting for night, we’d pose against the afterglow on corners, watching traffic cruise through the neighborhood. Sometimes, a car would go by without its headlights on and we’d all yell, “Lights!” “Lights!” we’d keep on yelling until the beams flashed on. It was usually immediate - the driver honking back thanks, or flinching embarrassed behind the steering wheel, or gunning past, and we’d see his red taillights blink on. But there were times - who knows why? - when drunk or high, stubborn, or simply lost in that glide to somewhere else, the driver just kept driving in the dark, and all down the block we’d hear yelling from doorways and storefronts, front steps, and other corners, voices winking on like fireflies: “Lights! Your lights! Hey, lights!

him to turn out and find a dry twig; and if he can't do it, go and borrow one. In fact, the Leather Stocking Series ought to have been called the Broken Twig Series. I am sorry there is not room to put in a few dozen instances of the delicate art of the forest, as practised by Natty Bumppo and some of the other Cooperian experts. Perhaps we may venture two or three samples. Cooper was a sailor — a naval officer; yet he gravely tells us how a vessel, driving towards a lee shore in a gale, is steered for a particular spot by her skipper because he knows of an undertow there which will hold her back against the gale and save her. For just pure woodcraft, or sailorcraft, or whatever it is, isn't that neat? For several years Cooper was daily in the society of artillery, and he ought to have noticed that when a cannon-ball strikes the ground it either buries itself or skips a hundred feet or so; skips again a hundred feet or so — and so on, till finally it gets tired and rolls. Now in one place he loses some "females" — as he always calls women — in the edge of a wood near a plain at night in a fog, on purpose to give Bumppo a chance to show off the delicate art of the forest before the

We are utterly, utterly lost!" Lady Eleanor Swift's words cut through the monotonous rhythm of the windscreen wipers. "If you say so my lady." Eleanor's piercing green eyes swivelled to her butler as he steadfastly stared forward, steering the Rolls Royce along the inky-black ribbon of water-filled potholes that passed for a road. "I do actually, Clifford. It's almost midnight, we've been driving for an eternity and, as I said, we find ourselves entirely lost.

The Garden of Proserpine" Here, where the world is quiet; Here, where all trouble seems Dead winds' and spent waves' riot In doubtful dreams of dreams; I watch the green field growing For reaping folk and sowing, For harvest-time and mowing, A sleepy world of streams. I am tired of tears and laughter, And men that laugh and weep; Of what may come hereafter For men that sow to reap: I am weary of days and hours, Blown buds of barren flowers, Desires and dreams and powers And everything but sleep. Here life has death for neighbour, And far from eye or ear Wan waves and wet winds labour, Weak ships and spirits steer; They drive adrift, and whither They wot not who make thither; But no such winds blow hither, And no such things grow here. No growth of moor or coppice, No heather-flower or vine, But bloomless buds of poppies, Green grapes of Proserpine, Pale beds of blowing rushes Where no leaf blooms or blushes Save this whereout she crushes For dead men deadly wine. Pale, without name or number, In fruitless fields of corn, They bow themselves and slumber All night till light is born; And like a soul belated, In hell and heaven unmated, By cloud and mist abated Comes out of darkness morn. Though one were strong as seven, He too with death shall dwell, Nor wake with wings in heaven, Nor weep for pains in hell; Though one were fair as roses, His beauty clouds and closes; And well though love reposes, In the end it is not well. Pale, beyond porch and portal, Crowned with calm leaves, she stands Who gathers all things mortal With cold immortal hands; Her languid lips are sweeter Than love's who fears to greet her To men that mix and meet her From many times and lands. She waits for each and other, She waits for all men born; Forgets the earth her mother, The life of fruits and corn; And spring and seed and swallow Take wing for her and follow Where summer song rings hollow And flowers are put to scorn. There go the loves that wither, The old loves with wearier wings; And all dead years draw thither, And all disastrous things; Dead dreams of days forsaken, Blind buds that snows have shaken, Wild leaves that winds have taken, Red strays of ruined springs. We are not sure of sorrow, And joy was never sure; To-day will die to-morrow; Time stoops to no man's lure; And love, grown faint and fretful, With lips but half regretful Sighs, and with eyes forgetful Weeps that no loves endure. From too much love of living, From hope and fear set free, We thank with brief thanksgiving Whatever gods may be That no life lives for ever; That dead men rise up never; That even the weariest river Winds somewhere safe to sea. Then star nor sun shall waken, Nor any change of light: Nor sound of waters shaken, Nor any sound or sight: Nor wintry leaves nor vernal, Nor days nor things diurnal; Only the sleep eternal In an eternal night.

We listened to ‘Midnight City’ by M83 while driving under the city’s neon lights. No one spoke. We all just sat silent, breathing in the night. Nick tapped his fingers on the steering wheel, Maya swayed her head back and forth to the instrumental riffs, and I gazed up at the twinkling city around us. I wish I could describe exactly how I felt, but I can’t wrap my feelings into words. All I can say is that I felt alive and didn’t want to think about anything else besides this moment.

A moment later, as he pulls away from the curb, I’m assuming the ride to school will be awkward with my sister in the back. It’s confirmed when she asks, “So what’s the deal with you and my sister?” He laughs shortly and rubs the back of his neck like something is there, tickling, tapping. “Tamra.” Clutching the dashboard, I turn and glare at her. “There is no deal.” She snorts. “Well, we wouldn’t be sitting here if that was the case now, would we?” I open my mouth to demand she end the interrogation when Will’s voice stops me. “I like your sister. A lot.” I look at him dumbly. He looks at me, lowers his voice to say, “I like you.” I know that, I guess, but heat still crawls over my face. I swing forward in my seat, cross my arms over my chest and stare straight ahead. Can’t stop shivering. Can’t speak. My throat hurts too much. “Jacinda,” he says. “I think you’ve shocked her,” Tamra offers, then sighs. “Look, if you like her, you have to make it legit. I don’t want everyone at school whispering about her like she’s some toy you get your kicks with in a stairwell.” Now I really can’t speak. My blood burns. I already have one mother doing her best to control my life. I don’t need my sister stepping in as mother number two. I know,” he says. “That’s what I’m trying to do now—if she’ll let me.” I feel his gaze on the side of my face. Anxious. Waiting. I look at him. A breath shudders from me at the intensity in his eyes. He’s serious. But then he would have to be. If he’s willing to break free of his self-imposed solitude for me, especially when he suspects there’s more to me than I’m telling him . . . he means what he’s saying. His thumb beats a staccato rhythm on the steering wheel as he drives. “I want to be with you, Jacinda.” He shakes his head. “I’m dong fighting it.” “Jeez,” Tamra mutters. And I know what she means. It seems too much. The declaration extreme. Fast. After all, we’re only sixteen . . . I start, jerk a little. I think he’s sixteen.

Imagine teaching a fifteen-year-old how to drive a car with manual transmission. First, you have to press down the clutch. Then you have to whisper a secret into one of the cup holders. In Diane’s case, this was easy, as she was not a very social or public person, and most any mundane thing in her life could be a secret. In Josh’s case this was hard, because for teenagers most every mundane thing in their lives is a secret that they do not like sharing in front of their parents. Then, after the clutch and the secret, the driver has to grab the stick shift, which is a splintered wood stake wedged into the dashboard, and shake it until something happens—anything really—and then simultaneously type a series of code numbers into a keyboard on the steering wheel. All this while sunglasses-wearing agents from a vague yet menacing government agency sit in a heavily tinted black sedan across the street taking pictures (and occasionally waving). This is a lot of pressure on a first-time driver.

Now ease off the brake, I mean flip-flop.” The truck crawled backward. “Now, when you’re far enough back, step on the brake again.” The edge of the woods came closer. “Good. Just a little more.” We went another few feet. “Okay, stop.” The truck kept going. “Brake Morgan.” “Which one’s the brake?” “Left, I mean, flip-flop.” The truck jerked to a stop. I slammed my hand against the dash to keep from getting thrown around. “You’re not a very good copilot, Grant.” “You’re not a very good pilot.” “That’s because I don’t know how to drive.” Morgan flexed his hand on the steering wheel. I counted to ten before saying anything. “Now you need to put the truck in drive and make a right… I mean bare foot.” The truck shot forward. “Stop, Morgan. Stop. Flip-flop.” It jerked to a stop hard enough to dump me into the floorboard and crack my head on the dash. “Fuck.” I struggled to get back into the seat. “Should have brought a helmet.” “If I’d known you were going to try to kill me, I would have.” “You’re the one who said bare foot.” “I meant direction.” “We didn’t discuss direction, just flip-flops and bare feet.

Fifteen minutes later I’m hunched over the steering wheel of a two-seater that looks like something you’d find in your corn flakes packet. The Smart is insanely cute and compact, does about seventy miles to a gallon, and is the ideal second car for nipping about town; but I’m not nipping about town. I’m going flat out at maybe a hundred and fifty kilometers per hour on the autobahn while some joker is shooting at me from behind with a cannon that fires Porsches and Mercedes. Meanwhile, I’m stuck driving something that handles like a turbocharged baby buggy.

Right then, in that office, with the realization that no one knew the truth about my life, my thoughts about the world were shaken. Like driving along a bumpy road and losing control of the steering wheel, tossing you—just a tad—off the road. The wheels kick up some dirt, but you’re able to pull it back. Yet no matter how tightly you grip the wheel, no matter how hard you try to drive straight, something keeps jerking you to the side. You have so little control over anything anymore. And at some point, the struggle becomes too much—too tiring—and you consider letting go. Allowing tragedy . . . or whatever . . . to happen.

On the drive home the car lurches over frost heaves and through potholes, an endless wall of pitch-black woods on either side. The radio plays hits from the seventies and eighties, Dad tapping the steering wheel along to “My Sharona” while Mom sleeps, her head leaning against the window. “Such a dirty mind / I always get it up for the touch of the younger kind.” I watch his fingers tap to the beat as the chorus comes around again. Does he even hear what the song is about, what he’s humming along to? “Get it up for the touch of the younger kind.” It’s enough to make me crazy, seeing these things that no one else ever seems to notice.

Sam tapped her hand on the steering wheel. Patrick held his hand outside the car and made air waves. And I just sat between them. After the song finished, I said something. “I feel infinite.” And Sam and Patrick looked at me like I said the greatest thing they ever heard. Because the song was that great and because we all really paid attention to it. Five minutes of a lifetime were truly spent, and we felt young in a good way. I have since bought the record, and I would tell you what it was, but truthfully, it’s not the same unless you’re driving to your first real party, and you’re sitting in the middle seat of a pickup with two nice people when it starts to rain.

I’m an overthinker. Many of us are. My mind gets racing a thousand miles a minute and I get anxious about my work, my career, or where I need to be in thirty minutes. Every day I need to shut down this machine and simply be still. Be aware of your breathing, really feel your breath going in, going out. Be aware of the feeling of the cloth on your shirt. Be aware of the grip on the steering wheel. Tell yourself--out oud--that the only thing that truly exists right now is this exact moment, and enjoy it, swim in it. Someone once said that your mind is like a raging river that’s full of debris, and when you’re floating in this river, you reach out and try to grab the branches and rocks. But what if you could climb onto the bank and watch the river? Suddenly you’re in a calm place. Maybe it sounds like a cliché to say, “Stop and smell the roses,” so I’ll tell you this instead: “Stop and watch the sunset.” Just the other night, driving home in L.A., I was struck by how beautiful the sky was--a dark blue canvas painted with strokes of bright orange and red. It was truly one of the most glorious sunsets I’d ever seen. I was stuck in traffic, worrying about one thing or another, and I just gazed out the window and drank it in. I let it fill my soul and inspire me. The world stopped revolving for just that split second, and my mind was still and calm. And to think, I could have missed it.

With just a tap on the gas, the car flew off of the road and skidded sideways into the encompassing woods. And I felt the sudden impact as the tires scraped against mounds of dirt, buried roots and jagged stones. The blood-red moon lightly broke through the scattered leaves above us as we bounced among the hidden marshes that could have stretched for miles. But I had no recollection of time because everything, the sounds and the surrounding scenery swept by so quickly. Gripping the steering wheel, his feet on the pedals, spine arched, and my hair whipping my face in the wind from the freshly broken glass on my passenger-side-window I couldn’t help but smile with the childish pleasure of being hurtled through the air as if we were on a rollercoaster built for two.

It’s not until we get into the car that I notice he has blood on his hand. “You’ve cut yourself,” I say. He doesn’t reply; his knuckles are white on the steering wheel. “Tom, I needed to talk to you,” I say. I’m trying to be conciliatory, trying to be grown-up about this, but I suppose it’s a little late for that. “I’m sorry about hassling you, but for God’s sake! You just cut me off. You—” “It’s OK,” he says, his voice soft. “I’m not . . . I’m pissed off about something else. It’s not you.” He turns his head and tries to smile at me, but fails. “Problems with the ex,” he says. “You know how it is.” “What happened to your hand?” I ask him. “Problems with the ex,” he says again, and there’s a nasty edge to his voice. We drive the rest of the way to Corly Wood in silence.

Hunters will tell you that a moose is a wily and ferocious forest creature. Nonsense. A moose is a cow drawn by a three-year-old. That’s all there is to it. Without doubt, the moose is the most improbable, endearingly hopeless creature ever to live in the wilds. Every bit of it—its spindly legs, its chronically puzzled expression, its comical oven-mitt antlers—looks like some droll evolutionary joke. It is wondrously ungainly: it runs as if its legs have never been introduced to each other. Above all, what distinguishes the moose is its almost boundless lack of intelligence. If you are driving down a highway and a moose steps from the woods ahead of you, he will stare at you for a long minute (moose are notoriously shortsighted), then abruptly try to run away from you, legs flailing in eight directions at once. Never mind that there are several thousand square miles of forest on either side of the highway. The moose does not think of this. Clueless as to what exactly is going on, he runs halfway to New Brunswick before his peculiar gait inadvertently steers him back into the woods, where he immediately stops and takes on a startled expression that says, “Hey—woods. Now how the heck did I get here?” Moose are so monumentally muddle-headed, in fact, that when they hear a car or truck approaching they will often bolt out of the woods and onto the highway in the curious hope that this will bring them to safety. Amazingly, given the moose’s lack of cunning and peculiarly-blunted survival instincts, it is one of the longest-surviving creatures in North America.

driving through the park I notice men and women playing golf driving in their powered carts over billiard table lawns, they are my age but their bodies are fat their hair grey their faces waffle batter, and I remember being startled by my own face scarred, and mean as red ants looking at me from a department store mirror and the eyes mad mad mad I drive on and start singing making up the sound a war chant and there is the sun and the sun says, good, I know you, and the steering wheel is humorous and the dashboard laughs, see, the whole sky knows I have not lied to anything even death will have exits like a dark theatre. I stop at a stop sign and as fire burns the trees and the people and the city I know that there will be a place to go and a way to go and nothing need ever be lost.

LIGHTS By Stuart Dybek “In summer, waiting for night, we’d pose against the afterglow on corners, watching traffic cruise through the neighborhood. Sometimes, a car would go by without its headlights on and we’d all yell, “Lights!” “Lights!” we’d keep on yelling until the beams flashed on. It was usually immediate - the driver honking back thanks, or flinching embarrassed behind the steering wheel, or gunning past, and we’d see his red taillights blink on. But there were times - who knows why? - when drunk or high, stubborn, or simply lost in that glide to somewhere else, the driver just kept driving in the dark, and all down the block we’d hear yelling from doorways and storefronts, front steps, and other corners, voices winking on like fireflies: “Lights! Your lights! Hey, lights!

...I couldn't let go of her hand. For a few moments, I looked at the shape of it, the roundness of her fingers. I realized that her hands gave me a sense of comfort because they were the most familiar part of her to me. Those hands had always been in my sight when I was a child. Those were the hands I held crossing the street, the hands that made me lunch and cooked me dinner, the hands that stroked me when I was feeling sad, the hands on the steering wheel driving me all over town, the hands whose rings I had looked at and played with, turning them around on her finger. I knew then that regardless of how we had fought and cried and how adoption had affected us both, those hands, free of words and emotional baggage, encompassed everything. They were pure love-all the love that she had for me.

So what's the deal with you and my sister?" He laughs shortly and rubs the back of his neck like something is there, tickling, tapping. "Tamra." Clutching the dashboard, I turn and glare at her. "There is no deal." She snorts. "Well, we wouldn't be sitting here if that was the case now, would we?" I open my mouth to demand she end the interrogation when Will's voice stops me. "I like your sister. A lot." I look at him dumbly. He looks at me, lowers his voice to say, "I like you." I know that, I guess, but heat crawls over my face. I swing forward in my seat, cross my arms over my chest and stare straight ahead. Can't stop shivering. Can't speak. My throat hurts too much. "Jacinda," he says. "I think you've shocked her," Tamra offers, then sighs. "Look, if you like her, you have to make it legit. I don't want everyone at school whispering about her like she's some toy you get your kicks with in a stairwell." Now I really can't speak. My blood burns. I already have one mother doing her best to control my life. I don't need my sister stepping in as mother number two. "I know," he says. "That's what I'm trying to do now-if she'll let me." I feel his gaze on the side of my face. Anxious. Waiting. I look at him. A breath shudders from me at the intensity in his eyes. He's serious. But then he would have to be. If he's willing to break free of his self-imposed solitude for me, especially when he suspects there's more to me than I'm telling him...he means what he's saying. His thumbs beat a staccato rhythm on the steering wheel as he drives. "I want to be with you, Jacinda." He shakes his head. "I'm done fighting it." "Jeez," Tamra mutters. And I know what she means. It seems too much. The declaration extreme. Fast. After all, we're only sixteen... I start, jerk a little. I think he's sixteen. I don't even know. I don't know anything about him other than his secret. That sort of eclipses everything else. But he has to be more. More than the secret. More than a hunter. More than a boy who doesn't want to be a force of destruction. More than the boy who saved my life. The boy I've built a fantasy around. I don't know the real him. Xander mentioned Will being sick, and I don't even know what happened to him. But then I don't feel bad about that for long. Because he doesn't know the real me either. And yet he still wants to be with me. Maybe it's perfect because I want to be with him, too. And not just because I need to get close to him and use him for information. Although there is that. Something I would like to forget but can't let myself. Forgetting is resigning myself to a life here. Forever. As a ghost. A small voice whispers through me, a tempting thought... Not if you have Will.

Marlboro Man answered, “Hello?” He must have been almost asleep. “Um…um…hi,” I said, squinting in shame. “Hey there,” he replied. “This is Ree,” I said. I just wanted to make sure he knew. “Yeah…I know,” he said. “Um, funniest thing happened,” I continued, my hands in a death grip on the steering wheel. “Seems I got a little turned around and I’m kinda sorta maybe perhaps a little tiny bit lost.” He chuckled. “Where are you?” “Um, well, that’s just it,” I replied, looking around the utter darkness for any ounce of remaining pride. “I don’t really know.” Marlboro Man assumed control, telling me to drive until I found an intersection, then read him the numbers on the small green county road sign, numbers that meant absolutely nothing to me, considering I’d never even heard the term “county road” before, but that would help Marlboro Man pinpoint exactly where on earth I was. “Okay, here we go,” I called out. “It says, um…CR 4521.” “Hang tight,” he said. “I’ll be right there.

Some people on bus seats shake at the shoulders, Stoned Elvises trying to dance after the gig. Some walk into the rain and look like they’re smiling, Running mascara writes sad bitter letters on their faces. Some drive their cars into lay-bys or park edges And cradle the steering-wheel looking like headless drivers. Some sink their open mouths into feather pillows And tremble on the bed like beached dolphins. Some people are bent as question marks when they weep And some are straight as exclamation marks. Some are soaking in emotional dew when they wake, Salt street maps etched into their faces. Some find rooms and fall to the floor as if praying to Allah. Noiseless Faces contorted in that silent scream that seems like laughter. Why is there not a tissue-giver? A man who looks for tears, Who makes the finest silk tissues and offers them for free? It seems to me that around each corner, beneath each stone, Are humans quietly looking for a place to cry on their own.

Jason, it’s a pleasure.” Instead of being in awe or “fangirling” over one of the best catchers in the country, my dad acts normal and doesn’t even mention the fact that Jason is a major league baseball player. “Going up north with my daughter?” “Yes, sir.” Jason sticks his hands in his back pockets and all I can focus on is the way his pecs press against the soft fabric of his shirt. “A-plus driver here in case you were wondering. No tickets, I enjoy a comfortable position of ten and two on the steering wheel, and I already established the rule in the car that it’s my playlist we’re listening to so there’s no fighting over music. Also, since it’s my off season, I took a siesta earlier today so I was fresh and alive for the drive tonight. I packed snacks, the tank is full, and there is water in reusable water bottles in the center console for each of us. Oh, and gum, in case I need something to chew if this one falls asleep.” He thumbs toward me. “I know how to use my fists if a bear comes near us, but I’m also not an idiot and know if it’s brown, hit the ground, if it’s black, fight that bastard back.” Oh my God, why is he so adorable? “I plan on teaching your daughter how to cook a proper meal this weekend, something she can make for you and your wife when you’re in town.” “Now this I like.” My dad chuckles. Chuckles. At Jason. I think I’m in an alternate universe. “I saw this great place that serves apparently the best pancakes in Illinois, so Sunday morning, I’d like to go there. I’d also like to hike, and when it comes to the sleeping arrangements, I was informed there are two bedrooms, and I plan on using one of them alone. No worries there.” Oh, I’m worried . . . that he plans on using the other one. “Well, looks like you’ve covered everything. This is a solid gentleman, Dottie.” I know. I really know. “Are you good? Am I allowed to leave now?” “I don’t know.” My dad scratches the side of his jaw. “Just from how charismatic this man is and his plans, I’m thinking I should take your place instead.” “I’m up for a bro weekend,” Jason says, his banter and decorum so easy. No wonder he’s loved so much. “Then I wouldn’t have to see the deep eye-roll your daughter gives me on a constant basis.” My dad leans in and says, “She gets that from me, but I will say this, I can’t possibly see myself eye-rolling with you. Do you have extra clothes packed for me?” “Do you mind sharing underwear with another man? Because I’m game.” My dad’s head falls back as he laughs. “I’ve never rubbed another man’s underwear on my junk, but never say never.” “Ohhh-kay, you two are done.” I reach up and press a kiss to my dad’s cheek. “We are leaving.” I take Jason by the arm and direct him back to the car. From over his shoulder, he mouths to my dad to call him, which my dad replies with a thumbs up. Ridiculous. Hilarious. When we’re saddled up in the car, I let out a long breath and shift my head to the side so I can look at him. Sincerely I say, “Sorry about that.” With the biggest smile on his face, his hand lands on my thigh. He gives it a good squeeze and says, “Don’t apologize, that was fucking awesome.

There’s an unexpected lull in the traffic about two-thirds of the way to Darmstadt, and I make the mistake of breathing a sigh of relief. The respite is short-lived. One moment I’m driving along a seemingly empty road, bouncing from side to side on the Smart’s town-car suspension as the hairdryersized engine howls its guts out beneath my buttocks, and the next instant the dashboard in front of me lights up like a flashbulb. I twitch spasmodically, jerking my head up so hard I nearly dent the thin plastic roof. Behind me the eyes of Hell are open, two blinding beacons like the landing lights on an off-course 747. Whoever they are, they’re standing on their brakes so hard they must be smoking. There’s a roar, and then a squat, red Audi sports coupe pulls out and squeezes past my flank close enough to touch, its blonde female driver gesticulating angrily at me. At least I think she’s blonde and female. It’s hard to tell because everything is gray, my heart is trying to exit through my rib cage, and I’m frantically wrestling with the steering wheel to keep the roller skate from toppling over. A fraction of a second later she’s gone, pulling back into the slow lane ahead of me to light off her afterburners. I swear I see red sparks shooting out of her two huge exhaust tubes as she vanishes into the distance, taking about ten years of my life with her.

As Zane drove toward the exit, Phoebe searched frantically for a topic of conversation. Nothing brilliant came to mind. She nibbled on her lower lip as she considered risking the truth. When nothing better occurred to her, she decided to dive right into the cowboy-infested water. “So this is really strange, huh?” Zane glanced at her but didn’t speak. She cleared her throat. “Me being here. I mean you don’t know me from a rock, and I’m going to be staying at the ranch for a couple of days. Maybe we should get to know each other, so the situation isn’t so awkward.” “If you don’t feel like you belong, why did you come?” She spent a good three seconds mentally swooning over the sound of his voice before processing his words. He wasn’t exactly welcoming. “Well, um, several reasons,” she said, stalling, then couldn’t think of any but one. She sighed. “Maya guilted me into it.” “What did she tell you? That I keep Chase locked in a tower and feed him bread and water?” Phoebe winced. “Not exactly.” “But close.” “Um, maybe.” Zane’s grip on the steering wheel tightened. “She’s always had a soft spot for Chase.” “He must be really smart. That must make you proud. I certainly couldn’t design a website and entice people to sign up for a cattle-drive vacation.” Zane’s ever-so-perfect mouth tightened. “He lied, stole and committed fraud. Pride doesn’t much enter into it for me.” Phoebe hunched down in her seat. “If you’re going to put it like that,” she mumbled and turned her attention to the scenery.

He stared down at her for a moment, wanting to heal every cut on her soft skin. But he couldn’t, not yet. He needed to get her, and her car, far from this place so neither he nor Kate would be implicated in any way with the gruesome murder site. It also meant he would have to drive. In all his years, he had never driven an automobile. The closest he had come was watching various assistants through the years as they chauffeured him. He wasn’t sure he could even remember how to start the car, but right now he had no choice. Grudgingly, he got into the driver’s seat, and finding the lever underneath, he pushed it back so he sat comfortably behind the wheel. After trying three different keys, he found one that slipped into the ignition. From what he had seen over the past hundred years, driving was not a complex operation, and he was an immortal with reflexes far more keen than a human man. How difficult could it be? He turned the key and nearly jerked the wheel off the steering column when the car surprised him by lurching forward. The car went silent. The engine wasn’t running. What was he doing wrong? He stared at the gearshift, wondering if he should move it. His frustration reared up, but his agitation would not make the car drive itself. He had to keep a cool head. Not knowing what else to try, he pushed one of the pedals at his feet to the floor and turned the key again. This time the car didn’t move, and it roared to life. Grasping the gearshift, he jammed it into the first position and glanced over at Kate. Why couldn’t she have owned a car with an automatic transmission? Shaking his head, he put some pressure on the gas pedal and slowly released the clutch. Thankfully the car rolled a few feet, but without warning it jumped forward. He pressed the clutch back to the floor before the engine lost power again. Calisto slammed his hand against the wheel, muttering under his breath in Spanish. At this rate it would take him all night to drive her home. The faded yellow convertible pitched forward again, threatening to stall as he continued out of the parking lot, thankful it was late. The streets were fairly empty. At least he wouldn’t get into an accident with another car. Her car staggered ahead, lurching each time he tried to release the clutch, bouncing and jostling them both until Kate finally stirred and woke up. § “Are we out of gas or something?” Calisto watched her with a tight smile. “Not exactly.” Kate winced in pain when she laughed. “You can’t drive a stickshift, can you?” “Does it show?” Calisto pulled over, finally allowing the engine to stall. She nodded her head slowly to avoid more pain. “Just a little. What happened?” “You don’t remember?” “I remember being mugged. And I remember seeing you, but everything after that is blank.” She watched his eyes as Calisto reached over to brush her hair back from her face, and his touch sent shivers through her body. This wasn’t how she had hoped she would run into him, but she learned a long time ago fate didn’t always work out the way you expected.

Chad made a sour face. He turned to Shadow. “Okay,” said Chad. “Through that door and into the sally port.” “What?” “Out there. Where the car is.” Liz unlocked the doors. “You make sure that orange uniform comes right back here,” she said to the deputy. “The last felon we sent down to Lafayette, we never saw the uniform again. They cost the county money.” They walked Shadow out to the sally port, where a car sat idling. It wasn’t a sheriff’s department car. It was a black town car. Another deputy, a grizzled white guy with a mustache, stood by the car, smoking a cigarette. He crushed it out underfoot as they came close, and opened the back door for Shadow. Shadow sat down, awkwardly, his movements hampered by the cuffs and the hobble. There was no grille between the back and the front of the car. The two deputies climbed into the front of the car. The black deputy started the motor. They waited for the sally port door to open. “Come on, come on,” said the black deputy, his fingers drumming against the steering wheel. Chad Mulligan tapped on the side window. The white deputy glanced at the driver, then he lowered the window. “This is wrong,” said Chad. “I just wanted to say that.” “Your comments have been noted, and will be conveyed to the appropriate authorities,” said the driver. The doors to the outside world opened. The snow was still falling, dizzying into the car’s headlights. The driver put his foot on the gas, and they were heading back down the street and on to Main Street. “You heard about Wednesday?” said the driver. His voice sounded different, now, older, and familiar. “He’s dead.” “Yeah. I know,” said Shadow. “I saw it on TV.” “Those fuckers,” said the white officer. It was the first thing he had said, and his voice was rough and accented and, like the driver’s, it was a voice that Shadow knew. “I tell you, they are fuckers, those fuckers.” “Thanks for coming to get me,” said Shadow. “Don’t mention it,” said the driver. In the light of an oncoming car his face already seemed to look older. He looked smaller, too. The last time Shadow had seen him he had been wearing lemon-yellow gloves and a check jacket. “We were in Milwaukee. Had to drive like demons when Ibis called.” “You think we let them lock you up and send you to the chair, when I’m still waiting to break your head with my hammer?” asked the white deputy gloomily, fumbling in his pocket for a pack of cigarettes. His accent was Eastern European. “The real shit will hit the fan in an hour or less,” said Mr. Nancy, looking more like himself with each moment, “when they really turn up to collect you. We’ll pull over before we get to Highway 53 and get you out of those shackles and back into your own clothes.” Czernobog held up a handcuff key and smiled. “I like the mustache,” said Shadow. “Suits you.” Czernobog stroked it with a yellowed finger. “Thank you.” “Wednesday,” said Shadow. “Is he really dead? This isn’t some kind of trick, is it?” He realized that he had been holding on to some kind of hope, foolish though it was. But the expression on Nancy’s face told him all he needed to know, and the hope was gone.

You said to step on the brake to put us into drive, then to step on the right one to-" "Not at the same time!" "Well, you should have told me that. How was I supposed to know?" I snort. "You acted like the freaking Dalai Lama when I tried to tell you how to shift gears. I told you, one was for go and one was for stop. You can't stop and go at the same time! You have to make up your mind." From the expression on her face, she's either about to punch me or call me something really bad. She opens her mouth, but the really bad something doesn't come out; she shuts it again. Then she giggles. Now I've seen everything. "Galen tells me that all the time," she chortles. "That I can never make up my mind." Then she bursts out laughing so hard she spits all over the steering wheel. She keeps laughing until I'm convinced an unknown force is tickling her senseless. What? As far as I can tell, her indecisiveness almost got us killed. Killed isn't funny. "You should have seen your face," she says, between gulps of breaths. "You were all, like-" And she makes the face of a drunk clown. "I bet you wet yourself, didn't you?" She cracks herself up so much she clutches her side as if she's holding in her own guts. I feel my lips fracture into a smile before I can stop them. "You were more scared than me. You swallowed like ten flies while you were screaming." She spits all over the steering wheel again. And I spew laughter onto the dash. It takes a good five minutes for us to sober up enough for another driving lesson. My throat is dry, and my eyes are wet when I say, "Okay, now. Let's concentrate. The sun is going down. These woods probably get pretty creepy at night." She clears her throat, still giggling a little. "Okay. Concentrate. Right." "So, this time, when you take your foot off the brake, the car will go on its own. There, see?" We slink along the road at an idle two miles per hour. She huffs up at her bangs. "This is boring. I want to go faster." I start to say, "Not too fast," but she squashes the gas under her foot, and my words are snatched away by the wind. She gives a startled shout, which I find hypocritical because after all, I'm the one helpless in the passenger seat, and she's the one screaming like a teapot, turning the wheel back and forth like the road isn't straight as a pencil. "Brake, brake, brake!" I shout, hoping repetition will somehow penetrate the small part of her brain that actually thinks. Everything happens fast. We stop. There's a crunching sound. My face slams into the dash. No wait, the dash becomes an airbag. Rayna's scream is cut off by her airbag. I open my eyes. A tree. A freaking tree. The metal frame groans, and something under the hood lets out a mechanical hiss. Smoke billows up from the front, the universal symbol for "you're screwed." I turn to the rustling sound beside me. Rayna is wrestling with the airbag like it has attacked her instead of saved her life. "What is this thing?" she wails, pushing it out of her way and opening the door. One Mississippi...two Mississippi... "Well, are you just going to sit there? We have a long walk home. You're not hurt are you? Because I can't carry you." Three Mississippi...four Mississippi... "What are those flashing blue lights down there?

Driving alone along the Northway, feeling more haunted than I really had the courage to be, I cried in the car the way one does when leaving someone in a bitter and unbearable way. I don't know why I should have picked that time to grieve, to summon everything before me--my own monsterousness, my two-bit affections, three-bit, four. It could have been sooner, it could have been later, it could have been one of the hot, awkward funerals (my grandmother's, LaRoue's, my father who one morning in Vero Beach clutched his fiery arm and fell dead off his chair mouthing to my mother, "Help. Heart. I love you" --how every death makes the world a lonelier place), it oculd have been some other time when the sun wasn't so bright, and there was no news on the raido, and my arms were not laced in a bird's nest on the steering wheel, my life going well, I believed, pretty well. It could have been any other time. But it was then: I cried for Sils and LaRoue, all that devotion and remorse, stars streaming light a million years after dying; I cried for the boyfriends I was no longer with, the people and places I no longer knew very well, for my parents and grandmother ailing and stuck in Florida, their rough, unchanging forms conjured only in memory; a jewel box kept in the medicine cabinet in the attic of a house on the moon; that's where their unchanging forms were kept. I cried for everyone and for all the scrabbly, funny love one sent out into the world like some hit song that enters space and bounds off to another galaxy, a tune so pretty you think the words are true, you do! There was never any containing a song like that, keeping it. It went off and out, speeding out of earshot or imagining or any reach at all, like a rocket invented in sleep.

GCHQ has traveled a long and winding road. That road stretches from the wooden huts of Bletchley Park, past the domes and dishes of the Cold War, and on towards what some suggest will be the omniscient state of the Brave New World. As we look to the future, the docile and passive state described by Aldous Huxley in his Brave New World is perhaps more appropriate analogy than the strictly totalitarian predictions offered by George Orwell's Nineteen Eighty-Four. Bizarrely, many British citizens are quite content in this new climate of hyper-surveillance, since its their own lifestyle choices that helped to create 'wired world' - or even wish for it, for as we have seen, the new torrents of data have been been a source of endless trouble for the overstretched secret agencies. As Ken Macdonald rightly points out, the real drives of our wired world have been private companies looking for growth, and private individuals in search of luxury and convenience at the click of a mouse. The sigint agencies have merely been handed the impossible task of making an interconnected society perfectly secure and risk-free, against the background of a globalized world that presents many unprecedented threats, and now has a few boundaries or borders to protect us. Who, then, is to blame for the rapid intensification of electronic surveillance? Instinctively, many might reply Osama bin Laden, or perhaps Pablo Escobar. Others might respond that governments have used these villains as a convenient excuse to extend state control. At first glance, the massive growth of security, which includes includes not only eavesdropping but also biometric monitoring, face recognition, universal fingerprinting and the gathering of DNA, looks like a sad response to new kinds of miscreants. However, the sad reality is that the Brave New World that looms ahead of us is ultimately a reflection of ourselves. It is driven by technologies such as text messaging and customer loyalty cards that are free to accept or reject as we choose. The public debate on surveillance is often cast in terms of a trade-off between security and privacy. The truth is that luxury and convenience have been pre-eminent themes in the last decade, and we have given them a much higher priority than either security or privacy. We have all been embraced the world of surveillance with remarkable eagerness, surfing the Internet in a global search for a better bargain, better friends, even a better partner. GCHQ vast new circular headquarters is sometimes represented as a 'ring of power', exercising unparalleled levels of surveillance over citizens at home and abroad, collecting every email, every telephone and every instance of internet acces. It has even been asserted that GCHQ is engaged in nothing short of 'algorithmic warfare' as part of a battle for control of global communications. By contrast, the occupants of 'Celtenham's Doughnut' claim that in reality they are increasingly weak, having been left behind by the unstoppable electronic communications that they cannot hope to listen to, still less analyse or make sense of. In fact, the frightening truth is that no one is in control. No person, no intelligence agency and no government is steering the accelerating electronic processes that may eventually enslave us. Most of the devices that cause us to leave a continual digital trail of everything we think or do were not devised by the state, but are merely symptoms of modernity. GCHQ is simply a vast mirror, and it reflects the spirit of the age.

We needed to drive down the road a couple of miles to meet the rest of the cowboys and gather the cattle from there. “Mom, why don’t you and Ree go ahead in her car and we’ll be right behind you,” Marlboro Man directed. His mother and I walked outside, climbed in the car, and headed down the road. We exchanged pleasant small talk. She was poised and genuine, and I chattered away, relieved that she was so approachable. Then, about a mile into our journey, she casually mentioned, “You might watch that turn up ahead; it’s a little sharp.” “Oh, okay,” I replied, not really listening. Clearly she didn’t know I’d been an L.A. driver for years. Driving was not a problem for me. Almost immediately, I saw a ninety-degree turn right in front of my face, pointing its finger at me and laughing--cackling--at my predicament. I whipped the steering wheel to the left as quickly as I could, skidding on the gravel and stirring up dust. But it was no use--the turn got the better of me, and my car came to rest awkwardly in the ditch, the passenger side a good four feet lower than mine. Marlboro Man’s mother was fine. Lucky for her, there’s really nothing with which to collide on an isolated cattle ranch--no overpasses or concrete dividers or retaining walls or other vehicles. I was fine, too--physically, anyway. My hands were trembling violently. My armpits began to gush perspiration. My car was stuck, the right two tires wedged inextricably in a deep crevice of earth on the side of the road. On the list of the Top Ten Things I’d Want Not to Happen on the First Meeting Between My Boyfriend’s Mother and Me, this would rate about number four. “Oh my word,” I said. “I’m sorry about that.” “Oh, don’t worry about it,” she reassured, looking out the window. “I just hope your car’s okay.” Marlboro Man and his dad pulled up beside us, and they both hopped out of the pickup. Opening my door, Marlboro Man said, “You guys okay?” “We’re fine,” his mother said. “We just got a little busy talking.” I was Lucille Ball. Lucille Ball on steroids and speed and vodka. I was a joke, a caricature, a freak. This couldn’t possibly be happening to me. Not today. Not now. “Okay, I’ll just go home now,” I said, covering my face with my hands. I wanted to be someone else. A normal person, maybe. A good driver, perhaps. Marlboro Man examined my tires, which were completely torn up. “You’re not goin’ anywhere, actually. You guys hop in the pickup.” My car was down for the count.

I kept driving for a while, then stopped on the side of the road. Shining my brights on the road in front of me, I watched out for Leatherface while dialing Marlboro Man on my car phone. My pulse was rapid out of sheer terror and embarrassment; my face was hot. Lost and helpless on a county road the same night I’d emotionally decompensated in his kitchen--this was not exactly the image I was dying to project to this new man in my life. But I had no other option, short of continuing to drive aimlessly down one generic road after another or parking on the side of the road and going to sleep, which really wasn’t an option at all, considering Norman Bates was likely wandering around the area. With Ted Bundy. And Charles Manson. And Grendel. Marlboro Man answered, “Hello?” He must have been almost asleep. “Um…um…hi,” I said, squinting in shame. “Hey there,” he replied. “This is Ree,” I said. I just wanted to make sure he knew. “Yeah…I know,” he said. “Um, funniest thing happened,” I continued, my hands in a death grip on the steering wheel. “Seems I got a little turned around and I’m kinda sorta maybe perhaps a little tiny bit lost.” He chuckled. “Where are you?” “Um, well, that’s just it,” I replied, looking around the utter darkness for any ounce of remaining pride. “I don’t really know.” Marlboro Man assumed control, telling me to drive until I found an intersection, then read him the numbers on the small green county road sign, numbers that meant absolutely nothing to me, considering I’d never even heard the term “county road” before, but that would help Marlboro Man pinpoint exactly where on earth I was. “Okay, here we go,” I called out. “It says, um…CR 4521.” “Hang tight,” he said. “I’ll be right there.” Marlboro Man was right there, in less than five minutes. Once I determined the white pickup pulling beside my car was his and not that of Jason Voorhees, I rolled down my window. Marlboro Man did the same and said, with a huge smile, “Having trouble?” He was enjoying this, in the exact same way he’d enjoyed waking me from a sound sleep when he’d called at seven a few days earlier. I was having no trouble establishing myself as the clueless pansy-ass of our rapidly developing relationship. “Follow me,” he said. I did. I’ll follow you anywhere, I thought as I drove in the dust trail behind his pickup. Within minutes we were back at the highway and I heaved a sigh of relief that I was going to survive. Humiliated and wanting to get out of his hair, I intended to give him a nice, simple wave and drive away in shame. Instead, I saw Marlboro Man walking toward my car. Staring at his Wranglers, I rolled down my window again so I could hear what he had to say. He didn’t say anything at all. He opened my car door, pulled me out of the car, and kissed me as I’d never been kissed before. And there we were. Making out wildly at the intersection of a county road and a rural highway, dust particles in the air mixing with the glow of my headlights to create a cattle ranch version of London fog. It would have made the perfect cover of a romance novel had it not been for the fact that my car phone, suddenly, began ringing loudly.