Steep Road Quotes

We've searched our database for all the quotes and captions related to Steep Road. Here they are! All 100 of them:

There is no royal road to science, and only those who do not dread the fatiguing climb of its steep paths have a chance of gaining its luminous summits.
Karl Marx (Capital: A Critique of Political Economy Volume 1)
Oh, my ways are strange ways and new ways and old ways, And deep ways and steep ways and high ways and low, I'm at home and at ease on a track that I know not, And restless and lost on a road that I know.
Henry Lawson
There will dawn a day when these hostile hours, these days of hatred and violence, seem the faintest of memories, but dark and steep and long is the road up out of hell. So do not tire, do not despair, do not abandon your brethren, and do not forget that through this darkness we and we alone carry the light of freedom. We must defend it with every cell in our bodies. If not now, when? If not us, who?
Pierce Brown (Dark Age (Red Rising Saga, #5))
…time has a way of leading a person along a crooked path. Sometimes the path is hard to hold to and people fall off along the way. They curse the road for its steep grades and muddy ruts and settle themselves in hinterlands of thorn and sorrow, never knowing or dreaming that the road meant all along to lead them home. Some call that road a tragedy and lose themselves along it. Others, those that see it home, call it an adventure.
A.S. Peterson (The Fiddler's Gun (Fin's Revolution, #1))
The Outing An outburst of anger near the road, a refusal to speak on the path, a silence in the pine woods, a silence across the old railroad bridge, an attempt to be friendly in the water, a refusal to end the argument on the flat stones, a cry of anger on the steep bank of dirt, a weeping among the bushes.
Lydia Davis (The Collected Stories of Lydia Davis)
The soft black talc blew through the streets like squid ink uncoiling along a sea floor and the cold crept down and the dark came early and the scavengers passing down the steep canyons with their torches trod silky holes in the drifted ash that closed behind them silently as eyes.
Cormac McCarthy (The Road)
Little Man turned around and watched saucer-eyed as a bus bore down on him spewing clouds of red dust like a huge yellow dragon breathing fire. Little Man headed toward the bank, but it was too steep. He ran frantically along the road looking for a foothold and, finding one, hopped onto the bank, but not before the bus had sped past enveloping him in a scarlet haze while laughing white faces pressed against the bus windows. Little
Mildred D. Taylor (Roll of Thunder, Hear My Cry (Logans, #4))
There's no difficulty in choosing vice in abundance: the road is smooth and it's hardly any distance to where it lives. But the gods have put sweat in the way of goodness, and a long, rough, steep road.
Plato (Republic)
The road to anything truly worth having is often steep, but think of the view when you get there.
E.J. Mellow (Song of the Forever Rains (Mousai, #1))
Seven Cities was an ancient civilization, steeped in the power of antiquity, where Ascendants once walked on every trader track, every footpath, every lost road between forgotten places. It was said the sands hoarded power within their sussurating currents, that every stone had soaked up sorcery like blood, and that beneath every city lay the ruins of countless other cities, older cities, cities that went back to the First Empire itself. It was said each city rose on the backs of ghosts, the substance of spirits thick like layers of crushed bone; that each city forever wept beneath the streets, forever laughed, shouted, hawked wares and bartered and prayed and drew first breaths that brought life and the last breaths that announced death. Beneath the streets there were dreams, wisdom, foolishness, fears, rage, grief, lust and love and bitter hatred.
Steven Erikson (Deadhouse Gates (Malazan Book of the Fallen, #2))
The summit is believed to be the object of the climb. But its true object—the joy of living—is not in the peak itself, but in the adversities encountered on the way up. There are valleys, cliffs, streams, precipices, and slides, and as he walks these steep paths, the climber may think he cannot go any farther, or even that dying would be better than going on. But then he resumes fighting the difficulties directly in front of him, and when he is finally able to turn and look back at what he has overcome, he finds he has truly experienced the joy of living while on life's very road.
Eiji Yoshikawa (Taiko)
You can't blame anyone else... You have to make your own choices and live every agonizing day with the consequences of those choices. He knew this. That's why he deserted us like we deserted those civilians. He saw the road ahead, a steep, treacherous mountain road. We'd all have to hike that road, each of us dragging the boulder of what we'd done behind us. He couldn't do it. He couldn't shoulder the weight." - Philip Adler
Max Brooks (World War Z: An Oral History of the Zombie War)
Whoo-eeee!” From the corner of her eye, she caught a glimpse of Peter. He was on the road to the side, probably waiting to ensure she’d managed to negotiate the first part of the track. She didn’t stop, her adrenaline pumping. He’d catch up. “Come get me!” she yelled, making a slight counter-direction turn in the air to help her blow into the berm on the other side of the road. The trail crossed a short flat, a marked rock garden, a beam over a bog, another rock drop and berm, a zigzag around massive trees, roots and rocks that kicked the bike’s tyres this way and that and tested her balance, more air over another drop – this one caused by a massive log – enough air for her to do a back flip from a kicker over another part of the forestry trail, steep to the left. The first wall appeared. She took it fast, skidded around to slam into the side of a berm and round off on to another gully crossing. “Whoo-eeee!
Miriam Verbeek (The Forest: A thrilling international crime novel (Saskia van Essen crime thrillers))
The world soon to be largely populated by men who would eat your children in front of your eyes and the cities themselves held by cores of blackened looters who tunneled among the ruins and crawled from the rubble white of tooth and eye carrying charred and anynymous tins of food in nylon nets like shoppers in the commissaries of hell. The soft black talc blew through the streets like squid ink uncoiling along a sea floor and the cold crept down and the dark came early and the scavengers passing down the steep canyons with their torches trod silky holes in the drifted ash that closed behind them silently as eyes. Out on the roads the pilgrims sank down and fell over and died and the bleak and shrouded earth went trundling past the sun and returned again as trackless and as unremarked as the path of any nameless sisterworld in the ancient dark beyond.
Cormac McCarthy (The Road)
Normally death came at night, taking a person in their sleep, stopping their heart or tickling them awake, leading them to the bathroom with a splitting headache before pouncing and flooding their brain with blood. It waits in alleys and metro stops. After the sun goes down plugs are pulled by white-clad guardians and death is invited into an antiseptic room. But in the country death comes, uninvited, during the day. It takes fishermen in their longboats. It grabs children by the ankles as they swim. In winter it calls them down a slope too steep for their budding skills, and crosses their skies at the tips. It waits along the shore where snow met ice not long ago but now, unseen by sparkling eyes, a little water touches the shore, and the skater makes a circle slightly larger than intended. Death stands in the woods with a bow and arrow at dawn and dusk. And it tugs cars off the road in broad daylight, the tires spinning furiously on ice or snow, or bright autumn leaves.
Louise Penny (Still Life (Chief Inspector Armand Gamache, #1))
When you turn off onto whatever secondary road you need to take, and you’re following its twists and turns back into the mountains, and the ground is steep to either side of you, opening every now and then on a meadow, or an old house, you think, 'Here, there are secret places.
John Langan (The Fisherman)
It is often said that if you have a room with a view, you will feel peaceful and relaxed, but if the room is a caravan hurtling down a steep and twisted road, and the view is an eerie mountain range racing backward away from you, while chilly mountain winds sting your face and toss dust into your eyes, then you will not feel one bit of peace and relaxation.
Lemony Snicket (The Slippery Slope (A Series of Unfortunate Events, #10))
If you know the road is steepy with many potholes and curves ahead, you will be informed to drive the car at a required speed. Knowledge is a guide you need to make choices in life.
Israelmore Ayivor
Without fail, a woman is always walking into the unknown. It seems as though it is so easy to blame and point the finger at a woman. What others fail to realize is that a woman might not always know what lies ahead of her, but she will always find a way to get through it. When she hits the ground, she will bounce right back up. The road may twist and turn; there will be a few steep hills and sharp curves, but she will never give up because she is unstoppable.
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
But is life really worth so much? Let us examine this; it's a different inquiry. We will offer no solace for so desolate a prison house; we will encourage no one to endure the overlordship of butchers. We shall rather show that in every kind of slavery, the road of freedom lies open. I will say to the man to whom it befell to have a king shoot arrows at his dear ones [Prexaspes], and to him whose master makes fathers banquet on their sons' guts [Harpagus]: 'What are you groaning for, fool?... Everywhere you look you find an end to your sufferings. You see that steep drop-off? It leads down to freedom. You see that ocean, that river, that well? Freedom lies at its bottom. You see that short, shriveled, bare tree? Freedom hangs from it.... You ask, what is the path to freedom? Any vein in your body.
Seneca (Dying Every Day: Seneca at the Court of Nero)
The things I like best in T. S. Eliot’s poetry, especially in the Four Quartets, are the semicolons. You cannot hear them, but they are there, laying out the connections between the images and the ideas. Sometimes you get a glimpse of a semicolon coming, a few lines farther on, and it is like climbing a steep path through woods and seeing a wooden bench just at a bend in the road ahead, a place where you can expect to sit for a moment, catching your breath.
Benjamin Dreyer (Dreyer’s English: An Utterly Correct Guide to Clarity and Style)
Many textbooks point out that no animal has evolved wheels and cite the fact as an example of how evolution is often incapable of finding the optimal solution to an engineering problem. But it is not a good example at all. Even if nature could have evolved a moose on wheels, it surely would have opted not to. Wheels are good only in a world with roads and rails. They bog down in any terrain that is soft, slippery, steep, or uneven. Legs are better. Wheels have to roll along an unbroken supporting ridge, but legs can be placed on a series of separate footholds, an extreme example being a ladder. Legs can also be placed to minimize lurching and to step over obstacles. Even today, when it seems as if the world has become a parking lot, only about half of the earth's land is accessible to vehicles with wheels or tracks, but most of the earth's land is accessible to vehicles with feet: animals, the vehicles designed by natural selection.
Steven Pinker (How the Mind Works)
I mean you well, Perses, you great idiot, and I will tell you. Look, badness is easy to have, you can take it by handfuls without effort. The road that way is smooth and starts here beside you. But between us and virtue the immortals have put what will make us sweat. The road to virtue is long and goes steep up hill, hard climbing at first, but the last of it, when you get to the summit (if you get there) is easy going after the hard part.
Hesiod (The Works and Days / Theogony / The Shield of Herakles)
He lay flat on the brown, pine-needled floor of the forest, his chin on his folded arms, and high overhead the wind blew in the tops of the pine trees. The mountainside sloped gently where he lay; but below it was steep and he could see the dark of the oiled road winding through the pass. There was a stream alongside the road and water of the dam, white in the summer sunlight.
Ernest Hemingway (For Whom the Bell Tolls)
She thought, sometimes, that, after all, this was the happiest time of her life—the honeymoon, as people called it. To taste the full sweetness of it, it would have been necessary doubtless to fly to those lands with sonorous names where the days after marriage are full of laziness most suave. In post chaises behind blue silken curtains to ride slowly up steep road, listening to the song of the postilion re-echoed by the mountains, along with the bells of goats and the muffled sound of a waterfall; at sunset on the shores of gulfs to breathe in the perfume of lemon trees; then in the evening on the villa-terraces above, hand in hand to look at the stars, making plans for the future. It seemed to her that certain places on earth must bring happiness, as a plant peculiar to the soil, and that cannot thrive elsewhere. Why could not she lean over balconies in Swiss chalets, or enshrine her melancholy in a Scotch cottage, with a husband dressed in a black velvet coat with long tails, and thin shoes, a pointed hat and frills? Perhaps she would have liked to confide all these things to someone. But how tell an undefinable uneasiness, variable as the clouds, unstable as the winds? Words failed her—the opportunity, the courage.
Gustave Flaubert (Madame Bovary)
And so one more to the wandering road. Beyond Blackheath the highway began a steep and curvaceous descent towards Lithgow, where it skirted along hem of the mountains...
Bill Bryson (Notes from a Small Island)
When you turn off onto whatever secondary road you need to take, and you’re following its twists and turns back into the mountains, and the ground is steep to either side of you, opening every now and then on a meadow, or an old house, you think, Here, there are secret places.
John Langan (The Fisherman)
The writer has us by the hand, forces us along her road, makes us see what she sees, never leaves us for a moment or allows us to forget her. At the end we are steeped through and through with the genius, the vehemence, the indignation of Charlotte Bronte. Remarkable faces, figures of strong outline and gnarled feature have flashed upon us in passing; but it is through her eyes that we have seen them.
Virginia Woolf (The Common Reader)
You dreamt of me, I knew, And hence I couldn't sleep. The lantern flickered blue And there my path ran steep. [...] "This is a lake," you thought. "There is an island here..." Just then, on the darkened road, A little blue light appeared. By wretched sunlight severed, You stirred and moaned in pain, And for the first time ever, You called me by my name.
Anna Akhmatova (White Flock)
Those who complete the course will do so only because they do not, as fatigue sets in, convince themselves that the road ahead is still too long, the inclines too steep, the loneliness impossible to bear and the prize itself of doubtful value.
Thabo Mbeki
After checking into the Hotel Monaco in downtown Seattle, Dana walked to Yesler Way, a steep street known as Skid Road in the 1850s, when the area was teeming with trees and a chute was used to skid logs to Henry Yesler’s sawmill. When Seattle’s city center moved north, the area became a dilapidated haven for drunks and derelicts and went from being called Skid Road to Skid Row, a term eventually used all over America to refer to a down-and-out section of a town or city.
Phillip Margolin (Sleight of Hand (Dana Cutler #4))
Part of what makes roads, trails and paths so unique as built structures is that they cannot be perceived as a whole all at once by a sedentary onlooker. They unfold in time as one travels along them, just as a story does as one listens or reads, and a hairpin turn is like a plot twist, a steep ascent a building of suspense to the view at the summit, a fork in the road an introduction of a new storyline, arrival the end of the story. Just as writing allows one to read the words of someone who is absent, so roads make it possible to trace the route of the absent. Roads are a record of those who have gone before and to follow them is to follow people who are no longer there…
Rebecca Solnit (Wanderlust)
The road to virtue is long and goes steep up hill, hard climbing at first, but the last of it, when you get to the summit (if you get there) is easy going after the hard part.
Hesiod (Theogony / Works and Days)
Our Calvary may be a very little hill compared with the mountains where Prometheus suffered, but to us it is steep and lonely.
Jerome K. Jerome (All Roads Lead to Calvary)
I die, and yet not dies in me The ardour of my love for Thee, Nor hath Thy Love, my only goal, Assuaged the fever of my soul. To Thee alone my spirit cries; In Thee my whole ambition lies, And still Thy Wealth is far above The poverty of my small love. I turn to Thee in my request, And seek in Thee my final rest; To Thee my loud lament is brought, Thou dwellest in my secret thought. However long my sickness be, This wearisome infirmity, Never to men will I declare The burden Thou has made me bear. To Thee alone is manifest The heavy labour of my breast, Else never kin nor neighbors know The brimming measure of my woe. A fever burns below my heart And ravages my every part; It hath destroyed my strength and stay, And smouldered all my soul away. Guidest Thou not upon the road The rider wearied by his load, Delivering from the steeps of death The traveller as he wandereth? Didst Thou not light a beacon too For them that found the Guidance true But carried not within their hand The faintest glimmer of its brand? O then to me Thy Favour give That, so attended, I may live, And overwhelm with ease from Thee The rigor of my poverty.
ذو النون المصري (Sufism: An Account of the Mystics of Islam)
Life has no smooth road for any of us; and in the bracing intent of a high aim the very roughness encourages the climber to firmer steps, till the legend, over steep ways to the stars, fulfills itself.
Tony Bond
I'll bite: Hard science TA's and RA's often repair equipment; it's part of our science. If you want a silver spoon, don't go to grad school. Science is all about dangerous chemicals, semi-safe experimental equipment, and 4am drives down gravel roads in old vans with a nice steep drop on one side. Guardrail? Ho ho ho. Fixing the computers is just the tip of the iceberg. Plus, where else could you get on-the-job experience with a PDP-8?
Greg Lindahl
Are you kidding? That’s exactly why I hate him! He knew that this was just the first step of a long war and we were going to need men like him to help win it. Fucking coward. Remember what I said about being beholden to your conscience? You can’t blame anyone else, not the plan’s architect, not your commanding officer, no one but yourself. You have to make your own choices and live every agonizing day with the consequences of those choices. He knew this. That’s why he deserted us like we deserted those civilians. He saw the road ahead, a steep, treacherous mountain road. We’d all have to hike that road, each of us dragging the boulder of what we’d done behind us. He couldn’t do it. He couldn’t shoulder the weight.
Max Brooks (World War Z: An Oral History of the Zombie War)
Before us lay a green sloping land full of forests and woods, with here and there steep hills, crowned with clumps of trees or with farmhouses, the blank gable end to the road. There was everywhere a bewildering mass of fruit blossom- apple, plum, pear, cherry; and as we drove by I could see the green grass under the trees spangled with the fallen petals. In and out amongst these green hills of what they call here the 'Mittel Land' ran the road, losing itself as it swept round the grassy curve, or was shut out by the straggling ends of pine woods, which here and there ran down the hillside like tongues of flame. The road was rugged, but still we seemed to fly over it with a feverish haste. I could not understand then what the haste meant, but the driver was evidently bent on losing no time in reaching Borgo Prund. I was told that this road is in summertime excellent, but that it had not been put in order after the winter snows. In this respect it is different from the general run of roads in the Carpathians, for it is an old tradition that they are not to be kept in too good order. Of old the Hospadors would not repair them, lest the Turks should think that they were preparing to bring in foreign troops, and so hasten the war which was always really at loading point. Beyond the green swelling hills of the Mittel Land rose mighty slopes of forest up to the lofty steeps of the Carpathians themselves. Right and left of us they towered, with the afternoon sun falling full upon them and bringing out all the glorious colors of this beautiful range, deep blue and purple in the shadows of the peaks, green and brown where grass and rock mingled, and an endless perspective of jagged rock and pointed crags, till these were themselves lost in the distance, where the snowy peaks rose grandly. Here and there seemed mighty rifts in the mountains, through which, as the sun began to sink, we saw now and again the white gleam of falling water.
Bram Stoker (Dracula)
I wanted language that could be simple and clear when the subject required it, but sometimes clarity requires complexity. I believe in the irreducible and in invocation and evocation, and I am fond of sentences less like superhighways than winding paths, with the occasional scenic detour or pause to take in the view, since a footpath can traverse steep and twisting terrain that a paved road cannot. I know that sometimes what gets called digression is pulling in a passenger who fell off the boat.
Rebecca Solnit (Recollections of My Nonexistence: A Memoir)
I don’t know if you’ve spent time in the Catskills. From a distance, say, the parking lot of the old Caldor’s (which became an Ames that became a Stop ‘N’ Shop) in Huguenot, they’ve always made me think of a herd of giant animals, all standing grazing on the horizon. Up close, when you’re driving among them with the early morning light breaking over their round peaks, they seem incredibly present, more real than real, these huge solid heaps of rock that wear their trees like mile-long scarves. You glance at them, trying to keep your eyes on the road, which is already pretty busy with people driving up for a weekend getaway, and somehow you wouldn’t be surprised if the mountain closest to you were to cast off its trees in one titanic shrug and start to lumber away, a vast, unimaginable beast. When you turn off onto whatever secondary road you need to take, and you’re following its twists and turns back into the mountains, and the ground is steep to either side of you, opening every now and then on a meadow, or an old house, you think, Here, there are secret places. Well,
John Langan (The Fisherman)
Personal happiness is an end game; it is not an immediate necessity. A person whom attains lasting happiness will necessarily endure many hardships. People earn happiness by courageously braving the storms of life, instead of merely existing. A person must steep oneself in the type of experiences that girds one when times on the streets are the meanest. I will garner a comforting sense of self-satisfaction from taking the longer and more difficult road to personal happiness. I can never again work exclusively for money. I shall seek truth wherever it exists, muster the courage to plunge along headfirst without fear, maintain personal dreams when all hope seems lost, and adamantly refuse to be mollified or satisfied with anything less than my very best work. I will dedicate personal efforts to mining my substratum while maintaining a diligent stewardship of a cherished central individuality.
Kilroy J. Oldster (Dead Toad Scrolls)
The undulant road winds across hills, down into hollows where mist slithers through the darkness like a procession of spirits proceeding toward their fate. The mountains, worn low by millennia of weather, offer no steep palisades, only rolling slopes that suggest that the landscape was inspired by the female form.
Dean Koontz (Gentle Is the Angel of Death (Nameless: Season Two #2))
So what is this journey called life? A wander in the park? A trek up a steep mountain? No! It's a trek along a road with many bends and craggy places; surprises that thrill; challenges that dismay. But best of all, we never walk alone. Our Guide goes before us and is even beside us every step of the way. Let Him lead.
Anusha Atukorala
I don't think you can get to where you're truly meant to go until you travel that one road...the one that's filled with sharp turns, steep hills, and nothing but pot-holes that you have to try and get around. After you make it off that road, you find the one that's straight, smooth, and filled with nothing but happiness.
Kelly Elliott (Saved (Wanted, #2))
From Kathmandu there is a road through Gorkha Country to Pokhara, in the central foothills; farther west, no roads exist at all. The road winds through steep gorges of the Trisuli River, now in torrent; dirty whitecaps filled the rapids, and the brown flood was thickened every now and again by thunderous rockslides down the walls of the ravine.
Peter Matthiessen (The Snow Leopard)
The beach was hours away by bicycle, forbidden, completely out of all bounds. Going there risked expulsion, destroyed the studying I was going to do for an important test the next morning, blasted the reasonable amount of order I wanted to maintain in my life, and it also involved the kind of long, labored bicycle ride I hated. “All right,” I said. We got our bikes and slipped away from Devon along a back road. Having invited me Finny now felt he had to keep me entertained. He told long, wild stories about his childhood; as I pumped panting up steep hills he glided along beside me, joking steadily. He analyzed my character, and he insisted on knowing what I disliked most about him (“You’re too conventional,” I said).
John Knowles (A Separate Peace)
As I have said on another occasion: being 'Aryan' [Divine] is not the point, becoming 'Aryan' [Divine] is what matters. In this respect an enormous task remains to be fulfilled by all of us: the inner liberation from entangling and ensnaring Semitism [Matrix]. This is about the fundamental thinking of all world-views and all religion; there — at the beginning — the roads divide . . . leave the high roads and climb the steep mountain path — the Devayana of the ancient Aryans — that leads to the high summits. Never forget this one thing: by thinking alone thinking can be liberated; he who doesn't have the courage or the staying power to rethink the thoughts of the Aryan race of thinkers, is and will remain a servant, regardless his ancestry, for he is mentally imprisoned, blind, bound to earth.
Houston Stewart Chamberlain (Aryan World-view)
Philosophy is a high mountain road which is reached only by a steep path covered with sharp stones and prickly thorns. It is an isolated road and becomes ever more desolate the higher we ascend. Whoever pursues this path must show no fear, but must leave everything behind and confidently make his own way in the wintry snow. Often he suddenly comes to a precipice and looks down upon the verdant valley. A violent attack of dizziness draws him over the edge, but he must control himself and cling to the rocks with might and main. In return to this, he soon sees the world beneath him; its sandy deserts and morasses vanish from his view, its uneven spots are leveled out, its jarring sounds no longer reach his ear, and its roundness is revealed to him. He himself is always in the pure cool mountain air and now beholds the sun when all below is still engulfed in dead of night.
Arthur Schopenhauer (Manuscript Remains, Vol 1: Early Manuscripts 1804-18)
I had now also got to deal with the fate of my horses and my dogs... In the end I decided to give them to my friends. I rode in to Nairobi on my favourite horse, Rouge, going very slowly and looking round to the North, and the South. It was a very strange thing to Rouge, I thought, to be going in by the Nairobi road, and not to be coming back. I installed him, with some trouble, in the horse-van of the Naivasha train, I stood in the van and felt, for the last time, his silky muzzle against my hands and my face. I will not let thee go, Rouge, except thou bless me. We had found together the riding-path down to the river amongst the Native shambas and huts, on the steep slippery descent he had walked as nimbly as a mule, and in the brown running river-water I had seen my own head and his close together. May you now, in a valley of clouds, eat carnations to the right and stock to the left.
Isak Dinesen (Out of Africa)
I sat at a lunch table with a professor of premonotheistic spirituality, plus several women from some of the tribes in this state that has more Native Americans than any other. All agreed that the paradigm of human organization had been the circle, not the pyramid or hierarchy—and it could be again. I’d never known there was a paradigm that linked instead of ranked. It was as if I’d been assuming opposition—and suddenly found myself in a welcoming world; like putting one’s foot down for a steep stair and discovering level ground. Still, when a Laguna law student from New Mexico complained that her courses didn’t cite the Iroquois Confederacy as the model for the U.S. Constitution—or explain that this still existing Confederacy was the oldest continuing democracy in the world—I thought she was being romantic. But I read about the Constitutional Convention and discovered that Benjamin Franklin had indeed cited the Iroquois Confederacy as a model. He was well aware of its success in unifying vast areas of the United States and Canada by bringing together Native nations for mutual decisions but also allowing autonomy in local ones. He hoped the Constitution could do the same for the thirteen states. That’s why he invited two Iroquois men to Philadelphia as advisers. Among their first questions was said to be: Where are the women?
Gloria Steinem (My Life on the Road)
I began to think about all the generals’ proclamation concerning this war: that we’d be home before Christmas, that the Chinese would not intervene, that we’d hold here or hold there. All of it was bullshit, and I started to wonder how they could possibly make so many dumb statements when each, invariably, fell apart when put to the test. Then I thought, Well, maybe they just don’t know—we never saw a general on the front. We seldom saw a colonel, a lieutenant colonel, or a major either. And at squad level, we only on the rarest occasion saw a captain. So how could the brass know how defeated its army was if they weren’t there to see an exhausted guy lie down on the road and just give up? How could they know how cold and ill equipped we were if they weren’t there to see blue, gloveless hands stick to the frozen metal of weapons? How could they know how steep and rugged the terrain was if they never climbed a hill?
David H. Hackworth (About Face: Odyssey Of An American Warrior)
Starla and Conner ambled to his car, knowing each deliberate footstep meant the road to parting was nearer. He leaned his back against the door pulling her within inches of his face, their personal space evaporating like dew steeped in the warmth of the morning sun. She tilted her head sideways, searching his eyes with hers. Straightening the collar of his shirt she said, “If I’m too bold forgive me, but you fill a void in my life . . . you’re like finding that stray earring I’ve been trying to find for ages and now that I have, it scares me.
JoDee Neathery (A Kind of Hush)
With the flashlight to illuminate my way, I climbed the steep walls of the south canyon, got up on the highway streaming with cars Frisco-bound in the night, scrambled down the other side, almost falling, and came to the bottom of a ravine where a little farmhouse stood near a creek and where every blessed night the same dog barked at me. Then it was a fast walk along a silvery, dusty road beneath inky trees of California—a road like in The Mark of Zorro and a road like all the roads you see in Western B movies. I used to take out my gun and play cowboys in the dark.
Jack Kerouac (On the Road)
From "The Jasmine Farm" by Elizabeth von Arnim, c 1934: "...except for a little trickle of water somewhere near, and the piping, on an oleander bush, of a solitary bird, so great a stillness surrounded her that in the whole world there might have been no one but herself. Relaxed she sat, her hands palm upwards on her lap, her mouth open because she was too tired to keep it shut. If she had known it, she was being exquisitely welcomed. The scented air, floating past her, lingered to pat her face. From a row of Madonna lilies, under the windows of the house, came fragrance, crossing the grass to greet her. Slanting shadows cooled her. The bird piped away, as if to her alone, songs of wisdom and good cheer. She was surrounded, companioned, pressed upon by beauty; and, for all she saw of it, it might have been Tottenham Court Road in a fog. 'Lift up your heart,' something whispered--'foolish woman, lift up your heart.' But of what use is it to exhort the absorbed, those who are steeped in their own particular tragedies, to do things like that? She heard the whisper, she recognised that familiar words were drifting through her mind, and all she did about it was listlessly to wonder that anybody had enough energy to lift up anything.
Elizabeth von Arnim (La fattoria dei gelsomini)
Teacher, my wife explained to me, step by step, that life was like a lot of roads: long roads, short roads, wide and narrow, steep and level, all sorts of roads. Next, she let me know that human beings were like so many people driving their cars on all these roads. This was the point at which she told me that those who wanted to get far had to learn to drive fast. And then she asked me what name I would give to people who were afraid to drive fast, or to drive at all. I had no name to give her, but she had not finished. Accidents would happen, she told me, but fear of accidents would never keep men from driving, and Joe Koomson had learned to drive.
Ayi Kwei Armah (The Beautyful Ones Are Not Yet Born)
Catching my breath, I lean against the front of the car and focus on the individual blades of grass hedging my flip-flop, trying not to throw up or pass out or both. In the far distance, a vehicle approaches-the first one to witness the scene of our accident. A million explanations run through my mind, but I can’t imagine a single scenario that would solve all-or any-of our issues right now. None of us can risk going to the hospital. Mom technically doesn’t qualify as human, so I’m sure we’d get a pretty interesting diagnosis. Rachel is technically supposed to be deceased as of the last ten years or so, and while she probably has a plethora of fake IDs, she’s still antsy around cops, which will surely be called to the hospital in the event of a gunshot wound, even if it is just in the foot. And let’s not forget that Mom and Rachel are new handcuff buddies. There just isn’t an explanation for any of this. That’s when I decide I’m not the one who should do the talking. After all, I didn’t kidnap anyone. I didn’t shoot anyone. And I certainly didn’t handcuff myself to the person who shot me. Besides, both Mom and Rachel are obviously much more skilled at deception then I’ll ever be. “If someone pulls over to help us, one of you is explaining all this,” I inform them. “You’ll probably want to figure it out fast, because here comes a car.” But the car comes and goes without even slowing. In fact, a lot of cars come and go, and if the situation weren’t so strange and if I weren’t so thankful that they didn’t actually stop, I’d be forced to reexamine what the world is coming to, not helping strangers in an accident. Then it occurs to me that maybe the passerby don’t realize it’s the scene of an accident. Mom’s car is in the ditch, but the ditch might be steep enough to hide it. It’s possible that no one can even see Rachel and Mom from the side of the road. Still, I am standing at the front of Rachel’s car. An innocent-looking teenage girl just loitering for fun in the middle of nowhere and no one cares to stop? Seriously? Just as I decide that people suck, a vehicle coming from the opposite direction slows and pulls up a few feet behind us. It’s not a good Samaritan traveler pulling over to see what he or she can do to inadvertently complicate things. It’s not an ambulance. It’s not a state trooper. If only we could be so lucky. But, nope, it’s way worse. Because it’s Galen’s SUV. From where I stand, I can see him looking at me from behind the wheel. His face is stricken and tried and relieved and pained. I want to want to want to believe the look in his eyes right now. The look that clearly says he’s found what he’s looking for, in more ways than one.
Anna Banks (Of Triton (The Syrena Legacy, #2))
And as soon as I had recognised the taste of the piece of madeleine soaked in her decoction of lime-blossom which my aunt used to give me (although I did not yet know and must long postpone the discovery of why this memory made me so happy) immediately the old grey house upon the street, where her room was, rose up like a stage set to attach itself to the little pavilion opening on to the garden which had been built out behind it for my parents (the isolated segment which until that moment had been all that I could see); and with the house the town, from morning to night and in all weathers, the streets along which I used to run errands, the country roads we took when it was fine. And in the game wherein the Japanese amuse themselves by filling a porcelain bowl with water and steeping in it little pieces of paper which until then are without character or form, but, the moment they become wet, stretch and twist and take on colour and distinctive shape, become flowers or houses or people, solid and recognisable, so in that moment all the flowers in our garden and in M. Swann's park, and the water-lilies on the Vivonne and the good folk of the village and their little dwellings and the parish church and the whole of Combray and its surroundings, taking shape and solidity, sprang into being, town and gardens alike, from my cup of tea.
Marcel Proust (Swann’s Way (In Search of Lost Time, #1))
She took the leap W. H. Auden described in his famous poem “Leap Before You Look”: The sense of danger must not disappear: The way is certainly both short and steep, However gradual it looks from here; Look if you like, but you will have to leap. Tough-minded men get mushy in their sleep And break the by-laws any fool can keep; It is not the convention but the fear That has a tendency to disappear…. The clothes that are considered right to wear Will not be either sensible or cheap, So long as we consent to live like sheep And never mention those who disappear…. A solitude ten thousand fathoms deep Sustains the bed on which we lie, my dear: Although I love you, you will have to leap; Our dream of safety has to disappear.
David Brooks (The Road to Character)
Life sometimes is like tossing a coin in the air calling heads or tails, but it doesn’t matter what side it lands on; life goes on. It is hard when you’ve lost the will to fight because you’ve been fighting for so long. You are smothered by the pain. Mentally, you are drained. Physically, you are weak. Emotionally, you are weighed down. Spiritually, you do not have one tiny mustard seed of faith. The common denominator is that other people’s problems have clouded your mind with all of their negativity. You cannot feel anything; you are numb. You do not have the energy to surrender, and you choose not to escape because you feel safe when you are closed in. As you move throughout the day, you do just enough to get by. Your mindset has changed from giving it your all to—well, something is better than nothing. You move in slow motion like a zombie, and there isn’t any color, just black and white, with every now and then a shade of gray. You’ve shut everyone out and crawled back into the rabbit hole. Life passes you by as you feel like you cannot go on. You look around for help; for someone to take the pain away and to share your suffering, but no one is there. You feel alone, you drift away when you glance ahead and see that there are more uphill battles ahead of you. You do not have the option to turn around because all of the roads are blocked. You stand exactly where you are without making a step. You try to think of something, but you are emotionally bankrupt. Where do you go from here? You do not have a clue. Standing still isn’t helping because you’ve welcomed unwanted visitors; voices are in your head, asking, “What are you waiting for? Take the leap. Jump.” They go on to say, “You’ve had enough. Your burdens are too heavy.” You walk towards the cliff; you turn your head and look at the steep hill towards the mountain. The view isn’t helping; not only do you have to climb the steep hill, but you have to climb up the mountain too. You take a step; rocks and dust fall off the cliff. You stumble and you move forward. The voices in your head call you a coward. You are beginning to second-guess yourself because you want to throw in the towel. You close your eyes; a tear falls and travels to your chin. As your eyes are closed the Great Divine’s voice is louder; yet, calmer, soothing; and you feel peace instantly. Your mind feels light, and your body feels balanced. The Great Divine whispers gently and softly in your ear: “Fallen Warrior, I know you have given everything you’ve got, and you feel like you have nothing left to give. Fallen Warrior, I know it’s been a while since you smiled. Fallen Warrior, I see that you are hurting, and I feel your pain. Fallen Warrior, this is not the end. This is the start of your new beginning. Fallen Warrior, do not doubt My or your abilities; you have more going for you than you have going against you. Fallen Warrior, keep moving, you have what it takes; perseverance is your middle name. Fallen Warrior, you are not the victim! You are the victor! You step back because you know why you are here. You know why you are alive. Sometimes you have to be your own Shero. As a fallen warrior, you are human; and you have your moments. There are days when you have more ups than downs, and some days you have more downs than ups. I most definitely can relate. I was floating through life, but I had to change my mindset. During my worst days, I felt horrible, and when I started to think negatively I felt like I was dishonoring myself. I felt sick, I felt afraid, fear began to control my every move. I felt like demons were trying to break in and take over my life.
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
participated in the grueling competition, which was broken up into stages and went on for days. But in the spring of 1940, Germany invaded France, and shortly after that, the German army marched into Paris. The Tours de France had been canceled indefinitely. Now it was 1942, and the Occupation had dragged on for two long years. Who knew how long it would last or when the race would start up again? The bumpy cobblestones made the bike shake. But Marcel wouldn’t let that stop him. He knew that in 1939, the spring classic Paris-Roubaix bicycle race included fifteen or more cobbled sections as part of the grueling 200-plus kilometer course. Some were even steep hills. He had just rounded the corner of the street where Madame Trottier lived when suddenly a streak of orange flashed across the road. Zut alors! He jammed his feet on the brakes hard and
Yona Zeldis McDonough (The Bicycle Spy)
By then all stores of food had given out and murder was everywhere upon the land. The world soon to be largely populated by men who would eat your children in front of your eyes and the cities themselves held by cores of blackened looters who tunneled among the ruins and crawled from the rubble white of tooth and eye carrying charred and anonymous tins of food in nylon nets like shoppers in the commissaries of hell. The soft black talc blew through the streets like squid ink uncoiling along a sea floor and the cold crept down and the dark came early and the scavengers passing down the steep canyons with their torches trod silky holes in the drifted ash that closed behind them silently as eyes. Out on the roads the pilgrims sank down and fell over and died and the bleak and shrouded earth went trundling past the sun and returned again as trackless and as unremarked as the path of any nameless sisterworld in the ancient dark beyond.
Cormac McCarthy (The Road)
This popular ideology contends that the religious experience is tranquil and neatly ordered, tender and delicate; it is an enchanted stream for embittered souls and still waters for troubled spirits. The person “who comes in from the field, weary” (Gen. 25:29), from the battlefield and campaigns of life, from the secular domain which is filled with doubts and fears, contradictions and refutations, clings to religion as does a baby to its mother and finds in her lap “a shelter for his head, the nest of his forsaken prayers” and there is comforted for his disappointments and tribulations. This Rousseauian ideology left its stamp on the entire Romantic movement from the beginning of its growth until its final (tragic!) manifestations in the consciousness of contemporary man. Therefore, the representatives of religious communities are inclined to portray religion, in a wealth of colors that dazzle the eye, as a poetic Arcadia, a realm of simplicity, wholeness, and tranquillity. This ideology is intrinsically false and deceptive. That religious consciousness in man’s experience, which is most profound and most elevated, which penetrates to the very depths and ascends to the very heights, is not that simple and comfortable. On the contrary, it is exceptionally complex, rigorous, and tortuous. Where you find its complexity, there you find its greatness. The consciousness of homo religiosis flings bitter accusations against itself and immediately is filled with regret, judges its desires and yearnings with excessive severity, and at the same time steeps itself in them, casts derogatory aspersions on its own attributes, flails away at them, but also subjugates itself to them. It is in a condition of spiritual crisis, of psychic ascent and descent, of contradiction arising from affirmation and negation, self-abnegation and self-appreciation. Religion is not, at the outset, a refuge of grace and mercy for the despondent and desperate, an enchanted stream for crushed spirits, but a raging clamorous torrent of man’s consciousness with all its crises, pangs, and torments.
David Brooks (The Road to Character)
Elizabeth was not entirely right. The climb was steep enough, but the trunk, which originally felt quite light, seemed to gain a pound of weight with every step they took. A few yards from the house both ladies paused to rest again, then Elizabeth resolutely grabbed the handle on her end. “You go to the door, Lucy,” she said breathlessly, worried for the older woman’s health if she had to lug the trunk any further. “I’ll just drag this along.” Miss Throckmorton-Jones took one look at her poor, bedraggled charge, and rage exploded in her breast that they’d been brought so low as this. Like an angry general she gave her gloves an irate yank, turned on her heel, marched up to the front door, and lifted her umbrella. Using its handle like a club, she rapped hard upon the door. Behind her Elizabeth doggedly dragged the trunk. “You don’t suppose there’s no one home?” She panted, hauling the trunk the last few feet. “If they’re in there, they must be deaf!” said Lucinda. She brought up her umbrella again and began swinging at the door in a way that sent rhythmic thunder through the house. “Open up, I say!” she shouted, and on the third downswing the door suddenly lurched open to reveal a startled middle-aged man who was struck on the head by the handle of the descending umbrella. “God’s teeth!” Jake swore, grabbing his head and glowering a little dizzily at the homely woman who was glowering right back at him, her black bonnet crazily askew atop her wiry gray hair. “It’s God’s ears you need, not his teeth!” the sour-faced woman informed him as she caught Elizabeth’s sleeve and pulled her one step into the house. “We are expected,” she informed Jake. In his understandably dazed state, Jake took another look at the bedraggled, dusty ladies and erroneously assumed they were the women from the village come to clean and cook for Ian and him. His entire countenance changed, and a broad grin swept across his ruddy face. The growing lump on his head forgiven and forgotten, he stepped back. “Welcome, welcome,” he said expansively, and he made a broad, sweeping gesture with his hand that encompassed the entire dusty room. “Where do you want to begin?” “With a hot bath,” said Lucinda, “followed by some tea and refreshments.” From the corner of her eye Elizabeth glimpsed a tall man who was stalking in from a room behind the one where they stood, and an uncontrollable tremor of dread shot through her. “Don’t know as I want a bath just now,” Jake said. “Not for you, you dolt, for Lady Cameron.” Elizabeth could have sworn Ian Thornton stiffened with shock. His head jerked toward her as if trying to see past the rim of her bonnet, but Elizabeth was absolutely besieged with cowardice and kept her head averted. “You want a bath?” Jake repeated dumbly, staring at Lucinda. “Indeed, but Lady Cameron’s must come first. Don’t just stand there,” she snapped, threatening his midsection with her umbrella. “Send servants down to the road to fetch our trunks at once.” The point of the umbrella swung meaningfully toward the door, then returned to jab Jake’s middle. “But before you do that, inform your master that we have arrived.” “His master,” said a biting voice from a rear doorway, “is aware of that.
Judith McNaught (Almost Heaven (Sequels, #3))
And the boy kept going down the steep slope, skipping along, tapdancing to some extraordinary beat, and white dust flew from under his heels, and he yelled something at the top of his voice, very clearly and very joyously and very solemnly—like a song or an incantation—and Redrick thought that this was the first time in the history of this quarry that someone was going down this road in such a way, as if going to a party. And at first he didn’t hear what this talking key was shouting, but then something seemed to switch on inside him, and he heard: “Happiness for everyone! Free! As much happiness as you want! Everyone gather round! Plenty for everyone! No one will be forgotten! Free! Happiness! Free!” With that he abruptly went quiet, as if a huge hand had forcefully shoved a gag into his mouth. And Redrick saw the transparent emptiness lurking in the shadow of the excavator bucket grab him, jerk him up into the air, and slowly, with an effort, twist him, the way a housewife wrings out the laundry. Redrick had the time to notice one of the dusty shoes fly off a twitching foot and soar high above the quarry.
Arkady Strugatsky (Roadside Picnic)
The Calf Path One day, through the primeval wood, A calf walked home, as good calves should; But made a trail all bent askew, A crooked trail as all calves do. Since then three hundred years have fled, And, I infer, the calf is dead. But still he left behind his trail, And thereby hangs my moral tale. The trail was taken up next day By a lone dog that passed that way; And then a wise bell-wether sheep Pursued the trail o’er vale and steep, And drew the flock behind him, too, As good bell-wethers always do. And from that day, o’er hill and glade, Through those old woods a path was made. And many men wound in and out, And dodged, and turned, and bent about And uttered words of righteous wrath Because ’twas such a crooked path.15 But still they followed—do not laugh— The first migrations of that calf, And through this winding wood-way stalked, Because he wobbled when he walked. This forest path became a lane, That bent, and turned, and turned again; This crooked lane became a road, Where many a poor horse with his load Toiled on beneath the burning sun, And traveled some three miles in one. And thus a century and a half They trod the footsteps of that calf. The years passed on in swiftness fleet, The road became a village street; And this, before men were aware, A city’s crowded thoroughfare; And soon the central street was this Of a renowned metropolis; And men two centuries and a half Trod in the footsteps of that calf. Each day a hundred thousand rout Followed the zigzag calf about; And o’er his crooked journey went The traffic of a continent. A hundred thousand men were led By one calf near three centuries dead. They followed still his crooked way, And lost one hundred years a day; For thus such reverence is lent To well-established precedent. A moral lesson this might teach, Were I ordained and called to preach; For men are prone to go it blind Along the calf-paths of the mind, And work away from sun to sun To do what other men have done. They follow in the beaten track, And out and in, and forth and back, And still their devious course pursue, To keep the path that others do. They keep the path a sacred groove, Along which all their lives they move. But how the wise old wood-gods laugh, Who saw the first primeval calf! Ah! Many things this tale might teach— But I am not ordained to preach. —Sam Walter Foss
Frank Viola (Pagan Christianity?: Exploring the Roots of Our Church Practices)
And then she caught the song. She fell upon it and music poured from the fiddle’s hollow, bright and liquid like fire out of the heart of the earth. Pierre-Jean drew back and stood mesmerized. The room around Fin stirred as every ear bent to the ring of heartsong. It rushed through Fin and spread to the outermost and tiniest capillary reaches of her body. Her flesh sang. The hairs of her arms and neck roused and stood. She sped the bow across the strings. Her fingers danced on the fingerboard quick as fat raindrops. Every man in the room that night would later swear that there was a wind within it. They would tell their children and lovers that a hurricane had filled the room, toppled chairs, driven papers and sheets before it and blew not merely around them but through them, taking fears, grudges, malice, and contempt with it, sending them spiraling out into the night where they vanished among the stars like embers rising from a bonfire. And though the spirited cry of the fiddle’s song blew through others and around the room and everything in it, Fin sat at the heart of it. It poured into her. It found room in the closets and hollow places of her soul to settle and root. It planted seeds: courage, resolve, steadfastness. Fin gulped it in, seized it, held it fast. She needed it, had thirsted for it all her days. She saw the road ahead of her, and though she didn’t understand it or comprehend her part in it, she knew that she needed the ancient and reckless power of a holy song to endure it. She didn’t let the music loose. It buckled and swept and still she clung to it, defined it in notes and rhythm, channeled it like a river bound between mountain steeps. And a thing happened then so precious and strange that Fin would ever after remember it only in the formless manner of dreams. The song turned and spoke her name—her true name, intoned in a language of mysteries. Not her earthly name, but a secret word, defining her alone among all created things. The writhing song spoke it, and for the first time, she knew herself. She knew what it was to be separated out, held apart from every other breathing creature, and known. Though she’d never heard it before and wouldn’t recall it after, every stitch of her soul shook in the passage of the word, shuddered in the wake of it, and mourned as the sound sped away. In an instant, it was over. The song ended with the dissonant pluck of a broken string.
A.S. Peterson (Fiddler's Green (Fin's Revolution, #2))
Kâlagani evidently knew this thinly-peopled region perfectly, and guided us across it most admirably. On the 29th September our train began to ascend the northern slope of the Vindyas, in order to reach the pass of Sirgour.   Hitherto we had met with no obstacle or difficulty, although this country is one of the worst in repute of all India, because it is a favourite retreat of criminals. Robbers haunt the highways, and it is here that the Dacoits carry on their double trade of thieves and poisoners. Great caution is desirable when travelling in this district.   Steam House was now about to penetrate the very worst part of the Bundelkund, namely, the mountainous region of the Vindhyas.   We were within about sixty miles of Jubbulpore, the nearest station on the railway between Bombay and Allahabad; it was no great distance, but we could not expect to get over the ground as quickly as we had done on the plains of Scind. Steep ascents, bad roads, rocky ground, sharp turnings, and narrow defiles. All these must be looked for, and would reduce the rate of our speed. It would be necessary to reconnoitre carefully our line of march, as well as the halting-places, and during both day and night keep a very sharp look-out.   Kâlagani
Jules Verne (The Steam House)
IN THE NAME OF GOD, THE MOST GRACIOUS, THE DISPENSER OF GRACE: (1) NAY! I call to witness this land – (2) this land in which thou art free to dwell5215 – (3) and [I call to witness] parent and offspring:5216 (4) Verily, We have created man into [a life of] pain, toil, and trial.5217 (5) Does he, then, think that no one has power over him? (6) He boasts, “I have spent wealth abundant!”5218 (7) Does he, then, think that no one sees him?5219 (8) Have We not given him two eyes, (9) and a tongue, and a pair of lips,5220 (10) and shown him the two highways [of good and evil]? (11) But he would not try to ascend the steep uphill road.... (12) And what could make thee conceive what it is, that steep uphill road? (13) [It is] the freeing of one’s neck [from the burden of sin],5221 (14) or the feeding, upon a day of [one’s own] hunger, (15) of an orphan near of kin, (16) or of a needy [stranger] lying in the dust – (17) and being, withal, of those who have attained to faith, and who enjoin upon one another patience in adversity, and enjoin upon one another compassion. (18) Such are they that have attained to righteousness;5222 (19) whereas those who are bent on denying the truth of Our messages – they are such as have lost themselves in evil, (20) [with] fire closing in upon them.5223
Anonymous (The Message of the Qur'an)
…we encourage you to trust your coping plan over the long haul. It is useful to acknowledge your small and daily successes, such as facing things you would typically avoid. There will likely be daily examples of slipups, too, but, similar to looking at a garden, we encourage you to focus on the flowers as much, if not more so, than you do the weeds. As an aside, both of us have taken up bike riding in the past few years. In our appreciation of the multiday, grand stage races in Europe, such as the Tour de France, we have seen a metaphor that helps to illustrate the goal of coping with ADHD. These multiple stage bike races last from 3 or 4 days on up to 3 weeks. Different days are spent climbing steep mountain roads, traversing long flat stages of over a hundred miles that end in all out sprints to the finish line, and individual time trials where each rider goes out alone and covers the distance as quickly as possible, known as “the race of truth.” The grand champion of a multiday race, however, is the rider whose cumulative time for all the stages is the fastest. That is, if you ride well enough, day-in and day-out, you will be a champion even though you may not be the first rider to cross the finish line on any single day’s race. Similarly, managing ADHD is an endurance sport. You need not cope perfectly all day, every day. The goal is to make progress, cope well enough, handle setbacks without giving up, and over time you will recognize your victory. Just keep pedaling.
J. Russell Ramsay (The Adult ADHD Tool Kit)
SILVER CITY IS NO PLACE FOR AMATEURS I left Colorado Springs the next morning and got back in the fucking car for another day of driving for the Tour of the Gila. I’d never driven in snow before, but I made it to Santa Fe and then Albuquerque in the afternoon, careful to dodge all the tumbleweeds on the highway in New Mexico. I hadn’t known that those existed outside of cartoons. Already exhausted when I got off the interstate, I was surprised when my GPS said “48 miles remaining, 1.5 hours’ drive time”—I was sure that couldn’t be right. Then I saw the steep climbs, bumpy cattle guards, and dangerous descents on the road into Silver City. I drove as fast as I could, sliding my poor car around hairpins in the dark. I made it to the host house, fell asleep, and found two flat tires when I went outside to unpack the car in the morning. They probably weren’t meant for drifting. My luck didn’t improve when the race started. I got a flat tire when I went off the road to dodge a crash, and I chased for over an hour to get back to the field. Between the dry air and altitude, I got a major nosebleed. My car was parked at the base of the finishing climb, and I got there several minutes behind the field, my new white Cannondale and all my clothes covered in blood. The course turned right to go up the climb, and I turned left, climbed into my car, and got the hell out of there. I might have made the time cut, but for the second time in two weeks, I opted to climb in the car instead. I got out of that town like I was about to turn into a pumpkin, and made it back to San Diego nine hours later. If there wasn’t a Pacific Ocean to stop me, I’d have driven another day, just to get farther from Gila.
Phil Gaimon (Pro Cycling on $10 a Day: From Fat Kid to Euro Pro)
Meanwhile, Trucker and I, through all of this, had been renting that cottage together, on a country estate six miles outside of Bristol. We were paying a tiny rent, as the place was so rundown, with no heating or modern conveniences. But I loved it. The cottage overlooked a huge green valley on one side and had beautiful woodland on the other. We had friends around most nights, held live music parties, and burned wood from the dilapidated shed as heating for the solid-fuel stove. Our newly found army pay was spent on a bar tab in the local pub. We were probably the tenants from hell, as we let the garden fall into disrepair, and burned our way steadily through the wood of the various rotting sheds in the garden. But heh, the landlord was a miserable old sod with a terrible reputation, anyway! When the grass got too long we tried trimming it--but broke both our string trimmers. Instead we torched the garden. This worked a little too well, and we narrowly avoided burning down the whole cottage as the fire spread wildly. What was great about the place was that we could get in and out of Bristol on our 100 cc motorbikes, riding almost all the way on little footpaths through the woods--without ever having to go on any roads. I remember one night, after a fun evening out in town, Trucker and I were riding our motorbikes back home. My exhaust started to malfunction--glowing red, then white hot--before letting out one massive backfire and grinding to a halt. We found some old fence wire in the dark and Trucker towed me all the way home, both of us crying with laughter. From then on my bike would only start by rolling it down the farm track that ran down the steep valley next to our house. If the motorbike hadn’t jump-started by the bottom I would have to push the damn thing two hundred yards up the hill and try again. It was ridiculous, but kept me fit--and Trucker amused. Fun days.
Bear Grylls (Mud, Sweat and Tears)
Over To Candleford Chapter XXVIII: Growing Pains "This accumulated depression of months slid from her at last in a moment. She had run out into the fields one day in a pet and was standing on a small stone bridge looking down on brown running water flecked with cream-coloured foam. It was a dull November day with grey sky and mist. The little brook was scarcely more than a trench to drain the fields; but overhanging it were thorn bushes with a lacework of leafless twigs; ivy had sent trails down the steep banks to dip in the stream, and from every thorn on the leafless twigs and from every point of the ivy leaves water hung in bright drops, like beads. A flock of starlings had whirred up from the bushes at her approach and the clip, clop of a cart-horse's hoofs could be heard on the nearest road, but these were the only sounds. Of the hamlet, only a few hundred yards away, she could hear no sound, or see as much as a chimney-pot, walled in as she was by the mist. Laura looked and looked again. The small scene, so commonplace and yet so lovely, delighted her." It was so near the homes men and yet so far removed from their thoughts. The fresh green moss, the glistening ivy, and the reddish twigs with their sparkling drops seemed to have been made for her alone and the hurrying, foam-flecked water seemed to have some message for her. She felt suddenly uplifted. The things which had troubled her troubled her no more. She did not reason. She had already done plenty of reasoning. Too much, perhaps. She simply stood there and let it all sink in until she felt that her own small affairs did not matter. Whatever happened to her, this, and thousands of other such small, lovely sights would remain and people would come suddenly upon them and look and be glad. A wave of pure happiness pervaded her being, and, although it soon receded, it carried away with it her burden of care. Her first reaction was to laugh aloud at herself. What a fool she had been to make so much of so little.
Flora Thompson (Over to Candleford)
While I was deep in my fantasy, in yet another episode of perfect timing, Marlboro Man called from the road. “Hey,” he said, the mid-1990s spotty cell phone service only emphasizing the raspy charm of his voice. “Oh! Just the person I want to talk to,” I said, grabbing paper and a pen. “I have a question for you--” “I bought your wedding present today,” Marlboro Man interrupted. “Huh?” I said, caught off guard. “Wedding present?” For someone steeped in the proper way of doing things, I was ashamed that a wedding gift for Marlboro Man had never crossed my mind. “Yep,” he said. “And you need to hurry up and marry me so I can give it to you.” I giggled. “So…what is it?” I asked. I couldn’t even imagine. I hoped it wasn’t a tennis bracelet. “You have to marry me to find out,” he answered. Yikes. What was it? Wasn’t the wedding ring itself supposed to be the present? That’s what I’d been banking on. What would I ever get him? Cuff links? An Italian leather briefcase? A Montblanc pen? What do you give a man who rides a horse to work every day? “So, woman,” Marlboro Man said, changing the subject, “what did you want to ask me?” “Oh!” I said, focusing my thoughts back to the reception. “Okay, I need you to name your absolute favorite foods in the entire world.” He paused. “Why?” “I’m just taking a survey,” I answered. “Hmmm…” He thought for a minute. “Probably steak.” Duh. “Well, besides steak,” I said. “Steak,” he repeated. “And what else?” I asked. “Well…steak is pretty good,” he answered. “Okay,” I responded. “I understand that you like steak. But I need a little more to work with here.” “But why?” he asked. “Because I’m taking a survey,” I repeated. Marlboro Man chuckled. “Okay, but I’m really hungry right now, and I’m three hours from home.” “I’ll factor that in,” I said. “Biscuits and gravy…tenderloin…chocolate cake…barbecue ribs…scrambled eggs,” he said, rattling off his favorite comfort foods. Bingo, I thought, smiling. “Now, hurry up and marry me,” he commanded. “I’m tired of waiting on you.” I loved it when he was bossy.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
The “Tall Tree” Fairness Test We can imagine the advantages and disadvantages that shape our lives as similar to the natural environment that shapes a tree as it grows. A tree growing on an open, level field grows straight and tall, toward the sun; a tree that grows on a hillside will also grow toward the sun—which means it will grow at an angle. The steeper the hill, the sharper the angle of the tree, so if we transplant that tree to the level field, it’s going to be a totally different shape from a tree native to that field. Both are adapted to the environment where they grew. We can infer the shape of the environment where a tree grew by looking at the shape of the tree. White men grow on an open, level field. White women grow on far steeper and rougher terrain because the field wasn’t made for them. Women of color grow not just on a hill, but on a cliffside over the ocean, battered by wind and waves. None of us chooses the landscape in which we’re planted. If you find yourself on an ocean-battered cliff, your only choice is to grow there, or fall into the ocean. So if we transplant a survivor of the steep hill and cliff to the level field, natives of the field may look at that survivor and wonder why she has so much trouble trusting people, systems, and even her own bodily sensations. Why is this tree so bent and gnarled? It’s because that is what it took to survive in the place where she grew. A tree that’s fought wind and gravity and erosion to grow strong and green on a steep cliff is going to look strange and out of place when moved to the level playing field. The gnarled, wind-blown tree from an oceanside cliff might not conform with our ideas of what a tree should look like, but it works well in the context where it grew. And that tall straight tree wouldn’t stand a chance if it was transplanted to the cliffside. 19 One kind of adversity: How many white parents do you know who explicitly teach their children to keep their hands in sight at all times and always say “Yes, sir” and “No, ma’am” if they are stopped by the police? That’s just standard operating procedure for a lot of African American parents. Black parents in America grow their kids differently, because the landscape their kids are growing in requires it. The stark difference between how people of color are treated by police and how white people are treated results in white people thinking black people are ridiculous for being afraid of the police. We can’t see the ocean, so when black people tell us, “We do this to avoid falling into the ocean,” we don’t understand. But just because we can’t see it doesn’t mean it’s not there. How can we tell? By looking at the shape of the tree. Trees that grow at an angle grew on the side of a hill. People who are afraid of the police grew up in a world where the police are a threat. 20 Just because the road looks flat doesn’t mean it is. Just because you can’t see the ocean doesn’t mean it’s not there. You can infer the landscape by looking at the shapes of the people who grew in those environments. Instead of wondering why they aren’t thriving on the level playing field, imagine how the field can be changed to allow everyone to thrive.
Emily Nagoski (Burnout: The secret to solving the stress cycle)
Bram stared into a pair of wide, dark eyes. Eyes that reflected a surprising glimmer of intelligence. This might be the rare female a man could reason with. “Now, then,” he said. “We can do this the easy way, or we can make things difficult.” With a soft snort, she turned her head. It was as if he’d ceased to exist. Bram shifted his weight to his good leg, feeling the stab to his pride. He was a lieutenant colonel in the British army, and at over six feet tall, he was said to cut an imposing figure. Typically, a pointed glance from his quarter would quell the slightest hint of disobedience. He was not accustomed to being ignored. “Listen sharp now.” He gave her ear a rough tweak and sank his voice to a low threat. “If you know what’s good for you, you’ll do as I say.” Though she spoke not a word, her reply was clear: You can kiss my great woolly arse. Confounded sheep. “Ah, the English countryside. So charming. So…fragrant.” Colin approached, stripped of his London-best topcoat, wading hip-deep through the river of wool. Blotting the sheen of perspiration from his brow with his sleeve, he asked, “I don’t suppose this means we can simply turn back?” Ahead of them, a boy pushing a handcart had overturned his cargo, strewing corn all over the road. It was an open buffet, and every ram and ewe in Sussex appeared to have answered the invitation. A vast throng of sheep bustled and bleated around the unfortunate youth, gorging themselves on the spilled grain-and completely obstructing Bram’s wagons. “Can we walk the teams in reverse?” Colin asked. “Perhaps we can go around, find another road.” Bram gestured at the surrounding landscape. “There is no other road.” They stood in the middle of the rutted dirt lane, which occupied a kind of narrow, winding valley. A steep bank of gorse rose up on one side, and on the other, some dozen yards of heath separated the road from dramatic bluffs. And below those-far below those-lay the sparkling turquoise sea. If the air was seasonably dry and clear, and Bram squinted hard at that thin indigo line of the horizon, he might even glimpse the northern coast of France. So close. He’d get there. Not today, but soon. He had a task to accomplish here, and the sooner he completed it, the sooner he could rejoin his regiment. He wasn’t stopping for anything. Except sheep. Blast it. It would seem they were stopping for sheep. A rough voice said, “I’ll take care of them.” Thorne joined their group. Bram flicked his gaze to the side and spied his hulking mountain of a corporal shouldering a flintlock rifle. “We can’t simply shoot them, Thorne.” Obedient as ever, Thorne lowered his gun. “Then I’ve a cutlass. Just sharpened the blade last night.” “We can’t butcher them, either.” Thorne shrugged. “I’m hungry.” Yes, that was Thorne-straightforward, practical. Ruthless. “We’re all hungry.” Bram’s stomach rumbled in support of the statement. “But clearing the way is our aim at the moment, and a dead sheep’s harder to move than a live one. We’ll just have to nudge them along.” Thorne lowered the hammer of his rifle, disarming it, then flipped the weapon with an agile motion and rammed the butt end against a woolly flank. “Move on, you bleeding beast.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
Representing Far Places In the canoe wilderness branches wait for winter; every leaf concentrates; a drop from the paddle falls. Up through water at the dip of a falling leaf to the sky's drop of light or the smell of another star fish in the lake leap arcs of realization, hard fins prying out from the dark below. Often in society when the talk turns witty you think of that place, and can't polarize at all: it would be a kind of treason. The land fans in your head canyon by canyon; steep roads diverge. Representing far places you stand in the room, all that you know merely a weight in the weather. It is all right to be simply the way you have to be, among contradictory ridges in some crescendo of knowing.
William Stafford
Postcard" Honey, now that your shackles are gone And you're out there on your own Won't you let me know If things get hard Honey, now that your shackle's been lifted You're a sweet young thing and you're oh so gifted Will you let me know If things turn bad I wasn't looking for trouble but trouble came I wasn't looking to change, I'll never be the same But life's not what you make it, baby Send me a postcard When you get to where you're going Send me a line To everything you've left behind Honey, now that I've found my way And I miss you more than I can say Won't you promise to Say a prayer for me Honey, now that the morning's come We're both still out on the run Won't you let me know If you feel free We were looking to mend it but we tore it apart And I went and broke my own goddamned heart See, life's not what you make it, baby Send me a postcard When you get to where you're going Send me a line To everything you've left behind Pick it for me, James I was just a kid when I fell for you I'm not much older now but even then I knew That the road was steep and full of stride I never knew what to say, could never get it right And I'm alone again at the end of night But life's not what you make it, baby Send me a postcard When you get to where you're going Send me a line To everything you've left behind First Aid Kit, Ruins (2018)
First Aid Kit
At mile 7.6 (7,405), cross Meadows Group Campground Road, then go through a gate and veer left at mile 7.7 (7,364). (For Buffalo Creek Trailhead go right 0.2 mile.) After a nice walk along Buffalo Creek to a bridge, cross it and FS Rd 543 at mile 8.0 (7,391). Turn left at an intersection with Redskin Creek Trail at mile 8.3 (7,448). At mile 9.1 (7,900) there is a dry campsite. Ahead is a rifle range south of the trail and it’s common to hear shots; stay on the trail. The trail climbs to mile 9.6 (7,930), where it crosses the road to Buffalo Creek Gun Club. At mile 11.9 (8,127), cross a small stream where there’s good camping. After a short but steep climb, arrive at FS Rd 560 (Wellington Lake Road) and Rolling Creek Trailhead, the end of Segment 3 at mile 12.2 (8,279).
Colorado Trail Foundation (The Colorado Trail)
If God didn’t design the road, you can be assured that it’s a very short path to a really steep cliff.
Craig D. Lounsbrough
Within a few blocks drive, they turned right and headed north on US-441, where they began the steep climb into the Great Smoky Mountains. Hicks was the first to speak about the road they traversed. “I feel like I’ve gone to Heaven, but man, I sure don’t deserve this. Is this for real?” Shaw looked over at Paxton and said, “You didn’t tell me it would be like this.” “Like what?” Paxton asked. “This is God’s country, brother,” Shaw purred. “Hicks is right, it’s beautiful here.” “Welcome to the Great Smoky Mountains National Park,” Paxton said, pleased, “one of the most beautiful places on earth.
Ryan Schow (A Cold Reckoning (Sunset on America #5))
Merciful heavens, what a view!" We were running along a high white road that hugged the side of Parnassus. Below us to the left, the steep hillside fell away to the valley of the Pleistus, the river that winds down between Parnassus' great flanks and the rounded ridges of Mount Cirphis, towards the plain of Crissa and the sea. All along the Pleistus – at this season a dry white serpent of shingle beds that glittered in the sun – all along its course, filling the valley bottom with the tumbling, whispering green-silver of water, flowed the olive woods; themselves a river, a green-and-silver flood of plumy branches as soft as sea spray, over which the ever-present breezes slid, not as they do over corn, in flying shadows, but in whitening breaths, little gasps that lift and toss the olive crests for all the world like breaking spray. Long pale ripples followed one another down the valley. Where, at the valley's end, Parnassus thrust a sudden buttress of gaunt rock into the flood, the sea of grey trees seemed to break round it, flowing on, flooding out to fill the flat plain beyond, still rippling, still moving with the ceaseless sheen and shadow of flowing water, till in the west the motion was stilled against the flanks of the distant hills and to the south against the sudden sharp bright gleam of the sea.
Mary Stewart (My Brother Michael)
In the labyrinth of uncertainty, lost I stand, Each step a challenge, in life's vast expanse. Days heavy with burdens, a relentless plight, Yet within, a flame flickers, a resilient light. Trying to be okay, though the road is steep, A daily battle, promises to keep. In the crucible of struggle, a beacon I see, A tiny hope, a glimpse of what could be. Fatigue may weigh, yet my heart endures, Coping with trials, resilient and pure. The path unknown, winding and tough, But I hold onto promises, that's enough. I wait with patience through the darkest night, Sharing my struggles, seeking the light. In the midst of hardship, the promise draws near, With each waiting moment, resilience appears. So, let courage guide, like a torch in the dark, In the symphony of struggle, find your spark. For within the wait, strength will reveal, A power untapped, a resolve of steel.
Manmohan Mishra
I discovered that age isn't measured in years, but rather by the roads we travel. Steep paths build muscles, know-how, and empathy, an easy one, only indifference.
Michael J. Sullivan
I caught a couple of landmarks and knew we were on Benedict Canyon Drive, getting up into the hills. I'd driven here several times before—in happier days—and I knew almost all the road. It was hilly along here and there were steep clifflike drops and sloping ones. Maybe Dutch would let me jump off a cliff. Suicide. I strained at the rope on my wrists, but it was tight.
Richard S. Prather (Shell Scott PI Mystery Series, Volume One)
Volterra,’ Olivia announced in a flat, icy voice. VOLTERRA- WE BEGAN THE STEEP CLIMB, AND THE ROAD GREW CONGESTED. As we wound higher, the cars became too close together for Olivia to weave insanely between them anymore. We slowed to a crawl behind a little tan Peugeot. ‘Olivia,’ I moaned. The clock on the dash seemed to be speeding up. ‘It's the only way in,’ she tried soothing me. But her voice was too strained to comfort. The cars continued to edge forward, one car length at a time. The sun beamed down brilliantly, seeming already overhead. The cars crept one by one toward the city. As we got closer, I could see cars parked by the side of the road with people getting out to walk the rest of the way. At first- I thought it was just impatience-something I could easily understand. But then we came around a switchback, and I could see the filled parking lot outside the city wall, the crowds of people walking through the gates. No one was being allowed to drive through. ‘Olivia,’ I whispered urgently. ‘I know,’ she said. Her face was chiseled from ice. Now that I was looking, and we were crawling slowly enough to see, I could tell that it was very windy. The people crowding toward the gate gripped their hats and tugged their hair out of their faces. Their clothes billowed around them. I also noticed that red was everywhere. Red shirts, red hats, red flags dripping like long ribbons beside the gate, whipping in the wind as I watched, the brilliant crimson scarf one woman had tied around her hair was caught in a sudden gust. It twisted up into the air above her, writhing like it was alive. She reached for it, jumping in the air, but it continued to flutter higher, a patch of bloody color against the dull, ancient walls. ‘Bell.’ Olivia spoke swiftly in a fierce, deep voice. ‘I can't see what the guard here will decide now-if this doesn't work, you're going to have to go in alone. You're going to have to run. Just keep running in the course they tell you to. Don't get lost.’ I repeated what I had said- the name repeatedly, trying to get it down. ‘Or 'the clock tower,' if they speak English. I'll go around and try to find a secluded spot somewhere behind the city where I can go over the wall.’ I nodded two times… ‘Marcel will be under the clock tower, to the north of the square. There's a narrow alleyway on the right, and he'll be in the shadow there. You have to get his attention before he can move into the sun.’ I nodded furiously. Olivia was near the front of the line. A man in a navy-blue uniform was directing the flow of traffic, turning the cars away from the full lot. They U-turned and headed back to find a place beside the road. Then it was Olivia's turn…
Marcel Ray Duriez
The road of head was steep and long, and I had no firm idea as to how to achieve my goals. First came the will to do it, then persistence and effort. And then maybe something else entirely.
Natsu Miyashita (The Forest of Wool and Steel)
Seven Cities was an ancient civilization, steeped in the power of antiquity, where Ascendants once walked on every trader track, every footpath, every lost road between forgotten places. It was said the sands hoarded power within their susurrating currents, that every stone had soaked up sorcery like blood, and that beneath every city lay the ruins of countless other cities, older cities, cities that went back to the First Empire itself. It was said each city rose on the backs of ghosts, the substance of spirits thick like layers of crushed bone; that each city forever wept beneath the streets, forever laughed, shouted, hawked wares and bartered and prayed and drew first breaths that brought life and the last breaths that announced death. Beneath the streets there were dreams, wisdom, foolishness, fears, rage, grief, lust and love and bitter hatred. The historian stepped outside into the rain, drawing in lungfuls of clean, cool air as he once more wrapped cloak about him. Conquerors could overrun a city’s walls, could kill every living soul within it, fill every estate and every house and every store with its own people, yet rule nothing but the city’s thin surface, the skin of the present, and would one day be brought down by the spirits below, until they themselves were but one momentary layer among many. This is an enemy we can never defeat, Duiker believed. Yet history tells the stories of those who would challenge that enemy, again and again. Perhaps victory is not achieved by overcoming that enemy, but by joining it, becoming one with it.
Steven Erikson (Deadhouse Gates (Malazan Book of the Fallen, #2))
War is a burden to be carried on a steep and bloody road,” Marshall observed,
Rick Atkinson (An Army at Dawn: The War in North Africa, 1942-1943 (Liberation Trilogy, #1))
If you crave genuine followers, then leave the well-paved, smooth road you have been walking on and walk on steep, rocky and jagged frontiers. Whoever follows you there, count on them.
Nkwachukwu Ogbuagu
Leave the smooth road and walk on the steep, rocky one. Anyone who follows you you can forever count on.
Nkwachukwu Ogbuagu
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survey companies in Myanmar
…time has a way of leading a person along a crooked path. Sometimes the path is hard to hold to and people fall off along the way. They curse the road for its steep grades and muddy ruts and settle themselves in hinterlands of thorn and sorrow, never knowing or dreaming that the road meant all along to lead them home. Some call that road a tragedy and lose themselves along it. Others, those that see it home, call it an adventure.” ― A.S. Peterson, The Fiddler's Gun
A.S Peterson
was nothing compared to the danger of falling from the wagon on the steep mountain roads. Papà was in a foul mood again. Mamma said Papà had been angry since before I was born, and that was eight years ago. “Why is Papà so angry?” I asked Mamma. “Papà used
Giacomo Giammatteo (Finding Family (Blood Flows South #1.5))
We climbed the height by the zigzag path And wondered why—until We understood it was made zigzag To break the force of the hill. A road straight up would prove too steep For the traveler’s feet to tread; The thought was kind in its wise design Of a zigzag path instead. It is often so in our daily life; We fail to understand That the twisting way our feet must tread By love alone was planned. Then murmur not at the winding way, It is our Father’s will To lead us Home by the zigzag path, To break the force of the hill. ANONYMOUS
Lettie B. Cowman (Springs in the Valley: 365 Daily Devotional Readings)
Shara met me at the airport in London, dressed in her old familiar blue woolen overcoat that I loved so much. She was bouncing like a little girl with excitement. Everest was nothing compared to seeing her. I was skinny, long-haired, and wearing some very suspect flowery Nepalese trousers. I short, I looked a mess, but I was so happy. I had been warned by Henry at base camp not to rush into anything “silly” when I saw Shara again. He had told me it was a classic mountaineers’ error to propose as soon as you get home. High altitude apparently clouds people’s good judgment, he had said. In the end, I waited twelve months. But during this time I knew that this was the girl I wanted to marry. We had so much fun together that year. I persuaded Shara, almost daily, to skip off work early from her publishing job (she needed little persuading, mind), and we would go on endless, fun adventures. I remember taking her roller-skating through a park in central London and going too fast down a hill. I ended up headfirst in the lake, fully clothed. She thought it funny. Another time, I lost a wheel while roller-skating down a steep busy London street. (Cursed skates!) I found myself screeching along at breakneck speed on only one skate. She thought that one scary. We drank tea, had afternoon snoozes, and drove around in “Dolly,” my old London black cab that I had bought for a song. Shara was the only girl I knew who would be willing to sit with me for hours on the motorway--broken down--waiting for roadside recovery to tow me to yet another garage to fix Dolly. Again. We were (are!) in love. I put a wooden board and mattress in the backseat so I could sleep in the taxi, and Charlie Mackesy painted funny cartoons inside. (Ironically, these are now the most valuable part of Dolly, which sits majestically outside our home.) Our boys love playing in Dolly nowadays. Shara says I should get rid of her, as the taxi is rusting away, but Dolly was the car that I will forever associate with our early days together. How could I send her to the scrapyard? In fact, this spring, we are going to paint Dolly in the colors of the rainbow, put decent seat belts in the backseat, and go on a road trip as a family. Heaven. We must never stop doing these sorts of things. They are what brought us together, and what will keep us having fun. Spontaneity has to be exercised every day, or we lose it. Shara, lovingly, rolls her eyes.
Bear Grylls (Mud, Sweat and Tears)
YOU CAN SEE FOR MILES in both directions from the point on Ruby Ridge. From here, the paths of the Weaver family and the federal government seem inevitable, trucks barreling toward each another on a one-lane road. The government’s route to Ruby Ridge was a twenty-year drift toward militaristic law enforcement, in which quiet agents in suits gave way to federal SWAT teams competing for funding, in which unchecked arrogance and zeal allowed federal agents to act as if their ends justified their means. For the Weavers, the trail to this place cuts right through our own backyards, through patriotism, the military, fundamentalist Christianity, and eventually paranoia. Randy and Vicki’s story is a map of disenfranchisement. They were seduced by conspiracy and a religion called Christian Identity, by beliefs steeped in racism and fear of government oppression, beliefs that helped bring about the very thing they feared. Ultimately, you come to the Weaver story along the same trail Randy and Vicki took, from the heart of Christian Iowa to the deep woods of North Idaho. There is much to ponder along the way—the accountability of government and the danger of paranoia, the villainy of coincidence and the desperate need to decide, every day all over again, where society’s lines will be drawn. Up a twisting, rutted dirt road, past gnarled pine trees and scrub grass, you come finally to a sign at the edge of the old Weaver property. Two sets of unbending law clashed on the mountain, two incompatible views of the world, outlined by defiant red letters painted on a plywood sign: “Every knee shall bow to Yahshua Messiah.
Jess Walter (Ruby Ridge: The Truth and Tragedy of the Randy Weaver Family)
Then we left it behind and entered another world. Steep, densely forested slopes closed in around us, plunging us into shadow as the road wound through them. Part of the huge Appalachian Mountains chain, the Smokies covered eight hundred square miles and spanned the border between Tennessee and North Carolina. They'd been declared a National Park, although looking out of the car window I thought that nature was blithely unaware of such distinctions. This was a wilderness that man had even now barely scratched. Coming from a crowded island like the UK, it was impossible not to be humbled by their sheer scale. There
Simon Beckett (Whispers of the Dead (David Hunter #3))
But it’s not uncommon for Christians to collapse and give up, looking at themselves and then at the steep road ahead, and refusing to listen to His promises. How many—how many!—professing Christians have abandoned the faith after some deeply painful event in their lives? Why? Did they think that God would never let anything painful happen to His children? If so they don’t really know who He is.
Hannah K. Grieser (The Clouds Ye So Much Dread: Hard Times and the Kindness of God)
It’s a geode. You can sess that, the way the rock around you abruptly changes to something else. The pebble in the stream, the warp in the weft; countless aeons ago a bubble formed in a flow of molten mineral within Father Earth. Within that pocket, nurtured by incomprehensible pressures and bathed in water and fire, crystals grew. This one’s the size of a city. Which is probably why someone built a city in this one. You stand before a vast, vaulted cavern that is full of glowing crystal shafts the size of tree trunks. Big tree trunks. Or buildings. Big buildings. They jut forth from the walls in an utterly haphazard jumble: different lengths, different circumferences, some white and translucent and a few smoky or tinged with purple. Some are stubby, their pointed tips ending only a few feet away from the walls that grew them—but many stretch from one side of the vast cavern into the indistinct distance. They form struts and roads too steep to climb, going in directions that make no sense. It is as if someone found an architect, made her build a city out of the most beautiful materials available, then threw all those buildings into a box and jumbled them up for laughs. And they’re definitely living in it. As you stare, you notice narrow rope bridges and wooden platforms everywhere. There are dangling lines strung with electric lanterns, ropes and pulleys carrying small lifts from one platform to another. In the distance a man walks down a wooden stairway built around a titanic slanted column of white; two children play on the ground far below, in between stubby crystals the size of houses. Actually, some of the crystals are houses. They have holes cut in them—doors and windows. You can see people moving around inside some of them. Smoke curls from chimney holes cut in pointed crystal tips.
N.K. Jemisin (The Fifth Season)