Steep Hill Quotes

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What are you doing?' 'Asking the universe questions.' 'The universe just dumped you over the side of a steep hill. You really want to ask it questions?
Cath Crowley (Graffiti Moon)
Strange memories on this nervous night in Las Vegas. Five years later? Six? It seems like a lifetime, or at least a Main Era—the kind of peak that never comes again. San Francisco in the middle sixties was a very special time and place to be a part of. Maybe it meant something. Maybe not, in the long run . . . but no explanation, no mix of words or music or memories can touch that sense of knowing that you were there and alive in that corner of time and the world. Whatever it meant. . . . History is hard to know, because of all the hired bullshit, but even without being sure of “history” it seems entirely reasonable to think that every now and then the energy of a whole generation comes to a head in a long fine flash, for reasons that nobody really understands at the time—and which never explain, in retrospect, what actually happened. My central memory of that time seems to hang on one or five or maybe forty nights—or very early mornings—when I left the Fillmore half-crazy and, instead of going home, aimed the big 650 Lightning across the Bay Bridge at a hundred miles an hour wearing L. L. Bean shorts and a Butte sheepherder's jacket . . . booming through the Treasure Island tunnel at the lights of Oakland and Berkeley and Richmond, not quite sure which turn-off to take when I got to the other end (always stalling at the toll-gate, too twisted to find neutral while I fumbled for change) . . . but being absolutely certain that no matter which way I went I would come to a place where people were just as high and wild as I was: No doubt at all about that. . . . There was madness in any direction, at any hour. If not across the Bay, then up the Golden Gate or down 101 to Los Altos or La Honda. . . . You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning. . . . And that, I think, was the handle—that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn’t need that. Our energy would simply prevail. There was no point in fighting—on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave. . . . So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water mark—that place where the wave finally broke and rolled back.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
I grew up in this town, my poetry was born between the hill and the river, it took its voice from the rain, and like the timber, it steeped itself in the forests.
Pablo Neruda
To climb steep hills requires a slow pace at first.
William Shakespeare
It seems like a lifetime, or at least a Main Era — the kind of peak that never comes again. San Francisco in the middle sixties was a very special time and place to be a part of. Maybe it meant something. Maybe not, in the long run... but no explanation, no mix of words or music or memories can touch that sense of knowing that you were there and alive in that corner of time and the world. Whatever it meant... There was madness in any direction, at any hour. You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning... And that, I think, was the handle — that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn't need that. Our energy would simply PREVAIL. There was no point in fighting — on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave... So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high water mark — that place where the wave finally broke, and rolled back.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
Reading Dostoevsky's The Brothers Karamazov is comparable to pushing a beautiful grand piano up a very steep hill.
Kevin Ansbro
So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water mark—that place where the wave finally broke and rolled back.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
There was no sign of Plato, and I was told later that he had gone to live in his Republic, where he was cheerfully submitting to his own Laws. [...] None of the Stoics were present. Rumour had it that they were still clambering up the steep hill of Virtue [...]. As for the Sceptics, it appeared that they were extremely anxious to get there, but still could not quite make up their minds whether or not the island really existed.
Lucian of Samosata (Satirical Sketches)
And this is how it started. Just with coffee and the exchange of their long stories. Love can be incremental. Predicaments, too. Coffee can start a life just as it can start a day. This was the meeting of two people who were destined to love from before they were born, from before they made choices that would complicate their lives. This love just rolled toward my mother as though she were standing at the bottom of a steep hill. Mother had no hand in this, only heart.
Tayari Jones (Silver Sparrow)
There's something easy about the idea that vampirism is some kind of disease- then they can't help it if they attack us, that they commit murders and atrocities, that they can only control themselves sometimes. They're sick; its not their fault. And there's something even easier about the idea of demonic invasion, something forcing our loved ones to do all manner of terrible things. Still not their fault, only now we can destroy them. But the third option, the possibility that there's something monstrous inside of us that can be unleashed, is the most disturbing of all. Maybe its just us, us with a raging hunger, us with a couple of accidental murders under our belt. Humanity, with the training wheels off the bike, careening down a steep hill. Humanity, freed from the constraints of consequence and gifted with power. Humanity, grown away from all things human.
Holly Black (The Coldest Girl in Coldtown)
Appalachia was Appalachia, regardless of boundaries someone had set an eternity ago. A land of breathtaking beauty, of steep hills and rolling mountains
John Grisham (Gray Mountain)
Some girls will love you for your intelligence, your spirit, or your smile. Some girls will fall all over themselves if you even make the smallest effort to understand them. Some girls don't care how you act as long as you drive a nice car(And some boys deserve those kind of girls. i'm just sayin'.) Some girls will require a lot more from you than most guys are willing to give. This is the girl you'll need a lot of patience for, because she will lead you down blind paths and up steep hills. The challenge will be staying true to who you are while pursuing this person. She'll wring you out, simultaneously repel and attract you, and question your every intention. She'll be the biggest pain in the asphalt you've ever had. She'll need you to understand what she won't tell you, believe in her when she extends no faith in you, and not give in to her when she wants to roll over you. She'll expect that you'll always be there, even when she avoids you. She'll want lots of independence but want you to need her desperately. She'll expect you to be smart but treat her like she's smarter than you. Hopefully, you'll believe she's worth it in the end.
Gwen Hayes (So Over You)
A common and natural result of an undue respect of law is, that you may see a file of soldiers, colonel, captain, corporal, privates, powder-monkeys, and all, marching in admirable order over hill and dale to the wars, against their wills, ay, against their common sense and consciences, which makes it very steep marching indeed, and produces a palpitation of the heart.
Henry David Thoreau (Civil Disobedience)
Without fail, a woman is always walking into the unknown. It seems as though it is so easy to blame and point the finger at a woman. What others fail to realize is that a woman might not always know what lies ahead of her, but she will always find a way to get through it. When she hits the ground, she will bounce right back up. The road may twist and turn; there will be a few steep hills and sharp curves, but she will never give up because she is unstoppable.
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
slightest. It had improved, he thought, probably because he had to walk up and down the steep hill that separated him from the posh avenues and bars that served men who served his purpose.
Jana Petken (The Guardian of Secrets)
All day long we seemed to dawdle through a country which was full of beauty of every kind. Sometimes we saw little towns or castles on the top of steep hills such as we see in old missals; sometimes we ran by rivers and streams which seemed from the wide stony margin on each side of them to be subject of great floods. It takes a lot of water, and running strong, to sweep the outside edge of a river clear.
Bram Stoker (Dracula)
Behind these two booths was an enormous roller coaster, a phrase which here mean 'a series of small carts where people can sit and race up and down steep and frightening hills of tracks, for no discernible reason
Lemony Snicket (The Carnivorous Carnival (A Series of Unfortunate Events, #9))
On a huge hill, Cragged and steep, Truth stands, and hee that will Reach her, about must, and about must goe; And what the hills suddenness resists, winne so; Yet strive so, that before age, deaths twilight, Thy Soule rest, for none can worke in that night.
John Donne (The Complete Poetry and Selected Prose)
Oh land of farms and green hills mild Once formed by giants rough and wild With massive paws they gripped and tore With one great rip they formed the shore Where heavy boots left prints so deep Blue lakes remain 'tween summits steep The giants fought beneath our skies And from their bones our mountains rise
Shannon Hale (Palace of Stone (Princess Academy, #2))
Finally we came over a rise and I saw the Caribbean...My first feeling was a wild desire to drive a stake in the sand and claim the place for myself. The beach was white as salt, and cut off from the world by a ring of steep hills that faced the sea. We were on the edge of a large bay and the water was that clear, turquoise color that you get with a white sand bottom. I had never seen such a place. I wanted to take off all my clothes and never wear them again.
Hunter S. Thompson (The Rum Diary)
A voice said, "Climb." And he said, "How shall I climb?the mountains are so steep that I cannot climb." The voice said, "Climb or die." He said, "But how?I see no way up those steep ascents. This that is asked is too hard for me." The voice said, "Climb, or perish, soul and body of theemind and spirit of thee. There is no second chance for any son of man. Climb or die." Then he remembered that he had read in the books of the bravest climbers on the hills of the earth that sometimes they were aware of the presence of a Companion on the mountains who was not one of the earthly party of climbers. And he rememberd a word in the Book of Mountaineers...it heartened him,for it told him that he was created to walk in precarious places, not on the easy levels of life.
Amy Carmichael (A Very Present Help: Life Messages of Great Christans)
Did you know people will underestimate the weight of a heavy backpack before climbing a steep hill if they're standing next to a friend?" "Aww," Neera said. "That's nice." I looked out the window. Every stripped tire looked like roadkill. After a minute, Neera said, "Actually, that really is something." "I thought so," I said.
Jessica Francis Kane (Rules for Visiting)
It was raining when Rahel came back to Ayemenem. Slanting silver ropes slammed into loose earth, plowing it up like gunfire. The old house on the hill wore its steep, gabled roof pulled over its ears like a low hat.
Arundhati Roy (The God of Small Things)
(Finn) “You’re sure you’re not a sister?” he tossed back at her, his voice little more than a growl on the night air. She was closer than he thought, making decent enough headway on the steep hill. “I’m an only child.” Stupid, he thought. “I’m asking if you’re a holy nun.” “I told you, I’m not a nun, holy or otherwise.” Okay, she met the criteria for fuckable.
Anne Stuart (On Thin Ice (Ice, #6))
That feeling I get when I’m riding my bike down the steep hill of Freddie’s street is the only way I know how to explain it. The world around me is a blur except for him. I feel like
Julie Murphy (Ramona Blue)
The creative process isn’t easy, even for chocolate-fountain people. It’s more like a wobbly, drunken journey down a very steep and scary hill, not knowing if there’s a sheer cliff at the end of it all. But it’s worth the journey, I promise.
Felicia Day (You're Never Weird on the Internet (Almost))
White men grow on an open, level field. White women grow on far steeper and rougher terrain because the field wasn't made for them. Women of color grow not just on a hill, but on a cliffside over the ocean, battered by wind and waves. None of us chooses the landscape in which we're planted. If you find yourself on an ocean-battered cliff, your only choice is to grow there, or fall into the ocean. So if we transplant a survivor of the steep hill and cliff to the level field, natives of the field may look at that survivor and wonder why she has so much trouble trusting people, systems, and even her own bodily sensations. Why is this tree so bent and gnarled? It's because that is what it took to survive in the place where she grew. A tree that's fought wind and gravity and erosion to grow strong and green on a steep cliff is going to look strange and out of place when moved to the level playing field. The gnarled, wind-blown tree from an oceanside cliff might not conform with our ideas of what a tree should look like, but it works well in the context where it grew. And that tall straight tree wouldn't stand a chance if it was transplanted to the cliffside.
Emily Nagoski (Burnout: The Secret to Unlocking the Stress Cycle)
There is a sacred horror about everything grand. It is easy to admire mediocrity and hills; but whatever is too lofty, a genius as well as a mountain, an assembly as well as a masterpiece, seen too near, is appalling. Every summit seems an exaggeration. Climbing wearies. The steepnesses take away one's breath; we slip on the slopes, we are hurt by the sharp points which are its beauty; the foaming torrents betray the precipices, clouds hide the mountain tops; mounting is full of terror, as well as a fall. Hence, there is more dismay than admiration. People have a strange feeling of aversion to anything grand. They see abysses, they do not see sublimity; they see the monster, they do not see the prodigy.
Victor Hugo (Ninety-Three)
Wild steep mountains floating in a haze of cloud...a sea of green trees swallowing the hills and valleys, and curling around the trails and rivers, with the wind in the leaves as its tide.
Sharyn McCrumb (The Songcatcher (Ballad, #6))
Otis, on the other hand, didn't miss home a bit. He had always hated the stairs in our house in Massachusetts. He was now five years old and very large for a golden retriever. I thought he was fat, but Bruce insisted he was just "big-boned". Either way, climbing the steep stairs at home was a challenge. Whenever Bruce and I went upstairs, Otis would sit near the bottom step, carefully calculating whether we would be on the second floor long enough to make it worthwhile to heave himself up the stairs. And on the way down the stairs, Otis was like a fully loaded eighteen-wheeler barreling down a steep hill. We just got out of his way. But in the new Washington apartment building, Otis had an elevator. As far as he was concerned, life was sweet.
Elizabeth Warren
There are ruins, steeped in shadow, and a bloodred sun going down in turmoil behind distant hills. Overhead soft-bellied clouds panic toward the horizon like whales before the harpoon, and the wind runs addict’s fingers through the trees that line the street.
Richard K. Morgan (Altered Carbon (Takeshi Kovacs, #1))
It was hard to get lost in Missoula even if you wanted to. Wherever you were, all you had to do to get your bearings was look around and find the big letter M, embossed in white halfway up the steep shoulder of grass that reared on the south bank of the Clark Fork River. Though only a hill, it was called Mount Sentinel and if you had the legs and lungs and inclination to hike the trail that zigzagged up it, you could stand by the M and gaze out across the town at a travel-brochure shot of forest and mountain dusted from early fall with snow.
Nicholas Evans (The Divide)
Upon Westminster Bridge Earth has not anything to show more fair: Dull would he be of soul who could pass by A sight so touching in its majesty: This City now doth, like a garment, wear The beauty of the morning; silent, bare, Ships, towers, domes, theatres, and temples lie Open unto the fields, and to the sky; All bright and glittering in the smokeless air. Never did sun more beautifully steep In his first splendour, valley, rock, or hill; Ne'er saw I, never felt, a calm so deep! The river glideth at his own sweet will: Dear God! the very houses seem asleep; And all that mighty heart is lying still!
William Wordsworth
A funny thing happens when you have nothing left to live for. Your existence loses all its sharp edges. There are no more steep drops, no hills to climb. Colors blur and muddle together until your surroundings are a bunch of meaningless shapes and figures painted in the same shade of gray. There's nothing that could possibly surprise you or resurrect those old sensations of joy or fear. No humans could be as unfeeling, as numb, as you are. And then, just when you're getting lulled into the monotonous routine, something snaps. No more.
Alexandra Monir (The Final Six (The Final Six, #1))
Westward on the high-hilled plains Where for me the world began, Still, I think, in newer veins Frets the changeless blood of man. ... There, when hueless is the west And the darkness hushes wide, Where the lad lies down to rest Stands the troubled dream beside. There, on thoughts that once were mine, Day looks down the eastern steep, And the youth at morning shine Makes the vow he will not keep.
A.E. Housman (A Shropshire Lad)
But walking causes absorption. Walking interminably, taking in through your pores the height of the mountains when you are confronting them at length, breathing in the shape of the hills for hours at a time during a slow descent. The body becomes steeped in the earth it treads. And thus, gradually, it stops being in the landscape: it becomes the landscape. That doesn’t have to mean dissolution, as if the walker were fading away to become a mere inflection, a footnote. It’s more a flashing moment: sudden flame, time catching fire. And here, the feeling of eternity is all at once that vibration between presences. Eternity, here, in a spark.
Frédéric Gros (A Philosophy of Walking)
A vision had seized hold of me, like the demented fury of a hound that has sunk its teeth into the leg of a deer carcass and is shaking and tugging at the downed game so frantically that the hunter gives up trying to calm him. It was the vision of a large steamship scaling a hill under its own steam, working its way up a steep slope in the jungle, while above this natural landscape, which shatters the weak and the strong with equal ferocity, soars the voice of Caruso, silencing all the pain and all the voices of the primeval forest and drowning out all birdsong. To be more precise: bird cries, for in this setting, left unfinished and abandoned by God in wrath, the birds do not sing; they shriek in pain, and confused trees tangle with one another like battling Titans, from horizon to horizon, in a steaming creation still being formed. Fog-panting and exhausted they stand in this unreal misery - and I, like a stanza in a poem written in an unknown foreign tongue, am shaken to the core.
Werner Herzog (Conquest of the Useless: Reflections from the Making of Fitzcarraldo)
I mean you well, Perses, you great idiot, and I will tell you. Look, badness is easy to have, you can take it by handfuls without effort. The road that way is smooth and starts here beside you. But between us and virtue the immortals have put what will make us sweat. The road to virtue is long and goes steep up hill, hard climbing at first, but the last of it, when you get to the summit (if you get there) is easy going after the hard part.
Hesiod (The Works and Days / Theogony / The Shield of Herakles)
Egypt is a fertile valley of rich river soil, low-lying, warm, monotonous, a slow-flowing river, and beyond the limitless desert. Greece is a country of sparse fertility and keen, cold winters, all hills and mountains sharp cut in stone, where strong men must work hard to get their bread. And while Egypt submitted and suffered and turned her face toward death, Greece resisted and rejoiced and turned full-face to life. For somewhere among those steep stone mountains, in little sheltered valleys where the great hills were ramparts to defend, and men could have security for peace and happy living, something quite new came into the world: the joy of life found expression. Perhaps it was born there, among the shepherds pasturing their flocks where the wild flowers made a glory on the hillside; among the sailors on a sapphire sea washing enchanted islands purple in a luminous air.
Edith Hamilton (The Greek Way)
...the endless labour of rolling human stupidity up the steep hill of understanding.
Edith Wharton (Twilight Sleep)
To live is to be other. It’s not even possible to feel, if one feels today what he felt yesterday. To feel today what one felt yesterday isn’t to feel – it’s to remember today what was felt yesterday, to be today’s living corpse of what yesterday was lived and lost. To erase everything from the slate from one day to the next, to be new with each new morning, in a perpetual revival of our emotional virginity – this, and only this, is worth being or having, to be or have what we imperfectly are. This dawn is the first dawn of the world. Never did this pink colour yellowing to a warm white so tinge, towards the west, the face of the buildings whose windowpane eyes gaze upon the silence brought by the growing light. There was never this hour, nor this light, nor this person that’s me. What will be tomorrow will be something else, and what I see will be seen by reconstituted eyes, full of a new vision. High city hills! Great marvels of architecture that the steep slopes secure and make even greater, motley chaos of heaped up buildings that the daylight weaves together with bright spots and shadows – you are today, you are me, because I see you, you are what [I’ll be] tomorrow, and I love you from the deck rail as when two ships pass, and there’s a mysterious longing and regret in their passing.
Fernando Pessoa (The Book of Disquiet)
At some point in our conversation, Ivan mentioned that strawberries grew on trees. I said I thought they grew on little plants close to the ground. No, he said—trees. “Okay,” I said. I knew that in my life I had seen strawberries growing, on plants, but this didn’t seem like irrefutable proof that they didn’t grow on trees. “You’re easy to convince,” he said. We walked for three hours. On the way back we got lost and had to climb down a steep hill. I really didn’t want to climb down the hill. I actually walked into a tree and then stayed there for a minute. “What are you doing?” Ivan asked. “I don’t know,” I said. He nodded. He said there were lots of possible ways down the hill, but probably the best way was one where you didn’t have to go through a tree. Then he started talking about the execution of Ceauşescu and his wife.
Elif Batuman (The Idiot)
Hard Times Music is silenced, the dark descending slowly Has stripped unending skies of all companions. Weariness grips your limbs and within the locked horizons Dumbly ring the bells of hugely gathering fears. Still, O bird, O sightless bird, Not yet, not yet the time to furl your wings. It's not melodious woodlands but the leaps and falls Of an ocean's drowsy booming, Not a grove bedecked with flowers but a tumult flecked with foam. Where is the shore that stored your buds and leaves? Where the nest and the branch's hold? Still, O bird, my sightless bird, Not yet, not yet the time to furl your wings. Stretching in front of you the night's immensity Hides the western hill where sleeps the distant sun; Still with bated breath the world is counting time and swimming Across the shoreless dark a crescent moon Has thinly just appeared upon the dim horizon. -But O my bird, O sightless bird, Not yet, not yet the time to furl your wings. From upper skies the stars with pointing fingers Intently watch your course and death's impatience Lashes at you from the deeps in swirling waves; And sad entreaties line the farthest shore With hands outstretched and crooning 'Come, O come!' Still, O bird, O sightless bird, Not yet, not yet the time to furl your wings. All that is past: your fears and loves and hopes; All that is lost: your words and lamentation; No longer yours a home nor a bed composed of flowers. For wings are all you have, and the sky's broadening countryard, And the dawn steeped in darkness, lacking all direction. Dear bird, my sightless bird, Not yet, not yet the time to furl your wings!
Rabindranath Tagore
Strange memories on this nervous night in Las Vegas. Five years later? Six? It seems like a lifetime, or at least a Main Era—the kind of peak that never comes again. San Francisco in the middle sixties was a very special time and place to be a part of. Maybe it meant something. Maybe not, in the long run… but no explanation, no mix of words or music or memories can touch that sense of knowing that you were there and alive in that corner of time and the world. Whatever it meant.… History is hard to know, because of all the hired bullshit, but even without being sure of "history" it seems entirely reasonable to think that every now and then the energy of a whole generation comes to a head in a long fine flash, for reasons that nobody really understands at the time—and which never explain, in retrospect, what actually happened. My central memory of that time seems to hang on one or five or maybe forty nights—or very early mornings—when I left the Fillmore half-crazy and, instead of going home, aimed the big 650 Lightning across the Bay Bridge at a hundred miles an hour wearing L. L. Bean shorts and a Butte sheepherder's jacket… booming through the Treasure Island tunnel at the lights of Oakland and Berkeley and Richmond, not quite sure which turn-off to take when I got to the other end (always stalling at the toll-gate, too twisted to find neutral while I fumbled for change)... but being absolutely certain that no matter which way I went I would come to a place where people were just as high and wild as I was: No doubt at all about that… There was madness in any direction, at any hour. If not across the Bay, then up the Golden Gate or down 101 to Los Altos or La Honda.… You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning.… And that, I think, was the handle—that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn't need that. Our energy would simply prevail. There was no point in fighting—on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave.… So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water mark—that place where the wave finally broke and rolled back.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
Yes, between your shoulders, over your heads, to a landscape,' said Rhoda, 'to a hollow where the many-backed steep hills come down like birds' wings folded. There, on the short, firm turf are bushes, dark leaved, and against their darkness I see a shape, white, but not of stone, moving, perhaps alive. It makes no sign, it does not beckon, it does not see us. Behind it roars the sea. It is beyond our reach. Yet there I venture. There I go to replenish my emptiness, to stretch my nights and fill them fuller and fuller with dreams.
Virginia Woolf
Speaking candidly to a peer requires us to risk exposure. Speaking uphill to a leader is scarier. Speaking to the top leader of the organization is scarier still. And in a paramilitary organization of many layers like the FBI, dominated for its first half-century by a single person, J. Edgar Hoover, the hill is mighty steep. And it is harder than that, because getting the speakers to overcome their impostor complex is only half the answer. The leaders must also overcome their own impostor complex—their fear of being less than perfect.
James Comey (A Higher Loyalty: Truth, Lies, and Leadership)
As you go down the water,’ he said, ‘you will find that the trees will fail, and you will come to a barren country. There the River flows in stony vales amid high moors, until at last after many leagues it comes to the tall island of the Tindrock, that we call Tol Brandir. There it casts its arms about the steep shores of the isle, and falls then with a great noise and smoke over the cataracts of Rauros down into the Nindalf, the Wetwang as it is called in your tongue. That is a wide region of sluggish fen where the stream becomes tortuous and much divided. There the Entwash flows in by many mouths from the Forest of Fangorn in the west. About that stream, on this side of the Great River, lies Rohan. On the further side are the bleak hills of the Emyn Muil. The wind blows from the East there, for they look out over the Dead Marshes and the Noman-lands to Cirith Gorgor and the black gates of Mordor.
J.R.R. Tolkien (The Lord of the Rings)
The grapes he foraged set my teeth on edge. I want to hack through their wild vines, dissect this anger. It's a tangle: steep hill strung with old foxgrapes among the hardwood, tough enough to swing from (proto-bungee rush that's like a fit of rage, adrenalin alive inside me), or to strangle in. Vines choke.
Elizabeth Hadaway (Fire Baton (Arkansas Poetry))
I don't think you can get to where you're truly meant to go until you travel that one road...the one that's filled with sharp turns, steep hills, and nothing but pot-holes that you have to try and get around. After you make it off that road, you find the one that's straight, smooth, and filled with nothing but happiness.
Kelly Elliott (Saved (Wanted, #2))
A seeker has heard that the wisest guru in all of India lives atop India’s highest mountain. So the seeker treks over hill and Delhi until he reaches the fabled mountain. It’s incredibly steep, and more than once he slips and falls. By the time he reaches the top, he is full of cuts and bruises, but there is the guru, sitting cross-legged in front of his cave. "O, wise guru,” the seeker says, “I have come to you to ask what the secret of life is.” “Ah, yes, the secret of life,” the guru says. “The secret of life is a teacup.” “A teacup? I came all the way up here to find the meaning of life, and you tell me it’s a teacup!” The guru shrugs. “So maybe it isn’t a teacup.
Thomas Cathcart (Plato and a Platypus Walk into a Bar . . .: Understanding Philosophy Through Jokes)
The sunset struck so brilliantly into the travelling carriage when it gained the hill-top, that its occupant was steeped in crimson.
Charles Dickens (A Tale of Two Cities)
If we were never led up steep treacherous hills, through deep waters and barren deserts, how would we ever learn to depend on His all-sufficient grace?
Patsy Burnette (The Heart That Heals: Healing Our Brokenness Through the Promises of God)
The beach was hours away by bicycle, forbidden, completely out of all bounds. Going there risked expulsion, destroyed the studying I was going to do for an important test the next morning, blasted the reasonable amount of order I wanted to maintain in my life, and it also involved the kind of long, labored bicycle ride I hated. “All right,” I said. We got our bikes and slipped away from Devon along a back road. Having invited me Finny now felt he had to keep me entertained. He told long, wild stories about his childhood; as I pumped panting up steep hills he glided along beside me, joking steadily. He analyzed my character, and he insisted on knowing what I disliked most about him (“You’re too conventional,” I said).
John Knowles (A Separate Peace)
Strange memories on this nervous night in Las Vegas. Five years later? Six? It seems like a lifetime, or at least a Main Era - the kind of peak that never comes again. San Francisco in the middle sixties was a very special time and place to be a part of. Maybe it meant something. Maybe not, in the long run . . . but no explanation, no mix of words or music or memories can touch that sense of knowing that you were here and alive in that corner of time and the world. Whatever it meant . . . . (...) There was a fantastic universal sense that whatever we were doing was right, that we were winning. And that, I think, was the handle - that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn’t need that. Our energy would simply prevail. There was no point in fighting - on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave. So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high - water mark - that place where the wave finally broke and rolled back.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
All day long we seemed to dawdle through a country which was full of beauty of every kind. Sometimes we saw little towns or castles on the top of steep hills such as we see in old missals; sometimes we ran by rivers and streams which seemed from the wide stony margin on each side of them to be subject to great floods. It takes a lot of water, and running strong, to sweep the outside edge of a river clear. At every station there were groups of people, sometimes crowds, and in all sorts of attire. Some of them were just like the peasants at home or those I saw coming through France and Germany, with short jackets and round hats and home-made trousers; but others were very picturesque. The women looked pretty, except when you got near them, but they were very clumsy about the waist.
Bram Stoker (Dracula)
It became in his imagination his impossible, lifelong task, his hard trial, like that of a man he had read about somewhere, whose curse it was to push a boulder up a steep hill, only to have the giant who guarded the hill roll the boulder down again—and so on, forever, throughout eternity; he was still out there, that hapless man, somewhere at the other end of the earth, pushing his boulder up the hill.
James Baldwin (Go Tell It on the Mountain)
Earth has not anything to show more fair: Dull would he be of soul who could pass by A sight so touching in its majesty: This City now doth, like a garment, wear The beauty of the morning; silent, bare, Ships, towers, domes, theatres, and temples lie Open unto the fields, and to the sky; All bright and glittering in the smokeless air. Never did sun more beautifully steep In his first splendour, valley, rock, or hill; Ne’er saw I, never felt, a calm so deep! The river glideth at his own sweet will: Dear God! the very houses seem asleep; And all that mighty heart is lying still! - Composed Upon Westminster Bridge, September 3, 1802
William Wordsworth
Behind these two booths was an enormous roller coaster, a phrase which here means “a series of small carts where people can sit and race up and down steep and frightening hills of tracks, for no discernible reason,
Lemony Snicket (The Carnivorous Carnival (A Series of Unfortunate Events, #9))
THE MEETING" "Scant rain had fallen and the summer sun Had scorched with waves of heat the ripening corn, That August nightfall, as I crossed the down Work-weary, half in dream. Beside a fence Skirting a penning’s edge, an old man waited Motionless in the mist, with downcast head And clothing weather-worn. I asked his name And why he lingered at so lonely a place. “I was a shepherd here. Two hundred seasons I roamed these windswept downlands with my flock. No fences barred our progress and we’d travel Wherever the bite grew deep. In summer drought I’d climb from flower-banked combe to barrow’d hill-top To find a missing straggler or set snares By wood or turmon-patch. In gales of March I’d crouch nightlong tending my suckling lambs. “I was a ploughman, too. Year upon year I trudged half-doubled, hands clenched to my shafts, Guiding my turning furrow. Overhead, Cloud-patterns built and faded, many a song Of lark and pewit melodied my toil. I durst not pause to heed them, rising at dawn To groom and dress my team: by daylight’s end My boots hung heavy, clodded with chalk and flint. “And then I was a carter. With my skill I built the reeded dew-pond, sliced out hay From the dense-matted rick. At harvest time, My wain piled high with sheaves, I urged the horses Back to the master’s barn with shouts and curses Before the scurrying storm. Through sunlit days On this same slope where you now stand, my friend, I stood till dusk scything the poppied fields. “My cob-built home has crumbled. Hereabouts Few folk remember me: and though you stare Till time’s conclusion you’ll not glimpse me striding The broad, bare down with flock or toiling team. Yet in this landscape still my spirit lingers: Down the long bottom where the tractors rumble, On the steep hanging where wild grasses murmur, In the sparse covert where the dog-fox patters.” My comrade turned aside. From the damp sward Drifted a scent of melilot and thyme; From far across the down a barn owl shouted, Circling the silence of that summer evening: But in an instant, as I stepped towards him Striving to view his face, his contour altered. Before me, in the vaporous gloaming, stood Nothing of flesh, only a post of wood.
John Rawson (From The English Countryside: Tales Of Tragedy: Narrated In Dramatic Traditional Verse)
O where are you going with your love-locks flowing On the west wind bellowing along this valley track?” “The downhill path is easy, come with me an it please ye, We shall escape the uphill by never turning back.” So they two went together in glowing August weather, The honey-breathing heather lay to their left and right; And dear she was to doat on, her swift feet seemed to float on The air like soft twin pigeons too sportive to alight. “Oh, what is that in heaven where grey cloud-flakes are seven, Where blackest clouds hang riven just at the rainy skirt?” “Oh, that’s a meteor sent us, a message dumb, portentous, An undeciphered solemn signal of help or hurt>” “Oh, what is that glides quickly where velvet flowers grow thickly, Their scent comes rich and sickly?” “A scaled and hooded worm.” ”Oh, what’s that in the hollow, so pale I quake to follow?” “Oh, that’s a thin dead body which waits the eternal term.” “Turn again, O my sweetest,--turn again, false and fleetest: This beaten way thou beatest, I fear is hell’s own track.” “Nay, too steep for hill mounting; nay, too late for cost counting: This downhill path is easy, but there’s no turning back.
Christina Rossetti (Goblin Market, the Prince's Progress and Other Poems)
The burst with which the carriage started out of the village and up the rise beyond, was soon checked by the steepness of the hill. Gradually, it subsided to a foot pace, swinging and lumbering upward among the many sweet scents of a summer night.
Charles Dickens (A Tale of Two Cities)
The true bread had to be steeped in blood, broken with the gesture of loving sacrifice, distributed in the communion of a banquet for the whole world, and this upon a hill which foreshadowed Calvary, and like Calvary was destined to endure forever.
Antonin Sertillanges (What Jesus Saw from the Cross)
So if we transplant a survivor of the steep hill and cliff to the level field, natives of the field may look at that survivor and wonder why she has so much trouble trusting people, systems, and even her own bodily sensations. Why is this tree so bent and gnarled? It’s because that is what it took to survive in the place where she grew. A tree that’s fought wind and gravity and erosion to grow strong and green on a steep cliff is going to look strange and out of place when moved to the level playing field.
Emily Nagoski (Burnout: The Secret to Unlocking the Stress Cycle)
To go down and up two hands-and-knee climbing ravines and then out into the moonlight and the long, too-steep shoulder of mountain that you climbed one foot up to the other, one foot after the other, one stride at a time, leaning forward against the grade and the altitude, dead tired and gun weary, single file in the moonlight across the slope, on up and to the top where it was easy, the country spread in the moonlight, then up and down and on, through the small hills, tired but now in sight of the fires and
Ernest Hemingway (Green Hills of Africa)
The Tylwyth Teg were immortal beings, but the burden of living for endless millennia was often tedium. It was one reason that the Fair Ones tended to play terrible pranks upon mortals. Like bored children, they sprang upon the unwary, seeking diversion. So it had been when a weary Celtic warrior turned reluctant gladiator had fought his way to freedom at last. Wounded and near death, pursued by his former captors, he’d blundered straight into the territory of the Tylwyth Teg in the steep hills northwest of Isca Silurum….
Dani Harper (Storm Warrior (Grim, #1))
Strange memories on this nervous night in Las Vegas. Has it been five years? Six? It seems like a lifetime. The kind of peak that never comes again. San Francisco in the middle sixties was a very special time and place to be a part of. But no explanation, no mix of words or music or memories can touch that sense of knowing you were there and alive, in that corner of time and the world. Whatever it meant... There was madness in any direction, at any hour. You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning... And that, I think, was the handle—that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn’t need that. Our energy would simply prevail. We had all the momentum; we were riding the crest of a high and beautiful wave... So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water mark—that place where the wave finally broke and rolled back.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
If ideas flow out of you easily like a chocolate fountain, bless you, and skip to the next chapter. But if you’re someone like me, who longs to create but finds the process agonizing, here’s my advice: –Find a group to support you, to encourage you, to guilt you into DOING. If you can’t find one, start one yourself. Random people enjoy having pancakes. –Make a goal. Then strike down things that are distracting you from that goal, especially video games. (Unless it’s this book; finish reading it and THEN start.) –Put the fear of God into yourself. Okay, I’m not religious. Whatever spiritual ideas float your boat. Read some obituaries, watch the first fifteen minutes of Up, I don’t care. Just scare yourself good. You have a finite number of toothpaste tubes you will ever consume while on this planet. Make the most of that clean tooth time. For yourself. The creative process isn’t easy, even for chocolate-fountain people. It’s more like a wobbly, drunken journey down a very steep and scary hill, not knowing if there’s a sheer cliff at the end of it all. But it’s worth the journey, I promise.
Felicia Day (You're Never Weird on the Internet (Almost))
We’re almost there, Gabriel,” he whispered, feeling quite certain without knowing why. “I remember this place, Gabe.” And it was true. But it was not a grasping of a thin and burdensome recollection; this was different. This was something that he could keep. It was a memory of his own. He hugged Gabriel and rubbed him briskly, warming him, to keep him alive. The wind was bitterly cold. The snow swirled, blurring his vision. But somewhere ahead, through the blinding storm, he knew there was warmth and light. Using his final strength, and a special knowledge that was deep inside him, Jonas found the sled that was waiting for them at the top of the hill. Numbly his hands fumbled for the rope. He settled himself on the sled and hugged Gabe close. The hill was steep but the snow was powdery and soft, and he knew that this time there would be no ice, no fall, no pain. Inside his freezing body, his heart surged with hope. They started down. Jonas felt himself losing consciousness and with his whole being willed himself to stay upright atop the sled, clutching Gabriel, keeping him safe. The runners sliced through the snow and the wind whipped at his face as they sped in a straight line through an incision that seemed to lead to the final destination, the place that he had always felt was waiting, the Elsewhere that held their future and their past. He forced his eyes open as they went downward, downward, sliding, and all at once he could see lights, and he recognized them now. He knew they were shining through the windows of rooms, that they were the red, blue, and yellow lights that twinkled from trees in places where families created and kept memories, where they celebrated love. Downward, downward, faster and faster. Suddenly he was aware with certainty and joy that below, ahead, they were waiting for him; and that they were waiting, too, for the baby. For the first time, he heard something that he knew to be music. He heard people singing. Behind him, across vast distances of space and time, from the place he had left, he thought he heard music too. But perhaps it was only an echo.
Lois Lowry (The Giver (The Giver, #1))
Though I cannot entirely agree with you in supposing that extreme study has been the cause of my late indisposition, I must yet confess that the hill of science, like that of virtue, is in some instances climbed with labour. But when we get a little way up, the lovely prospects which open the eye make infinite amends for the steepness of the ascent. In short, I am wedded to these pursuits, as a man stipulates to take his wife; viz., for better, for worse, until death us do part. My thirst for knowledge is literally inextinguishable. And if I thus drink myself into a superior world, I cannot help it.
Augustus Toplady
Lo! in the orient when the gracious light   Lifts up his burning head, each under eye   Doth homage to his new-appearing sight,   Serving with looks his sacred majesty;   And having climb'd the steep-up heavenly hill,   Resembling strong youth in his middle age,   Yet mortal looks adore his beauty still,   Attending on his golden pilgrimage:   But when from highmost pitch, with weary car,   Like feeble age, he reeleth from the day,   The eyes, 'fore duteous, now converted are   From his low tract, and look another way:     So thou, thyself outgoing in thy noon:     Unlook'd, on diest unless thou get a son.
William Shakespeare
The course of the Rhine below Mainz becomes much more picturesque. The river descends rapidly and winds between hills, not high, but steep, and of beautiful forms. We saw many ruined castles standing on the edges of precipices, surrounded by black woods, high and inaccessible. This part of the Rhine, indeed, presents a singularly variegated landscape. In one spot you view rugged hills, ruined castles overlooking tremendous precipices, with the dark Rhine rushing beneath; and on the sudden turn of a promontory, flourishing vineyards with green sloping banks and a meandering river and populous towns occupy the scene.
Mary Wollstonecraft Shelley (Frankenstein, or The Modern Prometheus: Classic Annotated and Illustrated 1818 'Uncensored' Edition)
Through all these times and formative young years, Lara, my sister, was a rock to me. My mother had suffered three miscarriages after having Lara, and eight years on she was convinced that she wasn’t going to be able to have more children. But Mum got pregnant, and she tells me she spent nine months in bed to make sure she didn’t miscarry. It worked. Mum saved me. The end result, though, was that she was probably pleased to get me out, and that Lara finally got herself a precious baby brother; or in effect, her own baby. So Lara ended up doing everything for me, and I adored her for it. While Mum was a busy working mother, helping my father in his constituency duties and beyond, Lara became my surrogate mum. She fed me almost every supper I ate--from when I was a baby up to about five years old. She changed my nappies, she taught me to speak, then to walk (which, with so much attention from her, of course happened ridiculously early). She taught me how to get dressed and to brush my teeth. In essence, she got me to do all the things that either she had been too scared to do herself or that just simply intrigued her, such as eating raw bacon or riding a tricycle down a steep hill with no brakes. I was the best rag doll of a baby brother that she could have ever dreamt of.
Bear Grylls (Mud, Sweat and Tears)
Friendship is often the special catalyst required for us to reach our aims. Whether you’re trying to finish college or run a marathon, having a friend beside you, pursuing the same objective, eases and quickens the journey. One study provides a particularly touching metaphor for the concept while proving its strength: Researchers had subjects wear backpacks while standing at the bottom of a hill. They then estimated the hill’s steepness. Some were next to friends, and others stood alone. Being with friends made subjects perceive the hill as less steep; being with long-term friends decreased their estimate of the hill’s steepness even more.
Carlin Flora (Friendfluence: The Surprising Ways Friends Make Us Who We Are)
Before us lay a green sloping land full of forests and woods, with here and there steep hills, crowned with clumps of trees or with farmhouses, the blank gable end to the road. There was everywhere a bewildering mass of fruit blossom- apple, plum, pear, cherry; and as we drove by I could see the green grass under the trees spangled with the fallen petals. In and out amongst these green hills of what they call here the 'Mittel Land' ran the road, losing itself as it swept round the grassy curve, or was shut out by the straggling ends of pine woods, which here and there ran down the hillside like tongues of flame. The road was rugged, but still we seemed to fly over it with a feverish haste. I could not understand then what the haste meant, but the driver was evidently bent on losing no time in reaching Borgo Prund. I was told that this road is in summertime excellent, but that it had not been put in order after the winter snows. In this respect it is different from the general run of roads in the Carpathians, for it is an old tradition that they are not to be kept in too good order. Of old the Hospadors would not repair them, lest the Turks should think that they were preparing to bring in foreign troops, and so hasten the war which was always really at loading point. Beyond the green swelling hills of the Mittel Land rose mighty slopes of forest up to the lofty steeps of the Carpathians themselves. Right and left of us they towered, with the afternoon sun falling full upon them and bringing out all the glorious colors of this beautiful range, deep blue and purple in the shadows of the peaks, green and brown where grass and rock mingled, and an endless perspective of jagged rock and pointed crags, till these were themselves lost in the distance, where the snowy peaks rose grandly. Here and there seemed mighty rifts in the mountains, through which, as the sun began to sink, we saw now and again the white gleam of falling water.
Bram Stoker (Dracula)
The weeks up there were almost the most beautiful in my life. I breathed the pure, clear air, drank the icy water from streams and watched the herds of goats grazing on the steep slopes, guarded by dark-haired, musing goatherds. At times I heard storms resound through the valley and saw mists and clouds at unusually close quarters. In the clefts of rocks I observed the small, delicate, bright coloured flowers and the many wonderful mosses, and on clear days I used to like to walk uphill for an hour until I could see the clearly outlined distant peaks of high mountains, their blue silhouettes, and white, sparkling snow fields across the other side of the hill.
Hermann Hesse (Gertrude)
When she (Marjorie) was at her prayers (which was pretty often just now), and at other times, when the air lightened suddenly about her and the burdens of earth were lifted as if another hand were put to them, why, then, all was glory, and she saw Robin as transfigured and herself beneath him all but adoring. Little visions came and went before her imagination. Robin riding, like some knight on an adventure, to do Christ's work; Robin at the altar, in his vestments; Robin absolving penitents- all in a rosy light of faith and romance. She saw him even on the scaffold, undaunted and resolute, with God's light on his face, and the crowd awed beneath him; she saw his soul entering heaven, with all the harps ringing to meet him, and eternity begun...and then, at other times, when the heaviness came down on her, as clouds upon the Derbyshire hills, she understood nothing but that she had lost him; that she was not to be hers, but Another's; that a loveless and empty life lay before her, and a womanhood that was without its fruition. And it was this latter mood that fell on her, swift and entire, when, looking out from her window a little before dinnertime, she saw suddenly his hat, and his horse's head, jerking up the steep path to the house. She fell on her knees by her bedside. 'Jesu!' She cried. 'Jesu! Give me strength to meet him.
Robert Hugh Benson (Come Rack! Come Rope!)
Life sometimes is like tossing a coin in the air calling heads or tails, but it doesn’t matter what side it lands on; life goes on. It is hard when you’ve lost the will to fight because you’ve been fighting for so long. You are smothered by the pain. Mentally, you are drained. Physically, you are weak. Emotionally, you are weighed down. Spiritually, you do not have one tiny mustard seed of faith. The common denominator is that other people’s problems have clouded your mind with all of their negativity. You cannot feel anything; you are numb. You do not have the energy to surrender, and you choose not to escape because you feel safe when you are closed in. As you move throughout the day, you do just enough to get by. Your mindset has changed from giving it your all to—well, something is better than nothing. You move in slow motion like a zombie, and there isn’t any color, just black and white, with every now and then a shade of gray. You’ve shut everyone out and crawled back into the rabbit hole. Life passes you by as you feel like you cannot go on. You look around for help; for someone to take the pain away and to share your suffering, but no one is there. You feel alone, you drift away when you glance ahead and see that there are more uphill battles ahead of you. You do not have the option to turn around because all of the roads are blocked. You stand exactly where you are without making a step. You try to think of something, but you are emotionally bankrupt. Where do you go from here? You do not have a clue. Standing still isn’t helping because you’ve welcomed unwanted visitors; voices are in your head, asking, “What are you waiting for? Take the leap. Jump.” They go on to say, “You’ve had enough. Your burdens are too heavy.” You walk towards the cliff; you turn your head and look at the steep hill towards the mountain. The view isn’t helping; not only do you have to climb the steep hill, but you have to climb up the mountain too. You take a step; rocks and dust fall off the cliff. You stumble and you move forward. The voices in your head call you a coward. You are beginning to second-guess yourself because you want to throw in the towel. You close your eyes; a tear falls and travels to your chin. As your eyes are closed the Great Divine’s voice is louder; yet, calmer, soothing; and you feel peace instantly. Your mind feels light, and your body feels balanced. The Great Divine whispers gently and softly in your ear: “Fallen Warrior, I know you have given everything you’ve got, and you feel like you have nothing left to give. Fallen Warrior, I know it’s been a while since you smiled. Fallen Warrior, I see that you are hurting, and I feel your pain. Fallen Warrior, this is not the end. This is the start of your new beginning. Fallen Warrior, do not doubt My or your abilities; you have more going for you than you have going against you. Fallen Warrior, keep moving, you have what it takes; perseverance is your middle name. Fallen Warrior, you are not the victim! You are the victor! You step back because you know why you are here. You know why you are alive. Sometimes you have to be your own Shero. As a fallen warrior, you are human; and you have your moments. There are days when you have more ups than downs, and some days you have more downs than ups. I most definitely can relate. I was floating through life, but I had to change my mindset. During my worst days, I felt horrible, and when I started to think negatively I felt like I was dishonoring myself. I felt sick, I felt afraid, fear began to control my every move. I felt like demons were trying to break in and take over my life.
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
The gun was lying next to the sprinkler, under a bush, about seventy-five feet - or halfway - up the steep hill. Steven had watched "Dragnet" on TV; he knew how guns should be handled. Picking it up very carefully by the top of the barrel, so as not to eradicate prints, Steven took the gun back to his house and showed it to his father, Bernard Weiss. The senior Weiss took one look and called LAPD. Officer Micheal Watson, on patrol in the area, responded to the radio call. More than a year later Steven would be asked to describe the incident from the witness stand: Q. "Did you show him [Watson] the gun?" A. "Yes." Q. "Did he touch the gun?" A. "Yes." Q. "How did he touch it?" A. "With both hands, all over the gun." So much for "Dragnet.
Vincent Bugliosi (Helter Skelter: The True Story of the Manson Murders)
and as this need grows more intense so does a sensation of movement, speed to come, impending declaration—“The past is funny, Viv; it never seems to let things lie, finished. It never seems to stay in place as it should”—until she feels that she is beginning to run down an ever steepening hill and she must stop before the hill gets too steep and she gets going too fast to stop:
Ken Kesey (Sometimes a Great Notion)
To adore, or scorne an image, or protest, May all be bad; doubt wisely, in strange way To stand inquiring right, is not to stray; To sleepe, or runne wrong, is: on a huge hill, Cragg'd, and steep, Truth stands, and hee that will Reach her, about must, and about must goe; And what the hills suddenes resists, winne so; Yet strive so, that before age, deaths twilight, Thy Soule rest, for none can worke in that night.
John Donne (Satires)
participated in the grueling competition, which was broken up into stages and went on for days. But in the spring of 1940, Germany invaded France, and shortly after that, the German army marched into Paris. The Tours de France had been canceled indefinitely. Now it was 1942, and the Occupation had dragged on for two long years. Who knew how long it would last or when the race would start up again? The bumpy cobblestones made the bike shake. But Marcel wouldn’t let that stop him. He knew that in 1939, the spring classic Paris-Roubaix bicycle race included fifteen or more cobbled sections as part of the grueling 200-plus kilometer course. Some were even steep hills. He had just rounded the corner of the street where Madame Trottier lived when suddenly a streak of orange flashed across the road. Zut alors! He jammed his feet on the brakes hard and
Yona Zeldis McDonough (The Bicycle Spy)
The great shapes of the hills, embrowned and glowing with the molten hues of autumn, are all about him: the towering summits, wild and lonely, full of joy and strangeness and their haunting premonitions of oncoming winter soar above him, the gulches, gorges, gaps, and wild ravines, fall sheer and suddenly away with a dizzy terrifying steepness, and all the time the great train toils slowly down from the mountain summits with the sinuous turnings of an enormous snake.
Thomas Wolfe (Of Time and The River)
Oft had I heard of Lucy Gray, And when I crossed the Wild, I chanced to see at break of day The solitary Child. No Mate, no comrade Lucy knew; She dwelt on a wide Moor, The sweetest Thing that ever grew Beside a human door! You yet may spy the Fawn at play, The Hare upon the Green; But the sweet face of Lucy Gray Will never more be seen. 'To-night will be a stormy night, You to the Town must go, And take a lantern, Child, to light Your Mother thro' the snow.' 'That, Father! will I gladly do; 'Tis scarcely afternoon -- The Minster-clock has just struck two, And yonder is the Moon.' At this the Father raised his hook And snapped a faggot-band; He plied his work, and Lucy took The lantern in her hand. Not blither is the mountain roe, With many a wanton stroke Her feet disperse the powd'ry snow That rises up like smoke. The storm came on before its time, She wandered up and down, And many a hill did Lucy climb But never reached the Town. The wretched Parents all that night Went shouting far and wide; But there was neither sound nor sight To serve them for a guide. At day-break on a hill they stood That overlooked the Moor; And thence they saw the Bridge of Wood A furlong from their door. And now they homeward turned, and cried 'In Heaven we all shall meet!' When in the snow the Mother spied The print of Lucy's feet. Then downward from the steep hill's edge They tracked the footmarks small; And through the broken hawthorn-hedge, And by the long stone-wall; And then an open field they crossed, The marks were still the same; They tracked them on, nor ever lost, And to the Bridge they came. They followed from the snowy bank The footmarks, one by one, Into the middle of the plank, And further there were none. Yet some maintain that to this day She is a living Child, That you may see sweet Lucy Gray Upon the lonesome Wild. O'er rough and smooth she trips along, And never looks behind; And sings a solitary song That whistles in the wind.
William Wordsworth (AmblesideOnline Poetry, Year 4, Terms 1, 2, and 3: Tennyson, Dickinson, and Wordsworth)
We go back to her books and sometimes this quality strikes us and sometimes that. But all the while we are conscious of something that is greater than one gift or another and is perhaps the quality that attaches us to books as to people – the quality, that is, of the writer’s mind and personality. With their limitations and their great beauty these are stamped upon every page that Charlotte Brontë wrote. We do not need to know her story, or to have climbed the steep hill and gazed upon the stone house among the graves to feel her tremendous honesty and courage, and to know that she loved liberty and independence and the splendour of wild country, and men and women who are above all things passionate and true-minded. These are part of her as her imagination and genius are part of her; and they add to our admiration of her as a writer some peculiar warmth of feeling which makes us desire, when there is any question of doing her honour, to rise and salute her not only as a writer of genius, but as a very noble human being.
Virginia Woolf (Genius and Ink: Virginia Woolf on How to Read)
It is not desirable to cultivate a respect for the law, so much as for the right. . . . Law never made men a whit more just; and, by means of their respect for it, even the well-disposed are daily made the agents of injustice. A common and natural result of an undue respect for law is, that you may see a file of soldiers . . . marching in admirable order over hill and dale to the wars, against their wills, ay, against their common sense and consciences, which makes it very steep marching indeed, and produces a palpitation of the heart.
Howard Zinn (A People's History of the United States: 1492 to Present)
Earlier that night, after dinner, I had sung a few folk songs for Paul. He had inquired about what I had learned during the school year and, already steeped in summer and drawing a blank, I offered a few songs I had memorized from Lan. I sang, in my best effort, a classic lullaby Lan used to sing. The song, originally performed by the famous Khanh Ly, describes a woman singing among corpses strewn across sloping leafy hills. Searching the faces of the dead, the singer asks in the song's refrain, "And which of you, which of you are my sister?
Ocean Vuong (On Earth We're Briefly Gorgeous)
But the way by which we are asked to climb is steep and uneven." What then? Can heights be reached by a level path? Yet they are not so sheer and precipitous as some think. It is only the first part that has rocks and cliffs and no apparent outlet, just as many hills seen from a long way off appear abruptly steep and joined together, because the distance deceives our sight, and then, as we draw nearer, those very hills which our mistaken eyes had made into one gradually unfold themselves, those parts which seemed precipitous from afar assume a gently sloping outline.
Seneca (On the Firmness of the Wise Person)
Nancy grabbed Plum's hand and together they ran around the last curve and then they were leaning against the old stone wall that marked Lookout Hill. Far, far down below them, a river was trying to wriggle its way out of a steep canyon. Over to the right, thick green hills crowded close to each other to share one filmy white cloud. To the left, as far as they could see the land flowed into valleys that shaded from a pale watery green, through lime, emerald, jade, leaf, forest to a dark, dark, bluish-green, almost black. The rivers were like inky lines, the ponds like ink blots.
Betty MacDonald (Nancy and Plum)
Strange memories on this nervous night in Las Vegas. Five years later? Six? It seems like a lifetime, or at least a Main Era - the kind of peak that never comes again. San Francisco in the middle sixties was a very special time and place to be a part of. Maybe it meant something. Maybe not, in the long run . . . but no explanation, no mix of words or music or memories can touch that sense of knowing that you were here and alive in that corner of time and the world. Whatever it meant . . . . History is hard to know, because of all the hired bullshit, but even without being sure of “history” it seems entirely reasonable to think that every now and then the energy of a whole generation comes to a head in a long fine flash, for reasons that nobody really understands at the time - and which never explain, in retrospect, what actually happened. My central memory of that time seems to hang on one or five or maybe forty nights - or very early mornings - when I left the Fillmore half - crazy and, instead of going home, aimed the big 650 Lightning across the Bay Bridge at a hundred miles an hour wearing L. L. Bean shorts and a Butte sheepherder’s jacket . . . booming through the Treasure Island tunnel at the lights of Oakland and Berkeley and Richmond, not quite sure which turn - off to take when I got to the other end (always stalling at the toll - gate, too twisted to find neutral while I fumbled for change) . . . but being absolutely certain that no matter which way I went I would come to a place where people were just as high and wild as I was: No doubt at all about that. .There was madness in any direction, at any hour. If not across the Bay, then up the Golden Gate or down 101 to Los Altos or La Honda. . . . You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning. And that, I think, was the handle - that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn’t need that. Our energy would simply prevail. There was no point in fighting - on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave. So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high - water mark - that place where the wave finally broke and rolled back.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
Then we looked back and saw where the clear line of Dracula’s castle cut the sky; for we were so deep under the hill whereon it was set that the angle of perspective of the Carpathian mountains was far below it. We saw it in all its grandeur, perched a thousand feet on the summit of a sheer precipice, and with seemingly a great gap between it and the steep of the adjacent mountain on any side. There was something wild and uncanny about the place. We could hear the distant howling of wolves. They were far off, but the sound, even though coming muffled through the deadening snowfall, was full of terror.
Bram Stoker
Ode to the West Wind I O wild West Wind, thou breath of Autumn’s being, Thou, from whose unseen presence the leaves dead Are driven, like ghosts from an enchanter fleeing, Yellow, and black, and pale, and hectic red, Pestilence-stricken multitudes: O thou, Who chariotest to their dark wintry bed The winged seeds, where they lie cold and low, Each like a corpse within its grave, until Thine azure sister of the Spring shall blow Her clarion o’er the dreaming earth, and fill (Driving sweet buds like flocks to feed in air) With living hues and odours plain and hill: Wild Spirit, which art moving everywhere; Destroyer and preserver; hear, oh hear! II Thou on whose stream, mid the steep sky’s commotion, Loose clouds like earth’s decaying leaves are shed, Shook from the tangled boughs of Heaven and Ocean, Angels of rain and lightning: there are spread On the blue surface of thine aëry surge, Like the bright hair uplifted from the head Of some fierce Maenad, even from the dim verge Of the horizon to the zenith’s height, The locks of the approaching storm. Thou dirge Of the dying year, to which this closing night Will be the dome of a vast sepulchre, Vaulted with all thy congregated might Of vapours, from whose solid atmosphere Black rain, and fire, and hail will burst: oh hear! III Thou who didst waken from his summer dreams The blue Mediterranean, where he lay, Lull’d by the coil of his crystàlline streams, Beside a pumice isle in Baiae’s bay, And saw in sleep old palaces and towers Quivering within the wave’s intenser day, All overgrown with azure moss and flowers So sweet, the sense faints picturing them! Thou For whose path the Atlantic’s level powers Cleave themselves into chasms, while far below The sea-blooms and the oozy woods which wear The sapless foliage of the ocean, know Thy voice, and suddenly grow gray with fear, And tremble and despoil themselves: oh hear! IV If I were a dead leaf thou mightest bear; If I were a swift cloud to fly with thee; A wave to pant beneath thy power, and share The impulse of thy strength, only less free Than thou, O uncontrollable! If even I were as in my boyhood, and could be The comrade of thy wanderings over Heaven, As then, when to outstrip thy skiey speed Scarce seem’d a vision; I would ne’er have striven As thus with thee in prayer in my sore need. Oh, lift me as a wave, a leaf, a cloud! I fall upon the thorns of life! I bleed! A heavy weight of hours has chain’d and bow’d One too like thee: tameless, and swift, and proud. V Make me thy lyre, even as the forest is: What if my leaves are falling like its own! The tumult of thy mighty harmonies Will take from both a deep, autumnal tone, Sweet though in sadness. Be thou, Spirit fierce, My spirit! Be thou me, impetuous one! Drive my dead thoughts over the universe Like wither’d leaves to quicken a new birth! And, by the incantation of this verse, Scatter, as from an unextinguish’d hearth Ashes and sparks, my words among mankind! Be through my lips to unawaken’d earth The trumpet of a prophecy! O Wind, If Winter comes, can Spring be far behind?
Percy Bysshe Shelley (Ode to the West Wind and Other Poems)
The Calf Path One day, through the primeval wood, A calf walked home, as good calves should; But made a trail all bent askew, A crooked trail as all calves do. Since then three hundred years have fled, And, I infer, the calf is dead. But still he left behind his trail, And thereby hangs my moral tale. The trail was taken up next day By a lone dog that passed that way; And then a wise bell-wether sheep Pursued the trail o’er vale and steep, And drew the flock behind him, too, As good bell-wethers always do. And from that day, o’er hill and glade, Through those old woods a path was made. And many men wound in and out, And dodged, and turned, and bent about And uttered words of righteous wrath Because ’twas such a crooked path.15 But still they followed—do not laugh— The first migrations of that calf, And through this winding wood-way stalked, Because he wobbled when he walked. This forest path became a lane, That bent, and turned, and turned again; This crooked lane became a road, Where many a poor horse with his load Toiled on beneath the burning sun, And traveled some three miles in one. And thus a century and a half They trod the footsteps of that calf. The years passed on in swiftness fleet, The road became a village street; And this, before men were aware, A city’s crowded thoroughfare; And soon the central street was this Of a renowned metropolis; And men two centuries and a half Trod in the footsteps of that calf. Each day a hundred thousand rout Followed the zigzag calf about; And o’er his crooked journey went The traffic of a continent. A hundred thousand men were led By one calf near three centuries dead. They followed still his crooked way, And lost one hundred years a day; For thus such reverence is lent To well-established precedent. A moral lesson this might teach, Were I ordained and called to preach; For men are prone to go it blind Along the calf-paths of the mind, And work away from sun to sun To do what other men have done. They follow in the beaten track, And out and in, and forth and back, And still their devious course pursue, To keep the path that others do. They keep the path a sacred groove, Along which all their lives they move. But how the wise old wood-gods laugh, Who saw the first primeval calf! Ah! Many things this tale might teach— But I am not ordained to preach. —Sam Walter Foss
Frank Viola (Pagan Christianity?: Exploring the Roots of Our Church Practices)
Strange memories on this nervous night in Las Vegas. Five years later? Six? It seems like a lifetime, or at least a Main Era - the kind of peak that never comes again. San Francisco in the middle sixties was a very special time and place to be a part of. Maybe it meant something. Maybe not, in the long run . . . but no explanation, no mix of words or music or memories can touch that sense of knowing that you were here and alive in that corner of time and the world. Whatever it meant . . . . History is hard to know, because of all the hired bullshit, but even without being sure of “history” it seems entirely reasonable to think that every now and then the energy of a whole generation comes to a head in a long fine flash, for reasons that nobody really understands at the time - and which never explain, in retrospect, what actually happened. My central memory of that time seems to hang on one or five or maybe forty nights - or very early mornings - when I left the Fillmore half - crazy and, instead of going home, aimed the big 650 Lightning across the Bay Bridge at a hundred miles an hour wearing L. L. Bean shorts and a Butte sheepherder’s jacket . . . booming through the Treasure Island tunnel at the lights of Oakland and Berkeley and Richmond, not quite sure which turn - off to take when I got to the other end (always stalling at the toll - gate, too twisted to find neutral while I fumbled for change) . . . but being absolutely certain that no matter which way I went I would come to a place where people were just as high and wild as I was: No doubt at all about that. There was madness in any direction, at any hour. If not across the Bay, then up the Golden Gate or down 101 to Los Altos or La Honda. . . . You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning. And that, I think, was the handle - that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn’t need that. Our energy would simply prevail. There was no point in fighting - on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave. So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high - water mark - that place where the wave finally broke and rolled back.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
While Mum was a busy working mother, helping my father in his constituency duties and beyond, Lara became my surrogate mum. She fed me almost every supper I ate--from when I was a baby up to about five years old. She changed my nappies, she taught me to speak, then to walk (which, with so much attention from her, of course happened ridiculously early). She taught me how to get dressed and to brush my teeth. In essence, she got me to do all the things that either she had been too scared to do herself or that just simply intrigued her, such as eating raw bacon or riding a tricycle down a steep hill with no brakes. I was the best rag doll of a baby brother that she could have ever dreamt of. It is why we have always been so close. To her, I am still her little baby brother. And I love her for that. But--and this is the big but--growing up with Lara, there was never a moment’s peace. Even from day one, as a newborn babe in the hospital’s maternity ward, I was paraded around, shown off to anyone and everyone--I was my sister’s new “toy.” And it never stopped. It makes me smile now, but I am sure it is why in later life I craved the peace and solitude that mountains and the sea bring. I didn’t want to perform for anyone, I just wanted space to grow and find myself among all the madness. It took a while to understand where this love of the wild came from, but in truth it probably developed from the intimacy found with my father on the shores of Northern Ireland and the will to escape a loving but bossy elder sister. (God bless her!) I can joke about this nowadays with Lara, and through it all she still remains my closest ally and friend; but she is always the extrovert, wishing she could be on the stage or on the chat show couch, where I tend just to long for quiet times with my friends and family. In short, Lara would be much better at being famous than me. She sums it up well, I think: Until Bear was born I hated being the only child--I complained to Mum and Dad that I was lonely. It felt weird not having a brother or sister when all my friends had them. Bear’s arrival was so exciting (once I’d got over the disappointment of him being a boy, because I’d always wanted a sister!). But the moment I set eyes on him, crying his eyes out in his crib, I thought: That’s my baby. I’m going to look after him. I picked him up, he stopped crying, and from then until he got too big, I dragged him around everywhere.
Bear Grylls (Mud, Sweat and Tears)
Thanks to our discussion in the last chapter, we can also agree that character is a product of perseverance: “Suffering produces perseverance; perseverance, character; and character, hope” (Rom. 5:3–4). I don’t know how that idea strikes you, but it sounds a little backward to me. I would expect that a person with character would find it easier to persevere through difficult circumstances. That makes sense. But how does perseverance produce character? When I look at the world around me, it seems to me that most things actually decay over time rather than grow stronger. The longer we live in our home, the more I see spots that need a paint touch-up. The longer I drive my car, the more I find I need to take it in for tune-ups and repairs. And the longer I live, the more I realize my body isn’t what it used to be! But maybe this process of perseverance leading to character works differently. Surely God is the X-factor. When you add God to the equation, persistence over time builds up character and strength instead of taking it away. Consider, if you will, the snowball. Left by itself, it doesn’t amount to much. It’s just a little round chunk of white frozen water. Yet place that snowball at the top of a steep hill on a snowy day, and things begin to change. If you invest some time rolling that snowball across the ground so it picks up snow and grows into a larger ball, you begin to create something big and heavy. If you invest even more time and energy (this is where perseverance comes in), you might get that ball rolling down the hill. And the longer it rolls, the faster it goes, the bigger it gets. Now you’ve got something powerful. This is a force to be reckoned with. This is when people start running for cover. Your little snowball suddenly becomes a runaway freight train! I believe that equation of suffering, which produces perseverance, which produces character, works in a similar fashion. Our willingness to trust and rely on the Lord in a time of trouble invites His power to work in our lives. The more we trust and depend on Him, the easier it becomes. As the Lord says, “My yoke is easy and my burden is light” (Matt. 11:30). Pretty soon our perseverance enables the Lord to add character to our “snowball”—and the more we persevere, the stronger we grow. We find ourselves rolling downhill toward a godly life. It still might be a bumpy ride, but the size and momentum of our snowball just about guarantees that as long as we are pursuing God’s will for our lives, nothing will stop us.
Jim Daly (Stronger: Trading Brokenness for Unbreakable Strength)
I look back now and can see how much my father also found his own freedom in the adventures we did together, whether it was galloping along a beach in the Isle of Wight with me behind him, or climbing on the steep hills and cliffs around the island’s coast. It was at times like these that I found a real intimacy with him. It was also where I learned to recognize that tightening sensation, deep in the pit of my stomach, as being a great thing to follow in life. Some call it fear. I remember the joy of climbing with him in the wintertime. It was always an adventure and often turned into much more than just a climb. Dad would determine that not only did we have to climb a sheer hundred-and-fifty-foot chalk cliff, but also that German paratroopers held the high ground. We therefore had to climb the cliff silently and unseen, and then grenade the German fire position once at the summit. In reality this meant lobbing clumps of manure toward a deserted bench on the cliff tops. Brilliant. What a great way to spend a wet and windy winter’s day when you are age eight (or twenty-eight, for that matter). I loved returning from the cliff climbs totally caked in mud, out of breath, having scared ourselves a little. I learned to love that feeling of the wind and rain blowing hard on my face. It made me feel like a man, when in reality I was a little boy. We also used to talk about Mount Everest, as we walked across the fields toward the cliffs. I loved to pretend that some of our climbs were on the summit face of Everest itself. We would move together cautiously across the white chalk faces, imagining they were really ice. I had this utter confidence that I could climb Everest if he were beside me. I had no idea what Everest would really involve but I loved the dream together. These were powerful, magical times. Bonding. Intimate. Fun. And I miss them a lot even today. How good it would feel to get the chance to do that with him just once more. I think that is why I find it often so emotional taking my own boys hiking or climbing nowadays. Mountains create powerful bonds between people. It is their great appeal to me. But it wasn’t just climbing. Dad and I would often go to the local stables and hire a couple of horses for a tenner and go jumping the breakwaters along the beach. Every time I fell off in the wet sand and was on the verge of bursting into tears, Dad would applaud me and say that I was slowly becoming a horseman. In other words, you can’t become a decent horseman until you fall off and get up again a good number of times. There’s life in a nutshell.
Bear Grylls (Mud, Sweat and Tears)
What If God Is a Creep? What if God is a creep who wishes He was taller who didn't get the girl who picks on people not His own size? What if God laughed when Jesus had second thoughts? What if His sense of order is no more complex than kids playing King of the Hill or Smear the Queer? What if God is really a creep who beats His wife embezzles when He can and jerks off to violent porn? Perhaps God put Darin on earth to help us understand that the very traits of man which survive the longest and determine the fittest are God's own favorite attributes? Maybe He's a boss who expects favors a professor who makes others feel stupid a witness obstructing justice. What if God is really just a creep? Maybe Machiavelli was His inspired son and The Prince remains our most sacred text. What if Hitler sits at God's right hand tended by a heavenly host of bigots, bullies, soldiers and other serial killers who look to an angel name Manson for advice. A God capable of biological brilliance and genetic genius is no more likely to care about justice and kindness than His creations are. Why assume that God likes women any more than men do? Why imagine He wouldn't hurt His children? God's morality might be just as steeped in struggle as accented by abuse as spiced with exploitation and as baked with brutality as our own common recipes. Drink up. One taste and you are in Heaven. If God really is a creep that certainly would explain a lot.
Nancy Boutilier (On the Eighth Day Adam Slept Alone: New Poems)
This will result in your being witnesses to them. (Luke 21:13) Life is a steep climb, and it is always encouraging to have those ahead of us “call back” and cheerfully summon us to higher ground. We all climb together, so we should help one another. The mountain climbing of life is serious, but glorious, business; it takes strength and steadiness to reach the summit. And as our view becomes better as we gain altitude, and as we discover things of importance, we should “call back” our encouragement to others. If you have gone a little way ahead of me, call back— It will cheer my heart and help my feet along the stony track; And if, perhaps, Faith’s light is dim, because the oil is low, Your call will guide my lagging course as wearily I go. Call back, and tell me that He went with you into the storm; Call back, and say He kept you when the forest’s roots were torn; That, when the heavens thunder and the earthquake shook the hill, He bore you up and held you where the lofty air was still. O friend, call back, and tell me for I cannot see your face; They say it glows with triumph, and your feet sprint in the race; But there are mists between us and my spirit eyes are dim, And I cannot see the glory, though I long for word of Him. But if you’ll say He heard you when your prayer was but a cry, And if you’ll say He saw you through the night’s sin-darkened sky— If you have gone a little way ahead, O friend, call back— It will cheer my heart and help my feet along the stony track.
Lettie B. Cowman (Streams in the Desert: 366 Daily Devotional Readings)
The American Anti-Slavery Society, on the other hand, said the war was “waged solely for the detestable and horrible purpose of extending and perpetuating American slavery throughout the vast territory of Mexico.” A twenty-seven-year-old Boston poet and abolitionist, James Russell Lowell, began writing satirical poems in the Boston Courier (they were later collected as the Biglow Papers). In them, a New England farmer, Hosea Biglow, spoke, in his own dialect, on the war: Ez fer war, I call it murder,—     There you hev it plain an’ flat; I don’t want to go no furder     Than my Testyment fer that. . . . They may talk o’ Freedom’s airy     Tell they’er pupple in the face,— It’s a grand gret cemetary     Fer the barthrights of our race; They jest want this Californy     So’s to lug new slave-states in To abuse ye, an’ to scorn ye,     An’ to plunder ye like sin. The war had barely begun, the summer of 1846, when a writer, Henry David Thoreau, who lived in Concord, Massachusetts, refused to pay his Massachusetts poll tax, denouncing the Mexican war. He was put in jail and spent one night there. His friends, without his consent, paid his tax, and he was released. Two years later, he gave a lecture, “Resistance to Civil Government,” which was then printed as an essay, “Civil Disobedience”: It is not desirable to cultivate a respect for the law, so much as for the right. . . . Law never made men a whit more just; and, by means of their respect for it, even the well-disposed are daily made the agents of injustice. A common and natural result of an undue respect for law is, that you may see a file of soldiers . . . marching in admirable order over hill and dale to the wars, against their wills, ay, against their common sense and consciences, which makes it very steep marching indeed, and produces a palpitation of the heart.
Howard Zinn (A People's History of the United States: 1492 to Present)
Meanwhile, Trucker and I, through all of this, had been renting that cottage together, on a country estate six miles outside of Bristol. We were paying a tiny rent, as the place was so rundown, with no heating or modern conveniences. But I loved it. The cottage overlooked a huge green valley on one side and had beautiful woodland on the other. We had friends around most nights, held live music parties, and burned wood from the dilapidated shed as heating for the solid-fuel stove. Our newly found army pay was spent on a bar tab in the local pub. We were probably the tenants from hell, as we let the garden fall into disrepair, and burned our way steadily through the wood of the various rotting sheds in the garden. But heh, the landlord was a miserable old sod with a terrible reputation, anyway! When the grass got too long we tried trimming it--but broke both our string trimmers. Instead we torched the garden. This worked a little too well, and we narrowly avoided burning down the whole cottage as the fire spread wildly. What was great about the place was that we could get in and out of Bristol on our 100 cc motorbikes, riding almost all the way on little footpaths through the woods--without ever having to go on any roads. I remember one night, after a fun evening out in town, Trucker and I were riding our motorbikes back home. My exhaust started to malfunction--glowing red, then white hot--before letting out one massive backfire and grinding to a halt. We found some old fence wire in the dark and Trucker towed me all the way home, both of us crying with laughter. From then on my bike would only start by rolling it down the farm track that ran down the steep valley next to our house. If the motorbike hadn’t jump-started by the bottom I would have to push the damn thing two hundred yards up the hill and try again. It was ridiculous, but kept me fit--and Trucker amused. Fun days.
Bear Grylls (Mud, Sweat and Tears)
his life had been rather headlong. He felt as if he was plunging down a steep hill, for ever but one step from bone-snapping, blood-spraying disaster. Used to be he thrived on such feelings. Proof that he was alive. Yet…too many friends had fallen to the wayside on the journey. Far too many, and he was reluctant to let others take their places
Steven Erikson (Reaper's Gale (Malazan Book of the Fallen, #7))
Our Calvary may be a very little hill compared with the mountains where Prometheus suffered, but to us it is steep and lonely.
Jerome K. Jerome (All Roads Lead to Calvary)
They could see the hills now; they were almost there—the long lift of the first pine ridge standing across half the horizon and beyond it a sense a feel of others, the mass of them seeming not so much to stand rush abruptly up out of the plateau as to hang suspended over it as his uncle had told him the Scottish highlands did except for this sharpness and color; that was two years ago, maybe three and his uncle had said, 'Which is why the people who chose by preference to live on them on little patches which wouldn't make eight bushels of corn or fifty pounds of lint cotton an acre even if they were not too steep for a mule to pull a plow across (but then they dont want to make the cotton anyway, only the corn and not too much of that because it really doesn't take a great deal of corn to run a still as big as one man and his sons want to fool with) are people named Gowrie and McCallum and Fraser and Ingrum that used to be Ingraham and Workitt that used to be Urquhart only the one that brought it to America and then Mississippi couldn’t spell it either, who love brawling and fear God and believe in Hell——' and it was as though his uncle had read his mind, holding the speedometer needle at fifty-five into the last mile of gravel (already the road was beginning to slant down toward the willow-and-cypress bottom of the Nine-Mile branch) speaking, that is volunteering to speak for the first time since they left town: 'Gowrie and Fraser and Workitt and Ingrum. And in the valleys along the rivers, the broad rich easy land where a man can raise something he can sell openly in daylight, the people named Littlejohn and Greenleaf and Armstead and Millingham and Bookwright——' and stopped, the car dropping on down the slope, increasing speed by its own weight; now he could see the bridge where Aleck Sander had waited for him in the dark and below which Highboy had smelled quicksand. 'We turn off just beyond it,' he said. 'I know,' his uncle said. '—And the ones named Sambo, they live in both, they elect both because they can stand either because they can stand anything.' The bridge was quite near now, the white railing of the entrance yawned rushing at them. 'Not all white people can endure slavery and apparently no man can stand freedom (Which incidentally—the premise that man really wants peace and freedom—is the trouble with our relations with Europe right now, whose people not only dont know what peace is but—except for Anglo Saxons—actively fear and distrust personal liberty; we are hoping without really any hope that our atom bomb will be enough to defend an idea as obsolete as Noah's Ark.); with one mutual instantaneous accord he forces his liberty into the hands of the first demagogue who rises into view: lacking that he himself destroys and obliterates it from his sight and ken and even remembrance with the frantic unanimity of a neighborhood stamping out a grass-fire. But the people named Sambo survived the one and who knows? they may even endure the other.
William Faulkner (Intruder in the Dust)
Exactly when they pass from the bleak to the fecund isn’t clear. The B road narrows and some oak branches drape the road for a stretch, darkening the interior of the cab. The route then dips, veers west. A turn, a steep ascent later and the outlook changes. Even Gracey is distracted by the carousel of shadow and sunlight upon a wilder earth and upon the windscreen. Not so flat here either. Hills ruffle the skyline and contour the land with smooth undulations. Patches of trees extend into actual woods that you can’t see the far side of from the nearest edge. A buzzard hovers. Then another. Wood pigeons flap for cover beneath them. Tonal shifts emerge. Varieties of cereal crops occult the liverish earth, combed by giants. Odd hay meadows are pebble-dashed with pastel. Hedgerows thicken to spike outwards and suggest internal hoppings and buzzings of minute life. Ancient trees instil repose, austere sentinels drowsing in the corner of fields. Below their muscular branches mooch caramel cows patched with chocolate. Above the vista, the dusty sheets of ashen cloud break apart into cumulus, plump like white cotton. The distinction between back there and here startles Tom. As it did when he came here for the viewings
Adam Nevill (Cunning Folk)
When you let things go, even seemingly innocent behaviors, it nudges a tiny speck of a snowball down a steep and bottomless hill. And the farther it gets down the hill, the more difficult it is to push it back up to the top.
Michael Linsin (The Classroom Management Secret: And 45 Other Keys to a Well-Behaved Class)
High on the steep slope of the hill, fieldfares are flying to roost. It is nearly dark. The tall, grizzled pines have a bony serenity. They tower against the skyline of the hill. It seems that beyond them there must be canyons and mist and nothing more. Silence hangs from their branches. The air tastes cold and metallic. The tiercel glides up to the trees, like a shadow. He calls once: a sound as final as the clanging of a portcullis. The glaring eyes squint up, and are sheathed in sleep. The hawk puffs out his feathers, looking cuddly and harmless. Only the armour-plated legs and the sickled toes do not relax, will never relax in life.
J. A. Baker
They retraced their route over the highway, then turned to the right down a steep rutted lane that ended on the open seashore near the fisherman’s cottage. The small house was built at the base of the hill two hundred yards from where the beach ended abruptly against towering cliffs. The waves battered against the sheer wall of rock. The quartet could make out a winding path leading up the hill directly in back of the cottage. “I know what they call this place,” Chet said gravely. “Does it have a name?” Biff asked. “Sure. Fish Hook.
Franklin W. Dixon (The Secret of the Caves (Hardy Boys, #7))
Ye’ll have a job on your hands,” Piper Rory said, “to take home those wild young beasts. If you go straight over the shoulder o’ Craig Dhu, it’s only three miles which isn’t far, but it’s rough and steep.
Clare Bice (A Dog for Davie's Hill)
he stops to show me the label. ‘This is one of my favourite local wines: Costa d’Amalfi Tramonti Bianco. Tenuta San Francesco grow their wines on the steep terraced hills in Tramonti, in the heart of the Amalfi Coast. Try it – I bought this specially for us to enjoy tonight.’ Nico passes me a glass and I pretend to know
Lucy Coleman (Finding Love in Positano)
As Bevis and Randal, touched by its stillness as though it were a great wing that brushed over them, walked slower, and stopped, out of the darkness of the river woods below them rose one clear, perfect note of birdsong, long drawn and insistent, repeated again and again, then breaking into a shining spray of notes, a cascade of runs and phrases that seemed to shimmer on the ear. It was a song that the two young men standing up there among the bramble domes had heard often enough before; but surely it had never sounded quite like this, so that it was one with the white flood of moonlight and the smell of the elder flowers. ‘Oh, listen!’ Randal whispered, stupidly, for the whole night was already holding its breath to listen. ‘Listen, Bevis, it’s the nightingale.’ Bevis stood as though he were rooted, like the brambles and the elder scrub, into the hill beneath his feet. His head was up, his gaze not turned down to the dark woods below from which came the song but going out up the curving length of the dearly familiar valley to the long, low huddle of the Hall that he had been born in, under the steep stride of Long Down, and the Manor Mill by the ford. His thin face was remote and far off, as Randal glanced aside at him, as though he were hearing something else, something that was beyond the singing. In a little, he shook his head. ‘It’s a song spun from the moonlight. But if it were me up here in the hollow hill, and I were to wake tonight, it would not be the nightingale but the speckle-breasted thrush or our Wealden blackbird I’d be listening for, to tell me I was home again.
Rosemary Sutcliff (Knight's Fee)
His GPS directed him uphill. Bartonville was built on a slope, and many of the homes had an amazing view of where the Pacific Ocean met the wide Columbia River, which separated Oregon and Washington. The town’s businesses were at the bottom of the hills where the land was flat, adjacent to the docks and beaches. The streets led up and across the hills in a basic grid on which homes with steep peaked roofs and roomy porches sat on close lots. Most of the homes needed attention. Missing paint, crumbling stairs, bare lawns
Kendra Elliot (The Last Sister (Columbia River #1, Callahan & McLane, #5))
The undulant road winds across hills, down into hollows where mist slithers through the darkness like a procession of spirits proceeding toward their fate. The mountains, worn low by millennia of weather, offer no steep palisades, only rolling slopes that suggest that the landscape was inspired by the female form.
Dean Koontz (Gentle Is the Angel of Death (Nameless: Season Two #2))
On a sunny Sunday afternoon in a town called Jasper which was surrounded by tall mountains and steep hills, Tyler Bowers sat on the couch at home and flicked through the TV channels. It had been a tough few weeks for the eleven-year-old boy, as his grandpa had recently passed away and he really missed him. Tyler started to get bored with the TV, so he stood up and went to the window. He stared up at a mountain and wondered, What’s at the top? What’s the view like from up there and what’s on the other side? He remembered overhearing his grandpa talking about the mountain one day. “As kids, we’d always go up the mountain. To the fence and back,” his grandpa said.
Wally Brown (The Undercover Brothers: An Action and Adventure Story for 9-12 year olds)
I began to think about all the generals’ proclamation concerning this war: that we’d be home before Christmas, that the Chinese would not intervene, that we’d hold here or hold there. All of it was bullshit, and I started to wonder how they could possibly make so many dumb statements when each, invariably, fell apart when put to the test. Then I thought, Well, maybe they just don’t know—we never saw a general on the front. We seldom saw a colonel, a lieutenant colonel, or a major either. And at squad level, we only on the rarest occasion saw a captain. So how could the brass know how defeated its army was if they weren’t there to see an exhausted guy lie down on the road and just give up? How could they know how cold and ill equipped we were if they weren’t there to see blue, gloveless hands stick to the frozen metal of weapons? How could they know how steep and rugged the terrain was if they never climbed a hill?
David Hackworth
I began to think about all the generals’ proclamation concerning this war: that we’d be home before Christmas, that the Chinese would not intervene, that we’d hold here or hold there. All of it was bullshit, and I started to wonder how they could possibly make so many dumb statements when each, invariably, fell apart when put to the test. Then I thought, Well, maybe they just don’t know—we never saw a general on the front. We seldom saw a colonel, a lieutenant colonel, or a major either. And at squad level, we only on the rarest occasion saw a captain. So how could the brass know how defeated its army was if they weren’t there to see an exhausted guy lie down on the road and just give up? How could they know how cold and ill equipped we were if they weren’t there to see blue, gloveless hands stick to the frozen metal of weapons? How could they know how steep and rugged the terrain was if they never climbed a hill?
David H. Hackworth (About Face: Odyssey Of An American Warrior)
I caught a couple of landmarks and knew we were on Benedict Canyon Drive, getting up into the hills. I'd driven here several times before—in happier days—and I knew almost all the road. It was hilly along here and there were steep clifflike drops and sloping ones. Maybe Dutch would let me jump off a cliff. Suicide. I strained at the rope on my wrists, but it was tight.
Richard S. Prather (Shell Scott PI Mystery Series, Volume One)
Venus was rising, holding her own in the sky that was beginning to brighten. As I left the docks and warehouses behind, I came to a marshy shoreline, thick with water reeds. Though the sky above was clear, the water's surface swirled with little mists. I began to sing a song to Isis, made up on the spot, which caught the rhythm of the oars. A breeze sprang up and the reeds sang with me. Then as the first rays of sun dimmed the stars, birds everywhere lifted their voices and rose in line after line into the sky. On the outskirts of the city, I came to what looked like it might have been an abandoned villa or farmstead. I decided to sit down and watch the lake changing colors with the light. That's when I heard it. Not the soft lapping of the water against the shore, but the sound of flowing water. I looked and in the glowing light, I saw a small stream, eally just a trickle washing down a pebbly incline towards the lake. Something prompted me to follow the stream inland. I made my way though brambly thickets of brambling roses. The way seemed to open for me, the thorns all but retracting so as not to catch my cloak or scratch my arms and legs. At the source, I knelt down and parted the thicket, and there it was. The spring at the base of the hill so steep, it was almost a cliff. The water bubbled up from the darkness of earth, giving back the brightness of sky. Like all springs, a way between worlds. I was no stranger to sacred springs and magic wells. I was raised to revere them. I had first glimpsed my beloved on the well of wisdom on Tir n mBan. But this spring. I closed my eyes to listen to its sound, and I knew I had heard it before. The wind picked up, washing over me, scented with fish and roses. When it quieted again, I opened my eyes and gazed at the clear surface of the pool, and for an instant, I saw a tower, and the dawn sky, and the two people standing there. Then the image vanished, but I had seen all I needed to see. Alright, I said to myself, my goddess, to Miriam's know it all angels, Magala is is. And by the way, I added, my name is Maeve.
Elizabeth Cunningham (The Passion of Mary Magdalen (Maeve Chronicles, #2))
Hill Sprint Training To execute this workout outdoors, first you need to find a steep hill with decent footing so you are not dodging roots and rocks and can sprint flat-out. The steeper, the better for our purposes. It should be at least 10 percent or a one-in-ten slope with 20–50 percent (two- to five-in-ten slope) being even better. A steep stadium can provide the needed steepness. If your movements are slow and cautious due to poor footing, you will not get the desired effect. The steep hill allows those who can’t run fast to impose very high loads on their legs and
Steve House (Training for the New Alpinism: A Manual for the Climber as Athlete)
Our climb began in earnest on May 9. By then we’d successfully negotiated the Khumbu Icefall, surmounted the Western Cwm, and now were halfway up a moderately steep, four-thousand-foot wall of blue ice called the Lhotse Face, which the prudent climber will traverse very carefully. This extreme care is a function of the physics involved. With hard ice such as that found on the Lhotse Face, there is no coefficient of friction; you are traction free. Fall into an uncontrolled slide, and your chances of stopping are nil. You’re history. A Taiwanese climber named Chen Yu-Nan would discover the truth of this, to his horror, on the morning of May 9. Because the Lhotse Face is a slope, you pitch Camp Three by carving out a little ice platform for your tent, which you crawl into exhausted, desperate for some rest. No matter how tired you are, however, you must remember a couple of fairly simple rules. One, don’t sleepwalk. Two, when you get up in the morning, the very first thing you’ve got to do, without fail, is put those twelve knives on each climbing boot, your crampons, because they are what stick you down to that hill. Chen Yu-Nan forgot. He got out of his tent wearing his inner boots, took two steps, and went zhoooooooop! down into a crevasse, leading to his death.
Beck Weathers (Left for Dead: My Journey Home from Everest)
When Emeline passed through, she didn't step onto boardwalk, but flagstones. She paused, disoriented. The darkness of the woods morphed into soft, dewy lamplight and the sour-water smell of Bog was replaced by the perfumed scent of late-blooming roses. They'd stepped out of a swamp and into... a city. Before her lay a quiet, cobbled street lined by white row houses, many of them creeping with green ivy. The city stretched out, its streets rising and twisting towards the top of a lush green hill thick with trees. Emeline caught glimpses of rust-red rooftops and stone bridges over steep canals, of a white-bricked bell tower and a wide blue lake. At the crest of the hill, a fortress crowned the city, gleaming like ivory in the starlight. It was just as Tom had described it. "The Wood King's palace," she whispered.
Kristen Ciccarelli (Edgewood)
Luit never came out of the anesthesia. He paid dearly for having stood up to two other males, frustrating them by his steep ascent. Those two had been plotting against him in order to take back the power they had lost. The shocking way they did so opened my eyes to how deadly seriously chimpanzees take their politics. Two-against-one maneuvering is what lends chimpanzee power struggles both their richness and their danger. Coalitions are key. No male can rule by himself, at least not for long, because the group as a whole can overthrow anybody. Chimpanzees are so clever about banding together that a leader needs allies to fortify his position as well as the greater community’s acceptance. Staying on top is a balancing act between forcefully asserting dominance, keeping supporters happy, and avoiding mass revolt. If this sounds familiar, it’s because human politics works exactly the same. Before Luit’s death, the Arnhem colony was ruled jointly by Nikkie, a young upstart, and Yeroen, an over-the-hill conniver. Barely adult at seventeen, Nikkie was a brawny character with a dopey expression. He was very determined, but not the sharpest knife in the drawer. He was supported by Yeroen, who was physically not up to the task of being a leader anymore, yet who wielded enormous influence behind the scenes. Yeroen had a habit of watching disputes unfold from a distance, stepping in only when emotions were flaring to calmly support one side or the other, thus forcing everybody to pay attention to his decisions. Yeroen shrewdly exploited the rivalries among younger and stronger males. Without going into the complex history of this group, it was clear that Yeroen hated Luit, who had wrested power from him years before. Luit had defeated Yeroen in a struggle that had taken three hot summer months of daily tensions involving the entire colony. The next year, Yeroen had gotten even by helping Nikkie dethrone Luit. Ever since, Nikkie had been the alpha male with Yeroen as his right-hand man. The two became inseparable. Luit was unafraid of either one of them alone. In one-on-one encounters in the night cages, Luit dominated every other male in the colony, taking away their food or chasing them around. No single one of them could possibly have kept him in his place. This meant that Yeroen and Nikkie ruled as a team, and only as a team. They did so for four long years. But their coalition eventually began to unravel, and as is not uncommon among men, the divisive issue was sex. Being the kingmaker, Yeroen had enjoyed extraordinary sexual privileges. Nikkie would not let any other males get near the most attractive females, but for Yeroen he had always made an exception. This was part of the deal: Nikkie had the power, and Yeroen got a slice of the sexual pie. This happy arrangement ended only when Nikkie tried to renegotiate its terms. In the four years of his rule, he had grown increasingly self-confident. Had he forgotten who had helped him get to the top? When the young leader began to throw his weight around, interfering with the sexual adventures not only of other males but also of Yeroen himself, things got ugly. Infighting within the ruling coalition went on for months, until one day Yeroen and Nikkie failed to reconcile after a spat. With Nikkie following him around, screaming and begging for their customary embrace, the old fox finally walked away without looking back. He’d had it. Luit filled the power vacuum overnight. The most magnificent chimpanzee male I have known, both in body and spirit, quickly grew in stature as the alpha male. Luit was popular with females, a mighty arbiter of disputes, protector of the downtrodden, and effective at disrupting bonding among rivals in the divide-and-rule tactic typical of both chimp and man. As soon as Luit saw other males together he would either join them or perform a charging display to disband them.
Frans de Waal (Our Inner Ape: A Leading Primatologist Explains Why We Are Who We Are)
Suddenly the land around him was wild and endless. He might have once loved this place and its many faces, but he was a stranger to it now. One kilometer stretched into two. The hills turned steep and merciless. He slipped on a slope of shale and cut his knees. He walked for what felt like hours, searching for a road, until afternoon gave way to evening, and the shadows around him turned cold and blue. He had no idea where he was as the stars began to burn. The southern wind blew, carrying a tangle of whispers. Jack was too distracted to pay attention, his heart beating in his throat as a storm broke overhead. He pressed on through mud puddles and streams. It would be easy for a young lass to get lost here, he thought. He reminded himself how much he had grown to hate this place and it’s unpredictability, and he eventually came to a halt, drenched and angry. “Take me!” He dared the spirits who were toying with him. The wind, the earth, the water and the fire. He challenged the glens and the mountains and the bottomless trickling pools, every corner of the isle that sprawled before him, gleaming with rain. The fire in the stars, the whisper of the wind.
Rebecca Ross (A River Enchanted (Elements of Cadence, #1))
Yes, and what widows would stand on the shore at Rackwick this night and every night till all the bodies were found? Bella of The Harp and Jess of Topmast and Margaret-Ann of Sheepsay and Willa of Two-Waters and Mary of Hawkfell and Sara of Malthouse and Amos's Rachel with the unborn child in her, dark shrouded figures among the round red rocks of the beach. Night would come down from the hills on them, still their eyes would stare at this moving thing and that small glimmer out in the bay, bits of driftwood only, fleeting phosphorescence. They would shake their heads to one another. Then it would be too dark to know sea from land. They would walk home separately across the steep fields. Then in the lamplight an unfolding of shrouds, an opening of black bibles, a stony intentness of grief.
George Mackay Brown (A Time To Keep and Other Stories)
Lizzie My life was… complicated. You know that feeling you’d get when you’d start to run down a steep hill? As you ran faster, there was this single moment… just a moment… of pure joy. You would stretch your arms out wide as you embraced the sensation that you were almost flying. You believed, truly believed, if you ran just a little bit faster, if you allowed yourself to dare just a little bit more… maybe you would actually fly. Maybe your toes would lift off the ground and you would touch the sky. So, you dared. You ran faster. Faster. You swore you could no longer feel the ground beneath your feet. All you could see was the bright, beckoning azure sky. And then it happened… you glanced down, back to reality. It was just the barest of seconds, but it was enough. Suddenly you realized, you weren’t flying. You were falling.
Zoe Blake (Gilded Cage (Dark Obsession Trilogy #2))
I climbed the steep Hill next to the animals, in every morning.
Petra Hermans (Voor een betere wereld)
The surveyors described the landscape as bare and ragged, desolate and rough, punctuated by rocky hills and steep, narrow-ridged mountains of stratified limestone and porphyry, red basalt and igneous rock thrust upward alongside empty craters and extinct volcanos surrounded by broken lava.
Francisco Cantú (The Line Becomes a River: Dispatches from the Border)
If you want to get a sense of what a very high level of perceived effort feels like in isolation from fatigue, find a steep hill and run up it as fast as you can. (You should probably warm up first.) That feeling of trying as hard as you can that hits you immediately, before fatigue sets in, is the feeling of a very high level of perceived effort.
Matt Fitzgerald (How Bad Do You Want It?: Mastering the Psychology of Mind Over Muscle)
These days, anyone who supports my father is a target. Just as the anti-Trump revolution was beginning, Senator Rand Paul, one of my father’s closest allies on Capitol Hill, was brutally attacked by his neighbor, an avowed lefty. The man ran down a steep hill to gain momentum and then blindsided Senator Paul, who had headphones on and his back turned. He never knew the man was coming. The senator had six broken ribs and blood in his lungs. Doctors who examined him said that the injuries sustained were more consistent with a car accident than a sucker punch. As he was recovering, the left celebrated. The celebration continues among some of the most callous and idiotic people on the left.
Donald Trump Jr. (Triggered: How the Left Thrives on Hate and Wants to Silence Us)
To live is to be other. It’s not even possible to feel, if one feels today what he felt yesterday. To feel today what one felt yesterday isn’t to feel – it’s to remember today what was felt yesterday, to be today’s living corpse of what yesterday was lived and lost. To erase everything from the slate from one day to the next, to be new with each new morning, in a perpetual revival of our emotional virginity – this, and only this, is worth being or having, to be or have what we imperfectly are. This dawn is the first dawn of the world. Never did this pink colour yellowing to a warm white so tinge, towards the west, the face of the buildings whose windowpane eyes gaze upon the silence brought by the growing light. There was never this hour, nor this light, nor this person that’s me. What will be tomorrow will be something else, and what I see will be seen by reconstituted eyes, full of a new vision. High city hills! Great marvels of architecture that the steep slopes secure and make even greater, motley chaos of heaped up buildings that the daylight weaves together with bright spots and shadows – you are today, you are me, because I see you, you are what [I’ll be] tomorrow, and I love you from the deck rail as when two ships pass, and there’s a mysterious longing and regret in their passing.
Fernando Pessoa (The Book of Disquiet: The Complete Edition)
Buda, perched on steep hills, her sprawling Royal Palace, and her Citadel carved into jagged cliffs which plunge into the river, craves the attention of the visitor arriving down the Danube from Vienna. Pest, on the flat plain that is the continuation of the Puszta, is all business, commerce and intellect, all conversation and art. Fantastic amalgams of Romanesque, Gothic and Byzantine straining to find their Magyar soul face the boulevards, which are unabashed imitations of both Paris and Vienna. The Parliament, ostentatiously outdoing Westminster, spire for spire, Gothic arch for Gothic arch, faces the dirty, gray Danube, the heart of the city.
Kati Marton (Wallenberg: Missing Hero)
Success is a cloudy vision at the top of a steep hill and you have to make up your mind if you’ve got the energy and inclination to climb it.
Clifford Thurlow (Cool, Sexy and Dead)
UNCONVENTIONAL DESTINATION WEDDING LOCALES Destination Wedding Jan 6 This wedding season, fall in love with endearing unconventional destination wedding locales Theme Weavers Designs Since all the travel restrictions have been lifted, destination weddings are back in vogue. However, the pandemic has led to a major paradigm shift. In this case, Indian couples are looking into hidden gems to take on as their wedding destination, instead of opting for an international location. With the rich cultural heritage and a myriad of local traditions, it has been observed by industry insiders that couples feel closer to their past and history after getting married in a regional wedding destination. At the same time, it is a very cumbersome task to find the perfect wedding destination - it has to be perfectly balanced in terms of the services it offers as well as having breathtaking views. This wedding season, choose something offbeat, by opting for an unexplored destination, that is both visually appealing and has a romantic vibe to them. Start off your wedding journey with an auspicious location. Rishikesh, on the banks of the holy river Ganges is one of the most sacred places a couple can tie the knot. This tiny town’s interesting traditions, picturesque locales, and ancient customs make this one of the most underrated places to get married in india. Perfect for a riverside wedding in extravagant outdoor tents, this wedding season, it is high time Rishikesh gets the hype it deserves. “The Glasshouse on the Ganges,” is one of the most stunning places to get married. While becoming informed travellers, this place is interred with a vast and vibrant cultural history. It offers an extremely unique experience as it revitalises ruined architectural wonders for the couple to tour or get married in, making it a heartwarming and wonderful experience for all those who are involved. Steep your wedding party in the lap of nature, in Naukuchiatal, Nainital, Uttarakhand. This place is commonly referred to as “treasure of natural beauty,” where it offers mesmerising natural spectacles for a couple to get married in a gorgeous outdoor ceremony. Away from the hustle and bustle of the urban jungles that have slowly been taking over the Indian subcontinent, this location provides a much needed breath of fresh air. This location also provides much needed reprieve from the fast paced lifestyle that we live, making a wedding a truly relaxing affair. As this is a quaint hill station, surrounded with lush greens, there are numerous ideas to create a natural and sustainable wedding. The most distinguishing feature of this location is the nine-cornered lake, situated 1,220 m above sea level. There is something classic and timeless about the Kerala backwaters. This location is enriching and chock full of unique cultural traditions. With spectacular and awe-inspiring views of the backwaters, Kumarakom in Kerala easily qualifies as one of the top wedding destinations in india. Just like Naukuchiatal, this space is a study in serenity, where it is far away from the noisy streets and bazaars. Perfect for a cozy and intimate wedding, the Kerala backwaters are a gorgeous choice for couples who are opting for a socially distant wedding, along with having a lot of indigenous flora and fauna. Punctuated with the salty sea and the sultry air, the backwaters in Kerala are an underrated gem that presents couples with a unique wedding location that is perfect for a historical and regal wedding. The beaches of Goa and the forts of Rajasthan are a classic for a reason, but at the same time, they can get boring. Couples have been exploring more underrated wedding locations in order to experience the diverse local cultures of India that can also host their weddings
Theme Weavers
a five-pound mastodon tooth, disinterred by the spring floods, rolled down a steep hill and landed at the foot of a Dutch tenant farmer working the fields. The farmer brought the fist-size tooth into town and traded it to a local politician for a glass of rum. The first remnant of an extinct animal discovered in America, nicknamed Incognitum, set off a frenzy of theological concerns: how could something vanish from God’s earth? Had Noah forgotten to load Incognitum onto the ark?
Kirk Wallace Johnson (The Feather Thief: Beauty, Obsession, and the Natural History Heist of the Century)
The sun continued to climb in the sky while Olivia raced against it. It was too bright: and that had me panicking. He wouldn't feel the need to wait until noon. ‘There,’ Olivia said abruptly, pointing to the castle city atop the closest hill. I stared at it, feeling the very first hint of a new kind of fear. Every minute since yesterday morning it seemed like a week ago-when Olivia had spoken his name at the foot of the stairs, there had been only one fear. And yet, now, as I stared at the ancient sienna walls and towers crowning the peak of the steep hill, I felt another, more selfish kind of dread thrill through me.
Marcel Ray Duriez
The concept of work as a curse dates as far back as Greek antiquity, goes all the way to the Industrial Revolution and still impacts how society tends to think and feel about work today. It may have started with Zeus punishing Sisyphus to an eternity of pointless labor, pushing a large boulder up a steep hill just to watch it roll back down. Ancient Greeks viewed work as demeaning, getting in the way of the ideal of a life dedicated to contemplation and the acquisition of knowledge. Romans took a similar view. And the French word for work—travail—comes from a Latin word for a torture device.
Hubert Joly
Lincoln was born on a Kentucky farm called Sinking Spring, which, a neighbor explained, was “uneven” and “disagreeable to work for farming.”82 At age two, his family moved to Knob Creek, named after the steep hills called “knobs” that surrounded it, and made the ravine dark and subject to flooding.
Ted Widmer (Lincoln on the Verge: Thirteen Days to Washington)
From your expressions, reverend scribes, I take it that you do not comprehend the meaning of the ueyquin ayquic, “the age of never.” No, no, my lords, it does not signify an age of any specific number of years. It comes early to some people, later to others. Considering that I was then forty and five years old, well into my middle years, I had eluded its clutch for longer than most men. The ueyquin ayquic is the age when a man begins to mutter to himself, “Ayya, the hills never seemed so steep before …” or “Ayya, my back never used to give me these twinges of pain …” or “Ayya, I never found a gray hair in my head before now….
Gary Jennings (Aztec)
Lucy Gray Oft I had heard of Lucy Gray, And when I cross'd the Wild, I chanc'd to see at break of day The solitary Child. No Mate, no comrade Lucy knew; She dwelt on a wild Moor, The sweetest Thing that ever grew Beside a human door! You yet may spy the Fawn at play, The Hare upon the Green; But the sweet face of Lucy Gray Will never more be seen. "To-night will be a stormy night, You to the Town must go, And take a lantern, Child, to light Your Mother thro' the snow." "That, Father! will I gladly do; 'Tis scarcely afternoon— The Minster-clock has just struck two, And yonder is the Moon." At this the Father rais'd his hook And snapp'd a faggot-band; He plied his work, and Lucy took The lantern in her hand. Not blither is the mountain roe, With many a wanton stroke Her feet disperse, the powd'ry snow That rises up like smoke. The storm came on before its time, She wander'd up and down, And many a hill did Lucy climb But never reach'd the Town. The wretched Parents all that night Went shouting far and wide; But there was neither sound nor sight To serve them for a guide. At day-break on a hill they stood That overlook'd the Moor; And thence they saw the Bridge of Wood A furlong from their door. And now they homeward turn'd, and cry'd "In Heaven we all shall meet!" When in the snow the Mother spied The print of Lucy's feet. Then downward from the steep hill's edge They track'd the footmarks small; And through the broken hawthorn-hedge, And by the long stone-wall; And then an open field they cross'd, The marks were still the same; They track'd them on, nor ever lost, And to the Bridge they came. They follow'd from the snowy bank The footmarks, one by one, Into the middle of the plank, And further there were none. Yet some maintain that to this day She is a living Child, That you may see sweet Lucy Gray Upon the lonesome Wild. O'er rough and smooth she trips along, And never looks behind; And sings a solitary song That whistles in the wind.
William Wordsworth (The Works of William Wordsworth)
We climbed the height by the zigzag path And wondered why—until We understood it was made zigzag To break the force of the hill. A road straight up would prove too steep For the traveler’s feet to tread; The thought was kind in its wise design Of a zigzag path instead. It is often so in our daily life; We fail to understand That the twisting way our feet must tread By love alone was planned. Then murmur not at the winding way, It is our Father’s will To lead us Home by the zigzag path, To break the force of the hill. ANONYMOUS
Lettie B. Cowman (Springs in the Valley)
Cardiac.” Cardiac was a steep hill planted smack in the middle of the course. It was a hill that could make or break runners—a hill so steep it could rob their will. Yet, if the runner stayed tough, he could also greatly increase his position on this hill.
Lee Krinsky (The Longest Fall)
According to accepted standards of internet marketing, an online presence is essential to the success of today's business. Unfortunately, the success of the Internet has also given the opportunity for unqualified and unprofessional Minneapolis web designers to market their services making it very difficult for clients to determine to best web designer for them. If your web site is made by a dreadful web designer, it can have a harmful effect on your business and cost you dearly! there has been a major increase in the use of Internet-related knowledge. An increase in the request of information technology in diverse fields has opened wider career opportunities. Operating a small business without a website is like trying to push an incredibly heavy rock up an impossibly steep hill. But a web presence means that your branding needs to be look at first. One part of that is finding the right branding agency Minneapolis not only has the best talent, but also professionals who understand that the heart is the target for any visual branding effort. Minneapolis web design aims at deliver the best customer solution in any . All these are obtainable with the intention of as long as you with an outstanding service so that we know about your services and the way you function.
sophiya
We climbed the height by the zigzag path And wondered why—until We understood it was made zigzag To break the force of the hill. A road straight up would prove too steep For the traveler’s feet to tread; The thought was kind in its wise design Of a zigzag path instead. It is often so in our daily life; We fail to understand That the twisting way our feet must tread By love alone was planned. Then murmur not at the winding way, It is our Father’s will To lead us Home by the zigzag path, To break the force of the hill. ANONYMOUS” ― Lettie B. Cowman, Springs in the Valley
Lettie B. Cowman (Springs in the Valley)
We say, then, to anyone who is under trial, give Him time to steep the soul in His eternal truth. Go into the open air, look up into the depths of the sky, or out upon the wideness of the sea, or on the strength of the hills that is His also; or, if bound in the body, go forth in the spirit; spirit is not bound. Give Him time and, as surely as dawn follows night, there will break upon the heart a sense of certainty that cannot be shaken. —Amy Carmichael
Joni Eareckson Tada (A Place of Healing: Wrestling with the Mysteries of Suffering, Pain, and God's Sovereignty)
Some who will read this, will believe that no one can think and grow rich. They cannot think in terms of riches, because their thought habits have been steeped in poverty, want, misery, failure, and defeat.
Napoleon Hill (Think and Grow Rich)
Where is God? I used to take some comfort from the image of cable cars in San Francisco. What enables those cable cars to move up and down the steep hills of San Francisco? There are powerful cables that run underneath these ups and downs. When the cable car wants to move, it latches on to the cable, which pulls it up or down the hills. If you look down into the opening that runs down the middle of all these streets, you will see that, underneath, the cable is always running. God is the force of life that runs through our lives, day in and day out—in the inexplicable force that gives a person the simple, heroic courage to open the door.
Dov Peretz Elkins (Yom Kippur Readings: Inspiration, Information and Contemplation)
To climb steep hills requires a slow pace at first. William Shakespeare.
Lisi Harrison (Alphas (Alphas #1))
Two-One Alpha, ready for you. Move it. We’re in kind of a hurry to find a quieter place!” Two wounded men were hauled to the helicopter first by four of their buddies, with the rest strafing the hill to keep the Taliban heads down. The fright and panic in the eyes and faces of the soldiers were clearly visible. Their screams rose above the thundering noise of the engines as they pushed the wounded in and then took up position outside the chopper to provide covering fire for the remaining men to get in. “All in. Let’s get out of here!” Leo shouted. “Grab tight. It’s going to be a rough ride boys!” John pulled the chopper into a steep climb while banking away from the hill. With no fire coming from the doorgun to keep them down, the full force and frustration of the enemy was now directed at the chopper and its occupants. They saw their prey escaping out of their hands right in front of their eyes. A burning pain shot through John’s back and legs as the body of the helicopter shuddered under the power of the two Rolls-Royce Gem turboshaft engines at full throttle. Smoke started to billow from the starboard engine. I have to get over that hill three miles away. Why am I dizzy? I have to get these boys out of trouble. I have to level the chopper and save power. I must get over that hill. I must get out of the reach of the bullets. “Doug! Doug! Can you hear me? What’s wrong man?” Leo screamed in a high-pitched, panicked voice. “Oh my God, you’ve been hit! Are you ok? Shit man, put the chopper down now. You’ll crash and kill us all!” “That hill … I have to get over it … out of range … I must get us there ...” Doug stuttered. “What was that? I can’t hear you. For God’s sake put the chopper down!” Leo shouted at the top of his voice. “Going down, going down … radio for help!” John whispered, a few seconds before everything went dark. The nightmare and the math Doug paid little heed to his passengers as he banked away from the canyon rim. Max was back there to help them. Doug had plenty on his mind, between the flashback to his crash in Afghanistan and wondering when whoever had shot two of his passengers would show up and try to shoot the chopper down here and now, over the Grand Canyon. Not to mention nursing the aging machine to do his bidding. Within minutes after takeoff from the canyon site, lying in the back of the chopper, JR and Roy were oblivious to their surroundings due to the morphine injection administered to them by Max Ellis – an ex-Marine medic and the third member of the Rossler boys’ rescue expedition. Others on the chopper had more on their minds. Raj was in his own world, eyes closed, wondering about his wife Sushma, their child, and the future. He and Sushma were not the outdoors adventure and camping types – living in a cave with other people was going to take some getting used to for them. They both grew up and had lived in the city all their lives. How was this going to work out
J.C. Ryan (The Phoenix Agenda (Rossler Foundation, #6))
ACCLIVITY  (ACCLI'VITY)   n.s.[from acclivus, Lat.] The steepness or slope of a line inclining to the horizon, reckoned upwards; as, the ascent of an hill is the acclivity, the descent is the declivity.Quincy.
Samuel Johnson (A Dictionary of the English Language (Complete and Unabridged in Two Volumes), Volume One)
Shara met me at the airport in London, dressed in her old familiar blue woolen overcoat that I loved so much. She was bouncing like a little girl with excitement. Everest was nothing compared to seeing her. I was skinny, long-haired, and wearing some very suspect flowery Nepalese trousers. I short, I looked a mess, but I was so happy. I had been warned by Henry at base camp not to rush into anything “silly” when I saw Shara again. He had told me it was a classic mountaineers’ error to propose as soon as you get home. High altitude apparently clouds people’s good judgment, he had said. In the end, I waited twelve months. But during this time I knew that this was the girl I wanted to marry. We had so much fun together that year. I persuaded Shara, almost daily, to skip off work early from her publishing job (she needed little persuading, mind), and we would go on endless, fun adventures. I remember taking her roller-skating through a park in central London and going too fast down a hill. I ended up headfirst in the lake, fully clothed. She thought it funny. Another time, I lost a wheel while roller-skating down a steep busy London street. (Cursed skates!) I found myself screeching along at breakneck speed on only one skate. She thought that one scary. We drank tea, had afternoon snoozes, and drove around in “Dolly,” my old London black cab that I had bought for a song. Shara was the only girl I knew who would be willing to sit with me for hours on the motorway--broken down--waiting for roadside recovery to tow me to yet another garage to fix Dolly. Again. We were (are!) in love. I put a wooden board and mattress in the backseat so I could sleep in the taxi, and Charlie Mackesy painted funny cartoons inside. (Ironically, these are now the most valuable part of Dolly, which sits majestically outside our home.) Our boys love playing in Dolly nowadays. Shara says I should get rid of her, as the taxi is rusting away, but Dolly was the car that I will forever associate with our early days together. How could I send her to the scrapyard? In fact, this spring, we are going to paint Dolly in the colors of the rainbow, put decent seat belts in the backseat, and go on a road trip as a family. Heaven. We must never stop doing these sorts of things. They are what brought us together, and what will keep us having fun. Spontaneity has to be exercised every day, or we lose it. Shara, lovingly, rolls her eyes.
Bear Grylls (Mud, Sweat and Tears)
Chiara! Pippas! Where you go?” “To sleep! You can handle it on your own.” Chiara shouts something else to him in Italian before she links arms with me. His eyes find mine through the dark and the corner of his mouth pulls up. I bite my lower lip and turn away, allowing Chiara to lead me up the steep hill. We walk in silence for several minutes until she says, “You know what he is, do you not?” Italian? Hot? “You Americans call him a player.
Kristin Rae (Wish You Were Italian (If Only . . ., #2))
After walking up one of the steepest streets in the Village of Überlingen, I found Herr Graf at the municipal hospital and was shocked to see how severe his burns were. He was in a dreadful state and obviously appeared to be in great pain. Although his heavy woolen police uniform had warded off burns to his body, his face and hands were badly scorched. The hospital was understaffed for the number of casualties they had to care for, so he asked me if I could come to feed and care for him occasionally. Of course I agreed, even though I knew that for each visit I would have to trudge up the same very long steep hill to get there. Seeing him suffering and in such pain, I felt that this was the least I could do; besides I was now moving into his apartment…. With great difficulty he handed me the key and asked if I could try to locate his teenage son, who had most likely been captured by the Allies. On the way back, my reward was that it was downhill with a beautiful view of the distant Alps. Besides, it was a much easier walk!
Hank Bracker
Phase 3: Forgiveness As I shared in Chapter 7, forgiveness is critical to Blissipline and the peak states needed for extraordinary living. Here you’ll incorporate the forgiveness exercise from that chapter into your daily practice. Science is now showing that forgiveness can lead to profound health benefits, including reduced back pain, higher athletic performance, better heart health, and greater feelings of happiness. One study of a small group of people with chronic back pain showed that those who meditated with a focus on moving from anger to compassion reported less pain and anxiety compared to those who got regular care. Another study found that forgiving someone improved blood pressure and reduced the workload on the heart. Interesting that lightening the heart of negativity should literally help it. Research on the impact of forgiveness by Xue Zheng of Erasmus University’s Rotterdam School of Management showed that forgiveness makes the body seemingly stronger. “Our research shows that forgivers perceive a less daunting world and perform better on challenging physical tasks,” said Zheng. In one study, participants could actually jump higher after writing an account of forgiving someone who had harmed them. In another study by Zheng, participants who were asked to guess at the steepness of a hill described the hill as less steep after they had written down an account of an incident where they had forgiven someone. In a previous chapter, I described my own powerful experiences with forgiveness during meditation. That’s why forgiveness is one of the components of the Six-Phase—it strengthens not only your body, but also your soul.
Vishen Lakhiani (The Code of the Extraordinary Mind: 10 Unconventional Laws to Redefine Your Life and Succeed On Your Own Terms)
I jogged along the deck to the stern, tracking the shipwreck as it disappeared beneath our wake. Then, just as I was starting to wonder if we’d need climbing gear to get onto the island, its steep cliffs sloped down to meet us. We rounded a headland to enter a rocky half-moon bay. In the distance I saw a little harbor bobbing with colorful fishing boats, and beyond it a town set into a green bowl of land. A patchwork of sheep-speckled fields spread across hills that rose away to meet a high ridge, where a wall of clouds stood like a cotton parapet. It was dramatic and beautiful, unlike any place I’d seen. I felt a little thrill of adventure as we chugged into the bay, as if I were sighting land where maps had noted only a sweep of undistinguished blue.
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
For the record, just *being* at this point is a slow walk up a steep hill.
Suzanne Weber (To What Miserable Wretches Have I Been Born?: Revenge Poetry for Babies and Toddlers)
eyes to find Frank sleeping peacefully beside her. But the scent of diesel invaded her nostrils and the dream evaporated, leaving only blunt reality. Her mind was shockingly awake and would not be fooled. The car wound its way up and over a steep hill. MacKenzie’s stomach heaved and she recognised the symptoms of shock: she was shivering uncontrollably whilst also sweating profusely. Her head felt fuzzy and it was as if she were floating above her own body, watching another woman she barely recognised. She sucked air through her teeth, chest tight with anxiety. Her bowels wanted to loosen
L.J. Ross (High Force (DCI Ryan Mysteries, #5))
You must not enquire too far, Marianne—remember I have no knowledge in the picturesque, and I shall offend you by my ignorance and want of taste if we come to particulars. I shall call hills steep, which ought to be bold; surfaces strange and uncouth, which ought to be irregular and rugged; and distant objects out of sight, which ought only to be indistinct through the soft medium of a hazy atmosphere. You must be satisfied with such admiration as I can honestly give. I call it a very fine country—the hills are steep, the woods seem full of fine timber, and the valley looks comfortable and snug—with rich meadows and several neat farm houses scattered here and there. It exactly answers my idea of a fine country, because it unites beauty with utility—and I dare say it is a picturesque one too, because you admire it; I can easily believe it to be full of rocks and promontories, grey moss and brush wood, but these are all lost on me. I know nothing of the picturesque.
Jane Austen (The Complete Works of Jane Austen (In One Volume) Sense and Sensibility, Pride and Prejudice, Mansfield Park, Emma, Northanger Abbey, Persuasion, Lady ... Sandition, and the Complete Juvenilia)
Working was a matter of pride and we did it because we wanted to, not because we had to. During our infrequent breaks, the reward was going to the small store we called a “geedunk.” Getting to it required a climb up the long ladder or wooden stairs from the dock area. The geedunk was owned by Ma & Pa McCloud and, although it wasn’t anything to write home about, it was a safe haven for underclassmen and had everything from lobster rolls to hot dogs and hamburgers. Having an old-fashioned soda fountain, some tables and booths, it was a place where we could sit and shoot the breeze, without being hassled by the upperclassmen. Although the Academy fed us well, I was at an age when I was always hungry and if I got some slack time from Bo’sun Haskell or Bill Cooms, and had the money, I’d climb the back ladder for some chow. Sometimes I’d even be able to afford a lobster roll, but they were few and far between. I always tried to stretch the break into at least twenty minutes. Our respite never seemed long enough, but just by looking at my hands you could tell that the work was hard and the day was long. Finally, when the working day was behind us, we usually just dragged ourselves back up the steep hill, forgetting the idea of marching in formation. Time was always a factor, so it was imperative that I get cleaned up and into the uniform of the day before the chow line closed.
Hank Bracker
August 4, 1892, was hot even at dawn; it became the hottest day in memory for all who lived in a town remarkable for its summer heat.  "The hill," that steep slope to the northeast, cuts Fall River off from New England's cool wind from the open sea.
Victoria Lincoln (A Private Disgrace: Lizzie Borden By Daylight)
When the hills and valleys are too steep to escape. When the grounds feel like they’re absorbing buildings and things - Everything trembles and everything doesn’t want to exist anymore.
s'ma
I would love to kiss you right now.” His fingers tipped my chin, so that he had my full attention. I felt that rush and my heart stalled in my chest. He moved closer and I closed my eyes. “But I think I will wait just a bit longer.” His voice washed over me with its warm tones. That deep sound reverberated in my chest. I opened my eyes with delayed surprise and I found him just looking at me. That look! I should have kept my eyes closed because my disappointment deepened. He was holding back, and that made me want his kiss even more. “W-why?” I hated how unsteady my voice sounded. He shrugged with that devilish look still in his eyes. “I know the old Hadley loved my kiss. I’m just getting to know this new Hadley.” I frowned. He chuckled. “What?” He grinned, making the look in his eyes even more devastating. Did he want to make me a simpering fool? Well, I was no longer the young girl he remembered. “Nothing.” I shook my head and shrugged. “But I do hope you have improved from the last time.” His jaw dropped. I couldn’t hold up my own act with that look of shock on his face. It was adorable. I started to laugh. He lifted his brow. And shook his head. “Careful, little girl.” I smiled. “I’m not scared of you.” I started when he jumped to his feet. He grasped my wrists and pulled me quickly to my feet, before putting me right up and over his shoulder. “Just remember, I’m bigger and stronger,” the timbre in his voice had deepened. He started back to the car. I tried not to struggle too much. I should feel offense at his caveman display, but something in the action was way beyond attractive. It was kinda hot! But I would never tell him that. The strength he displayed with his sure-footed jaunted down the steep hill he had just helped me up was impressive. “Where are we going?” I yelped. He adjusted his stance, and altered my position on his shoulder, so he could open the car door. “Away from here, or I’ll end up doing more than kissing your smart mouth.” I smiled, knowing he couldn’t see it. “Yeah, like I’d let that happen.” His dark laugh sent warmth through me. “Your story.” He dropped me gently back into the passenger seat. I felt dizzy for a moment, but when that cleared I glared back at the handsome devil grinning at me. “My story?” He winked. “We both know how you get after a few kisses, Hadley.” It was my turn to let my jaw drop.                                                         Chapter
Sarah Brocious (What Remains (Love Abounds, #1))
what was happening just in time to watch the flaming pickup truck start on its fiery trek down the hill. Fuel spilling from the vehicle’s gas tank left a blazing track behind it on the bare earth as the truck streaked down the steep firebreak on the side of the hill. It
Steve Martini (Blood Flag (Paul Madriani #14))
When it was originally suggested to him that he could retrieve his lost career by taking holy orders, it is typical of him that he dithered, felt unworthy, was concerned that he might be entering the priesthood for the wrong careerist reasons. Yet for years, faith had been the scab at which he constantly picked – one of the reasons why Donne feels like one of us, even those of us who have no faith, nor want it, is that these are serious matters for him. The search takes time - "On a huge hill, Cragged and steep, Truth stands, and he that will Reach her, about must and about must go.
Roz Kaveney (John Donne: How to Believe (Guardian Shorts))
On March 26, 1871, French workers cheered as the socialist red flag waved atop the Tuileries Palace. The Commune lasted less than three months against the army of the Third French Republic. Communard cannons were set amid barricades made from cobblestones and mattresses, some on the steep hills of Montmartre. The last barricades were smashed during the “Bloody Week” massacre beginning May 18. Immediate executions, death in prisons, and exile followed. “An orgy of killing took place. Many innocent were killed,” mistaken for Communards, including chimney sweeps “on the assumption that their hands had been blackened by gunpowder.” In two prisons, some 2,300 were said to be shot in two days. As reprisals continued, even anti-Communard newspapers implored “Let us kill no more!” Some 25,000 Communards were allegedly killed, another 6,000 were executed or died in prison, and 7,500 were exiled.
Myra MacPherson (The Scarlet Sisters: Sex, Suffrage, and Scandal in the Gilded Age)
He drove on, head-banging to the backbeat of Ozzy Osborne’s Paranoid. On a steep hill, he downshifted and said, Mary, do you believe you live by what you earn? I said sure, stunned less by the question than by the breath he’d exhaled—real snake-shit breath. He shouted, Some live by what their own hands take. Others feed like buzzards on the carcass’s leftovers. That’s right, I said, wondering what he was getting at. Maybe he wanted me to sell Tupperware or cosmetics door-to-door. Some of the want ads I’d answered offered that. He said, Samson after his haircut could not break his chains, and the stones of the temple rained down. I nodded at the King James Bible cadence he’d slid into, his accent no longer evoking Grandpappy on the porch with a slab of pie, but a preacher whose fire and brimstone maybe came from a guilty conscience about underage choristers. I tried to adopt the big-eyed face of a church girl with a well-armed brother. A crumb of fear. He drew a snuff can out from under his seat and tucked a pinch in his jaw, saying around it, You dip? No, sir, I said.
Mary Karr (Lit)
The war had barely begun, the summer of 1846, when a writer, Henry David Thoreau, who lived in Concord, Massachusetts, refused to pay his Massachusetts poll tax, denouncing the Mexican war. He was put in jail and spent one night there. His friends, without his consent, paid his tax, and he was released. Two years later, he gave a lecture, “Resistance to Civil Government,” which was then printed as an essay, “Civil Disobedience”: It is not desirable to cultivate a respect for the law, so much as for the right. . . . Law never made men a whit more just; and, by means of their respect for it, even the well-disposed are daily made the agents of injustice. A common and natural result of an undue respect for law is, that you may see a file of soldiers . . . marching in admirable order over hill and dale to the wars, against their wills, ay, against their common sense and consciences, which makes it very steep marching indeed, and produces a palpitation of the heart.
Howard Zinn (A People's History of the United States)
Dusk settled down into this neck of the great valley. Coyotes barked out in the open. From the heights pealed down the mournful blood-curdling, yet beautiful, bay of a wolf. The rosy afterglow of sunset lingered a long time. The place was shut in, closed about by brushy steeps, redolent of sage. A tiny stream of swift water sang faintly down over rocks. And before darkness had time to enfold hollow and slope and horizon, the moon slid up to defeat the encroaching night and blanch the hills with silvery light.
Zane Grey (Valley of Wild Horses)
Up north, where the air is cooler and crisper, quaint hill stations give way to snowcapped peaks. From Ladakh to Sikkim, the cultural influences came not from the coasts but via mountain passes. Tibetan Buddhism thrives, and multilayered monasteries emerge from the forest or steep cliffs as vividly and poetically as the sun rises over Khangchendzonga. Weathered prayer flags flutter in the wind, the soothing sound of monks chanting reverberates in meditation halls, and locals abound with holy offerings, all in the shadow of the mighty Himalaya.
Lonely Planet (Lonely Planet India (Travel Guide))
Just above the line, a telegraph operator sat perilously on the steep river bank, his keypad in hand and a strand of copper wire running up the hill behind him to a pole where he had made a connection with the main line, ready to tell the world when the race began.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
57. Every Time You Surprise Yourself…You Inspire Yourself SAS selection is designed to test you. Any mental flaw, any physical failing will be exposed by the relentless series of challenges aimed at finding your breaking point. Lung-bursting cross-mountain marches through the snow, uphill sprints, carrying another recruit in a fireman’s lift up and down steep hills, often in driving rain, sometimes in sub-zero temperatures. As selection goes on, these ‘beasting’ sessions get harder and harder. And yet I also found that the more of them I came through in one piece (albeit exhausted and battered), the more easily I could cope with them. It was the SAS way of testing our mental resolve through physical battering. Selection is all about realizing that the pain never lasts for ever. And every time I was tested and I hung on in there, the better I understood that it was just a question of doing it again - one more time - until someone eventually said it was the end, and I had passed. I now know that unless you really, truly test yourself, you’ll never have any idea just how capable you can be. And with each small achievement, your confidence will grow. Most people never reach their limit because they are never sufficiently tested. This means I’ve got two good pieces of news for you. The first is that whenever you do something beyond your ‘comfort zone’ and realize you are still standing, the more you will believe that the impossible is actually possible. And on the road to success, belief is everything. And the second piece of news is that we all have much further to push ourselves than we might initially imagine. Inside us all, just waiting to be tested, is a better, bolder, braver version of who we think we are. All you have to do is give it an opportunity to be unleashed. So pick big targets and surprise yourself with how capable you really are deep down. Remember David and Goliath? Rather than David, the young shepherd boy, looking at this giant of a warrior and thinking, ‘Yikes, he’s huge, I’m beat’ - he thought, ‘With a target that big, how can I possibly miss!’ Success, in life and adventure, is dependent on the retraining of our mind.
Bear Grylls (A Survival Guide for Life: How to Achieve Your Goals, Thrive in Adversity, and Grow in Character)
O’ Look—the fair seat of bliss and isolation, away from the pompous,rich and pride city’s wanton heart,the adoring woods paved meek ways of silence,and beneath the steep hill’s hide, the brook ran in peace.
Nithin Purple (Venus and Crepuscule)
Holding hands with loved ones, or even keeping their photo on your desk at work, reduces activation in your body-budgeting regions and makes you less bothered by pain. If you’re standing at the bottom of a hill with friends, it will appear less steep and easier to climb than if you are alone.
Lisa Feldman Barrett (How Emotions Are Made: The Secret Life of the Brain)
Once Luang Por Chah was going to visit a branch monastery down near the Cambodian border. The road through the hills down to the borderlands was very twisting and precipitous. Luang Por Chah was in the front of the little pickup truck with a young Western monk and the driver, while there were a few other monks on the benches in the back. The Western monk soon realized that the driver was extremely reckless, and he became convinced the driver had a death wish. They were haring around the steep mountain roads, with enormous drops and blind corners, screeching around one bend after another. The monk sat there the whole time thinking, ‘We’re gonna die! We’re gonna die! We’re gonna die!’ and he kept looking over to Ajahn Chah to see if he was reacting, and whether he was going to ask the driver to slow down. Instead Ajahn Chah sat there quite calmly looking out of the windscreen and didn’t say a thing. To the young monk’s amazement they got through the hills safely and arrived at their destination. When they got there Ajahn Chah turned around to him with a big grin and said, ‘Scary ride, huh?
Ajahn Amaro (The Breakthrough)
had both stepped onto the grass, Jack looked around. “Where to?” he said. “Anywhere!” said Annie. “Let’s just explore and see the sights. We can be tourists.” “Okay,” said Jack. “But don’t forget we have to find the writing for Morgan’s library.” They started up the cobblestone street. As they walked up the steep hill, the sun rose above the tall buildings. The early light turned everything to gold: stones, streetlamps, and the glass windows of the silent houses. “It’s so quiet and peaceful,” said Annie. “Yeah, everyone must still be sleeping,” said Jack. Suddenly, out of the quiet came a deep rumbling noise. Jack stopped. He grabbed Annie’s arm. “What’s that?” he said. The noise got louder. It sounded like
Mary Pope Osborne (Earthquake in the Early Morning (Magic Tree House #24))
The boys groaned as Peter stopped in the middle of the bridge again, his head thrown back, and tried to collect snowflakes on his tongue. Finally he reached the other side and slowly made his way up the hill to the Malloy house, taking two steps up the steep slope of their back lawn, sliding one step back, taking two steps more, sliding one step back, before he disappeared in the snow and fog. An hour went by. An hour and fifteen minutes. An hour and a half. “What could he be doing over there?” groaned Josh. “What’d he do, take a suitcase? Is he moving in?
Phyllis Reynolds Naylor (The Girls' Revenge (Boy/Girl Battle, #4))
The Marathas captured Sinhagadh by using a trained monitor lizard named Yeshwanti to scale the walls! The guerrillas tied a rope around the lizard, which climbed up a rock face that was so steep that it had been left without any guards. A boy then climbed up the rope and secured it for the rest. The fort of Sinhagad is just outside Pune. You will see cadets from the nearby military training school climbing up the hill with their heavy packs.
Sanjeev Sanyal (The Incredible History of India's Geography)
Tibetans have a saying: “Engaging in virtuous practice is as hard as pulling a tired donkey up a hill, but engaging in negative, destructive activities is as easy as rolling a boulder down a steep slope.”6
Donna Farhi (Bringing Yoga to Life: The Everyday Practice of Enlightened Living)
Reaching the brow of a stunted hill, Amelia paused in bewilderment at the sight of a towering contraption made of metal. It appeared to be a chute propped up on legs, tilted at a steep angle. Her attention was caught by a minor commotion farther afield … two men emerging from behind a small wooden shelter … they were shouting and waving their arms at her. Amelia instantly realized she had stumbled into danger, even before she saw the smoldering trail of sparks move, snakelike, along the ground toward the metal chute. A fuse? Although she didn’t know much about explosive devices, she was aware that once a fuse had been lit, nothing could be done to stop it. Dropping to the sun-warmed grass, Amelia covered her head with her arms, having every expectation of being blown to bits. A few heartbeats passed, and she let out a startled cry as she felt a large, heavy body fall on hers … no, not fall, pounce. He covered her completely, his knees digging into the ground on either side of her as he made a shelter of his body. At the same moment, a deafening explosion pierced the air, and there was a violent whoosh over their heads, and a shock went through the ground beneath them. Too stunned to move, Amelia tried to gather her wits. Her ears were filled with a high-pitched buzz. Her companion remained motionless over her, breathing heavily in her hair. The air was sharp with smoke, but even so, Amelia was aware of a pleasant masculine scent, skin-salt and soap and an intimate spice she couldn’t quite identify. The noise in her ears faded. Raising up on her elbows, feeling the solid wall of his chest against her back, she saw shirtsleeves rolled up over forearms cabled with muscle … and there was something else … Her eyes widened at the sight of a small, stylized design inked on his arm. A tattoo of a black winged horse with eyes the color of brimstone. It was an Irish design, of a nightmare horse called a pooka: a malevolent mythical creature that spoke in a human voice and carried people away at midnight. Her heart stopped as she saw the heavy rounded band of a thumb ring. Wriggling beneath him, Amelia tried to turn over. The strong hand curved around her shoulder, helping her. His voice was low and familiar. “Are you hurt? I’m sorry. You were in the way of—” He stopped as Amelia rolled to her back. The front of her hair had come loose, pulled free of a strategically anchored pin. The lock fanned over her face, obscuring her vision. Before she could reach up to push it away, he did it for her, and the brush of his fingertips sent ripples of liquid fire along intimate pathways of her body. “You,” he said softly. Cam Rohan.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
There is a place where the mountains tumble one upon the other off into the far distance, peak after treeless peak. Steep ridges connect them and deep canyons slash them apart. The grassy summits are wreathed with black sage. No roads intrude upon this jumble of oak-filled canyons and steep-sided hills, only the ambling trails made by deer, coyotes, and bears. The local Indians believe the spirits of the ancients still travel these roads.
R. Lawson Gamble
I spend a lot of time gazing out the window to the green hills lined with vineyards and dotted with houses. There’s not much to this quaint valley snuggled along the coast, but it’s the most magical place I’ve ever seen with its multicolored buildings, steep streets bordered with wooden fishing boats. It’s like the postcard you stare at for hours, wishing you’d been the one to take the picture just so you could experience such a perfect place. I’m living inside that postcard. I’m taking the pictures.
Kristin Rae (Wish You Were Italian (If Only . . ., #2))
I started my long journey back to Bischoffsheim, by walking from the farm, high on the side of a hill, down to the subterranean railroad station in Überlingen. After the last crest I could see the lake with the magnificent high Alps on the far side. Again, I knew that I was looking at neutral Switzerland but it was a world away from war-torn Germany. It took me well over an hour walking down the steep hill to the village. With me I had two big empty suitcases that I pushed ahead of me as I boarded the train that finally came out of the tunnel. At first the train for Strasbourg was nearly empty, but the farther north we traveled the more people got on. I remember how crowded the Strasbourg Hauptbahnhoff was when the train finally pulled into the station. Not wanting to disturb my sister-in-law Elizabeth again, I stayed at a hotel that night. I didn’t know if I was still wanted by the Nazis but I couldn’t afford to take a chance. This way I could catch the early morning connecting train to Rosheim, which was the closest town to Bischoffsheim.
Hank Bracker
One consolation however remained for them, to which the exigence of the moment gave more than usual propriety; it was that of running with all possible speed down the steep side of the hill which led immediately to their garden gate.
Jane Austen (Sense and Sensibility)
Earth has not any thing to shew more fair:   Dull would he be of soul who could pass by   A sight so touching in it’s majesty:   This City now doth like a garment wear   The beauty of the morning; silent, bare,   Ships, towers, domes, theatres, and temples lie   Open unto the fields, and to the sky;   All bright and glittering in the smokeless air.   Never did sun more beautifully steep   In his first splendor valley, rock, or hill;   Ne’er saw I, never felt, a calm so deep!   The river glideth at his own sweet will:   Dear God! the very houses seem asleep;   And all that mighty heart is lying still!
William Wordsworth (The Complete Works of William Wordsworth: The Prelude, Lyrical Ballads, Poems Written In Youth, The Excursion and More)
Sisyphean” as a tribute to the mythical king Sisyphus, who was punished by the gods for his avarice and trickery. Besides murdering travelers and guests, seducing his niece, and usurping his brother’s throne, Sisyphus also tricked the gods. Before he died, Sisyphus, knowing that he was headed to the Underworld, made his wife promise to refrain from offering the expected sacrifice following his death. Once he reached Hades, Sisyphus convinced kindhearted Persephone, the queen of the Underworld, to let him return to the upper world, so that he could ask his wife why she was neglecting her duty. Of course, Persephone had no idea that Sisyphus had intentionally asked his wife not to make the sacrifice, so she agreed, and Sisyphus escaped the Underworld, refusing to return. Eventually Sisyphus was captured and carried back, and the angry gods gave him his punishment: for the rest of eternity, he was forced to push a large rock up a steep hill, in itself a miserable task. Every time he neared the top of the hill, the rock would roll backward and he would have to start over. Of course, our participants had done nothing
Dan Ariely (The Upside of Irrationality: The Unexpected Benefits of Defying Logic at Work and at Home)
I do know is that I feel like I’m on an emotional roller coaster, climbing up a steep hill of happiness one day and then plunging into the depths of insecurity the next.
Carol Paquette (The Book of Boys (Just for Girls))
Sometimes adolescence is a controlled fall down a steep hill. You tuck and roll. The question of survival's pertinent once you reach the bottom of the hill and find that whole chunks of your character have been scraped away. Stuff you might need later to make friends and love someone.
Michelle D. Seaton
Prayer is my half of an ongoing conversation between my God and me. ~ Donna Fawcett         Why Worry When We Can Pray?     “Can any one of you by worrying add a single hour to your life?” (Matthew 6:27)     The hill in the distance looked daunting. “You want to climb that?” I stopped walking to re-lace my shoes.   Helen giggled. “Yes, of course. I do it almost every day. The dogs love it.” Her two dogs ran ahead, eager to get going.   “Well, I suppose. But I’m not sure if I’ll make it.” I shifted my water bottle to my hip. The hill loomed ahead, a 5 kilometre walk upwards. I wasn’t a stranger to a good hike; I loved to tromp through the woods and along the trails. But a walk straight up a steep hill was not my usual repertoire.   To pass the time and keep my mind off the pain in my calves, we talked. Enjoying a good chat is one of my favourite things to do in combination with a walk. Helen explained how she normally walks alone and she agreed that having a partner makes the upwards strain that much easier. She shared with me a story of how she had been walking the same road the day before and suffered from blasts of dust from cars that raced by with no consideration for her and her dogs. Her frustration was compounded by the heat. She threw her arms up in irritation as cars sped past. “Why are you not slowing down? Have you no consideration?” she called after them. But as her anger and indignation rose, she felt convicted in her spirit. Why worry when you could pray? So as the next car came into vision, instead of complaining and getting agitated waiting for the dust to swirl around her, she chose to pray instead. “Dear Lord, please make this driver slow down.” As she watched the vehicle approach, it slowed to such a degree that she expected the driver to pull over and ask directions. Instead he gave a wave and continued on.   “Thank You, Jesus!” Helen exclaimed. As each car came into view, Helen prayed to God and He came through every time. The walk became enjoyable and a real testament to the fact that God cares about our every need.   As Helen finished her story, a farm vehicle, large and spewing dust all around came over the hill. “Let’s pray!” Helen enthusiastically challenged. We prayed and the truck passed without a flicker of dust. “God
Kimberley Payne (Feed Your Spirit - a collection of devotionals on prayer)
Climb up the ladder of your pride, you shall fall over on the other side and be dashed to pieces. Ascend the steep hill of your glory; the higher you climb the more terrible will be your fall. For know you this, that against none hath the Lord Almighty bent his bow more often, and against none has he shot his arrows more furiously than against the proud and mighty man that exalteth himself.
Anonymous
They went sledding. They rented two Flexible Flyers from the general store, and spent the afternoon with the rest of the villagers sledding on the steep Stonington hill that ran down to the bay. Anthony walked uphill exactly twice. Granted, it was a big hill, and he was brave and good to do it, but the other twenty times, his father carried him. Finally, Tatiana said, “You two go on without me. I can’t walk anymore.” “No, no, come with us,” said Anthony. “Dad, I’ll walk up the hill. Can you carry Mama?” “I think I might be able to carry Mommy,” said Alexander. Anthony trudged along, while Alexander carried Tatiana uphill on his back. She cried and the tears froze on her face. But then they raced down, Tatiana and Anthony on one sled, trying to beat Alexander, who was heavier than mother and son, and fast and maneuvered well, unhampered by fear for a small boy, unlike her. She flew down anyway, with Anthony shrieking with frightened delight. She almost beat Alexander. At the bottom she collided into him. “You know if I didn’t have Ant, you’d never win,” she said, lying on top of him. “Oh, yes, I would,” he said, pushing her off him into the snow. “Give me Ant, and let’s go.” It was a good day.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
David pulled a U-turn and re-traced their previous route to the church. Traffic on Queen Anne Blvd was heavy; making a left turn would be difficult. David hit the lights and blasted the siren a twice to safely navigate the left turn, and headed north up the steep hill. He gunned the Charger, and activated the siren several more times to clear slow cars ahead. Traffic moved to the right. A pale Dustin sat quietly on the passenger side. They crested Queen Anne hill, passing by Olympia’s Pizza on the right. A few drops of rain splattered on the windshield. David eased off the accelerator as pedestrians failed to notice their red and blue strobe lights and crossed the street in front of them. Another yelp of the siren startled a teenager in a mini skirt.
Karl Erickson (The Blood Cries Out)
It was on the second Tuesday in January - WI night - that winter became a serious and dramatic matter, a cold, tiring, but exhilarating time, at least for the young, and a companionable time for all, when we were stranded, snowbound and sealed off in place and, it seemed, in time too, for the usual pattern of the day’s coming and going was halted. We had been in the town all day, and I had scarcely noticed the weather. But, by the time I put the car up the last, steep bit of hill, past Cuckoo Farm and Foxley Spinney, towards the village, the sky had gathered like a boil, and had an odd, sulphurous yellow gleam over iron grey. It was achingly cold, the wind coming north-east off the Fen made us cry. We ran down the steps and indoors, switched on the lamps and opened up the stove, made tea, shut out the weather, though we could still hear it; the wind made a thin, steely noise under doors and through all the cracks and crevices of the old house. But by six o’clock there had been one of those sudden changes. I opened the door to let in Hastings, the tabby cat, and sensed it at once. The wind dropped and died, everything was still and dark as coal, no moonlight, not a star showed through the cloud cover, and it was just a degree wamer. I could smell the approching snow. Everything waited.
Susan Hill (The Magic Apple Tree: A Country Year)
After the girls had stepped onto firm sand, the four boys tied their mooring ropes to trees at the edge of the beach. All went ashore and gazed at the lonely spot. “This is a spooky place,” commented Iola, looking around her uneasily. “It does give one the creeps,” Callie agreed. The boys laughed but felt they should proceed carefully. With Frank and Joe in the lead, they set off on a faint path that wound along the shore at the base of the steep, rocky hill which formed the heart of the island. Above the searchers loomed jagged cliffs, cut here and there by deep ravines, thick with pines and coarse grass.
Franklin W. Dixon (The Missing Chums (Hardy Boys, #4))
A brief examination of the gray bluff revealed a narrow cleft leading to the top of the precipice. Joe, ascending first, found himself on another path which seemed to rim the island from the top of the bluffs. “Here’s the trail the hermit used to keep us in sight yesterday,” he told the others. After scrambling up, Frank, Tony, and Jerry paused for a look about. Below them sparkled the bright ocean, extending to the mainland a few miles away. Behind lay a little plateau, overgrown with small pines and scrub oaks. In the center of the flat area rose a steep, rocky hill which gave the island its humping silhouette. “A hut would be easy to camouflage among those trees,” Frank remarked. “We’ll have to spread out and comb every foot of the woods.” Though the youths worked carefully around the plateau, they found no sign of any shelter. On the island’s seaward side, where the growth was sparse, the boys checked the sides of the steep hill for caves. They saw none.
Franklin W. Dixon (The Missing Chums (Hardy Boys, #4))
it’s such a steep hill to get there, like we keep slipping down.
Rob Samborn (Painter of the Damned (Painted Souls, #2))
In one study, participants were asked to assess how steep a hill was. Those who participated with a friend said the hill seemed less daunting than people who participated alone.
Aminatou Sow (Big Friendship: How We Keep Each Other Close)
The “Tall Tree” Fairness Test We can imagine the advantages and disadvantages that shape our lives as similar to the natural environment that shapes a tree as it grows. A tree growing on an open, level field grows straight and tall, toward the sun; a tree that grows on a hillside will also grow toward the sun—which means it will grow at an angle. The steeper the hill, the sharper the angle of the tree, so if we transplant that tree to the level field, it’s going to be a totally different shape from a tree native to that field. Both are adapted to the environment where they grew. We can infer the shape of the environment where a tree grew by looking at the shape of the tree. White men grow on an open, level field. White women grow on far steeper and rougher terrain because the field wasn’t made for them. Women of color grow not just on a hill, but on a cliffside over the ocean, battered by wind and waves. None of us chooses the landscape in which we’re planted. If you find yourself on an ocean-battered cliff, your only choice is to grow there, or fall into the ocean. So if we transplant a survivor of the steep hill and cliff to the level field, natives of the field may look at that survivor and wonder why she has so much trouble trusting people, systems, and even her own bodily sensations. Why is this tree so bent and gnarled? It’s because that is what it took to survive in the place where she grew. A tree that’s fought wind and gravity and erosion to grow strong and green on a steep cliff is going to look strange and out of place when moved to the level playing field. The gnarled, wind-blown tree from an oceanside cliff might not conform with our ideas of what a tree should look like, but it works well in the context where it grew. And that tall straight tree wouldn’t stand a chance if it was transplanted to the cliffside. 19 One kind of adversity: How many white parents do you know who explicitly teach their children to keep their hands in sight at all times and always say “Yes, sir” and “No, ma’am” if they are stopped by the police? That’s just standard operating procedure for a lot of African American parents. Black parents in America grow their kids differently, because the landscape their kids are growing in requires it. The stark difference between how people of color are treated by police and how white people are treated results in white people thinking black people are ridiculous for being afraid of the police. We can’t see the ocean, so when black people tell us, “We do this to avoid falling into the ocean,” we don’t understand. But just because we can’t see it doesn’t mean it’s not there. How can we tell? By looking at the shape of the tree. Trees that grow at an angle grew on the side of a hill. People who are afraid of the police grew up in a world where the police are a threat. 20 Just because the road looks flat doesn’t mean it is. Just because you can’t see the ocean doesn’t mean it’s not there. You can infer the landscape by looking at the shapes of the people who grew in those environments. Instead of wondering why they aren’t thriving on the level playing field, imagine how the field can be changed to allow everyone to thrive.
Emily Nagoski (Burnout: The secret to solving the stress cycle)
Instead, he described the way the sun set in the valley of Apan: first rich golden, deepening to amber, and then, with a swift, sure strike, night overtook the sun like the extinguishing of a candle. The darkness in the valley was so deep it was almost blue, and when thunderstorms slinked over steep hills into the valley, lightning spilled like mercury across fields of maguey, silvering the plants' sharp tips like the peaked helmets of conquistadors.
Isabel Cañas (The Hacienda)
Tamlin gripped my hand as we strode through the darkness. Neither of us said anything when a glimmer of sunlight appeared, staining the damp cave walls with a silvery sheen, but our steps quickened as the sunlight grew brighter and the cave warmer, and then both of us emerged onto the spring-green grass that covered the bumps and hollows of his lands. Our lands. The breeze, the scent of wildflowers hit me, and despite the hole in my chest, the stain on my soul, I couldn't stop the smile that spread as we mounted a steep hill. My faerie legs were far stronger than my human ones, and when we reached the top of the knoll, I wasn't nearly as winded as I might once have been. But the breath was knocked from my chest when I beheld the rose-covered manor. Home. In all my imaginings in Amarantha's dungeons, I'd never allowed myself to think of this moment- never allowed myself to dream that outrageously. But I'd made it- I'd brought us both home.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
The cement-paved market is a straight shot from end to end, lined on either side by butchers, cheesemongers, and grocers selling everything from chicken feet to lettuce. The steep, hipped roof rises nearly fifty feet, traversed by white metal scaffolding, and what little sunlight there is today pours through the skylights and windows lining the walls. The air carries a funky mustiness, the combination of aged cheese mixed with fresh fish and bread hot from the oven. A crowd is gathered at the far end of the market in front of the Market Lunch, which serves some of the best blueberry pancakes and crab cakes in town.
Dana Bate (A Second Bite at the Apple)
I had worked for more than a dozen headmen and headwomen, and every one of them was the same: they delighted in rolling their shit down the steep hill of superiority
David Estes (Demon’s Reign)
One of the problems is that Dublin is, and I mean literally and topographically, flat - so that everything has to take place on a single plane. Other cities have metro systems, which add depth, and steep hills or skyscrapers for height, but Dublin has only short squat grey buildings and trams that run along the street. And it has no courtyards or roof gardens like continental cities, which at least break up the surface, if not vertically, then conceptually. Have you thought about this before? Maybe even if you haven't, you've noticed it at some subconscious level. It's hard to go very far up in Dublin or very low down, hard to lose yourself or other people, or to gain a sense of perspective. You might think it's a democratic way to organise a city - so that everything happens face to face, I mean, on equal footing. True, no one is looking down on you all from a height. But it gives the sky a position of total dominance. Nowhere is the sky meaningfully punctuated or broken up by anything at all. The Spire, you might point out, and I will concede the Spire, which is anyway the narrowest possible of interruptions, and dangles like a measuring tape to demonstrate the diminutive size of every other edifice around. The totalising effect of the sky is bad for people there. Nothing ever intervenes to block the thing from view. It0s like a memento more. I wish someone would cut a hole in it for you.
Sally Rooney