Steam Room Quotes

We've searched our database for all the quotes and captions related to Steam Room. Here they are! All 100 of them:

He pivoted, gaze following me as I crossed to the shower and turned on the cold water, so it would drown out our conversation without steaming up the room. Great," he muttered."Now they're going to think we're showering together. Maybe we can just tell them we were washing off the crawl space dirt and trying to conserve water.
Kelley Armstrong (The Summoning (Darkest Powers, #1))
I woke up as the sun was reddening; and that was the one distinct time in my life, the strangest moment of all, when I didn't know who I was - I was far away from home, haunted and tired with travel, in a cheap hotel room I'd never seen, hearing the hiss of steam outside, and the creak of the old wood of the hotel, and footsteps upstairs, and all the sad sounds, and I looked at the cracked high ceiling and really didn't know who I was for about fifteen strange seconds. I wasn't scared; I was just somebody else, some stranger, and my whole life was a haunted life, the life of a ghost.
Jack Kerouac (On the Road (The Viking Critical Library))
A room full of words that are nearly the truth but not quite, each note fluttering off the steam of its rose like a broken butterfly wing.
Lauren Oliver (Before I Fall)
Lonliness evaporated off of them like the steam off dry ice, and by morning it was just a cloud on the ceiling of the room, then gone with the light.
Christopher Moore (A Dirty Job (Grim Reaper, #1))
If, by the virtue of charity or the circumstance of desperation, you ever chance to spend a little time around a Substance-recovery halfway facility like Enfield MA's state-funded Ennet House, you will acquire many exotic new facts [...] That certain persons simply will not like you no matter what you do. Then that most nonaddicted adult civilians have already absorbed and accepted this fact, often rather early on [...] That sleeping can be a form of emotional escape and can with sustained effort be abused [...] That purposeful sleep-deprivation can also be an abusable escape. That gambling can be an abusable escape, too, and work, shopping, and shoplifting, and sex, and abstention, and masturbation, and food, and exercise, and meditation/prayer [...] That loneliness is not a function of solitude [...] That if enough people in a silent room are drinking coffee it is possible to make out the sound of steam coming off the coffee. That sometimes human beings have to just sit in one place and, like, hurt [...] That there is such a thing as raw, unalloyed, agendaless kindness [...] That the effects of too many cups of coffee are in no way pleasant or intoxicating [...] That if you do something nice for somebody in secret, anonymously, without letting the person you did it for know it was you or anybody else know what it was you did or in any way or form trying to get credit for it, it's almost its own form of intoxicating buzz. That anonymous generosity, too, can be abused [...] That it is permissible to want [...] That there might not be angels, but there are people who might as well be angels.
David Foster Wallace (Infinite Jest)
Scott could feel the contents of his stomach flip over and over on themselves. He turned to the side and retched, frothy yellow bile spilled out onto the newspaper covered floor, filling the room with the putrid stench of previously ingested alcohol. 'Look's like someone can't hold their drink,' McBlane said, and Dominic and Shugg laughed. Scott was still staring at the steam rising from his evacuated stomach contents as he heard the hammer fall. The dull crack of bone splintering under its weight.
R.D. Ronald (The Elephant Tree)
I took my coffee into the dining room and settled down with the morning paper. A woman in New York had had twins in a taxi. A woman in Ohio had just had her seventeenth child. A twelve-year-old girl in Mexico had given birth to a thirteen-pound boy. The lead article on the woman's page was about how to adjust the older child to the new baby. I finally found an account of an axe murder on page seventeen, and held my coffee cup up to my face to see if the steam might revive me.
Shirley Jackson (Life Among the Savages)
Two old people in a room devoid of furniture, steam rising from their teacups. They were motionless and expressionless. Waiting for something. I wish I could go into their room and sit down with them. I'd give them my Rolex for that. I wish they would smile, and pour me a cup of jasmine tea. I wish the world was like that.
David Mitchell (Ghostwritten)
If, by the virtue of charity or the circumstance of desperation, you ever chance to spend a little time around a Substance-recovery halfway facility like Enfield MA’s state-funded Ennet House, you will acquire many exotic new facts… That certain persons simply will not like you no matter what you do. That sleeping can be a form of emotional escape and can with sustained effort be abused. That purposeful sleep-deprivation can also be an abusable escape. That you do not have to like a person in order to learn from him/her/it. That loneliness is not a function of solitude. That logical validity is not a guarantee of truth. That it takes effort to pay attention to any one stimulus for more than a few seconds. That boring activities become, perversely, much less boring if you concentrate intently on them. That if enough people in a silent room are drinking coffee it is possible to make out the sound of steam coming off the coffee. That sometimes human beings have to just sit in one place and, like, hurt. That you will become way less concerned with what other people think of you when you realize how seldom they do. That there is such a thing as raw, unalloyed, agendaless kindness. That it is possible to fall asleep during an anxiety attack. That concentrating intently on anything is very hard work. That 99% of compulsive thinkers’ thinking is about themselves; that 99% of this self-directed thinking consists of imagining and then getting ready for things that are going to happen to them; and then, weirdly, that if they stop to think about it, that 100% of the things they spend 99% of their time and energy imagining and trying to prepare for all the contingencies and consequences of are never good. In short that 99% of the head’s thinking activity consists of trying to scare the everliving shit out of itself. That it is possible to make rather tasty poached eggs in a microwave oven. That some people’s moms never taught them to cover up or turn away when they sneeze. That the people to be the most frightened of are the people who are the most frightened. That it takes great personal courage to let yourself appear weak. That no single, individual moment is in and of itself unendurable. That other people can often see things about you that you yourself cannot see, even if those people are stupid. That having a lot of money does not immunize people from suffering or fear. That trying to dance sober is a whole different kettle of fish. That different people have radically different ideas of basic personal hygiene. That, perversely, it is often more fun to want something than to have it. That if you do something nice for somebody in secret, anonymously, without letting the person you did it for know it was you or anybody else know what it was you did or in any way or form trying to get credit for it, it’s almost its own form of intoxicating buzz. That anonymous generosity, too, can be abused. That it is permissible to want. That everybody is identical in their unspoken belief that way deep down they are different from everyone else. That this isn’t necessarily perverse. That there might not be angels, but there are people who might as well be angels.
David Foster Wallace (Infinite Jest)
It was a bookstore, and he felt at home in bookstores, and he hadn’t had that feeling much lately. He was going to enjoy it. He pushed his way back through the racks of greeting cards and cat calendars, back to where the actual books were, his glasses steaming up and his coat dripping on the thin carpet. It didn’t matter where you were, if you were in a room full of books you were at least halfway home.
Lev Grossman (The Magician's Land (The Magicians, #3))
Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunch-backed makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed form kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries' vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers, heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters' sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etiolated lacquerers; mottle-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men's wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of Last Chrysanthemum, where a puddle from last night's rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.
David Mitchell (The Thousand Autumns of Jacob de Zoet)
But behind every misguided treatment—from Ottomans eating clay to keep the plague away to Victorian gents sitting in a mercury steam room for their syphilis to epilepsy sufferers sipping gladiator blood in ancient Rome—is the incredible power of the human desire to live.
Lydia Kang (Quackery: A Brief History of the Worst Ways to Cure Everything)
...that was the one distinct time in my life, the strangest moment of all, when I didn’t know who I was—I was far away from home, haunted and tired with travel, in a cheap hotel room I’d never seen, hearing the hiss of steam outside, and the creak of the old wood of the hotel, and footsteps upstairs, and all the sad sounds, and I looked at the cracked high ceiling and really didn’t know who I was for about fifteen strange seconds. I wasn’t scared; I was just somebody else, some stranger, and my whole life was a haunted life, the life of a ghost. I was halfway across America, at the dividing line between the East of my youth and the West of my future, and maybe that’s why it happened right there and then, that strange red afternoon.
Jack Kerouac
ALTERNATE UNIVERSE IN WHICH I AM UNFAZED BY THE MEN WHO DO NOT LOVE ME when the businessman shoulder checks me in the airport, i do not apologize. instead, i write him an elegy on the back of a receipt and tuck it in his hand as i pass through the first class cabin. like a bee, he will die after stinging me. i am twenty-four and have never cried. once, a boy told me he doesn’t “believe in labels” so i embroidered the word chauvinist on the back of his favorite coat. a boy said he liked my hair the other way so i shaved my head instead of my pussy. while the boy isn’t calling back, i learn carpentry, build a desk, write a book at the desk. i taught myself to cum from counting ceiling tiles. the boy says he prefers blondes and i steam clean his clothes with bleach. the boy says i am not marriage material and i put gravel in his pepper grinder. the boy says period sex is disgusting and i slaughter a goat in his living room. the boy does not ask if he can choke me, so i pretend to die while he’s doing it. my mother says this is not the meaning of unfazed. when the boy says i curse too much to be pretty and i tattoo “cunt” on my inner lip, my mother calls this “being very fazed.” but left over from the other universe are hours and hours of waiting for him to kiss me and here, they are just hours. here, they are a bike ride across long island in june. here, they are a novel read in one sitting. here, they are arguments about god or a full night’s sleep. here, i hand an hour to the woman crying outside of the bar. i leave one on my best friend’s front porch, send my mother two in the mail. i do not slice his tires. i do not burn the photos. i do not write the letter. i do not beg. i do not ask for forgiveness. i do not hold my breath while he finishes. the man tells me he does not love me, and he does not love me. the man tells me who he is, and i listen. i have so much beautiful time.
Olivia Gatwood (New American Best Friend)
The idea of love walked along the water and her gaze was full of absence and her eyes spat lighting. The impressionable evening received by turns the imprints of grasses, clouds, bodies, and wore crazy astronomical designs. The idea of love walked straight ahead without seeing anything; she was wearing tiny isosceles mirrors whose perfect assemblage was amazing. They were so many images of fish tails, when, by their angelic nature, they answer the promise one might make of always finding each other again. Finding each other again even in the depths of a forest, where the thread of a star is an articulation more silent than life, the dawn a liquor stronger than blood. Who is lost, who truly wanders off when a cup of coffee is steaming in the fog and waiters dressed in snow circulate patiently on the surface of floors whose desired height can be indicated with one's hands? Who? A solitary man whom the idea of love has just left and who tucks in his spirit like an imaginary bed. The man falls all the same and in the next room, under the moon-white verandah, a woman rises whom the idea of love has abandoned. The gravel weeps outside, a rain of glass is falling in which we recognize small chains, tears in which we have time to see ourselves, mirror tears, shards of windows, singular crystals like the ones we witness in our hand on awakening, leaves and the faded petals of those roses that once embelished certain distillery bottles. It's just that the idea of love, it seems angry with love. This is how it began.
André Breton
You can be so much in a room that the world outside turns to water. You've got the heater blowing out burnt air, but you still don't get warm. Your ankles are singed, but your head's in a bucket of ice. Time drips like a stalactite. The water for the coffee boils away in a tree of steam.
Iain Sinclair (White Chappell, Scarlet Tracings)
All eyes flew to the entrance. A great gray stallion reared up in the doorway, its breath frosting the air with puffs of steam. It was a scene from every fairy-tale romance she'd ever read: the handsome prince bursting into the castle astride a magnificent stallion, ablaze with desire and honor as he'd declared his undying love before all and sundry. Her heart swelled with joy. Then her brow puckered as she scrutinized her "prince." Well, it was almost like a fairy tale. Except this prince was dressed in nothing but a drenched and muddy tartan with blood on his face and hands and war braids plaited at his temples. Although determination glittered in his gaze, a declaration of undying love didn't appear to be his first priority. "Jillian!" he roared. Her knees buckled. His voice brought her violently to life. Everything in the room receded and there was only Grimm, blue eyes blazing, his massive frame filling the doorway. He was majestic, towering, and ruthless. Here was her fierce warrior ready to battle the world to gain her love. He urged Occam into the crowd, making his way toward the altar. "Grimm," she whispered.
Karen Marie Moning (To Tame a Highland Warrior (Highlander, #2))
Worst of any, however, were the fertilizer men, and those who served in the cooking rooms. These people could not be shown to the visitor,--for the odor of a fertilizer man would scare any ordinary visitor at a hundred yards, and as for the other men, who worked in tank rooms full of steam, and in some of which there were open vats near the level of the floor, their peculiar trouble was that they fell into the vats; and when they were fished out, there was never enough of them left to be worth exhibiting,--sometimes they would be overlooked for days, till all but the bones of them had gone out to the world as Durham's Pure Leaf Lard!
Upton Sinclair
But Noah, you're not supposed to do this, and I can't let you. So go back to your room." Then smiling softly and sniffling and shuffling some papers on the desk, she says: "Me, I'm going downstairs for some coffee. I won't be back to check on your for a while, so don't do anything foolish." She rises quickly, touches my arm, and walks toward the stairs. She doesn't look back, and suddenly I am alone. I don't know what to think. I look at where she had been sitting and see her coffee, a full cup, still steaming, and once again I learn that there are good people in the world.
Nicholas Sparks (The Notebook (The Notebook, #1))
That boring activities become, perversely, much less boring if you concentrate intently on them. That if enough people in a silent room are drinking coffee it is possible to make out the sound of steam coming off the coffee. That sometimes human beings have to just sit in one place and, like, hurt. That you will become way less concerned with what other people think of you when you realize how seldom they do. That there is such a thing as raw, unalloyed, agendaless kindness. That it is possible to fall asleep during an anxiety attack. That concentrating intently on anything is very hard work.
David Foster Wallace (Infinite Jest)
Perhaps so, but you’re all out of running room. Embrace it. Swallow it. Take steam or die.
Stephen King (Doctor Sleep (The Shining, #2))
Afternoons, when the fossil sea was warm and motionless, and the wine trees stood stiff in the yard, and the little distant Martian bone town was all enclosed, and no one drifted out their doors, you could see Mr. K himself in his room, reading from a metal book with raised hieroglyphs over which he brushed his hand, as one might play a harp. And from the book, as his fingers stroked, a voice sang, a soft ancient voice, which told tales of when the sea was red steam on the shore and ancient men had carried clouds of metal insects and electric spiders into battle.
Ray Bradbury
Don't be afraid. My telling can't hurt you in spite of what I have done and I promise to lie quietly in the dark - weeping perhaps or occasionally seeing the blood once more - but I will never again unfold my limbs to rise up and bare teeth. I explain. You can think what I tell you a confession, if you like, but one full of curiosities familiar only in dreams and during those moments when a dog's profile plays in the steam of a kettle. Or when a corn-husk doll sitting on a shelf is soon splaying in the corner of a room and the wicked of how it got there is plain. Stranger things happen all the time everywhere. You know. I know you know. One question is who is responsible? Another is can you read?
Toni Morrison (A Mercy)
Within the four walls that form my room, this fortress which I have erected around my life and thoughts, my life has been slowly wasting away like a candle. No, I am wrong. It is like a green log which has rolled to one side of the fireplace and which has been scorched and charred by the flames from the other logs; it has neither burnt away nor remained fresh and green; it has been choked by the smoke and steam from the others.
Sadegh Hedayat (The Blind Owl)
That if enough people in a silent room are drinking coffee it is possible to make out the sound of steam coming off the coffee. That sometimes human beings have to just sit in one place and, like, hurt. That you will become way less concerned with what other people think of you when you realize how seldom they do. That there is such a thing as raw, unalloyed, agendaless kindness. That it is possible to fall asleep during an anxiety attack.
David Foster Wallace
Do you even feel anything, Chad? Will you for once stop walking around, all in control and f'ing calm? Do you have any idea what you all have done. I lost everything, Chad. Everything, when Kyle died. I lost myself. I had finally begun to build a new life with new friends. With people I thought cared about me. I have started to be just a little bit happy again. Was it too much to ask? Did I ask for too much by just wanting to have a little bit of a life again? Now, it’s all screwed up again and you walk around here like you don’t feel anything about what’s happened.” Chad spun around, and for only the second time since she’d known him, she saw the flash of anger so fierce her breath caught in her throat and she took an involuntary step back, away from him. Jennie knew Chad would never hurt her on purpose, but the anger rolling off of him was palpable. It seemed to force her backwards as if it had a life of its own, a power of its own. “Not feel anything, Jennie? Are you f'ing kidding me? I walk around here every day and I ache every f'ing minute I’m with you. I’m so twisted up with loving you and hating you, I can’t breathe. I can’t keep my hands off you, but I can’t let myself kiss you because I might lose myself in you. I can’t make love to you because I’m afraid you’ll pretend I’m him. I know you want his arms around you, not mine. I know you want it to be his baby inside you, not mine. And I know you can’t love me back, no matter what I do, because you’re still so in love with your husband, you can’t even begin to see me.” Chad didn’t stop and Jennie didn’t try to stop him. “And every day, I have to sit here and wonder how I’ll be a part of my baby’s life. I wonder if you’ll let me be in the delivery room, if you’ll let me help you name the baby. I wonder how much money I’d have to offer the people who live across the street from you to get them to sell me their house, just so I can see my child grow up. If you’ll let me...” Chad stopped as if he’d run out of steam. They stood in uneasy silence for a long time before Chad spoke again. He sounded worn out and bitter and angry, mirroring Jennie’s chaos of emotions. “Am I feeling anything? Yeah. I’m feeling some f'ing sh**, Jen.
Lori Ryan (Negotiation Tactics (Sutton Capital #3))
They didn’t mind so much when I was a dumb logger and got into a hassle; that’s excusable, they say, that’s a hard-workin’ feller blowing off steam, they say. But if you’re a gambler, if they know you to get up a back-room game now and then, all you have to do is spit slantwise and you’re a goddamned criminal.
Ken Kesey (Ken Kesey's One Flew over the Cuckoo's Nest (Barron's Book Notes))
What he confessed was this. He had not been serving God, after all, when he followed Allen Dulles. He had been on a satanic quest. These were some of James Jesus Angleton’s dying words. He delivered them between fits of calamitous coughing—lung-scraping seizures that still failed to break him of his cigarette habit—and soothing sips of tea. “Fundamentally, the founding fathers of U.S. intelligence were liars,” Angleton told Trento in an emotionless voice. “The better you lied and the more you betrayed, the more likely you would be promoted. . . . Outside of their duplicity, the only thing they had in common was a desire for absolute power. I did things that, in looking back on my life, I regret. But I was part of it and loved being in it.” He invoked the names of the high eminences who had run the CIA in his day—Dulles, Helms, Wisner. These men were “the grand masters,” he said. “If you were in a room with them, you were in a room full of people that you had to believe would deservedly end up in hell.” Angleton took another slow sip from his steaming cup. “I guess I will see them there soon.
David Talbot (The Devil's Chessboard: Allen Dulles, the CIA, and the Rise of America's Secret Government)
I stood back up and looked down at my feces. A lovely snail-shell architecture, still steaming. Borromini. My bowels must be in good shape, because everyone knows you have nothing to worry about unless your feces are to soft or downright liquid. I was seeing my shit for the first time (in the city you sit on the bowl, then flush right away, without looking). I was now calling it shit, which I think is what people call it. Shit is the most personal and private thing we have. Anyone can get to know the rest - your facial expression, your gaze, your gestures. Even your naked body: at the beach, at the doctor's, making love. Even your thoughts, since usually you express them, or else others guess them from the way you look at them or appear embarrassed. Of course, there are such things as secret thoughts... but in general thoughts too are revealed. Shit, however, is not. Except for an extremely brief period of your life, when your mother is still changing your diapers, it is all yours. And since my shit at that moment must not have been all that different from what I had produced over the course of my past life, I was in that instant reuniting with my old, forgotten self, undergoing the first experience capable of merging with countless previous experiences, even those from when I did my business in the vineyards as a boy. Perhaps if I took a god look around, I would find the remains of those shits past, and then, triangulating properly, Clarabelle's treasure. But I stopped there. Shit was not my linden-blossom tea, of course not, how could I have expected to conduct my recherche with my sphincter? In order to rediscover lost time, one should have not diarrhea but asthma. Asthma is pneumatic, it is the breath (however labored) of the spirit: it is for the rich, who can afford cork-lined rooms. The poor, in the fields, attend less to spiritual than to bodily functions. And yet I felt not disinherited but content, and I mean truly content, in a way I had not felt since reawakening. The ways of the Lord are infinite, I said to myself, they go even through the butthole.
Umberto Eco (The Mysterious Flame Of Queen Loana)
I woke up as the sun was reddening; and that was the one distinct time in my life, the strangest moment of all, when I didn’t know who I was—I was far away from home, haunted and tired with travel, in a cheap hotel room I’d never seen, hearing the hiss of steam outside, and the creak of the old wood of the hotel, and footsteps upstairs, and all the sad sounds, and I looked at the cracked high ceiling and really didn’t know who I was for about fifteen strange seconds. I wasn’t scared;
Jack Kerouac (On the Road)
V. R. Lang You are so serious, as if a glacier spoke in your ear or you had to walk through the great gate of Kiev to get to the living room. I worry about this because I love you. As if it weren't grotesque enough that we live in hydrogen and breathe like atomizers, you have to think I'm a great architect! and you float regally by on your incessant escalator, calm, a jungle queen. Thinking it a steam shovel. Looking a little uneasy. But you are yourself again, yanking silver beads off your neck. Remember, the Russian Easter Overture is full of bunnies. Be always high, full of regard and honor and lanolin. Oh ride horseback in pink linen, be happy! and ride with your beads on, because it rains.
Frank O'Hara
While disease had thus become an inhabitant of Lowood, and death its frequent visitor; while there was gloom and fear within its walls; while its rooms and passages steamed with hospital smells, the drug and the pastille striving vainly to overcome the effluvia of mortality, that bright May shone unclouded over the bold hills and beautiful woodland out of doors.
Charlotte Brontë (Jane Eyre)
Gently, I caressed along the puckered, angry scar slanting in a long, jagged line across my lower abdomen to where it crossed the smooth, silvered scar running in a horizontal line just above my pelvis, wishing she could somehow find comfort in my touch. Chills shook my body as I ran my fingers over the still sensitive skin, and just like every night, the bitterness and anger I found myself feeling faded away into sadness as I lost myself in this tangible reminder of my child. I loved her, so much. Steam filled the room, and I eased myself into the water, allowing myself to drift back to Daniel. I missed him, almost more than I could bear. This was never supposed to have happened to us. We were supposed to make it…we should have made it.
A.L. Jackson (Pulled)
Self-discipline is central to the leadership of institutions and to reforming them. A favorite saying of mine is "Never miss a good chance to shut up." I won't tell you how many times in a congressional hearing I just wanted to scream. How often in the White House Situation Room I wanted to say, "That's the dumbest idea I ever heard." How often in a briefing at the CIA or the Pentagon I wanted to tell someone where to stick his PowerPoint slides. Senior leaders want to blow off steam-shout at people- all the time. But to be an effective leader, you have to suppress those urges.
Robert M. Gates (A Passion for Leadership: Lessons on Change and Reform from Fifty Years of Public Service)
Oh, pfft. I manage. With any paper one sticks under their nose and plenty of self-possession, one can get through, Especially a woman. Sometimes I take an armload of parcels and bags and drop every single one as I try to find my identity cards, chatting all the while, and they wave me through out of sheer irritation.' Lili exhaled a long steam of smoke. 'To tell the truth, much of this special work we do is quite boring. I think that's why women are good as it. Our lives are already boring. We jump an Uncle Edward's offer because we can't stand the thought of working in a file room anymore, or teaching a class full of runny-nosed children their letters. Then we discover this job is deadly dull as well, but at least there's the enlivening thought that someone might put a Luger to the back of our necks. It's still better than shooting ourselves, which we know we're going to do if we have to type one more letter or pound one more Latin verb into a child's ivory skull.
Kate Quinn (The Alice Network)
In the window I smelled all the food of San Francisco. There were seafood places out there where the buns were hot, and the baskets were good enough to eat too; where the menus themselves were soft with foody esculence as though dipped in hot broths and roasted dry and good enough to eat too. Just show me the bluefish spangle on a seafood menu and I’d eat it; let me smell the drawn butter and lobster claws. There were places where they specialized in thick and red roast beef au jus, or roast chicken basted in wine. There were places where hamburgs sizzled on grills and the coffee was only a nickel. And oh, that pan-fried chow mein flavored air that blew into my room from Chinatown, vying with the spaghetti sauces of North Beach, the soft-shell crab of Fisherman’s Wharf — nay, the ribs of Fillmore turning on spits! Throw in the Market Street chili beans, redhot, and french-fried potatoes of the Embarcadero wino night, and steamed clams from Sausalito across the bay, and that’s my ah-dream of San Francisco…
Jack Kerouac (On the Road)
Annabeth hadn’t seen much of Buford during the trip. He mostly stayed in the engine room. (Leo insisted that Buford had a secret crush on the engine.) He was a three-legged table with a mahogany top. His bronze base had several drawers, spinning gears, and a set of steam vents. Buford was toting a bag like a mail sack tied to one of his legs. He clattered to the helm and made a sound like a train whistle.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
Don't you ever doubt it?" Davy asked. And in fact I have. And perhaps will again. But here is what happens. I look out the window at the red farm--for here we live, Sara and I, in a new house across the meadow, a house built by capable arms and open lungs and joyous sweat. Maybe I see our daughter, home from school, picking plums or apples for Roxanna; maybe one of our sons. reading on the grass or painting an upended canoe. Or maybe Sara comes into the room--my darling Sara--with Mr. Cassidy's beloved rolls on a steaming plate. Then I breathe deeply, and certainty enters into me like light, like a piece of science, and curious music seems to hum inside my fingers. Is there a single person on whom I can press belief? No sir. All I can do is say, Here's how it went. Here's what I saw. I've been there and am going back. Make of it what you will.
Leif Enger
You'll stay," he said firmly. "But-" He crossed his arms. "Do I look like a man in the mood to be argued with?" She stared at him mutinously. "If you run," he warned, "I will catch you." Sophie eyed the distance between them, then tried to judge the distance back to My Cottage.If he stopped to pull on his clothing she might have a chance of escaping, but if he didn't... "Sophie," he said, "I can practically see the steam coming out of your ears. Stop taxing your brain with useless mathematical computations and do as I asked." One of her feet twitched. Whether it was itching to run home or merely turn around, she'd never know. "Now," he ordered. With a loud sigh and grumble, Sophie crossed her arms and turned around to stare at a knothole in the tree trunk in front of her as if her very life depended on it The inferal man wasn't being particularly quiet as he went about his business, and she couldn't seem to keep herself from listening to and trying to identify every sound that rustled and splashed behind her.Now he was emerging from the water, now he was reaching for his breeches, now he was... It was no use.She had a dreadfully wicked imagination, and there was no getting around it. He should have just let her return to the house. Instead she was forced to wait, utterly mortified, while he dressed. Her skin felt like it was on fire, and she was certain her cheeks must be eight different shades of red. A gentleman would have let her weasle out of her embarrassment and hole up in her room back at the house for at least three days in hopes that he'd just forget about the entire affair.
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
At ten o’clock breakfast was served in the dining-room; and, seated at a table which was far less shaken than it would have been in a first-class railway carriage, we did ample justice to the culinary skill of Monsieur Parazard.   We
Jules Verne (The Steam House)
It was better to die, like Eugénie and Digby, in the prime of life with all one's faculties about one. But he wasn't like that, she thought, glancing at the press cuttings. 'A man of singularly handsome presence... shot, fished, and played golf.' No, not like that in the least. He had been a curious man; weak; sensitive; liking titles; liking pictures; and often depressed, she guessed , by his wife's exuberance. She pushed the cuttings away and took up her book. It was odd how different the same person seemed to two different people, she thought. There was Martin, liking Eugénie; and she, liking Digby. She began to read. She had always wanted to know about Christianity - how it began; what it meant, originally. God is love, The kingdom of Heaven is within us, sayings like that she thought, turning over the pages, what did they mean? The actual words were very beautiful. But who said them - when? Then the spout of the tea-kettle puffed steam at her and she moved it away. The wind was rattling the windows in the back room; it was bending the little bushes; they still had no leaves on them. It was what a man said under a fig tree, on a hill, she thought. And then another man wrote it down. But suppose that what that man says is just as false as what this man - she touched the press cuttings with her spoon - says about Digby? And here I am, she thought, looking at the china in the Dutch cabinet, in this drawing-room, getting a little spark from what someone said all those years ago - here it comes (the china was changing from blue to livid) skipping over all those mountains, all those seas. She found her place and began to read.
Virginia Woolf (The Years)
I was far away from home, haunted & tired with travel, in a room I'd never seen, hearing the hiss of steam outside, the creak of the old wood, footsteps upstairs & all the sad sounds. I looked at the cracked high ceiling & really didn't know who I was for about 15 strange seconds. I wasn't scared; I was just somebody else, some stranger & my whole life was a haunted life, the life of a ghost. I was halfway at the dividing line between the East of my youth & the West of my future.
Jack Kerouac (On the Road)
I locate the ladies' room. Luckily, it's empty, no one to see the vacant-eyed girl, staring in the mirror. Staring at a stranger who doesn't care if she dies. Maybe she wants to die. Who would care if I died? My face is hollow-cheeked, spiced with sores--the places where I stab at bugs. Tiny bugs, almost invisible, but irritating. Usually they come out at night, when I'm lying there, begging for sleep. I've been meaning to tell the manager that the apartment needs to be sprayed. Sprayed. Steam cleaned. Deodorized. My hair looks odd too. It used to be darker. Shinier. Prettier. Can hair lose color when you're only eighteen? What if I go all the way gray? Will Trey still love me? Will anyone? That is, if I fool them all and don't die.
Ellen Hopkins
I imagine the gods saying, We will make it up to you. We will give you three wishes, they say. Let me see the squirrels again, I tell them. Let me eat some of the great hog stuffed and roasted on its giant spit and put out, steaming, into the winter of my neighborhood when I was usually too broke to afford even the hundred grams I ate so happily walking up the cobbles, past the Street of the Moon and the Street of the Birdcage-Makers, the Street of Silence and the Street of the Little Pissing. We can give you wisdom, they say in their rich voices. Let me go at last to Hugette, I say, the Algerian student with her huge eyes who timidly invited me to her room when I was too young and bewildered that first year in Paris. Let me at least fail at my life. Think, they say patiently, we could make you famous again. Let me fall in love one last time, I beg them. Teach me mortality, frighten me into the present. Help me to find the heft of these days. That the nights will be full enough and my heart feral.
Jack Gilbert
And there, in small warm pools of lamplight, you could see what Leo Auffmann wanted you to see. There sat Saul and Marshall, playing chess at the coffee table. In the dining room Rebecca was laying out the silver. Naomi was cutting paper-doll dresses. Ruth was painting water colors. Joseph was running his electric train. Through the kitchen door, Lena Auffman was sliding a pot roast from the steaming oven. Every hand, every head, every mouth made a big or little motion. You could hear their faraway voices under glass. You could hear someone singing in a high sweet voice. You could smell bread baking, too, and you knew it was real bread that would soon be covered with real butter. Everything was there and it was working. . . . "Sure," he murmured. "There it is." And he watched with now-gentle sorrow and now-quick delight, and at last quiet acceptance as all the bits and pieces of this house mixed, stirred, settled, poised, and ran steadily again. "The Happiness Machine," he said. "The Happiness Machine.
Ray Bradbury (Dandelion Wine)
...George's feathers are ruffled. It's been a long time since last he forgot and let himself get up steam like this...How humiliating! The silly enthusiastic old prof, rambling on, disregarding the clock, and the class sighing to itself, 'He's off again!' Just for a moment, George hates them, hates their brute basic indifference, as they drain quickly out of the room. Once again, the diamond has been offered publicly for a nickel, and they have turned from it with a shrug and a grin, thinking the old peddler crazy.
Christopher Isherwood (A Single Man)
She flung wild glances, like those of an entrapped animal, up and down the big whitewashed room that panted with heat and that was thickly humid with the steam that sizzled from the damp cloth under the irons of the many ironers. From the girls and women near her,
Jack London (The Valley of the Moon)
while its rooms and passages steamed with hospital smells, the drug and the pastille striving vainly to overcome the effluvia of mortality, that bright May shone unclouded over the bold hills and beautiful woodland out of doors. Its garden, too, glowed with flowers:
Charlotte Brontë (Jane Eyre: The Original 1847 Unabridged and Complete Edition (Charlotte Brontë Classics))
GGibbie never thought about himself, therefore was there wide room for the entrance of the spirit. Does the questioning thought arise to any reader: How could a man be conscious of bliss without the thought of himself? I answer the doubt: When a man turns to look at himself, that moment the glow of the loftiest bliss begins to fade; the pulsing fire-flies throb paler in the passionate night; an unseen vapour steams up from the marsh and dims the star-crowded sky and the azure sea; and the next moment the very bliss itself looks as if it had never been more than a phosphorescent gleam -- the summer lightning of the brain. For then the man sees himself but in his own dim mirror, whereas ere he turned to look in that, he knew himself in the absolute clarity of God's present thought out-bodying him.
George MacDonald (Sir Gibbie (Sir Gibbie, #1))
There was a not-quite-secret stairway in the back of the library building that led up to a balcony bordered by delicately arched windows. These looked out over a small courtyard lined with sour-orange trees. Across from this were the royal baths- which connected directly to the audience chamber, banquet hall, and eventually the throne room itself. That had sounded strange until Jasmine explained to Aladdin that sultans often entertained foreign guests and consulted with top advisers while enjoying a pleasant mint-scented sweat in the steam rooms.
Liz Braswell (A Whole New World)
I woke up as the sun was reddening; and that was the one distinct time in my life, the strangest moment of all, when I didn’t know who I was—I was far away from home, haunted and tired with travel, in a cheap hotel room I’d never seen, hearing the hiss of steam outside, and the creak of the old wood of the hotel, and footsteps upstairs, and all the sad sounds, and I looked at the cracked high ceiling and really didn’t know who I was for about fifteen strange seconds. I wasn’t scared; I was just somebody else, some stranger, and my whole life was a haunted life, the life of a ghost.
Jack Kerouac (On the Road)
Hesitantly, Grandfather, Douglas, and Tom peered through the large windowpane. And there, in the small warm pools of lamplight, you could see what Leo Auffmann wanted you to see. There sat Saul and Marshall, playing chess at the coffee table. In the dining room Rebecca was laying out the silver. Naomi was cutting paper-doll dresses. Ruth was painting water colors. Joseph was running his electric train. Through the kitchen door, Lena Auffmann was sliding a pot roast from the steaming oven. Every hand, every head, every mouth made a big or little motion. You could hear their faraway voices under the glass. You could hear someone singing in a high sweet voice. You could smell bread baking too, and you knew it was real bread that would soon be covered in real butter. Everything was there and it was working. Grandfather, Douglas, and Tom turned to look at Leo Auffmann, who gazed serenely through the window, the pink light on his cheeks. "Sure," he murmured," There it is." And he watched with now-gentle sorrow and now-quick delight, and at last quiet acceptance as all the bits and pieces of this house mixed, stirred, settled, poised, and ran steadily again. "The Happiness Machine," he said. "The Happiness Machine.
Ray Bradbury (Dandelion Wine)
The rays of the setting sun stretched far into the room. Root traced the circles around the twin primes as the steam from the rice cooker floated in from the kitchen. The Professor stared through the window as if he were looking out at the desert, though all he could really see was his tiny, neglected garden.
Yōko Ogawa (The Housekeeper and the Professor)
to my room.   Sheriff John Moultrie blew through his teeth and pursed lips, making a sound more akin to a steaming teapot than a whistle. The tune was “On the Road to Alabam’,” a melody he’d picked up from watching gangs of gandy dancers as a child; he’d forgotten the words, but the ditty remained part of his grain.
Nancy E. Turner (The Water and the Blood)
the boy says he prefers blondes and i steam clean his clothes with bleach. the boy says i am not marriage material and i put gravel in his pepper grinder. the boy says period sex is disgusting and i slaughter a goat in his living room. the boy does not ask if he can choke me, so i pretend to die while he’s doing it.
Olivia Gatwood (New American Best Friend)
With all the arrangements made, Marcus carried Lillian to the largest guest room in the building, where a bath and food were sent up as quickly as possible. It was sparely furnished but very clean, with an ample bed covered in pressed linen and soft, faded quilts. An old copperplate slipper tub was set before the hearth and filled by two chambermaids carrying steaming kettles. As Lillian waited for the bathwater to cool sufficiently, Marcus bullied her into eating a bowl of soup, which was quite tolerable, though its ingredients were impossible to identify. “What are those little brown chunks?” Lillian asked suspiciously, opening her mouth reluctantly as he spooned more in. “It doesn’t matter. Swallow.” “Is it mutton? Beef? Did it originally have horns? Hooves? Feathers? Scales? I don’t like to eat something when I don’t know what—” “More,” he said inexorably, pushing the spoon into her mouth again. “You’re a tyrant.” “I know. Drink some water.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
What if the Cairo Conference of 1921 went ahead as planned, with Churchill and T.E. Lawrence and Gertrude Bell dividing up the Middle East for the British? What if they chose a Hashemite king to rule Iraq, and would that have led to a revolution in the nineteen fifties? Or, what if the French war in Indochina somehow led to American involvement in Vietnam? Or if the British held on to their colonies in Africa after the Second World War? You see – " he was in full steam now, his eyes shining like the headlamps of a speeding engine – "the Vigilante series is full of this sort of thing. A series of simple decisions made in hotel rooms and offices that led to a completely different world.
Lavie Tidhar (Osama)
Margherita was not allowed to play in the 'portego,' for one never knew when a customer would come, and the room must always be clean and tidy and respectable. It was only ever used by the family on special occasions, and so Margherita's eyes widened when she saw that her mother had spread the table with a spotless white cloth and the best pewter bowls and mugs. A small bunch of 'margherita' daisies was in a fat blue jug, and three sweet oranges sat in an earthenware bowl. Coarse brown bread stood ready on a wooden board, next to a bowl of soft white cheese floating in golden oil and thyme sprigs. Soup made with fish and clams and fennel and scattered with sprigs of fresh parsley steamed in a big clay pot.
Kate Forsyth (Bitter Greens)
...but tonight he remembered only the warm rooms and the faces of men and women bent over their bowls of steaming soup, and the children already asleep in their beds. He felt for them all a profound love, and he glowed. The moment of his loving was in the world of time merely sixty seconds ticked out by his watch, but in another dimension it was an arc of light encircling the city and leaving not one heart within it untouched by blessedness. Then the clocks began to strike, and the light of the ugly little man's moment of self-forgetfulness was drawn back again into the deep warmth within him. And he understood nothing of what had happened to him, only that now, for a little while, for a few moments or a few days, he would be happy and feel safe.
Elizabeth Goudge (The Dean's Watch)
Mary Hepburn was meanwhile murdering herself up in her room, lying on her bed with the polyethylene sheath of her "Jackie dress" swapped around her head. The sheath was now all steamed up inside, and she hallucinated that she was a great land tortoise lying on its back in the hot and humid hold of a sailing ship of long ago. She pawed the air in perfect futility, just as a land tortoise on its back would have done. As she had often told her students, sailing ships bound out across the Pacific used to stop off in the Galàpagos Islands to capture defenseless tortoises, who could live on their backs without food or water for months. They were so slow and tame and huge and plentiful. The sailors would capsize them without fear of being bitten or clawed. then they would drag them down to waiting longboats on the shore, using the animals' own useless suits of armor for sleds. They would store them on their backs in the dark paying no further attention to them until it was time for them to be eaten. the beauty of the tortoises to the sailors was that they were fresh meat which did not have to be refrigerated or eaten right away.
Kurt Vonnegut Jr. (Galápagos)
But it was above all at mealtimes that she could bear it no longer, in that little room on the ground floor, with the smoking stove, the creaking door, the oozing walls, the damp floor-tiles; all the bitterness of life seemed to be served to her on her plate, and, with the steam from the boiled beef, there rose from the depths of her soul other exhalations as it were of disgust.
Gustave Flaubert (Frau Bovary)
Fan would have expected that one or two of the Girls would have long rebelled at spending a life in a room, would have begged, say, the dentist, to help them steal away, but the funny thing about this existence is that once firmly settled we occupy it with less guard than we know. We watch ourselves routinely brushing our teeth, or coloring the wall, or blowing off the burn from a steaming yarn of soup noodles, and for every moment there is a companion moment that elides onto it, a secret span that deepens the original’s stamp. We feel ever obliged by everyday charges and tasks. They conscript us more and more. We find world enough in a frame. Until at last we take our places at the wheel, or wall, or line, having somewhere forgotten that we can look up.
Chang-rae Lee (On Such a Full Sea)
I woke up as the sun was reddening; and that was the one distinct time in my life, the strangest moment of all, when I didn’t know who I was—I was far away from home, haunted and tired with travel, in a cheap hotel room I’d never seen, hearing the hiss of steam outside, and the creak of the old wood of the hotel, and footsteps upstairs, and all the sad sounds, and I looked at the cracked high ceiling and really didn’t know who I was for about fifteen strange seconds. I wasn’t scared; I was just somebody else, some stranger, and my whole life was a haunted life, the life of a ghost. I was halfway across America, at the dividing line between the East of my youth and the West of my future, and maybe that’s why it happened right there and then, that strange red afternoon. But
Jack Kerouac (On the Road)
He was on his second plate of steaming-hot kidney pie by the time his chewing slowed. And that's when he heard it. The faintest sounds escaping her room, sweeping across the antechamber, and sliding under the door to him. The sounds of bathing. A splash. A trickle. A faint series of drips. It all added up to torture. Pure, liquid torture. He pushed his plate away, propped his elbows on the table, and buried his face in his hands with a groan. Even plugging his ears didn't help. When he closed his eyes, he could picture her. Naked in a shallow tub. Her feet dangling over the lip at one end, and her head reclined against the other. And all that water embracing her with heat, lapping at her nakedness, pouring over her most secret curves and furrows. He was immediately, startlingly hard.
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
They had steam heat in the school. The heat came from radiators and we’d have to wait for them to warm up. I stuck the Limburger in the radiator. It heated up and got softer and softer and slowly stunk the whole room up. They called my father, who was the school janitor. He followed the smell and found the Limburger, and then some other kid ratted me out. My old man said he’d see me when he got home. When I got home and waited for him I knew that as soon as he got home he was going to get the boxing gloves out and toss them to me. Sure enough, when he came through the door he calmly said, “What do you want to do, eat first or eat after I kick your ass?” I said, “I’ll eat first.” I knew I wouldn’t feel like eating dinner afterward. I got it pretty good that night, but at least I got some food in me. I
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
While disease had thus become an inhabitant of Lowood, and death its frequent visitor; while there was gloom and fear within its walls; while its rooms and passages steamed with hospital smells, the drug and the pastille striving vainly to overcome the effluvia of mortality, that bright May shone unclouded over the bold hills and beautiful woodland out of doors. Its garden, too, glowed with flowers: hollyhocks had sprung up tall as trees, lilies had opened, tulips and roses were in bloom; the borders of the little beds were gay with pink thrift and crimson double daisies; the sweetbriars gave out, morning and evening, their scent of spice and apples; and these fragrant treasures were all useless for most of the inmates of Lowood, except to furnish now and then a handful of herbs and blossoms to put in a coffin.
Charlotte Brontë (Jane Eyre)
It’s been hours, son.” Footsteps echoed in the room. “Let me sit with her for a few minutes while you go—” “I’m staying. I have to. I love her, Uncle Curtis.” There were the words again. Only this time instead sounding like a promise, they sounded like torture. “I want to have a family. With Mollie.” He paused. “With you, too.” “Jacob.” It seemed to be all Uncle Curtis could say. Mollie couldn’t blame him. It was the only word she wanted to say, too. “Jacob.” He was at her side in a flash, taking her hand in his. “Mollie?” She focused all her energy on lifting her eyelids. They cracked just a bit, enough to let a sliver of lamplight in. Slowly, her lashes parted and she saw him. Red-rimmed eyes, stubbly jaw, hair a wreck. Her man. “I won’t leave you.” She gave him her promise before exhaustion once again overtook her and dragged her back into unconsciousness.
Karen Witemeyer (Love on the Mend (Full Steam Ahead, #1.5))
Now that I had run out of steam I realized I was in Ronan’s room, at night. He was standing there in a pair of boxers and nothing else. Gulp. Maybe I shouldn’t be too hasty to throw away this betrothal. Ew. Great, Grazi, why not just drool all over the boy in his underwear after you pretty much told him you wanted nothing to do with him? I’m such a freak. “Um, I’ll see you tomorrow.” I turned around and left as quickly as I had come in.
C.D. Gorri (Hunter Moon (Grazi Kelly #2))
He had a swift and utterly lucid vision of himself in this position in thirty-odd years. Loathsome tea, hot steam, silver spoon, and fifty-year-old Chloe seated opposite him talking about clothing, because to her it was categorically, absolutely, the most fascinating topic on the planet. Besides, of course, herself. For an unflinching instant, Armand wished with his whole heart that he were dead. Then, at the very edge of his perception, something changed. He glanced up. She was passing by the doorway, walking with that fluid, nearly animal grace that no one else seemed to capture or even notice. He was given four steps of her. One: She moved from the hallway shadows into the light cast from the parlor. He saw her illuminated, drab colors gone bright; her skin alabaster, reflective; her hair tinted pink and gold and pink again. Two: Her gaze met his, finding him past all the other people crowded inside the stuffy mirrored room, dying by inches and taking their tea. Three: He was paralyzed. He couldn’t move, couldn’t smile, couldn’t nod. He was pinned in the gray of her eyes, a prisoner to their piercing clarity. For an unflinching instant, Armand felt his heart explode like a firework, and the future seemed unwritten. Then four: Eleanore looked away and passed the doorway. He was stuck with tea and dresses once more.
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
I woke up as the sun was reddening; and that was the one distinct time in my life, the strangest moment of all, that I didn't know who I was...I was far away from home haunted and tired with travel, in a cheap hotel room I'd never seen, hearing the hiss of steam outside, and the creak of the old wood of the hotel, and footsteps upstairs and all the sad sounds, and I looked at the cracked high ceiling and didn't know who I was for about fifteen strange seconds. I wasn't scared, I was just somebody else, some stranger, and my whole life was a haunted life, the life of a ghost...I was halfway across America, at the dividing line between the East of my youth and the West of my future, and maybe that's why it happened right there and then that strange afternoon. But I had to get going and stop moaning, so I picked up my bag, said so long to the old hotelkeeper sitting by his spittoon, and went to eat.
Jack Kerouac (On the Road: The Original Scroll)
I woke up as the sun was reddening; and that was the one distinct time in my life, the strangest moment of all, when I didn’t know who I was—I was far away from home, haunted and tired with travel, in a cheap hotel room I’d never seen, hearing the hiss of steam outside, and the creak of the old wood of the hotel, and footsteps upstairs, and all the sad sounds, and I looked at the cracked high ceiling and really didn’t know who I was for about fifteen strange seconds.
Jack Kerouac (On the Road)
Sometimes the one who dreams about Fairies mingles with the soul of the house. The thought of the hedges outside the door has stopped the ticking of the clock, and from the cellar the song of hidden woods can be heard. From deep down in the well he awakens the fibers of the beams, casts a spell on the floor boards and penetrates deep into the tapestry. He sits down in the child’s room where the garden of things tells a story about the theater of shadows. His thoughts are infused in a kettle and illustrated in a spiral of steam. The armchair flies out of the window and the curtains begin to flower. He can be heard climbing the stairs, leaving behind handfuls of visiting cards, and on each one of them is the address of a star. In the attic, his step is reduced to the dance of mice. A wreath of sparks brightens up the fireplace. The dormer window looks out onto the hopscotch of the skies… The dreamer’s soul is now so brilliant and light that it is like a spangle in a parade of Fairies
Pierre Dubois (The Great Encyclopedia of Faeries)
MAKES: 2 quarts COOKING METHOD: stove COOKING TIME: 20 minutes This is an all-purpose barbecue sauce, with a distinct garlic and tomato flavor. We have used this recipe to rave reviews at the James Beard Foundation and the American Institute of Wine and Food’s “Best Ribs in America” competition. Use it as a finishing glaze or serve it on the side as a dip for any type of barbecue. 2 TABLESPOONS OLIVE OIL ¼ CUP CHOPPED ONION 1 TEASPOON FRESH MINCED GARLIC 4 CUPS KETCHUP 1⅓ CUPS DARK BROWN SUGAR 1 CUP VINEGAR 1 CUP APPLE JUICE ¼ CUP HONEY 1½ TABLESPOONS WORCESTERSHIRE SAUCE 1½ TABLESPOONS LIQUID SMOKE 1 TEASPOON SALT 1 TEASPOON BLACK PEPPER 1 TEASPOON CAYENNE PEPPER 1 TEASPOON CELERY SEED Heat the olive oil in a large nonreactive saucepan over medium heat. Add the onion and garlic and lightly sauté. Stir in the remaining ingredients and heat until the sauce bubbles and starts to steam. Remove from the heat and cool to room temperature. Transfer to a tightly covered jar or plastic container and store refrigerated for up to 2 weeks.
Chris Lilly (Big Bob Gibson's BBQ Book: Recipes and Secrets from a Legendary Barbecue Joint: A Cookbook)
About sexuality of English mice. A warm perfume is growing little by little in the room. An orchard scent, a caramelized sugar scent. Mrs. MOUSE roasts apples in the chimney. The apple fruits smell grass of England and the pastry oven. On a thread drawn in the flames, the apples, from the buried autumn, turn a golden color and grind in tempting bubbles. But I have the feeling that you already worry. Mrs. MOUSE in a Laura Ashley apron, pink and white stripes, with a big purple satin bow on her belt, Mrs. MOUSE is certainly not a free mouse? Certainly she cooks all day long lemon meringue tarts, puddings and cheese pies, in the kitchen of the burrow. She suffocates a bit in the sweet steams, looks with a sigh the patched socks trickling, hanging from the ceiling, between mint leaves and pomegranates. Surely Mrs. MOUSE just knows the inside, and all the evening flavours are just good for Mrs. MOUSE flabbiness. You are totally wrong - we can forgive you – we don’t know enough that the life in the burrow is totally communal. To pick the blackberries, the purplish red elderberries, the beechnuts and the sloes Mr. and Mrs. MOUSE escape in turn, and glean in the bushes the winter gatherings. After, with frozen paws, intoxicated with cold wind, they come back in the burrow, and it’s a good time when the little door, rond little oak wood door brings a yellow ray in the blue of the evening. Mr. and Mrs. MOUSE are from outside and from inside, in the most complete commonality of wealth and climate. While Mrs. MOUSE prepares the hot wine, Mr. MOUSE takes care of the children. On the top of the bunk bed Thimoty is reading a cartoon, Mr. MOUSE helps Benjamin to put a fleece-lined pyjama, one in a very sweet milky blue for snow dreams. That’s it … children are in bed …. Mrs. MOUSE blazes the hot wine near the chimney, it smells lemon, cinnamon, big dry flames, a blue tempest. Mr. and Mrs. MOUSE can wait and watch. They drink slowly, and then .... they will make love ….You didn’t know? It’s true, we need to guess it. Don’t expect me to tell you in details the mice love in patchwork duvets, the deep cherry wood bed. It’s just good enough not to speak about it. Because, to be able to speak about it, it would need all the perfumes, all the silent, all the talent and all the colors of the day. We already make love preparing the blackberries wine, the lemon meringue pie, we already make love going outside in the coldness to earn the wish of warmness and come back. We make love downstream of the day, as we take care of our patiences. It’s a love very warm, very present and yet invisible, mice’s love in the duvets. Imagine, dream a bit ….. Don’t speak too badly about English mice’s sexuality …..
Philippe Delerm
A high-pitched sound, like steam escaping from a kettle whistles through the dark room. But nobody’s making tea. We both turn toward the source of the eerie noise. A weak stream of unearthly light seeps through the window near the corner of the room and pours onto the floor. Its consistency seems to lie somewhere between a liquid and a solid, like mercury, only blue. Out of the gleaming, wobbly puddle, a phosphorescent vapor rises up. The ghost we thought was Daniel materializes and looms over us for two seconds before he lunges and wraps his hands around Wyatt’s neck.
Alyson Larrabee (Enter If You Dare)
Venting’ does not solve emotional problems as the metaphor of pipes, valves and steam suggests. In the mid-twentieth century, the human-potential movement encouraged us to cry, scream and beat ‘boffers’ (cushioned pads) to release our pain. The therapy rooms and encounter groups of the 1970s reverberated with the thwump of fist meeting cushion. More recently, Brad Bushman and team at Iowa State University effectively demolished the myth that this kind of activity helps us to feel better. In fact, their research shows it actually tends to make us more aggressive. Beating a pillow might legitimise our feelings of anger, encouraging us to relive them
Derren Brown (Happy: Why More or Less Everything is Absolutely Fine)
Madarjoon was reminding Oliver how to set a table, while Benyamin and Alice carried steaming dishes into the dining room in preparation for their dinner. The air was thick with the aroma of saffron and fresh turmeric, cinnamon and salted olive oil; fresh bread was cooling on the kitchen counter beside large plates of fluffy rice, sautéed raisins, heaps of barberries, and sliced almonds. Feta cheese was stacked beside a small mountain of fresh walnuts—still soft and damp—and handfuls of basil, mint, scallions, and radishes. There were spiced green beans, ears of grilled corn, dense soups, bowls of olives, and tricolored salads. There was so much food, in fact, I simply cannot describe it all. But
Tahereh Mafi (Whichwood)
Central Park It’s hard to describe how that day in the park was altered when I stopped to read an official sign I came across near the great carousel, my lips moving silently like the lips of Saint Ambrose. As the carousel turned in the background, all pinions and mirrors and the heads of horses rising to the steam-blown notes of a calliope, I was learning how the huge thing was first designed to be powered by a blind mule, as it turned out, strapped to the oar of a wheel in an earthen room directly below the merry turning of the carousel. The sky did not darken with this news nor did a general silence fall on the strollers or the ball players on the green fields. No one even paused to look my way, though I must have looked terrible as I stood there filling with sympathy not so much for the harnessed beast tediously making its rounds, but instead for the blind mule within me always circling in the dark— the mule who makes me turn when my name is called or causes me to nod with a wooden gaze or sit doing nothing on a bench in the shape of a swan. Somewhere, there must still be a door to that underground room, the lock rusted shut, the iron key misplaced, last year’s leaves piled up against the sill, and inside, a trace of straw on the floor, a whiff of manure, and maybe a forgotten bit or a bridle hanging from a hook in the dark. Poor blind beast, I sang softly as I left the park, poor blind me, poor blind earth turning blindly on its side.
Billy Collins (Aimless Love: New and Selected Poems)
The teachers were fully occupied with packing up and making other necessary preparations for the departure of those girls who were fortunate enough to have friends and relations able and willing to remove them from the seat of contagion.  Many, already smitten, went home only to die: some died at the school, and were buried quietly and quickly, the nature of the malady forbidding delay. While disease had thus become an inhabitant of Lowood, and death its frequent visitor; while there was gloom and fear within its walls; while its rooms and passages steamed with hospital smells, the drug and the pastille striving vainly to overcome the effluvia of mortality, that bright May shone unclouded over the bold hills and beautiful woodland out of doors.
Charlotte Brontë (Jane Eyre)
I woke up as the sun was reddening; and that was the one distinct time in my life, the strangest moment of all, when I didn't know who I was-I was far away from home, haunted and tired with travel, in a cheap hotel room I'd never seen, hearing the hiss of steam outside, and the creak of the old wood of the hotel, and footsteps upstairs, and all the sad sounds, and I looked at the cracked high ceiling and really didn't know who I was for about fifteen strange seconds. I wasn't scared; I was just somebody else, some stranger, and my whole life was a haunted life, the life of a ghost. I was halfway across America, at the dividing line between the East of my youth and the West of my future, and maybe that's why it happened right there and then, that strange red afternoon.
Jack Kerouac (On the Road: The Original Scroll)
That certain persons simply will not like you no matter what you do. That you do not have to like a person in order to learn from him/her/it. That no matter how smart you thought you were, you are actually way less smart than that. That logical validity is not a guarantee of truth. That it is possible to learn valuable things from a stupid person. That if enough people in a silent room are drinking coffee, it is possible to make out the sound of steam coming off the coffee. That sometimes human beings have to just sit in one place and, like, hurt. That you will become way less concerned with what other people think of you when you realize how seldom they do. That there is such a thing as raw, unalloyed, agendaless kindness. That it is simply more pleasant to be happy than to be pissed off. That the people to be most frightened of are the people who are the most frightened. That it takes great personal courage to let yourself appear weak. That other people can often see things about you that you yourself cannot see, even if those people are stupid. That the cliché ‘I don’t know who I am’ unfortunately turns out to be more than a cliché. That having a lot of money does not immunize people from suffering or fear. That ‘acceptance’ is usually more a matter of fatigue than anything else. That, perversely, it is often more fun to want something than to have it. That pretty much everybody masturbates. That having sex with someone you do not care for feels lonelier than not having sex in the first place. That it is permissible to want. That everybody is identical in their secret unspoken belief that way deep down they are different from everyone else.
David Foster Wallace (Infinite Jest)
Unit 1’s service life came to an end on November 30th 1996 after Ukraine’s government agreed to decommission it in exchange for US$300 million of foreign funds to modernise Ukraine’s power sector, including improvements to Chernobyl’s remaining reactor. Despite this, the plant struggled through its final few weeks, during which it was forced to shut down first because of weather damage to electricity infrastructure and then from a steam leak. In a televised event on December 15th, 2000, Ukrainian President Leonid Kuchma ordered the permanent shut down of the plant live from Unit 3’s control room, saying, “To fulfil a state decision and Ukraine’s international obligations, I hereby order the premature stoppage of the operation of reactor number 3 at the Chernobyl nuclear power plant.”267 With that, Chernobyl’s last reactor ceased producing power for the final time.
Andrew Leatherbarrow (Chernobyl 01:23:40: The Incredible True Story of the World's Worst Nuclear Disaster)
Little Sleep's-Head Sprouting Hair in the Moonlight 1 You scream, waking from a nightmare. When I sleepwalk into your room, and pick you up, and hold you up in the moonlight, you cling to me hard, as if clinging could save us. I think you think I will never die, I think I exude to you the permanence of smoke or stars, even as my broken arms heal themselves around you. 2 I have heard you tell the sun, don't go down, I have stood by as you told the flower, don't grow old, don't die. Little Maud, I would blow the flame out of your silver cup, I would suck the rot from your fingernail, I would brush your sprouting hair of the dying light, I would scrape the rust off your ivory bones, I would help death escape through the little ribs of your body, I would alchemize the ashes of your cradle back into wood, I would let nothing of you go, ever, until washerwomen feel the clothes fall asleep in their hands, and hens scratch their spell across hatchet blades, and rats walk away from the culture of the plague, and iron twists weapons toward truth north, and grease refuse to slide in the machinery of progress, and men feel as free on earth as fleas on the bodies of men, and the widow still whispers to the presence no longer beside her in the dark. And yet perhaps this is the reason you cry, this the nightmare you wake screaming from: being forever in the pre-trembling of a house that falls. 3 In a restaurant once, everyone quietly eating, you clambered up on my lap: to all the mouthfuls rising toward all the mouths, at the top of your voice you cried your one word, caca! caca! caca! and each spoonful stopped, a moment, in midair, in its withering steam. Yes, you cling because I, like you, only sooner than you, will go down the path of vanished alphabets, the roadlessness to the other side of the darkness, your arms like the shoes left behind, like the adjectives in the halting speech of old folk, which once could call up the lost nouns. 4 And you yourself, some impossible Tuesday in the year Two Thousand and Nine, will walk out among the black stones of the field, in the rain, and the stones saying over their one word, ci-gît, ci-gît, ci-gît, and the raindrops hitting you on the fontanel over and over, and you standing there unable to let them in. 5 If one day it happens you find yourself with someone you love in a café at one end of the Pont Mirabeau, at the zinc bar where wine takes the shapes of upward opening glasses, and if you commit then, as we did, the error of thinking, one day all this will only be memory, learn to reach deeper into the sorrows to come—to touch the almost imaginary bones under the face, to hear under the laughter the wind crying across the black stones. Kiss the mouth that tells you, here, here is the world. This mouth. This laughter. These temple bones. The still undanced cadence of vanishing. 6 In the light the moon sends back, I can see in your eyes the hand that waved once in my father's eyes, a tiny kite wobbling far up in the twilight of his last look: and the angel of all mortal things lets go the string. 7 Back you go, into your crib. The last blackbird lights up his gold wings: farewell. Your eyes close inside your head, in sleep. Already in your dreams the hours begin to sing. Little sleep's-head sprouting hair in the moonlight, when I come back we will go out together, we will walk out together among the ten thousand things, each scratched in time with such knowledge, the wages of dying is love.
Galway Kinnell
Winter was come indeed bringing with it those pleasures of which the summer dreamer knows nothing—the delight when the fine and glittering day shows in the window, though one knows how cold it is outside; the delight of getting as close as possible to the blazing range which in the shadowy kitchen throws reflections very different from the pale gleams of sunlight in the yard, the range we cannot take with us on our walk, busy with its own activity, growling and grumbling as it sets to work, for in three hours time luncheon must be ready; the delight of filling one's bowl with steaming café-au-lait—for it is only eight o'clock—and swallowing it in boiling gulps while servants at their tasks come in and out with a, 'Good morning: up early, aren't you?' and a kindly, 'It's snug enough in here, but cold outside,' accompanying the words with that smile which is to be seen only on the faces of those who for the moment are thinking of others and not of themselves, whose expressions, entirely freed from egotism, take on a quality of vacillating goodness, a smile which completes that earlier smile of the bright golden sky touching the window-panes, and crowns our every pleasure as we stand there with the lovely heat of the range at our backs, the hot and limpid flavour of the café-au-lait in our mouths; the delight of night-time when, having had to get up to go shiveringly to the icy lavatory in the tower, into which the air creeps through the ill-fitting window, we later return deliciously to our room, feeling a smile of happiness distend our lips, finding it hard not to jump for sheer joy at the thought of the big bed already warm with our warmth, of the still burning fire, the hot-water bottle, the coverlets and blankets which have imparted their heat to the bed into which we are about to slip, walled in, embattled, hiding ourselves to the chin as against enemies thundering at the gates, who will not (and the thought brings gaiety) get the better of us, since they do not even know where we have so snugly gone to earth, laughing at the wind which is roaring outside, climbing up all the chimneys to every floor of the great house, conducting a search on each landing, trying all the locks: the delight of rolling ourselves in the blankets when we feel its icy breath approaching, sliding a little farther down the bed, gripping the hot-water bottle between our feet, working it up too high, and when we push it down again feeling the place where it has been still hot, pulling up the bedclothes to our faces, rolling ourselves into a ball, turning over, thinking—'How good life is!' too gay even to feel melancholy at the thought of the triviality of all this pleasure.
Marcel Proust (Jean Santeuil)
My Lover Who Lives Far..... My lover, who lives far away, opens the door to my room and offers supper in a bowl made of his breath. The stew has boiled and I wonder at the cat born from its steam. The cat is in the bedroom now, mewling. The cat is indecent and I, who am trying to be tidy, I, who am trying to do things the proper way, I, who am sick from the shedding, I am undone. My lover, who lives far away, opens the door to my room and offers pastries in a basket spun from his vision. It is closely woven, the kind of container some women collect. I have seen these in many colors, but the basket he brings is simple: only black, only nude. The basket he brings is full of sweet scones and I eat even the crumbs. As if I've not dined for days. My lover, who lives far away, opens the door to my room and offers tea made from the liquid he's crying. I do not want my lover crying and I am sorry I ever asked for tea. My lover, who lives far away, opens the door to my room pretending he never cried. He offers tea and cold cakes. The tea is delicious: spiced like the start of our courtship, honeyed and warm. I drink every bit of the tea and put aside the rest. My lover, who lives far away, opens the door to my room like a man loving his strength. The lock I replaced this morning will not keep him away. My lover, who lives far away, opens the door to my room and brings me nothing. Perhaps he has noticed how fat I've grown, indulged. Perhaps he is poor and sick of emptying his store. It is no matter to me any longer, he has filled me, already, so full. My lover who is far away opens the door to my room and tells me he is tired. I do not ask what he's tired from for my lover, far away, has already disappeared. The blankets are big with his body. The cat, under the covers, because it is cold out and she is not stupid, mews.
Camille T. Dungy
Doggerel by a Senior Citizen (for Robert Lederer) Our earth in 1969 Is not the planet I call mine, The world, I mean, that gives me strength To hold off chaos at arm’s length. My Eden landscapes and their climes Are constructs from Edwardian times, When bath-rooms took up lots of space, And, before eating, one said Grace. The automobile, the aeroplane, Are useful gadgets, but profane: The enginry of which I dream Is moved by water or by steam. Reason requires that I approve The light-bulb which I cannot love: To me more reverence-commanding A fish-tail burner on the landing. My family ghosts I fought and routed, Their values, though, I never doubted: I thought the Protestant Work-Ethic Both practical and sympathetic. When couples played or sang duets, It was immoral to have debts: I shall continue till I die To pay in cash for what I buy. The Book of Common Prayer we knew Was that of 1662: Though with-it sermons may be well, Liturgical reforms are hell. Sex was of course —it always is— The most enticing of mysteries, But news-stands did not then supply Manichean pornography. Then Speech was mannerly, an Art, Like learning not to belch or fart: I cannot settle which is worse, The Anti-Novel or Free Verse. Nor are those Ph.D’s my kith, Who dig the symbol and the myth: I count myself a man of letters Who writes, or hopes to, for his betters. Dare any call Permissiveness An educational success? Saner those class-rooms which I sat in, Compelled to study Greek and Latin. Though I suspect the term is crap, There is a Generation Gap, Who is to blame? Those, old or young, Who will not learn their Mother-Tongue. But Love, at least, is not a state Either en vogue or out-of-date, And I’ve true friends, I will allow, To talk and eat with here and now. Me alienated? Bosh! It’s just As a sworn citizen who must Skirmish with it that I feel Most at home with what is Real.
W.H. Auden
Akimov didn’t understand what was happening either. He, like the other poor operators in the control room, was unaware of a devastating fatal flaw in the reactor’s design. While around 5 meters of each control rod was composed of the neutron-absorbing element boron to halt the reaction, the ends of each rod were made of graphite - the same reaction-increasing moderator as was used throughout the core of the RBMK. Between the graphite and boron was a long hollow section. The purpose of the graphite tips was to displace cooling water (which is also a moderator, albeit weaker than graphite) in the rod’s path, thus increasing the boron’s dampening effect on the fuel.119 The moment all those graphite tips began to move inside the reactor, there was a surge in positive reactivity in the lower half of the core, resulting in a huge increase in heat and steam production. This heat fractured part of the fuel assembly, distorting the control rod channels and preventing their smooth travel through the core. When a control rod is fully inserted, the tip extends below the core, but now over 200 were lodged in the centre.
Andrew Leatherbarrow (Chernobyl 01:23:40: The Incredible True Story of the World's Worst Nuclear Disaster)
In the window I smelled all the food of San Francisco. There were seafood places out there where the buns were hot, and the baskets were good enough to eat too; where the menus themselves were soft with foody esculence as though dipped in hot broths and roasted dry and good enough to eat too. Just show me the bluefish spangle on a seafood menu and I’d eat it; let me smell the drawn butter and lobster claws. There were places where they specialized in thick red roast beef au jus, or roast chicken basted in wine. There were places where hamburgs sizzled on grills and the coffee was only a nickel. And oh, that pan-fried chow mein flavored air that blew into my room from Chinatown, vying with the spaghetti sauces of North Beach, the soft-shell crab of Fisherman’s Wharf—nay, the ribs of Fillmore turning on spits! Throw in the Market Street chili beans, redhot, and french-fried potatoes of the Embarcadero wino night, and steamed clams from Sausalito across the bay, and that’s my ah-dream of San Francisco. Add fog, hunger-making raw fog, and the throb of neons in the soft night, the clack of high-heeled beauties, white doves in a Chinese grocery window . . .
Jack Kerouac (On the Road)
Do you think she's going to hang out your dirty laundry for all to see?" "How can you say she has sense after what she pulled today? Bah! You don't know what you're talking about." "What Willow did today was nothing more than an act of rebellion, a way to let off steam and let you know, in the only way she knew how, that your treatment of her is entirely unacceptable." "Woman, what you need is a man, then maybe you wouldn't be putting your nose in everybody's business." "Why,Mr. Vaughn, are you applying for the job?" Miriam asked, with an ill-humored smile. "Hell,no!" "Then I suggest you leave my personal life out of this. My life is in perfect order, which is more than can be said for yours!" Owen grunted and took a pull on his pipe. Well aware of his bold perusal, Miriam attacked her darning as if it were infinitely more engaging than any conversation with the man across the room from her. Owen wasn't a handsome man by any standards with his bearlike build and ruddy complexion. And heaven knew he wasn't very likeable either. Thus, Miriam was at a complete loss to explain her powerful attraction to him. Good heavens, she thought, I haven't felt so giddy since that time on my eighteenth birthday when Hiriam pulled me behind Aunt Harriet's coachhouse and we... The landlady's face reddened.
Charlotte McPherren (Song of the Willow)
Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike-topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunchbacked makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed from kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries’ vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers; heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters’ sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etoliated lacquerers; mottled-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men’s wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of the Last Chrysanthemum, where a puddle from last night’s rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.
David Mitchell (The Thousand Autumns of Jacob de Zoet)
Eastern Shore Breakfast Pudding Eggs, cheddar, ham or sausage, and bread baked together in the rich tradition of English savory puddings. This rib-sticking main course is equally delicious in a vegetarian rendition. 4 thick slices white bread, torn into quarters ¾ pound cooked ham, thinly sliced and chopped (or 1 pound sausage meat, cooked and drained) 1 cup sharp cheddar cheese, grated ½ medium onion, minced 1 sweet red pepper, diced 1 tablespoon olive oil 6 eggs 2 cups milk ¼ teaspoon salt Black and red pepper to taste Pinch of nutmeg Parsley to garnish Heat the oven to 350 degrees. Butter a deep 8 x 8 inch baking dish. Lay bread in the dish, covering the bottom, and top with the ham or sausage and cheese. In a small pan, sauté the onion and red pepper in oil until fragrant and softened, about 5 minutes, and layer on top of the cheese. Whisk together the eggs and milk, salt, peppers, and nutmeg. Pour the mixture over the bread, meat, vegetables, and cheese. Bake for about one hour, until the pudding is puffed, firm, and golden brown. Tent with foil if necessary to prevent too much browning. Cut into four squares, garnish with parsley, and serve along with Old Bay potatoes (below), steamed asparagus, and broiled tomatoes. You shouldn’t see a hungry guest again until dinnertime. Note: For vegetarians, substitute for the meat a cup each of lightly steamed broccoli cut into small florets and thinly sliced, sautéed zucchini—both well drained. Serves 4.
Carol Eron Rizzoli (The House at Royal Oak: Starting Over & Rebuilding a Life One Room at a Time)
When it begins it is like a light in a tunnel, a rush of steel and steam across a torn up life. It is a low rumble, an earthquake in the back of the mind. My spine is a track with cold black steel racing on it, a trail of steam and dust following behind, ghost like. It feels like my whole life is holding its breath. By the time she leaves the room I am surprised that she can’t see the train. It has jumped the track of my spine and landed in my mothers’ living room. A cold dark thing, black steel and redwood paneling. It is the old type, from the western movies I loved as a kid. He throws open the doors to the outside world, to the dark ocean. I feel a breeze tugging at me, a slender finger of wind that catches at my shirt. Pulling. Grabbing. I can feel the panic build in me, the need to scream or cry rising in my throat. And then I am out the door, running, tumbling down the steps falling out into the darkened world, falling out into the lifeless ocean. Out into the blackness. Out among the stars and shadows. And underneath my skin, in the back of my head and down the back of my spine I can feel the desperation and I can feel the noise. I can feel the deep and ancient ache of loudness that litters across my bones. It’s like an old lover, comfortable and well known, but unwelcome and inappropriate with her stories of our frolicking. And then she’s gone and the Conductor is closing the door. The darkness swells around us, enveloping us in a cocoon, pressing flat against the train like a storm. I wonder, what is this place? Those had been heady days, full and intense. It’s funny. I remember the problems, the confusions and the fears of life we all dealt with. But, that all seems to fade. It all seems to be replaced by images of the days when it was all just okay. We all had plans back then, patterns in which we expected the world to fit, how it was to be deciphered. Eventually you just can’t carry yourself any longer, can’t keep your eyelids open, and can’t focus on anything but the flickering light of the stars. Hours pass, at first slowly like a river and then all in a rush, a climax and I am home in the dorm, waking up to the ringing of the telephone. When she is gone the apartment is silent, empty, almost like a person sleeping, waiting to wake up. When she is gone, and I am alone, I curl up on the bed, wait for the house to eject me from its dying corpse. Crazy thoughts cross through my head, like slants of light in an attic. The Boston 395 rocks a bit, a creaking noise spilling in from the undercarriage. I have decided that whatever this place is, all these noises, sensations - all the train-ness of this place - is a fabrication. It lulls you into a sense of security, allows you to feel as if it’s a familiar place. But whatever it is, it’s not a train, or at least not just a train. The air, heightened, tense against the glass. I can hear the squeak of shoes on linoleum, I can hear the soft rattle of a dying man’s breathing. Men in white uniforms, sharp pressed lines, run past, rolling gurneys down florescent hallways.
Jason Derr (The Boston 395)
Hear that? Living skulls! What are we doing here? What war at Troy? Does anyone care? Gods of love and hate! Aren't they the same god? All of us, all our lives, searching for the one perfect enemy- you, me, Helen, Paris, Menelaos, all those crazy Greeks! all those hapless Trojans! my dear beloved Jack! Jack and I fought all the time. I remember almost nothing but the fights - every fight a war to end all wars, you know how it goes, a righteous war, a final war, the worst fight you've ever had, you can't do this again, this time you'll get things straight one way or the other or it's over, he'll see what you mean, see you're right, fights aren't about anything except being right, are they? once and for all. You feel old. Wrong. Clumsy. You sit in two chairs on the porch. Or the kitchen. Or the front hall. Hell arrives. It's as if the war was already there, waiting, the two of you poured into it like wet concrete. The chairs you sit in are the wrong chairs, they're the chairs you never sit in because they're so uncomfortable, you keep thinking you should move but you don't, your neck hurts, you hate your neck, evening closes in. Birds move about the yard. Hell yawns. War pours out of both of you, steaming and stinking. You rush backward from it and become children, every still sentence slamming you back into the child you still are, every sentence not what you meant to say at all but the meaning keeps flaring and contracting, as sparks drop on gasoline, Fuckshit this! Fuckshit that! no reason to live. You're getting vertigo. He's being despicable. Your mother was like this. Stop whimpering. No use asking, What is this about? Don't leave the room. I have to leave the room. Breathless, blaming, I'm not blaming! How is this not blaming! Hours pass or do they. You say the same things or are they different things? Hell smells stale. Fights aren't about anything, fights are about themselves. You're stiff. You hate these chairs. Nothing is resolved. It is too dark to see. You both go to bed and doze slightly, touching slightly. In the night a nightmare. Some giant bird, or insect, some flapping thing, trying to settle on the back of your neck, you can't see what it is or get it off. Pure fear. Scream unearthly. He jerks you awake. Oh sweetie, he says. He is using his inside voice, his most inside voice. The distance between that voice and the fight voice measures your whole world. How can a voice change so. You are saved. He has saved you. He sees you saved. An easement occurs, as night dew on leaves. And yet (you think suddenly) you yourself do not possess sort of inside voice - no wonder he's lonely. You this cannot offer this refuge, cannot save him, not ever, and, although physiological in origin, or genetic, or who knows, you understand the lack is felt by him as a turning away. No one can heal this. You both decide without words to just - skip it. You grip one another. In the night, in the silence, the grip slowly loosens and silence washes you out somewhere onto a shore of sleep. Morning arrives. Troy is still there. You hear from below the clatter of everyone putting on their armour. You go to the window.
Anne Carson (Norma Jeane Baker of Troy)
If, by the virtue of charity or the circumstance of desperation, you ever chance to spend a little time around a Substance-recovery halfway facility like Enfield MA’s state-funded Ennet House, you will acquire many exotic new facts…That certain persons simply will not like you no matter what you do. That sleeping can be a form of emotional escape and can with sustained effort be abused. That purposeful sleep-deprivation can also be an abusable escape. That you do not have to like a person in order to learn from him/her/it. That loneliness is not a function of solitude. That logical validity is not a guarantee of truth. That it takes effort to pay attention to any one stimulus for more than a few seconds. That boring activities become, perversely, much less boring if you concentrate intently on them. That if enough people in a silent room are drinking coffee it is possible to make out the sound of steam coming off the coffee. That sometimes human beings have to just sit in one place and, like, hurt. That you will become way less concerned with what other people think of you when you realize how seldom they do. That there is such a thing as raw, unalloyed, agendaless kindness. That it is possible to fall asleep during an anxiety attack. That concentrating intently on anything is very hard work. That 99% of compulsive thinkers’ thinking is about themselves; that 99% of this self-directed thinking consists of imagining and then getting ready for things that are going to happen to them; and then, weirdly, that if they stop to think about it, that 100% of the things they spend 99% of their time and energy imagining and trying to prepare for all the contingencies and consequences of are never good. In short that 99% of the head’s thinking activity consists of trying to scare the everliving shit out of itself. That it is possible to make rather tasty poached eggs in a microwave oven. That some people’s moms never taught them to cover up or turn away when they sneeze. That the people to be the most frightened of are the people who are the most frightened. That it takes great personal courage to let yourself appear weak. That no single, individual moment is in and of itself unendurable. That other people can often see things about you that you yourself cannot see, even if those people are stupid. That having a lot of money does not immunize people from suffering or fear. That trying to dance sober is a whole different kettle of fish. That different people have radically different ideas of basic personal hygiene. That, perversely, it is often more fun to want something than to have it. That if you do something nice for somebody in secret, anonymously, without letting the person you did it for know it was you or anybody else know what it was you did or in any way or form trying to get credit for it, it’s almost its own form of intoxicating buzz. That anonymous generosity, too, can be abused. That it is permissible to want. That everybody is identical in their unspoken belief that way deep down they are different from everyone else. That this isn’t necessarily perverse. That there might not be angels, but there are people who might as well be angels.
David Foster Wallace
The Camera Eye (38) sealed signed and delivered all over Tours you can smell lindens in bloom it’s hot my uniform sticks the OD chafes me under the chin only four days ago AWOL crawling under the freight cars at the station of St. Pierre-des-Corps waiting in the buvette for the MP on guard to look away from the door so’s I could slink out with a cigarette (and my heart) in my mouth then in a tiny box of a hotel room changing the date on that old movement order but today my discharge sealed signed and delivered sends off sparks in my pocket like a romancandle I walk past the headquarters of the SOS Hay sojer your tunic’s unbuttoned (f—k you buddy) and down the lindenshaded street to the bathhouse that has a court with flowers in the middle of it the hot water gushes green out of brass swanheads into the whitemetal tub I strip myself naked soap myself all over with the sour pink soap slide into the warm deepgreen tub through the white curtain in the window a finger of afternoon sunlight lengthens on the ceiling towel’s dry and warm smells of steam in the suitcase I’ve got a suit of civvies I borrowed from a fellow I know the buck private in the rear rank of Uncle Sam’s Medical Corps (serial number . . . never could remember the number anyway I dropped it in the Loire) goes down the drain with a gurgle and hiss and having amply tipped and gotten the eye from the fat woman who swept up the towels I step out into the lindensmell of a July afternoon and stroll up to the café where at the little tables outside only officers may set their whipcord behinds and order a drink of cognac unservable to those in uniform while waiting for the train to Paris and sit down firmly in long pants in the iron chair an anonymous civilian
John Dos Passos (1919 (The U.S.A. Trilogy, #2))
You want me,' I put my hand on his chest and feel his heart pounding. 'And I know that scares you even though I want you just as badly.' He stiffens. 'But here's the thing,' I hold his gaze, knowing he could bolt at any second. 'You don't get to dictate how I feel. You might give the orders out there, but not in here. You don't get to tell me we can fuck but I can't fall for you. That's not fair. You can only respect what I choose to do. So we're not doing this again until I want to risk my heart. And if I fall, then that's my problem, not yours. You're not responsible for my choices.' His jaw clenches once. Twice. And then he pushes off the wall, giving me space. 'I think that's for the best. I'm graduating soon, and who knows where I'll end up. Besides, you and I are chained together because of Sgaeyl and Tairn, which complicates... everything.' He retreats one step at a time, the distance more than just physical. 'Besides, with all that pretending, I'm sure we'll eventually forget last night ever happened.' The way we're looking at each other tells me neither of us is ever going to forget. And he can avoid it all he wants, but we're going to end up right here time and again until he's willing to recognise what this is. Because if there's one thing I know for certain, it's that I'm going to fall for this man- if I haven't already- and he's halfway there, too, whether he realises it or not. Turning my back on him, I walk to the shattered halves of my throwing target and pick them up before heading back across my room. 'I never figured you for a liar, Xaden.' I shove the halves at his chest. 'You can get me a new one when you're ready to come to your senses. Then we'll blow off some steam.' I throw the aggravating man out.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
HEART OF TEA DEVOTION Now stir the fire, and close the shutters fast, Let fall the curtains, wheel the sofa round, And, while the bubbling and loud hissing urn Throws up a steamy column and the cups That cheer but not inebriate, wait on each, So let us welcome peaceful ev ning in. WILLIAM COWPER Perhaps the idea of a tea party takes you back to childhood. Do you remember dressing up and putting on your best manners as you sipped pretend tea out of tiny cups and shared pretend delicacies with your friends, your parents, or your teddy bears? Were you lucky enough to know adults who cared enough to share tea parties with you? And are you lucky enough to have a little person with whom you could share a tea party today? Is there a little girl inside you who longs for a lovely time of childish imagination and "so big" manners? It could be that the mention of teatime brings quieter memories-cups of amber liquid sipped in peaceful solitude on a big porch, or friendly confidences shared over steaming cups. So many of my own special times of closeness-with my husband, my children, my friends-have begun with putting a kettle on to boil and pulling out a tea tray. But even if you don't care for tea-if you prefer coffee or cocoa or lemonade or ice water, or if you like chunky mugs better than gleaming silver or delicate china, or if you find the idea of traditional tea too formal and a bit intimidating-there's still room for you at the tea table, and I think you would love it there! I have shared tea with so many people-from business executives to book club ladies to five-year-old boys. And I have found that few can resist a tea party when it is served with the right spirit. You see, it's not tea itself that speaks to the soul with such a satisfying message-although I must confess that I adore the warmth and fragrance of a cup of Earl Grey or Red Zinger. And it's not the teacups themselves that bring such a message of beauty and serenity and friendship-although my teacups do bring much pleasure. It's not the tea, in other words, that makes teatime special, it's the spirit of the tea party. It's what happens when women or men or children make a place in their life for the
Emilie Barnes (The Tea Lover's Devotional)
There are several reasons for this. For one thing, it’s not just that lobsters get boiled alive, it’s that you do it yourself—or at least it’s done specifically for you, on-site. 14 As mentioned, the World’s Largest Lobster Cooker, which is highlighted as an attraction in the festival’s program, is right out there on the MLF’s north grounds for everyone to see. Try to imagine a Nebraska Beef Festival 15 at which part of the festivities is watching trucks pull up and the live cattle get driven down the ramp and slaughtered right there on the World’s Largest Killing Floor or something—there’s no way. The intimacy of the whole thing is maximized at home, which of course is where most lobster gets prepared and eaten (although note already the semiconscious euphemism “prepared,” which in the case of lobsters really means killing them right there in our kitchens). The basic scenario is that we come in from the store and make our little preparations like getting the kettle filled and boiling, and then we lift the lobsters out of the bag or whatever retail container they came home in … whereupon some uncomfortable things start to happen. However stuporous a lobster is from the trip home, for instance, it tends to come alarmingly to life when placed in boiling water. If you’re tilting it from a container into the steaming kettle, the lobster will sometimes try to cling to the container’s sides or even to hook its claws over the kettle’s rim like a person trying to keep from going over the edge of a roof. And worse is when the lobster’s fully immersed. Even if you cover the kettle and turn away, you can usually hear the cover rattling and clanking as the lobster tries to push it off. Or the creature’s claws scraping the sides of the kettle as it thrashes around. The lobster, in other words, behaves very much as you or I would behave if we were plunged into boiling water (with the obvious exception of screaming 16 ). A blunter way to say this is that the lobster acts as if it’s in terrible pain, causing some cooks to leave the kitchen altogether and to take one of those little lightweight plastic oven-timers with them into another room and wait until the whole process is over.
David Foster Wallace (Consider the Lobster and Other Essays)
In Hiding - coming summer of 2020 WAYNE ANTHONY SEEKS REDEMPTION FROM A BAD DAY - Although warned about getting the stitches wet, he believed a hot shower was the only road to his redemption. Experienced taught him the best way to relieve the tightness in his lower back was by standing beneath the near-scalding water. Dropping the rest of his clothing, he turned the shower on full blast. The hot water rushed from the showerhead filling the tiny room with steam, instantly the small mirror on the medicine cabinet fogged up. The man quietly pulled the shower curtain back and entered the shower stall without a sound. Years of acting as another’s shadow had trained him to live soundlessly. The hot water cascaded over his body as the echo from the pounding water deadened slightly. Grabbing the sample sized soap, he pulled the paper off and tossed the wrapper over the curtain rail. Wayne rubbed the clean smelling block until his large hands disappeared beneath the lather. He ignored the folded washcloth, opting to use his hands across his body. Gently he cleaned the injury allowing the slime of bacterial soap to remove the residual of the rust-colored betadine. All that remained when he finished was the pale orange smear from the antiseptic. This scar was not the only mar to his body. The water cascaded down hard muscles making rivulets throughout the thatches of dark hair. He raised his arms gingerly as he washed beneath them; the tight muscles of his abdomen glistened beneath the torrent of water. Opening a bottle of shampoo-slash-conditioner, he applied a dab then ran his hands across his scalp. Finally, the tension in his square jaw had eased, making his handsome face more inviting. The cords of his neck stood out as he rinsed the shampoo from his hair. It coursed down his chest leading down to his groin where the scented wash caught in his pelvic hair. Wayne's body was one of perfection for any woman; if that was, she could ignore the mutilations. Knife injuries left their mark with jagged white lines. Most of these, he had doctored himself; his lack of skill resulted in crude scars. The deepest one, undulated along the left side of his abdomen, that one had required the art of a surgeon. Dropping his arms, he surrenders himself to the pelting deluge from the shower. The steamy water cascaded down his body, pulling the soap toward the drain. Across his back, it slid down several small indiscernible pockmarks left by gunshot wounds, the true extent of their damage far beneath his skin. Slowly the suds left his body, snaking down his muscular legs. It slithered down the scars on his left knee, the result of replacement surgery after a thug took a bat to it. Wayne stood until the hot water cooled, and ran translucent over his body. Finally, he washes the impact of the long day from his mind and spirit.
Caroline Walken
Had she witnessed his swim? He didn’t see how she could have missed it if she’d indeed been lunching by the water. The more intriguing question was, had she liked what she’d seen? Ever the scientist, Darius couldn’t let the hypothesis go unchallenged. Ignoring his boots where they lay in the grass at the edge of the landing, he strode barefoot toward his quarry. “So I’m to understand that you lunch by the pond every day, Miss Greyson?” he asked as he stalked her through the shin-high grass. Her chin wobbled just a bit, and she took a nearly imperceptible step back. He’d probably not have noticed it if he hadn’t been observing her so closely. But what kind of scientist would he be if he didn’t attend to the tiniest of details? “Every day,” she confirmed, her voice impressively free of tremors. The lady knew how to put up a strong front. “After working indoors for several hours, it’s nice to have the benefits of fresh air and a change of scenery. The pond offers both.” He halted his advance about a foot away from her. “I imagine the scenery changed a little more than you were expecting today.” His lighthearted tone surprised him nearly as much as it did her. Her brow puckered as if he were an equation she couldn’t quite decipher. Well, that was only fair, since he didn’t have a clue about what he was trying to do, either. Surely not flirt with the woman. He didn’t have time for such vain endeavors. He needed to extricate himself from this situation. At once. Not knowing what else to do, Darius sketched a short bow and begged her pardon as if he were a gentleman in his mother’s drawing room instead of a soggy scientist dripping all over the vegetation. “I apologize for intruding on your solitude, Miss Greyson, and I hope I have not offended you with my . . . ah . . .” He glanced helplessly down at his wet clothing. “Dampness?” The amusement in his secretary’s voice brought his head up. “My father used to be a seaman, Mr. Thornton, and I grew up swimming in the Gulf. You aren’t the first man I’ve seen take a swim.” Though the way her gaze dipped again to his chest and the slow swallowing motion of her throat that followed seemed to indicate that she hadn’t been as unmoved by the sight as she would have him believe. That thought pleased him far more than it should have. “Be that as it may, I’ll take special care not to avail myself of the pond during the midday hours in the future.” He expected her to murmur some polite form of thanks for his consideration, but she didn’t. No, she stared at him instead. Long enough that he had to fight the urge to squirm under her perusal. “You know, Mr. Thornton,” she said with a cock of her head that gave him the distinct impression she was testing her own hypothesis. “I believe your . . . dampness has restored your ability to converse with genteel manners.” Her lips curved in a saucy grin that had his pulse leaping in response. “Perhaps you should swim more often.
Karen Witemeyer (Full Steam Ahead)