Grease Sayings And Quotes

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It’s good,” Jackson said. “You’re just saying that,” I replied. “No, really, it’s good. A little greasy….” “The grease is part of the charm,” I pointed out. “Said the heart attack to the clogged arteries.” “You’re in the South now, boy. Grease is one of the four main food groups.
Nick Wilgus (Shaking the Sugar Tree (Sugar Tree, #1))
Some people would say bullshit is the grease that gets people through life,” Weather said. “Other people,” Letty said. “Not me.
John Sandford (The Investigator (Letty Davenport, #1))
Traffic's not too bad on Sheridan, and I'm cornering the car like it's the Indy 500, and we're listening to my favorite NMH song, "Holland, 1945," and then onto Lake Shore Drive, the waves of Lake Michigan crashing against the boulders by the Drive, the windows cracked to get the car to defrost, the dirty, bracing, cold air rushing in, and I love the way Chicago smells—Chicago is brackish lake water and soot and sweat and grease and I love it, and I love this song, and Tiny's saying I love this song, and he's got the visor down so he can muss up his hair a little more expertly.
John Green (Will Grayson, Will Grayson)
Life and water are inseparable. Three quarters of the earth's surface is covered by water, just as three quarters of your body is made up of water. Even in the driest desert where rain may come just once every few years, the cycles of life are based on waiting for the arrival of water. Our bodies are not so patient. Every cell in your body needs water to survive, and that means that drinking plenty of clean, fresh water can make you stronger healthier and smarter. Water carries oxygen and fuel to your cells, lubricates your joints, regulates your body temperature, and plays a key roll in just about every function of your body. My number one roadie, POODIE, says, "You can't make a turd without grease.
Willie Nelson (The Tao of Willie: A Guide to the Happiness in Your Heart)
Not being able to swipe into the subway when people are backing up behind you. Waiting for him at the bar. Leaving your purse open on a stool with a mess of bills visible. Mispronouncing the names while presenting French wines. Your clogs slipping on the waxed floors. The way your arms shoot out and you tense your face when you almost fall. Taking your job seriously. Watching the sex scene from Dirty Dancing on repeat and eating a box of gingersnaps for dinner on your day off. Forgetting your stripes, your work pants, your socks. Mentally mapping the bar for corners where you might catch him alone. Getting drunker faster than everyone else. Not knowing what foie gras is. Not knowing what you think about abortion. Not knowing what a feminist is. Not knowing who the mayor is. Throwing up between your feet on the subway stairs. On a Tuesday. Going back for thirds at family meal. Excruciating diarrhea in the employee bathroom. Hurting yourself when you hit your head on the low pipe. Refusing to leave the bar though it's over, completely over. Bleeding in every form. Beer stains on your shirt, grease stains on your jeans, stains in every form. Saying you know where something is when you have absolutely no idea where it is. At some point, I leveled out. Everything stopped being embarrassing.
Stephanie Danler (Sweetbitter)
It’s been nice to see you again.” Another of those things you just say, a bit of grease to keep the wheels turning,
Stephen King (Revival)
His father, who for years had refused to speak to Eddie, now lacked the strength to even try. He watched his son with heavy-lidded eyes. Eddie, after struggling to find even one sentence to say, did the only thing he could think of to do: He held up his hands and showed his father his grease-stained fingertips.
Mitch Albom (The Five People You Meet in Heaven)
They used a hard vocabulary to contain the terrible softness. Greased they'd say. Offed, lit up, zapped while zipping. It wasn't cruelty, just stage presence. They were actors. When someone died, it wasn't quite dying, because in a curious way it seemed scripted, and because they had their lives mostly memorized, irony mixed with tragedy, and because they called it by other names, as if to encyst and destroy the reality of death itself.
Tim O'Brien (The Things They Carried)
I tell you, say the rich, the poor are naught but dirty wind welling in air-shafts over the cinders and droppings of the past, their voices thick with grease and ordure, sewer-greed to corrode the ear with the horrors of the past and the voids of new stupidity. One could drown waiting for the poor to make one fine distinction. Yes, destroy us say the rich and you lose the roots of God.
Norman Mailer (Deaths For The Ladies (and other disasters))
They saw me. Milton's smile curled off his face like unsticky tape. And I knew immediately, I was a boy band, a boondoggle, born fool. He was going to pull a Danny Zuko in Grease when Sandy says hello to him in front of the T-Birds, a Mrs. Robinson when she tells Elaine she didn't seduce Benjamin, a Daisy when she chooses Tom with the disposition of a sour kiwi over Gatsby, a self-made man, a man engorged with dreams, who didn't mind throwing a pile of shirts around a room if he wanted too. My heart landslided. My legs earthquaked.
Marisha Pessl (Special Topics in Calamity Physics)
Sybil entered, with a plate. "You're not eating enough, Sam," she announced. "And the canteen here is a disgrace. It's all grease and garbage!" "That's what the men like, I'm afraid," said Vimes guiltily. "I've cleaned out the tar in the tea urn, at least," Sybil went on, with satisfaction. "You cleaned out the tar urn?" said Vimes in a hollow voice. It was like being told that someone had wiped the patina off a fine old work of art. "Yes, it was like tar in there. There really wasn't much proper food in the store, but I managed to make you a bacon, lettuce, and tomato sandwich." "Thank you, dear." Vimes cautiously lifted a corner of the bread with his broken pencil. There seemed to be too much lettuce, which is to say, there was some lettuce.
Terry Pratchett (Thud! (Discworld, #34; City Watch, #7))
Between the onion and the parsley, therefore, I shall give the summation of my case for paying attention. Man's real work is to look at the things of the world and to love them for what they are. That is, after all, what God does, and man was not made in God's image for nothing. The fruits of his attention can be seen in all the arts, crafts, and sciences. It can cost him time and effort, but it pays handsomely. If an hour can be spent on one onion, think how much regarding it took on the part of that old Russian who looked at onions and church spires long enough to come up with St. Basil's Cathedral. Or how much curious and loving attention was expended by the first man who looked hard enough at the inside of trees, the entrails of cats, the hind ends of horses and the juice of pine trees to realize he could turn them all into the first fiddle. No doubt his wife urged him to get up and do something useful. I am sure that he was a stalwart enough lover of things to pay no attention at all to her nagging; but how wonderful it would have been if he had known what we know now about his dawdling. He could have silenced her with the greatest riposte of all time: Don't bother me; I am creating the possibility of the Bach unaccompanied sonatas. But if man's attention is repaid so handsomely, his inattention costs him dearly. Every time he diagrams something instead of looking at it, every time he regards not what a thing is but what it can be made to mean to him - every time he substitutes a conceit for a fact - he gets grease all over the kitchen of the world. Reality slips away from him; and he is left with nothing but the oldest monstrosity in the world: an idol. Things must be met for themselves. To take them only for their meaning is to convert them into gods - to make them too important, and therefore to make them unimportant altogether. Idolatry has two faults. It is not only a slur on the true God; it is also an insult to true things. They made a calf in Horeb; thus they turned their Glory into the similitude of a calf that eateth hay. Bad enough, you say. Ah, but it was worse than that. Whatever good may have resided in the Golden Calf - whatever loveliness of gold or beauty of line - went begging the minute the Israelites got the idea that it was their savior out of the bondage of Egypt. In making the statue a matter of the greatest point, they missed the point of its matter altogether.
Robert Farrar Capon (The Supper of the Lamb: A Culinary Reflection (Modern Library Food))
The subject was war. The good book says that he that lives by the sword shall perish by the sword, said the black. The judge smiled, his face shining with grease. What right man would have it any other way? he said.
Cormac McCarthy (Blood Meridian: Or the Evening Redness in the West)
What is toast?” says Snowman to himself, once they’ve run off. Toast is when you take a piece of bread – What is bread? Bread is when you take some flour – What is flour? We’ll skip that part, it’s too complicated. Bread is something you can eat, made from a ground-up plant and shaped like a stone. You cook it . . . Please, why do you cook it? Why don’t you just eat the plant? Never mind that part – Pay attention. You cook it, and then you cut it into slices, and you put a slice into a toaster, which is a metal box that heats up with electricity – What is electricity? Don’t worry about that. While the slice is in the toaster, you get out the butter – butter is a yellow grease, made from the mammary glands of – skip the butter. So, the toaster turns the slice of bread black on both sides with smoke coming out, and then this “toaster” shoots the slice up into the air, and it falls onto the floor . . . Forget it,” says Snowman. “Let’s try again.” Toast was a pointless invention from the Dark Ages. Toast was an implement of torture that caused all those subjected to it to regurgitate in verbal form the sins and crimes of their past lives. Toast was a ritual item devoured by fetishists in the belief that it would enhance their kinetic and sexual powers. Toast cannot be explained by any rational means. Toast is me. I am toast.
Margaret Atwood
Now, tell me, my dear, I said, what are you crying about? About the years that are gone, Mr. Betteredge," says Rosanna quietly. My past life still comes back to me sometimes. Come, come, my girl, I said, your past life is all sponged out. Why can't you forget it? "She took me by one of the lappets of my coat. I am a slovenly old man, and a good deal of my meat and drink gets splashed about on my clothes. Sometimes one of the women, and sometimes another, cleans me of my grease. The day before, Roseanna had taken out a spot for me on the lappet of my coat, with a new composition, warranted to remove anything. The grease was gone, but there was a little dull place left on the nap of the cloth where the grease had been. The girl pointed to that place, and shook here head. The stain is taken off, she said. But the place shows, Mr. Betteredge--the place shows!
Wilkie Collins (The Moonstone)
One cannot, I find, talk to a knitter. Conversation may seem to be going in that greased, easy way essential to all good conversation; starting hares too lavishly to follow them up; allowing pauses for rumination; bursts for sudden eagerness; digressions, returns, new departures, discoveries of rooted creeds or new ideas—sooner or later the challenge is bound to come: "Don't you agree?" or "What do you think?" "Yes?" says the knitter, startled but polite, "seventy-five, seventy-six—just a moment till I get to the end of my row—seventy-seven, seventy-eight—yes," she says, looking up brightly, "it's all right now. What were you saying?" But of course one has forgotten or no longer cares.
Vita Sackville-West (Country Notes)
I should have screamed. I should have thrown tantrums. It's the squeaky wheel that gets the grease as Reenie used to say.
Margaret Atwood (The Blind Assassin)
So that was the accommodation I made: silence, helpfulness. I should have screamed. I should have thrown tantrums. It’s the squeaky wheel that gets the grease, as Reenie used to say.
Margaret Atwood (The Blind Assassin)
Of course, there’s no clear line between who creates wealth and who shifts it. Lots of jobs do both. There’s no denying that the financial sector can contribute to our wealth and grease the wheels of other sectors in the process. Banks can help to spread risks and back people with bright ideas. And yet, these days, banks have become so big that much of what they do is merely shuffle wealth around, or even destroy it. Instead of growing the pie, the explosive expansion of the banking sector has increased the share it serves itself.4 Or take the legal profession. It goes without saying that the rule of law is necessary for a country to prosper. But now that the U.S. has seventeen times the number of lawyers per capita as Japan, does that make American rule of law seventeen times as effective?5 Or Americans seventeen times as protected? Far from it. Some law firms even make a practice of buying up patents for products they have no intention of producing, purely to enable them to sue people for patent infringement. Bizarrely, it’s precisely the jobs that shift money around – creating next to nothing of tangible value – that net the best salaries. It’s a fascinating, paradoxical state of affairs. How is it possible that all those agents of prosperity – the teachers, the police officers, the nurses – are paid so poorly, while the unimportant, superfluous, and even destructive shifters do so well?
Rutger Bregman (Utopia for Realists: And How We Can Get There)
But, imagining Scott’s nights here, I populated the emptiness. This had been one of his places and some small part of his spirit had been left here. Holding my own brief séance for my brother, I conjured vivid faces and loud nights. I saw that smile of his, sudden as a sunray, when he loved what you were saying. I saw the strained expression when he felt you must agree with him and couldn’t get you to see that. I caught the way the laughter would light up his eyes when he was trying to suppress it. I heard the laughing when it broke. He must have had some nights here. He had lived with such intensity. The thought was my funeral for him. Who needed possessions and career and official achievements? Life was only in the living of it. How you act and what you are and what you do and how you be were the only substance. They didn’t last either. But while you were here, they made what light there was – the wick that threads the candle-grease of time. His light was out but here I felt I could almost smell the smoke still drifting from its snuffing.
William McIlvanney (Strange Loyalties)
Filling Station Oh, but it is dirty! --this little filling station, oil-soaked, oil-permeated to a disturbing, over-all black translucency. Be careful with that match! Father wears a dirty, oil-soaked monkey suit that cuts him under the arms, and several quick and saucy and greasy sons assist him (it's a family filling station), all quite thoroughly dirty. Do they live in the station? It has a cement porch behind the pumps, and on it a set of crushed and grease- impregnated wickerwork; on the wicker sofa a dirty dog, quite comfy. Some comic books provide the only note of color-- of certain color. They lie upon a big dim doily draping a taboret (part of the set), beside a big hirsute begonia. Why the extraneous plant? Why the taboret? Why, oh why, the doily? (Embroidered in daisy stitch with marguerites, I think, and heavy with gray crochet.) Somebody embroidered the doily. Somebody waters the plant, or oils it, maybe. Somebody arranges the rows of cans so that they softly say: ESSO--SO--SO--SO to high-strung automobiles. Somebody loves us all.
Elizabeth Bishop
Risk, as first articulated by the economist Frank H. Knight in 1921,45 is something that you can put a price on. Say that you’ll win a poker hand unless your opponent draws to an inside straight: the chances of that happening are exactly 1 chance in 11.46 This is risk. It is not pleasant when you take a “bad beat” in poker, but at least you know the odds of it and can account for it ahead of time. In the long run, you’ll make a profit from your opponents making desperate draws with insufficient odds. Uncertainty, on the other hand, is risk that is hard to measure. You might have some vague awareness of the demons lurking out there. You might even be acutely concerned about them. But you have no real idea how many of them there are or when they might strike. Your back-of-the-envelope estimate might be off by a factor of 100 or by a factor of 1,000; there is no good way to know. This is uncertainty. Risk greases the wheels of a free-market economy; uncertainty grinds them to a halt.
Nate Silver (The Signal and the Noise: Why So Many Predictions Fail-but Some Don't)
Students weren’t allowed to use their avatar names while they were at school. This was to prevent teachers from having to say ridiculous things like “Pimp_Grease, please pay attention!” or “BigWang69, would you stand up and give us your book report?
Ernest Cline (Ready Player One (Ready Player One, #1))
If you are doubly burdened, first by acute shyness, and secondly by only seeing the right thing to do or say twenty-four hours later, what can you do? Only write about quick-witted men and resourceful girls, whose reactions are like greased lightning!
Agatha Christie (The Mysterious Affair at Styles (Hercule Poirot, #1))
Society mediates between the extremes of, on the one hand, intolerably strict morality and, on the other, dangerously anarchic permissiveness through an unspoken agreement whereby we are given leave to bend the rules of the strictest morality, provided we do so quietly and discreetly. Hypocrisy is the grease that keeps society functioning in an agreeable way, by allowing for human fallibility and reconciling the seemingly irreconcilable human needs for order and pleasure. When Buckley and Wambaugh said bluntly that it’s all right to deceive subjects, they breached the contract whereby you never come right out and admit you have stretched the rules for your own benefit. You do it and shut up about it, and hope you don’t get caught, because if you are caught no one — or no one who has any sense — will come forward and say he has done the same thing himself.
Janet Malcolm (The Journalist and the Murderer)
Skin-scorching grease popping as she put the floured, salted, peppered, and paprikaed chicken parts in the skillet with steady hands that had done this hundreds of times before. I wanted to see her do it hundreds and hundreds of times more. How could a God say, No, there’ll be no more for you?
Anissa Gray (The Care and Feeding of Ravenously Hungry Girls)
Let’s imagine now that it’s a grease fire. She’s left bacon unattended on the stove. Mrs. Holiday is about to throw water on it. What do you say? Rachel?” "Missums, that water gone make it wurs!” “Of course, that’s true, but what’s the problem with that?” Virgil said, “You’re telling her she’s doing the wrong thing.
Percival Everett (James)
How fares the thumb, boy? well? Aye, merry, ’tis the sign of the penis. With the women, look you, observe the ear. The parts appear and come together. So obesity and malice. So grumbling and nagging. So gossip, envy, spite, and avarice. Slowly settling into. So feminine weakness. Heartless piety. Savage morals. They come together. No more goody geedge. Ruthless, lifelong revenge. Zrrr. Grease in a cold pan. Stay off from gingerly lobed and delicately whorled ones. Thus appear the parts. Mind your uncle, boy, who knows. And the men then. Lewd speech and slovenly habits. And the peasant’s suspicion, his cruelty and rancor, his anger, drunkenness, pig-headed ignorance and bestiality. Inevitable they should be parts. Hoolyhoohoo. All in the normal course of nature. And they were saying we had evolved. What did it mean? But, he said in a voice that was clearly audible, I protest this world of unilluminated cocks. He caught the sense of his own words—so absurd—and his body began to shake—half in laughter, half in despair.
William H. Gass (Omensetter's Luck)
It was one of those great iron afternoons in London: the yellow sun being teased apart by a thoasand chimneys breathing, fawning upward without shame. This smoke is more than the day’s breath, more than dark strength--it is an imperial presence that lives and moves. People were crossing the streets and squares, going everywhere. Busses were grinding off, hundreds of them, down the long concrete viaducts, smeared with years’ pitiless use and no pleasure, into haze-gray, grease black, red lead and pale aluminum, between scrap heaps that towered high as blocks of flats, down side-shoving curves into roads clogged with Army convoys, other tall busses and canvas lorries, bicycles and cars, hitching now and then, over it all the enormous gas ruin of the sun among the smokestacks, the barrage balloons, power lines and chimneys brown as aging indoor wood, brown growing deeper, approaching black through an instant-- perhaps the true turn of the sunset-- that is wine to you, wine and comfort. The Moment was 6:43:16 British Double Summer Time: the sky beaten like Death’s drum, still humming, and Slothrop’s cock--say what? yes lookit inside his GI undershorts here’s a sneaky hardon stirring, ready to jump-- well great God where’d that come from? There is in his history, and likely, God help him, in his dossier, a peculiar sensitivity to what is revealed in the sky. (But a harden?)
Thomas Pynchon (Gravity’s Rainbow)
After three years of music-hall and theatre I'm still the same: always ready too soon. Ten thirty-five. . . . I'd better open that book lying on the make-up shelf, even though I've read it over and over again, or the copy of Paris-Sport the dresser was marking just now with my eyebrow pencil; otherwise I'll find myself all alone, face to face with that painted mentor who gazes at me from the other side of the looking-glass, with deep-set eyes under lids smeared with purplish grease-paint. Her cheek-bones are as brightly coloured as garden phlox and her blackish-red lips gleam as though they were varnished. She gazes at me for a long time and I know she is going to speak to me. She is going to say: "Is that you there? All alone, therr in that cage where idle, impatient, imprisoned hands have scored the white walls with interlaced initials and embellished them with crude, indecent shapes? On those plaster walls reddened nails, like yours, have unconsciously inscribed the appeal of the forsaken. Behind you a feminine hand has carved Marie, and the name ends in a passionate mounting flourish, like a cry to heaven. Is it you there, all alone under that ceiling booming and vibrating beneath the feet of dancers, like the floor of a mill in action? Why are you there, all alone? And why not somewhere else?" Yes, this is the dangerous, lucid hour. Who will knock at the door of my dressing-room, what face will come between me and the painted-mentor peering at me from the other side of the looking-glass? Chance, my master and my friend, will, I feel sure, deign once again to send me the spirits of his unruly kingdom. All my trust is now in him----and in myself. But above all in him, for when I go under he always fishes me out, seizing and shaking me like a life-saving dog whose teeth tear my skin a little every time. So now, whenever I despair, I no longer expect my end, but some bit of luck, some commonplace little miracle which, like a glittering link, will mend again the necklace of my days. Faith, that is what it is, genuine faith, as blind as it sometimes pretends to be, with all the dissembling renunciations of faith, and that obstinacy which makes it continue to hope even at the moment if crying. "I am utterly forsaken!" There is no doubt that, if ever my heart were to call my master Chance by another name, I should make an excellent Catholic.
Colette Gauthier-Villars
The Virgin Mary is a girl gang leader in Heaven. She is a Hell’s Angel and she rides a Harley. This I know for I come from people who think axle grease is holy water. They hold Mass out in the driveway under the hood on Saturdays. The engine is their altar. They genuflect and say prayers all day, and baptize themselves in crankcase oil. The soles of their shoes always smell like gasoline. I come from people who think Confession a necessity only the moment before a head-on collision.
Clarissa Pinkola Estés (Untie the Strong Woman: Blessed Mother's Immaculate Love for the Wild Soul)
back-scratching of liquor licenses, the netherworld of trash removal, linen, grease disposal. And with every dime you've got tied up in your new place, suddenly the drains in your prep kitchen are backing up with raw sewage, pushing hundreds of gallons of impacted crap into your dining room; your coke-addled chef just called that Asian waitress who's working her way through law school a chink, which ensures your presence in court for the next six months; your bartender is giving away the bar to under-age girls from Wantagh, any one of whom could then crash Daddy's Buick into a busload of divinity students, putting your liquor license in peril, to say the least; the Ansel System could go off, shutting down your kitchen in the middle of a ten-thousand-dollar night; there's the ongoing struggle with rodents and cockroaches, any one of which could crawl across the Tina Brown four-top in the middle of the dessert course; you just bought 10,000 dollars-worth of shrimp when the market was low, but the walk-in freezer just went on the fritz and naturally it's a holiday weekend, so good luck getting a service call in time; the dishwasher just walked out after arguing with the busboy, and they need glasses now on table seven; immigration is at the door for a surprise inspection of your kitchen's Green Cards; the produce guy wants a certified check or he's taking back the delivery; you didn't order enough napkins for the weekend — and is that the New York Times reviewer waiting for your hostess to stop flirting and notice her?
Anthony Bourdain (Kitchen Confidential: Adventures in the Culinary Underbelly)
I rested my forehead on a grease spot I'd left on the window earlier. The airlines, I thought, must have custodians who clean the windows, or there'd be an inches-thick layer of goo on them from people like me. That thought was proof positive that I shouldn't be allowed to stay up for more than eighteen hours at a time. I have a bad habit of following every thought to its miserable, pathetic little end when I'm tired. I don't mean to. It's just that my brain and my tongue get unhinged. Though some of my less charitable acquaintances would say this condition didn't require sleep deprivation.
C.E. Murphy (Urban Shaman (Walker Papers, #1))
if they label you soft, feather weight and white-livered, if the locker room tosses back its sweaty head, and laughs at how quiet your hands stay, if they come to trample the dandelions roaring in your throat, you tell them that you were forged inside of a woman who had to survive fifteen different species of disaster to bring you here, and you didn’t come to piss on trees. you ain’t nobody’s thick-necked pitbull boy, don’t need to prove yourself worthy of this inheritance of street-corner logic, this blood legend, this index of catcalls, “three hundred ways to turn a woman into a three course meal”, this legacy of shame, and man, and pillage, and man, and rape, and man. you boy. you won’t be some girl’s slit wrists dazzling the bathtub, won’t be some girl’s, “i didn’t ask for it but he gave it to me anyway”, the torn skirt panting behind the bedroom door, some father’s excuse to polish his gun. if they say, “take what you want”, you tell them you already have everything you need; you come from scabbed knuckles and women who never stopped swinging, you come men who drank away their life savings, and men who raised daughters alone. you come from love you gotta put your back into, elbow-grease loving like slow-dancing on dirty linoleum, you come from that house of worship. boy, i dare you to hold something like that. love whatever feels most like your grandmother’s cooking. love whatever music looks best on your feet. whatever woman beckons your blood to the boiling point, you treat her like she is the god of your pulse, you treat her like you would want your father to treat me: i dare you to be that much man one day. that you would give up your seat on the train to the invisible women, juggling babies and groceries. that you would hold doors, and say thank-you, and understand that women know they are beautiful without you having to yell it at them from across the street. the day i hear you call a woman a “bitch” is the day i dig my own grave. see how you feel writing that eulogy. and if you are ever left with your love’s skin trembling under your nails, if there is ever a powder-blue heart left for dead on your doorstep, and too many places in this city that remind you of her tears, be gentle when you drape the remains of your lives in burial cloth. don’t think yourself mighty enough to turn her into a poem, or a song, or some other sweetness to soften the blow, boy, i dare you to break like that. you look too much like your mother not t
Eboni Hogan
The Black-Eye-of-the-Month Club I was born with water on the brain. Okay, so that’s not exactly true. I was actually born with too much cerebral spinal fluid inside my skull. But cerebral spinal fluid is just the doctors’ fancy way of saying brain grease. And brain grease works inside the lobes like car grease works inside an engine. It keeps things running smooth and fast. But weirdo me, I was born with too much grease inside my skull, and it got all thick and muddy and disgusting, and it only mucked up the works. My thinking and breathing and living engine slowed down and flooded. My brain was drowning in grease. But
Sherman Alexie (The Absolutely True Diary of a Part-Time Indian)
U.S. Presedent Barack Sadam Husene Obame sit in the darkened Oval Ofice at 2 a.m. wearing hes traditienel Kenyan roabe. He take one last bite of the Chicago style deep dish pizza that he has flown to him every day on the Amerecan tax payer's dime and wipe the grease off his mouth with the U.S. consititutien. He get up and walk to desk, where he keeps the Kenyan black magic crystle ball. Its black glow iluminate his face. "Eeny, meeny, miney, mo — which basic U.S. freedoms are next to go?" he say aloud to no one and every one at the same time. Then he flash that trade mark Bary Obame million doller grin as a crack of lightning sound in the distence.
Seinfeld 2000 (The Apple Store)
Inarguably, a successful restaurant demands that you live on the premises for the first few years, working seventeen-hour days, with total involvement in every aspect of a complicated, cruel and very fickle trade. You must be fluent in not only Spanish but the Kabbala-like intricacies of health codes, tax law, fire department regulations, environmental protection laws, building code, occupational safety and health regs, fair hiring practices, zoning, insurance, the vagaries and back-alley back-scratching of liquor licenses, the netherworld of trash removal, linen, grease disposal. And with every dime you've got tied up in your new place, suddenly the drains in your prep kitchen are backing up with raw sewage, pushing hundreds of gallons of impacted crap into your dining room; your coke-addled chef just called that Asian waitress who's working her way through law school a chink, which ensures your presence in court for the next six months; your bartender is giving away the bar to under-age girls from Wantagh, any one of whom could then crash Daddy's Buick into a busload of divinity students, putting your liquor license in peril, to say the least; the Ansel System could go off, shutting down your kitchen in the middle of a ten-thousand-dollar night; there's the ongoing struggle with rodents and cockroaches, any one of which could crawl across the Tina Brown four-top in the middle of the dessert course; you just bought 10,000 dollars-worth of shrimp when the market was low, but the walk-in freezer just went on the fritz and naturally it's a holiday weekend, so good luck getting a service call in time; the dishwasher just walked out after arguing with the busboy, and they need glasses now on table seven; immigration is at the door for a surprise inspection of your kitchen's Green Cards; the produce guy wants a certified check or he's taking back the delivery; you didn't order enough napkins for the weekend — and is that the New York Times reviewer waiting for your hostess to stop flirting and notice her?
Anthony Bourdain (Kitchen Confidential: Adventures in the Culinary Underbelly)
Little Sleep's-Head Sprouting Hair in the Moonlight 1 You scream, waking from a nightmare. When I sleepwalk into your room, and pick you up, and hold you up in the moonlight, you cling to me hard, as if clinging could save us. I think you think I will never die, I think I exude to you the permanence of smoke or stars, even as my broken arms heal themselves around you. 2 I have heard you tell the sun, don't go down, I have stood by as you told the flower, don't grow old, don't die. Little Maud, I would blow the flame out of your silver cup, I would suck the rot from your fingernail, I would brush your sprouting hair of the dying light, I would scrape the rust off your ivory bones, I would help death escape through the little ribs of your body, I would alchemize the ashes of your cradle back into wood, I would let nothing of you go, ever, until washerwomen feel the clothes fall asleep in their hands, and hens scratch their spell across hatchet blades, and rats walk away from the culture of the plague, and iron twists weapons toward truth north, and grease refuse to slide in the machinery of progress, and men feel as free on earth as fleas on the bodies of men, and the widow still whispers to the presence no longer beside her in the dark. And yet perhaps this is the reason you cry, this the nightmare you wake screaming from: being forever in the pre-trembling of a house that falls. 3 In a restaurant once, everyone quietly eating, you clambered up on my lap: to all the mouthfuls rising toward all the mouths, at the top of your voice you cried your one word, caca! caca! caca! and each spoonful stopped, a moment, in midair, in its withering steam. Yes, you cling because I, like you, only sooner than you, will go down the path of vanished alphabets, the roadlessness to the other side of the darkness, your arms like the shoes left behind, like the adjectives in the halting speech of old folk, which once could call up the lost nouns. 4 And you yourself, some impossible Tuesday in the year Two Thousand and Nine, will walk out among the black stones of the field, in the rain, and the stones saying over their one word, ci-gît, ci-gît, ci-gît, and the raindrops hitting you on the fontanel over and over, and you standing there unable to let them in. 5 If one day it happens you find yourself with someone you love in a café at one end of the Pont Mirabeau, at the zinc bar where wine takes the shapes of upward opening glasses, and if you commit then, as we did, the error of thinking, one day all this will only be memory, learn to reach deeper into the sorrows to come—to touch the almost imaginary bones under the face, to hear under the laughter the wind crying across the black stones. Kiss the mouth that tells you, here, here is the world. This mouth. This laughter. These temple bones. The still undanced cadence of vanishing. 6 In the light the moon sends back, I can see in your eyes the hand that waved once in my father's eyes, a tiny kite wobbling far up in the twilight of his last look: and the angel of all mortal things lets go the string. 7 Back you go, into your crib. The last blackbird lights up his gold wings: farewell. Your eyes close inside your head, in sleep. Already in your dreams the hours begin to sing. Little sleep's-head sprouting hair in the moonlight, when I come back we will go out together, we will walk out together among the ten thousand things, each scratched in time with such knowledge, the wages of dying is love.
Galway Kinnell
Pigeons wrapped in the leaves of vines. Oysters in crisp pastry cases. Whole Gloucester salmon in aspic. Yarmouth lobsters cooked in wine and herbs. Glazed tarts of pippin apples. Paper-thin layers of buttery pastry spread with greengages, apricots, peaches, cherries, served with great gouts of golden cream. "Well," I say, "it's gruel for us tonight, with a smidgeon of salt and pepper." Whereupon he reaches into his pocket, pulls out a twist of greased paper, and opens it. Immediately I smell the tang of heather honey. "For you, Ann." In his grimed palm sits an oozing chunk of honeycomb as big as a plover's egg. I clap my hands in delight, my tongue waggling with greed. As we eat our gruel I make the clots of chewy wax last as long as possible, pushing them around and around my mouth, pressing them against my molars, sucking on them 'til they slip sweetly down my throat.
Annabel Abbs (Miss Eliza's English Kitchen)
Bad lovers face to face in the morning Shy apologies and polite regrets Slow dances that left no warning of Outraged glances and indiscreet yawning Good manners and bad breath get you nowhere Even presidents have newspaper lovers Ministers go crawling under covers She's no angel He's no saint They're all covered up with white washed grease paint And you say... Chorus: The teacher never told you anything but white lies But you never see the lies And you believe Oh you know you have been captured You feel so civilized And you look so pretty in your new lace sleeves The salty lips of the socialite sisters With their continental fingers that have never seen working blisters Oh I know they've got their problems I wish I was one of them They say daddy's coming home soon With his sergeant stripes and his Empire mug and spoon No more fast buck And when are they gonna learn their lesson When are they gonna stop all of these victory processions And you say...
Elvis Costello
Much more than skeleton, it is flash, I mean the carrion flesh, which disturb and alarm us – and which alleviates us as well. The Buddhists monks gladly frequented charnel houses: where corner desire more surely and emancipate oneself from it? The horrible being a path of liberation in every period of fervor and inwardness, our remains have enjoyed great favor. In the Middle Ages, a man made a regimen of salvation, he believed energetically: the corpse was in fashion. Faith was vigorous than, invincible; it cherished the livid and the fetid, it knew the profits to be derived from corruption and gruesomeness. Today, an edulcorated religion adheres only to „nice” hallucinations, to Evolution and to Progress. It is not such a religion which might afford us the modern equivalent of the dense macabre. „Let a man who aspires to nirvana act so that nothing is dear to him”, we read in a Buddhist text. It is enough to consider these specters, to meditate on the fate of the flash which adhered to them, in order to understand the urgency of detachment. There is no ascesis in the double rumination on the flesh and on the skeleton, on the dreadful decrepitude of the one and the futile permanence of the other. It is a good exercise to sever ourselves now and then from our face, from our skin, to lay aside this deceptive sheathe, then to discard – if only for a moment – that layer of grease which keeps us from discerning what is fundamental in ourselves. Once exercise is over, we are freer and more alone, almost invulnerable. In other to vanquish attachments and the disadvantages which derive from them, we should have to contemplate the ultimate nudity of a human being, force our eyes to pierce his entrails and all the rest, wallow in the horror of his secretions, in his physiology of an imminent corpse. This vision would not be morbid but methodical, a controlled obsession, particularly salutary in ordeals. The skeleton incites us to serenity; the cadaver to renunciation. In the sermon of futility which both of them preach to us happiness is identified with the destruction of our bounds. To have scanted no detail of such a teaching and even so to come to terms with simulacra! Blessed was the age when solitaries could plumb their depths without seeming obsessed, deranged. Their imbalance was not assigned a negative coefficient, as is the case for us. They would sacrifice ten, twenty years, a whole life, for a foreboding, for a flash of the absolute. The word „depth” has a meaning only in connection with epochs when the monk was considered as the noblest human exemplar. No one will gain – say the fact that he is in the process of disappearing. For centuries, he has done no more than survive himself. To whom would he address himself, in a universe which calls him a „parasite”? In Tibet, the last country where monks still mattered, they have been ruled out. Yet is was a rare consolation to think that thousands of thousands of hermits could be meditating there, today, on the themes of the prajnaparamita. Even if it had only odious aspects, monasticism would still be worth more than any other ideal. Now more then ever, we should build monasteries … for those who believe in everything and for those who believe in nothing. Where to escape? There no longer exist a single place where we can professionally execrate this world.
Emil M. Cioran
Our streets have days, and even hours. Where I was born, and where my baby will be born, you look down the street and you can almost see what's happening in the house: like, say, Saturday, at three in the afternoon, is a very bad hour. The kids are home from school. The men are home from work. You'd think that this might be a very happy get together, but it isn't. The kids see the men. The men see the kids. And this drives the women, who are cooking and cleaning and straightening hair and who see what men won't see, almost crazy. You can see it in the streets, you can hear it in the way the women yell for their children. You can see it in the way they come down out of the house - in a rush, like a storm - and slap the children and drag them upstairs, you can hear it in the child, you can see it in the way the men, ignoring all this, stand together in front of a railing, sit together in the barbershop, pass a bottle between them, walk to the corner to the bar, tease the girl behind the bar, fight with each other, and get very busy, later, with their vines. Saturday afternoon is like a cloud hanging over, it's like waiting for a storm to break. But, on Sunday mornings the clouds have lifted, the storm has done its damage and gone. No matter what the damage was, everybody's clean now. The women have somehow managed to get it all together, to hold everything together. So, here everybody is, cleaned, scrubbed, brushed, and greased. Later, they're going to eat ham hocks or chitterlings or fried or roasted chicken, with yams and rice and greens or combread or biscuits. They're going to come home and fall out and be friendly: and some men wash their cars, on Sundays, more carefully than they wash their fo­reskins.
James Baldwin (If Beale Street Could Talk)
In about 1951, a quality approach called Total Productive Maintenance (TPM) came on the Japanese scene. Its focus is on maintenance rather than on production. One of the major pillars of TPM is the set of so-called 5S principles. 5S is a set of disciplines—and here I use the term “discipline” instructively. These 5S principles are in fact at the foundations of Lean—another buzzword on the Western scene, and an increasingly prominent buzzword in software circles. These principles are not an option. As Uncle Bob relates in his front matter, good software practice requires such discipline: focus, presence of mind, and thinking. It is not always just about doing, about pushing the factory equipment to produce at the optimal velocity. The 5S philosophy comprises these concepts: • Seiri, or organization (think “sort” in English). Knowing where things are—using approaches such as suitable naming—is crucial. You think naming identifiers isn’t important? Read on in the following chapters. • Seiton, or tidiness (think “systematize” in English). There is an old American saying: A place for everything, and everything in its place. A piece of code should be where you expect to find it—and, if not, you should re-factor to get it there. • Seiso, or cleaning (think “shine” in English): Keep the workplace free of hanging wires, grease, scraps, and waste. What do the authors here say about littering your code with comments and commented-out code lines that capture history or wishes for the future? Get rid of them. • Seiketsu, or standardization: The group agrees about how to keep the workplace clean. Do you think this book says anything about having a consistent coding style and set of practices within the group? Where do those standards come from? Read on. • Shutsuke, or discipline (self-discipline). This means having the discipline to follow the practices and to frequently reflect on one’s work and be willing to change.
Robert C. Martin (Clean Code: A Handbook of Agile Software Craftsmanship (Robert C. Martin Series))
Do you believe that?” Melinda says, directing her wonderment at Irv. “That if someone commits suicide they go to hell?” “No.” “But many Christians do, right?” “There’s a debate, but it’s doctrine.” “But you don’t think so?” “No.” “Why not?” “For the same reason the Catholics believe in the Trinity, Melinda.” The appetizers arrive with a speed that Sigrid finds suspicious. “Which is . . . what?” “It’s how I understand Jesus’s words spoken from the cross,” says Irv, taking a calamari. “Jesus spoke seven times on the cross. In Matthew Twenty-Seven, verse forty-six and in Mark Fifteen verse thirty-four he says, ‘My God, my God, why have you forsaken me?’ This led to the Trinity,” Irv said, sucking cocktail sauce and grease from his thumb. “The thinking is, if Jesus was Lord, who was he speaking to? He was obviously speaking to someone or something other than himself, unless . . . ya know.” Irv makes a circular cuckoo motion by his head with a piece of squid. “So perhaps he was speaking to the Father, or to the Holy Spirit. In this act, he distinguishes himself from the eternal and embodies everything that is Man. The fear, the sadness, the tragedy. The longing. The recognition of betrayal. We see him, in that moment, only as the Son, and because of that, as ourselves. As I read it, Melinda, we are not invited in that moment to be cruel to him for his despair, or to mock him. Instead we are asked to feel his pain. When Jesus says, ‘It is finished’ I don’t read, ‘Mission accomplished.’ I see a person resigned. A person who has lost hope. A person who has taken a step away from this life. And our pity for him grows. And finally he says, ‘Father, into your hands I commend my spirit.’ Now, I’m not going to equate Jesus letting go with suicide, but any decent and forgiving Christian person would have to admit that we are looking at a person who cannot fight anymore. We are being taught to be understanding of that state of mind and sympathetic to the suffering that might lead a person to it. It does not follow to me that if someone succumbs to that grief we are to treat them with eternal contempt. I just don’t believe it.
Derek B. Miller (American by Day (Sheldon Horowitz #3))
To this day, I am still not sure what it was about Chip Gaines that made me give him a second chance--because, basically, our first date was over before it even started. I was working at my father’s Firestone automotive shop the day we first met. I’d worked as my dad’s office manager through my years at Baylor University and was perfectly happy working there afterward while I tried to figure out what I really wanted to do with my life. The smell of tires, metal, and grease--that place was like a second home to me, and the guys in the shop were all like my big brothers. On this particular afternoon, they all started teasing me. “You should go out to the lobby, Jo. There’s a hot guy out there. Go talk to him!” they said. “No,” I said. “Stop it! I’m not doing that.” I was all of twenty-three, and I wasn’t exactly outgoing. She was a bit awkward--no doubt about that. I hadn’t dated all that much, and I’d never had a serious relationship--nothing that lasted longer than a month or two. I’d always been an introvert and still am (believe it or not). I was also very picky, and I just wasn’t the type of girl who struck up conversations with guys I didn’t know. I was honestly comfortable being single; I didn’t think that much of it. “Who is this guy, anyway?” I asked, since they all seemed to know him for some reason. “Oh, they call him Hot John,” someone said, laughing. Hot John? There was no way I was going out in that lobby to strike up a conversation with some guy called Hot John. But the guys wouldn’t let up, so I finally said, “Fine.” I gathered up a few things from my desk (in case I needed a backup plan) and rounded the corner into the lobby. I quickly realized that Hot John was pretty good-looking. He’d obviously just finished a workout--he was dressed head-to-toe in cycling gear and was just standing there, innocently waiting on someone from the back. I tried to think about what I might say to strike up a conversation when I got close enough and quickly settled on the obvious topic: cycling. But just as that thought raced through my head, he looked up from his magazine and smiled right at me. Crap, I thought. I completely lost my nerve. I kept on walking right past him and out the lobby’s front door. When I reached the safety of my dad’s outdoor waiting area, I realized just how bad I’d needed the fresh air. I sat on a chair a few down from another customer and immediately started laughing at myself. Did I really just do that?
Joanna Gaines (The Magnolia Story)
From Life, Volume III, by Unspiek, Baron Bodissey: I am constantly startled and often amused by the diverse attitudes toward wealth to be found among the peoples of the Oikumene. Some societies equate affluence with criminal skill; for others wealth represents the gratitude of society for the performance of valuable services. My own concepts in this regard are easy and clear, and I am sure that the word ‘simplistic’ will be used by my critics. These folk are callow and turgid of intellect; I am reassured by their howls and yelps. For present purposes I exclude criminal wealth, the garnering of which needs no elaboration, and a gambler’s wealth which is tinsel. In regard, then, to wealth: Luxury and privilege are the perquisites of wealth. This would appear a notably bland remark, but is much larger than it seems. If one listens closely, he hears deep and far below the mournful chime of inevitability. To achieve wealth, one generally must thoroughly exploit at least three of the following five attributes: Luck. Toil, persistence, courage. Self-denial. Short-range intelligence: cunning, improvisational ability. Long-range intelligence: planning, the perception of trends. These attributes are common; anyone desiring privilege and luxury can gain the precursory wealth by making proper use of his native competence. In some societies poverty is considered a pathetic misfortune, or noble abnegation, hurriedly to be remedied by use of public funds. Other more stalwart societies think of poverty as a measure of the man himself. The critics respond: What an unutterable ass is this fellow Unspiek! I am reduced to making furious scratches and crotchets with my pen! — Lionel Wistofer, in The Monstrator I am poor; I admit it! Am I then a churl or a noddy? I deny it with all the vehemence of my soul! I take my bite of seed-cake and my sip of tea with the same relish as any paunchy plutocrat with bulging eyes and grease running from his mouth as he engulfs ortolans in brandy, Krokinole oysters, filet of Darango Five-Horn! My wealth is my shelf of books! My privileges are my dreams! — Sistie Fael, in The Outlook … He moves me to tooth-chattering wrath; he has inflicted upon me, personally, a barrage of sheer piffle, and maundering insult which cries out to the Heavens for atonement. I will thrust my fist down his loquacious maw; better, I will horsewhip him on the steps of his club. If he has no club, I hereby invite him to the broad and convenient steps of the Senior Quill-drivers, although I must say that the Inksters maintain a superior bar, and this shall be my choice since, after trouncing the old fool, I will undoubtedly ask him in for a drink. — McFarquhar Kenshaw, in The Gaean
Jack Vance (Demon Princes (Demon Princes #1-5))
BUTTERSCOTCH BONANZA BARS Preheat oven to 350 degrees F., rack in the middle position.   ½ cup salted butter (1 stick, 4 ounces, ¼ pound) 2 cups light brown sugar*** (pack it down in the cup when you measure it) 2 teaspoons baking powder 1 teaspoon salt 1 teaspoon vanilla extract 2 beaten eggs (just whip them up in a glass with a fork) 1 and ½cups flour (scoop it up and level it off with a table knife) 1 cup chopped nuts (optional) 2 cups butterscotch chips (optional) ***- If all you have in the house is dark brown sugar and the roads are icy, it’s below zero, and you really don’t feel like driving to the store, don’t despair. Measure out one cup of dark brown sugar and mix it with one cup regular white granulated sugar. Now you’ve got light brown sugar, just what’s called for in Leslie’s recipe. And remember that you can always make any type of brown sugar by mixing molasses into white granulated sugar until it’s the right color. Hannah’s Note: Leslie says the nuts are optional, but she likes these cookie bars better with nuts. So do I, especially with walnuts. Bertie Straub wants hers with a cup of chopped pecans and 2 cups of butterscotch chips. Mother prefers these bars with 2 cups of semi-sweet chocolate chips and no nuts, Carrie likes them with 2 cups of mini chocolate chips and a cup of chopped pecans, and Lisa prefers to make them with 1 cup of chopped walnuts, 1 cup of white chocolate chips, and 1 cup of butterscotch chips. All this goes to show just how versatile Leslie’s recipe is. Try it first as it’s written with just the nuts. Then try any other versions that you think would be yummy. Grease and flour a 9-inch by 13-inch cake pan, or spray it with nonstick baking spray, the kind with flour added. Set it aside while you mix up the batter. Melt the butter in a small saucepan over low heat on the stovetop, or put it in the bottom of a microwave-safe, medium-sized mixing bowl and heat it for 1 minute in the microwave on HIGH. Add the light brown sugar to the mixing bowl with the melted butter and stir it in well. Mix in the baking powder and the salt. Make sure they’re thoroughly incorporated. Stir in the vanilla extract. Mix in the beaten eggs. Add the flour by half-cup increments, stirring in each increment before adding the next. Stir in the nuts, if you decided to use them. Mix in the butterscotch chips if you decided to use them, or any other chips you’ve chosen. Spoon the batter into the prepared cake pan and smooth out the top with a rubber spatula. Bake the Butterscotch Bonanza Bars at 350 degrees F. for 20 to 25 minutes. (Mine took 25 minutes.) When the bars are done, take them out of the oven and cool them completely in the pan on a cold stove burner or a wire rack. When the bars are cool, use a sharp knife to cut them into brownie-sized pieces. Yield: Approximately 40 bars, but that all depends on how large you cut the squares. You may not believe this, but Mother suggested that I make these cookie bars with semi-sweet chocolate chips and then frost them with chocolate fudge frosting. There are times when I think she’d frost a tuna sandwich with chocolate fudge frosting and actually enjoy eating it!
Joanne Fluke (Devil's Food Cake Murder (Hannah Swensen, #14))
I grew up in Pittsburgh." "In Pittsburgh?" Arthur says, a small snort escaping him. "An unlikely place for a classically trained chef." "People have been known to eat in Pittsburgh, you know," I tell him, with a backwards glance as he pulls out my chair. The man is a snob. "Well, of course they do. I just meant that, well, even today, it's not exactly the bastion of haute cuisine. Twenty, thirty years ago, forget it. In fact, can you remember the last time a Pittsburgh restaurant was featured in Bon Appétit?" Touché. In fact, the only time that I can remember a Pittsburgh restaurant being mentioned in a national magazine was several years ago when Gourmet mentioned Primanti Brothers in an interview with Mario Batali (who'd eaten there on a recent trip and enjoyed it). For the uninitiated, the Primanti sandwich is a cheesesteak sub, served on thick slabs of crusty Italian bread and topped with very well-done grease-still-glistening French fries, coleslaw, and, if you're really a traditionalist, a fried egg. Apparently, it has become the signature food of Pittsburgh.
Meredith Mileti (Aftertaste: A Novel in Five Courses)
Sirine smiles back and asks what he would like to have for breakfast. He yawns and sits up, and asks almost timidly, "I don't suppose you could make some more of that frekeh?" The dish of smoked wheat kernels with olive oil and garlic. She sits still, the sunlight from the balcony skimming through the bedroom. There are bags and bags of frekeh at her uncle's house, pounds of it at the café, even the Indian market a few blocks away from Han's apartment sells it in bulk. But she takes a breath and frowns and says, "I'm not sure if I can find any more right now." She tells Han to sleep a little longer and she walks down to the Indian market by herself. But when she comes back with her groceries she doesn't have frekeh. She makes scrambled eggs and bacon for breakfast. She stirs dollops of heavy cream and cheese into the eggs, letting the bacon grease soak into the egg, slicing squares of buttered toast in half, filling the glasses with orange juice. She serves this to Han while he's still in bed and he smiles and eats it and doesn't say anything more about frekeh.
Diana Abu-Jaber (Crescent)
When a guy you obviously like asks you to hang out, you don’t say ‘maybe.’ Sometimes I swear, you’re like Sandra Dee on steroids.” “Ooohh, a Grease reference. Now I’m really worried.
Isabel Bandeira (Bookishly Ever After (Ever After, #1))
Tom had automatically picked up the oily rag that lived on the corner of Grey’s desk and, with a dexterous flick, snapped a fat fly out of the air and into oblivion. “Dead whale garnished with mint? That should cause my blood to be especially attractive to the more discriminating biting insects in Charles Town—to say nothing of Canada.” Jamaican flies were a nuisance but seldom carnivorous, and the sea breeze and muslin window screening kept most mosquitoes at bay. The swamps of coastal America, though…and the deep Canadian woods, his ultimate destination… “No,” Grey said reluctantly, scratching his neck at the mere thought of Canadian deer flies. “I can’t attend Mr. Mullryne’s celebration of his new plantation house basted in whale oil. Perhaps we can get bear grease in South Carolina. Meanwhile…sweet oil, perhaps?
Diana Gabaldon (Seven Stones to Stand or Fall: A Collection of Outlander Fiction)
Zimbardo could not see the brutality himself because he was already too deep into his chosen role of Warden and lost his exterior view of his sociological “experiment”. He could not see clearly what was happening. More recently, Zimbardo has acted as a consultant to one of the arrested soldiers in the recent Abu Ghraib prison torture. He never denied the culpability of the individuals involved but was certain to bring up the lack of oversight and structure. In his recent book he states “Aberrant, illegal or immoral behavior by individuals in service professions, such as policemen, corrections officers, and soldiers, are typically labeled the misdeeds of “a few bad apples”. The implication is that they are a rare exception and must be set on one side of the impermeable line between evil and good, with the majority of good apples set on the other side. But who is making the distinction? Usually it is the guardians of the system, who want to isolate the problem in order to deflect attention and blame away from those at the top who may be responsible for creating untenable working conditions or for a lack of oversight or supervision. Again the bad-apple dispositional view ignores the apple barrel and its potentially corrupting situational impact on those within it. “A systems analysis focuses on the barrel makers, on those with the power to design the barrel.” Zimbardo isolated 7 social processes that grease the slippery slope of evil. I found myself in all of these seven steps, to a greater or lesser degree. They are: 1) Mindlessly taking the first step. 2) Dehumanization of others. 3) De-individualization of self (anonymity). 4) Diffusion of personal responsibility. 5) Blind obedience to authority. 6) Uncritical conformity to the group’s norms. 7) Passive tolerance of evil, through inaction, or indifference. In hindsight, I can see each one of these points were present in the apple barrel of Scientology that I lived through.   Acknowledgments                     There are numerous people I would like to acknowledge for their support and encouragement during the very difficult task of going back to some dark places in my past to get this book written. They do no want their names used, but they know who they are, and my appreciation is deep and well known to them. I would like to thank Jeferson Hawkins for both his Cover designs and other help along this road. I want to acknowledge Bernice Mennis, Ben Bashore for their personal help over the years. There is much I can say about Vermont College, but the simplest is that they gave me the environment, freedom and courage to study what I needed to write
Nancy Many (My Billion Year Contract, Memoir of a Former Scientologist)
Our minds thus grow in spots; and like grease-spots, the spots spread. But we let them spread as little as possible: we keep unaltered as much of our old knowledge, as many of our old prejudices and belief, as we can. We patch and tinker more than we renew. The novelty soaks in; it stains the ancient mass; but it is also tinged by what absorbs it. Our past apperceives and co-operates; and in the new equilibrium in which each step forward in the process of learning terminates, it happens relatively seldom that the new fact is added raw. More usually it is embedded cooked, as one might say, or stewed down in the sauce of the old. New truths thus are resultants of new experiences and of old truths combined and mutually modifying one another. And since this is the case in the changes opinion of to-day, there is no reason to assume that it has not been so at all times. It follows that very ancient modes of thought may have survived through all the later changes in men's opinions. The most primitive ways of thinking may not yet be wholly expunged. Like our five fingers, our ear-bones, our rudimentary caudal appendage, or our other 'vestigial' peculiarities, they may remain as indelible tokens of events in our race-history. Our ancestors may at certain moments have struck into ways of thinking which they might conceivably not have found. But once they did so, and after the fact, the inheritance continues. When you begin a piece of music in a certain key, you must keep the key to the end. You may alter your house ad libitum, but the ground-plan of the first architect persists - you can make great changes, but you cannot change a Gothic church into a Doric temple. You may rinse and rinse the bottle, but you can't get the taste of the medicine or whiskey that first filled it wholly out. My thesis now is this, that our fundamental ways of thinking about things are discoveries of exceedingly remote ancestors, which have been able to preserve themselves throughout the experience of all subsequent time. They form one great stage of equilibrium in the human mind's development, the stage of common sense. Other stages have grafted themselves upon this stage, but have never succeeded in displacing it.
William James
To her horror, the man lifted the edge of the robe to look at her shoulder. Frantic, she jerked at the leather that held her hand behind her. This was her worst nightmare. Comanches. Not one, but two. And she couldn’t even fight them. If he yanked the robe off her, there would be nothing she could do but lie there in shame. Hunter stirred and yawned, then rose up on one elbow to bark in Comanche, “What is it, tah-mah? Can’t you see I’m trying to sleep?” “I just came to check the woman.” Hunter squinted at the sun and sighed. “So, how does she look?” He sat up and drew the robe further down her shoulder, taking care not to uncover her breast, laughing softly at the horrified expression on her face. Of all the men, his brother, Warrior, would be least likely to harm her. He was a fierce fighter but otherwise gentle, more apt to defend her than attack her. “It seems better to me. The grease, maybe. Not such a deep red. Old Man was right about the cold water chasing away the fever, too. She’s hot, but nothing like she was.” Warrior pressed a palm to her skin. “Old Man says if you don’t keep her cool, the fever will come upon her again.” “Not another bath?” Hunter propped an elbow on his upraised knee and rubbed his forehead. All trace of laughter fled. He didn’t relish the thought of the battle he’d have with her. “Don’t wake me with news like that. Bring me coffee first.” “Not another bath, but no traveling in the heat. We’ll have to stay here a few days.” “You’re willing to risk that? What about the tosi tivo?” Breaking open a mullein leaf, Warrior laved his fingertips with healing juice and applied it to the frightened girl’s cheeks. She shrank back--only to run into Hunter, which made her flinch. “We’re probably safer here, right under their noses, than we would be miles away. When we circled back, we covered our trail well. You have to remember how stupid the tosi tivo are. They will follow the trails the others laid and never even think to look for us here, so close.” “Yes, but--” “She’s your woman. If the situation were reversed, you would risk it.” Hunter grew impatient with his struggling captive and caught a handful of her braid to hold her still. “There, I’ve got her. The nose is worst. On the end where it curves up. Her forehead, too, tah-mah.” Warrior dabbed juice and smiled. “She doesn’t like me. Come to think of it, she doesn’t seem any too fond of you.
Catherine Anderson (Comanche Moon (Comanche, #1))
As we leave, I remember how Khalil used to run up to the car when I was about to go, the sun shining on the grease lines that separated his cornrows. The glimmer in his eyes would be just as bright. He’d knock on the window, I’d let it down, and he’d say with a snaggletooth grin, “See you later, alligator.” Back then I’d giggle behind my own snaggleteeth. Now I tear up. Good-byes hurt the most when the other person’s already gone. I imagine him standing at my window, and I smile for his sake. “After a while, crocodile.” FIVE
Angie Thomas (The Hate U Give (The Hate U Give, #1))
Cleanliness is next to godliness is an old wives' saying but there's a lot in it. It wouldn't surprise me if one slid down the road to Hell all the quicker if it's slimy with grease; kitchen grease and the grease of an unwashed skin.
Elizabeth Goudge (The Rosemary Tree)
The solution should be simple if you just S.T.O.P.: Settle. Think. Organize. Present. As a true EMS leader, when confronted with any possible, potential, or perceived difficulty: S.T.O.P. before you impose any long-term action or do any irreversible damage. Settle Let the dust settle before taking long-term action. For some reason – maybe it’s the age of instant everything – any brief pause in our action causes anxiety and consternation that we are not responding properly. Get over it. Take the time necessary and available to see each situation for the facts, not the perception. Learn the truth and get the whole story in context first. That is the only way you can actually fix any situation before you exacerbate it; it’s what will prevent you from trying to extinguish a grease fire with water. Think Take the time necessary and available to process the facts as they are, not as they are perceived to be by the public or you. Certain perceptions may be ugly in the moment, but at the end of the day (sorry for the cliché), the public will judge your operation and you on how the story ends. Organize With a clear view of the facts in context, and after careful consideration of them, take the time necessary and available to organize a plan for solving, resolving, fixing, or preventing whatever issue is at hand. Cogitate on the rationality of your response, the cause and effect of that which you are trying to manage. Does your proposed response actually answer the question, or are you simply painting over cracks to make someone else feel better? Present Take the time necessary and available to present the question in proper context, the answer in proper context, and the rationale to those who will be charged with carrying it out. Including the rationale with the conclusion is what professionals do. When you include the “why” with the “what,” you will be far more likely to see success in the implementation of progress and where there is progress, EMS takes another step closer to being professional. In the end, nothing good or productive has ever come from a knee-jerk reaction in EMS or anywhere else. As they say, “Somehow, there’s never enough time to do it right, but there’s always enough time to do it over.
David Givot (Sirens, Lights, and Lawyers: The Law & Other Really Important Stuff EMS Providers Never Learned in School)
THE SUMMER BEFORE COLLEGE Mick drove trucks for the Coke plant, big lumbering GMCs with slide-up side doors from which he pulled down wooden cases of bottles and slung back cases of empties, delivering to corner markets, restaurants and grocery stores in Rockland County. He loved the hard labor and the changing scenes and people, the sun hot on his face through the GMC’s big windshield and on his arm through the open window full of all the scents of summer – spicy fresh-mown alfalfa, sun-warm bark of beeches and birches, black-furrowed soil, the redolent pastures of cattle and sheep, the cool moist air when the road went over a stream. Wherever he sold, people upped their orders. “What I like,” one corner grocer said, “is you never let me down. You always come when you say you will.” Mick shrugged it off but smiled, “Isn’t everybody like that?” “The way you work, you’re gonna make somethin’ of yourself some day.” He drove on, one arm out the window, shoulder warm in the sun, wind cooling his face, in the friendly grease, diesel and sun-hot plastic smell of the truck. Of course you worked hard, everybody should. It made you happy. How could you not work when your family needed it? Tara waiting tables full-time at Primo’s Café on Main Street, Troy running the farm all by himself and delivering papers at four every morning; Dad’s salary at the plastic factory had gone
Mike Bond (America (America, #1))
he noticed a faint spot of grease on the bright blue cover of one of the files. I often handled the records in the course of my dissections, and had probably spotted it with a bit of grease. Dr. Mengele shot a withering glance at me and said, very seriously: “How can you be so careless with these files, which I have compiled with so much love!” The word “love” had just crossed Dr. Mengele’s lips. I was so taken aback that I sat there dumbfounded, unable to think of anything to say in reply.
Miklós Nyiszli (Auschwitz: A Doctor's Eyewitness Account)
What is this but a place?” he said. “Nothing more than a place. We’re both here in this place, occupying space. Everywhere is a place. All places share this quality. Is there any real difference between going to a gorgeous mountain resort with beautiful high thin waterfalls so delicate and ribbonlike they don't even splash when they hit bottom — waterfalls that plash; is this so different from sitting in a kitchen with bumpy linoleum and grease on the wall behind the stove across the street from a gravel pit? What are we talking about? Two places, that's all. There's nowhere you can go that isn't a place. So what's such a difference? If you can understand this idea, you'll never be unhappy. Think of the word 'place.' A sun deck with views of gorgeous mountains. A tiny dark kitchen. These share the most important of all things anything can share. They are places. The word 'place' applies in both cases. In this sense, how do we distinguish between them? How do we say one is better or worse than the other? They are equal in the most absolute of ways. Grasp this truth, sonny, and you'll never be sad.
Don DeLillo (Ratner's Star)
When researchers at the University of North Texas and Yale tried to understand why families gradually increased their fast food consumption, they found a series of cues and rewards that most customers never knew were influencing their behaviors.1.24 They discovered the habit loop. Every McDonald’s, for instance, looks the same—the company deliberately tries to standardize stores’ architecture and what employees say to customers, so everything is a consistent cue to trigger eating routines. The foods at some chains are specifically engineered to deliver immediate rewards—the fries, for instance, are designed to begin disintegrating the moment they hit your tongue, in order to deliver a hit of salt and grease as fast as possible, causing your pleasure centers to light up and your brain to lock in the pattern. All the better for tightening the habit loop.1.25
Charles Duhigg (The Power Of Habit: Why We Do What We Do In Life And Business)
Thomasplitzchen Buns Mom always said these could make your enemies your friends or your friends your enemies. I put on five pounds every St. Thomas Day because of them, so I’d say they’re my friendly enemies. Too good to eat just one. 2 cups all-purpose flour ½ teaspoon salt ½ cup butter ½ cup sugar or brown sugar 2 teaspoons baking powder ½ cup milk Filling 3 teaspoons melted butter 1 cup currants, raisins, cranberries, or whatever small, dried fruit you have on hand ¼ cup sugar Icing 3 tablespoons melted butter Few drops vanilla extract 2 cups powdered sugar Mix up all the ingredients for the buns. Get a rolling pin and press out the dough to one-eighth-inch thick on a floured board. Mix together the filling: butter, dried fruit, and sugar. Spread it on the dough. Roll it up like a fat sausage, and make one-inch slices. Put them pinwheel side up on a greased cookie sheet and bake off in a pre-heated 350°F oven until barely suntanned on top. For me, that’s about 12 minutes on a hot day and 15 on a cold one. To make the icing, mix together butter, vanilla extract, and powdered sugar. When the buns are out of the oven, give them a good sugar smothering and let cool.
Sarah McCoy (The Baker's Daughter)
You do realize she has a boyfriend. And she’s rich. And white. And wears designer clothes you’ll never be able to afford.” Yeah, I know that. And I’m sick and tired of being reminded of it. “I need your help, Isa. Not a lecture. I’ve got Paco givin’ me his crap already.” Isa holds up her hands. “I’m just pointing out facts. You’re a smart guy, Alex. Add it up. No matter how much you might want her in your life, she doesn’t belong. A triangle can’t fit into a square. Now I’ll shut up.” “Gracias.” I don’t point out that if it’s a big enough square, a small triangle can fit inside perfectly. All you have to do is make a few adjustments in the equation. I’m too drunk and high to explain it now. “I’m parked across the street,” Isa says. She lets out a big, frustrated sigh. “Follow me.” I follow Isabel to her car, hoping we can walk in silence. No such luck. “I was in class with her last year, too,” Isa says. “Uh-huh.” She shrugs. “Nice girl. Wears too much makeup.” “Most chicks hate her.” “Most chicks wish they looked like her. And they wish they had her money and boyfriend.” I stop and regard her in disgust. “Burro Face?” “Oh, please, Alex. Colin Adams is cute, he’s the captain of the football team and Fairfield’s hero. You’re like Danny Zuko in Grease. You smoke, you’re in a gang, and you’ve dated the hottest bad girls around. Brittany is like Sandy…a Sandy who’ll never show up to school in a black leather jacket with a ciggie hangin’ from her mouth. Give up the fantasy.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
What exactly is going on?” Resignation clouded Mary Beth’s cute face. “You know men, always looking out for us.” Anger lit like a match inside Maddie as she turned narrowed eyes on Mitch through the windows. She didn’t know what was going on, but she was in the mood for a fight, and this was the perfect excuse to have one. He gave her a sheepish look, and Maddie wanted to throttle him. She turned away. Her veins practically raced with adrenaline. She’d been tamping down her temper so long she’d forgotten how intoxicating it was to let it rise to the surface. How much effort did she spend repressing her emotions? The better question was, why did she continue? She stiffened her spine. Not anymore. Through gritted teeth she said, “Yes, I know.” Mary Beth’s expression turned consoling and she made some motherly “tsk” noises, even though she couldn’t be much older than Maddie. “They can’t help themselves. It’s in their nature, but obviously execution is not their strong suit.” Maddie turned her attention to the woman. She’d deal with Mitch Riley later.     “What in the hell is going on in there?” Mitch cursed. This was the worst thought-out plan in the world. Why did he leave the details up to Tommy? He knew better. He scowled at the mechanic. “You can’t lie for shit.” Tommy shot him a droll look. “What about you? You could have jumped in any time, but no, you just stood there like an idiot.” “I hired you to lie to her so I wouldn’t have to, dumbass.” With his jaw clenched, the words came out like a growl. Tommy jabbed a finger in his direction. “Ha! I knew you were pussy-whipped.” “I’m not pussy-whipped.” One had to have sex to be pussy-whipped. Not that Mitch was about to volunteer that information. “I just don’t want to lie to her.” “Same difference, dickhead.” Irrational anger flared hot in his blood. God, he wanted to take someone out. He was so fucked. “If you’d thought of a halfway decent story, this wouldn’t be happening.” “How in the hell was I supposed to know she’d know anything about cars?” “She has brothers.” “Yeah, well, you could have mentioned that.” Through the glass window, Maddie shot him a death glare. Yep, totally fucked. He shouldn’t have told her about his past; it was another strike against him, one he knew from experience couldn’t be overlooked. Between tarnishing his knight-in-shining-armor image and the subterfuge, somehow he didn’t think he’d be granted a third strike. They watched the women. Mitch tried to decipher the expressions playing across Maddie’s features and finally gave up, resigned to his fate. Ten excruciating minutes later, the door opened, and Mitch steeled himself for the fight that was sure to come. He didn’t care how he managed it, but she wasn’t leaving. Maddie walked across the dark gray, grease-stained floor, and unable to stand it any longer, he said, “Now, Maddie, I can explain.” “There’s no need.” Her voice held no trace of emotion. Not good. “But—” he started, but before he could say any more, Maddie flung herself into his arms. Shocked, he caught her and held tight. He raised a questioning eyebrow at Mary Beth, and a satisfied smirk curled over her lips. “I told Maddie how her transmission blew,” Mary Beth said in a pleased tone. “And how it cost twenty-five hundred dollars, but Tommy knows this guy over in Shelby who can trade him for a sixty-five Corvette carburetor so it would only cost her around four hundred. Unfortunately, I had to explain how Tommy was doing you a huge, gigantic favor so you agreed to represent Luke in his legal troubles.” While
Jennifer Dawson (Take a Chance on Me (Something New, #1))
Consider fast food, for instance. It makes sense—when the kids are starving and you’re driving home after a long day—to stop, just this once, at McDonald’s or Burger King. The meals are inexpensive. It tastes so good. After all, one dose of processed meat, salty fries, and sugary soda poses a relatively small health risk, right? It’s not like you do it all the time. But habits emerge without our permission. Studies indicate that families usually don’t intend to eat fast food on a regular basis. What happens is that a once a month pattern slowly becomes once a week, and then twice a week—as the cues and rewards create a habit—until the kids are consuming an unhealthy amount of hamburgers and fries. When researchers at the University of North Texas and Yale tried to understand why families gradually increased their fast food consumption, they found a series of cues and rewards that most customers never knew were influencing their behaviors.1.24 They discovered the habit loop. Every McDonald’s, for instance, looks the same—the company deliberately tries to standardize stores’ architecture and what employees say to customers, so everything is a consistent cue to trigger eating routines. The foods at some chains are specifically engineered to deliver immediate rewards—the fries, for instance, are designed to begin disintegrating the moment they hit your tongue, in order to deliver a hit of salt and grease as fast as possible, causing your pleasure centers to light up and your brain to lock in the pattern. All the better for tightening the habit loop.1.25 However, even these habits are delicate. When a fast food restaurant closes down, the families that previously ate there will often start having dinner at home, rather than seek out an alternative location. Even small shifts can end the pattern. But since we often don’t recognize these habit loops as they grow, we are blind to our ability to control them. By learning to observe the cues and rewards, though, we can change the routines.
Charles Duhigg (The Power Of Habit: Why We Do What We Do In Life And Business)
I raise my grease gun and I aim it at Cowboy's face. Cowboy looks pitiful and he's terrified. Cowboy is paralyzed by the shock that is setting in and by the helplessness. I hardly know him. I remember the first time I saw Cowboy, on Parris Island, laughing, beating his Stetson on his thigh. I look at him. He looks at the grease gun. He calls out: "I NEVER LIKED YOU, JOKER. I NEVER THOUGHT YOU WERE FUNNY--" Bang. I sight down the short metal tube and I watch my bullet enter Cowboy's left eye. My bullet passes through his eye socket, punches through fluid-filled sinus cavities, through membranes, nerves, arteries, muscle tissue, through the tiny blood vessels that feed three pounds of gray butter-soft high protein meat where brain cells arranged like jewels in a clock hold every thought and memory and dream of one adult maleHomo sapiens. My bullet exits through the occipital bone, knocks out hairy, brain-wet clods of jagged meat, then buries itself in the roots of a tree. Silence. Animal Mother lowers his M-60. Animal Mother, Donlon, Lance Corporal Stutten, Harris, and the other guys in the squad do not speak. Everyone relaxes, glad to be alive. Everyone hates my guts, but they know I'm right. I am their sergeant; they are my men. Cowboy was killed by sniper fire, they'll say, but they'll never see me again; I'll be invisible.
Gustav Hasford (The Short-Timers)
In one set of experiments, for example, researchers affiliated with the National Institute on Alcohol Abuse and Alcoholism trained mice to press levers in response to certain cues until the behavior became a habit. The mice were always rewarded with food. Then, the scientists poisoned the food so that it made the animals violently ill, or electrified the floor, so that when the mice walked toward their reward they received a shock. The mice knew the food and cage were dangerous—when they were offered the poisoned pellets in a bowl or saw the electrified floor panels, they stayed away. When they saw their old cues, however, they unthinkingly pressed the lever and ate the food, or they walked across the floor, even as they vomited or jumped from the electricity. The habit was so ingrained the mice couldn’t stop themselves.1.23 It’s not hard to find an analog in the human world. Consider fast food, for instance. It makes sense—when the kids are starving and you’re driving home after a long day—to stop, just this once, at McDonald’s or Burger King. The meals are inexpensive. It tastes so good. After all, one dose of processed meat, salty fries, and sugary soda poses a relatively small health risk, right? It’s not like you do it all the time. But habits emerge without our permission. Studies indicate that families usually don’t intend to eat fast food on a regular basis. What happens is that a once a month pattern slowly becomes once a week, and then twice a week—as the cues and rewards create a habit—until the kids are consuming an unhealthy amount of hamburgers and fries. When researchers at the University of North Texas and Yale tried to understand why families gradually increased their fast food consumption, they found a series of cues and rewards that most customers never knew were influencing their behaviors.1.24 They discovered the habit loop. Every McDonald’s, for instance, looks the same—the company deliberately tries to standardize stores’ architecture and what employees say to customers, so everything is a consistent cue to trigger eating routines. The foods at some chains are specifically engineered to deliver immediate rewards—the fries, for instance, are designed to begin disintegrating the moment they hit your tongue, in order to deliver a hit of salt and grease as fast as possible, causing your pleasure centers to light up and your brain to lock in the pattern. All the better for tightening the habit loop.1.25 However, even these habits are delicate. When a fast food restaurant closes down, the families that previously ate there will often start having dinner at home, rather than seek out an alternative location. Even small shifts can end the pattern. But since we often don’t recognize these habit loops as they grow, we are blind to our ability to control them. By learning to observe the cues and rewards, though, we can change the routines.
Charles Duhigg (The Power Of Habit: Why We Do What We Do In Life And Business)
How Good It Can Be" With the cops on your lips it's a holy routine If you'd stop all your trips you could see what I mean I forgot not to slip 'bout you're under 18 You had it in your hands, had it in your hands You had it in your hands, had it in your hands your hands, oh oh hoo Leave it up to me It's a known disease Keep it in your fleece Don't worry about the custom police, don't I'll tell you just how good it can be, this lazy summer But you got no relief from the pain in your head And it's hollow and greased and it says that you're dead But you make fun and tease and the things that you said They always stab your back, always stab your back... They always stab your back, always stab your back Your back, oh ho hoo Leave it up to me It's a known disease Keep it in your fleece Don't worry about the custom police, don't I'll tell you just how good it can be, this lazy summer They always stab your back, always stab your back... They always stab your back, always stab your back Your back, ouh ho hoo Leave it up to me It's a known disease Keep it in your fleece Don't worry about the custom police, don't I'll tell you just how good it can be, this lazy summer But you got no relief from the pain in your head And it's hollow and greased and it says that you're dead But you make fun and tease and the things that you said They always stab your back, always stab your back... They always stab your back, always stab your back Your back Leave it up to me It's a known disease Keep it in your fleece Don't worry about the custom police, don't I'll tell you just how good it can be, this lazy summer Leave it up to me It's a known disease Keep it in your fleece Don't worry about the custom police, don't I'll tell you just how good it can be, this lazy summer But you got no relief from the pain in your head And it's hollow and greased and it says that you're dead But you make fun and tease and the things that you said They always stab your back, always stab your back... They always stab your back, always stab your back Your back Leave it up to me It's a known disease Keep it in your fleece Don't worry about the custom police, don't I'll tell you just how good it can be And I've been holding out for love ever since I had a heart
The 88
In my dream, I am saying all of this in French, though I know that this is impossible. But in my dream, cruelty greases my tongue and I am undeniably fluent.
Monique Truong (The Book of Salt)
Held captive now by more than bonds and strength of arm, she turned her face to study his, fascinated by the sleepy innocence that clouded his half-closed eyes. The merciless killer was gone, replaced by a drowsy, mischievous boy who stroked her as if she were a newly acquired pet. A slow smile curved his mouth, a dreamy smile that told her he was more asleep than awake. He moved closer to whisper something unintelligible against her cheek. Her lips tingled, then parted. She found herself wondering how it might have felt if he had kissed her, then cringed at the wayward thought. Comanches didn’t kiss, they just took. And her time was running out. With the tip of his tongue, he outlined her ear. “Topsannah, tani-har-ro.” The words came out so slurred, she doubted he even knew he was saying them. “Prairie flower,” he muttered, “in springtime.” He fell silent. His arm around her waist went lifeless and heavy. His breathing changed, becoming measured and deep. The mahogany fringe of his eyelashes rested on his cheeks. Loretta stared, incredulity sweeping over her in waves. He was fast asleep. And she was pinned beneath his arm and leg. She wrinkled her nose. The fur of the buffalo robe tickled, and it smelled sharply of smoke and bear grease. Probably full of lice and fleas, too, she thought with disgust, then promptly began to itch, which was sheer torture because she couldn’t scratch. His hand rested on her ribs like an anchor. Though escape was impossible, bound as she was, being so close to him made her feel claustrophobic. Slowly, ever so slowly, she tried to ease out from under him, only to have him go tense again and pull her back into the crook of his body. “Sleep,” he murmured. “We will make war tomorrow, no?
Catherine Anderson (Comanche Moon (Comanche, #1))
Police caught the guy responsible for smashing windows and painting swastikas outside Jewish businesses on Devon Avenue. He’s out on bail now, and this morning’s paper included a picture of him. What strikes me is that he has a very small mouth, smaller than a baby’s. I mean, tiny. If you wanted him to suck your thumb, you’d have to grease it up first. The article says he belongs to a skinhead group and has tattoos, which is strange, I think, because Jews in concentration camps had shaved heads and tattoos. You’d think the anti-Semites would go for a different look.
David Sedaris (Theft by Finding: Diaries (1977-2002))
Are you stealing my TV?” I turn, expecting to find Miles sprawled out in his bed. Instead, he’s standing in the doorway, fully dressed with a grease-mottled paper bag in hand. I release the TV. “I almost knocked it over,” I explain. “Why?” he asks. “I told Peter we were dating,” I say. He stares at me for three seconds, then laughs. “What does that have to do with the TV?
Emily Henry (Funny Story)
He's got a car bomb. He puts the key in the ignition and turns it—the car blows up. He gets out. He opens the hood and makes a cursory inspection. He closes the hood and gets back in. He turns the key in the ignition. The car blows up. He gets out and slams the door shut disgustedly. He kicks the tire. He takes off his jacket and shimmies under the chassis. He pokes around. He slides back out and wipes the grease off his shirt. He puts his jacket back on. He gets in. He turns the key in the ignition. The car blows up, sending debris into the air and shattering windows for blocks. He gets out and says, Damn it! He calls a tow truck. He gives them his AAA membership number. They tow the car to an Exxon station. The mechanic gets in and turns the key in the ignition. The car explodes, demolishing the gas pumps, the red-and-blue Exxon logo high atop its pole bursting like a balloon on a string. The mechanic steps out. You got a car bomb, he says. The man rolls his eyes. I know that, he says.
Mark Leyner (My Cousin, My Gastroenterologist)
Sorry about that," he says as he sets them next to the sink where the tower of dirty dishes looms, a leaning tower of grease-uh.
Jeneva Rose (Home Is Where the Bodies Are)
People thought I was bad, but Kavi didn’t give two fucks who he put a bullet in. That nigga was a loose cannon. Charmaine and her grease monkey ass son better chill before we make room in Tal’s grave for they ass. The Muslims always say may yo’ grave be spacious, and ion know if they ass into Islam, but we can practice the spacious part in a couple of hours.
K. Renee (When It All Falls Down)
If little publicity attended Shanahan's rise in banking, less attended his rise in politics. For years, there was scarcely a mention of his name in political stories in New York newspapers; there is no mention at all in the supposedly definitive history of Tammany Hall. But Shanahan was, for more than a decade, Tammany's money man, the individual who, more than any other, greased the wheels of the machine. He was the hub of political payoffs and influence peddling in New York, the center of all those elements in the city's government that lay hidden and festering beneath its facade. And for most of that time, he was Robert Moses' closest associate in that government. In a machine oiled by money, the influence of the money man was, of course, enormous. In a machine that danced to the jingle of coins, Shanahan had a large say in calling the tune. And Moses made sure that the tune was his tune.
Robert Caro
I wish it were not so, but the Mother of All Debt Meltdowns looks inevitable, either via inflation or outright default. Choose your poison. We’re speeding toward it on greased rails. We cannot succumb to inertia or presume that we’ll get through another debt crisis as we have before. This time, I’m sorry to say, we have to expect far worse. Anyone who imagines that a collapse of this magnitude will only harm lenders and borrowers—banks will suffer, but my household will be fine—should remember just how much risk exists in the world, not just economic and financial, but also geopolitical.
Nouriel Roubini (Megathreats)
Fuck.” I exhale. The man in a suit sitting two seats from me with grease on his tie looks up from his before-10:00 A.M. burger and says, “Same.
Jessica George (Maame)
You know a good-looking girl like you shouldn’t have to worry about money,’ he said softly. She didn’t say anything and he continued, ‘In fact, if you and me can get together a coupla nights a week in Harlem, those lessons won’t cost you a cent. No sir, not a cent.’ Yes, she thought, if you were born black and not too ugly, this is what you get, this is what you find. It was a pity he hadn’t lived back in the days of slavery, so he could have raided the slave quarters for a likely wench any hour of the day or night. This is the superior race, she said to herself, take a good long look at him: black, oily hair; slack, gross body; grease spots on his vest; wrinkled shirt collar; cigar ashes on his suit; small pig eyes engulfed in the fat of his face.
Ann Petry (The Street)
There is a small worm in a dog’s tongue…: if this is removed from the animal while a pup, it will never become mad or lose its appetite. This worm, after being carried thrice round a fire, is given to persons who have been bitten by a mad dog, to prevent them from becoming mad. This madness, too, is prevented by eating a cock’s brains; but the virtue of these brains lasts for one year only, and no more. They say, too, that a cock’s comb, pounded, is highly efficacious as an application to the wound; as also, goose-grease, mixed with honey. The flesh also of a mad dog is sometimes salted, and taken with the food, as a remedy for this disease. In addition to this, young puppies of the same sex as the dog that has inflicted the injury, are drowned in water, and the person who has been bitten eats their liver raw. The dung of poultry, provided it is of a red colour, is very useful, applied with vinegar; the ashes, too, of the tail of a shrew-mouse, if the animal has survived and been set at liberty; a clod from a swallow’s nest, applied with vinegar; the young of a swallow, reduced to ashes; or the skin or old slough of a serpent that has been cast in spring, beaten up with a male crab in wine.
Bill Wasik (Rabid: A Cultural History of the World's Most Diabolical Virus)
Suggestions For Getting More Vitamin C In Your Day If you want to stay healthy, eating a proper diet is very important, but knowing what you should and shouldn't eat can be confusing. It seems like every day a new study says that some food is either very unhealthy or very good for you. This article gives you some sensible nutritional advice; advice that most people can follow. If you want the best nutrition possible, eat foods that are still close to their original form. Unprocessed, fresh food is the ideal way to make sure that all your nutritional needs are met while reducing chemicals and unwanted fats. Eat nuts as a snack everyday. These healthy little gems are packed full of good fats and plant sterols that can lower your cholesterol. They are low in fat and an easy item to eat on the go. Serving sizes for these snacks can be easily measured by handfuls. Stick to all-natural foods instead of those produced and refined in factories. Many times those foods add items such as extra fats, oils, greases and preservatives that can really harm your body. Try shopping from the parts of the stores where you can purchase produce, healthy protein and other "from the earth" products. Oranges are a great fruit that you can eat in the morning for its high content of vitamin C. This is a beneficial option, as it can improve the energy that you have during the day and reduce stress and anxiety. Oranges can help your acne and improve the tone of your face. Instead of reaching for coffee or an energy drink the moment that you wake up, turn to a grapefruit, apple or orange instead. Natural fruits are fantastic for your body because they come with a multitude of vitamins that are essential for your health and nutrition. Adding these to your routine, can also improve your energy level during the day. One of the greatest things you can put into your body is fiber. This well help with your digestive tract and will give you tons of energy. Many companies are now making products that are packed full of fiber and also taste great. Try to eat the same amount of fiber each day. If you are very concerned about not getting the proper amount of nutrients, supplement your diet with a quality multivitamin. There are great options at your local health store. By choosing the right multivitamin, you stand a better chance of getting all the nutrients that are needed. Eating foods high in fatty acids can be great for your skin. Foods high in fatty acid can slow down inflammation. Inflammation can cause blotchiness, sagging, and fine lines. Almonds are good any time of day to increase your intake of fatty acids. You could also try halibut, tuna, and salmon to get the amount of fatty acids that you need. Eating a healthy, nutritious diet shouldn't be a difficult chore. It really isn't that hard to keep yourself in good shape by eating right. Just remember some of what you've learned from this article. Follow the basic guidelines you've read about rosholistic.com, and you won't have too much trouble getting the nutrition you need.
morphogenicfieldtechnique
Yo mama is so ugly… they had to feed her with a Frisbee! Yo mama is so ugly… when she watches TV the channels change themselves! Yo mama is so ugly… she looks like she has been bobbing for apples in hot grease! Yo mama is so ugly… they passed a law saying she could only do online shopping! Yo mama is so ugly… she looked in the mirror and her reflection committed suicide! Yo mama is so ugly… even homeless people won’t take her money! Yo mama is so ugly… she’s the reason blind dates were invented! Yo mama is so ugly… even a pit-bull wouldn’t bite her! Yo mama is so ugly… she scares the paint off the wall! Yo mama is so ugly… she scares roaches away! Yo mama is so ugly… she looked out the window and got arrested! Yo mama is so ugly… she had to get a prescription mirror! Yo mama is so ugly… bullets refuse to kill her! Yo mama is so ugly… for Halloween she trick-or-treats on the phone! Yo mama is so ugly… when she plays Mortal Kombat, Scorpion says, “Stay over there!” Yo mama is so ugly… I told her to take out the trash and we never saw her again! Yo mama is so ugly… even Hello Kitty said goodbye! Yo mama is so ugly… even Rice Krispies won't talk to her! Yo mama is so ugly… that your father takes her to work with him so that he doesn't have to kiss her goodbye. Yo mama is so ugly… she made the Devil go to church! Yo mama is so ugly… she made an onion cry. Yo mama is so ugly… when she walks down the street in September, people say “Wow, is it Halloween already?” Yo mama is so ugly… she is the reason that Sonic the Hedgehog runs! Yo mama is so ugly… The NHL banned her for life. Yo mama is so ugly… she scared the crap out of a toilet! Yo mama is so ugly… she turned Medusa to stone! Yo mama is so ugly… her pillow cries at night! Yo mama is so ugly… she tried to take a bath and the water jumped out! Yo mama is so ugly… she gets 364 extra days to dress up for Halloween. Yo mama is so ugly… people put pictures of her on their car to prevent theft! Yo mama is so ugly… her mother had to be drunk to breast feed her! Yo mama is so ugly… instead of putting the bungee cord around her ankle, they put it around her neck. Yo mama is so ugly… when they took her to the beautician it took 24 hours for a quote! Yo mama is so ugly… they didn't give her a costume when she tried out for Star Wars. Yo mama is so ugly… just after she was born, her mother said, “What a treasure!” And her father said, “Yes, let's go bury it!” Yo mama is so ugly… her mom had to tie a steak around her neck to get the dogs to play with her. Yo mama is so ugly… when she joined an ugly contest, they said, “Sorry, no professionals.” Yo mama is so ugly… they had to feed her with a slingshot! Yo mama is so ugly… that she scares blind people! Yo mama is so ugly… when she walks into a bank they turn off the surveillance cameras. Yo mama is so ugly… she got beat up by her imaginary friends! Yo mama is so ugly… the government moved Halloween to her birthday.
Johnny B. Laughing (Yo Mama Jokes Bible: 350+ Funny & Hilarious Yo Mama Jokes)
Can you help me with my notes? I said. But through the phone’s overseas hiss, I heard another phone start ringing, and he said, Maybe this other flight came through— Then the dial tone went retreating across the Asian oceans, and I resisted the impulse to pound the phone receiver on the first solid surface. Toward dawn in the hotel room, I pick up the legal pad and try to envision my solo presentation. Standing at the grease board, I’ll draw a horizontal line—an X axis—saying, This line represents your spending. It goes from spending zero on the left to shelling out shitloads of money on the right. My vertical Y axis measures returns on that money—from getting back zero at the bottom to making zillions at the top. I’m gonna tell the president of Company X and his minions that they need to spend as little as possible while making shitloads in return. The question is, how to stretch this expensive advice into a nine-hour meeting?
Mary Karr (Lit)
It’s a lucrative business. Eastman is a compact, middle-aged guy with a weather-beaten face adorned with a scrap of white beard and mustache. He tops it all off with a cowboy-hat-shaped hard hat. Eastman’s father was in the construction business, and Eastman and his three brothers grew up greasing the trucks. By his own account, Eastman barely graduated from high school. But he took a bunch of night courses to learn things like project estimating, and started his own contracting business in 1994. His company did all kinds of contracting work, including a little beach renourishment, until the real estate market crash in 2006. Eastman realized that he would do better to rely on the steady forces of erosion and the government funding earmarked to fight it than to tie his fortunes to the vicissitudes of the real estate market. “When the market dried up, we reinvented ourselves,” he says. Today Eastman Aggregate Enterprises does nothing but beach nourishment, all over Florida and in neighboring states. Eastman has five of his own trucks and forty-plus people working for him. His company hauls in about $15 million per year.
Vince Beiser (The World in a Grain: The Story of Sand and How It Transformed Civilization)
You’re strangely prepared.” “Not for this, no. I just heard condoms were really good for opening a stuck jar. You just pop it on top and instant hand grip. That’s the only reason I’ve been carrying one around.” “You… often come across bottles you can’t open?” “Far too much. And the lube was for greasing up… stuff, obviously. I didn’t at all plan to have you take me to an amusement park and fuck me in the car or something weird,” I say as I tear open the packet of lube. After I squirt some onto my hand, he takes it from me. “I’m surprised you weren’t planning for something R-rated on the carousel or something after dark.” “Ooh, that’s a good one. Especially with that music they play, it’d be the best sex jam ever.” “Would it?” he asks suspiciously. “Of course,” I say, unable to keep the grin off my face. “If I had my phone, I’d play it and you could fuck me to the beat.” “I don’t think carousel songs have a ‘fucking beat,’ but I could be wrong.
Alice Winters (How to Save a Human (VRC: Vampire Related Crimes, #4))
Kai is chomping her way through a fried feast that would daunt a linebacker. French fries topped with crab meat. Yuck, by the way. Not to mention the pork belly chips, a monster burger and deep fried Oreos. This meal should come with a pacemaker, but my girl, barely able to get her little hand all the way around this mammoth burger, is halfway through hers before I’ve even dented mine. “What?” She glances up from her half-empty, grease-laden plate, sauce all around her lips. “You’re not hungry?” “Obviously not as hungry as you are.” I reach over to wipe her mouth with my napkin. “You’re not supposed to tease a lady about how much she eats,” Kai says, mouth full. “It’s impolite.” “Not even when this delicate flower eats me under the table?
Kennedy Ryan (Down to My Soul (Soul, #2))
Mother once said I’d marry a quarryman. She looked at me as we washed clothes in the giant steel washtub, two pairs of water-wrinkled hands scrubbing and soaking other people’s laundry. We were elbow-deep in dirty suds and our fingers brushed under the foamy mounds. “Some mistakes are bound to be repeated,” she murmured We lived in Stony Creek, a granite town at a time when granite was going out of fashion. There were only three types of men here: Cottagers, rich, paunchy vacationers who swooped into our little Connecticut town in May and wiled away time on their sailboats through August; townsmen, small-time merchants and business owners who dreamed of becoming Cottagers; and quarrymen, men like my father, who worked with no thought to the future. The quarrymen toiled twelve hours a day, six days a week. They didn’t care that they smelled of granite dust and horses, grease and putty powder. They didn’t care about cleaning the crescents of grime from underneath their fingernails. Even when they heard the foreman’s emergency signal, three sharp shrieks of steam, they scarcely looked up from their work. In the face of a black powder explosion gone awry or the crushing finality of a wrongly cleaved stone, they remained undaunted. I knew why they lived this way. They did it for the granite. Nowhere else on earth did such stone exist—mesmerizing collages of white quartz, pink and gray feldspar, black lodestone, winking glints of mica. Stony Creek granite was so striking, it graced the most majestic of architecture: the Battle Monument at West Point, the Newberry Library in Chicago, the Fulton Building in Pittsburgh, the foundations of the Statue of Liberty and the Brooklyn Bridge. The quarrymen of Stony Creek would wither and fall before the Cottagers, before the townsmen. But the fruits of their labor tethered them to a history that would stand forever. “You’ll marry one, Adele—I’m sure of it. His hands will be tough as buckskin, but you’ll love him regardless,” Mother told me, her breath warm in my ear as the steam of the wastewater rose around us. I didn’t say that she was wrong, that she couldn’t know what would happen. I’d learned that from the quarry. Pa was a stonecutter and he cut the granite according to rift and grain, to what he could feel with his fingertips and see with his eyes. But there were cracks below the surface, cracks that betrayed the careful placement of a chisel and the pounding of a mallet. The most beautiful piece of stone could shatter into a pile of riprap. It all depended on where those cracks teased and wound, on where the stone would fracture when forced apart. “Keep your eyes open, Adele. I don’t know who it will be—a steam driller, boxer, derrickman, powderman? Maybe a stonecutter like your father?” I turned away from her, feigning disinterest. “There’s no predicting, I told her.
Chandra Prasad
Mother once said I’d marry a quarryman. She looked at me as we washed clothes in the giant steel washtub, two pairs of water-wrinkled hands scrubbing and soaking other people’s laundry. We were elbow-deep in dirty suds and our fingers brushed under the foamy mounds. “Some mistakes are bound to be repeated,” she murmured We lived in Stony Creek, a granite town at a time when granite was going out of fashion. There were only three types of men here: Cottagers, rich, paunchy vacationers who swooped into our little Connecticut town in May and wiled away time on their sailboats through August; townsmen, small-time merchants and business owners who dreamed of becoming Cottagers; and quarrymen, men like my father, who worked with no thought to the future. The quarrymen toiled twelve hours a day, six days a week. They didn’t care that they smelled of granite dust and horses, grease and putty powder. They didn’t care about cleaning the crescents of grime from underneath their fingernails. Even when they heard the foreman’s emergency signal, three sharp shrieks of steam, they scarcely looked up from their work. In the face of a black powder explosion gone awry or the crushing finality of a wrongly cleaved stone, they remained undaunted. I knew why they lived this way. They did it for the granite. Nowhere else on earth did such stone exist—mesmerizing collages of white quartz, pink and gray feldspar, black lodestone, winking glints of mica. Stony Creek granite was so striking, it graced the most majestic of architecture: the Battle Monument at West Point, the Newberry Library in Chicago, the Fulton Building in Pittsburgh, the foundations of the Statue of Liberty and the Brooklyn Bridge. The quarrymen of Stony Creek would wither and fall before the Cottagers, before the townsmen. But the fruits of their labor tethered them to a history that would stand forever. “You’ll marry one, Adele—I’m sure of it. His hands will be tough as buckskin, but you’ll love him regardless,” Mother told me, her breath warm in my ear as the steam of the wastewater rose around us. I didn’t say that she was wrong, that she couldn’t know what would happen. I’d learned that from the quarry. Pa was a stonecutter and he cut the granite according to rift and grain, to what he could feel with his fingertips and see with his eyes. But there were cracks below the surface, cracks that betrayed the careful placement of a chisel and the pounding of a mallet. The most beautiful piece of stone could shatter into a pile of riprap. It all depended on where those cracks teased and wound, on where the stone would fracture when forced apart. “Keep your eyes open, Adele. I don’t know who it will be—a steam driller, boxer, derrickman, powderman? Maybe a stonecutter like your father?” I turned away from her, feigning disinterest. “There’s no predicting, I told her.
Chandra Prasad (On Borrowed Wings)
An oily fish,’ warned George. ‘Take heed you don’t grease up the lappets on that coat.’ ‘The pilchard is a surface fish,’ replied Aymer, picking knowledge from his memory as clumsily as he now was picking bones from between his teeth. He was delighted to see George. ‘Pelagic is the term. You know the word?’ ‘Don’t know the word. I know the fish well enough. There’s nothing else this time of year, exceptin’ pilchers.’ ‘Demersic is the other word, I think. The twin of pelagic. It speaks of fish that live upon the ocean floor. I see a parallel with people here. Those shoals of common men who live near the surface, and those solitary, more silent ones that inhabit deeper water. I count myself to be demersic, then. You, George, can I describe you as pelagic, a pilchard as it were? You would not take offence at that?’ ‘You’re talking to a pilchard, then?’ ‘Well, yes, I am, within my metaphor …’ ‘Mistaking a man for a fish is madness, I should say. It in’t what I’d call deep and solitary. What was that word you used?’ ‘Demersic, George.’ ‘Now, there’s a word! What do you say I’ll never have to use that word again?’ ‘Do not hold words in low regard. Words have power, George. Words are deeds …’ ‘Oh, yes?’ said George. ‘And the wind is a potato, I suppose. If words are deeds, then I’m the meanest man in Wherrytown. There in’t a sin I won’t have done.
Jim Crace (Signals of Distress)
An oily fish,’ warned George. ‘Take heed you don’t grease up the lappets on that coat.’ ‘The pilchard is a surface fish,’ replied Aymer, picking knowledge from his memory as clumsily as he now was picking bones from between his teeth. He was delighted to see George. ‘Pelagic is the term. You know the word?’ ‘Don’t know the word. I know the fish well enough. There’s nothing else this time of year, exceptin’ pilchers.’ ‘Demersic is the other word, I think. The twin of pelagic. It speaks of fish that live upon the ocean floor. I see a parallel with people here. Those shoals of common men who live near the surface, and those solitary, more silent ones that inhabit deeper water. I count myself to be demersic, then. You, George, can I describe you as pelagic, a pilchard as it were? You would not take offence at that?’ ‘You’re talking to a pilchard, then?’ ‘Well, yes, I am, within my metaphor …’ ‘Mistaking a man for a fish is madness, I should say. It in’t what I’d call deep and solitary. What was that word you used?’ ‘Demersic, George.’ ‘Now, there’s a word! What do you say I’ll never have to use that word again?’ ‘Do not hold words in low regard. Words have power, George. Words are deeds …’ ‘Oh, yes?’ said George. ‘And the wind is a potato, I suppose. If words are deeds, then I’m the meanest man in Wherrytown. There in’t a sin I won’t have done.’ ‘No, what I meant to say is this, that words and deeds should be the same. You make a promise, you should keep it. You hold a view, then you should stand by it. You should say what you do: you should do what you say.’ ‘Well, there’s the difference,’ said George, evidently losing interest. ‘People in these parts in’t impressed by words. They don’t mean what they say. They only mean what they do. And that, I think, makes better sense.
Jim Crace (Signals of Distress)
Government governs best when it helps grease the skids of commerce with proper laws to prevent fraud and other problems, and then just steps aside. People say there should be a balance of government and free commerce. Well, my idea of proper balance is 99% free market and only 1% government.
John Grit (Apocalypse Law 4: Raw Justice (Volume 4))
Something bad is going to happen,” Leeli said. Podo sensed it too and dumped the grease from the skillet and thrust it into his pack without wiping it down. “Janner, Tink, get ready. Hurry!” Oskar passed the old book to Janner and gathered his ink bottle and parchment, careful not to smudge the fresh ink. Janner’s and Tink’s packs needed only to be strapped shut and swung over their shoulders. As soon as Nia finished gathering the bowls and cups from breakfast, Podo took a last look around the fire and nodded. “Keep up, lads and lasses. You too, Oskar. We’re gonna be off at a trot for a while, and it won’t be fun.” “Wait!” Tink said. “I need to say good-bye to Maraly.” “No time for that, lad,” Podo said. “But—” “No time!” Podo struck off in the direction of the river, and the others did their best to follow. “Maraly!” Tink cried over his shoulder. “Good-bye, Maraly!” But neither Maraly nor any of the Strander children were anywhere to be seen—just filthy men and women who poured out of the camp with daggers drawn and nefarious smiles stretched across every face. As they descended the slope to the river and the camp of the East Bend disappeared, Janner heard a final, chilling cry ring out from Nurgabog Weaver: “READY THE CAGES!
Andrew Peterson (North! or Be Eaten)
The waiter says, Buy you a farewell cognac? I say thanks and settle in with coat covering my grease-spattered uniform. The waiter downs his own drink. Standing, he slides spare bills across the bar, adding—before he flips his cashmere scarf around his neck Lautrec-style—At least I’ve helped you to master the fish knife. I hold the glass globe in my hand as the dim yellow lights slide off its perimeter, and boy, does that drink slide down like scorched sunshine. I’m just draining it when the manager—no doubt eager to see me leaving—flies up and buys me another. And right before Warren comes, I ponder a third. What the hell, right? I’m unemployed, with school loans I can’t pay, an invalid dad whose nursing I need to start chipping in on.
Mary Karr (Lit)
Every McDonald’s, for instance, looks the same—the company deliberately tries to standardize stores’ architecture and what employees say to customers, so everything is a consistent cue to trigger eating routines. The foods at some chains are specifically engineered to deliver immediate rewards—the fries, for instance, are designed to begin disintegrating the moment they hit your tongue, in order to deliver a hit of salt and grease as fast as possible, causing your pleasure centers to light up and your brain to lock in the pattern. All the better for tightening the habit loop.1.25
Charles Duhigg (The Power Of Habit: Why We Do What We Do In Life And Business)
Sandy Stranded at the drive in Branded a fool What will they say Monday at school? Sandy, can't you see I'm in misery? You made a start, now we're apart There's nothing left for me Love has flown all alone I sit and wonder why, oh? Why you left me, oh Sandy Oh Sandy, baby, someday When high school is done Somehow, someway Our two worlds will be one In Heaven forever And ever we will be Oh please, say you'll stay Oh Sandy Sandy my darling', you hurt me real bad You know it's true But baby you gotta believe me when I say I'm helpless without you Love has flown all alone I sit I wonder why Why you left me, oh Sandy? Sandy, Sandy, why, oh Sandy?
Grease
No, I said I wanted to come, too. I went to ask Mom.” “Sorry, I didn’t know.” I shrug. “Maybe next time. Come on. Let’s head home. I need to get that grease.” I start walking and glance back to be sure she’s following. She’s still standing on the trail staring at the huge stump. “Y’know, there’s bears up here,” I say. That gets her going. She trots down the trail after me and doesn’t slow down until we’re safely back on the road. As soon as we’re home, I go into the garage and make a bunch of noise hunting for the grease until I hear the front door slam and I’m sure Libby has gone into the house. Then I run back up the street and around the corner. I plop down under a tree and count to 100. While I’m counting, I study the tube of grease in my hand. I sure wish this was all my bike needed. I’m pretty sure it’s going to need a whole new front suspension fork. How much is that going to cost?
Rachel Elizabeth Cole (The Rabbit Ate My Homework)
dim once-cowshed, it was packed with old tools, buckets, broken pieces of harness, busted hair-sprouted ass collars, leathers, handles, handleless heads of shovels, hammers, forks, two-, three- and four-pronged, bent out of line by close encounters with the unforgiving, retired bronze-winged sleans, rusted cans of oil, open jars of grease with raisin flies, lamps oranged with rust, old boots, some singular, some in pairs, planks, boards holed and unholed, rods of osier, balls of hairy twine, loops of rope, forged flanges, a metal badge embossed P. Daly, Kilmihil, and multiple other pieces of iron, to what end impossible to say, the entire cabin a catch-all of a hundred years of country living and a more-or-less exact replica of the inside of Ganga’s mind.
Niall Williams (This Is Happiness)
INSPIRED BY POPEYES® CLASSIC CHICKEN SANDWICH COPYCAT FRIED CHICKEN SANDWICH After trying all the major fast food chain’s chicken sandwiches, I decided to come up with my own version. I know everyone says theirs is better than the original, but mine really is! —Ralph Jones, San Diego, CA PREP: 15 MIN. + MARINATING • COOK: 20 MIN./BATCH • MAKES: 6 SERVINGS 3 boneless skinless chicken breast halves (6 oz. each) ¾ cup buttermilk 2 tsp. hot pepper sauce 2 large eggs, beaten 2 cups all-purpose flour 1 Tbsp. plus 1 tsp. garlic powder 1 Tbsp. each onion powder and paprika 2 tsp. pepper 1 tsp. salt ⅓ cup canola oil 6 brioche hamburger buns, split Optional: Shredded lettuce, sliced tomatoes, pickle slices, onion slices, mayonnaise 1. Cut each chicken breast horizontally in half; place in a large bowl. Add buttermilk and hot sauce; toss to coat. Refrigerate, covered, 8 hours or overnight. 2. Preheat air fryer to 400°. Stir eggs into chicken mixture. In a shallow dish, whisk flour, garlic powder, onion powder, paprika, pepper and salt. Remove chicken from buttermilk mixture. Dredge chicken in flour mixture, firmly patting to help coating adhere. Repeat, dipping chicken again in the buttermilk mixture and then dredging in the flour mixture. 3. Place chicken on a wire rack over a baking sheet. Refrigerate, uncovered, for 30 minutes. Using a pastry brush, lightly dab both sides of chicken with oil until no dry breading remains. 4. In batches, arrange chicken in a single layer on greased tray in air-fryer basket. Cook until a thermometer reads 165° and coating is golden brown and crispy, 7-8 minutes on each side. Remove chicken; keep warm. Toast buns in air fryer until golden brown, 2-3 minutes. Top bun bottoms with chicken. If desired, add optional toppings. Replace bun tops. Note: In our testing, we find that cook times vary dramatically between brands of air fryers. As a result, we give wider than normal ranges on suggested cook times. Begin checking at the first time listed and adjust as needed. 1 sandwich: 384 cal., 17g fat (3g sat. fat), 136mg chol., 777mg sod., 31g carb. (8g sugars, 3g fiber), 26g pro.
Taste of Home (Taste of Home Copycat Favorites Volume 2: Enjoy your favorite restaurant foods, snacks and more at home!)