Steals From You Quotes

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Don't hold to anger, hurt or pain. They steal your energy and keep you from love.
Leo F. Buscaglia
Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is non-existent. And don’t bother concealing your thievery - celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: “It’s not where you take things from - it’s where you take them to." [MovieMaker Magazine #53 - Winter, January 22, 2004 ]
Jim Jarmusch
Never lie, steal, cheat, or drink. But if you must lie, lie in the arms of the one you love. If you must steal, steal away from bad company. If you must cheat, cheat death. And if you must drink, drink in the moments that take your breath away
Will Smith
Chaol kept his sword drawn. “I will not go to Anielle,” he growled. “And I will not serve you a moment longer. There is one true king in this room—­there always has been. And he is not sitting on that throne.” Dorian stiffened. But Chaol went on. “There is a queen in the north, and she has already beaten you once. She will beat you again. And again. Because what she represents, and what your son represents, is what you fear most: hope. You cannot steal it, no matter how many you rip from their homes and enslave. And you cannot break it, no matter how many you murder.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
Find meaning. Distinguish melancholy from sadness. Go out for a walk. It doesn’t have to be a romantic walk in the park, spring at its most spectacular moment, flowers and smells and outstanding poetical imagery smoothly transferring you into another world. It doesn’t have to be a walk during which you’ll have multiple life epiphanies and discover meanings no other brain ever managed to encounter. Do not be afraid of spending quality time by yourself. Find meaning or don’t find meaning but 'steal' some time and give it freely and exclusively to your own self. Opt for privacy and solitude. That doesn’t make you antisocial or cause you to reject the rest of the world. But you need to breathe. And you need to be.
Albert Camus (Notebooks 1951-1959)
I'll be your minister--" "Of the exchequer? You'd rob me blind." "I would never steal from you," he'd said hotly. "Oh? Where is my tourmaline necklace? Where are my missing earrings?" "That necklace was hideous. It was the only way to keep you from wearing it." "My earrings?" "What earrings?
Megan Whalen Turner (The Queen of Attolia (The Queen's Thief, #2))
The only real treasure is in your head. Memories are better than diamonds and nobody can steal them from you
Rodman Philbrick (The Last Book in the Universe)
Some people Never find the right kind of love you know, the kind that steals your breath away. Like diving into a snowmelt. The kind that jolts your heart, sets it beating apace. An anxious hiccuping of hummingbirds wings. The kind that makes every terrible minute apart feel like hours. Days. Years. Some people flit from one insane possibility to the next. Never experincing the connection of two people. rocked by destiny. Never knowing what it means to love someone else, more than themselves. More than life itself, or the promise of something better. Beyond this world, More even (forgive me!) than god. Lucky me, I found the right kind of love. With the wrong person.
Ellen Hopkins (Tricks (Tricks, #1))
Then strong, warm arms wrapped around me from behind. "I've got you," Tod whispered in my ear.
Rachel Vincent (My Soul to Steal (Soul Screamers, #4))
If you steal from one book you are condemned as a plagiarist, but if you steal from ten books you are considered a scholar, and if you steal from thirty or forty books, a distinguished scholar.
Amos Oz (A Tale of Love and Darkness)
I do not love you except because I love you; I go from loving to not loving you, From waiting to not waiting for you My heart moves from cold to fire. I love you only because it's you the one I love; I hate you deeply, and hating you Bend to you, and the measure of my changing love for you Is that I do not see you but love you blindly. Maybe January light will consume My heart with its cruel Ray, stealing my key to true calm. In this part of the story I am the one who Dies, the only one, and I will die of love because I love you, Because I love you, Love, in fire and blood.
Pablo Neruda
When you need to be loved, you take love wherever you can find it. When you are desperate to be loved, feel love, know love, you seek out what you think love should look like. When you find love, or what you think love is, you will lie, kill, and steal to keep it. But learning about real love comes from within. It cannot be given. It cannot be taken away. It grows from your ability to re-create within yourself, the essence of loving experiences you have had in your life.
Iyanla Vanzant
When you have everything, someone else getting a little something feels like they're stealing from you.
Taylor Jenkins Reid (Daisy Jones & The Six)
To my babies, Merry Christmas. I'm sorry if these letters have caught you both by surprise. There is just so much more I have to say. I know you thought I was done giving advice, but I couldn't leave without reiterating a few things in writing. You may not relate to these things now, but someday you will. I wasn't able to be around forever, but I hope that my words can be. -Don't stop making basagna. Basagna is good. Wait until a day when there is no bad news, and bake a damn basagna. -Find a balance between head and heart. Hopefully you've found that Lake, and you can help Kel sort it out when he gets to that point. -Push your boundaries, that's what they're there for. -I'm stealing this snippet from your favorite band, Lake. "Always remember there is nothing worth sharing, like the love that let us share our name." -Don't take life too seriously. Punch it in the face when it needs a good hit. Laugh at it. -And Laugh a lot. Never go a day without laughing at least once. -Never judge others. You both know good and well how unexpected events can change who a person is. Always keep that in mind. You never know what someone else is experiencing within their own life. -Question everything. Your love, your religion, your passions. If you don't have questions, you'll never find answers. -Be accepting. Of everything. People's differences, their similarities, their choices, their personalities. Sometimes it takes a variety to make a good collection. The same goes for people. -Choose your battles, but don't choose very many. -Keep an open mind; it's the only way new things can get in. -And last but not least, not the tiniest bit least. Never regret. Thank you both for giving me the best years of my life. Especially the last one. Love, Mom
Colleen Hoover (Slammed (Slammed, #1))
Your job is to collect good ideas. The more good ideas you collect, the more you can choose from to be influenced by.
Austin Kleon (Steal Like an Artist: 10 Things Nobody Told You About Being Creative)
When you steal from the library, you are preventing anyone else from reading that book, and the very notion makes me want to drop you in the Void.
Piers Anthony (Golem in the Gears (Xanth, #9))
I know I am but summer to your heart, And not the full four seasons of the year; And you must welcome from another part Such noble moods as are not mine, my dear. No gracious weight of golden fruits to sell Have I, nor any wise and wintry thing; And I have loved you all too long and well To carry still the high sweet breast of Spring. Wherefore I say: O love, as summer goes, I must be gone, steal forth with silent drums, That you may hail anew the bird and rose When I come back to you, as summer comes. Else will you seek, at some not distant time, Even your summer in another clime.
Edna St. Vincent Millay (Collected Poems)
She looked around. They had drifted far away from the bank of the canal. "Are we stealing this boat?" "Stealing' is such an ugly word," he mused. "What do you want to call it?" He picked her up and swung her around before putting her down. "An extreme case of window-shopping.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
And, just as it only takes a moment to die, it only takes a moment to live. You just close your eyes and let every futile fear slip away. And then, in this new state, free from fear, you ask yourself: who am I? If I could live without doubt what would I do? If I could be kind without the fear of being fucked over? If I could love without fear of being hurt? If I could taste the sweetness of today without thinking of how I will miss that taste tomorrow? If I could not fear the passing of time and the people it will steal? Yes. What would I do? Who would I care for? What battle would I fight? Which paths would I step down? What joys would I allow myself? What internal mysteries would I solve? How, in short, would I live?
Matt Haig (How to Stop Time)
Let the darkness find you if it must. Throw off the quick and tempting escapes, and seek help only from those who would teach you to grow, feed your soul, embrace your heart, but would not steal away your journey.
Jennifer DeLucy
Here's why I will be a good person. Because I listen. I cannot talk, so I listen very well. I never deflect the course of the conversation with a comment of my own. People, if you pay attention to them, change the direction of one another's conversations constantly. It's like being a passenger in your car who suddenly grabs the steering wheel and turns you down a side street. For instance, if we met at a party and I wanted to tell you a story about the time I needed to get a soccer ball in my neighbor's yard but his dog chased me and I had to jump into a swimming pool to escape, and I began telling the story, you, hearing the words "soccer" and "neighbor" in the same sentence, might interrupt and mention that your childhood neighbor was Pele, the famous soccer player, and I might be courteous and say, Didn't he play for the Cosmos of New York? Did you grow up in New York? And you might reply that, no, you grew up in Brazil on the streets of Tres Coracoes with Pele, and I might say, I thought you were from Tennessee, and you might say not originally, and then go on to outline your genealogy at length. So my initial conversational gambit - that I had a funny story about being chased by my neighbor's dog - would be totally lost, and only because you had to tell me all about Pele. Learn to listen! I beg of you. Pretend you are a dog like me and listen to other people rather than steal their stories.
Garth Stein (The Art of Racing in the Rain)
And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy's and talk about the day and type up your letters and carry your boxes and laugh at your paranoia and give you tapes you don't listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you're sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the tv programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you're late and be amazed when you're early and give you sunflowers and go to your party and dance till I'm black and be sorry when I'm wrong and happy when you forgive me and look at your photos and wish I'd known you forever and hear your voice in my ear and feel your skin on my skin and get scared when you're angry and your eye has gone red and the other eye blue and your hair to the left and your face oriental and tell you you're gorgeous and hug you when you're anxious and hold you when you hurt and want you when I smell you and offend you when I touch you and whimper when I'm next to you and whimper when I'm not and dribble on your breast and smother you in the night and get cold when you take the blanket and hot when you don't and melt when you smile and dissolve when you laugh and not understand why you think I'm rejecting you when I'm not rejecting you and wonder how you could think I'd ever reject you and wonder who you are but accept you anyway and tell you about the tree angel enchanted forest boy who flew across the ocean because he loved you and write poems for you and wonder why you don't believe me and have a feeling so deep I can't find words for it and want to buy you a kitten I'd get jealous of because it would get more attention than me and keep you in bed when you have to go and cry like a baby when you finally do and get rid of the roaches and buy you presents you don't want and take them away again and ask you to marry me and you say no again but keep on asking because though you think I don't mean it I do always have from the first time I asked you and wander the city thinking it's empty without you and want what you want and think I'm losing myself but know I'm safe with you and tell you the worst of me and try to give you the best of me because you don't deserve any less and answer your questions when I'd rather not and tell you the truth when I really don't want to and try to be honest because I know you prefer it and think it's all over but hang on in for just ten more minutes before you throw me out of your life and forget who I am and try to get closer to you because it's beautiful learning to know you and well worth the effort and speak German to you badly and Hebrew to you worse and make love with you at three in the morning and somehow somehow somehow communicate some of the overwhelming undying overpowering unconditional all-encompassing heart-enriching mind-expanding on-going never-ending love I have for you.
Sarah Kane (Crave)
You do not steal from the dragon, oh, no. The dragon remembers.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
About once or twice every month I engage in public debates with those whose pressing need it is to woo and to win the approval of supernatural beings. Very often, when I give my view that there is no supernatural dimension, and certainly not one that is only or especially available to the faithful, and that the natural world is wonderful enough—and even miraculous enough if you insist—I attract pitying looks and anxious questions. How, in that case, I am asked, do I find meaning and purpose in life? How does a mere and gross materialist, with no expectation of a life to come, decide what, if anything, is worth caring about? Depending on my mood, I sometimes but not always refrain from pointing out what a breathtakingly insulting and patronizing question this is. (It is on a par with the equally subtle inquiry: Since you don't believe in our god, what stops you from stealing and lying and raping and killing to your heart's content?) Just as the answer to the latter question is: self-respect and the desire for the respect of others—while in the meantime it is precisely those who think they have divine permission who are truly capable of any atrocity—so the answer to the first question falls into two parts. A life that partakes even a little of friendship, love, irony, humor, parenthood, literature, and music, and the chance to take part in battles for the liberation of others cannot be called 'meaningless' except if the person living it is also an existentialist and elects to call it so. It could be that all existence is a pointless joke, but it is not in fact possible to live one's everyday life as if this were so. Whereas if one sought to define meaninglessness and futility, the idea that a human life should be expended in the guilty, fearful, self-obsessed propitiation of supernatural nonentities… but there, there. Enough.
Christopher Hitchens (Hitch 22: A Memoir)
Every moment you steal from the present is a moment you've lost forever. There is only now.
Jeanette Winterson
Have a care, Sir Tucker, lest you find yourself in the stockades." He scoffs and looks at Mr. Erikson. "She can't do that, can she? She's not the ruler of this class. Brady is." ... "You could strip him of his title," suggests Brady, apparently not minding at all that I have usurped his throne. "Make him a serf." "Yeah," says Christian. "Make him a serf. Being a serf blows." As a serf, poor Christian has already been killed several times in our class. Aside from dying of the Black Plague on the first day, he's starved to death, had his hands cut off for stealing a loaf of bread, and been run down by his master's horse just for kicks. He's like Christian the fifth now.
Cynthia Hand (Unearthly (Unearthly, #1))
Great. You want me to steal from the local thug. What a delightful way to die.
Jayde Scott (A Job From Hell (Ancient Legends, #1))
I’ll rip Heaven and Hell and this goddamn Earth apart before I let them steal you from me.
Harley Laroux (Her Soul to Take (Souls Trilogy, #1))
But that's life. That's what you learn from; when things happen. Especially at your age. You just have to take it in and remember to think afterwards and not forget and never grow bitter.
Per Petterson (Out Stealing Horses)
There's worse that people can steal from you than money.
Chuck Palahniuk (Tell-All)
So, what, you don’t think I could steal from you again without you noticing?” “I think that I notice everything you do. So, no.
Lauren Roberts (Powerless (The Powerless Trilogy, #1))
Do you know why a vandal is worse than a thief?" asked the man on the right, in a soft growl. "A thief steals a treasure from its owner. A vandal steals it from the world.
Frances Hardinge (A Face Like Glass)
If you steal any of the books from the library, I will know, and you'll be sorry. Jessamine Lovelace.
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
What a good artist understands is that nothing comes from nowhere. All creative work builds on what came before. Nothing is completely original.
Austin Kleon (Steal Like an Artist: 10 Things Nobody Told You About Being Creative)
Then I realize from the hollow sound of her gun's click that her gun isn't loaded. Apparently she just wants to slap me around with it. The Girl doesn't move her gun away. "How old are you?" "Fifteen." "That's better." The Girl lowers her gun a little. "Time for a few confessions.Were you responsible for the break-in at the Arcadia bank?" The ten-second place. "Yes." "Then you must be responsible for stealing sixteen thousand five hundred Notes from there as well." "You got that right." "Were you responsible for vandalizing the Department of Intra-Defense two years ago, and destroying the engines of two warfront airships?" "Yes." "Did you set fire to a series of ten F-472 fighter jets parked at the Burbank air force base right before they were to head out to the warfront?" "I'm kinda proud of that one." "Did assault a cadet standing guard at the edge of the Alta sector's quarantine zone?" "I tied him up and delivered food to some quarantined families.Bite me.
Marie Lu (Legend (Legend, #1))
figure—tell me you like chocolates. You do, right? I remember stealing a box from your room once when you were out killing someone. They were delicious.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
I've already said you can't take anything from me that I wouldn't freely give you.
Ted Dekker (Kiss: She Steals More Than Your Heart)
As soon as the door closed behind my father, Alec turned to me, coffee mug halfway to his mouth. "You faced down a hellion to rescue three people from the Netherworld. Why the hell is he trying to protect you from me?" I could only shrug. "He's my dad. That's what he does.
Rachel Vincent (My Soul to Steal (Soul Screamers, #4))
10 things to know about Syn 1. I hate people, even myself. 2. I only tolerate my friends and I can count those on one hand. 3. So what if I drink? I like my comfortably numb state and it keeps me from killing you. 4. Money can't buy happiness, but it's better than being poor and miserable. 5. We're all victims. 6. I like to choose my own poison. 7. I'm through reinventing myself. I'm on the third incarnation now and it sucks as much as the other two. 8. I have all the friends money can buy. 9. I only trust one man who doesn't return the gesture. 10. I can steal anything, anywhere, any time. Sober or drunk, I'm the best at what I do.
Sherrilyn Kenyon (Born of Fire (The League: Nemesis Rising, #2))
So I feared not just the violence of this world but the rules designed to protect you from it, the rules that would have you contort your body to address the block, and contort again to be taken seriously by colleagues, and contort again so as not to give the police a reason. All my life I’d heard people tell their black boys and black girls to “be twice as good,” which is to say “accept half as much.” These words would be spoken with a veneer of religious nobility, as though they evidenced some unspoken quality, some undetected courage, when in fact all they evidenced was the gun to our head and the hand in our pocket. This is how we lose our softness. This is how they steal our right to smile.
Ta-Nehisi Coates (Between the World and Me)
If you do not value rare treasures, you will stop others from stealing.
Lao Tzu
I couldn’t steal her from you because you never owned her. A man never owns a woman. He just borrows her from God, and looks after her on behalf of God.
Chance Carter (Most Eligible Baby Daddy)
No one can ever make you feel inferior without your permission, Tory. Don’t give it to them. Realize that it’s their own insecurities that make them attack you and others. They’re so unhappy with themselves that the only way they can feel better is by making everyone as unhappy as they are. Don’t let those people steal your day, baby. You hold your head high and know that you have the one thing they can never take away from you. (Theo) What's that, Papa? (Tory) My love. Your mother’s love and the love of your family and true friends. Your own self-respect and sense of purpose. Look at me, Torimou, people laugh at me all the time and say that I’m chasing rainbows. They told George Lucas that he was a fool for making Star Wars – they used to even call it Lucas’s Folly. Did he listen? No. And if he’d listened to them you wouldn’t have had your favorite movie made and think of how many people would never have heard the phrase 'May the Force be With You.' (Theo)
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
You are not wrong. You fought to protect your world. Isn't that good enough? After all, justice in this world is just a bunch of principles made by those with power to suit themselves. No one really thinks of others, you will lose everything if you cannot keep up. Only two kinds of people exist in this world—those who steal and those who are stolen from. So then, today, I just stole your future. That's all.
Yana Toboso
The second we put a bullet in the head of one of those undead monsters -- the moment one of us drove a hammer into one of their faces -- or cut a head off. We became what we are! And that's just it. THAT's what it comes down to. You people don't know what we are. We're surrounded by the DEAD. We're among them -- and when we finally give up we become them! We're living on borrowed time here. Every minute of our life is a minute we steal from them! You see them out there. You KNOW that when we die -- we become them. You think we hide behind walls to protect us from the walking dead? Don't you get it? We ARE the walking dead! WE are the walking dead.
Robert Kirkman (The Walking Dead, Vol. 5: The Best Defense)
Stealing ideas from contemporaries is rude and tasteless. Stealing from the long dead is considered literary and admirable. The same is true of grave-robbing. Loot your local cemetery and find yourself mired in social awkwardness. But unearth the tomb of an ancient king and you can feel free to pop off his toe rings. You'll probably end up on a book tour, or bagging an honorary degree or two.
N.D. Wilson
Travis staggered backward, the hurt plainly displayed in his eyes. "A toast!" he yelled. I flinched, turning just in time to see him climbing onto a chair, stealing a beer from the shocked Sig Tau brother closest to him. I glanced to America, who watched Travis with a pained expression. "To douchebags!" he said, gesturing to Brad. "And to girls that break your heart, he bowed his head to me. His eyes lost focus. "And to the absolute horror of losing your best friend because you were stupid enough to fall in love with her.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
Snake Street is an area I should avoid. Yet that night I was drawn there as surely as if I had an appointment.  The Snake House is shabby on the outside to hide the wealth within. Everyone knows of the wealth, but facades, like the park’s wall, must be maintained. A lantern hung from the porch eaves. A sign, written in Utte, read ‘Kinship of the Serpent’. I stared at that sign, at that porch, at the door with its twisted handle, and wondered what the people inside would do if I entered. Would they remember me? Greet me as Kin? Or drive me out and curse me for faking my death?  Worse, would they expect me to redon the life I’ve shed? Staring at that sign, I pissed in the street like the Mearan savage I’ve become. As I started to leave, I saw a woman sitting in the gutter. Her lamp attracted me. A memsa’s lamp, three tiny flames to signify the Holy Trinity of Faith, Purity, and Knowledge.  The woman wasn’t a memsa. Her young face was bruised and a gash on her throat had bloodied her clothing. Had she not been calmly assessing me, I would have believed the wound to be mortal. I offered her a copper.  She refused, “I take naught for naught,” and began to remove trinkets from a cloth bag, displaying them for sale. Her Utte accent had been enough to earn my coin. But to assuage her pride I commented on each of her worthless treasures, fighting the urge to speak Utte. (I spoke Universal with the accent of an upper class Mearan though I wondered if she had seen me wetting the cobblestones like a shameless commoner.) After she had arranged her wares, she looked up at me. “What do you desire, O Noble Born?” I laughed, certain now that she had seen my act in front of the Snake House and, letting my accent match the coarseness of my dress, I again offered the copper.  “Nay, Noble One. You must choose.” She lifted a strand of red beads. “These to adorn your lady’s bosom?”             I shook my head. I wanted her lamp. But to steal the light from this woman ... I couldn’t ask for it. She reached into her bag once more and withdrew a book, leather-bound, the pages gilded on the edges. “Be this worthy of desire, Noble Born?”  I stood stunned a moment, then touched the crescent stamped into the leather and asked if she’d stolen the book. She denied it. I’ve had the Training; she spoke truth. Yet how could she have come by a book bearing the Royal Seal of the Haesyl Line? I opened it. The pages were blank. “Take it,” she urged. “Record your deeds for study. Lo, the steps of your life mark the journey of your soul.”   I told her I couldn’t afford the book, but she smiled as if poverty were a blessing and said, “The price be one copper. Tis a wee price for salvation, Noble One.”   So I bought this journal. I hide it under my mattress. When I lie awake at night, I feel the journal beneath my back and think of the woman who sold it to me. Damn her. She plagues my soul. I promised to return the next night, but I didn’t. I promised to record my deeds. But I can’t. The price is too high.
K. Ritz (Sheever's Journal, Diary of a Poison Master)
When you're lying in bed at night and regrets from the day come to steal your sleep... "I should have" "If only I'd" "I wish I'd" ...grab one of them and turn it into an "I will" and sleep peacefully knowing tomorrow will be a better day.
L.R. Knost
Does it matter?" Halt asked. Horace shrugged. "Not really, I suppose. I just wondered why you'd gone to the kitchen and why you took the trouble to remain unseen. Were you hiding from Master Chubb yourself? And Will just turned up by coincidence?" "And why would I be hiding from Master Chubb in his own kitchen?" Halt challenged. Again. Horace shrugged innocently. "Well,there was a tray of freshly made pies airing on the windowsill, wasn't there? And you're quite fond of pies, aren't you, Halt?" Halt drew himself up very straight in the saddle. "Are you accusing me of sneaking into that kitchen to steal the pies for myself? Is that it?" His voice and body language simply reeked of injured dignity. "Of course not, Halt!" Horace hurried to assure him, and Halt's stiff-shouldered form relaxed a little. "I just thought I'd give you the opportunity to confess," Horace added. This time, Malcolm couldn't conceal his sudden explosion of laughter. Halt gave them both a withering glance. "You know, Horace," he said at length, "you used to be a most agreeable young man. Whatever happened to you?" Horace turned a wide grin on him. "I've spent too much time around you, I suppose," he said. And Halt had to admit that was probably true.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
I don't forgive people.Just ask Shauna Bradley. We were best friends in kindergarten until I discovered she was the one stealing the fruit snacks from my desk. She lost my trust that day, and even now when I see her, I have to refrain myself from shouting, "Why? Why did you do it?!
Nicole Christie (Falling for the Ghost of You)
You must remember always to give, of everything you have. You must give foolishly even. You must be extravagant. You must give to all who come into your life. Then nothing and no one shall have power to cheat you of anything, for if you give to a thief, he cannot steal from you, and he himself is then no longer a thief. And the more you give, the more you will have to give.
William Saroyan (The Human Comedy)
But there are some things, child, that you should steal. That you must steal, if you have enough love and courage in your heart. You must snatch freedom from the hands of the tyrant. You must spirit away innocent lives before they are destroyed. You must hide secret and sacred places.
Lian Tanner (Museum of Thieves (The Keepers, #1))
Your dreams are your spirit, your soul and without them your are dead. You must guard your dreams always. Always. Lest someone steal them away from you. I know what it is to have your dreams stolen. I know what it is to be dead. Guard your dreams. Always guard your dreams.
Brom (Krampus: The Yule Lord)
I've come to take you with me even if I must drag you along But first I must steal your heart then settle you in my soul. I've come as a spring to lay beside your blossoms To feel the glory of happiness and spread your flowers around I've come to show you off as the adornment in my house and elevate you to the heavens as the prayers of those in love. I've come to take back the kiss you once stole Either return it with grace or i must take it by force You're my life You're my soul Please be my last prayer My heart must hold you forever From the lowly earth to the high human soul There are a lot more than a thousand stages Since I've taken you along from town to town no way will I abandon you halfway down this road Though you're in my hands Though i can throw you around like a child and a ball I'll always need to chase after you
Jalal ad-Din Muhammad ar-Rumi
Oh, good, it worked,” Archer said, his ghostly face relieved. Unlike Elodie, his voice came in loud and clear, and so familiar that my heart broke all over again. I stood frozen, my back against the door. Even though he was faint, I could see him smirk. “Um…Mercer? Haven’t seen you in nearly a month. I was expecting something like, ‘Oh, Cross, love of my heart, fire of my loins, how I’ve longed—’” “You’re dead,” I blurted out, pressing a hand against my stomach. “You’re a ghost, and you think—” All the humor disappeared from his face, and he held up both hands. “Whoa, whoa, whoa. Not dead. Promise.” My heart was still hammering. “Then what the heck are you?” Archer almost looked sheepish as he reached inside his shirt and pulled out some kind of amulet on a thin silver chain. “It’s a speaking stone. Lets you appear to people kind of like a hologram. You know. ‘Help me, Sophie-Wan Kenobi, you’re my only hope.’” “Did you steal it from the cellar at Hecate, too?” Archer had collected all sorts of magical knickknacks back when we had cellar duty at Hex Hall. “No,” he said, offended. “I found it at a…store. For magical stuff. Okay, yes, I stole it from the cellar.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
They haven't killed us yet," I say, and I imagine that one day I will fly a plane over Portland, over Rochester, over every fenced-in city in the whole country, and I will bomb and bomb and bomb, and watch all their buildings smoldering to dust, and all those people melting and bleeding into flame, and I will see how they like it. If you take, we will take back. Steal from us, and we will rob you blind. When you squeeze, we will hit. This is the way the world is made now.
Lauren Oliver (Pandemonium (Delirium, #2))
99% of all addicts are liars and thieves. This might sound unfair and even close-minded, but it's the truth. There are some exceptions to the rules, but they are incredibly rare. Most people are no match for their addictions. They will be driven to do things they would normally never have considered all in the name of getting high. Sad, but true. So if you're thinking of trying drugs, keep in mind that all the people you will be dealing with are likely to steal from you and lie to you at your own expense.
Ashly Lorenzana
There were plotters, there was no doubt about it. Some had been ordinary people who'd had enough. Some were young people with no money who objected to the fact that the world was run by old people who were rich. Some were in it to get girls. And some had been idiots as mad as Swing, with a view of the world just as rigid and unreal, who were on the side of what they called 'the people'. Vimes had spent his life on the streets, and had met decent men and fools and people who'd steal a penny from a blind beggar and people who performed silent miracles or desperate crimes every day behind the grubby windows of little houses, but he'd never met The People. People on the side of The People always ended up disappointed, in any case. They found that The People tended not to be grateful or appreciative or forward-thinking or obedient. The People tended to be small-minded and conservative and not very clever and were even distrustful of cleverness. And so the children of the revolution were faced with the age-old problem: it wasn't that you had the wrong kind of government, which was obvious, but that you had the wrong kind of people. As soon as you saw people as things to be measured, they didn't measure up. What would run through the streets soon enough wouldn't be a revolution or a riot. It'd be people who were frightened and panicking. It was what happened when the machinery of city life faltered, the wheels stopped turning and all the little rules broke down. And when that happened, humans were worse than sheep. Sheep just ran; they didn't try to bite the sheep next to them.
Terry Pratchett (Night Watch (Discworld, #29; City Watch, #6))
The Romans move east from New York. They advance in your camp, and nothing can slow them down. "Nothing can slow them down," Leo mused. "I wonder..." "What?" Jason asked. Leo looked at the dwarfs. "I'll make you a deal." Akmon's eyes lit up. "Thirty percent?" "We'll leave you all the treasure," Leo said, "except the stuff that belongs to us, and the astrolabe, and this book, which we'll take back to the dude in Venice." "But he'll destroy us!" Passolos wailed. "We won't say where we got it," Leo promised. "And we won't kill you. We'll let you go free." "Uh, Leo...?" Jason asked nervously. Akmon squealed in delight. "I knew you were as smart at Hercules! I will call you Black Bottom, the Sequel!" "You, no thanks," Leo said. "But in return for us sparing your lives, you have to do something for us. I'm going to send you somewhere to steal from some people, harass them, make life hard for them any way you can. You have to follow my directions exactly. You have to swear on the River Styx." "We swear!" Passalos said. "Stealing from people is our specialty!" "I love harassment!" Akmon agreed. "Where are we going?" Leo grinned. "Ever heard of New York?
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
You might start by thanking me." For what? For finding something else that was so important to do that it took you all the way from midnight on Samhain ‗til four days later to come for me? I‘m not going to thank you for saving me from something you failed to save me from to begin with." You look fine to me. In fact, you‘re better than fine, aren‘t you? You walked right through my wards, without a word. Didn‘t even leave a note by the bedside. Really,after all we shared, Ms. Lane. But do I get any thanks for doing the impossible and bringing you back from being Pri-ya? No. What do I get? You steal my guns.
Karen Marie Moning (Dreamfever (Fever, #4))
Give a man a fish, and you feed him for a day. Teach a man to fish, and you feed him for a lifetime. Steal a fish from one guy and give it to another--and keep doing that on a daily basis--and you'll make the first guy pissed off, but you'll make the second guy lazy and dependent on you. Then you can tell the second guy that the first guy is greedy for wanting to keep the fish he caught. Then the second guy will cheer for you to steal more fish. Then you can prohibit anyone from fishing without getting permission from you. Then you can expand the racket, stealing fish from more people and buying the loyalty of others. Then you can get the recipients of the stolen fish to act as your hired thugs. Then you can ... well, you know the rest.
Larken Rose
This great evil, where's it come from? How'd it steal into the world? What seed, what root did it grow from? Who's doing this? Who's killing us, robbing us of life and light, mocking us with the sight of what we might've known? Does our ruin benefit the earth, does it help the grass to grow, the sun to shine? Is this darkness in you, too? Have you passed through this night?
James Jones (The thin red line (Dutch Edition))
By now, Gregor had recovered. "Sage? Devlin, forgive my accusation, but you are a fool. Don't you know who this is?" Devlin didn't appear to forgive the accusation. With a sneer on his face, he folded his arms and said, "Enlighten me." Gregor looked at me and frowned. "He can perform the Avenian accent as well as his own Carthyan tongue. And although he has a reputation for being able to steal the white off snow if he chooses to, this boy is far from being a mere thief. Devlin, you are facing the boy who has haunted the pirates for the past four years. This is Jaron, the lost prince of Carthya.
Jennifer A. Nielsen (The Runaway King (Ascendance, #2))
Look, no matter where you live, the biggest defect we human beings have is our shortsightedness. We don’t see what we could be. We should be looking at our potential, stretching ourselves into everything we can become. But if you’re surrounded by people who say ‘I want mine now,’ you end up with a few people with everything and a military to keep the poor ones from rising up and stealing it.
Mitch Albom (Tuesdays with Morrie)
You damn fool. You realize, even if all your assumptions are correct-even then, you still have to steal the world's most coveted sword from the world's safest place then be pursued by the ultimate hunter until you reach the heart of an enemy country in the middle of a war in which any side will happily kill you as a traitor, a spy, a wytch, or all three?" "I thought you'd like it.
Brent Weeks (Beyond the Shadows (Night Angel, #3))
You want me to have feelings?" he said. "I already told you that I love you. What else should I say? That I long to be near you every second of every day? I see colors, only around you....I smell perfume, only around you. God, it's like...like I'm alive again. Sometimes I go crazy just wondering if I imagined it all, and I wait to see when it...you...will be taken away from me." "I feel all these things, Abbey," he continued on. "Rage that I can't run my fingers through your hair. Sorrow that I can't lay my face next to yours. Agony that I can't steal the breath from your lips. I can't eat or breathe or sleep for wanting to touch you, and yet I don't eat or breathe or sleep. I'm just here. Stuck in between.
Jessica Verday (The Haunted (The Hollow, #2))
The narratives we create in order to justify our actions and choices become in so many ways who we are. They are the things we say back to ourselves to explain our complicated lives. Perhaps the reason you've not yet been able to forgive yourself is that you're still invested in your self-loathing. Perhaps not forgiving yourself is the flip side of your stealing-this-now cycle. Would you be a better or worse person if you forgave yourself for the bad things you did? If you perpetually condemn yourself for being a liar and a thief, does that make you good?
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Dear Sugar)
I know that loneliness cannot be fully eradicated by the presence of another; but I also know that a companion is a shield, and without another person, loneliness steals in, a phantom seeping through the windows and down your throat, filling you with a sorrow nothing can answer. I cannot promise that my granddaughter won't be lonely, but I have prevented her from being alone. I have made certain that her life will have a witness.
Hanya Yanagihara (To Paradise)
It is difficult to feel sympathy for these people. It is difficult to regard some bawdy drunk and see them as sick and powerless. It is difficult to suffer the selfishness of a drug addict who will lie to you and steal from you and forgive them and offer them help. Can there be any other disease that renders its victims so unappealing? Would Great Ormond Street be so attractive a cause if its beds were riddled with obnoxious little criminals that had “brought it on themselves?
Russell Brand
My sweet little whorish Nora I did as you told me, you dirty little girl, and pulled myself off twice when I read your letter. I am delighted to see that you do like being fucked arseways. Yes, now I can remember that night when I fucked you for so long backwards. It was the dirtiest fucking I ever gave you, darling. My prick was stuck in you for hours, fucking in and out under your upturned rump. I felt your fat sweaty buttocks under my belly and saw your flushed face and mad eyes. At every fuck I gave you your shameless tongue came bursting out through your lips and if a gave you a bigger stronger fuck than usual, fat dirty farts came spluttering out of your backside. You had an arse full of farts that night, darling, and I fucked them out of you, big fat fellows, long windy ones, quick little merry cracks and a lot of tiny little naughty farties ending in a long gush from your hole. It is wonderful to fuck a farting woman when every fuck drives one out of her. I think I would know Nora’s fart anywhere. I think I could pick hers out in a roomful of farting women. It is a rather girlish noise not like the wet windy fart which I imagine fat wives have. It is sudden and dry and dirty like what a bold girl would let off in fun in a school dormitory at night. I hope Nora will let off no end of her farts in my face so that I may know their smell also. You say when I go back you will suck me off and you want me to lick your cunt, you little depraved blackguard. I hope you will surprise me some time when I am asleep dressed, steal over to me with a whore’s glow in your slumberous eyes, gently undo button after button in the fly of my trousers and gently take out your lover’s fat mickey, lap it up in your moist mouth and suck away at it till it gets fatter and stiffer and comes off in your mouth. Sometimes too I shall surprise you asleep, lift up your skirts and open your drawers gently, then lie down gently by you and begin to lick lazily round your bush. You will begin to stir uneasily then I will lick the lips of my darling’s cunt. You will begin to groan and grunt and sigh and fart with lust in your sleep. Then I will lick up faster and faster like a ravenous dog until your cunt is a mass of slime and your body wriggling wildly. Goodnight, my little farting Nora, my dirty little fuckbird! There is one lovely word, darling, you have underlined to make me pull myself off better. Write me more about that and yourself, sweetly, dirtier, dirtier.
James Joyce (Selected Letters of James Joyce)
Let’s de-bunk some of this, shall we? Myth 1– Kings and Queens are divine beings – rubbish. Kings and queens of old were murdering bastards who ruled with a rod of iron. Myth 2 – the rich prosper out of godliness – more rubbish. They gained their wealth by royal patronage and taxing and stealing from the masses. Myth 3 - the poor are poor because they’re depraved – yet more rubbish. They’re poor because of their naivety and childlike belief in, oh yes, Kings and Queens, the Church and the order of things. Finally, Myth 4 - women are evil and deliberately seductive – the biggest nonsense of all. Women are sexually attractive to men because they are the opposite sex to men; it’s not hard to see, is it? It’s the same for every species on the planet, you can see it in any mating ritual on the Discovery channel but this truth has been reversed and buried under the eternal lie fostered upon us by the church. That’s what the bible has achieved and that’s why our society is divided and divided again. That’s why we are never working as one, because religion was designed to divide and rule the masses,” she broke off and looked deliberately round the room, “but the big question is, for what purpose and by whom?
Arun D. Ellis
Good dog," Nick said. "That's one of the tricks I've taught him, shaking water on girls so they back into my arms." "Really! How smart of Rocky - and you, of course." "That's another thing I've been wanting to tell you," he said, turning me to face him. "I'm tired of getting jealous of my dog. I mean, he has nice eyes, but so do I." I looked from Rocky's golden eyes to Nick's laughing green ones. "I didn't enjoy the way Rocky got to stick close to you while I played Holly's boyfriend. He's going to have some competition from now on." "Oh, yeah? Are you good at retrieving sticks?" "I'm good at stealing kisses," Nick said, then proved it.
Elizabeth Chandler (Dark Secrets 1 (Dark Secrets, #1-2))
You've known him how long?" Malcolm asked. "Since he was a small boy. I firs noticed him when he slipped into Master Chubb's kitchen to steal some pies." "So, what did you have to say to Will when you caught him stealing these pies? "Oh, I didn't let on I was there. We rangers can be very unobtrusive when we choose. I remained out of sight and watched him. I thought he might have potential to be a ranger." Halt said. Horace joined in "Why?" Halt answered carefully. "Because he was excellent at moving from cover to cover. Chubb entered 3 times and never noticed him. So i thought that if he could acheive that with no training, he would make a good ranger." "No" Horace spoke. "Thats not what I meant. Why were you hiding in the kitchen in the first place?" "I told you. I was watching Will to see if he had the potential to be a ranger." "Thats not what you said. You said that was the first time you noticed Will." "Does it matter?" "Not really. Were you hiding from chub yourself and Will just turned up by coincidence?" "And why would I be hiding from master Chubb in his own kitchen?" "Well, there were freshly made pies on the windowsill, and you like pies, don't you?" "Are you acusing me of trying to steal those pies?!?!" "No, of course not. I just thought i'd give you the opportunity to confess." After a pause, Halt continued. "You know, Horace, you used to be a most agreeable young man. Whatever happened to you?" "I've spent to much time around you, I suppose." And Halt had to admit that was probably true.
John Flanagan
The man is captivating in every way and the epitome of sexy. From that boyish grin that disarms me in seconds to his sexy swagger that says he knows exactly where he’s going and what his intentions are. He exudes virility, evokes desire, and commands attention all with a single look from his stunning eyes. He’s edgy and reckless and you want to go along for the ride hoping to get a glimpse of his tender side that breaks through every now and again. The bad boy with a touch of vulnerability who leaves you breathless and steals your heart.
K. Bromberg (Driven (Driven, #1))
It's possible, and I stress possible, that such a moment may never come: you may not fall in love, you may not be able to or you may not wish to give your whole life to anyone, and, like me, you may turn forty-five one day and realize that you're no longer young and you have never found a choir of cupids with lyres or a bed of white roses leading to the altar. The only revenge left for you then will be to steal from life the pleasure of firm and passionate flesh - a pleasure that evaporates faster than good intentions and is the nearest thing to heaven you will find in this stinking world where everything decays, beginning with beauty and ending with memory.
Carlos Ruiz Zafón (The Angel's Game (The Cemetery of Forgotten Books, #2))
In this sense, littering is an exceedingly petty version of claiming a billion-dollar bank bailout or fraudulently claiming disability payments. When you throw trash on the ground, you apparently don’t see yourself as truly belonging to the world that you’re walking around in. And when you fraudulently claim money from the government, you are ultimately stealing from your friends, family, and neighbors—or somebody else’s friends, family, and neighbors. That diminishes you morally far more than it diminishes your country financially.
Sebastian Junger (Tribe: On Homecoming and Belonging)
I've had it with both of you." He pulled his own bag higher on one shoulder and turned to me. "You let me know when you decide what the hell you want from me. I love you, and I miss you, and I'll be waiting, whenever you're ready. But don't spy on me again. Ever." I nodded miserably as he twisted to face Sabine. "And you! You come find me when you're ready to be my friend, because that's all I have to offer right now. But as badly as I need someone to talk to, I don't need another complication in my life. And as for the two of you!" He stepped away from us, already walking backward toward the school entrance. "Work it out. Or don't work it out. But leave me the hell out of it.
Rachel Vincent (My Soul to Steal (Soul Screamers, #4))
Yeah," he grount out. "I nailed her." "Where?" Luc always wanted the dirty details. "Stockroom. Pay up." Luc snorted and reached for his wallet. "I really got taken on this one , didn't I?" He handed over four hundreds and five twenties. "Yeah, well, you can have the last laugh once the Sem brothers catch up with me. Seems she's their sister." "Dude." Luc streched out the word and then whistled, low and long. "Nice knowing you. So, will it at least have been worth it? Being gutted by Shade, I mean. Was she good ?" His body heated as though remembering. And wanting again. "Of course I was." Fuck. Con spun around to find Sin standing there, hands on hips and fury in her expression. Like a kid caught stealing candy, he whipped the money behind his back. She looked at him as if he was an idiot and grabbed his arm, briging it around. "It's not what you think," he said lamely, because it was exactly what she thought. "Really? So that big asshole behind you didn't bet you five hundred bucks that you couldn't fuck me ?" "Ah..." "That's what I thought. You dick. How stupid do you think I am ? Your name really fits you , Con." She snatched the money from him, took two hundreds and three twenties, and thrust the remaining two hundred and forty dollars back into his hand. Then, smiling broadly, she punched him in the shoulder. "Next time you make a bet like that, don't cheat me out of my half. I owe you a ten." She winked and left him, jaw-dropped and gaping, as she sauntered away.
Larissa Ione (Ecstasy Unveiled (Demonica, #4))
He isn’t like most guys, you know?' I know.' No, but do you really know? I mean here’s the deal, what do most guys want from a woman? I’ll tell you what we want. We want a warm body to sleep next to, preferably one with a nice pair of tits, maybe someone who’ll cook for us and fuck us on a regular basis. Pretty simple, huh? Now, what we don’t want is someone who’s going to come in and disrupt our lives and steal our souls. That’s what we fear most. We call it our freedom, but it’s our souls we’re talking about. You following me?' I nodded. Okay, good. Now forget it. Forget all that,' Pete said. 'Because Jacob’s not like that. He’s never been like that. He’s a damn fool and he wants the exact opposite of all that. He wants someone to obsess over, someone to possess his soul, and those are his corny words, by the way, not mine. It’s what he lives for. It’s what he thinks life’s all about. Do you get what I’m saying?' I nodded again.
Tiffanie DeBartolo (God-Shaped Hole)
The hardest part of letting go is the "uncertainty"--when you are afraid that the moment you let go of someone you will hate yourself when you find out how close you were to winning their affection. Every time you give yourself hope you steal away a part of your time, happiness and future. However, once in a while you wake up to this realization and you have to hold on tightly to this truth because your heart will tear away the foundation of your logic, by making excuses for why this person doesn't try as much as you. The truth is this: Real love is simple. We are the ones that make it complicated. A part of disconnecting is recognizing the difference between being desired and being valued. When someone loves you they will never keep you waiting, give their attention and affection away to others, allow you to continue hurting, or ignore what you have gone through for them. On the other hand, a person that desires you can't see your pain, only what they can get from you with minimal effort in return. They let you risk everything, while they guard their heart and reap the benefits of your feelings. We make so many excuses for the people we fall in love with and they make up even more to remain one foot in the door. However, the truth is God didn't create you to be treated as an option or to be disrespected repeatedly. He wants you to close the door. If someone loves you and wants to be in your life no obstacle will keep them from you. Remember, you are royalty, not a beggar.
Shannon L. Alder
Every human being makes mistakes and does things they’re not proud of. They can be everyday, or they can be catastrophic. And the unfortunate truth of being human is that we all have moments of indifference to other people’s suffering. To me, that’s the central thing that allows crime to happen: indifference to other people’s suffering. If you’re stealing from someone, if you’re hurting them physically, if you’re selling them a product that you know will hurt them—the thing that allows a person to do that is that they somehow convince themselves that that’s not relevant to them. We all do things that we’re not proud of, even though they might not have as terrible consequences.
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
But who would build the roads if there were no government? You mean to tell me that 300 million people in this country and 7 billion people on the planet would just sit around in their houses and think “Gee, I’d like to go visit Fred, but I can't because there isn’t a flat thing outside for me to drive on, and I don’t know how to build it and the other 300 million or 7 billion people can’t possibly do it because there aren’t any politicians and tax collectors. If they were here then we could do it. If they were here to boss us around and steal our money and really inefficiently build the flat places, then we would be set. Then I would be comfortable and confident that I could get places. But I can’t go to Fred’s house or the market because we can’t possibly build a flat space from A to B. We can make these really small devices that enable us to contact people from all over the word that fits in our pockets; we can make machines that we drive around in, but no, we can’t possibly build a flat space.
Larken Rose
Emma rose to her feet, facing the faerie across the fleeing crowd. Gleaming from his weathered, barklike face, his eyes were yellow as a cat's. "Shadowhunter," he hissed. Emma reached back over her shoulder and closed her hand around the hilt of her sword, Cortana. The blade made a golden blur in the air as she drew it and pointed the tip at the fey. "No," she said. "I'm a candygram. This is my costume." The faerie looked puzzled. Emma sighed. "It's so hard to be sassy to the Fair Folk. You people never get jokes." "We are well known for our jests, japes, and ballads," the faerie said, clearly offended. "Some of our ballads last for weeks." "I don't have that kind of time," Emma said. "I'm a Shadowhunter. Quip fast, die young." She wiggled Cortana's tip impatiently. "Now turn out your pockets." "I have done nothing to break the Cold Peace," said the fey. "Technically true, but we do frown on stealing from mundanes," Emma said. "Turn out your pockets or I'll rip off one of your horns and shove it where the sun doesn't shine." The fey looked puzzled. "Where does the sun not shine? Is this a riddle?" Emma gave a martyred sigh and raised Cortana. "Turn them out, or I'll start peeling your bark off. My boyfriend and I just broke up, and I'm not in the best mood." The faerie began slowly to empty his pockets onto the ground, glaring at her all the while. "So you're single," he said. "I never would have guessed.
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
Steven, I look like a raccoon. You do NOT look like a raccoon. Actually, he looked like some deranged anteater, but I didn’t figure that would be the thing to tell him. Yes, I do. Oh, no. What if I stay this way forever? You’re not going to stay that way forever, Jeffy. People get black eyes all the time. If they never got better, the streets would be crowded with raccoon people. Soon the raccoon people would find each other and breed. I was on a roll here. The preschools would fill up with strange ring-eyed children. Soon the raccoons would be taking over our streets, stealing from our garbage cans, leaving eerie tails of Dinty Moore beef stew cams in their wakes. Gangs of them would haunt the malls, buying up all the black-and-gray-striped sportswear. THE RIVERS WOULD RISE! THE VALLEYS WOULD RUN WITH… Steven you’re joking, right?
Jordan Sonnenblick (Drums, Girls & Dangerous Pie (Drums, Girls & Dangerous Pie #1))
Life is made of moments. and choices. Not all of them matter, or have any lasting impact. Skipping class in favor of a taste of freedom, picking a prom dress because of the way it transforms you into a princess in the mirror. Even the nights you steal away from an open window, tiptoe silent to the end of the driveway, where darkened headlights and the pull of something unknown beckon. These are all small choices, really. Insignificant as soon as they’re made. Innocent. But then. Then there’s a different kind of moment. One when things are irrevocably changed by a choice we make. A moment we will play endlessly in our minds on lonely nights and empty days. One we’ll search repeatedly for some indication that what we chose was right, some small sign that tells us the truth isn’t nearly as awful as it feels. Or as awful as anyone would think if they knew. So we explain it to ourselves, justify it enough to sleep. And then we bury it deep, so deep we can almost pretend it never happened. But as much as we wish it were different, the truth is, our worlds are sometimes balanced on choices we make and the secrets we keep.
Jessi Kirby (Golden)
First came bright Spirits, not the Spirits of men, who danced and scattered flowers. Then, on the left and right, at each side of the forest avenue, came youthful shapes, boys upon one hand, and girls upon the other. If I could remember their singing and write down the notes, no man who read that score would ever grow sick or old. Between them went musicians: and after these a lady in whose honour all this was being done. I cannot now remember whether she was naked or clothed. If she were naked, then it must have been the almost visible penumbra of her courtesy and joy which produces in my memory the illusion of a great and shining train that followed her across the happy grass. If she were clothed, then the illusion of nakedness is doubtless due to the clarity with which her inmost spirit shone through the clothes. For clothes in that country are not a disguise: the spiritual body lives along each thread and turns them into living organs. A robe or a crown is there as much one of the wearer's features as a lip or an eye. But I have forgotten. And only partly do I remember the unbearable beauty of her face. “Is it?...is it?” I whispered to my guide. “Not at all,” said he. “It's someone ye'll never have heard of. Her name on earth was Sarah Smith and she lived at Golders Green.” “She seems to be...well, a person of particular importance?” “Aye. She is one of the great ones. Ye have heard that fame in this country and fame on Earth are two quite different things.” “And who are these gigantic people...look! They're like emeralds...who are dancing and throwing flowers before here?” “Haven't ye read your Milton? A thousand liveried angels lackey her.” “And who are all these young men and women on each side?” “They are her sons and daughters.” “She must have had a very large family, Sir.” “Every young man or boy that met her became her son – even if it was only the boy that brought the meat to her back door. Every girl that met her was her daughter.” “Isn't that a bit hard on their own parents?” “No. There are those that steal other people's children. But her motherhood was of a different kind. Those on whom it fell went back to their natural parents loving them more. Few men looked on her without becoming, in a certain fashion, her lovers. But it was the kind of love that made them not less true, but truer, to their own wives.” “And how...but hullo! What are all these animals? A cat-two cats-dozens of cats. And all those dogs...why, I can't count them. And the birds. And the horses.” “They are her beasts.” “Did she keep a sort of zoo? I mean, this is a bit too much.” “Every beast and bird that came near her had its place in her love. In her they became themselves. And now the abundance of life she has in Christ from the Father flows over into them.” I looked at my Teacher in amazement. “Yes,” he said. “It is like when you throw a stone into a pool, and the concentric waves spread out further and further. Who knows where it will end? Redeemed humanity is still young, it has hardly come to its full strength. But already there is joy enough int the little finger of a great saint such as yonder lady to waken all the dead things of the universe into life.
C.S. Lewis (The Great Divorce)
STEALING THE CAR, I WOULDN’T HAVE BEEN SURPRISED IF THEY’D EXPELLED YOU, YOU WAIT TILL I GET HOLD OF YOU, I DON’T SUPPOSE YOU STOPPED TO THINK WHAT YOUR FATHER AND I WENT THROUGH WHEN WE SAW IT WAS GONE —” Mrs. Weasley’s yells, a hundred times louder than usual, made the plates and spoons rattle on the table, and echoed deafeningly off the stone walls. People throughout the hall were swiveling around to see who had received the Howler, and Ron sank so low in his chair that only his crimson forehead could be seen. “— LETTER FROM DUMBLEDORE LAST NIGHT, I THOUGHT YOUR FATHER WOULD DIE OF SHAME, WE DIDN’T BRING YOU UP TO BEHAVE LIKE THIS, YOU AND HARRY COULD BOTH HAVE DIED —” Harry had been wondering when his name was going to crop up. He tried very hard to look as though he couldn’t hear the voice that was making his eardrums throb. “— ABSOLUTELY DISGUSTED — YOUR FATHER’S FACING AN INQUIRY AT WORK, IT’S ENTIRELY YOUR FAULT AND IF YOU PUT ANOTHER TOE OUT OF LINE WE’LL BRING YOU STRAIGHT BACK HOME.” A ringing silence fell.
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
From Jess: FANG. I've commented your blog with my questions for THREE YEARS. You answer other people's STUPID questions but not MINE. YOU REALLY ASKED FOR IT, BUDDY. I'm just gonna comment with this until you answer at least one of my questions. DO YOU HAVE A JAMAICAN ACCENT? No, Mon DO YOU MOLT? Gross. WHAT'S YOUR STAR SIGN? Dont know. "Angel what's my star sign?" She says Scorpio. HAVE YOU TOLD JEB I LOVE HIM YET? No. DOES NOT HAVING A POWER MAKE YOU ANGRY? Well, that's not really true... DO YOU KNOW HOW TO DO THE SOULJA BOY? Can you see me doing the Soulja Boy? DOES IGGY KNOW HOW TO DO THE SOULJA BOY? Gazzy does. DO YOU USE HAIR PRODUCTS? No. Again,no. DO YOU USE PRODUCTS ON YOUR FEATHERS? I don't know that they make bird kid feather products yet. WHAT'S YOU FAVORITE MOVIE? There are a bunch WHAT'S YOUR FAVORITE SONG? I don't have favorites. They're too polarizing. WHAT'S YOUR FAVORITE SMELL? Max, when she showers. DO THESE QUESTIONS MAKE YOU ANGRY? Not really. IF I CAME UP TO YOU IN A STREET AND HUGGED YOU, WOULD YOU KILL ME? You might get kicked. But I'm used to people wanting me dead, so. DO YOU SECRETLY WANT TO BE HUGGED? Doesn't everybody? ARE YOU GOING EMO 'CAUSE ANGEL IS STEALING EVERYONE'S POWERS (INCLUDING YOURS)? Not the emo thing again. WHAT'S YOUR FAVORITE FOOD? Anything hot and delicious and brought to me by Iggy. WHAT DID YOU HAVE FOR BREAKFAST THIS MORNING? Three eggs, over easy. Bacon. More Bacon. Toast. DID YOU EVEN HAVE BREAKFAST THIS MORNING? See above. DID YOU DIE INSIDE WHEN MAX CHOSE ARI OVER YOU? Dudes don't die inside. DO YOU LIKE MAX? Duh. DO YOU LIKE ME? I think you're funny. DOES IGGY LIKE ME? Sure DO YOU WRITE DEPRESSING POETRY? No. IS IT ABOUT MAX? Ahh. No. IS IT ABOUT ARI? Why do you assume I write depressing poetry? IS IT ABOUT JEB? Ahh. ARE YOU GOING TO BLOCK THIS COMMENT? Clearly, no. WHAT ARE YOU WEARING? A Dirty Projectors T-shirt. Jeans. DO YOU WEAR BOXERS OR BRIEFS? No freaking comment. DO YOU FIND THIS COMMENT PERSONAL? Could I not find that comment personal? DO YOU WEAR SUNGLASSES? Yes, cheap ones. DO YOU WEAR YOUR SUNGLASSES AT NIGHT? That would make it hard to see. DO YOU SMOKE APPLES, LIKE US? Huh? DO YOU PREFER BLONDES OR BRUNETTES? Whatever. DO YOU LIKE VAMPIRES OR WEREWOLVES? Fanged creatures rock. ARE YOU GAY AND JUST PRETENDING TO BE STRAIGHT BY KISSING LISSA? Uhh... WERE YOU EXPERIMENING WITH YOUR SEXUALITY? Uhh... WOULD YOU TELL US IF YOU WERE GAY? Yes. DO YOU SECRETLY LIKE IT WHEN PEOPLE CALL YOU EMO? No. ARE YOU EMO? Whatever. DO YOU LIKE EGGS? Yes. I had them for breakfast. DO YOU LIKE EATING THINGS? I love eating. I list it as a hobby. DO YOU SECRETLY THINK YOU'RE THE SEXIEST PERSON IN THE WHOLE WORLD? Do you secretly think I'm the sexiest person in the whole world? DO YOU EVER HAVE DIRTY THOUGHTS ABOUT MAX? Eeek! HAS ENGEL EVER READ YOUR MIND WHEN YOU WERE HAVING DIRTY THOUGHT ABOUT MAX AND GONE "OMG" AND YOU WERE LIKE "D:"? hahahahahahahahahahah DO YOU LIKE SPONGEBOB? He's okay, I guess. DO YOU EVER HAVE DIRTY THOUGHT ABOUT SPONGEBOB? Definitely CAN YOU COOK? Iggy cooks. DO YOU LIKE TO COOK? I like to eat. ARE YOU, LIKE, A HOUSEWIFE? How on earth could I be like a housewife? DO YOU SECRETLY HAVE INNER TURMOIL? Isn't it obvious? DO YOU WANT TO BE UNDA DA SEA? I'm unda da stars. DO YOU THINK IT'S NOT TOO LATE, IT'S NEVER TOO LATE? Sure. WHERE DID YOU LEARN TO PLAY POKER? TV. DO YOU HAVE A GOOD POKER FACE? Totally. OF COURSE YOU HAVE A GOOD POKER FACE. DOES IGGY HAVE A GOOD POKER FACE? Yes. CAN HE EVEN PLAY POKER? Iggy beats me sometimes. DO YOU LIKE POKING PEOPLE HARD? Not really. ARE YOU FANGALICIOUS? I could never be as fangalicious as you'd want me to be. Fly on, Fang
James Patterson (Fang (Maximum Ride, #6))
Well, make up your mind. I don’t have all night.” Fidelia set her beer on the porch and removed a set of keys from her skirt pocket. She fumbled with the key, trying to release the trigger lock on her pistol. “Don’t do that,” Heather warned her. “You’ve had too much to drink.” Fidelia snorted. “I’m not drunk. I’m in complete control.” She tore off the trigger lock. Bang! The gun fired, ripping into a nearby oak tree. The women screamed. Jean-Luc winced. A squirrel plummeted from the tree and landed in the yard with a thud. Fidelia shrugged. “I meant to do that. Damned rodent’s been gnawing on the house. And stealing all the nuts from our pecan tree.” Heather planted her hands on her hips. “Haven’t I told you a million times to keep the locks on?” Fidelia hung her head, looking properly remorseful. “I’ll be more careful.” She switched on the safety, then shot Jean-Luc a pointed look. “I know how to deal with a scumbag with nuts.
Kerrelyn Sparks (The Undead Next Door (Love at Stake, #4))
Bad music is a form of murder to the true art of music in general.Bad music forced on a child is abuse because it invariably forms that child´s taste in music. Bad music has raped an industry that was held up strongly by great expression for decades but now finds itself floundering, giving in to the lowest common denominator of music just to keep its panties around its waist. Bad music tortures the eardrums and kills little bits of your senses through prolonged exposure. Bad music steals money from shallow pockets, steals airtime from more deserving bands and songwriters, and steals the spotlight from undiscovered geniuses who have all but given up on a dream because of the mediocrity of popular radio. Bad music is a lie, and yet it is foisted on the public in an attempt to turn melodies and songs into hamburgers and fries. Bad music is truly a sin because you don´t have to be exceptional to make it in the music industry anymore. You just have to be good enough to stick around and be tolerated. I understand that bad music is a matter of opinion. I know that. But I am fairly confident that more people agree with me than you suspect. Bad music is just fucking bad.
Corey Taylor (Seven Deadly Sins: Settling the Argument Between Born Bad and Damaged Good)
On 20 July 1969, Neil Armstrong and Buzz Aldrin landed on the surface of the moon. In the months leading up to their expedition, the Apollo II astronauts trained in a remote moon-like desert in the western United States. The area is home to several Native American communities, and there is a story – or legend – describing an encounter between the astronauts and one of the locals. One day as they were training, the astronauts came across an old Native American. The man asked them what they were doing there. They replied that they were part of a research expedition that would shortly travel to explore the moon. When the old man heard that, he fell silent for a few moments, and then asked the astronauts if they could do him a favour. ‘What do you want?’ they asked. ‘Well,’ said the old man, ‘the people of my tribe believe that holy spirits live on the moon. I was wondering if you could pass an important message to them from my people.’ ‘What’s the message?’ asked the astronauts. The man uttered something in his tribal language, and then asked the astronauts to repeat it again and again until they had memorised it correctly. ‘What does it mean?’ asked the astronauts. ‘Oh, I cannot tell you. It’s a secret that only our tribe and the moon spirits are allowed to know.’ When they returned to their base, the astronauts searched and searched until they found someone who could speak the tribal language, and asked him to translate the secret message. When they repeated what they had memorised, the translator started to laugh uproariously. When he calmed down, the astronauts asked him what it meant. The man explained that the sentence they had memorised so carefully said, ‘Don’t believe a single word these people are telling you. They have come to steal your lands.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
I wanted to tell him then how loneliness can become a tangible thing, after a while. It’s something that you carry with you on your shoulder, hold up like a friend with a twisted ankle. It sits with you and walks the streets with you. It’s a selfish thing and it refuses to let go or even split its attention. Of course, like a particularly annoying itch, you can convince yourself for a while that it’s not there. You can go to libraries and sit with friends and drink more coffee than your body can handle and you can feel surrounded and happy. But eventually you have to scratch it. Loneliness steals you away from the world, as if you’ve been cut loose and you’re lost, untethered, somewhere far above everyone else. Just you and this feeling that you just need someone to put a hand on your shoulder and turn you around, to look at you and tell you the three words that matter most: You’re not alone. Don’t be scared. I am here. It’s not about love or lust or any other inadequate word; it’s about being touched and realising that you are no longer by yourself.
Chloe Rattray (Sacré Noir)
There are moments in every relationship that define when two people start to fall in love. A first glance A first smile A first kiss A first fall… (I remove the Darth Vader house shoes from my satchel and look down at them.) You were wearing these during one of those moments. One of the moments I first started to fall in love with you. The way you gave me butterflies that morning Had absolutely nothing to do with anyone else, and everything to do with you. I was falling in love with you that morning because of you. (I take the next item out of the satchel. When I pull it out and look up, she brings her hands to her mouth in shock.) This ugly little gnome With his smug little grin… He's the reason I had an excuse to invite you into my house. Into my life. You took a lot of aggression out on him over those next few months. I would watch from my window as you would kick him over every time you walked by him. Poor little guy. You were so tenacious. That feisty, aggressive, strong-willed side of you…. The side of you that refused to take crap from this concrete gnome? The side of you that refused to take crap from me? I fell in love with that side of you because of you. (I set the gnome down on the stage and grab the CD) This is your favorite CD ‘Layken’s shit.’ Although now I know you intended for shit to be possessive, rather than descriptive. The banjo started playing through the speakers of your car and I immediately recognized my favorite band. Then when I realized it was your favorite band, too? The fact that these same lyrics inspired both of us? I fell in love with that about you. That had absolutely nothing to do with anyone else. I fell in love with that about you because of you. (I take a slip of paper out of the satchel and hold it up. When I look at her, I see Eddie slide her a napkin. I can’t tell from up here, but that can only mean she’s crying.) This is a receipt I kept. Only because the item I purchased that night was on the verge of ridiculous. Chocolate milk on the rocks? Who orders that? You were different, and you didn’t care. You were being you. A piece of me fell in love with you at that moment, because of you. This? (I hold up another sheet of paper.) This I didn’t really like so much. It’s the poem you wrote about me. The one you titled 'mean?' I don’t think I ever told you… but you made a zero. And then I kept it to remind myself of all the things I never want to be to you. (I pull her shirt from my bag. When I hold it into the light, I sigh into the microphone.) This is that ugly shirt you wear. It doesn’t really have anything to do with why I fell in love with you. I just saw it at your house and thought I’d steal it.
Colleen Hoover (Point of Retreat (Slammed, #2))
So you make this deal with the gods. You do these dances and they'll send rain and good crops and the whole works? And nothing bad will ever happen. Right.' Prayer had always struck me as more or less a glorified attempt at a business transaction. A rain dance even more so. I thought I might finally have offended Loyd past the point of no return, like stealing the lobster from frozen foods that time, to get myself fired. But Loyd was just thinking. After a minute he said, 'No, it's not like that. It's not making a deal, bad things can still happen, but you want to try not to cause them to happen. It has to do with keeping things in balance.' In balance.' Really, it's like the spirits have made a deal with us.' And what is the deal?' I asked. We're on our own. The spirits have been good enough to let us live here and use the utilities, and we're saying: We know how nice you're being. We appreciate the rain, we appreciate the sun, we appreciate the deer we took. Sorry if we messed up anything. You've gone to a lot of trouble, and we'll try to be good guests.' Like a note you'd send somebody after you stayed in their house?' Exactly like that. 'Thanks for letting me sleep on your couch. I took some beer out of the refrigerator, and I broke a coffee cup. Sorry, I hope it wasn't your favorite one.
Barbara Kingsolver
The true artist will let his wife starve, his children go barefoot, his mother drudge for his living at seventy, sooner than work at anything but his art. To women he is half vivisector, half vampire. He gets into intimate relations with them to study them, to strip the mask of convention from them, to surprise their inmost secrets, knowing that they have the power to rouse his deepest creative energies, to rescue him from his cold reason, to make him see visions and dream dreams, to inspire him, as he calls it. He persuades women that they may do this for their own purpose whilst he really means them to do it for his. He steals the mother’s milk and blackens it to make printer’s ink to scoff at her and glorify ideal women with. He pretends to spare her the pangs of child-bearing so that he may have for himself the tenderness and fostering that belong of right to her children. Since marriage began, the great artist has been known as a bad husband. But he is worse: he is a child-robber, a blood-sucker, a hypocrite, and a cheat. Perish the race and wither a thousand women if only the sacrifice of them enable him to act Hamlet better, to paint a finer picture, to write a deeper poem, a greater play, a profounder philosophy! For mark you, Tavy, the artist’s work is to shew us ourselves as we really are. Our minds are nothing but this knowledge of ourselves; and he who adds a jot to such knowledge creates new mind as surely as any woman creates new men. In the rage of that creation he is as ruthless as the woman, as dangerous to her as she to him, and as horribly fascinating. Of all human struggles there is none so treacherous and remorseless as the struggle between the artist man and the mother woman. Which shall use up the other? that is the issue between them. And it is all the deadlier because, in your romanticist cant, they love one another.
George Bernard Shaw (Man and Superman)
There was a wicked ole witch once called Black Aliss. She was an unholy terror. There's never been one worse or more powerful. Until now. Because I could spit in her eye and steal her teeth, see. Because she didn't know Right from Wrong, so she got all twisted up, and that was the end of her. "The trouble is, you see, that if you do know Right from Wrong, you can't choose Wrong. You just can't do it and live. So.. if I was a bad witch I could make Mister Salzella's muscles turn against his bones and break them where he stood... if I was bad. I could do things inside his head, change the shape he thinks he is, and he'd be down on what had been his knees and begging to be turned into a frog... if I was bad. I could leave him with a mind like a scrambled egg, listening to colors and hearing smells...if I was bad. Oh yes." There was another sigh, deeper and more heartfelt. "But I can't do none of that stuff. That wouldn't be Right." She gave a deprecating little chuckle. And if Nanny Ogg had been listening, she would have resolved as follows: that no maddened cackle from Black Aliss of infamous memory, no evil little giggle from some crazed Vampyre whose morals were worse than his spelling, no side-splitting guffaw from the most inventive torturer, was quite so unnerving as a happy little chuckle from a Granny Weatherwax about to do what's best.
Terry Pratchett (Maskerade (Discworld, #18; Witches, #5))
Do you know how long I’ve been telling myself you hated me? Or how hard it’s been to keep believing it? You’d do things, these amazing, insane things, like stealing me back from Blind Michael or breaking me out of jail, and I’d say, ‘Oh, he just wants to pay his debts,’ or, ‘Oh, who knows what a cat is thinking?’” My voice broke a little on the last word. Dammit. Tybalt’s eyes widened, hope kindling in their depths. “What are you saying?” “I’m saying— oak and ash, Tybalt, I’m saying I’m in love with you, I’ve been in love with you for a while, and the only way I was dealing with it was by not dealing with it, ever.” I shook my head. “I knew I’d never have you, so I told myself I didn’t want you, and if you don’t really want me, if you want some idea of me, or just want to chase and not catch, I’ll understand, but this has been a hard week, Tybalt, this has been such a hard week. I’ve been waiting for you to come here, because I need you to tell me. Okay? Just tell me what you want.” “Oh, October. Toby. My Toby.” He pulled one hand from mine, reaching up to tuck my hair behind my ear. His fingers were shaking. That was what I focused on, more than anything else. His fingers were shaking. “Do you think I’m cruel enough to do that to you?” I sniffled. “No,” I admitted. “Thank Oberon,” he said, and pulled me close, and kissed me.
Seanan McGuire (Ashes of Honor (October Daye, #6))
26 Thought-Provoking Questions: 1. if you could own any single object that you don't have now, what would it be? 2. if you could have one superpower, what would it be? 3. if you could meet anyone in history, who would you choose and what would you ask them? 4. if you could add one person to your family, who would it be? 5. if you could be best friends with anyone in the world, who would you pick? 6. if you could change anything about your face, what would it be 7. if you could change anything about your parents, what would it be? 8. if you could fast-forward your life, how old would you want to be and why? 9. what is the one object you own that matters more to you than anything else? 10. what is the one thing in the world that you are most afraid of? 11. if you could go to school in a foreign country, which one would you pick? 12. if you had the power to drop any course from your curriculum, what would it be? 13. if you caught your best friend stealing from you, what would you do? 14. if you had a chance to spend a million dollars on anything but yourself, how would you spend it? 15. if you could look like anyone you wanted, who would that be? 16. if you were a member of the opposite sex, who would you want to look like? 17. if you could change your first name, what name would you chose? 18. what's the best thing about being a teen? 19. what's the worst? 20. if someone you like asked you out on a date, but your best friend had a crush on this person, what would you do? 21. what is the worst day of the week? 22. if you had to change places with one of your friends, who would you chose? 23. if you could be any sports hero, who would you like to be? 24. what's the one thing you've done in your life that you wish you could do over differently? 25. what would you do if you found a dollar in the street? what if you found $100? $10,000? 26. if you had a chance to star in any movie, who would you want as a costar?
Sandra Choron (The Book of Lists for Teens)
Dear Daniel, How do you break up with your boyfriend in a way that tells him, "I don't want to sleep with you on a regular basis anymore, but please be available for late night booty calls if I run out of other options"? Lily Charlotte, NC Dear Lily, The story's so old you can't tell it anymore without everyone groaning, even your oldest friends with the last of their drinks shivering around the ice in their dirty glasses. The music playing is the same album everyone has. Those shoes, everybody has the same shoes on. It looked a little like rain so on person brought an umbrella, useless now in the starstruck clouded sky, forgotten on the way home, which is how the umbrella ended up in her place anyway. Everyone gets older on nights like this. And still it's a fresh slap in the face of everything you had going, that precarious shelf in the shallow closet that will certainly, certainly fall someday. Photographs slipping into a crack to be found by the next tenant, that one squinter third from the left laughing at something your roommate said, the coaster from that place in the city you used to live in, gone now. A letter that seemed important for reasons you can't remember, throw it out, the entry in the address book you won't erase but won't keep when you get a new phone, let it pass and don't worry about it. You don't think about them; "I haven't thought about them in forever," you would say if anybody brought it up, and nobody does." You think about them all the time. Close the book but forget to turn off the light, just sit staring in bed until you blink and you're out of it, some noise on the other side of the wall reminding you you're still here. That's it, that's everything. There's no statue in the town square with an inscription with words to live by. The actor got slapped this morning by someone she loved, slapped right across the face, but there's no trace of it on any channel no matter how late you watch. How many people--really, count them up--know where you are? How many will look after you when you don't show up? The churches and train stations are creaky and the street signs, the menus, the writing on the wall, it all feels like the wrong language. Nobody, nobody knows what you're thinking of when you lean your head against the wall. Put a sweater on when you get cold. Remind yourself, this is the night, because it is. You're free to sing what you want as you walk there, the trees rustling spookily and certainly and quietly and inimitably. Whatever shoes you want, fuck it, you're comfortable. Don't trust anyone's directions. Write what you might forget on the back of your hand, and slam down the cheap stuff and never mind the bad music from the window three floors up or what the boys shouted from the car nine years ago that keeps rattling around in your head, because you're here, you are, for the warmth of someone's wrists where the sleeve stops and the glove doesn't quite begin, and the slant of the voice on the punch line of the joke and the reflection of the moon in the water on the street as you stand still for a moment and gather your courage and take a breath before stealing away through the door. Look at it there. Take a good look. It looks like rain. Love, Daniel Handler
Daniel Handler