Steal Your Man Quotes

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The easiest way to steal a man’s wallet is to tell him you’re going to steal his watch. You take his attention and direct it where you want it to go.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
What’s the easiest way to steal a man’s wallet?” “Knife to the throat?” asked Inej. “Gun to the back?” said Jesper. “Poison in his cup?” suggested Nina. “You’re all horrible,” said Matthias. Kaz rolled his eyes. “The easiest way to steal a man’s wallet is to tell him you’re going to steal his watch. You take his attention and direct it where you want it to go. Hringkälla is going to do that job for us. The Ice Court will have to divert resources to monitoring guests and protecting the royal family. They can’t be looking everywhere at once. It’s the perfect opportunity to spring Bo Yul-Bayur.” Kaz pointed to the prison gate in the ringwall. “Remember what I told you at Hellgate, Nina?” “It’s hard to keep track of all your wisdom.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Do you know how a man makes his way here? By brilliant genius or by skilful corruption. You must either cut your way through these masses of men like a cannon ball, or steal among them like a plague.
Honoré de Balzac (Père Goriot)
He gave us three irrefutible pieces of advice about the male species: 1. Boys will lie, cheat, and steal to get into your pants. A man will stand the test of time. Make him wait, and you'll see which one he is. 2. They will try to tell you that it feels better without a condom. You just tell me where they live. 3. And relationships are supposed to make your life better. You don't drag each other down. You hold each other up.
Penelope Douglas (Falling Away (Fall Away, #4))
I know what love feels like, but this, this man... fuck me. Steals my breath. Knots me up. Torches me." "No, this is what denying love feels like, man. Why you denying your heart?
Adrian Phoenix (In the Blood (The Maker's Song, #2))
When a man steals your wife, there is no better revenge than to let him keep her.
Sacha Guitry
Does it matter?" Halt asked. Horace shrugged. "Not really, I suppose. I just wondered why you'd gone to the kitchen and why you took the trouble to remain unseen. Were you hiding from Master Chubb yourself? And Will just turned up by coincidence?" "And why would I be hiding from Master Chubb in his own kitchen?" Halt challenged. Again. Horace shrugged innocently. "Well,there was a tray of freshly made pies airing on the windowsill, wasn't there? And you're quite fond of pies, aren't you, Halt?" Halt drew himself up very straight in the saddle. "Are you accusing me of sneaking into that kitchen to steal the pies for myself? Is that it?" His voice and body language simply reeked of injured dignity. "Of course not, Halt!" Horace hurried to assure him, and Halt's stiff-shouldered form relaxed a little. "I just thought I'd give you the opportunity to confess," Horace added. This time, Malcolm couldn't conceal his sudden explosion of laughter. Halt gave them both a withering glance. "You know, Horace," he said at length, "you used to be a most agreeable young man. Whatever happened to you?" Horace turned a wide grin on him. "I've spent too much time around you, I suppose," he said. And Halt had to admit that was probably true.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
A Chief must show no fear, no worry... A Chief is a leader first, and a man second...
Cressida Cowell (How to Steal a Dragon's Sword (How to Train Your Dragon, #9))
It's a bore, but the answer is good things only happen to you if you're good. Good? Honest is more what I mean. Not lawtype honest--I'd rob a grave, I'd steal two-bits off a dead man's eyes if I thought it would contribute to the day's enjoyment--but unto-thyself-type honest. Be anything but a coward, a pretender, an emotional crook, a whore: I'd rather have cancer than a dishonest heart. Which isn't being pious. Just practical. Cancer may cool you, but the other's sure to.
Truman Capote (Breakfast at Tiffany's: A Short Novel and Three Stories)
The easiest way to steal a man´s wallet is to tell his you're going to steal his watch.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Give a man a fish, and you feed him for a day. Teach a man to fish, and you feed him for a lifetime. Steal a fish from one guy and give it to another--and keep doing that on a daily basis--and you'll make the first guy pissed off, but you'll make the second guy lazy and dependent on you. Then you can tell the second guy that the first guy is greedy for wanting to keep the fish he caught. Then the second guy will cheer for you to steal more fish. Then you can prohibit anyone from fishing without getting permission from you. Then you can expand the racket, stealing fish from more people and buying the loyalty of others. Then you can get the recipients of the stolen fish to act as your hired thugs. Then you can ... well, you know the rest.
Larken Rose
The face of "evil" is always the face of total need. A dope fiend is a man in total need of dope. Beyond a certain frequency need knows absolutely no limit or control. In the words of total need: "Wouldn't you?" Yes you would. You would lie, cheat, inform on your friends, steal, do anything to satisfy total need. Because you would be in a state of total sickness, total possession, and not in a position to act in any other way. Dope fiends are sick people who cannot act other than they do. A rabid dog cannot choose but bite.
William S. Burroughs (Naked Lunch)
Hey, heard you’re a bitch whore for stealing Sienna’s man.” … “Yep. I officially, globally suck.” Anna chewed her food for a minute, then smiled. “Well, c**t or not, I still love you.
S.C. Stephens (Reckless (Thoughtless, #3))
The easiest way to steal a man's wallet is to tell him that you're going to steal his watch.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
when a man steals your wife, there's no better revenge than to let him keep her.
Ashwin Sanghi (Chanakya's Chant)
Your depression is connected to your insolence and refusal to praise. Whoever feels himself walking on the path, and refuses to praise--that man or woman steals from others every day--is a shoplifter! The sun became full of light when it got hold of itself. Angels only began shining when they achieved discipline. The sun goes out whenever the cloud of not-praising comes. The moment the foolish angel felt insolent, he heard the door close.
Jalal ad-Din Muhammad ar-Rumi
The man is captivating in every way and the epitome of sexy. From that boyish grin that disarms me in seconds to his sexy swagger that says he knows exactly where he’s going and what his intentions are. He exudes virility, evokes desire, and commands attention all with a single look from his stunning eyes. He’s edgy and reckless and you want to go along for the ride hoping to get a glimpse of his tender side that breaks through every now and again. The bad boy with a touch of vulnerability who leaves you breathless and steals your heart.
K. Bromberg (Driven (Driven, #1))
On 20 July 1969, Neil Armstrong and Buzz Aldrin landed on the surface of the moon. In the months leading up to their expedition, the Apollo II astronauts trained in a remote moon-like desert in the western United States. The area is home to several Native American communities, and there is a story – or legend – describing an encounter between the astronauts and one of the locals. One day as they were training, the astronauts came across an old Native American. The man asked them what they were doing there. They replied that they were part of a research expedition that would shortly travel to explore the moon. When the old man heard that, he fell silent for a few moments, and then asked the astronauts if they could do him a favour. ‘What do you want?’ they asked. ‘Well,’ said the old man, ‘the people of my tribe believe that holy spirits live on the moon. I was wondering if you could pass an important message to them from my people.’ ‘What’s the message?’ asked the astronauts. The man uttered something in his tribal language, and then asked the astronauts to repeat it again and again until they had memorised it correctly. ‘What does it mean?’ asked the astronauts. ‘Oh, I cannot tell you. It’s a secret that only our tribe and the moon spirits are allowed to know.’ When they returned to their base, the astronauts searched and searched until they found someone who could speak the tribal language, and asked him to translate the secret message. When they repeated what they had memorised, the translator started to laugh uproariously. When he calmed down, the astronauts asked him what it meant. The man explained that the sentence they had memorised so carefully said, ‘Don’t believe a single word these people are telling you. They have come to steal your lands.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
You are correct in saying that desires often come from things we cannot easily gain - mine, being that of your love. By all accounts, I do wish I could steal it. But I am not that sort of man. I will wait. Forever and a day...I will wait.
Renee Vincent
You’re right, man! These corndogs are crap!” Drew yelled, launching a corndog straight at JJ’s face.
Miranda Kenneally (Stealing Parker (Hundred Oaks, #2))
First came bright Spirits, not the Spirits of men, who danced and scattered flowers. Then, on the left and right, at each side of the forest avenue, came youthful shapes, boys upon one hand, and girls upon the other. If I could remember their singing and write down the notes, no man who read that score would ever grow sick or old. Between them went musicians: and after these a lady in whose honour all this was being done. I cannot now remember whether she was naked or clothed. If she were naked, then it must have been the almost visible penumbra of her courtesy and joy which produces in my memory the illusion of a great and shining train that followed her across the happy grass. If she were clothed, then the illusion of nakedness is doubtless due to the clarity with which her inmost spirit shone through the clothes. For clothes in that country are not a disguise: the spiritual body lives along each thread and turns them into living organs. A robe or a crown is there as much one of the wearer's features as a lip or an eye. But I have forgotten. And only partly do I remember the unbearable beauty of her face. “Is it?...is it?” I whispered to my guide. “Not at all,” said he. “It's someone ye'll never have heard of. Her name on earth was Sarah Smith and she lived at Golders Green.” “She seems to be...well, a person of particular importance?” “Aye. She is one of the great ones. Ye have heard that fame in this country and fame on Earth are two quite different things.” “And who are these gigantic people...look! They're like emeralds...who are dancing and throwing flowers before here?” “Haven't ye read your Milton? A thousand liveried angels lackey her.” “And who are all these young men and women on each side?” “They are her sons and daughters.” “She must have had a very large family, Sir.” “Every young man or boy that met her became her son – even if it was only the boy that brought the meat to her back door. Every girl that met her was her daughter.” “Isn't that a bit hard on their own parents?” “No. There are those that steal other people's children. But her motherhood was of a different kind. Those on whom it fell went back to their natural parents loving them more. Few men looked on her without becoming, in a certain fashion, her lovers. But it was the kind of love that made them not less true, but truer, to their own wives.” “And how...but hullo! What are all these animals? A cat-two cats-dozens of cats. And all those dogs...why, I can't count them. And the birds. And the horses.” “They are her beasts.” “Did she keep a sort of zoo? I mean, this is a bit too much.” “Every beast and bird that came near her had its place in her love. In her they became themselves. And now the abundance of life she has in Christ from the Father flows over into them.” I looked at my Teacher in amazement. “Yes,” he said. “It is like when you throw a stone into a pool, and the concentric waves spread out further and further. Who knows where it will end? Redeemed humanity is still young, it has hardly come to its full strength. But already there is joy enough int the little finger of a great saint such as yonder lady to waken all the dead things of the universe into life.
C.S. Lewis (The Great Divorce)
I could be the man of your dreams. I could also be the alarm clock, stealing you away from the man of your dreams.
Jarod Kintz (Who Moved My Choose?: An Amazing Way to Deal With Change by Deciding to Let Indecision Into Your Life)
Little Brother, do not treat me as if I am already dead, or dying. If you see me that way, then I would rather truly be dead. You steal the now of my life away, when you constantly fear that tomorrow will bring my death. Your fears clutch cold at me and snatch all my pleasure in the day's warmth from me.
Robin Hobb (Fool's Errand (Tawny Man, #1))
The true artist will let his wife starve, his children go barefoot, his mother drudge for his living at seventy, sooner than work at anything but his art. To women he is half vivisector, half vampire. He gets into intimate relations with them to study them, to strip the mask of convention from them, to surprise their inmost secrets, knowing that they have the power to rouse his deepest creative energies, to rescue him from his cold reason, to make him see visions and dream dreams, to inspire him, as he calls it. He persuades women that they may do this for their own purpose whilst he really means them to do it for his. He steals the mother’s milk and blackens it to make printer’s ink to scoff at her and glorify ideal women with. He pretends to spare her the pangs of child-bearing so that he may have for himself the tenderness and fostering that belong of right to her children. Since marriage began, the great artist has been known as a bad husband. But he is worse: he is a child-robber, a blood-sucker, a hypocrite, and a cheat. Perish the race and wither a thousand women if only the sacrifice of them enable him to act Hamlet better, to paint a finer picture, to write a deeper poem, a greater play, a profounder philosophy! For mark you, Tavy, the artist’s work is to shew us ourselves as we really are. Our minds are nothing but this knowledge of ourselves; and he who adds a jot to such knowledge creates new mind as surely as any woman creates new men. In the rage of that creation he is as ruthless as the woman, as dangerous to her as she to him, and as horribly fascinating. Of all human struggles there is none so treacherous and remorseless as the struggle between the artist man and the mother woman. Which shall use up the other? that is the issue between them. And it is all the deadlier because, in your romanticist cant, they love one another.
George Bernard Shaw (Man and Superman)
He got up and walked out to the road. The black shape of it running from dark to dark. Then the distant low rumble. Not thunder. You could feel it under your feet. A sound without cognate and so without description. Something imponderable shifting out there in the dark. The earth itself contracting with the cold. It did not come again. What time of year? What age the child? He walked out into the road and stood. The silence. The salitter drying from the earth. The mudstained shapes of flooded cities burned to the waterline. At a crossroads a ground set with dolmen stones where the spoken bones of oracles lay moldering. No sound but the wind. What will you say? A living man spoke these lines? He sharpened a quill with his small pen knife to scribe these things in sloe or lampblack? At some reckonable and entabled moment? He is coming to steal my eyes. To seal my mouth with dirt.
Cormac McCarthy (The Road)
Marya put down her fork. “Why are you doing this, Koschei? I have had lovers before. You have, too. Remember Marina? The rusalka? She and I swam together every morning. We raced the salmon. You called us your little sharks.” The Tsar of Life held his knife so tightly Marya could see his knucklebones bulging. “Were any of them called Ivan? Were any of them human boys all sticky with their own innocence? I know you. I know you because you are like me, as much like me as two spoons nested in each other.” Her husband leaned close to her, the candlelight sparking in his dark, shaggy hair. “When you steal them, they mean so much more, Marousha. Trust me. I know. What did I do wrong? Was I boring? Did I ignore you? Did I not give you enough pretty dresses? Enough emeralds? I’m sure I have more, somewhere.” Marya lifted her hand and laid it on her husband’s cheek. With a blinking quickness, she drove her nails deep into his face. “Don’t you dare speak to me like that. I have worn nothing but blood and death for years. I have fought all your battles for you, just as you asked me. I have learned all the tricks you said I must learn. I have learned not to cry when I strangle a man. I have learned to lay my finger aside my nose and disappear. I have learned to watch everything die. I am not a little girl anymore, dazzled by your magic. It is my magic, now, too. And if I have watched all my soldiers die in front of me, if I have only been saved by my rifle and my own hands, if I have drunk more blood than water for weeks, then I take the human boy who stumbled into my tent and hold him between my legs until I stop screaming, you will not punish me for it. Are we not chyerti? Are we not devils? I will not even hear your punishment, old man.
Catherynne M. Valente (Deathless)
You steal the now of my life away, when you constantly fear that tomorrow will bring my death. Your fears clutch cold at me and snatch all my pleasure in the day’s warmth from me.
Robin Hobb (Fool's Errand (Tawny Man, #1))
Early Morning in Your Room It's morning. The brown scoops of coffee, the wasp-like Coffee grinder, the neighbors still asleep. The gray light as you pour gleaming water-- It seems you've traveled years to get here. Finally you deserve a house. If not deserve It, have it; no one can get you out. Misery Had its way, poverty, no money at least. Or maybe it was confusion. But that's over. Now you have a room. Those lighthearted books: The Anatomy of Melancholy, Kafka's Letter to his Father, are all here. You can dance With only one leg, and see the snowflake falling With only one eye. Even the blind man Can see. That's what they say. If you had A sad childhood, so what? When Robert Burton Said he was melancholy, he meant he was home.
Robert Bly (Stealing Sugar from the Castle: Selected Poems, 1950–2011)
There’s something you don’t understand about me, something you never did. When it comes to you, I’ll do whatever it takes to have you with me. I’ll steal you from another man, blackmail your father, or threaten someone’s life to bind you to me. Or kill a man for coveting what has always been mine.
Mia Knight (Once a Crime Lord (Crime Lord, #3))
Kaz rolled his eyes. “The easiest way to steal a man’s wallet is to tell him you’re going to steal his watch.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Evil is not one large entity, but a collection of countless, small depravities brought up from the muck by petty men. Many have traded the enrichment of vision for a gray fog of mediocrity--the fertile inspiration of striving and growth, for mindless stagnation and slow decay--the brave new ground of the attempt, for the timid quagmire of apathy. Many of you have traded freedom not even for a bowl of soup, but worse, for the spoken empty feelings of others who say that you deserve to have a full bowl of soup provided by someone else. Happiness, joy, accomplishment, achievement . . . are not finite commodities, to be divided up. Is a child’s laughter to be divided and allotted? No! Simply make more laughter! Every person’s life is theirs by right. An individual’s life can and must belong only to himself, not to any society or community, or he is then but a slave. No one can deny another person their right to their life, nor seize by force what is produced by someone else, because that is stealing their means to sustain their life. It is treason against mankind to hold a knife to a man’s throat and dictate how he must live his life. No society can be more important than the individuals who compose it, or else you ascribe supreme importance, not to man, but to any notion that strikes the fancy of the society, at a never-ending cost of lives. Reason and reality are the only means to just laws; mindless wishes, if given sovereignty, become deadly masters. Surrendering reason to faith in unreasonable men sanctions their use of force to enslave you--to murder you. You have the power to decide how you will live your life. Those mean, unreasonable little men are but cockroaches, if you say they are. They have no power to control you but that which you grant them!
Terry Goodkind (Faith of the Fallen (Sword of Truth, #6))
Brother—” “I thought we’d already decided we weren’t that, either.” Grabbing his shoulder, I stopped him before he could reach the door. “Look, I’m sorry! I’m sorry I did this to you.” He turned to look at me, his brow raised high. “You’re sorry. So, what . . . we go back to being cool again?” “I don’t know, man. But we can’t do this.” “And why can’t we? You couldn’t stand to let me have one normal day with her. Have I done anything to you since she and I broke up?” He paused, but I didn’t respond. “No. I haven’t. You dealt with it by being an ass, so let me deal with this my way. And my way doesn’t include acting like you didn’t steal my girl from me.” “I didn’t steal Harper!” He opened the door and took a step outside, his shaking hand gripping the outer knob. When he looked back at me, his eyes were flat and lifeless. “You stole my entire world.
Molly McAdams (Stealing Harper (Taking Chances, #1.5))
In Paris, when certain people see you ready to set your foot in the stirrup, some pull your coat-tails, others loosen the buckle of the strap that you may fall and crack your skull; one wrenches off your horse's shoes, another steals your whip, and the least treacherous of them all is the man whom you see coming to fire his pistol at you point blank.
Honoré de Balzac (The Atheist’s Mass)
1. Boys will lie, cheat, and steal to get into your pants. A man will stand the test of time. Make him wait, and you’ll see which one he is. 2. They will try to tell you that it feels better without a condom. You just tell me where they live. 3. And relationships are supposed to make your life better. You don’t drag each other down. You hold each other
Penelope Douglas (Falling Away (Fall Away, #4))
I told you I know what broken is. That is broken—staring at the wall and weeping, while creditors hammer on the door and your troupe slowly slips away, stealing the best costumes in lieu of wages. When your friends leave you and you still cannot move, and nothing your daughter says can break you out of the spell. No man is broken because bad things happen to him. He’s broken because he doesn’t keep going after those things happen. When you told me about your mother, and how it made you resolve to be the person you are… What I thought was, ‘Yes, please, I’ll take him.’ Because you didn’t break.
Courtney Milan (Unraveled (Turner, #3))
Hands If I could tell the world just one thing It would be that we're all ok And not to worry 'cause worry is wasteful and useless in times like these I won't be made useless I won't be idled with despair I'll gather myself around my faith for light does the darkness most fear My hands are small, I know, but they're not yours, they are my own but they're not yours, they are my own and I am never broken Poverty stole your golden shoes but it didn't steal your laughter And heartache came to visit me but i knew it wasn't ever after We will fight, not out of spite for someone must stand up for what's right 'cause where there's a man who has no voice there ours shall go singing My hands are small, I know, but they're not yours, they are my own but they're not yours, they are my own and I am never broken In the end only kindness matters In the end only kindness matters I will get down on my knees, and I will pray I will get down on my knees, and I will pray I will get down on my knees, and I will pray My hands are small, I know, but they're not yours they are my own but they're not yours they are my own and I am never broken My hands are small, i know, but they're not yours they are my own but they're not yours they are my own and I am never broken We are never broken We are God's eyes God's hands God's mind We are God's eyes God's hands God's heart We are God's eyes We are God's hands We are God's eyes
Jewel
My stubborn little witch,” he said softly. “Don’t believe for a clockwork minute that you are unlovable. If I were a mortal, a man not doomed to walk the earth as a haunted specter, I would be the first suitor in line. Please believe that.” She hiccupped. “You… you’d want to court me?” Jack laughed. “Court you? I’d follow you around like Finney and stare at you all moony-eyed. I’d spend my days fending off your other would-be suitors, my evenings charming Flossie, and my nights stealing kisses at your window.
Colleen Houck (The Lantern's Ember)
As you swallow the cow’s tongue, think for a moment about how strange and holy that is, to devour the tongue of another. To steal from it all its power to speak, to low at the moon, to call to its calf. To be worthy of such food you must guard your own words carefully, speaking only the wise and clever ones, lest your tongue end up likewise, on the plate of a rich man.
Catherynne M. Valente (Deathless)
He admired bears because everyone was afraid to disturb them while they slept and fish were so in love with bears that they jumper right into their mouths. He ate meat and never felt bad about it unless he saw how the animal was slaughtered or if the meat was not cooked properly but he thought thrice about killing bus.
Robb Todd
All time is mean young man. It takes and does not give, it rushes when you wish it would linger and drags when you wish is would fly. It flows sullenly, only in one direction, when it might take a thousand turns. You cannot get anything back once time has taken it. Time cheats and steals and lies and kills. If anyone could arrest it, they would have time behind bars faster than you can check your watch.
Catherynne M. Valente (The Girl Who Raced Fairyland All the Way Home (Fairyland, #5))
No ruler can ever get far with only militaristic power. The easiest way to conquer is to crush people’s faith and convert them to your own ideology, often portraying it as heroic. I am an ambitious man – I am not just a casual pirate to steal only people’s riches. I am an emperor – I shall steal people’s hearts, hopes, and faith so that they will eventually have no one but me to turn to. If you put yourself in the role of a saviour, people are sure to follow you, just like a pack of lambs always follows a mighty shepherd.
Tamuna Tsertsvadze (Galaxy Pirates)
I’m not a maiden. You took that.” “And I would again,” he growled. “I’d steal you away and keep you in a castle far from here. Far from any other man. I’d guard you jealously and every night come to your bed and put my cock into your cunny and fuck you until dawn.
Elizabeth Hoyt (Duke of Midnight (Maiden Lane, #6))
Be calm," she said soothingly, and I realized she was not talking to the bird. "How am I supposed to be calm? I worry," I retorted. She gave a snort. "Then you are more stupid than I supposed. Worry, what is that? A pointless thing is Mr. Worry-an intruder. He steals into your house and creeps into your bed and what do you do child? Do you push him away and tell him to be gone and bolt the door fast against him? No, you move over and let him have the good pillow and the best quilt to warm himself." She flapped a hand in disgust. "Worry never did a man a bit of good. All he does is robs one's peace and make lines on the face.
Deanna Raybourn (The Dark Enquiry (Lady Julia Grey, #5))
What’s the easiest way to steal a man’s wallet?” “Knife to the throat?” asked Inej. “Gun to the back?” said Jesper. “Poison in his cup?” suggested Nina. “You’re all horrible,” said Matthias. Kaz rolled his eyes. “The easiest way to steal a man’s wallet is to tell him you’re going to steal his watch. You take his attention and direct it where you want it to go...
Leigh Bardugo (Six of Crows (Six of Crows, #1))
I’m not a good man, Maddy. I’ll never be a person worthy of you, of the beauty and light you provide to this world. I kill, I steal, I lie and I cheat. I take pleasure when I bathe in the blood of another man’s demise, when I watch the life drain from their eyes as they die. I enjoyed you as well, Maddy, not when I had to hurt you, but when I took things from your body that weren’t mine to take. I’ve done nothing for you, Mouse, nothing but what I wanted to do.
M.S. Willis (Madeleine Abducted (The Estate, #1))
It's a bore, but the answer is good things only happen to you if you're good. Good? Honest is more what I mean. Not law-type honest - I'd rob a grave, I'd steal two-bits off a dead man's eyes if I thought it would contribute to the day's enjoyment - but unto thyself honest. Be anything but a coward, a pretender, an emotional crook, a whore: I'd rather have cancer than a dishonest heart. Which isn't being pious. Just practical. Cancer _may_ cool you, but the other's sure to.
Truman Capote (Breakfast at Tiffany’s and Three Stories)
your friend and I never will be. I can be the man who fucks you and owns you, or I can be the man who keeps an eye on you to make sure your stepdad doesn’t come and steal you back. I can even be the man who watches while you find a nice little boyfriend you can control and settle down to make babies together like normal people. But don’t you fucking dare issue any more invitations unless you’re ready to handle me and don’t pretend for one second you aren’t fully aware what that means.
Joanna Wylde (Silver Bastard (Silver Valley, #1))
Kaz leaned back. “What’s the easiest way to steal a man’s wallet?” “Knife to the throat?” asked Inej. “Gun to the back?” said Jesper. “Poison in his cup?” suggested Nina. “You’re all horrible,” said Matthias.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Ah, you may sit under them, yes. They cast a good shadow, cold as well-water; but that's the trouble, they tempt you to sleep. And you must never, for any reason, sleep beneath a cypress.' He paused, stroked his moustache, waited for me to ask why, and then went on: 'Why? Why? Because if you did you would be changed when you woke. Yes, the black cypresses, they are dangerous. While you sleep, their roots grow into your brains and steal them, and when you wake up you are mad, head as empty as a whistle.' I asked whether it was only the cypress that could do that or did it apply to other trees. 'No, only the cypress,' said the old man, peering up fiercely at the trees above me as though to see whether they were listening; 'only the cypress is the thief of intelligence. So be warned, little lord, and don't sleep here.
Gerald Durrell (My Family and Other Animals (Corfu Trilogy, #1))
You are constantly being trained to be heroic only in the service of your masters - only in slaughter and sacrifice and subjugation. But there is no heroism in serving your masters. Real heroism is questioning why you have masters at all. All these stories, all these fantasies, all these superpowers - are designed to steal heroism from you, to make it impossible, fantastical, remote, and unachievable - and make you useful to your masters (as a hit man, if needed). What is the opposite of this? The opposite of fantasy is philosophy. The opposite of mythology is integrity. And integrity is truth in action.
Stefan Molyneux
Oh. I see. So your grace never curses.” “I do not.” “Words like cor . . . bollocks . . . damn . . . devil . . . blast . . . bloody hell . . .” She pronounced the words with relish, warming to her task. “They don’t cross a duchess’s lips?” “No.” “Never?” “Never.” Miss Simms’s fair brow creased in thought. “What if a duchess steps on a tack? What if a gust of wind steals a duchess’s best powdered wig? Not even then?” “Not even when an impertinent farm girl provokes a duchess to a simmering rage,” she replied evenly. “A duchess might contemplate all manner of cutting remarks and frustrated oaths. But even in the face of extreme annoyance, she stifles any such ejaculations.” “My,” Miss Simms said, wide-eyed. “I do hope dukes aren’t held to the same standard. Can’t be healthy for a man, always stifling his ejaculations.” Griff promptly broke the prohibition against elbows on the table, smothering a burst of laughter with his palm and disguising it as a coughing
Tessa Dare (Any Duchess Will Do (Spindle Cove, #4))
When you don the pelt of a particular animal--snake, beaver, marmoset--the effect on the viewer is dramatic [...]. You will instantly and shockingly be perceived as having the same traits as your chosen varmint. [...] The wearing of moleskin says, "I am soft and velvety and mysterious and like to hide underground." A mink coat says, "I'm a tough cookie. Though I may not have the wherewithal to actually kill you, please expect to be nipped on a regular basis." The pelts of predators always give the impression that you are a man-stealing, window-smashing home wrecker. This also applies to animal-printed fabric. The message of a leopard-print jumpsuit is clear, "I am a huntress who delights in eating the offal of her prey.
Simon Doonan (Eccentric Glamour: Creating an Insanely More Fabulous You)
Glossa Time goes by, time comes along, All is old and all is new; What is right and what is wrong, You must think and ask of you; Have no hope and have no fear, Waves that rise can never hold; If they urge or if they cheer, You remain aloof and cold. To our sight a lot will glisten, Many sounds will reach our ear; Who could take the time to listen And remember all we hear? Keep aside from all that patter, Seek yourself, far from the throng When with loud and idle clatter Time goes by, time comes along. Nor forget the tongue of reason Or its even scales depress When the moment, changing season, Wears the mask of happiness - It is born of reason's slumber And may last a wink as true: For the one who knows its number All is old and all is new. Be as to a play, spectator, As the world unfolds before: You will know the heart of matter Should they act two parts or four; When they cry or tear asunder From your seat enjoy along And you'll learn from art to wonder What is right and what is wrong. Past and future, ever blending, Are the twin sides of same page: New start will begin with ending When you know to learn from age; All that was or be tomorrow We have in the present, too; But what's vain and futile sorrow You must think and ask of you; For the living cannot sever From the means we've always had: Now, as years ago, and ever, Men are happy or are sad: Other masks, same play repeated; Diff'rent tongues, same words to hear; Of your dreams so often cheated, Have no hope and have no fear. Hope not when the villains cluster By success and glory drawn: Fools with perfect lack of luster Will outshine Hyperion! Fear it not, they'll push each other To reach higher in the fold, Do not side with them as brother, Waves that rise can never hold. Sounds of siren songs call steady Toward golden nets, astray; Life attracts you into eddies To change actors in the play; Steal aside from crowd and bustle, Do not look, seem not to hear From your path, away from hustle, If they urge or if they cheer; If they reach for you, go faster, Hold your tongue when slanders yell; Your advice they cannot master, Don't you know their measure well? Let them talk and let them chatter, Let all go past, young and old; Unattached to man or matter, You remain aloof and cold. You remain aloof and cold If they urge or if they cheer; Waves that rise can never hold, Have no hope and have no fear; You must think and ask of you What is right and what is wrong; All is old and all is new, Time goes by, time comes along.
Mihai Eminescu (Poems)
Drawing a good figure doesn’t make you a good artist. I can name you ten men, right off the bat, who draw better than I do. But I don’t think their work gets as much response as mine. I can’t think of a better man to draw Dick Tracy than Chester Gould, who certainly is no match for Leonardo Da Vinci. But Chester Gould told the story of Dick Tracy. He told the story of Dick Tracy the way it should have been told. No other guy could have done it. It’s not in the draftsmanship, it’s in the man. Like I say, a tool is dead. A brush is a dead object. It’s in the man. If you want to do, you do it. If you think a man draws the type of hands that you want to draw, steal ‘em. Take those hands. The only thing I can say is: Caniff was my teacher, Alex Raymond was my teacher, even the guy who drew Toonerville Trolley was my teacher. Whatever he had stimulated me in some way. And I think that’s all you need. You need that stimulation. Stimulation to make you an individual. And the draftsmanship, hang it. If you can decently: learn to control what you can, learn to control what you have, learn to refine what you have. Damn perfection. You don’t have to be perfect. You are never going to do a Sistine Chapel, unless someone ties you to a ceiling. Damn perfection. All a man has in this field is pressure. And I think the pressure supplies a stimulation. You have your own stresses, that will supply your own stimulation. If you want to do it, you’ll do it. And you’ll do it anyway you can.
Jack Kirby
You are so much more than you let on—but in a way that makes you priceless.” Priceless? Don’t you dare cry, Zahra.  “You’re selfless, caring, and willing to go above and beyond to help those around you. You tutor kids for free, and you bring a grumpy old man bread and cookies. And the selfish part of me wanted to steal a piece of you for myself. You reminded me of what it was like to not feel so damn lonely all the time, and I didn’t want to lose that.
Lauren Asher (The Fine Print (Dreamland Billionaires, #1))
He got up and walked out to the road. The black shape of it running from dark to dark. Then a distant low rumble. Not thunder. You could feel it under your feet. A sound without cognate and so without description. Something imponderable shifting out there in the dark. The earth itself contracting with the cold. It did not come again. What time of year? What age the child? He walked out into the road and stood. The silence. The salitter drying from the earth. The mudstained shapes of flooded cities burned to the waterline. At a crossroads a ground set with dolmen stones where the spoken bones of oracles lay moldering. No sound but the wind. What will you say? A living man spoke these lines? He sharpened a quill with his small pen knife to scribe these things in sloe or lampblack? At some reckonable and entabled moment? He is coming to steal my eyes. To seal my mouth with dirt.
Cormac McCarthy (The Road)
1. Boys will lie, cheat, and steal to get into your pants. A man will stand the test of time. Make him wait, and you’ll see which one he is. 2. They will try to tell you that it feels better without a condom. You just tell me where they live. 3. And relationships are supposed to make your life better. You don’t drag each other down. You hold each other up.
Penelope Douglas (Falling Away (Fall Away, #4))
When a man steals your wife, there is no better revenge than to let him keep her.
Pat Gaudette (How To Survive Your Wife's Midlife Crisis: Strategies and Stories from The Midlife Club)
No, it is you who are mistaken,” he said. “Look at you. You are neither man nor beast, but some pathetic creature who is less than both. You hate what you are and want to be what you cannot truly become. Your appearance may change, and you may wear all the fine clothes that you can steal from the bodies of your victims, but you will still be a wolf inside. Even then, what do you think will happen once your outer transformation is complete, when you start to resemble fully what once you hunted? You will look like a man, and the pack will no longer recognize you as its own. What you most desire is the very thing that will doom you, for they will tear you apart and you will die in their jaws as others have died in yours.
John Connolly (The Book of Lost Things)
The sheer brutality of it ate at him. He hated war. He hated the Germans for starting it. For what? Putting your boot on another man’s head and stealing him blind, until someone with a bigger boot comes along to kick you out of the way? As far as Pino was concerned, wars were about murder and thievery. One army killed to steal the hill; then another killed to steal it back.
Mark T. Sullivan (Beneath a Scarlet Sky)
There are general laws current in the world as to morality. 'Thou shalt not steal,' for instance. That has “necessarily been current as a law through all nations. But the first man you meet in the street will have ideas about theft so different from yours, that, if you knew them as you know your own, you would say that this law and yours were not even founded on the same principle.
Anthony Trollope (Phineas Finn (Palliser, #2))
It's a bore, but the answer is good things only happen to you if you're good. Good? Honest is more what I mean. Not lawtype honest - I'd rob a grave, I'd steal two-bits off a dead man's eyes if I thought it would contribute to the day's enjoyment - but unto-thyself-type honest. Be anything but a coward, a pretender, an emotional crook, a whore: I'd rather have cancer than a dishonest heart.
Truman Capote (Breakfast at Tiffany’s and Three Stories)
BOOK BEAUTY Here's the end of that story about the old woman who wanted to lure a man with strange cosmetics. She made a paste of pages from the Qur'an to fill the deep creases on her face and neck with. This is not about an old woman, dear reader. It's about you, or anyone who tries to use books to make themselves attractive. There she is, sticking scripture, thick with saliva, on her face. Of course, the bits keep falling off. "The devil," she yells, and he appears! "This is a trick I've never seen. You don't need me. You are yourself a troop of demons!" So people steal inspired words to get compliments. Don't bother. Death comes and all talking, stolen or not, stops. Pity anyone unfamiliar with silence when that happens. Polish your heart with mediation and quietness. Let the inner life grow generous and handsome like Joseph. Zuleika did that and her "old woman's spring cold snap" turned to mid-July. Dry lips wet from within. Ink is not rouge. Let language lie bygone. Now is where love breathes.
Jalal ad-Din Muhammad ar-Rumi (The Soul of Rumi: A New Collection of Ecstatic Poems)
It's a bore, but the answer is good things only happen to you if you're good. Good? Honest is more what I mean. Not law-type honest--I'd rob a grave, I'd steal two-bits off a dead man's eyes if I thought it would contribute to the day's entertainment--but unto-thyself-type honest. Be anything but a coward, a pretender, an emotional crook, a whore: I'd rather have cancer than a dishonest heart. Which isn't being pious. Just practical.
Truman Capote (Breakfast at Tiffany’s and Three Stories)
For you, a thousand times over." "Children aren't coloring books. You don't get to fill them with your favorite colors." "...attention shifted to him like sunflowers turning to the sun." "But even when he wasn't around, he was." "When you kill a man, you steal a life. You steal a wife's right to a husband, rob his children of a father. When you tell a lie, you steal someone's right to the truth. When you cheat, you steal the right to fairness. There is no act more wretched than stealing." "...she had a voice that made me think of warm milk and honey." "My heart stuttered at the thought of her." "...and I would walk by, pretending not to know her, but dying to." "It turned out that, like satan, cancer had many names." "Every woman needed a husband, even if he did silence the song in her." "The first time I saw the Pacific, I almost cried." "Proud. His eyes gleamed when he said that and I liked being on the receiving end of that look." "Make morning into a key and throw it into the well, Go slowly, my lovely moon, go slowly. Let the morning sun forget to rise in the East, Go slowly, lovely moon, go slowly." "Men are easy,... a man's plumbing is like his mind: simple, very few surprises. You ladies, on the other hand... well, God put a lot of thought into making you." "All my life, I'd been around men. That night, I discovered the tenderness of a woman." "And I could almost feel the emptiness in [her] womb, like it was a living, breathing thing. It had seeped into our marriage, that emptiness, into our laughs, and our lovemaking. And late at night, in the darkness of our room, I'd feel it rising from [her] and settling between us. Sleeping between us. Like a newborn child." "America was a river, roaring along unmindful of the past. I could wade into this river, let my sins drown to the bottom, let the waters carry me someplace far. Someplace with no ghosts, no memories, and no sins. If for nothing else, for that I embraced America." "...and every day I thank [God] that I am alive, not because I fear death, but because my wife has a husband and my son is not an orphan." "...lifting him from the certainty of turmoil and dropping him in a turmoil of uncertainty." "...sometimes the dead are luckier." "He walked like he was afraid to leave behind footprints. He moved as if not to stir the air around him." "...and when she locked her arms around my neck, when I smelled apples in her hair, I realized how much I had missed her. 'You're still the morning sun to me...' I whispered." "...there is a God, there always has been. I see him here, in the eys of the people in this [hospital] corridor of desperation. This is the real house of God, this is where those who have lost God will find Him... there is a God, there has to be, and now I will pray, I will pray that He will forgive that I have neglected Him all of these years, forgive that I have betrayed, lied, and sinned with impunity only to turn to Him now in my hour of need. I pray that He is as merciful, benevolent, and gracious as His book says He is.
Khalid Hosseini (The Kite Runner)
This city is full of rich men and women. You’re going to learn their habits, their comings and goings, the dirty things they do at night, the crimes they try to cover by day, their shoe sizes, their safe combinations, the toy they loved best as a child. And I’m going to use that information to take away their money.” “What happens when you take their money and you become a rich man?” Kaz’s mouth had quirked slightly at that. “Then you can steal my secrets, too.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Lot's Wife And the just man trailed God's messenger, his huge, light shape devoured the black hill. But uneasiness shadowed is wife and spoke to her: 'It's not too late, you can look back still At the red towers of Sodom, the place that bore you, the square in which you sang, the spinning-shed, at the empty windows of that upper storey where children blessed your happy marriage-bed.' Her eyes that were still turning when a bolt of pain shot through them, were instantly blind; her body turned into transparent salt, and her swift legs were rooted to the ground. Who mourns one woman in a holocaust? Surely her death has no significance? Yet in my heart she never will be lost, she who gave up her life to steal one glance. 1922-24
Anna Akhmatova (Selected Poems)
Listen," he said still breathing hard, "I'm sorry. I have no right to lecture you." His voice warmed with a devastating smile and his voice lowered a sensual octave. Before he had a chance to stop them, his thoughts rolled off his tongue. "But, darlin', you're a mighty tempting sight in those pants. It does things to a man, things you're too innocent to know about." Willow swallowed hard, his hot look stealing her usual spontaneous wit. Dropping her gaze from his, she stammered, "I...It's getting late. We better go.
Charlotte McPherren (Song of the Willow)
New Rule: Death isn’t always sad. This week, the Reverend Jerry Falwell died, and millions of Americans asked, “Why? Why, God? Why…didn’t you take Pat Robertson with him?” I don’t want to say Jerry was disliked by the gay community, but tonight in New York City, at exactly eight o’clock, Broadway theaters along the Great White Way turned their lights up for two minutes. I know you’re not supposed to speak ill of the dead, but I think we can make an exception, because speaking ill of the dead was kind of Jerry Falwell’s hobby. He’s the guy who said AIDS was God’s punishment for homosexuality and that 9/11 was brought on by pagans, abortionists, feminists, gays, and the ACLU—or, as I like to call them, my studio audience. It was surreal watching people on the news praise Falwell, followed by a clip package of what he actually said—things like: "Homosexuals are part of a vile and satanic system that will be utterly annihilated." "If you’re not a born-again Christian, you’re a failure as a human being." "Feminists just need a man in the house." "There is no separation of church and state." And, of course, everyone’s favorite: "The purple Teletubby is gay." Jerry Falwell found out you could launder your hate through the cover of “God’s will”—he didn’t hate gays, God does. All Falwell’s power came from name-dropping God, and gay people should steal that trick. Don’t say you want something because it’s your right as a human being—say you want it because it’s your religion. Gay men have been going at things backward. Forget civil right, and just make gayness a religion. I mean, you’re kneeling anyway. And it’s easy to start a religion. Watch, I’ll do it for you. I had a vision last night. The Blessed Virgin Mary came to me—I don’t know how she got past the guards—and she told me it’s time to take the high ground from the Seventh-day Adventists and give it to the twenty-four-hour party people. And that what happens in the confessional stays in the confessional. Gay men, don’t say you’re life partners. Say you’re a nunnery of two. “We weren’t having sex,officer. I was performing a very private mass.Here in my car. I was letting my rod and my staff comfort him.” One can only hope that as Jerry Falwell now approaches the pearly gates, he is met there by God Himself, wearing a Fire Island muscle shirt and nut-hugger shorts, saying to Jerry in a mighty lisp, “I’m not talking to you.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
What have I done? Sweet Jesus, what have I done? Become a thief in the night, Become a dog on the run And have I fallen so far, And is the hour so late That nothing remains but the cry of my hate, The cries in the dark that nobody hears, Here where I stand at the turning of the years? If there's another way to go I missed it twenty long years ago My life was a war that could never be won They gave me a number and murdered Valjean When they chained me and left me for dead Just for stealing a mouthful of bread Yet why did I allow that man To touch my soul and teach me love? He treated me like any other He gave me his trust He called me brother My life he claims for God above Can such things be? For I had come to hate the world This world that always hated me Take an eye for an eye! Turn your heart into stone! This is all I have lived for! This is all I have known! One word from him and I'd be back Beneath the lash, upon the rack Instead he offers me my freedom I feel my shame inside me like a knife He told me that I have a soul, How does he know? What spirit comes to move my life? Is there another way to go? I am reaching, but I fall And the night is closing in And I stare into the void To the whirlpool of my sin I'll escape now from the world From the world of Jean Valjean Jean Valjean is nothing now Another story must begin!
Claude-Michel Schönberg
TO MY SISTER IT is the first mild day of March: Each minute sweeter than before The redbreast sings from the tall larch That stands beside our door. There is a blessing in the air, Which seems a sense of joy to yield To the bare trees, and mountains bare, And grass in the green field. My sister! ('tis a wish of mine) Now that our morning meal is done, 10 Make haste, your morning task resign; Come forth and feel the sun. Edward will come with you;--and, pray, Put on with speed your woodland dress; And bring no book: for this one day We'll give to idleness. No joyless forms shall regulate Our living calendar: We from to-day, my Friend, will date The opening of the year. 20 Love, now a universal birth, From heart to heart is stealing, From earth to man, from man to earth: --It is the hour of feeling. One moment now may give us more Than years of toiling reason: Our minds shall drink at every pore The spirit of the season. Some silent laws our hearts will make, Which they shall long obey: 30 We for the year to come may take Our temper from to-day. And from the blessed power that rolls About, below, above, We'll frame the measure of our souls: They shall be tuned to love. Then come, my Sister! come, I pray, With speed put on your woodland dress; And bring no book: for this one day We'll give to idleness.
William Wordsworth
In the months leading up to their expedition, the Apollo 11 astronauts trained in a remote moon-like desert in the western United States. The area is home to several Native American communities, and there is a story – or legend – describing an encounter between the astronauts and one of the locals. One day as they were training, the astronauts came across an old Native American. The man asked them what they were doing there. They replied that they were part of a research expedition that would shortly travel to explore the moon. When the old man heard that, he fell silent for a few moments, and then asked the astronauts if they could do him a favour. ‘What do you want?’ they asked. ‘Well,’ said the old man, ‘the people of my tribe believe that holy spirits live on the moon. I was wondering if you could pass an important message to them from my people.’ ‘What’s the message?’ asked the astronauts. The man uttered something in his tribal language, and then asked the astronauts to repeat it again and again until they had memorised it correctly. ‘What does it mean?’ asked the astronauts. ‘Oh, I cannot tell you. It’s a secret that only our tribe and the moon spirits are allowed to know.’ When they returned to their base, the astronauts searched and searched until they found someone who could speak the tribal language, and asked him to translate the secret message. When they repeated what they had memorised, the translator started to laugh uproariously. When he calmed down, the astronauts asked him what it meant. The man explained that the sentence they had memorised so carefully said, ‘Don’t believe a single word these people are telling you. They have come to steal your lands.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
I had ceased to be a writer of tolerably poor tales and essays, and had become a tolerably good Surveyor of the Customs. That was all. But, nevertheless, it is any thing but agreeable to be haunted by a suspicion that one's intellect is dwindling away; or exhaling, without your consciousness, like ether out of a phial; so that, at every glance, you find a smaller and less volatile residuum. Of the fact, there could be no doubt; and, examining myself and others, I was led to conclusions in reference to the effect of public office on the character, not very favorable to the mode of life in question. In some other form, perhaps, I may hereafter develop these effects. Suffice it here to say, that a Custom-House officer, of long continuance, can hardly be a very praiseworthy or respectable personage, for many reasons; one of them, the tenure by which he holds his situation, and another, the very nature of his business, which—though, I trust, an honest one—is of such a sort that he does not share in the united effort of mankind. An effect—which I believe to be observable, more or less, in every individual who has occupied the position—is, that, while he leans on the mighty arm of the Republic, his own proper strength departs from him. He loses, in an extent proportioned to the weakness or force of his original nature, the capability of self-support. If he possess an unusual share of native energy, or the enervating magic of place do not operate too long upon him, his forfeited powers may be redeemable. The ejected officer—fortunate in the unkindly shove that sends him forth betimes, to struggle amid a struggling world—may return to himself, and become all that he has ever been. But this seldom happens. He usually keeps his ground just long enough for his own ruin, and is then thrust out, with sinews all unstrung, to totter along the difficult footpath of life as he best may. Conscious of his own infirmity,—that his tempered steel and elasticity are lost,—he for ever afterwards looks wistfully about him in quest of support external to himself. His pervading and continual hope—a hallucination, which, in the face of all discouragement, and making light of impossibilities, haunts him while he lives, and, I fancy, like the convulsive throes of the cholera, torments him for a brief space after death—is, that, finally, and in no long time, by some happy coincidence of circumstances, he shall be restored to office. This faith, more than any thing else, steals the pith and availability out of whatever enterprise he may dream of undertaking. Why should he toil and moil, and be at so much trouble to pick himself up out of the mud, when, in a little while hence, the strong arm of his Uncle will raise and support him? Why should he work for his living here, or go to dig gold in California, when he is so soon to be made happy, at monthly intervals, with a little pile of glittering coin out of his Uncle's pocket? It is sadly curious to observe how slight a taste of office suffices to infect a poor fellow with this singular disease. Uncle Sam's gold—meaning no disrespect to the worthy old gentleman—has, in this respect, a quality of enchantment like that of the Devil's wages. Whoever touches it should look well to himself, or he may find the bargain to go hard against him, involving, if not his soul, yet many of its better attributes; its sturdy force, its courage and constancy, its truth, its self-reliance, and all that gives the emphasis to manly character.
Nathaniel Hawthorne (The Scarlet Letter)
The next morning, on the way to school in Peter’s car, I steal a look at his profile. “I like how you’re so smooth,” I say. “Like a baby.” “I could grow a beard if I wanted to,” he says, touching his chin. “A thick one.” Fondly I say, “No, you couldn’t. But maybe one day, when you’re a man.” He frowns. “I am a man. I’m eighteen!” I scoff, “You don’t even pack your own lunches. Do you even know how to do laundry?” “I’m a man in all the ways that count,” he boasts, and I roll my eyes. “What would you do if you were drafted to go to war?” I ask. “Uh…aren’t college kids given a pass on that? Does the draft even still exist?” I don’t know the answers to either of these questions, so I barrel forward. “What would you do if I got pregnant right now?” “Lara Jean, we’re not even having sex. That would be the immaculate conception.” “If we were?” I press. He groans. “You and your questions!
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Have you ever heard of dramaturgy? It’s a fancy term for something William Shakespeare spelled out in his play As You Like It about 400 years ago: All the world’s a stage, And all the men and women merely players: They have their exits and their entrances; And one man in his time plays many parts. Another way to say this? Fake it ’til you make it. I love this phrase. There are two ways to read it: 1. Pretend to be something you’re not until you are—fake it until you’re successful, until everybody sees you the way you want them to; or 2. Pretend to be making something until you actually make something.
Austin Kleon (Steal Like an Artist: 10 Things Nobody Told You About Being Creative)
It’s a bit ironic, you know,” Henry says, gazing up at it. “Me, the cursed gay heir, standing here in Victoria’s museum, considering how much she loved those sodomy laws.” He smirks. “Actually … you remember how I told you about the gay king, James I?” “The one with the dumb jock boyfriend?” “Yes, that one. Well, his most beloved favorite was a man named George Villiers. ‘The handsomest-bodied man in all of England,’ they called him. James was completely besotted. Everyone knew. This French poet, de Viau, wrote a poem about it.” He clears his throat and starts to recite: “‘One man fucks Monsieur le Grand, another fucks the Comte de Tonnerre, and it is well known that the King of England, fucks the Duke of Buckingham.’” Alex must be staring, because he adds, “Well, it rhymes in French. Anyway. Did you know the reason the King James translation of the Bible exists is because the Church of England was so displeased with James for flaunting his relationship with Villiers that he had the translation commissioned to appease them?” “You’re kidding.” “He stood in front of the Privy Council and said, ‘Christ had John, and I have George.’” “Jesus.” “Precisely.” Henry’s still looking up at the statue, but Alex can’t stop looking at him and the sly smile on his face, lost in his own thoughts. “And James’s son, Charles I, is the reason we have dear Samson. It’s the only Giambologna that ever left Florence. He was a gift to Charles from the King of Spain, and Charles gave it, this massive, absolutely priceless masterpiece of a sculpture, to Villiers. And a few centuries later, here he is. One of the most beautiful pieces we own, and we didn’t even steal it. We only needed Villiers and his trolloping ways with the queer monarchs. To me, if there were a registry of national gay landmarks in Britain, Samson would be on it.
Casey McQuiston (Red, White & Royal Blue)
Elizabeth, what this man has done is terrible. There aren't any words that are strong enough to describe how wicked and evil he is! He has taken nine months of your life that you will never get back again. But the best punishment you could ever give him is to be happy. To move forward with your life. To do exactly what you want. Because, yes, this will probably go to trial and some kind of sentencing will be given to him and that wicked woman. But even if that's true, you may never feel like justice has been served or that true restitution has been made... You be happy, Elizabeth. Just be happy. If you go and feel sorry for yourself, or if you dwell on what has happened, if you hold on to your pain, that is allowing him to steal more of your life away. So don't you do that! Don't you let him! There is no way that he deserves that. Not one more second of your life. You keep every second for yourself. You keep them and be happy...
Elizabeth Smart (My Story)
Then, while the other members of my family were waiting in the living room, my mom pulled me aside at the top of the stairs. "Before it gets too crazy, I need to tell you something," she said... "Elizabeth, what this man has done is terrible. There aren't any words that are strong enough to describe how wicked and evil he is! He has taken nine months of your life that you will never get back again. But the best punishment you could ever give him is to be happy. To move forward with your life. To do exactly what you want. Because, yes, this will probably go to trial and some kind of sentencing will be given to him and that wicked woman. But even if that's true, you may never feel like justice has been served or that true restitution has been made. "But you don't need to worry about that. At the end of the day, God is our ultimate judge. He will make up to you every pain and loss that you have suffered. And if it turns out that these wicked people are not punished here on Earth, it doesn't matter. His punishments are just. You don't ever have to worry. You don't ever have to even think about them again. ... “You be happy, Elizabeth. Just be happy. If you go and feel sorry for yourself, or if you dwell on what has happened, if you hold on to your pain, that is allowing him to steal more of your life away. So don't you do that! Don't you let him! There is no way he deserves that. Not one more second of your life. You keep every second for yourself. You keep them and be happy. God will take care of the rest.” It's been ten years since my mother said those words. The years have proved she was right.
Elizabeth Smart (My Story)
My lady," Sebastian murmured, resting one hand at the small of her corseted back. Regarding Haldane with a slight smile, he continued to speak to Evie. "It seems I'll have to warn you, my love... this gentleman is a wolf in sheep's clothing." Although Evie would have expected the elderly man to take offense at such a remark, Haldane chuckled with pleasure, his vanity flattered. "If I were twenty years younger, my impudent fellow, I would steal her away from you. Despite your much-vaunted charm, you are no match for what I was then." "Age hasn't tamed you a whit," Sebastian replied with a grin, drawing Evie away from him. "Pardon us, my lord, while I remove my wife from safer territory." "It is obvious that this elusive fellow has been caught firmly in your snare," Haldane told Evie. "Go, then, and pacify his jealous temperament." "I... I will try," Evie said uncertainly. For some reason both men laughed, and Sebastian kept his hand on Evie's back as they left the main room.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Kate?” Anthony yelled again. He couldn’t see anyone; a dislodged bench was blocking the opening. “Can you hear me?” Still no response. “Try the other side,” came Edwina’s frantic voice. “The opening isn’t as crushed.” Anthony jumped to his feet and ran around the back of the carriage to the other side. The door had already come off its hinges, leaving a hole just large enough for him to stuff his upper body into. “Kate?” he called out, trying not to notice the sharp sound of panic in his voice. Every breath from his lips seemed overloud, reverberating in the tight space, reminding him that he wasn’t hearing the same sounds from Kate. And then, as he carefully moved a seat cushion that had turned sideways, he saw her. She was terrifyingly still, but her head didn’t appear to be stuck in an unnatural position, and he didn’t see any blood. That had to be a good sign. He didn’t know much of medicine, but he held on to that thought like a miracle. “You can’t die, Kate,” he said as his terrified fingers yanked away at the wreckage, desperate to open the hole until it was wide enough to pull her through. “Do you hear me? You can’t die!” A jagged piece of wood sliced open the back of his hand, but Anthony didn’t notice the blood running over his skin as he pulled on another broken beam. “You had better be breathing,” he warned, his voice shaking and precariously close to a sob. “This wasn’t supposed to be you. It was never supposed to be you. It isn’t your time. Do you understand me?” He tore away another broken piece of wood and reached through the newly widened hole to grasp her hand. His fingers found her pulse, which seemed steady enough to him, but it was still impossible to tell if she was bleeding, or had broken her back, or had hit her head, or had . . . His heart shuddered. There were so many ways to die. If a bee could bring down a man in his prime, surely a carriage accident could steal the life of one small woman. Anthony grabbed the last piece of wood that stood in his way and heaved, but it didn’t budge. “Don’t do this to me,” he muttered. “Not now. It isn’t her time. Do you hear me? It isn’t her time!” He felt something wet on his cheeks and dimly realized that it was tears. “It was supposed to be me,” he said, choking on the words. “It was always supposed to be me.” And then, just as he was preparing to give that last piece of wood another desperate yank, Kate’s fingers tightened like a claw around his wrist. His eyes flew to her face, just in time to see her eyes open wide and clear, with nary a blink. “What the devil,” she asked, sounding quite lucid and utterly awake, “are you talking about?” Relief flooded his chest so quickly it was almost painful. “Are you all right?” he asked, his voice wobbling on every syllable. She grimaced, then said, “I’ll be fine.” Anthony paused for the barest of seconds as he considered her choice of words. “But are you fine right now?” She let out a little cough, and he fancied he could hear her wince with pain. “I did something to my leg,” she admitted. “But I don’t think I’m bleeding.” “Are you faint? Dizzy? Weak?” She shook her head. “Just in pain. What are you doing here?” He smiled through his tears. “I came to find you.” “You did?” she whispered. He nodded. “I came to— That is to say, I realized . . .” He swallowed convulsively. He’d never dreamed that the day would come when he’d say these words to a woman, and they’d grown so big in his heart he could barely squeeze them out. “I love you, Kate,” he said chokingly. “It took me a while to figure it out, but I do, and I had to tell you. Today.” Her lips wobbled into a shaky smile as she motioned to the rest of her body with her chin. “You’ve bloody good timing.
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
Sugar,” Jake said, “I’ve wanted you since the first time you sassed me.” “I wanted to punch you in the nose.” He laughed and kissed her forehead. “My advertising skills left something to be desired.” “You rooked three unsuspecting women.” “I know.” He kissed her lips, taking his time. “I’m offering you a chance for payback.” “And that payback is sex?” He smelled awesome, like a hot, sexy man who’d been in a kitchen trying to please her. Or maybe please himself. With Jake, you never knew. He pulled her tighter against him, kissing her slowly, thoroughly. “I’d do my damnedest to make you a happy woman the second time I sold you something.” Sugar looked into Jake’s eyes. He was too hot, too sexy, almost taking her breath away. “I think your gravy’s burning.” “Nice try. I turned it off.” He tugged her hips against him, kissing her as if he’d never tasted anything as good as her mouth. Sugar moaned and let Jake hike her up on his waist. “If I’m moving too fast, say so. I’ll back off and feed you the best shrimp and steak dinner you’ve ever had. Just good friends breaking bread together.” Sugar gasped as Jake sank his teeth gently into her lower lip. Heat and warmth filled her, stealing her desire to tell him no about anything. “I’m not really that hungry.” His smile turned dangerous. “I am.
Tina Leonard (Hotter than Texas (Pecan Creek, #1))
So, uh…” I gesture around the room with my other hand. “Who’s paying for all of this? Because I certainly can’t afford it.” “My father is, actually.” “But your father thinks I’m a demon.” A shy grin steals across August’s face. “It’s true, but I also pointed out that unless he did something substantial to help, you might not be willing to keep quiet about what Will did to your family.” “You blackmailed him?” My brows rise. “I did.” He grins, almost bashful. I squeeze his hand again. “Thank you. I can’t imagine what a difficult conversation that must have been for you.” “I’ll be completely honest, seeing you like that…You looked dead, Myra. I was so angry, it took all my self-control not to throttle the man.” I snort. “I would pay good money to see that.” “Well, I, unlike some people, actually know how to use a broadsword.” “How hard is it to hack and stab? I mean, honestly.
Jessica S. Olson (A Forgery of Roses)
Monica opened her kitchen cupboard, which was embarrassingly bare. “I’ve got some cooking chocolate, if you’d like some,” she said, breaking off a square and putting it in her mouth, feeling her energy returning with the infusion of sweetness. Now the tension had dropped she realized how hungry and exhausted she was. “Monica, stop!” said Riley. “You can’t eat that. It’s poisonous.” “What on earth are you talking about?” asked Monica, her mouth full of chocolate. “Cooking chocolate. It’s poisonous until it’s cooked.” “Riley, did your mother tell you that when you were little?” “Yes!” he replied. She watched the penny drop. “She lied to me, didn’t she? To stop me stealing the chocolate.” “That’s one of the things I love so much about you. You always assume that people are good and telling the truth, because that’s how you are. You always think that things will turn out well and, because of that, they generally do. By the way, did she tell you that when the ice-cream van played music it meant they’d run out of ice cream?” “Yes, she did actually,” he replied. “I do have a dark side, you know. Everybody thinks I’m so bloody nice, but I have as many evil thoughts as the next man. Honestly.” “No, you don’t, Riley,” she said, sitting down next to him on the sofa. “There’s so much I love about you,” she said, passing him a few squares of chocolate, “but I don’t love you.
Clare Pooley (The Authenticity Project)
It’s our long absence from the city that makes us so popular,” Jordan joked, tossing chips into the center of the table. Ian scarcely heard him. His mind was on Elizabeth, who had been at the mercy of her loathsome uncle for two years. The man had bartered his own flesh and blood-and Ian was the purchaser. It wasn’t true, of course, but he had an uneasy feeling Elizabeth would see it that way as soon as she discovered what had been done without her knowledge or consent. In Scotland she’d drawn a gun on him. In London he wouldn’t blame her if she fired it. He was toying with the idea of trying to court her for a few days before he told her they were already betrothed, and simultaneously wondering if she was going to hate the idea of marrying him. Belhaven might be a repulsive toad, but Ian had grievously and repeatedly wronged her. “I don’t mean to criticize your strategy, my friend”-Jordan’s drawl drew Ian’s wandering attention-“but you have just wagered $1,000 on what appears to be a pair of absolutely nothing.” Ian glanced down at the hand he’d just turned over and actually felt a flush of embarrassment steal up his neck. “I have something on my mind,” he explained. “Whatever it is, it is assuredly not cards. Either that or you’ve lost your famous touch.” “I wouldn’t be surprised,” Ian said absently, stretching out his long legs and crossing them at the ankles. “Do you want to play another hand?” “I don’t think I can afford it,” Ian joked wearily.
Judith McNaught (Almost Heaven (Sequels, #3))
If you ask me, there are two options at hand. Both will change you, but only one will get rid of the monster forever." "What's the first option?" she asked. "You can drink all the potions upstairs and return to the woman you were before the curse. You'll never turn another soul into stone and never see a monster in the mirror again. But if you steal from these children, you won't look like a monster anymore - you'll just be one. And that's much worse, in my opinion." "And the second option?" "You can restore all the bottled youth, beauty, and stamina to their rightful owners," the frog man explained. "It won't change how you look, but it will change how you look at yourself. From then on, every time you pass a mirror and see your reflection, you won't see a hideous monster; you'l see a woman who chose to help others instead of helping herself. And anyone who looks into the mirror and sees who they are, over what they are - well, it's impossible to curse someone like that.
Chris Colfer (Worlds Collide (The Land of Stories, #6))
So instead of providing another intellectual answer that would be ignored, David cut right to the heart. He said, “You’re raising all of these objections because you’re sleeping with your girlfriend. Am I right?” All the blood drained from the young man’s face. He was caught. He was rejecting God because he didn’t like God’s morality. And he was disguising it with feigned intellectual objections. This young man wasn’t the first atheist or agnostic to admit that his desire to follow his own agenda was keeping him out of the kingdom. In the first chapter of his letter to the Romans, the apostle Paul revealed this tendency we humans have to “suppress the truth” about God in order to follow our own desires. In other words, unbelief is more motivated by the heart than the head. Some prominent atheists have admitted this. Friedrich Nietzsche, who famously wrote, “God is dead and we have killed him,” also wrote, “If one were to prove this God of the Christians to us, we should be even less able to believe in him.”[24] Obviously Nietzsche’s rejection of God was not intellectual! Professor Thomas Nagel of NYU more recently wrote, “I want atheism to be true and am made uneasy by the fact that some of the most intelligent and well-informed people I know are religious believers. It isn’t just that I don’t believe in God and, naturally, hope that I’m right in my belief. It’s that I hope there is no God! I don’t want there to be a God; I don’t want the universe to be like that. My
Frank Turek (Stealing from God: Why Atheists Need God to Make Their Case)
Dear Young Black Males, Please listen to me closely. You have to start making smart choices in your life because, if you don’t, the judge won’t have any problems locking you up and throwing away the key. FYI: They’re charging minors as adults in some cases nowadays. Trust me, they don’t care about your life. They will wash you up in a heartbeat, simply because you’re a black male. Following the crowd will get you caught up. Trying to play the hard role will get you caught up. Trying to show out for others just to make a name for yourself will get you caught up. Stealing, robbing, selling drugs, etc…it will all catch up with you sooner or later. The statics for black males in prison is alarming. Give yourself a chance! Find another way! No matter what upbringing you’ve had, it’s up to you to make a change. You can’t live your life making excuses for why you do what you do. Prove them all wrong! Prove to yourself that you’re better than the life that was dealt to you. Rise up my brothas! You’re much better than that.
Stephanie Lahart
Little brother, do not treat me as if I am already dead, or dying. If you see me that way, then I would rather truly be dead. You steal the now of my life away, when you constantly fear that tomorrow will bring my death. Your fears clutch cold at me and snatch all my pleasure in the day's warmth from me. As he had not in a long time, the wolf suddenly dropped all the barriers between us. I suddenly perceived what I had been hiding from myself. The recent reticence between us was not entirely Nighteyes' doing. Half of it was mine, my retreat from him for fear that his death would be unbearably painful for me. I was the one who had set him at a distance; I was the one who had been hoarding my thoughts from him. Yet enough of my feelings had reached past that wall that he was wounded by them. I had been on the verge of abandoning him. My slow pulling away from him had been my resignation to his mortality. Truly, since the day I had pulled him back from death, I had not seen him as fully alive." p. 246 Fitz and Nighteyes
Robin Hobb (Fool's Errand (Tawny Man, #1))
One theft, however, does not make a thief . . Action which defines a man, describes his character, is action which has been repeated over and over and so has come in time to be a coherent and relatively independent mode of behavior. At first it may have been fumbling and uncertain, may have required attention, effort, will - as when first drives a car, first makes love, first robs a bank, first stands up against injustice. If one perseveres on any such course it comes in time to require less effort, less attention, begins to function smoothly; its small component behaviors become integrated within a larger pattern which has an ongoing dynamism and cohesiveness, carries its own authority. Such a mode then pervades the entire person, permeates other modes, colors other qualities, in some sense is living and operative even when the action is not being performed, or even considered. . . . Such a mode of action tends to maintain itself, to resist change. A thief is one who steals; stealing extends and reinforces the identity of a thief, which generates further thefts, which further strengthen and deepen the identity. So long as one lives, change is possible; but the longer such behavior is continued the more force and authority it acquires, the more it permeates other constant bodes, subordinates other conflicting modes; changing back becomes steadily more difficult; settling down to an honest job, living on one's earnings becomes ever more unlikely. And what is said here of stealing applies equally to courage, cowardice, creativity . . . or any other of the myriad ways of behaving, and hence of being.
Allen Wheelis (How People Change)
He roars, “What have you done?” I don’t answer. My heart beats crazy happy just to see her get across the iron. She’s not burned. She’s still human. “Zara.” His voice is measured. “I need her to maintain control.” “You don’t need to be in control. You’re all trapped. So there’ll be no more stealing boys, no more shooting arrows in the woods, getting people lost. It’s all over.” The metal is cold on my fingers. Devyn grabs more wire, starts another flight. A group of pixies leaps for him, screaming, a wild, chaotic mess. They start clawing at each other, lost in fear and hunger, angry. A pixie in a pink dress shrieks when another wearing a black gown lashes at her, slashing through the skin on her arm. “Zara?” The king tries to be calm and nice. He tries to look human. It doesn’t work. “Do you know what this means? Do you know the power that I’ll lose? The need? We will fight in here. We will kill each other.” “I know,” I say and my voice shakes as I stare at him, this man who is in my blood, but not me. He is not me. Still, I understand his need, his fear. He is stuck in this awful place where there is no moral way to move forward. “I’m so sorry.” And I am.
Carrie Jones (Need (Need, #1))
Kevin D. Williamson in a sneering screed published in March 2016 in National Review, a leading conservative journal: The problem isn’t that Americans cannot sustain families, but that they do not wish to. If you spend time in hardscrabble, white upstate New York, or eastern Kentucky, or my own native West Texas, and you take an honest look at the welfare dependency, the drug and alcohol addiction, the family anarchy—which is to say, the whelping of human children with all the respect and wisdom of a stray dog—you will come to an awful realization. It wasn’t Beijing. It wasn’t even Washington, as bad as Washington can be. It wasn’t immigrants from Mexico, excessive and problematic as our current immigration levels are. It wasn’t any of that. Nothing happened to them. There wasn’t some awful disaster. There wasn’t a war or a famine or a plague or a foreign occupation. Even the economic changes of the past few decades do very little to explain the dysfunction and negligence—and the incomprehensible malice—of poor white America. So the gypsum business in Garbutt ain’t what it used to be. There is more to life in the 21st century than wallboard and cheap sentimentality about how the Man closed the factories down. The truth about these dysfunctional, downscale communities is that they deserve to die. Economically, they are negative assets. Morally, they are indefensible. Forget all your cheap theatrical Bruce Springsteen crap. Forget your sanctimony about struggling Rust Belt factory towns and your conspiracy theories about the wily Orientals stealing our jobs. Forget your goddamned gypsum, and, if he has a problem with that, forget Ed Burke, too. The white American underclass is in thrall to a vicious, selfish culture whose main products are misery and used heroin needles. Donald Trump’s speeches make them feel good. So does OxyContin. What they need isn’t analgesics, literal or political. They need real opportunity, which means that they need real change, which means that they need U-Haul. For
Brian Alexander (Glass House: The 1% Economy and the Shattering of the All-American Town)
Yes, I'll marry you." And then his hands were in her hair, scattering her hairpins, and his lips were on hers, stealing her breath, and she was touching him- this remarkable man whom she'd loved for so long and who was finally, finally hers. Callie sighed into Ralston's mouth- noting that he tasted of scotch and something more exotic, more male- and a feeling of complete and utter elation coursed through her. This was Ralston, her future husband, and he was making her feel so warm and wonderful and alive. And then he was kissing down the column of her neck, whispering her name like a litany as he lifted her arms over his shoulders and set his lips to the expanse of white skin above the neck of her gown. Callie gasped as his strong hands spread wide across her torso, stealing up to cup her breasts in a gesture of complete and utter possession. "This gown," he said, the words coming thick and liquid, "is sinful." Callie couldn't help her smile as he leaned back to watch her breasts lift against the satin edge of the dress. "Do you think so?" "Indeed. It is made to drive men crazy... to reveal all your luscious curves"- he ran a finger beneath the satin lazily, just far enough to graze the edge of a nipple- "without showing off anything. It's a torturous viewing experience," he added, wickedly, as he pulled the edge of the gown lower, exposing the straining tip of one breast to the cool air and his hot mouth. He suckled briefly, until Callie was writhing against him, then, releasing her, he said, "When we are married, I shall buy you one in every color.
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
I have this special license burning a hole in my pocket, so I was thinking we might go find a vicar and use it. Pinter and Freddy can be witnesses.” He looked anxiously at her. “What do you think?” “Don’t you want your family present when we marry? I thought you lordly sorts had to have grand weddings.” “Is that what you want?” In truth, she’d never been one to dream of her wedding day as a brilliant spectacle. Clandestine weddings were always what captured her imagination, complete with a dangerous, brooding fellow and mysterious goings-on. In this instance, she had both. He said, “Let me put it this way: we can spend an untold number of days sneaking around just to steal a kiss, being chaperoned every minute while my sisters and Gran plan the wedding of the century. Or we can marry today and share a bed at the inn tonight like a respectable husband and wife. I’m not keep on waiting, but then, I never am when it comes to you. So what is your opinion in the matter?” She couldn’t resist teasing him a little. “I think you just want to punish your grandmother for her sly tactics by depriving her of the weddings.” He smiled. “Perhaps a little. And God knows my friends are never going to let me live this down. I’m not looking forward to hours of their torment at a wedding breakfast.” He stopped in a little copse where they would be hidden from the street. “But if you want a big wedding, I can endure it.” His expression was solemn as he took her hands in his. “I can endure anything, as long as you marry me. And keep loving me for the rest of your life.” Staring into his earnest face, she felt something flip over in her chest. She stretched up to brush his mouth with hers, and he pulled her in for a long, ardent kiss. “Well?” he said huskily when he was done. “If I had any sense of decency, I would give you a chance to consult with a lawyer about settlements and such, especially since you’ll be coming into some money. But-“ “-you have no sense of decency, I know,” she teased. She tapped her finger against her chin. “Or was that morals you claimed not to have? I can’t remember.” “Watch it, minx,” he warned with a lift of his brow. “If you intend to taunt me for every foolish statement I’ve made in my life, you’ll force me to play Rockton and lock you up in my dark, forbidding manor while I have my wicked way with you.” “That sounds perfectly awful,” she said, gazing at the man she loved. “How soon can we start?
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
In the Middle Ages, marriage was considered a sacrament ordained by God, and God also authorised the father to marry his children according to his wishes and interests. An extramarital affair was accordingly a brazen rebellion against both divine and parental authority. It was a mortal sin, no matter what the lovers felt and thought about it. Today people marry for love, and it is their inner feelings that give value to this bond. Hence, if the very same feelings that once drove you into the arms of one man now drive you into the arms of another, what’s wrong with that? If an extramarital affair provides an outlet for emotional and sexual desires that are not satisfied by your spouse of twenty years, and if your new lover is kind, passionate and sensitive to your needs – why not enjoy it? But wait a minute, you might say. We cannot ignore the feelings of the other concerned parties. The woman and her lover might feel wonderful in each other’s arms, but if their respective spouses find out, everybody will probably feel awful for quite some time. And if it leads to divorce, their children might carry the emotional scars for decades. Even if the affair is never discovered, hiding it involves a lot of tension, and may lead to growing feelings of alienation and resentment. The most interesting discussions in humanist ethics concern situations like extramarital affairs, when human feelings collide. What happens when the same action causes one person to feel good, and another to feel bad? How do we weigh the feelings against each other? Do the good feelings of the two lovers outweigh the bad feelings of their spouses and children? It doesn’t matter what you think about this particular question. It is far more important to understand the kind of arguments both sides deploy. Modern people have differing ideas about extramarital affairs, but no matter what their position is, they tend to justify it in the name of human feelings rather than in the name of holy scriptures and divine commandments. Humanism has taught us that something can be bad only if it causes somebody to feel bad. Murder is wrong not because some god once said, ‘Thou shalt not kill.’ Rather, murder is wrong because it causes terrible suffering to the victim, to his family members, and to his friends and acquaintances. Theft is wrong not because some ancient text says, ‘Thou shalt not steal.’ Rather, theft is wrong because when you lose your property, you feel bad about it. And if an action does not cause anyone to feel bad, there can be nothing wrong about it. If the same ancient text says that God commanded us not to make any images of either humans or animals (Exodus 20:4), but I enjoy sculpting such figures, and I don’t harm anyone in the process – then what could possibly be wrong with it? The same logic dominates current debates on homosexuality. If two adult men enjoy having sex with one another, and they don’t harm anyone while doing so, why should it be wrong, and why should we outlaw it? It is a private matter between these two men, and they are free to decide about it according to their inner feelings. In the Middle Ages, if two men confessed to a priest that they were in love with one another, and that they never felt so happy, their good feelings would not have changed the priest’s damning judgement – indeed, their happiness would only have worsened the situation. Today, in contrast, if two men love one another, they are told: ‘If it feels good – do it! Don’t let any priest mess with your mind. Just follow your heart. You know best what’s good for you.
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
April 26 MORNING “This do in remembrance of Me.” — 1 Corinthians 11:24 IT seems then, that Christians may forget Christ! There could be no need for this loving exhortation, if there were not a fearful supposition that our memories might prove treacherous. Nor is this a bare supposition: it is, alas! too well confirmed in our experience, not as a possibility, but as a lamentable fact. It appears almost impossible that those who have been redeemed by the blood of the dying Lamb, and loved with an everlasting love by the eternal Son of God, should forget that gracious Saviour; but, if startling to the ear, it is, alas! too apparent to the eye to allow us to deny the crime. Forget Him who never forgot us! Forget Him who poured His blood forth for our sins! Forget Him who loved us even to the death! Can it be possible? Yes, it is not only possible, but conscience confesses that it is too sadly a fault with all of us, that we suffer Him to be as a wayfaring man tarrying but for a night. He whom we should make the abiding tenant of our memories is but a visitor therein. The cross where one would think that memory would linger, and unmindfulness would be an unknown intruder, is desecrated by the feet of forgetfulness. Does not your conscience say that this is true? Do you not find yourselves forgetful of Jesus? Some creature steals away your heart, and you are unmindful of Him upon whom your affection ought to be set. Some earthly business engrosses your attention when you should fix your eye steadily upon the cross. It is the incessant turmoil of the world, the constant attraction of earthly things which takes away the soul from Christ. While memory too well preserves a poisonous weed, it suffereth the rose of Sharon to wither. Let us charge ourselves to bind a heavenly forget-me-not about our hearts for Jesus our Beloved, and, whatever else we let slip, let us hold fast to Him.
Charles Haddon Spurgeon (Morning and Evening—Classic KJV Edition: A Devotional Classic for Daily Encouragement)
Nicolas couldn’t stop looking at her with her head thrown back, her thick, black hair streaming in the wind, her body perfectly balanced as she guided the boat. With her head back, he could see her neck and the outline of her body beneath the shirt, almost as if she wore nothing at all. His body stirred, hardened. Nicolas didn’t bother to fight the reaction. Whatever was between them, the chemistry was apparent and it wasn’t going to go away. He could sit in the boat and admire the flawless perfection of her skin. Imagine the way it would feel beneath his fingertips, his palm. Dahlia’s head suddenly turned and her eyes were on him. Hot Wild. Wary. “Stop touching my breasts.” She lifted her chin, faint color stealing under her skin. He held up his hands in surrender. “I have no idea what you’re talking about.” “You know exactly what I’m talking about.” Dahlia’s breasts ached, felt swollen and hot, and deep inside her, a ravenous appetite began to stir. Nicolas was sitting across from her, looking the epitome of the perfect male statue, his features expressionless and his eyes cool, but she felt his hands on her body. Long caresses, his palms cupping her breasts, thumbs stroking her nipples until she shivered in awareness and hunger. “Oh, that.” “Yes, that.” She couldn’t help seeing the rigid length bulging beneath his jeans, and he made no effort to hide it. His unashamed display sent her body into overtime reaction so that she felt a curious throbbing where no throbbing needed to be. She grit her teeth together. “I can still feel you touching me.” He nodded thoughtfully. “I consider myself an innocent victim in this situation,” Nicolas said. “I’ve always had control, in fact I pride myself on self-discipline. You seem to have destroyed it. Permanently.” He wasn’t exactly lying to her. He couldn’t take his eyes or his mind from her body. It was an unexpected pleasure, a gift. He was devouring her with his eyes. With his mind. A part of her, the truly insane part—and Dahlia was beginning to believe there really was one—loved the way he was looking at her. She’d never experienced a man’s complete attention centered on her in a sexual way before. And he wasn’t just any man. He was . . . extraordinary. “Well, stop all the same,” she said, caught between embarrassment and pleasure. “I don’t see why my having a few fantasies should bother you.” “I’m feeling your fantasies. I think you’re projecting just a little too strongly.” His eyebrows shot up. “You mean you can actually feel what I’m thinking? My hands on your body? I thought you were reading my mind.” “I told you I could feel you touching me.” “That’s amazing. Has that ever happened before?” “No, and it better not happen again. Good grief, we’re strangers.” “You slept with me last night,” he pointed out. “Do you sleep with many strangers?” He was teasing her, but the question sent a dark shadow skittering through him.
Christine Feehan (Mind Game (GhostWalkers, #2))
The cold pre-dawn sky was softly grey through the cave opening above, when Griff finally arose and began to retrieve his clothes. Astelle said, ‘A man like you – I could take full time.’ He smiled regretfully. ‘That is impossible, my darling girl. Even though you are irresistibly sweet to me, you are not suitable to join the Faen race, and I am not prepared to live among Morts.’ ‘Suppose I should have a child?’ she asked. ‘You have put enough seed in me to make a dozen babies.’ ‘You will not,’ he said with conviction. ‘A Faen child can be conceived only in love, and we don't have that, do we?’ Griff was quite sure that she thought nothing of him, even though she had left his emotions in turmoil. Damned bitch! She had stolen from him. ‘I would not know if we did. I don't understand how love should feel.’ ‘If you loved, you would know it,’ he told her. And you would not steal from your love, he thought fiercely. He was buckling his sword belt over the black tunic. She did not notice the shaking of his hands; she simply thought what a fine manly figure he made, and she realised how much she wanted him to stay. ‘If I did have a child – could I let you know somehow?’ Astelle clutched at the only strand of hope she could find. He strove to reassure her. ‘We do have mindlink, which means you only have to mindwhisper my name, if you ever need me – I will come.’ But he did not think this very likely. ‘Please don't go, Griff.’ She was almost tearful. ‘I have to go – before the sun rises.’ He then kissed her with unexpected tenderness, which made her feel even worse. ‘Use those jewels wisely.’ He smiled and winked at her, then looked into her eyes for a few more moments, seriously – almost wistfully. Then he just vanished before her very eyes. He had forgotten his black forest cloak. It lay on the floor at the end of the bed. Astelle picked it up and held it close to her body. She watched the red streaks of dawn spread across the cold grey sky, framed in the rocky aperture above her. If you loved, you would know it, he had said. She had never felt more lonely or deserted in her life. Unexplained tears slid slowly down her cheeks. And that was how Griff broke the Faen Colonial Rule.
Bernie Morris (The Fury of the Fae)
I'm unaccustomed to being cooped up all day-I really must insist that you permit me to enjoy a short walk." "Not on your life," Fletcher growled. From the sound, Breckenridge realized the group had moved closer to the tap. "You don't need to think you're going to give us the slip so easily," Fletcher said again. "My dear good man"-Heather with her nose in the air; Breckenridge could tell by her tone-"just where in this landscape of empty fields do you imagine I'm going to slip to?" Cobbins opined that she might try to steal a horse and ride off. "Oh,yes-in a round gown and evening slippers," Heather jeered. "But I wasn't suggesting you let me ramble on my own-Martha can come with me." That was Martha's cue to enter the fray, but Heather stuck to her guns, refusing to back down through the ensuing, increasingly heated verbal stoush. Until Fletcher intervened, aggravated frustration resonating in his voice. "Look you-we're under strict orders to keep you safe, not to let you wander off to fall prey to the first shiftless rake who rides past and takes a fancy to you." Silence reigned for half a minute, then Heather audibly sniffed. "I'll have you know that shiftless rakes know better than to take a fancy to me." Not true, Breckenridge thought, but that wasn't the startling information contained in Fletcher's outburst. "Come on, Heather-follow up." As if she'd heard his muttered exhortation, she blithely swept on. "But if rather than standing there arguing, you instead treated me like a sensible adult and told me what your so strict orders with respect to me were, I might see my way to complying-or at least to helping you comply with them." Breckenridge blinked as he sorted through that pronouncement; he could almost feel for Fletcher when he hissed out a sigh. "All right," Fletcher's frustration had reached breaking point. "If you must know, we're to keep you safe from all harm. We're not to let a bloody pigeon pluck so much as a hair from your head. We're to deliver you up in prime condition, exactly as you were when he grabbed you." From the change in Fletcher's tone, Breckenridge could visualize him moving closer to tower over Heather to intimidate her into backing down; he could have told him it wouldn't work. "So now you see," Fletcher went on, voice low and forceful, "that it's entirely out of the question for you to go out for any ramble." "Hmm." Heather's tone was tellingly mild. Fletcher was about to get floored by an uppercut. For once not being on the receiving end, Breckenridge grinned and waited for it to land. "If, as you say, your orders are to-do correct me if I'm wrong-keep me in my customary excellent health until you hand me over to your employer, then, my dear Fletcher, that will absolutely necessitate me going for a walk. Being cooped up all day in a carriage has never agreed with me-if you don't wish me to weaken or develop some unhealthy affliction, I will require fresh air and gentle exercise to recoup." She paused, then went on, her tone one of utmost reasonableness, "A short excursion along the river at the rear of the inn, and back, should restore my constitution." Breckenridge was certain he could hear Fletcher breathing in and out through clenched teeth. A fraught moment passed on, then, "Oh, very well! Martha-go with her. Twenty minutes, do you hear? Not a minute more." "Thank you, Fletcher. Come, Martha-we don't want to waste the light." Breckenridge heard Heather, with the rather slower Martha, leave the inn by the main door. He sipped his ale, waited. Eventually, Fletcher and Cobbins climbed the stairs, Cobbins grumbling, Fletcher ominously silent. The instant they passed out of hearing, Breckenridge stood, stretched, then walked out of the tap and into the foyer. Seconds later, he slipped out of the front door.
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
This is from Elizabeth,” it said. “She has sold Havenhurst.” A pang of guilt and shock sent Ian to his feet as he read the rest of the note: “I am to tell you that this is payment in full, plus appropriate interest, for the emeralds she sold, which, she feels, rightfully belonged to you.” Swallowing audibly, Ian picked up the bank draft and the small scrap of paper with it. On it Elizabeth herself had shown her calculation of the interest due him for the exact number of days since she’d sold the gems, until the date of her bank draft a week ago. His eyes ached with unshed tears while his shoulders began to rock with silent laughter-Elizabeth had paid him half a percent less than the usual interest rate. Thirty minutes later Ian presented himself to Jordan’s butler and asked to see Alexandra. She walked into the room with accusation and ire shooting from her blue eyes as she said scornfully, “I wondered if that note would bring you here. Do you have any notion how much Havenhurst means-meant-to her?” “I’ll get it back for her,” he promised with a somber smile. “Where is she?” Alexandra’s mouth fell open at the tenderness in his eyes and voice. “Where is she?” he repeated with calm determination. “I cannot tell you,” Alex said with a twinge of regret. “You know I cannot. I gave my word.” “Would it have the slightest effect,” Ian countered smoothly, “if I were to ask Jordan to exert his husbandly influence to persuade you to tell me anyway?” “I’m afraid not,” Alexandra assured him. She expected him to challenge that; instead a reluctant smile drifted across his handsome face. When he spoke, his voice was gentle. “You’re very like Elizabeth. You remind me of her.” Still slightly mistrustful of his apparent change of heart, Alex said primly, “I deem that a great compliment, my lord.” To her utter disbelief, Ian Thornton reached out and chucked her under the chin. “I meant it as one,” he informed her with a grin. Turning, Ian started for the door, then stopped at the sight of Jordan, who was lounging in the doorway, an amused, knowing smile on his face. “If you’d keep track of your own wife, Ian, you would not have to search for similarities in mine.” When their unexpected guest had left, Jordan asked Alex, “Are you going to send Elizabeth a message to let her know he’s coming for her?” Alex started to nod, then she hesitated. “I-I don’t think so. I’ll tell her that he asked where she is, which is all he really did.” “He’ll go to her as soon as he figures it out.” “Perhaps.” “You still don’t trust him, do you?” Jordan said with a surprised smile. “I do after this last visit-to a certain extent-but not with Elizabeth’s heart. He’s hurt her terribly, and I won’t give her false hopes and, in doing so, help him hurt her again.” Reaching out, Jordan chucked her under the chin as his cousin had done, then he pulled her into his arms. “She’s hurt him, too, you know.” “Perhaps,” Alex admitted reluctantly. Jordan smiled against her hair. “You were more forgiving when I trampled your heart, my love,” he teased. “That’s because I loved you,” she replied as she laid her cheek against his chest, her arms stealing around his waist. “And will you love my cousin just a little if he makes amends to Elizabeth?” “I might find it in my heart,” she admitted, “if he gets Havenhurst back for her.” “It’ll cost him a fortune if he tries,” Jordan chuckled. “Do you know who bought it?” “No, do you?” He nodded. “Philip Demarcus.” She giggled against his chest. “Isn’t he that dreadful man who told the prince he’d have to pay to ride in his new yacht up the Thames?” “The very same.” “Do you suppose Mr. Demarcus cheated Elizabeth?” “Not our Elizabeth,” Jordan laughed. “But I wouldn’t like to be in Ian’s place if Demarcus realizes the place has sentimental value to Ian. The price will soar.
Judith McNaught (Almost Heaven (Sequels, #3))
I heard the fear in the first music I ever knew, the music that pumped from boom boxes full of grand boast and bluster. The boys who stood out on Garrison and Liberty up on Park Heights loved this music because it told them, against all evidence and odds, that they were masters of their own lives, their own streets, and their own bodies. I saw it in the girls, in their loud laughter, in their gilded bamboo earrings that announced their names thrice over. And I saw it in their brutal language and hard gaze, how they would cut you with their eyes and destroy you with their words for the sin of playing too much. “Keep my name out your mouth,” they would say. I would watch them after school, how they squared off like boxers, vaselined up, earrings off, Reeboks on, and leaped at each other. I felt the fear in the visits to my Nana’s home in Philadelphia. You never knew her. I barely knew her, but what I remember is her hard manner, her rough voice. And I knew that my father’s father was dead and that my uncle Oscar was dead and that my uncle David was dead and that each of these instances was unnatural. And I saw it in my own father, who loves you, who counsels you, who slipped me money to care for you. My father was so very afraid. I felt it in the sting of his black leather belt, which he applied with more anxiety than anger, my father who beat me as if someone might steal me away, because that is exactly what was happening all around us. Everyone had lost a child, somehow, to the streets, to jail, to drugs, to guns. It was said that these lost girls were sweet as honey and would not hurt a fly. It was said that these lost boys had just received a GED and had begun to turn their lives around. And now they were gone, and their legacy was a great fear. Have they told you this story? When your grandmother was sixteen years old a young man knocked on her door. The young man was your Nana Jo’s boyfriend. No one else was home. Ma allowed this young man to sit and wait until your Nana Jo returned. But your great-grandmother got there first. She asked the young man to leave. Then she beat your grandmother terrifically, one last time, so that she might remember how easily she could lose her body. Ma never forgot. I remember her clutching my small hand tightly as we crossed the street. She would tell me that if I ever let go and were killed by an onrushing car, she would beat me back to life. When I was six, Ma and Dad took me to a local park. I slipped from their gaze and found a playground. Your grandparents spent anxious minutes looking for me. When they found me, Dad did what every parent I knew would have done—he reached for his belt. I remember watching him in a kind of daze, awed at the distance between punishment and offense. Later, I would hear it in Dad’s voice—“Either I can beat him, or the police.” Maybe that saved me. Maybe it didn’t. All I know is, the violence rose from the fear like smoke from a fire, and I cannot say whether that violence, even administered in fear and love, sounded the alarm or choked us at the exit. What I know is that fathers who slammed their teenage boys for sass would then release them to streets where their boys employed, and were subject to, the same justice. And I knew mothers who belted their girls, but the belt could not save these girls from drug dealers twice their age. We, the children, employed our darkest humor to cope. We stood in the alley where we shot basketballs through hollowed crates and cracked jokes on the boy whose mother wore him out with a beating in front of his entire fifth-grade class. We sat on the number five bus, headed downtown, laughing at some girl whose mother was known to reach for anything—cable wires, extension cords, pots, pans. We were laughing, but I know that we were afraid of those who loved us most. Our parents resorted to the lash the way flagellants in the plague years resorted to the scourge.
Ta-Nehisi Coates (Between the World and Me)