Pig Pen Quotes

We've searched our database for all the quotes and captions related to Pig Pen. Here they are! All 67 of them:

I've dreamt him a box of EpiPens. I dream cures for stings all the time. I carry one. I put them in the Pig. I have them all over Monmouth." "Do they work?" "I don't know. And there's no way to find out before it actually happens. There won't be a rematch.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
He could’ve penned a rendition of Moby Dick in Pig Latin and he wouldn’t have been the wiser.
Kelly Moran (In diesem Moment (Wildflower Summer #2))
Once there was a bunny. This bunny had a birthday party. It was the bestest birthday party ever. Because that was the day the bunny got a bazooka. THe bunny loved his bazooka. He blew up all sorts of things on the farm. He blew up the stable of Henrietta the Horse. He blew up the pen of Pugsly the Pig. He blew up the coop of Chuck the Chicken. "I have the bestest bazooka ever," the bunny said. Then the farm friends proceeded to beat him senseless and steal his bazooka. It was the happiest day of his life. The end. Epilogue: Pugsly the Pig, now without a pen, was quite annoyed. When none of the others were looking, he stole the bazooka. He tied a bandana on his head and swore vengeance for what had been done to him. "From this day on," he whispered, raising the bazooka, "I shall be known as Hambo.
Brandon Sanderson (Alcatraz Versus the Scrivener's Bones (Alcatraz vs. the Evil Librarians, #2))
I know I’m like Pig-Pen in Charlie Brown, and I have chaos around me, but it’s like he doesn’t even care. He doesn’t need me to change or pretend to be someone else. He’s my person. He’s my best friend.
Christina Lauren (Josh and Hazel's Guide to Not Dating)
All the inane, meaningless noises people make that pass for intelligent conversation. They might as well be pigs grunting in the pen. (92)
Norma Fox Mazer
That’s what the pig in the pen says when his brother gets knifed for dinner.” He shrugged. “You’re still in the pen. Still gonna die.
Paolo Bacigalupi (Ship Breaker (National Book Award Finalist))
History, lie of our lives, mire of our loins. Our sins, our souls. Hiss-tih-ree: the tip of the pen taking a trip of three steps (with one glide) down the chronicle to trap a slick, sibilant character. Hiss. (Ss.) Tih. Ree. He was a pig, a plain pig, in the morning, standing five feet ten on one hoof. He was a pig in slacks. He was a pig in school. He was a pig on the dotted line. But in my eyes it’s always the ones signing dotted lines that become pigs. Did this pig have a precursor? He did, indeed he did. In point of fact, dating all the way back to the Biblical Age. Oh where? About everywhere you look there's pigs giving that fancy ol’ snake a chase. Yeah, yeah, yeah, you can always count on a fuckin’ pretentious sarcastican for a fancy prose style.
Brian Celio (Catapult Soul)
I wait, washed, brushed, fed, like a prize pig. Sometime in the eighties they invented pig balls, for pigs who were being fattened in pens. Pig balls were large colored balls; the pigs rolled them around with their snouts. The pig marketers said this improved their muscle tone; the pigs were curious, they liked having something to think about. I read about that in Introduction to Psychology; that, and the chapter on caged rats who'd give themselves electric shocks for something to do. And the one on the pigeons trained to peck a button that made a grain of corn appear. Three groups of them: the first one got one grain per peck, the second one grain every other peck, the third was random. When the man in charge cut off the grain, the first group gave up quite soon, the second group a little later. The third group never gave up. They'd peck themselves to death, rather than quit. Who knew what worked? I wish I had a pig ball.
Margaret Atwood
People tear you down, that's it. They grind you if you let them, just like Pig Pen said. They all want to pull you down to their level and make you dirty. Look at what they are doing to you, Charlie.
Stephen King (The Bachman Books)
We only ever got pig blood. This wasn't because it was the only type of animal blood the butcher had. "Pigs are dirty," my mum said once. "It's what your body deserves." But it turns out that pigs aren't naturally dirty. Rather, humans keep pigs in dirty conditions, feeding them rotten vegetables, letting the mud in their too-small pens mix with their feces; the filth of the pig is just symptomatic of the sins of the human.
Claire Kohda (Woman, Eating)
Following Homo sapiens, domesticated cattle, pigs and sheep are the second, third and fourth most widespread large mammals in the world. From a narrow evolutionary perspective, which measures success by the number of DNA copies, the Agricultural Revolution was a wonderful boon for chickens, cattle, pigs and sheep. Unfortunately, the evolutionary perspective is an incomplete measure of success. It judges everything by the criteria of survival and reproduction, with no regard for individual suffering and happiness. Domesticated chickens and cattle may well be an evolutionary success story, but they are also among the most miserable creatures that ever lived. The domestication of animals was founded on a series of brutal practices that only became crueller with the passing of the centuries. The natural lifespan of wild chickens is about seven to twelve years, and of cattle about twenty to twenty-five years. In the wild, most chickens and cattle died long before that, but they still had a fair chance of living for a respectable number of years. In contrast, the vast majority of domesticated chickens and cattle are slaughtered at the age of between a few weeks and a few months, because this has always been the optimal slaughtering age from an economic perspective. (Why keep feeding a cock for three years if it has already reached its maximum weight after three months?) Egg-laying hens, dairy cows and draught animals are sometimes allowed to live for many years. But the price is subjugation to a way of life completely alien to their urges and desires. It’s reasonable to assume, for example, that bulls prefer to spend their days wandering over open prairies in the company of other bulls and cows rather than pulling carts and ploughshares under the yoke of a whip-wielding ape. In order for humans to turn bulls, horses, donkeys and camels into obedient draught animals, their natural instincts and social ties had to be broken, their aggression and sexuality contained, and their freedom of movement curtailed. Farmers developed techniques such as locking animals inside pens and cages, bridling them in harnesses and leashes, training them with whips and cattle prods, and mutilating them. The process of taming almost always involves the castration of males. This restrains male aggression and enables humans selectively to control the herd’s procreation.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
The transmission of SARS, Dwyer said, seems to depend much on super spreaders—and their behavior, not to mention the behavior of people around them, can be various. The mathematical ecologist’s term for variousness of behavior is “heterogeneity,” and Dwyer’s models have shown that heterogeneity of behavior, even among forest insects, let alone among humans, can be very important in damping the spread of infectious disease. “If you hold mean transmission rate constant,” he told me, “just adding heterogeneity by itself will tend to reduce the overall infection rate.” That sounds dry. What it means is that individual effort, individual discernment, individual choice can have huge effects in averting the catastrophes that might otherwise sweep through a herd. An individual gypsy moth may inherit a slightly superior ability to avoid smears of NPV as it grazes on a leaf. An individual human may choose not to drink the palm sap, not to eat the chimpanzee, not to pen the pig beneath mango trees, not to clear the horse’s windpipe with his bare hand, not to have unprotected sex with the prostitute, not to share the needle in a shooting gallery, not to cough without covering her mouth, not to board a plane while feeling ill, or not to coop his chickens along with his ducks. “Any tiny little thing that people do,” Dwyer said, if it makes them different from one another, from the idealized standard of herd behavior, “is going to reduce infection rates.
David Quammen (Spillover: Animal Infections and the Next Human Pandemic)
Go into the largest livestock operation, search out the darkest and tiniest stall or pen, single out the filthiest, most forlorn little lamb or pig or calf, and that is one of God's creatures you're looking at, morally indistinguishable from your beloved Fluffy or Frisky.
Matthew Scully (Dominion: The Power of Man, the Suffering of Animals, and the Call to Mercy)
Brides, nymphs were called, but that is not really how the world saw us. We were an endless feast laid out upon a table, eautiful and renewing. And so very bad at getting away. The rails of my sty cracked with age and use. From time to time the wood buckled and a pig escaped. Most often, he would throw himself from the cliffs. The seabirds were grateful. They seamed to come from half the world away to feast on the plump bones. I woud stand watching as they strupped the fat and sinew. The small pink scrap of tail-skin dangled from one of their beaks like worm. If it were a man, I wondered if I would pity him but it was not a man. When I passed back by the pen, his friends would stare at me with pleading faces. They moaned and squealed, and pressed they snouts to the earth. We are sorry, we are sorry. Sorry you were caught, I said. Sorry that you thought I was weak, but you were wrong.
Madeline Miller (Circe)
So help her, if Pig-Pen was a blond . . .
Kresley Cole (Demon from the Dark (Immortals After Dark, #10))
Like Pig-Pen from the Charlie Brown comic strip, her cloud hovered over her, dark and daunting and devoid of a silver lining.
Wendy Wax (The Accidental Bestseller)
Cattle lolled empty-eyed in the pens of the stockyards. Pigs grunted lustlessly, unmindful of sows and sex and knives whetted for the coming fall. People whined about taxes and conscription, as they always did; but there was an apathy beneath the empty passion-play of politics.
Stephen King (The Gunslinger)
there are the parents, then the sons, then the daughter, then the pigs in the pig-pen and the hens in the henhouse, then the apprentice and then, right at the bottom, the serving maids. Agnes believes her position, as new daughter-in-law, to be ambiguous, somewhere between apprentice and hen. Agnes
Maggie O'Farrell (Hamnet)
In this particular dream, a colleague approached me and asked if I would be willing to teach somebody how the gene-editing technology worked. I followed my colleague into a room to meet this person and was shocked to see Adolf Hitler, in the flesh, seated in front of me. He had a pig face (perhaps because I had spent so much time thinking about the humanized pig genome that was being rewritten with CRISPR around this time), and he was meticulously prepared for our meeting with pen and paper, ready to take notes. Fixing his eyes on me with keen interest, he said, “I want to understand the uses and implications of this amazing technology you’ve developed.
Jennifer A. Doudna (A Crack In Creation: Gene Editing and the Unthinkable Power to Control Evolution)
We're in her bedroom,and she's helping me write an essay about my guniea pig for French class. She's wearing soccer shorts with a cashmere sweater, and even though it's silly-looking, it's endearingly Meredith-appropriate. She's also doing crunches. For fun. "Good,but that's present tense," she says. "You aren't feeding Captain Jack carrot sticks right now." "Oh. Right." I jot something down, but I'm not thinking about verbs. I'm trying to figure out how to casually bring up Etienne. "Read it to me again. Ooo,and do your funny voice! That faux-French one your ordered cafe creme in the other day, at that new place with St. Clair." My bad French accent wasn't on purpose, but I jump on the opening. "You know, there's something,um,I've been wondering." I'm conscious of the illuminated sign above my head, flashing the obvious-I! LOVE! ETIENNE!-but push ahead anyway. "Why are he and Ellie still together? I mean they hardly see each other anymore. Right?" Mer pauses, mid-crunch,and...I'm caught. She knows I'm in love with him, too. But then I see her struggling to reply, and I realize she's as trapped in the drama as I am. She didn't even notice my odd tone of voice. "Yeah." She lowers herself slwoly back to the floor. "But it's not that simple. They've been together forever. They're practically an old married couple. And besides,they're both really...cautious." "Cautious?" "Yeah.You know.St. Clair doesn't rock the boat. And Ellie's the same way. It took her ages to choose a university, and then she still picked one that's only a few neighborhoods away. I mean, Parsons is a prestigious school and everything,but she chose it because it was familiar.And now with St. Clair's mom,I think he's afraid to lose anyone else.Meanwhile,she's not gonna break up with him,not while his mom has cancer. Even if it isn't a healthy relationship anymore." I click the clicky-button on top of my pen. Clickclickclickclick. "So you think they're unhappy?" She sighs. "Not unhappy,but...not happy either. Happy enough,I guess. Does that make sense?" And it does.Which I hate. Clickclickclickclick. It means I can't say anything to him, because I'd be risking our friendship. I have to keep acting like nothing has changed,that I don't feel anything ore for him than I feel for Josh.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Dear Kathleen, I have just returned from the Lufton farm after inquiring about the welfare of their newest resident. Please convey to all concerned parties that Hamlet is thoroughly content with his pen, which, I might add, has been constructed to the highest porcine standards. He seems enthused about keeping company with his own harem of sows. I would venture to say that a pig of simple pleasures could ask for nothing more. All other news from the estate pertains to drainage trenches and plumbing mishaps, none of it agreeable to relate I am anxious to know how you are taking the engagement between Helen and Winterborne. In the spirit of brotherly concern, I beg you to write soon, at least to tell me if murder is being planned. Affectionately yours, West
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
You ever see anything like that before?” I asked Rex as we walked. “Those old fairy dudes? Nuh-uh. And now that I think about it, I’ve never seen a Pig-Pen do that much damage.” I meant the creature. What creature? What do you mean, what creature? The one that came out of the wind. The one that went through me. The reason I was out cold on the dance floor.” I thought you just couldn’t handle the Donna Summer remix.
Kelly Gay (The Hour of Dust and Ashes (Charlie Madigan, #3))
Summer, and hot. Full Earth had come to the land like a vampire lover that year, killing the land and the crops of the tenant farmers, turning the fields of the castle-city of Gilead white and sterile. In the west, some miles distant and near the borders that were the end of the civilized world, fighting had already begun. All reports were bad, and all of them paled to insignificance before the heat that rested over this place of the center. Cattle lolled empty-eyed in the pens of the stockyards. Pigs grunted lustlessly, unmindful of sows and sex and knives whetted for the coming fall. People whined about taxes and conscription, as they always did; but there was an apathy beneath the empty passion-play of politics. The center had frayed like a rag rug that had been washed and walked on and shaken and hung and dried. The thread that held the last jewel at the breast of the world was unraveling. Things were not holding together. The earth drew in its breath in the summer of the coming eclipse.
Stephen King (The Gunslinger)
You could see the future right away here,” Hu Renzhong, a pig and poultry producer, told me. “Food was expensive and people didn’t have enough meat to eat. They couldn’t afford it. The land was good, though, and back then it was still cheap.” Hu received me one morning at his mansion farmhouse on the outskirts of Lusaka, offering me a seat in the marble chill of his enormous living room, before taking me on a long walking tour of his acres and acres of hog-breeding pens and sprawling, temperature-controlled chicken hatcheries, all impressively modern and minutely organized. He had come to Zambia from China’s Jiangxi province in 1995 as a twenty-two-year-old simple laborer, but soon got into business for himself, raising chickens at first with another Chinese immigrant. It wasn’t long before the two had struck it rich, buying land and building ever-bigger houses. “Things had started developing really fast back home, and a lot of people tried to tell me I’d made a mistake,” he said. “But I’ve never really looked back.” I
Howard W. French (China's Second Continent: How a Million Migrants Are Building a New Empire in Africa)
When we came out of the cookhouse, we found the boy's father, the Indian man who had been grazing the horses in the pasture, waiting for us. He wanted someone to tell his troubles to. He looked about guardedly, afraid that the Señora might overhear him. 'Take a look at me' he said. I don't even know how old I am. When I was young, the Señor brought me here. He promised to pay me and give me a plot of my own. 'Look at my clothes' he said, pointing to the patches covering his body. 'I can't remember how many years I've been wearing them. I have no others. I live in a mud hut with my wife and sons. They all work for the Señor like me. They don't go to school. They don't know how to read or write; they don't even speak Spanish. We work for the master, raise his cattle and work his fields. We only get rice and plantains to eat. Nobody takes care of us when we are sick. The women here have their babies in these filthy huts.' 'Why don't you eat meat or at least milk the cows?' I asked. 'We aren't allowed to slaughter a cow. And the milk goes to the calves. We can't even have chicken or pork - only if an animal gets sick and dies. Once I raised a pig in my yard' he went on. 'She had a litter of three. When the Señor came back he told the foreman to shoot them. That's the only time we ever had good meat.' 'I don't mind working for the Señor but I want him to keep his promise. I want a piece of land of my own so I can grow rice and yucca and raise a few chickens and pigs. That's all.' 'Doesn't he pay you anything?' Kevin asked. 'He says he pays us but he uses our money to buy our food. We never get any cash. Kind sirs, maybe you can help me to persuade the master . Just one little plot is all I want. The master has land, much land.' We were shocked by his tale. Marcus took out a notebook and pen. 'What's his name?'. He wrote down the name. The man didn't know the address. He only knew that the Señor lived in La Paz. Marcus was infuriated. 'When I find the owner of the ranch, I'll spit right in his eye. What a lousy bastard! I mean, it's really incredible'. 'That's just the way things are,' Karl said. 'It's sad but there's nothing we can do about it.
Yossi Ghinsberg (Jungle: A Harrowing True Story of Survival)
I forgot the maid who works in my P.G. and struggles to make money, every day, who is in fear that one day her cruel husband will find her out eventually and beat her and her son to death. I forgot that auto driver I met on my way to M.G. road metro station, and who wanted to be in the army but gave up study due to the financial crisis. I forgot that security guard I met at IIT Delhi, and who was forced to leave the study and marry at the age of 15. I forgot those little kids I generally encounter at Railway stations and trains selling packets of pens @ Rs.25 per packet. I forgot that 75 years old ricksha wala I met in sector 23 market with only one eye and high power lens I forgot that washroom cleaning staff at my office who always welcomes me with a broad smile. I forgot the dead body of that martyred soldier I saw at the Kashmir airport, laden with garlands of marigold and people shouting," jawan amar rahe!" I forgot the scream of that pig near my office when a thick rope was brutally tied in its nose and it was forcefully taken by some people on a bike. I almost forgot everything!
sangeeta mann
Domenico, my pen pal and the master of ceremonies, emerges from the kitchen in a cobalt suit bearing a plate of bite-sized snacks: ricotta caramel, smoked hake, baby artichoke with shaved bottarga. The first course lands on the table with a wink from Domenico: raw shrimp, raw sheep, and a shower of wild herbs and flowers- an edible landscape of the island. I raise my fork tentatively, expecting the intensity of a mountain flock, but the sheep is amazingly delicate- somehow lighter than the tiny shrimp beside it. The intensity arrives with the next dish, the calf's liver we bought at the market, transformed from a dense purple lobe into an orb of pâté, coated in crushed hazelnuts, surrounded by fruit from the market this morning. The boneless sea anemones come cloaked in crispy semolina and bobbing atop a sticky potato-parsley puree. Bread is fundamental to the island, and S'Apposentu's frequent carb deliveries prove the point: a hulking basket overflowing with half a dozen housemade varieties from thin, crispy breadsticks to a dense sourdough loaf encased in a dark, gently bitter crust. The last savory course, one of Roberto's signature dishes, is the most stunning of all: ravioli stuffed with suckling pig and bathed in a pecorino fondue. This is modernist cooking at its most magnificent: two fundamental flavors of the island (spit-roasted pig and sheep's-milk cheese) cooked down and refined into a few explosive bites. The kind of dish you build a career on.
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
I found Lord Emsworth, Lady Constance, and told him the car was in readiness.’ ‘Oh, thank you, Miss Briggs. Where was he?’ ‘Down at the sty. Would there be anything furthah?’ ‘No thank you, Miss Briggs.’ As the door closed, the Duke exploded with a loud report. ‘Down at the sty!’ he cried. ‘Wouldn’t you have known it! Whenever you want him, he’s down at the sty, gazing at that pig of his, absorbed, like somebody watching a strip-tease act. It’s not wholesome for a man to worship a pig the way he does. Isn’t there something in the Bible about the Israelites worshipping a pig? No, it was a golden calf, but the principle’s the same. I tell you …’ He broke off. The door had opened again. Lord Emsworth stood on the threshold, his mild face agitated. ‘Connie, I can’t find my umbrella.’ ‘Oh, Clarence!’ said Lady Constance with the exasperation the head of the family so often aroused in her, and hustled him out towards the cupboard in the hall where, as he should have known perfectly well, his umbrella had its home. Left alone, the Duke prowled about the room for some moments, chewing his moustache and examining his surroundings with popping eyes. He opened drawers, looked at books, stared at pictures, fiddled with pens and paper-knives. He picked up a photograph of Mr Schoonmaker and thought how right he had been in comparing his head to a pumpkin. He read the letter Lady Constance had been writing. Then, having exhausted all the entertainment the room had to offer, he sat down at the desk and gave himself up to thoughts of Lord Emsworth and the Empress. Every
P.G. Wodehouse (Service With a Smile)
What Dr. Price's work teaches us is that the absolute fundamental requirement of healthy diets cannot be found in pasta, nor vegetable juices, nor oat bran, nor olive oil, but only in certain types of animal fats. These fats come from animals who consume green, growing organisms (such as grass and plankton), or who consume other animals that have consumed green, growing organisms (such as insects). What is tragic is the difficulty in finding such foods today. Most of our dairy cows spend their entire lives in confinement and never see green grass; chickens are kept in pens and fed mostly grains; pigs are raised in factories and never see sunlight; even fish are now raised in fish farms and given inappropriate feed, like soy pellets. Even worse, most people avoid these foods today because medical spokesmen claim they cause cancer, heart disease or weight gain, even though a number of highly qualified scientists have admirably refuted these charges. Suffice it to say that the patient who is afraid of consuming foods containing animal fats and cholesterol will make no headway in his efforts to improve his diet as these foods are absolutely vital for good health.
Thomas S. Cowan (Fourfold Path To Healing: Working with the Laws of Nutrition, Therapeutics, Movement and Meditation in the Art of Medicine)
From the dairy a wall extended which formed the right-hand boundary of the octangle, joining the bull’s shed and the pig-pens at the extreme end of the right point of the triangle. A staircase, put in to make it more difficult, ran parallel with the octangle, half-way round the yard, against the wall which led down to the garden gate. The spurt and regular ping! of milk against metal came from the reeking interior of the sheds. The bucket was pressed between Adam Lambsbreath’s knees, and his head was pressed deep into the flank of Feckless, the big Jersey. His gnarled hands mechanically stroked the teat, while a low crooning, mindless as the Down wind itself, came from his lips. He was asleep. He had been awake all night, wandering in thought over the indifferent bare shoulders of the Downs after his wild bird, his little flower... Elfine. The name, unspoken but sharply musical as a glittering bead shaken from a fountain’s tossing necklace, hovered audibly in the rancid air of the shed. The beasts stood with heads lowered dejectedly against the wooden hoot-pieces of their stalls. Graceless, Pointless, Feckless, and Aimless awaited their turn to be milked. Sometimes Aimless ran her dry tongue, with a rasping sound sharp as a file through silk, awkwardly across the bony flank of Feckless, which was still moist with the rain that had fallen upon it through the roof during the night, or Pointless turned her large dull eyes sideways as she swung her head upwards to tear down a mouthful of cobwebs from the wooden runnet above her head. A lowering, moist, steamy light, almost like that which gleams below the eyelids of a man in fever, filled the cowshed. Suddenly a tortured bellow, a blaring welter of sound that shattered the quiescence of the morning, tore its way across the yard and died away in a croak that was almost a sob. It was Big Business, the bull, wakening to another day, in the clammy darkness of his cell.
Stella Gibbons (Cold Comfort Farm)
In addition to the stored foods, livestock—chickens and pigs and probably a few goats and geese—were penned on Sea Venture’s deck, both to provide fresh meat during the voyage and to help stock Jamestown’s farms.
Kieran Doherty (Sea Venture: Shipwreck, Survival, and the Salvation of Jamestown)
I got into a situation with a crazy person named Ben because I had the loss of a damaged person named Alex hanging over me like a dirt cloud over Pig Pen for what had ballooned into a six-month funk. Alex’s frigidity, after the sex-free final year of my doomed relationship with Patrick, plus all the time invested and the chocolate-chip scones downed in their respective aftermath, honed me into the perfect vessel for Ben’s brand of crazy. Alex was Mrs. O’Leary’s cow, I was the lantern he kicked over, and Ben was the Chicago Fire.
Julie Klausner (I Don't Care About Your Band: Lessons Learned from Indie Rockers, Trust Funders, Pornographers, Felons, Faux-Sensitive Hipsters, and Other Guys I've Dated)
Only the guiding hand of the true and uncorrupted Nisirtu has allowed humanity to progress to its current state. The human cesspool in this country idle away their time texting or emailing or calling one another on their shiny toys to babble incessantly about every second of their miserable, directionless lives. It is like the grunting of pigs in pens. They send endless streams of photos of themselves to their slave friends. And do you know why they do this? Because their lives have so little meaning that they secretly wonder if they even exist.
Samuel Fort (The Apocalypse Script (The Nisirtu #1))
walked around the circumference of the tree. Arisha looked up at the gargantuan timber that towered before them. She couldn’t see the top of the tree. But she heard the sound of a large bird somewhere high above in the branches. But the closer sounds of beasts brought her back down to earth as she saw before them, pens of animals all around: sheep, donkeys, pigs, goats, deer. Dozens of different animals were braying, baaing, and grunting. She stepped back in fright. She saw dozens of people lined up at the pens waiting their turns. Inside the pens were naked humans rubbing against the animals just like the ones with the tree and just like her parents did at night.
Brian Godawa (Joshua Valiant (Chronicles of the Nephilim Book 5))
We only ever got pig blood. This wasn't because it was the only type of animal blood the butcher had. "Pigs are dirty," my mum said once. "It's what your body deserves." But it turns out that pigs aren't naturally dirty. Rather, humans keep pigs in dirty conditions, feeding them rotten vegetables, letting the mud in their too-small pens mix with their feces; the filth of the pig is just symptomatic of the sins of the human. Wild pigs eat plants. They've even been shown to clean fruit in creeks before eating it, and they never eat or roll around in their own feces. I told my mum this, but she was adamant that the pig was the filthiest animal and was what we deserved.
Claire Kohda (Woman, Eating)
We have increased our population to the level of 7 billion and beyond. We are well on our way toward 9 billion before our growth trend is likely to flatten. We live at high densities in many cities. We have penetrated, and we continue to penetrate, the last great forests and other wild ecosystems of the planet, disrupting the physical structures and the ecological communities of such places. We cut our way through the Congo. We cut our way through the Amazon. We cut our way through Borneo. We cut our way through Madagascar. We cut our way through New Guinea and northeastern Australia. We shake the trees, figuratively and literally, and things fall out. We kill and butcher and eat many of the wild animals found there. We settle in those places, creating villages, work camps, towns, extractive industries, new cities. We bring in our domesticated animals, replacing the wild herbivores with livestock. We multiply our livestock as we've multiplied ourselves, operating huge factory-scale operations involving thousands of cattle, pigs, chickens, ducks, sheep, and goats, not to mention hundreds of bamboo rats and palm civets, all confined en masse within pens and corrals, under conditions that allow those domestics and semidomestics to acquire infectious pathogens from external sources (such as bats roosting over the pig pens), to share those infections with one another, and to provide abundant opportunities for the pathogens to evolve new forms, some of which are capable of infecting a human as well as a cow or a duck. We treat many of those stock animals with prophylactic doses of antibiotics and other drugs, intended not to cure them but to foster their weight gain and maintain their health just sufficiently for profitable sale and slaughter, and in doing that we encourage the evolution of resistant bacteria. We export and import livestock across great distances and at high speeds. We export and import other live animals, especially primates, for medical research. We export and import wild animals as exotic pets. We export and import animal skins, contraband bushmeat, and plants, some of which carry secret microbial passengers. We travel, moving between cities and continents even more quickly than our transported livestock. We stay in hotels where strangers sneeze and vomit. We eat in restaurants where the cook may have butchered a porcupine before working on our scallops. We visit monkey temples in Asia, live markets in India, picturesque villages in South America, dusty archeological sites in New Mexico, dairy towns in the Netherlands, bat caves in East Africa, racetracks in Australia – breathing the air, feeding the animals, touching things, shaking hands with the friendly locals – and then we jump on our planes and fly home. We get bitten by mosquitoes and ticks. We alter the global climate with our carbon emissions, which may in turn alter the latitudinal ranges within which those mosquitoes and ticks live. We provide an irresistible opportunity for enterprising microbes by the ubiquity and abundance of our human bodies. Everything I’ve just mentioned is encompassed within this rubric: the ecology and evolutionary biology of zoonotic diseases. Ecological circumstance provides opportunity for spillover. Evolution seizes opportunity, explores possibilities, and helps convert spillovers to pandemics.
David Quammen (Spillover: Animal Infections and the Next Human Pandemic)
We create these animals for our profit and pleasure, playing with their genes, violating their dignity as living creatures, forcing them to lie and live in their own urine and excrement, turning pens into penitentiaries and frustrating their every desire except what i needed to keep them breathing and breeding. And then we complain about the smell. But no one who has seen the inside of a modern hog farm will find comfort in these assurances of their happiness. And no one who has seen how they are treated will ever again dare to use "pig" as a synonym for filth and greed and ugliness.
Matthew Scully (Dominion: The Power of Man, the Suffering of Animals, and the Call to Mercy)
THE LIFE of David “Gabby” Earl Penning was only seconds away from turning into ashes, just like his parents’ farm– literally. He knew the days in that farm house and its large pasture with the cows, horses, chickens and pigs would end someday - just like his siblings, Joyce and Sam - but he didn’t know that day would come so soon. Not only that, but he didn’t think it would’ve been burned by someone he’d never expect: a stranger.
Elizabeth Pridgen (The Life of David Earl Penning: A Classic Western)
Physical activity also expels any accumulated negative or overloaded energy in what scientists now call your biofield and I call your aura. This is the energetic field that emanates from you and between you and others. When you are ungrounded your biofield looks a bit like Pig Pen, the Peanuts character who walks around in a cloud of dirt. In the same way that a rainstorm clears the atmosphere, physical movement clears psychic pollution, refreshes your biofield or aura, and resets your nervous system view.
Sonia Choquette (Trust Your Vibes (Revised Edition): Live an Extraordinary Life by Using Your Intuitive Intelligence)
I myself have often observed a dear impish little boy, a little too impish, to be honest, but showing signs of wanting to become a fine man. I have often observed him, as I was saying, toward evening, attempting to round up his herd of guinea pigs, which he allows to run free in the yard all day. He tries to get them to go into their pen together, but it’s always in vain. One heads right, and while the little shepherd runs to corral him back, one, two, or three others escape to the left, and in every direction. Eventually, after losing his patience, he adapts to their game, and pushes the ones closest to the gate inside, and then collects the others, in ones, twos, or threes, as best he can. We should play a similar game with our characters: Having found shelter for Lucia, we raced to Don Rodrigo; and now we have to abandon him to chase after Renzo, of whom we had lost sight.
Alessandro Manzoni (The Betrothed: A Novel)
Almost like a waterfall gushing in-between my legs at this moment at this time. Kissing, loving, and creasing me like, as my mud-covered toes, as I sink them in the dirt. My legs are so weakly holding me upright, after standing so long.' 'Ultimately, the pounding rains get more powerful. Making me fall to the ground with a soft thud, now covered by the clay. Where I will remain until I feel that I can get up and over what has transpired from the day of hell I had and what has happened to me. That's if I can, like if I can accept this all, as I look down at me. I feel the dropping rain is weeping for me, like 'God’s tears, even after this I still believe in.' 'The pain triples within me also like the thoughts all at the same time, I start rolling around, like a pig in mud. I have the sensation like I have been ripped in two parts in my centered hips and vagina.' 'However, it is like it is all pounding down on me at once. I look, up to the sky, lying on my backside. It jostles me, the thought of what it is that I want to do… with myself to escape.' 'Even with all this rain. I feel that my vagina will surely never feel the same, or like it's clean again. It's all because of them!' 'No!' I scream. 'The rainwater can only wash away somewhat of what they have done to me. Never all of it… never- ever! It cannot wash away all my fears that I have. They have sucked my bean above the hole! Tugged on the hood, until I thought they would bite it off me completely. That is why I'm bleeding! Nevertheless, the school would not do anything about this, over I was the one that started it all; as the instigator.' 'They rubbed and touched me in all the places, yet this one the most. They ripped my black hole wide open, with their hateful fingernails and slashing teeth.' 'I cannot run away from them. They always find me! Always, I have nowhere to run or to hide!' 'I cannot stop them from fingering, stabbing, and sucking on me! My nipples are raw! They beat me up for enjoyment. Pledging with 'God' saying this has to stop. Yet it goes on every school day.' 'I must get away from them. I need to getaway! ('I just need to okay!') It is like these visions of what my life's existence about comes and goes away from me.' I see my life before I live it out in its entirety.' 'Sometimes, it's like I am black, I am not biased, bigoted, discriminatory, prejudiced, antiblack, and racialist, let's get that clear; yet this is the category, I was placed in, as a girl owned by man, that think I should never do anything more than be something like a worker in a field, as a slave to pay back my debts to be who I am to them in their hate.' 'The air that is around me now, is making my slit labia skin hurt with burn and sting. Burning hotter than a flame, before snuffed out! I know how a candle feels, struggling not to be blown out by the rushing air, or being snuffed out.' 'It's like they have a new addiction and that is the hole in my body that makes me a lady.' 'Just if you are wondering, I put my teddy in my backpack right after getting off the bus, after getting hazed by having him. after all, he is very significant to me.' 'I walk over to my bookbag, and see him down in their look at me, and find my one pink notebook. I open it to that one page I penned, the one that I have dogeared. 'There it is!' I say as I rip it out, it recollects the day.' 'The paper is jagged and wet, but I have an adieu note in my hand. I made it earlier in school, at lunch, when I was sitting alone; on this wrinkled up pink notebook paper. The black ink is running like a watercolor all over all my trembling, quivering, shivering, and childlike penmanship handwriting. All it has on it are all words that need to be said, about my existence in life, not living! Decidedly not.
Marcel Ray Duriez (Walking the Halls (Nevaeh))
Where the hell are you? I scanned around me, and found nothing but shadow and merry flame and books. Two levels below. And why are you two levels below? I shoved out of my chair, back aching in protest as I stormed for the walkway and rail beyond, then peered down into the gloom. Sure enough, in a reading area two levels below, I could spy his dark hair and wings- could spy him leaning back in his chair before an identical desk, an ankle crossed over a knee. Smirking up at me. Because I can't work with you distracting me. I scowled at him. I'm distracting you? If you're sitting next to me, the last thing on my mind is reading dusty old books. Especially when you're in all that tight leather. Pig. His chuckle echoed up through the library amid the fluttering papers and scratching pens of the priestesses working throughout. ... Two hours of work, he promised me, turning back to the table and flaring his wings- a veritable screen to block my view of him. And his view of me. Then we can play. I gave him a vulgar gesture. I saw that. I did it again, and his laugh floated to me as I faced the books stacked before me and began to read.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
That like the pigs, we all have our heads in the trough. While the hogs don’t believe in God, the American dream, or the pen being mightier than the sword, they do believe in the feed in the same desperate way we believe in the Sunday paper, the Bible, black urban radio, and hot sauce. On
Paul Beatty (The Sellout)
Once there was a bunny. This bunny had a birthday party. It was the bestest birthday party ever. Because that was the day the bunny got a bazooka. The bunny loved his bazooka. He blew up all sorts of things on the farm. He blew up the stable of Henrietta the Horse. He blew up the pen of Pugsly the Pig. He blew up the coop of Chuck the Chicken. “I have the bestest bazooka ever,” the bunny said. Then the farm friends proceeded to beat him senseless and steal his bazooka. It was the happiest day of his life. The end. Epilogue: Pugsly the Pig, now without a pen, was quite annoyed. When none of the others were looking, he stole the bazooka. He tied a bandana on his head and swore vengeance for what had been done to him. “From this day on,” he whispered, raising the bazooka, “I shall be known as Hambo.
Brandon Sanderson (The Scrivener's Bones (Alcatraz, #2))
Then he and Steele hoisted the body up between them and tossed it straight into the middle of the pig pen. Clothes and all. "You're not serious, are you?" I whispered, aghast. "That's... guys, that's not going to work. This isn't a movie. Pigs don't just chow down on a human body
Tate James (Fake (Madison Kate, #3))
Then he and Steele hoisted the body up between them and tossed it straight into the middle of the pig pen. Clothes and all. "You're not serious, are you?" I whispered, aghast. "That's... guys, that's not going to work. This isn't a movie. Pigs don't just chow down on a human body and leave no evidence after the fact.
Tate James (Fake (Madison Kate, #3))
as we could tell by the washing of the water over our heads, and the heavy breaking of the seas against her bows, (with a sound as though she were striking against a rock,) only the thickness of the plank from our heads, as we lay in our berths, which are directly against the bows. At eight bells, the watch was called, and we came on deck, one hand going aft to take the wheel, and another going to the galley to get the grub for dinner. I stood on the forecastle, looking at the seas, which were rolling high, as far as the eye could reach, their tops white with foam, and the body of them of a deep indigo blue, reflecting the bright rays of the sun. Our ship rose slowly over a few of the largest of them, until one immense fellow came rolling on, threatening to cover her, and which I was sailor enough to know, by “the feeling of her” under my feet, she would not rise over. I sprang upon the knight-heads, and seizing hold of the fore-stay with my hands, drew myself upon it. My feet were just off the stanchion, when she struck fairly into the middle of the sea, and it washed her fore and aft, burying her in the water. As soon as she rose out of it, I looked aft, and everything forward of the main-mast, except the long-boat, which was griped and double-lashed down to the ring-bolts, was swept off clear. The galley, the pig-sty, the hen-coop, and a large sheep-pen which had been built upon the forehatch, were all gone, in the twinkling of an eye-leaving the deck as clean as a chin new reaped—and not a stick left, to show where they had stood. In the scuppers lay the galley, bottom up, and a few boards floating about, the wreck of the sheep-pen,—and half a dozen miserable sheep floating among them, wet through, and not a little frightened at the sudden change that had come upon them.
Charles William Eliot (The Complete Harvard Classics - ALL 71 Volumes: The Five Foot Shelf & The Shelf of Fiction: The Famous Anthology of the Greatest Works of World Literature)
I sometimes told people my dad reminded me of Robin Williams, and they would assume I meant the drive to entertain, the old showbiz patter. But it was really that ever-present Pig-Pen cloud of kind-eyed sadness.
Lindy West (Shrill: Notes from a Loud Woman)
You’re lucky I love you little assholes because you guys are fucking messy,” I complain to the snorting pigs, wrinkling my nose when I spot a chunk of flesh on the floor outside their pen.  They're absolute pains in my ass most days, but I wouldn't trade them for the world. They keep me sane. And the devil knows that's hanging on by a goddamn thread. Molly Fifteen Years Ago
H.D. Carlton (Where's Molly)
So now what happens?" I asked, snuggling closer into Steele's warmth. Archer shrugged, leaning against the side of the car. "We wait until the pigs do their thing so we can see with our own eyes that it's all gone. Then we dispose of the plastic wrapping at a recycling facility a few miles from here and head home again." I couldn't fight my grin. "You guys recycle the plastic you use to transport bodies?" Archer gave me a serious look. "If we don't take active steps toward a greener planet, we'll fuck it right up." "Worse than it already is," Kody added, peering over the fence to check the pigs’ progress. "I think we're good to go." He pulled out his phone, using the flashlight app to check the pen more thoroughly. "Yep, all done." "That was fast," I murmured, following as they all piled back into the car. Archer shot me a smirk. "Hungry pigs today.
Tate James (Fake (Madison Kate, #3))
Evening, Kesmore. What has lured you from the wilds of Kent so early in the year?” Kesmore’s dark brows twitched down. “Raising hogs is vulgarly profitable. I say this to you in strictest confidence as your neighbor and friend, and as a man who has seen you so drunk you sing odes to the barmaid’s feminine attributes. There is, however, a certain hardship upon the man—particularly a man newly married—who undertakes such a commercial endeavor when the weather moderates and the hog pens must be cleaned of several months’ worth of pig shit.” Despite the cloying heat of the ballroom, despite the gauntlet forming for him as the orchestra warmed up, Deene’s lips quirked up. “You came to Town to avoid the smell of pig shit?” “Pig shit wafting in my bedroom window at night, pig shit scenting my linen, pig shit… but I am whining, and thank all the gods it’s not me the mamas are trolling for this year.” Deene
Grace Burrowes (Lady Eve's Indiscretion (The Duke's Daughters, #4; Windham, #7))
The birds are ready. They have grown at a steroidal rate on their hog feed and now clomp around the confines of their pen like clucking sumos.
Michael Perry (Coop: A Year of Poultry, Pigs, and Parenting)
Son,” he said, lowering his voice, “I got nothin’ against Robinson or any of you Negroes. Ya gotta understand, though. I come from Alabama. And where I come from, a pig and a chicken don’t live in the same pen. They’d kill each other. Ya keep everything separate and everyone’s happy. That’s just the way nature works. That’s the way it’s always been. That’s the way it should be. Same thing with white folks and you Negroes. It’s nothin’ personal, mind you.
Dan Gutman (Jackie & Me (A Baseball Card Adventure #2))
Like the boy who drives his little Indian pigs to the fold, whose obstinacy impels them divers ways, and thus obliges him first to apply to one and then to another till he can succeed in penning them all, so are we obliged to play the same game with the personages of our story.
Alessandro Manzoni (The Bethrothed)
Go into the largest livestock operation, search out the darkest and tiniest stall or pen, single out the filthiest, most forlorn little lamb or pig or calf, and that is one of God's creatures you're looking at.
Matthew Scully (Dominion: The Power of Man, the Suffering of Animals, and the Call to Mercy)
How unlucky she was--born with adventurous hooves that were stuck inside a pen. But she wasn't giving up. If there was a way out, Flora said to herself, she would find it.
Chris Kurtz (The Adventures of a South Pole Pig)
A great yellow circle above the cornfield had slipped out from behind some clouds. The moon. It was the first moon Flora had ever seen. Her heart filled with the beauty of it, and she made a promise to herself. I will be prepared. And I won't live forever inside this pen.
Chris Kurtz (The Adventures of a South Pole Pig)
Do you make a study of pigs, Monsieur?” she asked, with a muffled note of amusement. “Of course. I’ve observed them frequently on my breakfast plate.” They had neared the first of the pens, where a stockman was lovingly bathing the ears of an enormously fat spotted sow. Five piglets squealed and gurgled about her panting bulk. “Note the marvelous coil of the tail.” He gestured with his cane. “Absolute perfection!” “And those ears,” Callie said, nodding sagely. “She appears to have two!” “Four legs,” Trev added, cataloging all her points. “Are you certain she has legs?” Callie asked dubiously. “I don’t see any.” “They are hidden under her porcine vastness,” he informed her. He tilted his head speculatively as they reached the pen. “Unless she has wheels. Perhaps she rolls from place to place?
Laura Kinsale (Lessons in French)
In much the same way that a cloud of dust followed the Peanuts character Pig-Pen wherever he went, I have long since resigned myself to the fact that I am apparently being followed everywhere by “bad lighting”.
Gwynneth Mary Lovas (The Retirement Diaries)
The pig squealed as if it were being murdered. Eva had the pig by its hind legs. She dragged it backward as it screeched with every breath. Westley yanked open the gate so she could drag it inside. She let it go and it ran to the back of the pen, still squealing. Eva was breathing hard as she brushed her hands together, a triumphant glint in her eye. Her cheeks were pink and her red hair was in disarray, more strands hanging loose than in her braid. He lost his breath for a moment.
Melanie Dickerson (The Silent Songbird (Hagenheim #7))
Not all Prodigals are downtrodden or live in the pig pen, quite the opposite for one third of all prodigals are very successful in life and their only hang up is the big brother not allowing them to come home
James D. Wilson
No1 stared into his captor’s eyes. ‘I said, I want to talk to Qweffor.’ Abbot heard him that time, because the voice wasn’t No1’s. It was a voice of pure magic, layered with undeniable power. Abbot blinked. ‘I’ll… eh… see if he’s in.’ It was too late for compliance: No1 wasn’t about to rein in his power now. He sent a magical probe into Abbot’s brain via the horns. The horns glowed bright blue and then began shedding large brittle flakes. ‘Careful with the horns,’ said Abbot blearily, then his eyes rolled back in his head. ‘The ladies love the horns.’ No1 rooted round in Abbot’s head for a while until he found Qweffor sleeping in a dark corner, in a place scientists would call the limbic system. The problem, realized No1, is that there is only room in every head for one consciousness. Abbot needs to go somewhere else. And so, with this instinctive knowledge and absolutely no expertise, No1 fed Qweffor’s consciousness until it expanded, occupying the entire brain. It was not a perfect fit, and poor Qweffor would suffer from twitches and sudden loss of bowel control at public functions, a syndrome which would become known as Abbot’s Revenge. But at least he was in control of a body, most of the time. After several years and three hearings, fairy warlocks would manage to rehouse Abbot’s consciousness in a lower life form. A guinea pig, to be precise. The guinea pig’s own consciousness was soon subjugated by Abbot’s. Warlock interns would often amuse themselves by throwing tiny swords into the pig’s pen, and crack up watching the little piggy trying to pick them up.
Eoin Colfer (The Lost Colony (Artemis Fowl, #5))
Dear Kathleen, I have just returned from the Lufton farm after inquiring about the welfare of their newest resident. Please convey to all concerned parties that Hamlet is thoroughly content with his pen, which, I might add, has been constructed to the highest porcine standards. He seems enthused about keeping company with his own harem of sows. I would venture to say that a pig of simple pleasures could ask for nothing more. All other news from the estate pertains to drainage trenches and plumbing mishaps, none of it agreeable to relate I am anxious to know how you are taking the engagement between Helen and Winterborne. In the spirit of brotherly concern, I beg you to write soon, at least to tell me if murder is being planned. Affectionately yours, West Kathleen took up a pen to reply, reflecting that she missed West more than she would have guessed. How strange it was that the drunken young rake who had come to Eversby Priory all those months ago should have become such a steadying presence in her life. Dear West, Upon Mr. Winterborne’s proposal to Helen last week I will confess to initial thoughts of homicide. However, I realized that if I did away with Winterborne, I would also have to dispatch your brother and that wouldn’t do. One murder may be justifiable in these circumstances, but two would be self-indulgent. Helen is quiet and withdrawn, which is not what one expects of a girl who has just become engaged. It is obvious that she loathes the engagement ring, but she refuses to ask Winterborne to change it. Yesterday Winterborne decided to undertake all the planning and expenses of the wedding so she’ll have no say in that either. Winterborne dominates without even seeming to be aware of it. He’s like a great tree that casts a shade in which smaller trees can’t thrive. Regardless, the wedding seems inevitable. I’m resigned to the situation. At least, I’m trying to be. Your brotherly concern is much appreciated and returned with sisterly affection. Ever yours, Kathleen
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
didn’t need to wallow with the pigs to know it stunk in the pen.
Steve Berry (The Malta Exchange (Cotton Malone #14))
Developed economies are engaged in a long-term global effort to force all savers into digital accounts at one of a small number of megabanks. This process resembles herding pigs into a pen before they are slaughtered. Savers will get slaughtered with negative interest rates, fees, taxes, confiscation and account freezes when the time comes.
James Rickards
The Luftons have offered to take Hamlet, provided we undertake the expense of building a pen and covered enclosure. The twins are willing to give the pig away if they have Mr. Lufton’s personal guarantee of his welfare.” Kathleen smiled. “How did that come about?” The footman brought a tea tray from the sideboard, and held it while she measured a few spoonfuls of loose leaves into a small pot. West spread a liberal helping of preserves on a slice of toast. “I told the twins, as tactfully as possible, that Hamlet was never barrowed in infancy, as he should have been. I had no idea the procedure was necessary, or I would have made certain it was done.” “Barrowed?” Kathleen asked, perplexed. West made a scissoring gesture with two fingers. “Oh.” “Remaining, er…intact,” West continued, “has made Hamlet unfit for future consumption, so there’s no reason to fear he’ll end up on the dinner table. But he’ll become increasingly aggressive as he goes through pubescence. It seems he’ll become malodorous as well. He’s now suited for only one purpose. “Do you mean--” Kathleen began. “Might this wait until after breakfast?” Devon asked from behind a newspaper. West sent Kathleen an apologetic grin. “I’ll explain later.” “If you’re going to tell me about the inconvenience of having an uncastrated male in the house,” Kathleen said, “I’m already aware of it.” West choked a little on his toast. There was no sound from Devon’s direction.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
I remember when I first learned that human beings had microbial clouds hovering in the air around them at all times. I'd been sitting at my desk on the fifth floor of a corporate building in lower Manhattan for five hours when the data scientist James Meadow told me I’d probably shed millions of microbes all over my cubicle that day. "You know the dirty kid from Peanuts? Pig-Pen? It turns out we all look like that," Meadow said into the phone. He worked at the time at a company in San Francisco focused on monitoring the health of the indoor microbiome in places like offices and hospitals, and he'd recently published a paper. "We give off a million biological particles from our body every hour as we move around," he continued. "I have a beard; when I scratch it, I'm releasing a little plume into the air. It's just this cloud of particles we're always giving off, that happens to be nearly invisible.
Zoë Schlanger (The Light Eaters: How the Unseen World of Plant Intelligence Offers a New Understanding of Life on Earth)