Steak Movie Quotes

We've searched our database for all the quotes and captions related to Steak Movie. Here they are! All 12 of them:

Magic comes from the heart, from your feelings, your deepest expressions of desire. That's why black magic is so easy—it comes from lust, from fear and anger, from things that are easy to feed and make grow. The sort I do is harder. It comes from something deeper than that, a truer and purer source—harder to tap, harder to keep, but ultimately more elegant, more powerful. My magic. That was at the heart of me. It was a manifestation of what I believed, what I lived. It came from my desire to see to it that someone stood between the darkness and the people it would devour. It came from my love of a good steak, from the way I would sometimes cry at a good movie or a moving symphony. From my life. From the hope that I could make things better for someone else, if not always for me. Somewhere, in all of that, I touched on something that wasn't tapped out, in spite of how horrible the past days had been, something that hadn't gone cold and numb inside of me. I grasped it, held it in my hand like a firefly, and willed its energy out, into the circle I had created with the spinning amulet on the end of its chain.
Jim Butcher (Fool Moon (The Dresden Files, #2))
People in trailers were canned and labeled much like the apple juice down at the plant, stamped with ingredients for all the world to see: chicken fried steak, overcooked vegetables, no working knowledge of any major Italian movie directors--the list went on and on.
David Sedaris
Now listen here, I’m not gay. I’m as far from gay as you can possibly get - be-hee-hee-lieve me on that one! I love me some pussy. Football. Domestic beer. Poker. World War II movies. T- bone steak. Big dogs. Money. I’m not down with any of that queer shit... ...but if this car were to ask me to suck its dick, I totally would.
Danger Slater (Stranger Danger)
My magic. That was at the heart of me. It was a manifestation of what I believed, what I lived. It came from my desire to see to it that someone stood between the darkness and the people it would devour. It came from my love of a good steak, from the way I would sometimes cry at a good movie or a moving symphony. From my life. From the hope that I could make things better for someone else, if not always for me.
Jim Butcher (Fool Moon (The Dresden Files, #2))
Jesus, he’s actually waiting for me like he wants to get beat up. The kid has a screw loose. Or I do. Because I prowl forward and the mechanical gates guarding his house start to open for me. He’s wet through, golden hair scraped off his forehead. I hate how sexy he looks. My shirt is soaked to my chest too. I realize as we stare at each other, we probably look like one of those teen fucking romance movies, where they do some shit in the rain. In every drunk or sober situation this shouldn’t be happening. I shouldn’t be looking at his mouth like I’m on death row and he’s a steak dinner. I’m not gay. My drunk-ass brain chants over and over until the lie is part of my taste buds. My hazy eyes focus. He presses into my chest before I know it and he tugs the front of my hair until my mouth is hovering over his. “Your move, Maverick.” He says with calm ease. Rain drips off his tempting lips. Goddamn.
V. Theia (Manhattan Tormentor (From Manhattan #7))
Social media is about immediacy. Even the word media is built into immediacy. In social media, before you can finish a thought there is a new one to replace it: I am drinking a latte. I like this movie. I hate this steak. I disagree with this decision . . . ad infinitum. Immediacy itself is not the problem. Rather, indulging in posting every thought that passes through our consciousness, without considering whether it offers anything of meaning to the world, discourages critical and mature thinking.
Nancy Colier (The Power of Off: The Mindful Way to Stay Sane in a Virtual World)
The sun rose at 7 A.M. each day, and that’s when the SpaceX team got to work. A series of meetings would take place with people listing what needed to get done, and debating solutions to lingering problems. As the large structures arrived, the workers placed the body of the rocket horizontally in a makeshift hangar and spent hours melding together all of its parts. “There was always something to do,” Hollman said. “If the engine wasn’t a problem, then there was an avionics problem or a software problem.” By 7 P.M., the engineers wound down their work. “One or two people would decide it was their night to cook, and they would make steak and potatoes and pasta,” Hollman said. “We had a bunch of movies and a DVD player, and some of us did a lot of fishing off the docks.” For many of the engineers, this was both a torturous and magical experience. “At Boeing you could be comfortable, but that wasn’t going to happen at SpaceX,” said Walter Sims, a SpaceX tech expert who found time to get certified to dive while on Kwaj. “Every person on that island was a fucking star, and they were always holding seminars on radios or the engine. It was such an invigorating place.
Ashlee Vance (Elon Musk: Tesla, SpaceX, and the Quest for a Fantastic Future)
EL Ideas- Chef Phillip Foss Valentine's Day Menu freeze pop- honeydew/truffle/bitters shake and fries- potato/vanilla/leek black cod- black rice/black garlic/black radish cauliflower- botarga/anchovy/pasta brussels sprouts- grits/kale/horseradish apple- peanut/bacon/thyme french onion- gruyere/brioche/chive ham- fontina/butternut/green almonds pretzel- beer/mustard/cheddar buffalo chicken- blue cheese/carrot/celery steak- components of béarnaise pie- lime/graham crackers/cream cheese movie snacks- popcorn/Twizzlers/Raisinets
Stacey Ballis (Out to Lunch)
A student once asked me if I would let a two-year-old watch The Passion of the Christ (2004). I answered in the negative; but I added that I also would not feed a two-month-old infant a steak. Because she doesn’t have any teeth, a two-month-old would probably choke on the steak. This is not because steak is deadly, but simply because a two-month-old is not developmentally ready to ingest it. It is often the same with movies.
Douglas M. Beaumont (The Message Behind the Movie: How to Engage with a Film Without Disengaging Your Faith)
I needed to grab another box of screws, but, when I got to the truck, I realized I’d left my wallet in my tool bucket. When I went back ground the house to get it, she had my plans open and was double-checking all my measurements.” Emma’s cheeks burned when Gram laughed at Sean’s story, but, since she couldn’t deny it, she stuck her last bite of the fabulous steak he’d grilled into her mouth. “That’s my Emma,” Gram said. “I think her first words were ‘If you want something done right, do it yourself.’” “In my defense,” she said when she’d swallowed, pointing her fork at Sean for emphasis, “my name is on the truck, and being able to pound nails doesn’t make you a builder. I have a responsibility to my clients to make sure they get quality work.” “I do quality work.” “I know you build a quality deck, but stairs are tricky.” She smiled sweetly at him. “I had to double-check.” “It’s all done but the seating now and it’s good work, even though I practically had to duct tape you to a tree in order to work in peace.” She might have taken offense at his words if not for the fact he was playing footsie with her under the table. And when he nudged her foot to get her to look at him, he winked in that way that—along with the grin—made it almost impossible for her to be mad at him. “It’s Sean’s turn to wash tonight. Emma, you dry and I’ll put away.” “I’ll wash, Gram. Sean can dry.” “I can wash,” Sean told her. “The world won’t come to an end if I wash the silverware before the cups.” “It makes me twitch.” “I know it does. That’s why I do it.” He leaned over and kissed her before she could protest. “That new undercover-cop show I like is on tonight,” Gram said as they cleared the table. “Maybe Sean won’t snort his way through this episode.” He laughed and started filling the sink with hot, soapy water. “I’m sorry, but if he keeps shoving his gun in his waistband like that, he’s going to shoot his…he’s going to shoot himself in a place men don’t want to be shot.” Emma watched him dump the plates and silverware into the water—while three coffee mugs sat on the counter waiting to be washed—but forced herself to ignore it. “Can’t be worse than the movie the other night.” “That was just stupid,” Sean said while Gram laughed. They’d tried to watch a military-action movie and by the time they were fifteen minutes in, she thought they were going to have to medicate Sean if they wanted to see the end. After a particularly heated lecture about what helicopters could and couldn’t do, Emma had hushed him, but he’d still snorted so often in derision she was surprised he hadn’t done permanent damage to his sinuses. “I don’t want you to think that’s real life,” he told them. “I promise,” Gram said, “if I ever want to use a tank to break somebody out of a federal prison, I’ll ask you how to do it correctly first.” Sean kissed the top of her head. “Thanks, Cat. At least you appreciate me, unlike Emma, who just tells me to shut up.” “I’d appreciate you more if there wasn’t salad dressing floating in the dishwater you’re about to wash my coffee cup in.” “According to the official guy’s handbook, if I keep doing it wrong, you’re supposed to let me watch SportsCenter while you do it yourself.” “Did the official guy’s handbook also tell you that if that happens, you’ll also be free to watch the late-night sports show while I do other things myself?
Shannon Stacey (Yours to Keep (Kowalski Family, #3))
And I learned that it was honestly a chore to answer these questions, because the answer is never the right one. I saw their wincing, concerned looks, could stare into their disbelieving open mouths and practically see the wheels turning, the ‘What Lifetime movie is this again?’ cogs pushing through the brain sludge. I definitely knew I didn’t have the answers or emotions that they were hoping for, and was fully aware that it was a drag to be a drag.
Rachael "Steak" Finley (Nobody Ever Told Me Anything)
As Molly wrapped one of the freshly made flour tortillas around several slices of perfectly cooked steak and piled on guacamole, she began talking. The more she talked, the faster her words came. It was as if she were afraid that someone else would say something or ask her a question. She said that she was working for a firm in Los Angeles that designed sets for television and movies. “It’s different from what you do,” she said looking at Boomer. “Sets have to be bigger than life. They have to create an impact. Not boring stuff like the designs for offices.” Elizabeth saw Boomer’s eyes flash, but he answered with perfect control, “What’s the name of the firm you work for?” “It’s new; it’s going through a name change, and they’re not sure what name they’re going to settle on.” “What movies have they worked on?” “Oh, a whole bunch. Stuff with Tom Cruise and Johnny Depp. Big movies.
Joyce Swann