Steady As She Goes Quotes

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Steady as she goes
Marlo Thomas (It Ain't Over . . . Till It's Over: Reinventing Your Life--and Realizing Your Dreams--Anytime, at Any Age)
You save up all your energy for the big push--when you need it. And when you're up there, concentrate. Remain calm and steady as she goes. Don't look right, don't look left, don't let yourself get rattled, just stay the course, nice and easy all the way.
Fannie Flagg (Standing in the Rainbow (Elmwood Springs, #2))
How important was mantra to Gandhi’s transformation? Extremely. When done systematically, mantra has a powerful effect on the brain. It gathers and focuses the energy of the mind. It teaches the mind to focus on one point, and it cultivates a steadiness that over time becomes an unshakable evenness of temper. The cultivation of this quality of “evenness” is a central principle of the Bhagavad Gita. It is called samatva in Sanskrit, and it is a central pillar of Krishna’s practice. When the mind develops steadiness, teaches Krishna, it is not shaken by fear or greed. So, in his early twenties, Gandhi had already begun to develop a still-point at the center of his consciousness—a still-point that could not be shaken. This little seed of inner stillness would grow into a mighty oak. Gandhi would become an immovable object. Rambha had given Gandhi an enchanting image to describe the power of mantra. She compared the practice of mantra to the training of an elephant. “As the elephant walks through the market,” taught Rambha, “he swings his trunk from side to side and creates havoc with it wherever he goes—knocking over fruit stands and scattering vendors, snatching bananas and coconuts wherever possible. His trunk is naturally restless, hungry, scattered, undisciplined. This is just like the mind—constantly causing trouble.” “But the wise elephant trainer,” said Rambha, “will give the elephant a stick of bamboo to hold in his trunk. The elephant likes this. He holds it fast. And as soon as the elephant wraps his trunk around the bamboo, the trunk begins to settle. Now the elephant strides through the market like a prince: calm, collected, focused, serene. Bananas and coconuts no longer distract.” So too with the mind. As soon as the mind grabs hold of the mantra, it begins to settle. The mind holds the mantra gently, and it becomes focused, calm, centered. Gradually this mind becomes extremely concentrated. This is the beginning stage of meditation. All meditation traditions prescribe some beginning practice of gathering, focusing, and concentration—and in the yoga tradition this is most often achieved precisely through mantra. The whole of Chapter Six in the Bhagavad Gita is devoted to Krishna’s teachings on this practice: “Whenever the mind wanders, restless and diffuse in its search for satisfaction without, lead it within; train it to rest in the Self,” instructs Krishna. “When meditation is mastered, the mind is unwavering like the flame of a lamp in a windless place.
Stephen Cope (The Great Work of Your Life: A Guide for the Journey to Your True Calling)
Forget it, we can do it another time.” I turn around to go back into my parents’ room, but Mom catches my hand. She knows I may never feel ready to do this, that I may keep finding excuses to push this off until long after my dad is gone, and then maybe I’ll go to his grave and come out. But the time has to be now so I can feel as comfortable in my home as I am chilling with Collin. “Mark,” Mom says again. His eyes are still on the TV. I take a deep breath. “Dad, I hope you’re cool with this, but I sort of, kind of am dating someone and . . .” I can already see him getting confused, like I’m challenging him to solve an algebraic equation with no pen, paper, or calculator. “And that someone is my friend Collin.” Only then does Dad turn toward us. His face immediately goes from confused to furious. You would think the Yankees not only lost the game but also decided to give up and retire the team forever. He points his cigarette at Mom. “This is all your doing. You have to be the one to tell him he’s wrong.” He’s talking about me like I’m not even in the room. “Mark, we always said we would love our kids no matter what, and—” “Empty fucking promise, Elsie. Make him cut it out or get him out of here.” “If there’s something about homosexuality you don’t understand, you can talk to your son about it in a kind way,” Mom says, maintaining a steady tone that’s both fearless for me and respectful toward Dad. We all know what he’s capable of. “If you want to ignore it or need time, we can give that to you, but Aaron isn’t going anywhere.” Dad places his cigarette in the ashtray and then kicks over the hamper he was resting his feet on. We back up. I don’t often wish this, but I really, really wish Eric were here right now in case this gets as ugly as I think it might. He points his finger at me. “I’ll fucking throw him out myself.
Adam Silvera (More Happy Than Not)
As the bartender struck a match to light her cigarette, she put her hand on his wrist to steady it. Travis saw him jump, draw back. He held his wrist, blew on it, looked at her reproachfully. Travis said: 'Why, you scratched him, Sarah.' 'Did I?' And as she turned and looked at him, he saw her hand twitch a little, and drew still further away from her. 'What - what's got into you?' he faltered. There was some kind of tension spreading all around the horseshoe-shaped bar, emanating from her. All the cordiality, the sociability, was leaving it. Cheery conversations even at the far ends of it faltered and died, and the speakers looked around them as though wondering what was putting them so on edge. A heavy leaden pall of restless silence descended, as when a cloud goes over the sun. One or two people even turned and moved away reluctantly, as though they hadn't intended to but didn't like it at the bar any more. The gaunt-faced woman in red and black was the center of all eyes, but the looks sent her were not the admiring looks of men for a well-dressed woman; they were the blinking petrified looks a blacksnake would get in a poultry yard. Even the barman felt it. He dropped and smashed a glass, a thing he hadn't done since he'd been working on the ship. Even the canary felt it, and stood shivering pitifully on its perch, emitting an occasional cheep as though for help. ("I'm Dangerous Tonight")
Cornell Woolrich (The Fantastic Stories of Cornell Woolrich (Alternatives SF Series))
Thus engaged, with her right elbow supported by her left hand, Madame Defarge said nothing when her lord came in, but coughed just one grain of cough. This, in combination with the lifting of her darkly defined eyebrows over her toothpick by the breadth of a line, suggested to her husband that he would do well to look round the shop among the customers, for any new customer who had dropped in while he stepped over the way. The wine-shop keeper accordingly rolled his eyes about, until they rested upon an elderly gentleman and a young lady, who were seated in a corner. Other company were there: two playing cards, two playing dominoes, three standing by the counter lengthening out a short supply of wine. As he passed behind the counter, he took notice that the elderly gentleman said in a look to the young lady, "This is our man." "What the devil do you do in that galley there?" said Monsieur Defarge to himself; "I don't know you." But, he feigned not to notice the two strangers, and fell into discourse with the triumvirate of customers who were drinking at the counter. "How goes it, Jacques?" said one of these three to Monsieur Defarge. "Is all the spilt wine swallowed?" "Every drop, Jacques," answered Monsieur Defarge. When this interchange of Christian name was effected, Madame Defarge, picking her teeth with her toothpick, coughed another grain of cough, and raised her eyebrows by the breadth of another line. "It is not often," said the second of the three, addressing Monsieur Defarge, "that many of these miserable beasts know the taste of wine, or of anything but black bread and death. Is it not so, Jacques?" "It is so, Jacques," Monsieur Defarge returned. At this second interchange of the Christian name, Madame Defarge, still using her toothpick with profound composure, coughed another grain of cough, and raised her eyebrows by the breadth of another line. The last of the three now said his say, as he put down his empty drinking vessel and smacked his lips. "Ah! So much the worse! A bitter taste it is that such poor cattle always have in their mouths, and hard lives they live, Jacques. Am I right, Jacques?" "You are right, Jacques," was the response of Monsieur Defarge. This third interchange of the Christian name was completed at the moment when Madame Defarge put her toothpick by, kept her eyebrows up, and slightly rustled in her seat. "Hold then! True!" muttered her husband. "Gentlemen--my wife!" The three customers pulled off their hats to Madame Defarge, with three flourishes. She acknowledged their homage by bending her head, and giving them a quick look. Then she glanced in a casual manner round the wine-shop, took up her knitting with great apparent calmness and repose of spirit, and became absorbed in it. "Gentlemen," said her husband, who had kept his bright eye observantly upon her, "good day. The chamber, furnished bachelor- fashion, that you wished to see, and were inquiring for when I stepped out, is on the fifth floor. The doorway of the staircase gives on the little courtyard close to the left here," pointing with his hand, "near to the window of my establishment. But, now that I remember, one of you has already been there, and can show the way. Gentlemen, adieu!" They paid for their wine, and left the place. The eyes of Monsieur Defarge were studying his wife at her knitting when the elderly gentleman advanced from his corner, and begged the favour of a word. "Willingly, sir," said Monsieur Defarge, and quietly stepped with him to the door. Their conference was very short, but very decided. Almost at the first word, Monsieur Defarge started and became deeply attentive. It had not lasted a minute, when he nodded and went out. The gentleman then beckoned to the young lady, and they, too, went out. Madame Defarge knitted with nimble fingers and steady eyebrows, and saw nothing.
Charles Dickens (A Tale of Two Cities)
How steady she goes,' thought Jim with wonder, with something like gratitude for this high peace of sea and sky. At such times his thoughts would be full of valorous deeds: he loved these dreams and the success of his imaginary achievements. They were the best parts of life, its secret truth, its hidden reality. They had a gorgeous virility, the charm of vagueness, they passed before him with an heroic tread; they carried his soul away with them and made it drunk with the divine philtre of an unbounded confidence in itself.
Joseph Conrad (Lord Jim)
She tightened her grip on his wrist and slowly pulled it towards her. His index finger slid in farther and she gasped at how it felt. She paused, pulled again. Deeper. Deeper. Her pussy throbbed and she took him as far in to her body as she could. His hand was flat against her pulsing lips, his palm pressing on her clit. “Oh!” she said. “Oh, Chris… oh, God.” “It feels good, baby?” “Yes… it feels amazing.” She withdrew his finger slowly, feeling the suction of her body, then pulled him in again, using both her hands this time. He groaned as her pussy muscles tightened on him, and he felt the answering burst of wetness between her lips. Jenny pulled his finger in and out of her, slowly at first, then faster, and Chris felt her body start to tremble. I’m going to come myself if this goes on much longer. She pulled him out of her heat completely, unfolded his middle finger to join his index one. The she pulled both of them in to her, giving a small cry at the renewed sensation. “Touch my clit,” she begged. “Use your thumb… Chris, please.” He did as she asked, swirling around her hard nub every time she pulled his fingers in to her body. She plunged his fingers faster, every pull in going deeper and harder. His thumb pushed down consistently, not breaking the contact, and she closed her eyes as the wave of pleasure rose and rose, became larger and stronger than she’d expected. She released his hand now. “I trust you,” she breathed. “I want you to do it. I want you to make me come…” He groaned and kissed her, hard, his fingers moving in and out of her at a steady pace. Her hands gripped the headboard above her, her toes curled, she threw her head back. “So close, sweetheart,” he said, his voice almost a growl against her mouth. “You’re going to love it. Let go. Let me see you.
Marysol James (Enemy Mine (Unseen Enemy, #3))
THE SANSKRIT WORD for meditation is dhyana; the Tibetan term is samten. Both refer to the same thing: steady mind. Mind is steady in the sense that you don’t go up when a thought goes up, and you don’t go down when it goes down, but you just watch things going either up or down. Whether good or bad, exciting, miserable, or blissful thoughts arise—whatever occurs in your state of mind, you don’t support it by having an extra commentator. The sitting practice of meditation is simple, direct, and very businesslike. You just sit and watch your thoughts go up and down. There is a physical technique in the background, which is working with the breath as it goes out and in. That provides an occupation during sitting practice. It is partly designed to occupy you so that you don’t evaluate thoughts. You just let them happen. In that environment, you can develop renunciation: you renounce extreme reactions to your thoughts. Warriors on the battlefield don’t react to success or failure. Success or failure is just regarded as another breath coming in and going out, another discursive thought coming in and going out. So the warrior is very steady. Because of that, the warrior is victorious—because victory is not particularly the aim or the goal. But the warrior can just be—as he or she is.
Chögyam Trungpa (Ocean of Dharma: The Everyday Wisdom of Chogyam Trungpa)
I step back to let Caleb practice, and watch Tris fire again, watch the straight lines of her body as she lifts the gun, and how steady she is when it goes off. I touch her shoulder and lean in close to her ear. “Remember during training, how the gun almost hit you in the face?” She nods, smirking. “Remember during training, when I did this?” I say, and I reach around her to press my hand to her stomach. She sucks in a breath. “I’m not likely to forget that anytime soon,” she mutters. She twists around and draws my face toward hers, her fingertips on my chin. We kiss, and I hear Christina say something about it, but for the first time, I don’t care at all.
Veronica Roth (Allegiant (Divergent, #3))
The physical technique is important,” I say. “But it’s mostly a mental game, which is lucky for you, because you know how to play those. You don’t just practice the shooting, you also practice the focus. And then, when you’re in a situation where you’re fighting for your life, the focus will be so ingrained that it will happen naturally.” “I didn’t know the Dauntless were so interested in training the brain,” Caleb says. “Can I see you try it, Tris? I don’t think I’ve ever really seen you shoot something without a bullet wound in your shoulder.” Tris smiles a little and faces the target. When I first saw her shoot during Dauntless training, she looked awkward, birdlike. But her thin, fragile form has become slim but muscular, and when she holds the gun, it looks easy. She squints one eye a little, shifts her weight, and fires. Her bullet strays from the target’s center, but only by inches. Obviously impressed, Caleb raises his eyebrows. “Don’t look so surprised!” Tris says. “Sorry,” he says. “I just…you used to be so clumsy, remember? I don’t know how I missed that you weren’t like that anymore.” Tris shrugs, but when she looks away, her cheeks are flushed and she looks pleased. Christina shoots again, and this time hits the target closer to the middle. I step back to let Caleb practice, and watch Tris fire again, watch the straight lines of her body as she lifts the gun, and how steady she is when it goes off. I touch her shoulder and lean in close to her ear. “Remember during training, how the gun almost hit you in the face?” She nods, smirking. “Remember during training, when I did this?” I say, and I reach around her to press my hand to her stomach. She sucks in a breath. “I’m not likely to forget that anytime soon,” she mutters. She twists around and draws my face toward hers, her fingertips on my chin. We kiss, and I hear Christina say something about it, but for the first time, I don’t care at all.
Veronica Roth (Allegiant (Divergent, #3))
SENSORY AVOIDERS – SENSORY DEFENSIVENESS “And have I not told you that what you mistake for madness is but over-acuteness of the senses?” -Edgar Allen Poe, The Tell-Tale Heart (1843) Imagine a day inside Jenny’s skin. The morning alarm goes off and she startles, her heart races, her body tightens, her breathing quickens.  Her husband turns to get out of bed, grazing her foot, and she cringes, her bodily rhythms speed up another notch and her body tightens further. He sees that she seems annoyed about something and affectionately strokes her cheek. She bristles and, when he turns around, rubs where he touched her. She slowly arises to get out of bed, as she feels a bit dizzy, and quickly puts on her soft cotton house slippers, as the feel of the carpet makes her recoil, and walks into the bathroom. The bright lights her husband has left turned on assault her. Her eyes squint painfully. She quickly turns off the lights and turns on a small lamp on the sink counter. Her already overloaded system gets further destabilized. She starts to brush her teeth but the toothbrush is new and the bristles tickle her uncomfortably. She leans over to spit out the toothpaste and feels a sudden loss of balance and a surge of panic engulfs her. She steadies herself and turns on the shower. The soft spray of water from the showerhead feels like pelts of hail hitting her body. Her already stressed system is accelerating fast into overload. And her morning has only just begun!  She still has to figure out what clothes to put on, as most textures annoy her and feel uncomfortable on her body. She has to figure out what to eat for breakfast, as anything soft, mushy, or creamy repulses her. Worst of all, she has to figure out how to face the world outside that, for her, is like maneuvering through a sensory minefield. Jenny is an avoider or what is commonly known as sensory defensive (SD), a common mimicker of anxiety and panic. The sensory defensive feel too much, too soon and for too long, and experience the world as too loud, too bright, too fast and too tight, becoming easily distressed by everyday sensation
Sharon Heller (Uptight & Off Center: How Sensory Processing Disorder Throws Adults off Balance & How to Create Stability)
Steady as she goes, Mister Kettle,” the grim gaptain said, his voice stern.
Jim Butcher (The Aeronaut's Windlass (The Cinder Spires, #1))
Although a partner’s compensation depends in large part on the amount of business he brings to the Firm, no one goes out to knock on doors. The Firm waits for the phone to ring. And ring it does, not because McKinsey sells, but because McKinsey markets. It does this in several different ways, all of them designed to make sure that on the day a senior executive decides she has a business problem, one of the first calls she makes is to the local office of McKinsey. The Firm produces a steady stream of books and articles, some of them extremely influential, such as the famous In Search of Excellence by Peters and Waterman.* McKinsey also publishes its own scholarly journal, The McKinsey Quarterly, which it sends gratis to its clients, as well as to its former consultants, many of whom now occupy senior positions at potential clients. The Firm invites (and gets) a lot of coverage by journalists. Many McKinsey partners and directors are internationally known as experts in their fields.
Ethan M. Rasiel (The McKinsey Way)
I said to him at last, 'I don't want your damn pity.' 'It's not pity. Tamlin said I shouldn't tell you-' He winced a bit. 'I'm not made of glass. If the naga attacked you, I deserve to know-' 'Tamlin is my High Lord. He gives an order, I follow it.' 'You didn't have that mentality when you worked around his commands to send me to see the Suriel.' And I'd nearly died. 'I was desperate then. We all were. But now- now we need order, Feyre. We need rules, and rankings, and order, if we're going to stand a chance of rebuilding. So what he says goes. I am the first one the others look to- I set the example. Don't ask me to risk the stability of this court by pushing back. Not right now. He's giving you as much free rein as he can.' I forced a steady breath to fill my too-tight lungs. 'For all that you refuse to interact with Ianthe, you certainly sound a great deal like her.' He hissed, 'You have no idea how hard it is for him to even let you off the estate grounds. He's under more pressure than you realise.' 'I know exactly how much pressure he endures. And I didn't realise I'd become a prisoner.' 'You're not-' He clenched his jaw. 'That's now how it is and you know it.' 'He didn't have any trouble letting me hunt and wander on my own when I was a mere human. When the borders were far less safe.' 'He didn't care for you the way he does now. And after what happened Under the Mountain...' The words clanged in my head, along my too-tense muscles. 'He's terrified. Terrified of seeing you in his enemies' hands. And they know it, too- they know all they have to do to own him would be to get ahold of you.' 'You think I don't know that? But does he honestly expect me to spend the rest of my life in that manor, overseeing servants and wearing pretty clothes?' Lucien watched the ever-young forest. 'Isn't that what all human women wish for? A handsome faerie lord to wed and shower them with riches for the rest of their lives?' I gripped the reins of my horse hard enough that she tossed her head. 'Good to know you're still a prick, Lucien.' His metal eye narrowed. 'Tamlin is a High Lord. You will be his wife. There are traditions and expectations you must uphold. We must uphold, in order to present a solid front that is healed from Amarantha and willing to destroy any foes who try to take what is ours again.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
his low-key, steady-as-she-goes leadership style is now much better appreciated.
David M. Rubenstein (The American Story: Conversations with Master Historians (Gift for History Buffs))
Six bells and all’s well. Steady as she goes. Hit the deck. Drop your cocks and grab your socks.
Ken Kesey (One Flew Over the Cuckoo’s Nest)
Abuse is rarely physical. It’s verbal, dismissive, with constant analysis and criticism, shouting and swearing, insults, disparaging jokes, steady prodding about weight, body type, denying embraces, disregarding, threatening, confining. The list goes on. She’ll use guilt trips and fear or obligation. She’ll gaslight and shame her daughter.
Angela Marsons (Guilty Mothers (DI Kim Stone, #20))
He folded back the hem of her housedress. Peeled the wet underpants from her skin and moved them down over her pale knees and her small feet and then dropped them on the floor. He could hear the voices of the children playing in the tree outside. He gently pushed her thighs apart and saw immediately that the baby had already begun to crown. Her skin was paler than his wife’s was, even in midwinter. He gave her his hand to get her through the next contraction, keeping his arm steady as she squeezed. He spread the fingers of the other over her taut belly. Mr. Persichetti wore a silver Saint Christopher’s medal around his neck and kept a Sacred Heart scapular in his pocket, but when Mary Keane asked him, catching her breath, “Who’s the patron saint of women in labor?” he shrugged. He told her he only knew Saint Dymphna was the patron of the insane. He’d had the story from an Irish priest assigned to Creedmoor. “A sad case himself,” Mr. Persichetti said, and gently pulled the damp hem of her dress back over her thighs. For a moment he found himself incapable of remembering Mr. Keane’s face, although they’d been neighbors for perhaps ten years. Nor could he remember another conversation he’d had with this woman stretched before him now on her living-room couch, her hair damp and her eyes a kind of gray, or green. He took her hand as if she were his child, or his own wife. “Apparently,” he said, “this Saint Dymphna was the daughter of an Irish chieftain, a pagan. But she had a beautiful Christian mother.” Gray eyes or green, he thought they were the one thing that might have made her pretty when she was young. “So the mother dies.” He paused only briefly. “When the girl’s about fourteen. And the chieftain goes crazy and tells his servants to go out and find another beautiful woman who resembled his dead wife so he can marry her.” He paused again to touch her
Alice McDermott (After This)
BARBIE GOES TO WAR There are more than a billion Barbies. Only the Chinese outnumber them. The most beloved woman on the planet would never let us down. In the war of good against evil, Barbie enlisted, saluted, and marched off to Iraq. She arrived at the front wearing made-to-measure land, sea, and air uniforms reviewed and approved by the Pentagon. Barbie is accustomed to changing professions, hairdos, and clothes. She has been a singer, an athlete, a paleontologist, an orthodontist, an astronaut, a firewoman, a ballerina, and who knows what else. Every new job entails a new look and a complete new wardrobe that every girl in the world is obliged to buy. In February 2004, Barbie wanted to change boyfriends too. For nearly half a century she had been going steady with Ken, whose nose is the only protuberance on his body, when an Australian surfer seduced her and invited her to commit the sin of plastic. Mattel, the manufacturer, announced an official separation. It was a catastrophe. Sales plummeted. Barbie could change occupations and outfits, but she had no right to set a bad example. Mattel announced an official reconciliation.
Eduardo Galeano (Mirrors: Stories of Almost Everyone)
That's why you were so starved for passion that you'd even take a renegade like me. And now you've got your chance to get Roy's father back and you mean to set me aside." Lily balled her fists into knots on top of the bedclothes. "Don't talk to me like that, Cade. You have no right. What we did was your choice. You never asked my opinion on the matter. And now Travis is here and could take Roy away if he wanted. I'll be damned if Roy goes anywhere without me." "And I'll be damned if you go anywhere without me." Cade said it quietly, but the threat was still there as he pulled away from the wall. Flinging back the covers, Lily leapt for the long-barreled Kentucky rifle Jim had always kept beside the bed. Grabbing it, she held it steady to her shoulder. "Not one foot closer, Cade. You had your way last night. It's my turn." "You're my wife, Lily. Do you expect me to sleep out there," he nodded toward the window, "while you sleep in your lonely bed? Or do you entertain some expectations of sleeping with your friend Travis?" "Get out, Cade. I don't have to listen to that. For once, you have to listen to me. When Travis is gone, we'll talk about what we've done, but not a moment sooner. I'm not ready to be a wife again, Cade. You should have asked me that the first time." "You were ready enough to take what I had to offer." The barrel of the rifle was pressed against his chest and Cade grabbed it, twisting it out of her hands. "I'll not let him have you without a fight." The
Patricia Rice (Texas Lily (Too Hard to Handle, #1))
prettiness and their cut showed off her neat figure. It was a pity that Paul wasn’t there to see the chrysalis changing into a butterfly. She had to make do with Queenie. She had to admit that by teatime, even though she had filled the rest of the day by taking the dogs for a long walk, she was missing him, which was, of course, exactly what he had intended. Mrs Parfitt, when Emma asked her the next day, had no idea when he would be back. ‘Sir Paul goes off for days at a time,’ she explained to Emma. ‘He goes to other hospitals, and abroad too. Does a lot of work in London, so I’ve been told. Got friends there too. I dare say he’ll be back in a day or two. Why not put on one of your new skirts and that jacket and go down to the shop for me and fetch up a few groceries?’ So Emma went shopping, exchanging good mornings rather shyly with the various people she met. They were friendly, wanting to know if she liked the village and did she get on with the dogs? She guessed that there were other questions hovering on their tongues but they were too considerate to ask them. Going back with her shopping, she reflected that, since she had promised to marry Paul, it might be a good thing to do so as soon as possible. He had told her to decide on a date. As soon after the banns had been read as could be arranged—which thought reminded her that she would certainly need something special to wear on her wedding-day. Very soon, she promised herself, she would get the morning bus to Exeter and go to the boutique Paul had taken her to. She had plenty of money still—her own money too…Well, almost her own, she admitted, once the house was sold and she had paid him back what she owed him. The time passed pleasantly, her head filled with the delightful problem of what she would wear next, and even the steady rain which began to fall as she walked on the moor with the dogs did nothing to dampen her
Betty Neels (The Right Kind of Girl)