β
You can't stay in your corner of the Forest waiting for others to come to you. You have to go to them sometimes.
β
β
A.A. Milne (Winnie-the-Pooh (Winnie-the-Pooh, #1))
β
You must stay drunk on writing so reality cannot destroy you.
β
β
Ray Bradbury (Zen in the Art of Writing: Releasing the Creative Genius Within You)
β
Itβs only after youβve stepped outside your comfort zone that you begin to change, grow, and transform.
β
β
Roy T. Bennett
β
Well, Iβm not kissing the mundane," said Jace. "Iβd rather stay down here and rot."
"Forever?" said Simon. "Foreverβs an awfully long time."
Jace raised his eyebrows. "I knew it," he said. "You want to kiss me, donβt you?
β
β
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
β
This life is what you make it. No matter what, you're going to mess up sometimes, it's a universal truth. But the good part is you get to decide how you're going to mess it up. Girls will be your friends - they'll act like it anyway. But just remember, some come, some go. The ones that stay with you through everything - they're your true best friends. Don't let go of them. Also remember, sisters make the best friends in the world. As for lovers, well, they'll come and go too. And baby, I hate to say it, most of them - actually pretty much all of them are going to break your heart, but you can't give up because if you give up, you'll never find your soulmate. You'll never find that half who makes you whole and that goes for everything. Just because you fail once, doesn't mean you're gonna fail at everything. Keep trying, hold on, and always, always, always believe in yourself, because if you don't, then who will, sweetie? So keep your head high, keep your chin up, and most importantly, keep smiling, because life's a beautiful thing and there's so much to smile about.
β
β
Marilyn Monroe
β
Sometimes you make choices in life and sometimes choices make you.
β
β
Gayle Forman (If I Stay (If I Stay, #1))
β
You'll stay with me?'
Until the very end,' said James.
β
β
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
β
A good library will never be too neat, or too dusty, because somebody will always be in it, taking books off the shelves and staying up late reading them.
β
β
Lemony Snicket (Horseradish: Bitter Truths You Can't Avoid)
β
I think if I've learned anything about friendship, it's to hang in, stay connected, fight for them, and let them fight for you. Don't walk away, don't be distracted, don't be too busy or tired, don't take them for granted. Friends are part of the glue that holds life and faith together. Powerful stuff.
β
β
Jon Katz
β
When I am with you, we stay up all night.
When you're not here, I can't go to sleep.
Praise God for those two insomnias!
And the difference between them.
β
β
Jalal ad-Din Muhammad ar-Rumi
β
We're staying together," he promised. "You're not getting away from me. Never again.
β
β
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
β
Sometimes you read a book so special that you want to carry it around with you for months after you've finished just to stay near it.
β
β
Markus Zusak
β
I am always saying "Glad to've met you" to somebody I'm not at all glad I met. If you want to stay alive, you have to say that stuff, though.
β
β
J.D. Salinger (The Catcher in the Rye)
β
There must be something in books, something we canβt imagine, to make a woman stay in a burning house; there must be something there. You donβt stay for nothing.
β
β
Ray Bradbury (Fahrenheit 451)
β
Bones mend. Regret stays with you forever.
β
β
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
β
There's a bluebird in my heart that wants to get out
but I'm too tough for him,
I say, stay in there, I'm not going to let anybody see you.
β
β
Charles Bukowski
β
Hang on, did you just call me Angel?" I asked.
"If I did?"
"I don't like it."
He grinned. "It stays, Angel.
β
β
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
β
What do you fear, lady?" [Aragorn] asked.
"A cage," [Γowyn] said. "To stay behind bars, until use and old age accept them, and all chance of doing great deeds is gone beyond recall or desire.
β
β
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
β
There are times to stay put, and what you want will come to you, and there are times to go out into the world and find such a thing for yourself.
β
β
Lemony Snicket (Horseradish: Bitter Truths You Can't Avoid)
β
If you are lucky enough to have lived in Paris as a young man, then wherever you go for the rest of your life, it stays with you, for Paris is a moveable feast.
β
β
Ernest Hemingway (A Moveable Feast)
β
My only advice is to stay aware, listen carefully, and yell for help if you need it.
β
β
Judy Blume
β
Love is how you stay alive, even after you are gone.
β
β
Mitch Albom
β
If you are a student you should always get a good nights sleep unless you have come to the good part of your book, and then you should stay up all night and let your schoolwork fall by the wayside, a phrase which means 'flunk'.
β
β
Lemony Snicket
β
Iβm here. I love you. I donβt care if you need to stay up crying all night long, I will stay with you. If you need the medication again, go ahead and take itβI will love you through that, as well. If you donβt need the medication, I will love you, too. Thereβs nothing you can ever do to lose my love. I will protect you until you die, and after your death I will still protect you. I am stronger than Depression and I am braver than Loneliness and nothing will ever exhaust me.
β
β
Elizabeth Gilbert (Eat, Pray, Love)
β
Don't be afraid to be confused. Try to remain permanently confused. Anything is possible. Stay open, forever, so open it hurts, and then open up some more, until the day you die, world without end, amen.
β
β
George Saunders (The Braindead Megaphone)
β
Love, it never dies. It never goes away, it never fades, so long as you hang on to it. Love can make you immortal
β
β
Gayle Forman (If I Stay (If I Stay, #1))
β
And that's just it, isn't it? That's how we manage to survive the loss. Because love, it never dies, it never goes away, it never fades, so long as you hang on to it.
β
β
Gayle Forman (If I Stay (If I Stay, #1))
β
Stories you read when you're the right age never quite leave you. You may forget who wrote them or what the story was called. Sometimes you'll forget precisely what happened, but if a story touches you it will stay with you, haunting the places in your mind that you rarely ever visit.
β
β
Neil Gaiman (M Is for Magic)
β
Be empty of worrying.
Think of who created thought!
Why do you stay in prison
When the door is so wide open?
β
β
Jalal ad-Din Muhammad ar-Rumi (The Essential Rumi (Mystical Classics of the World))
β
Happiness is the consequence of personal effort. You fight for it, strive for it, insist upon it, and sometimes even travel around the world looking for it. You have to participate relentlessly in the manifestations of your own blessings. And once you have achieved a state of happiness, you must never become lax about maintaining it. You must make a mighty effort to keep swimming upward into that happiness forever, to stay afloat on top of it.
β
β
Elizabeth Gilbert (Eat, Pray, Love)
β
Time goes, you say? Ah, no! Alas, Time stays, we go.
β
β
Henry Austin Dobson
β
Certain things, they should stay the way they are. You ought to be able to stick them in one of those big glass cases and just leave them alone.
β
β
J.D. Salinger (The Catcher in the Rye)
β
Do stuff. be clenched, curious. Not waiting for inspiration's shove or society's kiss on your forehead. Pay attention. It's all about paying attention. attention is vitality. It connects you with others. It makes you eager. stay eager.
β
β
Susan Sontag
β
It is an absolute human certainty that no one can know his own beauty or perceive a sense of his own worth until it has been reflected back to him in the mirror of another loving, caring human being.
β
β
John Joseph Powell (The Secret of Staying in Love)
β
Attention is vitality. It connects you with others. It makes you eager. Stay eager.
β
β
Susan Sontag
β
You've got to get obsessed and stay obsessed.
β
β
John Irving (The Hotel New Hampshire)
β
Everyone you meet is a part of your journey, but not all of them are meant to stay in your life. Some people are just passing through to bring you gifts; either they're blessings or lessons.
β
β
Roy T. Bennett (The Light in the Heart)
β
But, if for some reason we're not closer, if something has gotten between us, please, I'm begging youβ¦don't give up on me. Stay. Stay with me. Work it out with me. Just don't leave meβ¦please.
β
β
S.C. Stephens (Effortless (Thoughtless, #2))
β
The most important things are the hardest to say. They are the things you get ashamed of, because words diminish them -- words shrink things that seemed limitless when they were in your head to no more than living size when they're brought out. But it's more than that, isn't it? The most important things lie too close to wherever your secret heart is buried, like landmarks to a treasure your enemies would love to steal away. And you may make revelations that cost you dearly only to have people look at you in a funny way, not understanding what you've said at all, or why you thought it was so important that you almost cried while you were saying it. That's the worst, I think. When the secret stays locked within not for want of a teller but for want of an understanding ear.
β
β
Stephen King
β
THE FIRST TEN LIES THEY TELL YOU IN HIGH SCHOOL
1. We are here to help you.
2. You will have time to get to your class before the bell rings.
3. The dress code will be enforced.
4. No smoking is allowed on school grounds.
5. Our football team will win the championship this year.
6. We expect more of you here.
7. Guidance counselors are always available to listen.
8. Your schedule was created with you in mind.
9. Your locker combination is private.
10. These will be the years you look back on fondly.
TEN MORE LIES THEY TELL YOU IN HIGH SCHOOL
1. You will use algebra in your adult lives.
2. Driving to school is a privilege that can be taken away.
3. Students must stay on campus during lunch.
4. The new text books will arrive any day now.
5. Colleges care more about you than your SAT scores.
6. We are enforcing the dress code.
7. We will figure out how to turn off the heat soon.
8. Our bus drivers are highly trained professionals.
9. There is nothing wrong with summer school.
10. We want to hear what you have to say.
β
β
Laurie Halse Anderson (Speak)
β
I needed to hate someone and youβre the one I love the most, so it fell on you.
β
β
Gayle Forman (Where She Went (If I Stay, #2))
β
Look," Luke went on, "In all the years I've known him, there's always been exactly one place Simon wanted to be, and he's always fought like hell to make sure he got there and stayed there."
"Where's that?"
"Wherever you were.
β
β
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
β
It turns out I'm absolutely terrible at staying away from you. It's a very serious problem.
β
β
Kiera Cass (The Elite (The Selection, #2))
β
I don't have the strength to stay away from you anymore
β
β
Stephenie Meyer
β
Heaven goes by favor. If it went by merit, you would stay out and your dog would go in.
β
β
Mark Twain
β
You donβt share me. You own me.
β
β
Gayle Forman (Where She Went (If I Stay, #2))
β
If you stay, I'll do whatever you want. I'll quit the band, go with you to New York. But if you need me to go away, I'll do that, too. I was talking to Liz and she said maybe coming back to your old life would be too painful, that maybe it'd be easier for you to erase us. And that would suck, but I'd do it. I can lose you like that if I don't lose you today. I'll let you go. If you stay.
β
β
Gayle Forman (If I Stay (If I Stay, #1))
β
If a man wants you, nothing can keep him away. If he doesn't want you, nothing can make him stay.
β
β
Oprah Winfrey
β
For what itβs worth: itβs never too late or, in my case, too early to be whoever you want to be. Thereβs no time limit, stop whenever you want. You can change or stay the same, there are no rules to this thing. We can make the best or the worst of it. I hope you make the best of it. And I hope you see things that startle you. I hope you feel things you never felt before. I hope you meet people with a different point of view. I hope you live a life youβre proud of. If you find that youβre not, I hope you have the courage to start all over again.
β
β
Eric Roth (The Curious Case of Benjamin Button Screenplay)
β
Mario, what do you get when you cross an insomniac, an unwilling agnostic and a dyslexic?"
"I give."
"You get someone who stays up all night torturing himself mentally over the question of whether or not there's a dog.
β
β
David Foster Wallace (Infinite Jest)
β
Don't be scared...Women can handle the worst kind of pain. You'll find out one day.
β
β
Gayle Forman (If I Stay (If I Stay, #1))
β
I just wanted to tell you that I understand if you go. Itβs okay if you have to leave us. Itβs okay if you want to stop fighting.
β
β
Gayle Forman (If I Stay (If I Stay, #1))
β
Must you go? I was rather hoping you'd stay and be a ministering angel, but if you must go, you must."
"I'll stay," Will said a bit crossly, and threw himself down in the armchair Tessa had just vacated. "I can minister angelically."
"None too convincingly. And you're not as pretty to look at as Tessa is," Jem said, closing his eyes as he leaned back against the pillow.
"How rude. Many who have gazed upon me have compared the experience to gazing at the radiance of the sun."
Jem still had his eyes closed. "If they mean it gives you a headache, they aren't wrong.
β
β
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
β
I didn't leave because
I stopped loving you,
I left because the longer
I stayed the less I loved myself.
β
β
Rupi Kaur
β
My dear, here we must run as fast as we can, just to stay in place. And if you wish to go anywhere you must run twice as fast as that.
β
β
Lewis Carroll (Alice in Wonderland)
β
You were so busy trying to be my savior that you left me all alone.
β
β
Gayle Forman (Where She Went (If I Stay, #2))
β
Stay,β she panted. Tears leaked from her eyes. βStay till the end.β
βAnd after,β he said. βAnd always.β
βI want to feel safe again. I want to go home to Ravka.β
βThen Iβll take you there. Weβll set fire to raisins or whatever you heathens do for fun.β
βZealot,β she said weakly.
βWitch.β
βBarbarian.β
βNina,β he whispered, βlittle red bird. Donβt go.
β
β
Leigh Bardugo (Six of Crows (Six of Crows, #1))
β
You're brilliant,"he says."But you're a fool to stay with someone like me."
I close my eyes at the touch of his hand."Then we are both fools.
β
β
Marie Lu (Legend (Legend, #1))
β
Stay away from the ones you love too much. Those are the ones who will kill you.
β
β
Donna Tartt (The Goldfinch)
β
Fake it 'till you make it.
β
β
Gayle Forman (If I Stay (If I Stay, #1))
β
Life is funny. Things change, people change, but you will always be you, so stay true to yourself and never sacrifice who you are for anyone.
β
β
Zayn Malik
β
The only time you fail is when you fall down and stay down.
β
β
Stephen Richards (Cosmic Ordering: You can be successful)
β
Be like water making its way through cracks. Do not be assertive, but adjust to the object, and you shall find a way around or through it. If nothing within you stays rigid, outward things will disclose themselves.
Empty your mind, be formless. Shapeless, like water. If you put water into a cup, it becomes the cup. You put water into a bottle and it becomes the bottle. You put it in a teapot, it becomes the teapot. Now, water can flow or it can crash. Be water, my friend.
β
β
Bruce Lee
β
What is family? They were the people who claimed you. In good, in bad, in parts or in whole, they were the ones who showed up, who stayed in there, regardless. It wasn't just about blood relations or shared chromosomes, but something wider, bigger. We had many families over time. Our family of origin, the family we created, and the groups you moved through while all of this was happening: friends, lovers, sometimes even strangers. None of them perfect, and we couldn't expect them to be. You can't make any one person your world. The trick was to take what each could give you and build your world from it.
β
β
Sarah Dessen (Lock and Key)
β
I said uselessly, "Sam, don't go."
Sam cupped my face in his hands and looked me in the eyes. His eyes were yellow, sad, wolf, mine.
"These stay the same. Remember that when you look at me. Remember it's me. Please.
β
β
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
β
Love is the ultimate outlaw. It just won't adhere to any rules. The most any of us can do is to sign on as its accomplice. Instead of vowing to honor and obey, maybe we should swear to aid and abet. That would mean that security is out of the question. The words "make" and "stay" become inappropriate. My love for you has no strings attached. I love you for free.
β
β
Tom Robbins (Still Life with Woodpecker)
β
By now, it is probably very late at night, and you have stayed up to read this book when you should have gone to sleep. If this is the case, then I commend you for falling into my trap. It is a writer's greatest pleasure to hear that someone was kept up until the unholy hours of the morning reading one of his books. It goes back to authors being terrible people who delight in the suffering of others. Plus, we get a kickback from the caffeine industry...
β
β
Brandon Sanderson (Alcatraz Versus the Evil Librarians (Alcatraz, #1))
β
When someone cries so hard that it hurts their throat, it is out of frustration or knowing that no matter what you can do or attempt to do can change the situation. When you feel like you need to cry, when you want to just get it out, relieve some of the pressure from the inside - that is true pain. Because no matter how hard you try or how bad you want to, you can't. That pain just stays in place. Then, if you are lucky, one small tear may escape from those eyes that water constantly. That one tear, that tiny, salty, droplet of moisture is a means of escape. Although it's just a small tear, it is the heaviest thing in the world. And it doesn't do a damn thing to fix anything.
β
β
Chase Brooks (Hello, My Love 2: First Love Deserves a Second Chance)
β
Therefore, dear Sir, love your solitude and try to sing out with the pain it causes you. For those who are near you are far away... and this shows that the space around you is beginning to grow vast.... be happy about your growth, in which of course you can't take anyone with you, and be gentle with those who stay behind; be confident and calm in front of them and don't torment them with your doubts and don't frighten them with your faith or joy, which they wouldn't be able to comprehend. Seek out some simple and true feeling of what you have in common with them, which doesn't necessarily have to alter when you yourself change again and again; when you see them, love life in a form that is not your own and be indulgent toward those who are growing old, who are afraid of the aloneness that you trust.... and don't expect any understanding; but believe in a love that is being stored up for you like an inheritance, and have faith that in this love there is a strength and a blessing so large that you can travel as far as you wish without having to step outside it.
β
β
Rainer Maria Rilke (Letters to a Young Poet)
β
This life is what you make it. Not matter what, you're going to mess up sometimes, it's a universal truth. But the good part is you get to decide how you're going to mess it up. Girls will be your friends - they'll act like it anyway. But just remember, some come, somg go. The ones that stay with you through everything - they're your true best friends. Don't let go of them.
β
β
Marilyn Monroe
β
Of course you can have a true Shadowhunter name," Will said. "You can have mine."
Tessa stared at him, all black and white against the black-and-white snow and stone. "Your name?"
Will took a step toward her, till they stood face-to-face. Then he reached to take her hand and slid off her glove, which he put into his pocket. He held her bare hand in his, his fingers curved around hers. His hand was warm and callused, and his touch made her shiver. His eyes were steady and blue; they were everything that Will was: true and tender, sharp and witty, loving and kind. "Marry me," he said. "Marry me, Tess. Marry me and be called Tessa Herondale. Or be Tessa Gray, or be whatever you wish to call yourself, but marry me and stay with me and never leave me, for I cannot bear another day of my life to go by that does not have you in it.
β
β
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
β
Can't stay long, Mother," he said. "I'm up front, the prefects have got two compartments to themselves-"
"Oh, are you a prefect, Percy?" said one of the twins, with an air of great surprise. "You should have said something, we had no idea."
"Hang on, I think I remember him saying something about it," said the other twin. "Once-"
"Or twice-"
"A minute-"
"All summer-"
"Oh, shut up," said Percy the Prefect.
β
β
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
β
Here's what's not beautiful about it: from here, you can't see the rust or the cracked paint or whatever, but you can tell what the place really is. You can see how fake it all is. It's not even hard enough to be made out of plastic. It's a paper town. I mean, look at it, Q: look at all those culs-de-sac, those streets that turn in on themselves, all the houses that were built to fall apart. All those paper people living in their paper houses, burning the future to stay warm. All the paper kids drinking beer some bum bought for them at the paper convenience store. Everyone demented with the mania of owning things. All the things paper-thin and paper-frail. And all the people, too. I've lived here for eighteen years and I have never once in my life come across anyone who cares about anything that matters.
β
β
John Green (Paper Towns)
β
Ideally, what should be said to every child, repeatedly, throughout his or her school life is something like this: 'You are in the process of being indoctrinated. We have not yet evolved a system of education that is not a system of indoctrination. We are sorry, but it is the best we can do. What you are being taught here is an amalgam of current prejudice and the choices of this particular culture. The slightest look at history will show how impermanent these must be. You are being taught by people who have been able to accommodate themselves to a regime of thought laid down by their predecessors. It is a self-perpetuating system. Those of you who are more robust and individual than others will be encouraged to leave and find ways of educating yourself β educating your own judgements. Those that stay must remember, always, and all the time, that they are being moulded and patterned to fit into the narrow and particular needs of this particular society.
β
β
Doris Lessing (The Golden Notebook)
β
I know life well enough to know you canβt count on things staying around or standing still, no matter how much you want them to. You canβt stop people from dying. You canβt stop them from going away. You canβt stop yourself from going away either. I know myself well enough to know that no one else can keep you awake or keep you from sleeping.
β
β
Jennifer Niven (All the Bright Places)
β
Very slowly using two fingers, Annabeth drew her dagger. Instead of dropping it, she tossed it as far as she could into the water.
Octavian made a squeaking sound. "What was that for? I didn't say toss it! That could've been evidence. Or spoils of war!"
Annabeth tried for a dumb-blonde smile, like: Oh, silly me. Nobody who knew her would have been fooled. But Octavian seemed to buy it. He huffed in exasperation.
"You other two..." He pointed his blade a Hazel and Piper. "Put your weapons on the dock. No funny bus--"
All around the Romans, Charleston Harbor erupted like a Las Vegas fountain putting on a show. When the wall of seawater subsided, the three Romans were in the bay, spluttering and frantically trying to stay afloat in their armor. Percy stood on the dock, holding Annabeth's dagger.
"You dropped this," he said, totally poker-faced.
β
β
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
β
Isn't it funny how the memories you cherish before a breakup can become your worst enemies afterwards? The thoughts you loved to think about, the memories you wanted to hold up to the light and view from every angle--it suddenly seems a lot safer to lock them in a box, far from the light of day and throw away the key. It's not an act of bitterness. It's an act if self-preservation. It's not always a bad idea to stay behind the window and look out at life instead, is it?
β
β
Ally Condie (First Day)
β
I'm so sorry," I whisper. I lean forward and kiss him.
His eyelashes flutter and he looks at me through a haze of opiates. "Hey, Catnip."
"Hey, Gale," I say.
"Thought you'd be gone by now," He says.
My choices are simple. I can die like a quarry in the woods or I can die here beside Gale. "I'm not going anywhere. I'm going to stay right here and cause all kinds of trouble."
"Me, too," Gale says. He just manages a smile before the drugs pull him back under.
β
β
Suzanne Collins (Catching Fire (The Hunger Games, #2))
β
I want you to stay. I want you to β¦ I want you.β βYou want me.β She turned the words over. Gently, she squeezed his hand. βAnd how will you have me, Kaz?β He looked at her then, eyes fierce, mouth set. It was the face he wore when he was fighting. βHow will you have me?β she repeated. βFully clothed, gloves on, your head turned away so our lips can never touch?β<...>βI will have you without armour, Kaz Brekker. Or I will not have you at all.
β
β
Leigh Bardugo (Six of Crows (Six of Crows, #1))
β
She raised an eyebrow. "You got something to say to me, Seaweed Brain?"
You'd probably kick my butt."
You know I'd kick your butt."
I brushed the cake off my hands. "When I was at the River Styx, turning invulnerable . . . Nico said I had to concentrate on one thing that kept me anchored to the world, that made me want to stay mortal."
Annabeth kept her eyes on the horizon. "Yeah?"
Then up on Olympus," I said, "when they wanted to make me a god and stuff, I kept thinking-"
Oh, you so wanted to."
Well, maybe a little. But I didn't, because I thought-I didn't want things to stay the same for eternity, because things could always get better. And I was thinking . . ." My throat felt really dry.
Anyone in particular?" Annabeth asked, her voice soft.
I looked over and saw that she was trying not to smile.
You're laughing at me," I complained.
I am not!"
You are so not making this easy."
Then she laughed for real, and she put her hands
around my neck. "I am never, ever going to make things easy for you, Seaweed Brain. Get used to it.
β
β
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
β
If you are bored and disgusted by politics and don't bother to vote, you are in effect voting for the entrenched Establishments of the two major parties, who please rest assured are not dumb, and who are keenly aware that it is in their interests to keep you disgusted and bored and cynical and to give you every possible reason to stay at home doing one-hitters and watching MTV on primary day. By all means stay home if you want, but don't bullshit yourself that you're not voting. In reality, there is no such thing as not voting: you either vote by voting, or you vote by staying home and tacitly doubling the value of some Diehard's vote.
β
β
David Foster Wallace (Up, Simba!)
β
I am the most tired woman in the world. I am tired when I get up. Life requires an effort I cannot make. Please give me that heavy book. I need to put something heavy like that on top of my head. I have to place my feet under the pillows always, so as to be able to stay on earth. Otherwise I feel myself going away, going away at a tremendous speed, on account of my lightness. I know that I am dead. As soon as I utter a phrase my sincerity dies, becomes a lie whose coldness chills me. Don't say anything, because I see that you understand me, and I am afraid of your understanding. I have such a fear of finding another like myself, and such a desire to find one! I am so utterly lonely, but I also have such a fear that my isolation be broken through, and I no longer be the head and ruler of my universe. I am in great terror of your understanding by which you penetrate into my world; and then I stand revealed and I have to share my kingdom with you.
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AnaΓ―s Nin
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What are you going to do with your life?" In one way or another it seemed that people had been asking her this forever; teachers, her parents, friends at three in the morning, but the question had never seemed this pressing and still she was no nearer an answer... "Live each day as if it's your last', that was the conventional advice, but really, who had the energy for that? What if it rained or you felt a bit glandy? It just wasn't practical. Better by far to be good and courageous and bold and to make difference. Not change the world exactly, but the bit around you. Cherish your friends, stay true to your principles, live passionately and fully and well. Experience new things. Love and be loved, if you ever get the chance.
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David Nicholls (One Day)
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The paradox of our time in history is that we have taller buildings but shorter tempers, wider Freeways, but narrower viewpoints. We spend more, but have less, we buy more, but enjoy less. We have bigger houses and smaller families, more conveniences, but less time. We have more degrees but less sense, more knowledge, but less judgment, more experts, yet more problems, more medicine, but less wellness.
We drink too much, smoke too much, spend too recklessly, laugh too little, drive too fast, get too angry, stay up too late, get up too tired, read too little, watch TV too much, and pray too seldom. We have multiplied our possessions, but reduced our values. We talk too much, love too seldom, and hate too often.
We've learned how to make a living, but not a life. We've added years to life not life to years. We've been all the way to the moon and back, but have trouble crossing the street to meet a new neighbor. We conquered outer space but not inner space. We've done larger things, but not better things.
We've cleaned up the air, but polluted the soul. We've conquered the atom, but not our prejudice. We write more, but learn less. We plan more, but accomplish less. We've learned to rush, but not to wait. We build more computers to hold more information, to produce more copies than ever, but we communicate less and less.
These are the times of fast foods and slow digestion, big men and small character, steep profits and shallow relationships.
These are the days of two incomes but more divorce, fancier houses, but broken homes. These are days of quick trips, disposable diapers, throwaway morality, one night stands, overweight bodies, and pills that do everything from cheer, to quiet, to kill. It is a time when there is much in the showroom window and nothing in the stockroom. A time when technology can bring this letter to you, and a time when you can choose either to share this insight, or to just hit delete...
Remember, to spend some time with your loved ones, because they are not going to be around forever. Remember, say a kind word to someone who looks up to you in awe, because that little person soon will grow up and leave your side.
Remember, to give a warm hug to the one next to you, because that is the only treasure you can give with your heart and it doesn't cost a cent.
Remember, to say, "I love you" to your partner and your loved ones, but most of all mean it. A kiss and an embrace will mend hurt when it comes from deep inside of you.
Remember to hold hands and cherish the moment for someday that person might not be there again. Give time to love, give time to speak! And give time to share the precious thoughts in your mind.
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Bob Moorehead (Words Aptly Spoken)
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Wait," I said as Noah slipped a book from a shelf and headed toward the door. "Where are you going?"
"To read?"
But I don't want you to.
"But I need to go home," I said, my eyes meeting his. "My parents are going to kill me."
"Taken care of. You're at Sophie's house."
I loved Sophie.
"So I'm...staying here?"
"Daniel's covering for you."
I loved Daniel.
"Where's Katie?" I asked, trying to sound casual.
"Eliza's house."
I loved Eliza.
"And your parents?" I asked.
"Some charity thing."
I loved charity.
"So why are you going to read when I'm right here?
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Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
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It is easy to mourn the lives we aren't living. Easy to wish we'd developed other other talents, said yes to different offers. Easy to wish we'd worked harder, loved better, handled our finances more astutely, been more popular, stayed in the band, gone to Australia, said yes to the coffee or done more bloody yoga.
It takes no effort to miss the friends we didn't make and the work we didn't do the people we didn't do and the people we didn't marry and the children we didn't have. It is not difficult to see yourself through the lens of other people, and to wish you were all the different kaleidoscopic versions of you they wanted you to be. It is easy to regret, and keep regretting, ad infinitum, until our time runs out.
But it is not lives we regret not living that are the real problem. It is the regret itself. It's the regret that makes us shrivel and wither and feel like our own and other people's worst enemy.
We can't tell if any of those other versions would of been better or worse. Those lives are happening, it is true, but you are happening as well, and that is the happening we have to focus on.
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Matt Haig (The Midnight Library)
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Percy, let me go" she croaked. "You can't pull me up."
His face was white with effort. She could see in his eyes that he knew it was hopeless.
"Never," he said. He looked up at Nico, fifteen feet above.
"The other side, Nico! We'll see you there. Understand?"
Nico's eyes widened. "But-"
"Lead them!" Percy shouted. "Promise me!"
"I-I will."
Below them, the voice laughed in the darkness. Sacrifices. Beautiful sacrifices to wake the goddess.
Percy tightened his grip on Annabeth's wrist. His face was gaunt, scraped and bloody, his hair dusted with cobwebs, but when he locked eyes with her, she thought he had never looked more handsome.
"We're staying together," he promised. "You're not getting away from me. Never again."
Only then did she understand what would happen. A one-way trip. A very hard fall.
"As long as we're together," she said.
She heard Nico and Hazel still screaming for help. She saw sunlight far, far above- maybe the last sunlight she would ever see.
Then Percy let go of his ledge, and together, holding hands, he and Annabeth fell into the endless darkness.
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Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
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This is for girls who have the tendency to stay up at night listening to music that reminds them of their current situation. Who hide their fears, hurt, pain and tears under the smiles, laughs and giggles on a daily basis. The girls who wear their heart on their sleeve. The girls who pray that things will work out just once and they'll be satisfied. The girls who sceam and cry to their pillows because everyone else fails to listen. The girls who have so many secrets but wont tell a soul. The girls who have mistakes and regrets as a daily moral. The girls that never win. The girls that stay up all night thinking about that one boy and hoping that he'll notice her one day. The girls who take life as it comes, to the girls who are hoping that it'll get better somewhere down the road. For the girls who love with all their heart although it always gets broken. To girls who think it's over. To real girls, to all girls: You're beautiful.
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Zayn Malik
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how far have you walked for men whoβve never held your feet in their laps?
how often have you bartered with bone, only to sell yourself short?
why do you find the unavailable so alluring?
where did it begin? what went wrong? and who made you feel so worthless?
if they wanted you, wouldnβt they have chosen you?
all this time, you were begging for love silently, thinking they couldnβt hear you, but they smelt it on you, you must have known that they could taste the desperate on your skin?
and what about the others that would do anything for you, why did you make them love you until you could not stand it?
how are you both of these women, both flighty and needful?
where did you learn this, to want what does not want you?
where did you learn this, to leave those that want to stay?
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Warsan Shire
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When you love someone, they become a part of who you are. They're in everything you do. They're in the air you breathe and the water you drink and the blood in your veins. Their touch stays on your skin and their voice stays in your ears and their thoughts stay in your mind. You know their dreams because their nightmares pierce your heart and their good dreams are your dreams too. And you don't think they're perfect, but you know their flaws, the deep-down truth of them, and the shadows of all their secrets, and they don't frighten you away; in fact you love them more for it, because you don't want perfect. You want them. You wantβ"
He broke off then, as if realizing everyone was looking at him again.
"You want what?" said Dru with enormous eyes.
"Nothing," Julian said. "I'm just talking.
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Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
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We don't read and write poetry because it's cute. We read and write poetry because we are members of the human race. And the human race is filled with passion. And medicine, law, business, engineering, these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for. To quote from Whitman, "O me! O life!... of the questions of these recurring; of the endless trains of the faithless... of cities filled with the foolish; what good amid these, O me, O life?" Answer. That you are here - that life exists, and identity; that the powerful play goes on and you may contribute a verse. That the powerful play *goes on* and you may contribute a verse. What will your verse be?
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N.H. Kleinbaum (Dead Poets Society)
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Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
Tis some visitor," I muttered, "tapping at my chamber door β
Only this, and nothing more."
Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow; β vainly I had sought to borrow
From my books surcease of sorrow β sorrow for the lost Lenore β
For the rare and radiant maiden whom the angels name Lenore β
Nameless here for evermore.
And the silken sad uncertain rustling of each purple curtain
Thrilled me β filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating,
Tis some visitor entreating entrance at my chamber door β
Some late visitor entreating entrance at my chamber door; β
This it is, and nothing more."
Presently my soul grew stronger; hesitating then no longer,
Sir," said I, "or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you"β here I opened wide the door; β
Darkness there, and nothing more.
Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortals ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word, "Lenore?"
This I whispered, and an echo murmured back the word, "Lenore!" β
Merely this, and nothing more.
Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
Surely," said I, "surely that is something at my window lattice:
Let me see, then, what thereat is, and this mystery explore β
Let my heart be still a moment and this mystery explore; β
'Tis the wind and nothing more."
Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately raven of the saintly days of yore;
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door β
Perched upon a bust of Pallas just above my chamber door β
Perched, and sat, and nothing more.
Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore.
Though thy crest be shorn and shaven, thou," I said, "art sure no craven,
Ghastly grim and ancient raven wandering from the Nightly shore β
Tell me what thy lordly name is on the Night's Plutonian shore!"
Quoth the Raven, "Nevermore."
Much I marveled this ungainly fowl to hear discourse so plainly,
Though its answer little meaningβ little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blest with seeing bird above his chamber door β
Bird or beast upon the sculptured bust above his chamber door,
With such name as "Nevermore.
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Edgar Allan Poe (The Raven)
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Does this mean youβre going to make love to me tonight, Christian?β Holy shit. Did I just say that? His mouth drops open slightly, but he recovers quickly.
βNo, Anastasia it doesnβt. Firstly, I donβt make love. I fuckβ¦ hard. Secondly, thereβs a lot more paperwork to do, and thirdly, you donβt yet know what youβre in for. You could still run for the hills. Come, I want to show you my playroom.β
My mouth drops open. Fuck hard! Holy shit, that sounds so⦠hot. But why are we looking at a playroom? I am mystified.
βYou want to play on your Xbox?β I ask. He laughs, loudly.
βNo, Anastasia, no Xbox, no Playstation. Come.ββ¦ Producing a key from his pocket, he unlocks yet another door and takes a deep breath.
βYou can leave anytime. The helicopter is on stand-by to take you whenever you want to go, you can stay the night and go home in the morning. Itβs fine whatever you decide.β
βJust open the damn door, Christian.β
He opens the door and stands back to let me in. I gaze at him once more. I so want to know whatβs in here. Taking a deep breath I walk in.
And it feels like Iβve time-traveled back to the sixteenth century and the Spanish Inquisition.
Holy fuck.
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E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
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The best thing, though, in that museum was that everything always stayed right where it was. Nobody'd move. You could go there a hundred thousand times, and that Eskimo would still be just finished catching those two fish, the birds would still be on their way south, the deers would still be drinking out of that water hole, with their pretty antlers and they're pretty, skinny legs, and that squaw with the naked bosom would still be weaving that same blanket. Nobody's be different. The only thing that would be different would be you. Not that you'd be so much older or anything. It wouldn't be that, exactly. You'd just be different, that's all. You'd have an overcoat this time. Or the kid that was your partner in line the last time had got scarlet fever and you'd have a new partner. Or you'd have a substitute taking the class, instead of Miss Aigletinger. Or you'd heard your mother and father having a terrific fight in the bathroom. Or you'd just passed by one of those puddles in the street with gasoline rainbows in them. I mean you'd be different in some wayβI can't explain what I mean. And even if I could, I'm not sure I'd feel like it.
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J.D. Salinger (The Catcher in the Rye)
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A secret is a strange thing.
There are three kinds of secrets. One is the sort everyone knows about, the sort you need at least two people for. One to keep it. One to never know. The second is a harder kind of secret: one you keep from yourself. Every day, thousands of confessions are kept from their would-be confessors, none of these people knowing that their never-admitted secrets all boil down to the same three words: I am afraid.
And then there is the third kind of secret, the most hidden kind. A secret no one knows about. Perhaps it was known once, but was taken to the grave. Or maybe it is a useless mystery, arcane and lonely, unfound because no one ever looked for it.
Sometimes, some rare times, a secret stays undiscovered because it is something too big for the mind to hold. It is too strange, too vast, too terrifying to contemplate.
All of us have secrets in our lives. Weβre keepers or keptfrom, players or played. Secrets and cockroaches β thatβs what will be left at the end of it all.
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Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
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It's okay,' he tells me. 'If you want to go. Everyone wants you to stay. I want you to stay more than I've ever wanted anything in my life.' His voice cracks with emotion. He stops, clears his throat, takes a breath, and continues. 'But that's what I want and I could see why it might not be what you want. So I just wanted to tell you that I understand if you go. It's okay if you have to leave us. It's okay if you want to stop fighting.'
For the first time since I realized that Teddy was gone, too, I feel something unclench. I feel myself breathe. I know that Gramps can't be that late-inning pinch hitter I'd hoped for. He won't unplug my breathing tube or overdoes me with morphine or anything like that. But this is the first time today that anyone has acknowledged what I have lost. I know that the social worker warned Gran and Gramps not to upset me, but Gramps's recognition, and the permission he just offered me--it feels like a gift.
Gramps doesn't leave me. He slumps back into the chair. It's quiet now. So quiet you can almost hear other people's dreams. So quiet that you can almost hear me tell Gramps, 'Thank you.
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Gayle Forman (If I Stay (If I Stay, #1))
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Responsibility to yourself means refusing to let others do your thinking, talking, and naming for you...it means that you do not treat your body as a commodity with which to purchase superficial intimacy or economic security; for our bodies to be treated as objects, our minds are in mortal danger. It means insisting that those to whom you give your friendship and love are able to respect your mind. It means being able to say, with Charlotte Bronte's Jane Eyre: "I have an inward treasure born with me, which can keep me alive if all the extraneous delights should be withheld or offered only at a price I cannot afford to give.
Responsibility to yourself means that you don't fall for shallow and easy solutions--predigested books and ideas...marrying early as an escape from real decisions, getting pregnant as an evasion of already existing problems. It means that you refuse to sell your talents and aspirations short...and this, in turn, means resisting the forces in society which say that women should be nice, play safe, have low professional expectations, drown in love and forget about work, live through others, and stay in the places assigned to us. It means that we insist on a life of meaningful work, insist that work be as meaningful as love and friendship in our lives. It means, therefore, the courage to be "different"...The difference between a life lived actively, and a life of passive drifting and dispersal of energies, is an immense difference. Once we begin to feel committed to our lives, responsible to ourselves, we can never again be satisfied with the old, passive way.
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Adrienne Rich
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I will love you as a thief loves a gallery and as a crow loves a murder, as a cloud loves bats and as a range loves braes. I will love you as misfortune loves orphans, as fire loves innocence and as justice loves to sit and watch while everything goes wrong. I will love you as a battlefield loves young men and as peppermints love your allergies, and I will love you as the banana peel loves the shoe of a man who was just struck by a shingle falling off a house. I will love you as a volunteer fire department loves rushing into burning buildings and as burning buildings love to chase them back out, and as a parachute loves to leave a blimp and as a blimp operator loves to chase after it.
I will love you as a dagger loves a certain personβs back, and as a certain person loves to wear dagger proof tunics, and as a dagger proof tunic loves to go to a certain dry cleaning facility, and how a certain employee of a dry cleaning facility loves to stay up late with a pair of binoculars, watching a dagger factory for hours in the hopes of catching a burglar, and as a burglar loves sneaking up behind people with binoculars, suddenly realizing that she has left her dagger at home. I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled.
I will love you until every fire is extinguised and until every home is rebuilt from the handsomest and most susceptible of woods, and until every criminal is handcuffed by the laziest of policemen. I will love until M. hates snakes and J. hates grammar, and I will love you until C. realizes S. is not worthy of his love and N. realizes he is not worthy of the V. I will love you until the bird hates a nest and the worm hates an apple, and until the apple hates a tree and the tree hates a nest, and until a bird hates a tree and an apple hates a nest, although honestly I cannot imagine that last occurrence no matter how hard I try. I will love you as we grow older, which has just happened, and has happened again, and happened several days ago, continuously, and then several years before that, and will continue to happen as the spinning hands of every clock and the flipping pages of every calendar mark the passage of time, except for the clocks that people have forgotten to wind and the calendars that people have forgotten to place in a highly visible area. I will love you as we find ourselves farther and farther from one another, where we once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively.
I will love you until the chances of us running into one another slip from slim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you donβt see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and now matter how I am discovered after what happens to me as I am discovering this.
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Lemony Snicket
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1. Iβm lonely so I do lonely things
2. Loving you was like going to war; I never came back the same.
3. You hate women, just like your father and his father, so it runs in your blood.
4. I was wandering the derelict car park of your heart looking for a ride home.
5. Youβre a ghost town Iβm too patriotic to leave.
6. I stay because youβre the beginning of the dream I want to remember.
7. I didnβt call him back because he likes his girls voiceless.
8. Itβs not that he wants to be a liar; itβs just that he doesnβt know the truth.
9. I couldnβt love you, you were a small war.
10. We covered the smell of loss with jokes.
11. I didnβt want to fail at love like our parents.
12. You made the nomad in me build a house and stay.
13. Iβm not a dog.
14. We were trying to prove our blood wrong.
15. I was still lonely so I did even lonelier things.
16. Yes, Iβm insecure, but so was my mother and her mother.
17. No, he loves me he just makes me cry a lot.
18. He knows all of my secrets and still wants to kiss me.
19. You were too cruel to love for a long time.
20. It just didnβt work out.
21. My dad walked out one afternoon and never came back.
22. I canβt sleep because I can still taste him in my mouth.
23. I cut him out at the root, he was my favorite tree, rotting, threatening the foundations of my home.
24. The women in my family die waiting.
25. Because I didnβt want to die waiting for you.
26. I had to leave, I felt lonely when he held me.
27. Youβre the song I rewind until I know all the words and I feel sick.
28. He sent me a text that said βI love you so bad.β
29. His heart wasnβt as beautiful as his smile
30. We emotionally manipulated one another until we thought it was love.
31. Forgive me, I was lonely so I chose you.
32. Iβm a lover without a lover.
33. Iβm lovely and lonely.
34. I belong deeply to myself .
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Warsan Shire
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The ones who are not soul-mated β the ones who have settled β are even more dismissive of my singleness: Itβs not that hard to find someone to marry, they say. No relationship is perfect, they say β they, who make do with dutiful sex and gassy bedtime rituals, who settle for TV as conversation, who believe that husbandly capitulation β yes, honey, okay, honey β is the same as concord. Heβs doing what you tell him to do because he doesnβt care enough to argue, I think. Your petty demands simply make him feel superior, or resentful, and someday he will fuck his pretty, young coworker who asks nothing of him, and you will actually be shocked.
Give me a man with a little fight in him, a man who calls me on my bullshit. (But who also kind of likes my bullshit.) And yet: Donβt land me in one of those relationships where weβre always pecking at each other, disguising insults as jokes, rolling our eyes and βplayfullyβ scrapping in front of our friends, hoping to lure them to our side of an argument they could not care less about. Those awful if only relationships: This marriage would be great if onlyβ¦ and you sense the if only list is a lot longer than either of them realizes.
So I know I am right not to settle, but it doesnβt make me feel better as my friends pair off and I stay home on Friday night with a bottle of wine and make myself an extravagant meal and tell myself, This is perfect, as if Iβm the one dating me. As I go to endless rounds of parties and bar nights, perfumed and sprayed and hopeful, rotating myself around the room like some dubious dessert. I go on dates with men who are nice and good-looking and smart β perfect-on-paper men who make me feel like Iβm in a foreign land, trying to explain myself, trying to make myself known. Because isnβt that the point of every relationship: to be known by someone else, to be understood? He gets me. She gets me. Isnβt that the simple magic phrase?
So you suffer through the night with the perfect-on-paper man β the stutter of jokes misunderstood, the witty remarks lobbed and missed. Or maybe he understands that youβve made a witty remark but, unsure of what to do with it, he holds it in his hand like some bit of conversational phlegm he will wipe away later. You spend another hour trying to find each other, to recognise each other, and you drink a little too much and try a little too hard. And you go home to a cold bed and think, That was fine. And your life is a long line of fine.
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Gillian Flynn (Gone Girl)