Statue Of Peace Quotes

I walked over and looked closer at the statue of the goddess. She was wearing a headdress with a skull and a cobra and a crescent moon. Maybe this is what peace of mind was all about: having a poisonous snake on your head and smiling anyway.

Your job then, should you choose to accept it, is to keep searching for the metaphors, rituals and teachers that will help you move ever closer to divinity. The Yogic scriptures say that God responds to the sacred prayers and efforts of human beings in any way whatsoever that mortals choose to worship—just so long as those prayers are sincere. I think you have every right to cherry-pick when it comes to moving your spirit and finding peace in God. I think you are free to search for any metaphor whatsoever which will take you across the worldly divide whenever you need to be transported or comforted. It's nothing to be embarrassed about. It's the history of mankind's search for holiness. If humanity never evolved in its exploration of the divine, a lot of us would still be worshipping golden Egyptian statues of cats. And this evolution of religious thinking does involve a fair bit of cherry-picking. You take whatever works from wherever you can find it, and you keep moving toward the light. The Hopi Indians thought that the world's religions each contained one spiritual thread, and that these threads are always seeking each other, wanting to join. When all the threads are finally woven together they will form a rope that will pull us out of this dark cycle of history and into the next realm. More contemporarily, the Dalai Lama has repeated the same idea, assuring his Western students repeatedly that they needn't become Tibetan Buddhists in order to be his pupils. He welcomes them to take whatever ideas they like out of Tibetan Buddhism and integrate these ideas into their own religious practices. Even in the most unlikely and conservative of places, you can find sometimes this glimmering idea that God might be bigger than our limited religious doctrines have taught us. In 1954, Pope Pius XI, of all people, sent some Vatican delegates on a trip to Libya with these written instructions: "Do NOT think that you are going among Infidels. Muslims attain salvation, too. The ways of Providence are infinite." But doesn't that make sense? That the infinite would be, indeed ... infinite? That even the most holy amongst us would only be able to see scattered pieces of the eternal picture at any given time? And that maybe if we could collect those pieces and compare them, a story about God would begin to emerge that resembles and includes everyone? And isn't our individual longing for transcendence all just part of this larger human search for divinity? Don't we each have the right to not stop seeking until we get as close to the source of wonder as possible? Even if it means coming to India and kissing trees in the moonlight for a while? That's me in the corner, in other words. That's me in the spotlight. Choosing my religion.

Soldier and civilian, they died in their tens of thousands because death had been concocted for them, morality hitched like a halter round the warhorse so that we could talk about 'target-rich environments' and 'collateral damage' - that most infantile of attempts to shake off the crime of killing - and report the victory parades, the tearing down of statues and the importance of peace. Governments like it that way. They want their people to see war as a drama of opposites, good and evil, 'them' and 'us', victory or defeat. But war is primarily not about victory or defeat but about death and the infliction of death. It represents a total failure of the human spirit.

The Greeks shape bronze statues so real they seem to breathe, And carve cold marble until it almost comes to life. The Greeks compose great orations, and measure The heavens so well they can predict the rising of the stars. But you, Romans, remember your great arts; To govern the peoples with authority, To establish peace under the rule of law, To conquer the mighty, and show them mercy once they are conquered." -Virgil, Aeneid VI, 847-853

The future of the world no longer disturbs me; I do not try still to calculate, with anguish, how long or how short a time the Roman peace will endure; I leave that to the Gods. Not that I have acquired more confidence in their justice, which is not our justice, or more faith in human wisdom; the contrary is true. Life is atrocious, we know. But precisely because I expect little of the human condition, man's periods of felicity, his partial progress, his efforts to begin over again and to continue, all seem to me like so many prodigies which nearly compensate for monstrous mass of ills and defeats, of indifference and error. Catastrophe and ruin will come; disorder will triumph, but order will too, from time to time. Peace will again establish itself between two periods and there regain the meaning which we have tried to give them. Not all our books will perish, nor our statues, if broken, lie unrepaired; other domes and pediments will rise from our domes and pediments; some few men will think and work and feel as we have done, and I venture to count upon such continuators, placed irregularly throughout the centuries, and upon this kind of intermittent immortality.

Every war invariably results in terrible tragedies, immense waste and sinful destruction. All wars, no matter how big or small, how nearby or far away, diminish OUR humanity to a barbaric level.

they passed through the waiting room, the statue of Hygeia was sitting on a bench, pouring acid on her face and singing “Twinkle, Twinkle, Little Star,” while her golden snake gnawed at her foot. The peaceful scene was almost enough to lift Leo’s spirits.

Edward stood, motionless as a statue, just a few feet from the mouth of the alley. His eyes were closed, the rings underneath them deep purple, his arms relaxed at his sides, his palms turned forward. His expression was very peaceful, like he was dreaming pleasant things. The marble skin of his chest was bare―there was a small pile of white fabric at his feet. The light reflecting from the pavement of the square gleamed dimly from his skin. I'd never seen anything more beautiful―even as I ran, gasping and screaming, I could appreciate that. And the last seven months meant nothing. And his words in the forest meant nothing. And it did not matter if he did not want me. I would never want anything but him, no matter how long I lived.

They yoked themselves to a car and drew her all the long way through dust and heat. Everyone admired their filial piety when they arrived and the proud and happy mother standing before the statue prayed that Hera would reward them by giving them the best gift in her power. As she finished her prayer the two lads sank to the ground. They were smiling and they looked as if they were peacefully asleep but they were dead. (Biton and Cleobis)

There are no true enemies, only potential allies — hearts and minds yet to be won, “peaceful people” being deprived of their natural right to fast food, wall-to-wall carpet and high definition pornography. There are no more statues of heroes because no true villains can be acknowledged. There is no Beowulf because there are no monsters or dragons — only outsiders who are disenfranchised and misunderstood. Monuments can only be raised to mythic martyred unifiers like Jesus Christ or Martin Luther King or Abraham Lincoln. This

PARACELSUS IN EXCELSIS Being no longer human, why should I Pretend humanity or don the frail attire? Men have I known and men, but never one Was grown so free an essence, or become So simply element as what I am. The mist goes from the mirror and I see. Behold! the world of forms is swept beneath- Turmoil grown visible beneath our peace, And we that are grown formless, rise above- Fluids intangible that have been men, We seem as statues round whose high-risen base Some overflowing river is run mad, In us alone the element of calm.

Title 'Yikin heykellerimi' ->'Destroy and shatter the statues you have built of me' O nation I am Kemal Mustafa If my thoughts and beliefs are not of this day and age If my wisdom isn't still the most authentic mentor Then let my tongue cleave to the roof of my palate I apoligize Forget everything I said Destroy and shatter the statues you have built of me If freedom isn’t still the supreme value If you’d rather have slaves stay chained Forget everything I said Destroy and shatter the statues you have built of me If you see no sense in living a civilized life If you want to be sent back in time to the middle ages and wish to put a crown on the head of a man who spits into the face of art Forget everything I said Destroy and shatter the statues you have built of me If the pain of war violence was not enough If peace at home, peace in the world has no meaning If to be awarded requires an arms race Forget everything I said Destroy and shatter the statues you have built of me If you miss the fez and the veil and prefer to light the night If you’re still hoping to find healing from a dervish, a sheik or an amulet Forget everything I said Destroy and shatter the statues you have built of me If you say women should not be equal to men and should be covered in black sheets in order to flee from the wrath of bigots If you say you don’t want to see our women and daughters to get an education just because you believe this is their fate Forget everything I said Destroy and shatter the statues you have built of me If freedom and democracy is too much for you to handle If you have a longing for the sultan of the Sultanate and are still not able to determine the significance of being a nation Be servants, stay on the path of religion and wait for şeyhülislam to lay down the law for you Forget everything I said Destroy and shatter the statues you have built of me And LEAVE ME ALONE… -Musafa Kemal Atatürk

The American flag doesn't give her glory on a peaceful, calm day. It's when the winds pick up and become boisterous, do we see her strength. When she unfolds her hand, and shows her frayed fingers, where we see the stretch of red-blood lines of man that fought for this land. The purity of white stripes that strips our sins, and the stars of Abraham's covenant, broad in a midnight blue sky. The rights our forefathers established. As it waves high in the currents of freedom, where the Torch of Liberty shines over the sea, does she give meaning to unity. When we strive as one nation, or when it drops half-mast, to a fallen soldier.

A statue of Mary, sheltered inside, implied infinite peace. A listening ear. A willingness to give you the benefit of the doubt. God knew what he was doing when he gave Jesus a mother.

Meanwhile, someplace in the world, somebody is making love and another a poem. Elsewhere in the universe, a star manyfold the mass of our third-rate sun is living out its final moments in a wild spin before collapsing into a black hole, its exhale bending spacetime itself into a well of nothingness that can swallow every atom that ever touched us and every datum we ever produced, every poem and statue and symphony we’ve ever known—an entropic spectacle insentient to questions of blame and mercy, devoid of why. “In four billion years, our own star will follow its fate, collapsing into a white dwarf. We exist only by chance, after all. The Voyager will still be sailing into the interstellar shorelessness on the wings of the “heavenly breezes” Kepler had once imagined, carrying Beethoven on a golden disc crafted by a symphonic civilization that long ago made love and war and mathematics on a distant blue dot. But until that day comes, nothing once created ever fully leaves us. Seeds are planted and come abloom generations, centuries, civilizations later, migrating across coteries and countries and continents. Meanwhile, people live and people die—in peace as war rages on, in poverty and disrepute as latent fame awaits, with much that never meets its more, in shipwrecked love. I will die. You will die. The atoms that huddled for a cosmic blink around the shadow of a self will return to the seas that made us. What will survive of us are shoreless seeds and stardust.

...This was probably my biggest mistake: to think that the truth could be captured externally and simply with one's eyes, to imagine a truth exists which can be grasped at once and thereafter remain still and at peace, just like a statue, a truth which contracts and expands depending on the temperature, a truth which eventually erodes, not only modifying the surrounding space but subtly altering thhe composition of the ground on which it stands, shedding minute particles of marble, just as we shed hairs, nail clippings, saliva and the words we speak.

Nero, just to ram home the point, had even commissioned a giant bronze statue of himself, 120 feet high,

an attractive attendant served as a status symbol much as a racehorse or an antique statue might.

Benefit performances, bad paintings and statues, philanthropic societies, Gypsies, schools, subscription dinners, carousing, the Masons, churches, books—no one and nothing met with refusal,

the United Republic of Nations. Founded by Avatar Aang over seventy years earlier, the city served as a beacon of hope. It was a place where benders and non-benders could live together in peace. People with the ability to control one of the four elements were known as benders, and those without this ability were non-benders. Avatar Aang was no longer alive, but a giant statue of him kept watch over the city from a small

We began before words, and we will end beyond them. It sometimes seems to me that our days are poisoned with too many words. Words said and not meant. Words said ‘and’ meant. Words divorced from feeling. Wounding words. Words that conceal. Words that reduce. Dead words. If only words were a kind of fluid that collects in the ears, if only they turned into the visible chemical equivalent of their true value, an acid, or something curative – then we might be more careful. Words do collect in us anyway. They collect in the blood, in the soul, and either transform or poison people’s lives. Bitter or thoughtless words poured into the ears of the young have blighted many lives in advance. We all know people whose unhappy lives twist on a set of words uttered to them on a certain unforgotten day at school, in childhood, or at university. We seem to think that words aren’t things. A bump on the head may pass away, but a cutting remark grows with the mind. But then it is possible that we know all too well the awesome power of words – which is why we use them with such deadly and accurate cruelty. We are all wounded inside one way or other. We all carry unhappiness within us for some reason or other. Which is why we need a little gentleness and healing from one another. Healing in words, and healing beyond words. Like gestures. Warm gestures. Like friendship, which will always be a mystery. Like a smile, which someone described as the shortest distance between two people. Yes, the highest things are beyond words. That is probably why all art aspires to the condition of wordlessness. When literature works on you, it does so in silence, in your dreams, in your wordless moments. Good words enter you and become moods, become the quiet fabric of your being. Like music, like painting, literature too wants to transcend its primary condition and become something higher. Art wants to move into silence, into the emotional and spiritual conditions of the world. Statues become melodies, melodies become yearnings, yearnings become actions. When things fall into words they usually descend. Words have an earthly gravity. But the best things in us are those that escape the gravity of our deaths. Art wants to pass into life, to lift it; art wants to enchant, to transform, to make life more meaningful or bearable in its own small and mysterious way. The greatest art was probably born from a profound and terrible silence – a silence out of which the greatest enigmas of our life cry: Why are we here? What is the point of it all? How can we know peace and live in joy? Why be born in order to die? Why this difficult one-way journey between the two mysteries? Out of the wonder and agony of being come these cries and questions and the endless stream of words with which to order human life and quieten the human heart in the midst of our living and our distress. The ages have been inundated with vast oceans of words. We have been virtually drowned in them. Words pour at us from every angle and corner. They have not brought understanding, or peace, or healing, or a sense of self-mastery, nor has the ocean of words given us the feeling that, at least in terms of tranquility, the human spirit is getting better. At best our cry for meaning, for serenity, is answered by a greater silence, the silence that makes us seek higher reconciliation. I think we need more of the wordless in our lives. We need more stillness, more of a sense of wonder, a feeling for the mystery of life. We need more love, more silence, more deep listening, more deep giving.

but every year a wreath is still laid at the memorial statue repeating the same old lies they told us a hundred years ago about bringing peace and prosperity to places like Afghanistan? … Does anyone out there really believe a bunch of guys used to sit around the Tim Hortons in Kandahar saying, “Thank you, thank you, thank you, Canada. Can we have two double-doubles to go with democracy?” …

Just as maniacs, who never enjoy tranquility, so also he who is resentful and retains an enemy will never have the enjoyment of any peace; incessantly raging and daily increasing the tempest of his thoughts calling to mind his words and acts, and detesting the very name of him who has aggrieved him. Do you but mention his enemy, he becomes furious at once, and sustains much inward anguish; and should he chance to get only a bare sight of him, he fears and trembles, as if encountering the worst evils, Indeed, if he perceives any of his relations, if but his garment, or his dwelling, or street, he is tormented by the sight of them. For as in the case of those who are beloved, their faces, their garments, their sandals, their houses, or streets, excite us, the instant we behold them; so also should we observe a servant, or friend, or house, or street, or any thing else belonging to those We hate and hold our enemies, we are stung by all these things; and the strokes we endure from the sight of each one of them are frequent and continual. What is the need then of sustaining such a siege, such torment and such punishment? For if hell did not threaten the resentful, yet for the very torment resulting from the thing itself we ought to forgive the offences of those who have aggrieved us. But when deathless punishments remain behind, what can be more senseless than the man, who both here and there brings punishment upon himself, while he thinks to be revenged upon his enemy! Homilies on the Statues, Homily XX

Ironically, some anxious evangelicals get even more anxious at the mention of contemplative prayer. Isn't that too Catholic or Eastern Orthodox? Isn't that Buddhist? Isn't that a slippery slope into NEW AGE RELIGION? Evangelicals are terrified of slippery slopes that start out innocent enough. One minute you're doing a downward dog stretch in a yoga studio and then the "eastern religion" slippery slope takes hold. Next thing you know, you're offering a fruit bowl to a pleasant little false idol statue somewhere in Asia. We've all heard that this happened once to a friend of a friend of someone we knew once at a church somewhere.

But what else do you call it when a mob of white men shouts “Jews will not replace us” in the service of protecting a statue of Robert E. Lee? How else do you describe a party that didn’t just tolerate but supported putting children in concentration camps; suppressing dissent during peaceful Black Lives Matter protests with seemingly unidentified paramilitaries; dismantling truth and distrusting reality; designating a free press and whistleblowers as enemies of the people—and by extension of the state? How do you describe a party that made one of its chief goals the theocratization of the federal judiciary? If anybody thinks after all of this that calling them fascist is rude, then we have a very serious problem.

Excudent alii spirantia mollius aera, credo equidem, vivos ducent de marmore voltus, orabunt causas melius, caelique meatus describent radio, et surgentia sidera dicent: tu regere imperio populos, Romane, memento; hae tibi erunt artes; pacisque imponere morem, parcere subiectis, et debellare superbos.” “The Greeks shape bronze statues so real they seem to breathe, And carve cold marble until it almost comes to life. The Greeks compose great orations, and measure The heavens so well they can predict the rising of the stars. But you, Romans, remember your great arts; To govern the peoples with authority, To establish peace under the rule of law, To conquer the mighty, and show them mercy once they are conquered." -Virgil, Aeneid VI, 847-853” ― Virgil

There is a stillness and everlastingness about the past; it changes not and has a touch of eternity, like a painted picture or a statue in bronze or marble. Unaffected by the storms and upheavals of the present, it maintains its dignity and repose and tempts the troubled spirit and the tortured mind to seek shelter in its vaulted catacombs. There is peace there and security, and one may even sense a spiritual quality. But it is not life, unless we can find the vital links between it and the present with all its conflicts and problems. It is a kind of art for art's sake, without the passion and the urge to action which are the very stuff of life. Without that passion and urge, there is a gradual oozing out of hope and vitality, a settling down on lower levels of existence, a slow merging into non-existence. We become prisoners of the past and some part of its immobility sticks to us.

Why can't we sit together? What's the point of seat reservations,anyway? The bored woman calls my section next,and I think terrible thoughts about her as she slides my ticket through her machine. At least I have a window seat. The middle and aisle are occupied with more businessmen. I'm reaching for my book again-it's going to be a long flight-when a polite English accent speaks to the man beside me. "Pardon me,but I wonder if you wouldn't mind switching seats.You see,that's my girlfriend there,and she's pregnant. And since she gets a bit ill on airplanes,I thought she might need someone to hold back her hair when...well..." St. Clair holds up the courtesy barf bag and shakes it around. The paper crinkles dramatically. The man sprints off the seat as my face flames. His pregnant girlfriend? "Thank you.I was in forty-five G." He slides into the vacated chair and waits for the man to disappear before speaking again. The guy onhis other side stares at us in horror,but St. Clair doesn't care. "They had me next to some horrible couple in matching Hawaiian shirts. There's no reason to suffer this flight alone when we can suffer it together." "That's flattering,thanks." But I laugh,and he looks pleased-until takeoff, when he claws the armrest and turns a color disturbingy similar to key lime pie. I distract him with a story about the time I broke my arm playing Peter Pan. It turned out there was more to flying than thinking happy thoughts and jumping out a window. St. Clair relaxes once we're above the clouds. Time passes quickly for an eight-hour flight. We don't talk about what waits on the other side of the ocean. Not his mother. Not Toph.Instead,we browse Skymall. We play the if-you-had-to-buy-one-thing-off-each-page game. He laughs when I choose the hot-dog toaster, and I tease him about the fogless shower mirror and the world's largest crossword puzzle. "At least they're practical," he says. "What are you gonna do with a giant crossword poster? 'Oh,I'm sorry Anna. I can't go to the movies tonight. I'm working on two thousand across, Norwegian Birdcall." "At least I'm not buying a Large Plastic Rock for hiding "unsightly utility posts.' You realize you have no lawn?" "I could hide other stuff.Like...failed French tests.Or illegal moonshining equipment." He doubles over with that wonderful boyish laughter, and I grin. "But what will you do with a motorized swimming-pool snack float?" "Use it in the bathtub." He wipes a tear from his cheek. "Ooo,look! A Mount Rushmore garden statue. Just what you need,Anna.And only forty dollars! A bargain!" We get stumped on the page of golfing accessories, so we switch to drawing rude pictures of the other people on the plane,followed by rude pictures of Euro Disney Guy. St. Clair's eyes glint as he sketches the man falling down the Pantheon's spiral staircase. There's a lot of blood. And Mickey Mouse ears. After a few hours,he grows sleepy.His head sinks against my shoulder. I don't dare move.The sun is coming up,and the sky is pink and orange and makes me think of sherbet.I siff his hair. Not out of weirdness.It's just...there. He must have woken earlier than I thought,because it smells shower-fresh. Clean. Healthy.Mmm.I doze in and out of a peaceful dream,and the next thing I know,the captain's voice is crackling over the airplane.We're here. I'm home.

But the hawk knew the landscape; there were vast areas of it he avoided due to a scarcity of prey. Land that was overhunted—that land was the Great Sioux Reservation, bordered by the rugged Black Hills on the west, the Missouri River on the east. There, even scrawny squirrels and half-dead rabbits were precious. The smudges there were tepees, made out of fading buffalo hide, clustered together in groups, the groups too close to those from other tribes, but forced, due to the government, to live together. Misery hung over this landscape like a cloud, even on the sunniest day. So he kept to the south, swooping closer to the ground, and finally the peaceful-seeming landscape gave up some secrets. A fence post here, a clump of bushes there, an upturned wagon, haystacks. As his eyes adjusted, however, other secrets were discovered. What seemed like a line of small haystacks were, upon closer inspection as the hawk zeroed in, cows. Unmoving cows, statues; some on their sides, others standing, all frozen where they were. The hawk turned, uninterested, to investigate more dark shapes emerging from the blinding white; horses, their legs collapsed under them, eyes closed forever.

The future of the world no longer disturbs me; I do not try still to calculate, with anguish, how long or how short a time the Roman peace will endure; I leave that to the gods. Not that I have acquired more confidence in their justice, which is not our justice, or more faith in human wisdom; the contrary is true. Life is atrocious, we know. But precisely because I expect little of the human condition, man’s periods of felicity, his partial progress, his efforts to begin over again and to continue, all seem to me like so many prodigies which nearly compensate for the monstrous mass of ills and defeats, of indifference and error. Catastrophe and ruin will come; disorder will triumph, but order will too, from time to time. Peace will again establish itself between two periods of war; the words humanity, liberty, and justice will here and there regain the meaning which we have tried to give them. Not all our books will perish, nor our statues, if broken, lie unrepaired; other domes and other pediments will arise from our domes and pediments; some few men will think and work and feel as we have done, and I venture to count upon such continuators, placed irregularly throughout the centuries, and upon this kind of intermittent immortality. If ever the barbarians gain possession of the world they will be forced to adopt some of our methods; they will end by resembling us. Chabrias fears that the pastophor of Mithra or the bishop of Christ may implant himself one day in Rome, replacing the high pontiff. If by ill fate that day should come, my successor officiating in the vatical fields along the Tiber will already have ceased to be merely the chief of a gang, or of a band of sectarians, and will have become in his turn one of the universal figures of authority. He will inherit our palaces and our archives, and will differ from rulers like us less than one might suppose. I accept with calm these vicissitudes of Rome eternal.

Elephanta caves, Mumbai-- I entered a world made of shadows and sudden brightness. The play of the light, the vastness of the space and its irregular form, the figures carved on the walls: all of it gave the place a sacred character, sacred in the deepest meaning of the word. In the shadows were the powerful reliefs and statues, many of them mutilated by the fanaticism of the Portuguese and the Muslims, but all of them majestic, solid, made of a solar material. Corporeal beauty, turned into living stone. Divinities of the earth, sexual incarnations of the most abstract thought, gods that were simultaneously intellectual and carnal, terrible and peaceful. ............................................................................ Gothic architecture is the music turned to stone; one could say that Hindu architecture is sculpted dance. The Absolute, the principle in whose matrix all contradictions dissolve (Brahma), is “neither this nor this nor this.” It is the way in which the great temples at Ellora, Ajanta, Karli, and other sites were built, carved out of mountains. In Islamic architecture, nothing is sculptural—exactly the opposite of the Hindu. The Red Fort, on the bank of the wide Jamuna River, is as powerful as a fort and as graceful as a palace. It is difficult to think of another tower that combines the height, solidity, and slender elegance of the Qutab Minar. The reddish stone, contrasting with the transparency of the air and the blue of the sky, gives the monument a vertical dynamism, like a huge rocket aimed at the stars. The mausoleum is like a poem made not of words but of trees, pools, avenues of sand and flowers: strict meters that cross and recross in angles that are obvious but no less surprising rhymes. Everything has been transformed into a construction made of cubes, hemispheres, and arcs: the universe reduced to its essential geometric elements. The abolition of time turned into space, space turned into a collection of shapes that are simultaneously solid and light, creations of another space, made of air. There is nothing terrifying in these tombs: they give the sensation of infinity and pacify the soul. The simplicity and harmony of their forms satisfy one of the most profound necessities of the spirit: the longing for order, the love of proportion. At the same time they arouse our fantasies. These monuments and gardens incite us to dream and to fly. They are magic carpets. Compare Ellora with the Taj Mahal, or the frescoes of Ajanta with Mughal miniatures. These are not distinct artistic styles, but rather two different visions of the world.

You want this thing, this dragonsoul, for sentimental purposes. Because you can't let go of the glory days, or you long for a memento. Something to stick up on your mantelpiece so you can look at it and remember a time when you were actually of use to the world around you, when you were more than relevant- when you were necessary. But you've got no imagination, no idea of the power contained in something like that. You can only see what it was: a part of an antique, as useless and outdated as the broken statues you passed along your way. But we... we have true vision. We're the ones who will take the potential nearly destroyed by the likes of you, nearly lost to the desert or even shattered by your own hand, and put it to a better use.

Sadako’s death, ten years after the Hiroshima bombing, was caused by radiation exposure.

In November, Mrs. Sasaki became very ill. With each passing day, the radiation that had infected her body would make its gruesome symptoms more visible. Soon, it became apparent that Mr. Sasaki was also infected. Both parents took consolation in thinking that at least Sadako and Masahiro had been spared what was now commonly referred to as the Atomic Bomb Disease.

Those tests showed that Sadako’s white blood count was 33,000. A normal person’s white blood count is between 5,000 and 8,000. Her red blood count was 3,560,000. A normal person’s would be between 4,000,000 and 5,000,000.

energy so abundantly that be could talk with a voice sounding as a large bell. Being asked by Wang the secret of longevity, the man replied: "There is no secret in it; I merely kept my mind calm and peaceful." Further, he explained the method of Meditation according to Taoism and Buddhism. Thereupon Wang sat face to face with the old man and began to practise Meditation, utterly forgetful of his bride and nuptial ceremony. The sun began to cast his slanting rays on the wall of the temple, and they sat motionless; twilight came over them, and night wrapped them with her sable shroud, and they sat as still as two marble statues; midnight, dawn, at last the morning sun rose to find them still in their reverie. The father of the bride, who had started a search during the night, found to his surprise the bridegroom absorbed in Meditation on the following day.[FN#265]

Out in the palace gardens, groundskeepers buried statues in the dirt. As Justice and Peace were entombed together, a workman wrote on one flank "We'll come back for you." The grave was covered with leaves to conceal it. - Symphony for the City of the Dead: Dmitri Shostakovich and the Siege of Leningrad

It’s really quite a place. Beautiful museums, statues, arches, painted buildings, etc. Now all ruins. Heil Hitler.

VICTOR HUGO Workers of the Franco-American Union Fragment of the colossal statue of Liberty presented to the illustrious apostle of Peace, Freedom, Progress VICTOR HUGO the day he honored with his visit the work of the Franco-American Union. November 29, 1884

You can expect a statue to give you aesthetic beauty, or peace, or some thought, some shade, but you can't expect it to make you a cup of tea! Everything and everyone has an absolute limit to what they can do, a finite ability beyond which they can never go!

In the books I read, people came to church for peace, or to talk to a god, or just to be with all their neighbors. I didn’t think this was a comfortable place to talk to a god. There was too much pain in the statues, too much relish in the way they were made. I think relish is the right word, if it means a delight in something. It felt like the sculptors had made the statues with real liking for the hurt of being nailed to that cross. Maybe that’s my ignorance rather than their fault. Maybe loving the pain was a thing that made sense if you believe in invisible things like this god. I just felt… disconnected from the meaning of all that enjoyment. Like someone was giving the punchline to a joke I hadn’t heard the beginning of. Maybe I should have read a grown-up Bible to see what the point of it all was, but we had no time for gods where I grew up. It had passed, they had passed, just like you all had passed. Gods are just stories now. Bar said that’s all they really were anyway: stories to make sense of lives of those who wanted someone else to take charge of them, rather than cut their own way.

I stand alone like an old statue that cannot be dated I sway in the breeze like a tall rare flower, releasing the pollen of hope love and a prayer for peace in the world

That the Roman empire was, like all its predecessors, a form of extortion by force, an enriching of well-connected Romans (who “make a desolation and call it peace”) at the expense of hapless conquered peoples, would also not have carried much weight with most readers. Hadn’t Philip of Macedon’s first conquest been the seizure of the Balkan gold mines? Hadn’t Alexander’s last planned campaign been for the sake of controlling the lucrative Arabian spice trade? How could anyone demur over such things? What would be the point of holding out against the nature of man and of the universe itself? Augustus set up in the midst of the Roman Forum a statue of himself that loomed eleven times the size of a normal man,10 and similarly awesome statues were erected in central shrines throughout the empire. Augustus was not a normal man; he was a god, deserving of worship. And, like all gods, he was terrifying.

It’s unfashionable these days to talk about sin, and it’s even less fashionable to talk about idolatry. The world likes to tell us that we’re beyond that now. When we honestly discuss the sinful attitudes behind our actions, we are often shushed: “You’re not that bad! Everyone does those things! You need to have better self esteem!” But the human heart is the same now as it was in biblical times. We don’t have to bow down to a golden statue to worship idols. When we trust in anything other than God for peace and happiness we are essentially practicing idolatry. Only when we see the idols yet in our hearts can we truly “put off the old self” and “put on the new self” (Colossians 3:5-10).

If God give you a status, don't turn yourself to a statue. Don't become a monument. God still want to reside inside you but not in a monument.

The idea and principle of religious tolerance, based on the Christian virtue of charity and its “neutral principles of law” approach to religious law, is so inimical to Sharia because religious tolerance prohibits discrimination in favor of Islam. Islam traditionally eschews missionary work of conversion by persuasion and ultimately resorts to the sword. It does not hesitate to destroy the symbols of other religions, like Buddhist statues in Afghanistan198 or Catholic monasteries in Iraq,199 regardless of historical importance or present-day practice. The killing and harassment of religious minorities in Muslim lands are well documented. Moderate Muslims claim that Islam is a religion of peace. Yet historically Islam has never spread into a nation peacefully, but only by the sword.200 This religious conversion by the sword is called jihad. As Andrew McCarthy points out, We still don’t get what jihad is. Jihad, whether it is done through violence, or whether it is done by stealthier measures, is always and everywhere about Sharia. It is about the implementation of Sharia, the spread of Sharia, and the defense of Sharia. Sharia is the Islamic legal and political framework. We would like to think of Islam as just another religion, just a set of religious principles that’s separate from our secular or societal life. It’s anything but. It is a full service, comprehensive, political, social, and economic system—a military system—that happens to have some spiritual elements. But its ambitions are actually authoritarian in the sense that you have a central Islamic state that controls everything, and it’s totalitarian in the sense that it really does want to control everything, every aspect. Jihad leads to implementation of Sharia law in all lands for all people. That’s what makes Sharia so dangerous. The two are inextricably intertwined. You can’t combat one of these without combatting both of them.

We flew back into Manhattan as the sun was setting. It was beautiful. One of those Hollywood shots with the waning light gilding the skyscrapers, the water on the Hudson, the Statue of Liberty. A flock of birds—pigeons, I guess—fluttered up like doves of peace, and Snix blew right through them. I could smell burnt feathers.

In sullen light of the inauspicious day. Now, free, by hazard's quirk, from the common ill Knocking our brothers down, we strike a stance Most mock-heroic, to cloak our waking awe At this rare rumpus which no man control : Meek and proud both fall; stark violence Lays all walls waste; private estates are torn, Ransacked in the public eye. We forsake Our lone luck now, compelled by bond, by blood To keep some unsaid pact; perhaps concern Is helpless here, quite extra, yet we must make The gesture, bend and hold the prone mans head And so we sail toward cities, streets and homes Of other men, where statues celebrate Brave acts played out in peace, in war; all dangers End: green shores appear; we assume our names Our luggage, as docks halt our brief epic; no debt Survives arrival; we walk the plank with strangers

The future of the world no longer disturbs me; I do not try still to calculate, with anguish, how long or how short a time the Roman peace will endure; I leave that to the gods. Not that I have acquired more confidence in their justice, which is not our justice, or more faith in human wisdom; the contrary is true. Life is atrocious, we know. But precisely because I expect little of the human condition, man’s periods of felicity, his partial progress, his efforts to begin over again and to continue, all seem to me like so many prodigies which nearly compensate for the monstrous mass of ills and defeats, of indifference and error. Catastrophe and ruin will come; disorder will triumph, but order will too, from time to time. Peace will again establish itself between two periods of war; the words humanity, liberty, and justice will here and there regain the meaning which we have tried to give them. Not all our books will perish, nor our statues, if broken, lie unrepaired; other domes and other pediments will arise from our domes and pediments; some few men will think and work and feel as we have done, and I venture to count upon such continuators, placed irregularly throughout the centuries, and upon this kind of intermittent immortality. If ever the barbarians gain possession of the world they will be forced to adopt some of our methods; they will end by resembling us. Chabrias fears that the pastophor of Mithra or the bishop of Christ may implant himself one day in Rome, replacing the high pontiff. If by ill fate that day should come, my successor officiating in the vatical fields along the Tiber will already have ceased to be merely the chief of a gang, or of a band of sectarians, and will have become in his turn one of the universal figures of authority. He will inherit our palaces and our archives, and will differ from rulers like us less than one might suppose. I accept with calm these vicissitudes of Rome eternal.

There were no furnishings and no decorations-- except the wall on the opposite side had a small alcove, and in the alcove was a bronze statue of a bird, green with age. I thought it might be a sparrow, but it was so corroded that I couldn't tell for sure. I wondered if it might be the statue of a Lar. In this room--like the first hallway-- the air smelled of summer. But there was no half-heard laughter on the air, no sense that space was subtly wrong, nor that invisible eyes were watching. There was only the warm, peaceful stillness that exists between one summer breeze and the next. A trickle of water ran down the wall on my left and pooled before the alcove; I drew a breath, and my lungs filled with the mineral scent of water over warm rock. Without thinking, I sat down and leaned back against the wall. It was not smooth; the stones formed hard, uneven ripples behind my back-- yet the tension ran out of my body. I stared at the bronze sparrow, and I did not entirely fall asleep, but I almost dreamt: my mind was full of summer breezes, the warm, wet smell of earth after summer rain, the delight of running barefoot through damp grass and finding the hidden tangle of strawberries.

The capital was beautiful with the sun casting its rays over the high towers, red-tiled roofs, ornate buildings, and that giant, ludicrous, but somehow flattering statue of him in the main square. And what did all this represent, this beauty, this serenity, and industry? Peace. A peace he had fought for long and hard.

I am not a statue that was carved and sculpted to be a perfect masterpiece. I am still being moulded, and forever it shall be so. I am ready to be remodelled in the hands of the world’s greatest sculptor, time.

The chamber was possibly the grandest she'd ever entered. The ceilings were impossibly high, held up by slender red pillars with gilded dragons snaking along the sides. On every wall hung tenets from every emperor in the dynasty in the most elegant calligraphy, and statues of China's greatest sages stood in long lines, a reminder of the room's commitment to loyalty, justice, harmony, and peace.

Just like when men dueled with swords or pistols to defend their honor--whatever that is--something is wrong with boys that they have to keep fighting in wars generation after generation. They think they will triumph gloriously like a statue of a general in a city park. Instead they come home in pieces.

In squatter settlements, ruthless leaders like Sevier were not the exception but the rule. Once they had full control and got what they wanted, they made their peace with the federal government, which in turn depended on their actions to expand the republic’s territory. Sevier went on to serve as a US representative from North Carolina and as governor of Tennessee. To this day, such men are idolized as great heroes, embodying the essence of the “American spirit.” A bronze statue of John Sevier in his ranger uniform stands today in the National Statuary Hall of the US Capitol.20

London’s most famous burial ground, Highgate Cemetery, is renowned for its many famous permanent residents—such as Karl Marx and George Eliot—and for its elaborate nineteenth-century tombstones. Opened in 1839 to deal with a shortage of burial plots in the city, Highgate Cemetery is an atmospheric place that attracts many visitors for its peaceful greenery, its ornate statues of weeping angels, and its busts of prominent historical figures. In the cemetery, one can see foxes darting amidst the bushes and hear lively birdsong in the branches of shady trees.

I love the church. I like the waxed candles that remind me people think of people. I love the bouquet of flowers on the altar that a group of grandmas grow in their gardens and pridefully donate every week. I admire the wooden statues of craftsmanship, of a mother staring at you with the kind of pure, loving look I forgot to ask from mine. I like the skinny man nailed to the cross reminding me that people are capable of sacrificial love. I like to stare at the art on the stained-glass windows, of angels, of lambs, and of fruit. I love running my hands over mosaics and tracing the lips of saints. I love the hymns and joy of the choir, who sing regardless if you’re too scared. I love watching the collective sway of bodies subconsciously comforted by their environment after finally saying “Peace be with you.” And most of all, I love being surrounded by people trying. They wear Christ around their neck and squeeze a rosary for dear life, admitting their weaknesses and sins. Tell me, where do you find that? There is an honesty in the church, spilling from kneeling persons, that gives me the hope humans can take care of each other and our planet can be a good one. Where else can I be exposed to the practice of morality on such an emotional level? I love everything about the church—the shiny pews, the smoky incense, the Bible and its purpose – because when all is considered, it makes sense. It is a template of discipline and thoughtfulness. Why call religious people idiots when they’re the few paying attention to their own lives? And there are other ways to be moral of course, but not many ways to practice. I’ve learned that to believe in God doesn’t subtract any life from you. It is additional. It is the world and God. If someone wears a jacket over their shirt, they aren’t naked. They’re double-layered.

We never talk of pigeons of peace or dove droppings on statues. ‘Dove’ is a pleasant enough title to grace chocolate bars and soap, while ‘pigeon’ has no marketing appeal.” Imagine if John the Baptist had said he saw the Holy Spirit descending to Jesus “like a pigeon.