Stationery Shopping Quotes

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The past was always there, lurking in the corners, winking at you when you thought you'd moved on, hanging on to your organs from the inside.
Marjan Kamali (The Stationery Shop)
You might think the world is complicated and full of lost souls, that people who've touched your life and disappeared will never be found, but in the end all of that can change.
Marjan Kamali (The Stationery Shop)
Lovers don’t finally meet somewhere. They’re in each other all along.
Marjan Kamali (The Stationery Shop)
She would not have understood, then, that time is not linear but circular. There is no past, present, future. Roya was the woman she was today and the seventeen-year-old girl in the Stationery Shop, always. She and Bahman were one, and she and Walter were united. Kyle was her soul and Marigold would never die.
Marjan Kamali (The Stationery Shop)
It is a love from which we never recover.
Marjan Kamali (The Stationery Shop)
She could spend an entire afternoon just looking at fountain pens and ink bottles or flipping through books that spoke of poetry and love and loss.
Marjan Kamali (The Stationery Shop)
Yes, she loved him. The truth of that was like a wave that washed over and submerged her in salty torrents, knotting her hair and stinging her nose, pulling the life out from under her. Of course she loved him. The earth was round, day turned into night, he was in front of her and she loved him.
Marjan Kamali (The Stationery Shop)
May you always be happy and may all your days be filled with beautiful words.
Marjan Kamali (The Stationery Shop)
Look at love how it tangles with the one fallen in love Look at spirit how it fuses with earth giving it new.
Marjan Kamali (The Stationery Shop)
The truth is, my young lady, that fate has written the script for your destiny on your forehead from the very beginning. We can't see it. But it's there. And the young, who love so passionately, have no idea how ugly this world is....This world is without compassion.
Marjan Kamali (The Stationery Shop)
The minute I heard my first love story, I started looking for you, not knowing how blind that was. Lovers don’t finally meet somewhere. They’re in each other all along.
Marjan Kamali (The Stationery Shop)
In your presence, I found a calm.
Marjan Kamali (The Stationery Shop)
Why doesn’t his heart let go? Why do some people stay lodged in our souls, stuck in our throats, imprinted in our minds?
Marjan Kamali (The Stationery Shop)
They slipped briskly into an intimacy from which they never recovered. F. Scott Fitzgerald, This Side of Paradise
Marjan Kamali (The Stationery Shop)
She pressed her cheek against his heart and lay there, grateful for the time she’d had with him, however short or long it had been, grateful she had known him, grateful that once, when she was young, she had experienced a love so strong that it did not go away, that decades and distance and miles and children and lies and letters could never make it disappear. She held him in her arms and said to him all she needed to say.
Marjan Kamali (The Stationery Shop)
When Henry’s gone, Alex finds the stationery by the bed: Fromagerie Nicole Barthélémy. Leaving your clandestine hookup directions to a Parisian cheese shop. Alex has to admit: Henry really has a solid handle on his personal brand.
Casey McQuiston (Red, White & Royal Blue)
He laughed. And when he did, his face opened up entirely. His eyes carried the laughter; they filled with a kindness that was breathtaking.
Marjan Kamali (The Stationery Shop)
She found too much cheer undesirable, smacking of falseness. How did Americans keep up their good spirits day in, day out, year-round? It had to be the brand-shiny-newness of their country. It had to be all that freedom. No thousands of years' worth of stultifying rules to observe. Just easy-peasy rolling with the flow.
Marjan Kamali (The Stationery Shop)
So we stood on the corner by the stationery shop and were deeply insincere with each other. --The Tattered Cloak
Nina Berberova (The Tattered Cloak and Other Stories)
She was willing to accept a lot of things, but seeing her old lover for the first time in sixty years while wearing fat Eskimo boots was one of the few things she could not accept.
Marjan Kamali (The Stationery Shop)
The past was always there, lurking in the corners, winking at you when you thought you’d moved on, hanging on to your organs from the inside.
Marjan Kamali (The Stationery Shop)
She would not have understood, then, that time is not linear but circular. There is no past, present, future. Roya was the woman she was today and the seventeen-year-old girl in the Stationery Shop, always. She and Bahman were one, and she and Walter were united. Kyle was her soul and Marigold would never die. The past was always there, lurking in the corners, winking at you when you thought you'd moved on, hanging on to your organs from the inside.
Marjan Kamali (The Stationery Shop)
In the fog of jasmine, she kissed him. It was like landing somewhere she should have been all along, a different plane, soft and unbelievably seductive—a place completely theirs but one she’d never dared explore.
Marjan Kamali (The Stationery Shop)
You might think that the world is complicated and full of lost souls, that people who’ve touched your life and disappeared will never be found, but in the end all of that can change.
Marjan Kamali (The Stationery Shop)
Mr. Fakhri kept the shelves stocked with Persian classics and poetry and translations of literature from all over the world.
Marjan Kamali (The Stationery Shop)
No one can take that education away from you once you have it. [...] You can take your degree from the university and put it in your pocket and it will be there for the rest of your life.
Marjan Kamali (The Stationery Shop)
Roya’s favorite place in all of Tehran was the Stationery Shop. It was on the corner of Churchill Street and Hafez Avenue, opposite the Russian embassy and right across the street from her school.
Marjan Kamali (The Stationery Shop)
I grabbed his hand and dragged him down the street to a convenience shop. I abandoned him once inside and went down the stationery aisle. I'd already known I wanted to get him some colored pencils, but now I finally had the occasion to do it. Not long after I'd picked out a big box of them, I heard Rafael call out from another part of the store, "Trojans? Like The Iliad?" I didn't waste a second finding him and pulling him out of that aisle.
Rose Christo (Gives Light (Gives Light, #1))
One day she might forget the helplessness of standing there while words burned. One day she might be far away from this terror. But the smell of charred paper would always be part of her, embedded in her skin.
Marjan Kamali (The Stationery Shop)
Look at love How it tangles With the one fallen in love Look at spirit How it fuses with earth Giving it new life
Marjan Kamali (The Stationery Shop of Tehran)
From the moment I first started studying joy, it was clear that the liveliest places and objects all have one thing in common: bright, vivid color. Whether it’s a row of houses painted in bold swaths of candy hues or a display of colored markers in a stationery shop, vibrant color invariably sparks a feeling of delight.
Ingrid Fetell Lee (Joyful: The Surprising Power of Ordinary Things to Create Extraordinary Happiness)
Everything—every detail, every word, every second, every person—reminded Roya of Marigold. Except that reminded wasn’t the right word. Reminded meant that she had to forget to remember again. But she never forgot. Everything was linked to Marigold; nothing, really, could be separated from her ever.
Marjan Kamali (The Stationery Shop)
No mom to come home to, call on the phone, cook a favorite dish with. No mom to tell her that everything would be all right.
Marjan Kamali (The Stationery Shop of Tehran)
It is a love for which we never recover.
Marjan Kamali (The Stationery Shop)
Some things stay with you, haunt you. Some embers nestle into your skin.
Marjan Kamali (The Stationery Shop)
The minute I heard my first love story, I started looking for you, not knowing how blind that was.
Marjan Kamali (The Stationery Shop)
This time she didn’t add the obligatory exclamation mark that seemed necessary for covering up misery around here.
Marjan Kamali (The Stationery Shop)
Roya leaned against the shelves lined with books as Bahman talked, her back digging into the spines of poetry and politics. If he went on too long about representation and taxes and trade, she simply focused on his eyes, lost, but in the best of ways.
Marjan Kamali (The Stationery Shop)
How did Americans keep up their good spirits day in, day out, year-round? It had to be the brand-shiny-newness of their country. It had to be all that freedom. No thousands of years’ worth of stultifying rules to observe.
Marjan Kamali (The Stationery Shop)
When Kyle arrived, a small pocket of air had been let into their tightly wrapped bubble of privacy and pain.
Marjan Kamali (The Stationery Shop of Tehran)
peasy. See ya! Maybe there was something to these Americanisms. Breezy. Casual. They made everything seem like strawberry milkshakes and good times coming.
Marjan Kamali (The Stationery Shop)
What’s your favorite book?” “I don’t have one.” “Oh, it’s just that . . . I assumed you loved to read.” “I do. I mean I don’t have just one. Too many.
Marjan Kamali (The Stationery Shop)
His eyes were joyful and filled with hope. “I am fortunate to meet you,” he said.
Marjan Kamali (The Stationery Shop)
Behind the blue blazer he wore, Roya was aware of an innocence that most people would give anything to own. She envied him this simplicity, this lack of complication
Marjan Kamali (The Stationery Shop)
Ice frozen over a melted layer is even harder to break than before.
Marjan Kamali (The Stationery Shop)
They slipped briskly into an intimacy from which they never recovered. F. Scott Fitzgerald,
Marjan Kamali (The Stationery Shop)
There is nothing new in the world except the history you do not know. Harry Truman
Marjan Kamali (The Stationery Shop)
After the film, he had walked with her in the summer twilight. The sky was lavender and layered with shades of purple so varied, they seemed impossible.
Marjan Kamali (The Stationery Shop)
I told you, Roya Khanom. The boy wants to change the world. That requires rush.
Marjan Kamali (The Stationery Shop)
For that fraction of time, he was entirely hers.
Marjan Kamali (The Stationery Shop)
how different it would be if others weren’t always greedy for their oil. He wrote about how the British and the Russians competed for influence in their country.
Marjan Kamali (The Stationery Shop)
summer twilight that was so beautiful she ached. The sky was an eggplant purple, the clouds the color of bruises.
Marjan Kamali (The Stationery Shop)
This was the societal web of niceties and formalities and expected good female behavior that often suffocated her.
Marjan Kamali (The Stationery Shop)
Better than being here with your throat choked by a dictator and with a government that can shoot at will.
Marjan Kamali (The Stationery Shop)
An enormous amount of what she used to believe had been erased.
Marjan Kamali (The Stationery Shop of Tehran)
Rumi: The minute I heard my first love story, I started looking for you, not knowing how blind that was. Lovers don’t finally meet somewhere. They’re in each other all along.
Marjan Kamali (The Stationery Shop)
If only she could somehow shield him from danger, from loss, from grief.
Marjan Kamali (The Stationery Shop)
All of the sadness of the city came suddenly with the first cold rains of winter, and there were no more tops to the high white houses as you walked but only the wet blackness of the street and the closed doors of the small shops, the herb sellers, the stationery and the newspaper shops, the midwife—second class—and the hotel where Verlaine had died where you had a room on the top floor where you worked.
Ernest Hemingway (A Moveable Feast: The Restored Edition)
The Tintin look-alike who had sauntered into that California café, who said to her “Sound like a plan?” whose memories of lobster summers and sledding winters seemed like they’d come straight out of an American film at Cinema Metropole, soothed her.
Marjan Kamali (The Stationery Shop)
The truth is, my young lady, that fate has written the script for your destiny on your forehead from the very beginning. We can’t see it. But it’s there. And the young, who love so passionately, have no idea how ugly this world is.” He rested both hands on the counter. “This world is without compassion.
Marjan Kamali (The Stationery Shop)
Just months ago [...] She would not have understood [...] that time is not linear but circular. There is no past, present, future. Roya was the woman she was today and the seventeen-year-old girl in the Stationery Shop, always. She and Bahman were one, and she and Walter were united. Kyle was her soul and Marigold would never die.
Marjan Kamali (The Stationery Shop)
I can browse indefinitely in a stationer’s shop, indeed there is hardly anything in a good stationer’s which I do not like and want.
Iris Murdoch (The Black Prince)
Friends talked too much and Roya needed to be alone with her thoughts.
Marjan Kamali (The Stationery Shop of Tehran)
What had been strong and startling the first time morphed into something so tender even the flowers on the shrub could have carried it in their exquisite stamens, borne
Marjan Kamali (The Stationery Shop)
But she knew that the fate on his forehead was written with an ink she could not see and no amount of mothering or hovering or worrying could keep the dangers at bay.
Marjan Kamali (The Stationery Shop)
She cried so much these days, it felt invisible,
Marjan Kamali (The Stationery Shop)
She would not have understood, then, that time is not linear but circular.
Marjan Kamali (The Stationery Shop)
the worst thing in the world was to fall in love with someone who was in love with politics.
Marjan Kamali (The Stationery Shop)
1956
Marjan Kamali (The Stationery Shop)
His touch startled her and yet was strangely comforting.
Marjan Kamali (The Stationery Shop)
Maybe old love just ran through the decades unfettered, unimpeded, even when denied.
Marjan Kamali (The Stationery Shop)
She found too much good cheer undesirable, smacking of falseness.
Marjan Kamali (The Stationery Shop of Tehran)
a different plane, soft and unbelievably seductive—a place completely theirs
Marjan Kamali (The Stationery Shop)
This was how it would be now. People would apologize for the presence of their children, tuck away their happiness from her, become self-conscious of their joy. This was her new destiny.
Marjan Kamali (The Stationery Shop)
The years had had the audacity to pass by. It had been decades since Marigold had died of the croup, and decades since Mossadegh was overthrown in the coup. The world was something else entirely.
Marjan Kamali (The Stationery Shop)
One day she might forget the helplessness of standing there while words burned. One day she might be far away from this terror. But the smell of charred paper would always be part of her, embedded in her skin. As she stood in front of the burning shop, she remembered the traditional bonfires lit before Persian new Year, how she and Zari jumped over the flames squealing with joy, their faces flushed from the heat, their hearts soaring. Soon there would be nothing.
Marjan Kamali (The Stationery Shop)
She pressed her cheek against his heart and lay there, grateful for the time she’d had with him, however short or long it had been, grateful she had known him, grateful that once, when she was young, she had experienced a love so strong that it did not go away, that decades and distance and miles and children and lies and letters could never make it disappear. She held him in her arms and said to him all she needed to say. For that fraction of time, he was entirely hers.
Marjan Kamali (The Stationery Shop)
We are, I think, a lost cause in this country. What did our generation learn that summer? That even if we did all the right things to bring about political change, in one day, one afternoon, foreign powers and corrupt Iranians could destroy it all.
Marjan Kamali (The Stationery Shop)
I don’t know how he intends on changing the world. He walks too fast. He’s not very polite. He whistles for no reason! He barely spoke to you the other time he came in here last Tuesday. He acts like he’s so important. His hair is funny. I’m not quite sure how a boy like that will change the world
Marjan Kamali (The Stationery Shop)
Everybody make words,' he continued. 'Everybody write things down. Children in school do lessons in my books. Teachers put grades in my books. Love letters sent in envelopes I sell. Ledgers for accountants, pads for shopping lists, agendas for planning week. Everything in here important to life, and that make me happy, give honour to my life.' The man delivered his little speech with such solemnity, such a grave sense of purpose and commitment, I confess that I felt moved. What kind of stationery store owner was this, I wondered, who expounded to his customers on the metaphysics of paper, who saw himself as serving an essential role in the myriad affairs of humanity? There was something comical about it, I suppose, but as I listened to him talk, it didn't occur to me to laugh.
Paul Auster
He insisted on clearing the table, and again devoted himself to his game of patience: piecing together the map of Paris, the bits of which he’d stuffed into the pocket of his raincoat, folded up any old how. I helped him. Then he asked me, straight out, ‘What would you say was the true centre of Paris?’ I was taken aback, wrong-footed. I thought this knowledge was part of a whole body of very rarefied and secret lore. Playing for time, I said, ‘The starting point of France’s roads . . . the brass plate on the parvis of Notre-Dame.’ He gave me a withering look. ‘Do you take for me a sap?’ The centre of Paris, a spiral with four centres, each completely self-contained, independent of the other three. But you don’t reveal this to just anybody. I suppose - I hope - it was in complete good faith that Alexandre Arnoux mentioned the lamp behind the apse of St-Germain-l’Auxerrois. I wouldn’t have created that precedent. My turn now to let the children play with the lock. ‘The centre, as you must be thinking of it, is the well of St-Julien-le-Pauvre. The “Well of Truth” as it’s been known since the eleventh century.’ He was delighted. I’d delivered. He said, ‘You know, you and I could do great things together. It’s a pity I’m already “beyond redemption”, even at this very moment.’ His unhibited display of brotherly affection was of childlike spontaneity. But he was still pursuing his line of thought: he dashed out to the nearby stationery shop and came back with a little basic pair of compasses made of tin. ‘Look. The Vieux-Chene, the Well. The Well, the Arbre-a-Liege On either side of the Seine, adhering closely to the line he’d drawn, the age-old tavern signs were at pretty much the same distance from the magic well. ‘Well, now, you see, it’s always been the case that whenever something bad happens at the Vieux-Chene, a month later — a lunar month, that is, just twenty-eight days — the same thing happens at old La Frite’s place, but less serious. A kind of repeat performance. An echo Then he listed, and pointed out on the map, the most notable of those key sites whose power he or his friends had experienced. In conclusion he said, ‘I’m the biggest swindler there is, I’m prepared to be swindled myself, that’s fair enough. But not just anywhere. There are places where, if you lie, or think ill, it’s Paris you disrespect. And that upsets me. That’s when I lose my cool: I hit back. It’s as if that’s what I was there for.
Jacques Yonnet (Paris Noir: The Secret History of a City)
Mrs. Cassidy has been searching for years now, not for a link to the British Crown, but to find an outlaw in her family tree. To quote her, ‘Those who stray outside the law are often more interesting than those who adhere to it.
Vivian Conroy (Last Pen Standing (Stationery Shop Mystery #1))
He would get out of the car to make sure her knitted scarf protected her nose and mouth against the wind. And they would climb the steps of the gray building labeled “Duxton Senior Center.” Inside, a blonde administrator would lead Roya to a hall where a man in a wheelchair sat by the window. And she would see once again the boy, whom she once believed would always be hers.
Marjan Kamali (The Stationery Shop)
The only establishment that could rival a bookshop or a library, in my opinion, was a good stationery shop.
Evie Woods (The Lost Bookshop)
how to make notes ========== Life Is What You Make It A Story Of Love, Hope And How Determination Can Overcome Even Destiny (Preeti Shenoy) - Your Highlight at location 1584-1589 | Added on Monday, 15 June 2015 11:21:47 wanted to share my ‘colour coded’ way of remembering things with everybody, so they too could benefit. I felt like I had stumbled upon a great secret and my discovery would be hailed. I pictured it being used in schools, colleges and everywhere else as a new memory technique. I wondered why nobody else had thought of such a simple but brilliant technique earlier. As I was waiting for him to finish making the photocopies, my eyes chanced upon small glittering stickers of cartoon characters like Tw eety bird, Fairies and Garfield and some Disney characters, which children use to decorate their books and other objects. I thought the stickers would make a nice finishing touch and I bought twenty sheets. I also came across some very beautiful printed stationery and could not resist buying about eight packets of writing sheets. They looked very beautiful and ========== Life Is What You Make It A Story Of Love, Hope And How Determination Can Overcome Even Destiny (Preeti Shenoy) - Your Note at location 1596 | Added on Monday, 15 June 2015 11:24:46 cont. how to make notes ========== Life Is What You Make It A Story Of Love, Hope And How Determination Can Overcome Even Destiny (Preeti Shenoy) - Your Highlight at location 1590-1596 | Added on Monday, 15 June 2015 11:24:46 I also looked around the shop and discovered some water colours. I had last painted with water colours only in school. On an impulse, I bought a set of water colours and a set of brushes as well. It was like an urgent impulse inside my head that was driving me to buy all this stuff. They seemed absolutely essential. I reached home armed with my large bag of purchases and unpacked them carefully and arranged them all on my desk. Then I sat down and decorated the corners of each set of notes with tiny stickers of cartoon characters. I used highlighter pens and highlighted each set of the notes in my colour coded way with green, purple and orange. There were seventy sets to finish and I was like a woman possessed. I stayed up the whole night doing just this. I was a reservoir of energy. I just couldn' t stop. Strangely I did not feel even a little tired. ========== Life Is What You Make It A Story Of Love, Hope And How Determination Can Overcome Even Destiny (Preeti Shenoy) - Your Highlight at location 1617-1617 | Added on Monday, 15 June 2015 11:55:29 uncannily ========== Life Is What You Make It A Story Of Love, Hope And How Determination Can Overcome Even Destiny (Preeti Shenoy) - Your Highlight at location 1650-1650 | Added on Monday, 15 June 2015 14:48:08 besotted ========== Life Is What You Make It A Story Of Love, Hope And How Determination Can Overcome Even Destiny (Preeti Shenoy) - Your Highlight at location
Anonymous
ake an hour or so at a discount card shop or dollar store and load up on all kinds of greeting cards-birthday, anniversary, friends, and pets. Store them in a convenient place and use them as special occasions arise. You'll save a lot of time by having them when you need them. ave a "gift shelf" in your home. Load it up with boxes of stationery, stuffed toys, small items-whatever is useful and on sale so when occasions arise, you'll be ready. When grandchildren drop by, let them pick a little gift off your shelf he Bible says, "Submit to one another out of reverence for Christ" (Ephesians 5:21). The Bible also says we're to live in harmony and love. Here are a few thoughts to contemplate. • A good marriage is not a gift; it's an achievement by God's grace. • Marriage is not for children; it takes guts and maturity. • Marriage is tested daily by the ability to compromise. • Being a family means giving, and-more importantly-forgiving. • It's time for parents to take charge of their families and redeem them for the Lord.
Emilie Barnes (365 Things Every Woman Should Know)
I don’t want to be a secretary.” She thought of Patricia in her pencil skirts and tight sweaters typing for men at the bank, seething with thwarted ambition.
Marjan Kamali (The Stationery Shop)
As for the smells I associate with her, I was a bit of a swot too, so I love all the stationery aromas: the woody/metallic aroma of pencil shavings, the flat winey smell of ink, the sticky sweetness of a leaking biro and- my favorite- the almost talcum-powder softness of a new exercise book. For her veggie diet there is the powerful grassiness of leafy vegetables, the caramel of sweet potatoes, carrots and beetroots roasting, and the sulfurous note of brassicas. The nutty starchiness of brown rice and other whole grains. The green tang of fresh herbs, warm ginger. The bite of garlic and the spiciness of coriander seeds, cardamom, turmeric and chili. White flowers for her youthful freshness and lemon for her mental sharpness. So my scents for a daughter are: Gold Heart v. 4 by Map of the Heart Botanical Essence No. 20 Rose by Liz Earle (it has a carrot seed note in it) Wild Green by Bronley White Musk by The Body Shop Neroli by Annick Goutal Cristalle by Chanel
Maggie Alderson (The Scent of You)
she had been painstaking in her scholarship, re-copying from manuscript instead of relying on her mother’s transcriptions, but in the many instances of poems jotted illegibly on cast-off scraps (on the inside of used envelopes—a favourite source of paper—on tiny bits of stationery pinned together, on discarded bills, on invitations and programmes, on leaves torn from old notebooks, on brown paper bags, on soiled, mildewed subscription blanks, on drugstore bargain flyers, on a wrapper of Chocolat Menier, on the reverse of recipes, on shopping lists and on the cut-off margins of newspapers),
Lyndall Gordon (Lives Like Loaded Guns: Emily Dickinson and Her Family's Feuds)
I told you, Roya Khanom. The boy wants to change the world. That requires rush.” Mr. Fakhri picked up a rag and dusted his countertop. “It requires vigilance.
Marjan Kamali (The Stationery Shop)
I don’t want you to think you have to be afraid of it. It’s just people. People like us. It’s all we have. You know?
Marjan Kamali (The Stationery Shop)
It was practically 1960, but it seemed that everywhere she went, male applicants got preference.
Marjan Kamali (The Stationery Shop)
She would not have understood, then, that time is not linear but circular. There is no past, present, future.
Marjan Kamali (The Stationery Shop)
in terms that ignored the claims of the Dickinson camp: she had been painstaking in her scholarship, re-copying from manuscript instead of relying on her mother’s transcriptions, but in the many instances of poems jotted illegibly on cast-off scraps (on the inside of used envelopes—a favourite source of paper—on tiny bits of stationery pinned together, on discarded bills, on invitations and programmes, on leaves torn from old notebooks, on brown paper bags, on soiled, mildewed subscription blanks, on drugstore bargain flyers, on a wrapper of Chocolat Menier, on the reverse of recipes, on shopping lists and on the cut-off margins of newspapers), the editor had been daunted for a long time and it was only in the last three years that she had brought herself to decipher these.
Lyndall Gordon (Lives Like Loaded Guns: Emily Dickinson and Her Family's Feuds)
Twelve months Leila had lived that Marigold would never have. Everything—every detail, every word, every second, every person—reminded Roya of Marigold. Except that reminded wasn’t the right word. Reminded meant that she had to forget to remember again. But she never forgot. Everything was linked to Marigold;
Marjan Kamali (The Stationery Shop of Tehran)
You’ve seen him, what, six times?” “We’ve seen each other for months now, thank you. And anyway, time is irrelevant.” “Oh, Sister!” Zari stopped and looked at Roya with pity. “Time is the only thing that is relevant. You can’t pin your hopes on that boy.
Marjan Kamali (The Stationery Shop)
There’s a fine line between concern and curiosity.
Vivian Conroy (Last Pen Standing (Stationery Shop Mystery #1))
But when people read the news, they believe it’s the truth. I mean, when he has someone tell their opinion, people repeat that opinion like fact. Because they are led to believe it represents the actual situation.
Vivian Conroy (Last Pen Standing (Stationery Shop Mystery #1))