Started From Scratch Quotes

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Hollywood is bigger down right now by sequels, by the uninspired. Well, my M.O. is a two-hour feast for your senses. That means starting the concept of filmmaking from scratch, making it your own.
Lee Matthew Goldberg (Slow Down)
A rumor is a social cancer: it is difficult to contain and it rots the brains of the masses. However, the real danger is that so many people find rumors enjoyable. That part causes the infection. And in such cases when a rumor is only partially made of truth, it is difficult to pinpoint exactly where the information may have gone wrong. It is passed on and on until some brave soul questions its validity; that brave soul refuses to bite the apple and let the apple eat him. Forced to start from scratch for the sake of purity and truth, that brave soul, figuratively speaking, fully amputates the information in order to protect his personal judgment. In other words, his ignorance is to be valued more than the lie believed to be true.
Criss Jami (Killosophy)
No one lives long enough to learn everything they need to learn starting from scratch. To be successful, we absolutely, positively have to find people who have already paid the price to learn the things that we need to learn to achieve our goals.
Brian Tracy
This is what you do. If you feel low, you stand tall. You mess up, you move on. You want to try something, try it, and if it was a stupid thing to try, you look it in the eye. There's no turning back. You apologize if you're sorry, but know that the nimblest, strongest hands can't rebuild a bridge out of embers, so cut new wood. Start from scratch. You love with your whole heart. If you're jealous, talk yourself from the ledge. If you can't talk yourself down from the ledge, have a good time up there, looking down on the world. If you have to lie to make everything true again, lie like you mean it. If you find yourself in a cage, reach out through the bars for the key, unlock the door, and run away. If running away gets dangerous, run home. If home doesn't mean what it used to mean, decide what home will be in the future. If your best friend says she doesn't trust you, hold her jaw in your hand until it hurts, and make her face you. Thats all it takes. If you think you love a guy, see how his hand looks in yours, thats all it takes. If you get exiled into a new land, then go discover it. And if you feel like you're drowning, go swimming.
Hobson Brown
Don't you ever feel like, what if the world really IS messed up? What if we COULD Do it all over again from scratch? No more war. Nobody homeless. No more summer reading homework. 'm listening. Annabeth: I mean, the West represents a lot of the best things mankind ever did--that's why the fire is still burning. That's why OlympusIs still around. But sometimes you just see the bad stuff, you know? And you start thinking the way Luke does: 'If I could tear this all down, i would do it better.'. Don't you ever feel that way? Like YOU could do a better job I'd you ran the world? Percy:Um...no. Me running the world would be kind of a nightmare. Annabeth: then you're lucky. Hubris isn't your fatal flaw. Percy: what is? Annabeth: I don't know, Percy, but every hero has one. If you don't find it and learn to control it...well, they don't call it 'fatal' for nothing. Percy(thinking to himself): I thought about that. It didn't exactly cheer me up.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
You’re never too old, never too bad, never too late and never too sick to start from the scratch once again.
Bikram Choudhury
They were now both ready, not to begin from scratch, but to continue with a love that had survived for thirteen years in hibernation. They were no longer travellers without baggage. They were no longer twenty. They'd both been around the block a bit and had suffered without the other. They'd both lost their way without the other.  Each had tried to find love with other people. But all that was now finished.
Guillaume Musso (Que serais-je sans toi?)
But the question that everyone wanted answered was whether I would have the nerve and the strength to start the whole process from scratch. I said yes; otherwise I would be someone who had no dream left, and without dreams I would not want to live.
Werner Herzog (Conquest of the Useless: Reflections from the Making of Fitzcarraldo)
The way you move is incredible.” Ren drew me back to press against him. His fingers slid down to the curve of my hips, rocking our bodies in rhythm with the heavy bass. The sensation of being molded against the hard narrow line of his hips threatened to overwhelm me. We were hidden in the mass of people, right? The Keepers couldn’t see? I tried to steady my breath as Ren kept us locked together in the excruciatingly slow pulse of the music. I closed my eyes and leaned back into his body; his fingers kneaded my hips, caressed my stomach. God, it felt good. My lips parted and the misty veil slipped between them, playing along my tongue. The taste of flower buds about to burst into bloom filled my mouth. Suddenly I wanted nothing more than to melt into Ren. The surge of desire terrified me. I had no idea if the compulsion to draw him more tightly around my body emerged from my own heart or from the succubi’s spellcraft. This couldn’t happen! I started to panic when he bent his head, pressing his lips against my neck. My eyes fluttered and I struggled to focus despite the suffocating heat that pressed down all around me. His sharpened canines traced my skin, scratching but not breaking the surface. My body quaked and I pivoted in his arms, pushing against his chest, making space between us. “I’m a fighter, not a lover,” I gasped. “You can’t be both?” His smile made my knees buckle.
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
AWESOME. In fact, I’m starting a whole movement right now. The FURIOUSLY HAPPY movement. And it’s going to be awesome because first of all, we’re all going to be VEHEMENTLY happy, and secondly because it will freak the shit out of everyone that hates you because those assholes don’t want to see you even vaguely amused, much less furiously happy, and it will make their world turn a little sideways and will probably scare the shit out of them. Which will make you even more happy. Legitimately. Then the world tips in our favor. Us: 1. Assholes: 8,000,000. That score doesn’t look as satisfying as it should because they have a bit of a head start. Except you know what? Fuck that. We’re starting from scratch. Us: 1. Assholes: 0.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
Hubris means deadly pride, Percy. Thinking you can do things better than anyone else... even the gods.' 'You feel that way?' She [Annabeth] looked down. 'Don't you ever feel like, what if the world really is messed up? What if we could do it all over again from scratch? No more war. Nobody homeless. No more summer reading homework.' 'I'm listening.' 'I mean, the West represents a lot of the best things mankind ever did - that's why the fire is still burning. That's why Olympus is still around. But sometimes you just see the bad stuff, you know? And you start thinking the way Luke does: "If I could tear this all down, I would do it better." Don't you ever feel that way? Like you could do a better job if you ran the world?
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
Once again, I don’t quite know where I’m headed Steph. It seems that every few years I’m shoveling up the pieces of my life and starting from scratch all over. No matter what I do or how hard I try I can’t seem to reach the dizzy heights of happiness, success, and security, like so many people do. And I’m not talking about becoming a millionaire and living happily ever after. I just mean reaching a point in my life that I can stop what I’m doing, take a look around me, breathe a sigh of relief, and think “I’m where I want to be now.
Cecelia Ahern (Love, Rosie)
Frequency makes starting easier. Getting started is always a challenge. It’s hard to start a project from scratch, and it’s also hard each time you re-enter a project after a break. By working every day, you keep your momentum going.
Jocelyn K. Glei (Manage Your Day-To-Day: Build Your Routine, Find Your Focus, and Sharpen Your Creative Mind)
Natural selection is not a master engineer, but a tinkerer. It doesn't produce the absolute perfection achievable by a designer starting from scratch, but merely the best it can do with what is has to work with.
Jerry A. Coyne (Why Evolution Is True)
I'd hoped the language might come on its own, the way it comes to babies, but people don't talk to foreigners the way they talk to babies. They don't hypnotize you with bright objects and repeat the same words over and over, handing out little treats when you finally say "potty" or "wawa." It got to the point where I'd see a baby in the bakery or grocery store and instinctively ball up my fists, jealous over how easy he had it. I wanted to lie in a French crib and start from scratch, learning the language from the ground floor up. I wanted to be a baby, but instead, I was an adult who talked like one, a spooky man-child demanding more than his fair share of attention. Rather than admit defeat, I decided to change my goals. I told myself that I'd never really cared about learning the language. My main priority was to get the house in shape. The verbs would come in due time, but until then I needed a comfortable place to hide.
David Sedaris
Concerning trees and leaves... there's a real power here. It is amazing that trees can turn gravel and bitter salts into these soft-lipped lobes, as if I were to bite down on a granite slab and start to swell, bud and flower. Every year a given tree creates absolutely from scratch ninety-nine percent of its living parts. Water lifting up tree trunks can climb one hundred and fifty feet an hour; in full summer a tree can, and does, heave a ton of water every day. A big elm in a single season might make as many as six million leaves, wholly intricate, without budging an inch; I couldn't make one. A tree stands there, accumulating deadwood, mute and rigid as an obelisk, but secretly it seethes, it splits, sucks and stretches; it heaves up tons and hurls them out in a green, fringed fling. No person taps this free power; the dynamo in the tulip tree pumps out even more tulip tree, and it runs on rain and air.
Annie Dillard
CARL SAGAN SAID that if you want to make an apple pie from scratch, you must first invent the universe. When he says “from scratch,” he means from nothing. He means from a time before the world even existed. If you want to make an apple pie from nothing at all, you have to start with the Big Bang and expanding universes, neutrons, ions, atoms, black holes, suns, moons, ocean tides, the Milky Way, Earth, evolution, dinosaurs, extinction- level events, platypuses, Homo erectus, Cro- Magnon man, etc. You have to start at the beginning. You must invent fire. You need water and fertile soil and seeds. You need cows and people to milk them and more people to churn that milk into butter. You need wheat and sugar cane and apple trees. You need chemistry and biology. For a really good apple pie, you need the arts. For an apple pie that can last for generations, you need the printing press and the Industrial Revolution and maybe even a poem.To make a thing as simple as an apple pie, you have to create the whole wide world.
Nicola Yoon (The Sun Is Also a Star)
Happiness is not a destination: Being happy takes constant weeding, a tending of emotions and circumstances as they arise. There’s no happily ever after, or any one person or place that can bring happiness. It takes work to be calm in the midst of turmoil. But releasing the need to control it—well, that’s a start.
Sasha Martin (Life From Scratch: A Memoir of Food, Family, and Forgiveness)
Don’t be afraid to start over again. This time you’re not starting from scratch, you’re starting from experience.
Unknown Author
Some have ideas. You know how old chickens scratch and gabble. That's how the tales started, all the gossip, the wondering, all the things people said without knowing and then believed, since they heard it with their own ears, from their own lips, each word.
Louise Erdrich (Tracks (Love Medicine. #3))
Every time you said it, you really said it. It wasn't like a sequel where Hollywood just lines up the same actors and hopes it works again. It was like a remake with a new director and crew trying something else and starting from scratch.
Daniel Handler (Why We Broke Up)
Laine slowly rolled out of bed. The queen size was one of the few new things in the house. But now, even the new bed felt tainted. It was an inner-spring monument to lies, a petri dish of mendacity she had shared with her faithless husband, and shared now with creeping dreams that flew from the light but left harsh scratches and diseased black feathers. Laine promised herself that, as soon as, she could, she would rid herself of this house, this bed, her clothes, her jewelry - everything but the flesh she lived in. She would scrub herself clean and flee to start a new life whose first and only commandment would be: Never let thyself be lied to again.
Stephen M. Irwin (The Dead Path)
No historical movement can leap outside of history and start from scratch.
Martin Heidegger (Nietzsche, Volume 1: The Will to Power as Art)
A complex system that works is invariably found to have evolved from a simple system that worked. A complex system designed from scratch never works and cannot be patched up to make it work. You have to start over with a working simple system
John Gall (The Systems Bible: The Beginner's Guide to Systems Large and Small)
I want to talk about creating your life. There’s a quote I love, from the poet Mary Oliver, that goes: Tell me, what is it you plan to do with your one wild and precious life? I so clearly remember what it was like, being young and always in the grip of some big fat daydream. I wanted to be a writer always, but more than that, I wanted to have an extraordinary life. I’m sure I dreamed it a million different ways, and that plenty of them were ridiculous, but I think the daydreams were training for writing, and I also think they spurred me to pursue my dreams for real. Daydreaming, however awesome it is, is passive. It happens in your head. Learning to make dreams real is another matter, and I think it should be the work of your life. Everyone’s life, whatever their dream (unless their dream is to be an axe murderer or something.) It took me a while to finish a book. Too long. And you know, it doesn’t matter how good a writer you are unless you finish what you start! I think this is the hardest part for most people who want to write. I was in my mid-30s before I figured it out. The brain plays tricks. You can be convinced you’re following your dream, or that you’re going to start tomorrow, and years can pass like that. Years. The thing is, there will be pressure to adjust your expectations, always shrinking them, shrinking, shrinking, until they fit in your pocket like a folded slip of paper, and you know what happens to folded slips of paper in your pocket. They go through the wash and get ruined. Don’t ever put your dream in your pocket. If you have to put it somewhere, get one of those holsters for your belt, like my dad has for his phone, so you can whip it out at any moment. Hello there, dream. Also, don’t be realistic. The word “realistic” is poison. Who decides? And “backup plan” is code for, “Give up on your dreams,” and everyone I know who put any energy into a backup plan is now living that backup plan instead of their dream. Put all your energy into your dream. That’s the only way it will ever become real. The world at large has this attitude, “What makes you so special that you think you deserve an extraordinary life?” Personally, I think the passion for an extraordinary life, and the courage to pursue it, is what makes us special. And I don’t even think of it as an “extraordinary life” anymore so much as simple happiness. It’s rarer than it should be, and I believe it comes from creating a life that fits you perfectly, not taking what’s already there, but making your own from scratch. You can let life happen to you, or you can happen to life. It’s harder, but so much better.
Laini Taylor
You promised to be on your best behavior,” I reminded him, breathless. “You kissed me,” he growled. His voice had gone very deep. “Well, but you started it by kissing my neck.” “True. I hadn't planned that.” His sultry voice, paired with those blazing eyes, told me I needed to get away from him. I hurried to the end of the bed, where I jumped off and began to pace back and forth, yanking out my loose hairband and pulling my hair back into a tight ponytail. I tried hard not to think about the taste of his lips. I'd had my first kiss, and I'd never be the same. “Why did you stop?” he asked. “Because you were moving on to other things.” He scratched his chin and cheek. “Hmm, moved too quickly. Rookie mistake.” I crossed my arms again, watching him speculate internally like a coach outlining a play that had gone wrong. Incredible. Then he sized me up in his sights again. “But I can see you still want me.” I gave him my meanest stare, but it was hard to look at him. Gosh, he was hot! And a total player. The kiss meant nothing to him. “Oh,” he said with mock sadness, “there it goes. Mad instead? Well, sort of. You can't seem to muster a really good anger—” “Stop it!” “Sorry, was I saying that out loud?” “I can read people, too, you know. Well, not you, but at least I have the decency to try not to notice, to give them some sort of emotional privacy!” “Yes, how very decent of you.” He hadn't moved from his languid position on my bed. I leaned forward, grabbing a pillow and throwing it at him. “Pillow fight?” He raised an eyebrow. “Get off my bed. Please. I'm ready to go to sleep.
Wendy Higgins (Sweet Evil (Sweet, #1))
There are some people who remain your best friends even if you haven’t seen them for ages, and others with whom you start from scratch every time.
Francine Prose (Lovers at the Chameleon Club, Paris 1932)
Would it insult you if I used your alphabet? I don't think I could start from scratch.
Clay Griffith
I want to go home. But not to my apartment home, to my thirteen‑years‑ago home, to my hug‑my‑mother home, say I will make her proud, apologize, explain I can do better this time, be in my bed, be in my room, look at a magazine, plan my day, start not from scratch but just a little bit back, make different decisions, try to cultivate confidence, try not to coddle bad thoughts, be better, take the right things seriously, not say the things I said to James, try to hold on to a job, monitor my expectations earlier. Bring them way down.
Halle Butler (The New Me)
It is well known that stone can think, because the whole of electronics is based on that fact, but in some universes men spend ages looking for other intelligences in the sky without once looking under their feet. That is because they've got the time-span all wrong. From stone's point of view the universe is hardly created and mountain ranges are bouncing up and down like organ-stops while continents zip backward and forward in general high spirits, crashing into each other from the sheer joy of momentum and getting their rocks off. It is going to be quite some time before stone notices its disfiguring skin disease and starts to scratch, which is just as well.
Terry Pratchett (Equal Rites (Discworld, #3; Witches, #1))
Whenever you give up an apartment in New York and move to another city, New York turns into the worst version of itself. Someone I know once wisely said that the expression "It's a nice place to visit, but I wouldn't want to live there" is completely wrong where New York is concerned; the opposite is true. New York is a very livable city. But when you move away and become a vistor, the city seems to turn against you. It's much more expensive (because you need to eat all your meals out and pay for a place to sleep) and much more unfriendly. Things change in New York; things change all the time. You don't mind this when you live here; when you live here, it's part of the caffeinated romance to this city that never sleeps. But when you move away, your experience change as a betrayal. You walk up Third Avenue planning to buy a brownie at a bakery you've always been loyal to, and the bakery's gone. Your dry cleaner move to Florida; your dentist retires; the lady who made the pies on West Fourth Street vanishes; the maitre d' at P.J. Clarke's quits, and you realize you're going to have to start from scratch tipping your way into the heart of the cold, chic young woman now at the down. You've turned your back from only a moment, and suddenly everything's different. You were an insider, a native, a subway traveler, a purveyor of inside tips into the good stuff, and now you're just another frequent flyer, stuck in a taxi on Grand Central Parkway as you wing in and out of La Guardia. Meanwhile, you rad that Manhattan rents are going up, they're climbing higher, they're reached the stratosphere. It seems that the moment you left town, they put a wall around the place, and you will never manage to vault over it and get back into the city again.
Nora Ephron (I Feel Bad About My Neck and Other Thoughts on Being a Woman)
Great meals rarely start at points that all look like beginnings. They usually pick up where something else leaves off. This is how most of the best things are made - imagine if the world had to begin from scratch each dawn: a tree would never grow, nor would we ever get to see the etchings of gentle rings on a clamshell... Meals' ingredients must be allowed to topple into one another like dominos. Broccoli stems, their florets perfectly boiled in salty water, must be simmered with olive oil and eaten with shaved Parmesan on toast; their leftover cooking liquid kept for the base for soup, studded with other vegetables, drizzled with good olive oil, with the rind of the Parmesan added for heartiness. This continuity is the heart and soul of cooking.
Tamar Adler (An Everlasting Meal: Cooking with Economy and Grace)
On the fourth day, we came upon a cavern with a perfectly still pool that gave the illusion of a night sky, its depths sparkling with tiny luminescent fish. Mal and I were slightly ahead of the others. He dipped his hand in, then yelped and drew back. “They bite.” “Serves you right,” I said. “‘Oh, look, a dark lake full of something shiny. Let me put my hand in it.’” “I can’t help being delicious,” he said, that familiar cocky grin flashing across his face like light over water. Then he seemed to catch himself. He shouldered his pack, and I knew he was about to move away from me. I wasn’t sure where the words came from: “You didn’t fail me, Mal.” He wiped his damp hand on his thigh. “We both know better.” “We’re going to be traveling together for who knows how long. Eventually, you’re going to have to talk to me.” “I’m talking to you right now.” “See? Is this so terrible?” “It wouldn’t be,” he said, gazing at me steadily, “if all I wanted to do was talk.” My cheeks heated. You don’t want this, I told myself. But I felt my edges curl like a piece of paper held too close to fire. “Mal—” “I need to keep you safe, Alina, to stay focused on what matters. I can’t do that if . . .” He let out a long breath. “You were meant for more than me, and I’ll die fighting to give it to you. But please don’t ask me to pretend it’s easy.” He plunged ahead into the next cave. I looked down into the glittering pond, the whorls of light in the water still settling after Mal’s brief touch. I could hear the others making their noisy way through the cavern. “Oncat scratches me all the time,” said Harshaw as he ambled up beside me. “Oh?” I asked hollowly. “Funny thing is, she likes to stay close.” “Are you being profound, Harshaw?” “Actually, I was wondering, if I ate enough of those fish, would I start to glow?” I shook my head. Of course one of the last living Inferni would have to be insane. I fell into step with the others and headed into the next tunnel. “Come on, Harshaw,” I called over my shoulder. Then the first explosion hit.
Leigh Bardugo (Ruin and Rising (Shadow and Bone, #3))
Sometimes it's just easier to go along with things. It's easier than breaking it all up and starting from scratch.
Samantha Downing (My Lovely Wife)
90% of new business fail in the first three months of launching, due to lack of proper planning, wrong selection of niche/products and marketing platform.
K. Raveendran (How to Start a New Business from Scratch and Skyrocket your Income in 9 Easy Steps)
What if something were to happen? What if something suddenly started throbbing? Then they would notice it was there and they'd think their hearts were going to burst. Then what good would their dykes, bulwarks, power houses, furnaces and pile drivers be to them? It can happen any time, perhaps right now: the omens are present. For example, the father of a family might go out for a walk, and, across the street, he'll see something like a red rag, blown towards him by the wind. And when the rag has gotten close to him he'll see that it is a side of rotten meat, grimy with dust, dragging itself along by crawling, skipping, a piece of writhing flesh rolling in the gutter, spasmodically shooting out spurts of blood. Or a mother might look at her child's cheek and ask him: "What's that, a pimple?" and see the flesh puff out a little, split, open, and at the bottom of the split an eye, a laughing eye might appear. Or they might feel things gently brushing against their bodies, like the caresses of reeds to swimmers in a river. And they will realize that their clothing has become living things. And someone else might feel something scratching in his mouth. He goes to the mirror, opens his mouth: and his tongue is an enormous, live centipede, rubbing its legs together and scraping his palate. He'd like to spit it out, but the centipede is a part of him and he will have to tear it out with his own hands. And a crowd of things will appear for which people will have to find new names, stone eye, great three cornered arm, toe crutch, spider jaw. And someone might be sleeping in his comfortable bed, in his quiet, warm room, and wake up naked on a bluish earth, in a forest of rustling birch trees, rising red and white towards the sky like the smokestacks of Jouxtebouville, with big bumps half way out of the ground, hairy and bulbous like onions. And birds will fly around these birch trees and pick at them with their beaks and make them bleed. Sperm will flow slowly, gently, from these wounds, sperm mixed with blood, warm and glassy with little bubbles.
Jean-Paul Sartre (Nausea)
I love you." Every time you said it, you really said it. It wasn’t like a sequel where Hollywood just lines up the same actors and hopes it works again. It was like a remake with a new director and crew trying something else and starting from scratch.
Daniel Handler (Why We Broke Up)
All your life you was one thing. And now you can be something else if you want! Somebody completely different. You can actually start yourself over from scratch. Turn yourself into what you have always wanted to be!
Adriana Trigiani (Big Stone Gap (Big Stone Gap, #1))
Once again, I don't quite know where I'm headed, Steph. It seems that every few years I'm shoveling up the pieces of my life and starting from scratch all over. No matter what I do or how hard I try I can;t seem to reach the dizzy heights of happiness, success, and security. like so many people do. And I'm not talking about becoming a millionaire and living happily ever after. I just mean reaching a point in my life that I can stop what I;m doing, take a look around me, breathe a sigh of relief and think: I'm where I want to be now.
Cecelia Ahern (Where Rainbows End)
Habits are undeniably useful tools, relieving us of the need to run a complex mental operation every time we’re confronted with a new task or situation. Yet they also relieve us of the need to stay awake to the world: to attend, feel, think, and then act in a deliberate manner. (That is, from freedom rather than compulsion.) If you need to be reminded how completely mental habit blinds us to experience, just take a trip to an unfamiliar country. Suddenly you wake up! And the algorithms of everyday life all but start over, as if from scratch. This is why the various travel metaphors for the psychedelic experience are so apt. The efficiencies of the adult mind, useful as they are, blind us to the present moment. We’re constantly jumping ahead to the next thing. We approach experience much as an artificial intelligence (AI) program does, with our brains continually translating the data of the present into the terms of the past, reaching back in time for the relevant experience, and then using that to make its best guess as to how to predict and navigate the future. One of the things that commends travel, art, nature, work, and certain drugs to us is the way these experiences, at their best, block every mental path forward and back, immersing us in the flow of a present that is literally wonderful—wonder being the by-product of precisely the kind of unencumbered first sight, or virginal noticing, to which the adult brain has closed itself. (It’s so inefficient!) Alas, most of the time I inhabit a near-future tense, my psychic thermostat set to a low simmer of anticipation and, too often, worry. The good thing is I’m seldom surprised. The bad thing is I’m seldom surprised.
Michael Pollan (How to Change Your Mind: What the New Science of Psychedelics Teaches Us About Consciousness, Dying, Addiction, Depression, and Transcendence)
The Qur’an sought to reform, not to destroy and start from scratch, to salvage what was useful and then to modify and build on it. The task was to get the Arabs to think about religion in a novel way, to inculcate in them a new conceptual frame of reference, to transfer them from one worldview to another, and higher, one. This process of transformation took them from traditionalism to individualism, from impulsiveness to discipline, from supernaturalism to science, from intuition to conscious reasoning and, in the end, ideally, harmonized the whole.
Jeffrey Lang (Struggling to Surrender: Some Impressions of an American Convert to Islam)
Lo- don't move," he says, seriously, his eyes like honey in the basement light- warm and amber and shining. "i'm still working." "I had an itch." "Let me know next time, and I'll scratch it for you. Before the terrible itching incident ruined everything, I was about to start on the dark shadow of your elbow crease. Now I'll have to re-create that perfect, dark, little cityscape from memory.
Kate Ellison (The Butterfly Clues (Lost Girls, #1))
Ask yourself which of your items would truly be necessary if you were to start with zero belongings. What if everything you owned was stolen? What if you had to move next week? Which items would you take with you? There are probably a lot of things we have sitting around in our homes for no particular reason. Think about starting from scratch, and it will become clear which items are essential.
Fumio Sasaki (Goodbye, Things: The New Japanese Minimalism)
...DAMNATION!' No device of the printer's art, not even capital letters, can indicate the intensity of that shriek of rage. Emerson is known to his Egyptian workers by the admiring sobriquet of Father of Curses. The volume as well as the content of his remarks earned him the title; but this shout was extraordinary even by Emerson's standards, so much so that the cat Bastet, who had become more or less accustomed to him, started violently, and fell with a splash into the bathtub. The scene that followed is best not described in detail. My efforts to rescue the thrashing feline were met with hysterical resistance; water surged over the edge of the tub and onto the floor; Emerson rushed to the rescue; Bastet emerged in one mighty leap, like a whale broaching, and fled -- cursing, spitting, and streaming water. She and Emerson met in the doorway of the bathroom. The ensuing silence was broken by the quavering voice of the safragi, the servant on duty outside our room, inquiring if we required his assistance. Emerson, seated on the floor in a puddle of soapy water, took a long breath. Two of the buttons popped off his shirt and splashed into the water. In a voice of exquisite calm he reassured the servant, and then transferred his bulging stare to me. I trust you are not injured, Peabody. Those scratches...' The bleeding has almost stopped, Emerson. It was not Bastet's fault.' It was mine, I suppose,' Emerson said mildly. Now, my dear, I did not say that. Are you going to get up from the floor?' No,' said Emerson. He was still holding the newspaper. Slowly and deliberately he separated the soggy pages, searching for the item that had occasioned his outburst. In the silence I heard Bastet, who had retreated under the bed, carrying on a mumbling, profane monologue. (If you ask how I knew it was profane, I presume you have never owned a cat.)
Elizabeth Peters (The Deeds of the Disturber (Amelia Peabody, #5))
But the biggest problem of map-making is not that we have to start from scratch, but that if our maps are to be accurate we have to continually revise them.
M. Scott Peck (The Road Less Traveled: A New Psychology of Love, Traditional Values and Spiritual Growth)
We can't be friends. That never works. I'd have to be all careful and brave and pathetic, you'd feel guilty all the time and you'd start being nice in weird fake ways to make up for it.' She was starting to cry, but she felt free, she felt relieved as you can only feel when you have wrecked yourself on the rocks and don't have to worry about navigating anymore.
Susan Gilbert-Collins (Starting from Scratch)
Like most humanoids, I am burdened with what the Buddhists call the "monkey mind"--the thoughts that swing from limb to limb, stopping only to scratch themselves, spit and howl. From the distant past to the unknowable future, my mind swings wildly through time, touching on dozens of ideas a minute, unharnessed and undisciplined. This in itself is not necessarily a problem; the problem is the emotional attachment that goes along with the thinking. Happy thoughts make me happy, but-whoop!-how quickly I swing again into obsessive worry, blowing the mood; and then it's all over again; and then my mind decides it might be a good time to start feeling sorry for itself, and loneliness follows promptly. You are, after all, what you think. Your emotions are the slaves to your thoughts, and you are the slave to your emotions.
Elizabeth Gilbert (Eat, Pray, Love)
Hey, Zee,” I said. “I take it that you can fix it, but it’ll be miserable, and you’d rather haul it to the dump and start from scratch.” “Piece of junk,” groused Zee. “What’s not rusted to pieces is bent. If you took all the good parts and put them in a pile, you could carry them out in your pocket.” There was a little pause. “Even if you only had a small pocket.” I patted the car. “Don’t you listen to him,” I whispered to it. “You’ll be out of here and back on the road in no time.” Zee propelled himself all the way under the car so his head stuck out by my feet. “Don’t you promise something you can’t deliver,” he snarled. I raised my eyebrows, and said in dulcet tones, “Are you telling me you can’t fix it? I’m sorry. I distinctly remember you saying that there is nothing you can’t fix. I must have been mistaken, and it was someone else wearing your mouth.” He gave a growl that would have done Sam credit, and pushed himself back under again, muttering,“Deine Mutter war ein Cola-Automat!” “Her mama might have been a pop machine,” I said, responding to one of the remarks I understood even at full Zee-speed. “Your mama . . .” sounds the same in a number of languages. “But she was a beauty in her day.” I grinned at Gabriel. “We women have to stick together.
Patricia Briggs (Silver Borne (Mercy Thompson, #5))
No matter how much knowledge and wisdom you acquire during your life, not one jot will be passed on to your children by genetic means. Each new generation starts from scratch. A body is the genes' way of preserving the genes unaltered.
Richard Dawkins (The Selfish Gene)
For a while it was forever, and then things started to fall apart. There isn't a story to tell, because a relationship is a story you construct together and take up residence in, a story as sheltering as a house. You invent this story of how your destinies were made to entwine like porch vines, you adjust to a big view in this direction and no view in that, the doorway that you have to duck through and the window that is jammed, how who you think you are becomes a factor of who you think he is and who he thinks you are, a castle in the clouds made out of the moist air exhaled by dreamers. It's a shock to find yourself outdoors and alone again, hard to imagine that you could ever live in another house, big where this one was small, small where it was big, hard when your body has learned all the twists and turns of the staircase so that you could walk it in your sleep, hard when you have built it from scratch and called it home, hard to imagine building again. But you lit the fire that burned it down yourself.
Rebecca Solnit (A Field Guide to Getting Lost)
Usually to make something truly great, you need to start from scratch, Royce remembered him saying. You need to break everything down, strip away the impurities, and it takes great heat to do that, but once you do, then the building can start. The result can seem miraculous, but the process—the process is always a bitch.
Michael J. Sullivan (The Death of Dulgath (The Riyria Chronicles, #3))
King scratched at the door to be let out." Charlie snorted. "King obviously has a lot of stamina. I'd have been clawing at the door a lot sooner if I was trapped in a booth with Mark." "But Mark ignored him, so King... uh, pooped." Charlie grinned. "And then?" "Mark yelled at him and scared him." Harry fought back a grin. "So King pooped again." Charlie's grin widened. "Mark is an idiot." "So then Mark waved the script at him, and King—" "Pooped again." Charlie started to laugh. "Then Marcia came in and threw a fit because of all the poop in the booth and because Mark was mistreating a puppy. She gave him ten minutes to get the booth clean, and she took the dog away from him.
Jennifer Crusie (Charlie All Night)
So how does love start from scratch? How does one live in a world with no points of reference?
Andrés Barba (A Luminous Republic)
There will be moments when I have to start from scratch and begin again — even after I've done intense work to mend. There's always more to learn in healing.
Alexandra Elle (After the Rain: Gentle Reminders for Healing, Courage, and Self-Love)
We are once amore as babes awondering in a wold made fresh where with the hen in the storyaboot we start from scratch.
James Joyce
Each morning I would start from scratch: forget all about yesterday, and not even think about tomorrow. I'd try to just live in today.
Regina Brett (God Never Blinks: 50 Lessons for Life's Little Detours)
I had set out to reinvent myself, but it turned out that I didn’t have to start from scratch. I just had to dust myself off, because the best parts were already there.
Tarana Burke (Unbound: My Story of Liberation and the Birth of the Me Too Movement)
Did you ever get fed up?" I said. "I mean did you ever get scared that everything was going to go lousy unless you did something? I mean do you like school and all that stuff?" "It's a terrific bore." "I mean do you hate it? I know it's a terrific bore, but do you hate it, is what I mean." "Well, I don't exactly hate it. You always have to--" "Well, I hate it. Boy, do I hate it," I said. "But it isn't just that. It's everything. I hate living in New York and all. Taxicabs, and Madison Avenue buses, with the drivers and all always yelling at you to get out at the rear door, and being introduced to phony guys that call the Lunts angels, and going up and down in elevators when you just want to go outside, and guys fitting your pants all the time at Brooks, and people always--" "Don't shout, please," old Sally said. Which was very funny, because I wasn't even shouting. "Take cars," I said. I said it in this very quiet voice. "Take most people, they're crazy about cars. They worry if they get a little scratch on them, and they're always talking about how many miles they get to a gallon, and if they get a brand-new car already they start thinking about trading it in for one that's even newer. I don't even like old cars. I mean they don't even interest me. I'd rather have a goddam horse. A horse is at least human, for God's sake. A horse you can at least--" "I don't know what you're even talking about," old Sally said. "You jump from one--" "You know something?" I said. You're probably the only reason I'm in New York right now, or anywhere. If you weren't around, I'd probably be someplace way the hell off. In the woods or some goddam place. You're the only reason I'm around, practically." "You're sweet," she said. But you could tell she wanted me to change the damn subject. "You ought to go to a boys' school sometime. Try it sometime," I said. "It's full of phonies, and all you do is study so that you can learn enough to be smart enough to be able to buy a goddam Cadillac some day, and you have to keep making believe you give a damn if the football team loses, and all you do is talk about girls and liquor and sex all day, and everybody sticks together in these dirty little goddam cliques. The guys that are on the basketball team stuck together, the Catholics stick together, the guys that play bridge stick together. Even the guys that belong to the goddam Book-of-the-Month Club stick together. If you try to have a little intelligent--" "Now, listen," old Sally said. "Lots of boys get more out of school that that." "I agree! I agree they do, some of them! But that's all I get out of it. See? That's my point. That's exactly my goddamn point," I said. "I don't get hardly anything out of anything. I'm in bad shape. I'm in lousy shape." "You certainly are.
J.D. Salinger (The Catcher in the Rye)
America, is there lipstick on my teeth?" Zoe asked. I turned to my left and found her smiling maniacally, exposing all her pearly whites. "No, you're good," I answered, seeing out of the corner of my eye that Marlee was nodding in confirmation. "Thanks. How is he so calm?" Zoe asked, pointing over at Maxon, who was talking to a member of the crew. She then bent down and put her head between her legs and started doing controlled breathing. Marlee and I looked at each other, eyes wide with amusement, and tried not to laugh. It was hard if we looked at Zoe, so we surveyed the room and chatted about what others were wearing. There were several girls in seductive reds and lively greens, but no one else in blue. Olivia had gone so far as to wear orange. I'd admit that I didn't know that much about fashion, but Marlee and I both agreed that someone should have intervened on her behalf. The color made her skin look kind of green. Two minutes before the cameras turned on, we realized it wasn't the dress making her look green. Olivia vomited into the closest trash can very loudly and collapsed on the floor. Silvia swooped in, and a fuss was made to wipe the sweat off her and get her into a seat. She was placed in the back row with a small receptacle at her feet, just in case. Bariel was in the seat in front of her. I couldn't hear what she muttered to the poor girl from where I was, but it looked like Bariel was prepared to injure Olivia should she have another episode near her. I guessed that Maxon had seen or heard some of the commotion, and I looked over to see if he was having any sort of reaction to it all. But he wasn't looking toward the disturbance; he was looking at me. Quickly-so quickly it would look like nothing but scratching an itch to anyone else-Maxon reached up and tugged on his ear. I repeated the action back, and we both turned away. I was excited to know that tonight, after dinner, Maxon would be stopping by my room.
Kiera Cass (The Selection (The Selection, #1))
Just collecting unprocessed fleeting notes inevitably leads to chaos. Even small amounts of unclear and unrelated notes lingering around your desk will soon induce the wish of starting from scratch.
Sönke Ahrens (How to Take Smart Notes)
I told him: “I have been inside for two years and seven months. I have had a job to do here. Lately I have had no instructions. Now the Germans have shipped out our best people with whom I’ve been working. I would have to start from scratch. I can see no further point in staying here. Therefore, I’m going to leave.” Captain 159 [Stanisław Machowski] looked at me in some surprise and said: “Yes. I can see that, but can one pick and choose when one wants to come to Auschwitz and when one wants to leave?” I replied: “One can.
Witold Pilecki (The Auschwitz Volunteer: Beyond Bravery)
One guy has his head on a table, eyes closed, vomit drooling from his mouth. Another pulls out his false teeth and clamps them on the ear of a gal at the next table. An immense woman in a purple jumpsuit is crying while another woman screams at her. And what I'm thinking is maybe it's time to halt all human reproduction. Let God or evolution or wathever put us here in the first place start again from scratch, because this isn't working.
Ron Rash (Burning Bright)
You see, what I really want, and what I'm getting with Stephen, is the opportunity to rebuild myself from scratch. David's picture of me is complete now, and I'm pretty sure neither of us likes it much; I want to rip the page out and start again on a fresh sheet, just like I used to do when I was a kid and had messed a drawing up. It doesn't even matter who the fresh sheet is, really, so its beside the point whether I like Stephen, or whether he knows what to do with me in bed, or anything like that. I just want his rapt attention when I tell him that my favorite book is Middlemarch, and i just want that feeling, the feeling I get with him, of having not gone wrong yet
Nick Hornby (How to Be Good)
Thorne cuffed his sleeves. “Never underestimate the stealth of a criminal mastermind.” Scarlet started laughing from where she sat cross-legged on a plastic storage crate, enjoying a bowl of oatmeal. “‘Criminal mastermind’? We’ve been trying to figure out how to infiltrate the royal wedding for the past week, and so far your biggest contribution has been determining which of the palace rooftops is the most spacious so your precious ship doesn’t get scratched in the landing.
Marissa Meyer (Cress (Lunar Chronicles, #3))
Budgeting for liquidity is important. You have to include liquidity into the budget. Otherwise you could end up selling your farm in winter to buy someone else’s summer crops just to survive. Then come next planting season you’re starting from scratch.
Hendrith Vanlon Smith Jr.
Once again, I don’t quite know where I’m headed Steph. It seems that every few years I’m shoveling up the pieces of my life and starting from scratch all over. No matter what I do or how hard I try I can’t seem to reach the dizzy heights of happiness, success, and security, like so many people do. And I’m not talking about becoming a millionaire and living happily ever after. I just mean reaching a point in my life that I can stop what I’m doing, take a look around me, breathe a sigh of relief, and think “I’m where I want to be now.
Cecelia Ahern (Love, Rosie)
I'll tell you the fairy tale of the apple. Eve ate the apple, and then Adam came and did so too. Afterwards the apple was forgotten, and it was assumed that it rolled away in the grass while Adam and Eve were chased out of the garden. But that's not true, because secretly the apple rolled in between Eve's legs, scratched open her flesh and burrowed into her crotch. It stayed there with the white bite marks facing out, and after a while the fruit-flesh started to shrivel, and mould threads grew from the edges of the peel. The mould threads became pubic hair and the bite mark became the slit between the labia. Soon all of Eden followed the apple's example and started to decompose and rot, and since then this has happened in all gardens and everything in nature, and honey mushrooms came into existence, and rot and parasites and beetles arose. But the apple was first, and it never stops rotting, it just gets blacker. The apple has no end, just like this fairy tale.
Jenny Hval (Paradise Rot)
Finally I find it, the book, but as I’m pulling it out of the stack I hear a noise coming from my toy room. It sounds like scratching or scraping maybe and my mind instantly goes to the possibility that maybe it’s a monster or a dragon or something else with claws. My hand shakes a little as I stand up and turn back toward the room. When I step into it, I feel the wind hit my cheeks. I shine the light around and notice one of the windows is open. I don’t understand why. I didn’t open it and I don’t think it was open when I came down here. What if it was a monster? I sweep the flashlight around the room at all my toys as I start back toward the corner. Then the light lands on something tall… I hear voices. Ones that don’t sound like they belong to a monster, but just people. But that’s what they end up being. Terrible, horrible monsters.
Jessica Sorensen (The Destiny of Violet & Luke (The Coincidence, #3))
If you are going to start a regulatory regime from scratch, you’d design it to protect middle-and lower-middle-income people, because the opportunity for them to get ripped off was so high. Instead what we had was a regime where those were the people who were protected the least.” Eisman
Michael Lewis (The Big Short: Inside the Doomsday Machine)
Religions are treasure chests of stories, songs, rituals, and ways of life that have been handed down for millennia - not covered in dust but evolving all the way- so that each new generation has something to choose from when it is time to ask the big questions in life. Where did we come from? Why do bad things happen to good people? Who is my neighbor? Where do we go from here? No one should have to start from scratch with questions like these. Overhearing the answers of the world's great religions can help anyone improve his or her own answers. Without a religion, these questions often do not get asked.
Barbara Brown Taylor (Holy Envy: Finding God in the Faith of Others)
The process of living seems to consist of coming to realize truths so ancient and simple that, if stated, they sound like barren platitudes. They cannot sound otherwise to those who have not had the relevant experience; that is why there is no teaching of such truths possible and every generation starts from scratch.
C.S. Lewis (Letters of C. S. Lewis (Edited, with a Memoir, by W. H. Lewis))
Quinns always come at half price, about half the time, and half-naked, even during the colder half of winter. A Quinn is like a queen, but draggier, and cheaper to buy and use for personal gain, unless you’re suspicious that you’re poor and illiterate like Jarod Kintz, in which case Quinns could be the spirits of your dead relatives, come to haunt you until you gather a massive fortune through selling books on the internet, to send some back in time through a portal you bought from the NSA, so they would have lived better lives without having to move a finger for their fortune. Oh, yah, and since they aren’t - they’re blue, like smurfs, yet they turn purple whenever tickled on the belly, which is something they seem to rather dislike, since they start biting and scratching when it happens, for no good reason, I might add.
Will Advise (Nothing is here...)
You asked what changed my mind about the job earlier,” he says. “That’s what did it. Medicine. For depression.” My throat squeezes. Just one more huge thing I didn’t know about him. “From losing your dad?” He shakes his head. “I thought it was just that. But once I started taking it, I realized that had just made things worse. But it’s always been there. Making everything harder than it should be. It’s like . . .” He scratches his temple. “In high school, I had this friend on the soccer team. And one day, after a game, he collapsed. His chest hurt and he couldn’t get his shirt off, but he wanted to because he couldn’t breathe, and we all thought he was having a heart attack. Turned out it was asthma. Spent like seventeen years operating on fifty-five percent lung capacity without realizing breathing just wasn’t supposed to be that hard. Starting antidepressants was like that for me. I felt like shit all the time, and then suddenly I didn’t. And all this stuff seemed possible for the first time. My mind felt . . . quieter, maybe. Lighter.
Emily Henry (Happy Place)
Those were the times…when people started changing everything…absolutely everything. Starting over from scratch. Some left, changing homelands. Some changed their convictions and principles. Others changed their possessions, buying all new stuff for their homes. Throwing out everything old and Soviet, and replacing it with everything new and imported…
Svetlana Alexievich (Secondhand Time: The Last of the Soviets)
don’t
Andrea Valeria (So You Want to Vlog?: How to start from scratch, find your voice & share your stories)
There is probably nothing more annoying than having someone tell you to “go with the flow” when you’re in a bad mood.
Coco Simon (Katie Starting from Scratch (Cupcake Diaries Book 21))
No matter how much knowledge and wisdom you acquire during your life, not one jot will be passed on to your children by genetic means. Each new generation starts from scratch.
Richard Dawkins (The Selfish Gene)
being creative doesn’t have to mean starting from scratch or being the sole originator—it’s about adding what you can, about making a creative contribution.
Tom Kelley (Creative Confidence: Unleashing the Creative Potential Within Us All)
Data alone is not enough. Starting from scratch will only get you to scratch.
Pedro Domingos (The Master Algorithm: How the Quest for the Ultimate Learning Machine Will Remake Our World)
that is what a startup has to do: question received ideas and rethink business from scratch.
Peter Thiel (Zero to One: Notes on Start Ups, or How to Build the Future)
When creating a contract, it is especially important to indicate a clear and definite time table as to when the items will be successfully produced as well as shipped.
L.R. Smith (How to Start an Online Business: A Step by Step to Make Money from Your Computer Even If Your Starting from Scratch! (How to start an Online Business, ... Startup, Online Business for Beginners))
He started at a yowl from a yew bush on the slope just below him. “This moss is dripping wet! I’ll scratch that apprentice when I catch him!
Erin Hunter (Outcast (Warriors: Power of Three, #3))
College-age Christians crave belonging in the church, and they want to be a core part of it.
Chuck Bomar (College Ministry from Scratch: A Practical Guide to Start and Sustain a Successful College Ministry)
Jeff produced a Frisbee.
Coco Simon (Katie Starting from Scratch (Cupcake Diaries Book 21))
EXPECTATIONS ALSO SHAPE stereotypes. A stereotype, after all, is a way of categorizing information, in the hope of predicting experiences. The brain cannot start from scratch at every new situation. It must build on what it has seen before. For that reason, stereotypes are not intrinsically malevolent. They provide shortcuts in our never-ending attempt to make sense of complicated surroundings. This is why we have the expectation that an elderly person will need help using a computer or that a student at Harvard will be intelligent.* But because a stereotype provides us with specific expectations about members of a group, it can also unfavorably influence both our perceptions and our behavior. Research on stereotypes shows not only that we react differently when we have a stereotype of a certain group of people, but also that stereotyped people themselves react differently when they are aware of the label that they are forced to wear (in psychological parlance, they are “primed” with this label). One stereotype of Asian-Americans, for instance, is that they are especially gifted in mathematics and science. A common stereotype of females is that they are weak in mathematics. This means that Asian-American women could be influenced by both notions.
Dan Ariely (Predictably Irrational: The Hidden Forces That Shape Our Decisions)
He started to draw. He drew from memory. He had a good memory, something which, all things considered, was far from a blessing. The pencils moved quickly across the paper, scratching back and forth in deepening shades of grey. He leaned low over the paper, concentrating all his energy on his work. The candles flickered and dripped wax, having nothing better to do. Eventually he lifted his head and looked at his creation. The face of a young woman stared back at him from the paper, a slight smile playing on her lips. She looked as if she was about to say something, and that once she had you would laugh. She looked happy. Seven stared at the picture, his strange eyes unreadable – eyes that, now he made no effort to mask them, were from edge to edge only the deep blue of the dead ocean. He swallowed hard, as if he was trying to imbibe something foul tasting but necessary, like a child sipping medicine, and pulled another sheet of paper from his desk.
F.D. Lee (The Fairy's Tale (The Pathways Tree, #1))
My best advice about writer’s block is: the reason you’re having a hard time writing is because of a conflict between the GOAL of writing well and the FEAR of writing badly. By default, our instinct is to conquer the fear, but our feelings are much, much, less within our control than the goals we set, and since it’s the conflict BETWEEN the two forces blocking you, if you simply change your goal from “writing well” to “writing badly,” you will be a veritable fucking fountain of material, because guess what, man, we don’t like to admit it, because we’re raised to think lack of confidence is synonymous with paralysis, but, let’s just be honest with ourselves and each other: we can only hope to be good writers. We can only ever hope and wish that will ever happen, that’s a bird in the bush. The one in the hand is: we suck. We are terrified we suck, and that terror is oppressive and pervasive because we can VERY WELL see the possibility that we suck. We are well acquainted with it. We know how we suck like the backs of our shitty, untalented hands. We could write a fucking book on how bad a book would be if we just wrote one instead of sitting at a desk scratching our dumb heads trying to figure out how, by some miracle, the next thing we type is going to be brilliant. It isn’t going to be brilliant. You stink. Prove it. It will go faster. And then, after you write something incredibly shitty in about six hours, it’s no problem making it better in passes, because in addition to being absolutely untalented, you are also a mean, petty CRITIC. You know how you suck and you know how everything sucks and when you see something that sucks, you know exactly how to fix it, because you’re an asshole. So that is my advice about getting unblocked. Switch from team “I will one day write something good” to team “I have no choice but to write a piece of shit” and then take off your “bad writer” hat and replace it with a “petty critic” hat and go to town on that poor hack’s draft and that’s your second draft. Fifteen drafts later, or whenever someone paying you starts yelling at you, who knows, maybe the piece of shit will be good enough or maybe everyone in the world will turn out to be so hopelessly stupid that they think bad things are good and in any case, you get to spend so much less time at a keyboard and so much more at a bar where you really belong because medicine because childhood trauma because the Supreme Court didn’t make abortion an option until your unwanted ass was in its third trimester. Happy hunting and pecking!
Dan Harmon
And although college-age people might enjoy having a ministry specifically designed for them, there is a much greater desire to be a part of our churches as a whole. This deeper connection is what’s often missed.
Chuck Bomar (College Ministry from Scratch: A Practical Guide to Start and Sustain a Successful College Ministry)
But about then I began to get into different trouble and more serious. You might call it doctrinal trouble. The trouble started because I began to doubt the main rock of the faith, which was that the Bible was true in every word . . . They had staked their immortal souls on the infallible truth of every pen scratch from "In the beginning" to "Amen." But I had read all of it by then, and I could see that it changed. And if it changed, how could all of it be true? For instance, there is a big difference between the old tribespeople's coldhearted ferocity against their enemies and Jesus' preaching of forgiveness and of love for your enemies.
Wendell Berry (Jayber Crow)
I THINK THE REAL TRICK to finding that sense of satisfaction is to realize you don’t need much to attain it. A window-box salad garden and a banjo hanging on the back of the door can be all the freedom you need. If it isn’t everything you want for the future, let it be enough for tonight. Don’t look at your current situation as a hindrance to living the way you want, because living the way you want has nothing to do with how much land you have or how much you can afford to spend on a new house. It has to do with the way you choose to live every day and how content you are with what you have. If a few things on your plate every season come from the work of your own hands, you are creating food for your body, and that is enough. If the hat on your head was knitted with your own hands, you’re providing warmth from string and that’s enough. If you rode your bike to work, trained your dog to pack, or just baked a loaf of bread, let it be enough. Accepting where you are today, and working toward what’s ahead, is the best you can do. You can take the projects in this book as far as your chosen road will take you. Maybe your gardens and coops will outgrow mine, and before you know it you’ll be trading in your Audi for a pickup. But the starting point is to take control of what you can and smile with how things are. Find your own happiness and dance with it.
Jenna Woginrich (Made from Scratch: Discovering the Pleasures of a Handmade Life)
Hemingway once said that ‘there is nothing to writing, you just sit down at a typewriter and bleed.’ What Hemingway failed to mention is that bleeding is the easy part. To cut is what makes writing hard. Sitting down to write and hitting that first key or touching the tip of your pen to that blank sheet of paper - that’s the hard part. Once you start - once you spill that first bit of ink and let it bleed into the page, the rest takes care of itself. There’s nothing to it. You just sit there and bleed until it stops. It is not for this reason, but it’s still interesting and worth mentioning that the word ‘write’ comes from the Proto-Germanic word ‘writan,’ which literally meant to scratch, tear, or cut.
Sean Norris (Heaven and Hurricanes)
I was about to get to start over. Mind you, for those who have lived past third grade, there’s no real starting over from scratch. There’s just starting over scratched—and if the hurts clawed deep enough, scarred. But for those who resist insisting on idyllic circumstances and faultless people, new beginnings can be had. Our family had been reduced to so few in a community of so many, even once we settled into a house and a neighborhood, that we no longer had any notion of who we were.
Beth Moore (All My Knotted-Up Life: A Memoir)
The wind’s direction now seemed consistent enough to bet on the other side of the tree. It couldn’t be worse, but Glass doubted he could move without losing the fire. Could he start another fire from scratch? In the dark? With no tinder? He saw no choice but to try.
Michael Punke (The Revenant)
He had not known just how greatly he had been divided and separated because once he started to work he wrote from an inner core which could not be split nor even marked nor scratched. He knew about this and it was his strength since all the rest of him could be riven.
Ernest Hemingway
Conthas burned to the ground. Apparently, this is a regular occurrence. Every few decades or so a fire goes unchecked and razes the entire city to ash. The locals think of it as a time of renewal. A chance to start over, to sweep away the old and build something new. New taverns, for instance. New pubs, new scratch-dens; new gambling holes and fighting pits. New ale-houses, dice-houses, tap-houses, and whore-houses. From what I understand, Conthas is like some drug-addled, sex-crazed, booze-swilling phoenix that refuses to stay dead.
Nicholas Eames (Bloody Rose (The Band, #2))
At first she couldn't taste anything but the feta and bacon, but the texture of the shrimp was perfect, resistant than yielding with a gentle pop. And then she tasted it, mild and pink and sea-salty. She could fall in love with this shrimp. She ate another perfect morsel.
Susan Gilbert-Collins (Starting from Scratch)
If you are going to start a regulatory regime from scratch, you’d design it to protect middle-and lower-middle-income people, because the opportunity for them to get ripped off was so high. Instead what we had was a regime where those were the people who were protected the least.
Michael Lewis (The Big Short: Inside the Doomsday Machine)
I decided to start from scratch, with a simple prayer: “Hi!” I said. Someone or something hears. I don’t know much about its nature, only that when I cry out, it hears me and moves closer to me, and I don’t feel so alone. I feel better. And I felt better that morning, starting over. No shame in that—Saint Augustine said that you have to start your relationship with God all over from the beginning, every day. Yesterday’s faith does not wait for you like a dog with your slippers and the morning paper in its mouth. You seek it, and in seeking it, you find it.
Anne Lamott (Small Victories: Spotting Improbable Moments of Grace)
A complex system that works is invariably found to have evolved from a simple system that worked. The inverse proposition also appears to be true: A complex system designed from scratch never works and cannot be made to work. You have to start over, beginning with a working simple system.
John Gall
He wanted to start from the top while he knew nothing of the beginning and that was why he was always swimming at the bottom. He liked to think he was an entrepreneur and was even on Dragon’s Den with the silliest invention ever: a machine to scratch his back. Why don’t you just reach out, you lazy twit?
Luella Christie (Nana Joop)
John Gall wrote, “A complex system that works is invariably found to have evolved from a simple system that worked. The inverse proposition also appears to be true. A complex system designed from scratch never works and cannot be made to work. You have to start over beginning with a working simple system.
Tim O'Reilly (WTF?: What's the Future and Why It's Up to Us)
I’ve come to accept the reality that as a chronically depressed person, I can be in two states of mind at the same time. I can live life and also fight my thoughts and emotions to keep the darkness at bay. If the darkness starts to cover me like a thick black blanket, I scratch and fight to get out from under it.
Gillian Marchenko (Still Life: A Memoir of Living Fully with Depression)
Who makes things up? Who tells the real story? We all turn our lives into stories. It is a defining characteristic of our species. We retell our experiences. We quickly learn what parts are interesting to our listeners and what parts lag, and we shape our narratives accordingly. It doesn't mean we aren't telling the truth; we've simply learned which parts to leave out. Every time we tell the story again, we don't go back to the original event and start from scratch, we go back to the last time we told the story. It's the story we shape and improve on, we don't change what happened. This is also a way we have of protecting ourselves. It would be too painful to relive a childhood illness or the death of your best friend every time you had to speak of it. By telling the story from the story, instead of from the actual events, we are able to distance ourselves from our suffering. It also gives us the chance to make the story something people can hear.
Ann Patchett
He surveyed what remained of his crew. Rotty still hovered by the wreckage of the longboat. Jesper sat with elbows on knees, head in hands, Wylan beside him wearing the face of a near-stranger; Matthias stood gazing across the water in the direction of Hellgate like a stone sentinel. If Kaz was their leader, then Inej had been their lodestone, pulling them together when they seemed most likely to drift apart. Nina had disguised Kaz’s crow-and-cup tattoo before they’d entered the Ice Court, but he hadn’t let her near the R on his bicep. Now he touched his gloved fingers to where the sleeve of his coat covered that mark. Without meaning to, he’d let Kaz Rietveld return. He didn’t know if it had begun with Inej’s injury or that hideous ride in the prison wagon, but somehow he’d let it happen and it had cost him dearly. That didn’t mean he was going to let himself be bested by some thieving merch. Kaz looked south toward Ketterdam’s harbors. The beginnings of an idea scratched at the back of his skull, an itch, the barest inkling. It wasn’t a plan, but it might be the start of one. He could see the shape it would take—impossible, absurd, and requiring a serious chunk of cash. “Scheming face,” murmured Jesper. “Definitely,” agreed Wylan. Matthias folded his arms. “Digging in your bag of tricks, demjin?” Kaz flexed his fingers in his gloves. How did you survive the Barrel? When they took everything from you, you found a way to make something from nothing. “I’m going to invent a new trick,” Kaz said. “One Van Eck will never forget.” He turned to the others. If he could have gone after Inej alone, he would have, but not even he could pull that off. “I’ll need the right crew.” Wylan got to his feet. “For the Wraith.” Jesper followed, still not meeting Kaz’s eyes. “For Inej,” he said quietly. Matthias gave a single sharp nod. Inej had wanted Kaz to become someone else, a better person, a gentler thief. But that boy had no place here. That boy ended up starving in an alley. He ended up dead. That boy couldn’t get her back. I’m going to get my money, Kaz vowed. And I’m going to get my girl. Inej could never be his, not really, but he would find a way to give her the freedom he’d promised her so long ago. Dirtyhands had come to see the rough work done.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Bunnu was no amateur when it came to escape. And even in his drowsiest moments, he understood implicitly that to forget his circumstances, even for a short while, meant first to forget himself. Who he was and why he was—to strip it all bare and start from scratch, as it were. In his nearly 250 years of life and, now, as an old emaciated man completely estranged from his family and closest friends—albeit more by circumstance than by choice—he understood the importance of this process and revered it, for there were far greater things to be done and achieved in the dark, uncertain areas of existence than in those circumscribed—and thereby strained—by comprehensibility.
Ashim Shanker (Only the Deplorable (Migrations, Volume II))
For all their weirdness, I LOVE the penis people. I don't understand them. I can't imagine I'll ever learn their language of grunting and scratching, but I'm going to try. If I have to devote my life to learning, I will do it. I can't explain the compulsion that is me thinking about Stephen now. Or just watching a boy walk by and wondering what is going on inside his head. To have him want to play with my hair and take me exciting places. To touch his amazingly fabulous butt and not be arrested for assault. Don't they have a distinct smell? When do they start producing that spicy, manly, different-from-me scent? I don't mean the sweaty, take-a-shower odor, but the yummy soap and a hint of cologne. The kind of scent that makes me want to inhale in their general vicinity just because I can. I get fluttery and gooey and cease to function at higher levels. Like I shut down except for feeling things; like the hot rays of Stephen's manliness and the solid rock of femur and muscle under his denim cargo pants.
Amber Kizer (One Butt Cheek at a Time (Gert Garibaldi's Rants and Raves, #1))
Idolatry isn’t just one of many sins; rather it’s the one great sin that all others come from. So if you start scratching at whatever struggle you’re dealing with, eventually you’ll find that underneath it is a false god. Until that god is dethroned, and the Lord God takes his rightful place, you will not have victory. Idolatry isn’t an issue; it is the issue. All roads lead to the dusty, overlooked concept of false gods. Deal with life on the glossy outer layers, and you might never see it; scratch a little beneath the surface, and you begin to see that it’s always there, under some other coat of paint. There are a hundred million different symptoms, but the issue is always idolatry.
Kyle Idleman (Gods at War: Defeating the Idols that Battle for Your Heart)
A marriage or any relationship between partners is meant to be created and then re-created. It is an edifice a couple builds until the day the edifice can no longer hold them and they must bring it down and start again from scratch. And without any of the old assumptions. It’s exactly like Carolyn Heilbrun says, all good marriages are remarriages.
Sue Monk Kidd (The Dance of the Dissident Daughter: A Woman's Journey from Christian Tradition to the Sacred Feminine)
Luckily we don’t have far to go. Great meals rarely start at points that all look like beginnings. They usually pick up where something else leaves off. This is how most of the best things are made—imagine if the world had to begin from scratch each dawn: a tree would never grow, nor would we ever get to see the etchings of gentle rings on a clamshell.
Tamar Adler (An Everlasting Meal: Cooking with Economy and Grace)
How do you know what to change, and what to hold on to?” I asked. Were there parts of me that were good and valuable, or did I scrap it all and start completely from scratch? And if that was the case, how in the hell did one go about doing that? Especially in a small town where stories became legend, and every buried secret eventually rose to the surface?
Mia Sheridan (Travis)
A single name of a multitude of practices centered about the auto-driven auto. Flashing across the country in the sure hands of an invisible chauffeur, windows all opaque, night dark, sky high, tires assailing the road below like four phantom buzzsaws—and starting from scratch and ending in the same place, and never knowing where you are going or where you have been—it is possible, for a moment, to kindle some feeling of individuality in the coldest brainpan, to produce a momentary awareness of self by virtue of an apartness from all but a sense of motion. This is because movement through darkness is the ultimate abstraction of life itself—at least that’s what one of the Vital Comedians said, and everybody in the place laughed.
Roger Zelazny (The Dream Master)
Suddenly I realized that this was the beginning of a new life. But was it possible to start over again from scratch? To make myself at home in this new, unknown language? And, most frightening of all after all these years of fighting for survival, to learn once more how to live? And if I succeeded in coming back to life, would I not be betraying all my dead friends and loved ones?
Erich Maria Remarque (Shadows in Paradise)
He slammed his cup down. Coffee splashed over the rim and puddled around the base. “What on earth gave you the idea I want space? I want you here. With me. All the time. I want to come home and hear the shower running and get excited because I know you’re in it. I want to struggle every morning to get up and go to the gym because I hate the idea of leaving your warm body behind in bed. I want to hear a key turn in the lock and feel contented knowing you’re home. I don’t want fucking space, Harper.” Harper laughed. “What’s funny?” “I didn’t mean space. I meant space, like closet space, a drawer in the bedroom, part of the counter in the bathroom.” Trent’s mouth twitched, a slight smile making its way to his lips. “Like a compromise. A commitment that I want more. I seem to recall you telling me in the car about something being a step in the right direction to a goal we both agreed on. Well, I want all those things you just said, with you, eventually. And if we start to leave things at each other’s places, it’s a step, right?” Trent reached up, flexing his delicious tattooed bicep, and scratched the side of his head. Without speaking, he leapt to his feet, grabbing Harper and pulling her into a fireman’s lift. “Trent,” she squealed, kicking her feet to get free. “What are you doing?” He slapped her butt playfully and laughed as he carried her down the hallway. Reaching the bedroom, Trent threw her onto the bed. “We’re doing space. Today, right now.” He started pulling open his drawers, looking inside each one before pulling stuff out of the top drawer and dividing it between the others. “Okay, this is for your underwear. I need to see bras, panties, and whatever other girly shit you have in here before the end of the day.” Like a panther on the prowl, Trent launched himself at the bed, grabbing her ankle and pulling her to the edge of the bed before sweeping her into his arms to walk to the bathroom. He perched her on the corner of the vanity, where his stuff was spread across the two sinks. “Pick one.” “Pick one what?” “Sink. Which do you want?” “You’re giving me a whole sink? Wait … stop…” Trent grabbed her and started tickling her. Harper didn’t recognize the girly giggles that escaped her. Pointing to the sink farthest away from the door, she watched as he pushed his toothbrush, toothpaste, and styling products to the other side of the vanity. He did the same thing with the vanity drawers and created some space under the sink. “I expect to see toothbrush, toothpaste, your shampoo, and whatever it is that makes you smell like vanilla in here.” “You like the vanilla?” It never ceased to surprise her, the details he remembered. Turning, he grabbed her cheeks in both hands and kissed her hard. He trailed kisses behind her ear and inhaled deeply before returning to face her. “Absolutely. I fucking love vanilla,” he murmured against her lips before kissing her again, softly this time. “Oh and I’d better see a box of tampons too.” “Oh my goodness, you are beyond!” Harper blushed furiously. “I want you for so much more than just sex, Harper.
Scarlett Cole (The Strongest Steel (Second Circle Tattoos, #1))
All of a sudden, life became too much to bear. Just like that, for no particular reason. Because there was a child’s corpse in the fridge on rue Parthenais. Because I had to start all over again from scratch, one more time. Because I had rolled my rock to the top of the hill and now it was rolling back down again. The times before, I’d always managed to put on a brave face. But there comes a time when you just don’t feel strong enough to look for another place to live and go shopping again for clothes and dishes and cutlery and scouring pads and toilet paper. This was one of those times. When I got back to the hotel, I asked the Barbie at reception for the key to the minibar. It burned in the palm of my hand. I slapped it back down on the counter and ran out. I had to find a meeting.
Bernard Émond (8:17 pm, Rue Darling)
The notion that I had the power to outgrow who I was, and start a new relationship with who I wanted to be, became clear to me when I was about twenty-one. Even though it felt impossible, I wanted badly to reroute my life and find joy, but I didn't know where to start. Searching for and finding my how was the scariest thing I'd done in my life. Changing meant I had to start with being honest about who I was and who I wanted to be. It meant learning the difference between being alone and being lonely. I had to get my stuff together. And in order to do that, I knew I needed to leave people behind who were distracting me from my growth. I had to start from scratch and acknowledge my roles in the cycles that I said I wanted to break. Committing to change meant challenges and trust, which stripped me of everything that I knew.
Alexandra Elle (After the Rain: Gentle Reminders for Healing, Courage, and Self-Love)
Sitting here in my lab, I can imagine you scratching your head again: Dr. Panda, what’s the big deal? Aren’t we talking about just a few ounces of fat gain after a late-night snack? Won’t my metabolic rhythm come back the next day? Actually, it’s worse than you think. It is hard enough for the body to monitor hormones, genes, and clocks for someone with a strict eating routine. But when eating occurs at random times throughout the day and night, the fat-making process stays on all the time. At the same time, glucose created from digested carbohydrates floods our blood and the liver becomes inefficient in its ability to absorb glucose. If this continues for a few days, blood glucose continues to rise and reaches the danger zone of prediabetes or diabetes. So, if you’ve wondered why diets haven’t worked for you before, timing might be the reason. Even if you were diligently exercising; counting calories; avoiding fats, carbs, and sweets; and piling on the protein, it’s quite likely that you weren’t respecting your circadian clocks. If you eat late at night or start breakfast at a wildly different time each morning, you are constantly throwing your body out of sync. Don’t worry, the fix is equally simple: Just set an eating routine and stick to it. Timing is everything.
Satchin Panda (The Circadian Code: Lose Weight, Supercharge Your Energy, and Transform Your Health from Morning to Midnight)
That’s the difference between most oppressed peoples of the world and American blacks. They vow never to forget, and we want everything expunged from our record, sealed and filed away for eternity. We want someone like Foy Cheshire to present our case to the world with a set of instructions that the jury will disregard centuries of ridicule and stereotype and pretend the woebegone niggers in front of you are starting from scratch. Foy
Paul Beatty (The Sellout)
Against all the odds, we built a better navy than theirs—from scratch—in two months! We now rule the waves in the Mediterranean Sea—Our Sea! The day will come—it begins today—when Rome will master the world! Alexander will roll in his grave, Atlantis will decay in her decadence, and these demons of Harappa will entertain Hades with their theatrics this very night. But Rome will live on in fame and glory. It starts with our victory today!
Jennifer McKeithen (Atlantis: On the Shores of Forever (Atlantis: The Antediluvian Chronicles, #1))
...because I think that each time it's a new construction, as if everything has been reduced to ashes during the night, and he has to start from scratch. In our world, that's the way you live your grown-up life: you must constantly rebuild your identity as an adult, the way it's been put together it is wobbly, ephemeral, and fragile, it cloaks despair and, when you're alone in front of the mirror, it tells you the lies you need to believe.
Muriel Barbery (The Elegance of the Hedgehog)
Wikipedia first appeared to Internet users with a simple self-description: HomePage You can edit this page right now! It’s a free, community project Welcome to Wikipedia! We’re writing a complete encyclopedia from scratch, collaboratively. We started work in January 2001. We’ve got over 3,000 pages already. We want to make over 100,000. So, let’s get to work! Write a little (or a lot) about what you know! Read our welcome message here: Welcome, newcomers!
James Gleick (The Information: A History, a Theory, a Flood)
… and one day, after Mahlke had learned to swim, we were lying in the grass, in the Schlagball field. I ought to have gone to the dentist, but they wouldn't let me because I was hard to replace on the team. My tooth was howling. A cat sauntered diagonally across the field and no one threw anything at it. A few of the boys were chewing or plucking at blades of grass. The cat belonged to the caretaker and was black. Hotten Sonntag rubbed his bat with a woolen stocking. My tooth marked time. The tournament had been going on for two hours. We had lost hands down and were waiting for the return game. It was a young cat, but no kitten. In the stadium, handball goals were being made thick and fast on both sides. My tooth kept saying one word, over and over again. On the cinder track the sprinters were practicing starts or limbering up. The cat meandered about. A trimotored plane crept across the sky, slow and loud, but couldn't drown out my tooth. Through the stalks of grass the caretaker's black cat showed a white bib. Mahlke was asleep. The wind was from the east, and the crematorium between the United Cemeteries and the Engineering School was operating. Mr. Mallenbrandt, the gym teacher, blew his whistle: Change sides. The cat practiced. Mahlke was asleep or seemed to be. I was next to him with my toothache. Still practicing, the cat came closer. Mahlke's Adam's apple attracted attention because it was large, always in motion, and threw a shadow. Between me and Mahlke the caretaker's black cat tensed for a leap. We formed a triangle. My tooth was silent and stopped marking time: for Mahlke's Adam's apple had become the cat's mouse. It was so young a cat, and Mahlke's whatsis was so active – in any case the cat leaped at Mahlke's throat; or one of us caught the cat and held it up to Mahlke's neck; or I, with or without my toothache, seized the cat and showed it Mahlke's mouse: and Joachim Mahlke let out a yell, but suffered only slight scratches. And now it is up to me, who called your mouse to the attention of this cat and all cats, to write. Even if we were both invented, I should have to write. Over and over again the fellow who invented us because it's his business to invent people obliges me to take your Adam's apple in my hand and carry it to the spot that saw it win or lose.
Günter Grass (Cat and Mouse)
Zawinski: Sometimes. I end up doing all the sysadmin crap, which I can't stand-I've never liked it. I enjoy working on XScreenSaver because in some ways screen savers-the actual display modes rather than the XScreenSaver framework-are the perfect program because they almost always start from scratch and they do something pretty and there's never a version 2.0. There's very rarely a bug in a screen saver. It crashes-oh, there's a divide-by-zero and you fix that.
Peter Seibel (Coders at Work: Reflections on the Craft of Programming)
You need a formal business reinvention process. Put it in your calendar. Every three months, take your most trusted advisers, employees, backers, and even customers and get away from the phones for a little while. Start from scratch. “If we were starting over—no office, no employees, no customers—would we choose to be where we are today?” If the answer isnʼt, yes, then itʼs time to take a hard look at the path you took and the impact it has had on your business.
Seth Godin (The Bootstrapper's Bible: How to Start and Build a Business With a Great Idea and (Almost) No Money)
I say “constructs himself” because I think that each time it’s a new construction, as if everything has been reduced to ashes during the night, and he has to start from scratch. In our world, that’s the way you live your grown-up life: you must constantly rebuild your identity as an adult, the way it’s been put together it is wobbly, ephemeral, and fragile, it cloaks despair and, when you’re alone in front of the mirror, it tells you the lies you need to believe.
Muriel Barbery (The Elegance of the Hedgehog)
It was a dead hole, smelling of synthetic leather and disinfectant, both of which odors seemed to emanate from the torn scratched material of the seats that lined the three walls. It smelled of the tobacco ashes which had flooded the two standing metal ashtrays. On the chromium lip of one, a cigar butt gleamed wetly like a chewed piece of beef. There was the smell of peanut shells and of the waxy candy wrappers that littered the floor, the smell of old newspapers, dry, inky, smothering and faintly like a urinal, the smell of sweat from armpits and groins and backs and faces, pouring out and drying up in the lifeless air, the smell of clothes—cleaning fluids imbedded in fabric and blooming horribly in the warm sweetish air, picking at the nostrils like thorns—all the exudations of the human flesh, a bouquet of animal being, flowing out, drying up, but leaving a peculiar and ineradicable odor of despair in the room as though chemistry was transformed into spirit, an ascension of a kind, …Light issuing from spotlights in the ceiling was sour and blinding like a sick breath. There was in that room an underlying confusion in the function of the senses. Smell became color, color became smell. Mute started at mute so intently they might have been listening with their eyes, and hearing grew preternaturally acute, yet waited only for the familiar syllables of surnames. Taste died, mouth opened in the negative drowsiness of waiting.
Paula Fox (Desperate Characters.A Masterpiece.)
Don't be afraid to start over. This time, you're not starting from scratch; you're starting from experience. It's like a video game—you’ve already unlocked some levels & collected the cheat codes. You’ve got the wisdom, the know-how, and the battle scars to guide you. Embrace the fresh start with a grin, knowing you’re smarter and stronger than before. Starting over isn’t a setback—it’s a chance to play the game with insider knowledge. So go ahead, hit reset and show life who's boss!
Life is Positive
Light flooded their senses; for a split second Olivia, blinking in its brilliance, thought the light was actually yellow. Then she blinked again, and the room itself was yellow: yellow roses climbing the walls, a white and yellow canopy- of course, a canopy- matching the wadded silk bedspread, braided yellow rugs strewn across the bare wooden floorboards. Abby gave a little cry and ran to the curved windows opposite, where a riot of yellow and pink throw pillows lined the window seat.
Susan Gilbert-Collins (Starting from Scratch)
We currently know more about superfoods, calories, fat content and food groups than ever before. Yet obesity—and all the awful illnesses that go with it—is more prevalent than ever. So where are we going wrong? And what can we do about it? Well, as one of my favorite experts, the brilliant Dr. Mark Hyman, a physician and bestselling wellness author, said, “We have to cook our way out of this mess.” And this starts with getting back in the kitchen and making all of our meals from scratch.
Amelia Freer (Cook. Nourish. Glow.: 120 Recipes that Will Help You Lose Weight, Look Younger, and Feel Healthier)
The woman who wrote in to upbraid Orwell for talking about roses seemed to think that paying attention to that which does not need to be changed is idleness, dissipation, and distraction. Those focused on injustice, on those things that the more we contemplate them the more we want to change them, tend to think of contemplation of what we don’t want to change as akin to shirking one’s duty or dodging awareness of what we do want to change. I’ve talked about it as, instead, regeneration of the energy to face destruction, but Scarry suggests it might also matter as a study of the templates of the desirable and the good. What is the goal of social change or political engagement? Can studying what good already exists or has existed be part of the work? There is, of course, a meaningful difference between the dour (and widespread) position that we are forever starting from scratch because everything is contaminated or corrupt and the position that the good exists as a kind of seed that needs to be tended more energetically or propagated more widely.
Rebecca Solnit (Orwell's Roses)
I want to go home. But not to my apartment home, to my thirteen-years-ago home, to my hug-my-mother home, say I will make her proud, apologize, explain I can do better this time, be in my bed, be in my room, look at a magazine, plan my day, start not from scratch but just a little bit back, make different decisions, try to cultivate confidence, try not to coddle bad thoughts, be better, take the right things seriously, not say the things I said to James, try to hold on to a job, monitor my expectations earlier. Bring them way down.
Halle Butler (The New Me)
She could have shot herself, scratched herself, or indulged in other forms of self mutilation, but she chose what she probably felt was the weakest option-to at least endure the discomfort of the weather." "The minutes were cruel. Hours were punishing. Standing above him at all moments of awakeness was the hand of time, and it didn't hesitate to wring him out. It smiled and squeezed and let him live. What great malice there could be in allowing someone to live." "And I stop listening to me, because to put it bluntly, i tire me. When I start thinking like that, I become so exhausted, and I don't have the luxury of indulging fatigue. I am compelled to continue on, because although it's not true for every person on earth, it's true for the vast majority-that death waits for no man-and if he does, he doesn't usually wait very long." "Please believe me when I say I picked up each soul that day as if it were newly born. I even kissed a few weary, poisoned cheeks. I listened to their last, gasping cries. Their vanishing words. I watched their love visions and freed them from their fear.
Markus Zusak (The Book Thief)
The idea that modern civilization started practically from scratch, from a single source of ape-men several millennia ago, has distorted, or caused to be ignored, information that has reached us just as much by tradition as through archaeological finds. We are so fascinated by the technological advances of the last centuries of modern civilization that we simply forget the periods of obscurantism that preceded them and the differences in the level of development of the various peoples of the world. We tend to consider "progress" a continuous and general phenomenon stretching from the apes to Einstein. Yet the history of man is not one of regular development. It is characterized by a succession of developments and regressions related to astrological and climatic cycles. Barbaric races, still in their infancy, destroy civilizations that had been developed by older, more evolved populations, doing away with the sciences and arts, yet allowing some scraps of knowledge to survive which serve as the basis of the development of new cultures. On all continents we can find traces of outstanding cultures and advanced technologies belonging to bygone ages, followed by periods of barbarism and ignorance.
Alain Daniélou (While the Gods Play: Shaiva Oracles and Predictions on the Cycles of History and the Destiny of Mankind)
Mental toughness is the ability to focus on and execute solutions, especially in the face of adversity. Greatness rarely happens on accident. If you want to achieve excellence, you will have to act like you really want it. How? Quite simply: by dedicating time and energy into consistently doing what needs to be done. Excuses are the antithesis of accountability. Important decisions aren’t supposed to be easy, but don’t let that stop you from making them. When it comes to decisions, decide to always decide. The second we stop growing, we start dying. Stagnation easily morphs into laziness, and once a person stops trying to grow and improve, he or she is nothing more than mediocre. Develop the no-excuse mentality. Do not let anything interrupt those tasks that are most critical for growth in the important areas of your life. Find a way, no matter what, to prioritize your daily process goals, even when you have a viable excuse to justify not doing it. “If you don’t evaluate yourself, how in the heck are you ever going to know what you are doing well and what you need to improve? Those who are most successful evaluate themselves daily. Daily evaluation is the key to daily success, and daily success is the key to success in life. If you want to achieve greatness, push yourself to the limits of your potential by continuously looking for improvements. Within 60 seconds, replace all problem-focused thought with solution-focused thinking. When people focus on problems, their problems actually grow and reproduce. When you train your mind to focus on solutions, guess what expands? Talking about your problems will lead to more problems, not to solutions. If you want solutions, start thinking and talking about your solutions. Believe that every problem, no matter how large, has at the very least a +1 solution, you will find it easier to stay on the solution side of the chalkboard. When you set your mind to do something, find a way to get it done…no matter what! If you come up short on your discipline, keep fighting, kicking, and scratching to improve. Find the nearest mirror and look yourself in the eye while you tell yourself, “There is no excuse, and this will not happen again.” Get outside help if needed, but never, ever give up on being disciplined. Greatness will not magically appear in your life without significant accountability, focus, and optimism on your part. Are you ready to commit fully to turning your potential into a leadership performance that will propel you to greatness. Mental toughness is understanding that the only true obstacles in life are self-imposed. You always have the choice to stay down or rise above. In truth, the only real obstacles to your ultimate success will come from within yourself and fall into one of the following three categories: apathy, laziness and fear. Laziness breeds more laziness. When you start the day by sleeping past the alarm or cutting corners in the morning, you’re more likely to continue that slothful attitude later in the day.
Jason Selk (Executive Toughness: The Mental-Training Program to Increase Your Leadership Performance)
Nothing definite, of course. But say a hundred years to get themselves established as a viable society, perhaps three hundred to rebuild an approximation of the kind of technological setup they had here on Earth. And from there they built on the basis of what they had, with the advantage of being able to drop a lot of ancient millstones they carried around their necks. They build from scratch and to start with there was no need to struggle with the obsolescence they were burdened with on Earth. Well before a thousand years had passed the groups living on the three different planets—all within less than a
Clifford D. Simak (A Choice of Gods)
He said that death marks places like a dog marking its territory. Some people can sense it right away, while others simply start to feel uncomfortable after a time. Every stay in any place betrays the quiet ubiquitousness of the dead. As he said: ‘At first you always see what’s alive and vibrant. You’re delighted by nature, by the local church painted in different colours, by the smells and all that. But the longer you’re in a place, the more the charm of those things fades. You wonder who lived here before you came to this home and this room, whose things these are, who scratched the wall above the bed and what tree the sills were cut from. Whose hands built the elaborately decorated fireplace, paved the courtyard? And where are they now? In what form? Whose idea led to these paths around the pond and who had the idea of planting a willow out the window? All the houses, avenues, parks, gardens and streets are permeated with the deaths of others. Once you start feeling this, something starts to pull you elsewhere, you start to think it’s time to move on.’ He added that when we are in motion, there’s no time for such idle meditations. Which is why to people on trips everything seems new and clean, virginal, and, in some sense, immortal.
Olga Tokarczuk (Flights)
He scratches his mustache. “Thirty is when you stop producing human growth hormone, you know. And your DNA telomeres start degrading. It’s when the body starts dying.” “Exactly!” Livia says from behind me. “I’m not dying!” I protest for the millionth time in the last two months. “And neither are you, Liv.” “We’re kind of dying, though,” she says. In front of me, Bud nods in agreement. “Take your vitamins,” he adds, with a touch of sternness, “and then you won’t die so fast.” I have something like a Vietnam flashback to all the vitamins Bud’s fed me over the years. And they weren’t the fun Flintstones ones either. “I’ll be sure to do that
Laurelin Paige (Hot Cop)
We don’t need this place in specific, but we need something like it. I’m sure you can picture the work required to rebuild such a paradise from scratch (or even recover its gleam from the wreckage). Think, for a second—if you succeeded, if you stole the physical object on whose slow quantum decomposition this strand’s random-number generators depend, if that triggered a cryptographic crisis, if that crisis led people to distrust their food printers, if hungry masses rioted, if riots fed this glitter to the fires of war, we’d have to start again—cannibalizing other strands, likely from your braid. And then we’d be at one another’s throats even more.
Amal El-Mohtar (This is How You Lose the Time War)
Even now - they'll never grow up - Japanese potters still play with accidents. Whether it arises from the clay, the wheel, the kiln or the glaze, they watch out for any irregularity and sometimes even emphasize it. In any case they use it as a starting point for a new adventure. The shape and colour may be perfectly classical, but spoiled by a scratch or being under- or over-fired. So they pursue and develop the flaw, struggling fiercely, lovingly with and against it until it becomes deliberate, an expression of themselves. If they succeed they're overjoyed: the result is modern. Never Tunisian. But not many Swiss bankers take up with Japanese potters.
Jean Genet (Prisoner of Love)
DEATH’S DIARY: THE PARISIANS Summer came. For the book thief, everything was going nicely. For me, the sky was the color of Jews. When their bodies had finished scouring for gaps in the door, their souls rose up. When their fingernails had scratched at the wood and in some cases were nailed into it by the sheer force of desperation, their spirits came toward me, into my arms, and we climbed out of those shower facilities, onto the roof and up, into eternity’s certain breadth. They just kept feeding me. Minute after minute. Shower after shower. I’ll never forget the first day in Auschwitz, the first time in Mauthausen. At that second place, as time wore on, I also picked them up from the bottom of the great cliff, when their escapes fell awfully awry. There were broken bodies and dead, sweet hearts. Still, it was better than the gas. Some of them I caught when they were only halfway down. Saved you, I’d think, holding their souls in midair as the rest of their being—their physical shells—plummeted to the earth. All of them were light, like the cases of empty walnuts. Smoky sky in those places. The smell like a stove, but still so cold. I shiver when I remember—as I try to de-realize it. I blow warm air into my hands, to heat them up. But it’s hard to keep them warm when the souls still shiver. God. I always say that name when I think of it. God. Twice, I speak it. I say His name in a futile attempt to understand. “But it’s not your job to understand.” That’s me who answers. God never says anything. You think you’re the only one he never answers? “Your job is to …” And I stop listening to me, because to put it bluntly, I tire me. When I start thinking like that, I become so exhausted, and I don’t have the luxury of indulging fatigue. I’m compelled to continue on, because although it’s not true for every person on earth, it’s true for the vast majority—that death waits for no man—and if he does, he doesn’t usually wait very long. On June 23, 1942, there was a group of French Jews in a German prison, on Polish soil. The first person I took was close to the door, his mind racing, then reduced to pacing, then slowing down, slowing down …. Please believe me when I tell you that I picked up each soul that day as if it were newly born. I even kissed a few weary, poisoned cheeks. I listened to their last, gasping cries. Their vanishing words. I watched their love visions and freed them from their fear. I took them all away, and if ever there was a time I needed distraction, this was it. In complete desolation, I looked at the world above. I watched the sky as it turned from silver to gray to the color of rain. Even the clouds were trying to get away. Sometimes I imagined how everything looked above those clouds, knowing without question that the sun was blond, and the endless atmosphere was a giant blue eye. They were French, they were Jews, and they were you.
Markus Zusak (The Book Thief)
Blindspin. A single name of a multitude of practices centered about the auto-driven auto. Flashing across the country in the sure hands of an invisible chauffeur, windows all opaque, night dark, sky high, tires assailing the road below like four phantom buzzsaws—and starting from scratch and ending in the same place, and never knowing where you are going or where you have been—it is possible, for a moment, to kindle some feeling of individuality in the coldest brainpan, to produce a momentary awareness of self by virtue of an apartness from all but a sense of motion. This is because movement through darkness is the ultimate abstraction of life itself—at least that’s what one of the Vital Comedians said, and everybody in the place laughed.
Roger Zelazny (The Dream Master)
Imagine sailors, who, far out at sea, transform the shape of their clumsy vessel from a more circular to a more fishlike one. They make use of some drifting timber, besides the timber of the old structure, to modify the skeleton and the hull of their vessel. But they cannot put the ship in dock in order to start from scratch. During their work they stay on the old structure and deal with heavy gales and thundering waves. In transforming their ship they take care that dangerous leakages do not occur. A new ship grows out of the old one, step by step—and while they are still building, the sailors may already be thinking of a new structure, and they will not always agree with one another. The whole business will go on in a way that we cannot even anticipate today. That is our fate.
Otto Neurath
I gazed at my bare and battered feet, with their smattering of remaining toenails. They were ghostly pale to the line a few inches above my ankles, where the wool socks I usually wore ended. My calves above them were muscled and golden and hairy, dusted with dirt and a constellation of bruises and scratches. I’d started walking in the Mojave Desert and I didn’t plan to stop until I touched my hand to a bridge that crosses the Columbia River at the Oregon-Washington border with the grandiose name the Bridge of the Gods. I looked north, in its direction—the very thought of that bridge a beacon to me. I looked south, to where I’d been, to the wild land that had schooled and scorched me, and considered my options. There was only one, I knew. There was always only one. To keep walking.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
PANOTII LOOKS PUT OUT ABOUT BEING LEFT BEHIND AND dogs my steps as I stow his tack under the deep overhang on the south side of the wizard’s hovel. There’s plenty of grass here, water at the lake, and it’s not that cold yet, despite the shift in seasons. If the rains start before we get back, the horses can take shelter under the overhang. I’m not worried about them wandering off. Not one of them has stepped outside of the large makeshift corral of God Bolt pits since we got here. “You can’t come with us,” I tell him. “It’ll be cold and slippery. And big monsters will want to eat you.” He tosses his head, snorting. “Really big monsters. There might be Dragons. And the Hydra. And I can’t vouch for the friendliness of the Ipotane toward regular horses.” I blow gently into his nose. Panotii chuffs back. “You’ll be safe here, and if anyone tries to steal you, Grandpa Zeus will throw down a thunderbolt. Boom! No more horse thief.” “Zeus may have better things to do than babysit our horses,” Flynn says, stowing his own equine gear next to mine. I glance northward toward the Gods’ mountain home and speak loudly. “In that case, I’m announcing right now that I’ll make an Olympian stink if anything happens to my horse.” Flynn looks nervous and moves away from me like he’s expecting a God Bolt to come thundering down. “She’s not kidding.” Sunlight glints off Griffin’s windblown hair. Thick black stubble darkens his jaw. He flashes me a smile that brings out the slight hook in his nose, and something tightens in my belly. I turn back to Panotii and scratch under his jaw. “You’re in charge here.” His enormous ears flick my way. “You keep the others in line.” Panotii nods. I swear to the Gods, my horse nods. Brown Horse raises his head and pins me with a gimlet stare. I roll my eyes. “Fine. You can help. You’re both in charge.” Apparently satisfied, Griffin’s horse goes back to grazing, shearing the grass around him with neat, organized efficiency. Griffin and Brown Horse were made for each other. Panotii shoves his nose into my shoulder, knocking me back a step. Taking a handful of his chestnut mane, I stretch up on my toes to whisper into one of his donkey ears. “Seriously, you’re in charge. I’ll bet you can even rhyme.” Carver and Kato chuckle as they walk past. Griffin bands his arms around my waist from behind, surprising me. “I heard that.
Amanda Bouchet (Breath of Fire (Kingmaker Chronicles, #2))
But surely the commute that defines the era was Noah's voyage aboard his eponymous ark, and to this day it remains the most epic commuting story ever told. As most people know, God felt that Earth had essentially "jumped the shark" (or "raped the angel" as they used to say back then), so rather than try to fix it, He instead decided to simply wash everyone away in a great flood and start over from scratch--just as you might do to your computer's hard drive if it has a really bad virus. So God spoke to Noah and commanded him to build an ark, aboard which he'd carry two of every animal in the world....Thus was born humankind's lust for gigantic vehicles, for God's instructions to Noah were basically the world's first car commercial, and the sales pitch was this: Large vehicles are your salvation.
BikeSnobNYC
As much as I respect their reasons for becoming more spiritual than religious, I want the young people in my classes to know that religion is more than a source of conflict or a calculated way to stay out of hell. Religions are treasure chests of stories, songs, rituals, and ways of life that have been handed down for millennia—not covered in dust but evolving all the way—so that each new generation has something to choose from when it is time to ask the big questions about life. Where did we come from? Why do bad things happen to good people? Who is my neighbor? Where do we go from here? No one should have to start from scratch with questions like those. Overhearing the answers of the world’s great religions can help anyone improve his or her own answers. Without a religion, these questions often do not get asked.
Barbara Brown Taylor (Holy Envy: Finding God in the Faith of Others)
I’m sorry,” she said, wishing she could say something more meaningful. “I’m not. If he’d been a good uncle, I’d have stayed in Boston. Never would have found my way to San Francisco,” he said. Camille knew where the rest of his story led and grinned. “And you never would have rescued my father from a pickpocket,” she added. He started to laugh, a quiet, almost personal chuckle, like he was thinking about some funny memory. Camille caught the bug of laughter and wanted to join in. “What is it?” she asked. “Your father didn’t need a rescuer. He caught the pickpocket himself,” Oscar answered, a hand on his abdomen from all his laughter. “And then he invited him inside for dinner.” Her smile fell flat. She stared at him, trying to comprehend what he’d just said. “You?” she asked, dumbfounded. “You were the pickpocket?” Oscar nodded, scratching the back of his head. “Yeah. I wasn’t very good at it.” Her father could have had him arrested or shooed him away without thinking twice. But he’d invited Oscar inside. He gave him work, food…a real chance. “Why didn’t he tell me?” she asked, feeling like she’d been duped once again. All the lies her father had woven to cover up his secrets had become so frayed, Camille wondered if she had truly known him at all. “To give me a clean slate with everyone. Even you.” Oscar moved toward her in cautious, deliberate steps. “We’re alone. We should talk.” The pantry was cramped and dismal despite the oil lamp, and Camille had a sudden urge to flee. “About what?” she asked, her ears burning. She still reeled with the knowledge that the pickpocket story hadn’t been real, just like her mother’s story hadn’t been real. Oscar stopped within a few inches from her and reached a hand around her waist. “About our night together, Camille,” he answered, his dimples forming. “There’s a lot to say.
Angie Frazier (Everlasting (Everlasting, #1))
Keeping a new church outwardly focused from the beginning is much easier than trying to refocus an inwardly concerned church. In order to plant a successful church, you have to know that you know that you are undeniably called by God. The call to start a new church plant is not the same as the call to serve in an existing church or work in a ministry-related organization. You may be the greatest preacher this side of Billy Graham but still not be called to start a church. If you think you may have allowed an improper reason, voice or emotion to lead you to the idea of starting a new church, back away now. Spend some more time with God. You don’t want to move forward on a hunch or because you feel “pretty sure” that you should be planting a church. You have to be completely certain. “You’re afraid? So what. Everybody’s afraid. Fear is the common ground of humanity. The question you must wrestle to the ground is, ‘Will I allow my fear to bind me to mediocrity?’” When you think of a people group that you might be called to reach, does your heart break for them? If so, you may want to consider whether God is specifically calling you to reach that group for His kingdom. Is your calling clear? Has your calling been confirmed by others? Are you humbled by the call? Have you acted on your call? Do you know for certain that God has called you to start a new church? Nail it down. When exactly were you called? What were the circumstances surrounding your call? How did it match up with the sources of proper calling? Do you recognize the four specific calls in your calling? How? How does your call measure up to biblical characteristics? What is the emerging vision that God is giving you with this call? As your dependence on God grows, so will your church. One of the most common mistakes that enthusiastic and well-meaning church starters make is to move to a new location and start trying to reach people without thinking through even a short-term strategy. Don’t begin until you count the cost. why would you even consider starting a church (the only institution Jesus left behind and the only one that will last forever) without first developing a God-infused, specific, winning strategy? There are two types of pain: the pain of front-end discipline and the pain of back-end regret. With the question of strategy development, you get to choose which pain you’d rather live with. Basically, a purpose, mission and vision statement provides guiding principles that describe what God has called you to do (mission), how you will do it (purpose) and what it will look like when you get it done (vision). Keep your statement simple. Be as precise as possible. Core values are the filter through which you fulfill your strategy. These are important, because your entire strategy will be created and implemented in such a way as to bring your core values to life. Your strategic aim will serve as the beacon that guides the rest of your strategy. It is the initial purpose for which you are writing your strategy. He will not send more people to you than you are ready to receive. So what can you do? The same thing Dr. Graham does. Prepare in a way that enables God to open the floodgates into your church. If you are truly ready, He will send people your way. If you do the work we’ve described in this chapter, you’ll be able to build your new church on a strong base of God-breathed preparation. You’ll know where you are, where you’re going and how you are going to get there. You’ll be standing in the rain with a huge bucket, ready to take in the deluge. However, if you don’t think through your strategy, write it down and then implement it, you’ll be like the man who stands in the rainstorm with a Dixie cup. You’ll be completely unprepared to capture what God is pouring out. The choice is yours!
Nelson Searcy (Launch: Starting a New Church from Scratch)
I ran to Sailor’s hutch to see if he’d made it through alive. He was backed into the corner, shivering, and in the most wretched condition: he had become so malnourished that his fur had grown horribly long, his body’s attempt to compensate for his slow metabolism and low temperature. His claws were an inch long, and worse, his front teeth had curled over his lower lip so he could hardly open his mouth. Apparently, rabbits need to be chewing on hard things like carrots; otherwise their teeth will grow. Terrified, I opened the cage door to hug little Sailor, but, in a spastic fury, he started scratching my face and neck. I still have the scars. Without anyone attending to him, he had gone feral. That’s what’s happened to me, in Seattle. Come at me, even in love, and I’ll scratch the hell out of you. ’Tis a piteous fate to have befallen a MacArthur genius, wouldn’t you say? Poof. But I do love you, Bernadette TUESDAY, DECEMBER 14 From Paul Jellinek Bernadette, Are you done?
Maria Semple (Where'd You Go, Bernadette)
You know, one time I saw Tiger down at the water hole: he had the biggest testicles of any animal, and the sharpest claws, and two front teeth as long as knives and as sharp as blades. And I said to him, Brother Tiger, you go for a swim, I’ll look after your balls for you. He was so proud of his balls. So he got into the water hole for a swim, and I put his balls on, and left him my own little spider balls. And then, you know what I did? I ran away, fast as my legs would take me “I didn’t stop till I got to the next town, And I saw Old Monkey there. You lookin’ mighty fine, Anansi, said Old Monkey. I said to him, You know what they all singin’ in the town over there? What are they singin’? he asks me. They singin’ the funniest song, I told him. Then I did a dance, and I sings, Tiger’s balls, yeah, I ate Tiger’s balls Now ain’t nobody gonna stop me ever at all Nobody put me up against the big black wall ’Cos I ate that Tiger’s testimonials I ate Tiger’s balls. “Old Monkey he laughs fit to bust, holding his side and shakin’, and stampin’, then he starts singin’ Tiger’s balls, I ate Tiger’s balls, snappin’ his fingers, spinnin’ around on his two feet. That’s a fine song, he says, I’m goin’ to sing it to all my friends. You do that, I tell him, and I head back to the water hole. “There’s Tiger, down by the water hole, walkin’ up and down, with his tail switchin’ and swishin’ and his ears and the fur on his neck up as far as they can go, and he’s snappin’ at every insect comes by with his huge old saber teeth, and his eyes flashin’ orange fire. He looks mean and scary and big, but danglin’ between his legs, there’s the littlest balls in the littlest blackest most wrinkledy ball-sack you ever did see. “Hey, Anansi, he says, when he sees me. You were supposed to be guarding my balls while I went swimming. But when I got out of the swimming hole, there was nothing on the side of the bank but these little black shriveled-up good-for-nothing spider balls I’m wearing. “I done my best, I tells him, but it was those monkeys, they come by and eat your balls all up, and when I tell them off, then they pulled off my own little balls. And I was so ashamed I ran away. “You a liar, Anansi, says Tiger. I’m going to eat your liver. But then he hears the monkeys coming from their town to the water hole. A dozen happy monkeys, boppin’ down the path, clickin’ their fingers and singin’ as loud as they could sing, Tiger’s balls, yeah, I ate Tiger’s balls Now ain’t nobody gonna stop me ever at all Nobody put me up against the big black wall ’Cos I ate that Tiger’s testimonials I ate Tiger’s balls. “And Tiger, he growls, and he roars and he’s off into the forest after them, and the monkeys screech and head for the highest trees. And I scratch my nice new big balls, and damn they felt good hangin’ between my skinny legs, and I walk on home. And even today, Tiger keeps chasin’ monkeys. So you all remember: just because you’re small, doesn’t mean you got no power.
Neil Gaiman (American Gods (American Gods, #1))
Ven' is the Nain word for 'and.' It was my first word, and so was added to my name at the age of three, when I first spoke it. That is the Nain tradition; each child's first word becomes an official part of his or her name. As a result, three of my brothers are Petar Da-da Polypheme, Osgod No! Polypheme, and Linus Poo-poo Polypheme. Personally, I think the Nain should rethink this tradition. As for my name, I think perhaps there should be a question mark after it - 'and?' - as if life is always posing the question of what I am to do next. I was born with more than my share of curiosity, and it gets me into a frightful amount of trouble. I want to know what comes next from the time I wake up in the morning, wondering what the day will hold, till the moment I fall asleep, imagining where my dreams will take me at night. It's like an itch; my skin or scalp hums with excitement whenever my curiosity starts to take over. And? And? And? Scratching it does nothing to help; the itch doesn't go away, and I just look like I have dandruff or fleas.
Elizabeth Haydon (The Floating Island (The Lost Journals of Ven Polypheme, #1))
... nature did not make us to feel too good for too long (which would be no good for the survival of the species) but only to feel good enough to imagine, erroneously, that someday we might feel good all the time. To believe that humanity will ever live in a feel-good world is a common mistake. And if we do not feel good, we should act as if we do. If you act happy, then you will become happy—everybody in the workaday world knows that. If you do not improve, then someone must assume the blame. And that someone will be you. We are on our way to the future, and no introverted melancholic is going to impede our progress. You have two choices: start thinking the way God and your society want you to think or be forsaken by all. The decision is yours, since you are a free agent who can choose to rejoin the world of fabricated reality—civilization, that is—or stubbornly insist on . . . what? That we should rethink how the whole world transacts its business? That we should start over from scratch, questioning all the ways and means that delivered us to a lofty prominence over the amusement park of creation? Try to be realistic. We made our world just the way nature and the Lord wanted us to make it. There is no starting over and no going back. No major readjustments are up for a vote. And no nihilistic head case is going to get a bad word in edgewise. The universe was created by the Creator, goddamn it. We live in a country we love and that loves us back. We have families and friends and jobs that make it all worthwhile. We are somebodies, as we spin upon this good earth, not a bunch of nobodies without names or numbers or retirement plans. None of this is going to become unraveled by a thought criminal who contends that the world is not double plus good and never will be and who believes that anyone is better off dead than alive. Our lives may not be unflawed—that would deny us a future to work toward—but if this charade is good enough for us, then it should be good enough for you. So if you cannot get your mind right, try walking away. You will find no place to go and no one who will have you. You will find only the same old trap the world over. It is the trap of tomorrow. Love it or leave it—choose which and choose fast. You will never get us to give up our hopes, demented as they may seem. You will never get us to wake up from our dreams. Your opinions are not certified by institutions of authority or by the middling run of humanity, and therefore whatever thoughts may enter your chemically imbalanced brain are invalid, inauthentic, or whatever dismissive term we care to assign to you who are only “one of those people.” So get the hell out if you can. But we are betting that when you start hurting badly enough, you will come running back. If you are not as strong as Samson— that no-good suicide and slaughterer of Philistines—then you will return to the trap. Do you think we are morons? We have already thought everything that you have thought. The only difference is that we have the proper and dignified sense of futility not to spread that nasty news. Our shibboleth: “Up the Conspiracy and down with Consciousness.
Thomas Ligotti (The Conspiracy Against the Human Race)
The others just didn’t seem to have any flare for the theoretical side of magic. They learned their spells by rote, but they weren’t interested in the basic patterns that underlay them. Only a few of them went into the deeper linguistic work, the grammars and the root systems. They preferred to just memorize the syllables and gestures and forget the rest. They were wrong. It sapped the power of their casting, and it meant that every time they started a new spell they were starting over from scratch. They didn’t see the connections between them. And you could forget about doing any original work, which Julia was already looking forward to. Along with Jared she started an ancient languages working group. They only got four other members, and most of those were there because Julia was hot. She kicked them out one by one when they didn’t keep up with the homework. As for the hand exercises, she worked doubly hard at those, because she knew she wasn’t naturally gifted at them. Nobody kept up with her on the hand exercises, not even Jared. They didn’t have her taste for pain.
Lev Grossman (The Magician King (The Magicians, #2))
Maybe I've put too much high hopes and expectations on you, or started holding you to an unreachable standard." "That isn't fair," he says, his own breath coming quicker. He's starting to look less confused and more straight-up angry. Join the club, bud. "I probably should have told you before Geoffrey and Aiden, but I was excited, and you've been ignoring all my attempts to talk since UltiCon. And I really didn't think you would take the news this way. I thought it was a good thing and truthfully? I think you're overreacting." The little porcupine quills that I imagine live just beneath my skin, primed to shoot up and protect me at a moment's notice, are at the ready now. Except they feel more like Wolverine claws in this case, and Norberto Beneventi's about to feel their wrath. "Overreacting, huh? Love to hear that. Sorry I'm not over the moon, shooting rainbows out my eyeballs because I'm so delighted for you. Sorry I'm not a selfless little woman whose only goal in life is to see her man shine, that I have real feelings and ambitions for myself." "Reese, for the love of---" he shouts, throwing his hands up in the air and walking in a tight circle before returning to stand in front of me. He adjusts his cap with a long-suffering sigh. "You know what? I think you've been waiting for this. I think you figured out that there was more to say after our last conversation, and you know this is not that big of a deal, but you've been scared for so long, and angry, and the world's been unfair to you. And I bet whether you realize it or not, you've been waiting for the first excuse to get rid of me for good. You're used to being alone and it's easier than letting another person in, so all you needed was the smallest hint that something may not be perfect and boom---no more Benny. Am I right?" I scoff, moving to pass him for real this time and not stopping when his hand brushes my shoulder. "You just know me so well, don't you? Please, tell me more about how I'm feeling, why I do the things I do. But you'll have to send it in another message, because I don't have to stay here and listen to it." I hoist my bag farther onto my shoulder and stomp away from him, my own fury nearly blocking out his parting words. "Go on, then. Maybe you can move back across the country. See if running from your problems works the second time around.
Kaitlyn Hill (Love from Scratch)
For Elon Musk, this spectacle has turned into a familiar experience. SpaceX has metamorphosed from the joke of the aeronautics industry into one of its most consistent operators. SpaceX sends a rocket up about once a month, carrying satellites for companies and nations and supplies to the International Space Station. Where the Falcon 1 blasting off from Kwajalein was the work of a start-up, the Falcon 9 taking off from Vandenberg is the work of an aerospace superpower. SpaceX can undercut its U.S. competitors—Boeing, Lockheed Martin, Orbital Sciences—on price by a ridiculous margin. It also offers U.S. customers a peace of mind that its rivals can’t. Where these competitors rely on Russian and other foreign suppliers, SpaceX makes all of its machines from scratch in the United States. Because of its low costs, SpaceX has once again made the United States a player in the worldwide commercial launch market. Its $60 million per launch cost is much less than what Europe and Japan charge and trumps even the relative bargains offered by the Russians and Chinese, who have the added benefit of decades of sunk government investment into their space programs as well as cheap labor. The
Ashlee Vance (Elon Musk: How the Billionaire CEO of SpaceX and Tesla is Shaping our Future)
As the Model S fever gripped Silicon Valley, I visited Ford’s small research and development lab in Palo Alto. The head of the lab at the time was a ponytailed, sandal-wearing engineer named T. J. Giuli, who felt very jealous of Tesla. Inside of every Ford were dozens of computing systems made by different companies that all had to speak to each other and work as one. It was a mess of complexity that had evolved over time, and simplifying the situation would prove near impossible at this point, especially for a company like Ford, which needed to pump out hundreds of thousands of cars per year and could not afford to stop and reboot. Tesla, by contrast, got to start from scratch and make its own software the focus of the Model S. Giuli would have loved the same opportunity. “Software is in many ways the heart of the new vehicle experience,” he said. “From the powertrain to the warning chimes in the car, you’re using software to create an expressive and pleasing environment. The level of integration that the software has into the rest of the Model S is really impressive. Tesla is a benchmark for what we do here.” Not long after this chat, Giuli left Ford to become an engineer at a stealth start-up. There
Ashlee Vance (Elon Musk: How the Billionaire CEO of SpaceX and Tesla is Shaping our Future)
Well, I hate it. Boy, do I hate it,” I said. “But it isn’t just that. It’s everything. I hate living in New York and all. Taxicabs, and Madison Avenue buses, with the drivers and all always yelling at you to get out at the rear door, and being introduced to phony guys that call the Lunts angels, and going up and down in elevators when you just want to go outside, and guys fitting your pants all the time at Brooks, and people always—” “Don’t shout, please,” old Sally said. Which was very funny, because I wasn’t even shouting. “Take cars,” I said. I said it in this very quiet voice. “Take most people, they’re crazy about cars. They worry if they get a little scratch on them, and they’re always talking about how many miles they get to a gallon, and if they get a brand-new car already they start thinking about trading it in for one that’s even newer. I don’t even like old cars. I mean they don’t even interest me. I’d rather have a goddam horse. A horse is at least human, for God’s sake. A horse you can at least—” “I don’t know what you’re even talking about,” old Sally said. “You jump from one—” “You know something?” I said. “You’re probably the only reason I’m in New York right now, or anywhere. If you weren’t around, I’d probably be someplace way the hell off. In the woods or some goddam place. You’re the only reason I’m around, practically.” “You’re sweet,” she said. But you could tell she wanted me to change the damn subject. “You ought to go to a boys’ school sometime. Try it sometime,” I said. “It’s full of phonies, and all you do is study so that you can learn enough to be smart enough to be able to buy a goddam Cadillac some day, and you have to keep making believe you give a damn if the football team loses, and all you do is talk about girls and liquor and sex all day, and everybody sticks together in these dirty little goddam cliques. The guys that are on the basketball team stick together, the Catholics stick together, the goddam intellectuals stick together, the guys that play bridge stick together. Even the guys that belong to the goddam Book-of-the-Month Club stick together. If you try to have a little intelligent—” “Now, listen,” old Sally said. “Lots of boys get more out of school than that.” “I agree! I agree they do, some of them! But that’s all I get out of it. See? That’s my point. That’s exactly my goddam point,” I said. “I don’t get hardly anything out of anything. I’m in bad shape. I’m in lousy shape.” “You certainly are.
J.D. Salinger (The Catcher in the Rye)
it?” McDonald asked. “Maybe it was, in the beginning,” Andrews said. “Part of it, at least.” “Young people,” McDonald said. “Always wanting to start from scratch. I know. You never figured that someone else knew what you was trying to do, did you?” “I never thought about it,” Andrews said. “Maybe because I didn’t know what I was trying to do myself.” “Do you know now?” Andrews moved restlessly. “Young people,” McDonald said contemptuously. “You always think there’s something to find out.” “Yes, sir,” Andrews said. “Well, there’s nothing,” McDonald said. “You get born, and you nurse on lies, and you get weaned on lies, and you learn fancier lies in school. You live all your life on lies, and then maybe when you’re ready to die, it comes to you—that there’s nothing, nothing but yourself and what you could have done. Only you ain’t done it, because the lies told you there was something else. Then you know you could of had the world, because you’re the only one that knows the secret; only then it’s too late. You’re too old.” “No,” Andrews said. A vague terror crept from the darkness that surrounded them, and tightened his voice. “That’s not the way it is.” “You ain’t learned, then,” McDonald said. “You ain’t learned yet. . . . Look. You spend nearly a year
John Williams (Butcher's Crossing)
1. To whom are you going to sell? You start by identifying your person. It can be you or someone you know, but once you identify them, look at what group of people they belong to. Are they CrossFitters? Do they eat a paleo diet? Are they nurses? Are they Christians? If you don’t know the answer, start with yourself. What groups do you identify with? 2. What do they already buy? Can you list at least three to five products that your group already buys? If you can’t list at least three products, you’re in the wrong market. At this point in the process, it’s really tempting to make up a product idea from scratch, but I recommend that you start by identifying what your person already buys. Just start writing down what your person already buys on their journey to be a great mom, a great entrepreneur, or a great designer. 3. Which product out of that suite of products do you want to focus on, to either make a great version of it or a version that solves one of their problems? Looking at the list of products you came up with, ask yourself, “How are those products not serving my group right now?” Does one of them jump out as a potential “gateway” to the rest of the list? If you identify the first product that solves a pain point or serves as a gateway into other purchases, then you know exactly where to start.
Ryan Daniel Moran (12 Months to $1 Million: How to Pick a Winning Product, Build a Real Business, and Become a Seven-Figure Entrepreneur)
Whatand why were never questions for me. How was the only question. When I look back now, I realize that I never thought about what I wanted to become in life. I only thought about how I wanted to live my life. And I knew that the “how” could only be determined within me and by me. There was a big boom in poultry farming at the time. I wanted to make some money to finance my desire for unrestrained, purposeless travel. So I got into it. My father said, “What am I going to tell people? That my son is rearing chickens?” But I built my poultry farm and I built it single-handedly, from scratch. The business took off. The profits started rolling in. I devoted four hours every morning to the business. The rest of the day was spent reading and writing poetry, swimming in the well, meditating, daydreaming on a huge banyan tree. Success made me adventurous. My father was always lamenting that everyone else’s sons had become engineers, industrialists, joined the civil service, or gone to America. And everywhere everyone I met—my friends, relatives, my old school and college teachers—said, “Oh, we thought you’d make something of your life, but you are just wasting it.” I took on the challenge. In partnership with a civil engineer friend, I entered the construction business. In five years, we became a major construction company, among the leading private
Sadhguru (Inner Engineering: A Yogi’s Guide to Joy)
Speaking of debutantes,” Jake continued cautiously when Ian remained silent, “what about the one upstairs? Do you dislike her especially, or just on general principle?” Ian walked over to the table and poured some Scotch into a glass. He took a swallow, shrugged, and said, “Miss Cameron was more inventive than some of her vapid little friends. She accosted me in a garden at a party.” “I can see how bothersome that musta been,” Jake joked, “having someone like her, with a face that men dream about, tryin’ to seduce you, usin’ feminine wiles on you. Did they work?” Slamming the glass down on the table, Ian said curtly, “They worked.” Coldly dismissing Elizabeth from his mind, he opened the deerskin case on the table, removed some papers he needed to review, and sat down in front of the fire. Trying to suppress his avid curiosity, Jake waited a few minutes before asking, “Then what happened?” Already engrossed in reading the documents in his hand, Ian said absently and without looking up, “I asked her to marry me; she sent me a note inviting me to meet her in the greenhouse; I went there; her brother barged in on us and informed me she was a countess, and that she was already betrothed.” The topic thrust from his mind, Ian reached for the quill lying on the small table beside his chair and made a note in the margin of the contract. “And?” Jake demanded avidly. “And what?” “And then what happened-after the brother barged in?” “He took exception to my having contemplated marrying so far above myself and challenged me to a duel,” Ian replied in a preoccupied voice as he made another note on the contract. “So what’s the girl doin’ here now?” Jake asked, scratching his head in bafflement over the doings of the Quality. “Who the hell knows,” Ian murmured irritably. “Based on her behavior with me, my guess is she finally got caught in some sleezy affair or another, and her reputation’s beyond repair.” “What’s that got to do with you?” Ian expelled his breath in a long, irritated sigh and glanced at Jake with an expression that made it clear he was finished answering questions. “I assume,” he bit out, “that her family, recalling my absurd obsession with her two years ago, hoped I’d come up to scratch again and take her off their hands.” “You think it’s got somethin’ to do with the old duke talking about you bein’ his natural grandson and wantin’ to make you his heir?” He waited expectantly, hoping for more information, but Ian ignored him, reading his documents. Left with no other choice and no prospect for further confidences, Jake picked up a candle, gathered up some blankets, and started for the barn. He paused at the door, struck by a sudden thought. “She said she didn’t send you any note about meetin’ her in the greenhouse.” “She’s a liar and an excellent little actress,” Ian said icily, without taking his gaze from the papers. “Tomorrow I’ll think of some way to get her out of here and off my hands.” Something in Ian’s face made him ask, “Why the hurry? You afraid of fallin’ fer her wiles again?” “Hardly.” “Then you must be made of stone,” he teased. “That woman’s so beautiful she’d tempt any man who was alone with her for an hour-includin’ me, and you know I ain’t in the petticoat line at all.” “Don’t let her catch you alone,” Ian replied mildly. “I don’t think I’d mind.” Jake laughed as he left.
Judith McNaught (Almost Heaven (Sequels, #3))
The moral here is that nature and nurture should not be opposed. Pure learning, in the absence of any innate constraints, simply does not exist. Any learning algorithm contains, in one way or another, a set of assumptions about the domain to be learned. Rather than trying to learn everything from scratch, it is much more effective to rely on prior assumptions that clearly delineate the basic laws of the domain that must be explored, and integrate these laws into the very architecture of the system. The more innate assumptions there are, the faster learning is (provided, of course, that these assumptions are correct!). This is universally true. It would be wrong, for example, to think that the AlphaGo Zero software, which trained itself in Go by playing against itself, started from nothing: its initial representation included, among other things, knowledge of the topography and symmetries of the game, which divided the search space by a factor of eight. Our brain too is molded with assumptions of all kinds. Shortly, we will see that, at birth, babies' brains are already organized and knowledgeable. They know, implicitly, that the world is made of things that move only when pushed, without ever interpenetrating each other (solid objects)—and also that it contains much stranger entities that speak and move by themselves (people). No need to learn these laws: since they are true everywhere humans live, our genome hardwires them into the brain, thus constraining and speeding up learning. Babies do not have to learn everything about the world: their brains are full of innate constraints, and only the specific parameters that vary unpredictably (such as face shape, eye color, tone of voice, and individual tastes of the people around them) remain to be acquired.
Stanislas Dehaene (How We Learn: Why Brains Learn Better Than Any Machine . . . for Now)
Well, I saved you today, didn’t I? Just like I saved you before. You walked out of the Bastion free, without a scratch, and if any Cokyrian but me had caught you with that dagger, you might be drawn and quartered by now.” “You didn’t save me from that butcher,” I said irritably. “But you’re right. About today, I mean.” I could sense his satisfaction, which irritated me all the more. “So accept my thanks, but stay away from me. We’re not friends, you know.” I was nearing my neighborhood and didn’t want anyone to see me with him. He stepped in front of me, forcing me to stop. “We’re not friends yet. But you’ve thought about it. And you just thanked me.” “Are you delusional?” “No. You just said thank you to the faceless Cokyrian soldier who arrested you.” “Don’t you ever stop?” I demanded, trying in vain to move around him. “I haven’t even started.” “What does that mean?” There was silence as Saadi glanced up and down the street. “I want to know where you got that dagger. Or at least what story you told.” “Why don’t you ask Commander Narian? The two of you seemed fairly close.” “Quit making jokes.” “I haven’t made a single one.” “Well?” “It was my father’s,” I said, clinging to the lie Queen Alera had provided, whether by mistake or not. “Oh.” This seemed to take Saadi aback. “And now, because of you, I don’t have it anymore.” I knew I was pressing my luck, but I wanted to make him feel bad. “I’m sorry,” he muttered, seeming sincere enough. Thinking I had maybe, finally, succeeded in getting him to leave me alone, I stepped around him. “Shaselle?” I stopped again, without the slightest idea why. “Your father--what was he like?” The question shocked me; I also wasn’t sure I could answer it without crying. But Saadi appeared so genuinely interested that I couldn’t disregard him. “You have no right to ask me that,” I answered out of principle. “But for your information, he was the strongest, bravest, kindest and best-humored man I ever knew. And none of it was because he took what was handed to him.” For the second time, I attempted a dramatic departure. “Shaselle?” “What now?” I incredulously exclaimed. “Do you have plans tomorrow?” “What?” “I have a day off duty. We could--” “No!” I shouted. “What is this? You expect me to spend a day with you, a Cokyrian--a Cokyrian I can’t stand?” “Yes,” he affirmed, despite my outburst. I laughed in disbelief. “I won’t. This is ridiculous. You’re ridiculous. Enjoy your time off duty with your own kind.” Turning, I sprinted down the street, and though he called after me yet again, I ignored him. As I neared my house, I glanced behind once or twice to assure myself he wasn’t following. He was nowhere in sight. I reached the security of my home just in time for dinner, and just in time to cut off Mother’s growing displeasure--the first step in her progression to anger. I smiled at her, hurried to wash, and was a perfect lady throughout the meal. Afterward I retired to my room, picking a book from my shelf to occupy me until my eyes drooped. Instead of words on pages, however, I kept seeing Saadi’s face--his clear blue eyes, that irritating hair, those freckles across his nose that made me lose willpower. What if I had offended him earlier? He had only asked to spend time with me, and I had mocked him. But he was Cokyrian. It was ludicrous for him to be pursuing my company. It was dangerous for me to be in his. And that, I suddenly realized, was part of the reason I very much wanted to be with him. Saadi aggravated me, confused me, scared me, and yet I could no longer deny that he intrigued me in a way no one else ever had.
Cayla Kluver (Sacrifice (Legacy, #3))
She and her brother got their usual table, right in front of the grimy, bulletproof window covered with steel bars. Nothing but the best seat in the house when visiting Kyle Rhodes. He laid into her the moment he sat down. “Who’s Tall, Dark, and Smoldering?” Jordan’s mouth dropped open. “Shut up. You’ve been reading Scene and Heard?” Kyle gestured to the bars. “What else am I supposed to do in this place?” “Repent. Reflect on your wrongdoings. Rehabilitate your criminal mind.” “You’re avoiding the question.” Yes, she was. Because her brother was number two on the list of people she really, really didn’t want to lie to, right after her father. “It’s no big deal. He’s just a guy I brought to Xander’s party.” Who, yes, happened to be tall, dark, and smoldering. Allegedly. And who occasionally made her smile, when he wasn’t busy getting under her skin. Like an itch she couldn’t scratch. Or a tick. “For five thousand dollars a head, I doubt he’s ‘just a guy,’ ” Kyle said. Suddenly, their friend Puchalski, the inmate with the black snake tattoo, was at their table. “So who’s this tall, dark, and smoldering jerk?” he asked Jordan, seemingly affronted. Jordan held out her hands. “Seriously, does everyone read Scene and Heard in this place?” Puchalski gestured to Kyle. “I snagged it from Sawyer here while he was reading the financial section. I’ve got to keep up with current events.” He winked. “I won’t be in this place forever, you know.” “You will be if you don’t shut your yap and start following the rules, Puchalski,” a guard warned as he passed by. The inmate scuttled off. Kyle picked up where they’d left off. “So now the big secret’s out.” Jordan glared at her brother, who apparently had decided to be more annoying than usual on this particular subject. “Yes, it’s true—I had a date. Ooh, shocking.
Julie James (A Lot like Love (FBI/US Attorney, #2))
I: ... Rather, a most remarkable and strange fact has occurred: after the opposites had been united, quite unexpectedly and incomprehensibly nothing further happened. Everything remained in place, peacefully and yet completely motionless, and life turned into a complete standstill. Satan: Yes, you fools, you certainly have made a pretty mess of things. I: Well, your mockery is unnecessary. Our intentions were serious. Satan: Your seriousness leads us to suffer. The ordering of the beyond is shaken to its foundations. [...] I: ... So - just what do you advise? Satan: The best advice I can give you is: revoke your completely harmful innovation as soon as possible. I: What would be gained by that? We'd have to start from scratch again and would infallibly reach the same conclusion a second time. What one has grasped once, one cannot intentionally not know again and undo. Your counsel is no counsel. Satan: But could you exist without divisiveness and disunity? You have to get worked up about something, represent a party, overcome opposites, if you want to live. I: That does not help. We also see each other in the opposite. We have grown tired of this game. Satan: And so with life. I: It seems to me that it depends on what you call life. Your notion of life has to do with climbing up and tearing down, with assertion and doubt, with impatient dragging around, with hasty desire. You lack the absolute and its forbearing patience. Satan: Quite right. My life bubbles and foams and stirs up turbulent waves, it consists of seizing and throwing away, ardent wishing and restlessness. That is life, isn't it? I: But the absolute also lives. Satan: That is no life. It is a standstill or as good as a standstill, or rather: it lives interminably slowly and wastes thousands of years, just like the miserable condition that you have created. I: You enlighten me. You are personal life, but the apparent standstill is the forbearing life of eternity, the life of divinity! This time you have counselled me well. I will let you go. Farewell!
C.G. Jung (The Red Book: Liber Novus)
You can talk to me, Clay,” I said with a little hope.  I really began to wonder if he could speak.  When he didn’t respond, I spoke again.  “Okay, do you want to go out or stay in?” He moved to the couch and sat in the middle, his choice clear.  Stay in tonight. I hesitated.  The chair, set at an odd angle to the TV, gave you a sore neck if you tried to watch a movie from there.  That meant I’d need to sit next to him to watch a movie.  But I felt so exposed in a skirt and sleeveless shirt. I wasn’t sure if I could sit next to him for a full movie. While I debated my options, he watched me closely. “I’m going to go change,” I stammered. “I’ll be right back.” I turned and made it one step before the back of my shirt snagged on something.  Surprised, I looked over my shoulder and found Clay standing right behind me.  He held a fold of my shirt between his thumb and forefinger.  I could see the glint of his brown eyes behind the still damp strands of his hair.  He tilted his head back toward the couch and gave a slight tug on my shirt.  My stomach dropped, and I couldn’t tell if it was in a good way or a bad one. When I hesitated, he gave another tug.  I surrendered, turned back, and sat on the couch. He padded over to the movies, made a selection I couldn’t see, and crouched to start it.  It amazed me that he knew how to do that.  Then again, he watched everything Rachel and I did.  I wondered if anything escaped his notice. He pressed play, stood, and walked toward me with fluid strides.  I felt graceless in comparison.  He settled next to me and watched the previews.  I tried to focus on them, too, but couldn’t.  Instead, I noticed our bare feet, the scratch on the wall next to the TV, his leg lightly pressed against mine, the sound of the water as it slowly dripped from the showerhead in the bathroom, his hands loosely resting on his lap.  The long list of unimportant details would not let my mind settle. It was midway through the movie when my mind calmed enough to notice we watched an action-comedy I’d wanted to see.  I’d just mentioned it to Rachel this past week.  She must have gotten it after that. Slowly, I began to relax and enjoy the movie.  I even laughed aloud at one point.  Clay’s echoing chuckle startled me, but in a good way.  So, he could do more than growl as a dog.  His deep laugh sounded pleasant. When
Melissa Haag (Hope(less) (Judgement of the Six #1))
How to choose a best website development company RNS IT Solutions is the best Software development company. When choosing a development company for your website, it is very important not only to look at the price, but also the quality of the work you hope to obtain and it is that a good Web of quality, realized of the hand of good engineers who have been working in the sector for years, can make you recover the investment in a short time and generate great benefits in the long term. Of course, to have a quality website the initial investment will probably be greater than you expect and maybe right now you think that the web you need does not require much quality, or a lot of work, but stop to think for a moment and consider the possibility that you are totally wrong, because that may depend on the future of your company as well as Web Development company India.The image that you want to transmit to the clients of the same one and the investment that you will have to do in the web once developed. With all this I do not mean that you have to ask for a loan from the bank to pay for the web. If the project you have in mind takes more work than you initially thought and the budget is out of your expectations, you can always limit and remove features that are dispensable. In this way you can publish the Web as soon as possible, so that once the initial investment is amortized, you can continue investing in adding those features that were left in the background. There are few Web Development Company In India hat right now could not survive, if they were not involved in the online world and it costs much less to make you a quality professional website, with a higher initial investment, to make you a website on which you have to invest, and then large amounts in development and consulting to correct deficiencies initially not contemplated. In the worst case, a bad development, may even force you to throw all the code of the web to the trash, to have to start from scratch. But what is quality of Web Development Services India? Let's see the characteristics that a website must have in order to be considered quality and professional: In any development project, meetings are always held to develop an initial analysis, gathering all the requirements and objectives of the web that the client wants. At this point you should have a proactive attitude, proposing functionalities that could be interesting or alternative ideas that we know can generate good results.
RNSITSOLUTIONS.COM
The way he learned to sing was by imitating the songbirds: their warbles and whistles, their scolds. Before his stroke he'd been able to imitate certain notes and melodies of their calls, but never whole songs. I was sitting under the umbrella with him, in early March-March second, the day the Texas Declaration of Independence had been signed, when Grandfather began to sing. A black-and-white warbler had flown in right in front of us and was sitting on a cedar limb, singing-relieved, I think, that we weren't owls. Cedar waxwings moved through the brush behind it, pausing to wipe the bug juice from their bills by rubbing their beaks against branches (like men dabbing their mouths with napkins after getting up from the table). Towhees were hopping all around us, scratching through the cedar duff for pill bugs, pecking, pecking, pecking, and still the vireo stayed right there on that branch, turning its head sideways at us and singing, and Grandfather made one deep sound in his throat-like a stone being rolled away-and then he began to sing back to the bird, not just imitating the warbler's call, but singing a whole warbler song, making up warbler sentences, warbler declarations. Other warblers came in from out of the brush and surrounded us, and still Grandfather kept whistling and trilling. More birds flew in. Grandfather sang to them, too. With high little sounds in his throat, he called in the mourning doves and the little Inca doves that were starting to move into this country, from the south, and whose call I liked very much, a slightly younger, faster call that seemed to complement the eternity-becking coo of the mourning dove. Grandfather sang until dark, until the birds stopped answering his songs and instead went back into the brush to go to roost, and the fireflies began to drift out of the bushes like sparks and the coyotes began to howl and yip. Grandfather had long ago finished all the tea, sipping it between birdsongs to keep his voice fresh, and now he was tired, too tired to even fold the umbrella. .... I was afraid that with the miracle of birdsong, it was Grandfather's last night on earth-that the stars and the birds and the forest had granted him one last gift-and so I drove slowly, wanting to remember the taste, smell, and feel of all of it it, and to never forget it. But when I stopped the truck he seemed rested, and was in a hurry to get out and go join Father, who was sitting on the porch in the dark listening to one of the spring-training baseball games on the radio.
Rick Bass (The Sky, The Stars, The Wilderness)
Broaching is a precise machining process in metalworking domain which uses a toothed tool called broach to cut materials into a predetermined shape. Broaching works best for odd shapes where precision machining is needed and hence finds wide application in a number of industry in India and worldwide. Broach resembles a saw to certain extent but unlike a saw, its teeth become larger in size across its length. A broach gives shapes by roughing or removing the material, semi finishing and then by imparting the ultimate finishing. Round or odd shapes, for both internal and external surfaces, can be conveniently formed by broaching. This multi edge tool can shape any metal or metallic alloy but works best on softer materials like plastic, wood, bronze, aluminum, etc. Resharpening of the tool The broach that imparts shape to many work pieces can work properly only when the size and shape of its teeth are perfect. With time and usage, the teeth tend to lose its sharpness and become blunt. Using a dull broach may lead to permanent damage of its teeth. To enhance the broach life and minimize the tooling expense, it needs to be re-sharpened on time. When to opt for resharpening When broaching produce roughly shaped work pieces, it is definitely time for re-sharpening. However, with a little bit of watchfulness, one can even get it sharpened before it delivers poor finish or tearing. Some of the other conditions when this toothed tool will require re-sharpening are: • Excessive hydraulic press pressure required to run the broach • Nicks and scratches on the teeth making it dull • Broach starts drifting • Cutting edges show signs of wear • Chattering occurs while broaching Re-sharpening requires high precision. Removing excessive material from the teeth will adversely affect its longevity. Only proper sharpening will ensure time efficiency and high quality output. Teeth welding, grinding of gullets and teeth crest, reshaping teeth to proper taper are some of the methods used in re-sharpening. Broaching, once used for machining only internal keyways, is now used for machining a plethora of shapes and surfaces for high quantity of work pieces. Broaching requires less tools than most of the other machining process and saves considerable amount of output time and hence favoured for high volume production irrespective of its high cost. In India, broaching finds wide application in the automobile industry. Therefore, a large number of players are foraying into the broach manufacturing industry on a regular basis.
Ankur sood
His shining skin drew my attention and I became enslaved to the need to explore every inch of his flesh. His body brought on an ache in me I hadn't known for a long time. Since my ex had dumped me after I'd given him my virginity, I hadn't done more than fool around with guys. The desire to go further had never really risen again. Not until Orion. And I had never, in all my life, wanted anyone like I wanted him. His beard had been trimmed even shorter for the party, revealing the powerful cut of his jaw and that divine dimple in his cheek. He'd brought me here, alone, cordoning me off from the world. And the blazing intensity in his gaze made me hope that maybe he was about to drop the teacher act for one night and admit he was drawn to me too. He glanced above us and his brow furrowed heavily. “Up there are a thousand reasons why we can't be together.” I swallowed thickly, goosebumps rushing along my skin in response to his words. I pressed my back to the cool tiles of the pool and the goosebumps spread deeper, evoking a shiver across my body. “I'm bound by so many rules I could waste the rest of your evening telling you them,” he said. “Skip them then, sir.” A smile played around my mouth as a thrill danced in my chest. He moved closer and rested his hands either side of me on the wall. “I think the time for sirs and professors is over, don't you?” No answer came from my lips, but my body gave it to him as I reached out and did the one thing I'd dreamed about the most since this all-consuming crush had first started. I brushed my fingers across the stubble on his jaw, resting my thumb over the dimple in his cheek, feeling the tiny rivet in his skin. The distance parting us suddenly felt like too much; the air was racing over my exposed flesh, chilling me to the core. I needed the heat of his hands, the red hot press of his stomach and chest. “Lance,” I breathed and his pupils dilated as I met his gaze. He devoured the space between us and I experienced pure sin as his mouth crushed against mine. It was gunpowder meeting fire and the result was an all-consuming blaze which burned me up from the inside out. A desperate noise escaped me that would have made me blush if I’d had any scrap of self-awareness left. But that was all it took for him to slam into me full force, hitching my legs up around his waist so fast it made my head spin. My hands finally got their deepest wish and roamed down the plains of all that gloriously golden skin. But it wasn't enough just to feel the flex of his muscles, I needed more and I took it by scratching against his beautiful shell, wanting to break beneath flesh and bone and burrow my way deeper. I need more. (Darcy)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
All day long the red squirrels came and went, and afforded me much entertainment by their manoeuvres. One would approach at first warily through the shrub-oaks, running over the snow crust by fits and starts like a leaf blown by the wind, now a few paces this way, with wonderful speed and waste of energy, making inconceivable haste with his “trotters,” as if it were for a wager, and now as many paces that way, but never getting on more than half a rod at a time; and then suddenly pausing with a ludicrous expression and a gratuitous somerset, as if all the eyes in the universe were fixed on him,—for all the motions of a squirrel, even in the most solitary recesses of the forest, imply spectators as much as those of a dancing girl,—wasting more time in delay and circumspection than would have sufficed to walk the whole distance,—I never saw one walk,— and then suddenly, before you could say Jack Robinson, he would be in the top of a young pitch-pine, winding up his clock and chiding all imaginary spectators, soliloquizing and talking to all the universe at the same time,—for no reason that I could ever detect, or he himself was aware of, I suspect. At length he would reach the corn, and selecting a suitable ear, frisk about in the same uncertain trigonometrical way to the top-most stick of my wood-pile, before my window, where he looked me in the face, and there sit for hours, supplying himself with a new ear from time to time, nibbling at first voraciously and throwing the half-naked cobs about; till at length he grew more dainty still and played with his food, tasting only the inside of the kernel, and the ear, which was held balanced over the stick by one paw, slipped from his careless grasp and fell to the ground, when he would look over at it with a ludicrous expression of uncertainty, as if suspecting that it had life, with a mind not made up whether to get it again, or a new one, or be off; now thinking of corn, then listening to hear what was in the wind. So the little impudent fellow would waste many an ear in a forenoon; till at last, seizing some longer and plumper one, considerably bigger than himself, and skilfully balancing it, he would set out with it to the woods, like a tiger with a buffalo, by the same zig-zag course and frequent pauses, scratching along with it as if it were too heavy for him and falling all the while, making its fall a diagonal between a perpendicular and horizontal, being determined to put it through at any rate;—a singularly frivolous and whimsical fellow;—and so he would get off with it to where he lived, perhaps carry it to the top of a pine tree forty or fifty rods distant, and I would afterwards find the cobs strewn about the woods in various directions.
Henry David Thoreau (Walden or Life in the Woods)
The German and Russian state apparatuses grew out of despotism. For this reason the subservient nature of the human character of masses of people in Germany and in Russia was exceptionally pronounced. Thus, in both cases, the revolution led to a new despotism with the certainty of irrational logic. In contrast to the German and Russia state apparatuses, the American state apparatus was formed by groups of people who had evaded European and Asian despotism by fleeing to a virgin territory free of immediate and effective traditions. Only in this way can it be understood that, until the time of this writing, a totalitarian state apparatus was not able to develop in America, whereas in Europe every overthrow of the government carried out under the slogan of freedom inevitably led to despotism. This holds true for Robespierre, as well as for Hitler, Mussolini, and Stalin. If we want to appraise the facts impartially, then we have to point out, whether we want to or not, and whether we like it or not, that Europe's dictators, who based their power on vast millions of people, always stemmed from the suppressed classes. I do not hesitate to assert that this fact, as tragic as it is, harbors more material for social research than the facts related to the despotism of a czar or of a Kaiser Wilhelm. By comparison, the latter facts are easily understood. The founders of the American Revolution had to build their democracy from scratch on foreign soil. The men who accomplished this task had all been rebels against English despotism. The Russian Revolutionaries, on the other had, were forced to take over an already existing and very rigid government apparatus. Whereas the Americans were able to start from scratch, the Russians, as much as they fought against it, had to drag along the old. This may also account for the fact that the Americans, the memory of their own flight from despotism still fresh in their minds, assumed an entirely different—more open and more accessible—attitude toward the new refugees of 1940, than Soviet Russia, which closed its doors to them. This may explain why the attempt to preserve the old democratic ideal and the effort to develop genuine self-administration was much more forceful in the United States than anywhere else. We do not overlook the many failures and retardations caused by tradition, but in any event a revival of genuine democratic efforts took place in America and not in Russia. It can only be hoped that American democracy will thoroughly realize, and this before it is too late, that fascism is not confined to any one nation or any one party; and it is to be hoped that it will succeed in overcoming the tendency toward dictatorial forms in the people themselves. Only time will tell whether the Americans will be able to resist the compulsion of irrationality or whether they will succumb to it.
Wilhelm Reich (The Mass Psychology of Fascism)
experience, and to our consequent estrangement from the earthly world around us. So the ancient Hebrews, on the one hand, and the ancient Greeks on the other, are variously taken to task for providing the mental context that would foster civilization’s mistreatment of nonhuman nature. Each of these two ancient cultures seems to have sown the seeds of our contemporary estrangement—one seeming to establish the spiritual or religious ascendancy of humankind over nature, the other effecting a more philosophical or rational dissociation of the human intellect from the organic world. Long before the historical amalgamation of Hebraic religion and Hellenistic philosophy in the Christian New Testament, these two bodies of belief already shared—or seem to have shared—a similar intellectual distance from the nonhuman environment. In every other respect these two traditions, each one originating out of its own specific antecedents, and in its own terrain and time, were vastly different. In every other respect, that is, but one: they were both, from the start, profoundly informed by writing. Indeed, they both made use of the strange and potent technology which we have come to call “the alphabet.” — WRITING, LIKE HUMAN LANGUAGE, IS ENGENDERED NOT ONLY within the human community but between the human community and the animate landscape, born of the interplay and contact between the human and the more-than-human world. The earthly terrain in which we find ourselves, and upon which we depend for all our nourishment, is shot through with suggestive scrawls and traces, from the sinuous calligraphy of rivers winding across the land, inscribing arroyos and canyons into the parched earth of the desert, to the black slash burned by lightning into the trunk of an old elm. The swooping flight of birds is a kind of cursive script written on the wind; it is this script that was studied by the ancient “augurs,” who could read therein the course of the future. Leaf-miner insects make strange hieroglyphic tabloids of the leaves they consume. Wolves urinate on specific stumps and stones to mark off their territory. And today you read these printed words as tribal hunters once read the tracks of deer, moose, and bear printed in the soil of the forest floor. Archaeological evidence suggests that for more than a million years the subsistence of humankind has depended upon the acuity of such hunters, upon their ability to read the traces—a bit of scat here, a broken twig there—of these animal Others. These letters I print across the page, the scratches and scrawls you now focus upon, trailing off across the white surface, are hardly different from the footprints of prey left in the snow. We read these traces with organs honed over millennia by our tribal ancestors, moving instinctively from one track to the next, picking up the trail afresh whenever it leaves off, hunting the meaning, which would be the meeting with the Other.2
David Abram (The Spell of the Sensuous: Perception and Language in a More-Than-Human World)
Never treat your launch team like a core group. It’s not. Your launch team is a time-limited, purpose-driven team. It ends with the debriefing session following your launch. At that meeting, release the launch team members to join a ministry team of their choice. Your launch team will not stay with you over the long haul. Many church planters make the mistake of thinking that the people from their launch team (whom they have grown to love) will be the same people who will grow the church with them in the long term. That is seldom, if ever, the case. While it’s sad to see people go, it’s part of God’s process in growing your church. So, expect it, be prepared for it, and be thankful that you have the opportunity to serve with so many different people at different points along the journey. Preparing a launch team to maximize your first service is first and foremost a spiritual enterprise. Pray and fast—a lot. Don’t be fooled into thinking that being a solid leader undermines the spirit of teamwork. You can lead a team, hold people accountable and ensure that things get done in a way that fosters teamwork and gives glory to God. So get ready. show people your heart before you ask for their hand. People want to know that you care, and they want to be part of something bigger than themselves. If you can articulate your vision in a way that excites people, they’ll want to be on your team. The launch team is not a democracy. Don’t vote. You are the leader. Lead. While it’s true that you want to share the gospel with as many people as possible, you will need to develop a clear picture of the specific demographic your new church is targeting in order to effectively reach the greatest number of people. Diffused light has little impact, but focused light has the ability to cut through steel. Take time to focus so that you are able to reach the specific people God has called you to. 1. Who Are the Key Population Groups Living in My Area? 2. What Population Group Is Not Being Reached Effectively? 3. What Population Group Do I Best Relate To? Healthy organisms grow, and that includes your church. If you feel stagnation setting in, your job is not to push growth any way you can but to identify the barriers that are hindering you and remove them. The only people who like full rooms are preachers and worship leaders. If you ignore this barrier, your church will stop growing. Early on, it’s best to remain flexible. The last thing you want to do is get in a position in which God can’t grow you because you aren’t logistically prepared. What if twice as many people showed up this Sunday? Would you be ready? When a lead pastor isn’t growing: The church stops growing, the sermons are stale, The staff and volunteers stop growing, The passion for ministry wanes. Keeping your church outwardly focused is just as important now as it was during your prelaunch stage. Make sure that you are continually working to expand God’s kingdom, not building your own. A healthy launch is the single greatest indicator of future church health.
Nelson Searcy (Launch: Starting a New Church from Scratch)
Most religions and philosophies have consequently taken a very different approach to happiness than liberalism does.3 The Buddhist position is particularly interesting. Buddhism has assigned the question of happiness more importance than perhaps any other human creed. For 2,500 years, Buddhists have systematically studied the essence and causes of happiness, which is why there is a growing interest among the scientific community both in their philosophy and their meditation practices. Buddhism shares the basic insight of the biological approach to happiness, namely that happiness results from processes occurring within one’s body, and not from events in the outside world. However, starting from the same insight, Buddhism reaches very different conclusions. According to Buddhism, most people identify happiness with pleasant feelings, while identifying suffering with unpleasant feelings. People consequently ascribe immense importance to what they feel, craving to experience more and more pleasures, while avoiding pain. Whatever we do throughout our lives, whether scratching our leg, fidgeting slightly in the chair, or fighting world wars, we are just trying to get pleasant feelings. The problem, according to Buddhism, is that our feelings are no more than fleeting vibrations, changing every moment, like the ocean waves. If five minutes ago I felt joyful and purposeful, now these feelings are gone, and I might well feel sad and dejected. So if I want to experience pleasant feelings, I have to constantly chase them, while driving away the unpleasant feelings. Even if I succeed, I immediately have to start all over again, without ever getting any lasting reward for my troubles. What is so important about obtaining such ephemeral prizes? Why struggle so hard to achieve something that disappears almost as soon as it arises? According to Buddhism, the root of suffering is neither the feeling of pain nor of sadness nor even of meaninglessness. Rather, the real root of suffering is this never-ending and pointless pursuit of ephemeral feelings, which causes us to be in a constant state of tension, restlessness and dissatisfaction. Due to this pursuit, the mind is never satisfied. Even when experiencing pleasure, it is not content, because it fears this feeling might soon disappear, and craves that this feeling should stay and intensify. People are liberated from suffering not when they experience this or that fleeting pleasure, but rather when they understand the impermanent nature of all their feelings, and stop craving them. This is the aim of Buddhist meditation practices. In meditation, you are supposed to closely observe your mind and body, witness the ceaseless arising and passing of all your feelings, and realise how pointless it is to pursue them. When the pursuit stops, the mind becomes very relaxed, clear and satisfied. All kinds of feelings go on arising and passing – joy, anger, boredom, lust – but once you stop craving particular feelings, you can just accept them for what they are. You live in the present moment instead of fantasising about what might have been.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
Slothrop is just settling down next to a girl in a prewar Worth frock and with a face like Tenniel’s Alice, same forehead, nose, hair, when from outside comes this most godawful clanking, snarling, crunching of wood, girls come running terrified out of the eucalyptus trees and into the house and right behind them what comes crashing now into the pallid lights of the garden but—why the Sherman Tank itself! headlights burning like the eyes of King Kong, treads spewing grass and pieces of flagstone as it manoeuvres around and comes to a halt. Its 75 mm cannon swivels until it’s pointing through the French windows right down into the room. “Antoine!” a young lady focusing in on the gigantic muzzle, “for heaven’s sake, not now. . . .” A hatch flies open and Tamara—Slothrop guesses: wasn’t Italo supposed to have the tank?—uh—emerges shrieking to denounce Raoul, Waxwing, Italo, Theophile, and the middleman on the opium deal. “But now,” she screams, “I have you all! One coup de foudre!” The hatch drops—oh, Jesus—there’s the sound of a 3-inch shell being loaded into its breech. Girls start to scream and make for the exits. Dopers are looking around, blinking, smiling, saying yes in a number of ways. Raoul tries to mount his horse and make his escape, but misses the saddle and slides all the way over, falling into a tub of black-market Jell-o, raspberry flavor, with whipped cream on top. “Aw, no . . .” Slothrop having about decided to make a flanking run for the tank when YYYBLAAANNNGGG! the cannon lets loose an enormous roar, flame shooting three feet into the room, shock wave driving eardrums in to middle of brain, blowing everybody against the far walls. A drape has caught fire. Slothrop, tripping over partygoers, can’t hear anything, knows his head hurts, keeps running through the smoke at the tank—leaps on, goes to undog the hatch and is nearly knocked off by Tamara popping up to holler at everybody again. After a struggle which shouldn’t be without its erotic moments, for Tamara is a swell enough looking twist with some fine moves, Slothrop manages to get her in a come-along and drag her down off of the tank. But loud noise and all, look—he doesn’t seem to have an erection. Hmm. This is a datum London never got, because nobody was looking. Turns out the projectile, a dud, has only torn holes in several walls, and demolished a large allegorical painting of Virtue and Vice in an unnatural act. Virtue had one of those dim faraway smiles. Vice was scratching his shaggy head, a little bewildered. The burning drape’s been put out with champagne. Raoul is in tears, thankful for his life, wringing Slothrop’s hands and kissing his cheeks, leaving trails of Jell-o wherever he touches. Tamara is escorted away by Raoul’s bodyguards. Slothrop has just disengaged himself and is wiping the Jell-o off of his suit when there is a heavy touch on his shoulder. “You were right. You are the man.” “That’s nothing.” Errol Flynn frisks his mustache. “I saved a dame from an octopus not so long ago, how about that?” “With one difference,” sez Blodgett Waxwing. “This really happened tonight. But that octopus didn’t.
Thomas Pynchon (Gravity's Rainbow)
I thought I saw you scurrying in here hubby-kins!” A girl in a vivid orange dress stepped into the room and I had to look up at her towering height and shoulders which nearly matched the breadth of the Heirs'. Her teeth protruded a little from her lower jaw and her eyes seemed to wander, never landing on one spot. Her hair was a massive brown frizz with a pink bow clipped into the top of it, perfectly matching the violently bright shade of her eyeshadow. She marched between Tory and I like we were made of paper, forcing us aside with her elbows as she charted a direct path for Darius. “Mildred,” he said tersely, his eyes darkening as his bride-to-be reached out to him. Caleb, Seth and Max sniggered as Mildred leaned in for a kiss and Darius only managed to stop her at the last second by planting his palm on her forehead with a loud clap. “Not before the wedding,” he said firmly and I looked at Tory who was falling into a fit of silent laughter, clutching her side. I tried to smother the giggle that fought its way out of my chest but it floated free and Mildred rounded on us like a hungry animal. “These must be the Vega Twins,” she said coldly. “Well don't waste your time sniffing around my snookums. Daddy says he's saving himself for our wedding night.” Max roared with laughter and Mildred turned on him like a loaded weapon, jabbing him right in the chest. Max's smile fell away as she glared at him like he was her next meal. “What are you laughing at you overgrown starfish?” she demanded, her eyes flashing red and her pupils turning to slits. “I've eaten bigger bites than you before, so don't tempt me because I adore seafood.” Max reached out, laying a hand on her bare arm, shifting it slightly as his fingers brushed a hairy mole. “Calm down Milly, we're just having a bit of fun. We want to get to know Darius's betrothed. Why don't you have a shot?” He nodded to Caleb who promptly picked one up and held it one out for Mildred to take. “Daddy says drinking will grow hairs on my chest,” she said, refusing it. “Too late for that,” Seth said under his breath and the others started laughing. A knot of sympathy tugged at my gut, but Mildred didn't seem to care about their mocking. She stepped toward Seth with a wicked grin and his smile fell away. “Oh and what's wrong with that exactly, Seth Capella? You like your girls hairy, don't you?” Seth gawped at her in answer. “What the hell does that mean?” “You like mutt muff,” she answered, jutting out her chin and I noticed a few wiry hairs protruding from it. Seth growled, scratching his stomach as he stepped forward. “I don't screw girls in their Order form, idiot.” “Maybe not, but you do, don't you Caleb Altair?” She rounded on him and now I was really starting to warm to Mildred as she cut them all down to size. I settled in for the show, folding my arms and smiling as I waited for her to go on. “My sister's boyfriend’s cousin said you like Pegasus butts. He even sent a video to Aurora Academy of you humping a Pegasex blow up doll and it went viral within a day.” Caleb's mouth fell open and his face paled in horror. “I didn't hump it!” “I didn't watch the video, but everyone told me what was in it. Why would I want to see you screwing a plastic horse?” She shrugged then turned to Tory and I with absolutely no kindness in her eyes. Oh crap.(Darcy)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
Soon after that, Eno briefly joined a group called the Scratch Orchestra, led by the late British avant-garde composer Cornelius Cardew. There was one Cardew piece that would be a formative experience for Eno—a piece known as “Paragraph 7,” part of a larger Cardew masterwork called The Great Learning. Explaining “Paragraph 7” could easily take up a book of its own. “Paragraph 7”’s score is designed to be performed by a group of singers, and it can be done by anyone, trained or untrained. The words are from a text by Confucius, broken up into 24 short chunks, each of which has a number. There are only a few simple rules. The number tells the singer how many times to repeat that chunk of text; an additional number tells each singer how many times to repeat it loudly or softly. Each singer chooses a note with which to sing each chunk—any note—with the caveats to not hit the same note twice in a row, and to try to match notes with a note sung by someone else in the group. Each note is held “for the length of a breath,” and each singer goes through the text at his own pace. Despite the seeming vagueness of the score’s few instructions, the piece sounds very similar—and very beautiful—each time it is performed. It starts out in discord, but rapidly and predictably resolves into a tranquil pool of sound. “Paragraph 7,” and 1960s tape loop pieces like Steve Reich’s “It’s Gonna Rain,” sparked Eno’s fascination with music that wasn’t obsessively organized from the start, but instead grew and mutated in intriguing ways from a limited set of initial constraints. “Paragraph 7” also reinforced Eno’s interest in music compositions that seemed to have the capacity to regulate themselves; the idea of a self-regulating system was at the very heart of cybernetics. Another appealing facet of “Paragraph 7” for Eno was that it was both process and product—an elegant and endlessly beguiling process that yielded a lush, calming result. Some of Cage’s pieces, and other process-driven pieces by other avant-gardists, embraced process to the point of extreme fetishism, and the resulting product could be jarring or painful to listen to. “Paragraph 7,” meanwhile, was easier on the ears—a shimmering cloud of sonics. In an essay titled “Generating and Organizing Variety in the Arts,” published in Studio International in 1976, a 28-year-old Eno connected his interest in “Paragraph 7” to his interest in cybernetics. He attempted to analyze how the design of the score’s few instructions naturally reduced the “variety” of possible inputs, leading to a remarkably consistent output. In the essay, Eno also wrote about algorithms—a cutting-edge concept for an electronic-music composer to be writing about, in an era when typewriters, not computers, were still en vogue. (In 1976, on the other side of the Atlantic, Steve Jobs and Steve Wozniak were busy building a primitive personal computer in a garage that they called the Apple I.) Eno also talked about the related concept of a “heuristic,” using managerial-cybernetics champion Stafford Beer’s definition. “To use Beer’s example: If you wish to tell someone how to reach the top of a mountain that is shrouded in mist, the heuristic ‘keep going up’ will get him there,” Eno wrote. Eno connected Beer’s concept of a “heuristic” to music. Brecht’s Fluxus scores, for instance, could be described as heuristics.
Geeta Dayal (Brian Eno's Another Green World (33 1/3 Book 67))
ROUND UP A lot more can be said, but finally, this is your last lesson in this epic 30 -day quest to become a successful conversationalist. For the past 29 days, you’ve been tutored about different techniques to make things happen, and today you’ll kick start a conversation with more confidence and organization, because you are now a professional in the communication world. There are takeaways that you should not forget as you go forth as a small talk professional. You have learnt and practiced many truths about the nature and composition of small talk, but there are certain ones that should be placed next to your heart: Small talk may be seen as a waste of time, but it is actually time well spent; take note of this important point, people might want to convince and confuse you. Small talk with personal meaning orientation will scratch business shop talk off any time. Small talk should now be seen as an effective tool that is available right next to you and can be a gateway to success. You still have the chance to go back to the previous chapters you struggled with, this way, you’ll review and assimilate the important points, no one is an island of knowledge, and so I don’t expect you to have everything registered in your brain already, constant practices will bring out the best in you. Identifying your weakness is just as important as acknowledging your strength. I want to assure you that you’ll definitely excel since you’ve been able to lay hands on this book, and this how you can help others who are still in the position that you were when you started in day one. You’ve been instructed about many secrets of success, as well as the things to exploit and avoid. It’s up to you to make this permanent, and this can only be achieved if you keep following these instructions. You have to make the decision now; whether you would make use of this manual or not, but I would advise that you want it again and again as this is the only way to dedicate your spirit, soul and body to constant improvement. You definitely would have noticed some changes in you, you’re not the same person any more. One important thing is that you shouldn’t give up; try to redouble your efforts and realize that you know everything you’re supposed to know. This shouldn’t end here, endeavour to spread the word to make sure that you impact at least three people per day, this means that you would have impacted about 90 people at the end of the next 30 days and close to about 120 people in just two months. Now, you see how you can make the world a better place? It’s up to you to decide what you want and how you want it to be. Don’t waste this golden opportunity of becoming a professional in communication, you’ll go a long way and definitely be surprised at the rate at which you’ve gone in such a small time. Take time to attend to things that need attention, don’t be too hard on yourself, and don’t go too soft on yourself, you’re one vessel that can’t be manipulated, so you have to be careful and sure about your status on communication skills. On the final note, I would like to congratulate you for reading this to the end, you’ve taken this course because you believe in the powers of small talks, so this shouldn’t be the last time I’m hearing from you. I would look forward to seeing your questions about any confusing aspect in the future. Till then, remain the professional that you are!
Jack Steel (Communication: Critical Conversation: 30 Days To Master Small Talk With Anyone: Build Unbreakable Confidence, Eliminate Your Fears And Become A Social Powerhouse – PERMANENTLY)
Mazel Amsel- I have the obsession of destroying Nevaeh, she is so perfect, I cannot stand it! My girls have to be on top, and I am never going to let her be anything, I will make sure of it! That is what I have been doing for years. Nevaeh that no good little pussy licker; even if she knows it is me, she will not be able to ‘Prove it.’ I am just that well-liked by everyone, I am so powerful that no one will ever defeat me. I am the master manipulator, Nevaeh- yes, she is the tower! She is about for a hundred pounds, unnatural blond hair, lime green glowing eyes, and a voice that bellows! To me, she looks like a bulldog in the face, yet evil wicked witch-like also, yet to everyone else she blends in, to the others she looks as they do, just a normal mom, with normal kids. Yet I think she is crumbling, I think some people are seeing through her veil, because of what happened recently. Mazel- I have everyone wrapped around my little finger. Likewise, if they do not bow down to me, I will make their life a living hell. That is the way; I have to have it, all the time for Nevaeh! I have to know what she is doing at all times. I have to hack into her social networking and get her pears to think she is a ‘Creep’ and ‘Stocker’ to young girls. So, she has no friends at all. So, my girls can be the supreme of this area, so that they can do as they please, without anyone stopping them from being the best, no matter what, and from getting what they want, and what I want for them. Besides, foremost I wanted to make sure that she would never date anyone. So, I came up with the story of telling everyone that she was into girls and that she is just plain crazy. I should know my eyes are on her always. I did not want to see her go to proms; I did not want to see her succeed. I did not want her to be loved. I would like to see her die, and not walk away from it. I have dreamed of ways to kill her repeatedly. Like this one, I would like to see her be impaled on a sharp wooden stick, starting through her butt hole, and then slowly have gravity have it go up into her delicious miniature body until it hits her brain, and she screams out my girl’s names, as we get what we need. I would love to see a Nevaeh- kabob! I would love to see her stoned out in the open with rocks! I would love to see my girls bite their nipples off with their teeth! I want to see my girl claw her up to head to toe. I hunger to see them scratch her sweet blue eyes that are so heavenly right out of her face! I want to see her gush that cobalt blood like a waterfall from her naked sliced-up body. Yes, I want us to torture her any way we can until she says yes to us. We are going to get at anything of hers we can until she comes with us! As we would, all dance around her, as we would light her up, cheerfully for the last time. How I would love to bleach and fry that perfect hair with chemicals. I and we all in our family want to fuck her up and down anyways we can! Mwah Ha, ha! Yes, Beforehand, we all would kiss, touch, lick, and stick her, and do what we want to get the life from her by sucking away. We would eat her soul away as it would come down from the heavens then through her body, and into ours, as we would drink it out, the way we do. Yes, yes, hell- yes, I can see it now! Yes, I want her soul! Besides, anything or everything I can get out of her to add to my shrine. We even have a voodoo doll of her with pins in it. I have a few things of hers like her hymen-damaged red blood tarnished pink polka-dotted gym underwear, and her indigo pantiliner she had on. That my girl ripped off of her in school, the more things we have the more we can control her mind, but I want more!
Marcel Ray Duriez
If you don't tell me why you're avoiding me, then, like, we might as well just get it over with and stop being friends." He stiffens and turns red, even visible in the dim light. It dawns on me that we're never going to be best friends again. "It's...," he says. "It is very difficult... for me... to be around you." "Why?" It take him a while to answer. He smooths his hair to one side, and rubs his eye, and checks that his collar isn't turned up, and scratches his knee. And then he starts to laugh. "You're so funny, Victoria." He shakes his head. "You're just so funny." At this, I get a sudden urge to punch him in the face. Instead, I descend into hysteria. "For fuck's sake! What are you talking about?!" I begin to shout, but you can't really tell over the noise of the crowd. "You're insane. I don't know why you're saying this to me. I don't know why you decided you wanted to become BFFs all over again, and now I don't know why you won't even look me in the eye. I don't understand anything you're doing or saying, and it's killing me, because I already don't understand anything about me or Michael or Becky or my brother or anything on this shitty planet. If you secretly hate me or something, you need to spit it out. I'm asking you to give me one straight answer, one single sentence that might sort at least something out in my head, but NO. You don't care, do you!? You don't give a SINGLE SHIT about my feelings, or anyone else's. You're just like everyone else." "You're wrong," he says. "You're wro-" "Everyone's got such dreadful problems." I shake my head wildly, holding on to it with both hands. "Even you. Even perfect innocent Lucas has problems." He's staring at me in a kind of terrified confusion, and it's absolutely hilarious. I start to crack up. "Maybe, like, everyone I know has problems. Like, there are no happy people. Nothing works out. Even if it's someone who you think is perfect. Like my brother!" I grin wildly at him. "My brother, my little brother, he's soooo perfect, but he's- he doesn't like food, like, he literally doesn't like food, or, I don't know, he loves it. He loves it so much that that it has to be perfect all the time, you know?" I grabbed Lucas by one shoulder again so he understands. "And then one day he gets so fed up with himself, like, he was annoyed, he hated how much he loves food, yeah, so he thought that it was better if there wasn't any food." I started laughing so much that my eyes water. "But that's so silly! Because you've got to eat food or you'll die, won't you? So my brother Charles, Charlie, he, he thought it would be better if he just got it over with then and there! So he, last year, he-" I hold up my wrist and point at it-"he hurt himself. And he wrote me this card, telling me he was really sorry and all, but I shouldn't be sad because he was actually really happy about it." I shake my head and laugh and laugh. "And you know what just makes me want to die? The fact that, like, all the time, I knew it was coming, but I didn't do anything. I didn't say anything to anyone about it, because I thought I'd been imagining it. Well, didn't I get a nice surprise when I walked into the bathroom that day?" There are tears running down my face. "And you know what's literally hilarious? The card had a picture of a cake on it!" He's not saying anything because he doesn't find anything hilarious, which strikes me as odd. He makes this pained sound and turns at a sharp right angle and strides away. I wipe the tears of laughter from my eyes, and then I take that flyer out of my pocket and look at it, but the music has started again and 'm too cold and my brain doesn't seem to be processing anything. Only that goddamn picture of that goddamn cake.
Alice Oseman (Solitaire)
the chalk into a bin, which clanged loudly, and he swooped out cursing. Professor McGonagall slammed the door behind him and turned to face the two boys. “Potter, this is Oliver Wood. Wood — I’ve found you a Seeker.” Wood’s expression changed from puzzlement to delight. “Are you serious, Professor?” “Absolutely,” said Professor McGonagall crisply. “The boy’s a natural. I’ve never seen anything like it. Was that your first time on a broomstick, Potter?” Harry nodded silently. He didn’t have a clue what was going on, but he didn’t seem to be being expelled, and some of the feeling started coming back to his legs. “He caught that thing in his hand after a fifty-foot dive,” Professor McGonagall told Wood. “Didn’t even scratch himself. Charlie Weasley couldn’t have done it.
J.K. Rowling (Harry Potter and the Philosopher's Stone (Harry Potter, #1))
Listen to your fears: they have a lot to teach you about yourself. Not knowing what’s what can feel scary—but think of it as a chance to scrap all your preconceptions and start from scratch. It’s only by recognizing all the possibilities out there that you can choose the ones that work for you. Then you can be free to figure out where you want the boundaries in your life, what your personal limits are, and whether you ever want to expand those limits. Accomplishing this amazing task will set you free to explore beyond your wildest dreams. “Listen to your fears: they have a lot to teach you about yourself.
Dossie Easton (The Ethical Slut: A Practical Guide to Polyamory, Open Relationships, and Other Freedoms in Sex and Love)
Locke’s conclusion was startling, not to say world shattering. A monarch like Louis XIV, or any of his would-be imitators, in effect is at war with his subjects.§ When that happens, Locke asserted, then lawful government is at an end. We are all thrown back into the original state of nature. “Where the government is dissolved,” Locke explained, “the people are at liberty to provide for themselves, by erecting a new legislative” body to act in their name.38 The social contract starts over from scratch. Government by popular consent is not just a good idea, as it was for Aristotle and Ockham. For Locke, it is an inescapable law of nature. It is what separates a society of free men from a society of slaves.
Arthur Herman (The Cave and the Light: Plato Versus Aristotle, and the Struggle for the Soul of Western Civilization)
Instead of seeing worship as a new fire to start each week, what if we saw it as a flame or light that can be taken with us? Then it could continue as we leave the service. It could happen in our homes, at our schools, through our work, and in our culture. It couldn’t be contained in a single location, context, culture, style, artistic expression, or vehicle of communication. Consequently, instead of depending on our worship leaders to start the fire from scratch when we gather each week, they could just help us fan those flames that already exist.
David W. Manner (Better Sundays Begin on Monday: 52 Exercises for Evaluating Weekly Worship)
over time, we tend to optimize and conventionalize our responses to whatever life brings. Each of us develops our shorthand ways of slotting and processing everyday experiences and solving problems, and while this is no doubt adaptive—it helps us get the job done with a minimum of fuss—eventually it becomes rote. It dulls us. The muscles of attention atrophy. Habits are undeniably useful tools, relieving us of the need to run a complex mental operation every time we’re confronted with a new task or situation. Yet they also relieve us of the need to stay awake to the world: to attend, feel, think, and then act in a deliberate manner. (That is, from freedom rather than compulsion.) If you need to be reminded how completely mental habit blinds us to experience, just take a trip to an unfamiliar country. Suddenly you wake up! And the algorithms of everyday life all but start over, as if from scratch. This is why the various travel metaphors for the psychedelic experience are so apt.
Michael Pollan (How to Change Your Mind: What the New Science of Psychedelics Teaches Us About Consciousness, Dying, Addiction, Depression, and Transcendence)
This theme of the rise of populism around the West is crucial. Are you concerned that we’re seeing the rise of the kind of demagogues the Founders feared? RBG: Yes. JR: Social media is part of that? RBG: Yes, and an important part is the discontent seen among people who feel that our institutions of government pay no attention to them, as illustrated by J. D. Vance’s Hillbilly Elegy. JR: Fixing democracy is a task bigger than any of us. But what are some things that could be done? RBG: One key thing is to teach children about democracy. They don’t learn about it in school as they did in civics classes when I was young. By the way, did you see the show What the Constitution Means to Me? JR: Not yet, but I know you did see it. What did you think? RBG: I loved it. At the end of the second act, a teenager comes on stage to take part in the conversation about the Constitution. Two young women alternate in that role. The older one, age eighteen, played the role the night I attended. She just graduated from high school, and I will stay in touch with her. I was uplifted by those young women. JR: What is uplifting about them? What’s the message of the play? RBG: The play begins with a young woman who wins American Legion competitions, by spouting rosy things about the Constitution. Then, she questions whether the Constitution is as protective as she portrayed it in her youth. At the end, she puts the question to the audience: Should we keep it or should we do it over? Our audience voted overwhelmingly to keep it, and it’s been overwhelmingly that way for most audiences. JR: Why are people moved to keep it? And why should we keep it? RBG: What reason is there to think we would do better if we started over from scratch?
Jeffrey Rosen (Conversations with RBG: Ruth Bader Ginsburg on Life, Love, Liberty, and Law)
She haunted many a low resort, Round the grimy road of Tottenham Court. She flitted around the no man’s land From The Rising Sun to The Friend At Hand And the postman sighed as he scratched his head You really would have thought she ought to be dead And who would ever suppose that that Was Grizabella The Glamour Cat. And that was not all. There was a letter from Tom Eliot to his publisher Geoffrey Faber about an event which brought all the Pollicle Dogs and Jellicle Cats together who then ascended to the “Heaviside Layer” in a great big air balloon. There was even a couplet to go with it: “Up, up, up, past the Russell Hotel, / Up, up, up, to the Heaviside Layer.” So Eliot himself had an idea for a bigger structure for these poems, very vague, but it was there. I knew then that I had the bare bones of a stage musical. Most importantly Grizabella the Glamour Cat gave me a tragic character, a character who you would really care about. I asked Cameron and Gillie to join Valerie and Matthew, and the excitement was tangible. There were other poems too, the story of a parrot called Billy McCaw, who lived on the bar of an East End pub. There was the saga of a Yorkshire terrier called Little Tom Pollicle which was apparently Eliot’s nickname, and a long poem about a man in white spats who meets a casual diner in a pub called the Princess Louise and starts talking about “this’s and thats and Pollicle Dogs and Jellicle Cats.” I asked Valerie what the words “Pollicle” and “Jellicle” meant. She explained it was Eliot’s private joke about how the British upper class slurred the words “poor little dogs” and “dear little cats.” She also revealed that Eliot intended the “Princess Louise” poem, as we came to call it, to be the preface of a book about dogs and cats, but in the end cats prevailed. “The Awefull Battle of the
Andrew Lloyd Webber (Unmasked: A Memoir)
Dear Superwoman, Do not be afraid to start all over again. It is better to start from scratch, than stay where you are constantly hurt.
Gift Gugu Mona (Woman of Virtue: Power-Filled Quotes for a Powerful Woman)
We don’t think about saving money very often. When we finally do think about it, our thoughts rarely lead us to save more. To test the extent that the design of digital wallets could influence behavior, Dan and his colleagues conducted a large-scale experiment with thousands of customers of a mobile money-saving system in Kenya. Some participants received two text messages every week: one at the start of the week to remind them to save and another one at the end of the week with a summary of their savings. Other participants got slightly different text reminders: It was framed like it came from their kid, asking them to save for “our future.” Four other groups were bribed (formally known as “financially incentivized”) for saving. The first of these groups got a 10 percent bonus for the first 100 shillings that they saved. The second group got a 20 percent bonus for the first 100 shillings that they saved. The third and fourth groups got the same 10 percent and 20 percent bonuses for the first 100 shillings that they saved, but they got it together with loss aversion. (In these conditions, the researchers placed the full amount of the match—10 or 20 shillings—into their account at the beginning of the week. The participants were told that they would get the match based on how much they saved, and that the amount of the match that they did not save would be taken out of their account. Financially, this loss aversion approach was the same as the regular end-of-the-week match, but the idea was that experiencing money leaving their account would be painful and would get the participants to increase their savings.) A final set of participants received those same text messages plus a golden-colored coin with the numbers 1–24 engraved on it, to indicate the 24 weeks that the plan lasted. These participants were asked to place the coin somewhere visible in their home and scratch with a knife the number for that week to indicate if they saved or not.2 At the end of six months, the treatment that performed spectacularly better than every other was—drumroll please!—the coin. Every other treatment increased savings a bit, but those who received the coin saved about twice as much as those who only received text messages. You might think the winner would have been the 20 percent bonus or maybe the 20 percent bonus with loss aversion—and this is in fact what most people predict would be the most effective way to get people to save—but you’d be wrong.
Dan Ariely (Dollars and Sense: How We Misthink Money and How to Spend Smarter)
Every New Year's Day, my parents had a big party, and their friends came over and bet on the Rose Bowl and argued about which of the players on either team were Jewish, and my mother served her famous lox and onions and eggs, which took her the entire first half to make. It took her so long, in fact, that I really don't have time to give you the recipe, because it takes up a lot of space to explain how slowly and painstakingly she did everything, sautéing the onions over a tiny flame so none of them would burn, throwing more and more butter into the pan, cooking the eggs so slowly that my father was always sure they wouldn't be ready until the game was completely over and everyone had gone home. We should have known my mother was crazy years before we did just because of the maniacal passion she brought to her lox and onions and eggs, but we didn't. Another thing my mother was famous for serving was a big ham along with her casserole of lima beans and pears. A couple of years ago, I was in Los Angeles promoting Uncle Seymour's Beef Borscht and a woman said to me at a party, "Wasn't your mother Bebe Samstat?" and when I said yes, she said, "I have her recipe for lima beans and pears. " I like to think it would have amused my mother to know that there is someone in Hollywood who remembers her only for her lima beans and pears, but it probably wouldn't have. Anyway, here's how you make it: Take 6 cups defrosted lima beans, 6 pears peeled and cut into slices, 1/2 cup molasses, 1/2 cup chicken stock, 1/2 onion chopped, put into a heavy casserole, cover and bake 12 hours at 200*. That's the sort of food she loved to serve, something that looked like plain old baked beans and then turned out to have pears up its sleeve. She also made a bouillabaisse with Swiss chard in it. Later on, she got too serious about food- started making egg rolls from scratch, things like that- and one night she resigned from the kitchen permanently over a lobster Cantonese that didn't work out, and that was the beginning of the end.
Nora Ephron (Heartburn)
He steered us across the ballroom and through a door that led into a low-lit room which I could only describe as a smoking room. Do people really still have those? Apparently they did because a bunch of cigar stubs sat in a golden ashtray on the nearest table and the thick scent of tobacco hung in the air. Blood red armchairs sat around the space and to the right of them stood Darius beside a large oak writing desk. A row of shots were laid out across it in front of a bottle of vodka and my heart pumped harder as Max released me, his gifts fizzling out of my system. Darius picked up a shot and knocked it back, releasing a satisfied ah after he swallowed it. He grabbed two more, holding them out for Tory and I but neither of us moved. “I think I'll get my drinks from a less shady room thanks,” I said, shaking my head. “Yeah, I'm gonna decline the date rape.” Tory smiled hollowly and Darius scoffed. “As if I'd need to drug you to get you in my bed,” Darius smirked. “Keep dreaming, Dragon boy.” She planted a hand on her hip and I grinned. We turned to leave and found Seth and Caleb stepping into the room. My heart juddered as they prowled forward, blocking our way out. “Evening,” Caleb said, skirting around us, his eyes lingering on Tory. Seth scratched behind his ear and I bit my lip to stop myself from laughing. “Gimme one of those.” He moved around us, scratching more vigorously as he grabbed a shot from the desk. He swallowed one then another before pawing at the back of his shirt and scratching his head again. “What's up with you, man?” Max frowned as Seth started raking under his arm. “Nothing,” he spat, then let out a whine as he scratched himself too hard. I almost lost it when Tory hiccoughed a laugh. “Almost seems like you've got fleas,” Darius said with a teasing smirk and Seth growled deeply. “I do not have fleas,” he snarled and I couldn't help the laugh that finally tore free from my throat. He turned, eyes sharpening to slits, but he said nothing. (Darcy)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
Before I could give it too much thought, my attention snagged on Darius as he charged across the pitch like a stampeding rhino, tackling a member of the other team so hard that I heard something crack. My breath caught in my throat as the Starlight player groaned on the ground while Darius snatched the ball from him and launched it across the pitch with the force of a torpedo. A timer was counting down as the Starlight player failed to get up and Darius raced away from him without a backwards glance. I knew it was part of the game but it was insanely brutal. Although if I was being totally honest, watching all of them brawl like that and seeing the power they exuded even while they were losing, was totally hot too. Darius’s muscles pumped fiercely as he sprinted away from me and I found myself staring at his legs which were splattered with mud and somehow looked even better because of it. “Olef you’re Out!” Prestos yelled but the Starlight player still didn’t move. A pair of medics jogged onto the pitch and gave him a quick inspection. “Broken back!” one of them yelled. “This is a long heal, call in a sub once his time out is up.” My lips parted, I stared on in shock and I couldn’t quite believe what I’d heard. “Did he just say that Darius broke that guy’s back?” I asked in disbelief. “That’s the risk you take when you play,” Orion said darkly as he walked past me to regain his seat. Darcy raised her eyebrows at me and I returned my gaze to the match just as Geraldine tore up the pitch with a rumble of writhing earth magic, knocking the Starlight Waterguard off of her feet and forcing her to drop the ball. A huge -5 flashed into place on the Starlight scoreboard and I leapt from my seat in excitement to applaud my friend. “Go Geraldine!” I screamed and she flashed me a smile as she somehow managed to hear me. Seth almost missed the ball as it was thrown to him next while he was distracted by scratching his head. He managed to wrangle it with a gust of air magic and started sprinting for the Pit as the timer above us ticked down to ten seconds. The crowd started counting down, “Nine! Eight! Seven-” Seth leapt into the air, propelling himself forward with his magic but the two air Elementals on the opposing team threw their own magic up to counter him. “Three! Two-” Seth gritted his teeth as he threw even more power into his propulsion but he was out of time. The ball in his arms exploded in a blast of pure air which snapped his head back and sent him tumbling out of the sky. He hit the ground hard as the crowd oooohed in disappointment. For three whole seconds my heart didn’t beat at all as I stared at his prone body in the mud, wondering if he was dead. Seth coughed, pushing himself into a sitting position just as Darius appeared to offer him a hand up. He shook his head to clear it and my eyebrows rose all the way into my hairline. “This game is crazy,” Darcy breathed, her eyes wide with the thrill of it. “I think I love it,” I agreed. (tory)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
Like any company, we have a corporate culture formed not only by our intentions but also as a result of our history. For Amazon, that history is fairly fresh and, fortunately, it includes several examples of tiny seeds growing into big trees. We have many people at our company who have watched multiple $10 million seeds turn into billion dollar businesses. That first-hand experience and the culture that has grown up around those successes is, in my opinion, a big part of why we can start businesses from scratch. The culture demands that these new businesses be high potential and that they be innovative and differentiated, but it does not demand that they be large on the day that they are born. I remember how excited we were in 1996 as we crossed $10 million in book sales. It wasn’t hard to be excited—we had grown to $10 million from zero. Today, when a new business inside Amazon grows to $10 million, the overall company is growing from $10 billion to $10.01 billion. It would be easy for the senior executives who run our established billion dollar businesses to scoff. But they don’t. They watch the growth rates of the emerging businesses and send emails of congratulations. That’s pretty cool, and we’re proud it’s a part of our culture.
Colin Bryar (Working Backwards: Insights, Stories, and Secrets from Inside Amazon)
Consider the cold-eyed thrush, that spring carnivore of lawns, worm stabber, basher to death of snails. We should not sentimentalise his song, and forget the killing that sustains it.’ And consider too Hughes’ poem ‘Thrushes’, from the collection Lupercal, published in 1960, just when Baker was preparing to write The Peregrine: ‘Terrifying are the attent sleek thrushes on the lawn, / More coiled steel than living – a poised / Dark deadly eye, those delicate legs / Triggered to stirrings beyond sense – with a start, a bounce, a stab / Overtake the instant and drag out some writhing thing. / No indolent procrastinations and no yawning stares. / No sighs or head scratchings. Nothing but bounce and stab / And a ravening second.
J.A. Baker (The Peregrine)
Every hour, every minute, every second, I'm caught up in a vicious loop that the instant I arrive at one point, the next thing I know is that I have to start from scratch again.
Cuong Le (STARS)
I eventually recovered from the fevers. But then I started talking to myself. It turned out that I had an imaginary friend. They asked me who this friend was. I told them it was a tiger. At first, they thought I was just talking nonsense. After a while, they found scratch marks high on the walls, on the ceiling, and on my pillows and bed sheet. That could only be done by me. But I swore blind that it wasn’t my doing.
Salina Christmas (A Request For Betrayal: The Constant Companion Tales)
Although bodhisattva vows may all aim in the same direction, the particular intentions of each bodhisattva would inevitably vary. We all work out of our own background, our own genealogy and family heritage, our own dispositions, characters, and problems. No one can just start from scratch wherever they choose. We have no choice but to begin right where we are, with all of the trajectories and all of the issues that have already shaped our lives.
Dale S. Wright (Living Skillfully: Buddhist Philosophy of Life from the Vimalakirti Sutra)
The Harvard psychologist Steven Pinker argues that, in stark contrast to the blank-slate dogma, our emotions and faculties have been adapted by natural selection for reasoning and communicating, have a common logic across cultures, and are difficult to erase or redesign from scratch. They come from within, not without. Learning can only happen because we have innate mechanisms to learn. Learning is not the opposite of instinct; it is itself the expression of an instinct – or rather many instincts. The human brain comes equipped automatically – though not necessarily from the start – with a tendency to learn language, to learn to recognise faces and emotions, to understand numbers, the wholeness of objects and the mindfulness of other people.
Matt Ridley (The Evolution of Everything: How New Ideas Emerge)
When encountering individuals you met earlier, you can employ a conversational bridge-back. This refers to your use of portions of earlier discussions at a later time. Conversational bridge-backs can be comments, jokes, gestures, or other things unique to the earlier conversation. Using a conversational bridge-back sends the subtle message that you are not a newcomer to the person’s circle of friends and acquaintances. You are a familiar person with mutual interests. Conversational bridge-backs also allow you to pick up the friend-building process where it left off at the end of the first conversation. That, in turn, allows you to move forward in your friendship building without having to start out from scratch.
Jack Schafer (The Like Switch: An Ex-FBI Agent's Guide to Influencing, Attracting, and Winning People Over (The Like Switch Series Book 1))
You have to surrender your entire self in that case. You must start from scratch and rebuild yourself and how you view the world. That’s so hard to do. To voluntarily reduce oneself to ashes and then rise again. It’s so hard that most choose to stand in the flames and burn.
Michael R. Miller (Unbound (Songs of Chaos, #2))