Spring New Beginnings Quotes

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Dine with me,” Luc says as winter gives way to spring. “Dance with me,” he says as a new year begins. “Be with me,” he says, at last, as one decade slips into the next
V.E. Schwab (The Invisible Life of Addie LaRue)
From the end spring new beginnings.
Pliny the Elder
Life stands before me like an eternal spring with new and brilliant clothes.
Carl Friedrich Gauß
You’re like the fresh air from an orchard in spring, he shook his head, his long bangs falling over his right eye, I am darkness.
Cristiane Serruya (Trust: A New Beginning (Trust Trilogy, #1))
I loved spring; the way it made leaves whirled and swung through the trees, turning the sky grey. Spring would change the weather and plants too. The weather would begin to get warmer, and trees would grow new leaves. Spring would always bring rain and wind, but it never brought anything for me.
Pratibha Malav (If Tomorrow Comes (A Kind Of Commitment, #2))
There are times to cultivate and create, when you nurture your world and give birth to new ideas and ventures. There are times of flourishing and abundance, when life feels in full bloom, energized and expanding. And there are times of fruition, when things come to an end. They have reached their climax and must be harvested before they begin to fade. And finally of course, there are times that are cold, and cutting and empty, times when the spring of new beginnings seems like a distant dream. Those rhythms in life are natural events. They weave into one another as day follows night, bringing, not messages of hope and fear, but messages of how things are.
Chögyam Trungpa
Easter is a time where we are reminded that conclusions in man's mind are beginnings in God's plan.
Craig D. Lounsbrough (Flecks of Gold on a Path of Stone: Simple Truths for Profound Living)
An ending is only happening because at some point it was a beginning. And if an ending is dependent upon a beginning, I would be well advised to focus on the miracle of beginnings verses the pain of endings.
Craig D. Lounsbrough (An Intimate Collision: Encounters with Life and Jesus)
People tend to feel happy when spring arrives, especially after a cold winter. When spring begins, however, cannot be pinpointed to one particular moment. There is no one day that clearly marks when winter ends and spring begins. Spring hides inside winter. We notice it emerging with our eyes, our skin, and other senses. We find it in new buds, a comfortable breeze and the warmth of the sun. It exists alongside winter.
Toshikazu Kawaguchi (Tales from the Café (Before the Coffee Gets Cold, #2))
We stay like that for a long time, side by side, holding hands, until the crickets, obeying the same ancient law that pulls the sun from the sky and throws the moon up after it, that strips autumn down to winter and pushes spring up afterward, obeying the law of closure and new beginnings, send their voices up from the silence, and sing.
Lauren Oliver (Vanishing Girls)
The almond blossom from the tree has gone, to be replaced by new green shoots. It smells of spring, and mown grass, and tilled earth from the fields beyond. Now is the month of Germinal in the Republican calendar: the month of hyacinth, and bees, and violet, and primrose. It is also the windy month; the month of new beginnings, and I have never felt it so strongly as I feel it now: that sense of possibility; that irresistible lightness.
Joanne Harris (The Strawberry Thief (Chocolat, #4))
A cherry tree was coming into bloom, shooting out a froth of sugar-pink blossoms. She could see from its size and the gnarled branches that it was a mature tree, yet still capable of putting on such a wonderful show. A new beginning every spring, even from an old tree.
Maggie Alderson (The Scent of You)
I know most people think of spring as the season of new beginnings, when women chase the winter dirt from their homes, when the plants come out of hiding and the animals give birth to their new babies, but for me autumn is the season that whispers fresh promise.
Andrea Busfield (Born Under a Million Shadows)
Let go of yesterday. Let today be a new beginning and be the best that you can, and you’ll get to where God wants you to be.
Joel Osteen
The dreamers dream from the neck up, their bodies securely strapped to the electric chair. To imagine a new world is to live it daily, each thought, each glance, each step, each gesture killing and recreating, death always a step in advance. To spit on the past is not enough. To proclaim the future is not enough. One must act as if the past were dead and the future unrealizable. One must act as if the next step were the last, which it is. Each step forward is the last, and with it a world dies, one’s self included. We are here of the earth never to end, the past never ceasing, the future never beginning, the present never ending. The never-never world which we hold in our hands and see and yet is not ourselves. We are that which is never concluded, never shaped to be recognized, all there is and yet not the whole, the parts so much greater than the whole that only God the mathematician can figure it out.
Henry Miller (Black Spring)
She liked to scatter hope," Minerva said, taking his offering. "Pardon?" "Snowdrops. They represent hope. The first flowers in the spring. Hope for a new beginning." She took a sniff of the delicate blossoms and then shyly glanced over at him. "Perhaps you were meant to be here today. To find your hope.
Elizabeth Boyle (Lord Langley Is Back in Town (Bachelor Chronicles, #8))
It was a bright spring morning, full of promise. Most travelers are familiar with this kind of weather- when the wind blows westward and warm but the ground still chills the soles of your feet, when the tree buds have begun to unfurl and scent the air with secret springtime madness- and they know those days are made for leaving.
Alix E. Harrow (The Ten Thousand Doors of January)
Lifeless in appearance, sluggish dazed spring approaches- They enter the new world naked, cold, uncertain of all save that they enter. All about them the cold, familiar wind- Now the grass, tomorrow the stiff curl of wildcarrot leaf One by one objects are defined- It quickens: clarity, outline of leaf But now the stark dignity of entrance-Still, the profound change has come upon them: rooted, they grip down and begin to awaken
William Carlos Williams
Spring is proof that there is beauty in new beginnings.
Matshona Dhliwayo
I’ve seen life accept endings, but I never seen life surrender to them.
Craig D Lounsbrough
To nature lovers, the season of new beginnings is the spring, but to people who excel in school, it's the fall.
Anne Fadiman (The Wine Lover's Daughter: A Memoir)
It has been said that all the stories have already been told, that there is nothing left to say. At best, a writer’s job is to pour new wine in old bottles, to retell in a new way the same emotional predicaments that humans have felt since the beginnings of time. Yet many authors find this a worthwhile challenge; they think of themselves as gardeners whose task is to cultivate perennial ideas generation after generation. The same flowers will bloom each spring, but if the gardener slacks off, weeds will take over.
Mihály Csíkszentmihályi (Creativity: Flow and the Psychology of Discovery and Invention)
There’s something of a restorative quality about spring, where something whispers wild rumors of new beginnings arising from the seemingly dead seeds in our lives. There’s something almost cruel about it all, as if there might be some sort of truth about a new life actually being possible. Yet, maybe it is true.
Craig D. Lounsbrough
The doctor says there are such boys springing up amongst us—boys of a sort unknown in the last generation—the outcome of new views of life. They seem to see all its terrors before they are old enough to have staying power to resist them. He says it is the beginning of the coming universal wish not to live. Der Arzt sagte, solche Kinder kämen jetzt manchmal vor – Kinder, wie sie die vorige Generation nicht gekannt habe -, das Ergebnis neuer Anschauungen vom Leben. Es ist, als sähen diese Kinder alle seine Schrecknisse, ehe sie alt genug sind, die nötige Widerstandskraft dagegen aufzubringen. Er sagt, es wäre der Anfang des kommenden allgemeinen Wunsches, nicht zu leben.
Thomas Hardy (Jude: The Shooting Script (Shooting Scripts))
THERE ARE SEASONS in your life in the same way as there are seasons in nature. There are times to cultivate and create, when you nurture your world and give birth to new ideas and ventures. There are times of flourishing and abundance, when life feels in full bloom, energized and expanding. And there are times of fruition, when things come to an end. They have reached their climax and must be harvested before they begin to fade. And finally, of course, there are times that are cold and cutting and empty, times when the spring of new beginnings seems like a distant dream. Those rhythms in life are natural events. They weave into one another as day follows night, bringing, not messages of hope and fear, but messages of how things are.
Chögyam Trungpa (Ocean of Dharma: The Everyday Wisdom of Chogyam Trungpa)
Since once again, Lord - though this time not in the forests of the Aisne but in the steppes of Asia - I have neither bread, nor wine, nor altar, I will raise myself beyond these symbols, up to the pure majesty of the Real itself; I, your priest, will make the whole earth my altar and on it will offer you all the labours and sufferings of the world. Over there, on the horizon, the sun has just touched with light the outermost fringe of the eastern sky. Once again, beneath this moving sheet of fire, the living surface of the earth wakes and trembles, and once again begins its fearful travail. I will place on my paten, O God, the harvest to be won by this renewal of labour. Into my chalice I shall pour all the sap which is to be pressed out this day from the earth’s fruits. My paten and my chalice are the depths of a soul laid widely open to all the forces which in a moment will rise up from every corner of the earth and converge upon the Spirit. Grant me the remembrance and the mystic presence of all those whom the light is now awakening to the new day . . . Over every living thing which is to spring up, to grow, to flower, to ripen during this day say again the words: ‘This is my Body’. And over every death-force which waits in readiness to corrode, to wither, to cut down, speak again your commanding words which express the supreme mystery of faith: ‘This is my Blood’.
Pierre Teilhard de Chardin (The Divine Milieu)
Within the grip of winter, it is almost impossible to imagine the spring. The gray perished landscape is shorn of color. Only bleakness meets the eye; everything seems severe and edged. Winter is the oldest season; it has some quality of the absolute. Yet beneath the surface of winter, the miracle of spring is already in preparation; the cold is relenting; seeds are wakening up. Colors are beginning to imagine how they will return. Then, imperceptibly, somewhere one bug opens and the symphony of renewal is no longer reversible. From the black heart of winter a miraculous, breathing plenitude of color emerges. The beauty of nature insists on taking its time. Everything is prepared. Nothing is rushed. The rhythm of emergence is a gradual slow beat always inching its way forward; change remains faithful to itself until the new unfolds in the full confidence of true arrival. Because nothing is abrupt, the beginning of spring nearly always catches us unawares. It is there before we see it; and then we can look nowhere without seeing it.
John O'Donohue (To Bless the Space Between Us: A Book of Blessings)
Spring was at hand. " I believe I might recover," I thought, "if I could get out of this shell into the light of day, into the fields and woods." It was so long since I had seen them. I remember, too, it came into my mind how nice it would be if by some magic, some enchantment, I could forget everything that had happened in the last few years; forget everything, refresh my mind, and begin again with new energy. In those days, I still dreamed of that and hoped for a renewal of life. "Better go into an asylum," I thought, "to get one's brain turned upside down and rearranged anew, and then be cured again.
Fyodor Dostoevsky (The Insulted and Humiliated)
I will start with the tree. Because everything begins, and ends, with the tree. The tree is the tallest one. It was planted way before the others. I'm not sure how old it is, exactly. Perhaps three or four hundred years old. It is ancient and powerful. It has weathered terrible storms, braced against unbridled winds. It is not afraid. The tree is not like the others. It has its own rhythm. Spring starts later for it, while all the others are already blossoming. Come late April, the new oval leaves sprout slowly, on the top and middle branches only. Otherwise, it looks dead. Gnarled, gray, and withered. It likes to pretend to be dead. That's how clever it is. Then, suddenly, like a huge explosion, all the buds flourish. The tree triumphs with its pale green crowns.
Tatiana de Rosnay (The Rain Watcher)
Hold your tongue, or I'll kill you! You'll kill me? No, excuse me, I will speak. I came to treat myself to that pleasure. Oh, I love the dreams of my ardent young friends, quivering with eagerness for life! 'There are new men,' you decided last spring, when you were meaning to come here, 'they propose to destroy everything and begin with cannibalism. Stupid fellows! they didn't ask my advice! I maintain that nothing need be destroyed, that we only need to destroy the idea of God in man, that's how we have to set to work. It's that, that we must begin with. Oh, blind race of men who have no understanding! As soon as men have all of them denied God -- and I believe that period, analogous with geological periods, will come to pass -- the old conception of the universe will fall of itself without cannibalism, and, what's more, the old morality, and everything will begin anew. Men will unite to take from life all it can give, but only for joy and happiness in the present world. Man will be lifted up with a spirit of divine Titanic pride and the man-god will appear. From hour to hour extending his conquest of nature infinitely by his will and his science, man will feel such lofty joy from hour to hour in doing it that it will make up for all his old dreams of the joys of heaven. Everyone will know that he is mortal and will accept death proudly and serenely like a god. His pride will teach him that it's useless for him to repine at life's being a moment, and he will love his brother without need of reward. Love will be sufficient only for a moment of life, but the very consciousness of its momentariness will intensify its fire, which now is dissipated in dreams of eternal love beyond the grave'... and so on and so on in the same style. Charming! Ivan sat with his eyes on the floor, and his hands pressed to his ears, but he began trembling all over. The voice continued. (The devil) The question now is, my young thinker reflected, is it possible that such a period will ever come? If it does, everything is determined and humanity is settled for ever. But as, owing to man's inveterate stupidity, this cannot come about for at least a thousand years, everyone who recognises the truth even now may legitimately order his life as he pleases, on the new principles. In that sense, 'all things are lawful' for him. What's more, even if this period never comes to pass, since there is anyway no God and no immortality, the new man may well become the man-god, even if he is the only one in the whole world, and promoted to his new position, he may lightheartedly overstep all the barriers of the old morality of the old slaveman, if necessary. There is no law for God. Where God stands, the place is holy. Where I stand will be at once the foremost place... 'all things are lawful' and that's the end of it! That's all very charming; but if you want to swindle why do you want a moral sanction for doing it? But that's our modern Russian all over. He can't bring himself to swindle without a moral sanction. He is so in love with truth-.
Fyodor Dostoevsky (The Brothers Karamazov)
The moon’s three phases of new, full, and old recalled the matriarch’s three phases of maiden, nymph (nubile woman), and crone. Then, since the sun’s annual course similarly recalled the rise and decline of her physical powers – spring a maiden, summer a nymph, winter a crone – the goddess became identified with seasonal changes in animal and plant life; and thus with Mother Earth who, at the beginning of the vegetative year, produces only leaves and buds, then flowers and fruits, and at last ceases to bear. She could later be conceived as yet another triad: the maiden of the upper air, the nymph of the earth or sea, the crone of the underworld – typified respectively by Selene, Aphrodite, and Hecate. These mystical analogues fostered the sacredness of the number three, and the Moon-goddess became enlarged to nine when each of the three persons – maiden, nymph, and crone – appeared in triad to demonstrate her divinity. Her devotees never quite forgot that there were not three goddesses, but one goddess; though, by Classical times, Arcadian Stymphalus was one of the few remaining shrines where they all bore the same name: Hera.
Robert Graves (The Greek Myths: The Complete and Definitive Edition)
Spring was ravishing around town, bursting and budding and blooming. It was one of those nights when the air is blood-temperature and it’s impossible to tell where you leave off and it begins.
Elaine Dundy (The Dud Avocado (New York Review Books Classics))
The winds blow upon the trees, and their leaves fall upon the ground. Then do the trees begin to bud again, and by the spring-time they put forth new branches. So is the generation of men; some come into the world, and others go out of it.' Of these leaves then thy children are. And they also that applaud thee so gravely, or, that applaud thy speeches, with that their usual acclamation,
Marcus Aurelius (Meditations)
To the ancients, bears symbolized resurrection. The creature goes to sleep for a long time, its heartbeat decreases to almost nothing. The male often impregnates the female right before hibernation, but miraculously, egg and sperm do not unite right away. They float separately in her uterine broth until much later. Near the end of hibernation, the egg and sperm unite and cell division begins, so that the cubs will be born in the spring when the mother is awakening, just in time to care for and teach her new offspring. Not only by reason of awakening from hibernation as though from death, but much more so because the she-bear awakens with new young, this creature is a profound metaphor for our lives, for return and increase coming from something that seemed deadened. The bear is associated with many huntress Goddesses: Artemis and Diana in Greece and Rome, and Muerte and Hecoteptl, mud women deities in the Latina cultures. These Goddesses bestowed upon women the power of tracking, knowing, 'digging out' the psychic aspects of all things. To the Japanese the bear is the symbol of loyalty, wisdom, and strength. In northern Japan where the Ainu tribe lives, the bear is one who can talk to God directly and bring messages back for humans. The cresent moon bear is considered a sacred being, one who was given the white mark on his throat by the Buddhist Goddess Kwan-Yin, whose emblem is the crescent moon. Kwan-Yin is the Goddess of Deep Compassion and the bear is her emissary. "In the psyche, the bear can be understood as the ability to regulate one's life, especially one's feeling life. Bearish power is the ability to move in cycles, be fully alert, or quiet down into a hibernative sleep that renews one's energy for the next cycle. The bear image teaches that it is possible to maintain a kind of pressure gauge for one's emotional life, and most especially that one can be fierce and generous at the same time. One can be reticent and valuable. One can protect one's territory, make one's boundaries clear, shake the sky if need be, yet be available, accessible, engendering all the same.
Clarissa Pinkola Estés (Women Who Run With the Wolves)
Wild Peaches" When the world turns completely upside down You say we’ll emigrate to the Eastern Shore Aboard a river-boat from Baltimore; We’ll live among wild peach trees, miles from town, You’ll wear a coonskin cap, and I a gown Homespun, dyed butternut’s dark gold color. Lost, like your lotus-eating ancestor, We’ll swim in milk and honey till we drown. The winter will be short, the summer long, The autumn amber-hued, sunny and hot, Tasting of cider and of scuppernong; All seasons sweet, but autumn best of all. The squirrels in their silver fur will fall Like falling leaves, like fruit, before your shot. 2 The autumn frosts will lie upon the grass Like bloom on grapes of purple-brown and gold. The misted early mornings will be cold; The little puddles will be roofed with glass. The sun, which burns from copper into brass, Melts these at noon, and makes the boys unfold Their knitted mufflers; full as they can hold Fat pockets dribble chestnuts as they pass. Peaches grow wild, and pigs can live in clover; A barrel of salted herrings lasts a year; The spring begins before the winter’s over. By February you may find the skins Of garter snakes and water moccasins Dwindled and harsh, dead-white and cloudy-clear. 3 When April pours the colors of a shell Upon the hills, when every little creek Is shot with silver from the Chesapeake In shoals new-minted by the ocean swell, When strawberries go begging, and the sleek Blue plums lie open to the blackbird’s beak, We shall live well — we shall live very well. The months between the cherries and the peaches Are brimming cornucopias which spill Fruits red and purple, sombre-bloomed and black; Then, down rich fields and frosty river beaches We’ll trample bright persimmons, while you kill Bronze partridge, speckled quail, and canvasback. 4 Down to the Puritan marrow of my bones There’s something in this richness that I hate. I love the look, austere, immaculate, Of landscapes drawn in pearly monotones. There’s something in my very blood that owns Bare hills, cold silver on a sky of slate, A thread of water, churned to milky spate Streaming through slanted pastures fenced with stones. I love those skies, thin blue or snowy gray, Those fields sparse-planted, rendering meagre sheaves; That spring, briefer than apple-blossom’s breath, Summer, so much too beautiful to stay, Swift autumn, like a bonfire of leaves, And sleepy winter, like the sleep of death.
Elinor Wylie
This afternoon, being on Fair Haven Hill, I heard the sound of a saw, and soon after from the Cliff saw two men sawing down a noble pine beneath, about forty rods off. I resolved to watch it till it fell, the last of a dozen or more which were left when the forest was cut and for fifteen years have waved in solitary majesty over the sprout-land. I saw them like beavers or insects gnawing at the trunk of this noble tree, the diminutive manikins with their cross-cut saw which could scarcely span it. It towered up a hundred feet as I afterward found by measurement, one of the tallest probably in the township and straight as an arrow, but slanting a little toward the hillside, its top seen against the frozen river and the hills of Conantum. I watch closely to see when it begins to move. Now the sawers stop, and with an axe open it a little on the side toward which it leans, that it may break the faster. And now their saw goes again. Now surely it is going; it is inclined one quarter of the quadrant, and, breathless, I expect its crashing fall. But no, I was mistaken; it has not moved an inch; it stands at the same angle as at first. It is fifteen minutes yet to its fall. Still its branches wave in the wind, as it were destined to stand for a century, and the wind soughs through its needles as of yore; it is still a forest tree, the most majestic tree that waves over Musketaquid. The silvery sheen of the sunlight is reflected from its needles; it still affords an inaccessible crotch for the squirrel’s nest; not a lichen has forsaken its mast-like stem, its raking mast,—the hill is the hulk. Now, now’s the moment! The manikins at its base are fleeing from their crime. They have dropped the guilty saw and axe. How slowly and majestic it starts! as it were only swayed by a summer breeze, and would return without a sigh to its location in the air. And now it fans the hillside with its fall, and it lies down to its bed in the valley, from which it is never to rise, as softly as a feather, folding its green mantle about it like a warrior, as if, tired of standing, it embraced the earth with silent joy, returning its elements to the dust again. But hark! there you only saw, but did not hear. There now comes up a deafening crash to these rocks , advertising you that even trees do not die without a groan. It rushes to embrace the earth, and mingle its elements with the dust. And now all is still once more and forever, both to eye and ear. I went down and measured it. It was about four feet in diameter where it was sawed, about one hundred feet long. Before I had reached it the axemen had already divested it of its branches. Its gracefully spreading top was a perfect wreck on the hillside as if it had been made of glass, and the tender cones of one year’s growth upon its summit appealed in vain and too late to the mercy of the chopper. Already he has measured it with his axe, and marked off the mill-logs it will make. And the space it occupied in upper air is vacant for the next two centuries. It is lumber. He has laid waste the air. When the fish hawk in the spring revisits the banks of the Musketaquid, he will circle in vain to find his accustomed perch, and the hen-hawk will mourn for the pines lofty enough to protect her brood. A plant which it has taken two centuries to perfect, rising by slow stages into the heavens, has this afternoon ceased to exist. Its sapling top had expanded to this January thaw as the forerunner of summers to come. Why does not the village bell sound a knell? I hear no knell tolled. I see no procession of mourners in the streets, or the woodland aisles. The squirrel has leaped to another tree; the hawk has circled further off, and has now settled upon a new eyrie, but the woodman is preparing [to] lay his axe at the root of that also.
Henry David Thoreau (The Journal, 1837-1861)
All right,” Malcolm said. “Let’s go back to the beginning.” He paused, staring at the ceiling. “Physics has had great success at describing certain kinds of behavior: planets in orbit, spacecraft going to the moon, pendulums and springs and rolling balls, that sort of thing. The regular movement of objects. These are described by what are called linear equations, and mathematicians can solve those equations easily. We’ve been doing it for hundreds of years.” “Okay,” Gennaro said. “But there is another kind of behavior, which physics handles badly. For example, anything to do with turbulence. Water coming out of a spout. Air moving over an airplane wing. Weather. Blood flowing through the heart. Turbulent events are described by nonlinear equations. They’re hard to solve—in fact, they’re usually impossible to solve. So physics has never understood this whole class of events. Until about ten years ago. The new theory that describes them is called chaos theory.
Michael Crichton (Jurassic Park (Jurassic Park, #1))
Crime begins with God. It will end with man, when he finds God again. Crime is everywhere, in all the fibres and roots of our being. Every minute of the day adds fresh crimes to the calendar, both those which are detected and punished, and those which are not. The criminal hunts down the criminal. The judge condemns the judger. The innocent torture the innocent. Everywhere, in every family, every tribe, every great community, crimes, crimes, crimes. War is clean by comparison. The hangman is a gentle dove by comparison. Attila, Tamerlane, Genghis Khan reckless automatons by comparison. Your father, your darling mother, your sweet sister: do you know the foul crimes they harbor in their breasts? Can you hold the mirror to iniquity when it is close at hand? Have you looked into the labyrinth of your own despicable heart? Have you sometimes envied the thug for his forthrightness? The study of crime begins with the knowledge of oneself. All that you despise, all that you loathe, all that you reject, all that you condemn and seek to convert by punishment springs from you. The source of it is God whom you place outside, above and beyond. Crime is identification, first with God, then with your own image.
Henry Miller (The Air-Conditioned Nightmare (New Directions Paperbook))
BOWLS OF FOOD Moon and evening star do their slow tambourine dance to praise this universe. The purpose of every gathering is discovered: to recognize beauty and love what’s beautiful. “Once it was like that, now it’s like this,” the saying goes around town, and serious consequences too. Men and women turn their faces to the wall in grief. They lose appetite. Then they start eating the fire of pleasure, as camels chew pungent grass for the sake of their souls. Winter blocks the road. Flowers are taken prisoner underground. Then green justice tenders a spear. Go outside to the orchard. These visitors came a long way, past all the houses of the zodiac, learning Something new at each stop. And they’re here for such a short time, sitting at these tables set on the prow of the wind. Bowls of food are brought out as answers, but still no one knows the answer. Food for the soul stays secret. Body food gets put out in the open like us. Those who work at a bakery don’t know the taste of bread like the hungry beggars do. Because the beloved wants to know, unseen things become manifest. Hiding is the hidden purpose of creation: bury your seed and wait. After you die, All the thoughts you had will throng around like children. The heart is the secret inside the secret. Call the secret language, and never be sure what you conceal. It’s unsure people who get the blessing. Climbing cypress, opening rose, Nightingale song, fruit, these are inside the chill November wind. They are its secret. We climb and fall so often. Plants have an inner Being, and separate ways of talking and feeling. An ear of corn bends in thought. Tulip, so embarrassed. Pink rose deciding to open a competing store. A bunch of grapes sits with its feet stuck out. Narcissus gossiping about iris. Willow, what do you learn from running water? Humility. Red apple, what has the Friend taught you? To be sour. Peach tree, why so low? To let you reach. Look at the poplar, tall but without fruit or flower. Yes, if I had those, I’d be self-absorbed like you. I gave up self to watch the enlightened ones. Pomegranate questions quince, Why so pale? For the pearl you hid inside me. How did you discover my secret? Your laugh. The core of the seen and unseen universes smiles, but remember, smiles come best from those who weep. Lightning, then the rain-laughter. Dark earth receives that clear and grows a trunk. Melon and cucumber come dragging along on pilgrimage. You have to be to be blessed! Pumpkin begins climbing a rope! Where did he learn that? Grass, thorns, a hundred thousand ants and snakes, everything is looking for food. Don’t you hear the noise? Every herb cures some illness. Camels delight to eat thorns. We prefer the inside of a walnut, not the shell. The inside of an egg, the outside of a date. What about your inside and outside? The same way a branch draws water up many feet, God is pulling your soul along. Wind carries pollen from blossom to ground. Wings and Arabian stallions gallop toward the warmth of spring. They visit; they sing and tell what they think they know: so-and-so will travel to such-and-such. The hoopoe carries a letter to Solomon. The wise stork says lek-lek. Please translate. It’s time to go to the high plain, to leave the winter house. Be your own watchman as birds are. Let the remembering beads encircle you. I make promises to myself and break them. Words are coins: the vein of ore and the mine shaft, what they speak of. Now consider the sun. It’s neither oriental nor occidental. Only the soul knows what love is. This moment in time and space is an eggshell with an embryo crumpled inside, soaked in belief-yolk, under the wing of grace, until it breaks free of mind to become the song of an actual bird, and God.
Rumi (Jalal ad-Din Muhammad ar-Rumi) (The Soul of Rumi: A New Collection of Ecstatic Poems)
I searched among her crayons for a color that represented autumn and pulled out an orange-toned crayon, never used. It read “Bittersweet,” and I wondered why that particular name. Autumn was my favorite time of year… I was always ready for the change. I guess some people didn’t see it that way. Some people wanted to cling to summer... I loved both seasons, but I thought no one would ever call spring bittersweet, even though it was just another change, another new cycle, an end to one season and a beginning for another in an endless, never-ending spiral.
Janet Rebhan (Finding Tranquility Base)
It's a beautifully beautiful day. A moment to reflect on the beautiful truth that a heart is like a garden. With Roses of Happiness, there would be thorns of pain, with Sunflowers of Joy, there would be weeds of dismay, with colours of Sunshine there would be covers of cloud, after all that's what makes a beautiful garden, a garden that thrives and breathes in all seasons with every hue of Life, every emotion that makes our heart alive in tears and smiles, feeling all the numbness of Life yet warming up to the possibility of a new day as the fallen leaves make way for the new ones, as the bee hums along a bud to see a blossoming rose no matter the thorns, no matter the waves of Life. It is a beautifully beautiful day, and I am happy to be alive. Alive to the possibility of a new day, a tomorrow where a whole new garden of new experiences awaits. To the Hope of Spring. Love & Light, always - Debatrayee
Debatrayee Banerjee
Charley looked over at him. "About how much you and Jesse have in common." Jesse said, "Why don't you tell it, Bob; if you remember." Bob inched forward in his chair. "Well, if you'll pardon my saying so, it is interesting, the many ways you and I overlap and whatnot. You begin with my daddy, J.T. Ford. J stands for James! And T is Thomas, meaning 'twin.' Your daddy was a pastor of the New Hope Baptist Church; my daddy was part-time pastor of a church at Excelsior Springs. You're the youngest of the three James boys; I'm the youngest of the five Ford boys. You had twins as sons, I had twins as sisters. Frank is four and a half years older than you, which incidentally is the difference between Charley and me, the two outlaws in the Ford clan. Between us is another brother, Wilbur here (with six letters in his name); between Frank and you was a brother, Robert, also with six letters. Robert died in infancy, as most everyone knows, and he was named after your father, Robert, who was remembered by your brother's first-born, another Robert. Robert, of course, is my Christian name. My uncle, Robert Austin Ford, has a son named Jesse James Ford. You have blue eyes; I have blue eyes. You're five feet eight inches tall; I'm five feet eight inches tall. We're both hot-tempered and impulsive and devil-may-care. Smith and Wesson is our preferred make of revolver. There's the same number of letters and syllables in our names; I mean, Jesse James and Robert Ford. Oh me, I must've had a list as long as your nightshirt when I was twelve, but I lost some curiosities over the years.
Ron Hansen (The Assassination of Jesse James by the Coward Robert Ford)
Spring is about beginning again, and beginning again can be so much harder than staying in the winter of your life. What do you need to do this spring? What needs to begin again? What ground needs to be prepared? What needs to be planted? What needs to be swept away, because it’s done? What new life is here? What will be different, this time?
Jeanette Winterson
TIME TO SACRIFICE TAURUS This is the night of union when the stars scatter their rice over us. The sky is excited! Venus cannot stop singing the little songs she's making up, like birds in the first warm spring weather. The North Star can't quit looking over at Leo. Pisces is stirring milky dust from the ocean floor. Jupiter rides his horse near Saturn, "Old man, jump up behind me! The juice is coming back! Think of something happy to shout as we go. "Mars washes his bloody sword, puts it up, and begins building things. The Aquarian water jar fills, and the Virgin pours it generously. The Pleiades and Libra and Aries have no trembling in them anymore. Scorpio walks out looking for a lover, and so does Sagittarius! This is not crooked walking like the Crab. This is a holiday we've been waiting for. It is finally time to sacrifice Taurus and learn how the sky is a lens to look through. Listen to what's inside what I say. Shams will appear at dawn; then even night will change from its beloved animated darkness to a day within this ordinary sweet daylight.
Rumi (Jalal ad-Din Muhammad ar-Rumi) (The Soul of Rumi: A New Collection of Ecstatic Poems)
There is something charming and peculiar about a beginning. You feel it, like the change of seasons, from winter to spring, from spring to summer. You feel it; the new blood pumping inside your veins. You feel it; a thousand butterflies fluttering around your fingers to help you fly. You feel it; on your lips, when you smile at the absurdities of life that suddenly make perfect sense. You smile... Because in every beginning, there is a rebirth. Because in every beginning, there is a layer of you that you just discovered. A layer you forgot was buried in you all this time. You smile because you are reminded of the immensity of fate. You smile because suddenly you feel so small and you like it. So let's begin my dear. This life is beautiful.
Malak El Halabi
You feel it first in your heart, the possibility that winter might have passed. You may not trust it at the beginning, but then you do. Because now the sun is out and there are little nubby buds on the trees and your neighbors have taken off their heavy coats. And maybe there’s a new airiness to your thoughts on the morning you decide to pull out every window in your apartment so you can spray the glass and wipe down the sills. It allows you to think, to wonder if you’ve missed out on other possibilities by becoming a wife to this man in this house with these children. Maybe you spend the whole day considering new ways to live before finally you fit every window back into its frame and empty your bucket of Pine-Sol into the sink. And maybe now all your certainty returns, because yes, truly, it’s spring and once again you’ve made the choice to stay.
Michelle Obama (Becoming)
What will be at stake here is the Will as the spring of action, that is, as the power of spontaneously beginning . . . . No doubt every man, by virtue of his birth, is a new beginning, and his power of beginning may well correspond to this fact of the human condition. It is in line with these Augustinian reflections that the will has sometimes, and not only with Augustine, been considered to be the actualization of the principium individuationis.
Hannah Arendt (Love and Saint Augustine)
Because as long as Spring is there, the windows shall always walk open! Each time a chapter closes by, my heart sinks in a whirlpool of emotions. Walking through a canvas of moments I smile with a bunch of happy tunes, often shunning my foolish heart for being too emotional too caring and too loving. But then a breeze clutches me in a smile of being alive, after all my heart feels and that spark of Life is all that Life is about. I warmly wrap them up in my heart, tucking every moment, every character in pages of a mulberry leaf! And walk on to a path of unknown, in a journey yet to be found, in a page yet to be written. I sit with my book and sip my heart's flow through my soul and with a smile embrace the morn of another beginning as the door closes a chapter only to find another. I inhale an experience and all along open my heart to walk ahead in a journey to find another part of my journey, to give my soul's part to another voyage in Life's amazing maze where each turn makes me wonder in awe of Him, who walks beside us when Strength goes dimming and Courage goes faltering, holding our head up against a burst of Sunshine, to wrap us on our Stardust of Self. I drink in the Sunshine, in the halo of a starry journey, some of it already lived while some yet to behold! Because as long as Spring is there, the windows shall always walk open!
Debatrayee Banerjee (A Whispering Leaf. . .)
We convince ourselves that life will be better after we get married, have a baby, then another. Then we are frustrated that the kids aren't old enough and we'll be more content when they are. After that we're frustrated that we have teenagers to deal with. We will certainly be happy when they are out of that stage. We tell ourselves that our life will be complete when our spouse gets his or her act together, when we get a nicer car, are able to go on a nice vacation, when we retire. The truth is, there's no better time to be happy than right now. Your life will always be filled with challenges. It's best to admit this to yourself and decide to be happy anyway. One of my favorite quotes comes from Alfred D Souza. He said, "For a long time it had seemed to me that life was about to begin - real life. But there was always some obstacle in the way, something to be gotten through first, some unfinished business, time still to be served, a debt to be paid. Then life would begin. At last it dawned on me that these obstacles were my life." This perspective has helped me to see that there is no way to happiness. Happiness is the way. So, treasure every moment that you have. Stop waiting until you finish school, until you go back to school, until you lose ten pounds, until you gain ten pounds, until you have kids, until your kids leave the house, until you start work, until you retire, until you get married, until you get divorced, until Friday night, until Sunday morning, until you get a new car or home, until your car or home is paid off, until spring, until summer, until fall, until winter, until you are off welfare, until the first or fifteenth, until your song comes on, until you've had a drink, until you've sobered up, until you die, until you are born again to decide that there is no better time than right now to be happy.
Crystal Boyd
During my crusade through self-discovery, I am continuously reminded that I am a student, and I will always be one. That is the gift even when we feel uncertain or lost in our current season. In order to grow, we, like the transition of autumn and rebirth of spring, must also prepare to shed and begin again. In pursuance of blooming, there must be rain. As we wait for the downpour to cease and new light to emerge, patience is our best and dearest friend. The sun will be on the horizon again, eventually.
Alexandra Elle (After the Rain: Gentle Reminders for Healing, Courage, and Self-Love)
I love you,” I tell her. “I love you because all the loves in the world are like different rivers flowing into the same lake, where they meet and are transformed into a single love that becomes rain and blesses the earth. “I love you like a river that creates the right conditions for trees and bushes and flowers to flourish along its banks. I love you like a river that gives water to the thirsty and takes people where they want to go. “I love you like a river that understands that it must learn to flow differently over waterfalls and to rest in the shallows. I love you because we are all born in the same place, at the same source, which keeps us provided with a constant supply of water. And so, when we feel weak, all we have to do is wait a little. The spring returns, and the winter snows melt and fill us with new energy. “I love you like a river that begins as a solitary trickle in the mountains and gradually grows and joins other rivers until, after a certain point, it can flow around any obstacle in order to get where it wants. “I receive your love, and I give you mine. Not the love of a man for a woman, not the love of a father for a child, not the love of God for his creatures, but a love with no name and no explanation, like a river that cannot explain why it follows a particular course but simply flows onward. A love that asks for nothing and gives nothing in return; it is simply there. I will never be yours, and you will never be mine; nevertheless, I can honestly say: I love you, I love you, I love you.
Paulo Coelho (Aleph)
I inhale slowly, soaking it all in. I step forward and backward, my neck twisting and turning, memorizing every corner. I feel an instant connection to this place. Something about being here grabs me and infatuates me. I begin taking mental pictures of the narrow alleys decorated with rows of artists and vendors. I start imagining myself dining at the sidewalk cafes, sitting there with Chad during the summer, spring, winter, and fall. I get this strong desire to take off my shoes and walk barefooted on the cobblestones as if I have found my new home.
Corey M.P. (High)
That, in a way, is very much how I feel about my life,” she said. “Whether it will ever be recognizable by anyone else I don’t know, but I feel that great new things are happening very quietly inside me. And I know these things have a way, like the maple tree, of finally bursting out in some form.” For Kent, the tree came to represent creativity itself. Like a tree, creative work has seasons. Part of the work is to know which season you’re in, and act accordingly. In winter, “the tree looks dead, but we know it is beginning a very deep process, out of which will come spring and summer.
Austin Kleon (Keep Going: 10 Ways to Stay Creative in Good Times and Bad (Austin Kleon))
Eating a meal in Japan is said to be a communion with nature. This particularly holds true for both tea and restaurant kaiseki, where foods at their peak of freshness reflect the seasonal spirit of that month. The seasonal spirit for November, for example, is "Beginning Anew," because according to the old Japanese lunar calendar, November marks the start of the new tea year. The spring tea leaves that had been placed in sealed jars to mature are ready to grind into tea. The foods used for a tea kaiseki should carry out this seasonal theme and be available locally, not flown in from some exotic locale. For December, the spirit is "Freshness and Cold." Thus, the colors of the guests' kimonos should be dark and subdued for winter, while the incense that permeates the tearoom after the meal should be rich and spicy. The scroll David chose to hang in the alcove during the tea kaiseki no doubt depicted winter, through either words or an ink drawing. As for the flowers that would replace the scroll for the tea ceremony, David likely would incorporate a branch of pine to create a subtle link with the pine needle-shaped piece of yuzu zest we had placed in the climactic dish. Both hinted at the winter season and coming of New Year's, one of David's underlying themes for the tea kaiseki. Some of the guests might never make the pine needle connection, but it was there to delight those who did.
Victoria Abbott Riccardi (Untangling My Chopsticks: A Culinary Sojourn in Kyoto)
But Eugene was untroubled by thought of a goal. He was mad with such ecstasy as he had never known. He was a centaur, moon-eyed and wild of name, torn apart with hunger for the golden world. He became at times almost incapable of coherent speech. While talking with people, he would whinny suddenly into their startled faces, and leap away, his face contorted with an idiot joy. He would hurl himself squealing through the streets and along the paths, touched with the ecstasy of a thousand unspoken desires. The world lay before him for his picking—full of opulent cities, golden vintages, glorious triumphs, lovely women, full of a thousand unmet and magnificent possibilities. Nothing was dull or tarnished. The strange enchanted coasts were unvisited. He was young and he could never die. He went back to Pulpit Hill for two or three days of delightful loneliness in the deserted college. He prowled through the empty campus at midnight under the great moons of the late rich Spring; he breathed the thousand rich odours of tree and grass and flower, of the opulent and seductive South; and he felt a delicious sadness when he thought of his departure, and saw there in the moon the thousand phantom shapes of the boys he had known who would come no more. He still loitered, although his baggage had been packed for days. With a desperate pain, he faced departure from that Arcadian wilderness where he had known so much joy. At night he roamed the deserted campus, talking quietly until morning with a handful of students who lingered strangely, as he did, among the ghostly buildings, among the phantoms of lost boys. He could not face a final departure. He said he would return early in autumn for a few days, and at least once a year thereafter. Then one hot morning, on sudden impulse, he left. As the car that was taking him to Exeter roared down the winding street, under the hot green leafiness of June, he heard, as from the sea-depth of a dream, far-faint, the mellow booming of the campus bell. And suddenly it seemed to him that all the beaten walks were thudding with the footfalls of lost boys, himself among them, running for their class. Then, as he listened, the far bell died away, and the phantom runners thudded into oblivion. The car roared up across the lip of the hill, and drove steeply down into the hot parched countryside below. As the lost world faded from his sight, Eugene gave a great cry of pain and sadness, for he knew that the elfin door had closed behind him, and that he would never come back again. He saw the vast rich body of the hills, lush with billowing greenery, ripe-bosomed, dappled by far-floating cloudshadows. But it was, he knew, the end. Far-forested, the horn-note wound. He was wild with the hunger for release: the vast champaign of earth stretched out for him its limitless seduction. It was the end, the end. It was the beginning of the voyage, the quest of new lands. Gant was dead. Gant was living, death-in-life. In
Thomas Wolfe (Look Homeward, Angel)
She felt very lonely, and was quite sure she should begin to cry before long; the gypsies didn’t seem to mind her at all, and she felt quite weak among them. But the springing tears were checked by new terror, when two men came up, whose approach had been the cause of the sudden excitement. The elder of the two carried a bag, which he flung down, addressing the women in a loud and scolding tone, which they answered by a shower of treble sauciness; while a black cur ran barking up to Maggie, and threw her into a tremor that only found a new cause in the curses with which the younger man called the dog off, and gave him a rap with a great stick he held in his hand. Maggie felt that it was impossible she should ever be queen of these people, or ever communicate to them amusing and useful knowledge.
George Eliot (Complete Works of George Eliot)
The end of the war was like the beginning, with the army marching down the open road under the spring sky, seeing a far light on the horizon. Many lights had died in the windy dark but far down the road there was always a gleam, and it was as if a legend had been created to express some obscure truth that could not otherwise be stated. Everything had changed, the war and the men and the land they fought for, but the road ahead had not changed. It went on through the trees and past the little towns and over the hills, and there was no getting to the end of it. The goal was a going-towards rather than an arriving, and from the top of the next rise there was always a new vista. The march toward it led through wonder and terror and deep shadows, and the sunlight touched the flags at the head of the column.
Bruce Catton (A Stillness at Appomattox)
The great minds, which from time to time have existed in this world, were like doors thrown wide to understanding. I don't mean just their brilliance or philosophy or even psychology. I mean that the spoken words that have endured are those uttered by men who understood with their hearts. No one on earth understands everything; that all-comprehensive function belongs to God alone. But we all try to understand a little. Most of us realize that too late. We look back and think: If only I'd tried to understand. Many failures in human relationships derive from this common failure. Watching the birds flock to discuss their travels among the brilliant leaves, listening to the slow turning of the earth upon her axis, meditating on Nature herself, never uncertain no matter how uncertain her manifestations may be, I think of the instinct that sends the birds from one locality to another, of the lengthening shadows as we face toward autumn, and of the marvelous system that encourages the leaf to fall and nurture the soil. In the single flame of October it begins the lullaby that will put the roots of grass and flowers to sleep. This system, in the four seasons of my little world, will cover the ground with silent snow, and at a later date will shout that spring is coming and awaken sleepers to new life. The sun in his glory, the moon in her phases, the stars in their courses, all these are part of the system; and Nature, turning the wheel of the seasons, understands what she must accomplish. Each in our own way, I suppose, we try to understand what we must accomplish. Perhaps the most important thing of all is the attempt to understand others.
Faith Baldwin (Evening Star (Thorndike Large Print General Series))
Mysterious My paper shines White, like snow, but the paper looks empty. I could decorate it with tiny spiders or stars or sketches of me looking at a blank page, but the clock ticks, and somehow I must write. I like the sight of untouched snow. Gentle, slow, silent, it drifts and swirls, layers itself, and I see a new world of mysterious, inviting shapes. I walk in its white whispers, susurrus. I drift back to this paper that feels hard on the disk, and I begin to listen- to the story I tell myself. The paper is a white, patient place, my private space for remembering, saving: spring sun on my face venting and inventing, arguing with my mother, wondering: who am I, wandering through cobwebs of old dreams, crying, sighing at people who don't see me, hoping to write music so blue listeners forget to breathe, playing the sounds, jamming with myself, changing ....into the me I can't quite see.
Pat Mora (Dizzy in Your Eyes: Poems about Love)
Universes are created; reach their extreme low point of materiality; and then begin their upward swing. Suns spring into being, and then their height of power being reached, the process of retrogression begins, and after aeons they become dead masses of matter, awaiting another impulse which starts again their inner energies into activity and a new solar life cycle is begun. And thus it is with all the worlds; they are born, grow and die; only to be reborn. And thus it is with all the things of shape and form; they swing from action to reaction; from birth to death; from activity to inactivity and then back again. Thus it is with all living things; they are born, grow, and die — and then are reborn. So it is with all great movements, philosophies, creeds, fashions, governments, nations, and all else — birth, growth, maturity, decadence, death — and then new-birth. The swing of the pendulum is ever in evidence.
Three Initiates (Kybalion: A Study of the Hermetic Philosophy of Ancient Egypt and Greece)
It seemed to numerous voters that, thanks to the growing power of the ACLU, criminals were beginning to have more rights than the victims. Preachers across the country were becoming alarmed about the young people’s apathy and lack of morals. Some blamed television. Or as Reverend W. W. Nails put it, “The devil has three initials: ABC, NBC, and CBS. They love Lucy more than they do the Lord and they would rather leave it to Beaver than to Jesus.” The average middle-class Americans who worked hard every day, who were not criminals, not on welfare, and had seldom complained, suddenly and collectively started showing signs of growing disillusionment, worried that with all the new social programs they were now going to have to carry the rich and the poor on their backs. They were tired of having to pay so much income and other taxes to support half the world while they struggled to make ends meet. They began to feel that no matter how hard they worked or how much they paid, it was never appreciated and it was never enough.
Fannie Flagg (Standing in the Rainbow (Elmwood Springs, #2))
The page begins with the person’s picture. A photo if we can find it. If not, a sketch or painting by Peeta. Then, in my most careful handwriting, come all the details it would be a crime to forget. Lady licking Prim’s cheek. My father’s laugh. Peeta’s father with the cookies. The color of Finnick’s eyes. What Cinna could do with a length of silk. Boggs reprogramming the Holo. Rue poised on her toes, arms slightly extended, like a bird about to take flight. On and on. We seal the pages with salt water and promises to live well to make their deaths count. Haymitch finally joins us, contributing twenty-three years of tributes he was forced to mentor. Additions become smaller. An old memory that surfaces. A late primrose preserved between the pages. Strange bits of happiness, like the photo of Finnick and Annie’s newborn son. We learn to keep busy again. Peeta bakes. I hunt. Haymitch drinks until the liquor runs out, and then raises geese until the next train arrives. Fortunately, the geese can take pretty good care of themselves. We’re not alone. A few hundred others return because, whatever has happened, this is our home. With the mines closed, they plow the ashes into the earth and plant food. Machines from the Capitol break ground for a new factory where we will make medicines. Although no one seeds it, the Meadow turns green again. Peeta and I grow back together. There are still moments when he clutches the back of a chair and hangs on until the flashbacks are over. I wake screaming from nightmares of mutts and lost children. But his arms are there to comfort me. And eventually his lips. On the night I feel that thing again, the hunger that overtook me on the beach, I know this would have happened anyway. That what I need to survive is not Gale’s fire, kindled with rage and hatred. I have plenty of fire myself. What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can go on, no matter how bad our losses. That it can be good again. And only Peeta can give me that. So after, when he whispers, “You love me. Real or not real?” I tell him, “Real.
Suzanne Collins (The Hunger Games: Four Book Collection (The Hunger Games, Catching Fire, Mockingjay, The Ballad of Songbirds and Snakes))
Why is programming fun? What delights may its practitioner expect as his reward? First is the sheer joy of making things. As the child delights in his first mud pie, so the adult enjoys building things, especially things of his own design. I think this delight must be an image of God’s delight in making things, a delight shown in the distinctness and newness of each leaf and each snowflake. Second is the pleasure of making things that are useful to other people. Deep within, we want others to use our work and to find it helpful. In this respect the programming system is not essentially different from the child’s first clay pencil holder “for Daddy’s office.” Third is the fascination of fashioning complex puzzle-like objects of interlocking moving parts and watching them work in subtle cycles, playing out the consequences of principles built in from the beginning. The programmed computer has all the fascination of the pinball machine or the jukebox mechanism, carried to the ultimate. Fourth is the joy of always learning, which springs from the nonrepeating nature of the task. In one way or another the problem is ever new, and its solver learns something; sometimes practical, sometimes theoretical, and sometimes both. Finally, there is the delight of working in such a tractable medium. The programmer, like the poet, works only slightly removed from pure thought-stuff. He builds his castles in the air, from air, creating by exertion of the imagination. Few media of creation are so flexible, so easy to polish and rework, so readily capable of realizing grand conceptual structures. (As we shall see later, this very tractability has its own problems.) Yet the program construct, unlike the poet’s words, is real in the sense that it moves and works, producing visible outputs separate from the construct itself. It prints results, draws pictures, produces sounds, moves arms. The magic of myth and legend has come true in our time. One types the correct incantation on a keyboard and a display screen comes to life, showing things that never were nor could be. Programming then is fun because it gratifies creative longings built deep within us and delights sensibilities we have in common with all men.
Frederick P. Brooks Jr. (The Mythical Man-Month: Essays on Software Engineering)
Imbolc celebration may be understood to be a Moment for dedication to Original relationship with Place of Being, this Universe/Cosmos, one’s original nature, the pre-informed, the wild: one’s Gaian indigeneity. We – as a species and as individuals - are in fact, in “the belly of the Mother,” always have been, and always as new beings, and even yet to understand ourselves. Each particular being is a seamless continuation and expression of the Original Ovulation. At Imbolc/Early Spring, the continued birthing – the rushing away from Origins, the continued rippling forth of Creation - may be celebrated with the understanding of the difficulties, the resistances that even Gaia-Universe has encountered, and how this has served the unfolding of the story as we know it. Imbolc may celebrate Gaia’s rush to diversity, differentiation; we commit ourselves to this, beginning with ourselves. The ceremonial process of “purification and strengthening” may be understood as a feeling for where it is in us that the Universe is acting now – where each one feels the excitement of Creativity calling to them in their lives.
Glenys Livingstone (A Poiesis of the Creative Cosmos: Celebrating Her)
MARCH 22 Eostre RENEWAL Eostre (YO-ster) is the Germanic goddess of spring. She is also called Ostara or Eastre, and her name is the origin of the word Easter, the name of the only feast day in the Christian calendar that is still tied to the moon. Eostre is a goddess of dawn, rebirth, and new beginnings. Her festival is celebrated on the first day of spring, when she is invoked at dawn with ritual fire, quickening the land, while the full moon symbolically sets behind her. Eostre’s return each spring warms the ground, preparing for a new cycle of growth. One year the goddess was late, and a little girl found a bird near death from the cold. The child turned to Eostre for help. In response a rainbow bridge appeared and Eostre came, clothed in her red robe of vibrant sunlight, melting the snows. Because the creature was wounded beyond repair, Eostre changed it into a snow hare, who then brought gifts of rainbow eggs. Hares and rainbows are sacred to her, as is the full moon, since the ancients saw the image of a hare in its markings. CONTEMPLATION Sometimes, old forms must be surrendered gracefully in order for life to be reborn in new and higher forms.
Julie Loar (Goddesses for Every Day: Exploring the Wisdom and Power of the Divine Feminine around the World)
Do you believe in God, Aunt Elner?” “Sure I do, honey, why?” “How old were you when you started believing, do you remember?” Aunt Elner paused for a moment. “I never thought about not believing. Never did question it. I guess believing is just like math: some people get it right out of the chute, and some have to struggle for it. (...) Oh, I know a lot of people struggle, wondering is there really a God. They sit and think and worry over it all their life. The good Lord had to make smart people but I don’t think he did them any favors because it seems the smart ones start questioning things from the get go. But I never did. I’m one of the lucky ones. I thank God every night, my brain is just perfect for me, not too dumb, not too bright. You know, your daddy was always asking questions.” “He was?” “I remember one day he said, ‘Aunt Elner, how do you know there is a God, how can you be sure?’ ” “What did you tell him?” “I said, ‘Well, Gene, the answer is right on the end of your fingertips.’ He said, ‘What do you mean?’ I said, ‘Well, think about it. Every single human being that was ever born from the beginning of time has a completely different set of fingerprints. Not two alike. Not a single one out of all the billions is ever repeated.’ I said, ‘Who else but God could think up all those different patterns and keep coming up with new ones year after year, not to mention all the color combinations of all the fish and birds.’ ” Dena smiled. “What did he say?” “He said, ‘Yes, but, Aunt Elner, how do you know that God’s not repeating old fingerprints from way back and reusing them on us?’ ” She laughed. “See what I mean? Yes, God is great, all right. He only made one mistake but it was a big one.” “What was that?” “Free will. That was his one big blunder. He gave us a choice whether or not to be good or bad. He made us too independent … and you can’t tell people what to do; they won’t listen. You can tell them to be good until you’re blue in the face but people don’t want to be preached at except at church, where they know what they are getting and are prepared for it.” “What’s life all about, Aunt Elner? Don’t you ever wonder what the point of the whole thing is?” “No, not really; it seems to me we only have one big decision in this life, whether to be good or bad. That’s what I came up with a long time ago. Of course, I may be wrong, but I’m not going to spend any time worrying over it, I’m just going to have a good time while I’m here. Live and let live.
Fannie Flagg (Welcome to the World, Baby Girl! (Elmwood Springs, #1))
Then I saw a new heaven and a new earth, for the first heaven and the first earth had passed away, and the sea was no more. And I saw the holy city, new Jerusalem, coming down out of heaven from God, prepared as a bride adorned for her husband. And I heard a loud voice from the throne saying, “Behold, the dwelling place of God is with man. He will dwell with them, and they will be his people, and God himself will be with them as their God. He will wipe away every tear from their eyes, and death shall be no more, neither shall there be mourning, nor crying, nor pain anymore, for the former things have passed away.” And he who was seated on the throne said, “Behold, I am making all things new.” Also he said, “Write this down, for these words are trustworthy and true.” And he said to me, “It is done! I am the Alpha and the Omega, the beginning and the end. To the thirsty I will give from the spring of the water of life without payment. The one who conquers will have this heritage, and I will be his God and he will be my son. But as for the cowardly, the faithless, the detestable, as for murderers, the sexually immoral, sorcerers, idolaters, and all liars, their portion will be in the lake that burns with fire and sulfur, which is the second death.
Anonymous (The Holy Bible: English Standard Version)
the New Earth REVELATION 21 Then I saw a new heaven and a new earth, for the first heaven and the first earth had passed away, and the sea was no more. 2And I saw the holy city, new Jerusalem, coming down out of heaven from God, prepared as a bride adorned for her husband. 3And I heard a loud voice from the throne saying, “Behold, the dwelling place [1] of God is with man. He will dwell with them, and they will be his people, [2] and God himself will be with them as their God. [3] 4He will wipe away every tear from their eyes, and death shall be no more, neither shall there be mourning, nor crying, nor pain anymore, for the former things have passed away.” 5And he who was seated on the throne said, “Behold, I am making all things new.” Also he said, “Write this down, for these words are trustworthy and true.” 6And he said to me, “It is done! I am the Alpha and the Omega, the beginning and the end. To the thirsty I will give from the spring of the water of life without payment. 7The one who conquers will have this heritage, and I will be his God and he will be my son. 8But as for the cowardly, the faithless, the detestable, as for murderers, the sexually immoral, sorcerers, idolaters, and all liars, their portion will be in the lake that burns with fire and sulfur, which is the second death.
Anonymous (The Holy Bible, English Standard Version (without Cross-References))
Outlawing drugs in order to solve drug problems is much like outlawing sex in order to win the war against AIDS. We recognize that people will continue to have sex for nonreproductive reasons despite the laws and mores. Therefore, we try to make sexual practices as safe as possible in order to minimize the spread of the AIDS viruses. In a similar way, we continually try to make our drinking water, foods, and even our pharmaceutical medicines safer. The ubiquity of chemical intoxicants in our lives is undeniable evidence of the continuing universal need for safer medicines with such applications. While use may not always be for an approved medical purpose, or prudent, or even legal, it is fulfilling the relentless drive we all have to change the way we feel, to alter our behavior and consciousness, and, yes, to intoxicate ourselves. We must recognize that intoxicants are medicines, treatments for the human condition. Then we must make them as safe and risk free and as healthy as possible. Dream with me for a moment. What would be wrong if we had perfectly safe intoxicants? I mean drugs that delivered the same effects as our most popular ones but never caused dependency, disease, dysfunction, or death. Imagine an alcohol-type substance that never caused addiction, liver disease, hangovers, impaired driving, or workplace problems. Would you care to inhale a perfumed mist that is as enjoyable as marijuana or tobacco but as harmless as clean air? How would you like a pain-killer as effective as morphine but safer than aspirin, a mood enhancer that dissolves on your tongue and is more appealing than cocaine and less harmful than caffeine, a tranquilizer less addicting than Valium and more relaxing than a martini, or a safe sleeping pill that allows you to choose to dream or not? Perhaps you would like to munch on a user friendly hallucinogen that is as brief and benign as a good movie? This is not science fiction. As described in the following pages, there are such intoxicants available right now that are far safer than the ones we currently use. If smokers can switch from tobacco cigarettes to nicotine gum, why can’t crack users chew a cocaine gum that has already been tested on animals and found to be relatively safe? Even safer substances may be just around the corner. But we must begin by recognizing that there is a legitimate place in our society for intoxication. Then we must join together in building new, perfectly safe intoxicants for a world that will be ready to discard the old ones like the junk they really are. This book is your guide to that future. It is a field guide to that silent spring of intoxicants and all the animals and peoples who have sipped its waters. We can no more stop the flow than we can prevent ourselves from drinking. But, by cleaning up the waters we can leave the morass that has been the endless war on drugs and step onto the shores of a healthy tomorrow. Use this book to find the way.
Ronald K. Siegel (Intoxication: The Universal Drive for Mind-Altering Substances)
Now the last age by Cumae's Sibyl sung has come and gone, and the majestic roll of circling centuries begins anew: justice returns, returns old Saturn's reign, with a new breed of men sent down from heaven. Only do thou, at the boy's birth in whom the iron shall cease, the golden race arise, befriend him, chaste Lucina; 'tis thine own apollo reigns. And in thy consulate, this glorious age, O Pollio, shall begin, and the months enter on their mighty march. Under thy guidance, whatso tracks remain of our old wickedness, once done away, shall free the earth from never-ceasing fear. He shall receive the life of gods, and see heroes with gods commingling, and himself be seen of them, and with his father's worth reign o'er a world at peace. For thee, O boy, first shall the earth, untilled, pour freely forth her childish gifts, the gadding ivy-spray with foxglove and Egyptian bean-flower mixed, and laughing-eyed acanthus. Of themselves, untended, will the she-goats then bring home their udders swollen with milk, while flocks afield shall of the monstrous lion have no fear. Thy very cradle shall pour forth for thee caressing flowers. The serpent too shall die, die shall the treacherous poison-plant, and far and wide Assyrian spices spring. But soon as thou hast skill to read of heroes' fame, and of thy father's deeds, and inly learn what virtue is, the plain by slow degrees with waving corn-crops shall to golden grow, fom the wild briar shall hang the blushing grape, and stubborn oaks sweat honey-dew. Nathless yet shall there lurk within of ancient wrong some traces, bidding tempt the deep with ships, gird towns with walls, with furrows cleave the earth. Therewith a second Tiphys shall there be, her hero-freight a second Argo bear; new wars too shall arise, and once again some great Achilles to some Troy be sent.
Virgil (The Eclogues)
Now the last age by Cumae's Sibyl sung has come and gone, and the majestic roll of circling centuries begins anew: justice returns, returns old Saturn's reign, with a new breed of men sent down from heaven. Inly do thou, at the boy's birth in whom the iron shall cease, the golden race arise, befriend him, chaste Lucina; 'tis thine own apollo reigns. And in thy consulate, this glorious age, O Pollio, shall begin, and the months enter on their mighty march. Under thy guidance, whatso tracks remain of our old wickedness, once done away, shall free the earth from never-ceasing fear. He shall receive the life of gods, and see heroes with gods commingling, and himself be seen of them, and with his father's worth reign o'er a world at peace. For thee, O boy, first shall the earth, untilled, pour freely forth her childish gifts, the gadding ivy-spray with foxglove and Egyptian bean-flower mixed, and laughing-eyed acanthus. Of themselves, untended, will the she-goats then bring home their udders swollen with milk, while flocks afield shall of the monstrous lion have no fear. Thy very cradle shall pour forth for thee caressing flowers. The serpent too shall die, die shall the treacherous poison-plant, and far and wide Assyrian spices spring. But soon as thou hast skill to read of heroes' fame, and of thy father's deeds, and inly learn what virtue is, the plain by slow degrees with waving corn-crops shall to golden grow, fom the wild briar shall hang the blushing grape, and stubborn oaks sweat honey-dew. Nathless yet shall there lurk within of ancient wrong some traces, bidding tempt the deep with ships, gird towns with walls, with furrows cleave the earth. Therewith a second Tiphys shall there be, her hero-freight a second Argo bear; new wars too shall arise, and once again some great Achilles to some Troy be sent.
Virgil (The Eclogues)
One of the extraordinary things about life is the sort of places it’s prepared to put up with living. Anywhere it can get some kind of a grip, whether it’s the intoxicating seas of Santraginus V, where the fish never seem to care whatever the heck kind of direction they swim in, the fire storms of Frastra, where, they say, life begins at 40,000 degrees, or just burrowing around in the lower intestine of a rat for the sheer unadulterated hell of it, life will always find a way of hanging on in somewhere. It will even live in New York, though it’s hard to know why. In the wintertime the temperature falls well below the legal minimum, or rather it would do if anybody had the common sense to set a legal minimum. The last time anybody made a list of the top hundred character attributes of New Yorkers, common sense snuck in at number 79. In the summer it’s too darn hot. It’s one thing to be the sort of life form that thrives on heat and finds, as the Frastrans do, that the temperature range between 40,000 and 40,004 is very equable, but it’s quite another to be the sort of animal that has to wrap itself up in lots of other animals at one point in your planet’s orbit, and then find, half an orbit later, that your skin’s bubbling. Spring is overrated. A lot of the inhabitants of New York will honk on mightily about the pleasures of spring, but if they actually knew the first thing about the pleasures of spring they would know of at least 5,983 better places to spend it than New York, and that’s just on the same latitude. Fall, though, is the worst. Few things are worse than fall in New York. Some of the things that live in the lower intestines of rats would disagree, but most of the things that live in the lower intestines of rats are highly disagreeable anyway, so their opinion can and should be discounted. When it’s fall in New York, the air smells as if someone’s been frying goats in it, and if you are keen to breathe, the best plan is to open a window and stick your head in a building.
Douglas Adams (The Ultimate Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide to the Galaxy #1-5))
What was the battle? What were the aims of the romantics? Why was the subject the focus of such violent interest? Hugo and his generation were all ‘enfants du siècle’, all, give or take a year or two, born with the century. Brought up amidst the dramas of Napoleon’s wars, they had reached manhood to the anticlimax of peace and Bourbon rule. Restless and dissatisfied, their dreams of military glory frustrated, they had turned them- selves instead towards the liberation of the arts, their foes no longer the armies of Europe but the tyrannies of classical tradition. For thirty years, while the nation’s energies had been absorbed in politics and war, the arts had virtually stood still in France, frozen, through lack of challenge, in the classical attitudes of the old régime. The violent emotions and experiences of the Napoleonic era had done much to render them meaningless. ‘Since the cam- paign in Russia,’ said a former officer to Stendhal, ‘Iphigénie en Aulide no longer seems such a good play.’ By the 1820s while the academic establishment, hiding its own sterility behind the great names of the past, continued to denounce all change, the ice of clas- sicism was beginning to crack. New influences were crowding in from abroad: Chateaubriand, the ‘enchanter’, had cast his spell on the rising generation; the po- etry of Lamartine, Hugo and Vigny heralded the spring. An old society lay in ruins; the tremendous forces which had overturned it were sweeping at last through the realms of art and literature, their momentum all the greater for having been so long delayed. Nor, despite the seeming stability of the Restoration, had the political impetus of earlier years been spent. In the aftermath of the Empire exhaustion had brought a temporary longing for repose. Now, to the excitement of creative ferment was added a hidden dimension: a growing undercurrent of political dissent, as yet unexpressed for fear of reprisal. The romantic rebellion, with its claims for freedom in the arts, cloaked the political revolution once more preparing in the shadows.
Linda Kelly (The young romantics: Victor Hugo, Sainte-Beuve, Vigny, Dumas, Musset, and George Sand and their friendships, feuds, and loves in the French romantic revolution)
It is easy for the student to feel that with all his labour he is collecting only a few leaves, many of them now torn or decayed, from the countless foliage of the Tree of Tales, with which the Forest of Days is carpeted. It seems vain to add to the litter. Who can design a new leaf? The patterns from bud to unfolding, and the colours from spring to autumn were all discovered by men long ago. But that is not true. The seed of the tree can be replanted in almost any soil, even in one so smoke-ridden (as Lang said) as that of England. Spring is, of course, not really less beautiful because we have seen or heard of other like events: like events, never from world's beginning to world's end the same event. Each leaf, of oak and ash and thorn, is a unique embodiment of the pattern, and for some this very year may be the embodiment, the first ever seen and recognized, though oaks have put forth leaves for countless generations of men. We do not, or need not, despair of drawing because all lines must be either curved or straight, nor of painting because there are only three 'primary' colours. We may indeed be older now, in so far as we are heirs in enjoyment or in practice of many generations of ancestors in the arts. In this inheritance of wealth there may be a danger of boredom or of anxiety to be original, and that may lead to a distaste for fine drawing, delicate pattern, and 'pretty' colours, or else to mere manipulation and over-elaboration of old material, clever and heartless. But the true road of escape from such weariness is not to be found in the willfully awkward, clumsy, or misshapen, not in making all things dark or unremittingly violent; nor in the mixing of colours on through subtlety to drabness, and the fantastical complication of shapes to the point of silliness and on towards delirium. Before we reach such states we need recovery. We should look at green again, and be startled anew (but not blinded) by blue and yellow and red. We should meet the centaur and the dragon, and then perhaps suddenly behold, like the ancient shepherds, sheep, and dogs, and horses – and wolves. This recovery fairy-stories help us to make. In that sense only a taste for them may make us, or keep us, childish.
J.R.R. Tolkien (The Monsters and the Critics and Other Essays)
Now the last age by Cumae's Sibyl sung has come and gone, and the majestic roll of circling centuries begins anew: justice returns, returns old Saturn's reign, with a new breed of men sent down from heaven. Only do thou, at the boy's birth in whom the iron shall cease, the golden race arise, befriend him, chaste Lucina; 'tis thine own apollo reigns. And in thy consulate, this glorious age, O Pollio, shall begin, and the months enter on their mighty march. Under thy guidance, whatso tracks remain of our old wickedness, once done away, shall free the earth from never-ceasing fear. He shall receive the life of gods, and see heroes with gods commingling, and himself be seen of them, and with his father's worth reign o'er a world at peace. For thee, O boy, first shall the earth, untilled, pour freely forth her childish gifts, the gadding ivy-spray with foxglove and Egyptian bean-flower mixed, and laughing-eyed acanthus. Of themselves, untended, will the she-goats then bring home their udders swollen with milk, while flocks afield shall of the monstrous lion have no fear. Thy very cradle shall pour forth for thee caressing flowers. The serpent too shall die, die shall the treacherous poison-plant, and far and wide Assyrian spices spring. But soon as thou hast skill to read of heroes' fame, and of thy father's deeds, and inly learn what virtue is, the plain by slow degrees with waving corn-crops shall to golden grow, fom the wild briar shall hang the blushing grape, and stubborn oaks sweat honey-dew. Nathless yet shall there lurk within of ancient wrong some traces, bidding tempt the deep with ships, gird towns with walls, with furrows cleave the earth. Therewith a second Tiphys shall there be, her hero-freight a second Argo bear; new wars too shall arise, and once again some great Achilles to some Troy be sent. Then, when the mellowing years have made thee man, no more shall mariner sail, nor pine-tree bark ply traffic on the sea, but every land shall all things bear alike: the glebe no more shall feel the harrow's grip, nor vine the hook; the sturdy ploughman shall loose yoke from steer, nor wool with varying colours learn to lie; but in the meadows shall the ram himself, now with soft flush of purple, now with tint of yellow saffron, teach his fleece to shine.
Virgil (The Eclogues)
Now the last age by Cumae's Sibyl sung has come and gone, and the majestic roll of circling centuries begins anew: justice returns, returns old Saturn's reign, with a new breed of men sent down from heaven. Only do thou, at the boy's birth in whom the iron shall cease, the golden race arise, befriend him, chaste Lucina; 'tis thine own apollo reigns. And in thy consulate, this glorious age, O Pollio, shall begin, and the months enter on their mighty march. Under thy guidance, whatso tracks remain of our old wickedness, once done away, shall free the earth from never-ceasing fear. He shall receive the life of gods, and see heroes with gods commingling, and himself be seen of them, and with his father's worth reign o'er a world at peace. For thee, O boy, first shall the earth, untilled, pour freely forth her childish gifts, the gadding ivy-spray with foxglove and Egyptian bean-flower mixed, and laughing-eyed acanthus. Of themselves, untended, will the she-goats then bring home their udders swollen with milk, while flocks afield shall of the monstrous lion have no fear. Thy very cradle shall pour forth for thee caressing flowers. The serpent too shall die, die shall the treacherous poison-plant, and far and wide Assyrian spices spring. But soon as thou hast skill to read of heroes' fame, and of thy father's deeds, and inly learn what virtue is, the plain by slow degrees with waving corn-crops shall to golden grow, fom the wild briar shall hang the blushing grape, and stubborn oaks sweat honey-dew. Nathless yet shall there lurk within of ancient wrong some traces, bidding tempt the deep with ships, gird towns with walls, with furrows cleave the earth. Therewith a second Tiphys shall there be, her hero-freight a second Argo bear; new wars too shall arise, and once again some great Achilles to some Troy be sent. Then, when the mellowing years have made thee man, no more shall mariner sail, nor pine-tree bark ply traffic on the sea, but every land shall all things bear alike: the glebe no more shall feel the harrow's grip, nor vine the hook; the sturdy ploughman shall loose yoke from steer, nor wool with varying colours learn to lie; but in the meadows shall the ram himself, now with soft flush of purple, now with tint of yellow saffron, teach his fleece to shine. While clothed in natural scarlet graze the lambs.
Virgil (The Eclogues)
Space is cold and stiff, but Time is alive. Space divides, but Time brings everything to everything else. It does not course outside of you and you do not swim upon it like a drifting log. Time flows through you: you yourself are in flow. You are the river. Are you grieving? Trust Time: soon you will be laughing. Are you laughing? You cannot hold fast your laughing, for soon you will be weeping. You are blown from mood to mood, from one state to another, from waking to sleeping and from sleeping again to waking. You cannot go on wandering for long. You come to a halt, you are tired, you are hungry, you must sit down, you eat, you stand again, you begin anew to wander. You suffer: from the distance unattainable, you glimpse the Deed which you long. But the stream is constantly moving you and one morning the hour of action has arrived. You are a child, and never (so you think) will you escape the helplessness of childhood, which locks you into four windowless walls. But look: your wall itself movable and yielding, and your whole being becomes re-fashioned into a youth. From within yourself there rise hidden springs that leap up to yourself. Posibilities open up before you like flowers, and one day the world has grown all around you. Softly, Time transports you from one curve to another. New vistas and horizons unfold at your side as you pass by. You begin to love the change: you've discovered an extraordinary adventure is afoot. You sense a direction, you feel a new impulse, you can smell the sea. And you see that what changes in you changes also in everything around you. Every point you hurriedly pass by is itself in movement. Every point is being whirled in some direction: its own long history is following its course: but each point knows the ending of its history no more than you know that of yours. You glance up to heaven, Sublime is the rotation of its suns, but these are each heavily laden with their planetary systems as with grapes, and they dash away from one another into already-prepared distances and unfathomable spaces. You smash atoms and they swarm about in more confusion that if you had stamped your foot on an anthill. You seek a mainstay and a temperament law in the temperate mid-region of our earth, but here, too, there is nothing but constant event changing history, and no one can forecast for you even next week's clouds.
Hans Urs von Balthasar
Would that the structure brave, the manifold music I build, Bidding my organ obey, calling its keys to their work, Claiming each slave of the sound, at a touch, as when Solomon willed Armies of angels that soar, legions of demons that lurk, Man, brute, reptile, fly,—alien of end and of aim, Adverse, each from the other heaven-high, hell-deep removed,— Should rush into sight at once as he named the ineffable Name, And pile him a palace straight, to pleasure the princess he loved! Would it might tarry like his, the beautiful building of mine, This which my keys in a crowd pressed and importuned to raise! Ah, one and all, how they helped, would dispart now and now combine, Zealous to hasten the work, heighten their master his praise! And one would bury his brow with a blind plunge down to hell, Burrow awhile and build, broad on the roots of things, Then up again swim into sight, having based me my palace well, Founded it, fearless of flame, flat on the nether springs. And another would mount and march, like the excellent minion he was, Ay, another and yet another, one crowd but with many a crest, Raising my rampired walls of gold as transparent as glass, Eager to do and die, yield each his place to the rest: For higher still and higher (as a runner tips with fire, When a great illumination surprises a festal night— Outlining round and round Rome's dome from space to spire) Up, the pinnacled glory reached, and the pride of my soul was in sight. In sight? Not half! for it seemed, it was certain, to match man's birth, Nature in turn conceived, obeying an impulse as I; And the emulous heaven yearned down, made effort to reach the earth, As the earth had done her best, in my passion, to scale the sky: Novel splendours burst forth, grew familiar and dwelt with mine, Not a point nor peak but found and fixed its wandering star; Meteor-moons, balls of blaze: and they did not pale nor pine, For earth had attained to heaven, there was no more near nor far. Nay more; for there wanted not who walked in the glare and glow, Presences plain in the place; or, fresh from the Protoplast, Furnished for ages to come, when a kindlier wind should blow, Lured now to begin and live, in a house to their liking at last; Or else the wonderful Dead who have passed through the body and gone, But were back once more to breathe in an old world worth their new: What never had been, was now; what was, as it shall be anon;
Robert Browning
Know Your Father’s Heart Today’s Scripture Herein is love, not that we loved God, but that he loved us, and sent his Son to be the propitiation for our sins. 1 JOHN 4:10 KJV Today, I want you to reread the parable of the father of the prodigal son (Luke 15:11–32). As you read, keep in mind that this son utterly rejected and completely humiliated and dishonored his father, then only returned home when he remembered that even his father’s hired servants had more food than he did! It was not the son’s love for his father that made him journey home; it was his stomach. In his own self-absorbed pride, he wanted to earn his own keep as a hired servant rather than to receive his father’s provision by grace or unmerited favor. God wants us to know that even when our motivations are wrong, even when we have a hidden (usually self-centered) agenda and our intentions are not completely pure, He still runs to us in our time of need and showers His unmerited, undeserved, and unearned favor upon us. Oh, how unsearchable are the depths of His love and grace toward us! It will never be about our love for God. It will always be about His magnificent love for us. The Bible makes this clear: “Herein is love, not that we loved God, but that he loved us, and sent his Son to be the propitiation for our sins” (1 John 4:10 KJV). Some people think that fellowship with God can only be restored when you are perfectly contrite and have perfectly confessed all your sins. Yet we see in this parable that it was the father who was the initiator, it was the father who had missed his son, who was already looking out for him, and who had already forgiven him. Before the son could utter a single word of his rehearsed apology, the father had already run to him, embraced him, and welcomed him home. Can you see how it’s all about our Father’s heart of grace, forgiveness, and love? Our Father God swallows up all our imperfections, and true repentance comes because of His goodness. Do I say “sorry” to God and confess my sins when I have fallen short and failed? Of course I do. But I do it not to be forgiven because I know that I am already forgiven through Jesus’ finished work. The confession is out of the overflow of my heart because I have experienced His goodness and grace and because I know that as His son, I am forever righteous through Jesus’ blood. It springs from being righteousness-conscious, not sin-conscious; from being forgiveness-conscious, not judgment-conscious. There is a massive difference. If you understand this and begin practicing this, you will begin experiencing new dimensions in your love walk with the Father. You will realize that your Daddy God is all about relationship and not religious protocol. He just loves being with you. Under grace, He doesn’t demand perfection from you; He supplies perfection to you through the finished work of His Son, Jesus Christ. So no matter how many mistakes you have made, don’t be afraid of Him. He loves you. Your Father is running toward you to embrace you! Today’s Thought My Father God runs to me in my time of need and showers His unmerited, undeserved, and unearned favor upon me. Today’s Prayer Father, thank You that I can experience Your love even when I have failed. No matter how many mistakes I may have made, I don’t have to be afraid to come to You. I am still Your beloved child, and I always have fellowship with You because of the finished work of Jesus. I thank You that You don’t demand perfection from me, but You supply perfection to me through the cross. It blesses my heart to know that You just love being with me. Thank You for running to embrace me. Amen.
Joseph Prince (100 Days of Right Believing: Daily Readings from The Power of Right Believing)
At the end of the lane Elizabeth put down her side of the trunk and sank down wearily beside Lucinda upon its hard top, emotionally exhausted. A wayward chuckle bubbled up inside her, brought on by exhaustion, fright, defeat, and the last remnants of triumph over having gotten just a little of her own back from the man who’d ruined her life. The only possible explanation for Ian Thornton’s behavior today was that he was a complete madman. With a shake of her head Elizabeth made herself stop thinking of him. At the moment she had so many new worries she hardly knew how to begin to cope. She glanced sideways at her stalwart duenna, and an amused smile touched her lips as she recalled Lucinda’s actions at the cottage. On the one hand, Lucinda rejected all emotional displays as totally unseemly-yet at the same time she herself was possessed of the most formidable temper Elizabeth had ever witnessed. It was as if Lucinda did not regard her own outbursts of ire as emotional. Without the slightest hesitation or regret Lucinda could verbally flay a wrongdoer into small, bite-sized pieces and then mentally stamp him into the ground and grind him beneath the heel of her sturdy shoe. On the other hand, were Elizabeth to exhibit the smallest bit of fear right now over their daunting predicament, Lucinda would instantly stiffen up with disapproval and deliver one of her sharp reprimands. Cognizant of that, Elizabeth glanced worriedly at the sky, where black clouds were rolling in, heralding a storm; but when she spoke she sounded deliberately and absurdly bland. “I believe it’s starting to rain, Lucinda,” she remarked while cold drizzle began to slap the leaves of the tree over their heads. “So it would seem,” said Lucinda. She opened her umbrella with a smart snap, holding it over them both. “It’s fortunate you have your umbrella.” “We aren’t likely to drown from a little rain.” “I shouldn’t think so.” Elizabeth drew a steadying breath, looking around at the harsh Scottish cliffs. In the tone of one asking someone’s opinion on a rhetorical question, Elizabeth said, “Do you suppose there are wolves out here?” “I believe,” Lucinda replied, “they probably constitute a larger threat to our health at present than the rain.” The sun was setting, and the early spring air had a sharp bite in it; Elizabeth was almost positive they’d be freezing by nightfall. “It’s a bit chilly.” “Rather.” “We have warmer clothes in the trunks, though.” “I daresay we won’t be too uncomfortable, in that case.” Elizabeth’s wayward sense of humor chose that unlikely moment to assert itself. “No, we shall be snug as can be while the wolves gather around us.” “Quite.” Hysteria, hunger, and exhaustion-combined with Lucinda’s unswerving calm and her earlier unprecedented entry into the cottage with umbrella flailing-were making Elizabeth almost giddy. “Of course, if the wolves realize how hungry we are, there’s every change they’ll give us a wide berth.” “A cheering possibility.” “We’ll build a fire,” Elizabeth said, her lips twitching. “That will keep them at bay, I believe.” When Lucinda remained silent for several moments, occupied with her own thoughts, Elizabeth confided with an odd surge of happiness. “Do you know something, Lucinda? I don’t think I would have missed today for anything.” Lucinda’s thin gray brows shot up, and she cast a dubious sideways glance at Elizabeth. “I realize that must sound extremely peculiar, but can you imagine how absolutely exhilarating it was to have that man at the point of a gun for just a few minutes? Do you find that-odd?” Elizabeth asked when Lucinda stared straight ahead in angry, thoughtful silence. “What I find off,” she said in a tone of frosty disapproval mingled with surprise, “is that you evoke such animosity in that man.” “I think he’s quite demented.” “I would have said embittered.” “About what?” “That is an interesting question.
Judith McNaught (Almost Heaven (Sequels, #3))
Have patience . . . It is difficult to get people to understand that the ideal doesn't exist, that personal equilibrium and the harmony they dream of comes only after years and years of struggle, and even then only as flashes of grace and peace. Loving is not only a voluntary act which involves controlling and overcoming our own sensibilities - that is just the beginning. It also demands a purified heart and feelings which go out spontaneously to the other. These deep purifications can only come through a gift of God, a grace which springs from the deepest part of ourselves, where the Holy Spirit lives. "I will give them a new heart, and put a new spirit within them; I will take the stony heart out of their flesh, and give them a heart of flesh" (Ezekiel 11:19).
Jean Vanier (Community and Growth)
You can borrow my Blackbird, if you like,' said Ben. This was his new fountain pen, which troubled him. It was guaranteed not to leak, but writers and schoolchildren knew better. Ben wished to be relieved of the responsibility of the Blackbird, without losing his own dignity.
Penelope Fitzgerald (The Beginning of Spring)
With the coming of spring they would start back to the highlands, their flocks heavy with fat and wool; the caravans loaded with food and provisions purchased out of the proceeds from work and trading; men, women, and children displaying bits of finery they had picked up in the plains. This way of life had endured for centuries, but it would not last forever. It constituted defiance to certain concepts, which the world was beginning to associate with civilization itself. Concepts such as statehood, citizenship, undivided loyalty to one state, settled life as opposed to nomadic life, and the writ of the state as opposed to tribal discipline. The pressures were inexorable. One set of values, one way of life, had to die. In this clash, the state, as always, proved stronger than the individual. The new way of life triumphed over the old. The clash came about first in Soviet Russia. After a few years, the nomad died in both China and Iran.
Anonymous
Passover enables us to pause and observe His death in preparation for Easter Sunday. Good Friday and Easter – or Resurrection Sunday – is the crux of our Christian faith and heritage. However, over time this season has been downgraded in our culture to a “Happy Spring,” “Easter Bunny,” and candy-egg sort of event. While the church still emphasizes Easter (hopefully), Americans in general have lost sight of its true meaning. While these other practices may be harmless, they distract from the very reason for the Easter celebration, which is the bodily resurrection of our Savior, Jesus Christ, the Son of God. It is time to recapture the wonder and rich tradition of this season, beginning with Passover, a purposeful meal around the dinner table.
Melanie Leach (Passover for Christians: Creating a NEW Easter Tradition)
When We Want God to Breathe New Life into Our Marriage Do not remember the former things, nor consider the things of old. Behold, I will do a new thing, now it shall spring forth; shall you not know it? I will even make a road in the wilderness and rivers in the desert. ISAIAH 43:18-19 WE ALL HAVE TIMES when we know we need new life in our marriage. We feel the strain, the tension, the sameness, or possibly even the subtle decay in it. When there is so much water under the bridge over what seems like a river of hurt, apathy, or preoccupation, we know we cannot survive the slowly and steadily rising flood without the Lord doing a new thing in both of us. The good news is that God says He will do that. He is the God of new beginnings, after all. But it won’t happen if we don’t make a choice to let go of the past. We have been made new if we have received Jesus. “If anyone is in Christ, he is a new creation; old things have passed away; behold, all things have become new” (2 Corinthians 5:17). But in a marriage, it is way too easy to hang on to the old disappointments, misunderstandings, disagreements, and abuses. It becomes a wilderness of hurtful memories we cling to because we don’t want to be hurt, disappointed, misunderstood, disregarded, fought with, or abused again. Hanging on to old patterns of thought and negative memories keeps them fresh in your mind. And you don’t let your husband forget them, either. You remain mired in them because you don’t feel the situation has been resolved—and it still hurts. Only God can give you and your husband a new beginning from all that has gone on in the past. Only He can make a road in the wilderness of miscommunication and misread intentions, and make a cleansing and restoring river to flow in the dry areas of your relationship. Everyone needs new life in their marriage at certain times. And only the God of renewal can accomplish that. My Prayer to God LORD, I ask that You would do a fresh work of Your Spirit in our marriage. Make all things new in each of us individually and also together. Dissolve the pain of the past where it is still rising up in us to stifle our communication and ultimately our hope and joy. Wherever we have felt trapped in a wilderness of our own making, carve a way out of it for us and show us the path to follow. If there are rigid and dry areas between us that don’t allow for new growth, give us a fresh flow of Your Spirit to bring new vitality into our relationship. Help us to stop rehearsing old hurtful conversations that have no place in any life committed to the God of new beginnings. Sweep away all the old rubble of selfishness, stubbornness, blindness, and the inability to see beyond the moment or a particular situation. Only You can take away our painful memories so that we don’t keep reliving the same problems, hurts, or injustices. Only You can resurrect love, excitement, and hope where they have died. Help us to forgive fully and allow each other to completely forget. Help us to focus on Your greatness in us, instead of each other’s faults. Holy Spirit, breathe new life into each of us and into our marriage today.
Stormie Omartian (The Power of a Praying Wife Devotional)
4/20, CANNABIS DAY, APRIL 20 420 FARMERS’ MARKET RISOTTO Recipe from Chef Herb Celebrate the bounty of a new growing season with a dish that’s perfectly in season on April 20. Better known as 4/20, the once unremarkable date has slowly evolved into a new high holiday, set aside by stoners of all stripes to celebrate the herb among like-minded friends. The celebration’s origins are humble in nature: It was simply the time of day when four friends (dubbed “The Waldos”) met to share a joint each day in San Rafael, California. Little did they know that they were beginning a new ceremony that would unite potheads worldwide! Every day at 4:20 p.m., you can light up a joint in solidarity with other pot-lovers in your time zone. It’s a tradition that has caught on, and today, there are huge 4/20 parties and festivals in many cities, including famous gatherings of students in Boulder and Santa Cruz. An Italian rice stew, risotto is dense, rich, and intensely satisfying—perfect cannabis comfort cuisine. This risotto uses the freshest spring ingredients for a variation in texture and bright colors that stimulate the senses. Visit your local farmers’ market around April 20, when the bounty of tender new vegetables is beginning to be harvested after the long, dreary winter. As for tracking down the secret ingredient, you’ll have to find another kind of farmer entirely. STONES 4 4 tablespoons THC olive oil (see recipe) 1 medium leek, white part only, cleaned and finely chopped ½ cup sliced mushrooms 1 small carrot, grated ½ cup sugar snap peas, ends trimmed ½ cup asparagus spears, woody ends removed, cut into 1-inch-long pieces Freshly ground pepper 3½ cups low-sodium chicken broth ¼ cup California dry white wine Olive oil cooking spray 1 cup arborio rice 1 tablespoon minced fresh flat-leaf parsley ¼ cup freshly grated Parmesan cheese Salt 1. In a nonstick skillet, heat 2 tablespoons of the THC olive oil over medium-low heat. Add leek and sauté until wilted, about 5 minutes. Stir in mushrooms and continue to cook, stirring, for 2 minutes. Add carrot, sugar snap peas, and asparagus. Continue to cook, stirring, for another minute. Remove from heat, season with pepper, and set aside. 2. In a medium saucepan over high heat, bring broth and wine to a boil. Reduce heat and keep broth mixture at a slow simmer. 3. In a large pot that has been lightly coated with cooking spray, heat the remaining 2 tablespoons THC olive oil over medium heat. Add rice and stir well until all the grains of rice are coated. Pour in ½ cup of the hot broth and stir, using a wooden spoon, until all liquid is absorbed. Continue adding the broth ½ cup at a time, making sure the rice has absorbed the broth before adding more, reserving ¼ cup of broth for the vegetables. 4. Combine ¼ cup of the broth with the reserved vegetables. Once all broth has been added to the risotto and absorbed, add the vegetable mixture and continue to cook over low heat for 2 minutes. Rice should have a very creamy consistency. Remove from heat and stir in parsley, Parmesan, and salt to taste. Stir well to combine.
Elise McDonough (The Official High Times Cannabis Cookbook: More Than 50 Irresistible Recipes That Will Get You High)
Former and future nerdistocracy slowly, and to look at them you’d think reluctantly, filtering back out into the street, into the long September which has been with them in a virtual way since spring before last, continuing only to deepen. Putting their street faces back on for it. Faces already under silent assault, as if by something ahead, some Y2K of the workweek that no one is quite imagining, the crowds drifting slowly out into the little legendary streets, the highs beginning to dissipate, out into the casting-off of veils before the luminosities of dawn, a sea of T-shirts nobody’s reading, a clamor of messages nobody’s getting, as if it’s the true text history of nights in the Alley, outcries to be attended to and not be lost, the 3:00 am kozmo deliveries to code sessions and all-night shredding parties, the bedfellows who came and went, the bands in the clubs, the songs whose hooks still wait to ambush an idle hour, the day jobs with meetings about meetings and bosses without clue, the unreal strings of zeros, the business models changing one minute to the next, the start-up parties every night of the week and more on Thursdays than you could keep track of, which of these faces so claimed by the time, the epoch whose end they’ve been celebrating all night—which of them can see ahead, among the microclimates of binary, tracking earthwide everywhere through dark fiber and twisted pairs and nowadays wirelessly through spaces public and private, anywhere among cybersweatshop needles flashing and never still, in that unquiet vastly stitched and unstitched tapestry they have all at some time sat growing crippled in the service of—to the shape of the day imminent, a procedure waiting execution, about to be revealed, a search result with no instructions on how to look for it?
Thomas Pynchon (Bleeding Edge)
My body has a mind of its own. Apparently it thinks that “new year” is synonymous with “exercise program,” and has been attempting to coerce me into one. Right. Like shifting from one side of the couch to the other isn’t work. “Hey! What about ME?” it asked. “Hello! Down here! The attachment to your neck that is beginning to resemble a marshmallow? Remember? When are we going to join a gym? A girl your age has a lot more than just a reputation to uphold, you know - your butt springs to mind! So when’s it going to be? Huh? Huh?” “Hmmm,” I answered thoughtfully. “How about never? Is never good for you?” “Yeah, ya big coward. That’s the thanks I get for silently squeezing into those jeans all these months? I knew you were a weenie.” “I have a black belt, I’ll have you know!” I retorted. “You might want to show a little respect! There was a day when the only ripples on my body were the ones defining my abdomen!” “‘Ooh, look at me, I’m a martial artist!’ Well, Jean-Claude Van Flab, let’s invite reality in for some tea, shall we? That day was FOUR YEARS AGO. Those laurels you’re resting on are becoming a little more than figurative. People are gonna start calling you ‘Baggie’!” “My, but you’ve gotten cocky in your old age,” I responded, “considering I’M STILL THE BOSS. I own you. You’re mine.” “Gee, boss, I hate to shatter your delusions of adequacy,” it shot back, “but your employee is revolting - and you can take THAT any way you want.” I looked down and sighed. It had a point.
Maggie Lamond Simone (From Beer to Maternity)
Bronson finally wandered off. Trevor handed me a Sprite and sat on the ottoman next to my chair. “Are you having a good time?” he asked, gulping down his own drink.  I couldn’t tell what he was drinking since the glass was opaque, but I hoped he was keeping his word that his partying days were behind him. I sipped at my soda. “It's okay. I don't really know anybody though.” “It's getting close to midnight. Do you want to get out of here?” Relieved he had made the suggestion, I smiled. “Yes, please.”  He took my hand as we walked out to his car. “Where should we go?” I asked as I put on my seatbelt. “I know just the place.” He grinned as he started the engine. We drove for a while and when we stopped we were overlooking the valley. Even though it was cold outside, the view was spectacular.  Trevor left the car running so we could stay warm. Even so, I cuddled up to him. He gazed at me, the black of his pupils enlarged in his blue eyes. “It's midnight, Lily.” His voice was husky as he reached out and cradled my face in his hands. I closed my eyes, ready to accept his kiss. He pressed his lips against mine, gently at first, then more urgently. “I don't think I can wait four more weeks,” he groaned. “We're practically married now. Do we really need to wait?” I pulled back. “But we’re not actually married.” He stared at me in the dim moonlight. “You’re one stubborn girl.” Wanting to change the subject, I groped around in my mind for something else to talk about. The messages I'd received popped into my head and they wouldn't leave. “Trevor, I got a weird e-mail the other day.” “Oh, yeah?” He said without much enthusiasm.  “Yes. They were about you.” That got his attention. He sat up straighter. “Who sent them?” “I don't know,” I said. “Okay. What did they say?” “Basically, they told me not to marry you.”  “What?” He shifted in his seat to face me more squarely.  “That's right. This time I sent an e-mail back, though,” I smiled, proud I had taken some sort of action. “And did you get a response?” “Not yet.” His hand shot out and grabbed me by the arm. “Tell me if you do. Will you promise me?” Startled by his response, I said, “Okay, if that's what you want.” He let go of my arm and I rubbed it where he had squeezed.  “It's getting late. I'd better get you home.” Trevor put the car in gear and we drove toward my apartment. His sudden change in attitude concerned me. What did he know that he wasn’t telling me? The spring semester started a few days later. I was excited to begin my new classes and went eagerly to my first one. It was a required Humanities course. I was surprised to find Justin sitting in the classroom. There was an empty seat beside him and I pulled it out and sat down. “What are you doing in this class?” I said. “Oh, hey, Lily. How's it going?” His smile was warm and friendly. “Great. How about you? I hear you and Pamela are getting serious.”  “Yeah, but not as serious as you, I hear.”  I noticed he seemed very pleased to hear about my own engagement and was surprised. I guess he's over me, I thought. That's good, I suppose. “Yes. Three and a
Christine Kersey (He Loves Me Not (Lily's Story, Book 1))
I, like a river, Have been turned aside by this harsh age. I am a substitute. My life has flowed Into another channel And I do not recognize my shores. O, how many fine sights I have missed, How many curtains have risen without me And fallen too. How many of my friends I have not met even once in my life, How many city skylines Could have drawn tears from my eyes, I who know only the one city And by touch, in my sleep, I could find it ... And how many poems I have not written, Whose secret chorus swirls around my head And possibly one day Will stifle me ... I know the beginnings and the ends of things, And life after the end, and something It isn’t necessary to remember now. And another woman has usurped The place that ought to have been mine, And bears my rightful name, Leaving me a nickname, with which I’ve done, I like to think, all that was possible. But I, alas, won’t lie in my own grave. But sometimes a madcap air in spring, Or a combination of words in a chance book Or somebody’s smile, suddenly Draws me into that non-existent life. In such a year would such have taken place, Something else in another: travelling, seeing, Thinking, remembering, entering a new love Like entering a mirror, with a dull sense Of treason, and a wrinkle that only yesterday Was absent ... But if, from that life, I could step aside, And see my life such as it is, today, Then at last I’d know what envy means ...
Anna Akhmatova
The pasture, bleached and cold two weeks ago, Begins to grow in the spring light and rain;
Wendell Berry (This Day: Collected & New Sabbath Poems)
Yeah. The earth tilts away from the sun and our part of the world freezes over, but the sun, animals, plants, they all work together during the day to persevere in the toughest of weather conditions. Spring water is one of a million examples of life always winning. Renewal. Cycles. You always have new beginnings. Like what’s going on with you.” To hear his wrestling partner,
D.H. Starr (Wrestling with Hope)
Life is progress, and stopping from progress is death. Failure does not matter in life for a progressive person, even a thousand failures do not matter. He has before his view success, and success is his even after a thousand failures. The greatest pity in life is the standstill when life does not move further. A sensible person prefers death to such a life. It is as a paralysis of the soul, of the spirit, and is always caused by holding bad impressions in mind. No soul is deprived of happiness in reality. The soul’s very being is happiness. Man brings unhappiness upon himself by holding in his hands the clouds of bad impressions, which fall as a shadow upon his soul. Once a person is able to clear from his mind, by whatever process, the undesirable impressions, a new power begins to spring from his heart, opening a way before him to accomplish all he wishes, attracting to him all he requires, clearing his path of all obstacles, and making his atmosphere clear, for him to live and move and to accomplish all he wishes to accomplish.
Hazrat Inayat Khan (The Heart of Sufism: Essential Writings of Hazrat Inayat Khan)
Gabe, I appreciate the thought, but we don’t need to go on a wedding trip.” Then, deciding the moment needed honesty, she added, “It would be awkward.” “Beginning this marriage beneath the watchful eyes of Eternity Springs is what would be awkward. The more I think about it, the more I believe this is the right thing to do. C’mon, Nicole. Let’s pick a place neither one of us has ever visited. We’ll be tourists together.” He was trying, trying hard, and Nic appreciated the effort. She decided she should do the same. Besides, the thought of discovering a new place along with Gabe had a definite appeal, as did the idea of a break from winter weather.
Emily March (Angel's Rest (Eternity Springs, #1))
Death ends all the miseries in life and springs a new beginning for those who are left behind.
Rudolf Jerome Ragay
One who is new to fasting can begin by skipping a meal during the day. From there a person can move onto juice fasting and eventually spring water fasting. People suffering
Joshua Eagle (Mind Nutrition)
On Being Human" Angelic minds, they say, by simple intelligence Behold the Forms of nature. They discern Unerringly the Archtypes, all the verities Which mortals lack or indirectly learn. Transparent in primordial truth, unvarying, Pure Earthness and right Stonehood from their clear, High eminence are seen; unveiled, the seminal Huge Principles appear. The Tree-ness of the tree they know-the meaning of Arboreal life, how from earth's salty lap The solar beam uplifts it; all the holiness Enacted by leaves' fall and rising sap; But never an angel knows the knife-edged severance Of sun from shadow where the trees begin, The blessed cool at every pore caressing us -An angel has no skin. They see the Form of Air; but mortals breathing it Drink the whole summer down into the breast. The lavish pinks, the field new-mown, the ravishing Sea-smells, the wood-fire smoke that whispers Rest. The tremor on the rippled pool of memory That from each smell in widening circles goes, The pleasure and the pang --can angels measure it? An angel has no nose. The nourishing of life, and how it flourishes On death, and why, they utterly know; but not The hill-born, earthy spring, the dark cold bilberries. The ripe peach from the southern wall still hot Full-bellied tankards foamy-topped, the delicate Half-lyric lamb, a new loaf's billowy curves, Nor porridge, nor the tingling taste of oranges. —An angel has no nerves. Far richer they! I know the senses' witchery Guards us like air, from heavens too big to see; Imminent death to man that barb'd sublimity And dazzling edge of beauty unsheathed would be. Yet here, within this tiny, charmed interior, This parlour of the brain, their Maker shares With living men some secrets in a privacy Forever ours, not theirs.
C.S. Lewis
Autumn to winter, winter to spring, Spring into summer, summer into fall— So rolls the changing year, and so we change; Motion so swift, we know not that we move. —DINAH MULOCK CRAIK Since ancient times, September has been viewed as the beginning of the new year, a time for reflection and resolution.
Sarah Ban Breathnach (Simple Abundance: A Daybook of Comfort of Joy)
I write well-fleshed out characters, and inevitably, more ideas spring from my subconscious. They all have a little bit of me in them. It’s very hard to figure out in advance how a story will unfold, but after having written so many novels, I feel more comfortable letting the ideas come up from somewhere in my own subconscious. Writing is much easier now because that sense of panic I used to experience doesn’t set in as I begin a new book.
Faye Kellerman
In the spring of 2008, the time had come to begin the process of uniting four of the local parishes into one new parish that would serve the Catholic community.
Charles Benedict (My Life In and Out: One Man’s Journey into Roman Catholic Priesthood and Out of the Closet)