“
If I shot an arrow and thought about an ass, would it surprise you if it hit Erik?
”
”
P.C. Cast (Tempted (House of Night, #6))
“
I'm her protection! I don't care if it's in this world or the next. Just show me how to get where she is, and I'll be there for her. ~Stark
”
”
P.C. Cast (Burned (House of Night, #7))
“
If I shot an arrow and thought about an ass, would it surprise you that I hit Erik?' Stark asked me in a pleasant, nonchalant voice.
”
”
P.C. Cast (Tempted (House of Night, #6))
“
I should have kissed more than your hand...thought I'd have more time," he whispered between liquid, panting breaths. "...too late now."
I looked into his eyes and completely forgot the rest of the world. In that moment, all I knew was that I was holding Stark in my arms, and I was going to lose him very, very soon.
”
”
P.C. Cast (Untamed (House of Night, #4))
“
Nerd herd, focus. You're here to help the fledglings. Dour One and Dour Two aren't important," said Aphrodite.
"Dr. Seuss reference. I like it," Stark said, giving me a check-me-out-I've-always-read-books hottie grin.
Aphrodite frowned at him.
"I said focus, not flirt.
”
”
P.C. Cast (Tempted (House of Night, #6))
“
Hey, which one of them is supposed to be your boyfriend?” Stark
asked me. Even in the terrible shape he was in, he caught my glance
with his. His voice was scratchy, and he sounded scarily weak, but
his eyes sparkled with humor.
I am!” Heath and Erik said together.
”
”
Kristin Cast (Tempted (House of Night, #6))
“
Zoey~ 'Listen to me, whinning about money and a scarf. Ah, hell! I'm starting to sound like Aphrodite.'
Stark~ 'If you turn into Aprodite I'm going to stab myself.'
Zoey~ 'If I turn into Aprodite, stab me first.'
Stark~ 'Deal.'
Zoey~ 'Deal.
”
”
P.C. Cast (Awakened (House of Night, #8))
“
Or maybe I had known him or maybe there's something that happens between some people at a level that goes beyond time measurements and what society thinks is proper. Maybe what had happened between Stark and me in those few minutes in the field house had been enough to have our souls recognize each other. Soul mates? Was that even possible?
”
”
P.C. Cast (Untamed (House of Night, #4))
“
He's waiting for yu, young queen.'
Shocked, I stared at Seoras. 'Heath?'
The Warrior's look was wise and understanding - his voice gentle. 'Aye, yur Heath probably does await you somewhere in the future, but it is of your Guardian I speak.
”
”
P.C. Cast (Awakened (House of Night, #8))
“
If I shot an arrow and thought about an ass, would it surprise you that I hit Erik?" Stark asked me in a pleasant, nonchalant voice.
"Wouldn't surprise me," Heath said.
”
”
Kristin Cast (Tempted (House of Night, #6))
“
Yeah, I got the instructions straight from Seoras. That and a bunch of smart-ass comments about my education being sadly lacking and something about not knowing my arse from my ear or my elbow, and also something about me being a fanny, and I don't know what the hell that means."
"Fanny? Like a girl's name?"
"I don't think so . . .
”
”
P.C. Cast (Awakened (House of Night, #8))
“
Darkness got you like Shelob gor Frodo, only worse.
”
”
P.C. Cast (Destined (House of Night, #9))
“
Let me guess. Stark's another guy, isn't he?
”
”
Kristin Cast (Hunted (House of Night, #5))
“
I watched you while you were sleeping and you looked completely at peace. I wish I could feel that. I wish I could close my eyes and feel at peace. But I can’t. I can’t feel anything if I’m not
with you, and even then all I can do is want something that I don’t think I can ever have, at least not now. So I left this, and my peace, with you. Stark.
”
”
P.C. Cast (Hunted (House of Night, #5))
“
Really? Well, you'd definitely be interested in the fact that I just read To Kill A Mockingbird."
I smiled and elbowed him. "Everyone's read that."
I've read it five times."
Nu-uh."
Yep. I can even quote parts of it."
That's bullpoopie."
And then Stark, my big, bad, macho Warrior raised his voice, put on a little girl's Southern drawl, and said, "'Uncle Jack? What's a whore-lady?'"
I do not think that's the most important quote from that book," I said, but laughed anyway.
Okay, how about: 'Ain't no snot-nosed slut of a schoolteacher ever born c'n make me do nothin.!' That one's really my favorite."
You got a twisted mind, James Stark.
”
”
Kristin Cast (Tempted (House of Night, #6))
“
His eyes met mine and the rest of the room faded away. ―I‘m always going to keep your heart safe, even if mine has to stop beating for that to happen,‖ he told me softly.
”
”
P.C. Cast (Tempted (House of Night, #6))
“
Darius held Stark back from launching himself at Neferet, and Duantia spoke quickly into the rising tension. 'Neferet, I think we can all agree that there are many unanswered questions about the tragedy that occured on our island today. Stark, we also understand the passion and rage you feel at the loss of your Priestess. it is a hard blow for a Warrior to-'
Duantia's wisdom was cut off by the sound of Aretha Franklin belting out the chorus from "Respect," which was coming from the little Coach purse Aphrodite had slung over her shoulder.
Oopsie, um, sorry 'bout that.' Aphrodite frantically unzipped her purse and dug for her iPhone.
”
”
P.C. Cast (Burned (House of Night, #7))
“
Stark looked strong and healthy and totally gorgeous. I was distracting myself by wondering what exactly Scottish guys did, or didn't, wear under those kilts when he turned to face me.
His smile lit up his eyes. "I can practically hear you thinking.
”
”
Kristin Cast (Awakened)
“
Since Stark had come back from the Otherworld, he'd been too weak and out of it to do much more than eat, sleep, and play computer games with Seoras, which was actually a super weird sight, it was like high school meets Braveheart meets Call of Duty.
”
”
P.C. Cast (Awakened (House of Night, #8))
“
You know about Star Trek?" came out of Stark's mouth before his brain could stop it.
Again, the warrior shrugged. "We do have the satellite.
”
”
Kristin Cast (Burned (House of Night, #7))
“
His torn lips didn't stop Stark's cocky smile. "You're my queen, and anyone who says different can fuck off.
”
”
Kristin Cast (Burned (House of Night, #7))
“
Winter is coming, warned the Stark words, and truly it had come to them with a vengeance. But it is high summer for House Lannister. So why am I so bloody cold?
”
”
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
“
Every noble house had its words. Family mottoes, touchstones, prayers of sorts, they boasted of honor and glory, promised loyalty and truth, swore faith and courage. All but the Starks. Winter is coming, said the Stark words.
”
”
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
“
Idris had been green and gold and russet in the autumn, when Clary had first been there. It had a stark grandeur in the winter: the mountains rose in the distance, capped white with snow, and the trees along the side of the road that led back to Alicante from the lake were stripped bare, their leafless branches making lace-like patterns against the bright sky.
Sometimes Jace would slow the horse to point out the manor houses of the richer Shadowhunter families, hidden from the road when the trees were full but revealed now. She felt his shoulders tense as they passed one that nearly melded with the forest around it: it had clearly been burned and rebuilt. Some of the stones still bore the black marks of smoke and fire. “The Blackthorn manor,” he said. “Which means that around this bend in the road is …” He paused as Wayfarer summited a small hill, and reined him in so they could look down to where the road split in two. One direction led back toward Alicante — Clary could see the demon towers in the distance — while the other curled down toward a large building of mellow golden stone, surrounded by a low wall. “ … the Herondale manor,” Jace finished.
The wind picked up; icy, it ruffled Jace’s hair. Clary had her hood up, but he was bare-headed and bare-handed, having said he hated wearing gloves when horseback riding. He liked to feel the reins in his hands. “Did you want to go and look at it?” she asked.
His breath came out in a white cloud. “I’m not sure.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
Certainly, the terror of a deserted house swells in geometrical rather than arithmetical progression as houses multiply to form a city of stark desolation. The sight of such endless avenues of fishy-eyed vacancy and death, and the thought of such linked infinities of black, brooding compartments given over to cob-webs and memories and the conqueror worm, start up vestigial fears and aversions that not even the stoutest philosophy can disperse.
”
”
H.P. Lovecraft (The Shadow over Innsmouth)
“
Who are you?” he would ask her every day. “No one,” she would answer, she who had been Arya of House Stark, Arya Underfoot, Arya Horseface. She had been Arry and Weasel too, and Squab and Salty, Nan the cupbearer, a grey mouse, a sheep, the ghost of Harrenhal…but not for true, not in her heart of hearts. In there she was Arya of Winterfell, the daughter of Lord Eddard Stark and Lady Catelyn, who had once had brothers named Robb and Bran and Rickon, a sister named Sansa, a direwolf called Nymeria, a half brother named Jon Snow. In there she was someone…but that was not the answer he wanted.
”
”
George R.R. Martin
“
We want a house, a car, a fancy f*cking vacation, and prestige. So what do we do? We go to school and we get jobs we hate to pay for the things we want. We deal with people we don't like and waste years of our lives sitting in stark fluorescent-lit rooms and listening to coworkers who bore us so we can pay for a small amount of precious time to enjoy what makes us happy, to achieve a fraction of our lives just feeling as if it was all worth it. We sacrifice to earn.
”
”
Penelope Douglas (Falling Away (Fall Away, #4))
“
What was he now? Only Bran the broken boy, Brandon of House Stark, prince of a lost kingdom, lord of a burned castle, heir to ruins.
”
”
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
“
Tyrion Lannister sniggered. That was when Catelyn knew he was hers. “This man came a guest into my house, and there conspired to murder my son, a boy of seven,” she proclaimed to the room at large, pointing. Ser Rodrik moved to her side, his sword in hand. “In the name of King Robert and the good lords you serve, I call upon you to seize him and help me return him to Winterfell to await the king’s justice.”
She did not know what was more satisfying: the sound of a dozen swords drawn as one or the look on Tyrion Lannister’s face.
”
”
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
“
You know about Star Trek?" came out of Stark's mouth before his brain could stop it.
Again, the warrior shrugged. "We do have satellite.
”
”
Kristin Cast (Burned (House of Night, #7))
“
I do solemnly proclaim Tyrion of House Lannister and Sansa of House Stark to be man and wife, one flesh, one heart, one soul, now and forever, and cursed be the one who comes between them.
”
”
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
“
She's magnificent," Radius said, smiling proudly as he vaulted the steps and followed Aphrodite.
"I can think of a lot of m words that she could be. Magnificent isn't one of them," Stark grumbled.
"Mental and mean pop into my head," I said.
"Manure pops into mine," Stark said.
"Manure?"
"I think she's full of shot, but it's too many words and doesn't start with an m, so that's as close as I could get," he said.
”
”
Kristin Cast (Awakened)
“
Reading these stories, it's tempting to think that
the arts to be learned are those of tracking, hunting,
navigating, skills of survival and escape. Even in the
everyday world of the present, an anxiety to survive
manifests itself in cars and clothes for far more rugged
occasions than those at hand, as though to express some
sense of the toughness of things and of readiness to face
them. But the real difficulties, the real arts of survival,
seem to lie in more subtle realms. There, what's called
for is a kind of resilience of the psyche, a readiness to
deal with what comes next. These captives lay out in a
stark and dramatic way what goes on in every life: the
transitions whereby you cease to be who you were. Seldom
is it as dramatic, but nevertheless, something of
this journey between the near and the far goes on in
every life. Sometimes an old photograph, an old friend,
an old letter will remind you that you are not who you
once were, for the person who dwelt among them, valued
this, chose that, wrote thus, no longer exists. Without
noticing it you have traversed a great distance; the
strange has become familiar and the familiar if not
strange at least awkward or uncomfortable, an outgrown
garment. And some people travel far more than
others. There are those who receive as birthright an adequate
or at least unquestioned sense of self and those
who set out to reinvent themselves, for survival or for
satisfaction, and travel far. Some people inherit values
and practices as a house they inhabit; some of us have to
burn down that house, find our own ground, build from scratch, even as a psychological metamorphosis.
”
”
Rebecca Solnit (A Field Guide to Getting Lost)
“
Of one thing, though, she was sure: "I want to travel," she confessed.
Books were making her restless. She was beginning to read, faster, more, until she was inside the narrative and the narrative inside her, the pages going by so fast, her heart in her chest - she couldn't stop... And pictures of the chocolaty Amazon, of stark Patagonia in the National Geographics, a transparent butterfly snail in the sea, even of an old Japanese house slumbering in the snow... - She found they affected her so much she could often hardly read the accompanying words - the feeling they created was so exquisite, the desire so painful.
”
”
Kiran Desai (The Inheritance of Loss)
“
But here, is this place of eternal bareness and solitude, it seemed that life could never have been. The stark, eroded stones were things that might have been reared by the toil of the dead, to house the monstrous ghouls and demons of primal desolation.
”
”
Clark Ashton Smith (Vaults of Yoh Vombis (The Unexpurgated Clark Ashton Smith Ser.))
“
The word violence was depleted and generic from overuse and yet it still had power, still meant something, but multiple things. There were stark acts of it: beating a person to death. And there were more abstract forms, depriving people of jobs, safe housing, adequate schools. There were large-scale acts of it, the deaths of tens of thousands of Iraqi civilians in a single year, for a specious war of lies and bungling, a war that might have no end, but according to prosecutors, the real monsters were teenagers like Button Sanchez.
”
”
Rachel Kushner (The Mars Room)
“
For us to deem a work of architecture elegant, it is hence not enough that it look simple: we must feel that the simplicity it displays has been hard won, that it flows from the resolution of demanding technical or natural predicament. Thus we call the Shaker staircase in Pleasant Hill elegant because we know--without ever having constructed one ourselves--that a staircase is a site complexity, and that combinations of treads, risers and banisters rarely approach the sober intelligibility of the Sharkers' work. We deem a modern Swiss house elegant because we not how seamlessly its windows have been joined to their concrete walls, and how neatly the usual clutter of construction has been resolved away. We admire starkly simple works that we intuit would, without immense effort, have appeared very complicated. (p 209)
”
”
Alain de Botton (The Architecture of Happiness)
“
I can see him now in his cart pulled by two deer, followed by a couple of servants. Once carried enough wine to kill Liu Ling, and the other carried a spade to bury him on the spot – so much for Confucian ceremony. When I came to call, he’d greet me stark naked and I can still hear him scream, “The universe is my dwelling place and my house is my only clothes! Why are you entering into my pants?
”
”
Barry Hughart
“
The lights illuminated the worn black leather of her jacket, bringing into stark relief the painted words along the back in feminine, colorful script. It was instinct to translate—also from the ancient language, as if Urd herself had chosen this moment to lay the two ancient phrases before him. Through love, all is possible.
”
”
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
“
Mainly, though, the Democratic Party has become the party of reaction. In reaction to a war that is ill conceived, we appear suspicious of all military action. In reaction to those who proclaim the market can cure all ills, we resist efforts to use market principles to tackle pressing problems. In reaction to religious overreach, we equate tolerance with secularism, and forfeit the moral language that would help infuse our policies with a larger meaning. We lose elections and hope for the courts to foil Republican plans. We lost the courts and wait for a White House scandal.
And increasingly we feel the need to match the Republican right in stridency and hardball tactics. The accepted wisdom that drives many advocacy groups and Democratic activists these days goes like this: The Republican Party has been able to consistently win elections not by expanding its base but by vilifying Democrats, driving wedges into the electorate, energizing its right wing, and disciplining those who stray from the party line. If the Democrats ever want to get back into power, then they will have to take up the same approach.
...Ultimately, though, I believe any attempt by Democrats to pursue a more sharply partisan and ideological strategy misapprehends the moment we're in. I am convinced that whenever we exaggerate or demonize, oversimplify or overstate our case, we lose. Whenever we dumb down the political debate, we lose. For it's precisely the pursuit of ideological purity, the rigid orthodoxy and the sheer predictability of our current political debate, that keeps us from finding new ways to meet the challenges we face as a country. It's what keeps us locked in "either/or" thinking: the notion that we can have only big government or no government; the assumption that we must either tolerate forty-six million without health insurance or embrace "socialized medicine". It is such doctrinaire thinking and stark partisanship that have turned Americans off of politics.
”
”
Barack Obama (The Audacity of Hope: Thoughts on Reclaiming the American Dream)
“
That house is so bare - so exposed! So desolate, stark, arid and denuded! So Bleak!
”
”
Bleaktrick Cothouse (Bleak House, Volume I)
“
Stark grinned his cocky half smile and took my hand, threading his fingers through mine for all of the video audience to see. "Z, don't almost cuss on film. Your grandma might hear and that wouldn't be cool."
"Sorry," I muttered. "How about I just let you talk."
Stark's grin got bigger, "Well, that'll be a first.
”
”
P.C. Cast (Hidden (House of Night, #10))
“
winter is coming.” “Yes,” Catelyn agreed. The words gave her a chill, as they always did. The Stark words. Every noble house had its words. Family mottoes, touchstones, prayers of sorts, they boasted of honor and glory, promised loyalty and truth, swore faith and courage. All but the Starks. Winter is coming, said the Stark words.
”
”
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
“
He said, I won't have one of those things in the house. It gives a young girl a false notion of beauty, not to mention anatomy. If a real woman was built like that she'd fall on her face.
She said, If we don't let her have one like all the other girls she'll feel singled out. It'll become an issue. She'll long for one and she'll long to turn into one. Repression breeds sublimation. You know that.
He said, It's not just the pointy plastic tits, it's the wardrobes. The wardrobes and that stupid male doll, what's his name, the one with the underwear glued on.
She said, Better to get it over with when she's young. He said, All right but don't let me see it.
She came whizzing down the stairs, thrown like a dart. She was stark naked. Her hair had been chopped off, her head was turned back to front, she was missing some toes and she'd been tattooed all over her body with purple ink, in a scrollwork design. She hit the potted azalea, trembled there for a moment like a botched angel, and fell.
He said, I guess we're safe.
”
”
Margaret Atwood (The Female Body)
“
I couldn’t tell what the hell Heath was talking about.” Stark’s stomach tightened. “You mean Aurox.” “Yeah, Aurox.” Zoey frowned. “That’s what I said. So, what’s going on?” Stark was too tired to argue with her, so he ignored her Freudian slip,
”
”
P.C. Cast (Revealed (House of Night #11))
“
Damn, I wasn’t a woman and I wasn’t real stoked at the idea of my fun house turning into an escape hatch. I felt like I needed to do something special for her to show my appreciation. It wasn’t like Hallmark had a card that read ‘Thanks for destroying your vag with my spawn
”
”
Lola Stark (Conflicted Love (Needle's Kiss, #2))
“
The only nonhuman existence is what we call our human life. If we live our human life and none other, directly, then we subject ourselves to the most inhuman of all conditionsČ slavery to family and national taboos, wars, illness, poverty, deatah. Even the phrase "earning our living" is inhuman. Without religion or art or analysis to transpose the stark horror, we fall into the malady of our age with its great devotion to naturalism. A painting in a house is there to represent a color, a form, a realm we may not have been able to possess. A book opens a realm which our need to earn a living may have made unattainable. Everything that helps us to transpose the unbearable into a myth also helps the creation of distance from our inhuman life, to allow us to mix a little objectivity with the harsh, violent torments of our human bondage.
”
”
Anaïs Nin (The Diary of Anaïs Nin, Volume 5: 1947-1955)
“
In one of the awkward alignments of the Cold War, President Richard Nixon had lined up the democratic United States with this authoritarian government, while the despots in the Soviet Union found themselves standing behind democratic India. Nixon and Henry Kissinger, the brilliant White House national security advisor, were driven not just by such Cold War calculations, but a starkly personal and emotional dislike of India and Indians.
”
”
Gary J. Bass (The Blood Telegram)
“
Churchill stayed at the White House, as did secretary Martin and several others, and got a close-up look at Roosevelt’s own secret circle. Roosevelt, in turn, got a close-up look at Churchill. The first night Churchill and members of his party spent in the White House, Inspector Thompson—also one of the houseguests—was with Churchill in his room, scouting various points of danger, when someone knocked at the door. At Churchill’s direction, Thompson answered and found the president outside in his wheelchair, alone in the hall. Thompson opened the door wide, then saw an odd expression come over the president’s face as he looked into the room behind the detective. “I turned,” Thompson wrote. “Winston Churchill was stark naked, a drink in one hand, a cigar in the other.” The president prepared to wheel himself out. “Come on in, Franklin,” Churchill said. “We’re quite alone.” The president offered what Thompson called an “odd shrug,” then wheeled himself in. “You see, Mr. President,” Churchill said, “I have nothing to hide.
”
”
Erik Larson (The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz)
“
The Idiot. I have read it once, and find that I don't remember the events of the book very well--or even all the principal characters. But mostly the 'portrait of a truly beautiful person' that dostoevsky supposedly set out to write in that book. And I remember how Myshkin seemed so simple when I began the book, but by the end, I realized how I didn't understand him at all. the things he did. Maybe when I read it again it will be different. But the plot of these dostoevsky books can hold such twists and turns for the first-time reader-- I guess that's b/c he was writing most of these books as serials that had to have cliffhangers and such.
But I make marks in my books, mostly at parts where I see the author's philosophical points standing in the most stark relief. My copy of Moby Dick is positively full of these marks. The Idiot, I find has a few...
Part 3, Section 5. The sickly Ippolit is reading from his 'Explanation' or whatever its called. He says his convictions are not tied to him being condemned to death. It's important for him to describe, of happiness: "you may be sure that Columbus was happy not when he had discovered America, but when he was discovering it." That it's the process of life--not the end or accomplished goals in it--that matter. Well. Easier said than lived!
Part 3, Section 6. more of Ippolit talking--about a christian mindset. He references Jesus's parable of The Word as seeds that grow in men, couched in a description of how people are interrelated over time; its a picture of a multiplicity.
Later in this section, he relates looking at a painting of Christ being taken down from the cross, at Rogozhin's house. The painting produced in him an intricate metaphor of despair over death "in the form of a huge machine of the most modern construction which, dull and insensible, has aimlessly clutched, crushed, and swallowed up a great priceless Being, a Being worth all nature and its laws, worth the whole earth, which was created perhaps solely for the sake of the advent of this Being." The way Ippolit's ideas are configured, here, reminds me of the writings of Gilles Deleuze. And the phrasing just sort of remidns me of the way everyone feels--many people feel crushed by the incomprehensible machine, in life. Many people feel martyred in their very minor ways. And it makes me think of the concept that a narrative religion like Christianity uniquely allows for a kind of socialized or externalized, shared experience of subjectivity. Like, we all know the story of this man--and it feels like our own stories at the same time.
Part 4, Section 7. Myshkin's excitement (leading to a seizure) among the Epanchin's dignitary guests when he talks about what the nobility needs to become ("servants in order to be leaders"). I'm drawn to things like this because it's affirming, I guess, for me: "it really is true that we're absurd, that we're shallow, have bad habits, that we're bored, that we don't know how to look at things, that we can't understand; we're all like that." And of course he finds a way to make that into a good thing. which, it's pointed out by scholars, is very important to Dostoevsky philosophy--don't deny the earthly passions and problems in yourself, but accept them and incorporate them into your whole person. Me, I'm still working on that one.
”
”
Fyodor Dostoevsky
“
Actually, it reminded me of Tony Stark’s house in one of my favorite movies, Iron Man. I guess you could say it’s a MARVEL-ous mansion! (Heh, heh.)
”
”
Minecraft Books (Wimpy Steve Book 9: Portal Panic! (An Unofficial Minecraft Diary Book) (Minecraft Diary: Wimpy Steve))
“
Scene: Darkness. Suddenly, a single spotlight illuminates Apollo standing on the front porch of the Big House. The house is a bold red colour, a stark contrast to the short white chiton Apollo wears. He clears his throat and speaks.
Apollo:<\b> A poem by Apollo, recited dramatically by ... Apollo:
O Immortal Chiron,
Centaur wise and true,
Trainer of our heroes,
Just remember who taught you.
- The opening scene of Welcome to Camp Half-Blood
Apollo's chiton was so short, I held my breath throughout this scene, praying he didn't bend over. - P. J.
”
”
Rick Riordan (Camp Half-Blood Confidential (The Trials of Apollo))
“
The events in Benghazi were a stark revelation of the consequences of a foreign policy without a moral compass. The battle over the embassy lasted seven hours. Although the President learned about the attack shortly after it began and although the embattled Americans inside the compound begged the White House for help, and although U.S. fighter jets were stationed in Italy only an hour away, the president, in one of the most shameful acts in the history of that office, denied help by leaving his post, so that only silence answered their desperate calls.
”
”
David Horowitz (How Obama Betrayed America....And No One Is Holding Him Accountable)
“
I lean my head back and stare at the stark white ceiling. “My friend Zoe used to say I had obsessive compulsive disorder when it came to Kalvin Kennedy, and I argued nonstop with her about it, but she was right. I see that now. There was nothing healthy or normal about the way I crushed on him. I had no interest in slapping 1D on my walls when the hottest boy on the planet lived in the house next door.
”
”
Siobhan Davis (Loving Kalvin (The Kennedy Boys, #5))
“
The city outside, so busy, so full of life, seemed in stark contrast to the deathly silence inside their home. It seemed...like a muffled silence, as if the house itself was holding its breath, waiting...
”
”
Marie McWilliams (Broken Mirrors)
“
The Westeros of Aegon’s youth was divided into seven quarrelsome kingdoms, and there was hardly a time when two or three of these kingdoms were not at war with one another. The vast, cold, stony North was ruled by the Starks of Winterfell. In the deserts of Dorne, the Martell princes held sway. The gold-rich westerlands were ruled by the Lannisters of Casterly Rock, the fertile Reach by the Gardeners of Highgarden. The Vale, the Fingers, and the Mountains of the Moon belonged to House Arryn … but the most belligerent kings of Aegon’s time were the two whose realms lay closest to Dragonstone, Harren the Black and Argilac the Arrogant.
”
”
George R.R. Martin (The World of Ice & Fire: The Untold History of Westeros and the Game of Thrones (A Song of Ice and Fire))
“
Al Qaeda was growing, and its sanctuary in Afghanistan allowed ever more ambitious operations. Within the CIA and at interagency White House sessions the Counterterrorist Center officers spoke starkly. “Al Qaeda is training and planning in Afghanistan, and their goal is to destroy the United States,” they declared, as one official recalled it. “Unless we attack their safe haven, they are going to get continually stronger and stronger.”29
”
”
Steve Coll (Ghost Wars: The Secret History of the CIA, Afghanistan & Bin Laden from the Soviet Invasion to September 10, 2001)
“
That was when she heard it.
*Slapslapslapslapslapslap*
A sound she had not heard since her dear husband Paulo had been alive. She gazed out the window and stared at the stark white form of a man running past her cottage, his impressive manhood giving her a fond reminder of days past.
She watched his ivory buttocks as they faded into the night, and she smiled.
It had turned into a better evening than she could’ve ever hoped, as the faint slapping sound grew more and more distant.
”
”
Delemhach (The House Witch (The House Witch, #1))
“
The body in the house had made him uncomfortable: in life the poor woman had been all that was kind and gentle; and yet, when she lay upstairs in her bed-room, cold and stark, it seemed as though she cast upon the survivors a baleful influence.
”
”
W. Somerset Maugham (Of Human Bondage (The Unabridged Autobiographical Novel))
“
The time, the year, was right, but the house just wasn't familiar enough. I felt as though I were losing my place here in my own time. Rufus's time was a sharper, stronger reality. The work was harder, the smells and tastes were stronger, the danger was greater, the pain was worse ... Rufus's time demanded things of me that had never been demanded before, and it could easily kill me if I did not meet its demands. That was a stark, powerful reality that the gentle conveniences and luxuries of this house, of now, could not touch.
”
”
Octavia E. Butler (Kindred)
“
In the name of Robert of the House Baratheon, the First of his Name, King of the Andals and the Rhoynar and the First Men, Lord of the Seven Kingdoms and Protector of the Realm, by the word of Eddard of the House Stark, Lord of Winterfell and Warden of the North, I do sentence you to die.
”
”
George R.R. Martin (A Song of Ice and Fire, 5-Book Boxed Set: A Game of Thrones, A Clash of Kings, A Storm of Swords, A Feast for Crows, A Dance with Dragons (Song of Ice & Fire 1-5))
“
An additional indication of economic growth in ancient Greece comes from the major increases in the average size of Greek houses: in the eighth century BC it was 53 square meters; by the sixth century BC it had grown to 122 square meters; and by the fifth century BC it was 325 square meters.54
”
”
Rodney Stark (How the West Won: The Neglected Story of the Triumph of Modernity)
“
Living men had gone south, and cold bones would return. Ned had the truth of it, she thought. His place was at Winterfell, he said as much, but would I hear him? No. Go, I told him, you must be Robert's Hand, for the good of our House, for the sake of our children ... my doing, min, no other ...
”
”
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
“
— C'mon, she says, moving into the darkness. I look into the darkness, but I can't see her, I can only hear her voice. — C'mon, she shouts.
— I can't, I shout.
— Don't be scared, she says.
But I am. I look back onto the observation floor and it's light. Out here is light and she's trying to lead me into the darkness. I know if I start after her now I'll never be able to catch up with her. It's not normal dark down there, it's not shades of dark; it's ugly, stark, pitch blackness. I turn around, back into the white and yellow light. As well as her voice down there, others are present. Voices which have nothing to do with her but everything to do with me.
”
”
Irvine Welsh (The Acid House)
“
You know how my first few minutes in a new Minecraft world are usually spent screaming, running for my life, and hiding from scary monsters—sometimes even GIANT ones! Well, not this time! Instead of a giant monster, I was plopped down in front of a giant MANSION! (Yay, Minecraft: Peaceful Paradise floating book!) And the best part was that it wasn’t all dark and creepy like the Haunted House! It was an awesome modern mansion made of white stone and glass. Even better, it was built on a hillside overlooking an ocean! Actually, it reminded me of Tony Stark’s house in one of my favorite movies, Iron Man. I guess you could say it’s a MARVEL-ous mansion! (Heh, heh.) Anyway,
”
”
Minecraft Books (Wimpy Steve Book 9: Portal Panic! (An Unofficial Minecraft Diary Book) (Minecraft Diary: Wimpy Steve))
“
My grandmother’s parents had thought she was too good for my grandfather. They were Irish, shipworkers who had gotten the hell out of Locust Point and moved uptown, to Charles Village, where the houses were much bigger. They looked down on my grandfather just because he was where they once were. It killed them, the idea that their precious youngest daughter might move back to the neighborhood and live with an Italian, to boot. Everybody’s got to look down on somebody. If there’s not somebody below you, how do you know you’ve traveled any distance at all in your life? For my dad’s generation, it was all about the blacks. I’m not saying it was right, just that it was, and it hung on because it was such a stark, visible difference. And now the rules have changed again, and it’s the young people with money and ambition who are buying the houses in Locust Point, and the people in places like Linthicum and Catonsville and Arbutus are the ones to be pitied and condescended to. It’s hard to keep up.
("Easy As A-B-C")
”
”
Laura Lippman (Baltimore Noir)
“
39 It was the same in the other great houses. And all of this was possible because the great monasteries began to utilize a hired labour force, who not only were more productive than the monks had been,40 but also more productive than tenants required to provide periods of compulsory labour. Indeed, these tenants had long since been satisfying their labour obligations by money payments.
”
”
Rodney Stark (Reformation Myths: Five Centuries Of Misconceptions And (Some) Misfortunes)
“
Dresden, who was a king as of the old age, swished his tail--just once. Then, deliberately, he turned to face the coming dogs. Every muscle stood out in stark relief. He roared. The sound echoed down the street, bouncing off the neat suburban houses and well-manicured hedges with the force of dynamite. The dogs flowed at him like a tide, bottomless and unstoppable.
Dresden charged them.
”
”
Scott Hawkins (The Library at Mount Char)
“
Mattis showed signs that he was tired of the disparaging of the military and intelligence capability. And of Trump’s unwillingness to comprehend their significance. “We’re doing this in order to prevent World War III,” Mattis said. He was calm but stark. It was a breathtaking statement, a challenge to the president, suggesting he was risking nuclear war. Time stopped for more than one in attendance.
”
”
Bob Woodward (Fear: Trump in the White House)
“
We walked into the House chamber and took two seats in the front row on the Republican side. As we sat down, my dad looked over his shoulder at row after row after row of empty seats. We were the only Republicans there. Shaking his head, he said to me, “It’s one thing to hear about what’s happening in our party, but to see it, like this, in such stark terms…” His voice trailed off. It was a profoundly sad moment.
”
”
Liz Cheney (Oath and Honor: A Memoir and a Warning)
“
Visenya and Rhaenys, took a special delight in arranging these matches. Through their efforts, young Ronnel Arryn, Lord of the Eyrie, took a daughter of Torrhen Stark of Winterfell to wed, whilst Loren Lannister’s eldest son, heir to Casterly Rock, married a Redwyne girl from the Arbor. When three girls, triplets, were born to the Evenstar of Tarth, Queen Rhaenys arranged betrothals for them with House Corbray, House Hightower, and House Harlaw. Queen Visenya brokered a double wedding between House Blackwood and House Bracken, rivals whose history of enmity went back centuries, matching a son of each house with a daughter of the other to seal a peace between them. And when a Rowan girl in Rhaenys’s service found herself with child by a scullion, the queen found a knight to marry her in White Harbor, and another in Lannisport who was willing to take on her bastard as a fosterling.
”
”
George R.R. Martin (Fire & Blood (A Targaryen History, #1))
“
A house of stone and glass and iron should be stark and sober, a watchtower from which a benevolent guard is kept on society. But the white stone of this particular house rippled as if reacting to a hand that had found its most pleasurable contact. A notable newspaper critic had described this effect as being that of "a pernicious sensuality." And if that wasn't enough, the entire construction blushed a truly disgraceful peachy-pink at sunset and dawn.
”
”
Helen Oyeyemi (What Is Not Yours Is Not Yours)
“
Why Isn't It All More Marked?
Why isn’t it all
more marked,
why isn’t every wall
graffitied, every park tree
stripped like the
stark limbs
in the house of
the chimpanzees?
Why is there bark
Left? Why do people
Cling to their
Shortening shrifts? So
Silent.
Not why people are;
Why not more violent?
We must be
So absorbent.
We must be
Almost crystals
Almost all some
Neutralizing chemical
That really does
Clarify and bring peace,
Take black sorrow
and make surcease
”
”
Kay Ryan (Elephant Rocks: Poems)
“
His father peeled off his gloves and handed them to Jory Cassel, the captain of his household guard. He took hold of Ice with both hands and said, “In the name of Robert of the House Baratheon, the First of his Name, King of the Andals and the Rhoynar and the First Men, Lord of the Seven Kingdoms and Protector of the Realm, by the word of Eddard of the House Stark, Lord of Winterfell and Warden of the North, I do sentence you to die.” He lifted the greatsword high above his head.
”
”
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
“
Charging interest on loans was thus defined as the ‘sin of usury’, and widely condemned in principle while pretty much ignored in actual practice. In fact, as already noted, by late in the ninth century some of the great religious houses ventured into banking and bishops were second only to the nobility in their reliance on borrowed money. In addition to borrowing from monastic orders, many bishops secured loans from private Italian banks that enjoyed the full approval of the Vatican.
”
”
Rodney Stark (Reformation Myths: Five Centuries Of Misconceptions And (Some) Misfortunes)
“
And that date, too, is far off?'
'Far off; when it comes, think your end in this world is at hand!'
'How and what is the end? Look east, west, south and north.'
'In the north, where you never yet trod, towards the point whence your instincts have warned you, there a spectre will seize you. 'Tis Death! I see a ship - it is haunted - 'tis chased - it sails on. Baffled navies sail after that ship. It enters the regions of ice. It passes a sky red with meteors. Two moons stand on high, over ice-reefs. I see the ship locked between white defiles - they are ice-rocks. I see the dead strew the decks - stark and livid, green mold on their limbs. All are dead, but one man - it is you! But years, though so slowly they come, have then scathed you. There is the coming of age on your brow, and the will is relaxed in the cells of the brain. Still that will, though enfeebled, exceeds all that man knew before you, through the will you live on, gnawed with famine; and nature no longer obeys you in that death-spreading region; the sky is a sky of iron, and the air has iron clamps, and the ice-rocks wedge in the ship. Hark how it cracks and groans. Ice will imbed it as amber imbeds a straw. And a man has gone forth, living yet, from the ship and its dead; and he has clambered up the spikes of an iceberg, and the two moons gaze down on his form. That man is yourself; and terror is on you - terror; and terror has swallowed your will. And I see swarming up the steep ice-rock, grey grisly things. The bears of the north have scented their quarry - they come near you and nearer, shambling and rolling their bulk, and in that day every moment shall seem to you longer than the centuries through which you have passed. And heed this - after life, moments continued make the bliss or the hell of eternity.'
'Hush,' said the whisper; 'but the day, you assure me, is far off - very far! I go back to the almond and rose of Damascus! - sleep!' ("The House And The Brain
”
”
Edward Bulwer-Lytton (Reign of Terror Volume 2: Great Victorian Horror Stories)
“
Sure, there are good things, lots, sure, blow jobs, chocolate mousse, winning streaks, the warm fire in your enemy’s house, good book, hunk of cheese, flagon of ale, office raise, championship ring, the misfortunes of others, sure, good things, beyond count, queens, kings, old clocks, comfy clothes, lots, innumerable items in stock, baseball cards and bingo buttons, pot-au-feu, listen, we could go on and on like a long speech, sure it’s a great world, sights to see, canyons full of canyon, corn on the cob, the eroded great pyramids, contaminated towns, eroded hillsides, deleafed trees, those whitened limbs stark and noble in the evening light, geeeez, what gobs of good things, no shit, service elevators, what would we do without, and all the inventions of man, Krazy Glue and food fights, girls wrestling amid mounds of Jell-O, drafts of dark beer, no end of blue sea, formerly full of fish, eroded hopes, eruptions of joy, because we’re winning, have won, won, won what? the . . . the Title.
”
”
William H. Gass (Tests of Time)
“
A small group of horsemen were approaching the house, their pace slow enough to match Javelin, whose rider slumped over his neck.
Surely the Herrani wouldn’t cheer if Arin was dead, or dying?
Fool, Kestrel told herself. Dead men can’t ride.
A storm of feeling confused her, and Kestrel didn’t know if her emotions were what they ought to be, because she didn’t know what she felt. She couldn’t even think.
Then the horses stopped. Arin slipped off Javelin, and there was a scuffle among the Herrani as each fought to get to him first. People supported him, nudged shoulders under his arms.
Arin’s face was white with pain and blackened with patches of dirt and bruises. His torn clothes were stained crimson. Bright, bloody flags. One foot was bare.
He tipped his head back, caught Kestrel’s gaze, and smiled.
Kestrel shut the window and shut her heart, for what she felt when she saw Arin limp up the path wasn’t anything she had expected. She shouldn’t feel this, not this:
A stark, shattering relief.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
At your command, Your Grace.” “This is the will and word of Robert of House Baratheon, the First of his Name, King of the Andals and all the rest—put in the damn titles, you know how it goes. I do hereby command Eddard of House Stark, Lord of Winterfell and Hand of the King, to serve as Lord Regent and Protector of the Realm upon my … upon my death … to rule in my … in my stead, until my son Joffrey does come of age …” “Robert …” Joffrey is not your son, he wanted to say, but the words would not come.
”
”
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
“
PROLOGUE Zoey “Wow, Z, this is a seriously awesome turnout. There are more humans here than fleas on an old dog!” Stevie Rae shielded her eyes with her hand as she looked around at the newly lit-up campus. Dallas was a total jerk, but we all admitted that the twinkling lights he’d wrapped around the trunks and limbs of the old oaks gave the entire campus a magickal, fairy-like glow. “That is one of your more disgusting bumpkin analogies,” Aphrodite said. “Though it’s accurate. Especially since there are a bunch of city politicians here. Total parasites.” “Try to be nice,” I said. “Or at least try to be quiet.” “Does that mean your daddy, the mayor, is here?” Stevie Rae’s already gawking eyes got even wider. “I suppose it does. I caught a glimpse of Cruella De Vil, a.k.a. She Who Bore Me, not long ago.” Aphrodite paused and her brows went up. “We should probably keep an eye on the Street Cats kittens. I saw some cute little black and white ones with especially fluffy fur.” Stevie Rae sucked air. “Ohmygoodness, your mamma wouldn’t really make a kitten fur coat, would she?” “Faster than you can say Bubba’s drinkin’ and drivin’ again,” Aphrodite mimicked Stevie Rae’s Okie twang. “Stevie Rae—she’s kidding. Tell her the truth,” I nudged Aphrodite. “Fine. She doesn’t skin kittens. Or puppies. Just baby seals and democrats.” Stevie Rae’s brow furrowed. “See, everything is fine. Plus, Damien’s at the Street Cats booth, and you know he’d never let one little kitten whisker be hurt—let alone a whole coat,” I assured my BFF, refusing to let Aphrodite mess up our good mood. “Actually, everything is more than fine. Check out what we managed to pull off in a little over a week.” I sighed in relief at the success of our event and let my gaze wander around the packed school grounds. Stevie Rae, Shaylin, Shaunee, Aphrodite, and I were manning the bake sale booth (while Stevie Rae’s mom and a bunch of her PTA friends moved through the crowd with samples of the chocolate chip cookies we were selling, like, zillions of). From our position near Nyx’s statue, we had a great view of the whole campus. I could see a long line at Grandma’s lavender booth. That made me smile. Not far from Grandma, Thanatos had set up a job application area, and there were a bunch of humans filling out paperwork there. In the center of the grounds there were two huge silver and white tents draped with more of Dallas’s twinkling lights. In one tent Stark and Darius and the Sons of Erebus Warriors were demonstrating weaponry. I watched as Stark was showing a young boy how to hold a bow. Stark’s gaze lifted from the kid and met mine. We shared a quick, intimate smile
”
”
P.C. Cast (Revealed (House of Night #11))
“
some houses are haunted. but they aren’t
always inhabited by ghosts. sometimes some
memories dwell there so starkly, their nameless
faceless sorrow starts taking over and the walls
keeping that house together start to collapse. i
have walked into such houses only to witness a
melancholic past, a withering present and a
silent future. those houses carry the dead
dreams and maybe broken hearts too
because god knows where else one
could ever find this much sadness
that would turn one firm building
into an abandoned mess.
”
”
Noor Unnahar (Yesterday I Was the Moon)
“
Scene: Darkness. Suddenly, a single spotlight illuminates Apollo standing on the front porch of the Big House. The house is a bold red colour, a stark contrast to the short white chiton Apollo wears. He clears his throat and speaks.
Apollo: A poem by Apollo, recited dramatically by ... Apollo:
O Immortal Chiron,
Centaur wise and true,
Trainer of our heroes,
Just remember who taught you.
- The opening scene of Welcome to Camp Half-Blood
Apollo's chiton was so short, I held my breath throughout this scene, praying he didn't bend over. - P. J.
”
”
Rick Riordan (Camp Half-Blood Confidential (The Trials of Apollo))
“
There are human boys here somewhere?” Zoey asked.
Aurox’s face scrunched up as he frowned at her. “Not here. Outside—out there. ” He pointed in the general direction of the door to the field house behind them.
“Outside the field house!” she almost yelled.
“Zo, sometimes I think you don’t listen so good,” Aurox said. Still frowning at her, he continued speaking slowly, as if trying to get her to understand a foreign language.
“Two boys. Outside the wall. With the keg. And cups. They. Want. Hot. Vampyre. Chicks.”
“Okay, I think I get it.” Stark grabbed Aurox’s arm and started to drag him toward the door and away from Z
before she went for his throat, although that would have been funny as hell. “You found two kids, with beer, trying to get over the wall, right?”
“See, you listen better.” Aurox patted him on the back, almost knocking Stark over. “But they’re just looking through the hole for vampyre pussy, not trying to get over the wall.”
“If you say pussy one more time I’m going to smack the crap out of you,” Zoey said, coming after them.
“You can’t come!” Aurox stumbled to a stop. “You have legs and tits!”
“Oh. My. Goddess. I’m going to kill him!” Stark stepped between the two of them. He faced Zoey.
She’d gone from pale to bright red in zero-point-nothing seconds. “Z, I think this is something that a Warrior needs to handle.”
Behind him, Aurox belched, sending a wave of beer air wafting over them.
Zoey narrowed her eyes and pointed at Aurox. “You have never been able to drink!” Then she spun around and stomped back to the basement entrance, slamming the door behind her.
“She seems mad. Should we bring her a beer?” Aurox said.
Stark covered his laugh with a cough. “Ur, no. Z doesn’t like beer.”
“Doesn’t like beer? She should. It would make her head feel bubbly and happy.”
Stark didn’t bother to cover his laugh a second time. “I wish it worked that way with her, but it doesn’t.”
“Because she has legs and tits?”
Stark knew it was wrong, but he couldn’t stop himself.
“I’m not sure. Maybe you should ask her next time you see her.”
Aurox nodded, looking as serious as a drunk could look. “I will.”
“That should be fun. But until then, show me where these humans are, and while we’re going there, start back at the beginning and tell me exactly what happened before and after you were introduced to the red Solo cup.
”
”
Kristin Cast (Revealed (House of Night, #11))
“
The Westeros of Aegon’s youth was divided into seven quarrelsome kingdoms, and there was hardly a time when two or three of these kingdoms were not at war with one another. The vast, cold, stony North was ruled by the Starks of Winterfell. In the deserts of Dorne, the Martell princes held sway. The gold-rich westerlands were ruled by the Lannisters of Casterly Rock, the fertile Reach by the Gardeners of Highgarden. The Vale, the Fingers, and the Mountains of the Moon belonged to House Arryn…but the most belligerent kings of Aegon’s time were the two whose realms lay closest to Dragonstone, Harren the Black and Argilac the Arrogant.
”
”
George R.R. Martin (Fire & Blood)
“
The things that kept them awake in the middle of the night, the things they did underneath the cover of darkness, both dreadful and beautiful, both attractive and repulsive, were revealed in stark clarity to their minds. A harsh reality that intensified sensations with each gust of wind. They shrank from it with frightened whimpers. The setting in each house would have fit perfectly into a post-apocalyptic tale of nuclear holocausts. Shell-shocked expressions gazed into the nothingness. Blankets over faces, silent prayers to the heavens. No curious eyes at the windows, or storm watchers dared to partake. The mere thought of looking out was too much to be borne.
”
”
Jaime Allison Parker
“
THE HOUSE SEEMED UTTERLY deserted. Compared to the Christmases of his childhood there was something unforgiving about Leyville now. Montignac’s aunt, Ann, had always made the house seem incredibly festive, with an enormous Christmas tree in the downstairs hallway that stretched halfway up the house, past the staircase, in the direction of the first-floor bedrooms. The mantelpieces were always covered with holly and cards; stockings were pinned by the fireplace. Wrapping paper and presents were to be found in every nook and cranny. There was nothing like that now, just the stark emptiness of the rest of the year and the echoing silence of generations that had passed through the house and died.
”
”
John Boyne (Next of Kin)
“
In the poem, Inanna, unveiled, sees her own mysterious depth, Ereshkigal, who glares back at her. She has an immediate, full experience of her underworld self. That naked moment is like the fifth scene in the Villa of Mysteries where the faun, looking into a mirror bowl, sees reflected back a mask of terrible Dionysus as lord of the underworld. It is the moment of self-confrontation for the goddess of active life and love. Archetypally, these eyes of death are implacable and profound, seeing an immediateness that finds pretense, ideals, even individuality and relatedness, irrelevant. They also hold and enable the mystery of a radically different, precultural mode of perception. Like the eyes in the skulls around the house of the Russian nature goddess and witch, Baba-Yaga, they perceive with an objectivity like that of nature itself and our dreams, boring into the soul to find the naked truth, to see reality beneath all its myriad forms and the illusions and defenses it displays. Western science once aspired to such vision. But we humans do not have such objective eyes. We can see only limited and relative, indeterminate truths. We and our subjectivity are part of the reality we seek to see. Before the vision of Ereshkigal, however, objective reality is unmasked. It is nothing"Neti,neti," as the Sanskrit says and yet everything, the place of paradox behind the veil of the Great Goddess and the temple of wisdom. These eyes see from and embody the starkness of the abyss that takes all back, reduces the dancing, playing maya of the goddess to inert matter and stops life on earth.
”
”
Sylvia Brinton Perera (Descent to the Goddess: A Way of Initiation for Women (Studies in Jungian Psychology by Jungian Analysts, 6))
“
Some researchers, such as psychologist Jean Twenge, say this new world where compliments are better than sex and pizza, in which the self-enhancing bias has been unchained and allowed to gorge unfettered, has led to a new normal in which the positive illusions of several generations have now mutated into full-blown narcissism. In her book The Narcissism Epidemic, Twenge says her research shows that since the mid-1980s, clinically defined narcissism rates in the United States have increased in the population at the same rate as obesity. She used the same test used by psychiatrists to test for narcissism in patients and found that, in 2006, one in four U.S. college students tested positive. That’s real narcissism, the kind that leads to diagnoses of personality disorders. In her estimation, this is a dangerous trend, and it shows signs of acceleration. Narcissistic overconfidence crosses a line, says Twenge, and taints those things improved by a skosh of confidence. Over that line, you become less concerned with the well-being of others, more materialistic, and obsessed with status in addition to losing all the restraint normally preventing you from tragically overestimating your ability to manage or even survive risky situations. In her book, Twenge connects this trend to the housing market crash of the mid-2000s and the stark increase in reality programming during that same decade. According to Twenge, the drive to be famous for nothing went from being strange to predictable thanks to a generation or two of people raised by parents who artificially boosted self-esteem to ’roidtastic levels and then released them into a culture filled with new technologies that emerged right when those people needed them most to prop up their self-enhancement biases. By the time Twenge’s research was published, reality programming had spent twenty years perfecting itself, and the modern stars of those shows represent a tiny portion of the population who not only want to be on those shows, but who also know what they are getting into and still want to participate. Producers with the experience to know who will provide the best television entertainment to millions then cull that small group. The result is a new generation of celebrities with positive illusions so robust and potent that the narcissistic overconfidence of the modern American teenager by comparison is now much easier to see as normal.
”
”
David McRaney (You Are Now Less Dumb: How to Conquer Mob Mentality, How to Buy Happiness, and All the Other Ways to Outsmart Yourself)
“
Dottie sat in her rocking chair as night settled over the dewy castle grounds. Her son Antonio had already gone to bed, and as she worked on her embroidery, she felt herself stiffen from the slight draft from the still-closed cottage window. She tugged at the faded, rose-colored shawl around her shoulders a little tighter with her knobby fingers. That was when she heard it. *Slapslapslapslapslapslap* A sound she had not heard since her dear husband Paulo had been alive. She gazed out the window and stared at the stark white form of a man running past her cottage, his impressive manhood giving her a fond reminder of days past. She watched his ivory buttocks as they faded into the night, and she smiled. It had turned into a better evening than she could’ve ever hoped, as the faint slapping sound grew more and more distant.
”
”
Delemhach (The House Witch (The House Witch, #1))
“
Rodney Stark confirms the point, saying, For far too long, historians have accepted the claim that the conversion of the Emperor Constantine (ca. 285–337) caused the triumph of Christianity. To the contrary, he destroyed its most attractive and dynamic aspects, turning a high-intensity, grassroots movement into an arrogant institution controlled by an elite who often managed to be both brutal and lax.… Constantine’s “favor” was his decision to divert to the Christians the massive state funding on which the pagan temples had always depended. Overnight, Christianity became “the most-favoured recipient of the near limitless resources of imperial favors.” A faith that had been meeting in humble structures was suddenly housed in magnificent public buildings—the new church of Saint Peter in Rome was modeled on the basilican form used for imperial throne halls.
”
”
Frank Viola (Reimagining Church: Pursuing the Dream of Organic Christianity)
“
The Swedish author and journalist Lasse Berg wrote an excellent report from rural India in the 1970s. When he returned 25 years later, he could see clearly how living conditions had improved. Pictures from his visit in the 1970s showed earthen floors, clay walls, half-naked children, and the eyes of villagers with low self-esteem and little knowledge of the outside world. They were a stark contrast to the concrete houses of the late 1990s, where well-dressed children played and self-confident and curious villagers watched TV. When Lasse showed the villagers the 1970s pictures they couldn’t believe the photos were taken in their neighborhood. “No,” they said. “This can’t be here. You must be mistaken. We have never been that poor.” Like most people, they were living in the moment, busy with new problems, like the children watching immoral soap operas or not having enough money to buy a motorbike.
”
”
Hans Rosling (Factfulness: Ten Reasons We're Wrong About the World—and Why Things Are Better Than You Think)
“
I want to stretch our legs and show you the view of our valley. It's a tradition when we bring someone special to the ranch for the first time." He set the kitten on the seat opposite them and opened the door. He stepped out, then helped her to the ground and started to release her.
Pamela squeezed his hand and didn't let go.
John's quick smile told her he approved. He led her to a lookout and waved an arm in a sweeping motion. "Our valley."
"Really?" Delighted, she leaned forward to take in the view. Grasslands studded with cattle surrounded a big white house, outbuildings, a barn, and two smaller homes. She studied the house. From this distance, it looked large and comfortable, two-story, as John had described, with a porch across the front. She relaxed at the sight.
The distant mountains still held snow on their peaks. Stark blue sky stretched over the land, with several puffy white clouds floating by. Our valley, she echoed.
”
”
Debra Holland (Beneath Montana's Sky (Mail-Order Brides of the West, #0.5; Montana Sky, #0.5))
“
Bill, what's your favorite fantasy?" I asked. Weirdly enough, I felt much better after designing all these happy endings.
Bill glanced over at me quizzically. We were almost to my house. "My favorite fantasy? You come down into my daytime resting place stark naked," he said. I could see the gleam of his teeth as he smiled. "Oh wait," Bill said. "That's already happened."
"There's gotta be more to it," I said. Then I could have bitten off my tongue.
"Oh, there is." His eyes told me exactly what happened after that.
"And that's your fantasy? That I come into your house naked and have sex with you?"
"After that, you tell me that you have sent Eric on his way, that you want to be with mine forever, and that to share my life you will permit me to make you a vampire like me."
The silence now was thick, and the fun had drained out of the fantasy.
Then Bill added, "You know what I'd say when you told me this? I'd tell you I would never do such a thing. Because I love you.
”
”
Charlaine Harris
“
Town, as they called it, pleased me the less, the longer I saw it. But until our language stretches itself and takes in a new word of closer fit, town will have to do for the name of such a place as was Medicine Bow. I have seen and slept in many like it since. Scattered wide, they littered the frontier from the Columbia to the Rio Grande, from the Missouri to the Sierras. They lay stark, dotted over a planet of treeless dust, like soiled packs of cards. Each was similar to the next, as one old five-spot of clubs resembles another. Houses, empty bottles, and garbage, they were forever of the same shapeless pattern. More forlorn they were than stale bones. They seemed to have been strewn there by the wind and to be waiting till the wind should come again and blow them away. Yet serene above their foulness swam a pure and quiet light, such as the East never sees; they might be bathing in the air of creation's first morning. Beneath sun and stars their days and nights were immaculate and wonderful.
”
”
Owen Wister (The Virginian: A Horseman Of The Plains)
“
What shall we Christians do with this rejected and condemned people, the Jews?’ Luther offered seven actions. First, to set fire to their synagogues and schools . . . Second, I advise that their houses also be razed and destroyed. Third, I advise that all their prayer books and Talmudic writings, in which such idolatry, lies, cursing and blasphemy are taught, be taken from them. Fourth, I advise that their rabbis be forbidden to teach henceforth on pain of loss of life and limb . . . Fifth, I advise that safe-conduct on the highways be abolished completely for Jews. For they have no business in the countryside . . . Sixth, I advise that usury be prohibited to them, and that all cash and treasure of silver and gold be taken from them . . . Seventh, I recommend putting a flail, an axe, a hoe, a spade, a distaff, or a spindle into the hands of young, strong Jews and Jewesses and letting them earn their bread in the sweat of their brow . . . But if we are afraid that they might harm us . . . then let us emulate the common sense of other nations . . . [and] eject them forever from the country.
”
”
Rodney Stark (Reformation Myths: Five Centuries Of Misconceptions And (Some) Misfortunes)
“
The first night Churchill and members of his party spent in the White House, Inspector Thompson—also one of the houseguests—was with Churchill in his room, scouting various points of danger, when someone knocked at the door. At Churchill’s direction, Thompson answered and found the president outside in his wheelchair, alone in the hall. Thompson opened the door wide, then saw an odd expression come over the president’s face as he looked into the room behind the detective. “I turned,” Thompson wrote. “Winston Churchill was stark naked, a drink in one hand, a cigar in the other.” The president prepared to wheel himself out. “Come on in, Franklin,” Churchill said. “We’re quite alone.” The president offered what Thompson called an “odd shrug,” then wheeled himself in. “You see, Mr. President,” Churchill said, “I have nothing to hide.” Churchill proceeded to sling a towel over his shoulder and for the next hour conversed with Roosevelt while walking around the room naked, sipping his drink, and now and then refilling the president’s glass. “He might have been a Roman at the baths, relaxing after a successful debate in the Senate,” Inspector Thompson wrote. “I don’t believe Mr. Churchill would have blinked an eye if Mrs. Roosevelt had walked in too.” —
”
”
Erik Larson (The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz)
“
The secrets of the kitchen were revealed to you in stages, on a need-to-know basis, just like the secrets of womanhood. You started wearing bras; you started handling the pressure cooker for lentils. You went from wearing skirts and half saris to wearing full saris, and at about the same time you got to make the rice-batter crepes called dosas for everyone’s tiffin. You did not get told the secret ratio of spices for the house-made sambar curry powder until you came of marriageable age. And to truly have a womanly figure, you had to eat, to be voluptuously full of food.
This, of course, was in stark contrast to what was considered womanly or desirable in the West, especially when I started modeling. To look good in Western clothes you had to be extremely thin. Prior to this, I never thought about my weight except to think it wasn’t ever enough. Then, with modeling, I started depending on my looks to feed myself (though my profession didn’t allow me to actually eat very much). When I started hosting food shows, my career went from fashion to food, from not eating to really eating a lot, to put it mildly. Only this time the opposing demands of having to eat all this food and still look good by Western standards of beauty were off the charts. This tug-of-war was something I would struggle with for most of a decade.
”
”
Padma Lakshmi (Love, Loss, and What We Ate: A Memoir)
“
He's right,you know," Edward was saying almost before I'd made it into my room. I had crept through the house unnecessarily. No one was home.
"Your assertions have lost a bit of their value these days, Mr. Willing."
"You know," he repeated.
I tossed my coat onto the bed. The stark black and white of my quilt was broken by a purple stain now, the result of a peaceful interlude with grape juice turning into a gentle wrestling match.The stain was the size of my palm and shaked like, I thought, an alligator. Alex insisted it was a map of Italy. Later, we'd dripped the rest of the juice onto the thick pages of my drawing pad, finding pictures in the splotches like the Rorschach inkblots used in psychology.
"Well," he'd said in response to my pagoda, antheater, and Viking, "verdict's in.You're nuts."
The pictures were tacked to my wall, unaccustomed spots of color. I'd penciled in our choices. Viking (E), pineapple (A). Lantern (E), cheese (A). Crown (E), birthday cake (A) were over my desk, over Edward.
I turned on my computer. It binged cheerfully at me. I had mail.
From: abainbr@thewillingschool.org
To: fmarino@thewillingschool.org
Date: December 15, 3:50 p.m.
Subect: Should you choose to accept...
Tuesday. I'll pick you up at 10:00 a.m. Ask no questions. Tell no one.
-Alex
"Ah, subterfuge" came from over the desk.
"Shut up, Edward," I said.
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
Camille heard the rustle of grass. She opened one eye and saw Oscar settling down beside her.
“We can spare a few minutes,” he said. She sat up and cradled her knees in her arms. He plucked a blade of grass and commenced peeling it down the center. They heard the Australian snoring from his spot a few yards away, completely hidden in a blanket of green.
“I guess we can spare more than a few minutes.” Oscar smiled and met her gaze, holding it a moment. She suddenly realized how horrible she must look-her hair, her clothes, her skin.
“Do you miss him?” he asked, not seeming to notice any of those things.
Camille uprooted a purple flower and a white daisy near it. “Of course I do. But I’m hoping with the stone I won’t have to very long.”
“Not your father, Camille. Randall.”
She took a deep breath, shocked she hadn’t thought of her fiancé for so long. How many days had it been? A full week, maybe more.
“Oh. Well…I suppose I do.”
Oscar raised an eyebrow and laughed at her clear lack of conviction.
Camille shrugged. “What? A lot has happened and right now getting back to San Francisco isn’t something I’m concerned about.”
Oscar nodded and chewed on the tip of his blade of grass.
“It’s not that Randall isn’t a perfectly good man,” she said, fiddling with the flowers in her hands. The roots crumbled dirt onto her lap. “He’s kind and caring and handsome and an excellent businessman.”
Oscar continued to nod.
“And he’ll make a fine husband, I’m sure,” she added, knowing he really was all those things. If only all of them combined could make up for what she didn’t feel while with him.
“I’m sure,” Oscar repeated. Had he been mocking her? She thought she had caught a trace of sarcasm. All this talk about Randall had her itching.
“Why do you ask?”
“Just wondered if you missed home,” Oscar answered and threw the mangled blade of grass behind him.
“Do you?” she asked, ashamed to her Oscar know how little she desired to return. He thought for a moment, tugging up another switch of grass and rolling it between his fingers.
“No,” he answered with stark certainty. “I have everything I’d miss right here.”
Every inch of Camille’s body smoldered under Oscar’s gentle, and so very forward, gaze. He’d miss her. She looked into his gray-blue eyes, rimmed by thick, honey-colored lashes-had they always been so full? The bridge of his nose crooked to the left slightly, perhaps broken in a fight after he’d moved from her father’s carriage house to a small apartment along the San Francisco harbor front. She’d never noticed the charming imperfection before.
She watched as his eyes traveled over her own features, touching on the wound by her temple and settling on the heart-shaped fullness of her lips.
Oscar held his piercing stare. “We probably won’t arrive home in time for your wedding.
”
”
Angie Frazier (Everlasting (Everlasting, #1))
“
She'd loved birds long before her physical limitations kept her grounded. She'd found a birding diary of her grandmother's in a trunk in the attic when she was Frankie's age, and when she asked her father about it, he dug through boxes on a shelf high above her head, handing down a small pair of binoculars and some field guides.
She'd seen her first prothonotary warbler when she was nine, sitting alone on a tupelo stump in the forest, swatting at mosquitoes targeting the pale skin behind her ears. She glanced up from the book she was reading only to be startled by an unexpected flash of yellow. Holding her breath, she fished for the journal she kept in her pocket, focusing on the spot in the willow where he might be. A breeze stirred the branches, and she saw the brilliant yellow head and underparts standing out like petals of a sunflower against the backdrop of leaves; the under tail, a stark white. His beak was long, pointed and black; his shoulders a mossy green, a blend of the citron yellow of his head and the flat slate of his feathers. He had a black dot of an eye, a bead of jet set in a field of sun. Never had there been anything so perfect. When she blinked he disappeared, the only evidence of his presence a gentle sway of the branch. It was a sort of magic, unveiled to her. He had been hers, even if only for a few seconds.
With a stub of pencil- 'always a pencil,' her grandmother had written. 'You can write with a pencil even in the rain'- she noted the date and time, the place and the weather. She made a rough sketch, using shorthand for her notes about the bird's coloring, then raced back to the house, raspberry canes and brambles speckling bloody trails across her legs. In the field guide in the top drawer of her desk, she found him again: prothonotary warbler, 'prothonotary' for the clerks in the Roman Catholic Church who wore robes of a bright yellow. It made absolute sense to her that something so beautiful would be associated with God.
After that she spent countless days tromping through the woods, toting the drab knapsack filled with packages of partially crushed saltines, the bottles of juice, the bruised apples and half-melted candy bars, her miniature binoculars slung across one shoulder. She taught herself how to be patient, how to master the boredom that often accompanied careful observation. She taught herself how to look for what didn't want to be seen.
”
”
Tracy Guzeman (The Gravity of Birds)
“
Feyre,' he said, his voice hoarse. As if he'd been screaming.
'Yes,' I said. He studied my face- the taloned hand at my throat. And released me immediately.
I lay there, staring up at where he now knelt on the bed, rubbing his hands over his face. My traitorous eyes indeed dared to look lower than his chest- but my attention snagged on the twin tattoos on each of his knees: a towering mountain crowned by three stars. Beautiful- but brutal, somehow.
'You were having a nightmare,' I said, easing into a sitting position. Like some dam had been cracked open inside me, I glanced at my hand- and willed it to vanish into shadow. It did.
Half a thought scattered the darkness again.
His hands, however, still ended in long, black talons- and his feet... they ended in claws, too. The wings were out, slumped down behind him. And I wondered how close he'd been to fully shifting into that beast he'd once told me he hated.
He lowered his hands, talons fading into fingers. 'I'm sorry.'
'That's why you're staying here, not at the House. You don't want others seeing this.'
'I normally keep it contained to my room. I'm sorry it woke you.'
I fisted my hands in my lap to keep from touching him. 'How often does it happen?'
Rhys's violet eyes met mine, and I knew the answer before he said, 'As often as you.'
I swallowed hard. 'What did you dream of tonight?'
He shook his head, looking toward the window- to where snow had dusted the nearby rooftops. 'There are memories from Under the Mountain, Feyre, that are best left unshared. Even with you.'
He'd shared enough horrific things with me that they had to be... beyond nightmares, then. But I put a hand on his elbow, naked body and all. 'When you want to talk, let me know. I won't tell the others.'
I made to slither off the bed, but he grabbed my hand, keeping it against his arm. 'Thank you.'
I studied the hand, the ravaged face. Such pain lingered there- and exhaustion. The face he never let anyone see.
I pushed up onto my knees and kissed his cheek, his skin warm and soft beneath my mouth. It was over before it started, but- but how many nights had I wanted someone to do the same for me?
His eyes were a bit wide as I pulled away, and he didn't stop me as I eased off the bed. I was almost out the door when I turned back to him.
Rhys still knelt, wings drooping across the white sheets, head bowed, his tattoos stark against his golden skin. A dark, fallen prince.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
What a lovely day again; were it a new-made world, and made for a summer-house to the angels, and this morning the first of its throwing open to them, a fairer day could not dawn upon that world. Here's food for thought, had Ahab time to think; but Ahab never thinks; he only feels, feels, feels; that's tingling enough for mortal man! to think's audacity. God only has that right and privilege. Thinking is, or ought to be, a coolness and a calmness; and our poor hearts throb, and our poor brains beat too much for that. And yet, I've sometimes thought my brain was very calm—frozen calm, this old skull cracks so, like a glass in which the contents turned to ice, and shiver it. And still this hair is growing now; this moment growing, and heat must breed it; but no, it's like that sort of common grass that will grow anywhere, between the earthy clefts of Greenland ice or in Vesuvius lava. How the wild winds blow it; they whip it about me as the torn shreds of split sails lash the tossed ship they cling to. A vile wind that has no doubt blown ere this through prison corridors and cells, and wards of hospitals, and ventilated them, and now comes blowing hither as innocent as fleeces. Out upon it!—it's tainted. Were I the wind, I'd blow no more on such a wicked, miserable world. I'd crawl somewhere to a cave, and slink there. And yet, 'tis a noble and heroic thing, the wind! who ever conquered it? In every fight it has the last and bitterest blow. Run tilting at it, and you but run through it. Ha! a coward wind that strikes stark naked men, but will not stand to receive a single blow. Even Ahab is a braver thing—a nobler thing that that. Would now the wind but had a body; but all the things that most exasperate and outrage mortal man, all these things are bodiless, but only bodiless as objects, not as agents. There's a most special, a most cunning, oh, a most malicious difference! And yet, I say again, and swear it now, that there's something all glorious and gracious in the wind. These warm Trade Winds, at least, that in the clear heavens blow straight on, in strong and steadfast, vigorous mildness; and veer not from their mark, however the baser currents of the sea may turn and tack, and mightiest Mississippies of the land swift and swerve about, uncertain where to go at last. And by the eternal Poles! these same Trades that so directly blow my good ship on; these Trades, or something like them—something so unchangeable, and full as strong, blow my keeled soul along!
”
”
Herman Melville (Moby-Dick or, The Whale)
“
Another episode startled Trump’s advisers on the Asia trip. As the president and his entourage embarked on the journey, they stopped in Hawaii on November 3 to break up the long flight and allow Air Force One to refuel. White House aides arranged for the president and first lady to make a somber pilgrimage so many of their predecessors had made: to visit Pearl Harbor and honor the twenty-three hundred American sailors, soldiers, and marines who lost their lives there. The first couple was set to take a private tour of the USS Arizona Memorial, which sits just off the coast of Honolulu and straddles the hull of the battleship that sank into the Pacific during the Japanese surprise bombing attack in 1941. As a passenger boat ferried the Trumps to the stark white memorial, the president pulled Kelly aside for a quiet consult. “Hey, John, what’s this all about? What’s this a tour of?” Trump asked his chief of staff. Kelly was momentarily stunned. Trump had heard the phrase “Pearl Harbor” and appeared to understand that he was visiting the scene of a historic battle, but he did not seem to know much else. Kelly explained to him that the stealth Japanese attack here had devastated the U.S. Pacific Fleet and prompted the country’s entrance into World War II, eventually leading the United States to drop atom bombs on Japan. If Trump had learned about “a date which will live in infamy” in school, it hadn’t really pierced his consciousness or stuck with him. “He was at times dangerously uninformed,” said one senior former adviser. Trump’s lack of basic historical knowledge surprised some foreign leaders as well. When he met with President Emmanuel Macron of France at the United Nations back in September 2017, Trump complimented him on the spectacular Bastille Day military parade they had attended together that summer in Paris. Trump said he did not realize until seeing the parade that France had had such a rich history of military conquest. He told Macron something along the lines of “You know, I really didn’t know, but the French have won a lot of battles. I didn’t know.” A senior European official observed, “He’s totally ignorant of everything. But he doesn’t care. He’s not interested.” Tillerson developed a polite and self-effacing way to manage the gaps in Trump’s knowledge. If he saw the president was completely lost in the conversation with a foreign leader, other advisers noticed, the secretary of state would step in to ask a question. As Tillerson lodged his question, he would reframe the topic by explaining some of the basics at issue, giving Trump a little time to think. Over time, the president developed a tell that he would use to get out of a sticky conversation in which a world leader mentioned a topic that was totally foreign or unrecognizable to him. He would turn to McMaster, Tillerson
”
”
Philip Rucker (A Very Stable Genius: Donald J. Trump's Testing of America)
“
That was when it dawned on her--Dom wanted to unearth her secrets. Nancy’s secrets. Just as Jane had feared, he really had deduced that she hid some.
A shiver ran down her spine, and she jerked her gaze from him, fighting to hide her consternation. “Merely the same reason I gave you before. Nancy could be in trouble. And it’s your duty as her brother-in-law to keep her safe.”
“From what?” he demanded. “From whom? Is there more to this than you’re saying?”
Ooh, the fact that he was so determined to unveil the truth about Nancy while hiding his former collusion with her scraped Jane raw. “I could ask the same of you,” she said primly. “You’re obviously holding something back. You have some reason for your determination to believe ill of Nancy. I wonder what that might be.”
Two can play your game, Almighty Dom. Hah!
He was silent so long that she ventured a glance at him to find him looking rather discomfited. Good! It was about time.
“I am merely keeping an open mind about your cousin, which is more than I can say for you,” Dom finally answered. “She isn’t the woman you think she is.”
“Because she wouldn’t give in to your advances twelve years ago, you mean?” She would make him admit the truth about that night if it was the last thing she did! “Perhaps that’s why you’re determined to blacken her character. You’re angry that she resisted you and married your brother instead.”
“That’s a lie!” When several people on the street turned to look in his direction, Dom lowered his voice. “It wasn’t like that.”
She stifled a smile of satisfaction. At last she was getting a reaction from him that was something other than levelheaded logic. “Wasn’t it? If you’d convinced Nancy to marry you, you might not have had to go off to be a Bow Street runner. You could have had an easier life, a better life in high society than you could have had with me if you’d married me. Without being able to access my fortune, I could only have dragged you down.”
“You don’t really believe that I wanted to marry her for her money,” he gritted out.
“It’s either that or assume that you fell madly in love with her in the few weeks we were apart.” They were nearly to the inn now, so she added a plaintive note to her voice. “Or perhaps it was her you wanted all along. You knew my uncle would never accept a second son as a husband for his rich heiress of a daughter, so you courted me to get close to her. Nancy was always so beautiful, so--”
“Enough!”
Without warning, he dragged her into one of the many alleyways that crisscrossed York. This one was deeply shadowed, the houses leaning into each other overhead, and as he pulled her around to face him, the brilliance of his eyes shone starkly in the dim light.
“I never cared one whit about Nancy.”
She tamped down her triumph--he hadn’t admitted the whole truth yet. “It certainly didn’t look that way to me. It looked like you had already forgotten me, forgotten what we meant to each--”
“The hell I had.” He shoved his face close to hers. “I never forgot you for one day, one hour, one moment. It was you--always you. Everything I did was for you, damn it. No one else.”
The passionate profession threw her off course. Dom had never been the sort to say such sweet things. But the fervent look in his eyes roused memories of how he used to look at her. And his hands gripping her arms, his body angling in closer, were so painfully familiar...
“I don’t…believe you,” she lied, her blood running wild through her veins.
His gleaming gaze impaled her. “Then believe this.” And suddenly his mouth was on hers.
”
”
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
“
If there was any politician in America who reflected the Cold War and what it did to the country, it was Richard Nixon—the man and the era were made for each other. The anger and resentment that were a critical part of his temperament were not unlike the tensions running through the nation as its new anxieties grew. He himself seized on the anti-Communist issue earlier and more tenaciously than any other centrist politician in the country. In fact that was why he had been put on the ticket in the first place. His first congressional race in 1946, against a pleasant liberal incumbent named Jerry Voorhis, was marked by red-baiting so savage that it took Voorhis completely by surprise. Upon getting elected, Nixon wasted no time in asking for membership in the House Un-American Activities Committee. He was the committee member who first spotted the contradictions in Hiss’s seemingly impeccable case; in later years he was inclined to think of the case as one of his greatest victories, in which he had challenged and defeated a man who was not what he seemed, and represented the hated Eastern establishment. His career, though, was riddled with contradictions. Like many of his conservative colleagues, he had few reservations about implying that some fellow Americans, including perhaps the highest officials in the opposition party, were loyal to a hostile foreign power and willing to betray their fellow citizens. Yet by the end of his career, he became the man who opened the door to normalized relations with China (perhaps, thought some critics, he was the only politician in America who could do that without being attacked by Richard Nixon), and he was a pal of both the Soviet and Chinese Communist leadership. If he later surprised many long-standing critics with his trips to Moscow and Peking, he had shown his genuine diplomatic skills much earlier in the way he balanced the demands of the warring factions within his own party. He never asked to be well liked or popular; he asked only to be accepted. There were many Republicans who hated him, particularly in California. Earl Warren feuded with him for years. Even Bill Knowland, the state’s senior senator and an old-fashioned reactionary, despised him. At the 1952 convention, Knowland had remained loyal to Warren despite Nixon’s attempts to help Eisenhower in the California delegation. When Knowland was asked to give a nominating speech for Nixon, he was not pleased: “I have to nominate the dirty son of a bitch,” he told friends. Nixon bridged the gap because his politics were never about ideology: They were the politics of self. Never popular with either wing, he managed to negotiate a delicate position acceptable to both. He did not bring warmth or friendship to the task; when he made attempts at these, he was, more often than not, stilted and artificial. Instead, he offered a stark choice: If you don’t like me, find someone who is closer to your position and who is also likely to win. If he tilted to either side, it was because that side seemed a little stronger at the moment or seemed to present a more formidable candidate with whom he had to deal. A classic example of this came early in 1960, when he told Barry Goldwater, the conservative Republican leader, that he would advocate a right-to-work plank at the convention; a few weeks later in a secret meeting with Nelson Rockefeller, the liberal Republican leader—then a more formidable national figure than Goldwater—Nixon not only reversed himself but agreed to call for its repeal under the Taft-Hartley act. “The man,” Goldwater noted of Nixon in his personal journal at the time, “is a two-fisted four-square liar.
”
”
David Halberstam (The Fifties)
“
If you’d convinced Nancy to marry you, you might not have had to go off to be a Bow Street runner. You could have had an easier life, a better life in high society than you could have had with me if you’d married me. Without being able to access my fortune, I could only have dragged you down.”
“You don’t really believe that I wanted to marry her for her money,” he gritted out.
“It’s either that or assume that you fell madly in love with her in the few weeks we were apart.” They were nearly to the inn now, so she added a plaintive note to her voice. “Or perhaps it was her you wanted all along. You knew my uncle would never accept a second son as a husband for his rich heiress of a daughter, so you courted me to get close to her. Nancy was always so beautiful, so--”
“Enough!”
Without warning, he dragged her into one of the many alleyways that crisscrossed York. This one was deeply shadowed, the houses leaning into each other overhead, and as he pulled her around to face him, the brilliance of his eyes shone starkly in the dim light.
“I never cared one whit about Nancy.”
She tamped down her triumph--he hadn’t admitted the whole truth yet. “It certainly didn’t look that way to me. It looked like you had already forgotten me, forgotten what we meant to each--”
“The hell I had.” He shoved his face close to hers. “I never forgot you for one day, one hour, one moment. It was you--always you. Everything I did was for you, damn it. No one else.”
The passionate profession threw her off course. Dom had never been the sort to say such sweet things. But the fervent look in his eyes roused memories of how he used to look at her. And his hands gripping her arms, his body angling in closer, were so painfully familiar...
“I don’t…believe you,” she lied, her blood running wild through her veins.
His gleaming gaze impaled her. “Then believe this.” And suddenly his mouth was on hers.
This was not what she’d set out to get from him.
But oh, the joy of it. The heat of it. His mouth covered hers, seeking, coaxing. Without breaking the kiss, he pushed her back against the wall, and she grabbed for his shoulders, his surprisingly broad and muscular shoulders. As he sent her plummeting into unfamiliar territory, she held on for dear life.
Time rewound to when they were in her uncle’s garden, sneaking a moment alone. But this time there was no hesitation, no fear of being caught.
Glorying in that, she slid her hands about his neck to bring him closer. He groaned, and his kiss turned intimate. He used lips and tongue, delving inside her mouth in a tender exploration that stunned her. Enchanted her. Confused her.
Something both sweet and alien pooled in her belly, a kind of yearning she’d never felt with Edwin. With any man but Dom.
As if he sensed it, he pulled back to look at her, his eyes searching hers, full of surprise. “My God, Jane,” he said hoarsely, turning her name into a prayer.
Or a curse? She had no time to figure out which before he clasped her head to hold her for another darkly ravishing kiss. Only this one was greedier, needier. His mouth consumed hers with all the boldness of Viking raiders of yore. His tongue drove repeatedly inside in a rhythm that made her feel all trembly and hot, and his thumbs caressed her throat, rousing the pulse there.
Thank heaven there was a wall to hold her up, or she was quite sure she would dissolve into a puddle at his feet. Because after all these years apart, he was riding roughshod over her life again. And she was letting him.
How could she not? His scent of leather and bergamot engulfed her, made her dizzy with the pleasure of it. He roused urges she’d never known she had, sparked fires in places she’d thought were frozen. Then his hands swept down her possessively as if to memorize her body…or mark it as belonging to him.
Belonging to him.
”
”
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
“
With tinny drumbeats, the rain pounds the roof
My teary eyes compete
They can't keep up
Breathe
Let it go
Breathe
The vice on my chest tightens its razoring grip
I gasp
No relief
If only tears could soothe the pain
Then, I would look upon the tidal waves against these walls without fear
Crush and roll me, I'd plead,
Mold my body anew
But with these tears come no healing,
Just death, slow and determined
This old girl, this old woman, this old soul lives here inside
A tortoise outgrowing this hare's body
This youthful skin encasing a crumbling frame
I smooth the matted web of curls off my sweaty neck
And roll my eyes at the clock
How slowly the time squeaks by here in this room,
In this comfortless bed
I abandon the warmth from under my blanket tower and shiver
The draft rattles my spine
One by one, striking my vertebrae
Like a spoon chiming empty wine glasses,
Hitting the same fragile note till
my neck shakes the chill away
I swipe along the naked floor
with a toe for the slippers beneath the bed
Plush fabric caresses my feet
Stand!
Get up
With both hands, Gravity jerks me back down
Ugh! This cursed bed!
No more, I want no more of it
I try again
My legs quiver in search of my former strength
Come on, old girl, Come on, old woman, Come on, old soul,
Don't quit now
The floor shakes beneath me,
Hoping I trip and fall
To the living room window, I trudge
My joints grind like gravel under tires
More pain no amount of tears can soothe away
Pinching the embroidered curtain between my knuckles,
I find solace in the gloom
The wind humming against the window,
Makes the house creak and groan
Years ago, the cold numbed my pain
But can it numb me again,
This wretched body and fractured soul?
Outside I venture with chants fluttering my lips,
Desperate solemn pleas
For comfort, For mercy
For ease, For health
I open the plush throw spiraled around my shoulders
And tiptoe around the porch's rain-soaked boards
The chilly air moves through me like Death on a mission,
My body, an empty gorge with no barriers to stop him,
No flesh or bone
My highest and lowest extremities grow numb
But my feeble knees and crippling bones turn half-stone, half-bone
Half-alive, half-dead
No better, just worse
The merciless wind freezes my tears
My chin tumbles in despair
I cover myself and sniffle
Earth’s scent funnels up my nose:
Decay with traces of life in its perfume
The treetops and their slender branches sway,
Defying the bitter gusts
As I turn to seek shelter, the last browned leaf breaks away
It drifts, it floats
At the weary tree’s feet, it makes its bed alongside the others
Like a pile of corpses, they lie
Furled and crinkled with age
No one mourns their death
Or hurries to honor the fallen with thoughtful burials
No rage-filled cries echo their protests at the paws trampling their fragile bodies,
Or at the desecration by the animals seeking morning relief
And new boundaries to mark
Soon, the stark canopy stretching over the pitiful sight
Will replace them with vibrant buds and leaves
Until the wasting season again returns
For now, more misery will barricade my bones as winter creeps in
Unless Death meets me first to end it
”
”
Jalynn Gray-Wells (Broken Hearts of Queens)
“
It was the space in between that was perilous, the walk to her car, the four blocks, the few days of adjustment—as if my parents (who had similar values, diets, and mystical beliefs) were not only separate people but operated on contrasting principles. The houses were close but their atmospheres so starkly different it reminded me of something I’d read about the surface of the moon, how if you put your hand on the line where the light meets shadow, one side will freeze and the other will burn.
”
”
Lisa Brennan-Jobs
“
It cast the sewer in stark relief, silvering the stones, the brown water, the arched ceiling— Well, she’d found her brother. And five Reapers. The Reapers floated over the sewer’s river, black robes drifting. Ruhn, unconscious, dangled between two of them. The Starsword was still strapped to him. Either they were too stupid to disarm him, or they didn’t want to touch it. “What the fuck do you want?” Bryce stepped closer. Water poured from the grates above, the river rising swiftly. “We bear a message,” the Reapers intoned together. Like they were of one mind.
”
”
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
“
was a necklace Doctor Ellen was wearing. It was a cross on a thin chain, the same one the corpse had been wearing.
”
”
Blair Howard (Harry Starke / Two for the Money / Hill House (Harry Starke #1-3))
P.C. Cast (Burned (House of Night, #7))
“
In 1979, the clash between the White House’s call for climate protection and the federal government’s fossil fuel energy policies became stark.
”
”
James Gustave Speth (They Knew: The US Federal Government's Fifty-Year Role in Causing the Climate Crisis)
“
The dividing lines are fading, If we've observed anything over the last several years, it has to be the large eraser we've taken to the stark lines that neatly compartmentalize our lives. For many, the tall wooden dresser, with its many drawers that housed each section of their lives, has been replaced with a large glass box. And we needn't look very far to find examples.
”
”
Paul Pierroz (The Purpose-Driven Marketing Handbook: How to Discover Your Impact and Communicate Your Business Sustainability Story to Grow Sales, Retain Talent, and Attract Investors)
“
Hypaxia whispered, “I don’t think it’s a memorial plaque. On the Gate.” The witch pointed to the sign mounted on the glowing quartz, the bronze stark against the incandescent stone. “The power shall always belong to those who give their lives to the city.” Bryce dropped further into power. Past the normal, respectable levels. Queen Hypaxia said, “The plaque is a blessing.” Declan’s breathing was uneven as he murmured, “The power of the Gates—the power given over by every soul who has ever touched it … every soul who has handed over a drop of their magic.” He tried and failed to calculate just how many people, over how many centuries, had touched the Gates in the city. Had handed over a drop of their power, like a coin tossed in a fountain. Made a wish on that drop of yielded power.
”
”
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
“
No,” Ruhn was saying, over and over. “No, no—” But Hunt heard nothing. Felt nothing. It had all crumbled inside him the moment she’d hung up. Bryce leapt the fence around the Gate and halted before its towering archway. Before the terrible black void within it. A faint white radiance began to glow around her. “What is that?” Fury whispered. It flickered, growing brighter in the night. Enough to illuminate her slender hands cupping a sparkling, pulsing light before her chest. The light was coming from her chest—had been pulled from inside it. Like it had dwelled inside her all along. Bryce’s eyes were closed, her face serene. Her hair drifted above her head. Bits of debris floated up around her, too. As if gravity had ceased to exist. The light she held was so stark it cast the rest of the world into grays and blacks. Slowly, her eyes opened, amber blazing like the first pure rays of dawn. A soft, secret smile graced her mouth. Her eyes lifted to the Gate looming above her. The light between her hands grew stronger. Ruhn fell to his knees. “I am Bryce Quinlan,” she said to the Gate, to the void, to all of Hel behind it. Her voice was serene—wise and laughing. “Heir to the Starborn Fae.” The ground slid out from under Hunt as the light between her hands, the star she’d drawn from her shattered heart, flared as bright as the sun.
”
”
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
“
In stark contrast to William’s mother, Kate had never come close to moving in aristocratic circles, much less royal ones. She was an untitled commoner, a descendant of coal miners and factory workers. Kate’s mother, Carole, grew up partly in public housing and was working as a British Airways flight attendant when she met and married fellow airline employee Michael Middleton.
”
”
Christopher Andersen (Brothers and Wives: Inside the Private Lives of William, Kate, Harry, and Meghan)
“
In the Spanish number the house was electrified. Everybody sat on the edge of his seat---the drums woke them up. I thought when the drums started it would keep up forever. I expected to see people fall out of the boxes or throw their hats away. There was something heroic about it and he could have driven us stark mad, Ravel, if he had wanted to. But that's not Ravel. Suddenly it all died down. It was as if he remembered, in the midst of his antics, that he had on a cutaway suit. He arrested himself. A great mistake, in my humble opinion. Art consists in going the full length. If you start with the drums you have to end with dynamite, or TNT. Ravel sacrificed something for form, for a vegetable that people digest before going to bed.
”
”
Henry Miller
“
On the one-year anniversary of the attack, there was a small ceremony and a moment of silence on the floor of the House of Representatives. My dad came with me to the Capitol that day. We walked into the House chamber and took two seats in the front row on the Republican side. As we sat down, my dad looked over his shoulder at row after row after row of empty seats. We were the only Republicans there. Shaking his head, he said to me, “It’s one thing to hear about what’s happening in our party, but to see it, like this, in such stark terms…” His voice trailed off. It was a profoundly sad moment.
”
”
Liz Cheney (Oath and Honor: A Memoir and a Warning)
“
Sure, there are residents like my mother who understood that public housing was merely a bridge to self-sufficiency, but most treat their temporary rental leases as if they are permanent property deeds. Outside of prisons, the government shouldn’t provide lifetime housing.
”
”
Taleeb Starkes (The Un-Civil War: BLACKS vs NIGGERS: Confronting the Subculture Within the African-American Community)
“
However, the most popular cultural response to the Wars of the Roses is not a work of history or historical fiction but one of fantasy; George R R Martin's Game of Thrones books, and their TV adaptation, are hugely influenced by the Wars of the Roses. Martin has taken the core of the conflict - a political and personal struggle between two medieval dynasties - and depicted it on an epic scale. Though his version contains monsters and magic, it also contains many incidents based on those of the war, as well as characters based on its protagonists, most notably the noble houses of Stark and Lannister.
”
”
Charles River Editors (The Wars of the Roses: The History of the Conflicts that Brought the Tudors to Power in England)
“
Among other jobs that we did, my brother Bill and I were shoe shine boys in Jersey City and Hoboken during the World War II years. We went from tavern to tavern shining shoes for ten cents and hopefully a generous tip. The Hoboken waterfront bristled with starkly looming, grey hulled Liberty ships. Secured to the piers facing River Street, they brandished their ominous cannons towards what I thought was City Hall. An unappreciated highlight was when I shined Frank Sinatra’s shoes at a restaurant on Washington Street, just west from the Clam Broth House. There was no doubt but that Hoboken was an exciting place during those years. Years later I met Frank at Jilly's saloon, a lounge on West 52d Street in Manhattan, for a few drinks and a little fun around town. Even though I was an adult by then, he still called me “kid!”
It was obvious that Frank Sinatra enjoyed friendly relations with Mafia notables such as Carlo Gambino, “Joe Fish” Fischetti and Sam Giancana. Meyer Lansky was said to have been a friend of Sinatra’s parents in Hoboken. During this time Sinatra spoke in awe about Bugsy Siegel and was in an AP syndicated photograph, seen in many newspapers, with Tommy “Fatso” Marson, Don Carlo Gambino 'The Godfather', and Jimmy 'The Weasel, Fratianno. Little wonder that the Federal Bureau of Investigation kept their eye on Sinatra for almost 50 years.
A memo in FBI files revealed that Sinatra felt that he could be of use to them. However, it is difficult to believe that Sinatra would have become an FBI informer, better known as a “rat.”
It was in May of 1998 when Sinatra, being treated at Cedars-Sinai Medical Center in Los Angeles told his wife Barbara, “I’m losing.” Frank Sinatra died on May 14th at 82 years of age. It is alleged that he was buried with the wedding ring from his ex-wife, Mia Farrow, which she slid unnoticed into his suit pocket during his “viewing.”
Aside from his perceived personal and public image, Frank Sinatra’s music will shape his enduring legacy for decades to come. His 100th birthday was celebrated at the Hollywood Bowl on Wednesday, July 22, 2015. Somehow Frank will never age and his music will never fade….
”
”
Hank Bracker
“
A moment after the Hermit entered, through another door stepped Gamon, the leader of the House of Cups, her face flat with fury. A third door shifted, and Danae entered. Still another and, well, a demon entered. A demon I had not seen in the daylight for far too long. Warrick, head of the Syx.
”
”
Jenn Stark (Wilde Fire (Immortal Vegas, #11))
“
Starke entered his house a detective, slipped off his shoes and became a husband and father. It was five in the morning. The world was blue. He went to the refrigerator and opened the door, looking for answers to mysteries he would never comprehend. So he closed it and settled for water instead.
”
”
Aaron Dries (The Fallen Boys)
“
A house of stone and glass and iron should be stark and sober, a watchtower from which a benevolent guard is kept over society. But the white stone of this particular house rippled as if reacting to a hand that had found its most pleasurable point of contact.
”
”
Helen Oyeyemi (What Is Not Yours Is Not Yours)
“
It was obvious to me, by now, that believers in different settings view persecution very differently. For example, the way American believers see persecution is starkly different from the way that believers in Chinese house-church settings see persecution. The suggestion that imprisonment for the faith is equivalent to seminary training, for example, is a startling thought for most American believers. But that starling view is based on a crucial truth. Chinese believers had learned something that Jesus plainly taught: that persecution can actually change a person's faith. Before persecution, a person's faith might look a certain way. After persecution and suffering, however, that faith might look very different. In fact, after persecution, the believer might not even look like the same person. And, interestingly, the change might be cause for celebration. That should come as no surprise to us. Recalling the New Testament stories of the disciples, we see the transition of their lives and faith. At one point, they are a fearful, quivering group ready to run and hide. At Pentecost, though, we find a very different group. Suddenly, they are filled with courage, willing to take a public stand, and eager to suffer for the sake of His name. The turning point between that crippling fear and this new-found courageous freedom is the resurrection of Jesus.
”
”
Nik Ripken (The Insanity of God: A True Story of Faith Resurrected)
“
Art translates human souls. Each passing eon’s public display of sophisticated hieroglyphics cast a unique depiction upon the rudimentary art of survival. Humankind cannot exist without the makeshift paradigm of innovative art, which genuine amoeba expresses elusive and unsayable thoughts. Humankind’s gallery of artistic impressions ranges from the starkness of personified cave drawings to the free ranging lexis of modern art. Collection of multihued stories of the ages portrays the vivid panoply of enigmatic vitas etched by humankind’s self-imposed sense of urgency. Each passing generation’s effusion of trope offerings seamlessly folds its shared renderings into the shimmering panorama of the cosmos, the sparkling nightscape that houses the intangible life force all communal souls.
”
”
Kilroy J. Oldster (Dead Toad Scrolls)
“
She leaned back in a little creaky wooden chair and gave him a bald stark gaze. He felt enveloped in the stare, which was not a stare but simply an act of the eyes remaining still, those eyes which seemed as large as eggs, so gray they were almost white, reflecting, almost absolutely still. His skin had prickled at first, he had thought she had no nose, it was so small and flat, stretched on her face as smooth as wax. Leaned back in the chair that way, her body, flat and square, seemed as complacent as stone, all filled with calm waiting; this was her whole attitude. She played listlessly with her hair, looking at him. It was impossible. That body so stubby and that face so flatly ugly—something undeniably fishlike about it—and still, still it exercised upon him immediately an attraction, the fascination he might have in watching a snake uncoil itself lazily and curl along the ground. He couldn’t believe it; maybe it was the crazy musky odor of the house, confusing all his impressions, his senses. He had to use his whole will to take his eyes off her.
”
”
Fred Chappell (Dagon)
“
There are many faces to the horrors of war-- decimation, mutilation, barbarity, and, of course, death itself. But one of the most savage and dehumanizing consequences of armed conflict is the prison system that springs up to house enemy combatants--and ordinary citizens too. These hellish camps encapsulate the lowest depths of human depravity; ruled by violence and degeneracy, political prisoners are forced to endure unthinkable conditions and unchecked cruelty--all without any chance of reprieve. Uta Christensen's latest novel, Caught: Surviving the Turbulent River of Life, chronicles this appalling consequence of war, weaving a narrative of atrocity that, despite its artful inventions and complex characters, is so starkly based on grim realities... that one cannot help but shudder.
Caught tells the story of Janos, a young German boy kidnapped by the Nazis during WWII--and forced into a Russian prison camp. There, Janos must survive against all odds, fighting off starvation and death at every turn as the years march on... and he becomes a man. It is, in fact, within the hardships of this very crucible, that Janos thrives, overcoming the frailties and ignobilities of existence to discover friendship, compassion, and love--making him into the apotheosis of an upstanding, self-reliant citizen: a true model to all his fellow countrymen.
Told in flashbacks, Caught: Surviving the Turbulent River of Life explores the intricate nature of suffering and memory, delving into the complexities of how the past--even the most vicious episodes--informs the present... and the very nature of the self. Uta Christensen, with striking prose and a poetic sensibility, brings the darker chapters of history to life in such a way that one is instantly captivated by a concurrent horror and pity, a sense of tragedy, but too a catharsis in overcoming, in human resilience and beauty itself. A truly breathtaking novel, Caught is a tour de force of literary perfection; poignant, unremitting, and painfully real, this book is essential reading for all those willing to face hard truths--and grow from them.
”
”
Phi Beta Kappa review, 5 Star Review by Charles Asher.
“
The Genesis account of the advent of mankind (Adam-man) is far more eloquent and significant than a casual reading of the passage in English might suggest. In this majestic “Poem of the Dawn” or “Hymn of Creation” (cf. H. Orton Wiley, Christian Theology, Vol. I, Nazarene Publishing House, Kansas City, Mo., pp. 450 ff.), the metaphorical use of the terms “dust,” “image,” “likeness,” “create,” “made,” “breath of life,” and others, contributes much to biblical understanding of man, sin, redemption, holiness, and all the implications of “grace” in relation to man. The writer of the Genesis story chose his words carefully. In 1:26 he tells us that God said, “Let us make man in our image after our likeness,” and (1:27) then, “God created man in his own image … male and female created he them.” Strangely, the second account (Genesis 2) introduces a most mundane and earthy note to the almost too idealistic and incredible first description. “The Lord God formed man of dust from the ground, and breathed into his nostrils the breath of life [‘lives, ’ Hebrew plural, here]; and man became a living being” (Gen. 2:7; RSV). Note the progress; formed, breathed into, and then the process of becoming. There will be no attempt made here to formulate any theory of man's appearance on earth. These terms are noted to suggest that the wording gives room for more than one interpretation. However, no attempt to interpret these passages from the standpoint of modern science should be permitted to obscure the main ideas proposed in Genesis 1—2. This is not a scientific account nor was it in any sense intended to be. The role of science is to unpack all the facts possible which are built into man and his history and world. But the meaning of man and his universe must be derived from another source. And it is this meaning that the biblical story seeks to impart. This starkly beautiful, unembroidered introduction to man as made in his Creator's image establishes the fundamental religious meaning of man as he stands in relationship to God and to nature. This noble concept must precede and throw light upon all that the Hebraic-Christian teaching will assume about man—a sinful creature as of now, yet created in the Imago Dei.
”
”
Mildred Bangs Wynkoop (A Theology of Love)
“
Nation after nation declared independence from the Soviet Union, and for the first time, the world truly saw the stark contrast between the free world and the totalitarian misery of the Eastern bloc. The West was dominated by skyscrapers, shopping malls, and supermarkets stocked with five of everything; the egalitarian East? It was dominated by dreary ghetto-style block housing, bread lines, and censorship. The contrast was clear. This should have been the end of socialism. It should have been consigned to the dustbin of history. But it wasn’t.
”
”
Eric Bolling (Wake Up America: The Nine Virtues That Made Our Nation Great—and Why We Need Them More Than Ever)
“
The next day we sat in Geir’s bedroom and wrote a love letter to Anne Lisbet. His parents’ house was identical to ours, it had exactly the same rooms, facing in exactly the same directions, but it was still unendingly different, because for them functionality reigned supreme, chairs were above all else comfortable to sit in, not attractive to look at, and the vacuumed, almost mathematically scrupulous, cleanliness that characterized our rooms was utterly absent in their house, with tables and the floor strewn with whatever they happened to be using at that moment. In a way, their lifestyle was integrated into the house. I suppose ours was, too, it was just that ours was different. For Geir’s father, sole control of his tools was unthinkable, quite the contrary, part of the point of how he brought up Geir and Gro was to involve them as much as possible in whatever he was doing. They had a workbench downstairs, where they hammered and planed, glued and sanded, and if we felt like making a soap-box cart, for example, or a go-kart, as we called it, he was our first port of call. Their garden wasn’t beautiful or symmetrical as ours had become after all the hours Dad had spent in it, but more haphazard, created on the functionality principle whereby the compost heap occupied a large space, despite its unappealing exterior, and likewise the stark, rather weed-like potato plants growing in a big patch behind the house where we had a ruler-straight lawn and curved beds of rhododendrons.
”
”
Karl Ove Knausgård (Min kamp 3 (Min kamp, #3))
“
Without warning, he dragged her into one of the many alleyways that crisscrossed York. This one was deeply shadowed, the houses leaning into each other overhead, and as he pulled her around to face him, the brilliance of his eyes shone starkly in the dim light.
“I never cared one whit about Nancy.”
She tamped down her triumph--he hadn’t admitted the whole truth yet. “It certainly didn’t look that way to me. It looked like you had already forgotten me, forgotten what we meant to each--”
“The hell I had.” He shoved his face close to hers. “I never forgot you for one day, one hour, one moment. It was you--always you. Everything I did was for you, damn it. No one else.”
The passionate profession threw her off course. Dom had never been the sort to say such sweet things. But the fervent look in his eyes roused memories of how he used to look at her. And his hands gripping her arms, his body angling in closer, were so painfully familiar...
“I don’t…believe you,” she lied, her blood running wild through her veins.
His gleaming gaze impaled her. “Then believe this.” And suddenly his mouth was on hers.
”
”
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
“
Humankind cannot exist without the makeshift paradigm of innovative art, which genuine amoeba expresses elusive and unsayable thoughts. Humankind’s gallery of artistic impressions ranges from the starkness of personified cave drawings to the free ranging lexis of modern art. Collection of multihued stories of the ages portrays the vivid panoply of enigmatic vitas etched by humankind’s self-imposed sense of urgency. Each passing generation’s effusion of trope offerings seamlessly folds its shared renderings into the shimmering panorama of the cosmos, the sparkling nightscape that houses the intangible life force all communal souls.
”
”
Kilroy J. Oldster (Dead Toad Scrolls)
“
As long as the earth endures, seedtime and harvest, cold and heat, summer and winter, day and night will never cease.” —Genesis 8:22 (NIV) As I walked to my mom’s house next door, I looked at the silhouettes of birds in the trees with the sun setting behind them. The road was still warm beneath my bare feet, and my leg muscles were tired from hours spent doing yard work and clearing the garden for winter (or “putting it to bed” as my husband calls it). Blackbirds rested on the stark branches, watching me until I was just beneath them, and then they flew away in a rush of energy. Today was warm. The sun bright. Most of our trees have lost their leaves, but our maple by the barn was holding on, wearing its marvelous colors like an ornate cloak. “Sabra, put shoes on!” the neighbor shouted from her doorway. “It’s nearly winter, don’t you know?” This is our joke. Every season she notices my feet and my tendency to be barefoot as long as possible. In March she calls out, “It must be spring! You don’t have shoes on!” And then when the snow falls, she yells, “Oh no, look at those boots! We must be in for a long winter.” With each step, I feel the warm tarry road beneath my feet. In a week or two, I’ll be wearing big thick socks and warm shoes. For now, I take in the beauty of a sunny path and hold it as a gift to help me through the long winter ahead. Dear Lord, may I always be mindful of the beauty in every season You have placed beneath my feet. —Sabra Ciancanelli Digging Deeper: Ps 19:1; Eccl 3:1–4
”
”
Guideposts (Daily Guideposts 2014)
“
As evidence, a Pew Research Center survey, conducted in 2014, gave Americans two options about the places they would choose to reside if they had a choice. They could live in communities with larger houses, but in which schools, stores, and restaurants were miles away. Or they could live in smaller houses, but in neighborhoods in which schools, stores, and restaurants were within walking distance. By a staggering 77 to 21 percent margin, the people Pew defined as “consistent liberals” preferred the latter set of arrangements. By an equally stark 75 to 22 margin, “consistent conservatives,” as identified by Pew, preferred the former.
”
”
Marc Hetherington (Prius Or Pickup?: How the Answers to Four Simple Questions Explain America's Great Divide)
“
In all of nature, only three things may build toward true straightness, true defiance of the organic curl. Crystals seek a stark, lifeless geometry, line leading into line leading into hard, unforgiving angle. Viruses, which may be said to bridge the gap between the unliving, unthinking mineral and the hot, ceaseless tempo of the animal, form viciously sharpened cutting edges, turning their own mindless bodies into weapons.
And then there is the human race.
”
”
Mira Grant (In the Shadow of Spindrift House)
“
The leading house of the North, House Stark traces its descent from the First Men in the Age of Heroes. The Family’s founder, Brandon the Builder, was among those who established the Night’s Watch in the aftermath of the Long Night, According to legend, Brandon enlisted the aid of giants and the powerful magic of the Children of the Forest to raise the Wall. He went on to build the ancestral seat of Winterfell and was crowned the first king in the North.
”
”
Bryan Cogman (Inside HBO's Game of Thrones)
“
The Napoli was a rangy, powerful craft with graceful lines and was the pride of Tony’s life. The boat moved slowly out into the waters of Barmet Bay and then gathered speed as it headed toward the ocean. “Rough water,” Frank remarked as breaking swells hit the hull. Salt spray dashed over the bow of the Napoli as it plunged on through the white-caps. Bayport soon became a speck nestled at the curve of the horseshoe-shaped body of water. Reaching the ocean, Tony turned north. The boys could see the white line of the shore road rising and falling along the coast. Soon they passed the Kane farm. Two miles farther on they came within sight of the cliff upon which the Pollitt house stood. It looked stark and forbidding above the rocks, its roof and chimneys silhouetted against the sky.
”
”
Franklin W. Dixon (The House on the Cliff (Hardy Boys, #2))
“
Directly above the kitchen is the master bedroom and bath. They’re my favorite rooms in the house. Our master bath is mostly stark white, except for the walls, which are covered with a metallic black and gold wallpaper. The bath is stone resin. The shower water comes down like rain. It’s practically spa-like.
”
”
Mary Kubica (Just the Nicest Couple)
“
By and large, our impaired orthopraxy results from segregation. Siloed Christianity robs its participants by depriving them of fellow believers and their theological perspectives. The upshot is stark: We do not segregate due to theological conflict; we are in theological conflict due to willful segregation. If we recognize this, then integration, though counterintuitive, is the obvious solution. We must sacrificially run toward, not away from, one another. Integration confronts corporate ignorance by exposing us to theological ideas and cultural contexts other than our own. In our siloed condition, we have an impaired view of the mission field, so we are falling short of our kingdom potential.
”
”
Brandon Washington (A Burning House: Redeeming American Evangelicalism by Examining Its History, Mission, and Message)
“
She curls tightly to me kissing me on the lips and cheeks, her body skin to skin to mine, she’s kind of- like- a hyper puppy… you know- wet nose, big sad eyes, giving you lots of unwanted wet kisses, and can’t sit in one place for too long.
Now she is pulling on my necklace, the one I am always wearing has my dad’s wedding ring hanging from it-a thin silver chain and the gold band hanging from it, a gift dad gives me- saying- ‘He loves me more than mom, that I am the love of his life.’ Yet sis tugs gently to get my full attention. I ask here- ‘Why are you not wearing your undies?’
And she baby- talks without missing a beat- ‘Be- because you don’t at night so-o why should I’s.’ I knew not too long from now she would be running around the house stark-naked like always, saying it’s because I sleep this way. I am sure mom will say I am a bad role model, but yet there are far worse things she has done, things that mom and dad never need to know about, things that I can even remember right now. If she wants to be in my bad nude, will- I guess that’s okay…? She is just trying to be like me, and that’s sweet. I have saved her butt many times when she has done bad things. I have been like a mom to her, ever since she was born if I wanted to be or not. And she has been there for me when I was a nobody. Yeah, she’s the best pain in the butt a girl can have.
‘Mommy says you have to get up soon, her hand covering her eyes as she walks my room and sees both of us.’ Her breath smells like toothpaste, as she kisses us good morning, and she stumbles over all the stuff lying on the floor and it’s not until I push sis off me that I realize how badly I’m shaking. Mom, she has one of those green face masks sped up, which is some scary-looking crap, pulls she has curlers in her hair. Yet that’s not what’s got me traumatized. ‘It’s Friday,’ I say confused. I thought we were going to the rusty anchor today? Mom said- ‘I thought you didn’t like doing that Karly that you’re too grown up to be with your mommy and Daddy and sissy… always- yes we are all going this upcoming weekend, glad to see you want to go.’ I said- ‘Oh- okay?’ Mom- ‘Karly are you feeling, okay? Are you not your usual descent and moody self? Me- ‘Yah I am a fine mom.’
I have no idea how I got home last night, or what I did or didn’t do. It’s like it never happened, yet I think it did… didn’t it? Maybe I drink too much?
Mom said- ‘Um-hum- come on you two bare cuddle bugs it’s getting late.’
Then- I remember getting in the car, with the girls and the fighting it was all coming back to me, as I see my sis run into her room, leaving her nighty behind on my bed.
I knew that something looked different about her when I looked her over, I am starting to remember what Ray did to her last night. Yet she seems to be taking it so well- so strange. I have no idea what happened to Jenny or Maddie or Liv, and just thinking about it makes me awful sick, pissed, and yet so worried. I put my feet on the ground, first on my fuzzy shaggy throw rug, and then I step forward feeling the hard would under my feet.
The cold wood reminds me. When I was younger, I would lie on the floor all summer wishing I have some friends to spend my time with. Back then my only friend was my sis and my horse, I’m curious to do the same thing now, and reflect a bit on what the heck is going on- and also on how things have changed, I know my sis will be another half hour getting ready. And with me, all I have to do is jump in my outfit laying there on the floor. My skin feels so cold yet, yet on the inside, I feel scorching.
Like- photos on Instagram, all these snapshots start scrolling, row after row in my mind. Seeing bits and pieces of what went down last night. My, I- phone starts vibrating on top of my bed until it falls off the edge hitting me square in the face making me jump two feet in the air. I reach for it and slide my finger over the cracked screen.
”
”
Marcel Ray Duriez (Nevaeh Dreaming of you Play with Me)
“
Just outside the walls of the City, trouble was brewing. They came in boats from a land far across the sea. Many boats crammed with many hopefuls washed up on the shores in the shadow of the great cliffs. Like driftwood. These flotsam people were dazed, broken – perhaps at an extreme – optimistic. Surely there would be salvation within the thick city walls?
They appeared in a whisper – like the hissing of the surf. No citizen came to welcome them. No delegates. No photo-ops for ambitious politicians. Instead, only the City’s military – soldiers and officers with faces as hard and blank as the cliff the City teetered upon – were waiting.
They were herded in silence. Those without papers were left on the stony beach. There would be tents, bunks, and prefab houses in time.
The lucky ones were escorted up the great lifts and transported along the subway system – out of sight. A Downtown station would process them.
See this crowd of Driftwood people, Eva. See them huddle together in the dark, the glint of hope in their eyes. The color of their skin, how the women covered their hair, and how the men wore their beards – these were the superficial differences that would mark them so starkly here. The label of ‘other’ already hung around their necks without them even knowing.
”
”
Marcel M. du Plessis (The Silent Symphony)
“
There is a necessary debate to be had about gender equality among Muslims. Britain’s largely South Asian Muslim community is highly conservative in a way that often makes life unbearable for some of its young women, and to a different and less immediate extent, for young men. There are suffocating proscriptions around marriage, problems with forced marriage, domestic violence, stark double standards in the treatment of daughters and sons, and taboos around confronting and reporting sexual abuse. (Many of these behaviors are imported from South Asia and, interestingly, rejecting them has encouraged young people to seek religious knowledge and identity from urban, Mecca-trained imams.)
”
”
Azadeh Moaveni (Guest House for Young Widows: Among the Women of ISIS)
“
As sometimes happened following a visit to Kent, the city had a chill to it that went beyond a sense of the air outside. Though Maisie loved her flat in Pimlico, there was a warmth to her father's cottage, to being at Chelstone, that made her feel cocooned and safe. And she felt wanted. That flat was hers to do with as she wished, and to do exactly as she pleased within those walls, but sometimes she felt it still held within it the stark just-moved-in feeling that signaled the difference between a house and a home. Of course, it still was not fully furnished, and there were no ornaments displayed - a vase, perhaps, that a visitor might comment upon and the hostess would say, "Oh, that was a gift, let me tell you about it..." There were no stories attached to the flat - but how could there be, when she was always alone in her home. There were no family photographs, no small framed portraits on the mantelpiece over the fire in the sitting room as there were at her father's house. She thought the flat would be all the better for some photographs, not only to serve as reminders of those who were loved, or reflections of happy times spent in company, but to act as mirrors, where she might see the affection with which she was held by those dear to her. A mirror in which she could see her connections.
...
Most of the time, thought, she was not lonely, just on her own, an unmarried woman of independent means, even when the extent of the means - or lack thereof - sometimes gave her cause to remain awake at night. She knew the worries that came to the fore at night were the ones you had to pay attention to, for they blurred reasoned thought, sucked clarity from any consideration of one's situation, and could lead a mind around in circles, leaving one drained and ill-tempered. And if there was no one close with whom to discuss those concerns, they grew in importance in the imagination, whether were rooted in good sense or not.
...
She wondered if one could take leave of one's senses, even if one had no previous occasions of mental incapacity, simply by being isolated from others. Is that what pushed the man over the edge of all measured thought? Were his thoughts so distilled, without the calibrating effect of a normal life led among others, that he ceased to recognize the distinction between right and wrong, between good and evil, or between having a voice and losing it? And if that were so, might an ordinary woman living alone with her memories, with her work, with the walls of her flat drawing in upon her, be at some risk of not seeing the world as it is?
”
”
Jacqueline Winspear (Among the Mad (Maisie Dobbs, #6))
“
Bill glanced over at me quizzically. We were almost to my house. “My favorite fantasy? You come down into my daytime resting place stark naked,” he said, and I could see the gleam of his teeth as he smiled. “Oh, wait,” Bill said. “That’s already happened.” “There’s gotta be more to it,” I said. Then I could have bitten off my tongue. “Oh, there is.” His eyes told me exactly what happened after that. “And that’s your fantasy? That I come into your house naked and have sex with you?” “After that, you tell me that you have sent Eric on his way, that you want to be mine forever, and that to share my life you will permit me to make you a vampire like me.” The silence now was thick, and the fun had drained out of the fantasy. Then Bill added, “You know what I’d say when you told me this? I’d tell you I would never do such a thing. Because I love you.” And this, ladies and gentlemen, concluded our evening’s entertainment.
”
”
Charlaine Harris (Deadlocked (Sookie Stackhouse, #12))
“
One weekend during the time I was writing this chapter, I was out of town participating in a training conference. About 2:00 Saturday morning, my cell phone rang. My wife, Kris, was calling to tell me that a young mother from our church and her two small children had been killed in a tragic house fire. The husband had been injured trying to save his family and was the lone survivor. As soon as possible I caught a plane home so that I could attempt to minister to this grieving husband and father. The memorial service was held in our church sanctuary. Because of the condition of the bodies and the ages of the children, the decision was made to bury them in one large casket. I had never seen such a casket before, and I would be glad to never see another one. When we arrived at the graveside, there was a canopy, some chairs, and a few shovels next to the freshly dug grave. After I concluded my portion of the service, the casket was lowered into the ground. Then the husband and father stood up, took one of the shovels, and began to shovel dirt around the casket. After a few moments his father and father-in-law joined him. A minute or two later, other men from the group stepped up and relieved the first men of their shovels and continued the task. At some point a person in the crowd began singing a hymn, and eventually everyone joined in. When the service was over, many stayed to hug, cry, grieve, and even rejoice. It was a stark reminder of the implications of Jesus’ words in John 16:33—people suffer.
”
”
Stephen Viars (Putting Your Past in Its Place: Moving Forward in Freedom and Forgiveness)
“
The respective worldviews of tradition and science frame the nature of reality in starkly contrasting ways, and in this divided house of our time, it is clear which of the two views has gained the greater share of our attention and respect. The rational, material, and secular worldview of modern science threatens to overwhelm the traditional human quest for the metaphysical and spiritual realities that underlie the grand design of the natural world.
”
”
René Guénon (The Essential Rene Guenon: Metaphysical Principles, Traditional Doctrines, and the Crisis of Modernity)
“
he said I'd never been anything but his assistant from the beginning, he was the genius with the ideas, I was his girl Friday, that's all I was. So I hit him with a laptop, right on the back of the head with a laptop, and threw him off his goddam terrace with the great view of the Gunks, and threw his laptop after him, and I seriously positively wanted to kill him, and thought I had. And I set fire to the house, and I stole his Porsche, and I forged his name to a few checks, and I tried to access the business accounts so I could steal everything, and somewhere in there they caught me.
”
”
Richard Stark (Firebreak (Parker, #20))
“
Life was one big horrible climb up a greased pole to nowheres... a greased pole that rose out of emptiness below us and disappeared into a black dream above us...
”
”
Lou Cameron (Angel's Flight)
“
She considered Ferndale, with its coffee shops and pet stores, a decent place for her daughter to live alone with a baby. It was home to a sizable gay community, and the trim, muscled white boys who jogged through the nearby park posed a stark contrast to the folks she’d seen on the street on her drive over.
”
”
Angela Flournoy (The Turner House)
“
Kingdom (in stark contrast to the monolithic Najd). The Prophet Muhammad (PBUH) was the modern reformer of Hajj, and his personal efforts dispelled the heinous pre-Islamic associations with idolatry. He restored the Ka'aba as the House of God and cleansed it of statues and symbols of pagan worship, which were sometimes stored even within its hollow core. He returned monotheistic worship to Mecca, making Hajj the pinnacle of Islamic worship, as the Quran
”
”
Qanta A. Ahmed (In the Land of Invisible Women: A Female Doctor's Journey in the Saudi Kingdom)
“
We noiselessly walked through the house,
Not waiting for anything.
They showed me way to the sick man,
And I did not recognize him.
He said, "Now let God have the glory"
And became more thoughtful and blue.
"It's long time that I hit the road,
I've only been waiting for you.
So you bother me in my fever,
I keep those words from you.
Tell me: can you not forgive me?"
And I said, "I can do."
It seemed, that the walls were shining
From floor to the ceiling that day.
Upon the silken blanket
A withered arm lay.
And the thrown-over predatory profile
Became horribly heavy and stark,
And one could not hear the breathing
Through the bitten-up lips turned dark.
But suddenly the last bit of strength
Came alive in the eyes of blue:
"It is good that you released me,
Not always kind were you."
And then the face became younger,
And I recognized him once more.
And then I said, "Holy Father,
Accept a slave of yours.
”
”
Anna Akhmatova
“
Why did you try to control me? It wasn’t purely an intellectual question, as she wanted it to be.
He sensed he had hurt her in some way, disappointed her. She moved restlessly, as if waiting for her lover. The thought of her with another man enraged him. Feelings after hundreds of years. Sharp, clear, in-focus. Real feelings.
It is my nature to control. That was the stark truth. He was a powerful being, and one responsible for his entire species. Control of such power was essential. He was exhilarated, joyous, yet at the same time all too aware that he was more dangerous than he had ever been. Power always needed control. The less emotion, the easier the restraint.
Don’t try to control me. There was something in her voice, something he sensed more than the actual words, as if she knew he was a threat to her. And he knew he was.
How does one control one’s nature, little one?
He saw her smile even as it filled his emptiness, as it registered in his heart and lungs and sent his blood soaring.
Why would you think I was little? I’m as big as a house.
I am to believe this?
The laughter faded from her voice, her thoughts, lingered in his blood. I’m tired, and again, I apologize. I enjoyed talking with you.
But? He prompted gently.
Good-bye. Finality.
Mikhail took flight, soaring high above the forest. It wasn’t good-bye. He wouldn’t allow it. He couldn’t allow it. His survival depended on her. Something, someone, had aroused his interest, his will to live. She had reminded him that there was such a thing as laughter, that there was more to life than existence.
”
”
Christine Feehan (Dark Prince (Dark, #1))
“
And winter is coming.” “Yes,” Catelyn agreed. The words gave her a chill, as they always did. The Stark words. Every noble house had its words. Family mottoes, touchstones, prayers of sorts, they boasted of honor and glory, promised loyalty and truth, swore faith and courage. All but the Starks. Winter is coming, said the Stark words. Not for the first time, she reflected on what a strange people these northerners were.
”
”
George R.R. Martin (A Song of Ice and Fire, 5-Book Boxed Set: A Game of Thrones, A Clash of Kings, A Storm of Swords, A Feast for Crows, A Dance with Dragons (Song of Ice & Fire 1-5))
“
She’s not the hostess in this house, and she never could be. Do you understand?
”
”
J. Kenner (Claim Me (Stark Trilogy, #2))
“
Darkness. Suddenly, a single spotlight illuminates Apollo standing on the front porch of the Big House. The house is a bold red colour, a stark contrast to the short white chiton Apollo wears. He clears his throat and speaks. APOLLO: A poem by Apollo, recited dramatically by … Apollo: O Immortal Chiron, Centaur wise and true, Trainer of our heroes, Just remember who taught you. – The opening scene of Welcome to Camp Half-Blood
”
”
Rick Riordan (Camp Half-Blood Confidential (The Trials of Apollo))
“
Etienne hasn’t been by this afternoon.” She’d been startled when the words popped out--she hoped they hadn’t sounded--what? Judgmental? Disappointed? The truth was, she’d honestly expected him to show up at the house, at least for Aunt Teeta’s sake.
Gage’s eyes were full of sympathy. “They were pretty tight, Etienne and your grandfather. I know Etienne’s heard the news, but I haven’t talked to him yet. He…” Again Gage paused, as though choosing just the right words. “I know he’ll be really upset. And he never lets anybody see him that way.”
“Macho thing?” Miranda couldn’t help asking.
A dimple flashed in Gage’s cheek. “Something like that, I guess.”
They’d lapsed into a companionable silence. To Miranda, it felt so good just to sit there with him, not feeling the need to pretend or explain or keep up any sort of appearances. He’d seemed in no hurry to leave, and she’d been glad for him to stay. And when his attention focused on the comings and goings out in the hallway, she’d taken that chance really to study his face.
Yes, there were definitely resemblances between Gage and Etienne--the same high cheekbones, lanky frames, and dark good looks. She guessed both their mothers were beautiful. But what was even more apparent up close was the stark contrast in the boys’ eyes. One, soulful and sensitive…the other, suspicious and blatantly defiant.
“You’re staring,” Gage mumbled.
As Miranda realized she’d been caught, the two of them laughed self-consciously. Gage lowered his eyes and slid back in his chair.
”
”
Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
“
The “Hands up, don’t shoot” tale has been dismantled to a point where even the left-leaning Washington Post added it to its annual list of shame, “The biggest Pinocchios of 2015”: “This phrase became a rallying cry for protests after the fatal shooting of a black 18-year-old by a white police officer, Darren Wilson. Witness accounts spread after the shooting that Michael Brown had his hands raised in surrender, mouthing the words “Don’t shoot” as his last words before being shot execution-style. Democratic lawmakers raised their hands in solidarity on the House floor. But various investigations concluded this did not happen — and that Wilson acted out of self-defense and was justified in killing Brown
”
”
Taleeb Starkes (Black Lies Matter: Why Lies Matter to the Race Grievance Industry)
“
Das T-Shirt saß so eng, dass es aussah, als wäre es aufgemalt. Man merkte, dass der Typ Gewichte stemmte und auch wollte, dass man ihm das ansah. Die Muskeln an Nacken und Schultern traten so stark hervor, als hätte jemand unter seiner Haut ein Tau verlegt.
”
”
Chris Ewan (Safe House)
“
answered, pulling on his overcoat. All the loneliness of the evening seemed to descend upon her at once then and she said with the suggestion of a whine in her voice, ‘Why don’t you take me with you some Saturday?’ ‘You?’ he said. ‘Take you? D’you think you’re fit to take anywhere? Look at yersen! An’ when I think of you as you used to be!’ She looked away. The abuse had little sting now. She could think of him too, as he used to be; but she did not do that too often now, for such memories had the power of evoking a misery which was stronger than the inertia that, over the years, had become her only defence. ‘What time will you be back?’ ‘Expect me when you see me,’ he said at the door. ‘Is’ll want a bite o’ supper, I expect.’ Expect him at whatever time his tipsy legs brought him home, she thought. If he lost he would drink to console himself. If he won he would drink to celebrate. Either way there was nothing in it for her but yet more ill temper, yet further abuse. She got up a few minutes after he had gone and went to the back door to look out. It was snowing again and the clean, gentle fall softened the stark and ugly outlines of the decaying outhouses on the patch of land behind the house and gently obliterated Scurridge’s footprints where they led away from the door, down the slope to the wood, through which ran a path to the main road, a mile distant. She shivered as the cold air touched her, and returned indoors, beginning, despite herself, to remember. Once the sheds had been sound and strong and housed poultry. The garden had flourished too, supplying them with sufficient vegetables for their own needs and some left to sell. Now it was overgrown with rampant grass and dock. And the house itself – they had bought it for a song because it was old and really too big for one woman to manage; but it too had been strong and sound and it had looked well under regular coats of paint and with the walls pointed and the windows properly hung. In the early days, seeing it all begin to slip from her grasp, she had tried to keep it going herself. But it was a thankless, hopeless struggle without support from Scurridge: a struggle which had beaten her in the end, driving her first into frustration and then finally apathy. Now everything was mouldering and dilapidated and its gradual decay was like a symbol of her own decline from the hopeful young wife and mother into the tired old woman she was now. Listlessly she washed up and put away the teapots. Then she took the coal-bucket from the hearth and went down into the dripping, dungeon-like darkness of the huge cellar. There she filled the bucket and lugged it back up the steps. Mending the fire, piling it high with the wet gleaming lumps of coal, she drew some comfort from the fact that this at least, with Scurridge’s miner’s allocation, was one thing of which they were never short. This job done, she switched on the battery-fed wireless set and stretched out her feet in their torn canvas shoes to the blaze. They were broadcasting a programme of old-time dance music: the Lancers, the Barn Dance, the Veleta. You are my honey-honey-suckle, I am the bee… Both she and
”
”
Stan Barstow (The Likes of Us: Stories of Five Decades)
“
Your quarters are this way,” said Thifer and led Magnus Ridolph down a hall walled with corrugated aluminum to a room overlooking the pool. The room was furnished with a narrow bed, a chest of drawers painted gray-green, a straight-back chair painted white. “You are very wise,” Magnus Ridolph observed sagely. “Very sensitive.” “How so?” inquired Thifer. “You have accurately grasped the personality of the planet and have carried the feeling in its most subtle nuances into the furnishings of your house. Quite correctly you decided that starkness and rigor was the only answer to the blank simplicity of the landscape.
”
”
Jack Vance (Magnus Ridolph)
“
Right Away in the west of Ireland lies a tiny hamlet called Kraighten. It is situated, alone, at the base of a low hill. Far around there spreads a waste of bleak and totally inhospitable country; where, here and there at great intervals, one may come upon the ruins of some long desolate cottage—unthatched and stark. The whole land is bare and unpeopled, the very earth scarcely covering the rock that lies beneath it, and with which the country abounds, in places rising out of the soil in wave-shaped ridges.
”
”
William Hope Hodgson (The Collected Fiction of William Hope Hodgson: House on Borderland & Other Mysteriou)
“
I spun around at the door. “Yes?” “Word of advice,” he said. “Gem had nothing to do with this. Not to mention, Alastair contributes generously to the police department every year.” “What’s that supposed to mean?” Wes cracked his knuckles, then winced and shook out his hand. “Alastair Gem is not a man you want to offend.” Chapter 9 “Iexpect you’ll fill me in,” Jimmy said as I climbed back into the car. “Dare I suggest it be over a bucket of chicken?” I swerved into the left lane and put on my blinker for The Chicken Hut, a fried food joint near the station. We crawled through the drive thru line and put in our orders. A king-sized pail for Jimmy, a queen for me. A few minutes later, the tantalizing smell of fried chicken was working its way into the car’s upholstery. Jimmy had shiny fingers by the time we returned to the station parking lot. He mopped his chin with a napkin. “I’m ready to hear the details whenever you’re done with that wing.” I sighed, tossing the wing back into the bucket. I wasn’t all that hungry. It was hard to care much about food when a case consumed me. “My sister brought Wes home last night,” I said. “Like, on a date. Wes Remington—the manager of Rubies—was at my house. Rubies is Alastair Gem’s latest venture.” “No kidding? That’s neat.” “What’s neat?” “Gem is like the Tony Stark of the Twin Cities. His latest restaurant has the best food I’ve ever tasted—it set me back a year into retirement to eat there, though. Now I hear he’s got an Emerald hotel coming soon that’s gonna cost two grand a pop for a night. That man is rich, powerful, and handsome. The rest of us don’t stand a chance.” “I beg to differ,” I said. “Anyone who is that rich, handsome, and powerful has secrets to hide.” Jimmy shrugged. “Probably. Still doesn’t mean I wouldn’t date him, and I’m a happily married straight man.” “As it turns out, Wes doesn’t have an alibi for the night of the murder. He says he was upstairs working, but we don’t have anyone who can confirm it.” “Do you like him for Jane Doe’s murder?” I licked my fingers. “It’s too early to tell. My head says yes. He’s new to town and had easy access to the victim. But I don’t have any clue as to a motive. Why would he grab her specifically?” “We’re looking for a serial killer. Is there any saying why they do what they do?” “Maybe not,” I agreed. “But my gut’s telling me Wes isn’t our guy. He seemed...
”
”
Gina LaManna (Shoot the Breeze (Detective Kate Rosetti Mystery, #1))
“
I wanted to wreck her, but back in the attic, kneeling alone in the dark, I saw everything so much clearer than before. I came to a stark and horrifying realization that’s turned my entire existence on its head. I will not be the one to wreck Elodie. She’ll be the one to wreck me.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
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”
sczsxdax
“
They came out of Spencer’s house into a cold stillness through which the first snow of the season fell in skeins as plumb as rain falls on a windless day. Rebecca marveled at the ermine blanket that softened the hard edges of everything on a horizontal plane. Without wind to paste the flakes to the sides of things, nearly all vertical planes remained dark and dry, in stark contrast to the horizontal planes. When she brought this to the attention of the guys, Rebecca further remarked on the fact that tree bark and other rough vertical surfaces captured and held a small percentage of the snow directly proportional to the depth of the texture. Being nerds, they had all noticed this detail, but sharing it aloud filled them with a warm sense of camaraderie.
”
”
Dean Koontz (Going Home in the Dark)