“
I saw my life branching out before me like the green fig tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn't quite make out. I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.
”
”
Sylvia Plath (The Bell Jar)
“
Mythologically speaking, if there's anything I hate worse than trios of old ladies, it's bulls. Last summer, I fought the Minotaur on top of Half-Blood Hill. This time what I saw up there was even worse: two bulls. And not just regular bulls - bronze ones the size of elephants. And even that wasn't bad enough. Naturally they had to breathe fire, too.
”
”
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
“
She left the web, she left the loom,
She made three paces through the room,
She saw the water-lily bloom,
She saw the helmet and the plume,
She look'd down to Camelot.
Out flew the web and floated wide;
The mirror crack'd from side to side;
"The curse is come upon me," cried
The Lady of Shalott.
”
”
Alfred Tennyson (The Lady of Shalott)
“
Lady Luck finally saw fit to shine her light on me but life taught me to share. Welcome to the light.
”
”
Kristen Ashley (Lady Luck (Colorado Mountain, #3))
“
For she is a fair maiden, fairest lady of a house of queens. And yet I know not how I should speak of her. When I first looked on her and perceived her unhappiness, it seemed to me that I saw a white flower standing straight and proud, shapely as a lily, and yet knew that it was hard, as if wrought by elf-wrights out of steel. Or was it, maybe, a frost that had turned its sap to ice, and so it stood, bitter-sweet, still fair to see, but stricken, soon to fall and die?
- Aragorn about Éowyn
”
”
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
“
Well I'm not dancing," Will said through gritted teeth. "I don't know how."
Oh yes you are," Alyss told him. "Let's hope you're a fast learner."
He glanced at her and saw no prospect of escape. "Well,at least I won't be the only one," he said. "Halt will be terrible too."
But nobody in the assembly knew tat for the past ten days, Halt had been taking dance lessons from Lady Sandra.
”
”
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
“
It was an evil doom that set her in his path. For she is a fair maiden, fairest lady of a house of queens. And yet I know not how I should speak of her. When I first looked on her and perceived her unhappiness, it seemed to me that I saw a white flower standing straight and proud, shapely as a lily and yet knew that it was hard, as if wrought by elf-wrights out of steel.
(Aragorn talking of Eowyn, in the Houses of Healing)
”
”
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
“
Soon after the completion of his college course, his whole nature was kindled into one intense and passionate effervescence of romantic passion. His hour came,—the hour that comes only once; his star rose in the horizon,—that star that rises so often in vain, to be remembered only as a thing of dreams; and it rose for him in vain. To drop the figure,—he saw and won the love of a high-minded and beautiful woman, in one of the northern states, and they were affianced. He returned south to make arrangements for their marriage, when, most unexpectedly, his letters were returned to him by mail, with a short note from her guardian, stating to him that ere this reached him the lady would be the wife of another. Stung to madness, he vainly hoped, as many another has done, to fling the whole thing from his heart by one desperate effort. Too proud to supplicate or seek explanation, he threw himself at once into a whirl of fashionable society, and in a fortnight from the time of the fatal letter was the accepted lover of the reigning belle of the season; and as soon as arrangements could be made, he became the husband of a fine figure, a pair of bright dark eyes, and a hundred thousand dollars; and, of course, everybody thought him a happy fellow.
The married couple were enjoying their honeymoon, and entertaining a brilliant circle of friends in their splendid villa, near Lake Pontchartrain, when, one day, a letter was brought to him in that well-remembered writing. It was handed to him while he was in full tide of gay and successful conversation, in a whole room-full of company. He turned deadly pale when he saw the writing, but still preserved his composure, and finished the playful warfare of badinage which he was at the moment carrying on with a lady opposite; and, a short time after, was missed from the circle. In his room,alone, he opened and read the letter, now worse than idle and useless to be read. It was from her, giving a long account of a persecution to which she had been exposed by her guardian's family, to lead her to unite herself with their son: and she related how, for a long time, his letters had ceased to arrive; how she had written time and again, till she became weary and doubtful; how her health had failed under her anxieties, and how, at last, she had discovered the whole fraud which had been practised on them both. The letter ended with expressions of hope and thankfulness, and professions of undying affection, which were more bitter than death to the unhappy young man. He wrote to her immediately:
I have received yours,—but too late. I believed all I heard. I was desperate. I am married, and all is over. Only forget,—it is all that remains for either of us."
And thus ended the whole romance and ideal of life for Augustine St. Clare. But the real remained,—the real, like the flat, bare, oozy tide-mud, when the blue sparkling wave, with all its company of gliding boats and white-winged ships, its music of oars and chiming waters, has gone down, and there it lies, flat, slimy, bare,—exceedingly real.
Of course, in a novel, people's hearts break, and they die, and that is the end of it; and in a story this is very convenient. But in real life we do not die when all that makes life bright dies to us.
”
”
Harriet Beecher Stowe (Uncle Tom’s Cabin)
“
You know that old cliché about millions of deaths being a statistic while the loss of just one life is a tragedy? If that's true, what is it when you lose something that never even had the chance to be born? I've had lots of relationships in my time, platonic and otherwise, but the ones I think about most are those that never quite made it to term. The dashing first date who didn't call you back. The lady on the train you had that amazing conversation but never saw again. The cool neighbor kid you met the first time a week before he moved away. I guess I'm just haunted by all that potential energy. One moment, the universe presents you with this amazing opportunity for new possibilities...and then...
”
”
Brian K. Vaughan (Saga, Volume 7)
“
Oh, she doth teach the torches to burn bright!
It seems she hangs upon the cheek of night
Like a rich jewel in an Ethiope’s ear,
Beauty too rich for use, for earth too dear.
So shows a snowy dove trooping with crows
As yonder lady o'er her fellows shows.
The measure done, I’ll watch her place of stand,
And, touching hers, make blessèd my rude hand.
Did my heart love till now? Forswear it, sight!
For I ne'er saw true beauty till this night.
”
”
William Shakespeare
“
Hello? This is Clary Fairchild.”
“Clary? It’s me, Emma.”
“Oh, Emma, hi! I haven’t heard from you in ages. My mom says thanks for the wedding flowers, by the way. She wanted to send a note but Luke whisked her away on a honeymoon to Tahiti.”
“Tahiti sounds nice.”
“It probably is — Jace, what are you doing with that thing? There is no way it’ll fit.”
“Is this a bad time?”
“What? No! Jace is trying to drag a trebuchet into the training room. Alec, stop helping him.”
“What’s a trebuchet?”
“It’s a huge catapult.”
“What are they going to use it for?”
“I have no idea. Alec, you’re enabling! You’re an enabler!”
“Maybe it is a bad time.”
“I doubt there’ll be a better one. Is something wrong? Is there anything I can do?”
“I think we have your cat.”
“What?”
“Your cat. Big fuzzy Blue Persian? Always looks angry? Julian says it’s your cat. He says he saw it at the New York Institute. Well, saw him. It’s a boy cat.”
“Church? You have Church? But I thought — well, we knew he was gone. We thought Brother Zachariah took him. Isabelle was annoyed, but they seemed to know each other. I’ve never seen Church actually likeanyone like that.”
“I don’t know if he likes anyone here. He bit Julian twice. Oh, wait. Julian says he likes Ty. He’s asleep on Ty’s bed.”
“How did you wind up with him?”
“Someone rang our front doorbell. Diana, she’s our tutor, went down to see what it was. Church was in a cage on the front step with a note tied to it. It said For Emma. This is Church, a longtime friend of the Carstairs. Take care of this cat and he will take care of you. —J.”
“Brother Zachariah left you a cat.”
“But I don’t even really know him. And he’s not a Silent Brother any more.”
“You may not know him, but he clearly knows you.”
“What do you think the J stands for?”
“His real name. Look, Emma, if he wants you to have Church, and you want Church, you should keep him.”
“Are you sure? The Lightwoods —“
‘They’re both standing here nodding. Well, Alec is partially trapped under a trebuchet, but he seems to be nodding.”
“Jules says we’d like to keep him. We used to have a cat named Oscar, but he died, and, well, Church seems to be good for Ty’s nightmares.”
“Oh, honey. I think, really, he’s Brother Zachariah’s cat. And if he wants you to have him, then you should.”
“Why does Brother Zachariah want to protect me? It’s like he knows me, but I don’t know why he knows me.”
“I don’t exactly know … But I know Tessa. She’s his — well, girlfriend seems not the right word for it. They’ve known each other a long, long time. I have a feeling they’re both watching over you.”
“That’s good. I have a feeling we’re going to need it.”
“Emma — oh my God. The trebuchet just crashed through the floor. I have to go. Call me later.”
“But we can keep the cat?”
“You can keep the cat.
”
”
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
“
Snake Street is an area I should avoid. Yet that night I was drawn there as surely as if I had an appointment.
The Snake House is shabby on the outside to hide the wealth within. Everyone knows of the wealth, but facades, like the park’s wall, must be maintained. A lantern hung from the porch eaves. A sign, written in Utte, read ‘Kinship of the Serpent’. I stared at that sign, at that porch, at the door with its twisted handle, and wondered what the people inside would do if I entered. Would they remember me? Greet me as Kin? Or drive me out and curse me for faking my death? Worse, would they expect me to redon the life I’ve shed? Staring at that sign, I pissed in the street like the Mearan savage I’ve become.
As I started to leave, I saw a woman sitting in the gutter. Her lamp attracted me. A memsa’s lamp, three tiny flames to signify the Holy Trinity of Faith, Purity, and Knowledge. The woman wasn’t a memsa. Her young face was bruised and a gash on her throat had bloodied her clothing. Had she not been calmly assessing me, I would have believed the wound to be mortal. I offered her a copper.
She refused, “I take naught for naught,” and began to remove trinkets from a cloth bag, displaying them for sale.
Her Utte accent had been enough to earn my coin. But to assuage her pride I commented on each of her worthless treasures, fighting the urge to speak Utte. (I spoke Universal with the accent of an upper class Mearan though I wondered if she had seen me wetting the cobblestones like a shameless commoner.) After she had arranged her wares, she looked up at me. “What do you desire, O Noble Born?”
I laughed, certain now that she had seen my act in front of the Snake House and, letting my accent match the coarseness of my dress, I again offered the copper.
“Nay, Noble One. You must choose.” She lifted a strand of red beads. “These to adorn your lady’s bosom?”
I shook my head. I wanted her lamp. But to steal the light from this woman ... I couldn’t ask for it. She reached into her bag once more and withdrew a book, leather-bound, the pages gilded on the edges. “Be this worthy of desire, Noble Born?”
I stood stunned a moment, then touched the crescent stamped into the leather and asked if she’d stolen the book. She denied it. I’ve had the Training; she spoke truth. Yet how could she have come by a book bearing the Royal Seal of the Haesyl Line? I opened it. The pages were blank.
“Take it,” she urged. “Record your deeds for study. Lo, the steps of your life mark the journey of your soul.”
I told her I couldn’t afford the book, but she smiled as if poverty were a blessing and said, “The price be one copper. Tis a wee price for salvation, Noble One.”
So I bought this journal. I hide it under my mattress. When I lie awake at night, I feel the journal beneath my back and think of the woman who sold it to me. Damn her. She plagues my soul. I promised to return the next night, but I didn’t. I promised to record my deeds. But I can’t. The price is too high.
”
”
K. Ritz (Sheever's Journal, Diary of a Poison Master)
“
Tyrion felt the heat rise in him. “It was not my dagger,” he insisted. “How many times must I swear to that? Lady Stark, whatever you may believe of me, I am not a stupid man. Only a fool would arm a common footpad with his own blade.”
Just for a moment, he thought he saw a flicker of doubt in her eyes, but what she said was, “Why would Petyr lie to me?”
“Why does a bear shit in the woods?” he demanded. “Because it is his nature. Lying comes as easily as breathing to a man like Littlefinger. You ought to know that, you of all people.
”
”
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
“
The Lady Amalthea beckoned, and the cat wriggled all over, like a dog, but he would not come near... She was offering her open palm to the crook-eared cat, but he stayed where he was, shivering with the desire to go to her"...[later, Molly asked the cat] "Why were you afraid to let her touch you? I saw you. You were afraid of her."
"If she had touched me," he said very softly, "I would have been hers and not my own, not ever again. I wanted her to touch me but I could not let her. No cat will... The price is more than a cat can pay.
”
”
Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
“
You love me?" she whispered.
"The very instant I saw you, my heart flew to your service," he said.
"Really?"
"No," he admitted. "Not exactly. But it's a good line, am I right?
”
”
Cynthia Hand (My Lady Jane (The Lady Janies, #1))
“
Brushing dirt from his coat, Sam ignored the wild-eyed looks the other three gave him. Surely a house like this had enough staff to clean up a little dirt?
“And who is this young man?” the old lady demanded.
Sam opened his mouth to reply, but froze when he saw just who the old woman was.
“May I present Sam Morgan, Your Highness,” Griffin said.
Bloody hell. It was Queen Victoria. They’d just burrowed their way into Buckingham Palace.
”
”
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
“
I know I want you," he heard himself say, all his vows and his honor all forgotten. She stood before him naked as her name day, and he was as hard as the rock around them. He had been in her half a hundred times by now, but always beneath furs, with others all around them. He had never seeen how beautiful she was. Her legs were skinny and well muscled, the hair at the juncture of her thighs a brighter red than that on her head. Does that make it even luckier? He pulled her close.
"I love the smell of you," he said. "I love your red hair. I love your mouth, and the way you kiss me. I love your smile. I love your teats." He kissed them, one and then the other. "I love your skinny legs, and what's between them." He knelt to kiss her there, lightly on her mound at first, but Ygritte moved her legs apart a little, and he saw the pink inside and kissed that as well, and tasted her.
She gave a little gasp. "If you love me all so much, why are you still dressed?" she whispered. "You know nothing, Jon Snow. Noth---oh. Oh. OHHH."
Afterward, she was almost shy, or as shy as Ygritte ever got. "The thing you did," she said, when they lay together on their piled clothes. "With your...mouth." She hesistated. "Is that...is it what lordss do to their ladies, down in the south?"
"I don't think so." No one had ever told Jon just what lords did with their ladies. "I only...wanted to kiss you there, that's all. You seemed to like it."
"Aye. I...I liked it some. No one taught you such?"
"There's been no one," he confessed. "Only you.
”
”
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
“
Then she fell on her knees, saying: 'I beg thee!'
'Nay, lady,' he said, and taking her by the hand he raised her. The he kissed her hand, and sprang into the saddle, and rode away, and did not look back; and only those who knew him well and were near to him saw the pain that he bore.
”
”
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
“
But Julian's blood was different. When she saw it she thought of him, shot and crumpling, the way his blood had run like water through her fingers. It was the first time in years that she'd actually thought he might die, that she might lose him. She knew what people said about parabatai, knew that it was meant to be a loss as profound as that of a spouse or a sibling. Emma had lost her parents; she had thought she knew what loss was, was prepared for it. But nothing had prepared her for the feeling that the idea of losing Jules wrenched out of her: that sky would go dark forever, that there would never be solid ground again.
”
”
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
“
It's not reasonable to love people who are only going to die," she said.
Nash thought about that for a moment, stroking Small's neck with great deliberation, as if the fate of the Dells depended on that smooth, careful movement.
"I have two responses to that," he said finally. "First, everyone's going to die. Second, love is stupid. It has nothing to do with reason. You love whomever you love. Against all reasons I loved my father." He looked at her keenly. "Did you love yours?"
"Yes," she whispered.
He stroked Small's nose. "I love you," he said, "even knowing you'll never have me. And I love my brother, more than I ever realized before you came along. You can't help whom you love, Lady. Nor can you know what it's liable to cause you to do."
She made a connection then. Surprised she sat back from him and studied his face, soft with shadows and light. She saw a part of him she hadn't seen before.
"You came to me for lessons to guard your mind," she said, "and you stopped asking me to marry you, both at the same time. You did those things out of love for your brother."
"Well" he said, looking a bit sheepishly at the floor. "I also took a few swings at him, but that's neither here nor there."
"You're good at love," she said simply, because it seemed to her that it was true. "I'm not so good at love. I'm like a barbed creature. I push everyone I love away."
He shrugged. "I don't mind you pushing me away if it means you love me, little sister.
”
”
Kristin Cashore (Fire (Graceling Realm, #2))
“
When I saw you at the graveyard, looking so white, I knew something was wrong. I knew it."
Azalea stared at him, the fire flickering highlights in his eyes.
"So...I thought I should do something," he finished lamely.
"You saw everything?"
Mr. Bradford gave a half of a crooked smile. "I did knock."
"You didn't see Mr...Mr.-"
"Mr. Keeper?" Mr. Bradford spat the name. "Oh yes, I saw Mr. Keeper. Rather hard not to. I saw him try to kiss you. Or what he said was a kiss. I want to snap his head off!"
Azalea had her hand over her mouth, shocked that someone as solemn and dignified as Mr. Bradford could have such venom. He took her hands, gently, and pushed up her sleeved, revealing her swollen wrists. His fringers traced the bruises.
"You stopped him," said Azalea. She bowed her head, shy. "You kept him from-from-"
"Ah, yes, my lady!" Mr. Bradford smiled a crooked smile in full. "His ponytail was simply begging to be yanked.
”
”
Heather Dixon Wallwork (Entwined)
“
Froi saw the rage in Arjuro’s eyes, his clenched fists.
‘If I could find the men who did those things to you as a child I would tear them limb from limb.’
Froi embraced him.
‘One day,’ Froi said, clearing his voice of emotion, ‘I’ll introduce you to my queen and my king and my captain; and Lord August and Lady Abian, who have given me a home; and the Priestking and Perri and Tesadora and my friend Lucian; and then you’ll understand that I would never have met them if you hadn’t journeyed to Sarnak all those years ago, Arjuro. And if the gods were to give me a choice between living a better life, having not met them, or a wretched life with the slightest chance of crossing their path, then I'd pick the wretched life over and over again.’
He kissed Arjuro’s brow. Finnikin called it a blessing between two male blood kin. It always had made Froi ache seeing it between Finnikin and Trevanion.
‘I'd live it again just to have crossed all of your paths. Keep safe, Arjuro. Keep safe so I can bring your brother home to you.
”
”
Melina Marchetta (Quintana of Charyn (Lumatere Chronicles, #3))
“
I wanted Ole Miss to feel special, but mostly I felt that the Ole Miss crowd looked at me like I was just white trash from a town full of trailers.… All was not lost. I saw the movie All The President’s Men, mostly because Robert Redford was the star. The fast-paced world of the Washington Post…captivated me. Sitting in a dark theater that afternoon, I fell in love with the idea of becoming a reporter. That was the movie that clinched my plan to major in journalism and political science…. I'd started Ole Miss as a Lady Rebel but left more rebellious than ladylike.
”
”
Karen Hinton (Penis Politics: A Memoir of Women, Men and Power)
“
Who did you pass on the road?" the King went on, holding out his hand to the Messenger for some more hay.
"Nobody," said the Messenger.
"Quite right," said the King; "this young lady saw him too. So of course Nobody walks slower than you."
"I do my best," the Messenger said in a sullen tone. "I'm sure nobody walks much faster than I do!"
"He can't do that," said the King, "or else he'd have been here first.
”
”
Lewis Carroll (Through the Looking-Glass and What Alice Found There (Alice's Adventures in Wonderland, #2))
“
I stepped closer still. He closed his eyes again and covered my hand with his own. 'You smell of violets. You always smell of violets,' he said. 'You've no idea how many times I have walked these moors and smelled them and thought you were near. On and on I walked, following the scent of you, and you were never there. When I saw you in the hall tonight, I thought I had finally gone mad.
”
”
Deanna Raybourn (Silent on the Moor (Lady Julia Grey, #3))
“
First of all, this goes no further than this room."
"Agreed," she said quickly.
Anthony looked pointedly at Simon.
"Of course," he replied.
"Mother would be devastated if she learned the truth."
"Actually," Simon murmured, "I rather think your mother would applaud our ingenuity, but since you have quite obviously known
her longer, I bow to your discretion."
Anthony shot him a frosty look. "Second, under no circumstances are the two of you to be alone together. Ever."
"Well, that should be easy," Daphne said, "as we wouldn't be allowed to be alone if we were courting in truth, anyway."
Simon recalled their brief interlude in the hall at Lady Danbury's house, and found it a pity that he wasn't to be allowed any more private time with Daphne, but he recognized a brick wall when he saw one, especially when said wall happened to be named
Anthony Bridgerton. So he just nodded and murmured his assent.
"Third—"
"There is a third?" Daphne asked.
"There would be thirty if I could think of them," Anthony growled.
"Very well," she acceded, looking most aggrieved. "If you must.
”
”
Julia Quinn (The Duke and I (Bridgertons, #1))
“
I thought it was the other girl who had drawn your fancy. Your princess.”
Mark gave a choked laugh. “By the Angel,” he said, and saw Kieran blanch at the Shadowhunter words. “Your imagination is limited by your jealousy. Kieran . . . everyone who lives under this roof, whether they are bound by blood or not, we are tied together by an invisible net of love and duty and loyalty and honor. That is what it means to be a Shadowhunter. Family—”
“What would I know of family? My father sold me to the Wild Hunt. I do not know my mother. I have three dozen brothers, all of whom would gladly see me dead. Mark, you are all I have.”
“Kieran—”
“And I love you,” Kieran said. “You are all that exists on the earth and under the sky that I do love.
”
”
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
“
An old man sat down beside her. "Well, aren't you a pretty little peach?" His breath smelled near as foul as the dead men in the cages, and his little pig eyes were crawling up and down her. "Does my sweet peach have a name?"
For half a heartbeat she forgot who she was supposed to be. She wasn't any peach, but she couldn't be Arya Stark either, not here with some smelly drunk she did not know. "I'm . . ."
"She's my sister." Gendry put a heavy hand on the old man's shoulder, and squeezed. "Leave her be."
The man turned, spoiling for a quarrel, but when he saw Gendry's size he thought better of it. "You sister, is she? What kind of brother are you? I'd never bring no sister of mine to the Peach, that I wouldn't." He got up from the bench and moved off muttering, in search of a new friend.
"Why did you say that?" Arya hopped to her feet, "You're not my brother."
"That's right," he said angrily. "I'm too bloody lowborn to be kin to m'lady high."
Arya was taken aback by the fury in his voice. "That's not the way I mean it."
"Yes it is." He sat down on the bench, cradling a cup of wine between his hands. "Go away. I want to drink this wine in peace. Then maybe I'll go find that black-haired girl and ring her bell for her."
"But . . ."
"I said, go away. M'lady."
Arya whirled and left him there. A stupid bullheaded bastard boy, that's all he is. He could ring all the bells he wanted, it was nothing to her.
”
”
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
“
Still, who could say what men ever were looking for? They looked for what they found; they knew what pleased them only when they saw it.
”
”
Henry James (The Portrait of a Lady)
“
I don't want anyone fighting over me," Kate said. "It's not worth it."
"Like hell it's not." Samuel turned to her. "Don't ever say you're not worth it, Katie. You're worth epic battles. Entire wars."
Her heart pinched. "Samuel..."
"Yes, Helen of Troy?" She thought she saw him wink as he backed away, reaching for a sword to match Evan's.
After all this time...he would choose this moment to be charming.
”
”
Tessa Dare (A Lady by Midnight (Spindle Cove, #3))
“
However, the majority of women are neither harlots nor courtesans; nor do they sit clasping pug dogs to dusty velvet all through the summer afternoon. But what do they do then? and there came to my mind’s eye one of those long streets somewhere south of the river whose infinite rows are innumerably populated. With the eye of the imagination I saw a very ancient lady crossing the street on the arm of a middle-aged woman, her daughter, perhaps, both so respectably booted and furred that their dressing in the afternoon must be a ritual, and the clothes themselves put away in cupboards with camphor, year after year, throughout the summer months. They cross the road when the lamps are being lit (for the dusk is their favourite hour), as they must have done year after year. The elder is close on eighty; but if one asked her what her life has meant to her, she would say that she remembered the streets lit for the battle of Balaclava, or had heard the guns fire in Hyde Park for the birth of King Edward the Seventh. And if one asked her, longing to pin down the moment with date and season, but what were you doing on the fifth of April 1868, or the second of November 1875, she would look vague and say that she could remember nothing. For all the dinners are cooked; the plates and cups washed; the children sent to school and gone out into the world. Nothing remains of it all. All has vanished. No biography or history has a word to say about it. And the novels, without meaning to, inevitably lie.
All these infinitely obscure lives remain to be recorded, I said, addressing Mary Carmichael as if she were present; and went on in thought through the streets of London feeling in imagination the pressure of dumbness, the accumulation of unrecorded life, whether from the women at the street corners with their arms akimbo, and the rings embedded in their fat swollen fingers, talking with a gesticulation like the swing of Shakespeare’s words; or from the violet-sellers and match-sellers and old crones stationed under doorways; or from drifting girls whose faces, like waves in sun and cloud, signal the coming of men and women and the flickering lights of shop windows. All that you will have to explore, I said to Mary Carmichael, holding your torch firm in your hand.
”
”
Virginia Woolf (A Room of One’s Own)
“
My, my," he said, looking the note over. "If only students would write this much in their essays. One of you has considerably worse writing than the other, so forgive me if I get anything wrong here." He cleared his throat."'So, I saw J last night,' begins the person with bad handwriting, to which the response is,'What happened,' followed by no fewer than five question marks. Understandable, since sometimes one—let alone four—just won't get the point across, eh?" The class laughed, and I noticed Mia throwing me a particularly mean smile. "The first speaker responds:'What do you think happened? We hooked up in one of the empty lounges.'“
Mr. Nagy glanced up after hearing some more giggles in the room. His British accent only added to the hilarity.
"May I assume by this reaction that the use of 'hook up' pertains to the more recent, shall we say,carnal application of the term than the tamer one I grew up with?”
More snickers ensued. Straightening up, I said boldly, "Yes, sir, Mr. Nagy. That would be correct, sir."
A number of people in the class laughed outright.
"Thank you for that confirmation, Miss Hathaway. Now, where was I? Ah yes, the other speaker then asks,'How was it?' The response is,'Good,' punctuated with a smiley face to confirm said adjective. Well. I suppose kudos are in order for the mysterious J, hmmm?'So, like, how far did you guys go?' Uh, ladies," said Mr. Nagy, "I do hope this doesn't surpass a PG rating.'Not very.We got caught.'And again, we are shown the severity of the situation, this time through the use of a not-smiling face.'What happened?' 'Dimitri showed up. He threw Jesse out and then bitched me out.'“
The class lost it, both from hearing Mr. Nagy say "bitched" and from finally getting some participants named.
"Why, Mr.Zeklos, are you the aforementioned J? The one who earned a smiley face from the sloppy writer?
”
”
Richelle Mead (Vampire Academy (Vampire Academy, #1))
“
Zoe—" I said.
"Stars," she whispered. "I can see the stars again, my lady."
A tear trickled down Artemis's cheek. "Yes, my brave one. They are beautiful tonight."
"Stars," Zoe repeated. Her eyes fixed on the night sky. And she did not move again.
Thalia lowered her head. Annabeth gulped down a sob, and her father put his hands on her shoulders. I watched as Artemis cupped her hand above Zoe's mouth and spoke a few words in Ancient Greek. A silvery wisp of smoke exhaled from Zoe's lips and was caught in the hand of the goddess. Zoe's body shimmered and disappeared.
Artemis stood, said a kind of blessing, breathed into her cupped hand and released the silver dust to the sky. It flew up, sparkling, and vanished.
For a moment I didn't see anything different. Then Annabeth gasped. Looking up in the sky, I saw that the stars were brighter now. They made a pattern I had never noticed before—a gleaming constellation that looked a lot like a girl's figure—a girl with a bow, running across the sky.
"Let the world honor you, my Huntress," Artemis said. "Live forever in the stars.
”
”
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
“
His body was urgent against her, and she didn't have the heart anymore to fight...She saw his eyes, tense and brilliant, fierce, not loving. But her will had left her. A strange weight was on her limbs. She was giving way. She was giving up...she had to lie down there under the boughs of the tree, like an animal, while he waited, standing there in his shirt and breeches, watching her with haunted eyes...He too had bared the front part of his body and she felt his naked flesh against her as he came into her. For a moment he was still inside her, turgid there and quivering. Then as he began to move, in the sudden helpless orgasm, there awoke in her new strange thrills rippling inside her. Rippling, rippling, rippling, like a flapping overlapping of soft flames, soft as feathers, running to points of brilliance, exquisite and melting her all molten inside. It was like bells rippling up and up to a culmination. She lay unconscious of the wild little cries she uttered at the last. But it was over too soon, too soon, and she could no longer force her own conclusion with her own activity. This was different, different. She could do nothing. She could no longer harden and grip for her own satisfaction upon him. She could only wait, wait and moan in spirit and she felt him withdrawing, withdrawing and contracting, coming to the terrible moment when he would slip out of her and be gone. Whilst all her womb was open and soft, and softly clamouring, like a sea anenome under the tide, clamouring for him to come in again and make fulfillment for her. She clung to him unconscious in passion, and he never quite slipped from her, and she felt the soft bud of him within her stirring, and strange rhythms flushing up into her with a strange rhythmic growing motion, swelling and swelling til it filled all her cleaving consciousness, and then began again the unspeakable motion that was not really motion, but pure deepening whirlpools of sensation swirling deeper and deeper through all her tissue and consciousness, til she was one perfect concentric fluid of feeling, and she lay there crying in unconscious inarticulate cries.
”
”
D.H. Lawrence (Lady Chatterley's Lover)
“
They passed the hall, that echoes still,
Pass as lightly as you will.
The brands were flat, the brands were dying,
Amid their own white ashes lying;
But when the lady passed, there came
A tongue of light, a fit of flame;
And Christabel saw the lady's eye,
And nothing else saw she thereby,
”
”
Samuel Taylor Coleridge (Christabel)
“
Majesty. The word seemed to ripple through her. “I haven’t been crowned, Lazarus.” “No matter, Lady. I see the queenship in you, and I never saw it in your mother, not one day of her life.
”
”
Erika Johansen (The Queen of the Tearling (The Queen of the Tearling, #1))
“
And he judged of others by himself, not believing in what he saw, and always believing that every man had his real, most interesting life under the cover of secrecy and under the cover of night. All personal life rested on secrecy, and possibly it was partly on that account that civilised man was so nervously anxious that personal privacy should be respected.
”
”
Anton Chekhov (The Lady with the Little Dog)
“
The white realtor lady asks if I'm adopted—like that's some legitimate, socially appropriate question to ask—and is halfway through a gushy story about her friend's new baby from Korea when I say, “Haven't you ever heard of interracial marriage? It's all the rage in civilized countries,” and she shuts up and purses her lips.
”
”
E. Lockhart (Fly on the Wall: How One Girl Saw Everything)
“
All three men looked at the woman in the doorway, but they all saw different things.
Alex saw a rather attractive young lady with a remarkable air of vitality in her silver eyes.
John saw the woman he'd come to like and admire tremendously this past week, looking rather fetching and grown-up in her new gown and coiffure.
Dunford saw an angel.
”
”
Julia Quinn (Minx (The Splendid Trilogy, #3))
“
when i first saw him i thought he was as beautiful as a knight from the romances, like a troubadour, like a poet. I thought i could be like a lady in a tower and he could sing beneath my window and
persuade me to love him. But although he has the looks of a
poet he doesn't have the wit. I can never get more than two
words out of him, and i begin to feel that i demean myself in trying to please him.
”
”
Philippa Gregory (The Constant Princess (The Plantagenet and Tudor Novels, #6))
“
I can't stop thinking about you Lady Catherine Pinkerton of Rock Turtle Cove. I've been trying, but it's useless. You've had me mesmerized from the first moment I saw you in that red dress, and I don't know what to do about it, other than to use every skill at my disposal to try and mesmerize you back.
”
”
Marissa Meyer (Heartless)
“
You know, I just love Grace Kelly. Not because she was a princess, not because she was an actress, not because she was my friend, but because she was just about the nicest lady I ever met. Grace brought into my life as she brought into yours, a soft, warm light every time I saw her, and every time I saw her was a holiday of its own. No question, I’ll miss her, we’ll all miss her, God bless you, Princess Grace.
”
”
James Stewart
“
Could you bring back a man without a head?” Arya asked. “Just the once, not six times. Could you?”
“I have no magic, child. Only prayers. That first time, his lordship had a hole right through him and blood in his mouth, I knew there was no hope. So when his poor torn chest stopped moving, I gave him the good god’s own kiss to send him on his way. I filled my mouth with fire and breathed the flames inside him, down his throat to lungs and heart and soul. The last kiss it is called, and many a time I saw the old priests bestow it on the Lord’s servants as they died. I had given it a time or two myself, as all priests must. But never before had I felt a dead man shudder as the fire filled him, nor seen his eyes come open. It was not me who raised him, my lady. It was the Lord. R’hllor is not done with him yet. Life is warmth, and warmth is fire, and fire is God’s and God’s alone.”
Arya felt tears well in her eyes. Thoros used a lot of words, but all they meant was no, that much she understood.
”
”
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
“
Do you know who 'twas that first knew our Lord had caused Himself to be born? 'Twas the cock; he saw the star, and so he said–all the beasts could talk Latin in those days; he cried: 'Christus natus est!' "
He crowed these words so like a cock that Kristin fell to laughing heartily. And it did her good to laugh, for all the strange things Brother Edvin had just been saying had laid a burden of awe on her heart.
The monk laughed himself:
"Ay, and when the ox heard that, he began to low: 'Ubi, ubi, ubi.'
"But the goat bleated, and said: 'Betlem, Betlem, Betlem.'
"And the sheep so longed to see Our Lady and her Son that she baa-ed out at once: 'Eamus, eamus!'
"And the new-born calf that lay in the straw, raised itself and stood upon its feet. 'Volo, volo, volo!' it said.
”
”
Sigrid Undset (Kristin Lavransdatter)
“
Nonetheless, when it finally ended and the hairdressers left and Tess insisted upon pulling her to the mirror, Fire saw, and understood, that everyone had done the job well. The dress, deep shimmering purple and utterly simple in design, was so beautifully-cut and so clingy and well-fitting that Fire felt slightly naked. And her hair. She couldn’t follow what they’d done with her hair, braids thin as threads in some places, looped and wound through the thick sections that fell over her shoulders and down her back, but she saw that the end result was a controlled wildness that was magnificent against her face, her body, and the dress. She turned to measure the effect on her guard - all twenty of them, for all had roles to play in tonight’s proceedings, and all were awaiting her orders. Twenty jaws hung slack with astonishment - even Musa’s, Mila’s, and Neel’s. Fire touched their minds, and was pleased, and then angry, to find them open as the glass roofs in July.
‘Take hold of yourselves,’ she snapped. ‘It’s a disguise, remember? This isn’t going to work if the people meant to help me can’t keep their heads.’
‘It will work, Lady Granddaughter.’ Tess handed Fire two knives in ankle holsters. ‘You’ll get what you want from whomever you want. Tonight King Nash would give you the Winged River as a present, if you asked for it. Dells, child - Prince Brigan would give you his best warhorse.
”
”
Kristin Cashore (Fire (Graceling Realm, #2))
“
One demands a little originality in these days, even from murderers," said Lady Swaffham. "Like dramatists, you know--so much easier in Shakespeare's time, wasn't it? Always the same girl dressed up as a man, and even that borrowed from Boccaccio or Dante or somebody. I'm sure if I'd been a Shakespeare hero, the very minute I saw a slim-legged young page-boy I'd have said: 'Ods bodikins! There's that girl again!
”
”
Dorothy L. Sayers (Whose Body? (Lord Peter Wimsey, #1))
“
I saw my life branching out before me like the green fig-tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and off-beat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn’t quite make out. I saw myself sitting in the crotch of this fig-tree, starving to death, just because I couldn’t make up my mind which of the figs I would choose.
”
”
Sylvia Plath (The Bell Jar)
“
I cannot know what the future will bring us," he says in a rapid undertone. "I cannot know where you will be given in marriage, nor what life might hold for me. But I can't let you go without telling you--without telling you at least once--that I love you."
I snatch a breath at the words. "Woodville--"
"I can offer you nothing; I am next to nothing, and you are the greatest lady in France. But I wanted you to know, I love you and I want you, and I have done since the day I first saw you."
"I should--"
"I have to tell you, you have to know. I have loved you honorably as a knight should do his lady, and I have loved you passionately as a man might a woman; and now, before I leave you, I want to tell you that I love you, I love you--" He breaks off and looks at me desperately. "I had to tell you," he repeats.
”
”
Philippa Gregory (The Lady of the Rivers (The Plantagenet and Tudor Novels, #1))
“
Then Eomer was silent, and looked on his sister, as if pondering anew all the days of their past life together. But Aragorn said: "I saw also what you saw, Eomer. Few other griefs amid the ill chances of this world have more bitterness and shame for a man's heart than to behold the love of a lady so fair and brave that cannot be returned. Sorrow and pity have followed me ever since I left her desperate in Dunharrow and rode to the Paths of the Dead; and no fear upon that way was so present as the fear for what might befall her. And yet, Eomer, I say to you that she loves you more truly than me; for you she loves and knows; but in me she loves only a shadow and a thought: a hope of glory and great deeds, and lands far from the fields of Rohan.
”
”
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
“
Miss Bingley was very deeply mortified by Darcy's marriage; but as she thought it advisable to retain the right of visiting at Pemberley, she dropt all her resentment; was fonder than ever of Georgiana, almost as attentive to Darcy as heretofore, and paid off every arrear of civility to Elizabeth.
Pemberley was now Georgiana's home; and the attachment of the sisters was exactly what Darcy had hoped to see. They were able to love each other, even as well as they intended. Georgiana had the highest opinion in the world of Elizabeth; though at first she often listened with an astonishment bordering on alarm at her lively, sportive manner of talking to her brother. He, who had always inspired in herself a respect which almost overcame her affection, she now saw the object of open pleasantry. Her mind received knowledge which had never before fallen in her way. By Elizabeth's instructions she began to comprehend that a woman may take liberties with her husband which a brother will not always allow in a sister more than ten years younger than himself.
Lady Catherine was extremely indignant on the marriage of her nephew; and as she gave way to all the genuine frankness of her character, in her reply to the letter which announced its arrangement, she sent him language so very abusive, especially of Elizabeth, that for some time all intercourse was at an end. But at length, by Elizabeth's persuasion, he was prevailed on to overlook the offence, and seek a reconciliation; and, after a little farther resistance on the part of his aunt, her resentment gave way, either to her affection for him, or her curiosity to see how his wife conducted herself: and she condescended to wait on them at Pemberley, in spite of that pollution which its woods had received, not merely from the presence of such a mistress, but the visits of her uncle and aunt from the city.
With the Gardiners they were always on the most intimate terms. Darcy, as well as Elizabeth, really loved them; and they were both ever sensible of the warmest gratitude towards the persons who, by bringing her into Derbyshire, had been the means of uniting them.
”
”
Jane Austen (Pride and Prejudice)
“
for she is my love, and other women are but big bodies of flame. who in the world would have thot of her like that? when most people looked they only saw a certain collection of bones, a selection of forms filling space. but he saw past the mouth and the eyes. the archetecture of the body, her fleshy masquerade. other boys were happy enuf to enjoy the show, they just wanted to be entertained by the bodys shadow theater but he had to come backstage. he went down into the mines. into the dark, brot up the gold. your new self, a better self. but wat good was it if he was jus gonna leave her behind. his poets lady, his silver lilly. he was a boy who knew things, things that looked one way but proved to be another.
”
”
Janet Fitch (Paint it Black)
“
[Zach] placed his hands on her shoulders so she'd look directly into his eyes. "You know, the moment I saw you, I said to myself -- because all the great people talk to themselves, of course -- I said, 'Zach, you have to meet that lovely lady, because she will make your life extraordinary.' I was not wrong.
”
”
Sarah Beth Durst (Conjured)
“
Sir Eustace was with Royce and Stefan looking over some maps when he was informed by the guard that the ladies were asking for him. "Is there no end to her arrogance!" Royce bit out, referring to Jenny. "She even sends her guards on errands, and what's more, they run to do her bidding." Checking his tirade, he said shortly, "I assume it was the blue-eyed one with the dirty face who sent you?"
Sir Lionel chuckled and shook his head. "I saw two clean faces, Royce, but the one who talked to me had greenish eyes, not blue."
"Ah, I see," Royce said sarcastically, "it wasn't Arrogance that sent you trotting away from your post, it was Beauty. What does she want?
”
”
Judith McNaught (A Kingdom of Dreams (Westmoreland, #1))
“
Virtually all political discourse in the days of my youth was devoted to the ferreting out of hypocrisy... Because they were hypocrites, the Victorians were despised in the late twentieth century. Many of the persons who held such opinions were, of course, guilty of the most nefarious conduct themselves, and yet saw no paradox in holding such views because they were not hypocrites themselves-they took no moral stances and lived by none.
”
”
Neal Stephenson (The Diamond Age: Or, a Young Lady's Illustrated Primer)
“
One short man said: "I would give anything if only I were even a tiny bit taller."
He barely said it when he saw a lady magician standing in front of him.
"What do you want?" says the magician.
But the short man just stands there so frightened he can't even speak.
"Well?" says the magician.
The short man just stands there and says nothing. The magician vanishes.
Then the short man started crying and biting his nails. First he chewed off all the nails on his fingers, and then on his toes.
Reader! Think this fable over and it will make you somewhat uncomfortable.
”
”
Daniil Kharms (Today I Wrote Nothing: The Selected Writings)
“
What happen to ladies first?" Lilly teased, just trying to expel her nervous energy. She knew what the answer was but she just needed something to keep her busy for a few minutes before she saw the man she had once loved with every fiber of her being.
"I don't know what idiot thought it was smarter to let a woman enter a room before him. How does he know if it is safe for her to enter if he doesn't not check it out himself? It's actually a much more caring act to go before her, therefore ensuring that nothing will harm her," Decebel explained, his tone of voice at first sounded with disgust and then it was almost tender when he finished speaking.
”
”
Quinn Loftis (Blood Rites (The Grey Wolves, #2))
“
Coddly slammed a fist on the table. “No one will take you seriously if you do not act decisively.”
There was a beat of silence after his voice stopped echoing around the room, and the entire table sat motionless.
“Fine,” I responded calmly. “You’re fired.”
Coddly laughed, looking at the other gentlemen at the table. “You can’t fire me, Your Highness.”
I tilted my head, staring at him. “I assure you, I can. There’s no one here who outranks me at the moment, and you are easily replaceable.”
Though she tried to be discreet, I saw Lady Brice purse her lips together, clearly determined not to laugh. Yes, I definitely had an ally in her.
“You need to fight!” he insisted.
“No,” I answered firmly. “A war would add unnecessary strain to an already stressful moment and would cause an upheaval between us and the country we are now bound to by marriage. We will not fight.”
Coddly lowered his chin and squinted. “Don’t you think you’re being too emotional about this?”
I stood, my chair screeching behind me as I moved. “I’m going to assume that you aren’t implying by that statement that I’m actually being too female about this. Because, yes, I am emotional.”
I strode around the opposite side of the table, my eyes trained on Coddly. “My mother is in a bed with tubes down her throat, my twin is now on a different continent, and my father is holding himself together by a thread.”
Stopping across from him, I continued. “I have two younger brothers to keep calm in the wake of all this, a country to run, and six boys downstairs waiting for me to offer one of them my hand.” Coddly swallowed, and I felt only the tiniest bit of guilt for the satisfaction it brought me. “So, yes, I am emotional right now. Anyone in my position with a soul would be. And you, sir, are an idiot. How dare you try to force my hand on something so monumental on the grounds of something so small? For all intents and purposes, I am queen, and you will not coerce me into anything.”
I walked back to the head of the table. “Officer Leger?”
“Yes, Your Highness?”
“Is there anything on this agenda that can’t wait until tomorrow?”
“No, Your Highness.”
“Good. You’re all dismissed. And I suggest you all remember who’s in charge here before we meet again.
”
”
Kiera Cass (The Crown (The Selection, #5))
“
Dear friend…'
The Witcher swore quietly, looking at the sharp, angular, even runes drawn with energetic sweeps of the pen, faultlessly reflecting the author’s mood. He felt once again the desire to try to bite his own backside in fury. When he was writing to the sorceress a month ago he had spent two nights in a row contemplating how best to begin. Finally, he had decided on “Dear friend.” Now he had his just deserts.
'Dear friend, your unexpected letter – which I received not quite three years after we last saw each other – has given me much joy. My joy is all the greater as various rumours have been circulating about your sudden and violent death. It is a good thing that you have decided to disclaim them by writing to me; it is a good thing, too, that you are doing so so soon. From your letter it appears that you have lived a peaceful, wonderfully boring life, devoid of all sensation. These days such a life is a real privilege, dear friend, and I am happy that you have managed to achieve it.
I was touched by the sudden concern which you deigned to show as to my health, dear friend. I hasten with the news that, yes, I now feel well; the period of indisposition is behind me, I have dealt with the difficulties, the description of which I shall not bore you with. It worries and troubles me very much that the unexpected present you received from Fate brings you worries. Your supposition that this requires professional help is absolutely correct. Although your description of the difficulty – quite understandably – is enigmatic, I am sure I know the Source of the problem. And I agree with your opinion that the help of yet another magician is absolutely necessary. I feel honoured to be the second to whom you turn. What have I done to deserve to be so high on your list?
Rest assured, my dear friend; and if you had the intention of supplicating the help of additional magicians, abandon it because there is no need. I leave without delay, and go to the place which you indicated in an oblique yet, to me, understandable way. It goes without saying that I leave in absolute secrecy and with great caution. I will surmise the nature of the trouble on the spot and will do all that is in my power to calm the gushing source. I shall try, in so doing, not to appear any worse than other ladies to whom you have turned, are turning or usually turn with your supplications. I am, after all, your dear friend. Your valuable friendship is too important to me to disappoint you, dear friend.
Should you, in the next few years, wish to write to me, do not hesitate for a moment. Your letters invariably give me boundless pleasure.
Your friend Yennefer'
The letter smelled of lilac and gooseberries.
Geralt cursed.
”
”
Andrzej Sapkowski (Krew elfów (Saga o Wiedźminie, #1))
“
Once upon a time there was a small-town girl who lived in a small world. She was perfectly happy, or at least she told herself she was. Like many girls, she loved to try different looks, to be someone she wasn't. But, like too many girls, life had chipped away at her until, instead of finding what truly suited her, she camouflaged herself, hid the bits that made her different. For a while she let the world bruise her until she decided it was safer not to be herself at all.
There are so many versions of ourselves we can choose to be. Once, my life was destined to be measured out in the most ordinary of steps. I learnt differently from a man who refused to accept the version of himself he'd been left with, and an old lady who saw, conversely, that she could transform herself, right up to a point when many people would have said there was nothing left to be done.
I had a choice. I was Louisa Clark from New York, or Stortfold. Or there might be a whole other Louisa I hadn't met yet. The key was making sure that anyone you allowed to walk beside you didn't get to decide which you were, and pin you down like a butterfly in a case. The key was to know that you could always somehow find a way to reinvent yourself again.
”
”
Jojo Moyes (Still Me (Me Before You, #3))
“
For a moment he could do nothing but close his eyes. Was this a taste of the rest of his life as Billie Bridgerton’s husband? Was he destined to live in terror, wondering what sort of danger she’d thrown herself into that day? Was it worth it?
“George?” she whispered. She sounded uneasy. Had she seen something in his expression? A sign of doubt?
He touched her cheek, and he looked into her eyes. He saw his whole world there.
“I love you,” he said.
Someone gasped. It might have been his mother.
“I cannot live without you,” he said, “and in fact, I refuse to do so. So no, you will not be going on some ill-advised mission to the coast to hand off a potentially dangerous package to people you don’t know. Because if anything happened to you…” His voice broke, but he didn’t care. “If anything happened to you, it would kill me. And I’d like to think you love me too much to let that happen.”
Billie stared at him in wonder, her softly parted lips trembling as she blinked back tears.
“You love me?” she whispered.
He nearly rolled his eyes.
“Of course I do.”
“You never said.”
“I must have done.”
“You didn’t. I would have remembered.”
“I would remember, too,” he said softly, “if you’d ever said it to me.”
“I love you,” she said immediately. “I do. I love you so much. I —”
“Thank God,” Lady Manston exclaimed. George and Billie both turned.
”
”
Julia Quinn (Because of Miss Bridgerton (Rokesbys, #1))
“
She glanced sideways at her companion, who had peeled off his outer layers of clothing to reveal the sweat-drenched shirt clinging to his body. They rounded a hedge, and Calaena rolled her eyes when she saw what waited on the path ahead.
Every morning, more and more ladies found excuses to be walking through the gardens just after dawn. At first, it had just been a few young women who'd taken one look at Chaol and his sweaty, clingy clothes and halted their walk. Celaena could have sworn their eyes had bulged out of their heads and their tongues had rolled onto the ground.
”
”
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
“
Her skirts, sleeves, collar, and hat saw to it that none of the young ruffians of the Leased Territories would have the opportunity to invade her body space with their eyes, and lest her distinctive face prove too much of a temptation, she wore a veil too...
The veil offered Nell protection from unwanted scrutiny. Many New Atlantis career women also used the veil as a way of meeting the world on their own terms, ensuring that they were judged on their own merits and not on their appearance. It served a protective function as well, bouncing back the harmful rays of the sun...
”
”
Neal Stephenson (The Diamond Age: Or, a Young Lady's Illustrated Primer)
“
We saw Uncle Jack every Christmas, and every Christmas he yelled across the street for Miss Maudie to come marry him. Miss Mauide would yell back, "Call a little louder, Jack Finch, and they'll hear you the post office, I haven't heard you yet!" Jem and I thought this a strange way to ask for a lady's hand in marriage, but then again Uncle Jack was rather strange.
”
”
Harper Lee (To Kill a Mockingbird)
“
Two small figures were beating against the rock; the girl had fainted and lay on the the boy's arm. With a last effort Peter pulled her up the rock and then lay down beside her. Even as he also fainted he saw that the water was raising, He knew that they would soon be drowned, but he could do no more.
As they lay side by side a mermaid caught Wendy by the feet, and began pulling her softly into the water. Peter feeling her slip from him, woke with a start, and was just in time to draw her back. But he had to tell her the truth.
"We are on the rock, Wendy," he said, "but it is growing smaller. Soon the water will be over it."
She did not understand even now.
"We must go," she said, almost brightly.
"Yes," he answered faintly.
"Shall we swim or fly, Peter?"
He had to tell her.
"Do you think you could swim or fly as far as the island, Wendy, without my help?"
She had to admit she was too tired.
He moaned.
"What is it?" she asked, anxious about him at once.
"I can't help you, Wendy. Hook wounded me. I can neither fly nor swim."
"Do you mean we shall both be downed?"
"Look how the water is raising."
They put their hands over their eyes to shut out the sight. They thought they would soon be no more. As they sat thus something brushed against Peter as light as a kiss, and stayed there, as if to say timidly, "Can I be of any us?" It was the tail of a kite, which Michael had made some days before. It had torn itself out of his hand and floated away.
"Michael's kite," Peter said without interest, but the next moment he had seized the tail, and was pulling the kite towards him.
"It lifted Michael off the ground," he cried; "why should it not carry you?"
"Both of us!"
"It can't left two; Michael and Curly tried."
"Let us draw lots," Wendy said bravely.
"And you a lady; never." Already he had tied the tail round her. She clung to him; she refused to go without him; but with a "Good-bye, Wendy." he pushed her from the rock; and in a few minutes she was borne out of his sight. Peter was alone on the lagoon.
The rock was very small now; soon it would be submerged. Pale rays of light tiptoed across the waters; and by and by there was to be heard a sound at once the most musical and the most melancholy in the world: the mermaids calling to the moon.
”
”
J.M. Barrie (Peter Pan)
“
A pretty vampire woman in a cheongsam came flying down the hallway, ribbons waving from her purple-streaked hair like a silken flag. Her face was familiar. Alec had seen her at Taki’s, and around the city more generally, usually with Raphael.
“Save us, oh fearless leader,” said Raphael’s lady friend. “Elliott’s in a huge aquarium puking blue and green. He tried to drink mermaid blood. He tried to drink selkie blood. He tried to—”
“Ahem,” said Raphael, with a savage jerk of his head in Alec’s direction.
Alec waved. “Shadowhunter,” he said. “Right here. Hi.”
“He tried to keep to the Accords and obey all the known Laws!” the woman declared. “Because that’s the New York clan’s idea of a truly festive good time.”
Alec remembered Magnus and tried not to look like he was here to ruin the Downworlder party. There was one thing he and this woman had in common. He recognized the bright purple she was wearing.
“I think I saw you earlier,” said Alec hesitantly. “You were—making out with a faerie girl?”
“Yeah, you’re gonna have to be more specific than that,” said the vampire woman. “This is a party. I’ve made out with six faerie girls, four faerie boys, and a talking toadstool whose gender I’m unsure about. Pretty sexy for a toadstool, though.”
Raphael covered his face briefly with his non-texting hand.
“Why, you want to make something of it?” The woman bristled. “How happy I am to see the Nephilim constantly crashing our parties. Were you even invited?”
“I’m a plus-one,” said Alec.
The vampire girl relaxed slightly. “Oh, right, you’re Magnus’s latest disaster,” she said. “That’s what Raphael calls you. I’m Lily.”
She lifted a hand in a halfhearted wave. Alec glanced at Raphael, who arched his eyebrow at Alec in an unfriendly way.
“Didn’t realize Raphael and I were on pet name terms,” said Alec. He continued to study Raphael. “Do you know Magnus well?”
“Hardly at all,” said Raphael. “Barely acquainted. I don’t think much of his personality. Or his dress sense. Or the company he keeps. Come away, Lily. Alexander, I hope I never see you again.”
“I’ve decided I detest you,” Lily told Alec.
“It’s mutual,” Alec said dryly.
Unexpectedly, that made Lily smile, before Raphael dragged her away.
”
”
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
“
He surveyed the edifice from the outside, and admired it greatly; he looked in at the windows, and received an impression of proportions equally fair. But he felt that he saw it only by glimpses, and that he had not yet stood under the roof. The door was fastened, and although he had keys in his pocket he had a conviction that none of them would fit. She was intelligent and generous; it was a fine free nature, but what was she going to do with herself?
”
”
Henry James (The Portrait of a Lady)
“
I’ve been insulted by fools before. I survived.” Even in the dim light he saw her eyes change.
“Just because he was using words instead of a knife, you can’t dismiss it, Saetan. He hurt you.”
“Of course he hurt me,” Saetan snapped. “Being accused of—” He closed his eyes and squeezed her hand. “I don’t tolerate fools, Jaenelle, but I also don’t kill them for being fools. I simply keep them out of my life.” He sat up and took her other hand. “I am your sword and your shield, Lady. You don’t have to kill.”
Witch studied him with her ancient, haunted sapphire eyes. “You’ll take the scars on your soul so that mine remains unmarked?”
“Everything has a price,” he said gently. “Those kinds of scars are part of being a Warlord Prince. You’re at a crossroads, witch-child. You can use your power to heal or to harm. It’s your choice.
”
”
Anne Bishop (Heir to the Shadows (The Black Jewels, #2))
“
I slowly came to recognize individual monks within the crowds of interchangeable orange robes and shaved heads. There were flirtatious and daring monks who stood on each other's shoulders to peek over the temple at you and call out "Hello, Mrs. Lady!" as you walked by. There were novices who snuck cigarettes at night outside the temple walls, the embers of their smokes glowing as orange as their robes. I saw a buff teenage monk doing push-ups, and I spotted another one with an unexpectdely gangsterish tattoo of a knife emblazoned on one golden shoulder. One night I'd eavesdropped while a handful of monks sang Bob Marley songs to each other underneath a tree in a temple garden, long after they should have been asleep. I'd even seen a knot of barely adolescent novices kickboxing each other - a display of good-natured competition, that like boys' games all over the world, carried the threat of turning truly violent at a moment's notice.
”
”
Elizabeth Gilbert (Committed: A Skeptic Makes Peace with Marriage)
“
Ladies and Gentlemen, I'd planned to speak to you tonight to report on the state of the Union, but the events of earlier today have led me to change those plans. Today is a day for mourning and remembering. Nancy and I are pained to the core by the tragedy of the shuttle Challenger. We know we share this pain with all of the people of our country. This is truly a national loss.
Nineteen years ago, almost to the day, we lost three astronauts in a terrible accident on the ground. But we've never lost an astronaut in flight. We've never had a tragedy like this. And perhaps we've forgotten the courage it took for the crew of the shuttle. But they, the Challenger Seven, were aware of the dangers, but overcame them and did their jobs brilliantly. We mourn seven heroes: Michael Smith, Dick Scobee, Judith Resnik, Ronald McNair, Ellison Onizuka, Gregory Jarvis, and Christa McAuliffe. We mourn their loss as a nation together.
For the families of the seven, we cannot bear, as you do, the full impact of this tragedy. But we feel the loss, and we're thinking about you so very much. Your loved ones were daring and brave, and they had that special grace, that special spirit that says, "Give me a challenge, and I'll meet it with joy." They had a hunger to explore the universe and discover its truths. They wished to serve, and they did. They served all of us.
We've grown used to wonders in this century. It's hard to dazzle us. But for twenty-five years the United States space program has been doing just that. We've grown used to the idea of space, and, perhaps we forget that we've only just begun. We're still pioneers. They, the members of the Challenger crew, were pioneers.
And I want to say something to the schoolchildren of America who were watching the live coverage of the shuttle's take-off. I know it's hard to understand, but sometimes painful things like this happen. It's all part of the process of exploration and discovery. It's all part of taking a chance and expanding man's horizons. The future doesn't belong to the fainthearted; it belongs to the brave. The Challenger crew was pulling us into the future, and we'll continue to follow them.
I've always had great faith in and respect for our space program. And what happened today does nothing to diminish it. We don't hide our space program. We don't keep secrets and cover things up. We do it all up front and in public. That's the way freedom is, and we wouldn't change it for a minute.
We'll continue our quest in space. There will be more shuttle flights and more shuttle crews and, yes, more volunteers, more civilians, more teachers in space. Nothing ends here; our hopes and our journeys continue.
I want to add that I wish I could talk to every man and woman who works for NASA, or who worked on this mission and tell them: "Your dedication and professionalism have moved and impressed us for decades. And we know of your anguish. We share it."
There's a coincidence today. On this day three hundred and ninety years ago, the great explorer Sir Francis Drake died aboard ship off the coast of Panama. In his lifetime the great frontiers were the oceans, and a historian later said, "He lived by the sea, died on it, and was buried in it." Well, today, we can say of the Challenger crew: Their dedication was, like Drake's, complete.
The crew of the space shuttle Challenger honored us by the manner in which they lived their lives. We will never forget them, nor the last time we saw them, this morning, as they prepared for their journey and waved goodbye and "slipped the surly bonds of earth" to "touch the face of God."
Thank you.
”
”
Ronald Reagan
“
I saw Orin in bars or at post-tournament dances go up to a young lady he would like to pick up and use this fail-safe cross-sectional pick-up Strategy that involved an opening like “Tell me what sort of man you prefer, and then I’ll affect the demeanor of that man.” Which in a way of course is being almost pathologically open and sincere about the whole picking-up enterprise, but also has this quality of Look-At-Me-Being-So-Totally-Open-And-Sincere-I-Rise-Above-The-Whole-Disingenuous-Posing-Process-Of-Attracting-Someone-,-And-I-Transcend-The-Common-Disingenuity-In-A-Bar-Herd-In-A-Particularly-Hip-And-Witty-Self-Aware-Way-,-And-If-You-Will-Let-Me-Pick-You-Up-I-Will-Not-Only-Keep-Being-This-Wittily,-Transcendently-Open-,-But-Will-Bring-You-Into-This-World-Of-Social-Falsehood-Transcendence, which of course he cannot do because the whole openness-demeanor thing is itself a purposive social falsehood; it is a pose of poselessness; Orin Incandenza is the least open man I know.
”
”
David Foster Wallace
“
The road looked as if no one had traveled on it in months.
"It's not much farther," the grandmother said and just as she said it, a horrible thought came to her. The thought was so embarrassing that she turned red in the face and her eyes dilated and her feet jumped up, upsetting her valise in the corner. The instant the valise moved, the newspaper top she had over the basket under it rose with a snarl and Pitty Sing, the cat, sprang onto Bailey's shoulder.
The children were thrown to the floor and their mother, clutching the baby, was thrown out the door onto the ground; the old lady was thrown into the front seat. The car turned over once and landed right-side-up in a gulch off the side of the road. Bailey remained in the driver's seat with the cat gray-striped with a broad white face and an orange nose clinging to his neck like a caterpillar.
As soon as the children saw they could move their arms and legs, they scrambled out of the car, shouting, "We've had an ACCIDENT!" The grandmother was curled up under the dashboard, hoping she was injured so that Bailey's wrath would not come down on her all at once. The horrible thought she had had before the accident was that the house she had remembered so vividly was not in Georgia but in Tennessee.
”
”
Flannery O'Connor (A Good Man Is Hard to Find and Other Stories)
“
One young fellow pointed to another steamer in the distance, and said it was the Lady of the Lake, a United States vessel which until recently was thought to be the fastest boat on the Lake; but she had just lost a trial-of-speed race to the new Royal Mail Standard boat, the Eclipse, which outran her by four minutes and a half. And I said didn't that make him proud, and he said no, because he had bet a dollar on the Lady. And all present laughed.
Then something came clear to me which I used to wonder about. There is a quilt pattern called Lady of the Lake, which I thought was named for the poem; but I could never find any lady in the pattern, nor any lake. But now I saw the boat was named for the poem, and the quilt was named for the boat; because it was a pinwheel design, which must have stood for the paddle going around. And I thought that things did make sense, and did have a design to them, if only you pondered them long enough. And so perhaps might be with recent events, which at the moment seemed to me entirely senseless; and finding out the reason for the quilt pattern was a lesson to me, to have faith.
”
”
Margaret Atwood (Alias Grace)
“
She smiled as she poured tea into his cup. “I hope you find your rooms comfortable?”
“Quite.” He took a too-hasty sip of tea and scalded his tongue.
“The view is to your liking?”
He had a view of a brick wall. “Indeed.”
She fluttered her eyelashes at him over the rim of her teacup. “And the bed. Is it soft and… yielding?”
He nearly choked on the bite of cake he’d just taken.
“Or do you prefer a firmer bed?” she asked sweetly. “One that refuses to yield too soon?”
“I think”—he narrowed his eyes at her—“whatever mattress I have on the bed you gave me is perfect. But tell me, my lady, what sort of mattress do you prefer? All soft goose down or one that’s a bit… harder?”
It was very fast, but he saw it: Her gaze flashed down to the juncture of his thighs and then up again. If there hadn’t been anything to see there before, there certainly was now.
“Oh, I like a nice stiff mattress,” she purred. “Well warmed and ready for a long ride.
”
”
Elizabeth Hoyt (Thief of Shadows (Maiden Lane, #4))
“
What you have made me see,' answered the Lady, 'is as plain as the sky, but I never saw it before. Yet is has happened every day. One goes into the forest to pick food and already the thought of one fruit rather than another has grown up in one’s mind. Then, may it be, one finds a different fruit and not the fruit one thought of. One joy was expected and another is given. But this I had never noticed before–that the very moment of the finding there is in the mind a kind of thrusting back, or setting aside. The picture of the fruit you have not found is still, for a moment, before you. And if you wished–if it were possible to wish–you could keep it there. You could send your soul after the good you had expected, instead of turning it to the good you had got. You could refuse the real good; you could make the real fruit taste insipid by thinking of the other.
”
”
C.S. Lewis
“
I am Mrs. Poulteney. I have come to take up residence. Kindly inform your Master."
"His Infinitude has been informed of your decease, ma'am. His angels have already sung a Jubilate in celebration of the event."
"That is most proper and kind of Him." And the worthy lady, pluming and swelling, made to sweep into the imposing white hall she saw beyond the butler's head. But the man did not move aside. Instead, he rather impertinently jangled some keys he chanced to have in his hand.
"My man! Make way. I am she. Mrs. Poulteney of Lyme Regis."
"Formerly of Lyme Regis, ma'am. And now of a much more tropical abode."
With that, the brutal flunkey slammed the door in her face.
”
”
John Fowles (The French Lieutenant’s Woman)
“
In reality, the damned are in the same place as the saved—in reality! But they hate it; it is their Hell. The saved love it, and it is their Heaven. It is like two people sitting side by side at an opera or a rock concert: the very thing that is Heaven to one is Hell to the other. Dostoyevski says, 'We are all in paradise, but we won’t see it'…Hell is not literally the 'wrath of God.' The love of God is an objective fact; the 'wrath of God' is a human projection of our own wrath upon God, as the Lady Julian saw—a disastrous misinterpretation of God’s love as wrath. God really says to all His creatures, 'I know you and I love you' but they hear Him saying, 'I never knew you; depart from me.' It is like angry children misinterpreting their loving parents’ affectionate advances as threats. They project their own hate onto their parents’ love and experience love as an enemy—which it is: an enemy to their egotistic defenses against joy…
Since God is love, since love is the essence of the divine life, the consequence of loss of this life is loss of love...Though the damned do not love God, God loves them, and this is their torture. The very fires of Hell are made of the love of God! Love received by one who only wants to hate and fight thwarts his deepest want and is therefore torture. If God could stop loving the damned, Hell would cease to be pure torture. If the sun could stop shining, lovers of the dark would no longer be tortured by it. But the sun could sooner cease to shine than God cease to be God...The lovelessness of the damned blinds them to the light of glory in which they stand, the glory of God’s fire. God is in the fire that to them is Hell. God is in Hell ('If I make my bed in Hell, Thou art there' [Ps 139:8]) but the damned do not know Him.
”
”
Peter Kreeft (Everything You Ever Wanted to Know About Heaven: But Never Dreamed of Asking)
“
Thank you, sweet lady.' Ser Dontos lurched clumsily to his feet, and brushed earth and leaves from his knees. 'Your lord father was as true a man as the realm has ever known, but I stood by and let them slay him. I said nothing, did nothing . . . and yet, when Joffrey would have slain me, you spoke up. Lady, I have never been a hero, no Ryam Redwyne or Barristan the Bold. I've won no tourneys, no renown in war . . . but I was a knight once, and you have helped me remember what that meant. My life is a poor thing, but it is yours.' Ser Dontos placed a hand on the gnarled bole of the heart tree. He was shaking, she saw. 'I vow, with your father's gods as witness, that I shall send you home.
”
”
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
“
For a long while- for many years, in fact- he had not thought of how it was before he came to the farm. His memory of those times was like a house where no one lives and where the furniture has rotted away. But tonight it was as if lamps had been lighted through all the gloomy dead rooms. It had begun to happen when he saw Tico Feo coming through the dusk with his splendid guitar. Until that moment he had not been lonesome. Now, recognizing his loneliness, he felt alive. He had not wanted to be alive. To be alive was to remember brown rivers where the fish run, and sunlight on a lady's hair.
”
”
Truman Capote (A Diamond Guitar)
“
In Maurilia, the traveler is invited to visit the city and, at the same time, to examine some old postcards that show it as it used to be: the same identical square with a hen in the place of the bus station, a bandstand in the place of the overpass, two young ladies with white parasols in the place of the munitions factory. If the traveler does not wish to disappoint the inhabitants, he must praise the postcard city and prefer it to the present one, though he must be careful to contain his regret at the changes within definite limits: admitting that the magnificence and prosperity of the metropolis Maurilia, when compared to the old, provincial Maurilia, cannot compensate for a certain lost grace, which, however, can be appreciated only now in the old postcards, whereas before, when that provincial Maurilia was before one’s eyes, one saw absolutely nothing graceful and would see it even less today, if Maurilia had remained unchanged; and in any case the metropolis has the added attraction that, through what it has become, one can look back with nostalgia at what it was.
”
”
Italo Calvino (Invisible Cities)
“
[...]perhaps the secret of leading a life in which you would not always be worrying about things, or complaining about them, was to accept that there were people who just saw things differently from you and always would. Once you understood that, then you could accept the people themselves as they were and not try to change them. What was even more important, perhaps, was that you could love those people who looked at things so differently, because you realised that they were not trying to make life hard for you by being what they were, but were simply doing their best. Then, when you started to love them, love would do the work that it always did and it would begin to transform them and then they would end up seeing things in the same way that you did.
”
”
Alexander McCall Smith (Precious and Grace (No. 1 Ladies' Detective Agency, #17))
“
There was a barber and his wife
and she was beautiful...
a foolish barber and his wife.
She was his reason for his life...
and she was beautiful, and she was virtuous.
And he was naive.
There was another man who saw
that she was beautiful...
A biased vulture of the law
who, with a gesture of his claw
removed the barber from his plate!
And there was nothing but to wait!
And she would fall!
So soft!
So young!
So lost and oh so beautiful!
Antony (spoken)
The lady, sir...did she succumb?
Sweeney Todd (sung)
Ah, that was many years ago...
I doubt if anyone would know.
(spoken)
Now leave me, Antony.
There is somewhere I must go,
something i must find out.
Now, and alone.
Antony (spoken)
But surely we will meet again before I am off to Plymouth?
Sweeney Todd (spoken)
If you want you may well find me around Fleet Street. I wouldn't wander.
(sung)
There's a hole in the world like a great black pit
and it's filled with people who are filled with shit!
And the vermin of the world inhabit it!
”
”
Stephen Sondheim (Sweeney Todd: The Demon Barber of Fleet Street)
“
And so I returned to that city in which, in those last hours before reunions, Shaheed and I saw many things which were not true, which were not possible, because our boys would not could not have behaved so badly; we saw men in spectacles with heads like eggs being shot in side-streets, we saw the intelligentsia of the city being massacred by the hundred, but it was not true because it could not have been true, the Tiger was a decent chap, after all, and our jawans were worth ten babus, we moved through the impossible hallucination of the night, hiding in doorways while fired blossomed like flowers, reminding me of the way the Brass Monkey used to set fire to shoes to attract a little attention, there were slit throats being buried in unmarked graves, and Shaheed began his, "No, buddha -- what a thing, Allah, you can't believe your eyes -- no, not true, how can it -- buddha, tell, what's got into my eyes?" And at last the buddha spoke, knowing Shaheed could not hear: "O, Shaheeda," he said, revealing the depths of his fastidiousness, "a person must sometimes choose what he will see and what he will not; look away, look away from there now." But Shaheed was staring at a maidan in which lady doctors were being bayoneted before they were raped, and raped again before they were shot. Above them and behind them, the cool while minaret of a mosque started blindly down upon the scene.
”
”
Salman Rushdie (Midnight’s Children)
“
In the moonlight David saw that Thoresby had become very peculiar indeed. Figs nestled among the leaves of beech-trees. Elder-trees were bowed down with pomegranates. Ivy was almost torn from walls by the weight of ripe blackberries growing upon it. Anything which had ever possessed any sort of life had sprung fruitfulness. Ancient, dried up frames had become swollen with sap and we putting out twigs, leaves, blossoms and fruit. Door-frames and doors were so distorted that bricks had been pushed out of place and some houses were in danger of collapsing altogether. The cart in the middle of the high street was a grove of silver birches. Its broken wheels put forth briar roses and nightingales sang on it.
”
”
Susanna Clarke (The Ladies of Grace Adieu and Other Stories)
“
I know this may be a disappointment for some of you, but I don’t believe there is only one right person for you. I think I fell in love with my wife, Harriet, from the first moment I saw her. Nevertheless, had she decided to marry someone else, I believe I would have met and fallen in love with someone else. I am eternally grateful that this didn’t happen, but I don’t believe she was my one chance at happiness in this life, nor was I hers.
Another error you might easily make in dating is expecting to find perfection in the person you are with. The truth is, the only perfect people you might know are those you don’t know very well. Everyone has imperfections. Now, I’m not suggesting you lower your standards and marry someone with whom you can’t be happy. But one of the things I’ve realized as I’ve matured in life is that if someone is willing to accept me—imperfect as I am—then I should be willing to be patient with others’ imperfections as well. Since you won’t find perfection in your partner, and your partner won’t find it in you, your only chance at perfection is in creating perfection together.
There are those who do not marry because they feel a lack of “magic” in the relationship. By “magic” I assume they mean sparks of attraction. Falling in love is a wonderful feeling, and I would never counsel you to marry someone you do not love. Nevertheless—and here is another thing that is sometimes hard to accept—that magic sparkle needs continuous polishing. When the magic endures in a relationship, it’s because the couple made it happen, not because it mystically appeared due to some cosmic force.
Frankly, it takes work. For any relationship to survive, both parties bring their own magic with them and use that to sustain their love. Although I have said that I do not believe in a one-and-only soul mate for anyone, I do know this: once you commit to being married, your spouse becomes your soul mate, and it is your duty and responsibility to work every day to keep it that way. Once you have committed, the search for a soul mate is over. Our thoughts and actions turn from looking to creating. . . .
Now, sisters, be gentle. It’s all right if you turn down requests for dates or proposals for marriage. But please do it gently. And brethren, please start asking! There are too many of our young women who never go on dates. Don’t suppose that certain girls would never go out with you. Sometimes they are wondering why no one asks them out. Just ask, and be prepared to move on if the answer is no.
One of the trends we see in some parts of the world is our young people only “hanging out” in large groups rather than dating. While there is nothing wrong with getting together often with others your own age, I don’t know if you can really get to know individuals when you’re always in a group. One of the things you need to learn is how to have a conversation with a member of the opposite sex. A great way to learn this is by being alone with someone—talking without a net, so to speak.
Dates don’t have to be—and in most cases shouldn’t be—expensive and over-planned affairs. When my wife and I moved from Germany to Salt Lake City, one of the things that most surprised us was the elaborate and sometimes stressful process young people had developed of asking for and accepting dates.
Relax. Find simple ways to be together. One of my favorite things to do when I was young and looking for a date was to walk a young lady home after a Church meeting. Remember, your goal should not be to have a video of your date get a million views on YouTube. The goal is to get to know one individual person and learn how to develop a meaningful relationship with the opposite sex.
”
”
Dieter F. Uchtdorf
“
When she had arranged her household affairs, she came to the library and bade me follow her. Then, with the mirror still swinging against her knees, she led me through the garden and the wilderness down to a misty wood. It being autumn, the trees were tinted gloriously in dusky bars of colouring. The rowan, with his amber leaves and scarlet berries, stood before the brown black-spotted sycamore; the silver beech flaunted his golden coins against my poverty; firs, green and fawn-hued, slumbered in hazy gossamer. No bird carolled, although the sun was hot. Marina noted the absence of sound, and without prelude of any kind began to sing from the ballad of the Witch Mother: about the nine enchanted knots, and the trouble-comb in the lady's knotted hair, and the master-kid that ran beneath her couch. Every drop of my blood froze in dread, for whilst she sang her face took on the majesty of one who traffics with infernal powers. As the shade of the trees fell over her, and we passed intermittently out of the light, I saw that her eyes glittered like rings of sapphires.
("The Basilisk")
”
”
R. Murray Gilchrist (Terror by Gaslight: More Victorian Tales of Terror)
“
There were usually not nearly as many sick people inside the hospital as Yossarian saw outside the hospital, and there were generally fewer people inside the hospital who were seriously sick. There was a much lower death rate inside the hospital than outside the hospital, and a much healthier death rate. Few people died unnecessarily. People knew a lot more about dying inside the hospital and made a much neater job of it. They couldn’t dominate Death inside the hospital, but they certainly made her behave. They had taught her manners. They couldn’t keep Death out, but while she was there she had to act like a lady. People gave up the ghost with delicacy and taste inside the hospital. There was none of that crude, ugly ostentation about dying that was so common outside of the hospital. They did not blow-up in mid-air like Kraft or the dead man in Yossarian’s tent, or freeze to death in the blazing summertime the way Snowden had frozen to death after spilling his secret to Yossarian in the back of the plane.
“I’m cold,” Snowden had whimpered. “I’m cold.”
“There, there,” Yossarian had tried to comfort him. “There, there.”
They didn’t take it on the lam weirdly inside a cloud the way Clevinger had done. They didn’t explode into blood and clotted matter. They didn’t drown or get struck by lightning, mangled by machinery or crushed in landslides. They didn’t get shot to death in hold-ups, strangled to death in rapes, stabbed to death in saloons, blugeoned to death with axes by parents or children, or die summarily by some other act of God. Nobody choked to death. People bled to death like gentlemen in an operating room or expired without comment in an oxygen tent. There was none of that tricky now-you-see-me-now-you-don’t business so much in vogue outside the hospital, none of that now-I-am-and-now-I-ain’t. There were no famines or floods. Children didn’t suffocate in cradles or iceboxes or fall under trucks. No one was beaten to death. People didn’t stick their heads into ovens with the gas on, jump in front of subway trains or come plummeting like dead weights out of hotel windows with a whoosh!, accelerating at the rate of thirty-two feet per second to land with a hideous plop! on the sidewalk and die disgustingly there in public like an alpaca sack full of hairy strawberry ice cream, bleeding, pink toes awry.
”
”
Joseph Heller (Catch-22)
“
Mma Ramotswe had a gift for the American woman, a basket which on her return journey from Bulawayo she had bought, on impulse, from a woman sitting by the side of the road in Francistown. The woman was desperate, and Mma Ramotswe, who did not need a basket, had bought it to help her. It was a traditional Botswana basket, with a design worked into the weaving.
"These little marks here are tears," she said. "The giraffe gives its tears to the women and they weave them into the basket."
The American woman took the basket politely, in the proper Botswana way of receiving a gift with both hands. How rude were people who took a gift with one hand, as if snatching it from the donor; she knew better.
You are very kind, Mma," she said. "But why did the giraffe give its tears?"
Mma Ramotswe shrugged; she had never thought about it. "I suppose that it means that we can all give something," she said. "A giraffe has nothing else to give--only tears." Did it mean that? she wondered. And for a moment she imagined that she saw a giraffe peering down through the trees, its strange stilt-borne body among the leaves; and its moist velvet cheeks and liquid eyes; and she thought of all the beauty that there was in Africa, and of the laughter, and the love.
The boy looked at the basket. "Is that true, Mma?"
Mma Ramotswe smiled. "I hope so," she said.
”
”
Alexander McCall Smith (Tears of the Giraffe (No. 1 Ladies' Detective Agency, #2))
“
In my own shire, if I was sad
Homely comforters I had:
The earth, because my heart was sore,
Sorrowed for the son she bore;
And standing hills, long to remain,
Shared their short-lived comrade's pain.
And bound for the same bourn as I,
On every road I wandered by,
Trod beside me, close and dear,
The beautiful and death-struck year:
Whether in the woodland brown
I heard the beechnut rustle down,
And saw the purple crocus pale
Flower about the autumn dale;
Or littering far the fields of May
Lady-smocks a-bleaching lay,
And like a skylit water stood
The bluebells in the azured wood.
Yonder, lightening other loads,
The season range the country roads,
But here in London streets I ken
No such helpmates, only men;
And these are not in plight to bear,
If they would, another's care.
They have enough as 'tis: I see
In many an eye that measures me
The mortal sickness of a mind
Too unhappy to be kind.
Undone with misery, all they can
Is to hate their fellow man;
And till they drop they needs must still
Look at you and wish you ill.
”
”
A.E. Housman (A Shropshire Lad)
“
The Last Hero
The wind blew out from Bergen from the dawning to the day,
There was a wreck of trees and fall of towers a score of miles away,
And drifted like a livid leaf I go before its tide,
Spewed out of house and stable, beggared of flag and bride.
The heavens are bowed about my head, shouting like seraph wars,
With rains that might put out the sun and clean the sky of stars,
Rains like the fall of ruined seas from secret worlds above,
The roaring of the rains of God none but the lonely love.
Feast in my hall, O foemen, and eat and drink and drain,
You never loved the sun in heaven as I have loved the rain.
The chance of battle changes -- so may all battle be;
I stole my lady bride from them, they stole her back from me.
I rent her from her red-roofed hall, I rode and saw arise,
More lovely than the living flowers the hatred in her eyes.
She never loved me, never bent, never was less divine;
The sunset never loved me, the wind was never mine.
Was it all nothing that she stood imperial in duresse?
Silence itself made softer with the sweeping of her dress.
O you who drain the cup of life, O you who wear the crown,
You never loved a woman's smile as I have loved her frown.
The wind blew out from Bergen to the dawning of the day,
They ride and run with fifty spears to break and bar my way,
I shall not die alone, alone, but kin to all the powers,
As merry as the ancient sun and fighting like the flowers.
How white their steel, how bright their eyes! I love each laughing knave,
Cry high and bid him welcome to the banquet of the brave.
Yea, I will bless them as they bend and love them where they lie,
When on their skulls the sword I swing falls shattering from the sky.
The hour when death is like a light and blood is like a rose, --
You never loved your friends, my friends, as I shall love my foes.
Know you what earth shall lose to-night, what rich uncounted loans,
What heavy gold of tales untold you bury with my bones?
My loves in deep dim meadows, my ships that rode at ease,
Ruffling the purple plumage of strange and secret seas.
To see this fair earth as it is to me alone was given,
The blow that breaks my brow to-night shall break the dome of heaven.
The skies I saw, the trees I saw after no eyes shall see,
To-night I die the death of God; the stars shall die with me;
One sound shall sunder all the spears and break the trumpet's breath:
You never laughed in all your life as I shall laugh in death.
”
”
G.K. Chesterton
“
I have told you, reader, that I had learned to love Mr. Rochester; I could not unlove him now, merely because I found that he had ceased to notice me—because I might pass hours in his presence and he would never once turn his eyes in my direction—because I saw all his attentions appropriated by a great lady, who scorned to touch me with the hem of her robes as she passed; who, if ever her dark and imperious eye fell on me by chance, would withdraw it instantly as from an object too mean to merit observation. I could not unlove him, because I felt sure he would soon marry this very lady—because I read daily in her a proud security in his intentions respecting her—because I witnessed hourly in him a style of courtship which, if careless and choosing rather to be sought than to seek, was yet, in its very carelessness, captivating, and in its very pride, irresistible.
There was nothing to cool or banish love in these circumstances; though much to create despair. Much too, you will think, reader, to engender jealousy, if a woman in my position could presume to be jealous of a woman in Miss Ingram's. But I was not jealous, or very rarely;—the nature of the pain I suffered could not be explained by that word. Miss Ingram was a mark beneath jealousy: she was too inferior to excite the feeling.
”
”
Charlotte Brontë (Jane Eyre)
“
The shrieks were coming from two quite naked girls, who were pursued by a pair of apes snapping at their bottoms. [...] So he now raises his double-barrelled Spanish rifle, fires and kills both apes. 'God be praised, my dear Calambo! I have delivered these two poor creatures from grave peril; if it was a sin to kill an Inquisitor and a Jesuit, I have made ample amends by saving the lives of two girls [...]'
He was about to continue, but words failed him when he saw the two girls throw their arms lovingly around the two apes and collapse in tears over their corpses, filling the air with the most pitiful lamentations. 'I was not expecting quite so much tenderness of heart,' he said at last to Cacambo, who replied: 'You've excelled yourself this time, Master; you have just despatched the two lovers of these young ladies.' '-Their lovers! Is it possible? You're making fun of me, Cacambo; how could anyone believe in such a thing?' - 'My dear Master,' retorted Cacambo, 'you are always astounished by everything; why do you find it so strange that in some countries it is apes who enjoy the favours of young ladies? After all, they are one-quarter human, just as I am one-quarter Spanish.
”
”
Voltaire (Candide)
“
For you, a thousand times over."
"Children aren't coloring books. You don't get to fill them with your favorite colors."
"...attention shifted to him like sunflowers turning to the sun."
"But even when he wasn't around, he was."
"When you kill a man, you steal a life. You steal a wife's right to a husband, rob his children of a father. When you tell a lie, you steal someone's right to the truth. When you cheat, you steal the right to fairness. There is no act more wretched than stealing."
"...she had a voice that made me think of warm milk and honey."
"My heart stuttered at the thought of her."
"...and I would walk by, pretending not to know her, but dying to."
"It turned out that, like satan, cancer had many names."
"Every woman needed a husband, even if he did silence the song in her."
"The first time I saw the Pacific, I almost cried."
"Proud. His eyes gleamed when he said that and I liked being on the receiving end of that look."
"Make morning into a key and throw it into the well,
Go slowly, my lovely moon, go slowly.
Let the morning sun forget to rise in the East,
Go slowly, lovely moon, go slowly."
"Men are easy,... a man's plumbing is like his mind: simple, very few surprises. You ladies, on the other hand... well, God put a lot of thought into making you."
"All my life, I'd been around men. That night, I discovered the tenderness of a woman."
"And I could almost feel the emptiness in [her] womb, like it was a living, breathing thing. It had seeped into our marriage, that emptiness, into our laughs, and our lovemaking. And late at night, in the darkness of our room, I'd feel it rising from [her] and settling between us. Sleeping between us. Like a newborn child."
"America was a river, roaring along unmindful of the past. I could wade into this river, let my sins drown to the bottom, let the waters carry me someplace far. Someplace with no ghosts, no memories, and no sins. If for nothing else, for that I embraced America."
"...and every day I thank [God] that I am alive, not because I fear death, but because my wife has a husband and my son is not an orphan."
"...lifting him from the certainty of turmoil and dropping him in a turmoil of uncertainty."
"...sometimes the dead are luckier."
"He walked like he was afraid to leave behind footprints. He moved as if not to stir the air around him."
"...and when she locked her arms around my neck, when I smelled apples in her hair, I realized how much I had missed her. 'You're still the morning sun to me...' I whispered."
"...there is a God, there always has been. I see him here, in the eys of the people in this [hospital] corridor of desperation. This is the real house of God, this is where those who have lost God will find Him... there is a God, there has to be, and now I will pray, I will pray that He will forgive that I have neglected Him all of these years, forgive that I have betrayed, lied, and sinned with impunity only to turn to Him now in my hour of need. I pray that He is as merciful, benevolent, and gracious as His book says He is.
”
”
Khalid Hosseini (The Kite Runner)
“
She stared at him, at his face. Simply stared as the scales fell from her eyes. "Oh, my God," she whispered, the exclamation so quiet not even he would hear. She suddenly saw-saw it all-all that she'd simply taken for granted.
Men like him protected those they loved, selflessly, unswervingly, even unto death.
The realization rocked her. Pieces of the jigsaw of her understanding of him fell into place. He was hanging to consciousness by a thread. She had to be sure-and his shields, his defenses were at their weakest now.
Looking down at her hands, pressed over the nearly saturated pad, she hunted for the words, the right tone. Softly said, "My death, even my serious injury, would have freed you from any obligation to marry me. Society would have accepted that outcome, too."
He shifted, clearly in pain. She sucked in a breath-feeling his pain as her own-then he clamped the long fingers of his right hand about her wrist, held tight.
So tight she felt he was using her as an anchor to consciousness, to the world.
His tone, when he spoke, was harsh. "Oh, yes-after I'd expended so much effort keeping you safe all these years, safe even from me, I was suddenly going to stand by and let you be gored by some mangy bull." He snorted, soft, low. Weakly. He drew in a slow, shallow breath, lips thin with pain, but determined, went on, "You think I'd let you get injured when finally after all these long years I at last understand that the reason you've always made me itch is because you are the only woman I actually want to marry? And you think I would stand back and let you be harmed?"
A peevish frown crossed his face. "I ask you, is that likely? Is it even vaguely rational?"
He went on, his words increasingly slurred, his tongue tripping over some, his voice fading. She listened, strained to catch every word as he slid into semi delirium, into rambling, disjointed sentences that she drank in, held to her heart.
He gave her dreams back to her, reshaped and refined. "Not French Imperial-good, sound, English oak. You can use whatever colors you like, but no gilt-I forbid it."
Eventually he ventured further than she had. "And I want at least three children-not just an heir and a spare. At least three-if you're agreeable. We'll have to have two boys, of course-my evil ugly sisters will found us to make good on that. But thereafter...as many girls as you like...as long as they look like you. Or perhaps Cordelia-she's the handsomer of the two uglies."
He loved his sisters, his evil ugly sisters. Heather listened with tears in her eyes as his mind drifted and his voice gradually faded, weakened.
She'd finally got her declaration, not in anything like the words she'd expected, but in a stronger, impossible-to-doubt exposition.
He'd been her protector, unswerving, unflinching, always there; from a man like him, focused on a lady like her, such actions were tantamount to a declaration from the rooftops. The love she'd wanted him to admit to had been there all along, demonstrated daily right before her eyes, but she hadn't seen.
Hadn't seen because she'd been focusing elsewhere, and because, conditioned as she was to resisting the same style of possessive protectiveness from her brothers, from her cousins, she hadn't appreciated his, hadn't realized that that quality had to be an expression of his feelings for her.
Until now.
Until now that he'd all but given his life for hers.
He loved her-he'd always loved her. She saw that now, looking back down the years. He'd loved her from the time she'd fallen in love with him-the instant they'd laid eyes on each other at Michael and Caro's wedding in Hampshire four years ago.
He'd held aloof, held away-held her at bay, too-believing, wrongly, that he wasn't an appropriate husband for her.
In that, he'd been wrong, too.
She saw it all. And as the tears overflowed and tracked down her cheeks, she knew to her soul how right he was for her. Knew, embraced, and rejoiced.
”
”
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
“
I was not alone. The room was the same, unchanged in any way since I came into it. I could see along the floor, in the brilliant moonlight, my own footsteps marked where I had disturbed the long accumulation of dust. In the moonlight opposite me were three young women, ladies by their dress and manner. I thought at the time that I must be dreaming when I saw them, they threw no shadow on the floor. They came close to me, and looked at me for some time, and then whispered together. Two were dark, and had high aquiline noses, like the Count, and great dark, piercing eyes, that seemed to be almost red when contrasted with the pale yellow moon. The other was fair, as fair as can be, with great masses of golden hair and eyes like pale sapphires. I seemed somehow to know her face, and to know it in connection with some dreamy fear, but I could not recollect at the moment how or where. All three had brilliant white teeth that shone like pearls against the ruby of their voluptuous lips. There was something about them that made me uneasy, some longing and at the same time some deadly fear. I felt in my heart a wicked, burning desire that they would kiss me with those red lips. It is not good to note this down, lest some day it should meet Mina’s eyes and cause her pain, but it is the truth. They whispered together, and then they all three laughed, such a silvery, musical laugh, but as hard as though the sound never could have come through the softness of human lips. It was like the intolerable, tingling sweetness of waterglasses when played on by a cunning hand. The fair girl shook her head coquettishly, and the other two urged her on. One said, “Go on! You are first, and we shall follow. Yours is the right to begin.” The other added, “He is young and strong. There are kisses for us all.” I lay quiet, looking out from under my eyelashes in an agony of delightful anticipation. The fair girl advanced and bent over me till I could feel the movement of her breath upon me. Sweet it was in one sense, honey-sweet, and sent the same tingling through the nerves as her voice, but with a bitter underlying the sweet, a bitter offensiveness, as one smells in blood. I was afraid to raise my eyelids, but looked out and saw perfectly under the lashes. The girl went on her knees, and bent over me, simply gloating. There was a deliberate voluptuousness which was both thrilling and repulsive, and as she arched her neck she actually licked her lips like an animal, till I could see in the moonlight the moisture shining on the scarlet lips and on the red tongue as it lapped the white sharp teeth. Lower and lower went her head as the lips went below the range of my mouth and chin and seemed to fasten on my throat. Then she paused, and I could hear the churning sound of her tongue as it licked her teeth and lips, and I could feel the hot breath on my neck. Then the skin of my throat began to tingle as one’s flesh does when the hand that is to tickle it approaches nearer, nearer. I could feel the soft, shivering touch of the lips on the super sensitive skin of my throat, and the hard dents of two sharp teeth, just touching and pausing there. I closed my eyes in languorous ecstasy and waited, waited with beating heart.
”
”
Bram Stoker (Dracula (Annotated))
“
A character like that," he said to himself—"a real little passionate force to see at play is the finest thing in nature. It's finer than the finest work of art—than a Greek bas-relief, than a great Titian, than a Gothic cathedral. It's very pleasant to be so well treated where one had least looked for it. I had never been more blue, more bored, than for a week before she came; I had never expected less that anything pleasant would happen. Suddenly I receive a Titian, by the post, to hang on my wall—a Greek bas-relief to stick over my chimney-piece. The key of a beautiful edifice is thrust into my hand, and I'm told to walk in and admire. My poor boy, you've been sadly ungrateful, and now you had better keep very quiet and never grumble again." The sentiment of these reflexions was very just; but it was not exactly true that Ralph Touchett had had a key put into his hand. His cousin was a very brilliant girl, who would take, as he said, a good deal of knowing; but she needed the knowing, and his attitude with regard to her, though it was contemplative and critical, was not judicial. He surveyed the edifice from the outside and admired it greatly; he looked in at the windows and received an impression of proportions equally fair. But he felt that he saw it only by glimpses and that he had not yet stood under the roof. The door was fastened, and though he had keys in his pocket he had a conviction that none of them would fit. She was intelligent and generous; it was a fine free nature; but what was she going to do with herself? This question was irregular, for with most women one had no occasion to ask it. Most women did with themselves nothing at all; they waited, in attitudes more or less gracefully passive, for a man to come that way and furnish them with a destiny. Isabel's originality was that she gave one an impression of having intentions of her own. "Whenever she executes them," said Ralph, "may I be there to see!
”
”
Henry James (The Portrait of a Lady)
“
At first Alexander could not believe it was his Tania. He blinked and tried to refocus his eyes. She was walking around the table, gesturing, showing, leaning forward, bending over. At one point she straightened out and wiped her forehead. She was wearing a short-sleeved yellow peasant dress. She was barefoot, and her slender legs were exposed above her knee. Her bare arms were lightly tanned. Her blonde hair looked bleached by the sun and was parted into two shoulder-length braids tucked behind her ears. Even from a distance he could see the summer freckles on her nose. She was achingly beautiful. And alive. Alexander closed his eyes, then opened them again. She was still there, bending over the boy’s work. She said something, everyone laughed loudly, and Alexander watched as the boy’s arm touched Tatiana’s back. Tatiana smiled. Her white teeth sparkled like the rest of her. Alexander didn’t know what to do. She was alive, that was obvious. Then why hadn’t she written him? And where was Dasha? Alexander couldn’t very well continue to stand under a lilac tree. He went back out onto the main road, took a deep breath, stubbed out his cigarette, and walked toward the square, never taking his eyes off her braids. His heart was thundering in his chest, as if he were going into battle. Tatiana looked up, saw him, and covered her face with her hands. Alexander watched everyone get up and rush to her, the old ladies showing unexpected agility and speed. She pushed them all away, pushed the table away, pushed the bench away, and ran to him. Alexander was paralyzed by his emotion. He wanted to smile, but he thought any second he was going to fall to his knees and cry. He dropped all his gear, including his rifle. God, he thought, in a second I’m going to feel her. And that’s when he smiled. Tatiana sprang into his open arms, and Alexander, lifting her off her feet with the force of his embrace, couldn’t hug her tight enough, couldn’t breathe in enough of her. She flung her arms around his neck, burying her face in his bearded cheek. Dry sobs racked her entire body. She was heavier than the last time he felt her in all her clothes as he lifted her into the Lake Ladoga truck. She, with her boots, her clothes, coats, and coverings, had not weighed what she weighed now. She smelled incredible. She smelled of soap and sunshine and caramelized sugar. She felt incredible. Holding her to him, Alexander rubbed his face into her braids, murmuring a few pointless words. “Shh, shh…come on, now, shh, Tatia. Please…” His voice broke. “Oh, Alexander,” Tatiana said softly into his neck. She was clutching the back of his head. “You’re alive. Thank God.” “Oh, Tatiana,” Alexander said, hugging her tighter, if that were possible, his arms swaddling her summer body. “You’re alive. Thank God.” His hands ran up to her neck and down to the small of her back. Her dress was made of very thin cotton. He could almost feel her skin through it. She felt very soft. Finally he let her feet touch the ground. Tatiana looked up at him. His hands remained around her little waist. He wasn’t letting go of her. Was she always this tiny, standing barefoot in front of him? “I like your beard,” Tatiana said, smiling shyly and touching his face. “I love your hair,” Alexander said, pulling on a braid and smiling back. “You’re messy…” He looked her over. “And you’re stunning.” He could not take his eyes off her glorious, eager, vivid lips. They were the color of July tomatoes— He bent to her—
”
”
Paullina Simons
“
Lord,I love you truly with all my heart. Every moment with you is precious to me but I would give up even that if it meant peace between our peoples. Nothing else can be allowed to matter so much as that."
Dragon did not reply. He was staring at her very oddly. Of the others, she had no awareness at all. Only he existed for her just then.She felt as though there was no ground beneath her but this time instead of falling as she had off the cliff, she soared frantically, desperately,not knowing if at any moment gravity might reclaim her but soaring all the same.
"What did you say?" he demanded.
"Nothing else can be allowed to matter so much as the peace between our peoples! I understand full well how angry you are. The insult done you was profound,but I beg you,think of what you do.Do you go against my father,he wins!"
Slowly,Dragon shook his head as though trying to clear it. His gaze locked on Rycca's like a man holding fast to the rudder in a mighty storm. A dull flush crept over his high-boned cheeks. "Insult? You think I want to kill your father because he insulted me? For pity's sake, woman, I damn near lost you! Don't you have any idea what that means to me?"
Her eyes widened, never leaving him as he stalked across the stone floor of the Saxon's king's great hall and took firm hold of her by her shoulders. He dragged her up against him even as he near yelled, "Dammit to hell, woman, I love you! What care I for insults? Nothing matters to me save keeping you safe and-"
"Love?" Rycca repeated in a daze.
"Loki take you, lady, you are not the easiet woman in the world to get along with, you know! You are strong, spirited, stubborn, not a meek bone in your body! Your body...Never mind that, the point is you have stolen into my heart and I lack any will to get you out, so do not dare you think of dying! I absolutely forbid it! Did you say you love me?"
Oh,my,Rycca thought, she truly did have wings after all.Strong, sturdy wings that would carry her as high as she wanted to climb. And that was very high indeed.
A smile crept over her clear to her toes.She cupped her husband's face between her hands and took his mouth with hers.Well and thoroughly did she kiss him right there in front of everyone. That took some time, and when she was done she was rather breathless. Yet she managed to say, "I love you, lord.More than life,more even than freedom.You are dearest to me above all."
And for just a moment, there in the hall of the king,Rycca of Landsende saw the sheen of tears in her Viking's eyes.
”
”
Josie Litton (Come Back to Me (Viking & Saxon, #3))
“
When Elizabeth finally descended the stairs on her way to the dining room she was two hours late. Deliberately.
“Good heavens, you’re tardy, my dear!” Sir Francis said, shoving back his chair and rushing to the doorway where Elizabeth had been standing, trying to gather her courage to do what needed to be done. “Come and meet my guests,” he said, drawing her forward after a swift, disappointed look at her drab attire and severe coiffure. “We did as you suggested in your note and went ahead with supper. What kept you abovestairs so long?”
“I was at prayer,” Elizabeth said, managing to look him straight in the eye.
Sir Francis recovered from his surprise in time to introduce her to the three other people at the table-two men who resembled him in age and features and two women of perhaps five and thirty who were both attired in the most shockingly revealing gowns Elizabeth had ever seen.
Elizabeth accepted a helping of cold meat to silence her protesting stomach while both women studied her with unhidden scorn. “That is a most unusual ensemble you’re wearing, I must say,” remarked the woman named Eloise. “Is it the custom where you come from to dress so…simply?”
Elizabeth took a dainty bite of meat. “Not really. I disapprove of too much personal adornment.” She turned to Sir Francis with an innocent stare. “Gowns are expensive. I consider them a great waste of money.”
Sir Francis was suddenly inclined to agree, particularly since he intended to keep her naked as much as possible. “Quite right!” he beamed, eyeing the other ladies with pointed disapproval. “No sense in spending all that money on gowns. No point in spending money at all.”
“My sentiments exactly,” Elizabeth said, nodding. “I prefer to give every shilling I can find to charity instead.”
“Give it away?” he said in a muted roar, half rising out of his chair. Then he forced himself to sit back down and reconsider the wisdom of wedding her. She was lovely-her face more mature then he remembered it, but not even the black veil and scraped-back hair could detract from the beauty of her emerald-green eyes with their long, sooty lashes. Her eyes had dark circles beneath them-shadows he didn’t recall seeing there earlier in the day. He put the shadows down to her far-too-serious nature. Her dowry was creditable, and her body beneath that shapeless black gown…he wished he could see her shape. Perhaps it, too, had changed, and not for the better, in the past few years.
“I had hoped, my dear,” Sir Francis said, covering her hand with his and squeezing it affectionately, “that you might wear something else down to supper, as I suggested you should.”
Elizabeth gave him an innocent stare. “This is all I brought.”
“All you brought?” he uttered. “B-But I definitely saw my footmen carrying several trunks upstairs.”
“They belong to my aunt-only one of them is mine,” she fabricated hastily, already anticipating his next question and thinking madly for some satisfactory answer.
“Really?” He continued to eye her gown with great dissatisfaction, and then he asked exactly the question she’d expected: “What, may I ask, does your one truck contain if not gowns?”
Inspiration struck, and Elizabeth smiled radiantly. “Something of great value. Priceless value,” she confided.
All faces at the table watched her with alert fascination-particularly the greedy Sir Francis. “Well, don’t keep us in suspense, love. What’s in it?”
“The mortal remains of Saint Jacob.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Thus engaged, with her right elbow supported by her left hand, Madame Defarge said nothing when her lord came in, but coughed just one grain of cough. This, in combination with the lifting of her darkly defined eyebrows over her toothpick by the breadth of a line, suggested to her husband that he would do well to look round the shop among the customers, for any new customer who had dropped in while he stepped over the way.
The wine-shop keeper accordingly rolled his eyes about, until they rested upon an elderly gentleman and a young lady, who were seated in a corner. Other company were there: two playing cards, two playing dominoes, three standing by the counter lengthening out a short supply of wine. As he passed behind the counter, he took notice that the elderly gentleman said in a look to the young lady, "This is our man."
"What the devil do you do in that galley there?" said Monsieur Defarge to himself; "I don't know you."
But, he feigned not to notice the two strangers, and fell into discourse with the triumvirate of customers who were drinking at the counter.
"How goes it, Jacques?" said one of these three to Monsieur Defarge. "Is all the spilt wine swallowed?"
"Every drop, Jacques," answered Monsieur Defarge.
When this interchange of Christian name was effected, Madame Defarge, picking her teeth with her toothpick, coughed another grain of cough, and raised her eyebrows by the breadth of another line.
"It is not often," said the second of the three, addressing Monsieur Defarge, "that many of these miserable beasts know the taste of wine, or of anything but black bread and death. Is it not so, Jacques?"
"It is so, Jacques," Monsieur Defarge returned.
At this second interchange of the Christian name, Madame Defarge, still using her toothpick with profound composure, coughed another grain of cough, and raised her eyebrows by the breadth of another line.
The last of the three now said his say, as he put down his empty drinking vessel and smacked his lips.
"Ah! So much the worse! A bitter taste it is that such poor cattle always have in their mouths, and hard lives they live, Jacques. Am I right, Jacques?"
"You are right, Jacques," was the response of Monsieur Defarge.
This third interchange of the Christian name was completed at the moment when Madame Defarge put her toothpick by, kept her eyebrows up, and slightly rustled in her seat.
"Hold then! True!" muttered her husband. "Gentlemen--my wife!"
The three customers pulled off their hats to Madame Defarge, with three flourishes. She acknowledged their homage by bending her head, and giving them a quick look. Then she glanced in a casual manner round the wine-shop, took up her knitting with great apparent calmness and repose of spirit, and became absorbed in it.
"Gentlemen," said her husband, who had kept his bright eye observantly upon her, "good day. The chamber, furnished bachelor- fashion, that you wished to see, and were inquiring for when I stepped out, is on the fifth floor. The doorway of the staircase gives on the little courtyard close to the left here," pointing with his hand, "near to the window of my establishment. But, now that I remember, one of you has already been there, and can show the way. Gentlemen, adieu!"
They paid for their wine, and left the place. The eyes of Monsieur Defarge were studying his wife at her knitting when the elderly gentleman advanced from his corner, and begged the favour of a word.
"Willingly, sir," said Monsieur Defarge, and quietly stepped with him to the door.
Their conference was very short, but very decided. Almost at the first word, Monsieur Defarge started and became deeply attentive. It had not lasted a minute, when he nodded and went out. The gentleman then beckoned to the young lady, and they, too, went out. Madame Defarge knitted with nimble fingers and steady eyebrows, and saw nothing.
”
”
Charles Dickens (A Tale of Two Cities)
“
Mom?” Then again, louder. “Mom?”
She turned around so quickly, she knocked the pan off the stove and nearly dropped the gray paper into the open flame there. I saw her reach back and slap her hand against the knobs, twisting a dial until the smell of gas disappeared.
“I don’t feel good. Can I stay home today?”
No response, not even a blink. Her jaw was working, grinding, but it took me walking over to the table and sitting down for her to find her voice. “How—how did you get in here?”
“I have a bad headache and my stomach hurts,” I told her, putting my elbows up on the table. I knew she hated when I whined, but I didn’t think she hated it enough to come over and grab me by the arm again.
“I asked you how you got in here, young lady. What’s your name?” Her voice sounded strange. “Where do you live?”
Her grip on my skin only tightened the longer I waited to answer. It had to have been a joke, right? Was she sick, too? Sometimes cold medicine did funny things to her.
Funny things, though. Not scary things.
“Can you tell me your name?” she repeated.
“Ouch!” I yelped, trying to pull my arm away. “Mom, what’s wrong?”
She yanked me up from the table, forcing me onto my feet. “Where are your parents? How did you get in this house?”
Something tightened in my chest to the point of snapping.
“Mom, Mommy, why—”
“Stop it,” she hissed, “stop calling me that!”
“What are you—?” I think I must have tried to say something else, but she dragged me over to the door that led out into the garage. My feet slid against the wood, skin burning. “Wh-what’s wrong with you?” I cried. I tried twisting out of her grasp, but she wouldn’t even look at me. Not until we were at the door to the garage and she pushed my back up against it.
“We can do this the easy way or the hard way. I know you’re confused, but I promise that I’m not your mother. I don’t know how you got into this house, and, frankly, I’m not sure I want to know—”
“I live here!” I told her. “I live here! I’m Ruby!”
When she looked at me again, I saw none of the things that made Mom my mother. The lines that formed around her eyes when she smiled were smoothed out, and her jaw was clenched around whatever she wanted to say next. When she looked at me, she didn’t see me. I wasn’t invisible, but I wasn’t Ruby.
“Mom.” I started to cry. “I’m sorry, I didn’t mean to be bad. I’m so sorry, I’m so sorry! Please, I promise I’ll be good—I’ll go to school today and won’t be sick, and I’ll pick up my room. I’m sorry. Please remember. Please!”
She put one hand on my shoulder and the other on the door handle. “My husband is a police officer. He’ll be able to help you get home. Wait in here—and don’t touch anything.”
The door opened and I was pushed into a wall of freezing January air. I stumbled down onto the dirty, oil-stained concrete, just managing to catch myself before I slammed into the side of her car. I heard the door shut behind me, and the lock click into place; heard her call Dad’s name as clearly as I heard the birds in the bushes outside the dark garage.
She hadn’t even turned on the light for me.
I pushed myself up onto my hands and knees, ignoring the bite of the frosty air on my bare skin. I launched myself in the direction of the door, fumbling around until I found it. I tried shaking the handle, jiggling it, still thinking, hoping, praying that this was some big birthday surprise, and that by the time I got back inside, there would be a plate of pancakes at the table and Dad would bring in the presents, and we could—we could—we could pretend like the night before had never happened, even with the evidence in the next room over.
The door was locked.
“I’m sorry!” I was screaming. Pounding my fists against it. “Mommy, I’m sorry! Please!”
Dad appeared a moment later, his stocky shape outlined by the light from inside of the house. I saw Mom’s bright-red face over his shoulder; he turned to wave her off and then reached over to flip on the overhead lights.
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))