Star Coordinates Quotes

Percy says be talked to a Nereid in Charleston Harbor!” “Good for him!” Leo yelled back. “The Nereid said we should seek help from Chiron’s brothers.” “What does that mean? The Party Ponies?” Leo had never met Chiron’s crazy centaur relatives, but he’d heard rumors of Nerf sword-fights, root beer-chugging contests, and Super Soakers filled with pressurized whipped cream. “Not sure,” Annabeth said. “But I’ve got coordinates. Can you input latitude and longitude in this thing?” “I can input star charts and order you a smoothie, if you want. Of course I can do latitude and longitude!

The stars are like letters that inscribe themselves at every moment in the sky. Everything in the world is full of signs. All events are coordinated. All things depend on each other. Everything breathes together.

The compass rose is nothing but a star with an infinite number of rays pointing in all directions. It is the one true and perfect symbol of the universe. And it is the one most accurate symbol of you. Spread your arms in an embrace, throw your head back, and prepare to receive and send coordinates of being. For, at last you know—you are the navigator, the captain, and the ship.

Have you had contact with any other survivors?" "Only one," the Alderaanian senator said grimly. "Lock onto my coordinates. He's waiting for you.

What does that mean? The Party Ponies?” Leo had never met Chiron’s crazy centaur relatives, but he’d heard rumors of Nerf sword-fights, root beer–chugging contests, and Super Soakers filled with pressurized whipped cream. “Not sure,” Annabeth said. “But I’ve got coordinates. Can you input latitude and longitude in this thing?” “I can input star charts and order you a smoothie, if you want. Of course I can do latitude and longitude!

They say that every hundred years—some versions say every five hundred, or every thousand—the sun disappears from the daytime sky at the same time the moon vanishes from the night. They say their absence is coordinated so that they may meet in a secret location, unseen by the stars, to discuss the state of the world and compare what each has seen over the past hundred or five hundred or thousand years.

In the civilization of our times, it is normal, and almost obligatory, for cookery and fashion to take up most of the culture sections, for chefs and fashion designers now enjoy the prominence that before was given to scientists, composers and philosophers. Gas burners, stoves and catwalks meld, in the cultural coordinates of our time, with books, laboratories and operas, while TV stars and great footballers exert the sort of influence over habits, taste and fashion that was previously the domain of teachers and thinkers

Han grins and laughs and tries not to get crushed. “C’mon, Chewie. Set new coordinates. It’s time to get you home.

In the end we’re nothing more substantial, it would seem, than so much tiny star-stuff and a dream; coordinates of will so existential that, in the final analysis, there is no thinker, just the thought. We create ourselves to learn we can’t exist. It could be said we think therefore we’re not. We’re just a place that atoms hurdle through, a vortex with a cosmic attitude. fr. "The Lady Cavendish's Atoms

We perceive our environment in three dimensions, but we don’t actually live in a 3-D world. 3-D is static. A snapshot. We have to add a fourth dimension to begin to describe the nature of our existence. The 4-D tesseract doesn’t add a spatial dimension. It adds a temporal one. It adds time, a stream of 3-D cubes, representing space as it moves along time’s arrow. This is best illustrated by looking up into the night sky at stars whose brilliance took fifty light-years to reach our eyes. Or five hundred. Or five billion. We’re not just looking into space, we’re looking back through time. Our path through this 4-D spacetime is our worldline (reality), beginning with our birth and ending with our death. Four coordinates (x, y, z, and t [time]) locate a point within the tesseract. And we think it stops there, but that’s only true if every outcome is inevitable, if free will is an illusion, and our worldline is solitary. What if our worldline is just one of an infinite number of worldlines, some only slightly altered from the life we know, others drastically different? The Many-Worlds interpretation of quantum mechanics posits that all possible realities exist. That everything which has a probability of happening is happening. Everything that might have occurred in our past did occur, only in another universe. What if that’s true? What if we live in a fifth-dimensional probability space? What if we actually inhabit the multiverse, but our brains have evolved in such a way as to equip us with a firewall that limits what we perceive to a single universe? One worldline. The one we choose, moment to moment. It makes sense if you think about it. We couldn’t possibly contend with simultaneously observing all possible realities at once. So how do we access this 5-D probability space? And if we could, where would it take us? —

Where I am from they tell a story about it,’ the woman said, her attention on the work in front of her, the steady movement of her hands through the flour. ‘They say that every hundred years – some versions say every five hundred, or every thousand – the sun disappears from the daytime sky at the same time the moon vanishes from the night. They say their absence is coordinated so that they may meet in a secret location, unseen by the stars, to discuss the state of the world and compare what each has seen over the past hundred or five hundred or thousand years. They meet and talk and part again, returning to their respective places in the sky until their next meeting.

The tunnel pulled at her. How many hands had it required to make this place? And the tunnels beyond, wherever and how far they led? She thought of the picking, how it raced down the furrows at harvest, the African bodies working as one, as fast as their strength permitted. The vast fields burst with hundreds of thousands of white bolls, strung like stars in the sky on the clearest of clear nights. When the slaves finished, they had stripped the fields of their color. It was a magnificent operation, from seed to bale, but not one of them could be prideful of their labor. It had been stolen from them. Bled from them. The tunnel, the tracks, the desperate souls who found salvation in the coordination of its stations and timetables - this was a marvel to be proud of. She wondered if those who had built this thing had received their proper reward.

The tunnel pulled at her. How many hands had it required to make this place? And the tunnels beyond, wherever and how far they led? She thought of the picking, how it raced down the furrows at harvest, the African bodies working as one, as fast as their strength permitted. The vast fields burst with hundreds of thousands of white bolls, strung like stars in the sky on the clearest of clear nights. When the slaves finished, they had stripped the fields of their color. It was a magnificent operation, from seed to bale, but not one of them could be prideful of their labor. It had been stolen from them. Bled from them. The tunnel, the tracks, the desperate souls who found salvation in the coordination of its stations and timetables—this was a marvel to be proud of. She wondered if those who had built this thing had received their proper reward.

We perceive our environment in three dimensions, but we don’t actually live in a 3-D world. 3-D is static. A snapshot. We have to add a fourth dimension to begin to describe the nature of our existence. The 4-D tesseract doesn’t add a spatial dimension. It adds a temporal one. It adds time, a stream of 3-D cubes, representing space as it moves along time’s arrow. This is best illustrated by looking up into the night sky at stars whose brilliance took fifty light-years to reach our eyes. Or five hundred. Or five billion. We’re not just looking into space, we’re looking back through time. Our path through this 4-D spacetime is our worldline (reality), beginning with our birth and ending with our death. Four coordinates (x, y, z, and t [time]) locate a point within the tesseract. And we think it stops there, but that’s only true if every outcome is inevitable, if free will is an illusion, and our worldline is solitary. What if our worldline is just one of an infinite number of worldlines, some only slightly altered from the life we know, others drastically different? The Many-Worlds interpretation of quantum mechanics posits that all possible realities exist. That everything which has a probability of happening is happening. Everything that might have occurred in our past did occur, only in another universe. What if that’s true? What if we live in a fifth-dimensional probability space? What if we actually inhabit the multiverse, but our brains have evolved in such a way as to equip us with a firewall that limits what we perceive to a single universe? One worldline. The one we choose, moment to moment. It makes sense if you think about it. We couldn’t possibly contend with simultaneously observing all possible realities at once. So how do we access this 5-D probability space? And if we could, where would it take us? — Leighton

planet could feel the force of the star pulling it in and was only too happy to let the star lead on; finally it had found a new home. And soon enough, it could feel, sometimes even see, its new family members; the small, frozen rocks far from their mother star; the gas giants, the ones with the magnificent rings; the moons dancing happily around their parents. So full of life, perfectly coordinated, such a wonderful family! Yes, this was where Lifebringer would settle, finally, after so long. Then a small red planet appeared, and the rogue immediately realized its dreams of a new home had come to an end. There would be no peace, only destruction, a second cataclysm. For the red one had moved into its path, and none of them would survive such an impact. There was nothing more to do, no way to avoid the impact. An instant of regret, then nothing.

Have you ever noticed that the things people LOVE says a lot about them? Even random stuff like your favourite band, movie or lip gloss colour can be a reflection of YOU. The same thing can be said for your friends and other important people in your life. What “other important people” you ask? Hmmm . . . like maybe . . . your CRUSH!!! YEP! That super cute guy who gives you a severe case of RCS! So, just for fun, I’ve made a little guide about what YOUR choice in boys says about you. Enjoy!!! IF YOU LIKE EMO GUYS (Think Edward from Twilight) You like to talk about things . . . A LOT! You crush on emo boys because they’re all sensitive and stuff. Just beware; sometimes dark and brooding guys can be kind of a downer! IF YOU LIKE TROUBLE MAKERS (the boy who’s on a first name basis with the principal’s receptionist) You don’t like following the rules and you crush on boys who make their own. Let’s face it: there’s something kind of exciting about them. But a word of caution my rebel loving friends: sometimes the bad boy is BAD BAD news!! IF YOU LIKE PREPPY GUYS (think shirts, polos and a general feel of being ironed from head to toe) You’re totally organized. You probably have colour-coordinated folders for every subject, and maybe, just MAYBE, you aspire to fold sweaters at the Gap. A preppy boy makes you weak in the khaki knees!! IF YOU LIKE MUSICIAN TYPES (OK, so this one is fairly obvious, but in case you’ve just arrived on Earth, I’m talking about future Justin Biebers) You’re totally into music, and you’re probably also super creative. And (let’s be honest) you also like the attention of walking around with band boy. Everyone’s always like, “Nice set for the talent show!” or “Saw you on YouTube!” or “Would you sign my forehead?!?

Let me kiss you Irma! There in the middle, in the space between the light and dark, Let me love you in the corners bright, Where your heart beat is the mark, To guide me through the mist of time with all my might, Because my love it is you that spreads like brightness in my world, Where your memories cast everlasting light, On the darkest and desolate corners of my world, And then fills me with the spirit to fight, All my demons and my fears, Your simple look offers me endless joy, As my existence the drapery of your brightness wears, And I begin to foil life’s every ploy, To oust me from my dominion, that is mine, But little does it know one can never steal the scent from the rose, And your memories that enrich me, become my goldmine, Granting me courage that before the brightest flash of life, I may put up my best pose, So come let me bear you in my arms, Let me kiss you like the night kisses everything beyond those shadows, And as my heart with these beautiful feelings warms, Let me offer smiles to the life’s marooned widows, Who have moaned enough and grieved a lot, Let me kiss you and then wage the war, Between the right and the evil in the reality’s merciless plot, It may happen that then stars that seem too far, Would tumble from the skies, To bury the evil in the star dust, But let us tread with caution for haste is only good when catching flies, For lovers always do what they must, It is the destiny of love and maybe the price of the kiss, That we all pay for with our heart beats, So let me hold you in my arms and feel my real bliss, Before my fate confronts the destiny and my courage both of them meets, In the open playground of life and chance, Where the truthful and the valiant always wins, Because it is a well coordinated dance, Where one always has to win though it is a competition between the twins, So kiss me and wish for my victory, Because through me you shall win too, As we are cast in the life’s endless trajectory, Where there shall always be one constant Irma, that, I love you, So, let the stars bear witness to valour of love, And as you kiss me, let the stars tumble from the skies, Then let no one seek the Heavens above, Because for our love, our passions and joys, here is where a lover dies, And this is where Christ died, This is where crusades were waged, This is where goodness was promoted and this is where Judas lied, And this is where lovers are caged, So let our battles of love be fought here, For a kiss, for a warm embrace, for a sweet memory’s sake, Then as I see you and your beauty everywhere, Let me love you forever for love’s and my own sake, Tonight when the sky shall be lit with many a twinkling star, I shall wait under the open sky and the moonlight, And as my eyes behold their darling most star, We shall then be the shadows in the darkness secretly kissing our heart beats in the cover of the night. To cast particles of darkness and cover the moonlight, And make it a part of our own shadows, Then we shall create a romantic night, As we freely fleet across the night’s endless love meadows.

key principle of their navigation, Bruno had explained, was an inversion of movement: destinations arrived toward sailors, rather than sailors moving toward destinations. This concept of seafaring was called etak, Bruno had instructed, or “moving island”—in which a sailor in a canoe traveling the open ocean, whether standing with his legs apart feeling wave-swell, or seated and rowing, or seated and not rowing, this sailor was himself stationary, while waves and the occasional landmass flowed past his boat. These sailors weren’t stupid, Bruno had said. They knew they were not actually standing still. They were employing a special form of cognition, a skill that was crucial to getting somewhere. You and I, Bruno had said, don’t live in their world. Our own earth, our version of it, is fitted with Cartesian coordinates, a straitjacket of plumb lines and cross-stitches. The sky is no longer visible in most places. Our stars have been replaced by satellites, whose clocks tell atomic time. With GPS you can know your location without looking out the window, he had said. You can know your location without knowing your location. You can know things without knowing anything. We often proceed as if we know things without a sense of what knowledge even is, Bruno had said. The earth is turning, for instance: sure, we know that because we’ve memorized it. But our knowledge of the earth’s turn is false, it is knowledge without context, disconnected from the rest of the universe. When the sun rises, we think it’s rising. When it sets, we think it’s setting.

he just didn’t get it. He’d never understood the whole hero worship thing over actors and singers and sports stars. Cops and firemen, yeah. Soldiers, absolutely. He appreciated and admired a great athlete’s abilities, but just because a guy had the eye-hand coordination to swing a bat and hit a ball didn’t make him a hero. Neither did riding a bull in a rodeo.

Such public shaming is rampant and sometimes appropriate, but unfortunately, in recent years, shaming has morphed into coordinated reputation murders, and anyone who is slightly insensitive or not PC enough can be led to a public character lynching without due process.

History is liminal, the threshold between what we know and can't know; land and sky a single coordinate plane in the mist. The one who rescues the rescuer. Terminal lucidity. The few kilometres, a turn of the head, between surplus and famine. Surgery by the light of a car battery. Stars invisible in daylight.

We perceive our environment in three dimensions, but we don’t actually live in a 3-D world. 3-D is static. A snapshot. We have to add a fourth dimension to begin to describe the nature of our existence. The 4-D tesseract doesn’t add a spatial dimension. It adds a temporal one. It adds time, a stream of 3-D cubes, representing space as it moves along time’s arrow. This is best illustrated by looking up into the night sky at stars whose brilliance took fifty light-years to reach our eyes. Or five hundred. Or five billion. We’re not just looking into space, we’re looking back through time. Our path through this 4-D spacetime is our worldline (reality), beginning with our birth and ending with our death. Four coordinates (x, y, z, and t [time]) locate a point within the tesseract. And we think it stops there, but that’s only true if every outcome is inevitable, if free will is an illusion, and our worldline is solitary. What if our worldline is just one of an infinite number of worldlines, some only slightly altered from the life we know, others drastically different? The Many-Worlds interpretation of quantum mechanics posits that all possible realities exist. That everything which has a probability of happening is happening. Everything that might have occurred in our past did occur, only in another universe. What if that’s true? What if we live in a fifth-dimensional probability space? What if we actually inhabit the multiverse, but our brains have evolved in such a way as to equip us with a firewall that limits what we perceive to a single universe? One worldline. The one we choose, moment to moment. It makes sense if you think about it. We couldn’t possibly contend with simultaneously observing all possible realities at once. So how do we access this 5-D probability space? And if we could, where would it take us?

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It was the German powerhouse Deutsche Bank AG, not my fictitious RhineBank, that financed the construction of the extermination camp at Auschwitz and the nearby factory that manufactured Zyklon B pellets. And it was Deutsche Bank that earned millions of Nazi reichsmarks through the Aryanization of Jewish-owned businesses. Deutsche Bank also incurred massive multibillion-dollar fines for helping rogue nations such as Iran and Syria evade US economic sanctions; for manipulating the London interbank lending rate; for selling toxic mortgage-backed securities to unwitting investors; and for laundering untold billions’ worth of tainted Russian assets through its so-called Russian Laundromat. In 2007 and 2008, Deutsche Bank extended an unsecured $1 billion line of credit to VTB Bank, a Kremlin-controlled lender that financed the Russian intelligence services and granted cover jobs to Russian intelligence officers operating abroad. Which meant that Germany’s biggest lender, knowingly or unknowingly, was a silent partner in Vladimir Putin’s war against the West and liberal democracy. Increasingly, that war is being waged by Putin’s wealthy cronies and by privately owned companies like the Wagner Group and the Internet Research Agency, the St. Petersburg troll factory that allegedly meddled in the 2016 US presidential election. The IRA was one of three Russian companies named in a sprawling indictment handed down by the Justice Department in February 2018 that detailed the scope and sophistication of the Russian interference. According to special counsel Robert S. Mueller III, the Russian cyber operatives stole the identities of American citizens, posed as political and religious activists on social media, and used divisive issues such as race and immigration to inflame an already divided electorate—all in support of their preferred candidate, the reality television star and real estate developer Donald Trump. Russian operatives even traveled to the United States to gather intelligence. They focused their efforts on key battleground states and, remarkably, covertly coordinated with members of the Trump campaign in August 2016 to organize rallies in Florida. The Russian interference also included a hack of the Democratic National Committee that resulted in a politically devastating leak of thousands of emails that threw the Democratic convention in Philadelphia into turmoil. In his final report, released in redacted form in April 2019, Robert Mueller said that Moscow’s efforts were part of a “sweeping and systematic” campaign to assist Donald Trump and weaken his Democratic rival, Hillary Clinton. Mueller was unable to establish a chargeable criminal conspiracy between the Trump campaign and the Russian government, though the report noted that key witnesses used encrypted communications, engaged in obstructive behavior, gave false or misleading testimony, or chose not to testify at all. Perhaps most damning was the special counsel’s conclusion that the Trump campaign “expected it would benefit electorally from the information stolen and released through Russian efforts.

Elle set the bags on the floor beside the coffee table. From the first bag she withdrew two notebooks, one black and the other white, and a twelve pack of gel pens. “Facts we can write down in these handy notebooks. I brought gel pens in case you want to color code anything. Because if there’s one thing you should know about me—okay, there are a lot of things you should know about me. But right now, it’s important to know I don’t have much Virgo in my chart. I mean, there’s Jupiter and it’s retrograde and my seventh house is in Virgo, but that’s a whole other story.” And too much to unpack in one night. “However, I aspire to Virgo-level detail orientation and I do it through color-coordinated crafts. Got it?” That was an ultrasimplification, but it was doubtful Darcy wanted details. Elle believed in astrology, believed the cosmos controlled more than met the eye and that was what Darcy needed to know if this was going to work, if this fake relationship of theirs would ever fool a single soul. She needed to know it, and inside it might make her roll her eyes and despair at how silly Elle was, but outwardly Darcy needed to not scoff at it. Even if this entire charade was pretend, Darcy needed to respect Elle’s beliefs. Respect Elle, or no dice.

Why does the egocentric system feel so much easier and more natural to handle? Simply because we always know where ‘in front of’ us is and where ‘behind’ and ‘left’ and ‘right’ are. We don’t need a map or a compass to work this out, we don’t need to look at the sun or the North Star, we just feel it, because the egocentric system of coordinates is based directly on our own body and our immediate visual field.

The advanced missile fire-control system, installed when K-129 was upgraded to a Golf II, allowed the submarine to target and launch its missiles accurately while traveling at low speeds, and without having to pause at an exact intersection of latitude and longitude. The older-model Golf I submarines, like the ones in the Chinese navy, still relied on earlier navigational systems. They did have to be positioned at exact longitudinal and latitudinal coordinates to accurately target their missiles.

The next critical step in the launch procedure required close coordination among the three ranking members of the submarine crew—the submarine commander, the deputy commander, and the zampolit. This step was to be taken only after each of these officers independently verified that the General Staff transmission was authentic and produced an individual key to the launch console. On that night, this carefully designed procedure was not followed. But how could this have occurred when the stakes were so high? Had the first captain and second captain been overpowered, or were they obeying forged orders? Could lower-level regular officers assigned to the boat have been induced to participate in some mad scheme?