Standing On A Cliff Quotes

Anyway, I keep picturing all these little kids playing some game in this big field of rye and all. Thousands of little kids, and nobody's around - nobody big, I mean - except me. And I'm standing on the edge of some crazy cliff. What I have to do, I have to catch everybody if they start to go over the cliff - I mean if they're running and they don't look where they're going I have to come out from somewhere and catch them. That's all I do all day. I'd just be the catcher in the rye and all. I know it's crazy, but that's the only thing I'd really like to be.

Picture yourself standing on a cliff overlooking the ocean. The wind is whipping your hair. The sun is setting. You long, body and soul, for one thing. One person. You hear footsteps behind you. You turn. Who's there? I remembered a voice. Jameson Winchester Hawthorne.

To get what you want, you have to know exactly how much you are willing to give up. Never had he wanted something this badly, and held it in his hands knowing that tomorrow it would be gone, traded for the high cliffs of Ios, and the uncertain future across the border, the chance to stand before his brother, to ask him for all the answers that no longer seemed important. A kingdom, or this.

Be like the cliff against which the waves continually break; but it stands firm and tames the fury of the water around it.

You can stand on the cliff of my heart and shout nothing but ‘ugly’ through me. I promise all I will echo back is ‘Beauty, beauty, you have always been beauty

Stand at the top of a cliff and jump off and build your wings on the way down.

And I felt a sudden whirl in my head, knowing this leap was inevitable, that I wasn't just standing on the cliff, toes poking over, but already in mid-air.

Forcing myself to make conversation felt like standing on a cliff, peering over the edge, about to tumble down headfirst.

The idea of my future simultaneously thrilled and terrified me, like standing at the lip of a very sheer cliff- I could fly, or fall. I didn't know how to fly, and I didn't want to fall. So I backed away from the cliff and went in search of something that had a clear, solid trajectory for me to follow, like hopscotch.

As we are standing on a dazzling cliff, overwhelmed by a blizzard of unanswered questions, the alarming immaterialities of our living may cry out to us and our consciousness may ask us to account for what we are doing or for what we have not done. This may be the instant we might engineer our future with destiny. ( "Sisyphus on the hill")

Tonight I want to stand on the side of a cliff and look down, dare the wind to gust and knock me off. Everyone thinks that falling to your death is the worst thing that can happen. But that’s a lie. The worst thing is to be alive for no reason.

Fiordland, a vast tract of mountainous terrain that occupies the south-west corner of South Island, New Zealand, is one of the most astounding pieces of land anywhere on God's earth, and one's first impulse, standing on a cliff top surveying it all, is simply to burst into spontaneous applause.

He'd lived so long in anticipation of his own death that to contemplate his future was like standing at the edge of a cliff, staring into a vertiginous rush of open sky.

Was that what it was really like to be alive? The feeling of darkness dragging you forward? How could they live with it? And yet they did, and even seemed to find enjoyment in it, when surely the only sensible course would be to despair. Amazing. To feel you were a tiny living thing, sandwiched between two cliffs of darkness. How could they stand to be alive?

Picture yourself standing on a cliff overlooking the ocean. The wind is whipping in your hair. The sun is setting. You long, body and soul, for one thing. One person. You hear footsteps behind you. You turn. Who’s there?

Nobody thought it could be done, so nobody had tried before. Standing with one foot in the abyss and the other with a foothold in her dreams, she stood on the edge of a cliff. She took one look behind and with one last deep breath, she leapt with reckless certainty and decisive confidence. Blurring through the sky, for a moment she looked like she would fade into darkness, but in the very last moment when everyone else had given up on her, from her back spread wings. With a leap of faith, she learned to fly.

The sea is calm tonight. The tide is full, the moon lies fair Upon the straits;- on the French coast the light Gleams and is gone; the cliffs of England stand, glimmering and vast, out in the tranquil bay.

Sean reaches out between us and takes my wrist. He press his thumb on my pulse. My heartbeat trips and surges against his skin. I'm pinned by his touch, a sort of fearful magic. We stand and stand, and I wait for my pulse against his finger to slow, but it doesn't Finally, he releases my wrist and says," I'll see you on the cliffs tomorrow.

She remembered timidly standing atop the Luthadel city wall, afraid to use her Allomancy to jump off, despite Kelsier's coaxing. Now she could step off a cliff and muse thoughtfully to herself on the way down.

You too are going to die, and that's because you too were fortunate enough to have lived. You may not feel this. But go stand on a cliff sometime, and maybe you will.

It's a bit like the feeling I get when I'm standing on a cliff or high building, looking down at a suicidal drop. I start thinking about what would happen if I stepped off, the rush of the fall, the shattering collision, the quiet emptiness of death. Part of me wants to experience the thrill of complete surrender...

I don’t want to be a widow, I don’t want Michael Bayning, and I don’t want you to joke about such things, you tactless clodpole!” As all three of them stared at her openmouthed, Poppy leapt up and stalked away, her hands drawn into fists. Bewildered by the immediate force of her fury—it was like being stung by a butterfly—Harry stared after her dumbly. After a moment, he asked the first coherent thought that came to him. “Did she just say she doesn’t want Bayning?” “Yes,” Win said, a smile hovering on her lips. “That’s what she said. Go after her, Harry.” Every cell in Harry’s body longed to comply. Except that he had the feeling of standing on the edge of a cliff, with one ill-chosen word likely to send him over. He gave Poppy’s sister a desperate glance. “What should I say?” “Be honest with her about your feelings,” Win suggested. A frown settled on Harry’s face as he considered that. “What’s my second option?

Kissing him was like standing on the edge of a cliff. Nice view, but you knew it was deadly.

There are people out there who do this. They pick up and they leave. Sometimes they were never really there. Other times they are with you, but in their minds they are a thousand miles away. They are taking a walk down an endless road; they are standing in a field of daisies on some unknown cliff; they are floating through space. -The Art of Leaving

It was as if I’d been standing on the edge of a cliff my whole life, and finally, after meeting Jeremy, I felt confident enough to jump. Because—for the first time in my life—I felt confident that I wouldn’t land. I would keep flying.

This was how it was supposed to feel. Like standing on a cliff high above a turquoise sea, terrified to jump but desperate for the thrill of the fall.

I keep picturing all these little kids playing some game in this big field of rye and all… I'm standing on the edge of some crazy cliff. What I have to do, I have to catch everybody if they start to go over the cliff - I mean if they're running and they don't look where they're going I have to come out from somewhere and catch them. That's all I do all day. I'd just be the catcher in the rye

Stare at him," said Ghost. "They won't bite you if you keep staring at them." Steve backed away. "They bite?" Not really. They hiss at you, mostly. The only time geese are ever dangerous is when you happen to be standing on the edge of a cliff. I heard about a guy that almost got killed that way." By geese?" Yeah, there was a whole flock of them coming after him. All hissing and cackling and stabbing at his ankles with their big ol' beaks. He didn't know you had to stare them right in the eye, and he panicked. They backed him right over a fifty-foot cliff." So how come he didn't die?" This guy had wings," said Ghost. "He flew away.

I look down past the stars to a terrifying darkness. I seem to recognize the place, but it's impossible. "Accident," I whisper. I will fall. I seem to desire the fall, and though I fight it with all my will I know in advance I can't win. Standing baffled, quaking with fear, three feet from the edge of a nightmare cliff, I find myself, incredibly, moving towards it. I look down, down, into bottomless blackness, feeling the dark power moving in me like an ocean current, some monster inside me, deep sea wonder, dread night monarch astir in his cave, moving me slowly to my voluntary tumble into death.

You want to fall, that's all. You think it can't go on like that. It's as if your life is a perch on the edge of a cliff and going forward seems impossible, not for a lack of will, but a lack of space. The possibility of another day stands in defiance of the laws of physics. And you can't go back. So you want to fall, let go, give up, but you can't. And every breath you take reminds you of that fact. So it goes.

The minute I stand up, I've jumped off the cliff. The world goes by in a haze of color and light; my weight accelerates, head-over-heels. Then I think, falling is the first step in learning how to fly.

I thought it was, "If a body catch a body," Anyway, i keep picturing all these little kids playing some game in this big field of rye and all. Thousands of little kids, and no ones around - nobody big I mean - except me. And I'm standing on the edge of this crazy cliff. What i have to do, I have to catch everybody if they start to go over the cliff - I mean if they're running and they don't look where they are going I have to come out from somewhere and catch them. That's all I'd do all day. I'd just be the catcher in the rye and all. I know its crazy, but that the only thing I's really like to be. I know its crazy.

It's 'If a body meet a body coming through the rye'!" old Phoebe said. "It's a poem. By Robert Burns." "I know it's a poem by Robert Burns." She was right, though. It is "If a body meet a body coming through the rye." I didn't know it then, though. "I thought it was 'If a body catch a body,'" I said. "Anyway, I keep picturing all these little kids playing some game in this big field of rye and all. Thousands of little kids, and nobody's around — nobody big, I mean — except me. And I'm standing on the edge of some crazy cliff. What I have to do, I have to catch everybody if they start to go over the cliff — I mean if they're running and they don't look where they're going I have to come out from somewhere and catch them. That's all I'd do all day. I'd just be the catcher in the rye and all. I know it's crazy, but that's the only thing I'd really like to be. I know it's crazy.

She stands on the cliffs, near the old crumbling stone house. There's nothing left in the house but an upturned table, a ladle, and a clay bowl. She stands for more than an hour, goose-bumped and shivering. At these times, she won't confide in me. She runs her hands over her body, as if checking that it's still there, her heart pulsing and beating. The limbs are smooth and strong, thin and sinewy, her hair long and black and messy and gleaming despite her age. You wouldn't know it to look at her, that she's lived long enough to look for what's across the water. Eighty years later, and she is still fifteen.

Kissing him was like standing on the edge of a cliff. Nice view, but you knew it was deadly. Still, a stupid, irrational, dangerously alive part of you still wanted to hurl yourself down to meet your own demise.

Did people come here to commit suicide? They were bound to. Cliffs, bridges, tall buildings, they were like an invitation. Just stand there, looking down, was to create an optical illusion of the ground rushing up to meet you.

I'm gonna have a T-Shirt made that says 'Stand at the top of the cliff, and jump off, and build your wings on the way down

You can’t fall away from something if you were never there in the first place. It’s the difference between jumping off a cliff and passing out where you stand.

And so their spirits soared as they took positions own the passageways of battle all night long, and the watchfires blazed among them. Hundreds strong, as stars in the night sky glittering round the moon's brilliance blaze in all their glory when the air falls to a sudden, windless calm... all the lookout peaks stand out and the jutting cliffs and the steep ravines and down from the high heavens bursts the boundless bright air and all the stars shine clear and the shepherd's heart exults - so many fires burned between the ships and the Xanthus' whirling rapids set by the men of Troy, bright against their walls. A thousand fires were burning there on the plain and beside each fire sat fifty fighting men poised in the leaping blaze, and champing oats and glistening barley, stationed by their chariots, stallions waited for Dawn to mount her glowing throne.

Aomame closed her eyes and, in a split second, reviewed the long span of years as if standing on the edge of a sheer cliff, surveying an ocean channel below. She could smell the sea. She could hear the deep sighing of the wind.

Pursuing dreams can be daunting. It feels like you're standing on the edge of a cliff staring at your dream as it sits on a cloud, floating out in the open air, and all you need to do is take that leap to see if you'll fall or if you'll fly.

I fell in that moment. Not in love. I just…fell. It was as if I’d been standing on the edge of a cliff my whole life, and finally, after meeting Jeremy, I felt confident enough to jump. Because—for the first time in my life—I felt confident that I wouldn’t land. I would keep flying.

...some small part of her had reacted to the passion inside him. Despite his role as a titled gentleman, there seemed to be a facet inside him that society could not tame, something stimulating yet dangerous, like standing at the edge of a cliff and feeling the mysterious, subtle pull to jump.

The Trial By Existence Even the bravest that are slain Shall not dissemble their surprise On waking to find valor reign, Even as on earth, in paradise; And where they sought without the sword Wide fields of asphodel fore’er, To find that the utmost reward Of daring should be still to dare. The light of heaven falls whole and white And is not shattered into dyes, The light for ever is morning light; The hills are verdured pasture-wise; The angel hosts with freshness go, And seek with laughter what to brave;— And binding all is the hushed snow Of the far-distant breaking wave. And from a cliff-top is proclaimed The gathering of the souls for birth, The trial by existence named, The obscuration upon earth. And the slant spirits trooping by In streams and cross- and counter-streams Can but give ear to that sweet cry For its suggestion of what dreams! And the more loitering are turned To view once more the sacrifice Of those who for some good discerned Will gladly give up paradise. And a white shimmering concourse rolls Toward the throne to witness there The speeding of devoted souls Which God makes his especial care. And none are taken but who will, Having first heard the life read out That opens earthward, good and ill, Beyond the shadow of a doubt; And very beautifully God limns, And tenderly, life’s little dream, But naught extenuates or dims, Setting the thing that is supreme. Nor is there wanting in the press Some spirit to stand simply forth, Heroic in its nakedness, Against the uttermost of earth. The tale of earth’s unhonored things Sounds nobler there than ’neath the sun; And the mind whirls and the heart sings, And a shout greets the daring one. But always God speaks at the end: ’One thought in agony of strife The bravest would have by for friend, The memory that he chose the life; But the pure fate to which you go Admits no memory of choice, Or the woe were not earthly woe To which you give the assenting voice.’ And so the choice must be again, But the last choice is still the same; And the awe passes wonder then, And a hush falls for all acclaim. And God has taken a flower of gold And broken it, and used therefrom The mystic link to bind and hold Spirit to matter till death come. ‘Tis of the essence of life here, Though we choose greatly, still to lack The lasting memory at all clear, That life has for us on the wrack Nothing but what we somehow chose; Thus are we wholly stripped of pride In the pain that has but one close, Bearing it crushed and mystified.

I stand on the edge of a cliff, wondering if I'm going to fall or jump.

I almost trust her to burn the bridges while standing at the cliff herself. She hardly agrees to be on the same page as others, either ahead of all or all in a different book.

standing on a cliff in a silent blizzard crumbling and dreaming of kaleidoscopes all the pieces always fit

. . . I’m standing on the edge of some crazy cliff. What I have to do, I have to catch everybody if they start to go over the cliff—I mean if they’re running and they don’t look where they’re going I have to come out from somewhere and catch them. That’s all I’d do all day. I’d just be the catcher in the rye and all.

Although 'jumping to conclusions' is an expression, rather than an activity, it is as dangerous as jumping off a cliff, jumping in front of a moving train, and jumping for joy. If you jump off a cliff, you have a very good chance of experiencing a painful landing unless there is something below you to cushion your fall, such as a body of water or an immense pile of tissue paper, If you jump in front of moving train, you have a very good chance of experiencing a painful voyage unless you are wearing some sort of train-proof suit. And if you jump for joy, you have a very good chance of experiencing a painful bump on the head, unless you make sure you are standing someplace with very high ceilings, which joyous people rarely do. Clearly, the solution to anything involving jumping is either to make sure you are jumping to a safe place, or not jumping at all. But it is hard not to jump at all when you are jumping to conclusions, and it is impossible to make sure that you are jumping to a safe place, because all 'jumping to conclusions' means is that you are believing something is true even though you don't actually know whether it is or not.

When a man is standing at the top of a cliff, it isn’t fear of falling that keeps him rooted to the edge — it’s the fear of not being able to resist the desire to jump, just to see what falling feels like.

Max had told me once to picture myself standing on a cliff overlooking the ocean. I felt like I was standing there now, because love wasn't just a choice - it was dozens, hundreds, thousands of choices. Every day was a choice.

There was something terribly thrilling in watching the elements spit and sway and roar in fury, in standing fractionally too close to the cliff edge, feeling threatened and safe at the same time, shivering with cold and perspiring in fear. It was thrilling, and there were few thrills in her life.

The real drive to understand the self, though, comes not from the need to develop treatments, but from a more deep-seated urge that we all share: the desire to understand ourselves. Once self-awareness emerged through evolution, it was inevitable that an organism would ask, ― Who am I? Across vast stretches of inhospitable space and immeasurable time, there suddenly emerged a person called Me or I. Where does this person come from? Why here? Why now? You, who are made of star-dust, are now standing on a cliff, gazing at the starlit sky pondering your own origins and your place in the cosmos.

I have a lunch meeting with Cliff Huxtable at The Four Seasons in twenty minutes anyway,” I lie, standing up. “I have to go too.

The sea accepts a hundred rivers, grows big by accepting The cliff stands a thousand feet, is strong by not desiring.

Was that what it was really like to be alive? The feeling of darkness dragging you forward? How could they live with it? And yet they did, and even seemed to find enjoyment in it, when surely the only sensible course would be to despair. Amazing. To feel you were a tiny living thing, sandwiched between two cliffs of darkness. How could they stand to be alive?

Everyone thinks that it was the big strong caveman who got the girl, and for the most part, that may have been true, but physical strength doesn't explain how our species created civilization. I think there was always some scrawny dreamer sitting at the edge of the firelight, who had the ability to imagine dangers, to look into the future in his imagination and see possibilities, and therefore survived to pass his genes on to the next generation. When the big ape men ended up running off the cliff or getting killed while trying to beat a mastodon into submission with a stick, the dreamer was standing back thinking 'Hey, that might work, but you need to run the mastodon off the cliff.' And, then he'd mate with the women left over after the go-getters got killed.

Yet even so, Jon Snow was not sorry he had come. There were wonders here as well. He had seen sunlight flashing on icy thin waterfalls as they plunged over the lips of sheer stone cliffs, and a mountain meadow full of autumn wildflowers, blue coldsnaps and bright scarlet frostfires and stands of piper's grass in russet and gold. He had peered down ravines so deep and black they seemed certain to end in some hell, and he had ridden his garron over a wind-eaten bridge of natural stone with nothing but sky to either side. Eagles nested in the heights and came down to hunt the valleys, circling effortlessly on great blue-grey wings that seemed almost part of the sky.

My greatest pleasure has been in resuming my evening walks along the cliff tops. The Channel is no longer framed in rolls of barbed wire, the view is unbroken by huge VERBOTEN signs. The mines are gone from our beaches, and I can walk when, where, and for as long as I like. If I stand on the cliffs and turn out to face the sea, I don't see the ugly cement bunkers behind me, or the land naked without its trees. Not even the Germans could ruin the sea.

Acting through fear increases self-esteem. Most fear exists before you act. It rises when you’re just standing around thinking too much about what could happen instead of taking action. This keeps you immobile and anxious. However, once you take the step, once you jump off the cliff, then you’re no longer afraid. Fear converts into excitement, and this helps you gain more courage and confidence for next time. If you can get past your initial fear and take the leap, the fear will disappear and transform into more self-esteem.

He wants to tear down the sky, he wants to rip every blossom from that tree, he wishes to take a burning branch and drive that pink-clad girl and her nag over a cliff, just to be rid of them, to clear them all out of his way. So many miles, so much road stands between him and his child, and so few hours left.

Or maybe I would be a flower. But a really tough flower." "A wildflower," Sim says. "The kind that are strong enough to stand against wind, rare and difficult to find and impossible to forget. Something men walk continents for a glimpse of." I wrinkle my nose. "I'd rather not be glimpsed by men. Perhaps we can set up some sort of trap so that they fall off a cliff if they try to pluck me from the ground.

Billie lies awake for a long time, watching the passing lights of cars on the highway and thinking about a strange phenomenon the French call l’appel du vide, the call of the void. It’s when you stand up high, staring into an abyss, and have a strong desire to throw yourself into it. It can take other forms. You might be driving and suddenly think about jerking the wheel, sending your car into oncoming traffic. Or you might be out for a hike and fantasize about hurling yourself off a cliff. It is not a suicidal impulse. In fact, it is the opposite. Psychologists say it’s actually about how much a person wants to live. They perceive a nearby threat to themselves and they think about that threat because they want so much to survive.

Sometimes you don't realize your fear of heights until you stand at the edge of the cliff, ready to jump.

She still loved the man who called himself Malakai Wentforth. She knew that. But that didn’t matter, just as it hadn’t mattered four years ago. Then, she’d chosen to stay behind. But it didn’t mean she wasn’t curious. It didn’t mean she didn’t want to stand at the edge of the cliffs and stretch her face out toward the sea, toward a world she’d never be allowed to know.

Sometimes, I see myself standing on a beach, my bare feet buried in the wet sand. And there’s no one on the beach, just me, but I don’t feel alone. What I feel is alive. And it seems like the whole world belongs to me. The cool breeze whistles through my hair, and something tells me I have heard that song all my life. I’m watching the waves hit the sand, the ebb and flow of the waves crashing against the distant cliffs. The ocean is ever moving—​and yet there is a stillness that I envy.

Now there are days when she is content, and days when she’s restless. But there is never a day when she doesn’t see Peter everywhere. Things hurt, and don’t hurt, and hurt again. Eighty years later, and she can still feel surprised that he’s gone. And then so much of the time, she’s glad. But just as she looks for Tik Tok in everything around her, she looks for Peter in the woods, out gathering, in the lagoon, in the burrow that is now abandoned. She goes up on the cliffs from time to time and stands there for hours, continuing her long good-bye. It’s not for lack of loyalty to her husband. It is just that she was fifteen once for the first time, and Peter walked across her heart, and left his footprints there.

I’m standing on the edge of some crazy cliff. What I have to do, I have to catch everybody if they start to go over the cliff—I mean if they’re running and they don’t look where they’re going I have to come out from somewhere and catch them. That’s all I’d do all day. I’d just be the catcher in the rye and all.

White men grow on an open, level field. White women grow on far steeper and rougher terrain because the field wasn't made for them. Women of color grow not just on a hill, but on a cliffside over the ocean, battered by wind and waves. None of us chooses the landscape in which we're planted. If you find yourself on an ocean-battered cliff, your only choice is to grow there, or fall into the ocean. So if we transplant a survivor of the steep hill and cliff to the level field, natives of the field may look at that survivor and wonder why she has so much trouble trusting people, systems, and even her own bodily sensations. Why is this tree so bent and gnarled? It's because that is what it took to survive in the place where she grew. A tree that's fought wind and gravity and erosion to grow strong and green on a steep cliff is going to look strange and out of place when moved to the level playing field. The gnarled, wind-blown tree from an oceanside cliff might not conform with our ideas of what a tree should look like, but it works well in the context where it grew. And that tall straight tree wouldn't stand a chance if it was transplanted to the cliffside.

We know how unsafe the world is for us. We are like cliffs staring down at a raging sea, battered by winds and salt and spray and unable to wrench ourselves away from the supposed inevitability of it all. But though we may recede under the relentless thrashing, still we stand tall. The world and all its angry currents cannot break us, no matter how hard it tries. Still, this erosion of the spirit is a bitter pill to swallow.

We have to emphasize to the gay community that opposition to same-sex marriages is not about hate, but about debate. Opposition to what some of us see as a devastating move that will further weaken the family and harm children--such opposition is not hateful. Morality is not bigotry. In their book The Homosexual Agenda, authors Alan Sears and Craig Osten give this illustration, which I've summarized: Imagine that you are standing at the bottom of a cliff and you are watching as someone on the ledge above you is walking backwards, and in a few steps he will surely fall over the precipice. You shout, warning him to stop, and before you know it, a crowd gathers around you, snapping your picture and accusing you of "hate speech." You are being warned to keep your prejudices to yourself. After all, who are you to tell someone where they can and can't walk? Who are you to say that someone can't walk backwards? You are dumbfounded, but there you are, the object of everyone's wrath.

The sea is calm tonight. The tide is full, the moon lies fair Upon the straits--on the French coast the light Gleams and is gone; the cliffs of England stand, Glimmering and vast, out in the tranquil bay. Come to the window, sweet is the night air! Only, from the long line of spray Where the sea meets the moon-blanched land, Listen! you hear the grating roar Of pebbles which the waves draw back, and fling, At their return, up the high strand . . .

I control my fate As I stand on the edge of the cliff of destiny and tears filled with my dreams shatter below on the rocks of fate I slowly lift my head and look out over the sea of hope to behold a sunrise. As I wipe away the the tears I realize as long as I have one more sunrise I have hope to fulfill the dreams dictating my destiny and I control my fate.

If a body meet a body coming through the rye. Anyway, I keep picturing all these little kids playing some game in this big field of rye and all. Thousands of little kids, and nobody's around — nobody big, I mean — except me. And I'm standing on the edge of some crazy cliff. What I have to do, I have to catch everybody if they start to go over the cliff — I mean if they're running and they don't look where they're going I have to come out from somewhere and catch them. That's all I'd do all day. I'd just be the catcher in the rye and all. I know it's crazy, but that's the only thing I'd really like to be. I know it's crazy.

Dresses?” He was standing so near that she could see the fine thread detail on his jacket, and smelled not perfume, but horses and iron. Dorian grinned. “What remarkable eyes you have! And how angry you are!” Coming within strangling distance of the Crown Prince of Adarlan, son of the man who sentenced her to a slow, miserable death, her self-control balanced on a fragile edge—dancing along a cliff.

It is an age lurching along the lip of a dark precipice, peeking fearfully into chaos's empty eyes, enrapt, like a giddy rat trying to stare down a hungry cobra. The gods are restless, tossing and turning and wakening in snippets to conspire at mischief. Their bastard offspring, the hundred million spirits of rock and brook and tree, of place and time and emotion, find old constraints are rotting. The Postern of Fate stands ajar. The world faces an age of fear, of conflict, of grand sorcery, of great change, and of greater despair amongst mortal men. And the cliffs of ice creep forward. Great kings walk the earth. They cannot help but collide. Great ideas sweep back and forth aross the face of a habitable world that is shrinking. Those cannot help but fire hatred and fear amongst adherents of dogmas and doctrines under increasing pressure. As always, those who do the world's work most dearly pay the price of the world's pain.

Even religious people are vulnerable to this longing. Those who belong to communities of faith have acquired a certain patience with what is sometimes called organized religion. They have learned to forgive themselves. They do not expect their institutions to stand in for God, and they are happy to use inherited maps for some of life's journeys. They do not need to walk off every cliff all by themselves. Yet they too can harbor the sense that there is more to life that they are being shown. Where is the secret hidden? Who has the key to the treasure box of More?

Laurent,’ he said, and he was breaking apart. To get what you want, you have to know exactly how much you are willing to give up. Never had he wanted something this badly, and held it in his hands knowing that tomorrow it would be gone, traded for the high cliffs of Ios, and the uncertain future across the border, the chance to stand before his brother, to ask him for all the answers that no longer seemed so important. A kingdom, or this. Deeper

It felt great. I knew the second that I jumped, all of my problems would be gone. No more worries about debts, or the academy, or family, or regrets, or my masterpiece, or shame, or Marxism, or even about any of my friends, or trees or flowers. Suddenly, I'm standing on that cliff and laughing. It felt great.

The highway from the airport into town was one of the ugliest stretches of road I'd ever seen in my life. The whole landscape was a desert of hostile black rocks, mile after mile of raw moonscape and ominous low-flying clouds. Captain Steve said we were crossing an old lava flow. Far down to the right a thin line of coconut palms marked the new Western edge of America, a lonely-looking wall of jagged black lava cliffs looking out on the white-capped Pacific. We were 2,500 miles west of The Seal Rock Inn, halfway to China, and the first thing I saw on the outskirts was a Texaco station, then a McDonald's hamburger stand.

There, below the cliffs, is a bay of sand where the rocks stand up like the fangs of wolves, and no boat or swimmer can live when the tide is breaking round them. To right and left of the bay the sea has driven arches through the cliff. The rocks are purple and rose-coloured and pale as turquoise in the sun, and on a summer’s evening when the tide is low and the sun is sinking, men see on the horizon land that comes and goes with the light. It is the Summer Isle, which (they say) floats and sinks at the will of heaven, the Island of Glass through which the clouds and stars can be seen, but which for those who dwell there is full of trees and grass and springs of sweet water . . .’ The

Was that what it was really like to be alive? The feeling of darkness dragging you forward? How could they live with it? And yet they did, and even seemed to find enjoyment in it, when surely the only sensible course would be to despair. Amazing. To feel you were a tiny living thing, sandwiched between two cliffs of darkness. How could they stand to be alive? Obviously it was something you had to be born to.

The missing remained missing and the portraits couldn't change that. But when Akhmed slid the finished portrait across the desk and the family saw the shape of that beloved nose, the air would flee the room, replaced by the miracle of recognition as mother, father, sister, brother, aunt, and cousin found in that nose the son, brother, nephew, and cousin that had been, would have been, could have been, and they might race after the possibility like cartoon characters dashing off a cliff, held by the certainty of the road until they looked down -- and plummeted is the word used by the youngest brother who, at the age of sixteen, is tired of being the youngest and hopes his older brother will return for many reasons, not least so he will marry and have a child and the youngest brother will no longer be youngest; that youngest brother, the one who has nothing to say about the nose because he remembers his older brother's nose and doesn't need the nose to mean what his parents need it to mean, is the one who six months later would be disappeared in the back of a truck, as his older brother was, who would know the Landfill through his blindfold and gag by the rich scent of clay, as his older brother had known, whose fingers would be wound with the electrical wires that had welded to his older brother's bones, who would stand above a mass grave his brother had dug and would fall in it as his older brother had, though taking six more minutes and four more bullets to die, would be buried an arm's length of dirt above his brother and whose bones would find over time those of his older brother, and so, at that indeterminate point in the future, answer his mother's prayer that her boys find each other, wherever they go; that younger brother would have a smile on his face and the silliest thought in his skull a minute before the first bullet would break it, thinking of how that day six months earlier, when they all went to have his older brother's portrait made, he should have had his made, too, because now his parents would have to make another trip, and he hoped they would, hoped they would because even if he knew his older brother's nose, he hadn't been prepared to see it, and seeing that nose, there, on the page, the density of loss it engendered, the unbelievable ache of loving and not having surrounded him, strong enough to toss him, as his brother had, into the summer lake, but there was nothing but air, and he'd believed that plummet was as close as they would ever come again, and with the first gunshot one brother fell within arms' reach of the other, and with the fifth shot the blindfold dissolved and the light it blocked became forever, and on the kitchen wall of his parents' house his portrait hangs within arm's reach of his older brother's, and his mother spends whole afternoons staring at them, praying that they find each other, wherever they go.

You want to fall, that's all. You think it can't go on like that. It's as if your life is a perch on the edge of a cliff and going forward seems impossible, not for a lack of will, but a lack of space. The possibility of another day stands in defiance of the laws of physics. And you can't go back. So you want to fall, let go, give up, but you can't. And every breath you take reminds you of that fact. So it goes.

All things have the capacity for speech -- all beings have the ability to communicate something of themselves to other beings. Indeed, what is perception if not the experience of this gregarious, communicative power of things, wherein even obstensibly 'inert' objects radiate out of themselves, conveying their shapes, hues, and rhythms to other beings and to us, influencing and informing our breathing bodies though we stand far apart from those things? Not just animals and plants, then, but tumbling waterfalls and dry riverbeds, gusts of wind, compost piles and cumulus clouds, freshly painted houses (as well as houses abandoned and sometimes haunted), rusting automobiles, feathers, granite cliffs and grains of sand, tax forms, dormant volcanoes, bays and bayous made wretched by pollutants, snowdrifts, shed antlers, diamonds, and daikon radishes, all are expressive, sometimes eloquent and hence participant in the mystery of language. Our own chatter erupts in response to the abundant articulations of the world: human speech is simply our part of a much broader conversation. It follows that the myriad things are also listening, or attending, to various signs and gestures around them. Indeed, when we are at ease in our animal flesh, we will sometimes feel we are being listened to, or sensed, by the earthly surroundings. And so we take deeper care with our speaking, mindful that our sounds may carry more than a merely human meaning and resonance. This care -- this full-bodied alertness -- is the ancient, ancestral source of all word magic. It is the practice of attention to the uncanny power that lives in our spoken phrases to touch and sometimes transform the tenor of the world's unfolding.

This afternoon, being on Fair Haven Hill, I heard the sound of a saw, and soon after from the Cliff saw two men sawing down a noble pine beneath, about forty rods off. I resolved to watch it till it fell, the last of a dozen or more which were left when the forest was cut and for fifteen years have waved in solitary majesty over the sprout-land. I saw them like beavers or insects gnawing at the trunk of this noble tree, the diminutive manikins with their cross-cut saw which could scarcely span it. It towered up a hundred feet as I afterward found by measurement, one of the tallest probably in the township and straight as an arrow, but slanting a little toward the hillside, its top seen against the frozen river and the hills of Conantum. I watch closely to see when it begins to move. Now the sawers stop, and with an axe open it a little on the side toward which it leans, that it may break the faster. And now their saw goes again. Now surely it is going; it is inclined one quarter of the quadrant, and, breathless, I expect its crashing fall. But no, I was mistaken; it has not moved an inch; it stands at the same angle as at first. It is fifteen minutes yet to its fall. Still its branches wave in the wind, as it were destined to stand for a century, and the wind soughs through its needles as of yore; it is still a forest tree, the most majestic tree that waves over Musketaquid. The silvery sheen of the sunlight is reflected from its needles; it still affords an inaccessible crotch for the squirrel’s nest; not a lichen has forsaken its mast-like stem, its raking mast,—the hill is the hulk. Now, now’s the moment! The manikins at its base are fleeing from their crime. They have dropped the guilty saw and axe. How slowly and majestic it starts! as it were only swayed by a summer breeze, and would return without a sigh to its location in the air. And now it fans the hillside with its fall, and it lies down to its bed in the valley, from which it is never to rise, as softly as a feather, folding its green mantle about it like a warrior, as if, tired of standing, it embraced the earth with silent joy, returning its elements to the dust again. But hark! there you only saw, but did not hear. There now comes up a deafening crash to these rocks , advertising you that even trees do not die without a groan. It rushes to embrace the earth, and mingle its elements with the dust. And now all is still once more and forever, both to eye and ear. I went down and measured it. It was about four feet in diameter where it was sawed, about one hundred feet long. Before I had reached it the axemen had already divested it of its branches. Its gracefully spreading top was a perfect wreck on the hillside as if it had been made of glass, and the tender cones of one year’s growth upon its summit appealed in vain and too late to the mercy of the chopper. Already he has measured it with his axe, and marked off the mill-logs it will make. And the space it occupied in upper air is vacant for the next two centuries. It is lumber. He has laid waste the air. When the fish hawk in the spring revisits the banks of the Musketaquid, he will circle in vain to find his accustomed perch, and the hen-hawk will mourn for the pines lofty enough to protect her brood. A plant which it has taken two centuries to perfect, rising by slow stages into the heavens, has this afternoon ceased to exist. Its sapling top had expanded to this January thaw as the forerunner of summers to come. Why does not the village bell sound a knell? I hear no knell tolled. I see no procession of mourners in the streets, or the woodland aisles. The squirrel has leaped to another tree; the hawk has circled further off, and has now settled upon a new eyrie, but the woodman is preparing [to] lay his axe at the root of that also.

Gannets I am watching the white gannets blaze down into the water with the power of blunt spears and a stunning accuracy-- even though the sea is riled and boiling and gray with fog and the fish are nowhere to be seen, they fall, they explode into the water like white gloves, then they vanish, then they climb out again, from the cliff of the wave, like white flowers-- and still I think that nothing in this world moves but as a positive power-- even the fish, finning down into the current or collapsing in the red purse of the beak, are only interrupted from their own pursuit of whatever it is that fills their bellies-- and I say: life is real, and pain is real, but death is an imposter, and if I could be what once I was, like the wolf or the bear standing on the cold shore, I would still see it-- how the fish simply escape, this time, or how they slide down into a black fire for a moment, then rise from the water inseparable from the gannets' wings.

The tide will turn, Miss Willow." A smile lurked around his mouth, but no, that was not possible, that the earl of Tiern-Cope should smile, and at her. "It hasn't yet." "You may find the sea casts you onto the shores of paradise." His voice was low and soft, and Olivia felt her heart stir at the sound. "Or through the very gates of hell." "So it might." She gave herself a mental shake. Lord Tiern-Cope could not possibly be flirting with her. Impossible. "But that won't stop me from embracing this moment in all its beautiful perfection." "With but one flaw, Miss Willow." "Whatever could that be?" "Don't even try to tell me I don't spoil the present perfection of your moment." The corner of his lip twitched and then gave up. He smiled, and she, perverse creature that she was, felt like she'd been tossed off a cliff with him standing at the bottom to catch her.

Brides, nymphs were called, but that is not really how the world saw us. We were an endless feast laid out upon a table, eautiful and renewing. And so very bad at getting away. The rails of my sty cracked with age and use. From time to time the wood buckled and a pig escaped. Most often, he would throw himself from the cliffs. The seabirds were grateful. They seamed to come from half the world away to feast on the plump bones. I woud stand watching as they strupped the fat and sinew. The small pink scrap of tail-skin dangled from one of their beaks like worm. If it were a man, I wondered if I would pity him but it was not a man. When I passed back by the pen, his friends would stare at me with pleading faces. They moaned and squealed, and pressed they snouts to the earth. We are sorry, we are sorry. Sorry you were caught, I said. Sorry that you thought I was weak, but you were wrong.

He wouldn’t spend another standing in the darkness, hot and sick and shaking inside with a confused mess of feelings that weren’t worth analyzing. That he shouldn’t have felt anyway. With Rachel gone it was like balancing on the edge of a cliff—and all the little wildflowers, the netting of grass and roots that kept the cliff from sliding into the sea below, were gone. It was just Matt standing there looking down, waiting to fall. Even Rachel’s memory, the sweet recollection of all they had built, all they had shared, was no longer strong enough to fight gravity. From the moment he had looked across the wet grass and seen Nathan Doyle standing in the shadow of a stone saber-toothed tiger, something had changed inside him. Something battened down had torn free, like a sail taking its first deep breath of sea air. It terrified him. And at the same time it exhilarated him. Which terrified him all the more.

But what sent his face clear down off his skull and broke him in two, though, was he said when he saw the Pam-shiny empty biscuit pan on top of the stove and the plastic rind of the peanut butter’s safety-seal wrap on top of the wastebasket’s tall pile. The little locket-picture in the back of his head swelled and became a sharp-focused scene of his wife and little girl and little unborn child eating what he now could see they must have eaten, last night and this morning, while he was out ingesting their groceries and rent. This was his cliff-edge, his personal intersection of choice, standing there loose-faced in the kitchen, running his finger around a shiny pan with not one little crumb of biscuit left in it. He sat down on the kitchen tile with his scary eyes shut tight but still seeing his little girl’s face. They’d ate some charity peanut butter on biscuits washed down with tapwater and a grimace.

I flip up my collar and turn my back to him as I pick my way back up toward the cliff base. I don’t think I can watch him disappear into the water. It will break my heart. Puck’s scrubbing her eyes busily as if she has something in them. George Holly bites his lip. The cliffs tower above me and I try to console myself, I will find another capall uisce, I will ride again, I will move to my father’s home and be free. But there’s no comfort in my thoughts. Behind me, the ocean says shhhhhhhh, shhhhhhhhh. There’s a thin, long wail. I keep walking, my bare feet slow on the uneven stones. The wail comes again, low and keening. Puck and Holly are looking past me, so I turn around. Still at the shoreline, Corr has noticed my going, and he stands where I left him, looking back at me. He lifts his head again and keens to me. The irresistible ocean sucks around his hooves. But still he looks over his withers at me and he wails, again and again. The hair on my arms stands with his call. I know he wants me to go to him, but I can’t go with him where he needs to go. Corr falls silent when I do not come to him. He looks back out to the endless horizon. I see him lift a hoof and put it back down. He tests his weight again. Then Corr turns, stepping out of the ocean. His head jerks up when his injured leg touches the ground, but he takes another labored step before keening to me again. Corr takes another step away from the November sea. And another. He is slow, and the sea sings to us both, but he returns to me.

After a few Republicans on the Houston city council supported the Democratic majority's proposal that stalled cars be towed immediately off the city's notoriously clotted freeways, local Republican officials promised retribution. 'We're not looking for council members who are going to go along and get along,' said Jared Woodfill, chairman of the Harris County Republican Party. 'We're looking for council members who are going to stand up for conservative values.' Surely, political ideology has teetered over some high cliff when towing can be described as a 'value.' What's next, a doctrine of potholes, the water pressure credo?

Gabriel!" He didn't look up. "Gabriel!" Her voice was strained, insistent. "Gabriel!" He chanced a look, intending to tell her in very clear terms that any conversation would have to wait. She was standing at the edge of the cliff, struggling to hold a rock several times larger than her head. Seeing him look up, Emma let go of her burden. Gabriel swung himself out to the left. The rock plummeted past, missing him by inches, and caught the Screecher full in the face, connecting with a crunching thuck and knocking the creature off the bridge. Gabriel watched its body disappear into the void, then turned his gaze back to Emma. The girl waved at him, smiling. "It's okay! I got him!" Children, he thought.

We’re still standing outside the front gate of the shell cottage as a boy in football socks stomps down his driveway to retrieve a wheelie bin. Now we watch as he drags it up through the laurel and back to the house. All his gestures are exaggeratedly huffy, though there’s no one to witness his protest, no one but you and me, and the boy didn’t even see us. We walk from the thistles to where the cliff drops into open Atlantic and there’s nothing but luscious, jumping blue all the way to America. I’m still thinking of the boy in the driveway, of how he doesn’t realise how lucky he is to live here where there’s space to run and the salt wind ruddies his cheeks each day, how he takes it all for normal and considers himself entitled to be huffy with the wheelie bin. Now I wonder was I was lucky too, and never grateful? Sometimes a little hungry and sometimes a little cold, but not once sick or struck and every day with the sea to ruddy me. Perhaps I was lucky my father took me back when the neighbour woman rang his doorbell, lucky he never drove away and left me on the road again. But it’s too late to be grateful now. It’s too late now for everything but regret.

The god of the prosperity gospelists is a pathetic doormat, a genie. The god of the cutesy coffee mugs and Joel Osteen tweets is a milquetoast doofus like the guys in the Austen novels you hope the girls don’t end up with, holding their hats limply in hand and minding their manners to follow your lead like a butler—or the doormat he stands on. The god of the American Dream is Santa Claus. The god of the open theists is not sovereignly omniscient, declaring the end from the beginning, but just a really good guesser playing the odds. The god of our therapeutic culture is ourselves, we, the “forgivers” of ourselves, navel-haloed morons with “baggage” but not sin. None of these pathetic gods could provoke fear and trembling. But the God of the Scriptures is a consuming fire (Deut. 4:24). “It is a fearful thing to fall into the hands of the living God” (Heb. 10:31). He stirs up the oceans with the tip of his finger, and they sizzle rolling clouds of steam into the sky. He shoots lightning from his fists. This is the God who leads his children by a pillar of cloud and a pillar of fire. This is the God who makes war, sends plagues, and sits enthroned in majesty and glory in his heavens, doing what he pleases. This is the God who, in the flesh, turned tables over in the temple as if he owned the place. This Lord God Jesus Christ was pushed to the edge of the cliff and declared, “This is not happening today,” and walked right back through the crowd like a boss. This Lord says, “No one takes my life; I give it willingly,” as if to say, “You couldn’t kill me unless I let you.” This Lord calms the storms, casts out demons, binds and looses, and has the authority to grant us the ability to do the same. The Devil is this God’s lapdog. And it is this God who has summoned us, apprehended us, saved us. It is this God who has come humbly, meekly, lowly, pouring out his blood in infinite conquest to set the captives free, cancel the record of debt against us, conquer sin and Satan, and swallow up death forever. Let us, then, advance the gospel of the kingdom out into the perimeter of our hearts and lives with affectionate meekness and humble submission. Let us repent of our nonchalance. Let us embrace the wonder of Christ.

It was Day Three, Freshman Year, and I was a little bit lost in the school library,looking for a bathroom that wasn't full of blindingly shiny sophomores checking their lip gloss. Day Three.Already pretty clear on the fact that I would be using secondary bathrooms for at least the next three years,until being a senior could pass for confidence.For the moment, I knew no one,and was too shy to talk to anyone. So that first sight of Edward: pale hair that looked like he'd just run his hands through it, paint-smeared white shirt,a half smile that was half wicked,and I was hooked. Since, "Hi,I'm Ella.You look like someone I'd like to spend the rest of my life with," would have been totally insane, I opted for sitting quietly and staring.Until the bell rang and I had to rush to French class,completely forgetting to pee. Edward Willing.Once I knew his name, the rest was easy.After all,we're living in the age of information. Wikipedia, iPhones, 4G ntworks, social networking that you can do from a thousand miles away.The upshot being that at any given time over the next two years, I could sit twenty feet from him in the library, not saying a word, and learn a lot about him.ENough, anyway, for me to become completely convinced that the Love at First Sight hadn't been a fluke. It's pretty simple.Edward matched four and a half of my If My Prince Does, In Fact, Come Someday,It Would Be Great If He Could Meet These Five Criteria. 1. Interested in art. For me, it's charcoal. For Edward, oil paint and bronze. That's almost enough right there. Nice lips + artist= Ella's prince. 2. Not afraid of love. He wrote, "Love is one of two things worth dying for.I have yet to decide on the second." 3.Or of telling the truth. "How can I believe that other people say if I lie to them?" 4.Hot. Why not?I can dream. 5.Daring. Mountain climbing, cliff dying, defying the parents. Him, not me. I'm terrified of an embarrassing number of things, including heights, convertibles, moths, and those comedians everyone loves who stand onstage and yell insults at the audience. 5, subsection a. Daring enough to take a chance on me.Of course, in the end, that No. 5a is the biggie. And the problem. No matter how muuch I worshipped him,no matter how good a pair we might have been,it was never, ever going to happen. To be fair to Edward,it's not like he was given an opportunity to get to know me. I'm not stupid.I know there are a few basic truths when it comes to boys and me. Truth: You have to talk to a boy-really talk,if you want him to see past the fact that you're not beautiful. Truth: I'm not beautiful. Or much of a conversationalist. Truth: I'm not entirely sure that the stuff behind the not-beautiful is going to be all that alluring, either. And one written-in-stone, heartbreaking truth about this guy. Truth:Edward Willing died in 1916.

Life sometimes is like tossing a coin in the air calling heads or tails, but it doesn’t matter what side it lands on; life goes on. It is hard when you’ve lost the will to fight because you’ve been fighting for so long. You are smothered by the pain. Mentally, you are drained. Physically, you are weak. Emotionally, you are weighed down. Spiritually, you do not have one tiny mustard seed of faith. The common denominator is that other people’s problems have clouded your mind with all of their negativity. You cannot feel anything; you are numb. You do not have the energy to surrender, and you choose not to escape because you feel safe when you are closed in. As you move throughout the day, you do just enough to get by. Your mindset has changed from giving it your all to—well, something is better than nothing. You move in slow motion like a zombie, and there isn’t any color, just black and white, with every now and then a shade of gray. You’ve shut everyone out and crawled back into the rabbit hole. Life passes you by as you feel like you cannot go on. You look around for help; for someone to take the pain away and to share your suffering, but no one is there. You feel alone, you drift away when you glance ahead and see that there are more uphill battles ahead of you. You do not have the option to turn around because all of the roads are blocked. You stand exactly where you are without making a step. You try to think of something, but you are emotionally bankrupt. Where do you go from here? You do not have a clue. Standing still isn’t helping because you’ve welcomed unwanted visitors; voices are in your head, asking, “What are you waiting for? Take the leap. Jump.” They go on to say, “You’ve had enough. Your burdens are too heavy.” You walk towards the cliff; you turn your head and look at the steep hill towards the mountain. The view isn’t helping; not only do you have to climb the steep hill, but you have to climb up the mountain too. You take a step; rocks and dust fall off the cliff. You stumble and you move forward. The voices in your head call you a coward. You are beginning to second-guess yourself because you want to throw in the towel. You close your eyes; a tear falls and travels to your chin. As your eyes are closed the Great Divine’s voice is louder; yet, calmer, soothing; and you feel peace instantly. Your mind feels light, and your body feels balanced. The Great Divine whispers gently and softly in your ear: “Fallen Warrior, I know you have given everything you’ve got, and you feel like you have nothing left to give. Fallen Warrior, I know it’s been a while since you smiled. Fallen Warrior, I see that you are hurting, and I feel your pain. Fallen Warrior, this is not the end. This is the start of your new beginning. Fallen Warrior, do not doubt My or your abilities; you have more going for you than you have going against you. Fallen Warrior, keep moving, you have what it takes; perseverance is your middle name. Fallen Warrior, you are not the victim! You are the victor! You step back because you know why you are here. You know why you are alive. Sometimes you have to be your own Shero. As a fallen warrior, you are human; and you have your moments. There are days when you have more ups than downs, and some days you have more downs than ups. I most definitely can relate. I was floating through life, but I had to change my mindset. During my worst days, I felt horrible, and when I started to think negatively I felt like I was dishonoring myself. I felt sick, I felt afraid, fear began to control my every move. I felt like demons were trying to break in and take over my life.

THERE WAS A BOY" THERE was a Boy; ye knew him well, ye cliffs And islands of Winander!--many a time, At evening, when the earliest stars began To move along the edges of the hills, Rising or setting, would he stand alone, Beneath the trees, or by the glimmering lake; And there, with fingers interwoven, both hands Pressed closely palm to palm and to his mouth Uplifted, he, as through an instrument, Blew mimic hootings to the silent owls, 10 That they might answer him.--And they would shout Across the watery vale, and shout again, Responsive to his call,--with quivering peals, And long halloos, and screams, and echoes loud Redoubled and redoubled; concourse wild Of jocund din! And, when there came a pause Of silence such as baffled his best skill: Then, sometimes, in that silence, while he hung Listening, a gentle shock of mild surprise Has carried far into his heart the voice 20 Of mountain-torrents; or the visible scene Would enter unawares into his mind With all its solemn imagery, its rocks, Its woods, and that uncertain heaven received Into the bosom of the steady lake. This boy was taken from his mates, and died In childhood, ere he was full twelve years old. Pre-eminent in beauty is the vale Where he was born and bred: the churchyard hangs Upon a slope above the village-school; 30 And, through that church-yard when my way has led On summer-evenings, I believe, that there A long half-hour together I have stood Mute--looking at the grave in which he lies!

(from Lady of the Lake) The western waves of ebbing day Rolled o’er the glen their level way; Each purple peak, each flinty spire, Was bathed in floods of living fire. But not a setting beam could glow Within the dark ravines below, Where twined the path in shadow hid, Round many a rocky pyramid, Shooting abruptly from the dell Its thunder-splintered pinnacle; Round many an insulated mass, The native bulwarks of the pass, Huge as the tower which builders vain Presumptuous piled on Shinar’s plain. The rocky summits, split and rent, Formed turret, dome, or battlement, Or seemed fantastically set With cupola or minaret, Wild crests as pagod ever decked, Or mosque of Eastern architect. Nor were these earth-born castles bare, Nor lacked they many a banner fair; For, from their shivered brows displayed, Far o’er the unfathomable glade, All twinkling with the dewdrop sheen, The brier-rose fell in streamers green, And creeping shrubs, of thousand dyes, Waved in the west-wind’s summer sighs. Boon nature scattered, free and wild, Each plant or flower, the mountain’s child. Here eglantine embalmed the air, Hawthorn and hazel mingled there; The primrose pale, and violet flower, Found in each cliff a narrow bower; Fox-glove and night-shade, side by side, Emblems of punishment and pride, Grouped their dark hues with every stain The weather-beaten crags retain. With boughs that quaked at every breath, Gray birch and aspen wept beneath; Aloft, the ash and warrior oak Cast anchor in the rifted rock; And, higher yet, the pine-tree hung His shattered trunk, and frequent flung, Where seemed the cliffs to meet on high, His boughs athwart the narrowed sky. Highest of all, where white peaks glanced, Where glist’ning streamers waved and danced, The wanderer’s eye could barely view The summer heaven’s delicious blue; So wondrous wild, the whole might seem The scenery of a fairy dream. Onward, amid the copse ’gan peep A narrow inlet, still and deep, Affording scarce such breadth of brim As served the wild duck’s brood to swim. Lost for a space, through thickets veering, But broader when again appearing, Tall rocks and tufted knolls their face Could on the dark-blue mirror trace; And farther as the hunter strayed, Still broader sweep its channels made. The shaggy mounds no longer stood, Emerging from entangled wood, But, wave-encircled, seemed to float, Like castle girdled with its moat; Yet broader floods extending still Divide them from their parent hill, Till each, retiring, claims to be An islet in an inland sea. And now, to issue from the glen, No pathway meets the wanderer’s ken, Unless he climb, with footing nice A far projecting precipice. The broom’s tough roots his ladder made, The hazel saplings lent their aid; And thus an airy point he won, Where, gleaming with the setting sun, One burnished sheet of living gold, Loch Katrine lay beneath him rolled, In all her length far winding lay, With promontory, creek, and bay, And islands that, empurpled bright, Floated amid the livelier light, And mountains, that like giants stand, To sentinel enchanted land. High on the south, huge Benvenue Down to the lake in masses threw Crags, knolls, and mountains, confusedly hurled, The fragments of an earlier world; A wildering forest feathered o’er His ruined sides and summit hoar, While on the north, through middle air, Ben-an heaved high his forehead bare.