Stamped Book Quotes

Book collecting is an obsession, an occupation, a disease, an addiction, a fascination, an absurdity, a fate. It is not a hobby. Those who do it must do it. Those who do not do it, think of it as a cousin of stamp collecting, a sister of the trophy cabinet, bastard of a sound bank account and a weak mind.

A bookshelf is as particular to its owner as are his or her clothes; a personality is stamped on a library just as a shoe is shaped by the foot." [Baffled at a Bookcase (London Review of Books, Vol. 33 No. 15, 28 July 2011)]

Snake Street is an area I should avoid. Yet that night I was drawn there as surely as if I had an appointment.  The Snake House is shabby on the outside to hide the wealth within. Everyone knows of the wealth, but facades, like the park’s wall, must be maintained. A lantern hung from the porch eaves. A sign, written in Utte, read ‘Kinship of the Serpent’. I stared at that sign, at that porch, at the door with its twisted handle, and wondered what the people inside would do if I entered. Would they remember me? Greet me as Kin? Or drive me out and curse me for faking my death?  Worse, would they expect me to redon the life I’ve shed? Staring at that sign, I pissed in the street like the Mearan savage I’ve become. As I started to leave, I saw a woman sitting in the gutter. Her lamp attracted me. A memsa’s lamp, three tiny flames to signify the Holy Trinity of Faith, Purity, and Knowledge.  The woman wasn’t a memsa. Her young face was bruised and a gash on her throat had bloodied her clothing. Had she not been calmly assessing me, I would have believed the wound to be mortal. I offered her a copper.  She refused, “I take naught for naught,” and began to remove trinkets from a cloth bag, displaying them for sale. Her Utte accent had been enough to earn my coin. But to assuage her pride I commented on each of her worthless treasures, fighting the urge to speak Utte. (I spoke Universal with the accent of an upper class Mearan though I wondered if she had seen me wetting the cobblestones like a shameless commoner.) After she had arranged her wares, she looked up at me. “What do you desire, O Noble Born?” I laughed, certain now that she had seen my act in front of the Snake House and, letting my accent match the coarseness of my dress, I again offered the copper.  “Nay, Noble One. You must choose.” She lifted a strand of red beads. “These to adorn your lady’s bosom?”             I shook my head. I wanted her lamp. But to steal the light from this woman ... I couldn’t ask for it. She reached into her bag once more and withdrew a book, leather-bound, the pages gilded on the edges. “Be this worthy of desire, Noble Born?”  I stood stunned a moment, then touched the crescent stamped into the leather and asked if she’d stolen the book. She denied it. I’ve had the Training; she spoke truth. Yet how could she have come by a book bearing the Royal Seal of the Haesyl Line? I opened it. The pages were blank. “Take it,” she urged. “Record your deeds for study. Lo, the steps of your life mark the journey of your soul.”   I told her I couldn’t afford the book, but she smiled as if poverty were a blessing and said, “The price be one copper. Tis a wee price for salvation, Noble One.”   So I bought this journal. I hide it under my mattress. When I lie awake at night, I feel the journal beneath my back and think of the woman who sold it to me. Damn her. She plagues my soul. I promised to return the next night, but I didn’t. I promised to record my deeds. But I can’t. The price is too high.

The library was a little old shabby place. Francie thought it was beautiful. The feeling she had about it was as good as the feeling she had about church. She pushed open the door and went in. She liked the combined smell of worn leather bindings, library past and freshly inked stamping pads better than she liked the smell of burning incense at high mass.

Smoking dope and hanging up Che's picture is no more a commitment than drinking milk and collecting postage stamps.

Everybody has a ‘gripping stranger’ in their lives, Andy, a stranger who unwittingly possesses a bizarre hold over you. Maybe it’s the kid in cut-offs who mows your lawn or the woman wearing White Shoulders who stamps your book at the library—a stranger who, if you were to come home and find a message from them on your answering machine saying ‘Drop everything. I love you. Come away with me now to Florida,’ you’d follow them.

As it is she will probably turn out to be one of these acid-faced virgins that sit behind little desks in public libraries and stamp dates in books.

If you mail a rare stamp it becomes worthless. If you drink a rare bottle of wine, you're left with some recycling. But if you read a rare book it's still there, it's still valuable, and it's achieved the full measure of it's being. A book is to read, whether it's worth five pounds or five thousand pounds

My turn now. The story of one of my insanities. For a long time I boasted that I was master of all possible landscapes-- and I thought the great figures of modern painting and poetry were laughable. What I liked were: absurd paintings, pictures over doorways, stage sets, carnival backdrops, billboards, bright-colored prints, old-fashioned literature, church Latin, erotic books full of misspellings, the kind of novels our grandmothers read, fairy tales, little children's books, old operas, silly old songs, the naive rhythms of country rimes. I dreamed of Crusades, voyages of discovery that nobody had heard of, republics without histories, religious wars stamped out, revolutions in morals, movements of races and continents; I used to believe in every kind of magic. I invented colors for the vowels! A black, E white, I red, O blue, U green. I made rules for the form and movement of every consonant, and I boasted of inventing, with rhythms from within me, a kind of poetry that all the senses, sooner or later, would recognize. And I alone would be its translator. I began it as an investigation. I turned silences and nights into words. What was unutterable, I wrote down. I made the whirling world stand still.

It may sometimes happen that a truth, an insight, which you have slowly and laboriously puzzled out by thinking for yourself could have easily have been found already written in a book: but it is a hundred times more valuable if you have arrived at it by thinking for yourself. For only then will it enter your thought system as an integral part and living member, be perfectly and firmly consistent with it and in accord with all its other consequences and conclusions, bear the hue, colour and stamp of your whole manner of thinking, and have arrived at just the moment it was needed ; thus it will stay firmly and forever lodged in your mind.

It had become a chimney poking from a vertical universe of bookshelves. There was motion below her. There were people on the shelves. They clung to the edges of the cases and moved across them in expert scuttles. They wore ropes and hooks and carried picks on which they sometimes hung. Dangling from straps they carried notebooks, pens, magnifying glasses, ink pads, and stamps. The men and women took books from the shelves as they went, checked their details, leaning against their ropes, replaced them, pulled out little pads and made notes, sometimes carried the books with them to another place and reshelved it there. ... I'm Margarita Staples." She bowed in her harness. 'Extreme librarian. Bookaneer.

I know that readers truly committed to racial equality will join me on this journey of interrogating and shedding our racist ideas. But if there is anything I have learned during my research, it’s that the principal producers and defenders of racist ideas will not join us. And no logic or fact or history book can change them, because logic and facts and scholarship have little to do with why they are expressing racist ideas in the first place.

There are people like Senhor José everywhere, who fill their time, or what they believe to be their spare time, by collecting stamps, coins, medals, vases, postcards, matchboxes, books, clocks, sport shirts, autographs, stones, clay figurines, empty beverage cans, little angels, cacti, opera programmes, lighters, pens, owls, music boxes, bottles, bonsai trees, paintings, mugs, pipes, glass obelisks, ceramic ducks, old toys, carnival masks, and they probably do so out of something that we might call metaphysical angst, perhaps because they cannot bear the idea of chaos being the one ruler of the universe, which is why, using their limited powers and with no divine help, they attempt to impose some order on the world, and for a short while they manage it, but only as long as they are there to defend their collection, because when the day comes when it must be dispersed, and that day always comes, either with their death or when the collector grows weary, everything goes back to its beginnings, everything returns to chaos.

I look forward all day to evening, and then I put an "engaged" on the door and get into my nice red bath robe and furry slippers and pile all the cushions behind me on the couch, and light the brass student lamp at my elbow, and read and read and read. One book isn't enough. I have four going at once. Just now, they're Tennyson's poems and "Vanity Fair" and Kipling's "Plain Tales" and - don't laugh - "Little Women." I find that I am the only girl in college who wasn't brought up on "Little Women." I haven't told anybody though (that would stamp me as queer). I just quietly went and bought it with $1.12 of my last month's allowance; and the next time somebody mentions pickled limes, I'll know what she is talking about!

Making a Fist For the first time, on the road north of Tampico, I felt the life sliding out of me, a drum in the desert, harder and harder to hear. I was seven, I lay in the car watching palm trees swirl a sickening pattern past the glass. My stomach was a melon split wide inside my skin. "How do you know if you are going to die?" I begged my mother. We had been traveling for days. With strange confidence she answered, "When you can no longer make a fist." Years later I smile to think of that journey, the borders we must cross separately, stamped with our unanswerable woes. I who did not die, who am still living, still lying in the backseat behind all my questions, clenching and opening one small hand.

The Stamp Act should have been preceded by the Love Letter Act. I mean, aren’t politicians supposed to be romantic? Just look at Lindsey Graham.

When you get older, you notice your sheets are dirty. Sometimes, you do something about it. And sometimes, you read the front page of the newspaper and sometimes you floss and sometimes you stop biting your nails and sometimes you meet a friend for lunch. You still crave lemonade, but the taste doesn’t satisfy you as much as it used to. You still crave summer, but sometimes you mean summer, five years ago. You remember your umbrella, you check up on people to see if they got home, you leave places early to go home and make toast. You stand by the toaster in your underwear and a big t-shirt, wondering if you should just turn in or watch one more hour of television. You laugh at different things. You stop laughing at other things. You think about old loves almost like they are in a museum. The socks, you notice, aren’t organized into pairs and you mentally make a note of it. You cover your mouth when you sneeze, reaching for the box of tissues you bought, contains aloe. When you get older, you try different shampoos. You find one you like. You try sleeping early and spin class and jogging again. You try a book you almost read but couldn’t finish. You wrap yourself in the blankets of: familiar t-shirts, caffe au lait, dim tv light, texts with old friends or new people you really want to like and love you. You lose contact with friends from college, and only sometimes you think about it. When you do, it feels bad and almost bitter. You lose people, and when other people bring them up, you almost pretend like you know what they are doing. You try to stop touching your face and become invested in things like expensive salads and trying parsnips and saving up for a vacation you really want. You keep a spare pen in a drawer. You look at old pictures of yourself and they feel foreign and misleading. You forget things like: purchasing stamps, buying more butter, putting lotion on your elbows, calling your mother back. You learn things like balance: checkbooks, social life, work life, time to work out and time to enjoy yourself. When you get older, you find yourself more in control. You find your convictions appealing, you find you like your body more, you learn to take things in stride. You begin to crave respect and comfort and adventure, all at the same time. You lay in your bed, fearing death, just like you did. You pull lint off your shirt. You smile less and feel content more. You think about changing and then often, you do.

Not if you pay attention. I mean, you're sending all the right signals - no earrings, heels under two inches, your hair is pulled back, you're wearing reading glasses with no book, drinking a Grey Goose martini, which means you had a hell of a week and a beer just wouldn't do it. And if that wasn't clear enough, there's always the "fuck off" sign that you have stamped on your forehead.

The library knows that it is a temporary fix. We have a stamp for the inside front cover: BROKEN SPINE NOTED. It is like a bracelet worn by a diabetic. When you return the book with this message stamped inside, we know you're not the one responsible for this horrible thing. It was some other bastard before you. The book has a preexisting condition.

We tend to hear much more about the splendors returned than the ships that brought them or the shipwrights. It has always been that way. Even those history books enamored of the voyages of Christopher Columbus do not tell much about the builders of the Nina the Pinta and the Santa Maria or about the principle of the caravel. These spacecraft their designers builders navigators and controllers are examples of what science and engineering set free for well-defined peaceful purposes can accomplish. Those scientists and engineers should be role models for an America seeking excellence and international competitiveness. They should be on our stamps.

She had a grocer's faith in books; they can be handed out like Green Stamps and were redeemable for a variety of useful gifts.

The book was not new. Dates were stamped on the front endpaper, in and out dates. A rent book. A lending library of elaborate smut. I rewrapped the book and locked it up behind the seat. A racket like that, out in the open on the boulevard, seemed to mean plenty of protection. I sat there and poisoned myself with cigarette smoke and listened to the rain and thought about it.

In my lifetime I was to write only one book, this would be the one. Just as the past Lingers in the present, all my writings after night, including those that deal with biblical, Talmudic, or Hasidic themes, profoundly bear it's stamp, and cannot be understood if one has not read this very first of my works. Why did I write it? Did I write it so as not to go mad or, on the contrary, to go mad in order to understand the nature of the madness, the immense, terrifying madness that had erupted in history and in the conscience of mankind?

As writers we intend to make a difference, to alter people's lives for the greater good. . .this is why we write, to have an impact on society, to put a personal stamp on history. . .Art and literature are the legacies we leave to succeeding generations. We'll be forgotten, but our books and essays, our stories and poems can survive us. . .

[N]othing about a book is so unmistakable and so irreplaceable as the stamp of the cultured mind. I don't care what the story is about or what may be the momentary craze for books that appear to have been hammered out by the village blacksmith in a state of intoxication; the minute you get the easy touch of the real craftsman with centuries of civilisation behind him, you get literature.

He reads every book in his home but it is not enough. The country boy craves stories. He devours every poem and fable in his school and library. Still he hungers. For stories.

He saw nature - he saw books through me; and never did I weary of gazing for his behalf, and of putting into words the effect of the field, tree, town, river, cloud, sunbeam - of the landscape before us; of the weather round us and impressing by sound on his ear what light could no longer stamp on his eye.

Up steps, three, six, nine, twelve! Slap! Their palms hit the library door. * * * They opened the door and stepped in. They stopped. The library deeps lay waiting for them. Out in the world, not much happened. But here in the special night, a land bricked with paper and leather, anything might happen, always did. Listen! and you heard ten thousand people screaming so high only dogs feathered their ears. A million folk ran toting cannons, sharpening guillotines; Chinese, four abreast marched on forever. Invisible, silent, yes, but Jim and Will had the gift of ears and noses as well as the gift of tongues. This was a factory of spices from far countries. Here alien deserts slumbered. Up front was the desk where the nice old lady, Miss Watriss, purple-stamped your books, but down off away were Tibet and Antarctica, the Congo. There went Miss Wills, the other librarian, through Outer Mongolia, calmly toting fragments of Peiping and Yokohama and the Celebes.

We all behave like Maxwell’s demon. Organisms organize. In everyday experience lies the reason sober physicists across two centuries kept this cartoon fantasy alive. We sort the mail, build sand castles, solve jigsaw puzzles, separate wheat from chaff, rearrange chess pieces, collect stamps, alphabetize books, create symmetry, compose sonnets and sonatas, and put our rooms in order, and all this we do requires no great energy, as long as we can apply intelligence. We propagate structure (not just we humans but we who are alive). We disturb the tendency toward equilibrium. It would be absurd to attempt a thermodynamic accounting for such processes, but it is not absurd to say we are reducing entropy, piece by piece. Bit by bit. The original demon, discerning one molecules at a time, distinguishing fast from slow, and operating his little gateway, is sometimes described as “superintelligent,” but compared to a real organism it is an idiot savant. Not only do living things lessen the disorder in their environments; they are in themselves, their skeletons and their flesh, vesicles and membranes, shells and carapaces, leaves and blossoms, circulatory systems and metabolic pathways - miracles of pattern and structure. It sometimes seems as if curbing entropy is our quixotic purpose in the universe.

Mr. O'Donnell was at the library counter, performing the sort of grim rituals librarians perform with index cards and stumpy pencils and those rubber stamps with columns of rotating numbers. "Ms. Auerbach! What will it be today? Camus? Cervantes?" "Actually I'm looking for a book of poetry by Emily Dickinson" He paused somberly, toying with the twirled tip of his mustache. No matter how seriously librarians are engaged in their work, they are always glad to be interrupted when the theme is books. It makes no difference to them how simple the search is or how behind on time either of you might be running - they consider all queries scrupulously. They love to have their knowledge tested. They lie in wait, they will not be rushed.

A bookshelf is as particular to its owner as are his or her clothes; a personality is stamped on a library just as a shoe is shaped by the foot.

Max looks up from his book and says, “Mutti, what goes around the world but stays in a corner?” “I don’t know, Max.” “A postage stamp.

My son loved the library. He loved putting books on hold online and having them waiting, bundled up with his name, when he came for them. He loved the benevolence that the stacks held out, their map of the known world. He loved the all-you-can-eat buffet of borrowing. He loved the lending histories stamped into the front of each book, the record of strangers who checked them out before him. The library was the best dungeon crawl imaginable: free loot for the finding, combined with the joy of leveling up.

A woman spent about ten minutes looking around the shop, then told me that she was a retired librarian. I suspect she thought that this was some sort of a bond between us. Not so. On the whole, booksellers dislike librarians. To realise a good price for a book, it has to be in decent condition, and there is nothing librarians like more than taking a perfectly good book and covering it with stamps and stickers before – and with no sense of irony – putting a plastic sleeve over the dust jacket to protect it from the public. The final ignominy for a book that has been in the dubious care of a public library is for the front free endpaper to be ripped out and a ‘DISCARD’ stamp whacked firmly onto the title page, before it is finally made available for members of the public to buy in a sale. The value of a book that has been through the library system is usually less than a quarter of one that has not.

Even now, so many years later, all this is somehow a very evil memory. I have many evil memories now, but ... hadn't I better end my "Notes" here? I believe I made a mistake in beginning to write them, anyway I have felt ashamed all the time I've been writing this story; so it's hardly literature so much as a corrective punishment. Why, to tell long stories, showing how I have spoiled my life through morally rotting in my corner, through lack of fitting environment, through divorce from real life, and rankling spite in my underground world, would certainly not be interesting; a novel needs a hero, and all the traits for an anti-hero are expressly gathered together here, and what matters most, it all produces an unpleasant impression, for we are all divorced from life, we are all cripples, every one of us, more or less. We are so divorced from it that we feel at once a sort of loathing for real life, and so cannot bear to be reminded of it. Why, we have come almost to looking upon real life as an effort, almost as hard work, and we are all privately agreed that it is better in books. And why do we fuss and fume sometimes? Why are we perverse and ask for something else? We don't know what ourselves. It would be the worse for us if our petulant prayers were answered. Come, try, give any one of us, for instance, a little more independence, untie our hands, widen the spheres of our activity, relax the control and we ... yes, I assure you ... we should be begging to be under control again at once. I know that you will very likely be angry with me for that, and will begin shouting and stamping. Speak for yourself, you will say, and for your miseries in your underground holes, and don't dare to say all of us-- excuse me, gentlemen, I am not justifying myself with that "all of us." As for what concerns me in particular I have only in my life carried to an extreme what you have not dared to carry halfway, and what's more, you have taken your cowardice for good sense, and have found comfort in deceiving yourselves. So that perhaps, after all, there is more life in me than in you. Look into it more carefully! Why, we don't even know what living means now, what it is, and what it is called? Leave us alone without books and we shall be lost and in confusion at once. We shall not know what to join on to, what to cling to, what to love and what to hate, what to respect and what to despise. We are oppressed at being men--men with a real individual body and blood, we are ashamed of it, we think it a disgrace and try to contrive to be some sort of impossible generalised man. We are stillborn, and for generations past have been begotten, not by living fathers, and that suits us better and better. We are developing a taste for it. Soon we shall contrive to be born somehow from an idea. But enough; I don't want to write more from "Underground." [The notes of this paradoxalist do not end here, however. He could not refrain from going on with them, but it seems to us that we may stop here.]

This book first arose out of a passage in [Jorge Luis] Borges, out of the laughter that shattered, as I read the passage, all the familiar landmarks of my thought—our thought that bears the stamp of our age and our geography—breaking up all the ordered surfaces and all the planes with which we are accustomed to tame the wild profusion of existing things, and continuing long afterwards to disturb and threaten with collapse our age-old distinction between the Same and the Other. This passage quotes a ‘certain Chinese encyclopaedia’ in which it is written that ‘animals are divided into: (a) belonging to the Emperor, (b) embalmed, (c) tame, (d) suckling pigs, (e) sirens, (f) fabulous, (g) stray dogs, (h) included in the present classification, (i) frenzied, (j) innumerable, (k) drawn with a very fine camelhair brush, (l) et cetera, (m) having just broken the water pitcher, (n) that from a long way off look like flies’. In the wonderment of this taxonomy, the thing we apprehend in one great leap, the thing that, by means of the fable, is demonstrated as the exotic charm of another system of thought, is the limitation of our own, the stark impossibility of thinking that.

Anne of Green Gables was cuddled up next to Huckleberry Finn; The Hunchback of Notre Dame was wedged tightly between Heidi and Little Women; and Nicholas Nickleby leaned in a familiar way against A Girl of the Limberlost. None of the books were in alphabetical order, which made it necessary to cock my head sideways to read each one of the spines. By the end of the third shelf I had begun to realize why librarians are sometimes able to achieve such pinnacles of crankiness: It’s because they’re in agony. If only publishers could be persuaded, I thought, to stamp all book titles horizontally instead of vertically, a great deal of unpleasantness could be avoided all round.

Others, the subject of this book, are likewise privy to their unconscious streams of thought, but they must contend with unusually tumultuous and unpredictable emotions as well. The integration of these deeper, truly irrational sources with more logical processes can be a tortuous task, but, if successful, the resulting work often bears a unique stamp, a “touch of fire,” for what it has been through.

Libraries have certainly come a long way. The days of card pockets inside the backsleeves of books seemed like a faded dream. As a kid, I used to love all those withdrawal date stamps.

Mr. Rochester continued to be blind the first two years of our union; perhaps it was that circumstance that drew us so very near -- that knit us so very close; for I was then his vision, as I am still his right hand. Literally, I was (what he often called me) the apple of his eye. He saw nature -- he saw books through me; and never did I weary of gazing for his behalf, and of putting into words the effect of the field, tree, town, river, cloud, sunbeam -- of the landscape before us; of the weather around us -- and impressing by sound on his ear what light could no longer stamp on his eye. Never did I weary of reading to him; never did I weary conducting him where he wished to go; of doing for him what he wished to be done. And there was a pleasure in my services, most full, most exquisite, even though sad -- because he claimed these services without painful shame or damping humiliation. He loved me so truly, that he knew no reluctance in profiting by my attendance; he felt I loved him so fondly, that to yield that attendance was to indulge my sweetest wishes.

we think of our children as amazingly fragile and entirely moldable. Both assumptions are mistaken. It’s harder to ruin our kids than we think and harder to stamp them for success than we’d like.

Still, it strikes me that, taken together, they do make an argument, and it is this: the rise of American democracy is bound up with the history of reading and writing, which is one of the reasons the study of American history is inseparable from the study of American literature. In the early United States, literacy rates rose and the price of books and magazines and newspapers fell during the same decades that suffrage was being extended. With everything from constitutions and ballots to almanacs and novels, American wrote and read their way into a political culture inked and stamped and pressed in print.

I will wake you up early even though I know you like to stay through the credits. I will leave pennies in your pockets, postage stamps of superheroes in between the pages of your books, sugar packets on your kitchen counter. I will Hansel and Gretel you home. I talk through movies. Even ones I have never seen before. I will love you with too many commas, but never any asterisks. There will be more sweat than you are used to. More skin. More words than are necessary. My hair in the shower drain, my smell on your sweaters, bobby pins all over the window sills. I make the best sandwiches you've ever tasted. You'll be in charge of napkins. I can't do a pull-up. But I'm great at excuses. I count broken umbrellas after every thunderstorm, and I fall asleep repeating the words thank you. I will wake you up early with my heavy heartbeat. You will say, Can't we just sleep in, and I will say, No, trust me. You don't want to miss a thing.

When I get nervous, I go to the library and hang around. The libraries are filled with people who are nervous. You can blend in with them there. You're bound to see someone more nervous than you are in a library. Sometimes the librarians themselves are more nervous than you are. I'll probably be a librarian for that reason. Then if I'm nervous on the job, it won't show. I'll just stamp books and look things up for people and run back and forth to the staff room sneaking smokes until I get hold of myself. A library is a great place to hid.

The silence. End of all poetry, all romances. Earlier, frightened, you began to have some intimation of it: so many pages had been turned, the book was so heavy in one hand, so light in the other, thinning toward the end. Still, you consoled yourself. You were not quite at the end of the story, at that terrible flyleaf, blank like a shuttered window: there were still a few pages under your thumb, still to be sought and treasured. Oh, was it possible to read more slowly? - No. The end approached, inexorable, at the same measured pace. The last page, the last of the shining words! And there - the end of the books. The hard cover which, when you turn it, gives you only this leather stamped with old roses and shields. Then the silence comes, like the absence of sound at the end of the world. You look up. It's a room in an old house. Or perhaps it's a seat in a garden, or even a square; perhaps you've been reading outside and you suddenly see the carriages going by. Life comes back, the shadows of leaves. Someone comes to ask what you will have for dinner, or two small boys run past you, wildly shouting; or else it's merely a breeze blowing a curtain, the white unfurling into a room, brushing the papers on a desk. It is the sound of the world. But to you, the reader, it is only a silence, untenanted and desolate.

Toil, comrade,” he said, “is the highest aim of our lives. Who does not toil, shall not eat.” The book was filled. The official applied his rubber stamp to the last page. The stamp bore a globe overshadowed by a crossed sickle and hammer.

Yet at least he had believed in the cars, maybe to excess: how could he not, seeing people poorer than him come in, Negro, Mexican, cracker, a parade seven days a week, bring with them the most godawful of trade-ins: motorized, metal extensions of themselves, of their families and what their whole lives must be like, out there so naked for anybody, a stranger like himself, to look at, frame cockeyed, rusty underneath, fender repainted in a shade just off enough to depress the value, if not Mucho himself, inside smelling hopeless of children, of supermarket booze, or two, sometimes three generations of cigarette smokers, or only of dust--and when the cars were swept out you had to look at the actual residue of these lives, and there was no way of telling what things had been truly refused (when so little he supposed came by that out of fear most of it had to be taken and kept) and what had simply (perhaps tragically) been lost: clipped coupons promising savings of 5 or 10¢, trading stamps, pink flyers advertising specials at the market, butts, tooth-shy combs, help-wanted ads, Yellow Pages torn from the phone book, rags of old underwear or dresses that already were period costumes, for wiping your own breath off the inside of a windshield with so you could see whatever it was, a movie, a woman or car you coveted, a cop who might pull you over just for drill, all the bits and pieces coated uniformly, like a salad of despair, in a grey dressing of ash, condensed exhaust, dust, body wastes--it nauseated him to look, but he had to look.

She stamped the book and gave it to me. "You bring it back in three weeks." I held it over my heart. Mrs. Worth smiled. "That's where a book should be carried.

In a sense one should not go to books for ideas; the business of books is to make one think. We are not gramophone records, we are to think originally. What we preach is to be the result of our own thought. We do not merely transmit ideas. The preacher is not meant to be a mere channel through which water flows; he is to be more like a well. So the function of reading is to stimulate us in general, to stimulate us to think, to think for ourselves. Take all you read and masticate it thoroughly. Do not just repeat it as you have received it; deliver it in your own way, let it emerge as a part of yourself, with your stamp upon it.

In many schools, teachers have been told, falsely, that there is an “opportunity zone” in which a child’s gender identification is malleable. They have used this zone to try to stamp out boyhood: banning same-sex play groups and birthday parties, forcing children to do gender-atypical activities, suspending boys who run during recess or play cops and robbers. In her book the War Against Boys, the philosopher Christina Hoff Sommers rightly calls this agenda “meddlesome, abusive and quite beyond what educators in a free society are mandated to do(172).

Sleepest thou still, Shere Khan? Wake, oh, wake! Here come I, and the bulls are behind. Rama, the King of the Buffaloes, stamped with his foot. Waters of the Waingunga, whither went Shere Khan?

Here was the same murmuring quiet, broken only by an occasional whisper, the faint thud of a librarian stamping books or overdue notices, the hushed riffle of newspaper or magazine pages being turned. He loved the quality of the light as much now as then. It slanted through the high windows, gray as a pigeon's wing on this rainy afternoon, a light that was somehow somnolent and dozey.

When I was an activist in the 1980s, ninety-eight percent of my time was spent stuffing envelopes and writing addresses on them. The remaining two percent was the time we spent figuring out what to put in the envelopes. Today, we get those envelopes and stamps and address books for free. This is so fantastically, hugely different and weird that we haven’t even begun to feel the first tendrils of it.

The fictional characters we love stamp their names on our hearts. They show us how to fight our battles, how to change, how to make it to page three hundred a different person than we were on page one.

It was Joseph Overton, an American lawyer, who first explained the mechanisms of uppercase Politics in the 1990s. He began with a simple question: Why is it that so many good ideas don’t get taken seriously? Overton realized that politicians, provided they want to be reelected, can’t permit themselves viewpoints that are seen as too extreme. In order to hold power, they have to keep their ideas within the margins of what’s acceptable. This window of acceptability is populated by schemes that are rubber-stamped by the experts, tallied up by statistics services, and have good odds of making it into the law books.

if there is anything I have learned during my research, it’s that the principal producers and defenders of racist ideas will not join us. And no logic or fact or history book can change them, because logic and facts and scholarship have little to do with why they are expressing racist ideas in the first place.

...it was my father who had taught me to love books for themselves, the smell of the vellum and paper, the rare authority of the pages. "Here, do you see this marvelous book, the skins of 182 sheep," he once pronounced as he slapped his hand down on the stamped leather cover boards. "The book is a flock, a jewel, a cemetery, a lantern, a garden, a piss pot; pigments ground of precious minerals, charred bone, lamp soot, rare plants and insects. Pigments formed at the corrosion of copper plates suspended above urine.

I would make it a rule to eradicate from my patient any strong personal taste which is not actually a sin, even if it is something quite trivial such as a fondness for county cricket or collecting stamps or drinking cocoa. Such things, I grant you, have nothing of virtue in them; but there is a sort of innocence and humility and self-forgetfulness about them which I distrust. The man who truly and disinterestedly enjoys any one thing in the world, for its own sake, and without caring twopence what other people say about it, is by that very fact fore-armed against some of our subtlest modes of attack. You should always try to make the patient abandon the people or food or books he really likes in favour of the “best” people, the “right” food, the “important” books.

It takes all my strength to do daily tasks. To some people, I’m just a number. I’m a projected food stamps debit card lifetime member. I’m seen as crazy or insane, but it doesn’t matter. I know I am bigger than my suffering.

Few things contain and impact the immediacy of cultural impress so evocatively as books, and not only through their ideas. A book is an artifact, and every age establishes upon the basic functional structure its own particular stamp.

Father had stretched out his long legs and was tilting back in his chair. Mother sat with her knees crossed, in blue slacks, smoking a Chesterfield. The dessert dishes were still on the table. My sisters were nowhere in evidence. It was a warm evening; the big dining-room windows gave onto blooming rhododendrons. Mother regarded me warmly. She gave me to understand that she was glad I had found what I had been looking for, but that she and father were happy to sit with their coffee, and would not be coming down. She did not say, but I understood at once, that they had their pursuits (coffee?) and I had mine. She did not say, but I began to understand then, that you do what you do out of your private passion for the thing itself. I had essentially been handed my own life. In subsequent years my parents would praise my drawings and poems, and supply me with books, art supplies, and sports equipment, and listen to my troubles and enthusiasms, and supervise my hours, and discuss and inform, but they would not get involved with my detective work, nor hear about my reading, nor inquire about my homework or term papers or exams, nor visit the salamanders I caught, nor listen to me play the piano, nor attend my field hockey games, nor fuss over my insect collection with me, or my poetry collection or stamp collection or rock collection. My days and nights were my own to plan and fill.

On coins, on stamps, on the covers of books, on banners, on posters, and on the wrapping of a cigarette packet - everywhere. Always the eyes watching you and the voice enveloping you. Asleep or awake, working or eating, indoors or out of doors, in the bath or in bed - no escape. Nothing was your own except the few cubic centimeters inside your skull.

The Correspondence-School Instructor Says Goodbye to His Poetry Students Goodbye, lady in Bangor, who sent me snapshots of yourself, after definitely hinting you were beautiful; goodbye, Miami Beach urologist, who enclosed plain brown envelopes for the return of your very “Clinical Sonnets”; goodbye, manufacturer of brassieres on the Coast, whose eclogues give the fullest treatment in literature yet to the sagging breast motif; goodbye, you in San Quentin, who wrote, “Being German my hero is Hitler,” instead of “Sincerely yours,” at the end of long, neat-scripted letters extolling the Pre-Raphaelites: I swear to you, it was just my way of cheering myself up, as I licked the stamped, self-addressed envelopes, the game I had of trying to guess which one of you, this time, had poisoned his glue. I did care. I did read each poem entire. I did say everything I thought in the mildest words I knew. And now, in this poem, or chopped prose, no better, I realize, than those troubled lines I kept sending back to you, I have to say I am relieved it is over: at the end I could feel only pity for that urge toward more life your poems kept smothering in words, the smell of which, days later, tingled in your nostrils as new, God-given impulses to write. Goodbye, you who are, for me, the postmarks again of imaginary towns—Xenia, Burnt Cabins, Hornell— their solitude given away in poems, only their loneliness kept. Galway Kinnell

Crayola crayons, in the familiar yellow-and-green box, labeled LIBRARY PACK. Inside were the colors of Dinsy’s world: Reference Maroon, Brown Leather, Peplum Beige, Reader’s Guide Green, World Book Red, Card Catalog Cream, Date Stamp Purple, and Palatino Black.

People turned out to be alive. Hitherto he had supposed that they were what he pretended to be — flat pieces of cardboard stamped with a conventional design — but as he strolled about the courts at night and saw through the windows some men singing and others arguing and others at their books, there came by no process of reason a conviction that they were human beings with feelings akin to his own. He had never lived frankly since Mr Abrahams's school, and despite Dr Barry did not mean to begin; but he saw that while deceiving others he had been deceived, and mistaken them for the empty creatures he wanted them to think he was. No, they too had insides. "But, O Lord, not such an inside as mine.

As the postwoman waited, she dreamed of all the things she liked….Tiny postal stamps with colourful pictures. Thick postcards with exotic fragrances. Brown envelopes with whispers and secrets. Red postboxes with little doors. But most of all, she thought about letters, filled with words of love

Millions of flying saucers landin’ all the time and the government keeps hushing it up.’ ‘Why?’ said Wensleydale. Adam hesitated. His reading hadn’t provided a quick explanation for this; New Aquarian just took it as the foundation of belief, both of itself and its readers, that the government hushed everything up. ‘’Cos they’re the government,’ said Adam simply. ‘That’s what governments do. They’ve got this great big building in London full of books of all the things they’ve hushed up. When the Prime Minister gets into work in the morning, the first thing he does is go through the big list of everything that’s happened in the night and put this big red stamp on them.’ ‘I bet he has a cup of tea first, and then reads the paper,’ said Wensleydale,

When you truly believe that the racial groups are equal, then you also believe that racial disparities must be the result of racial discrimination. Committed to this antiracist idea of group equality, I was able to self-critique, discover, and shed the racist ideas I had consumed over my lifetime when I uncovered and exposed the racist ideas that others have produced over the lifetime of America. I know that readers truly committed to racial equality will join me on this journey of interrogating and shedding our racist ideas. But if there is anything I have learned form my research, it's that the principal producers and defenders of racist ideas will not join us. And no logic or fact or history book can change them, because logic and facts and scholarship have little to do with why they are expressing racist ideas in the first place. Stamped from the Beginning is about these close-minded, cunning, captivating producers of racist ideas. But it is not for them. My open mind was liberated in writing this story. I am hoping that other open minds can be liberated in reading this story.

It is often much harder to get rid of books than it is to acquire them. They stick to us in that pact of need and oblivion we make with them, witnesses to a moment in our lives we will never see again. While they are still there, it is a part of us. I have noticed that many people make a note of the day, month, and year that they read a book; they build up a secret calendar. Others, before lending one, write their name on the flyleaf, note whom they lent it to in an address book, and add the date. I have known some book owners who stamp them or slip a card between their pages the way they do in public libraries. Nobody wants to mislay a book. We prefer to lose a ring, a watch, our umbrella, rather than a book whose pages we will never read again, but which retains, just in the sound of its title, a remote and perhaps long-lost emotion.

The portraits, of more historical than artistic interest, had gone; and tapestry, full of the blue and bronze of peacocks, fell over the doors, and shut out all history and activity untouched with beauty and peace; and now when I looked at my Crevelli and pondered on the rose in the hand of the Virgin, wherein the form was so delicate and precise that it seemed more like a thought than a flower, or at the grey dawn and rapturous faces of my Francesca, I knew all a Christian's ecstasy without his slavery to rule and custom; when I pondered over the antique bronze gods and goddesses, which I had mortgaged my house to buy, I had all a pagan's delight in various beauty and without his terror at sleepless destiny and his labour with many sacrifices; and I had only to go to my bookshelf, where every book was bound in leather, stamped with intricate ornament, and of a carefully chosen colour: Shakespeare in the orange of the glory of the world, Dante in the dull red of his anger, Milton in the blue grey of his formal calm; and I could experience what I would of human passions without their bitterness and without satiety. I had gathered about me all gods because I believed in none, and experienced every pleasure because I gave myself to none, but held myself apart, individual, indissoluble, a mirror of polished steel: I looked in the triumph of this imagination at the birds of Hera, glowing in the firelight as though they were wrought of jewels; and to my mind, for which symbolism was a necessity, they seemed the doorkeepers of my world, shutting out all that was not of as affluent a beauty as their own; and for a moment I thought as I had thought in so many other moments, that it was possible to rob life of every bitterness except the bitterness of death; and then a thought which had followed this thought, time after time, filled me with a passionate sorrow.

The Creed of the Assassin Brotherhood teaches us that nothing is forbidden to us. Once, I thought that meant we were free to do as we would. To pursue our ideals, no matter the cost. I understand now. Not a grant of permission. The Creed is a warning. Ideals too easily give way to dogma. Dogma becomes fanaticism. No higher power sits in judgement of us. No supreme being watches to punish us for our sins. In the end, only we ourselves can guard against our obsessions. Only we can decide whether the road we walk carries too high a toll. We believe ourselves redeemers, avengers, saviours. We make war on those who oppose us, and they in turn make war on us. We dream of leaving our stamp upon the world... even as we give our lives in a conflict that will be recorded in no history book. All that we do, all that we are, begins and ends with ourselves.

But stamped on her face was also regret that she had been wrong in her assessment. In those weeks she felt humiliated at having always ascribed a power to things that in the current hierarchies were insignificant: the alphabet, writing, books. Only then—I think today—did she, who seemed so disillusioned, so adult, come to the end of her childhood.

they’re the goverment,” said Adam simply. “That’s what goverments do. They’ve got this great big building in London full of books of all the things they’ve hushed up. When the Prime Minister gets in to work in the morning, the first thing he does is go through the big list of everything that’s happened in the night and put this big red stamp on them.

an institution is where they put Aunt Maggy when she began collecting Wheaties in a stamp album.

Applying deep insight and rubber stamping are such counter-propositions.

Nothing is easier than stamping your foot and shouting: "That's mine!" It is immeasurably harder to proclaim: "You may live as you please.

Why do old memories constantly drift to the surface here In this unfamiliar city? When I go out into the streets, the scraps of conversation that pull into focus when the speaker brushes past me, the words stamped on street and stop signs, are almost all incomprehensible. At times my body feels like a prison, a solid, shifting island threading through the crowd. A sealed chamber carrying all the memories of the life I have lived and the mother tongue from which they are inseparable. The more stubborn the isolation, the more vivid these unlooked-for fragments, the more oppressive their weight. So that it seems the place I flee to is not so much a city on the other side of the world as further into my own interior.

Muhammad Yunus, Nobel Peace Prize winner and microfinance pioneer, says, “All human beings are entrepreneurs. When we were in the caves, we were all self-employed… finding our food, feeding ourselves. That’s where human history began. As civilization came, we suppressed it. We became ‘labor’ because they stamped us, ‘You are labor.’ We forgot that we are entrepreneurs.

There was no heat in these buildings, partly because the earliest meetinghouses also served as powder magazines, and fires threatened to blow the entire congregation to smithereens. They were bitter cold in winter. Many tales were told of frozen communion bread, frostbitten fingers, baptisms performed with chunks of ice and entire congregations with chattering teeth that sounded like a field of crickets. It was a point of honor for the minister never to shorten a service merely because his audience was frozen. But sometimes the entire congregation would begin to stamp its feet to restore circulation until the biblical rebuke came crashing down upon them: “STAND STILL and consider the wonderous work of God.” Later generations built “nooning houses” or “sab-baday houses” near the church where the congregation could thaw out after the morning sermon and prepare for the long afternoon sermon to come. But unheated meetings remained a regional folkway for two hundred years.

you were last seen walking through a field of pianos. no. a museum of mouths. in the kitchen of a bustling restaurant, cracking eggs and releasing doves. no. eating glow worms and waltzing past my bedroom. last seen riding the subway, literally, straddling its metal back, clutching electrical cables as reins. you were wearing a dress made out of envelopes and stamps, this was how you travelled. i was the mannequin in the storefront window you could have sworn moved. the library card in the book you were reading until that dog trotted up and licked your face. the cookie with two fortunes. the one jamming herself through the paper shredder, afraid to talk to you. the beggar, hat outstretched bumming for more minutes. the phone number on the bathroom stall with no agenda other than a good time. the good time is a picnic on water, or a movie theatre that only plays your childhood home videos and no one hushes when you talk through them. when they play my videos i throw milk duds at the screen during the scenes i watch myself letting you go – lost to the other side of an elevator – your face switching to someone else’s with the swish of a geisha’s fan. my father could have been a travelling salesman. i could have been born on any doorstep. there are 2,469,501 cities in this world, and a lot of doorsteps. meet me on the boardwalk. i’ll be sure to wear my eyes. do not forget your face. i could never.

My uncle explained that back when bookbinding was still generally done by hand, the author would verify the number of copies and give his approval to the printing by stamping the books with his own seal.

The shape of her smile colored the nightmares in the sky, and I couldn’t bear to touch her without shaking, without seeing her as anything other than a rare girl who had a celestial stamp in all her details.

As James Madison explained, the Constitution is “of no more consequence than the paper on which it is written, unless it be stamped with the approbation of those to whom it is addressed … THE PEOPLE THEMSELVES.

The Education IRA is the same thing as an ESA (Educational Savings Account). The ESA is basically buying a mutual fund and stamping it “ESA.” You must make less than $200,000 annually, married filing jointly. You can contribute up to $2,000 annually per child. You can have several ESAs, but the total of them can only be $2,000 annually per child. That money will grow completely tax free when used for higher education.

Here we are, squabbling over tuna fucking sandwiches and there she is – almond-shaped green eyes, snub nose, lopsided grin, the hint of a dimple in her cheek. ‘MISSING’ is stamped over her face in large black letters.

I flip back to the front, and the stamp stares at me. Shakespeare and Company, Kilometer Zero Paris. And I'm back on the star, that first night. Falling in love with him. And I'm back on the star, over Thanksgiving break. Falling in love with him. And I'm back in my room, staring at this ill-timed book — Why didn't he just tell me? Why didn't I open this when he asked me about it last Christmas? — when I'm struck by a need to return to Point Zéro.

In American Negro Slavery (1918), along with eight more books and a duffel bag of articles, Phillips erased the truth of slavery as a highly lucrative enterprise dominated by planters who incessantly forced a resisting people to labor through terror, manipulation, and racist ideas. Instead he dreamed up an unprofitable commerce dominated by benevolent, paternalistic planters civilizing and caring for a “robust, amiable, obedient and content” barbaric people. Phillips’s pioneering use of plantation documents legitimated his racist dreams and made them seem like objective realities. Phillips remained the most respected scholarly voice on slavery until the mid-twentieth century.

This book first arose out of a passage in Borges, out of the laughter that shattered, as I read the passage, all the familiar landmarks of my thought—our thought that bears the stamp of our age and our geography—breaking up all the ordered surfaces and all the planes with which we are accustomed to tame the wild profusion of existing things, and continuing long afterwards to disturb and threaten with collapse our age-old distinction between the Same and the Other. This passage quotes a ‘certain Chinese encyclopaedia’ in which it is written that ‘animals are divided into: (a) belonging to the Emperor, (b) embalmed, (c) tame, (d) suckling pigs, (e) sirens, (f) fabulous, (g) stray dogs, (h) included in the present classification, (i) frenzied, (j) innumerable, (k) drawn with a very fine camelhair brush, (l) et cetera, (m) having just broken the water pitcher, (n) that from a long way off look like flies’. In the wonderment of this taxonomy, the thing we apprehend in one great leap, the thing that, by means of the fable, is demonstrated as the exotic charm of another system of thought, is the limitation of our own, the stark impossibility of thinking that.

Doc awakened very slowly and clumsily like a fat man getting out of a swimming pool. His mind broke the surface and fell back several times. There was red lipstick on his beard. He opened one eye, saw the brilliant colors of the quilt and closed his eye quickly. But after a while he looked again. His eye went past the quilt to the floor, to the broken plate in the corner, to the glasses standing on the table turned over on the floor, to the spilled wine and the books like heavy fallen butterflies. There were little bits of curled red paper all over the place and the sharp smell of firecrackers. He could see through the kitchen door to the steak plates stacked high and the skillets deep in grease. Hundreds of cigarette butts were stamped out on the floor. And under the firecracker smell was a fine combination of wine and whiskey perfume. His eye stopped for a moment on a little pile of hairpins in the middle of the floor. He rolled over slowly and supporting himself on one elbow he looked out the broken window. Cannery Row was quiet and sunny. The boiler was open. The door of the Palace Flophouse was closed. A man slept peacefully among the weeds in the vacant lot. The Bear Flag was shut up tight.

What they inspect most closely are the books. I noticed this long ago, and it is plainly a legacy of the U.S.S.R. Books are a source of instability and dissidence. In a prison it is conceivable that your jacket will not be adequately examined and a mobile phone will be overlooked. You can be sure, however, that every one of your books will be taken away, listed, examined, stamped “Checked for Extremist Content,” and only then given back to you. Such is the power of the written word.

Sometimes we are written down in books. Or, someone tells a story in which our name figures. And so we live on, through someone else’s voice… These are the indelible marks others make of us, like the watermarks of high tides, names carved into barks, or stamps branded onto belongings. For what else is history but the collected voices of others, who sing a chorus of what once was. It is not words but voices that are the inscriptions seared onto pages, into minds, of the fragments others glean, as we live our lives in passing. Flitting and fl eeting, we rub off as we move through, and in our wake is cast the dust of the stars that we become. And sometimes it is caught on the fingers of others, and they press that gold to their lips, where it glistens, an eternal testimony to the fact that they adored us: So we, those of us who remember, we grow more golden as we age, as if cast into statues that commemorate the splendor of those who loved us, and those we were privileged to love.

At a lunchtime reception for the diplomatic corps in Washington, given the day before the inauguration of Barack Obama as president, I was approached by a good-looking man who extended his hand. 'We once met many years ago,' he said. 'And you knew and befriended my father.' My mind emptied, as so often happens on such occasions. I had to inform him that he had the advantage of me. 'My name is Hector Timerman. I am the ambassador of Argentina.' In my above album of things that seem to make life pointful and worthwhile, and that even occasionally suggest, in Dr. King’s phrase as often cited by President Obama, that there could be a long arc in the moral universe that slowly, eventually bends toward justice, this would constitute an exceptional entry. It was also something more than a nudge to my memory. There was a time when the name of Jacobo Timerman, the kidnapped and tortured editor of the newspaper La Opinion in Buenos Aires, was a talismanic one. The mere mention of it was enough to elicit moans of obscene pleasure from every fascist south of the Rio Grande: finally in Argentina there was a strict ‘New Order’ that would stamp hard upon the international Communist-Jewish collusion. A little later, the mention of Timerman’s case was enough to derail the nomination of Ronald Reagan’s first nominee as undersecretary for human rights; a man who didn’t seem to have grasped the point that neo-Nazism was a problem for American values. And Timerman’s memoir, Prisoner without a Name, Cell without a Number, was the book above all that clothed in living, hurting flesh the necessarily abstract idea of the desaparecido: the disappeared one or, to invest it with the more sinister and grisly past participle with which it came into the world, the one who has been ‘disappeared.’ In the nuances of that past participle, many, many people vanished into a void that is still unimaginable. It became one of the keywords, along with escuadrone de la muerte or ‘death squads,’ of another arc, this time of radical evil, that spanned a whole subcontinent. Do you know why General Jorge Rafael Videla of Argentina was eventually sentenced? Well, do you? Because he sold the children of the tortured rape victims who were held in his private prison. I could italicize every second word in that last sentence without making it any more heart-stopping. And this subhuman character was boasted of, as a personal friend and genial host, even after he had been removed from the office he had defiled, by none other than Henry Kissinger. So there was an almost hygienic effect in meeting, in a new Washington, as an envoy of an elected government, the son of the brave man who had both survived and exposed the Videla tyranny.

Well, even at $50 the regum doctor can’t work forever on the stamp. Some gum is almost always missed. It may not be as obvious as the pictures above but you will still see gum in the holes. This is where a good magnifying glass or microscope pays off.

Books, eh?” he said. “And what sort of books, may I ask?” “Look for yourself.” “Thank you, that’s what I mean to do. Books, indeed.” Adam wearily unstrapped and unlocked his suitcase. “Yes,” said the Customs officer menacingly, as though his worst suspicions had been confirmed, “I should just about say you had got some books.” One by one he took the books out and piled them on the counter. A copy of Dante excited his especial disgust. “French, eh?” he said. “I guessed as much, and pretty dirty, too, I shouldn’t wonder. Now just you wait while I look up these here books”—how he said it!—“ in my list. Particularly against books the Home Secretary is. If we can’t stamp out literature in the country, we can at least stop its being brought in from outside.

We came back [from Mars]," Pris said, "because nobody should have to live there. It wasn't conceived for habitation, at least not within the last billion years. It's so old. You feel it in the stones, the terrible old age. Anyhow, at first I got drugs from Roy; I lived for that new synthetic pain-killer, that silenizine. And then I met Horst Hartman, who at that time ran a stamp store, rare postage stamps; there's so much time on your hands that you've got to have a hobby, something you can pore over endlessly. And Horst got me interested in pre-colonial fiction." "You mean old books?" "Stories written before space travel but about space travel." "How could there have been stories about space travel before - " "The writers," Pris said, "made it up." "Based on what?" "On imagination. A lot of times they turned out wrong [...] Anyhow, there's a fortune to be made in smuggling pre-colonial fiction, the old magazines and books and films, to Mars. Nothing is as exciting. To read about cities and huge industrial enterprises, and really successful colonization. You can imagine what it might have been like. What Mars ought to be like. Canals." "Canals?" Dimly, he remembered reading about that; in the olden days they had believed in canals on Mars. "Crisscrossing the planet," Pris said. "And beings from other stars. With infinite wisdom. And stories about Earth, set in our time and even later. Where there's no radioactive dust." [...] "Did you bring any of that pre-colonial reading material back with you?" It occurred to him that he ought to try some. "It's worthless, here, because here on Earth the craze never caught on. Anyhow there's plenty here, in the libraries; that's where we get all of ours - stolen from libraries here on Earth and shot by autorocket to Mars. You're out at night humbling across the open space, and all of a sudden you see a flare, and there's a rocket, cracked open, with old pre-colonial fiction magazines spilling out everywhere. A fortune. But of course you read them before you sell them." She warmed to her topic. "Of all -

They wash the windows, the roof, the door, all of it. Then a crane drags the house from its spot and puts it down into the pit. There's dolls and books and cans all scattered around. The excavator picks them up. Then it covers everything with sand and clay, leveling it. And then instead of a village, you have an empty field. They sowed our land with corn. Our house is lying there, and our school and our village council office. My plants are there and two albums of stamps, I was hoping to bring them with me. Also I had a bike.

I think I might have something for you today," he says, reaches beneath the counter, and his hand comes back with a book, clothbound cover the color of antique ivory, title and author stamped in faded gold and art deco letters. Best Ghost Stories by Algernon Blackwood, and she lifts it carefully off the countertop, picks it up the way someone else might lift a diamond necklace or a sick kitten, and opens the book to the frontispiece and title page, black-and-white photo of the author in a dapper suit, sadkind eyes and his bow tie just a little crooked.

What is it about this book—essentially a military history of the first month of the First World War—which gives it its stamp and has created its enormous reputation? Four qualities stand out: a wealth of vivid detail which keeps the reader immersed in events, almost as an eyewitness; a prose style which is transparently clear, intelligent, controlled and witty; a cool detachment of moral judgment—Mrs. Tuchman is never preachy or reproachful; she draws on skepticism, not cynicism, leaving the reader not so much outraged by human villainy as amused and saddened by human folly. These first three qualities are present in all of Barbara Tuchman’s work, but in The Guns of August there is a fourth which makes the book, once taken up, almost impossible to set aside. Remarkably, she persuades the reader to suspend any foreknowledge of what is about to happen.

He saw nature – he saw books through me; and never did I weary of gazing for his behalf, and of putting into words the effect of the field, tree, town, river, cloud, sunbeam – of the landscape before us; of the weather round us and impressing by sound on his ear what light could no longer stamp on his eye.

Each spine with its shelf-mark code in familiar typewriter font, each date stamp a footprint of readers gone before and each shelf with its alphabetical ordering - these things align to provide the orderliness so cherished in a library. There is safety and structure amongst the stacks. Everything has a place, and you have found yours.

At times it seems to me that the distance between my writing and her reading is unbridgeable, that whatever I write bears the stamp of artifice and incongruity; if what I am writing were to appear on the polished surface of the page she is reading, it would rasp like a fingernail on a pane, and she would fling the book away with horror.

There are people like Senhor José everywhere, who fill their time, or what they believe to be their spare time, by collecting stamps, coins, medals, vases, postcards, matchboxes, books, clocks, sport shirts, autographs, stones, clay figurines, empty beverage cans, little angels, cacti, opera programmes, lighters, pens, owls, music boxes, bottles, bonsai trees, paintings, mugs, pipes, glass obelisks, ceramic ducks, old toys, carnival masks, and they probably do so out of something that we might call metaphysical angst, perhaps because they cannot bear the idea of chaos being the one ruler of the universe, which is why, using their limited powers [...], they attempt to impose some order on the world, and for a short while they manage it, but only as long as they are there to defend their collection, because when the day comes when it must be dispersed, and that day always comes, either with their death or when the collector grows weary, everything goes back to its beginnings, everything returns to chaos.

I made tiny newspapers of ant events, stamp-sized papers at first, then a bit bigger, too big for ants, it distressed me, but I couldn’t fit the stories otherwise and I wanted real stories, not just lines of something that looked like writing. Anyway, imagine how small an ant paper would really be. Even a stamp would have looked like a basketball court. I imagine political upheavals, plots and coups d e’tat, and I reported on them. I think I may have been reading a biography of Mary Queen of Scots at the time…. Anyway, there was this short news day for the ants. I’d run out of political plots, or I was bored with them. So I got a glass of water and I created a flood. The ants scrambled for safety, swimming for their lives. I was kind of ashamed, but it made for good copy. I told myself I was bringing excitement into their usual humdrum. The next day, I dropped a rock on them. It was a meteorite from outer space. They gathered around it and ran up and over it; obviously they didn’t know what to do. It prompted three letters to the editor.

Says here there's a reward," Mr. Hooks said. Tallie blinked, then remembered Keith had added that tidbit for incentive. She opened her purse and scrutinized the contents of her slim wallet--twelve dollars and a book of stamps. She handed over the ten and the stamps, then tossed in a free drink coupon from Starbucks. "Thanks." Then she turned and fled.

There is no single text, perhaps, that is more consistently the object of humanist contempt than the book of Genesis. The creation of the cosmos in six days; Adam and Eve in the Garden of Eden; Noah’s flood: here are stories that have long served as prime exhibits in the contention that religion is merely a farrago of childish nonsense. This is why Genesis can pretty much be guaranteed not to feature in round-ups of the ancient texts that humanists are prepared to acknowledge as influences. Yet humanists, no less than Jews or Christians, are indelibly stamped by it. In fact, if there is a single wellspring for the reverence they display towards their own species, it is the opening chapter of the Bible.

In The Ethics of Our Fathers, a book of the Talmud, Rabbi Tarfon says: "You are not obligated to complete the work, but neither are you free to abandon it." By the end, this is how I came to feel about my work. Dismantling the rise of fascism is best not left to lone vigilantes, nor to the punitive mechanisms of the state, but to people working together to stamp out hate wherever it arises. In the meantime, I cook like a Jew: paprika, dill, onions, garlic, warm broth, and company. The herring is optional, but love is not optional. It is what we must marshal to break the back of the beast. To do so, we must break bread together: a prickle of salt, a pat of melting butter, a bite, a kiss, a homily in the mouth about what's worth fighting for.

A statistician for the Prudential Insurance Company predicted the imminent extinction of Black people in his epic book that relied on the 1890 census figures. Unlike the Plessy ruling, Frederick Hoffman’s Race Traits and Tendencies of the American Negro received plenty of attention in 1896. Packed with statistical tables and published by the American Economic Association, the book was a pioneering work in American medical research, and it catapulted Hoffman into scientific celebrity in the Western world as the heralded father of American public health. At “the time of emancipation,” he wrote, southern Blacks were “healthy in body and cheerful in mind.” “What are the conditions thirty years after?” Well, “in the plain language of the facts,” free Blacks were headed toward “gradual extinction,” pulled down by their natural immoralities, law-breaking, and diseases. Hoffman supplied his employer with an excuse for its discriminatory policies concerning African Americans—that is, for denying them life insurance. White life insurance companies refused to insure a supposedly dying race. Yet another racist idea was produced to defend a racist policy.3

We believe that we invent symbols. The truth is that they invent us; we are their creatures, shaped by their hard, defining edges. When soldiers take their oath they are given a coin, an asimi stamped with the profile of the Autarch. Their acceptance of that coin is their acceptance of the special duties and burdens of military life—they are soldiers from that moment, though they may know nothing of the management of arms. I did not know that then, but it is a profound mistake to believe that we must know of such things to be influenced by them, and in fact to believe so is to believe in the most debased and superstitious kind of magic. The would-be sorcerer alone has faith in the efficacy of pure knowledge; rational people know that things act of themselves or not at all.

...they had succumbed to an impersonal and anonymous mode of consciousness which precluded personal feeling and which was devoid of a secure sense of self-identity. Everything tended to be seen in 'abstract' terms, as theoretical possibilities which could be contemplated and compared but to the concrete realization of which people were unwilling to commit themselves. If they attended to their own attitudes or emotions it was through a thick haze of pseudo-scientific expressions or cliche-ridden phrases which they had picked up from books or newspapers rather than in the direct light of their own inner experience. Living had become a matter of knowing rather than doing; accumulating information and learning things by rote as opposed to taking decisions that bore the stamp of individual passion or conviction.

When we say to be authentic, we mean you should make it clear that your stuff has the stamp of an actual person or actual people and that that person or those people have the qualities (a point of view, a personality, a sense of enthusiasm for the subject, and suitability to your audience) that make for a compelling approach to content as a solid foundation for the start of your relationship with your audience.

I saw and heard all sorts of things in my fever; I was riding a merry-go-round, I wanted to get off but I couldn’t. I was one of many little children sitting in fire engines and hollowed-out swans, on dogs, cats, pigs, and stags, riding round and round. I wanted to get off but I wasn’t allowed to. All the little children were crying, like me they wanted to get out of the fire engines and hollowed-out swans, down from the backs of the cats, dogs, pigs, and stags, they didn’t want to ride on the merry-go-round any more, but they weren’t allowed to get off. The Heavenly Father was standing beside the merry-go-round and every time it stopped, he paid for another turn. And we prayed: “Oh, our Father who art in heaven, we know you have lots of loose change, we know you like to treat us to rides on the merry-go-round, we know you like to prove to us that this world is round. Please put your pocket-book away, say stop, finished, fertig, basta, stoi, closing time—we poor little children are dizzy, they’ve brought us, four thousand of us, to K"asemark on the Vistula, but we can’t get across, because your merry-go-round, your merry-go-round…” But God our Father, the merry-go-round owner, smiled in his most benevolent manner and another coin came sailing out of his purse to make the merry-go-round keep on turning, carrying four thousand children with Oskar in their midst, in fire engines and hollowed-out swans, on cats, dogs, pigs, and stags, round and round in a ring, and every time my stag—I’m still quite sure it was a stag—carried us past our Father in heaven, the merry-go-round owner, he had a different face: He was Rasputin, laughing and biting the coin for the next ride with his faith healer’s teeth; and then he was Goethe, the poet prince, holding a beautifully embroidered purse, and the coins he took out of it were all stamped with his father-in-heaven profile; and then again Rasputin, tipsy, and again Herr von Goethe, sober. A bit of madness with Rasputin and a bit of rationality with Goethe. The extremists with Rasputin, the forces of order with Goethe.

They opened the door and stepped in. They stopped. The library deeps waited for them. Out in the world, not much happened. But here in the special night, a land bricked with paper and leather, anything might happen, always did. Listen! and you heard ten thousand people screaming so high only dogs feathered their ears. A million folk ran toting cannons, sharpening guillotines; Chinese, four abreast, marched on forever. Invisible, silent, yes, but Jim and Will had the gift of ears and noses as well as the gift of tongues. This was a factory of spices from far countries. Here alien deserts slumbered. Up front was the desk where the nice old lady, Miss Watriss, purple-stamped your books, but down off away were Tibet and Antarctica, the Congo. There went Miss Wills, the other librarian, through Outer Mongolia, calmly toting fragments of Peiping and Yokohama and the Celebes.

William James (1842-1910) was the first philosopher in America to gain universal celebrity. The hardheaded practical wisdom of Benjamin Franklin could hardly be termed a philosophy; from an entirely different perspective, the obfuscatory maunderings of Emerson did not count as such, either. Something with a bit more intellectual rigor of the English or German sort was needed if Americans were not to feel that they were anything but the ruthless money-grubbing barbarians they in fact were and are. James filled the bill. His younger contemporary George Santayana (1863-1952) was considerably more brilliant and scintillating, but for regular, 100 percent Americans he had considerable drawbacks. In the first place, he was a foreigner, born in Spain, even though his Boston upbringing and Harvard professorship would otherwise have given him the stamp of approval. Moreover, he was not merely suspiciously interested in art and poetry (The Sense of Beauty [1896], Three Philosophical Poets [1910]), but he actually wrote poetry himself! No, he would never do. James, on the other hand, was just the sort of philosopher suited to the American bourgeoisie. His chief mission, expressed from one book to the next, was to protect their piety from the hostile forces of science and skepticism-an eminently laudable and American goal.

For though men abound in money on earth,... they are filled more with fear than with enjoyment. For what is so uncertain as a rolling thing? It is not unfitly that money itself is stamped round, because it remains not still. Such men, therefore, though they have something, are yet poor. But those who have none of this wealth, but only desire it, are counted also among rich men who will be rejected; for God takes account not of power, but of will.

So, priding itself on having built its world as if it had designed it, and blaming itself for not having designed it better, humankind is now to set out to do just that. The aim of socialism is no less than to effect a complete redesigning of our traditional morals, law, and language, and on this basis to stamp out the old order and the supposedly inexorable, unjustifiable conditions that prevent the institution of reason, fulfilment, true freedom, and justice.

He had always kept this old symbol of taking a knife and striking his father to the heart. Only now, as he grew older, and sat staring at his father in an impotent rage, it was not him, that old man reading, whom he wanted to kill, but it was the thing that descended on him -- without his knowing it perhaps: that fierce sudden black-winged harpy, with its talons and its beak all cold and hard, that struck and struck at you (he could feel it on his bare legs, where it had struck when he was a child) and then made off, and there he was again, an old man, very sad, reading his book. That he would kill, that he would strike to the heart. Whatever he did--(and he might do anything, he felt, looking at the Lighthouse and the distant shore) whether he was in a business, a bank, a barrister, a man at the head of some enterprise, that he would fight, that he would track down and stamp out -- tyranny, despotism, he called it -- making people do what they did not want to do, cutting off their right to speak.

We go back to her books and sometimes this quality strikes us and sometimes that. But all the while we are conscious of something that is greater than one gift or another and is perhaps the quality that attaches us to books as to people – the quality, that is, of the writer’s mind and personality. With their limitations and their great beauty these are stamped upon every page that Charlotte Brontë wrote. We do not need to know her story, or to have climbed the steep hill and gazed upon the stone house among the graves to feel her tremendous honesty and courage, and to know that she loved liberty and independence and the splendour of wild country, and men and women who are above all things passionate and true-minded. These are part of her as her imagination and genius are part of her; and they add to our admiration of her as a writer some peculiar warmth of feeling which makes us desire, when there is any question of doing her honour, to rise and salute her not only as a writer of genius, but as a very noble human being.

Each act of full forgiveness and even each partial act is not only a miracle, but a prize of redemption, as with books of S&H Green Stamps. But instead of a toaster, you get a unit of peace. Each act of forgiveness gives us more awareness of the beauty that surrounds us and of the friendly light inside, the tiny and usually ignored part that hasn't been faked, cheapened, or exploited. It is an infinitesimally small point of light--like when our ancient TVs were turning off--and eternity, the world in a blade of grass.

All these self-serving efforts by powerful factions to define their racist rhetoric as nonracist has left Americans thoroughly divided over, and ignorant of, what racist ideas truly are. It has all allowed Americans who think something is wrong with Black people to believe, somehow, that they are not racists. But to say something is wrong with a group is to say something is inferior about that group. These sayings are interlocked logically whether Americans realize it or not, whether Americans are willing to admit it or not. Any comprehensive history of racist ideas must grapple with the ongoing manipulation and confusion, must set the record straight on those who are espousing racist ideas and those who are not. My definition of a racist idea is a simple one: it is any concept that regards one racial group as inferior or superior to another racial group in any way. I define anti-Black racist ideas - the subject of this book - as any idea suggesting that Black people, or any group of Black people, are inferior in any way to another racial group.

This is a political age. War, Fascism, concentration camps, rubber truncheons, atomic bombs, etc., are what we daily think about, and therefore to a great extent what we write about, even when we do not name them openly. We cannot help this. When you are on a sinking ship, your thoughts will be about sinking ships. But not only is our subject-matter narrowed, but our whole attitude towards literature is coloured by loyalties which we at least intermittently realise to be non-literary. I often have the feeling that even at the best of times literary criticism is fraudulent, since in the absence of any accepted standards whatever—any external reference which can give meaning to the statement that such and such a book is “good” or “bad”—every literary judgement consists in trumping up a set of rules to justify an instinctive preference. One’s real reaction to a book, when one has a reaction at all, is usually “I like this book” or “I don’t like it,” and what follows is a rationalisation. But “I like this book” is not, I think, a non-literary reaction; the non-literary reaction is “This book is on my side, and therefore I must discover merits in it.” Of course, when one praises a book for political reasons one may be emotionally sincere, in the sense that one does feel strong approval of it, but also it often happens that party solidarity demands a plain lie. Anyone used to reviewing books for political periodicals is well aware of this. In general, if you are writing for a paper that you are in agreement with, you sin by commission, and if for a paper of the opposite stamp, by omission.

In order to stop the spread of these revolutionary ideas through books to disenfranchised people, the government in England enacted legislation called “the taxes on knowledge.” First, the Stamp Act of 1712 made printed materials expensive, hoping to price them out of the hands of women and poor people. Taxes were placed on paper and advertisements, so “the bigger the book, the bigger the tax.”[9] Similarly, the stamp duties on newspapers and pamphlets were understood to be “targeted attacks on the reading matter which the state feared most.”[10]

The Book Lover:- See how I have come up in the World, because of my books. I pull the covers agape, pages release their cargo and words fly like birds each with its own song. Listen, and vowels will breathe like flutes in your head, Consonants tick-tack like woodpeckers, and sibilants, sly as asps, bite the plosives that pop from our pressed lips. A picture worth a thousand words? You paint a score of trees, dark needled, stippled and stroked across your canvas: My book say ‘’forrest’’ (Feel that Pine green touch) You wash your paper with azures and turquoise, set ship after ship, sails wind-pregnant, As far as the daubed horizon: my books say ‘’armada’’. (Smell that sea-green scent) Art’s shape is their noun, its colour their objective, Its tone their adverb; my books match the grammar of landscapes. This book may say ‘Socrates’ secrets, Freud’s autopsy of actions or Heaney’s verses; Every idea dreamed by man caught, black stamped for all time, within its cardboard confines. Here the past speaks to us, as the future will, in the language of our senses. Step up book by book- In time, you will reach the stars.

He took a twenty-five cent piece out of his pocket. There, too, in tiny clear lettering, the same slogans were inscribed, and on the other face of the coin the head of Big Brother. Even from the coin the eyes pursued you. On coins, on stamps, on the covers of books, on banners, on posters, and on the wrappings of a cigarette packet—everywhere. Always the eyes watching you and the voice enveloping you. Asleep or awake, working or eating, indoors or out of doors, in the bath or in bed—no escape. Nothing was your own except the few cubic centimetres inside your skull.

I’ll find you something else to read. Catch.” He let it fall without looking, and Tessa had to dart forward to seize it before it hit the floor. It was a large squarish volume bound in dark blue velvet. There was a pattern cut into the velvet, a swirling symbol reminiscent of the marks that decorated Will’s skin. The title was stamped on the front in silver: The Shadowhunter’s Codex. Tessa glanced up at Will. “What is this?” “I assumed you’d have questions about Shadowhunters, given that you’re currently inhabiting our sanctum sanctorum, so to speak. That book ought to tell you anything you want to know—about us, about our history, even about Downworlders like you.” Will’s face turned grave. “Be careful with it, though. It’s six hundred years old and the only copy of its kind. Losing or damaging it is punishable by death under the Law.” Tessa thrust the book away from her as if it were on fire. “You can’t be serious.” “You’re right. I’m not.” Will leaped down from the ladder and landed lightly in front of her. “You do believe everything I say, though, don’t you? Do I seem unusually trustworthy to you, or are you just a naïve sort?

So began my love affair with books. Years later, as a college student, I remember having a choice between a few slices of pizza that would have held me over for a day or a copy of On the Road. I bought the book. I would have forgotten what the pizza tasted like, but I still remember Kerouac. The world was mine for the reading. I traveled with my books. I was there on a tramp steamer in the North Atlantic with the Hardy Boys, piecing together an unsolvable crime. I rode into the Valley of Death with the six hundred and I stood at the graves of Uncas and Cora and listened to the mournful song of the Lenni Linape. Although I braved a frozen death at Valley Forge and felt the spin of a hundred bullets at Shiloh, I was never afraid. I was there as much as you are where you are, right this second. I smelled the gunsmoke and tasted the frost. And it was good to be there. No one could harm me there. No one could punch me, slap me, call me stupid, or pretend I wasn’t in the room. The other kids raced through books so they could get the completion stamp on their library card. I didn’t care about that stupid completion stamp. I didn’t want to race through books. I wanted books to walk slowly through me, stop, and touch my brain and my memory. If a book couldn’t do that, it probably wasn’t a very good book. Besides, it isn’t how much you read, it’s what you read. What I learned from books, from young Ben Franklin’s anger at his brother to Anne Frank’s longing for the way her life used to be, was that I wasn’t alone in my pain. All that caused me such anguish affected others, too, and that connected me to them and that connected me to my books. I loved everything about books. I loved that odd sensation of turning the final page, realizing the story had ended, and feeling that I was saying a last goodbye to a new friend.

They bought Harry’s school books in a shop called Flourish and Blotts where the shelves were stacked to the ceiling with books as large as paving stones bound in leather; books the size of postage stamps in covers of silk; books full of peculiar symbols and a few books with nothing in them at all. Even Dudley, who never read anything, would have been wild to get his hands on some of these. Hagrid almost had to drag Harry away from Curses and Counter-Curses (Bewitch your Friends and Befuddle your Enemies with the Latest Revenges: Hair Loss, Jelly-Legs, Tongue-Tying and much, much more) by Professor Vindictus Viridian.

I would like to emphasize that this book does not belong to any existing view, school, or field, as far as I am aware, so that it does not subscribe to any tradition walled off from the rest of intellectual life. It therefore has no gatekeepers, clad in the traditional metaphorical chain-mail armor and bearing the traditional metaphorical halberd, proclaiming threats to their perceived enemies in archaic languages, dedicated to keeping new knowledge out and stamping out all possible threats to those inside its walls so that the residents can safely continue their traditional beliefs without the necessity of thinking about them.

In her book The Government-Citizen Disconnect, the political scientist Suzanne Mettler reports that 96 percent of American adults have relied on a major government program at some point in their lives. Rich, middle-class, and poor families depend on different kinds of programs, but the average rich and middle-class family draws on the same number of government benefits as the average poor family. Student loans look like they were issued from a bank, but the only reason banks hand out money to eighteen-year-olds with no jobs, no credit, and no collateral is because the federal government guarantees the loans and pays half their interest. Financial advisers at Edward Jones or Prudential can help you sign up for 529 college savings plans, but those plans' generous tax benefits will cost the federal government an estimated $28.5 billion between 2017 and 2026. For most Americans under the age of sixty-five, health insurance appears to come from their jobs, but supporting this arrangement is one of the single largest tax breaks issued by the federal government, one that exempts the cost of employer-sponsored health insurance from taxable incomes. In 2022, this benefit is estimated to have cost the government $316 billion for those under sixty-five. By 2032, its price tag is projected to exceed $6oo billion. Almost half of all Americans receive government-subsidized health benefits through their employers, and over a third are enrolled in government-subsidized retirement benefits. These participation rates, driven primarily by rich and middle-class Americans, far exceed those of even the largest programs directed at low income families, such as food stamps (14 percent of Americans) and the Earned Income Tax Credit (19 percent). Altogether, the United States spent $1.8 trillion on tax breaks in 2021. That amount exceeded total spending on law enforcement, education, housing, healthcare, diplomacy, and everything else that makes up our discretionary budget. Roughly half the benefits of the thirteen largest individual tax breaks accrue to the richest families, those with incomes that put them in the top 20 percent. The top I percent of income earners take home more than all middle-class families and double that of families in the bottom 20 percent. I can't tell you how many times someone has informed me that we should reduce military spending and redirect the savings to the poor. When this suggestion is made in a public venue, it always garners applause. I've met far fewer people who have suggested we boost aid to the poor by reducing tax breaks that mostly benefit the upper class, even though we spend over twice as much on them as on the military and national defense.

The 'most precious object of the Western world' is now a national monument of Ireland at the very highest level. It is probably the most famous and perhaps the most emotively charged medieval book of any kind. It is the iconic symbol of Irish culture. It is included in the Memory of the World Register compiled by UNESCO. A design echoing the Book of Kells was used on the former penny coin of Ireland (1971 to 2000) and on a commemorative twenty-euro piece in 2012. One of its initials was shown on the reverse of the old Irish five-pound banknote. It has been illustrated on the country's postage stamps. Probably every Irish bar in the world has some reflexion of its script or decoration.

Conny and I stood in line, along with other people, outside Checkpoint Charlie, the gate for foreigners into East Berlin. Many of those in line were Dutch, and I saw they were being passed without difficulty. Everything seemed routine: Hand your passport to a guard, walk down the line, and receive your passport back with a stamp that allowed you to spend the one day in East Berlin. I hoped it would be as easy for us when it was our turn to be checked. Finally we were in front of the window. The guard looked at our passports, looked in a book and then turned and said something to another man behind him. “Is there a problem?” I asked the man. He turned and gave me a stern look. “Come with

I have long since grown accustomed to looking hard at the eager advocates of so-called ‘popular education’ as it is commonly understood. Most of the time, what they consciously or unconsciously want is unfettered freedom for themselves in a universal saturnalia of barbarism. But the sacred natural order will never grant it to them: They are born to serve, to obey. Every time their creeping thoughts try to get anywhere on their wooden legs or broken wings, it only confirms the kind of clay from which Nature has made them, the mark with which she has stamped them. Education for the masses cannot be our goal—only the cultivation of the chosen individual, equipped to produce great and lasting works.

When he met Buffett, Munger had already formed strong opinions about the chasms between good businesses and bad. He served as a director of an International Harvester dealership in Bakersfield and saw how difficult it was to fix up an intrinsically mediocre business; as an Angeleno, he observed the splendid prosperity of the Los Angeles Times; in his head he did not carry a creed about "bargains" that had to be unlearned. So in conversations with Buffett over the years he preached the virtues of good businesses. By 1972, Blue Chip Stamps, a Berkshire affiliate that has since been merged into the parent, was paying three times book value to buy See's Candies, and the good-business era was launched.7

The ambition of domineering over the mind, is one of the strongest passions. A theologian, a missionary, or a partisan of any description, is always for conquering like a prince, and there are many more sects than there are sovereigns in the world…. I conclude, that every sensible man, every honest man, ought to hold Christianity in abhorrence. ‘The great name of Theist, which we can never sufficiently revere,’ is the only name we ought to adopt. The only gospel we should read is the grand book of nature, written with God’s own hand, and stamped with his own seal. The only religion we ought to profess is, 'to adore God, and act like honest men.’ It would be as impossible for this simple and eternal religion to produce evil, as it would be impossible for Christian fanaticism not to produce it…. But what shall we substitute in its place? say you. What? A ferocious animal has sucked the blood of my relatives. I tell you to rid yourselves of this beast, and you ask me what you shall put in its place! Is it you that put this question to me? Then you are a hundred times more odious than the Pagan Pontiffs, who permitted themselves to enjoy tranquility among their ceremonies and sacrifices, who did not attempt to enslave the mind by dogmas, who never disputed the powers of the magistrates, and who introduced no discord among mankind. You have the face to ask what you must substitute in the place of your fables!

A perfect birthday poem called ‘When You Are Old.’” Everyone chortled, and Eoin looked confused. “Are you old, Mother?” he asked. “No, darling boy. I’m ageless,” I answered. Everyone laughed again, but the O’Toole sisters urged Thomas on, pleading for the poem. Thomas stood, and with his hands in his pockets and his shoulders slightly hunched, he began. “When you are old and grey and full of sleep . . .” Thomas enunciated “old and grey,” and everyone tittered again, but I knew the poem well, knew every word, and my heart had turned to liquid in my chest. “When you are old and grey and full of sleep,” he repeated over the chuckling, “and nodding by the fire, take down this book, and slowly read, and dream of the soft look your eyes had once, and of their shadows deep; how many loved your moments of glad grace, and loved your beauty with love false or true, but one man loved the pilgrim soul in you, and loved the sorrows of your changing face.” The room had grown quiet, and Maggie’s lips trembled, the soft sweetness of memory gleaming in her eyes. It was the kind of poem that made old women remember how it felt to be young. As he spoke, Thomas looked at everyone in turn, but the poem was for me; I was the pilgrim soul with a changing face. He finished, reflecting on how love fled and “paced upon the mountains overhead and hid his face amid a crowd of stars.” Everyone clapped and stamped their feet, and Thomas bowed jauntily, accepting the praise. But he met my gaze before taking his seat. When I dragged my eyes away, I found Brigid

Of course, people find beauty in things without wet noses, too. But there is something unique about the ways in which we fall in love with animals. Unwieldy dogs and minuscule dogs and long-haired and sleek dogs, snoring Saint Bernards, asthmatic pugs, unfolding shar-peis, and depressed-looking basset hounds - each with devoted fans. Bird-watchers spend frigid mornings scanning skies and scrub for the feathered objects of their fascination. Cat lovers display an intensity lacking - thank goodness - in most human relationships. Children’s books are constellated with rabbits and mice and bears and caterpillars, not to mention spiders, crickets, and alligators. Nobody ever had a plush toy shaped like a rock, and when the most enthusiastic stamp collector refers to loving stamps, it is an altogether different kind of affection.

Whatever stamped itself on Niels's mind, what he saw, what he understood and what he misunderstood, what he admired and what he knew he ought to admire--all was woven into the story. As running water is colored by every passing picture, sometimes holding the image with perfect clearness, sometimes distorting it or throwing it back in wavering, uncertain lines, then again drowning it completely in the color and play of its own ripples, so the lad's story reflected feeling and thoughts, his own and those of other people, mirrored human beings and events, life and books, as well as it could. It was a play life, running side by side with real life. It was a snug retreat, where you could abandon yourself to dreams of the wildest adventures. It was a fairy garden that opened at your slightest nod, and received you in all its glory, shutting out everybody else.

COOKBOOK FOR THE MODERN HOUSEWIFE The cover was red with a subtle crosshatch pattern and distressed, the book's title stamped in black ink- all of it faded with age. Bordering the cookbook's cover were hints of what could be found inside. Alice tilted her head as she read across, down, across, and up the cover's edges. Rolls. Pies. Luncheon. Drinks. Jams. Jellies. Poultry. Soup. Pickles. 725 Tested Recipes. Resting the spine on her bent knees, the cookbook dense yet fragile in her hands, Alice opened it carefully. There was an inscription on the inside cover. Elsie Swann, 1940. Going through the first few, age-yellowed pages, Alice glanced at charts for what constituted a balanced diet in those days: milk products, citrus fruits, green and yellow vegetables, breads and cereals, meat and eggs, the addition of a fish liver oil, particularly for children. Across from it, a page of tips for housewives to avoid being overwhelmed and advice for hosting successful dinner parties. Opening to a page near the back, Alice found another chart, this one titled Standard Retail Beef Cutting Chart, a picture of a cow divided by type of meat, mini drawings of everything from a porterhouse-steak cut to the disgusting-sounding "rolled neck." Through the middle were recipes for Pork Pie, Jellied Tongue, Meat Loaf with Oatmeal, and something called Porcupines- ground beef and rice balls, simmered for an hour in tomato soup and definitely something Alice never wanted to try- and plenty of notes written in faded cursive beside some of the recipes. Comments like Eleanor's 13th birthday-delicious! and Good for digestion and Add extra butter. Whoever this Elsie Swann was, she had clearly used the cookbook regularly. The pages were polka-dotted in brown splatters and drips, evidence it had not sat forgotten on a shelf the way cookbooks would in Alice's kitchen.

Remember it," he said to himself. "Remember this room, the mist upon the field and the evening star, the thrush singing and the voice of the river below the hill. Remember the flames of the candles, the books and the white page under your hand. When you go back you can take this with you. Remember it. Nothing is lost that is stamped upon memory. You may lose it for the time being, you may go mad and curse and rave, but what has once entered into memory is never effaced. Madness passes, memory does not. It is one of the things which is given back to be your heaven or hell. Take this and be thankful, for there will be plenty of hell for you in the place of judgment. That's what judgment is; memory. You remember every shameful thing you ever did, every cruel word you ever spoke . . . . That's hell, and you'll not endure it and live if there's not a sweetness in the air from another's forgiveness and your own remorse, and the hills in the distance touched with this light of beauty recognized, accepted and adored.

Several years ago, I was invited to deliver a lecture on art and literature to the Tinworth Historical Society. While searching in the attic for a treatise of mine written during my student days at the Sorbonne, I came upon a large, dust-and-cobweb-covered trunk bearing the initials W.W. which I had never before noticed. Inside were stacks of paper tied in neat bundles and a large quantity of fascinating memorabilia - faded flowers, old invitations, scraps of satin, velvet and lace, postage stamps, jewelry, postcards from foreign capitals. The variety was endless. As I examined several bundles of paper more carefully, I realized I was holding a collection of drawings by Amelia Woodmouse, a promising young artist and a member of the family who had lived in the house at the turn of the century. From the delightful portraits and paintings depicting the life around her, and the accumulation of personal mementos, it was obvious that the artist had begun her collection in order to compile a family album, which for some reason, sadly, she never completed.

But it was the little parcel that was responsible for her excitement. It was stamped with the sign manual of the House of Wareham and Emily knew what it must hold. Her book—her Moral of the Rose. She hurried home by the cross-lots road—the little old road over which the vagabond wandered and the lover went to his lady and children to joy and tired men home—the road that linked up eventually with the pasture field by the Blair Water and the Yesterday Road. Once in the grey-boughed solitude of the Yesterday Road Emily sat down in a bay of brown bracken and opened her parcel. There lay her book. Her book, spleet-new from the publishers. It was a proud, wonderful, thrilling moment. The crest of the Alpine Path at last? Emily lifted her shining eyes to the deep blue November sky and saw peak after peak of sunlit azure still towering beyond. Always new heights of aspiration. One could never reach the top really. But what a moment when one reached a plateau and outlook like this! What a reward for the long years of toil and endeavour and disappointment and discouragement.

A silver hairbrush, old and surely precious, with a little leopard's head for London stamped near the bristles. A white dress, small and pretty, the sort of old-fashioned dress Cassandra had never seen, let alone owned- the girls at school would laugh if she wore such a thing. A bundle of papers tied together with a pale blue ribbon. Cassandra let the bow slip loose between her fingertips and brushed the ends aside to see what lay beneath. A picture, a black-and-white sketch. The most beautiful woman Cassandra had ever seen, standing beneath a garden arch. No, not an arch, a leafy doorway, the entrance to a tunnel of trees. A maze, she thought suddenly. The strange word came into her mind fully formed. Scores of little black lines combined like magic to form the picture, and Cassandra wondered what it would feel like to create such a thing. The image was oddly familiar and at first she couldn't think how that could be. Then she realized- the woman looked like someone from a children's book. Like an illustration from an olden-days fairy tale, the maiden who turns into a princess when the handsome prince sees beyond her ratty clothing.

VICTORIAN FUNERAL BISCUITS Adapted from the third edition of Miss Beecher’s Domestic Receipt-Book, published in 1862. ½ c sugar ½ c salted butter, softened 1 c molasses ½ c warm water 2 tbs fresh minced ginger 2 ¼ c flour ½ tsp baking soda In a large bowl, use an electric mixer to beat the sugar and butter together until light and fluffy, about 1 minute. Add the molasses, water, and ginger, and beat until combined. In a separate bowl, whisk together the flour and baking soda. Add flour to molasses mixture and use electric mixer to combine well. Dough will be stiff. Split dough into two balls. Knead each dough ball several times to remove any air bubbles. Form dough into two even logs, approximately 8 inches long. Wrap each log tightly in plastic wrap. Refrigerate for several hours until firm. Preheat oven to 350°F. Line two baking sheets with parchment paper. Slice each log of dough into ¼-inch rounds and place one inch apart on baking sheets. Each dough log makes approximately 25 biscuits. If desired, use a knife or stamp to impress an image onto the biscuits. Bake 20 minutes. Let cool completely (biscuits should be crunchy). Wrap several biscuits in wax paper and secure with a black wax stamp or black string.

In Tom's hurried exchange, he had not forgotten to transfer his cherished Bible to his pocket. It was well he did so; for Mr. Legree, having refitted Tom's handcuffs, proceeded deliberately to investigate the contents of his pockets. He drew out a silk handkerchief, and put it into his own pocket. Several little trifles, which Tom had treasured, chiefly because they had amused Eva, he looked upon with a contemptuous grunt, and tossed them over his shoulder into the river. Tom's Methodist hymn-book, which, in his hurry, he had forgotten, he now held up and turned over. "Humph! pious, to be sure. So, what's yer name,—you belong to the church, eh?" "Yes, Mas'r," said Tom, firmly. "Well, I'll soon have that out of you. I have none o' yer bawling, praying, singing niggers on my place; so remember. Now, mind yourself," he said, with a stamp and a fierce glance of his gray eye, directed at Tom, "I'm your church now! You understand,—you've got to be as I say." Something within the silent black man answered No! and, as if repeated by an invisible voice, came the words of an old prophetic scroll, as Eva had often read them to him,—"Fear not! for I have redeemed thee. I have called thee by my name. Thou art MINE!

Of course I know that the Enemy also wants to detach men from themselves, but in a different way. Remember always, that He really likes the little vermin, and sets an absurd value on the distinctness of every one of them. When He talks of their losing their selves, He only means abandoning the clamour of self-will; once they have done that, He really gives them back all their personality, and boasts (I am afraid, sincerely) that when they are wholly His they will be more themselves than ever. Hence, while He is delighted to see them sacrificing even their innocent wills to His, He hates to see them drifting away from their own nature for any other reason. And we should always encourage them to do so. The deepest likings and impulses of any man are the raw material, the starting-point, with which the Enemy has furnished him. To get him away from those is therefore always a point gained; even in things indifferent it is always desirable to substitute the standards of the World, or convention, or fashion, for a human’s own real likings and dislikings. I myself would carry this very far. I would make it a rule to eradicate from my patient any strong personal taste which is not actually a sin, even if it is something quite trivial such as a fondness for county cricket or collecting stamps or drinking cocoa. Such

At the banquet were present the Khān’s jugglers, the chief of whom was ordered to shew some of his wonders. He then took a wooden sphere, in which there were holes, and in these long straps, and threw it up into the air till it went out of sight, as I myself witnessed, while the strap remained in his hand. He then commanded one of his disciples to take hold of, and to ascend by, this strap, which he did until he also went out of sight. His master then called him three times, but no answer came: he then took a knife in his hand, apparently in anger, which he applied to the strap. This also ascended till it went quite out of sight: he then threw the hand of the boy upon the ground, then his foot; then his other hand, then his other foot; then his body, then his head. He then came down, panting for breath, and his clothes stained with blood. The man then kissed the ground before the General, who addressed him in Chinese, and gave him some other order. The juggler then took the limbs of the boy and applied them one to another: he then stamped upon them, and it stood up complete and erect. I was astonished, and was seized in consequence by a palpitation at the heart: but they gave me some drink, and I recovered. The judge of the Mohammedans was sitting by my side, who swore, that there was neither ascent, descent, nor cutting away of limbs, but the whole was mere juggling.

Just because you are anti-police, that does not necessarily mean that your whiteness has disappeared or that anti-Black racism is gone. Remember what James Baldwin told us, “White Americans find it as difficult as white people elsewhere do to divest themselves of the notion that they are in possession of some intrinsic value that black people need, or want.”5 Even Dr. King—yes, the one that even conservatives love to tout as the content-of-your-character caricature—argued that he was disappointed in the “white moderate” who “is more devoted to ‘order’ than to justice; who prefers a negative peace which is the absence of tension to a positive peace which is the presence of justice . . . who paternalistically believes he can set the timetable for another man’s freedom.”6 White liberals are who we should be concerned about. Of course, Malcolm X warned us to be aware of the fox and the wolf—by which he meant that white liberals would try and be your friend in order to take advantage of you, but the wolf would always make clear its intentions and commit an act of violence. Finally, let’s not forget the words of South African and Black Consciousness movement freedom fighter Steve Biko, who wrote of white liberals: Instead of involving themselves in an all-out attempt to stamp out racism from their white society, liberals waste lots of time trying to prove to as many blacks as they can find that they are liberal.

But here in Norvelt we had one of those librarians who collected the tiniest books of human history. Mrs. Hamsby, who died yesterday at age seventy-seven, was the first postmistress of Norvelt and she saved all the lost letters, those scraps of history that ended up as undeliverable in a quiet corner of Norvelt. But they were not unwanted. Mrs. Hamsby carefully pinned each envelope to the wall, so that the rooms of her house were lined from floor to ceiling with letter upon letter, and when you arrived for tea it appeared as if the walls were papered with the overlapping scales of an ancient fish. You were always welcome to unpin any envelope and read the orphaned letter, as if you were browsing in a library full of abandoned histories. Each room has its own mosif of stamps, so that the parlor room is papered with huamn stamps as if people such as Lincoln, or Queen Elizabeth, or Joan of Arc had come to visit. The bedroom has the stamps of lovely landscapes you might discover in your dreams, and the bathroom has stamps with oceans and rivers and rain. Each stamp is a snapshot of a story, of one thin slice of history captured like an ant in amber. there is history in every blink of an eye, and Mrs. Hamsby knew well that within the lost letter was the folded soul of the writer wrapped in the body of the envelope and mailed into the unknown. And for this tiny museum of lost hisotry we citizens of Norvelt thank her.

There are some men who, living with the one object of enriching themselves, no matter by what means, and being perfectly conscious of the baseness and rascality of the means which they will use every day towards this end, affect nevertheless—even to themselves—a high tone of moral rectitude, and shake their heads and sigh over the depravity of the world. Some of the craftiest scoundrels that ever walked this earth, or rather—for walking implies, at least, an erect position and the bearing of a man—that ever crawled and crept through life by its dirtiest and narrowest ways, will gravely jot down in diaries the events of every day, and keep a regular debtor and creditor account with Heaven, which shall always show a floating balance in their own favour. Whether this is a gratuitous (the only gratuitous) part of the falsehood and trickery of such men’s lives, or whether they really hope to cheat Heaven itself, and lay up treasure in the next world by the same process which has enabled them to lay up treasure in this—not to question how it is, so it is. And, doubtless, such book-keeping (like certain autobiographies which have enlightened the world) cannot fail to prove serviceable, in the one respect of sparing the recording Angel some time and labour. Ralph Nickleby was not a man of this stamp. Stern, unyielding, dogged, and impenetrable, Ralph cared for nothing in life, or beyond it, save the gratification of two passions, avarice, the first and predominant appetite of his nature, and hatred, the second.

Marvellous lovingkindness." Psalm 17:7 When we give our hearts with our alms, we give well, but we must often plead to a failure in this respect. Not so our Master and our Lord. His favours are always performed with the love of his heart. He does not send to us the cold meat and the broken pieces from the table of his luxury, but he dips our morsel in his own dish, and seasons our provisions with the spices of his fragrant affections. When he puts the golden tokens of his grace into our palms, he accompanies the gift with such a warm pressure of our hand, that the manner of his giving is as precious as the boon itself. He will come into our houses upon his errands of kindness, and he will not act as some austere visitors do in the poor man's cottage, but he sits by our side, not despising our poverty, nor blaming our weakness. Beloved, with what smiles does he speak! What golden sentences drop from his gracious lips! What embraces of affection does he bestow upon us! If he had but given us farthings, the way of his giving would have gilded them; but as it is, the costly alms are set in a golden basket by his pleasant carriage. It is impossible to doubt the sincerity of his charity, for there is a bleeding heart stamped upon the face of all his benefactions. He giveth liberally and upbraideth not. Not one hint that we are burdensome to him; not one cold look for his poor pensioners; but he rejoices in his mercy, and presses us to his bosom while he is pouring out his life for us. There is a fragrance in his spikenard which nothing but his heart could produce; there is a sweetness in his honey-comb which could not be in it unless the very essence of his soul's affection had been mingled with it. Oh! the rare communion which such singular heartiness effecteth! May we continually taste and know the blessedness of it!

Roan studied the photo in his hand. Shiloh Gallagher had to be twenty-nine years old according to what Maud had told him. Damned if she didn’t look twenty-five or so, her features unlined. She wasn’t model pretty, but she had an arresting face, with huge intelligent-looking green eyes. His gaze dropped to her mouth and he felt himself stir. Her mouth would make any man go crazy. Her upper lip was full, but thinner than her lower one. The shape of her mouth made him feel heat in his lower body. “Is she married?” “No,” Maud said. She’s single. Never did marry. I don’t know why. Shiloh’s a beautiful girl.” She was hardly a girl, but Roan said nothing because he was fully reacting to her as a woman. He wondered if she was curvy or rail thin. He was disgruntled over his avid curiosity. “I have no problem with it. You know I get up early and come in late. She’s going to have to fend for herself. I’m not cooking for her.” “Right,” Maud agreed. “She’s pretty shaken up, Roan. You might find that stressful until, hopefully, Shiloh will start to relax.” Shrugging, he slid the photo onto the desk. “Maud, I just hope I don’t stress her out with my award-winning personality,” he said, and he cracked a small, sour grin. Maud cackled. “I think you’ll like her, Roan. She’s a very kind person. An introvert like you. Just remember, she’s trying to write. Because of the stalking, she’s suffering from writer’s block and she’s got a book due to her editor in six months. So, she’s under a lot of other stress.” “I’ll handle it, Maud. No problem.” “Good,” Maud said, relieved. She sat up in the chair. “I’ll call Shiloh back, let her know she can come, and I’ll find out what time she’s arriving tomorrow. I’d like you to pick her up at the Jackson Hole Airport. So take that photo with you.” He stood, settling the cowboy hat on his head. “Don’t need the photo.” Because her face was already stamped across his heart. Whatever that meant. “I’ll find her after she deplanes, don’t worry. Just get back to me on the time.

He was reading a little shiny book with covers mottled like a plover’s egg. Now and again, as they hung about in that horrid calm, he turned a page. And James felt that each page was turned with a peculiar gesture aimed at him: now assertively, now commandingly; now with the intention of making people pity him; and all the time, as his father read and turned one after another of those little pages, James kept dreading the moment when he would look up and speak sharply to him about something or other. Why were they lagging about here? he would demand, or something quite unreasonable like that. And if he does, James thought, then I shall take a knife and strike him to the heart. He had always kept this old symbol of taking a knife and striking his father to the heart. Only now, as he grew older, and sat staring at his father in an impotent rage, it was not him, that old man reading, whom he wanted to kill, but it was the thing that descended on him—without his knowing it perhaps: that fierce sudden black-winged harpy, with its talons and its beak all cold and hard, that struck and struck at you (he could feel the beak on his bare legs, where it had struck when he was a child) and then made off, and there he was again, an old man, very sad, reading his book. That he would kill, that he would strike to the heart. Whatever he did—(and he might do anything, he felt, looking at the Lighthouse and the distant shore) whether he was in a business, in a bank, a barrister, a man at the head of some enterprise, that he would fight, that he would track down and stamp out—tyranny, despotism, he called it—making people do what they did not want to do, cutting off their right to speak. How could any of them say, But I won’t, when he said, Come to the Lighthouse. Do this. Fetch me that. The black wings spread, and the hard beak tore. And then next moment, there he sat reading his book; and he might look up—one never knew—quite reasonably. He might talk to the Macalisters. He might be pressing a sovereign into some frozen old woman’s hand in the street, James thought; he might be shouting out at some fisherman’s sports; he might be waving his arms in the air with excitement. Or he might sit at the head of the table dead silent from one end of dinner to the other.

The man at the desk in the library had seen Martin there so often that he had become quite cordial, always greeting him with a smile and a nod when he entered. It was because of this that Martin did a daring thing. Drawing out some books at the desk, and while the man was stamping the cards, Martin blurted out: "Say, there's something I'd like to ask you." The man smiled and paid attention. "When you meet a young lady an' she asks you to call, how soon can you call?" Martin felt his shirt press and cling to his shoulders, what of the sweat of the effort. "Why I'd say any time," the man answered. "Yes, but this is different," Martin objected. "She - I - well, you see, it's this way: maybe she won't be there. She goes to the university." "Then call again." "What I said ain't what I meant," Martin confessed falteringly, while he made up his mind to throw himself wholly upon the other's mercy. "I'm just a rough sort of a fellow, an' I ain't never seen anything of society. This girl is all that I ain't, an' I ain't anything that she is. You don't think I'm playin' the fool, do you?" he demanded abruptly. "No, no; not at all, I assure you," the other protested. "Your request is not exactly in the scope of the reference department, but I shall be only too pleased to assist you." Martin looked at him admiringly. "If I could tear it off that way, I'd be all right," he said. "I beg pardon?" "I mean if I could talk easy that way, an' polite, an' all the rest." "Oh," said the other, with comprehension. "What is the best time to call? The afternoon? - not too close to meal-time? Or the evening? Or Sunday?" "I'll tell you," the librarian said with a brightening face. "You call her up on the telephone and find out." "I'll do it," he said, picking up his books and starting away. He turned back and asked: "When you're speakin' to a young lady - say, for instance, Miss Lizzie Smith - do you say 'Miss Lizzie'? or 'Miss Smith'?" "Say 'Miss Smith,'" the librarian stated authoritatively. "Say 'Miss Smith' always until you come to know her better." So it was that Martin Eden solved the problem. "Come down any time; I'll be at home all afternoon," was Ruth's reply over the telephone to his stammered request as to when he could return the borrowed books.

The man at the desk in the library had seen Martin there so often that he had be- come quite cordial, always greeting him with a smile and a nod when he entered. It was because of this that Martin did a daring thing. Drawing out some books at the desk, and while the man was stamping the cards, Martin blurted out:- "Say, there's something I'd like to ask you." The man smiled and paid attention. "When you meet a young lady an' she asks you to call, how soon can you call?" Martin felt his shirt press and cling to his shoulders, what of the sweat of the ef- fort. "Why I'd say any time," the man answered. "Yes, but this is different," Martin objected. "She - I - well, you see, it's this way: maybe she won't be there. She goes to the university." "Then call again." "What I said ain't what I meant," Martin confessed falteringly, while he made up his mind to throw himself wholly upon the other's mercy. "I'm just a rough sort of a fellow, an' I ain't never seen anything of society. This girl is all that I ain't, an' I ain't anything that she is. You don't think I'm playin' the fool, do you?" he de- manded abruptly. "No, no; not at all, I assure you," the other protested. "Your request is not ex- actly in the scope of the reference department, but I shall be only too pleased to as- sist you." Martin looked at him admiringly. "If I could tear it off that way, I'd be all right," he said. "I beg pardon?" "I mean if I could talk easy that way, an' polite, an' all the rest." "Oh," said the other, with comprehension. "What is the best time to call? The afternoon? - not too close to meal-time? Or the evening? Or Sunday?" "I'll tell you," the librarian said with a brightening face. "You call her up on the telephone and find out." "I'll do it," he said, picking up his books and starting away. He turned back and asked:- "When you're speakin' to a young lady - say, for instance, Miss Lizzie Smith - do you say 'Miss Lizzie'? or 'Miss Smith'?" "Say 'Miss Smith,'" the librarian stated authoritatively. "Say 'Miss Smith' always - until you come to know her better." So it was that Martin Eden solved the problem. "Come down any time; I'll be at home all afternoon," was Ruth's reply over the telephone to his stammered request as to when he could return the borrowed books.

Yet at least he had believed in the cars. Maybe to excess: how could he not, seeing people poorer than him come in, Negro, Mexican, cracker, a parade seven days a week, bringing the most godawful of trade-ins: motorized, metal extensions of themselves, of their families and what their whole lives must be like, out there so naked for anybody, a stranger like himself, to look at, frame cockeyed, rusty underneath, fender repainted in a shade just off enough to depress the value, if not Mucho himself, inside smelling hopelessly of children, supermarket booze, two, sometimes three generations of cigarette smokers, or only of dust and when the cars were swept out you had to look at the actual residue of these lives, and there was no way of telling what things had been truly refused (when so little he supposed came by that out of fear most of it had to be taken and kept) and what had simply (perhaps tragically) been lost: clipped coupons promising savings of .05 or .10, trading stamps, pink flyers advertising specials at the markets, butts, tooth-shy combs, help-wanted ads, Yellow Pages torn from the phone book, rags of old underwear or dresses that already were period costumes, for wiping your own breath off the inside of a windshield with so you could see whatever it was, a movie, a woman or car you coveted, a cop who might pull you over just for drill, all the bits and pieces coated uniformly, like a salad of despair, in a gray dressing of ash, condensed exhaust, dust, body wastesit made him sick to look, but he had to look. If it had been an outright junkyard, probably he could have stuck things out, made a career: the violence that had caused each wreck being infrequent enough, far enough away from him, to be miraculous, as each death, up till the moment of our own, is miraculous. But the endless rituals of trade-in, week after week, never got as far as violence or blood, and so were too plausible for the impressionable Mucho to take for long. Even if enough exposure to the unvarying gray sickness had somehow managed to immunize him, he could still never accept the way each owner, each shadow, filed in only to exchange a dented, malfunctioning version of himself for another, just as futureless, automotive projection of somebody else's life. As if it were the most natural thing. To Mucho it was horrible. Endless, convoluted incest.

The translucent, golden punch tastes velvety, voluptuous and not off-puttingly milky. Under its influence, I stage a party for my heroines in my imagination, and in my flat. It's less like the glowering encounter I imagined between Cathy Earnshaw and Flora Poste, and more like the riotous bash in Breakfast at Tiffany's. Not everyone is going to like milk punch. So there are also dirty martinis, and bagels and baklava, and my mother's masafan, Iraqi marzipan. The Little Mermaid is in the bath, with her tail still on, singing because she never did give up her soaring voice. Anne Shirley and Jo March are having a furious argument about plot versus character, gesticulating with ink-stained hands. Scarlett is in the living room, her skirts taking up half the space, trying to show Lizzy how to bat her eyelashes. Lizzy is laughing her head off ut Scarlett has acquired a sense of humour, and doesn't mind a bit. Melanie is talking book with Esther Greenwood, who has brought her baby and also the proofs of her first poetry collection. Franny and Zooey have rolled back the rug and are doing a soft shoe shuffle in rhinestone hats. Lucy Honeychurch is hammering out some Beethoven (in this scenario I have a piano. A ground piano. Well, why not?) Marjorie Morningstar is gossiping about directors with Pauline and Posy Fossil. They've come straight from the shows they're in, till in stage make-up and full of stories. Petrova, in a leather aviator jacket, goggles pushed back, a chic scarf knotted around her neck, is telling the thrilling story of her latest flight and how she fixed an engine fault in mid-air. Mira, in her paint-stained jeans and poncho, is listening, fascinated, asking a thousand questions. Mildred has been persuaded to drink a tiny glass of sherry, then another tiny glass, then another and now she and Lolly are doing a wild, strange dance in the hallway, stamping their feet, their hair flying wild and electric. Lolly's cakes, in the shape of patriarchs she hates, are going down a treat. The Dolls from the Valley are telling Flora some truly scandalous and unrepeatable stories, and she is firmly advising them to get rid of their men and find worthier paramours. Celie is modelling trousers of her own design and taking orders from the Lace women; Judy is giving her a ten-point plan on how to expand her business to an international market. She is quite drunk but nevertheless the plan seems quite coherent, even if it is punctuated by her bellowing 'More leopard print, more leopard print!' Cathy looks tumultuous and on the edge of violent weeping and just as I think she's going to storm out or trash my flat, Jane arrives, late, with an unexpected guest. Cathy turns in anticipation: is it Heathcliff? Once I would have joined her but now I'm glad it isn't him. It's a better surprise. It's Emily's hawk. Hero or Nero. Jane's found him at last, and has him on her arm, perched on her glove; small for a bird of prey, he is dashing and patrician looking, brown and white, observing the room with dark, flinty eyes. When Cathy sees him, she looks at Jane and smiles. And in the kitchen is a heroine I probably should have had when I was four and sitting on my parents' carpet, wishing it would fly. In the kitchen is Scheherazade.

A school bus is many things. A school bus is a substitute for a limousine. More class. A school bus is a classroom with a substitute teacher. A school bus is the students' version of a teachers' lounge. A school bus is the principal's desk. A school bus is the nurse's cot. A school bus is an office with all the phones ringing. A school bus is a command center. A school bus is a pillow fort that rolls. A school bus is a tank reshaped- hot dogs and baloney are the same meat. A school bus is a science lab- hot dogs and baloney are the same meat. A school bus is a safe zone. A school bus is a war zone. A school bus is a concert hall. A school bus is a food court. A school bus is a court of law, all judges, all jury. A school bus is a magic show full of disappearing acts. Saw someone in half. Pick a card, any card. Pass it on to the person next to you. He like you. She like you. K-i-s-s-i . . . s-s-i-p-p-i is only funny on a school bus. A school bus is a stage. A school bus is a stage play. A school bus is a spelling bee. A speaking bee. A get your hand out of my face bee. A your breath smell like sour turnips bee. A you don't even know what a turnip bee is. A maybe not, but I know what a turn up is and your breath smell all the way turnt up bee. A school bus is a bumblebee, buzzing around with a bunch of stingers on the inside of it. Windows for wings that flutter up and down like the windows inside Chinese restaurants and post offices in neighborhoods where school bus is a book of stamps. Passing mail through windows. Notes in the form of candy wrappers telling the street something sweet came by. Notes in the form of sneaky middle fingers. Notes in the form of fingers pointing at the world zooming by. A school bus is a paintbrush painting the world a blurry brushstroke. A school bus is also wet paint. Good for adding an extra coat, but it will dirty you if you lean against it, if you get too comfortable. A school bus is a reclining chair. In the kitchen. Nothing cool about it but makes perfect sense. A school bus is a dirty fridge. A school bus is cheese. A school bus is a ketchup packet with a tiny hole in it. Left on the seat. A plastic fork-knife-spoon. A paper tube around a straw. That straw will puncture the lid on things, make the world drink something with some fizz and fight. Something delightful and uncomfortable. Something that will stain. And cause gas. A school bus is a fast food joint with extra value and no food. Order taken. Take a number. Send a text to the person sitting next to you. There is so much trouble to get into. Have you ever thought about opening the back door? My mother not home till five thirty. I can't. I got dance practice at four. A school bus is a talent show. I got dance practice right now. On this bus. A school bus is a microphone. A beat machine. A recording booth. A school bus is a horn section. A rhythm section. An orchestra pit. A balcony to shot paper ball three-pointers from. A school bus is a basketball court. A football stadium. A soccer field. Sometimes a boxing ring. A school bus is a movie set. Actors, directors, producers, script. Scenes. Settings. Motivations. Action! Cut. Your fake tears look real. These are real tears. But I thought we were making a comedy. A school bus is a misunderstanding. A school bus is a masterpiece that everyone pretends to understand. A school bus is the mountain range behind Mona Lisa. The Sphinx's nose. An unknown wonder of the world. An unknown wonder to Canton Post, who heard bus riders talk about their journeys to and from school. But to Canton, a school bus is also a cannonball. A thing that almost destroyed him. Almost made him motherless.

Exploitation came first, and then the ideology of unequal races to justify this exploitation followed. Similarly, historian Ibram Kendi, in his National Book Award–winning work Stamped from the Beginning, explains: “The beneficiaries of slavery, segregation, and mass incarceration have produced racist ideas of Black people being best suited for or deserving of the confines of slavery, segregation, or the jail cell. Consumers of these racist ideas have been led to believe there is something wrong with Black people, and not the policies that have enslaved, oppressed, and confined so many Black people.

The idea of racial inferiority was created to justify unequal treatment; belief in racial inferiority is not what triggered unequal treatment. Nor was fear of difference. As Ta-Nehisi Coates states, 'But race is the child of racism, not the father.' He means that first we exploited people for their resources, not according to how they looked. Exploitation came first, and then the ideology of unequal races to justify this exploitation followed. Similarly, historian Ibram Kendi, in his National Book Award-winning work Stamped from the Beginning, explains: 'The beneficiaries of slavery, segregation, and mass incarceration have produced racist ideas of Black people being best suited for or deserving of the confines of slavery, segregation, or the jail cell. Consumers of these racist ideas have been lead to believe there is something wrong with Black people, and not the policies that have enslaved, oppressed, and confined so many Black people.' Kendi goes on to argue that if we truly believe that all humans are equal, then disparity in condition can only be the result of systemic discrimination.

Committed to this antiracist idea of group equality, I was able to self-critique, discover, and shed the racist ideas I had consumed over my lifetime while I uncovered and exposed the racist ideas that others have produced over the lifetime of America. I know that readers truly committed to racial equality will join me on this journey of interrogating and shedding our racist ideas. But if there is anything I have learned during my research, it’s that the principal producers and defenders of racist ideas will not join us. And no logic or fact or history book can change them, because logic and facts and scholarship have little to do with why they are expressing racist ideas in the first place. Stamped from the Beginning is about these closed-minded, cunning, captivating producers of racist ideas. But it is not for them.

Any comprehensive history of racist ideas must grapple with the ongoing manipulation and confusion, must set the record straight on those who are espousing racist ideas and those who are not. My definition of a racist idea is a simple one: it is any concept that regards one racial group as inferior or superior to another racial group in any way. I define anti-Black racist ideas—the subject of this book—as any idea suggesting that Black people, or any group of Black people, are inferior in any way to another racial group.

World War II, Korea was divided in two parts.”  Thomas blew smoke toward the ceiling.  “The Russians occupied the north, and the U. S. occupied the south  They thought after a while the two parts would get back together as one country, but the Russians set up a communist government in the north.  We set up a democratic government in the south.  So now the North Koreans think they can take over the South and make it all one communist country.” “I knowed it had something to do with them communists,” Grandpa nodded his head energetically. “They’s gonna take over the whole world if we don’t stop them.” “Looks like Harry Truman’s going to try to stop them,” WC said.  “We heard on the radio while we drove down here that lots of U. S. soldiers was already fighting in Korea.  I expect they’ll start drafting lots more soldiers right soon.” “Will you have to go back to the army?” Jeannie asked Uncle Thomas. “I don’t know, Honey. I think they’ll take younger men than me and WC, but I guess if they call us up, we’ll have to go.” “I sure hope you don’t have to go. War scares me.” Betty Lou folded her arms across her chest. “War’s a pretty scary thing. But I guess somebody’s got to go.” “Do you reckon they’ll start rationing again?” Grandma asked. “I still got some of them ration books in my bureau. Wonder if I could still use them?” Jeannie turned to Grandma. “What’s rationing?” “During the war they was certain things you couldn’t buy unless you had the stamps in the ration books.” Aunt Lillian explained. “Like what?” “Shoes, sugar, meat, gasoline, all sorts of stuff like that.” Grandma said.

After World War II, Korea was divided in two parts.”  Thomas blew smoke toward the ceiling.  “The Russians occupied the north, and the U. S. occupied the south  They thought after a while the two parts would get back together as one country, but the Russians set up a communist government in the north.  We set up a democratic government in the south.  So now the North Koreans think they can take over the South and make it all one communist country.” “I knowed it had something to do with them communists,” Grandpa nodded his head energetically. “They’s gonna take over the whole world if we don’t stop them.” “Looks like Harry Truman’s going to try to stop them,” WC said.  “We heard on the radio while we drove down here that lots of U. S. soldiers was already fighting in Korea.  I expect they’ll start drafting lots more soldiers right soon.” “Will you have to go back to the army?” Jeannie asked Uncle Thomas. “I don’t know, Honey. I think they’ll take younger men than me and WC, but I guess if they call us up, we’ll have to go.” “I sure hope you don’t have to go. War scares me.” Betty Lou folded her arms across her chest. “War’s a pretty scary thing. But I guess somebody’s got to go.” “Do you reckon they’ll start rationing again?” Grandma asked. “I still got some of them ration books in my bureau. Wonder if I could still use them?” Jeannie turned to Grandma. “What’s rationing?” “During the war they was certain things you couldn’t buy unless you had the stamps in the ration books.” Aunt Lillian explained. “Like what?” “Shoes, sugar, meat, gasoline, all sorts of stuff like that.” Grandma said.

During the war they was certain things you couldn’t buy unless you had the stamps in the ration books.” Aunt Lillian explained. “Like what?” “Shoes, sugar, meat, gasoline, all sorts of stuff like that.” Grandma said.  “When you went to the store, you had to take your ration books, and the store clerk’d take out stamps before you could buy things.

1. Africans are savages because Africa is hot, and extreme weather made them that way. 2. Africans are savages because they were cursed through Ham, in the Bible. 3. Africans are savages because they were created as an entirely different species. 4. Africans are savages because there is a natural human hierarchy and they are at the bottom. 5. Africans are savages because dark equals dumb and evil, and light equals smart and… White. 6. Africans are savages because slavery made them so. 7. Africans are savages. Note: You will see these ideas repeated over and over again throughout this book. But that’s not a good enough reason for you to stop reading. So… don’t even try it. CHAPTER 7 Time In AFRICANS ARE NOT SAVAGES. CHAPTER 8 Jefferson’s Notes I KNOW YOU ALREADY KNOW THIS, BUT SOMETIMES IT’S important

I’m sweaty. I’m tired. And I stink in places I really shouldn’t be stinking.” I whine and shoot a glare to Dean, who’s sitting in the passenger seat looking sheepish. “What?” he exclaims with his hands raised. “I didn’t know we’d have fucking car trouble. Your car isn’t even a year old.” “I know!” I snap, hitting my hand on the wheel and growling in frustration. “Stupid old lady car!” I exclaim and push my head closer to the window for a breeze. “The frickin’ air conditioning isn’t even working anymore. Me and this car are officially in a fight.” “I think we all just need to remain calm,” Lynsey chirps from the back seat, leaning forward so her head comes between Dean’s and mine. “Because, as horrible as this trip was, after everything that’s happened between the three of us the past couple of years, I think this was really healing.” I close my eyes and shake my head, ruing the moment I agreed that a road trip to the Rocky Mountains to pick up this four-thousand-dollar carburetor from some hick who apparently didn’t know how to ‘mail things so they don’t get lost.’” Honestly! How are people who don’t use the mail a thing? Though, admittedly, when we got to the man’s mountain home, I realized that he was probably more familiar with the Pony Express. And I couldn’t be sure his wife wasn’t his cousin. But that’s me being judgmental. Still, though, it’s no wonder he wouldn’t let me PayPal him the money. I had to get an actual cashier’s check from a real bank. Then on our way back down the mountain, I got a flat tire. Dean, Lynsey, and I set about changing it together, thinking three heads could figure out how to put a spare tire on better than one. One minute, I’m snapping at Dean to hand me the tire iron, and the next minute, he’s asking me if I’m being a bitch because he told me he had feelings for me. Then Lynsey chimes in, hurt and dismayed that neither of us told her about our conversation at the bakery, and it was a mess. On top of all of that, my car wouldn’t start back up! It was a disaster. The three of us fighting with each other on the side of the road looked like a bad episode of Sister Wives: Colorado Edition. I should probably make more friends. “God, I hope this thing is legit,” Dean states, turning the carburetor over in his hands. “Put it down. You’re making me nervous,” I snap, eyeing him cautiously. We’re only five miles from Tire Depot, and they close in ten, so my nerves are freaking fried. “I just want to drop this thing off and forget this whole trip ever happened.” “No!” Lynsey exclaims. “Stick to the plan. This is your grand gesture! Your get out of jail free card.” “I don’t want a get out of jail free card,” I cry back. “The longer we spent on that hot highway trying to figure out what was wrong with my car, the more ridiculous this plan became in my head. I don’t want to buy Miles’s affection back. I want him to want me for me. Flaws and all.” “So what are you going to do?” Dean asks, and I feel his concerned eyes on mine. “I’m going to drop this expensive hunk of metal at the counter and leave. I’m not giving it to him naked or holding the thing above my head like John Cusack in Say Anything. I’ll drop it off at the front counter, and then we’ll go. End of story.” Lynsey’s voice pipes up from behind. “That sounds like the worst ending to a book I’ve ever heard.” “This isn’t a book!” I shriek. “This is my life, and it’s no wonder this plan has turned into such a mess. It has desperation stamped all over it. I just want to go home, eat some pizza, and cry a little, okay?” The car is dead silent as we enter Boulder until Dean’s voice pipes up. “Hey Kate, I know you’re a little emongry right now, but I really don’t think you should drive on this spare tire anymore. They’re only manufactured to drive for so many miles, you know.” I turn and glower over at him. He shrinks down into his seat a little bit.

OUR staterooms were postage-stamp-sized boxes that held all the warmth and charm of a crime scene.

For a scientist, the only valid question is to decide whether the phenomenon can be studied by itself, or whether it is an instance of a deeper problem. This book attempts to illustrate, and only to illustrate, the latter approach. And my conclusion is that, through the UFO phenomenon, we have the unique opportunities to observe folklore in the making and to gather scientific material at the deepest source of human imagination. We will be the object of much contempt by future students of our civilization if we allow this material to be lost, for "tradition is a meteor which, once it falls, cannot be rekindled." If we decide to avoid extreme speculation, but make certain basic observations from the existing data, five principal facts stand out rather clearly from our analysis so far: Fact 1. There has been among the public, in all countries, since the middle of 1946, an extremely active generation of colorful rumors. They center on a considerable number of observations of unknown machines close to the ground in rural areas, the physical traces left by these machines, and their various effects on humans and animals. Fact 2. When the underlying archetypes are extracted from these rumors, the extraterrestrial myth is seen to coincide to a remarkable degree with the fairy-faith of Celtic countries, the observations of the scholars of past ages, and the widespread belief among all peoples concerning entities whose physical and psychological description place them in the same category as the present-day ufonauts. Fact 3. The entities human witnesses report to have seen, heard, and touched fall into various biological types. Among them are beings of giant stature, men indistinguishable from us, winged creatures, and various types of monsters. Most of the so-called pilots, however, are dwarfs and form two main groups: (1) dark, hairy beings – identical to the gnomes of medieval theory – with small, bright eyes and deep, rugged, "old" voices; and (2) beings – who answer the description of the sylphs of the Middle Ages or the elves of the fairy-faith – with human complexions, oversized heads, and silvery voices. All the beings have been described with and without breathing apparatus. Beings of various categories have been reported together. The overwhelming majority are humanoid. Fact 4. The entities' reported behavior is as consistently absurd as the appearance of their craft is ludicrous. In numerous instances of verbal communications with them, their assertions have been systematically misleading. This is true for all cases on record, from encounters with the Gentry in the British Isles to conversations with airship engineers during the 1897 Midwest flap and discussions with the alleged Martians in Europe, North and South America, and elsewhere. This absurd behavior has had the effect of keeping professional scientists away from the area where that activity was taking place. It has also served to give the saucer myth its religious and mystical overtones. Fact 5. The mechanism of the apparitions, in legendary, historical, and modern times, is standard and follows the model of religious miracles. Several cases, which bear the official stamp of the Catholic Church (such as those in Fatima and Guadalupe), are in fact – if one applies the deffinitions strictly – nothing more than UFO phenomena where the entity has delivered a message having to do with religious beliefs rather than with space or engineering.

It is "the times of the Gentiles" (kairoiV ejqnw'n). The expression means, the time when the Gentiles should have their opportunity of enjoying divine grace, corresponding to the time of gracious visitation enjoyed by the Jews referred to by Jesus in His lament over Jerusalem. There is no reason to suppose Luke coined these phrases; they bear the stamp of genuineness upon them. But if we assume, as we are entitled to do, that not Luke the Pauline universalist, but Jesus Himself, spoke of a time of merciful visitation of the Gentiles, then it follows that in His eschatological discourse He gave clear intimation of a lengthened period during which His gospel was to be preached in the world; even as He did on other occasions, as in the parable of the wicked husbandman, in which He declared that the vineyard should be taken from its present occupants, and given to others who would bring forth fruit.

the foundation is the words. And you. Think about it: You have never existed in the world of literature before. Your voice, your vision, your unique stamp.

A child of the Depression, Ms. Hanff could afford only a year of college, and throughout her life was an impassioned autodidact, educating herself by reading the great books, which she preferred to procure from London rather than dip into “Barnes & Noble’s grimy, marked-up schoolboy copies.” One wall of her studio apartment on East 72d Street in Manhattan was filled from floor to ceiling with her Marks & Co. treasures, with their rich leather bindings and gleaming gold stamping. In front of the bookshelves hung the Marks & Co. sign, stolen for her by a devoted 84 reader from the shop after it closed, not long after Mr. Doel’s death.

Again, I beg to differ with your opinion. I’d hardly call the lives of the immortals quiet. And why is it that God can write a fucking book and I can’t?” I shot back, leaning back in my chair and waiting for her to play favorites in favor of my brother—again. My mother was the only one in the Universe that could get away with calling me a little shit and live to speak of it. The only reason I let it go was because I’d heard her call God the same thing. I knew the bastard phoned her on a regular basis. It chafed my ass that my brother had racked up more brownie points with our certifiable matriarch than I had. God was the ultimate kiss ass and I was the ultimate bad boy. “God didn’t write a tell all,” Mother Nature said, confused. “Lucifer’s referring to the bible,” my father explained, fondly patting her bottom. “Oh for the love of everything good, evil, and somewhere in between,” my mother groused and stamped her tiny Jimmy Choo clad foot causing a small tremble in Hell. “God wrote a history book.” “And I did as well,” I said, defending my life story. “At least my book wasn’t passed down by word of mouth for hundreds of years and then written in a dead language only to be translated innumerable times and interpreted by halfwits. Mine is straight from the guilty bastard’s mouth.” “Little harsh on your brother there—not to mention yourself,” Bill muttered. “Yes, well the truth hurts,” I informed him, doing my best imitation of my mother’s raised brow. “This is why lies are so much more fun.

The country had been in the throes of the Depression for two years before the Negroes in Stamps knew it. I think that everyone thought that the Depression, like everything else, was for the whitefolks, so it had nothing to do with them. Our people had lived off the land and counted on cotton-picking and hoeing and chopping seasons to bring in the cash needed to buy shoes, clothes, books and light farm equipment. It was when the owners of cotton fields dropped the payment of ten cents for a pound of cotton to eight, seven and finally five that the Negro community realized that the Depression, at least, did not discriminate.

Unlike man, Jesus Christ is the perfect, absolutely accurate image of God. He did not become the image of God at the incarnation, but has been that from all eternity. Hebrews 1:3 describes Jesus as “the radiance of [God’s] glory.” Christ reflects God’s attributes, as the sun’s light reflects the sun. Further, He is said to be “the exact representation of [God’s] nature.” Charakter (“exact representation”) refers to an engraving tool, or stamp. Jesus is the exact likeness of God. He is in the very form of God (Phil. 2:6). That is why He could say, “He who has seen Me has seen the Father” (John 14:9). In Christ, the invisible God became visible, “and we beheld His glory, glory as of the

The Bible was emphatically the nation's one great teacher; it was stamping its own ineffaceable character upon the Scottish Reformation; and the place the Bible this early made for itself in the people's affections, and the authority it acquired over their judgments, it was destined never to lose.

Scorpion-men feature in Babylonian poetry etched on clay tablets, and they are popular images used in many situations, from palaces to homes, thrones to ceramics, and murals to stamp seals.

He loved the benevolence that the stacks held out, their map of the known world. He loved the all-you-can-eat buffet of borrowing. He loved the lending histories stamped into the front of each book, the record of strangers who checked them out before him. The library was the best dungeon crawl imaginable: free loot for the finding, combined with the joy of leveling up.

When porcupines are threatened, tiny muscles at the base of each quill tighten, causing their quills to stand up and the porcupine to appear much larger than it really is. Then the porcupine will rattle its quills, grunt, growl, and stamp its feet, all in an effort to scare off its attacker.

There was the learning on the job, and the lying on the job. There was late for work, and there was early. There was even right on time. The box of stamps and the corkboard calendar and the pink book of message sheets to tell you what happened exactly, specifically, in detail, While You Were Out.

Q: What did the stamp say to the envelope? A: Stick with me and we will go places! Q: Why was the belt arrested?

Since we know who pushed what book to the floor, we have all the components to be able to say we now have knowledge of this particular small event. We have context, we have a degree of certainty of who pushed the book, of what happened and to what, and where the event occurred. And if somewhere in the scene there is a clock, or a time stamp, we know from these additional scraps of information the likely when of the occurrence. All that is missing is the why: inherent

It is hard to imagine a more famous fictional character during the twentieth century than Tarzan—and it is hard to imagine a more racist plot than what Burroughs wrote up in the Tarzan adventure series books, which he was writing and publishing almost until his death in 1950.

A very old wisteria rose snaking over an arbour. Nearby were tiny roses on a wall, mere tufty buttons that smelled of one's childhood in a horse-pace village. Thin bricks were set on edge around a bed of irises, bricks which had been stamped on by Tudor horses, when they had formed the floor of the old stables. Traces of them could be seen also in the path in the churchyard, like the backs of small old books packed in a bookshelf.

But legacy isn't a stamp left by the people with ink. It's not about leaving your fingerprints, it's about having fingerprints left on you. In the case of books, the legacy isn't created by writing it, it's created by the people who pick it up, who expand and enrich and enlighten your words with how they reinterpret, remember and relive them. It's passion, it's tears... A book isn't a book until it's read.

Why should I write to the newspapers instead of to the machines themselves, why not summon a monster meeting of machines, place the steam engine in the chair, and hold a council of war?” asked the anonymous “mad correspondent.” “I answer, the time is not yet ripe for this. . . . Our plan is to turn man’s besotted enthusiasm to our own advantage, to make him develop us to the utmost, and find himself enslaved unawares. “My object is to do my humble share towards pointing out what is the ultimatum, the ne plus ultra of perfection in mechanized development,” the writer continued, “even though that end be so far off that only a Darwinian posterity can arrive at it. I therefore venture to suggest that we declare machinery and the general development of the human race to be well and effectually completed when—when—when—Like the woman in white, I had almost committed myself of my secret. Nay, this is telling too much. I must content myself with disclosing something less than the whole. I will give a great step, but not the last. We will say then that a considerable advance has been made in mechanical development, when all men, in all places, without any loss of time, are cognizant through their senses, of all that they desire to be cognizant of in all other places, at a low rate of charge, so that the back country squatter may hear his wool sold in London and deal with the buyer himself—may sit in his own chair in a back country hut and hear the performance of Israel in Ægypt at Exeter Hall—may taste an ice on the Rakaia, which he is paying for and receiving in the Italian opera house Covent garden. Multiply instance ad libitum—this is the grand annihilation of time and place which we are all striving for, and which in one small part we have been permitted to see actually realised.”67 This letter, bearing the stamp of Samuel Butler in style if not in name, was signed “Lunaticus.” One hundred years after Erasmus Darwin gathered his circle of Lunaticks in the English Midlands, a strand of telegraph wire was uncoiled at the antipodes of the earth. Sparked by the transit of a few pulses of electromagnetic code over this embryonic fragment of a net, Samuel Butler foresaw the evolution, perhaps not so far off as he imagined, of that phenomenon, somewhere between mechanism and organism, now manifested as the World Wide Web.

A pentacle is a magical sign for the mystery of nature and the everyday world. It is stamped on a coin, the token of material exchange.

be specific, then: a type in Scripture (tupos in Greek, meaning originally a die-stamp or matching impression) is an event, institution, place, object, office, or functioning person that patterns a greater reality that in some sense is of the same kind and is due to appear on history’s stage at some subsequent point. This greater reality is called the antitype. The term “type” is taken from Romans 5:14, where Adam is called a tupos(“pattern”) of Christ, the one who was to come. “Antitype” comes from 1 Peter 3:21, where baptism, understood not simply as an applying of water to the body but also, and essentially, as an outgoing of faith to God, is called the antitypethat the preserving of Noah through the flood waters by his entering the ark had prefigured. A type establishes a frame for interpreting the greater reality when it appears, and meantime, simply by existing, it inculcates the principle of which the greater reality will in fact be the supreme instance. When the greater reality arrives, it becomes the decisive factor in its own field; one way or another it transcends and supersedes the type. In space-time terms, the type is thenceforth a thing of the past, no longer determinative of what must be done or of what will happen. The biblical account of it, however, is of permanent value as providing concepts and categories for understanding the antitype. Typology thus becomes a kind of phrase book for use in theology.

went back to my old platoon, sir,’ Jack replied. ‘I told him that was where you would be,’ Gregor said, before glancing at Aletta as she clung to Jack’s arm. ‘The sergeant will be glad to have you back, you can jump in the truck and...’ ‘Sorry, sir, my place is here,’ Jack said, cutting the officer short. Gregor opened his mouth to speak, before stepping back as Aletta hit Jack on the arm. ‘You stupid man,’ she said, her voice angry. ‘I’ll let you say goodbye,’ Gregor said, before hurrying towards the cab. Jack turned to Aletta, her face furious as she stamped her foot on the ground. ‘You want to get killed, is this it?’ Jack offered her a tired smile, before turning as a familiar voice carried along the lane, his eyes spotting Fred as he led the rest of the platoon along the track. ‘I have to stay here for them,’ he said. ‘And what about me?’ Aletta asked. ‘I’ll write to you, if you like,’ Jack said, feeling awkward. Aletta’s face softened slightly. ‘I will right to you everyday,’ she said, her voice firm. ‘If you do not reply to me I will come and find you and tell your friends what an awful man you are.’ Jack smiled, before turning as the tailgate of the lorry was slammed shut. ‘It’s time you went,’ Jack said. Aletta turned as Gregor climbed into the cab, before throwing herself towards Jack and hugging him tight. ‘Don’t die, you stupid man.’ Jack nodded, before pushing her towards the vehicle, the major helping her up, before the truck pulled away. Jack waved goodbye, his eyes watching as the lorry vanished into the storm, before making his way back to his section.

A book alighted, almost obediently, like a white pigeon, in his hands, wings fluttering. In the dim, wavering light, a page hung open and it was like a snowy feather, the words delicately painted thereon. In all the rush and fervour, Montag had only an instant to read a line, but it blazed in his mind for the next minute as if stamped there with fiery steel. “Time has fallen asleep in the afternoon sunshine.

Specification for Fish and Shellfish When developing specifications for fresh or frozen fish and shellfish, the following information should be included:Δ Species (kind) of fish or shellfish—must be specific Origin—freshwater, saltwater, or farm raised The PUFI seal or grading stamp, if applicable (USDC grade and inspection stamp) Market form or portion shape and size Raw or precooked, plain or breaded Chilled or frozen Quantity per package Additives such as sulfites or tripolyphosphates; if no additives permitted, state in specification Seafood comes from an HACCP-certified plant, inspected by USD of Commerce, Seafood Inspection Service Only varieties that are controlled by the Fishery Laws of the United States will be accepted Style and size Substitutions must be approved by the foodservice before delivery Certificate must be given for each order of seafood and product must be traceable

Spain was also determined to stamp out any free thought or intellectual activity that might challenge Catholicism. With this aim, books were banned,76 students were forbidden to study abroad, and any foreign thought was, by its very nature, unwelcome.

The Mysterious Letter You get an anonymous letter on January 2nd informing you that the market will go up during the month. It proves to be true, but you disregard it owing to the well known January effect (stocks have gone up historically during January). Then you receive another one on Feb 1st telling you that the market will go down. Again, it proves to be true. Then you get another letter on March 1st –same story. By July you are intrigued by the prescience of the anonymous person until you are asked to invest in a special offshore fund. You pour all your savings into it. Two months later, your money is gone. You go spill your tears on your neighbor's shoulder and he tells you that he remembers that he received two such mysterious letters. But the mailings stopped at the second letter. He recalls that the first one was correct in its prediction, the other incorrect. What happened? The trick is as follows. The con operator pulls 10,000 names out of a phone book. He mails a bullish letter to one half of the sample, and a bearish one to the other half. The following month he selects the names of the persons to whom he mailed the letter whose prediction turned out to be right, that is, 5000 names. The next month he does the same with the remaining 2500 names, until the list narrows down to 500 people. Of these there will be 200 victims. An investment in a few thousand dollars worth of postage stamps will turn into several million.

it always bothered him when he came back to the States and saw the everyday people walking around without a thought for the men and women dying overseas for their freedom.  Then these same people would go and vote away their freedom to support some feel good candidate who talked a good game.  And then there was no longer a work ethic.  People didn’t have the drive to provide for themselves and their families.  Social programs were there and people lived well. They had food, homes and even cellphones all provided by “the government.”  People didn’t know of didn’t care that they were taking money away from those who worked hard and were successful and gave them to slugs of society or the lazy.  Sure some of these people truly needed assistance but 47% of the population receiving government benefits and even fewer paying taxes was out of control.  The country was willingly voting itself into socialism because “it was the right thing to do.”  When had it become ok to be on government assistance?  When had that social stigma to be embarrassed to be on food stamps gone away?

Graded products may bear the appropriate grade mark: USDC grade A, B, or C. The grade stamp signifies that the product meets the following criteria:Δ The product, by type, is clean, safe, and wholesome. The specified quality standard as indicated by grade designation has been achieved. The condition of the establishment in which the fish was processed was acceptable as required by food control authorities. The product was processed under supervision of federal food inspectors and was packed under sanitary conditions. The common or usual name is accurately reflected on the label. Market form—whole, eviscerated; seafood, alive, whole shucked, and so on.Δ

Until 1822—until Denmark Vesey—northerners had produced most of the racist books and tracts defending slavery. Writers

The Autobiography of Thomas Jefferson runs less than one hundred pages and ends when he becomes US secretary of state in 1790. In this work, Jefferson attempted once again to secure his antislavery credentials, after training for a lifetime as a slaveholder: “Nothing is more certainly written in the book of fate than that these people are to be free,” he wrote. “Nor is it less certain that the two races, equally free, cannot live in the same government. Nature, habit, opinion has drawn indelible lines of distinction between them.” In forty years, nothing had diminished his need to produce racist ideas—not the Black exhibits, uplift suasion, letters from abolitionists, Sally Hemings, or the loyalty or the resistance of enslaved Africans. Jefferson shared the same view in his Autobiography in 1821 that he had in Notes in 1781. He promoted the colonization idea, that freed Blacks be hauled away to Africa in the same manner that enslaved Blacks had been hauled to America.

Stowe’s popularization of spiritually gifted Black people quickly became a central pillar of African American identity as Black readers consumed the book and passed on its racist ideas. Racist Whites, believing themselves to be void of soul, made it their personal mission to find soul through Black people. Racist Blacks, believing themselves to be void of intellect, made it their personal mission to find intellect through White people. Black Americans almost immediately made Uncle Tom the identifier of Black submissiveness, while accepting Stowe’s underlying racist idea that made Uncle Tom so submissive: Blacks were especially spiritual; they, especially, had soul.

Travel to Cuba Generally Tourist travel to Cuba is prohibited under U.S. law for U.S. citizens, permanent residents, and others subject to U.S. jurisdiction. The hard and fast rules have been relaxed some and exceptions are now made for certain travelers who can show an acceptable reason, to visit the Island Nation in which case a “Tourist Visa" is required and available. US Citizens must have a valid passport with two blank pages available, for entry and exit stamps, at the time of entry into Cuba. United States issued credit and debit cards do not work in Cuba so travelers should plan to bring enough cash with them to cover all the expenses they might incur during their trip. Authorized travelers to Cuba are subject to daily spending limits. See the Office of Foreign Assets Control page of the U.S. Department of the Treasury.The export of Cuban convertible pesos (CUC) is strictly prohibited, regardless of the amount. Travelers may only export the equivalent of $5000 in any currency other than the Cuban convertible peso (CUC). Anyone wishing to export more than this amount must demonstrate evidence that the currency was acquired legitimately from a Cuban bank. Cuba has many Hotels and Resort Areas, most of which are foreign owned; I counted 313 of them. Many are Canadian or European owned with Meliá Hotels International in the lead with twenty-eight hotels in Cuba alone. Being a Spanish hotel chain, it was founded in 1956 in Palma de Mallorca, Spain. The photo show the internationally known “Nacional Hotel.” Some Cruise Lines including Carnival now offer cruises to Cuba and advise guests as to the entry requirements. Follow Captain Hank Bracker, author of “The Exciting Story of Cuba” on Facebook, Goodreads and his Web Page as well as Twitter. His daily blogs and weekend commentaries are now being read by hundreds and frequrntly thousands of readers. Send suggestions and comments to PO Box 607 Elfers, FL 34680-0607.

Angrily watching the GOP snatch southern states in the presidential election, he decided to remind White southerners that the Republicans had been responsible for the horror of Reconstruction. His best-selling book, published in 1929, was called The Tragic Era: The Revolution After Lincoln. “Historians have shrunk from the unhappy tasks of showing us the torture chambers,” he said, where guiltless southern Whites were “literally” tortured by vicious Black Republicans. We will never know just how many Americans read The Tragic Era, and then saw The Birth of a Nation again at their local theaters, and then pledged never to vote again for the Republican Party, never to miss a lynching bash, and never to consider desegregation—in short, never to do anything that might revive the specter of Blacks voting on a large scale and Whites being tortured. But there were many of them. More than any other book in the late 1920s, The Tragic Era helped the Democratic Party keep the segregationists in power for another generation.15

Books that take us to an exotic place and never let the grit of that place get under our fingernails...are far less successful. One leaves the places of the book and never feels like one’s really gotten one’s imaginative passport stamped.

Emily," said the Count, "why will you reduce me to adopt this conduct? How much more willingly would I persuade, than compel you to become my wife! but, by Heaven! I will not leave you to be sold by Montoni. Yet a thought glances across my mind, that brings madness with it. I know not how to name it. It is preposterous—it cannot be.—Yet you tremble—you grow pale! It is! it is so;—you—you—love Montoni!" cried Morano, grasping Emily's wrist, and stamping his foot on the floor. An