Stairs To The Roof Quotes

A prayer for the wild at heart kept in cages.

I have no memory of climbing the stairs up to the roof. I don't even know how to get where I am, which is a problem since I'm going to have to get down, ideally in a way that doesn't involve dying.

Statues lined the stairs and stood, dotted across the roof. But they had been brutalized by time and the weather. Some were missing arms. Many had no faces. Once they had been saints and angels. Two hundred years standing in London had turned them into cripples.

The window opened in the same direction as the king's, and there, summer-bright and framed by the darkness of the stairwell, was the same view. Costis passed it, and then went back up the stairs to look again. There were only the roofs of the lower part of the palace and the town and the city walls. Beyond those were the hills on the far side of the Tustis Valley and the faded blue sky above them. It wasn't what the king saw that was important, it was what he couldn't see when he sat at the window with his face turned toward Eddis.

God can be realized through all paths. All religions are true. The important thing is to reach the roof. You can reach it by stone stairs or by wooden stairs or by bamboo steps or by a rope. You can also climb up by a bamboo pole.

One clear night while the others slept, I climbed the stairs to the roof of the house and under a sky strewn with stars I gazed at the sea, at the spread of it, the rolling crests of it raked by the wind, becoming like bits of lace tossed in the air. I stood in the long whispering night, waiting for something, a sign, the approach of a distant light, and I imagined you coming closer, the dark waves of your hair mingling with the sea, and the dark became desire, and desire the arriving light. The nearness, the momentary warmth of you as I stood on that lonely height watching the slow swells of the sea break on the shore and turn briefly into glass and disappear... Why did I believe you would come out of nowhere? Why with all that the world offers would you come only because I was here?

Distant singing is heard. Ghostly voices become audible: fragments of lectures remembered, the finely distilled wisdom and passion of seers and poets with which the modern young mind is tempered for the world that blows it to pieces.

A Prayer for The Wild at Heart A prayer for the wild at heart Kept in cages I know how you long To run wild and free To feel your blood pumping To hear your heart beating faster Yet you can’t For you are locked inside a prison One that you will never escape I can hear your howls of pain And your growls of frustration Pacing back and forth Clawing at the bars Tearing at your skin Begging to be set free Your eyes are wild of full hate You face bears no smile Only a snarl of anger Blood drips from your hands Blood from the people Who didn’t understand Your fearful whimpers fill the air As you look to the full moon And let out a mournful howl Your voice gets louder As I and the others join in We let our pleads fill the night As we sit in our cold cages Praying someone will hear - Tennessee Williams

What was once a home she had taken apart one piece at a time, one day...She sold her belongings for money to buy food.  First the luxuries: a small statue, a picture.  Then the items with more utility: a lamp, a kettle.  Clothes left the closet at a rate of a garment a day…she burned everything in the basement first; then everything in the attic.  It lasted weeks, not months.  Though tempted, she left the roof alone.  She stripped the second floor, and the stairs.  She extracted every possible calorie from the kitchen.  she wasn’t working alone, because neighbourhood pirates simultaneously stole anything of value outside: door and window frames, fencing, stucco.  They pillaged her yard.  Breaking in was a boundary her neigbours had not yet crossed.  But the animals had.  Rats and mice and other vermin found the cracks without much effort.  Like her, they sought warmth and scraps of food.  With great reluctance, she roasted the ones she could catch.  She spent her nights fighting off the ones that escaped.

She didn’t know how long they stood on that roof, tangled up in each other, mouths and hands roving until she moaned and dragged him through the greenhouse, down the stairs, and into the carriage waiting outside. And then there was the ride home, where he did things to her neck and ear that made her forget her own name. They managed to straighten themselves out as they reached the castle gates, and kept a respectable distance as they walked back to her room, though every inch of her felt so alive and burning that it was a miracle she made it back to her door without pulling him into a closet.But then they were inside her rooms, and then at her bedroom door, and he paused as she took his hand to lead him in. “Are you sure?” She lifted a hand to his face, exploring every curve and freckle that had become so impossibly precious to her. She had waited once before—waited with Sam, and then it had been too late. But now, there was no doubt, no shred of fear or uncertainty, as if every moment between her and Chaol had been a step in a dance that had led to this threshold. “I’ve never been so sure of anything in my life,” she told him. His eyes blazed with hunger that matched her own, and she kissed him again, tugging him into her bedroom. He let her pull him, not breaking the kiss as he kicked the door shut behind them.

An old farm is always more than the people under its roof. It is the past as well as the present, and vanished generations have built themselves into it as well as left their footsteps in the worn woodwork of the stair.

And, Legolas, when the torches are kindled and men walk on the sandy floors under the echoing domes, ah! Then, Legolas, gems and crystals and veins of precious ore glint in the polished walls; and the light glows through folded marbles, shell-like, translucent as the living hands of Queen Galadriel. There are columns of white and saffron and dawn-rose, Legolas, fluted and twisted into dreamlike forms; they spring up from many-coloured floors to meet the glistening pendants of the roof: wings, ropes, curtains fine as frozen clouds; spears, banners, pinnacles of suspended palaces! Still lakes mirror them: a glimmering world looks up from dark pools covered with clear glass; cities, such as the mind of Durin could scarce have imagined in his sleep, stretch on through avenues and pillared courts, on into the dark recesses where no light can come, And plink! A silver drop falls, and the round wrinkles in the glass make all the towers bend and waver like weeds and corals in a grotto of the sea. Then evening comes:” they fade and twinkle out; the torches pass on into another chamber and another dream. There is chamber after chamber, Legolas; hall opening out of hall, dome after dome, stair beyond stair; and still the winding paths lead on into the mountains’ heart. Caves! The Caverns of Helm’s Deep! Happy was the chance that drove me there! It makes me weep to leave them.

Humming and singing my new song, I led them up and down the stairs, pressing my fingers against the wall like I was about to push it over; down to the lobby, where I stood in a pot plant; and finally into the alley behind the studio, where I jumped on top of the car that had brought us from the hotel, leaving dents in the roof so the car would remember me.

You might be afraid of the dark, but the dark is not afraid of you. That's why the dark is always close by. The dark peeks around the corner and waits behind the door, and you can see the dark up in the sky almost every night, gazing down at you as you gaze up at the stars. Without a creaky roof, the rain would fall on your bed, and without a smooth, cold window, you could never see outside, and without a set of stairs, you could never go into the basement, where the dark spends its time. Without a closet, you would have nowhere to put your shoes, and without a shower curtain, you would splash water all over the bathroom, and without the dark, everything would be light, and you would never know if you needed a lightbulb.

I trudged down the stairs and stood on the sidewalk examining my car. Deep scratch in the roof from a misplaced bullet. Hole in windsheild plus embeddedbullet in passenger seat. Bashed-in right rear quarter panel and right passenger-side door from slegehammer. Previous damage from creepy gun attack by insane stalker, And someone had spray painted EAT ME on the driver's side door. "Your car's a mess,"Lula said. "I don't know what it is with you and cars.

What makes Argia different from other cities is that it has earth instead of air. The streets are completely filled with dirt, clay packs the rooms to the ceiling, on every stair another stairway is set in negative, over the roofs of the houses hang layers of rocky terrain like skies with clouds. We do not know if the inhabitants can move about the city, widening the worm tunnels and the crevices where roots twist: the dampness destroys people’s bodies and they have scant strength; everyone is better off remaining still, prone; anyway, it is dark. From up here, nothing of Argia can be seen; some say, “It’s down below there,” and we can only believe them. The place is deserted. At night, putting your ear to the ground, you can sometimes hear a door slam.

She clucked her tongue. “Despite all their mischief, I pity them.” You ought to be pitying me, he thought. Having a woman this enticing living under the same roof was a constant temptation. And Chase battled temptation with approximately the same success as a seagull battling the Royal Navy. Out of sight was not out of mind. At night, he found himself thinking of her. Upstairs, alone, in the dark. But worse by far were the mornings. For God’s sake, he began each day holding her hand. That, and trying like hell to make her laugh. He hadn’t managed it quite yet, but most days he wrangled a reluctant smile. That alone was worth four flights of stairs. Just yesterday, Rosamund had woken him with a single word: “Tapeworms.” He’d all but leapt to his feet with delight.

So Chaol brushed away her tears, lifted her chin, and kissed her. The kiss obliterated her. It was like coming home or being born or suddenly finding an entire half of herself that had been missing. His lips were hot and soft against hers—still tentative, and after a moment, he pulled back far enough to look into her eyes. She trembled with the need to touch him everywhere at once, to feel him touching her everywhere at once. He would give up everything to go with her. She twined her arms around his neck, her mouth meeting his in a second kiss that knocked the world out from under her. She didn’t know how long they stood on that roof, tangled up in each other, mouths and hands roving until she moaned and dragged him through the greenhouse, down the stairs, and into the carriage waiting outside.

... and she turned for the stairs as the sound of rain came, finally, scattered across the roof, a fall that now gave substance to the stilled beams of headlamps in the drive where those of flashlights rose and fell to the cadenced steps come back and round the range of yew and up the terrace and through the door to fall on broken glass and flee across the inkstained carpet, darting, climbing, caught fixed in niches, they scaled the walls and leaped the beams to skirt the hayloft.

For a life of the kind you and I have never known and will never know— quiet, peace, the surety of love.” “There is nothing sure about love. Do you think love will protect you when the Fjerdans come to capture the Stormwitch?” She didn’t. But maybe she wanted to believe there was more to life than fear and being feared. She yanked down the shade and tapped the roof. The coach travelled on, up the cramped cart track in slow switchbacks. At last, they rattled to a stop. “Stay here,” she said, hooking his shackles to the seat. She descended from the coach, closing the door behind her. Mal and Alina stood on the sanatorium’s stairs, but when Alina saw Zoya, she smiled and raced down the steps with arms open. Zoya blinked away an embarrassing prickle of tears. She hadn’t known how Alina might greet her, given the circumstances. She let herself be hugged. As always, Ravka’s Saint smelled of paint and pine. “Is he in there?” Alina asked. “He is.” “You bring me the worst gifts.” The tabby had returned from its sojourn and was twining through Misha’s legs. It padded over to Zoya. “Hello, Oncat,” she murmured, hefting the cat into her arms and feeling the comforting rumble of its purr.

It might be a little confusing because of how long it was, but all of that was a flashback. Now, i'm arguing with the Serpent on the landing of the stairs leading up to the school's off-limits roof.

My favorite kind of darkness is the one inside us, I want to tell him. &: I like the way your apron makes it look like you’re ready for war. I too am ready for war. Given another chance, I’d pick the life where I play the piano in a room with no roof. Broken keys, Bach sonata like footsteps fast down the stairs as my father chases my mother through New England’s endless leaves. Maybe I saw a boy in a black apron crying in a Nissan the size of a monster’s coffin & knew I could never be straight. Maybe, like you, I was one of those people who loves the world most when I’m rock-bottom in my fast car going nowhere.

Many of the old houses, round about, speak very plainly of those days when Kingston was a royal borough, and nobles and courtiers lived there, near their King, and the long road to the palace gates was gay all day with clanking steel and prancing palfreys, and rustling silks and velvets, and fair faces.  The large and spacious houses, with their oriel, latticed windows, their huge fireplaces, and their gabled roofs, breathe of the days of hose and doublet, of pearl-embroidered stomachers, and complicated oaths.  They were upraised in the days “when men knew how to build.”  The hard red bricks have only grown more firmly set with time, and their oak stairs do not creak and grunt when you try to go down them quietly. Speaking of oak staircases reminds me that there is a magnificent carved oak staircase in one of the houses in Kingston.  It is a shop now, in the market-place, but it was evidently once the mansion of some great personage.  A friend of mine, who lives at Kingston, went in there to buy a hat one day, and, in a thoughtless moment, put his hand in his pocket and paid for it then and there.

She means," Nate said, turning away from the books, "That David has gone full weird." "He was always that way<' Janelle said in a low voice. "Yeah, but now he's completed his journey. Our little caterpillar has turned into a freaky butterfly." "Tell her about the screaming," Janelle said. "Because I can't." "The screaming? Stevie repeated. "The other morning he started something called 'screaming meditation'," Nate said. "Guess what happens in screaming meditation? Did you guess screaming? For fifteen minutes? Because that's what happens in screaming meditation. Fifteen. Minutes. Outside. At five in the morning. Do you know what happens when someone screams outside for fifteen minutes at five in the morning at a remote location in the mountains, especially after a . . ." The implied dot dot dot was "student dies in a terrible accident or maybe murder and another one goes missing." "When security got to him he claimed it was his new religion and that it is something he needs to do every morning now as a way to talk to the sun." So this is what Edward King had been referring to. "Sometimes," Nate went on, tapping the books into place so that the spines lined up perfectly, "he sleeps on the roof. Or somewhere else. Sometimes the green." "Naked," Janelle added. "He sleeps on the green naked." "Or in classrooms," Nate said. "Someone said they went into differential equations and he was asleep in the corner of the room under a Pokémon comforter." "Your boy has not been well," Janelle said.

He reached for the doorknob that opened the way out into the unlit hall, then shrank back as he glimpsed the vacuity of the rest of the building. It lay in wait for him, out here, the force which he had felt busily penetrating his specific apartment. God, he thought, and reshut the door. He was not ready for the trip up those clanging stairs to the empty roof where he had no animal. The echo of himself ascending: the echo of nothing. Time to grasp the handles, he said to himself, and crossed the living room to the black empathy box.

Just then, in that instant, I saw His eyes. I recognised them. They were the eyes of that trembling father in a smoke-filled room on the ninety-third floor of Tower One, dialing his little girls for the last time. Those were the eyes behind that calming voice singing 'Amazing Grace' in a crowded and slippery stairwell, trapped outside a roof door when the ceilings began to cave. The eyes of the people who stayed behind with the handicapped victims waiting for police officers who never made it up the stairs. Those were the eyes of firemen who pushed me to safety, the doctor who cared for me for more than a year free of charge, the therapist who visited my home regularly so that I could sleep a little, the children who loved me, the brother who prayed nonstop, and the pastor who became my friend. Those were the eyes of God.

Our father came to sleep in our house that night. He carried a small suitcase with a black mourning suit and a pair of polished shoes. Corrigan stopped him as he made his way up the stairs. 'Where d'you think you're going?'Our father gripped the bannister. His hands were liverspotted and I could see him trembling in his pause. 'That's not your room,' sad Corrigan. Our father tottered on the stairs. He took another step up. 'Don't,' said my brother. His voice was clear, full, confidant. Our father stood stunned. He climbed one more step and then turned, descended, looked around, lost. 'My own sons,' he said. We made a bed for him on a sofa in the living room, but even then Corrigan refused to stay under the same roof; he went walking in the direction of the city center and I wondered what alley he might be found in later that night, what fist he might walk into, whose bottle he might climb down inside.

Extraordinary beans you've got here. Come have a look." [...] "What is it?" A strange excitement ran through me. The two of us went down from the roof to the second floor and were half-way down the stairs to my room on the ground floor when Horiki stopped me and whispered, "Look!" He pointed. A small window opened over my room, through which I could see the interior. The light was lit and two animals were visible. My eyes swam, but I murmured to myself through my violent breathing, "This is just another aspect of the behaviour of human beings. There's nothing to be surprised at." I stood petrified on the staircase, not even thinking to help Yoshiko.

Back in Pittsburgh, if someone had infiltrated the library with fifty squirrels, that person would have been hailed as a hero. But Ellingham was full of library lovers, and there was the feeling in the air that this was, perhaps, a bridge too far. You could be naked, you could scream and hang out on the roof, but you do not mess with the place with the books.

Takes them less than a week to run the Line thro’ somebody’s House. About a mile and a half west of the Twelve-Mile Arc, twenty-four Chains beyond Little Christiana Creek, on Wednesday, April 10th, the Field-Book reports, “At 3 Miles 49 Chains, went through Mr. Price’s House.” “Just took a wild guess,” Mrs. Price quite amiable, “where we’d build it,— not as if my Husband’s a Surveyor or anything. Which side’s to be Pennsylvania, by the way?” A mischievous glint in her eyes that Barnes, Farlow, Moses McClean and others will later all recall. Mr. Price is in Town, in search of Partners for a Land Venture. “Would you Gentlemen mind coming in the House and showing me just where your Line does Run?” Mason and Dixon, already feeling awkward about it, oblige, Dixon up on the Roof with a long Plumb-line, Mason a-squint at the Snout of the Instrument. Mrs. Price meantime fills her Table with plates of sour-cherry fritters, Neat’s-Tongue Pies, a gigantick Indian Pudding, pitchers a-slosh with home-made Cider,— then producing some new-hackl’d Streaks of Hemp, and laying them down in a Right Line according to the Surveyors’ advice,— fixing them here and there with Tacks, across the room, up the stairs, straight down the middle of the Bed, of course, . . . which is about when Mr. Rhys Price happens to return from his Business in town, to find merry Axmen lounging beneath his Sassafras tree, Strange Stock mingling with his own and watering out of his Branch, his house invaded by Surveyors, and his wife giving away the Larder and waving her Tankard about, crying, “Husband, what Province were we married in? Ha! see him gape, for he cannot remember. ’Twas in Pennsylvania, my Tortoise. But never in Maryland. Hey? So from now on, when I am upon this side of the House, I am in Maryland, legally not your wife, and no longer subject to your Authority,— isn’t that right, Gents?” “Ask the Rev,” they reply together,

He would not chance arrest by crawling into a corner of one of the old houses on Lower Broadway where the cops swept through periodically with their mindless net. What difference did it make whether four or six or eight lost men slept under a roof and out of the wind in a house with broken stairs and holes in the floors you could fall through to death, a house that for five or maybe ten years had been inhabited only by pigeons? What difference?

That was our first home. Before I felt like an island in an ocean, before Calcutta, before everything that followed. You know it wasn’t a home at first but just a shell. Nothing ostentatious but just a rented two-room affair, an unneeded corridor that ran alongside them, second hand cane furniture, cheap crockery, two leaking faucets, a dysfunctional doorbell, and a flight of stairs that led to, but ended just before the roof (one of the many idiosyncrasies of the house), secured by a sixteen garrison lock, and a balcony into which a mango tree’s branch had strayed. The house was in a building at least a hundred years old and looked out on a street and a tenement block across it. The colony, if you were to call it a colony, had no name. The house itself was seedy, decrepit, as though a safe-keeper of secrets and scandals. It had many entries and exits and it was possible to get lost in it. And in a particularly inspired stroke of whimsy architectural genius, it was almost invisible from the main road like H.G. Wells’ ‘Magic Shop’. As a result, we had great difficulty when we had to explain our address to people back home. It went somewhat like this, ‘... take the second one from the main road….and then right after turning left from Dhakeshwari, you will see a bird shop (unspecific like that, for it had no name either)… walk straight in and take the stairs at the end to go to the first floor, that’s where we dwell… but don’t press the bell, knock… and don't walk too close to the cages unless you want bird-hickeys…’’ ('Left from Dhakeshwari')

As she stood there, the day flickered out and dark came. With the dark crept the wind snuffling and howling. The windows of the empty house shook, a creaking came from the walls and floors, a piece of loose iron on the roof banged forlornly. Kezia was suddenly quite, quite still, with wide open eyes and knees pressed together. She was frightened. She wanted to call Lottie and to go on calling all the while she ran downstairs and out of the house. But it was just behind her, waiting at the door, at the head of the stairs, at the bottom of the stairs, hiding in the passage, ready to dart out at the back door.

What should he do? Jacob wondered. What could he do? “Last chance, Mrs. Weisz. Where is Avraham?” She was weeping, begging, pleading, but to no avail. He had to do something, Jacob told himself. He couldn’t just let them kill her. “Time’s up, Mrs. Weisz. I am very disappointed.” Suddenly Jacob heard his mother scream at the top of her lungs. “RUN, JACOB—RUUUUUNNNN!” And then the gun went off again. Jacob heard his mother’s body drop to the floor. For a split second he froze, barely able to make sense of the nightmare unfolding below. But then he heard the sound of heavy boots coming across the living room floor and heading up the stairs. Instinctively he jumped up, ran back to his room, threw open the window, and jumped out onto the roof.

Once he had reached the top, he looked down on the town at his feet. Such repose, such tranquility, what a lesson in calmness! Seeing it, he was ashamed of his troubled existence. He renounced the love that brought him misery for the love of the town. It took hold of him again, suffusing his entire being as it had done during the first days of the Flemish Movement. How beautiful Bruges still was, seen from above, with its belfries, its pinnacles, its stepped gables like stairs to climb up to the land of dreams, to return to the great days of yesteryear. Among the roofs were canals fanned by the trees, quiet streets with a few women making their way in cloaks, swinging like silent bells. Lethargic peace! The sweetness of renunciation! A queen in exile, the widow of History whose only desire, basically, was to carve her own tomb.

The fire started inside a barn. It was tiny at first, a glowing dot, some wisps of white smoke. But then flames reached up. They grabbed hold of a pile of hay. Crackle! Pop! And then, Boom! Towers of flame shot up, higher, higher, punching through the roof, reaching for the sky. Voices screamed out. “Fire! Fire! Fire!” Alarm bells clanged. Firefighters readied their horses and raced their pumpers through the streets. But it was too late. The flames blasted a shower of fiery sparks into the windy sky. Like a swarm of flaming wasps, they flew through the air, starting fires wherever they landed. Shops and homes erupted in flames. Warehouses exploded. Mansions burned. Crowds of panicked people fled their houses and rushed through the streets and along the wooden sidewalks. They screamed and pushed and knocked one another down, desperate to get away from the choking smoke and broiling flames. But there was no escape. The winds blew harder. Flames shot hundreds of feet in the air, spreading across miles and miles. And in the middle of it all was eleven-year-old Oscar Starling. Oscar had never felt so terrified, not even two years ago, when a killer blizzard hit his family’s Minnesota farm. He was trapped inside a burning house, fighting for his life. He’d made it down the stairs, desperate to escape. And then, Crash! A ball of fire and cinders crashed through the window, and the house exploded in flames. And suddenly, Oscar was in the fire’s ferocious grip. The flames clawed at him, seared him, threw him to the ground. Smoke gushed up his nose and into his mouth. But the worst was the blistering heat, the feeling of being roasted alive. Was this the end? Oscar had never wanted to come to this city. And now he was sure he was going to die here.

Well, now, if we’d known we were going to have such…ah…gra…that is, illustrious company, we’d have-“ “Swept off the chairs?” Lucinda suggested acidly. “Shoveled off the floor?” “Lucinda!” Elizabeth whispered desperately. “They didn’t know we were coming.” “No respectable person would dwell in such a place even for a night,” she snapped, and Elizabeth watched in mingled distress and admiration as the redoubtable woman turned around and directed her attack on their unwilling host. “The responsibility for our being here is yours, whether it was a mistake or not! I shall expect you to rout your servants from their hiding places and have them bring clean linens up to us at once. I shall also expect them to have this squalor remedied by morning! It is obvious from your behavior that you are no gentleman; however, we are ladies, and we shall expect to be treated as such.” From the corner of her eye Elizabeth had been watching Ian Thornton, who was listening to all of this, his jaw rigid, a muscle beginning to twitch dangerously in the side of his neck. Lucinda, however, was either unaware of or unconcerned with his reaction, for, as she picked up her skirts and turned toward the stairs, she turned on Jake. “You may show us to our chambers. We wish to retire.” “Retire!” cried Jake, thunderstruck. “But-but what about supper?” he sputtered. “You may bring it up to us.” Elizabeth saw the blank look on Jake’s face, and she endeavored to translate, politely, what the irate woman was saying to the startled red-haired man. “What Miss Throckmorton-Jones means is that we’re rather exhausted from our trip and not very good company, sir, and so we prefer to dine in our rooms.” “You will dine,” Ian Thornton said in an awful voice that made Elizabeth freeze, “on what you cook for yourself, madam. If you want clean linens, you’ll get them yourself from the cabinet. If you want clean rooms, clean them! Am I making myself clear?” “Perfectly!” Elizabeth began furiously, but Lucinda interrupted in a voice shaking with ire: “Are you suggesting, sirrah, that we are to do the work of servants?” Ian’s experience with the ton and with Elizabeth had given him a lively contempt for ambitious, shallow, self-indulgent young women whose single goal in life was to acquire as many gowns and jewels as possible with the least amount of effort, and he aimed his attack at Elizabeth. “I am suggesting that you look after yourself for the first time in your silly, aimless life. In return for that, I am willing to give you a roof over your head and to share our food with you until I can get you to the village. If that is too overwhelming a task for you, then my original invitation still stands: There’s the door. Use it!” Elizabeth knew the man was irrational, and it wasn’t worth riling herself to reply to him, so she turned instead to Lucinda. “Lucinda,” she said with weary resignation, “do not upset yourself by trying to make Mr. Thornton understand that his mistake has inconvenienced us, not the other way around. You will only waste your time. A gentleman of breeding would be perfectly able to understand that he should be apologizing instead of ranting and raving. However, as I told you before we came here, Mr. Thornton is no gentleman. The simple fact is that he enjoys humiliating people, and he will continue trying to humiliate us for as long as we stand here.” Elizabeth cast a look of well-bred disdain over Ian and said, “Good night, Mr. Thornton.” Turning, she softened her voice a little and said, “Good evening, Mr. Wiley.

I think Hannah had two brothers. Yes, I’m sure she did. Theo and, and--this boy.” I shook my head. “If he’s Hannah’s brother, why isn’t he in any of the other pictures?” Aunt Blythe didn’t answer right away. In the silence, rain pattered against the windows and dripped through holes in the roof. The wind crept in through cracks and stirred the folds of a long white dress hanging from the rafters. Finally, my aunt raised her eyes from the photograph. “I think his name was Andrew. Isn’t that strange? You share a face and a name with a boy who died years before you were born.” My throat tightened. “He died? Andrew died?” Aunt Blythe looked at me. “Oh, dear,” she said, “I didn’t mean to frighten you.” “I’m not scared!” My voice came out as high and squeaky as a girl’s. Furious at myself for being such a baby, I leapt to my feet and headed for the stairs. “Slow down, Drew,” my aunt called. “You’ll go through the floor!” Before the words were out of her mouth, a board split under my weight, and I fell flat on my face. In seconds my aunt was beside me. “Are you all right?” she asked. “Did you hurt yourself?” “I’m fine.” Too embarrassed to meet her eyes, I peered into the hole I’d made.

Moreland sired some decent sons,” Rothgreb remarked. “And that’s a pretty filly they have for a sister. Not as brainless as the younger girls, either.” “Lady Sophia is very pretty.” Also kind, intelligent, sweet, and capable of enough passion to burn a man’s reason to cinders. “She’s mighty attached to the lad, though.” His uncle shot him a look unreadable in the gloom of the chilly hallways. “Women take on over babies.” “He’s a charming little fellow, but he’s a foundling. I believe she intends to foster him. Watch your step.” He took his uncle’s bony elbow at the stairs, only to have his hand shaken off. “For God’s sake, boy. I can navigate my own home unaided. So if you’re attracted to the lady, why don’t you provide for the boy? You can spare the blunt.” Vim paused at the first landing and held the candle a little closer to his uncle’s face. “What makes you say I’m attracted to Lady Sophia? And how would providing for the child endear me to her?” “Women set store by orphans, especially wee lads still in swaddling clothes. Never hurts to put yourself in a good light when you want to impress a lady.” His uncle went up the steps, leaning heavily on the banister railing. “And why would I want to impress Lady Sophia?” “You ogle her,” Rothgreb said, pausing halfway up the second flight. “I do not ogle a guest under our roof.” “You watch her, then, when you don’t think anybody’s looking. In my day, we called that ogling. You fret over her, which I can tell you as a man married for more than fifty years, is a sure sign a fellow is more than infatuated with his lady.” Vim remained silent, because he did, indeed, fret over Sophie Windham. “And you have those great, strapping brothers of hers falling all over themselves to put the two of you together.” Rothgreb paused again at the top of the steps. Vim paused too, considering his uncle’s words. “They aren’t any more strapping than I am.” Except St. Just was more muscular. Lord Val was probably quicker with his fists than Vim, and Westhaven had a calculating, scientific quality to him that suggested each of his blows would count. “They were all but dancing with each other to see that you sat next to their sister.

Step 3: Roof Outline Now you can do an outline of birch wood stairs on top of the pillars along the blue line in the picture. Step 4: Jungle Tree Plant four jungle tree saplings on the ground right in the middle of the pillars. Place one on each X in the picture. Instantly grow the jungle tree with bone meal.

Step 5: Roof Fill in the whole area inside the stairs with birch wood slabs, only fill up the lower half layer. Step 6: Remove Tree Trunk Remove three blocks of the tree trunk right below the ceiling to leave space for our floor. Step 7: Oak Wood Outline Build a row of oak wood on the 1st and the 4th block below the ceiling between the pillars. Follow the blue lines in the picture and do this on all four sides. Check out the 2nd picture to see how the tree house should look by now.

I've read dozens of interviews and accounts that basically come down to How Poets Do It and the truth is they're all do-lally and they're all different. There's Gerard Manly Hopkins in his black Jesuit clothes lying face down on the ground to look at an individual bluebell, Robert Frost who never used a desk, was once caught short by a poem coming and wrote it on the sole of his shoe, T.S. Eliot in his I'm-not-a-Poet suit with his solid sensible available-for-poetry three hours a day, Ted Hughes folded into his tiny cubicle at the top of the stairs where there is no window, no sight or smell of earth or animal but the rain clatter on the roof bows him to the page, Pablo Neruda who grandly declared poetry should only ever be handwritten, and then added his own little bit of bonkers by saying: in green ink. Poets are their own nation. Most of them know.

Jessica jumped up, avoided Richard’s hand when he tried to grab her, and strode to the door. She jerked it open, slammed it behind her, and fled up the stairs. She heard the door bang not five seconds later and heavy footsteps come running up behind her. She hadn’t made it to the roof before Richard had caught her and spun her around. “Just leave me alone,” she spat. “You rude, arrogant jerk!” “Me?” he thundered. “Why, you stubborn, arrogant shrew!” “I am not arrogant!” “Aye, you are!” She turned her face away, hoping she wouldn’t make a fool of herself by crying. “Please,” she said quietly. “Please, just leave me alone.” He was silent so long that she finally had to look at him. By the light of the torch, she saw the expression she hadn’t seen since the first night he’d kissed her. Intensity. He backed her up against the wall, set her bodily on the step above him, and rested his foot on the step above her. She was trapped. Happily. “I can’t,” he whispered. “I want to and I’ll be damned for it, I’m sure, but I can’t leave you be.” And then he kissed her. His kiss was painful. Jessica managed to move her head from beneath his only by scraping the back of it against the stone. “You’re hurting me,” she gasped.

Tree House   This jungle tree house build is both fun and rewarding, especially once you get finished in the evening and can watch the sun set from the patio of your new house suspended a hundred feet in the air. Here’s how to get started.   Once you locate a jungle biome in your world, pick out a few tall trees that are close to each other:         Start by building a platform around one of the trees and adding columns at the corners to support a half-roof:           With the columns in place, begin adding on a roof, using stairs as the roof portions. Note that all of the wood I’m using for this build is jungle wood.             Add fencing between the columns to keep people from falling out, leaving a space on one side for your patio. Create the patio using bottom stone slabs for a lower portion where a fountain/waterfall will go, then using top stone slabs for the eating area.               Once the patio is completed, you can use pressure plates on top of fence posts for tables, stairs for chairs and then use a water bucket to create a nice flow of water through a hole in the patio. Fences around the perimeter keep people safe and a few torches keep things well-lit.   Next, find a nearby tree and construct a second platform:           Make sure the second platform is surrounded by fending as well, then connect both platforms with stairs and wood planks, adding in fencing on the sides for safety:           This new platform will be the sleeping area, and three sets of beds arranged around the tree in the middle look cozy and inviting. Top this platform off with a few torches and you’re set!         Adding some jungle leaves above the platform will protect sleepers below from getting wet when it rains, and will help keep things looking natural and open.         Go back to the main platform and construct an additional, smaller platform above it:         Cut a hole in both platforms and add a tall ladder going from the uppermost platform down to the ground, passing through the main platform on its way. At the bottom, add a landing with torches and stairs leading down to the beach:           Clear the upper platform of leaves and then add on fencing for safety, torches for light and use a staircase and wooden slab to create long chairs that people can sit on to watch the sunsets. A pair of stairs on the sides of the upper platform add additional seating for more guests:             Wow! This tree house looks amazing! You’ve got all of the basic set up, so now it’s up to you to take it to the next level! Add in more personal touches, expand the tree house with more connected platforms or build even higher into the jungle!  

So much that it seems consistent only for porosity37—seen as a kind of productive fragility that overcomes rigid dualisms—to be the key concept by which the nature of the city is revealed and interpreted in all its profundity. Porosity is the principle of the true life of Naples: At the base of the cliff itself, where it touches the shore, caves have been hewn. As in the paintings of hermits from the Trecento, a door appears here and there in the cliffs. If it is open, one looks into large cellars that are at once sleeping places and storerooms. Steps also lead to the sea, to fishermen’s taverns that have been installed in natural grottoes. Faint light and thin music rise up from there in the evening. As porous as those stones is the architecture. Buildings and action merge in courtyards, arcades, and staircases. The space is preserved to act as a stage for new and unforeseen configurations. What is avoided is the definitive, the fully formed. No situation appears as it is, intended forever, no form asserts its “thus and not otherwise.” . . . Because nothing is finished and concluded. Porosity results not only from the indolence of the southern craftsman but above all from the passion for improvisation. For that space and opportunity must be preserved at all costs. Buildings are used as a popular stage. They are divided into innumerable theaters, animated simultaneously. All share innumerable stages, brought to life simultaneously. Balcony, forecourt, window, gateway, staircase, roof are at once stage and theater box. Even the most miserable wretch is sovereign in his dim, twofold awareness of contributing, however deprived he may be, to one of the images of the Neapolitan street that will never return and, in his poverty, the leisure of enjoying the grand panorama. What is played out on the stairs is the highest school in theatrical direction. The stairs, never entirely revealed, but closed off in the dull northern house-

Page 3: My family is part of the Philippines’ tiny but entrepreneurial, economically powerful Chinese minority. Just 1 percent of the population, Chinese Filipinos control as much as 60 percent of the private economy, including the country’s four major airlines and almost all of the country’s banks, hotels, shopping malls, and major conglomerates. ... Since my aunt’s murder, one childhood memory keeps haunting me. I was eight, staying at my family’s splendid hacienda-style house in Manila. It was before dawn, still dark. Wide awake, I decided to get a drink from the kitchen. I must have gone down an extra flight of stairs, because I literally stumbled onto six male bodies. I had found the male servants’ quarters. My family’s houseboys, gardeners, and chauffeurs—I sometimes imagine that Nilo Abique [the chauffeur that murdered her aunt] was among those men—were sleeping on mats on a dirt floor. The place stank of sweat and urine. I was horrified. Later that day I mentioned the incident to my Aunt Leona, who laughed affectionately and explained that the servants—there were perhaps twenty living on the premises, all ethnic Filipinos—were fortunate to be working for our family. If not for their positions, they would be living among rats and open sewers without even a roof over their heads. A Filipino maid then walked in; I remember that she had a bowl of food for my aunt’s Pekingese. My aunt took the bowl but kept talking as if the maid were not there. The Filipinos, she continued—in Chinese, but plainly not caring whether the maid understood or not—were lazy and unintelligent and didn’t really want to do much else. If they didn’t like working for us, they were free to leave any time. After all, my aunt said, they were employees, not slaves.

You could be naked, you could scream and hang out on the roof, but you do not mess with the place with the books.

No chance of a ceremony inside the church,” he reported to Kev and Cam as they gathered in the main parlor. “It’s a sodding mess.” “We’ll get married on the church steps, then,” Kev said. “Impossible, I’m afraid.” Leo looked rueful. “According to the rubric of the church, it has to be inside a church or chapel that has been officially licensed. And neither the vicar nor the rector dare go against the laws. The consequences are so severe that they might receive three years’ suspension. When I asked where the nearest licensed chapel was, they looked in the records. As it happens, about fifty years ago our estate chapel was licensed for a family wedding, but it ran out since then.” “Can we renew it?” Cam asked. “Today?” “I asked that. The rector seemed to think it was an acceptable solution, and he agreed as long as Merripen and Win promised to privately solemnize the marriage at the church as soon as the roof is repaired.” “But the marriage would be legal starting today?” Kev demanded. “Yes, legal and registered, as long as it’s held before noon. The church won’t recognize a wedding if it’s held even one minute after twelve.” “Good,” Kev said curtly. “We’ll marry this morning at the estate chapel. Pay the rector whatever he demands.” “There’s only one problem with this plan,” Cam said. “We don’t have an estate chapel. At least, I’ve never seen one.” Leo looked blank. “What the bloody hell happened to it?” They both glanced at Kev, who had been in charge of the estate restoration for the past two years. He had taken down walls, razed small buildings, and made new additions to the original manor house. “What did you do with the chapel, phral?” Cam asked apprehensively. A scowl settled on Kev’s face. “No one was using it except some nesting birds. So we turned it into a granary and attached it to the barn.” In the face of their silence, he said defensively, “It still counts.” “You want to be married in a granary?” Leo asked incredulously. “Among bins of animal feed?” “I want to be married anywhere,” Kev said. “The granary’s as good a place as any.” Leo looked sardonic. “Someone may want to ask Win if she is willing to be married in a former chapel that now amounts to a shed attached to the barn. Forbearing as my sister is, even she has standards.” “I’m willing!” came Win’s voice from the stairs. Cam smothered a grin. Leo shook his head and spoke in his sister’s direction. “It’s a barn, Win.” “If our Lord didn’t mind being born in a stable,” she replied cheerfully, “I certainly have no objection to being married in a barn.” Briefly lifting his gaze heavenward, Leo muttered, “I’ll go take care of the renewal fee. I can hardly wait to see the vicar’s expression when I tell him we’ve turned the chapel into a granary. It doesn’t reflect well on this family’s piety, let me tell you.” “You’re concerned about appearing pious?” Kev asked. “Not yet. I’m still in the process of being led astray. But when I finally get around to repenting, I’ll have no damned chapel for it.” “You can repent in our officially licensed granary,” Cam said, shrugging into his coat. 

it's true an' that's jus' what she is,—the Angel of this Tenement, an', as Norma says, you're free to come over and play with her, though there ain't many of you I'd say it to;" and with that the tall, gaunt Mary bearing the baby, followed Norma into the house and up the narrow, broken stairs, and along the dark halls past door after door closed upon its story of squalor and poverty, until, at last, panting with the child's weight, she reached their own abode under the roof.

your faith is genuine, then you meet your responsibilities, fulfill your obligations, and wait until you are found. It will come. If not to you, then to your children, and if not to them, then to their children.” The lovely woman in a white dress with violet borders, in a room that gave out beautifully on gardens and the bridge, had become for Hardesty a personification of the city rising. And besides, city or no city, he loved her. Before she cried, he would be up the ladder, onto the roof, down the stairs, and at her door. As he left the top of the stable, the horses whinnied again. Clearing the parapet, he saw the city. From this perspective its lights were like summer fires on a grassy plain. Remember the soft air, he thought to himself as he crossed the roof. Remember the soft air and all the lights. The lights, never quite the same, always changing, were like distant spirits—those who were forever gone but not

But a man endowed with sattva is quiet and peaceful. So far as dress is concerned, anything will do. He earns only enough money to give his stomach the simplest of food; he never flatters men to get money. His house is out of repair. He never worries about his children’s clothing. He does not hanker for name and fame. His worship, charity, and meditation are all done in secret; people do not know about them at all. He meditates inside his mosquito curtain. People think he doesn’t sleep well at night and for that reason sleeps late in the morning. Sattva is the last step of the stairs; next is the roof. As soon as sattva is acquired there is no further delay in attaining

There are many opinions about God. Each opinion is a path. There are innumerable opinions and innumerable paths leading to God.” Bhavanath: “Then what should we do?” Master: “You must stick to one path with all your strength. A man can reach the roof of a house by stone stairs or a ladder or a rope-ladder or a rope or even by a bamboo pole. But he cannot reach the roof if he sets foot now on one and now on another. He should firmly follow one path with all his strength.

I ask the gods some respite from the weariness of this watch time measured by years I lie awake elbowed upon the Atreidae's roof dogwise to mark the grand professionals of all the stars of night burdened with winter and again with heat for men, dynasties in their shining blazoned on the air, these stairs, upon their wane and when the rest arise

This was because, despite the porch roof, it was raining on her. Rain originated from nowhere and spattered on her hair and face and shoulders and clothing, then ran off the stairs and formed a fast-running rivulet into the brush. Every part of her dress was covered with monarch butterflies, their orange-and-black stained-glass wings likewise soaked. They clung to her, unable to do anything but slowly move their wings or climb across the fabric. Butterflies are fragile fliers and cannot fly in the rain, or even in the dew. Too much water makes their wings too heavy to fly. This was Marisita Lopez, one of the pilgrims. It had stormed around her ever since she had experienced her first miracle, and now rain constantly poured on her head and out of her eyes. It was not as beatific as one might imagine to live under continuous precipitation in a desert. The ground, instead of enjoying the sudden influx of moisture, was ill-prepared to accept it. The water pooled and ran away, striking down seedlings in its path. Floods, not flowers, followed in Marisita’s wake. Here was a thing she wanted: to taste vanilla without crying. Here was a thing she feared: that the prettiest thing about her was her exterior.

house meant the bad guys had to be on the roof. They were waiting for us up there, and they were going to hit us with everything they had once we hit the fatal funnel. We moved up the stairs

Don't blame me," Jason protested. "All I did was ask an innocent question. I'm not the one telling Gwen she has to get out." "I said that's enough!" Frank smacked the table hard. "We're not going to talk about it anymore, and we're not going to hand out blame. Is that clear, Jason? If Gwen can handle this in a mature way, there's no reason for you to raise the roof." Now they were both looking at Gwen, waiting for her to show how mature she was. "I think," she began. "I think--" She swallowed hard. "I think I'm going to be sick." With a hand pressed over her mouth, she dashed out of the room and up the stairs, making it to the bathroom just in time. Afterward, she sat on the bathroom floor and leaned against the old-fashioned footed tub. Three people out of five, she thought wryly. It would be laughable, the way she and Dena and Tessie had leaped up and run, one after the other, if it weren't so sad.

Now that the scaffolding had been removed from the Bolivar County courthouse, Brewer could see where five giant slabs of limestone formed gleaming steps that sprawled nearly the entire front facade of the building. Recently renovated in polished granite and sandstone, Rosedale’s courthouse was untouched by the grit of the town that was designed around it. At right angles to the limestone stairs were twin cement blocks. Each served as the base for a shining white column, which supported an ornate cornice that circled the roof. Carrying five recently typed pages,

Delay for a few seconds longer, Mr. Fraser, and you may well go back to being dead.” John had gone to the window, peering down into the street. He turned, and I saw that his face was pale but glowing like a candle. “Aye? They were a bit faster than I thought, then,” Jamie said ruefully, going to look out. He turned from the window and smiled. “It’s good to see ye, John—if only for the moment.” John’s answering smile lit his eyes. He reached out a hand and touched Jamie’s arm, very briefly, as though wishing to assure himself that he was in fact solid. “Yes,” he said, reaching then for the door. “But come. Down the back stair. Or there’s a hatchway to the attic—if you can get onto the roof—

And we climb. Four, five flights of stairs. Maybe eight. Or fifty. I have no idea. All I know is that by the time we reach the top I’m both out of breath and embarrassed for being out of breath. When I’m finally able to inhale normally, I chance a look around. Incredible. We’re on the roof, outside, where the world is pitch-black but for the stars and the sliver of moon someone has hung from the sky. Sometimes I wonder if the planets are still up there, still aligned, still managing to get along after all this time. Maybe we could learn a thing or two from them.

His GPS directed him uphill. Bartonville was built on a slope, and many of the homes had an amazing view of where the Pacific Ocean met the wide Columbia River, which separated Oregon and Washington. The town’s businesses were at the bottom of the hills where the land was flat, adjacent to the docks and beaches. The streets led up and across the hills in a basic grid on which homes with steep peaked roofs and roomy porches sat on close lots. Most of the homes needed attention. Missing paint, crumbling stairs, bare lawns

Jode’s phone rings. He slips it out of his pocket and smiles. “Anna,” he says. He moves further into the room, his voice goofy and high like he’s talking to a kitten instead of my sister. This perfect capper on my day makes Marcus laugh. I shake my head. “I hate you. I’m going to go destroy something.” “Emergency stairs at the end of the hall,” he says, knowing what I really need. “There’s roof access.” That’s where I go.

And, Legolas, when the torches are kindled and men walk on the sandy floors under the echoing domes, ah! then, Legolas, gems and crystals and veins of precious ore glint in the polished walls; and the light glows through folded marbles, shell-like, translucent as the living hands of Queen Galadriel. There are columns of white and saffron and dawn-rose, Legolas, fluted and twisted into dreamlike forms; they spring up from many-coloured floors to meet the glistening pendants of the roof: wings, ropes, curtains fine as frozen clouds; spears, banners, pinnacles of suspended palaces! Still lakes mirror them: a glimmering world looks up from dark pools covered with clear glass; cities, such as the mind of Durin could scarce have imagined in his sleep, stretch on through avenues and pillared courts, on into the dark recesses where no light can come. And plink! a silver drop falls, and the round wrinkles in the glass make all the towers bend and waver like weeds and corals in a grotto of the sea. Then evening comes: they fade and twinkle out; the torches pass on into another chamber and another dream. There is chamber after chamber, Legolas; hall opening out of hall, dome after dome, stair beyond stair; and still the winding paths lead on into the mountains’ heart. Caves! The Caverns of Helm’s Deep! Happy was the chance that drove me there! It makes me weep to leave them.

The inn was a white saltbox under a low roof, with additions to either side. Diamond-paned windows glowed warm and welcoming on either side of a heavy carved door. An older man, impeccably dressed, escorted his beautifully coiffed companion down the front stairs. Her conservative high heels barely showed under her long coat. Kenzie caught the glitter of diamonds against a fur collar. This was definitely not Ye Olde Crabbe Shacke.

You can reach the roof of your house by stone stairs, by wooden stairs, by bamboo steps or by a rope. Likewise, there are diverse ways of experiencing the Absolute Divinity – the Ultimate Oneness. In fact, in that blissful state of oneness, you and God are one and the same thing.

I think I hear Donato’s voice, and then the front door to the apartment opens and shuts. I can make out every one of his footsteps on the stairs. I wait at the bedroom window, which is actually quite large. I could climb right out of it if I wanted. Perch out there on the roof tiles, taking in that lush golden sky. A figure wrapped in a robe moves from room to room in a neighboring building. Below in the courtyard a black cat dozes beneath the lemon tree.

Danny recognized Federico as soon as he stepped out on the roof. He’d passed him on the stairs once when his arms were filled with boxes—a courtly old man dressed in tan linen. His hair and thin mustache were white and clipped tight to his skin and he carried a walking stick the way landed gentry did, not as an aid, but as a totem.