Stairs In The Woods Quotes

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Half way down, he encountered Saphira, who had jammed her head and neck as far up the stair as she could, gouging the wood in her frenzy. Little one. She flicked out her tongue and caught him on the hand with its rough tip. He smiled. Then she arched her neck and tried to pull back, but to no avail. What's wrong? I'm stuck. You're... He could not help it;he laughed even though it hurt. The situation was too absurd.
Christopher Paolini (Eldest (The Inheritance Cycle, #2))
I put a hand on my chest, leaning against the wood panels of the stair wall. Rhy's hand covered my own a heartbeat later. "That's what I felt," he said, "when I saw you smile that night we dined along the Sidra.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
I smiled at the stacks, inhaling again. Hundreds of thousands of pages that had never been turned, waiting for me. The shelves were a warm, blond wood, piled with spines of every color. Staff picks were arranged on tables, glossy covers reflecting the light back at me. Behind the little cubby where the cashier sat, ignoring us, stairs covered with rich burgundy carpet led up to the worlds unknown. 'I could just live here,' I said.
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
Mallory!" Catcher's voice boomed down the stairs. Mallory fixed her mouth into a tight line and walked me into the kitchen. "Ignore it," she advised. "Much like the bubonic plague, it'll go away if you give it enough time." "Mallory! You weren't finished! Get back in here!" I glanced up the stairway. "You didn't leave him handcuffed to the bed or something, did you?" "Jesus, no." I incrementally relaxed, until she continued. "My headboard's a single piece of wood. There's nothing to handcuff him to.
Chloe Neill
The oth­ers went up­stairs, a slow unwilling pro­ces­sion. If this had been an old house, with creak­ing wood, and dark shad­ows, and heav­ily pan­elled walls, there might have been an eerie feel­ing. But this house was the essence of moder­ni­ty. There were no dark corners - ​no pos­si­ble slid­ing pan­els - it was flood­ed with elec­tric light - every­thing was new and bright and shining. There was noth­ing hid­den in this house, noth­ing con­cealed. It had no at­mo­sphere about it. Some­how, that was the most fright­en­ing thing of all. They ex­changed good-​nights on the up­per land­ing. Each of them went in­to his or her own room, and each of them automatical­ly, al­most with­out con­scious thought, locked the door....
Agatha Christie (And Then There Were None)
This was why he had done it, not because of guilt or pride but because this was the moment he'd been waiting for: the chance to show someone else wonder, to watch them realize that they had not been lied to, that the world they'd been promised as children was not something that had to be abandoned, that there really was something lurking in the wood, beneath the stairs, between the stars, that everything was full of mystery.
Leigh Bardugo (Ninth House (Alex Stern, #1))
[Hobie]“Theo.” His hug was strong and parental, and so fierce that it made me cry even harder. Then his hand was on my shoulder, heavy anchoring hand that was security and authority itself; he was leading me in, into the workshop, dim gilt and rich wood smells I’d dreamed of, up the stairs into the long-lost parlor, with its velvets and urns and bronzes.
Donna Tartt (The Goldfinch)
A quiet but indomitable voice behind me said, “I believe this is my dance.” It was Ren. I could feel his presence. The warmth of him seeped into my back, and I quivered all over like spring leaves in a warm breeze. Kishan narrowed his eyes and said, “I believe it is the lady’s choice.” Kishan looked down at me. I didn’t want to cause a scene, so I simply nodded and removed my arms from his neck. Kishan glared at his replacement and stalked angrily off the dance floor. Ren stepped in front of me, took my hands gently in his, and placed them around his neck, bringing my face achingly close to his. Then he slid his hands slowly and deliberately over my bare arms and down my sides, until they encircled my waist. He traced little circles on my exposes lower back with his fingers, squeezed my waist, and drew my body up tightly against him. He guided me expertly through the slow dance. He didn’t say anything, at least not with words, but he was still sending lots of signals. He pressed his forehead against mine and leaned down to nuzzle my ear. He buried his face in my hair and lifted his hand to stroke down the length of it. His fingers played along my bare arm and at my waist. When the song ended, it took both of us a min to recover our senses and remember where we were. He traced the curve of my bottom lip with his finger then reached up to take my hand from around his neck and led me outside to the porch. I thought he would stop there, but he headed down the stairs and guided me to a wooded area with stone benches. The moon made his skin glow. He was wearing a white shirt with dark slacks. The white made me think of him as the tiger. He pulled me under the shadow of a tree. I stood very still and quiet, afraid that if I spoke I’d say something I’d regret. He cupped my chin and tilted my face up so he could look in my eyes. “Kelsey, there’s something I need to say to you, and I want you to be silent and listen.” I nodded my head hesitantly. “First, I want to let you know that I heard everything you said to me the other night, and I’ve been giving your words some very serious thought. It’s important for you to understand that.” He shifted and picked up a lock of hair, tucked it behind my ear, and trailed his fingers down my cheek to my lips. He smiled sweetly at me, and I felt the little love plant bask in his smile and turn toward it as if it contained the nourishing rays of the sun. “Kelsey,” he brushed a hand through his hair, and his smile turned into a lopsided grin, “the fact is…I’m in love with you, and I have been for some time.” I sucked in a deep breath. He picked up my hand and played with my fingers. “I don’t want you to leave.” He began kissing my fingers while looking directly into my eyes. It was hypnotic. He took something out of his pocket. “I want to give you something.” He held out a golden chain covered with small tinkling bell charms. “It’s an anklet. They’re very popular here, and I got this one so we’d never have to search for a bell again.” He crouched down, wrapping his hand around the back of my calf, and then slid his palm down to my ankle and attached the clasp. I swayed and barely stopped myself from falling over. He trailed his warm fingers lightly over the bells before standing up. Putting his hands on my shoulders, he squeezed, and pulled me closer. “Kells . . . please.” He kissed my temple, my forehead, and my cheek. Between each kiss, he sweetly begged, “Please. Please. Please. Tell me you’ll stay with me.” When his lips brushed lightly against mine, he said, “I need you,” then crushed his lips against mine.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
I followed, realizing with a start that my footsteps made no sound on the tile floor, or the marble stairs. It was instantly disorienting, like trying to talk when your ears are stuffed.
Melissa Albert (The Hazel Wood (The Hazel Wood #1))
What's the deal with putting animal feet on tubs? It's like insisting that all pianos should have tails, or dinner tables should have scrotal sacs. One of the things we like about tubs is their immobility, their general disinclination to bolt out of the room, scramble down the stairs, and make for the woods in a blind feral panic.
James Lileks (Interior Desecrations: Hideous Homes from the Horrible '70s)
Harry slipped down a few stairs in shock. It was packed, far more crowded than when he had last been in there. Kingsley and Lupin were looking up at him, as were Oliver Wood, Katie Bell, Angelina Johnson and Alicia Spinnet, Bill and Fleur, and Mr and Mrs Weasley.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Aside from kringles, we gave Tanya much advice – to dress warmer, not to run fast on the stairs, and not to carry heavy bundles of wood. With a smile she listened, answered in a laugh and never obeyed us, but we were not offended: we only wanted to show that we were concerned for her.
Maxim Gorky (Twenty-Six Men and a Girl and Other Stories)
The basement smelled damp, like mold and minerals, as she started down the creaking, wooden stairs. Her mother had stopped screaming the moment the door opened. Everything was very quiet as Tana descended, the scratch of her shoes on the wood loud in her ears. Her foot hesitated on the last step. Then something knocked her down.
Holly Black (The Coldest Girl in Coldtown)
The staircase was a mass of rotting wood, carved with such cruel-looking mermaids that Mr. Jelliby was afraid to put his hand on the banister.
Stefan Bachmann (The Peculiar (The Peculiar, #1))
You are in the house and the house in the woods. The woods are in the house. The stairs are in the house. Down the stairs is the hallway, and at the end of the hallway is the ballroom. You are in the ballroom. The ballroom is in the house. You are in the house and the house is in you. The house is in the woods. You are in the woods. You can be good. In the house. You are in the house and the house is in today. Today is not a moment. Today is not a point. Today is an infinite area. Today is forever. Everything that has happened and will happen is now. Everything that has been and will be is here. And everything is good. Everything is fine. You are not sad. You are not afraid. You are not hateful. Because you are here. You are here. You are inside. And you are ready. You are here. You are in. And doesn’t it feel good? You are in the house and the house is in the woods. You are in the house and the house is in you.
Elisabeth Thomas (Catherine House)
The microwave clock spills over into midnight, and the marionette girl walks up the stairs to sleep in her puppet bed in the puppet house, filled with not-puppet people. They are made of flesh and blood, and she is made of wood and lies.
Michelle Painchaud (Dans La Peau D'Erica)
Always lost, always striking out in the wrong direction, always going around in circles. You have suffered from a life-long inability to orient yourself in space, and even in New York, the easiest of cities to negotiate, the city where you have spent the better part of your adulthood, you often run into trouble. Whenever you take the subway from Brooklyn to Manhattan (assuming you have boarded the correct train and are not traveling deeper into Brooklyn), you make a special point to stop for a moment to get your bearings once you have climbed the stairs to the street, and still you will head north instead of south, go east instead of west, and even when you try to outsmart yourself, knowing that your handicap will set you going the wrong way and therefore, to rectify the error, you do the opposite of what you were intending to do, go left instead of right, go right instead of left, and still you find yourself moving in the wrong direction, no matter how many adjustments you have made. Forget tramping alone in the woods. You are hopelessly lost within minutes, and even indoors, whenever you find yourself in an unfamiliar building, you will walk down the wrong corridor or take the wrong elevator, not to speak of smaller enclosed spaces such as restaurants, for whenever you go to the men’s room in a restaurant that has more than one dining area, you will inevitably make a wrong turn on your way back and wind up spending several minutes searching for your table. Most other people, your wife included, with her unerring inner compass, seem to be able to get around without difficulty. They know where they are, where they have been, and where they are going, but you know nothing, you are forever lost in the moment, in the void of each successive moment that engulfs you, with no idea where true north is, since the four cardinal points do not exist for you, have never existed for you. A minor infirmity until now, with no dramatic consequences to speak of, but that doesn’t mean a day won’t come when you accidentally walk off the edge of a cliff.
Paul Auster (Winter Journal)
The packet of fading photos gives it away if you know how to look: always a rundown porch landing and stair rails behind, always a child squinting into strong sunlight and a grim-faced adult skulking in shadow. What must it have been like to grow up in that silence?
Monica Wood (When We Were the Kennedys: A Memoir from Mexico, Maine)
The smile that curled his lips was as arrogant as it was beautiful. “You need to accept the fact that you’re Orange and that you’re always going to be alone because of it.” A measure of calm had returned to Clancy’s voice. His nostrils flared when I tried to turn the door handle again. He slammed both hands against it to keep me from going anywhere, towering over me. “I saw what you want,” Clancy said. “And it’s not your parents. It’s not even your friends. What you want is to be with him, like you were in the cabin yesterday, or in that car in the woods. I don’t want to lose you, you said. Is he really that important?” Rage boiled up from my stomach, burning my throat. “How dare you? You said you wouldn’t—you said—” He let out a bark of laughter. “God, you’re naive. I guess this explains how that League woman was able to trick you into thinking you were something less than a monster.” “You said you would help me,” I whispered. He rolled his eyes. “All right, are you ready for the last lesson? Ruby Elizabeth Daly, you are alone and you always will be. If you weren’t so stupid, you would have figured it out by now, but since it’s beyond you, let me spell it out: You will never be able to control your abilities. You will never be able to avoid being pulled into someone’s head, because there’s some part of you that doesn’t want to know how to control them. No, not when it would mean having to embrace them. You’re too immature and weak-hearted to use them the way they’re meant to be used. You’re scared of what that would make you.” I looked away. “Ruby, don’t you get it? You hate what you are, but you were given these abilities for a reason. We both were. It’s our right to use them—we have to use them to stay ahead, to keep the others in their place.” His finger caught the stretched-out collar of my shirt and gave it a tug. “Stop it.” I was proud of how steady my voice was. As Clancy leaned in, he slipped a hazy image beneath my closed eyes—the two of us just before he walked into my memories. My stomach knotted as I watched my eyes open in terror, his lips pressed against mine. “I’m so glad we found each other,” he said, voice oddly calm. “You can help me. I thought I knew everything, but you…” My elbow flew up and clipped him under the chin. Clancy stumbled back with a howl of pain, pressing both hands to his face. I had half a second to get the hell out, and I took it, twisting the handle of the door so hard that the lock popped itself out. “Ruby! Wait, I didn’t mean—!” A face appeared at the bottom of the stairs. Lizzie. I saw her lips part in surprise, her many earrings jangling as I shoved past her. “Just an argument,” I heard Clancy say, weakly. “It’s fine, just let her go.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
Yesterday I walked to Clerkenwell in the morning and stood by the iron grate where the Fleet flows, and listened, and imagined I heard the waters of all the rivers I have known - the head of the Fleet at Hampstead where I played when I was young, and the wide Thames, and the Blackwater, with its secrets that were hardly worth keeping. Then it carried me in spate to the Essex shore, to all the marsh and the shingle, and I tasted on my lips the salt air which is also like the flesh of oysters, and I felt my heart cleaving, as I felt it there in the dark wood on the green stair and as I feel it now: something severed, something joined. The sun on my back through the window is warm and I hear a chaffinch singing. I am torn and I am mended - I want everything and need nothing - I love you and I am content without you.
Sarah Perry (The Essex Serpent)
Aedan noticed how the lowest doors were all eight feet above the ground with stairs leading up to them – stairs that could theoretically be destroyed when under threat. But where the stairs should have been made from wood, these were of polished granite. Clearly there was a conflict of values here.
Jonathan Renshaw (Dawn of Wonder (The Wakening, #1))
He would never love me because of Rebecca. She was in the house still, as Mrs Danvers had said; she was in that room in the west wing, she was in the library, in the morning-room, in the gallery above the hall. Even in the little flower-room, where her mackintosh still hung. And in the garden, and in the woods, and down in the stone cottage on the beach. Her footsteps sounded in the corridors, her scent lingered on the stairs. The servants obeyed her orders still, the food we ate was the food she liked. Her favourite flowers filled the rooms. Her clothes were in the wardrobes in her room, her
Daphne du Maurier (Rebecca)
Men at Forty" Men at forty Learn to close softly The doors to rooms they will not be Coming back to. At rest on a stair landing, They feel it Moving beneath them now like the deck of a ship, Though the swell is gentle. And deep in mirrors They rediscover The face of the boy as he practices trying His father’s tie there in secret And the face of that father, Still warm with the mystery of lather. They are more fathers than sons themselves now. Something is filling them, something That is like the twilight sound Of the crickets, immense, Filling the woods at the foot of the slope Behind their mortgaged houses.
Donald Justice
I went up the stairs, I crossed the roads, trains carried me, waters brought me, and in the skin of the grapes I thought I touched you. The wood suddenly brought me your touch, the almond announced to me your secret softness, until your hands closed on my chest and there like two wings they ended their journey.
Pablo Neruda (Love Poems)
This was why he had done it, not because of guilt or pride but because this was the moment he'd been waiting for: the chance to show someone else wonder, to watch them realize they had not been lied to, that the world they'd promised as children was not something that had to be abandoned, that there really was something lurking in the wood, beneath the stairs, between the stars, that everything was full of mystery.
Leigh Bardugo (Ninth House (Alex Stern, #1))
This was why he had done it, not because of guilt or pride but because this was the moment he'd been waiting for: the change to show someone else wonder, to watch them realize that they had not been lied to, that the world they'd been promised as children was not something that had to be abandoned that there really was something lurking in the wood, beneath the stairs, between the stars, that everything was full of mystery.
Leigh Bardugo (Ninth House (Alex Stern, #1))
This was why he had done it, not because of guilt or pride but because this was the moment he’d been waiting for: the chance to show someone else wonder, to watch them realize that they had not been lied to, that the world they’d been promised as children was not something that had to be abandoned, that there really was something lurking in the wood, beneath the stairs, between the stars, that everything was full of mystery.
Leigh Bardugo (Ninth House (Alex Stern, #1))
Then it carried me in spate to the Essex shore, to all the marsh and shingle, and I tasted on my lips the salt air which is also like the flesh of oysters, and I felt my heart cleaving, as I felt it there in the dark wood on the green stair and as I feel it now: something severed, and something joined. I am torn and I am mended - I want everything and need nothing - I love you and I am content without you. Even so, come quickly!
Sarah Perry (The Essex Serpent)
Sometimes the one who dreams about Fairies mingles with the soul of the house. The thought of the hedges outside the door has stopped the ticking of the clock, and from the cellar the song of hidden woods can be heard. From deep down in the well he awakens the fibers of the beams, casts a spell on the floor boards and penetrates deep into the tapestry. He sits down in the child’s room where the garden of things tells a story about the theater of shadows. His thoughts are infused in a kettle and illustrated in a spiral of steam. The armchair flies out of the window and the curtains begin to flower. He can be heard climbing the stairs, leaving behind handfuls of visiting cards, and on each one of them is the address of a star. In the attic, his step is reduced to the dance of mice. A wreath of sparks brightens up the fireplace. The dormer window looks out onto the hopscotch of the skies… The dreamer’s soul is now so brilliant and light that it is like a spangle in a parade of Fairies
Pierre Dubois (The Great Encyclopedia of Faeries)
Later he would tell her that their story began at the Royal Hungarian Opera House, the night before he left for Paris on the Western Europe Express. The year was 1937; the month was September, the evening unseasonably cold. His brother had insisted on taking him to the opera as a parting gift. The show was Tosca and their seats were at the top of the house. Not for them the three marble-arched doorways, the façade with its Corinthian columns and heroic entablature. Theirs was a humble side entrance with a red-faced ticket taker, a floor of scuffed wood, walls plastered with crumbling opera posters. Girls in knee-length dresses climbed the stairs arm in arm with young men in threadbare suits; pensioners argued with their white-haired wives as they shuffled up the five narrow flights. At the top, a joyful din: a refreshment salon lined with mirrors and wooden benches, the air hazy with cigarette smoke. A doorway at its far end opened onto the concert hall itself, the great electric-lit cavern of it, with its ceiling fresco of Greek immortals and its gold-scrolled tiers. Andras had never expected to see an opera here, nor would he have if Tibor hadn’t bought the tickets. But it was Tibor’s opinion that residence in Budapest must include at least one evening of Puccini at the Operaház. Now Tibor leaned over the rail to point out Admiral Horthy’s box, empty that night except for an ancient general in a hussar’s jacket. Far below, tuxedoed ushers led men and women to their seats, the men in evening dress, the women’s hair glittering with jewels.
Julie Orringer (The Invisible Bridge (Vintage Contemporaries))
I Remember You Best as the Man asleep on my chest, warm breath somehow the exact opposite of sex. How I came to know you take your tea with honey if I got any. Sugar? Then nothing. It's true we teach each other how we want to be held. You brimming hot - another mug I had to shuffle-step up a narrow stair. Once right after waking and always again, but decaf before turning in. Because loving you was another impossibility, who was I to notice when it happened? When it did it bloomed in me, milk in the sleeping dark.
Robert Wood Lynn (Mothman Apologia)
From the woods that surrounded the burgh came a mass of men. Some rode, others ran. All carried weapons, mainly axes or spears. A few wore mail shirts and cloaks, but most just leather aketons. Among them were a handful of men clad in the short tunics favoured by Highlanders. These men were bare from thigh to foot, an alarming sight to Ormesby, who had only heard rumour of these wild men of the north. As they came, they roared a multitude of battle cries. Ormesby caught one name in the din, issuing from a group of mailed riders who followed a burly man on a finely caparisoned horse. ‘For Douglas!’ they howled. ‘For Douglas!’ Below, the townsfolk were scattering. The English soldiers had formed a tight knot outside the hall, blades drawn, but even as Ormesby watched, the forlorn group of beggars he had seen threw off their ragged skins and furs, revealing thickly muscled warriors. They fell upon the soldiers with savage cries, daggers thrusting. Footsteps sounded on the hall stairs. The door burst open and two soldiers appeared. ‘We must go, sir!’ The clerks and officials were already hastening across the chamber. Donald was running with them. Ormesby remained rooted. ‘Who are they?’ he demanded, his voice high as he turned back to the window, seeing the horde rushing into the town. His eyes fixed on a giant of a man running, almost loping in the front lines. Taller than all those around him, agile in the stride, he wore a simple dark blue tunic and wide-brimmed kettle hat. The other men seemed to be running in unruly formation around him. But it was the blade in the man’s hands that Ormesby’s eyes were drawn to. He had never seen such a sword, so broad and long the giant had to grasp it in both hands as he came. Another name now became audible in the roar of the mob. ‘Wallace! Wallace!
Robyn Young (Insurrection (The Insurrection Trilogy, #1))
Now, Potter,” said McGonagall, “you and Miss Lovegood had better return to your friends and bring them to the Great Hall--I shall rouse the other Gryffindors.” They parted at the top of the next staircase, Harry and Luna running back toward the concealed entrance to the Room of Requirement. As they ran, they met crowds of students, most wearing traveling cloaks over their pajamas, being shepherded down to the Great Hall by teachers and prefects. “That was Potter!” “Harry Potter!” “It was him, I swear, I just saw him!” But Harry did not look back, and at last they reached the entrance to the Room of Requirement. Harry leaned against the enchanted wall, which opened to admit them, and he and Luna sped back down the steep staircase. “Wh--?” As the room came into view, Harry slipped down a few stairs in shock. It was packed, far more crowded than when he had last been in there. Kingsley and Lupin were looking up at him, as were Oliver Wood, Katie Bell, Angelina Johnson and Alicia Spinnet, Bill and Fleur, and Mr. and Mrs. Weasley. “Harry, what’s happening?” said Lupin, meeting him at the foot of the stairs. “Voldemort’s on his way, they’re barricading the school--Snape’s run for it--What are you doing here? How did you know?” “We sent messages to the rest of Dumbledore’s Army,” Fred explained. “You couldn’t expect everyone to miss the fun, Harry, and the D.A. let the Order of the Phoenix know, and it all kind of snowballed.” “What first, Harry?” called George. “What’s going on?” “They’re evacuating the younger kids and everyone’s meeting in the Great Hall to get organized,” Harry said. “We’re fighting.” There was a great roar and a surge toward the foot of the stairs; he was pressed back against the wall as they ran past him, the mingled members of the Order of the Phoenix, Dumbledore’s Army, and Harry’s old Quidditch team, all with their wands drawn, heading up into the main castle.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
The houses in the better part of San Francisco, in those days, were all alike and all so ugly it was a wonder even their owners did not know it. (My father called it the better part of the city because he lived there.) Most of them were built on hillsides, with two or three of their corners standing on stilts. From the sidewalk you saw the doors a dozen feet above your head, the stairs leading up to them and a flat, bare expanse of pine sheathing enclosing the stilts. Each crowded against the next without an inch to spare, the houses themselves were narrow and looked taller than they actually were. If one of them had not occasionally been painted a dull brown instead of a dull green, or if a panel of brick had not been set here and there among the panels of wood, nobody could have told where his neighbor’s left off and his own began. All of them rose straight from the sidewalks; there were no lawns, and no trees. A few blocks away there were well-proportioned and attractive houses, but the builders of our street had searched farther for their model—in a box factory, from the evidence. We were moderately rich, and nothing was too bad for us.
George Albee (Young Robert: A Brief History)
how he would get to Tronjheim’s base—where the Urgals were breaking in. There was no time to climb down. He looked at the narrow trough to the right of the stairs, then grabbed one of the leather pads and threw himself down on it. The stone slide was smooth as lacquered wood. With the leather underneath him, he accelerated almost instantly to a frightening speed, the walls blurring and the curve of the slide pressing him high against the wall. Eragon lay completely flat so he would go faster. The air rushed past his helm, making it vibrate like a weather vane in a gale. The trough was too confined for him, and he was perilously close to flying out, but as long as he kept his arms and legs still, he was safe. It was a swift descent, but it still took him nearly ten minutes to reach the bottom. The slide leveled out at the end and sent him skidding halfway across the huge carnelian floor. When he finally came to a stop, he was too dizzy to walk. His first attempt to stand made him nauseated, so he curled up, head in his hands, and waited for things to stop spinning. When he felt better, he stood and warily looked around. The great chamber was completely deserted, the silence unsettling. Rosy light filtered down from Isidar Mithrim. He faltered—Where was he supposed to go?—and cast out his mind for the Twins. Nothing. He froze as loud knocking echoed through Tronjheim. An explosion split the air. A long slab of the chamber floor buckled and blew thirty feet up. Needles of rocks flew outward as it crashed down. Eragon stumbled back, stunned, groping for Zar’roc. The twisted shapes of Urgals clambered out of the hole in the floor. Eragon hesitated. Should he flee? Or should he stay and try to close the tunnel? Even if he managed to seal it before the Urgals attacked him, what if Tronjheim was already breached elsewhere? He could not find all the places in time to prevent the city-mountain from being captured. But if I run to one of Tronjheim’s gates and blast it open, the Varden could retake Tronjheim without having to siege it. Before he could decide, a tall man garbed entirely in black armor emerged from the tunnel and looked directly at him. It was Durza. The Shade carried his pale blade marked with the scratch from Ajihad. A black roundshield with a crimson ensign rested on his arm. His dark helmet was richly decorated, like a general’s, and a long snakeskin cloak billowed around him. Madness burned in his maroon eyes, the madness of one who enjoys power and finds himself in the position to use it.
Christopher Paolini (Eragon (The Inheritance Cycle, #1))
In spite of all these concerns, in the morning when I left my hotel I went joyfully down the stairs, whistling all the while, and emerged into the street at ten or eleven, whenever I wanted. It was fun, I felt happy, and then I realized that it wasn’t all much fun and I wasn’t all that happy. Had a weight been lifted from my back? The weight of living? I had been born bowed down with grief. The universe seemed to me a kind of enormous cage, or rather a big prison, with the sky a ceiling, and the horizon walls beyond which there had to be something else. But what? I was in a vast space, and yet it was locked. Or rather, I had the feeling I was in a huge ship, and the sky above was an enormous cover. There was a crowd of prisoners, and as far as I could tell most of them were unaware of their condition. What was there beyond the walls? Well, when you really thought about it, there was a positive side to the picture: the daily prison, the little jail inside the big one, had opened its doors to me. Now I was able to stroll at will along the main thoroughfares, the broad avenues of the big jail. It was a world comparable to a zoo in which the animals enjoyed a kind of semi-freedom, with man-made mountains, artificial woods, and imitation lakes, but at the far reaches there were still the same old fences.
Eugène Ionesco (The Hermit)
If you happened to find yourself at the foot of the stairs in the White House on a typical afternoon sometime around 1804 or 1805, you might have noticed a perky bird in a pearl-gray coat ascending the steps behind Thomas Jefferson, hop by hop, as the president retired to his chambers for a siesta. This was Dick. Although the president didn’t dignify his pet mockingbird with one of the fancy Celtic or Gallic names he gave his horses and sheepdogs—Cucullin, Fingal, Bergère—still it was a favorite pet. “I sincerely congratulate you on the arrival of the Mocking bird,” Jefferson wrote to his son-in-law, who had informed him of the advent of the first resident mockingbird. “Learn all the children to venerate it as a superior being in the form of a bird.” Dick may well have been one of the two mockingbirds Jefferson bought in 1803. These were pricier than most pet birds ($10 or $15 then—around $125 now) because their serenades included not only renditions of all the birds of the local woods, but also popular American, Scottish, and French songs. Not everyone would pick this bird for a friend. Wordsworth called him the “merry mockingbird.” Brash, yes. Saucy and animated. But merry? His most common call is a bruising tschak!—a kind of unlovely avian expletive that one naturalist described as a cross between a snort of disgust and a hawking of phlegm. But Jefferson adored Dick for his uncommon intelligence, his musicality, and his remarkable ability to mimic. As the president’s friend Margaret Bayard Smith wrote, “Whenever he was alone he opened the cage and let the bird fly about the room. After flitting for a while from one object to another, it would alight on his table and regale him with its sweetest notes, or perch on his shoulder and take its food from his lips.” When the president napped, Dick would sit on his couch and serenade him with both bird and human tunes.
Jennifer Ackerman (The Genius of Birds)
and Bran was suddenly afraid. Old sour-smelling Yoren looked up at Robb, unimpressed. “Whatever you say, m’lord,” he said. He sucked at a piece of meat between his teeth. The youngest of the black brothers shifted uncomfortably in his seat. “There’s not a man on the Wall knows the haunted forest better than Benjen Stark. He’ll find his way back.” “Well,” said Yoren, “maybe he will and maybe he won’t. Good men have gone into those woods before, and never come out.” All Bran could think of was Old Nan’s story of the Others and the last hero, hounded through the white woods by dead men and spiders big as hounds. He was afraid for a moment, until he remembered how that story ended. “The children will help him,” he blurted, “the children of the forest!” Theon Greyjoy sniggered, and Maester Luwin said, “Bran, the children of the forest have been dead and gone for thousands of years. All that is left of them are the faces in the trees.” “Down here, might be that’s true, Maester,” Yoren said, “but up past the Wall, who’s to say? Up there, a man can’t always tell what’s alive and what’s dead.” That night, after the plates had been cleared, Robb carried Bran up to bed himself. Grey Wind led the way, and Summer came close behind. His brother was strong for his age, and Bran was as light as a bundle of rags, but the stairs were steep and dark, and Robb was breathing hard by the time they reached the top. He put Bran into bed, covered him with blankets, and blew out the candle. For a time Robb sat beside him in the dark. Bran wanted to talk to him, but he did not know what to say. “We’ll find a horse for you, I promise,” Robb whispered at last. “Are they ever coming back?” Bran asked him. “Yes,” Robb said with such hope in his voice that Bran knew he was hearing his brother and not just Robb the Lord. “Mother will be home soon. Maybe we can ride out to meet her when she comes. Wouldn’t that surprise her, to see you ahorse?” Even in the dark room, Bran could feel his brother’s smile. “And afterward, we’ll ride north to see the Wall. We won’t even tell Jon we’re coming, we’ll just be there one day, you and me. It will be an adventure.” “An adventure,” Bran repeated wistfully. He heard his brother sob. The room was so dark he could not see the tears on Robb’s face, so he reached out and found his hand. Their fingers twined together. EDDARD “Lord Arryn’s death was a great sadness for all of us, my lord,” Grand Maester Pycelle said.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Suddenly I realized I was standing on the hot wood of the dock, still touching elbows with Adam, staring at the skull-and-crossbones pendant. And when I looked up into his light blue eyes, I saw that he was staring at my neck. No. Down lower. “What’cha staring at?” I asked. He cleared his throat. “Tank top or what?” This was his seal of approval, as in, Last day of school or what? or, Dallas Cowboys Cheerleaders or what? Hooray! He wasn’t Sean, but he was built of the same material. This was a good sign. I pumped him for more info, to make sure. “What about my tank top?” “You’re wearing it.” He looked out across the lake, showing me his profile. His cheek had turned bright red under his tan. I had embarrassed the wrong boy. Damn, it was back to the football T-shirt for me. No it wasn’t, either. I couldn’t abandon my plan. I had a fish to catch. “Look,” I told Adam, as if he hadn’t already looked. “Sean’s leaving at the end of the summer. Yeah, yeah, he’ll be back next summer, but I’m afraid I won’t be able to compete once he’s had a taste of college life and sorority girls. It’s now or never, and desperate times call for desperate tank tops.” Adam opened his mouth to say something. I shut him up by raising my hand. Imitating his deep boy-voice, I said, “I don’t know why you want to hook up with that jerk.” We’d had this conversation whenever we saw each other lately. I said in my normal voice, “I just do, okay? Let me do it, and don’t get in my way. Stay out of my net, little dolphin.” I bumped his hip with my hip. Or tried to, but he was a lot taller than me. I actually hit somewhere around his mid-thigh. He folded his arms, stared me down, and pressed his lips together. He tried to look grim. I could tell he was struggling not to laugh. “Don’t call me that.” “Why not?” “Dolphins don’t live in the lake,” he said matter-of-factly, as if this were the real reason. The real reason was that the man-child within him did not want to be called “little” anything. Boys were like that. I shrugged. “Fine, little brim. Little bass.” He walked toward the stairs. “Little striper.” He turned. “What if Sean actually asked you out?” I didn’t want to be teased about this. It could happen! “You act like it’s the most remote poss-“ “He has to ride around with the sunroof open just so he can fit his big head in the truck. Where would you sit?” “In his lap?” A look of disgust flashed across Adam’s face before he jogged up the stairs, his weight making the weathered planks creaked with every step.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
With great care, Amy opened the cellar door. With ladylike demeanor, she descended the stairs. And as her reward, she had the satisfaction of catching His Mighty Lordship sitting on the cot, his knee crooked sideways and his ankle pulled toward him, cursing at the manacle. “I got it out of your own castle,” she said. Northcliff jumped like a lad caught at a mischief. “My . . . castle?” At once he realized what she meant. “Here on the island, you mean. The old ancestral pile.” “Yes.” She strolled farther into the room. “I went down into the dungeons, crawled around in among the spider webs and the skeleton of your family’s enemies—” “Oh, come on.” He straightened his leg. “There aren’t any skeletons.” “No,” she admitted. “We had them removed years ago.” For one instant, she was shocked. So his family had been ruthless murderers! Then she realized he was smirking. The big, pompous jackass was making a jest of her labors. “If I could have found manacles that were in good shape I’d have locked both your legs to the wall.” “Why stop there? Why not my hands, too?” He moved his leg to make the chain clink loudly. “Think of your satisfaction at the image of my starving, naked body chained to the cold stone—” “Starving?” She cast a knowledgeable eye at the empty breakfast tray, then allowed her lips to curve into a sarcastic smile. “You’d love a look at my naked body, though, wouldn’t you?” He fixed his gaze on her, and for one second she thought she saw a lick of golden flame in his light brown eyes. “Isn’t that what this is all about?” “I beg your pardon.” She took a few steps closer to him—although she remained well out of range of his long arms. What are you talking about?” “I spurned you, didn’t I?” What? What What was he going on about? “You’re a girl from my past, an insignificant debutante I ignored at some cotillion or another. I didn’t dance with you.” He stretched out on the cot, the epitome of idle relaxation. “Or I did, but I didn’t talk to you. Or I forgot to offer you a lemonade, or—” “I don’t believe you.” She tottered to the rocking chair and sank down. “Are you saying you think this whole kidnapping was done because you, the almighty marquees of Northcliff, treated me like a wallflower?” “It seems unlikely I treated you as a wallflower. I have better taste than that.” He cast a critical glance up and down her workaday gown, then focused on her face. “You’re not in the common way, you must know that. With the proper gown and your hair swirled up in that style you women favor—” He twirled his fingers about his head—“you would be handsome. Perhaps even lovely.” She gripped the arms of the chair. Even his compliments sounded like insults! “We’ve never before met, my lord.” As if she had not spoken, he continued, “but I don’t remember you, so I must have ignored you and hurt your feelings—” “Damn!” Exploding out of the chair, she paced behind it, gripping the back hard enough to break the wood. His arrogance was amazing. Invulnerable! “Haven’t you heard a single word I’ve said to you? Are you so conceited you can’t conceive of a woman who isn’t interested in you as a suitor?” “It’s not conceit when it’s the truth.” He sounded quite convinced.
Christina Dodd (The Barefoot Princess (Lost Princesses, #2))
Shawn slowly climbed the old wooden stairs, listening to the low creak that sounded from his footsteps. He hoped the wood wouldn’t collapse beneath him. But the stairs held strong and a moment later he joined his friend in the kitchen of the old house, a wave of suffocating humidity washing over them as they stepped deeper into its secrets.
Joe DeRouen (Small Things (Small Things #1))
this creature moved on all fours. Long, pointed ears lay flat against the monster's head. The long, tapered snout was wrinkled into a snarl, lips pulled back to reveal two rows of razor-sharp fangs. Muscles moved like liquid beneath the layers of coarse, black fur. Terrible clawed feet, each toe ending with a black, curved talon that wrapped around the stairs, splintering the wood.
Graeme Reynolds (High Moor)
We climbed up the stairs to the jet.  As I entered, the first thing that came to my mind was, 'Holy shit, I'm on an episode of Criminal Minds.'  The jet was super posh.  Cream-colored leather seats in groups of four, with real wood tables in between, filled the spacious interior.  The plush carpeting underfoot make our steps soundless, muffling the noises of our boarding.  I was willing to bet that those chairs could recline all the way.  This is about as far from coach class as I was ever going to get.
Elle Casey (The Changelings (War of the Fae, #1))
No one could accuse Building 20 of burying its Services too deep in the Structure. Recabling from office to office, lab to lab, or even wing to wing is largely a matter of do-it-yourself. Rather than a burden, the occupants consider this a benefit. 1990 - The wide wood stairs in Building 20 show wear in a way that adds to its myth. You feel yourself walking in historic footsteps in pursuit of technical solutions that might be elegant precisely because they are quick and dirty. And that describes the building: elegant because it is quick and dirty.
Stewart Brand (How Buildings Learn: What Happens After They're Built)
Platinum Flooring Company’s certified and skilled installers are trained to install hardwood products for any give art form, which would not only make your new floor look great, but last long for years to come. The Platinum Flooring Company’s specialist would not only help you select the perfect laminate flooring for your home that would suit your home décor as well as budget, but would also install your new laminate flooring for a fast, worry-free installation experience. Platinum Flooring Company is a full service, Hayward based flooring and installation firm specializing in classic design with a global influence. Whether designing residential or commercial spaces, Platinum Flooring has built a reputation on achieving highly individual results for a discerning clientele across the state of California and Beyond. At Platinum Floor Company, we have a separate team of stair installers headed by a stair specialist, having intense knowledge of different wood species, latest technology tools and in-depth knowledge of angular complexities. “Wooden floor, especially hardwood is good as it can take a lot of abuse and has a greater life expectancy compared to laminate or engineered floors.”, says Alex Vongsouthi – Founder, Platinum Flooring Company. But there are several reasons which can make your wood floor crack or separate between boards, cup, crown, etc. some being high traffic on the floor, spillages, sunlight and high percentage of moisture content in the room. With this it can be difficult to know whether floors need to be replaced or can be fixed. Platinum Flooring is renowned for its high standards and uncompromising service quality, with the expertise of a high-end retailer in Hardwood, Engineered wood and Laminate flooring.
Hardwood Store
The few times Harper had come down the mountain, Mercy always managed to find him to tag along with whatever he was doing. She’d developed a strange attachment to the scary soldier. One morning she’d opened the front door to walk outside and had to slam to a stop in surprise. Harper was sitting on the porch stairs and her daughter stood behind him, with her arms wrapped as far around his massive shoulders as she could reach. She looked ridiculously tiny compared to the former soldier with the shaved head, but the man didn’t move for several long seconds. Finally, he patted her little hands and sent her running to the playground. Lora thought she’d escaped his notice, but when he stood up he caught her eye in the doorway. “She’s worth her weight in gold,” he rumbled. “I will do everything in my power to keep her safe.” Lora nodded and watched as he disappeared into the woods, huge gun held in his arms like a baby. When she’d asked Mercy about the incident later, her daughter had shrugged. “He seemed sad so I gave him a hug.” Those words had humbled her. But
J.M. Madden (Embattled Home (Lost and Found, #3))
Tree House   This jungle tree house build is both fun and rewarding, especially once you get finished in the evening and can watch the sun set from the patio of your new house suspended a hundred feet in the air. Here’s how to get started.   Once you locate a jungle biome in your world, pick out a few tall trees that are close to each other:         Start by building a platform around one of the trees and adding columns at the corners to support a half-roof:           With the columns in place, begin adding on a roof, using stairs as the roof portions. Note that all of the wood I’m using for this build is jungle wood.             Add fencing between the columns to keep people from falling out, leaving a space on one side for your patio. Create the patio using bottom stone slabs for a lower portion where a fountain/waterfall will go, then using top stone slabs for the eating area.               Once the patio is completed, you can use pressure plates on top of fence posts for tables, stairs for chairs and then use a water bucket to create a nice flow of water through a hole in the patio. Fences around the perimeter keep people safe and a few torches keep things well-lit.   Next, find a nearby tree and construct a second platform:           Make sure the second platform is surrounded by fending as well, then connect both platforms with stairs and wood planks, adding in fencing on the sides for safety:           This new platform will be the sleeping area, and three sets of beds arranged around the tree in the middle look cozy and inviting. Top this platform off with a few torches and you’re set!         Adding some jungle leaves above the platform will protect sleepers below from getting wet when it rains, and will help keep things looking natural and open.         Go back to the main platform and construct an additional, smaller platform above it:         Cut a hole in both platforms and add a tall ladder going from the uppermost platform down to the ground, passing through the main platform on its way. At the bottom, add a landing with torches and stairs leading down to the beach:           Clear the upper platform of leaves and then add on fencing for safety, torches for light and use a staircase and wooden slab to create long chairs that people can sit on to watch the sunsets. A pair of stairs on the sides of the upper platform add additional seating for more guests:             Wow! This tree house looks amazing! You’ve got all of the basic set up, so now it’s up to you to take it to the next level! Add in more personal touches, expand the tree house with more connected platforms or build even higher into the jungle!  
Markus Bergensten (The Mining Construction Handbook: Your Complete Guide to Minecraft Construction)
He kept digging, kept scratching — every finger, both hands, until he could feel the wood scraping on raw flesh. His wrists throbbed, the plastic cutting into them. He called out as one of his nails peeled back off the bed, screaming with a voice barely his own. But he couldn’t give up. And after who knows how long, he could get his fingers around the tip. Now he needed to get it out. He didn’t really wear man-jewellery, but he had a ring he wore around his index finger. A ring she’d given him — stolen for him. For them. Grace. He had to get back to her. Tell her he was okay. He got the flat side against the point and pushed, wedging himself under it.  Whether it took an hour or five, he didn’t know. He could feel blood in his palms as the steel stabbed at his skin with every slip.  But slowly he made progress, a millimetre at a time, forcing it upwards. And then it landed softly in the dirt next to the box. He managed to fold himself up under the new hole and shove his heel against it.  With what little strength he had left he pushed upwards, feeling the wood bow in the absence of the nail. He kicked at it, then kicked at it again. And again. And again. Until the pain in his foot was unbearable. And then he kept kicking, not feeling it moving, but knowing that staying inside meant death. People didn’t get nailed into boxes if they were going to survive.  The fuzz of whatever was in his system was still lingering. He didn’t seem to be able to concentrate on more than one thing at a time — but Grace was always there. Thin, brown hair, pretty in all the right ways. She was all he had now. He had to get back to her. The lid came loose, nails creaking in the wood, and in a blur he was out. Sweat-soaked, filthy, crying, he flopped out and into the dirt.  The room smelled like a swimming pool and polythene sheets hung from the ceiling. He didn’t wait to see what else there was. At the far side of the room, he could make out a door, outlined in the dim red glow of a tiny bulb above the frame. Next to it there was a crowbar, rusted and rough, silhouetted in the half-light. He limped over, his legs numb from the box and the drugs, and pulled it open, grabbing the bar. The light blinked off, the little plastic control unit next to it clicking, but he didn’t care. He had to get out.  The stairs beyond creaked under his weight as he dragged himself up on bloody fingers, the crowbar clanging against the mouldy stonework walls.
Morgan Greene (Bare Skin (DS Jamie Johansson #1))
He didn’t know how he got in the box.  Everything was foggy and numb like the bad end of a heavy dose.  He tried to blink himself clear, but couldn’t focus his mind.  This wasn’t heroin. He knew the difference.  His throat folded over on itself as he tried to swallow. When was the last time he drank something? When was the last time he remembered doing anything? And why the hell was he in a box? His hands were bound and he could feel the roughly cut end of a zip-tie digging into the skin on his leg where his wrists had been resting.  It felt like wood under his fingernails in the dark and he could feel the corners around him — he was hunched over, his knees to his chest. There were air holes the size of his fingers drilled through the plywood. He remembered the feeling of the layers from that time he’d been made to help his dad build that bookcase that fit in the nook under the stairs.  Mum had wanted to have one made, but dad had said it was way too expensive, and that he would build one — with Ollie’s help.  Why the hell was he in this box?  His arm was itching, the track marks enraged and fresh.  Ollie kicked out, his bare heels catching splinters as he thumped against the sides, listening to the noise ring in the room around him. He couldn’t see anything, couldn’t hear anything except his own heart in his ears. He could smell fresh sawdust, damp earth, something sharp and synthetic, like bleach, and his own breath, hot against his cheeks as he pressed his eye to the hole above him. He tried to calm himself, replaying the last things he remembered over and over in his head. It was all fog. There were streets, people he knew but whose faces he couldn’t see, then there was someone he didn’t recognise, someone alien to him, and then nothing.  His fingers traced the seams, looking for a gap. There wasn’t one.  Tears burned hot on his face, his eyes stinging in the dust.  He kept searching, the rough skin under his chewed nails discovering the hard protrusion of an angled nail. The tip was sticking out through the wood on his right side — hammered through the lid at an odd angle. God, how couldn’t he remember being nailed inside a damn coffin?  He pulled at it, hands still bound, and felt his fingernails pull back.  He wept more, digging into the wood around it, focused solely on it. The only weak point in the box. His only chance. There was no one else around and he had to escape. That was all he knew.
Morgan Greene (Bare Skin (DS Jamie Johansson #1))
We'll drink horse bark root beer And sit on your back stairs And I'll whisper in your hair In the summer air In the summer air And the sweat will roll down our backs And we'll follow animal tracks To a tree in the woods And a hole in the leaves we'll see The bright baby eyes of a chickadee How will I know How will I know And the sweat will roll down our backs And we'll follow animal tracks To a tree in the woods And a hole in the leaves we'll see The bright baby eyes of a chickadee The bright baby eyes of a chickadee
Mountain Man
At evening the complaint of the cuckoo Grows still in the wood. The grain bends its head deeper, The red poppy. Darkening thunder drives Over the hill. The old song of the cricket Dies in the field. The leaves of the chestnut tree Stir no more. Your clothes rustle On the winding stair. The candle gleams silently In the dark room; A silver hand Puts the light out; Windless, starless night.
Georg Trakl (Twenty Poems of Georg Trakl)
They even carried slingshots loaded with very hard acorns, in case they met up with dangerous mail bandits along their postal route. This was unlikely, as they only needed to go up a flight of stairs.
Maryrose Wood (The Interrupted Tale (The Incorrigible Children of Ashton Place, #4))
Write it down. Write it. With ordinary ink on ordinary paper: they weren’t given any food, they all died of hunger. All. How many? It’s a large meadow. How much grass per head? Write down: I don’t know. History rounds off skeletons to zero. A thousand and one is still only a thousand. That one seems never to have existed: a fictitious fetus, an empty cradle, a primer opened for no one, air that laughs, cries and grows, stairs for a void bounding out to the garden, no one’s spot in the ranks. It became flesh right here, on this meadow. But the meadow’s silent, like a witness who’s been bought. Sunny. Green. A forest close at hand, with wood to chew on, drops beneath the bark to drink – a view served round the clock, until you go blind. Above, a bird whose shadow flicked its nourishing wings across their lips. Jaws dropped, teeth clattered. At night a sickle glistened in the sky and reaped the dark for dreamed-of loaves. Hands came flying from blackened icons, each holding an empty chalice. A man swayed on a grill of barbed wire. Some sang, with dirt in their mouths. That lovely song about war hitting you straight in the heart. Write how quiet it is. Yes.
Wisława Szymborska
Look out for Papa,” said Brother Bear as the Bear Scouts tiptoed down the stair. “We won’t need Pa,” Sister Bear said. “Not this trip,” agreed Cousin Fred. “I see you Scouts are on your way into the Great Spooky Forest for an overnight stay!” “Pa! I hope you’ll excuse us,” said Brother Bear. “But this is a trip we’d rather not share.” “It’s also a trip I’d rather not share. Me sleep with spooks? Not on a dare!” “Spooks?” gasped the Scouts, not a little afraid. “Spooks of all kinds! A nightly parade! “And boss of them all-- the Ghost of the Wood! Call off the trip, Scouts. I really and truly think you should!” “Nonsense!” said Mama, who overheard. “Spooks, indeed! Not another word! “Your papa’s just trying to give you a scare. So, be off with you, Scouts,” smiled wise Mama Bear.
Stan Berenstain (The Berenstain Bears and the Ghost of the Forest)
The Resource List Oak Wood 104, Oak Wood Planks 12, Oak Wood Slabs 58, Birch Wood Planks 28, Birch Wood Stairs 36, Birch Wood Slabs 60, Cobblestone Wall 44, Gravel, Glass 16, Ladders 18, Fence 26, Torch 10, Redstone Torch 4, Redstone Lamp 4, Painting, Crafting Table, Furnace, Trapdoors, Chests, Wooden Door, Flower Pots 3, Jungle Leaves, Jungle Sapling 4, Fern 2, Flowers
Johan Lööf (Minecraft House Ideas & Awesome Structures (Resource Lists, Step-By-Step Blueprints, Descriptions & Pictures))
Step 3: Roof Outline Now you can do an outline of birch wood stairs on top of the pillars along the blue line in the picture. Step 4: Jungle Tree Plant four jungle tree saplings on the ground right in the middle of the pillars. Place one on each X in the picture. Instantly grow the jungle tree with bone meal.
Johan Lööf (Minecraft House Ideas & Awesome Structures (Resource Lists, Step-By-Step Blueprints, Descriptions & Pictures))
Step 5: Roof Fill in the whole area inside the stairs with birch wood slabs, only fill up the lower half layer. Step 6: Remove Tree Trunk Remove three blocks of the tree trunk right below the ceiling to leave space for our floor. Step 7: Oak Wood Outline Build a row of oak wood on the 1st and the 4th block below the ceiling between the pillars. Follow the blue lines in the picture and do this on all four sides. Check out the 2nd picture to see how the tree house should look by now.
Johan Lööf (Minecraft House Ideas & Awesome Structures (Resource Lists, Step-By-Step Blueprints, Descriptions & Pictures))
The twist of the stairs tightened; the carpet beneath their galloping feet gave way to boards; a door presented itself with a simpler, barer flight of staircase beyond. Glancing back down the well, Smith saw beneath the spiral of astonished faces tilted up at him that there was a commotion in the hall now, with shouts and banging, but that, judging by the banging, the door to the street had not been opened. Not yet, anyway. Up the next flight. Oilcloth, plain wood, a child’s wooden horse: a nursery. Past a nurse with a babe in arms that began, reliably, to bawl. Last flight: up among the eaves, servants’ bedrooms, grey plaster, cold air, truckle beds. Along a mean corridor, Septimus counting along the rooms on their right. Last room. Door of plain pine. Door locked from inside. Septimus rapped on it. No answer but a faint, sickly groan.
Francis Spufford (Golden Hill)
Spruce Wood 155 Spruce Wood Planks 51 Spruce Wood Stairs 122 Spruce Wood Slabs 16 Oak Wood Planks 77 Stone Bricks 178 Stone Brick Stairs 25 Stone Brick Slabs 38 Mossy Stone Bricks 22 Bookshelves 18 Oak Leaves 9 Fence 34 Glass Panes 8
Johan Lööf (Minecraft House Ideas: The Forest Cabin (Step-By-Step Blueprint Guide And Video Instructions Included))
Amy talks about that bastard Hunter like he’s reg’lar people,” Henry hissed. Loretta walked over to the window and unfastened the doeskin membrane to gaze out into the twilight. She curled her fingers around the windowsill, digging her nails into the wood. Gazing up at the rise, she remembered Hunter’s gentleness with Amy when he brought her back to the village after her ordeal with Santos. “Uncle Henry, you may as well know. That bastard you hate so much is my husband.” Wood splintered from under Loretta’s fingernails. “I married him before a priest, and I--I love him. I’d appreciate it if you wouldn’t speak ill of him in front of me.” Behind her, the cabin grew so quiet that Loretta could hear the others breathing. Rigid, she waited for the explosion. It wasn’t long in coming. “Say what?” Henry cried. “Hunter is my husband.” Repeating the words lent her courage. She turned from the window to face her uncle, who had lurched to his feet. “We’re married, and our union is blessed by the church.” “He forced you?” “Unlike some I know, Hunter has never forced me to do anything.” She met Henry’s gaze, well aware her meaning wasn’t lost on him. “He’s never mistreated me in any way, never intimidated me. I’m proud to be his wife. When he comes for me, I’ll be going with him.” “Jesus Lord, she’s lost her mind,” Henry whispered. He sank onto the bench, looking like a billows that had just been emptied of air. “Go with him? Back to the Comanches? Rachel, talk sense to her. I never heard of such.” Making a visible effort not to follow Amy up the stairs, Rachel searched her niece’s eyes, then sighed. “I reckon if she loves him, Henry, all the talkin’ in the world won’t change it. Loretta? Are you sure of this?” “Yes. I love him, with all my heart.
Catherine Anderson (Comanche Moon (Comanche, #1))
They stared at the sign without expression. They looked at the brown-papered windows. They examined the façade of the whole crumbling edifice as though they had never seen it before. Then the first cop jerked his head. “Come on.” The second cop followed. When the first cop planted his big foot on the second stair with assured authority, it went on through the rotting wood up to his knee.
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
Resigned that I wasn’t going back to sleep, I rolled up and got out of bed once another glance at my phone confirmed it was seven thirty and instantly peeked out the window. There was a dull, repetitive sound coming from out there. It was Mr. Rhodes. Chopping wood. Shirtless. And I mean shirtless. I’d expected something nice beneath his clothes from the way he filled them out, but nothing could have prepared me for the sight of… him. Reality. If I wasn’t already pretty sure that there was dry drool on my face, there would have been five minutes after seeing all…. That through the window. A pile of foot-long logs were tossed around his feet, with another small pile that he’d obviously already chopped, just to the side. But it was the rest of him that really drew my attention. Dark chest hair was sprinkled high over his pectorals. The body hair did nothing to take away from the hard slabs of abdominal muscles he’d been hiding; he was broad up top, narrow at the waist, and covering all that was firm, beautiful skin. His biceps were big and supple. Shoulders rounded. His forearms were incredible. And even though his shorts grazed his knees, I could tell the rest of his downtown area was nice and muscular. He was the DILF to end all DILFs. My ex had been fit. He’d worked out several times a week at our home gym with a trainer. Being attractive had been part of his job. Kaden’s physique had nothing on Mr. Rhodes though. My mouth watered a little more. I whistled. And I must have done it a lot louder than I’d thought because his head instantly went up and his gaze landed on me through the window almost immediately. Busted. I waved. And inside… inside, I died. He lifted his chin. I backed away, trying to play it off. Maybe he wouldn’t think anything of it. Maybe he’d think I’d whistled… to say hi. Sure, yeah. A girl could dream. I backed up some more and felt my soul shriveling as I made my breakfast, making sure to stay away from the window the rest of the time. I tried to focus on other stuff. You know, so I wouldn’t want to have to move out from shame. Was I tired? Absolutely. But there were things I wanted to do. Needed to do. Including but not limited to getting away from Mr. Rhodes so my soul could come back to life. So an hour later, with a plan in mind, a sandwich, a couple bottles of water, and my whistle in my backpack, I headed down the stairs, hoping and praying that Mr. Rhodes was back in his house. I wasn’t that lucky. He had a shirt on, but that was the only difference. Darn.
Mariana Zapata (All Rhodes Lead Here)
Tricks with Mirrors i It's no coincidence this is a used furniture warehouse. I enter with you and become a mirror. Mirrors are the perfect lovers, that's it, carry me up the stairs by the edges, don't drop me, that would be back luck, throw me on the bed reflecting side up, fall into me, it will be your own mouth you hit, firm and glassy, your own eyes you find you are up against closed closed ii There is more to a mirror than you looking at your full-length body flawless but reversed, there is more than this dead blue oblong eye turned outwards to you. Think about the frame. The frame is carved, it is important, it exists, it does not reflect you, it does not recede and recede, it has limits and reflections of its own. There's a nail in the back to hang it with; there are several nails, think about the nails, pay attention to the nail marks in the wood, they are important too. iii Don't assume it is passive or easy, this clarity with which I give you yourself. Consider what restraint it takes: breath withheld, no anger or joy disturbing the surface of the ice. You are suspended in me beautiful and frozen, I preserve you, in me you are safe. It is not a trick either, it is a craft: mirrors are crafty. iv I wanted to stop this, this life flattened against the wall, mute and devoid of colour, built of pure light, this life of vision only, split and remote, a lucid impasse. I confess: this is not a mirror, it is a door I am trapped behind. I wanted you to see me here, say the releasing word, whatever that may be, open the wall. Instead you stand in front of me combing your hair. v You don't like these metaphors. All right: Perhaps I am not a mirror. Perhaps I am a pool. Think about pools.
Margaret Atwood
She was hungry. She was... doing something. Learning something. ... I put a hand on my chest, leaning against the wood panels of the stair wall. Rhys's hand covered my own a heartbeat later. 'That's what I felt,' he said, 'when I saw you smile that night we dined along the Sidra.' I leaned forward, resting my brow against his chest, right over his heart. 'She still has a long way to go.' 'We all do.' He stroked a hand over my back. I leaned into the touch, savouring his warmth and strength.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
The grandfather clock gonged three. Papa spoke a word that sounded like a spell, though I couldn't be sure. It was neither kind nor cruel. It was simply a wheel going into its grooves. All I knew then was that I was falling through time, years opening up into a black abyss that swallowed me whole. When they spit me out I was sixteen again, Dr. Bakay's hands on my budding breasts; I was thirteen, eating my bird-mother for supper; I was elven and Papa was dragging me down the stairs and into the foyer so I could tell fortunes for men with lust in their eyes. I was nine and lying awake at night at Papa's footsteps made the wood ache and groan.
Ava Reid (Juniper & Thorn)
The King of England painfully climbed the two hundred and eight steps which led to Merlyn's tower room, and knocked on the door. The magician was inside, with Archimides sitting on the back of his chair, busily trying find the square root of minus one. He had forgotten how to do it. "Merlyn," said the King, panting. "I want to talk to you." He slammed his book with a bang, leaped to his feet, seized the wand of lignum vitae, and rushed at Arthur as if he were trying to shoo away a stray chicken. "Go away!" he shouted. "What are you doing here? Why do you mean by it? Aren't you the King of England? Go away and send for me! Get out of my room! I never heard of such a thing! Go away!" "But I am here." "No, you're not," retorted the old man resourcefully. And he pushed the King out of the door, slamming it in his face. "Well!" said Arthur, and he went off sadly down the two hundred and eight stairs.
T.H. White (The Witch in the Wood (The Once and Future King, #2))
I have seen, by the whitest crown, an owl above the woods. The whitest owl, the eyes were blinded by daylight while during the night, she overlooks more than one blue night guarded by silver gloves. I guide the forest in older stairs, than now.
Petra Hermans (Voor een betere wereld)
Francis knew Dottie Epstein was not at the library. She had seen Dottie hurrying into the woods a few hours before. Dottie was a strange, elusive creature, always squirreling herself away somewhere to read. Francis said nothing, because she didn’t particularly like answering questions, and because she respected Dottie’s right to hide herself away if she felt like it.
Maureen Johnson (The Vanishing Stair (Truly Devious, #2))
The outer stairs and walkway terraces were made of rotting wood. The cement walls had that unfinished, swirling look that could cut your hand if you leaned against it wrong. Small chunks of concrete lay on the ground. An unplugged Pepsi machine guarded the door like one of the Queen's guards.
Harlan Coben (Back Spin (Myron Bolitar, #4))
Three elderly ladies were discussing the travails of getting older. One said, “Sometimes I catch myself in front of the refrigerator with a jar of mayonnaise in my hand, and I can’t remember whether I need to put the jar away or start making a sandwich.” The second lady chimed in, “Yes, sometimes I find myself on the landing of the stairs and can’t remember whether I was on my way up or down.” “Well, I’m glad I don’t have that problem—knock on wood,” the third one said as she rapped her knuckles on the table. “Oh! That must be the door—I’ll get it!
Jim Kraus (The Laugh-a-Day Book of Bloopers, Quotes & Good Clean Jokes)
The winter of 1944-45 continued to be bitterly cold; it was hard to acquire enough kindling wood to heat the apartment. Besides, when it was stored in the cellar, we had to carry it up 100 stairs. Life continued to be brutally hard, sullen and joyless. We had been cut off from the family for years. Life after the liberation offered little chance for improvement. Father's family had been wiped out in Poland. We knew it from a reliable source, from a Jewish partisan, who had fought in the underground, in Galizia.
Pearl Fichman (Before Memories Fade)
Kate looked to the kitchen stairs that led up to the second floor where her four-year-old son was sound asleep, then shook her head. She hadn’t told him the news yet. She didn’t want him hearing it from the neighbors. “No, but thanks. I need to be with him if he wakes. We’ll be fine.” “I’m always here for you, Kate. Remember that. If you need anything, I’m just across the street.” “Thanks.” Kate forced a smile she didn’t feel. With a quick hug, Mindy made her way to the front of the house. When the heavy mahogany door clicked shut, Kate turned and surveyed the empty house. She was alone. Totally alone. No car would be pulling into the drive in the middle of the night. Jake wouldn’t come bounding through the door, apologizing for missing yet another dinner. She wouldn’t see his face or feel his arms around her again. It didn’t matter if he’d been a lousy husband. He’d been her husband. And now he was gone. From now on, it would just be her and Reed. Shaky lips blew out a long sigh. She tamped down the grief that wanted to pour over her again. Even though it was close to midnight, she knew there was no way she’d be able to drift into a slumber, peaceful or otherwise. Making her way into Jake’s office, she rubbed the chill from her arms, then sank into the chair behind his desk, letting the butter-soft leather cushion her aching body. With trembling fingers, her hand feathered the dark wood in front of her. Her gaze washed over the room. A tall bookshelf
Elisabeth Naughton (Wait for Me (Against All Odds #2))
could have sworn that she saw the tip of Douglas’s tail wag. She left Bomber to his odious sister and tripped downstairs into the bright afternoon sunshine. The last thing she heard as she closed the door behind her was from Portia, in an altogether changed, but still unpleasant, wheedling tone: ‘Now, darling, when are you going to publish my book?’ At the corner of Great Russell Street she stopped for a moment, remembering the man she had smiled at. She hoped that the person he was meeting hadn’t left him waiting for too long. Just then, in amongst the dust and dirt at her feet, the glint of gold and glass caught her eye. She stooped down, rescued the small, round object from the gutter and slipped it safely into her pocket. Chapter 4 It was always the same. Looking down and never turning his face to the sky, he searched the pavements and gutters. His back burned and his eyes watered, full of grit and tears. And then he fell; back through the black into the damp and twisted sheets of his own bed. The dream was always the same. Endlessly searching and never finding the one thing that would finally bring him peace. The house was filled with the deep, soft darkness of a summer night. Anthony swung his weary legs out of bed and sat shrugging the stubborn scraps of dream from his head. He would have to get up. Sleep would not return tonight. He padded down the stairs, their creaking wood echoing his aching bones. No light was needed until he reached the kitchen. He made a pot of tea, finding more comfort in the making than the drinking, and took it through to the study. Pale moonlight skimmed across the edges of the shelves and pooled in the centre of the mahogany table. High on a shelf in the corner, the gold lid of the biscuit tin winked at him as he crossed the room. He took it down carefully and set it in the shimmering circle of light on the table. Of all the things that he had ever found, this troubled him the most. Because it was not a ‘something’ but a ‘someone’; of that he was unreasonably sure. Once again, he removed the lid and inspected the contents, as he had done every day for the past week since bringing it home. He had already repositioned the tin in the study several times, placing it higher up or hidden from sight, but its draw remained irresistible. He couldn’t leave it alone. He dipped his hand into the tin and gently rolled the coarse, grey grains across his fingertips. The memory swept through him, snatching his breath and winding him as surely as any punch to the gut. Once again, he was holding death in his hands. The life they could have had together was a self-harming fantasy in which Anthony rarely indulged. They might have been grandparents by now. Therese had never spoken about wanting children, but then they had both assumed that they had
Ruth Hogan (The Keeper of Lost Things)
The servant escorted Cass up the stairs into a vast portego lined with dark wood and accented with red and yellow paint. Cass fought the urge to wince. The whole room, even the ceiling, was adorned with elaborate sculptures of angels and winged horses. There must have been forty little flying creatures in there, each painted more garishly than the next. The walls were deep mahogany, with white marble moldings carved in swirling patterns. A giant square mirror hung at the center of each wall, reflecting the swirls and wings from across the room, magnifying the entire effect. It was hideous.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
Listening to the empty house, hearing the old voices upstairs and her mother calling them to dinner, their feet booming on the stairs, the fire in the stove ticking as though it spoke to time like some deranged clock, as though the log in the stove were spitting out the time stored in its wood, thinking, time is at once addition and subtraction, time adds one day to the next and always takes away from what’s left, the slow sleeping breath before her.
Paul Lynch (Prophet Song)
There’s the horror-movie version: a shadow with a knife, the one who escaped from the hospital on the hill during that storm. It’s the person living in the walls. In mystery novels, it might be the smiling stranger, the one with the passing knowledge of poisons. It’s the relative left out of the will, or the one recently added to it. It’s the jealous colleague at the museum who wants to be the first to announce the new archeological discovery. It’s the overly helpful person who follows the detective around. On the all-murder, true-crime channel, it’s the new neighbor with the boat, the one in his midforties to midfifties with the tan who has no past and who recently purchased a human-sized cooler. It’s the person who lives in the shack in the woods. It’s the unseen figure on the corner of the street. On all crime shows, it’s usually the third person the cops interview. It’s the one you sort of think it is. In life, the murderer is anyone. The reasons, the methods, the circumstances—the paths to becoming a murderer are as numerous as the stars. Understanding this is the first step to finding a murderer. You have to shut down the voices in your mind that say, “It has to be this person.” Murderers aren’t a type. They’re anyone.
Maureen Johnson (The Vanishing Stair (Truly Devious, #2))