Stain My Hero Quotes

Dakota's head was stuck in his toga. He staggered around olike a Kool-Aid-stained ghost. "Um," Percy said, "should I wear my bed sheets?

An oncology ward is a battlefield, and there are definite hierarchies of command. The patients, they're the ones doing the tour of duty. The doctors breeze in and out like conquering heroes, but they need to read your child's chart to remember where they've left off from the previous visit. It is the nurses who are the seasoned sergeants -- the ones who are there when your baby is shaking with such a high fever she needs to be bathed in ice, the ones who can teach you how to flush a central venous catheter, or suggest which patient floor might still have Popsicles left to be stolen, or tell you which dry cleaners know how to remove the stains of blood and chemotherapies from clothing. The nurses know the name of your daughter's stuffed walrus and show her how to make tissue paper flowers to twine around her IV stand. The doctors may be mapping out the war games, but it is the nurses who make the conflict bearable.

Those unearthly eyes were so close, she could see the reflection of her own furious expression in their depths. “I’d rather watch you take a lover than die at my hands.” She knew how much those words must’ve tortured him. Even now, the air was staining bloodred with anger. “And would you let that man live?” she whispered. No response. That gave her hope even when hope seemed impossible. “Then we fight, Judd.” She dared to place her hand gently on his chest. He flinched but didn’t move away. “We fight until every avenue is closed and then we dig under the roadblocks. Because I am not walking away from us.” Strong words, but she was shaking. He could destroy her with a few careless comments. “You’re the strongest, most determined woman I know.” He played his fingers along the strands of her hair. “You’d make mincemeat out of a lesser man. It’s a good thing you belong to me.” Relief almost collapsed her knees. “Not funny.” “I’m serious.” Something very male moved over his face. “If you say yes now, I won’t let you go if you decide I’m not what you want later on down the road. You say yes, you say yes forever. Be sure.

Now that it’s too late, now that I lie here dying on this bloodstained sand, I finally get it. I understand, now. I understand. I know what he meant. My father told me that to know the enemy is half the battle. I know you, now. That’s right. It’s you. All of you who sit in comfort and watch me die, who see the twitch of my bowels through my own eyes: You are my enemy. Corpses lie scattered around me, gleanings left in a wheat field by a careless reaper. Berne’s body cools beneath the bend of my back, and I can’t feel him anymore. The sky darkens over my head—but no, I think that’s my eyes; Pallas’ light seems to have faded. Every drop of the blood that soaks into this sand stains my hands and the hands of the monsters that put me here. That’s you, again. It’s your money that supports me, and everyone like me; it’s your lust that we serve. You could thumb your emergency cut-off, turn your eyes from the screen, walk out of the theatre, close the book . . . But you don’t. You are my accomplice, and my destroyer. My nemesis. My insatiable blood-crazed god. Ah, ahhh, Christ . . . it hurts.

If I were deaf, I’d wear loud clothing. My clothes would also be covered in coffee stains, because Helen Keller is my hero.

A person could still have what are considered to be “good” intentions and do something that does not benefit others. For example, in this old Anime show called MY Hero Academia, there was this villain called Stain who had really good intentions for heroes: he thought that heroes should live up to their potential and do their hero work out of dedication, not just for fame and money, but to enforce those ideals, he would attempt to murder heroes whom he believed did not live up to those ideals. His intentions would be morally right by current philosophical standards on morality, but he was destroying members of humanity, which is not beneficial to those members. His intentions didn’t actually follow the duality, because although he intended for humanity to be heroic instead of greedy, he still had spite in himself, so part of his intentions were for the benefit of humanity, but the other part was not. They were, in fact, for the detriment of heroes he disliked. He was not COMPLETELY following the benefit-intention duality.

The translucent, golden punch tastes velvety, voluptuous and not off-puttingly milky. Under its influence, I stage a party for my heroines in my imagination, and in my flat. It's less like the glowering encounter I imagined between Cathy Earnshaw and Flora Poste, and more like the riotous bash in Breakfast at Tiffany's. Not everyone is going to like milk punch. So there are also dirty martinis, and bagels and baklava, and my mother's masafan, Iraqi marzipan. The Little Mermaid is in the bath, with her tail still on, singing because she never did give up her soaring voice. Anne Shirley and Jo March are having a furious argument about plot versus character, gesticulating with ink-stained hands. Scarlett is in the living room, her skirts taking up half the space, trying to show Lizzy how to bat her eyelashes. Lizzy is laughing her head off ut Scarlett has acquired a sense of humour, and doesn't mind a bit. Melanie is talking book with Esther Greenwood, who has brought her baby and also the proofs of her first poetry collection. Franny and Zooey have rolled back the rug and are doing a soft shoe shuffle in rhinestone hats. Lucy Honeychurch is hammering out some Beethoven (in this scenario I have a piano. A ground piano. Well, why not?) Marjorie Morningstar is gossiping about directors with Pauline and Posy Fossil. They've come straight from the shows they're in, till in stage make-up and full of stories. Petrova, in a leather aviator jacket, goggles pushed back, a chic scarf knotted around her neck, is telling the thrilling story of her latest flight and how she fixed an engine fault in mid-air. Mira, in her paint-stained jeans and poncho, is listening, fascinated, asking a thousand questions. Mildred has been persuaded to drink a tiny glass of sherry, then another tiny glass, then another and now she and Lolly are doing a wild, strange dance in the hallway, stamping their feet, their hair flying wild and electric. Lolly's cakes, in the shape of patriarchs she hates, are going down a treat. The Dolls from the Valley are telling Flora some truly scandalous and unrepeatable stories, and she is firmly advising them to get rid of their men and find worthier paramours. Celie is modelling trousers of her own design and taking orders from the Lace women; Judy is giving her a ten-point plan on how to expand her business to an international market. She is quite drunk but nevertheless the plan seems quite coherent, even if it is punctuated by her bellowing 'More leopard print, more leopard print!' Cathy looks tumultuous and on the edge of violent weeping and just as I think she's going to storm out or trash my flat, Jane arrives, late, with an unexpected guest. Cathy turns in anticipation: is it Heathcliff? Once I would have joined her but now I'm glad it isn't him. It's a better surprise. It's Emily's hawk. Hero or Nero. Jane's found him at last, and has him on her arm, perched on her glove; small for a bird of prey, he is dashing and patrician looking, brown and white, observing the room with dark, flinty eyes. When Cathy sees him, she looks at Jane and smiles. And in the kitchen is a heroine I probably should have had when I was four and sitting on my parents' carpet, wishing it would fly. In the kitchen is Scheherazade.

Leave it be,” he said. “And let the tear stains remain. Nothing else could stand as proof of your love for your family as they can.” He was right, of course. The admiral was always right. She lunged out of the chair and hurled herself into his arms, crying bitterly, feeling his hands stroking her hair and soothing her. He held her for a long time, and then he gently set her back, gazing lovingly into her eyes and thumbing away the wetness upon her cheeks. Then he stood, tall, dark and splendidly handsome, and gave her an encouraging smile. “Finish your letter, Maeve,” was all he said, and, turning on his heel, left the room.

How old are you, son?' Whitman asked. 'Going on seventeen.' 'So young,' he said, stroking the back of my hand with his poem-stained fingers. 'How did you come to lose your eye?' I told him the story of my heroism, with embellishments--told it so well, I was nearly persuaded of my exceptional character. 'You sacrificed what little you had to call your own for democracy, freedom, and human dignity. You gave an eye, half of man's greatest blessing, when rich men up north paid a small price to keep themselves and their sons from harm.' With those few words, accompanied by a glance that seemed to measure the dimensions of my meager existence, Whitman made me see myself as a sacrifice on the altar of wealth, but a hero notwithstanding.

Mother’s tenderness toward my younger sisters caused more tears to pool in my eyes. I felt too old to be hugged and caressed by her, yet my body yearned for her touch; at least this once. I couldn't recall the last time she had shared the same warmth with me. The countless months of hardship had created an ocean of distance between us. It would be too awkward to hug her now. I sat across from her with tear-stained cheeks, wondering if she could feel my sadness and if she knew I loved her unconditionally.

L'essere umano chiamato "Allmight" non conosce altro modo di vivere! È quel "credo" inciso nella sua anima ciò che la gente osanna!