Stage Mom Quotes

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She wanted this. And I wanted her to have it. I wanted her to be happy. But now that I have it, I realize that she’s happy and I’m not. Her happiness came at the cost of mine. I feel robbed and exploited.
Jennette McCurdy (I'm Glad My Mom Died)
But depression wasn't the word. This was a plunge encompassing sorrow and revulsion far beyond the personal: a sick, drenching nausea at all humanity and human endeavor from the dawn of time. The writhing loathsomeness of the biological order. Old age, sickness, death. No escape for anyone. Even the beautiful ones were like soft fruit about to spoil. And yet somehow people still kept fucking and breeding and popping out new fodder for the grave, producing more and more new beings to suffer like this was some kind of redemptive, or good, or even somehow morally admirable thing: dragging more innocent creatures into the lose-lose game. Squirming babies and plodding, complacent, hormone-drugged moms. Oh, isn't he cute? Awww. Kids shouting and skidding in the playground with no idea what future Hells await them: boring jobs and ruinous mortgages and bad marriages and hair loss and hip replacements and lonely cups of coffee in an empty house and a colostomy bag at the hospital. Most people seemed satisfied with the thin decorative glaze and the artful stage lighting that sometimes, made the bedrock atrocity of the human predicament look somewhat more mysterious or less abhorrent. People gambled and golfed and planted gardens and traded stocks and had sex and bought new cars and practiced yoga and worked and prayed and redecorated their homes and got worked up over the news and fussed over their children and gossiped about their neighbors and pored over restaurant reviews and founded charitable organizations and supported political candidates and attended the U.S. Open and dined and travelled and distracted themselves with all kinds of gadgets and devices, flooding themselves incessantly with information and texts and communication and entertainment from every direction to try to make themselves forget it: where we were, what we were. But in a strong light there was no good spin you could put on it. It was rotten from top to bottom.
Donna Tartt (The Goldfinch)
I'm half of my father. Half of my hero. And I am half of my mother. Half soft sighs and half sharp edges. And if they can be Carmindor and Amara--then somewhere in my blood and bones I can be too. I'm the lost princess. I'm the villain of my story, and the hero. Part of my mom and part of my dad. I am a fact of the universe. The Possible and the Impossible. I am not no one. I am my parents' daughter, and then I realize--I realize that in this universe they're alive too. They're alive through me. Fashioning my hands into a pistol, I point it at the ceiling, lifting my chin, raising my eyes against the blinding stage lights, and I ignite the stars.
Ashley Poston (Geekerella (Once Upon a Con, #1))
Stage Mom Mom swore she never knew what went on behind The Producer’s Green Door.
M.S.M. Barkawitz (Feeling Lucky)
Tobin," Mom said disapprovingly. She wasn't a particularly funny person. It suited her professionally - I mean, you don't want your cancer surgeon to walk into the examination room and be like, "Guy walks into a bar. Bartender says, 'What'll ya have?' And the guy says, 'Whaddya got?' And the bartender says, 'I don't know what I got, but I know what you got: Stage IV melanoma.
John Green (Let It Snow: Three Holiday Romances)
When they bombed Hiroshima, the explosion formed a mini-supernova, so every living animal, human or plant that received direct contact with the rays from that sun was instantly turned to ash. And what was left of the city soon followed. The long-lasting damage of nuclear radiation caused an entire city and its population to turn into powder. When I was born, my mom says I looked around the whole hospital room with a stare that said, "This? I've done this before." She says I have old eyes. When my Grandpa Genji died, I was only five years old, but I took my mom by the hand and told her, "Don't worry, he'll come back as a baby." And yet, for someone who's apparently done this already, I still haven't figured anything out yet. My knees still buckle every time I get on a stage. My self-confidence can be measured out in teaspoons mixed into my poetry, and it still always tastes funny in my mouth. But in Hiroshima, some people were wiped clean away, leaving only a wristwatch or a diary page. So no matter that I have inhibitions to fill all my pockets, I keep trying, hoping that one day I'll write a poem I can be proud to let sit in a museum exhibit as the only proof I existed. My parents named me Sarah, which is a biblical name. In the original story God told Sarah she could do something impossible and she laughed, because the first Sarah, she didn't know what to do with impossible. And me? Well, neither do I, but I see the impossible every day. Impossible is trying to connect in this world, trying to hold onto others while things are blowing up around you, knowing that while you're speaking, they aren't just waiting for their turn to talk -- they hear you. They feel exactly what you feel at the same time that you feel it. It's what I strive for every time I open my mouth -- that impossible connection. There's this piece of wall in Hiroshima that was completely burnt black by the radiation. But on the front step, a person who was sitting there blocked the rays from hitting the stone. The only thing left now is a permanent shadow of positive light. After the A bomb, specialists said it would take 75 years for the radiation damaged soil of Hiroshima City to ever grow anything again. But that spring, there were new buds popping up from the earth. When I meet you, in that moment, I'm no longer a part of your future. I start quickly becoming part of your past. But in that instant, I get to share your present. And you, you get to share mine. And that is the greatest present of all. So if you tell me I can do the impossible, I'll probably laugh at you. I don't know if I can change the world yet, because I don't know that much about it -- and I don't know that much about reincarnation either, but if you make me laugh hard enough, sometimes I forget what century I'm in. This isn't my first time here. This isn't my last time here. These aren't the last words I'll share. But just in case, I'm trying my hardest to get it right this time around.
Sarah Kay
I got a washed out version of Mom’s curls and a better copy of Dad’s blue eyes, The rest of me, I guess, is up for grabs. Except maybe Gran’s nose, but she could have been trying to make me feel better. I’m no prize. Most girls go through a gawky stage, but I’m beginning to think mine will be a lifelong thing. It doesn’t bother me too much. Better to be strong than pretty and useless. I’ll take a plain girl with her head screwed on right over a cheerleader any day.
Lilith Saintcrow (Strange Angels (Strange Angels, #1))
We talked about how sad and miserable we are and how we feel guilty about it because we have so much to be grateful for. We watched "Dance Moms" until we fell asleep. Between Abby Lee Miller's abusive tactics and the intensity of the parents, we relate deeply.
Jennette McCurdy (I'm Glad My Mom Died)
(I pull the second to last item out of my bag. Her purple hair clip. She told me once how much it meant to her, and why she always keeps it.) This purple hair clip? It really is magic…just like your dad told you it was. It’s magic because, no matter how many times it lets you down…you keep having hope in it. You keep trusting it. No matter how many times it fails you, You never fail it. Just like you never fail me. I love that about you, because of you. (I set it back down and pull out a strip of paper and unfold it.) Your mother. (I sigh) Your mother was an amazing woman, Lake. I'm blessed that I got to know her, And that she was a part of my life, too. I came to love her as my own mom…just as she came to love Caulder and I as her own. I didn’t love her because of you, Lake. I loved her because of her. So, thank you for sharing her with us. She had more advice about Life and love and happiness and heartache than anyone I've ever known. But the best advice she ever gave me? The best advice she ever gave us? (I read the quote in my hands) "Sometimes two people have to fall apart, to realize how much they need to fall back together." (She’s definitely crying now. I place the slip back inside the satchel and take a step closer to the edge of the stage as I hold her gaze.) The last item I have wouldn’t fit, because you’re actually sitting in it. That booth. You’re sitting in the exact same spot you sat in when you watched your first performance on this stage. The way you watched this stage with passion in your eyes…I'll never forget that moment. It's the moment I knew it was too late. I was too far gone by then. I was in love with you. I was in love with you because of you. (I back up and sit down on the stool behind me, still holding her stare.) I could go on all night, Lake. I could go on and on and on about all the reasons I'm in love with you. And you know what? Some of them are the things that life has thrown our way. I do love you because you're the only other person I know that understands my situation. I do love you because both of us know what it's like to lose your mom and your dad. I do love you because you're raising your little brother, just like I am. I love you because of what you went through with your mother. I love you because of what we went through with your mother. I love the way you love Kel. I love the way you love Caulder. And I love the way I love Kel. So I'm not about to apologize for loving all these things about you, no matter the reasons or the circumstances behind them. And no, I don’t need days, or weeks, or months to think about why I love you. It’s an easy answer for me. I love you because of you. Because of every single thing about you.
Colleen Hoover (Point of Retreat (Slammed, #2))
His last election night was on the wide-open stretch of Zilker Park, against the backdrop of the Austin skyline. He remembers everything. He was eighteen years old in his first custom-made suit, corralled into a hotel around the corner with his family to watch the results while the crowd swelled outside, running with his arms open down the hallway when they called 270. He remembers it felt like his moment, because it was his mom and his family, but also realizing it was, in a way, not his moment at all, when he turned around and saw Zahra's mascara running down her face. He stood next to the stage set into the hillside of Zilker and looked into eyes upon eyes upon eyes of women who were old enough to have marched on Congress for the VRA in '65 and girls young enough never to have known a president who was a white man. All of them looking at their first Madam President.
Casey McQuiston (Red, White & Royal Blue)
Dear Mr. Peter Van Houten (c/o Lidewij Vliegenthart), My name is Hazel Grace Lancaster. My friend Augustus Waters, who read An Imperial Affliction at my recommendationtion, just received an email from you at this address. I hope you will not mind that Augustus shared that email with me. Mr. Van Houten, I understand from your email to Augustus that you are not planning to publish any more books. In a way, I am disappointed, but I'm also relieved: I never have to worry whether your next book will live up to the magnificent perfection of the original. As a three-year survivor of Stage IV cancer, I can tell you that you got everything right in An Imperial Affliction. Or at least you got me right. Your book has a way of telling me what I'm feeling before I even feel it, and I've reread it dozens of times. I wonder, though, if you would mind answering a couple questions I have about what happens after the end of the novel. I understand the book ends because Anna dies or becomes too ill to continue writing it, but I would really like to mom-wether she married the Dutch Tulip Man, whether she ever has another child, and whether she stays at 917 W. Temple etc. Also, is the Dutch Tulip Man a fraud or does he really love them? What happens to Anna's friends-particularly Claire and Jake? Do they stay that this is the kind of deep and thoughtful question you always hoped your readers would ask-what becomes of Sisyphus the Hamster? These questions have haunted me for years-and I don't know long I have left to get answers to them. I know these are not important literary questions and that your book is full of important literally questions, but I would just really like to know. And of course, if you ever do decide to write anything else, even if you don't want to publish it. I'd love to read it. Frankly, I'd read your grocery lists. Yours with great admiration, Hazel Grace Lancaster (age 16)
John Green (The Fault in Our Stars)
It would be easier if they named jeans for celebrities so you'd know exactly what you were getting without even having to try them on. 'Mary-Kate' for itty-bitty jeans that come with a cartoonishly oversized caramel latte cup; 'Angelina Jolie' for jeans that are sold with two tiny Cambodian orphans stitched right into the back pockets; 'Katie Holmes', jeans which spell out 'help me!' in the fabric if you look very closesly; and 'Dina Lohan', self-promoting stage mom of Lindsay, for jeans that look OK from a distance, but when you get closer, are actually transparent. For men, there could be 'David Hasselhoff' jeans, made entirely of cheese, and 'John Mayer' jeans which, when removed, become instantly bored and walk themselves to to the house of next 'it' girl in Hollywood.
Celia Rivenbark (You Can't Drink All Day If You Don't Start in the Morning)
More and more I’m seeing motherhood as a marathon of endurance, not a sprint to the next stage of life.
Stacey Thacker (Hope for the Weary Mom: Let God Meet You in the Mess)
There go the crazy eyes again,” he whispered. “Shit.” I shut my eyes tight. Lizzy walking in on me and my boyfriend seven years ago had been pretty damn embarrassing, especially given that she then ran and told mom. Not that mom had been coherent enough to care. This, however, topped it. “Your cheeks have gone all rosy. Are you thinking rude thoughts about me, Anne?” “No.” “Liar,” he taunted in a soft voice. “You’re totally thinking of me with no pants on.” I totally was. “That’s just gross, dude. A massive invasion of my privacy.” He leaned in closer, his breath warming my ear. “Whatever you’re imagining, it’s bigger.” “I’m not imagining anything.” “I’m serious. It’s basically a monster. I cannot control it.” “Malcolm–” “You’re pretty much going to need a whip and chair to tame it, Anne.” “Stop it.” “That okay with you?
Kylie Scott (Play (Stage Dive, #2))
Who was this woman before me, her face imprinted with the expectations of others? I was Mom. I was Wife. I was Tragedy. I was Pilot. They all were me, and I, them. That was a fate we could not escape, we women; we would always be called upon by others in a way men simply never were. But weren't we always, first and foremost -- woman? Wasn't there strength in that, victory, clarity -- in all the stages of a woman's life?
Melanie Benjamin (The Aviator's Wife)
When Chloe tries to explain what she loves so much about high school theater, even though she'll probably never set foot on another stage after graduation, she always ends up at this: the chaos of backstage. Sitting on the dressing room floor in a sweaty wig cap eating a box of McNuggets someone's mom dropped off, accidentally catching a glimpse of a cute lead's underwear when they're quick-changing behind a towel in the wings, ranking the smelliest character shoes in the chorus, and the delirious, unsupervised hours between the morning and evening shows on a Saturday.
Casey McQuiston (I Kissed Shara Wheeler)
Tell me everything. Did you manage to have any fun? I hope you at least staged a protest in the middle of one of Lillian's formal dinners. Burned a few bras?" "The 1960s called, Mom. They want their signature feminist protest back." "Smart-ass.
Jennifer Lynn Barnes (Little White Lies (Debutantes, #1))
My mom loved me no matter what I did. [...] When I really screwed up, she'd tell me that she loved me but that she didn't like me very much at that moment. [...] I know that God or Fate or whatever is out there loves me, but I don't think he likes me very much.
Shaun David Hutchinson (The Five Stages of Andrew Brawley)
These numbers show that among the participants of the study, “Mom” (or a mom figure) was the primary family abuser.
Shannon Thomas (Healing from Hidden Abuse: A Journey Through the Stages of Recovery from Psychological Abuse)
Mother; that woman who still considers you a child irrespective of the stage you are in life
Fausat Omolara Ayinla
But depression wasn’t the word. This was a plunge encompassing sorrow and revulsion far beyond the personal: a sick, drenching nausea at all humanity and human endeavor from the dawn of time. The writhing loathsomeness of the biological order. Old age, sickness, death. No escape for anyone. Even the beautiful ones were like soft fruit about to spoil. And yet somehow people still kept fucking and breeding and popping out new fodder for the grave, producing more and more new beings to suffer like this was some kind of redemptive, or good, or even somehow morally admirable thing: dragging more innocent creatures into the lose-lose game. Squirming babies and plodding, complacent, hormone-drugged moms. Oh, isn’t he cute? Awww. Kids shouting and skidding in the playground with no idea what future Hells awaited them: boring jobs and ruinous mortgages and bad marriages and hair loss and hip replacements and lonely cups of coffee in an empty house and a colostomy bag at the hospital. Most people seemed satisfied with the thin decorative glaze and the artful stage lighting that, sometimes, made the bedrock atrocity of the human predicament look somewhat more mysterious or less abhorrent.
Donna Tartt (The Goldfinch)
I’m starting to think it’d be easier if I just ran onto the stage and shouted, ‘Hey, Mom, we know you’re here! Come out, come out wherever you are!’ ” Keefe grumbled as they headed into round two of walk-scan-squint-listen duty. “But you’re not going to, right?” Wylie seemed to need Keefe to verify.
Shannon Messenger (Flashback (Keeper of the Lost Cities #7))
Mom told me you got hit by a ball last night, but I didn’t think it would be that nasty looking. Does it hurt?” “It’s tender,” I admitted. “I have some makeup that will cover it right up. No one will know.” “Maybe I want people to know. Maybe I see it as a badge of honor.” “Please. It looks like the first stage of turning into a zombie.
Rachel Hawthorne (The Boyfriend League)
Being a mom can be a lonely job too, sometimes other people don’t see that. The child’s the center of your universe.
Zoje Stage (Baby Teeth)
That's my mom's friend from Cleveland,' she said as an obese woman in a black muumuu hoisted herself onto the stage. She sang 'On My Own' from Les Miserables, a capella. It was painful to watch.
Ottessa Moshfegh (My Year of Rest and Relaxation)
When it came to my turn in the super spelling bee everyone had already been given really easy words. “Ryan,” Mr H said, “I want you to spell the word icup.” “Icup?” I thought.  I clammed up and my face went all warm and prickly, that feeling you get when you know you’re going to get the answer wrong. It’s a bit like the feeling you get when you walk up on stage to collect an award and you trip going up the stairs in front of everyone, or worse still, your pants fall down. It’s called embarrassment and I was feeling it big time. Actually it was worse than big time. It was humongous, mammoth, big time. All those long, boring afternoons sitting with Mom on the couch spelling word after word meant nothing anymore. I’d never heard of the word ‘icup’. “Oh no,” I thought. If I got this wrong I might not make the necessary criteria to get a raffle ticket before the big draw. Panic stations set in. This was going to be disastrous. ​Mom always said that if you get nervous or frightened, just imagine everyone around you is only in their underwear. It will make you laugh and you’ll forget your nerves. So I did, but it wasn’t a pretty sight. ​ “Ok get a grip of yourself Rino,” I said in my head. “Think about it and just sound the word out.” I could hear my Mom’s words bleating in my head as she so often did when I got stuck on a word. I began slowly, deep in thought and not willing to put one foot wrong sounding out each letter, “I … c.. u .. pee.”  There was silence and then the whole class erupted into hysterics, laughing their heads off, followed by Mr Higginbottom. Then I realised what I had just said when I sounded out the word; “I see you pee,” and I burst out into an embarrassed sort of laughter too. Mr Higginbottom came over and gave me a friendly pat on my head and ruffled my hair. It didn’t worry me that I’d combed it just the right way and put gel in it that morning. It was ok for Mr H to mess it up, but if my sister ever did it, she’d be dead meat. “Well
Kate Cullen (Game On Boys! The Play Station Play-offs: A Hilarious adventure for children 9-12 with illustrations)
found out I was singing, and he couldn’t resist the chance to see me embarrass myself. The play was supposed to start at 8: 00, but it got delayed because Rodney James had stage fright. You’d figure that someone whose job it was to sit on the stage and do nothing could just suck it up for one performance. But Rodney wouldn’t budge, and eventually, his mom had to carry him off. The play finally got started around 8: 30. Nobody could remember their lines, just like I predicted, but Mrs. Norton kept things
Jeff Kinney (Diary of a Wimpy Kid (Diary of a Wimpy Kid, #1))
She looked like the well put-together mom I would never be. Of course, she wasn’t a full-time, single mom and therefore had time for things like hair appointments and manicures. Also, her body had not pushed four bowling balls out her vagina, so she had that going for her too.
Rachel Higginson (The Five Stages of Falling in Love)
My tenseness isn’t coming from Wendy’s, it’s coming from Mom’s reasoning for suggesting Wendy’s. She knows I have money and could take her anywhere she’d like, and yet she chooses Wendy’s not because she likes it, but because she can go and tell her friends or fellow churchgoers how humble she is, how down to-earth, that even on a day as special as her birthday, all she did was eat a side salad from a fast food restaurant. This thing in Mom drives me nuts. This thing where she yearns to be pitied. She’s got stage four cancer, she’s already plenty pitied. She doesn’t need to throw Wendy’s on top of it.
Jennette McCurdy (I'm Glad My Mom Died)
The framing format I like has five key elements. You’re an entrepreneur trying to solve horrible problem X, usher in wonderful vision Y, or fix stagnant industry Z. Don’t mention your idea. Frame expectations by mentioning what stage you’re at and, if it’s true, that you don’t have anything to sell. Show weakness and give them a chance to help by mentioning the specific problem that you’re looking for answers on. This will also clarify that you’re not a time waster. Put them on a pedestal by showing how much they, in particular, can help. Explicitly ask for help. Or, in shorter form: Vision / Framing / Weakness / Pedestal / Ask
Rob Fitzpatrick (The Mom Test: How to talk to customers & learn if your business is a good idea when everyone is lying to you)
She’s my mom and she’s never seen me this happy before. Of course, she thinks I love you.” I braved a look at him. “And do you?” “If I deny it, will you be able to get through dinner?” I nodded, ignoring the thin veil of his words over the truth I didn’t want to accept. “Then I don’t love you. You’re the most aggravating woman I’ve ever met. I can barely tolerate you.” “And my kids?” “Oh, no,” he chuckled. “I definitely love them.” “You do?” An aching affection flooded my body, filling in all of the cracks that fear and uncertainty had left me with. An emotional heat bubbled in my chest and wrapped my stiff limbs with something like hope. “Yes, I do. But they agree with me about you. You aggravate us all.
Rachel Higginson (The Five Stages of Falling in Love)
Often, women's symptoms are brushed off as the result of depression, anxiety, or the all-purpose favorite: stress. Sometimes, they are attributed to women's normal physiological states and cycles: to menstrual cramps, menopause, or even being a new mom. Sometimes, other aspects of their identity seem to take center stage: fat women report that any ailment is blamed on their weight; trans women find that all their symptoms are attributed to hormone therapy; black women are stereotyped as addicts looking for prescription drugs, their reports of pain doubted entirely. Whatever the particular attribution, there is often the same current of distrust: the sense that women are not very accurate judges of when something is really, truly wrong in their bodies.
Maya Dusenbery (Doing Harm: The Truth About How Bad Medicine and Lazy Science Leave Women Dismissed, Misdiagnosed, and Sick)
I run the last thirty yards or so until I get to him just as he’s walking down the stage steps. He feels me. We make eye contact. He looks puzzled, maybe a little alarmed. “I think we have something in common” is what comes out of my mouth. His eyes well with tears. Mine do too. The next ten minutes are an informational exchange of a blur. I ask him if he knew about me, that I existed. He says yes. And my brothers. He says that he’s been waiting for us to contact him. He didn’t want to contact us because he wasn’t sure if we knew. He asks how I found out. I tell him. He says things ended poorly with Mom and that there was a big custody battle when we were little—that Mom said he was physically abusive (he assures me he wasn’t). She won. I ask him if he knew Mom died. He says yes, he saw it on E! News. I think about what a strange sentence that is.
Jennette McCurdy (I'm Glad My Mom Died)
The crowd wasn’t huge that night, maybe a couple hundred people. But as soon as she stepped onto the stage, Greta saw that her mom was right. There she was, right up front, with her thin glasses and short gray hair and sensible shoes, beaming amid a sea of college kids and hipsters dressed mostly in black. When their eyes met, Helen smiled and lifted a small white sign. Greta was in the middle of a complicated riff, but when the song came to an end, she took a few steps forward and squinted at it, trying to make out the words. GRETA’S MOM, it said in simple block lettering.
Jennifer E. Smith (The Unsinkable Greta James)
In attunement, it is the infant who leads and the mother who follows. “Where their roles differ is in the timing of their responses,” writes John Bowlby, one of the century’s great psychiatric researchers. The infant initiates the interaction or withdraws from it according to his own rhythms, Bowlby found, while the “mother regulates her behaviour so that it meshes with his... Thus she lets him call the tune and by a skillful interweaving of her own responses with his creates a dialogue.” The tense or depressed mothering adult will not be able to accompany the infant into relaxed, happy spaces. He may also not fully pick up signs of the infant’s emotional distress, or may not be able to respond to them as effectively as he would wish. The ADD child’s difficulty reading social cues likely originates from her relationship cues not being read by the nurturing adult, who was distracted by stress. In the attunement interaction, not only does the mother follow the child, but she also permits the child to temporarily interrupt contact. When the interaction reaches a certain stage of intensity for the infant, he will look away to avoid an uncomfortably high level of arousal. Another interaction will then begin. A mother who is anxious may react with alarm when the infant breaks off contact, may try to stimulate him, to draw him back into the interaction. Then the infant’s nervous system is not allowed to “cool down,” and the attunement relationship is hampered. Infants whose caregivers were too stressed, for whatever reason, to give them the necessary attunement contact will grow up with a chronic tendency to feel alone with their emotions, to have a sense — rightly or wrongly — that no one can share how they feel, that no one can “understand.” Attunement is the quintessential component of a larger process, called attachment. Attachment is simply our need to be close to somebody. It represents the absolute need of the utterly and helplessly vulnerable human infant for secure closeness with at least one nourishing, protective and constantly available parenting figure. Essential for survival, the drive for attachment is part of the very nature of warm-blooded animals in infancy, especially. of mammals. In human beings, attachment is a driving force of behavior for longer than in any other animal. For most of us it is present throughout our lives, although we may transfer our attachment need from one person — our parent — to another — say, a spouse or even a child. We may also attempt to satisfy the lack of the human contact we crave by various other means, such as addictions, for example, or perhaps fanatical religiosity or the virtual reality of the Internet. Much of popular culture, from novels to movies to rock or country music, expresses nothing but the joys or the sorrows flowing from satisfactions or disappointments in our attachment relationships. Most parents extend to their children some mixture of loving and hurtful behavior, of wise parenting and unskillful, clumsy parenting. The proportions vary from family to family, from parent to parent. Those ADD children whose needs for warm parental contact are most frustrated grow up to be adults with the most severe cases of ADD. Already at only a few months of age, an infant will register by facial expression his dejection at the mother’s unconscious emotional withdrawal, despite the mother’s continued physical presence. “(The infant) takes delight in Mommy’s attention,” writes Stanley Greenspan, “and knows when that source of delight is missing. If Mom becomes preoccupied or distracted while playing with the baby, sadness or dismay settles in on the little face.
Gabor Maté (Scattered: How Attention Deficit Disorder Originates and What You Can Do About It)
Imagine going a long time without seeing someone you love. Then after months or years getting the moment to see them and catch up. I think that's what death is like. Going a long time and missing them a lot, more and more each day. No matter how many years go by you miss them just as much as the first day they left. I miss my mom. Its been years. Its easier to manage but I miss her more and more. But I often think of the moment we will meet again and catch up again. In living life going a long time not seeing someone is tough then catching up right where you left off BUT imagine in death how powerful the feeling to see them again must be. Death is getting the chance to catch up and see them again. Experiencing the butterflies and that special high that is felt all over your body. Do not fear death. Embrace it as you do life. In life, love hard! Life moves fast. For when your time comes you have a chance to love hard again and catch up with those that left, those you've missed and those that missed you. Someone is there counting the days to seeing you again. Some you may not expect or some you've missed just as much. Don't fear what you think you're leaving behind. Don't fear at all. For what you leave is temporary, the living will too join you as you wait for them. And, that moment to catch up is worth the wait. You will pick up right where you left off as if time did not pass.
Jill Telford
My sister and I grew older. My mother educated us herself, always reminding us that though the Daglan had been vanquished, evil lived on. Evil lurked beneath our very feet, always waiting to devour us. I believe she told us this in order to keep us honest and true, certainly more than she had ever been. Yet as we aged and grew into our power, it became clear that only one throne could be inherited. I loved Helena more than anything. Should she have wanted the throne, it was hers. But she had as little interest in it as I did. It was not enough for my mother. Possessing all she had ever wanted was not enough. “Classic stage mom,” Bryce muttered. My mother remembered the talk of the Daglan—their mention of other worlds. Places they had conquered. And with two daughters and one throne … only entire worlds would do for us. For her legacy. Bryce shook her head again. She knew where this was going. Remembering the teachings of her former mistress, my mother knew she might wield the Horn and Harp to open a door. To bring the Fae to new heights, new wealth and prestige. Bryce rolled her eyes. Same corrupt, delusional Fae rulers, different millennium. Yet when she announced her vision to her court, many of them refused. They had just overthrown their conquerors—now they would turn conqueror, too? They demanded that she shut the door and leave this madness behind her. But she would not be deterred. There were enough Fae throughout her lands, along with some of the fire-wielders from the south, who supported the idea, merchants who salivated at the thought of untapped riches in other worlds. And so she gathered a force. It was Pelias who told her where to cast her intention. Using old, notated star maps from their former masters, he’d selected a world for them.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
But depression wasn’t the word. This was a plunge encompassing sorrow and revulsion far beyond the personal: a sick, drenching nausea at all humanity and human endeavor from the dawn of time. The writhing loathsomeness of the biological order. Old age, sickness, death. No escape for anyone. Even the beautiful ones were like soft fruit about to spoil. And yet somehow people still kept fucking and breeding and popping out new fodder for the grave, producing more and more new beings to suffer like this was some kind of redemptive, or good, or even somehow morally admirable thing: dragging more innocent creatures into the lose-lose game. Squirming babies and plodding, complacent, hormone-drugged moms. Oh, isn’t he cute? Awww. Kids shouting and skidding in the playground with no idea what future Hells awaited them: boring jobs and ruinous mortgages and bad marriages and hair loss and hip replacements and lonely cups of coffee in an empty house and a colostomy bag at the hospital. Most people seemed satisfied with the thin decorative glaze and the artful stage lighting that, sometimes, made the bedrock atrocity of the human predicament look somewhat more mysterious or less abhorrent. People gambled and golfed and planted gardens and traded stocks and had sex and bought new cars and practiced yoga and worked and prayed and redecorated their homes and got worked up over the news and fussed over their children and gossiped about their neighbors and pored over restaurant reviews and founded charitable organizations and supported political candidates and attended the U.S. Open and dined and travelled and distracted themselves with all kinds of gadgets and devices, flooding themselves incessantly with information and texts and communication and entertainment from every direction to try to make themselves forget it: where we were, what we were. But in a strong light there was no good spin you could put on it. It was rotten top to bottom. Putting your time in at the office; dutifully spawning your two point five; smiling politely at your retirement party; then chewing on your bedsheet and choking on your canned peaches at the nursing home. It was better never to have been born—never to have wanted anything, never to have hoped for anything.
Donna Tartt (The Goldfinch)
Being capable and productive feels somewhat beside the point these days. Either you're popular, and therefore exciting and successful and a winner, or you're unpopular, and therefore unimportant and invisible and devoid of redeeming value. Being capable was much more celebrated in the 1970s when I was growing up. People had real jobs that lasted a lifetime back then, and many workers seemed to embrace the promise that if you worked steadily and capably for years, you would be rewarded for it. Even without those rewards, working hard and knowing how to do things seemed like worthwhile enterprises in themselves. "Can she back a cherry pie, Billy Boy, Billy Boy?" my mom used to sing while rolling out pie crust with her swift, dexterous hands. Sexist as its message may have been, the modern version of that song might be worse. It would center around taking carefully staged and filtered photos of your pretty face next to a piece of cherry pie and posting it to your Instagram account, to be rewarded with two thousand red hearts for your efforts. Making food, tasting it, sharing it, understanding yourself as a human who can do things - all of this is flattened down to nothing, now, since only one or two people would ever know about it. Better to feed two thousand strangers an illusion than engage in real work to limited ends.
Heather Havrilesky (What If This Were Enough?: Essays)
But depression wasn’t the word. This was a plunge encompassing sorrow and revulsion far beyond the personal: a sick, drenching nausea at all humanity and human endeavor from the dawn of time. The writhing loathsomeness of the biological order. Old age, sickness, death. No escape for anyone. Even the beautiful ones were like soft fruit about to spoil. And yet somehow people still kept fucking and breeding and popping out new fodder for the grave, producing more and more new beings to suffer like this was some kind of redemptive, or good, or even somehow morally admirable thing: dragging more innocent creatures into the lose-lose game. Squirming babies and plodding, complacent, hormone-drugged moms. Oh, isn’t he cute? Awww. Kids shouting and skidding in the playground with no idea what future Hells awaited them: boring jobs and ruinous mortgages and bad marriages and hair loss and hip replacements and lonely cups of coffee in an empty house and a colostomy bag at the hospital. Most people seemed satisfied with the thin decorative glaze and the artful stage lighting that, sometimes, made the bedrock atrocity of the human predicament look somewhat more mysterious or less abhorrent. People gambled and golfed and planted gardens and traded stocks and had sex and bought new cars and practiced yoga and worked and prayed and redecorated their homes and got worked up over the news and fussed over their children and gossiped about their neighbors and pored over restaurant reviews and founded charitable organizations and supported political candidates and attended the U.S. Open and dined and travelled and distracted themselves with all kinds of gadgets and devices, flooding themselves incessantly with information and texts and communication and entertainment from every direction to try to make themselves forget it: where we were, what we were. But in a strong light there was no good spin you could put on it. It was rotten top to bottom. Putting your time in at the office; dutifully spawning your two point five; smiling politely at your retirement party; then chewing on your bedsheet and choking on your canned peaches at the nursing home. It was better never to have been born—never to have wanted anything, never to have hoped for anything. And all this mental thrashing and tossing was mixed up with recurring images, or half-dreams, of Popchik lying weak and thin on one side with his ribs going up and down—I’d forgotten him somewhere, left him alone and forgotten to feed him, he was dying—over and over, even when he was in the room with me, head-snaps where I started up guiltily, where is Popchik; and this in turn was mixed up with head-snapping flashes of the bundled pillowcase, locked away in its steel coffin.
Donna Tartt (The Goldfinch)
I grabbed my favorite exfoliating facial scrub, the same one I’d used all the way through college. Not quite as abrasive as drugstore-brand apricot scrubs, but grainy enough to get serious and do the trick. It had to be the magic bullet. It had to work. I started by washing my unfortunate face with a mild cleanser, then I squirted a small amount of the scrub on my fingers…and began facilitating the peeling process. I held my breath. It hurt. My face was in a world of pain. I scrubbed and scrubbed, wondering why facials even existed in the first place if they involved such torture. I’m a nice person, I thought. I go to church. Why is my skin staging a revolt? The week of a girl’s wedding was supposed to be a happy time. I should have been leaping gleefully around my parents’ house, using a glitter-infused feather duster to sparkle up my wedding gifts, which adorned every flat surface in the house. I should have been eating melon balls and laughing in the kitchen with my mom and sister about how it’s almost here! Don’t you love this Waterford vase? Oooh, the cake is going to be soooooo pretty. Instead, I was in my bathroom holding my face at gunpoint, forcing it to exfoliate on command. I rinsed my face and looked in the mirror. The results were encouraging. The pruniness appeared to have subsided; my skin was a little rosy from the robust scrubbing, but at least flakes of dead epidermis weren’t falling from my face like tragic confetti. To ward off any drying, I slathered my face with moisturizing cream. It stung--the effect of the isopropyl alcohol in the cream--but after the agony of the day before, I could take it. When it came to my facial nerve endings, I’d been toughened to a whole new level of pain.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Sky's The Limit" [Intro] Good evening ladies and gentlemen How's everybody doing tonight I'd like to welcome to the stage, the lyrically acclaimed I like this young man because when he came out He came out with the phrase, he went from ashy to classy I like that So everybody in the house, give a warm round of applause For the Notorious B.I.G The Notorious B.I.G., ladies and gentlemen give it up for him y'all [Verse 1] A nigga never been as broke as me - I like that When I was young I had two pair of Lees, besides that The pin stripes and the gray The one I wore on Mondays and Wednesdays While niggas flirt I'm sewing tigers on my shirts, and alligators You want to see the inside, I see you later Here comes the drama, oh, that's that nigga with the fake, blaow Why you punch me in my face, stay in your place Play your position, here come my intuition Go in this nigga pocket, rob him while his friends watching And hoes clocking, here comes respect His crew's your crew or they might be next Look at they man eye, big man, they never try So we rolled with them, stole with them I mean loyalty, niggas bought me milks at lunch The milks was chocolate, the cookies, butter crunch 88 Oshkosh and blue and white dunks, pass the blunts [Hook: 112] Sky is the limit and you know that you keep on Just keep on pressing on Sky is the limit and you know that you can have What you want, be what you want Sky is the limit and you know that you keep on Just keep on pressing on Sky is the limit and you know that you can have What you want, be what you want, have what you want, be what you want [Verse 2] I was a shame, my crew was lame I had enough heart for most of them Long as I got stuff from most of them It's on, even when I was wrong I got my point across They depicted me the boss, of course My orange box-cutter make the world go round Plus I'm fucking bitches ain't my homegirls now Start stacking, dabbled in crack, gun packing Nickname Medina make the seniors tote my Niñas From gym class, to English pass off a global The only nigga with a mobile can't you see like Total Getting larger in waists and tastes Ain't no telling where this felon is heading, just in case Keep a shell at the tip of your melon, clear the space Your brain was a terrible thing to waste 88 on gates, snatch initial name plates Smoking spliffs with niggas, real-life beginner killers Praying God forgive us for being sinners, help us out [Hook] [Verse 3] After realizing, to master enterprising I ain't have to be in school by ten, I then Began to encounter with my counterparts On how to burn the block apart, break it down into sections Drugs by the selections Some use pipes, others use injections Syringe sold separately Frank the Deputy Quick to grab my Smith & Wesson like my dick was missing To protect my position, my corner, my lair While we out here, say the Hustlers Prayer If the game shakes me or breaks me I hope it makes me a better man Take a better stand Put money in my mom's hand Get my daughter this college grant so she don't need no man Stay far from timid Only make moves when your heart's in it And live the phrase sky's the limit Motherfuckers See you chumps on top [Hook]
The Notorious B.I.G
I reflected over many years of trials and triumphs and I realized that the times that I succeeded were the times that I didn’t give up when things looked bad. I stuck with it and I pushed past the pain. Sowing and reaping is like that. We get past the stages of clearing clutter from our hearts and sowing the Word just fine, but then we get weary during the waiting stage, and by the time the germination stage comes, so much doubt and disappointment has built up that we give up—we stop believing. We begin to doubt and we lose faith. We never see our promise come to pass because we give up during the most critical stage of the process—the breaking stage. We’re so close, but because we feel so beat up we break down. The enemy wins.
Lynn R. Davis (The Life-Changing Experience of Hearing God's Voice and Following His Divine Direction: The Fervent Prayers of a Warrior Mom)
The breaking point isn’t the time to give up, it’s the time to dig in. Pressure is being put on your seed. It’s breaking forth and working to take root. Its creating an environment that will sustain it long term because the breaking point means harvest time is near and victory is imminent. Nevertheless, the pressure is real. This is the stage where many of us breakdown instead of breaking out.
Lynn R. Davis (The Life-Changing Experience of Hearing God's Voice and Following His Divine Direction: The Fervent Prayers of a Warrior Mom)
Instead, learn to seek and embrace the unique life God has for you at this age and stage of motherhood. Take a deep breath. Pause. Stop stressing. Quit running. Just relax.
Karen Ehman (Hoodwinked: Six Myths Moms Believe and Why We All Need to Knock It Off)
We’ll go with her,” Olivia said, squeezing Sophie’s hand. “Of course we will.” “Oh, no you won’t.” Baird walked into the room, frowning and Sophie wondered if Sylvan had called him. Liv opened her mouth to protest but he shook his head. “You’re expecting Lilenta. You can’t go.” “Baird is right,” Sylvan said quietly. “Your can’t go through folded space while you’re pregnant. The effects on the fetus are…bad. Very bad.” He shook his head. “Well then, I’ll go,” Sophia said. “Sylvan and I have only been together three and a half weeks so—” “Three and a half weeks in which we’ve been making love every spare minute, Talana,” Sylvan reminded her in a low voice. “How can you be sure you’re not with child as well?” “I could take a test,” Sophie said weakly but he shook his head. “It wouldn’t be conclusive—not at this stage. But if you wish to take the risk…” It was on the tip of her tongue to say that of course she would take the risk but Sophie looked in his eyes and saw the sadness there. Though he hadn’t spoken of it, she knew he yearned for what Baird and Liv had, knew how he wanted a son of his own. And her period was late. It might be a false alarm and she kind of hoped it was—she wasn’t sure if she was ready to be a mom just yet. But if it wasn’t… “Sophia,” Baird said softly, looking at her. “Kat risked her life to save you. I don’t think she’d want you to lose a child just to go with her.” Sophie bit her lip. “But to send her all by herself, alone and unprotected to an entirely different planet—” “She won’t be alone,” Lock said in a low voice. “And she won’t be unprotected.” Deep’s black eyes flashed. “Kat may hate me,” he said, speaking to Liv and Sophie both. “But I swear to you now, I will protect her with my life. Lock and I will die before we see her come to harm.” “Deep speaks for us both,” Lock said quietly. “The lady Kat will come to no harm while she is in our care. This we both swear, on our honor as Kindred warriors.” Sophie looked at the two huge males, one kneeling beside Kat and the other standing protectively over her. And suddenly she knew she could trust them. “Liv,” she said softly, turning to her twin. “They mean it—they really do.” Liv sighed. “I know,” she whispered, wiping away a tear.
Evangeline Anderson (Hunted (Brides of the Kindred, #2))
We were barely out of earshot when Caroline exclaimed, “Mummy, she’s so beautiful and so nice. She’s just perfect. What a jerk Charles must be!” Pat and I burst out laughing at Caroline’s blunt and irreverent assessment. Then we asked about the children’s visit with Prince Harry. Caroline reported first. “It didn’t look like a prince’s room at all, Mom. It looked just like ours. You know, full of books and toys and stuffed animals.” I reminded Caroline that Diana wanted her boys to have a normal upbringing. The only bit of conversation either of them could recall was Harry asking them quite seriously, “Do you two ever fight with each other?” Patrick and Caroline had laughed and said they certainly did. Harry seemed greatly relieved. “Good,” he said, “because my brother and I fight all the time.” I couldn’t coax any more details out of them. We had enjoyed a wonderful, really unforgettable afternoon with Diana. I had been relieved to see her confident, healthy, and realistic--ready to move on to the next stage of her life. She had made an indelible and stunning impression on all of us. Pat and Caroline will certainly never forget their only close contact with the radiant and lovely Princess of Wales. Patrick adored seeing his princess again.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
Bakke recounts an earlier anecdote that explains how his view on work was shaped from early childhood—one of a strand of many experiences that would determine his vocation to create organizations that make work fun and fulfilling: On this particular day, my mother had organized the evening work in her usual style. The kitchen was abuzz with activity. I was 16 years old and charged with cooking creamed peas for supper. My younger brother was carrying wood from the shed to the storage area next to the kitchen. Kenny’s older sisters [Kenny and his sisters were foster children at the Bakke home] were clearing dirty cooking dishes and setting the table with dinner ware. …. No one was paying attention to Kenny. …. Suddenly the two-year-old … picked up the spoon on his tray. “I want jobs, I want jobs, I want jobs,” he chanted as he pounded his spoon. I think this little guy with a crooked smile and troubled past was saying, “I want to contribute. I can make a difference. I want to be part of the team. I’m somebody. I want to have fun working, too!” Over the years, I have reflected on that moment and come to believe that it captures the early and substantial influence Mom had on my concept of fun in the workplace. Somehow, she created an environment in which everyone was energized, not from fear of punishment or promise of reward, but from a desire to accomplish something positive. She had unbridled confidence in our ability to accomplish the tasks at hand. … She gave us enormous freedom to work and make decisions. Somehow she made work so attractive that even an abused two-year-old wanted desperately to pitch in for the sheer joy and excitement of it.41
Frederic Laloux (Reinventing Organizations: A Guide to Creating Organizations Inspired by the Next Stage of Human Consciousness)
For instance, let’s take the example of a single mom who wants to start a VA business. Here are some topics that I came up with for readers who are at different stages.
Meera Kothand (The Blog Startup: Proven Strategies to Launch Smart and Exponentially Grow Your Audience, Brand, and Income without Losing Your Sanity or Crying Bucketloads of Tears)
Being a mom can be a lonely job too, sometimes other people dont see that.
Zoje Stage (Baby Teeth)
I was clearing some plates off a table when I heard the familiar strum of guitar chords. My heart clenched painfully as I slowly made my way to the kitchen. Tonight was another open-mic night, and while I enjoyed having live music playing throughout the bar and dining room, I didn’t usually pay that much attention to it. But there was no way to miss this song. The deep, husky voice began crooning through the speakers as I came back out of the kitchen empty-handed. And I couldn’t shake the feeling that I knew that voice as I made my way to a spot where I could see the stage. I rubbed a hand over my aching chest and stopped suddenly when I saw Kash sitting on the stool in front of the mic with a guitar in his hands. What was he doing? Since when did he play guitar and sing? And why this song? His eyes searched the dining area and landed on me just as he began the first chorus of “I’ll Be.” Tears pricked the back of my eyes and my entire body warmed under his intense stare as he continued through words that meant more to me than he could have known. Not once did he take his eyes from me, and my mind and heart fought over my conflicting feelings. Part of me wanted to yell that he was the guy I’d been waiting for. That I was in love with him and was done being only his friend. The other part wanted to know why he was torturing me with this song. With everything else that had happened tonight and the fourth anniversary of my parents’ death less than two months away, I wanted to run away from there, to curl in a ball and mourn what I had lost and would never have. I couldn’t call my mom and tell her I’d met a guy whose presence alone made me dizzy. Who sang to me the same song Dad had always sung to her. I couldn’t tell my parents that no matter how hard I fought my feelings and pushed Kash away, I knew I’d met the man I wanted to marry. The haunting words drifted to an end, and soon the chords did too. When Kash was finished, he put the guitar on the stand and began walking in my direction. Throughout all of this, his eyes still hadn’t left mine. Before he could reach me, the bitter side of me won out and I turned on my heel and rushed back to my customers. I kept myself busy for the rest of the hour and whenever I had to go over to the bar, I made sure to go to Bryce’s side so I wouldn’t have to face Kash again. I knew I was being ridiculous, but if it had been any song other than that one, if it had been on a night that wasn’t wearing me completely down, I may have been brave enough to finally fight for what I wanted. But right now all I could think of was finishing out this shift at work and staying far from Logan Hendricks. Somehow, he knew how to get to me. And somehow, I knew that our being together was right. But especially after that morning, everything about him—and us together—scared me. And I wasn’t sure I could handle that right now. People say that being in love is amazing. They lie. It’s freaking terrifying.  
Molly McAdams (Forgiving Lies (Forgiving Lies, #1))
You shouldn’t have come out on this, Duncan. We could have waited to see you when the roads cleared.” “It wasn’t that bad, Mom. The plows have been through.” “Yes, but your father cleared the driveway and he didn’t do that great of a job.” “He did fine, Mom. Hey, I’d like to introduce you to Dr. Alex Hartfield. Alex, this is Meredith Wilde.” Meredith’s wide gaze switched to Alex immediately, excitement washing over her features so similar to Duncan’s. “You brought a woman to Christmas? Oh, you should have told me! Come in, come in!” Before she knew it Alex was drawn into a cushy hug and set back so Meredith could look her over. “Oh, my, aren’t you gorgeous? Duncan. She’s a pretty one.” Alex winced and when she glanced at Duncan he was shaking his head and mouthing ‘sorry’ to her behind Meredith’s back. Alex snickered. “We’ve long lost hope that Duncan would ever bring home a real girl. His aunt Helen, my sister, always said he was gay because he was so pretty, but I knew in my heart that it would just take the right woman to catch his attention.” Alex laughed out loud, loving the woman’s irrepressible nature. If Duncan was mid-forties, Meredith had to be mid-sixties to seventies, but she certainly didn’t look it, or act it. Alex looked at Duncan. His cheeks were a little pink and he had a strange expression on his face. “Aunt Helen thinks I’m gay? Seriously?” Meredith waved a hand at him. “Not really, dear. She was just talking out her ass trying to convince herself your cousin Martin isn’t gay.” Meredith turned back to Alex and stage whispered, “but he is.” Alex laughed, thoroughly enjoying herself. Then the other people started moving in. She lost track of names and faces but did single out Duncan’s brothers, Sam and Robert. Both were good looking men, and even Duncan’s father Joe still kept his good looks, though he was years older. He welcomed her with a light hug and a calm look. “Don’t let them overwhelm you.” Nodding,
J.M. Madden (Embattled Ever After (Lost and Found #5))
substantial influence Mom had on my concept of fun in the workplace. Somehow, she created an environment in which everyone was energized, not from fear of punishment or promise of reward, but from a desire to accomplish something positive. She had unbridled confidence in our ability to accomplish the tasks at hand. … She gave us enormous freedom to work and make decisions. Somehow
Frederic Laloux (Reinventing Organizations: A Guide to Creating Organizations Inspired by the Next Stage of Human Consciousness)
And so here we are, on the eve of the New Year, a year that will be all about saying good-bye to the old way of doing things and hello to our new stage of life. A year in which I need to accept that the traditions that revolved around my children can evolve and yet still be meaningful and intimate. And isn't that what it's all about, really? When your kids move away, you mourn the loss of those traditions and the intimacy of your family unit. The world you created for them, took pride and comfort in, has ended.
Melissa Shultz (From Mom to Me Again: How I Survived My First Empty-Nest Year and Reinvented the Rest of My Life (Mother's Day Gift from Daughter or Son))
MEGAN PIERCE WAS LIVING THE ultimate soccer-mom fantasy and hating it. She closed the Sub-Zero fridge and looked at her two children through the bay windows off the breakfast nook. The windows offered up “essential morning light.” That was how the architect had put it. The newly renovated kitchen also had a Viking stove, Miele appliances, a marble island in the middle, and excellent flow to the family-cum-theater room with the big-screen TV, recliners with cup holders, and enough sound speakers to stage a Who concert. Out
Harlan Coben (Stay Close)
These groups were a new kind of vehicle: a hive or colony of close genetic relatives, which functioned as a unit (e.g., in foraging and fighting) and reproduced as a unit. These are the motorboating sisters in my example, taking advantage of technological innovations and mechanical engineering that had never before existed. It was another transition. Another kind of group began to function as though it were a single organism, and the genes that got to ride around in colonies crushed the genes that couldn’t “get it together” and rode around in the bodies of more selfish and solitary insects. The colonial insects represent just 2 percent of all insect species, but in a short period of time they claimed the best feeding and breeding sites for themselves, pushed their competitors to marginal grounds, and changed most of the Earth’s terrestrial ecosystems (for example, by enabling the evolution of flowering plants, which need pollinators).43 Now they’re the majority, by weight, of all insects on Earth. What about human beings? Since ancient times, people have likened human societies to beehives. But is this just a loose analogy? If you map the queen of the hive onto the queen or king of a city-state, then yes, it’s loose. A hive or colony has no ruler, no boss. The queen is just the ovary. But if we simply ask whether humans went through the same evolutionary process as bees—a major transition from selfish individualism to groupish hives that prosper when they find a way to suppress free riding—then the analogy gets much tighter. Many animals are social: they live in groups, flocks, or herds. But only a few animals have crossed the threshold and become ultrasocial, which means that they live in very large groups that have some internal structure, enabling them to reap the benefits of the division of labor.44 Beehives and ant nests, with their separate castes of soldiers, scouts, and nursery attendants, are examples of ultrasociality, and so are human societies. One of the key features that has helped all the nonhuman ultra-socials to cross over appears to be the need to defend a shared nest. The biologists Bert Hölldobler and E. O. Wilson summarize the recent finding that ultrasociality (also called “eusociality”)45 is found among a few species of shrimp, aphids, thrips, and beetles, as well as among wasps, bees, ants, and termites: In all the known [species that] display the earliest stages of eusociality, their behavior protects a persistent, defensible resource from predators, parasites, or competitors. The resource is invariably a nest plus dependable food within foraging range of the nest inhabitants.46 Hölldobler and Wilson give supporting roles to two other factors: the need to feed offspring over an extended period (which gives an advantage to species that can recruit siblings or males to help out Mom) and intergroup conflict. All three of these factors applied to those first early wasps camped out together in defensible naturally occurring nests (such as holes in trees). From that point on, the most cooperative groups got to keep the best nesting sites, which they then modified in increasingly elaborate ways to make themselves even more productive and more protected. Their descendants include the honeybees we know today, whose hives have been described as “a factory inside a fortress.”47
Jonathan Haidt (The Righteous Mind: Why Good People are Divided by Politics and Religion)
To: KitFrom: MomSubject: The Five Stages of Everything Sucks It’s the middle of the night. Just stumbled across this attached article re the five stages of grief: 1. Denial 2. Anger 3. Bargaining 4. Depression 5. Acceptance Of course BACON should totally be number one on this list. Also, I’ve decided I’m skipping over the first three steps and heading straight for DEPRESSION. You with me? To: MomFrom: KitSubject: Re: The Five Stages of Everything Sucks You should really text like a normal person. Who emails anymore? Things this list is missing: Chocolate. Netflix binges. Pajamas. As for depression, already beat you to it. Sure am #livingmybestlife
Julie Buxbaum (What to Say Next)
Kao što sam rekao, najviše se kajem što nisam slušao sebe. Znam da sam mogao da činim velike stvari u životu. Kao mladić sam bio veoma dobar pisac. Na fakultetu sam dobio nekoliko književnih nagrada. Moja mati je želela da budem računovođa. Rekla je da ću načiniti najveću grešku u životu ako je ne poslušam. Pokazalo se da je ogrešenje o sebe i nečinjenje onog što sam osećao kao životni poziv bila naj- veća greška u mom životu. Danas sam - trebalo bi da znaš da lekari kažu da mi je ostalo još nekoliko nedelja - tako tužan zbog davno donesene odluke. Osećam da sam protraćio život. Osamdeset sedam godina je prohujalo u trenu. Čini mi se da sam se koliko juče venčao s mojom nevestom, Margaret. Čini mi se da su nam deca nedavno rođena. Margaret je mrtva, a deca vode svoje živote. Tvoj život će proleteti brže no što možeš zamisliti. Dani će se premetnuti u nedelje, nedelje u mesece, a oni u godine. Izgledaš prilično mladoliko, ali znaj - izgledaćeš kao ja pre no što udariš dlanom o dlan. Život je takav. Zbog toga živi život koji ti je namenjen. Previše je važan da bi čekao da se probudiš pre smrti. Živeo sam majčin život, iako je tre- balo da imam mudrosti da živim svoj. Potrošio sam ga poku- šavajući da ugodim ostalima. I gde su sad oni? Niko od ljudi kojima sam nastojao da ugodim više nije ovde. Na samrtnom odru, jedina osoba kojoj ćeš polagati račune jeste ona koja te ujutru gleda iz ogledala. Bolje ti je da budeš iskren prema njoj.
Robin S. Sharma (Discover Your Destiny With the Monk Who Sold His Ferrari : The 7 Stages of Self-Awakening)
What Children Need to Know Although children at different ages are able to grasp varying levels of what divorce means, it’s best to keep all conversations brief, direct, and factual. Children don’t need to hear what caused the breakup or a recitation of all your partner’s character flaws. There may be a later time to be more transparent about the reasons for the divorce, but this conversation is not the place. The purpose of this first conversation is to inform them that the divorce is happening, let them know how much you care for them, make them feel safe, and discuss any details you have sorted out about living and visitation arrangements. These are shatteringly difficult conversations, and your first reaction is to want to take your child’s pain away, but pat answers or reassurances like “it will be okay” or “things will be fine” aren’t helpful. Everyone knows that things are going to be different, and these types of responses can make children feel like their anxieties are being dismissed. The goal here should be to give age-appropriate information and reassurances. Younger children typically require more discussion around security, that mom and dad both love them and that they are not to blame in any way. Older children may be more concerned about living arrangements and how their social life will be impacted. They may also have been expecting it, and in cases where marital conflict was high, they may even find it a relief. Primary
Debra Doak (High-Conflict Divorce for Women: Your Guide to Coping Skills and Legal Strategies for All Stages of Divorce)
On the stages at the Cannery and Ghirardelli malls, busking was not only tolerated, it was encouraged; free performances lured shoppers and buskers enjoyed freedom from police interference. Out on the streets, it was a different story. Business owners—worried that performers were literally and figuratively stealing the show—filed complaints with the city. “Whenever somebody who’s paying for a business license and paying taxes on his property sees a crowd of people facing away from him, they immediately assume that business is being lost,” says tap dancer Rosie Radiator. “Now, art being the glue of all of us, it was, of course, the street performers who were drawing the people to the location. They weren’t coming for the trinkets in the shops as much as they were coming for the artisans on the sidewalks and the street performers who gave it ambiance and personality and the fun aspects of a destination.
Alia Volz (Home Baked: My Mom, Marijuana, and the Stoning of San Francisco)
I also like to call this category "hypersuck," because women tend to get "sucked" into believing that our bodies are wild, scary, shameful places that need to be managed by an outside source, medicated, controlled, and sterilized. (We have the media and other social influences to thank for that.) We are rewarded for acting/speaking/looking like young girls versus confident women. We have too few powerful, healthy role models, but plenty of exhausted moms and emaciated models front and center on our cultural stage. We have a hard time appreciating our grown-up female bodies. We're made to feel that feminine intuition is fickle. We suspect that our energy is unstable. We're conditioned to think that our periods are shameful and disgusting. We look for ways to fix what's broken. We discipline the highs and lows of our female essence. We disconnect from our own bodies and, often, our deepest sense of knowing. Ultimately, our mind-body conversation tips the scales in a negative direction, and this too affects hormone balance. And since hypersuck (that old cultural conditioning) tricks us into thinking our bodies are supposed to be acting this way, we allow serious hormonal issues - and all the symptoms that tag along - to linger for years before seeking out any kind of sustainable action to help heal ourselves. Sadly, many women lose faith long before reaching the point of action.
Alisa Vitti (WomanCode: Perfect Your Cycle, Amplify Your Fertility, Supercharge Your Sex Drive, and Become a Power Source)
My mom was a literal angel who rescued pigeons and opossums. She gets stage two cancer and is gone within a year. Dad recklessly fucks some random bitch while she’s doing chemo, gets stage four cancer and then poof, it’s gone. I don’t get it.
Danielle Brown (Someone Had To Do It)
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THE MOMLY
Saying I was lonely or alone in my aches would be understating the gravity of what I felt. My world reminded me constantly of my lack of club membership. For many years I was inevitably hurt by and excluded from mommy gatherings, baby showers, church moms' groups and friends' playdates. If I was invited, my exclusion quickly followed in the form of disconnection. I had nothing to offer the conversations regarding mom advice, funny kid stories, or parenting hacks. The circles I should belong to, I no longer fit into. I felt the pull of our distancing life stages. No matter how hard I tried, the club was out of reach.
Kelley Ramsey (Waiting In Hope: 31 Reflections for Walking with God Through Infertility)
I think my mom’s a vegetarian.” “Is that why you’re so mad at her?
Zoje Stage (Mothered)
stage. Our holiday has been transformational, not just for you but for me as well.” Mom’s phone started ringing; I could see that it was dad calling. She rejected the call. “I’ll call him back later.” I told mom that I planned to go to the beach later and try to find Remmy and apologize to her properly, face to face. Mom thought that was a brave idea, and she was proud of me. We finished our drinks and walked home, holding hands. When I went to my room, I found Harper awake. She had arranged to meet with Sandy, Rach, and Susie at the beach. She'd also asked Elliot to come along. “Do you know if Remmy is coming?” I asked. Sandy looked at me and grinned. “Shouldn’t you be more concerned about whether Charlie is coming?” I shook my head. “No, not really. Charlie likes Remmy, not me. He never liked me. I just had a crazy crush on him. Looking back, I think he was probably too polite to tell me to go away.” Harper walked over to me and knocked on my head with her fist. “Hello! Sydney? Are you in there somewhere? Why are you so negative?” I smiled at Harper. "Actually, I feel incredibly positive and really good
Katrina Kahler (WILD CHILD - Book 4 - Holidays)
They Just Don’t Do That Anymore He used to wake me, oh so often. He’d had a bad dream, or a cough, or something felt funny inside. I would grumble, or be patient, depending on the night and how tired I was. Back to his room and tuck him in. Rinse and repeat, through many moons. But he doesn’t do that anymore. He used to be our pickiest eater. Though we’d always fed all three the same, he turned up his nose more frequently. I would grumble about this, or be patient, depending on the day and all that had happened up until that point. Trying not to make it worse, we encouraged him to taste new flavors. We also honored his preferences and didn’t force it. Now he gobbles down chili, curry, many of his former not-favorites. He doesn’t do that anymore. They used to argue every day: shout, bite, whine, hit. Clamoring for position and power, each in his or her own way. I would grumble about this, or be patient, depending on the state of my heart and energy level. These days plenty of disagreements occur, but so do apologies, ones I don’t always have to oversee or manage. They don’t do that anymore. The tantrums, oh dear Lord, the tantrums. “Don’t give in and they’ll soon learn that tantrums don’t work.” Ha. I never gave in, but that didn’t stop these daily events that pushed me to my limit and beyond. For years. I would grumble about this, or be patient, depending on how many times we’d been down this road in the past twenty-four hours. At times I found myself sitting through the screaming, my own tears of helplessness running like rivers. Too drained to even wipe them away. Convinced I must be doing everything wrong. But they don’t do that anymore. Some mamas are reading this after multiple times up in the night. Or you’ve stumbled across these words soon after yet another shouting match. Or maybe the dinner you poured weary energy into met with a resounding lack of applause. I don’t want to minimize the stage you’re in. Don’t want to tell you, “Enjoy these days, they go by so fast.” I’m not here to patronize you. Instead let me pour a little encouragement your way: Go ahead and grumble, or be patient. You don’t have to handle all the issues perfectly. Go ahead and cry, and wonder if it’s even worth it. Go ahead and pray, for strength to make it through the next five minutes. Because one day, often when you least expect it, often when you’ve come to peace with the imperfections and decided to be happy anyway, you’ll wake up, look around in amazement and realize: They just don’t do that anymore.
Jamie C. Martin (Introverted Mom: Your Guide to More Calm, Less Guilt, and Quiet Joy)
There was a small raised stage set up in front of them, with a podium and four chairs. Behind the chairs a screen was suspended; projected on it was a larger-than-life picture of Michael. It was a close-up, just his face. It was not the most flattering picture: His head was thrown back at an odd angle, his mouth open in laughter, but it was perfect—a joyful moment, snatched up and kept, not curated. He looked happy. “Darn it,” Marla said softly. Charlie looked at her. She was dabbing at her eyes with a tissue. Charlie put an arm around her. “I know,” she said. The sound system came on suddenly with a whine that slowly faded. Four people walked onstage: a heavyset man in a suit who went straight to the microphone, an elderly woman, and a couple, a man and a woman. The man in the suit stepped up to the podium, and the elderly woman sat down in one of the four chairs. The couple stayed back, but they did not sit. Charlie knew they must be Michael’s parents, but she did not recognize them. When she was young they had just been parents, a species that was for the most part unremarkable. She realized suddenly that she didn’t even know their names; Michael’s parents had not gone out of their way to interact with their son’s friends, and Charlie had literally spoken to them as “Michael’s mom,” and “Michael’s dad,” as if those were appropriate forms of address. The man at the podium introduced himself as the school’s principal. He said a few things about loss and community and the fleeting preciousness of youth. He talked briefly about Michael’s kindness, his artistic talent, and the impression he made, even as a small child, on everyone he
Scott Cawthon (The Silver Eyes: Five Nights at Freddy’s (Original Trilogy Book 1) (Five Nights At Freddy's))
You were just the snobby, annoying kid my mom made me compete against all the time." "She's only saying that because I usually beat her," I said in a stage whisper before raising my glass to her. "It's fine, you were the popular one. At least you have that going for you." Bernadette grinned and clinked her glass against mine. "To my best frenemy.
Mia P. Manansala (Murder and Mamon (Tita Rosie's Kitchen Mystery, #4))
I pull out the father-to-be book Sarah gave him, now annotated with notes in the margins and flagged pages with bright pink tabs. I flick through it, realising that he’s left notes to the baby amongst the pages. Telling them how excited he is for every stage. How much he can’t wait to meet them. Your mom is doing such a good job at growing you, I read. She’s going to be an incredible mom.
Hannah Bonam-Young (Out on a Limb)
I do have an interest in dissidents. My mother believes 5G may harm us, and I think she’s silly. But what of the nonconformist who warned back in 1940 that cigarettes kill? What of the contrarian who said the CIA was spying on Martin Luther King, Jr.? I mean, I’ve seen no evidence that 5G or the Covid vaccines are harmful. But have I done that research myself? No. I just trust the media would tell me if they were. My media. Whatever media my mom is consuming, they’re quoting “research, studies.” They’re slinging medical articles and YouTube videos of doctors saying that mRNA vaccines kill. A month before our road trip, she sent me one of these videos. It’s a clip of a longer talk, but even the clip is twelve minutes long. “Something to consider,” she wrote in the subject line. “Doctor calls out deadly vaccine!” Twelve minutes is annoyingly long for something I instinctively discredit, but short enough to give it a go. So I do. It’s a doctor on a stage with a PowerPoint. He has studies and graphs and lists of ingredients in tiny fonts and words like “embryonic stem cells.” I write my mom a long response. “OK I’m six minutes in and here are my thoughts: he’s using a lot of technical science speak that is above my pay grade. And so, what I’m doing is I’m trusting the lingo of an expert.
Jedidiah Jenkins (Mother, Nature: A 5,000-Mile Journey to Discover if a Mother and Son Can Survive Their Differences)
I’m sure our newcomers appreciate hearing that being diagnosed with HIV is not all doom and gloom.” The leader’s gaze swept over all the others in the circle. “With an attitude like Duncan’s, great things will happen to you. Don’t let the disease define you. Make the disease work for you instead.” An hour later, the meeting was over. John had gotten the opportunity to introduce himself to the group, something he would have preferred to have skipped, but that wasn’t allowed. Everyone must participate in that part; only the question and answer session that followed was optional. He hadn’t mentioned that he used to be a cop, certainly not that he had been fired. He’d just said that he was a private eye and that he would be happy to be their spy if they needed one. “That wasn’t so bad now, was it?” Linda asked John when they were outside the room and in the hallway, where donuts and coffee and tea were served. Most of the participants milled around there, connecting with each other. John shrugged and grabbed a jelly donut. “I guess not.” The bespectacled leader named Robert came up to them then. He was on the short side and had an emaciated face with delicate features. He stuck out a bony hand toward John. John took it and gave it a firm shake. “John, it’s so nice to have you join us today,” Robert said with a broad smile that displayed big, graying teeth. Robert was HIV-positive as well, and in the chronic HIV stage. “Thank you for having me,” John said and returned the smile as best he could. “It’s been very…educational. I’m glad I came.” “Great,” Robert said, then his attention went to Linda. “Thanks for bringing your friend, Linda. And for coming again yourself.” “Oh, of course,” Linda said and smiled. Her hazel eyes glittered with warmth. “It’s a great group and you’re a great leader.” “Thank you. That’s so kind of you to say.” Robert tossed a glance over his shoulder, then leaned in toward John and Linda. “I just wanted to apologize for Doris.” “Apologize?” Linda repeated. “What did she do?” “Well, for starters, she’s not 33. She’s 64 and has been infected for thirty years. She’s also a former heroin addict and prostitute. She likes to pretend that she’s someone else entirely, and because we don’t want to upset her, we humor her. We pretend she’s being truthful when she talks about herself. I’d appreciate it if you help us keep her in the dark.” That last sentence had a tension to it that the rest of Robert’s words hadn’t had. It was almost like he’d warned them not to go against his will, or else. Not that it had been necessary to impress that on either John or Linda. John especially appreciated the revelation. Maybe having HIV was not as gruesome as Doris had made it seem then. Six Yvonne jerked awake when the phone rang. It rang and rang for several seconds before she realized where she was and what was going on. She pushed herself up on the bed and glanced around for the device. When she eventually spotted it on the floor beside the bed, it had stopped ringing. Even so, she rolled over on her side and fished it up to the bed. Crossing her legs Indian-style, she checked who had called her. It was Gabe, which was no surprise. He was the only one who had her latest burner number. He had left her a voicemail. She played it. “Mom, good news. I have the meds. Jane came through. Where do you want me to drop them off? Should I come to the motel? Call me.” Exhilaration streamed through her and she was suddenly wide awake. She made a fist in the air. Yes! Finally something was going their way. Now all they had to do was connect without Gabe leading the cops to her. She checked the time on the ancient clock radio on the nightstand. It was past six o’clock. So she must have slept
Julia Derek (Cuckoo Avenged (Cuckoo Series, #4))
Finally, it was our turn and my stomach churned with anxiety and nerves. As we raced out onto the stage to form our positions before the curtain went up, Sara turned to me and said, “Break a leg, Julia!” “What?” I frowned. “That’s for good luck,” she smirked and then faced the audience whose applause was deafening once again. We lunged into our routine, with Sara in the front row, doing the somersaults that she was so good at and as usual, her precision and timing were excellent. The applause erupted again and with a flick of her long ponytail, she executed a very tricky interchange with Alex and then moved to the back. Alex attacked his moves with his usual gusto and the sharp, expressive movements which made him the stand out hip-hop dancer that he was. I felt a rush of pride at being a part of such a cool routine but just as I moved to the front position, I felt my leg give way under me. It was a completely involuntary reaction and one I was powerless to prevent. I was supposed to kneel down and support the weight of one of the smaller girls on my bent knee but unfortunately, it was the leg that I had injured that morning. There was no way I could bear her weight and the sharp pain caused my knee to drop just as Abbie pressed down on it to raise herself into the air. With a gasp from the audience, she went tumbling to the ground. Bright red with embarrassment, she glared at me in horror and all I could do was help her up and try to resume the timing and movements of the routine going on around us. Fortunately, Abbie had no trouble getting back into rhythm, but I just seemed to lose my place and was not able to recover. As if in slow motion, I felt myself limping around the stage after the others and then looking down, I realized that blood was oozing from my leg and onto the floor. I tried to ignore it and focus on the moves that I knew so well, but I was simply unable to get it together. Gratefully, Millie took over my spot and I moved once again to the back row, trying to camouflage myself amongst the others. The scene around me was almost surreal and I felt as though I were a spectator watching the event unfold from afar. The swirling, twisting and turning of the dancers in front of me, along with the steady thumping beat of the latest hip-hop song that everyone knew so well, all seemed to mesh together into a whirlpool of crazy colors and sounds. Then, feeling a slight nudge in my lower back, I was pushed towards the front of the stage. An instant flash of recall had me leaping into the air. Everyone still considered this moment the highlight of our routine. It was the grand finale and my chance to relinquish my status as actually being a decent dancer and choreographer. Flinging my arms and legs forward, I came down onto the stage, one foot at a time. Then reminiscent of that morning’s episode in the school driveway, rather than gripping onto the stage in a final dramatic stomp, my foot slid forward and just kept on going until my whole body landed horizontally on the floor with a loud bang. In a blur of dizziness, I sat up and looked around then saw that I had slipped on a pool of blood; blood that had oozed from the gash in my knee and onto the stage. At that very moment, I was overcome with a sudden rush of nausea and unable to stop the sudden convulsion, I vomited all over the floor in front of me. Too terrified to open my eyes, I wished I could turn back the clock. Back to the day of our dress rehearsal when everything had gone so smoothly. My final leap had been the high point of the day, where even Miss Sheldon and also Alex our expert hip hop dancer, had congratulated me on my performance. I dared to glance fearfully out into the audience. Everyone appeared aghast and I could see the shocked expressions of my mom and dad. Then, realizing I was surrounded by worried faces peering down at me, everything suddenly went black.
Katrina Kahler (My Worst Day Ever! (Julia Jones' Diary #1))
To introduced myself to you in this nightmare story.I'm a victim of rape on my childhood stage l'd experienced rape in my life the victim were my sibblings and community members as I told you that on my growth. My mum was upsent it were only my dad, sister and brother in my house my dad were living with heart condition desease than my mom choose to hunting work live us with dad on my toddler stage hape you imagine the situation.By telling you this I don'nt expected your pitty or. being sorry for me but I'm going somewhere I want to speak with someone who condem,look him or herself down lost confident with same and other stuation.There's hope if l managed to survive on my situations you can to.God favoured me my introduced himself to me on my teenage stage ashored me that he love me and transformed my life mostly healed me day by day couse this situations is deep it a proccess to be heal in it l use to say it like living in fire where you need to live with God himself in it.Why I say this? allow me to say it some sort of journey of chosen people.The reason is other people take it easy as we have different categories of help and high science source to cure this the truth is it can't why?Rape destroy the whole life of person as human divided into 3 part which is body,soul spirit as I experience it not once several times till I reach the stage where I can rescure myself by confronting the victims,shortly it spoiled my whole 3 part you see I needed my creater to rebuid me and that not heppening overnight I personally say rape victims needed. Lifesaviour and Lifeguide who is God himself to rescue and guide you in life journey course this thing is a beast that never die if you never experience it you'll never understand it thanks for your trying don't need to.what I need is your support,how? pray for me,not feeling sorry,give hope,listen me,never judge ,stop gossip rather ask the ask,allow me to take my own decisions, give me time,be partient of me,avoid to remind me my past,believe in me,be careful on showing me my weekest sport rather put me on the spot where I can see for myself, give me chance of proving myself. This is what I can do;Forgive,move on,not forget,love other people not trust them 100% ,(truely fall in love conditional),Over protective while others says I'm selfish,depend on God's hand 100%, sensetive person, enjoy my space,help others, prayful person,other people says I'm moody person when I separate myself to meet with God in his present,can think wise things and do big things,focus on something that can keep my mind busy to escape on thinking about past,fight to change, enjoy to spend time with fruitfull freinds, rocking on doing my own business, on my own space,Not easy to accept people in my space till I know him or her better,enjoy nature things,love to be me,layalt pertionate & kind person.
Nozipho N.Maphumulo
My meal from Honey and Hickory came with a side of dysentery straight out of Oregon Trail.’” Finn now spat out the quote against the echo of Simone’s accusation, reciting from memory a review he’d found on a late-night, liquor-fueled deep dive into all things Honey and Hickory. “That’s a direct quote from a one-star review I found for Simone’s historic family restaurant online.” Simone strode forward and claimed center stage. “Written by a disgruntled cook who was fired for never showing up to work. It hardly classifies as empirical evidence.” “Look, Ms. Blake,” he said, leaning heavy on the honorific like she had, gratified when her eyes narrowed. “Beyond Honey and Hickory’s subpar reviews, your generic flavors can’t match the nuance of Finn’s Secret Sauce. You’re a mom-and-pop barbecue joint with no soul, stuck in the past.” Directing his next words to the investors, he said, “Whereas I’m all heart, focused on the future of barbecue. Sustainable, organic, outside-the-box flavor blends.” Simone clicked her tongue. “Organic? Wow, super cutting edge. If this was 1999.” Hands on her hips, she angled away from him, toward the crowd. “Honey and Hickory was farm to table long before it was fashionable, and we cook with locally sourced meat and home-grown produce.” “Like you had anything to do with that? Your grandfather probably set up those contacts while you were in diapers.” He turned his focus on the audience; two could play at that game. “Don’t let Ms. Blake fool you. She’s been at the helm of the restaurant for less than a year, yet she’s trying to convince you she played a role in Honey and Hickory’s decades of success.
Chandra Blumberg (Stirring Up Love (Taste of Love, #2))
One example is the “stage mom” who, out of her own frustrated desire to be famous, drives her daughter to fulfill her failed ambitions. Another is the “football father” who pushes his son to fulfill his dreams of athletic glory. Children will protect the attachment relationship with their parents by adopting the false self that their parents require. Having to choose between their own authenticity and the parents’ demands puts these children in an impossible bind. In the process, children of such parents fail to develop an authentic self.
Laurence Heller (Healing Developmental Trauma: How Early Trauma Affects Self-Regulation, Self-Image, and the Capacity for Relationship)
I like to say my mom and dad ran off and joined the circus, and due to the fact that I’m allergic to spandex and heavy stage make-up, I could not join their trapeze act. Sometimes I add that I’m just hanging out at Sunny until I can perfect my fire-eating routine.
Jenny B. Jones (In Between (Katie Parker Productions, #1))
Who was this woman before me, her face imprinted with the expectations of others? I was Mom. I was Wife. I was Tragedy. I was Pilot. They all were me, and I them. That was the fate we could not escape, we women; we would always be called upon by others in a way men simply never were. But weren't we always, first and foremost -- woman? Wasn't there strength in that, victory, clarity -- in all the stages of a woman's life?
Melanie Benjamin (The Aviator's Wife)
Hospitality is a call to stop being insular. Life often pushes us into friend groups that are all in the same life stage and circumstances. It makes perfect sense to need relationships with people who can understand what you’re going through and support you. I need mom friends I can vent to about never getting a chance to go into the bathroom alone, for instance. (How old do my kids have to be for me to enter that promised land?) But this natural need for commonality can often turn into creating your own little tribe or bubble and missing out on relationships with your brothers and sisters whose lives look very different. Even church programming can cause this by sorting everyone into “young professionals,” “families,” “singles,” “seniors,” and so forth. The truth is that we need one another—everybody.
Haley Stewart (The Grace of Enough: Pursuing Less and Living More in a Throwaway Culture)
It's like he's stuck in the denial phase - that's stage ONE of grief. It's basically shock. Until he gets past that and lets reality sink in, he own't go through the other stages and heal. I've been through all of them already. So have Mom and my brothers and sisters who are old enough to grasp the situation. This past year has been hell for all of us. Grieving sucks. I wouldn't wish it on my worst enemy. But it's also normal" - Hunter
Lydia Sharp (Whenever I'm with You)
The entire history of economic progress can be recapitulated in the four-stage evolution of the birthday cake. As a vestige of the agrarian economy, mothers made birthday cakes from scratch, mixing farm commodities (flour, sugar, butter, and eggs) that together cost mere dimes. As the goods-based industrial economy advanced, moms paid a dollar or two to Betty Crocker for premixed ingredients. Later, when the service economy took hold, busy parents ordered cakes from the bakery or grocery store, which, at $10 or $15, cost ten times as much as the packaged ingredients. Now, in the time-starved 1990s, parents neither make the birthday cake nor even throw the party. Instead, they spend $100 or more to “outsource” the entire event to Chuck E. Cheese’s, the Discovery Zone, the Mining Company, or some other business that stages a memorable event for the kids—and often throws in the cake for free. Welcome to the emerging experience economy.
Lia McIntosh (Blank Slate: Write Your Own Rules for a 22nd Century Church Movement)
My face slowly flushed as I saw Mom drive by a second time, looking increasingly frantic. She circled the block a third time as I lay there, paralyzed. I wanted to run out from my hiding place, but I knew she would be so furious, there would be no happy ending. What did I want? An apology for throwing me out of the car? Maybe just an end to the domination.
Melissa Francis (Diary of a Stage Mother's Daughter: A Memoir)
This was half my life. When we were at home, my sister and I lived in a state of constant wariness, always reading Mom’s mood and bracing for impact when that mood turn ominous. She was mercurial, domineering, but also devoted. She took her job of molding us into outstanding examples of young American girlhood very seriously and she brooked no nonsense when we resisted her efforts.
Melissa Francis (Diary of a Stage Mother's Daughter: A Memoir)
You could always hear Mom coming down the long hallway. Even though the hall was covered with carpet, the floor creaked in predictable spots. She’d thundered down it so many times to stop us from wrestling over a toy or making a racket that when we heard the first footfall, we knew exactly how much time we had before she reached the bedroom to murder us both.
Melissa Francis (Diary of a Stage Mother's Daughter: A Memoir)
A long tradition of barter was born that day. An extended series of negotiations during which, at exactly the right moment, Mom would promise something irresistible in exchange for my doing something that, ironically, I would usually be willing to do otherwise.
Melissa Francis (Diary of a Stage Mother's Daughter: A Memoir)
Miranda was still trying to process the intrusion. “Just tell me one thing--how do you guys get away with sneaking out at night? My mom would have a fit!” “Right.” Parker’s grin turned scornful. “Like my mom and dad ever know if I’m there or not.” Ashley was totally unconcerned. “Oh, we just tell them we’re going to the tree house. They never check on us there.” “What’s the tree house?” Miranda wanted to know. “Well, when we were little, Gage’s daddy built a tree house for the three of us in his backyard. We used to have a secret club. And we’d play over there, and hide from people, and pretend we were knights in a castle.” “Gage and I were knights,” Roo corrected her. “You always had to be rescued.” “Well, I liked the way Gage threw me over his shoulder and carried me down from the tower.” “Gage did that?” Clasping his hands over his heart, Parker sighed. “My hero.” Gage ignored him. “We used to camp out in that tree house at night.” Ashley nibbled a potato chip. “In fact, we still like sleeping together over there.” Parker wiggled his eyebrows and gave Miranda a stage whisper. “Very kinky.” “Oh, for heaven’s sake, Parker--not that kind of sleeping together.” Ashley paused for a second. “It is just Gage, after all.” Gage stared at her. “What’s that supposed to mean?” “Oh, nothing.” Ashley plopped down on the bed next to Miranda. “Just that we love and respect you so much, we wouldn’t dream of taking advantage of you.” “Sometimes I dream of you two taking advantage of him,” Parker said seriously. “It’s one of my favorite fantasies.” Gage tried unsuccessfully not to look embarrassed. “You need a life.
Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
I had made the mistake of speaking up during one of Mom’s stories before and learned that no one but Mom was allowed to talk. Afterward, when we’d gotten in the car, she’d pinched my arm ferociously and said, “You are never to contradict me in front of another adult ever again. Do you understand me?” The pain shooting through my arm confirmed how serious she was.
Melissa Francis (Diary of a Stage Mother's Daughter: A Memoir)
In the spring of 1982, I was sad to leave my new friends, but happy enough to go back to school and have more time to ride my horse. Besides, every job I had ever had had come to an end. Why would this one be any different? But Mom reacted as if someone close to her had died.
Melissa Francis (Diary of a Stage Mother's Daughter: A Memoir)
Tiffany and Mom’s bickering had become an almost constant din that kept the atmosphere around the house tense. Tiffany’s attitude exacerbated Mom’s dark moods and each one’s negative energy fueled the other’s. Tiffany would make an unnecessary, snide remark to Mom, and the back-and-forth would escalate until Mom was confiscating her favorite jeans, taking away her phone, or just hitting her with the closest object, like a hanger or a belt.
Melissa Francis (Diary of a Stage Mother's Daughter: A Memoir)
There was something about commercials that Tiffany didn’t like, even at an early age. When the director said “Action,” she shrank into her shell like the turtle on my school playground. Mom initially tried to coax her into being more playful, but as Tiffany grimaced and recoiled, Mom got increasingly annoyed and angry. I couldn’t understand why my sister didn’t embrace the attention. One thing was clear: the more Mom tried to tug some enthusiasm out of her, the more she resisted.
Melissa Francis (Diary of a Stage Mother's Daughter: A Memoir)
A week later, Mom brought the tambourine home from Parents’ Night. “This isn’t good. Did you actually turn this in?” I didn’t say anything, since the answer seemed obvious. “You can’t turn in crap like this. This is truly horrible. Why didn’t you tell me you had a project to do? What else are you too lazy to do properly?
Melissa Francis (Diary of a Stage Mother's Daughter: A Memoir)
I could see a window into my new life, controlled only by me, and the thought of being a million miles from home and Hollywood morphed from frightening into freeing. If I left behind everything that tethered me to my past, I would fly or drown, but I would know for sure whether I could live without Mom or the business driving my life. Maybe there was another option, another path, another life. Maybe there wasn’t. I hadn’t really considered the possibility that there could be another way to live until that weekend. Once I opened the door to that possibility, it couldn’t be closed.
Melissa Francis (Diary of a Stage Mother's Daughter: A Memoir)
To my own surprise, I started to strain and blister under Mom’s totalitarian rule. I had always faulted Tiffany for not simply following the party line and promoting harmony. But now that I was carrying out that mandate alone, I realized what a burden it was. It was exhausting to constantly manage Mom’s mood.
Melissa Francis (Diary of a Stage Mother's Daughter: A Memoir)
I started 9th grade as the only child at home, which certainly made life a lot more peaceful. The bathroom I’d shared with Tiffany was finally fully mine. We weren’t fighting about clothes, and there were no more quarrels with Mom about how late Tiffany could stay out with Cliff or the best way to be or dress. But my new status as the only child made me the sole focus of Mom’s attention, which was a little much for a 15-year-old yearning instead for some independence.
Melissa Francis (Diary of a Stage Mother's Daughter: A Memoir)
The notoriety added a dimension to her disease. Yes, the Munchausen by proxy was the most dangerous part of the abuse, but it also acted as a backstage pass to my mother’s internal cinematic show. Whatever that movie in her mind was, I wasn’t the star of it. When the press arrived, she’d be doing all of the talking, while I numbly waited for my cue. Like a stage mother, Beauty Queen Dee Dee fed me my lines: “It’s a dream come true,” “This makes me so happy,” “My mom is my best friend.” Through me and through the script we memorized, Dee Dee could achieve some level of the fame she had long desired.
Gypsy-Rose Blanchard (Released: Conversations on the Eve of Freedom)
Getting good grades and being accepted to a respectable four-year college topped my priority list. My focus on school was a side effect of battling stage-four ICGC, also known as immigrant child guilt complex. This is a chronic disorder that affects only children of immigrants, who experience a constant gnawing guilt for the multitude of sacrifices their parents made to bring them to the United States. There is no cure for ICGC, but treatments include making your mom and dad proud. I knew as a teen that my parents had gone to great lengths to give me a better life, and killing my brain cells didn't seem like the most thoughtful way to return the favor.
Sara Saedi (Americanized: Rebel Without a Green Card)