String Remove Quotes

Once, very long ago, Time fell in love with Fate. This, as you might imagine, proved problematic. Their romance disrupted the flow of time. It tangled the strings of fortune into knots.  The stars watched from the heavens nervously, worrying what might occur. What might happen to the days and nights were time to suffer a broken heart? What catastrophes might result if the same fate awaited Fate itself? The stars conspired and separated the two. For a while they breathed easier in the heavens. Time continued to flow as it always had, or perhaps imperceptibly slower. Fate weaved together the paths that were meant to intertwine, though perhaps a string was missed here and there. But eventually, Fate and Time found each other again.  In the heavens, the stars sighed, twinkling and fretting. They asked the Moon her advice. The Moon in turn called upon the parliament of owls to decide how best to proceed. The parliament of owls convened to discuss the matter amongst themselves night after night. They argued and debated while the world slept around them, and the world continued to turn, unaware that such important matters were under discussion while it slumbered.  The parliament of owls came to the logical conclusion that if the problem was in the combination, one of the elements should be removed. They chose to keep the one they felt more important. The parliament of owls told their decision to the stars and the stars agreed. The Moon did not, but on this night she was dark and could not offer her opinion.  So it was decided, and Fate was pulled apart. Ripped into pieces by beaks and claws. Fate’s screams echoed through the deepest corners and the highest heavens but no one dared to intervene save for a small brave mouse who snuck into the fray, creeping unnoticed through the blood and bone and feathers, and took Fate’s heart and kept it safe. When the furor died down there was nothing else left of Fate.  The owl who consumed Fate’s eyes gained great site, greater site then any that had been granted to a mortal creature before. The Parliament crowned him the Owl King. In the heavens the stars sparkled with relief but the moon was full of sorrow. And so time goes as it should and events that were once fated to happen are left instead to chance, and Chance never falls in love with anything for long. But the world is strange and endings are not truly endings no matter how the stars might wish it so.  Occasionally Fate can pull itself together again.  And Time is always waiting.

Distance changes utterly when you take the world on foot. A mile becomes a long way, two miles literally considerable, ten miles whopping, fifty miles at the very limits of conception. The world, you realize, is enormous in a way that only you and a small community of fellow hikers know. Planetary scale is your little secret. Life takes on a neat simplicity, too. Time ceases to have any meaning. When it is dark, you go to bed, and when it is light again you get up, and everything in between is just in between. It’s quite wonderful, really. You have no engagements, commitments, obligations, or duties; no special ambitions and only the smallest, least complicated of wants; you exist in a tranquil tedium, serenely beyond the reach of exasperation, “far removed from the seats of strife,” as the early explorer and botanist William Bartram put it. All that is required of you is a willingness to trudge. There is no point in hurrying because you are not actually going anywhere. However far or long you plod, you are always in the same place: in the woods. It’s where you were yesterday, where you will be tomorrow. The woods is one boundless singularity. Every bend in the path presents a prospect indistinguishable from every other, every glimpse into the trees the same tangled mass. For all you know, your route could describe a very large, pointless circle. In a way, it would hardly matter. At times, you become almost certain that you slabbed this hillside three days ago, crossed this stream yesterday, clambered over this fallen tree at least twice today already. But most of the time you don’t think. No point. Instead, you exist in a kind of mobile Zen mode, your brain like a balloon tethered with string, accompanying but not actually part of the body below. Walking for hours and miles becomes as automatic, as unremarkable, as breathing. At the end of the day you don’t think, “Hey, I did sixteen miles today,” any more than you think, “Hey, I took eight-thousand breaths today.” It’s just what you do.

Young friends, whose string-and-tin-can phone extended from island to island, had to pay out more and more string, as if letting kites go higher and higher. They had more and more to tell each other, and less and less string. The boy asked the girl to say "I love you" into her can, giving her no further explanation. And she didn't ask for any, or say "That's silly," or "We're too young for love," or even suggest that she was saying "I love you" because he asked her to. Instead she said, "I love you." The words traveled through the long, long string. The boy covered his can with a lid, removed it from the string, and put her love for him on a shelf in his closet. Of course, he never could open the can, because then he would lose its contents. It was enough just to know it was there.

But the moment I realized that Pomiane was not just sympathetic but deeply on my side came in his recipe for Bœuf à la Ficelle (top rump suspended in boiling water by a string). When it is done, you are told to: ‘Lift the beef from the saucepan and remove the string. The meat is grey outside and not very appetizing. At this moment you may feel a little depressed.’ Isn’t that one of the most cheering and pedant-friendly lines a cook ever wrote? ‘You may feel a little depressed.

He devoured morning shows, daytime shows, late-night talk shows, soaps, situation comedies, Lifetime Movies, hospital dramas, police series, vampire and zombie serials, the dramas of housewives from Atlanta, New Jersey, Beverly Hills and New York, the romances and quarrels of hotel-fortune princesses and self-styled shahs, the cavortings of individuals made famous by happy nudities, the fifteen minutes of fame accorded to young persons with large social media followings on account of their plastic-surgery acquisition of a third breast or their post-rib-removal figures that mimicked the impossible shape of the Mattel company’s Barbie doll, or even, more simply, their ability to catch giant carp in picturesque settings while wearing only the tiniest of string bikinis; as well as singing competitions, cooking competitions, competitions for business propositions, competitions for business apprenticeships, competitions between remote-controlled monster vehicles, fashion competitions, competitions for the affections of both bachelors and bachelorettes, baseball games, basketball games, football games, wrestling bouts, kickboxing bouts, extreme sports programming and, of course, beauty contests.

I loved how he played with me, as if I was an object that existed only for his pleasure. It should have felt wrong, maybe even degrading, but it didn't because Danner was playing me the way he played his guitar, masterfully, removed only because he needed to focus to strum every string just right.

Start beating a steady rhythm (or better yet, set a metronome at 1/sec). Remove the blank card and read the four digits aloud. Wait for two beats, then report a string in which each of the original digits is incremented by 1. If the digits on the card are 5294, the correct response is 6305. Keeping the rhythm is important.

The advisors, on the other hand, were like older brothers and sisters. My favorite was Bill Symes, who'd been a founding member of Fellowship in 1967. He was in his early twenties now and studying religion at Webster University. He had shoulders like a two-oxen yoke, a ponytail as thick as a pony's tail, and feet requiring the largest size of Earth Shoes. He was a good musician, a passionate attacker of steel acoustical guitar strings. He liked to walk into Burger King and loudly order two Whoppers with no meat. If he was losing a Spades game, he would take a card out of his hand, tell the other players, "Play this suit!" and then lick the card and stick it to his forehead facing out. In discussions, he liked to lean into other people's space and bark at them. He said, "You better deal with that!" He said, "Sounds to me like you've got a problem that you're not talking about!" He said, "You know what? I don't think you believe one word of what you just said to me!" He said, "Any resistance will be met with an aggressive response!" If you hesitated when he moved to hug you, he backed away and spread his arms wide and goggled at you with raised eyebrows, as if to say, "Hello? Are you going to hug me, or what?" If he wasn't playing guitar he was reading Jung, and if he wasn't reading Jung he was birdwatching, and if he wasn't birdwatching he was practicing tai chi, and if you came up to him during his practice and asked him how he would defend himself if you tried to mug him with a gun, he would demonstrate, in dreamy Eastern motion, how to remove a wallet from a back pocket and hand it over. Listening to the radio in his VW Bug, he might suddenly cry out, "I want to hear... 'La Grange' by ZZ Top!" and slap the dashboard. The radio would then play "La Grange.

If it were physically possible for her jaw to drop, her chin would have kissed the floor. “You brought me here to ask if I’d have sex with you?” “I brought you here to tell you that if you’ll let me, I’ll remove any traces of the past. When I get started you won’t be able to think about anything but me. When we’re done you’ll realize how lucky you could make some bastard if you’d spend your Friday nights out with the girls instead of a support group.

The Ape Story. Start with a cage containing five apes. In the cage, hang a banana on a string and put stairs under it. Before long, an ape will go to the stairs and start to climb towards the banana. As soon as he touches the stairs, spray all of the apes with cold water. After a while, another ape makes an attempt with the same result - all the apes are sprayed with cold water. Turn off the cold water. Later, if another ape tries to climb the stairs, the other apes will try to prevent it, even though no water sprays them. Now, remove one ape from the cage and replace it with a new ape. The new ape sees the banana and wants to climb the stairs. To his horror, all of the other apes attack him. After another attempt and attack, the ape knows that if he tries to climb the stairs, he will be assaulted. Next, remove another of the original five apes and replace it with a new ape. The new ape goes to the stairs and is attacked. The previous new ape takes part in the punishment with enthusiasm. Again, replace a third original ape with a new one. The new one makes it to the stairs and is attacked as well. Two of the four apes that beat him have no idea why they were not permitted to climb the stairs, or why they are participating in the beating of the newest ape. After replacing the fourth and fifth original apes, all of the original apes that were sprayed with cold water have been replaced. Nevertheless, no ape ever again approaches the stairs. Why not? "Because that's the way it's always been around here." Yes, our prospects sometimes use this same irrational thinking to reject an opportunity to change

That”-Mr. Grayson slammed the door of the captain’s cabin-“was the most breathtaking display of stupidity I have ever witnessed in my life.” Sophia cringed in her chair as he plunked a basin of water on the table. Liquid sloshed over the side, trickling toward the floor. With jerky motions, he removed a flask from his breast pocket, unscrewed the top, and added a splash of brandy. Then he threw back a healthy swallow, himself. She’d never seen him so agitated. He took everything as a joke, laughed off confrontation, deflected insult with a roguish smile. “You’re angry,” she said. “Damn right, I’m angry. I’d like to string every one of those bloody idiots up to the yardarm and shout them deaf.” “So why are you here, shouting at me?” He yanked open a drawer and removed a box. When he flung it on the table and flipped the latch, the box proved to be a medicine kit, crowded with brown glass vials and plasters and rolls of gauze. “Because…” With a sullen sigh, he dropped into the other chair. “Shouting the crew deaf is the captain’s privilege. And I’m not the captain. So I’m here instead, playing nursemaid. Give me your hands.

I begin to describe a three-tier cake. The bottom tier would be a deep, dark devil's food cake filled with thick chocolate custard. The middle tier would be a vanilla cake filled with a fluffy vanilla mousse and a layer of roasted strawberries. The top tier, designed to be removed whole and frozen for the first anniversary, would be one layer of chocolate cake and one of vanilla with a strawberry buttercream filling. The whole cake would be covered in a layer of vanilla buttercream, perfectly smoothed, and the tiers separated by a simple line of piped dots, looking like a string of pearls.

You begin to experiment with fragmentation. Maybe “experiment” is a generous word; you’re really just unable to focus enough to string together a proper plot. Every narrative you write is smashed into pieces and shoved into a constraint, an Oulipian’s wet dream—lists and television episode synopses and one with the scenes shattered and strung backward. You feel like you can jump from one idea to the next, searching for a kind of aggregate meaning. You know that if you break them and reposition them and unravel them and remove their gears you will able to access their truths in a way you couldn’t before

Einstein refined his thought experiment so that the falling man was in an enclosed chamber, such as an elevator in free fall above the earth. In this falling chamber (at least until it crashed), the man would feel weightless. Any objects he emptied from his pocket and let loose would float alongside him. Looking at it another way, Einstein imagined a man in an enclosed chamber floating in deep space “far removed from stars and other appreciable masses.” He would experience the same perceptions of weightlessness. “Gravitation naturally does not exist for this observer. He must fasten himself with strings to the floor, otherwise the slightest impact against the floor will cause him to rise slowly towards the ceiling.

VICTORIAN FUNERAL BISCUITS Adapted from the third edition of Miss Beecher’s Domestic Receipt-Book, published in 1862. ½ c sugar ½ c salted butter, softened 1 c molasses ½ c warm water 2 tbs fresh minced ginger 2 ¼ c flour ½ tsp baking soda In a large bowl, use an electric mixer to beat the sugar and butter together until light and fluffy, about 1 minute. Add the molasses, water, and ginger, and beat until combined. In a separate bowl, whisk together the flour and baking soda. Add flour to molasses mixture and use electric mixer to combine well. Dough will be stiff. Split dough into two balls. Knead each dough ball several times to remove any air bubbles. Form dough into two even logs, approximately 8 inches long. Wrap each log tightly in plastic wrap. Refrigerate for several hours until firm. Preheat oven to 350°F. Line two baking sheets with parchment paper. Slice each log of dough into ¼-inch rounds and place one inch apart on baking sheets. Each dough log makes approximately 25 biscuits. If desired, use a knife or stamp to impress an image onto the biscuits. Bake 20 minutes. Let cool completely (biscuits should be crunchy). Wrap several biscuits in wax paper and secure with a black wax stamp or black string.

9A writing of Hezekiah king of Judah, after he had been sick and had recovered from his sickness: 10 I said,  x In the middle [4] of my days I must depart; I am consigned to the gates of Sheol for the rest of my years. 11 I said, I shall not see the LORD, the LORD  y in the land of the living; I shall look on man no more among the inhabitants of the world. 12 My dwelling is plucked up and removed from me z like a shepherd’s tent; a like a weaver b I have rolled up my life;  c he cuts me off from the loom;  d from day to night you bring me to an end; 13 e I calmed myself [5] until morning; like a lion  f he breaks all my bones; from day to night you bring me to an end. 14 Like  g a swallow or a crane I chirp; h I moan like a dove.  i My eyes are weary with looking upward. O Lord, I am oppressed;  j be my pledge of safety! 15 What shall I say? For he has spoken to me, and he himself has done it.  k I walk slowly all my years because of the bitterness of my soul. 16  l O Lord, by these things men live, and in all these is the life of my spirit. Oh restore me to health and make me live! 17  m Behold, it was for my welfare that I had great bitterness;  n but in love you have delivered my life from the pit of destruction,  n for you have cast all my sins behind your back. 18  o For Sheol does not thank you; death does not praise you; those who go down to the pit do not hope for your faithfulness. 19 The living, the living, he thanks you, as I do this day;  p the father makes known to the children your faithfulness. 20 The LORD will save me, and we will play my music on stringed instruments all the days of our lives,  q at the house of the LORD.

It also made an impression on Ford, one of the most virulently antiunion of Detroit’s new capitalist class.Yet he was also a financial pragmatist. Tired of losing money to keep the fresh tides of workers trained for only a few weeks’ worth of work—and with an eye toward removing the unionists’ main rallying issue, money—Ford announced in January 1914 a new profit-sharing plan that would boost workers’ pay to $5 for an eight-hour workday.10 That was more than double the $2.25 he had been paying for a nine-hour day. There was a very thick string attached. To qualify for the program, and the job, workers had to allow representatives from Ford’s new Sociological Department to inspect their homes to ensure the workers and their families were living clean lives of frugality and sobriety. They had to meet one of three criteria: be married and living with and taking care of their family; be single and over age twenty-two with “proven thrifty habits”; or under age twenty-two but providing sole support for relatives.11 Thousands were happy to make that trade and went to the Highland Park plant hoping to land one of the jobs. Ford, though, wound up hiring relatively few new workers—the vast majority of those already in the plant accepted the personal intrusions, and the money.

Another really helpful filter is the -S option which takes a string and only shows the commits that introduced a change to the code that added or removed that string. For instance, if you wanted to find the last commit that added or removed a reference to a specific function, you could call: $ git log -Sfunction_name

Everything have something overall, everything says something about something about something, like the words the new you check out this word and you must check out this word because you don't know it and then you must this and this... The same is here, there is some kind a string, but who will find the rope?? Who will pull the rope, who will remove this invisible wall which blocks the incrediable and spectacular stuff?

An odourless poison leaked out of him. His dearest childhood memories were of the practical jokes he had played on the servants. Stringing ropes to trip them up, setting off firecrackers under their beds, unscrewing the seat on the long drop. You could imagine that he had found his vocation in the process. His work, which involved jailing people for petty offences, was a malevolent prank. The way he spoke about it, forced removals, detention without trial, the troops in the townships were simply larger examples of the same mischief. I was struck by the intimacy of his racial obsession. His prejudice was a passion. It caused him an exquisite sort of pain, like worrying a loose tooth with your tongue or scratching a mosquito bite until it bleeds. In the mirror of his stories, however, the perspective was reversed. While he was always hurting someone, doing harm and causing trouble, he saw himself as the victim. All these people he didn’t like, these inferior creatures among whom he was forced to live, made him miserable. It was he who suffered. I understand this better now than I did then. At the time, I was trying to grasp my own part in the machinery of power and more often than not I misjudged the mechanism. Seid Sand, nicht das Öl im Getriebe der Welt, my friend Sabine had told me. Seid unbequem. Be troublesome. Be sand, not oil in the workings of the world. Sand? Must I be ground down to nothing? Should I let myself be milled? It was abject. Surely one could be a spanner in the works rather than a handful of dust? I’d rather be a hammer than a nail. These thoughts were driven from my mind by Louis’s suffering face, the downturned lips, the wincing eyes. Even his crispy hair looked hurt. You could see it squirming as he combed it in the mornings, gazing mournfully at his face in the shaving mirror. I could have shouted at him. ‘Look around you! See how privileged we are. We’ve all eaten ourselves sick, just look at the debris, paper plates full of bones and peels, crumpled serviettes and balls of foil, bloody juices. And yet we haven’t made a dent in the supply.’ The dish on the edge of the fire was full of meat, thick chops and coils of wors soldered to the stainless steel with grease. The fat of the land was still sizzling on the blackened bars of the grill. You would think the feast was about to begin." (from "Double Negative" by Ivan Vladislavic, Teju Cole)

That stupid intercom was only one model removed from a string and two cans, it had been here so long no one knew where it came from, how it got installed and our best technician couldn’t fix it.  The only station that came in loud and clear was the CO’s office and you couldn’t reply to anyone. 

Nowhere in all this elaborate brain circuitry, alas, is there the equivalent of the chip found in a five-dollar calculator. This deficiency can make learning that terrible quartet—“Ambition, Distraction, Uglification, and Derision,” as Lewis Carroll burlesqued them—a chore. It’s not so bad at first. Our number sense endows us with a crude feel for addition, so that, even before schooling, children can find simple recipes for adding numbers. If asked to compute 2 + 4, for example, a child might start with the first number and then count upward by the second number: “two, three is one, four is two, five is three, six is four, six.” But multiplication is another matter. It is an “unnatural practice,” Dehaene is fond of saying, and the reason is that our brains are wired the wrong way. Neither intuition nor counting is of much use, and multiplication facts must be stored in the brain verbally, as strings of words. The list of arithmetical facts to be memorized may be short, but it is fiendishly tricky: the same numbers occur over and over, in different orders, with partial overlaps and irrelevant rhymes. (Bilinguals, it has been found, revert to the language they used in school when doing multiplication.) The human memory, unlike that of a computer, has evolved to be associative, which makes it ill-suited to arithmetic, where bits of knowledge must be kept from interfering with one another: if you’re trying to retrieve the result of multiplying 7 X 6, the reflex activation of 7 + 6 and 7 X 5 can be disastrous. So multiplication is a double terror: not only is it remote from our intuitive sense of number; it has to be internalized in a form that clashes with the evolved organization of our memory. The result is that when adults multiply single-digit numbers they make mistakes ten to fifteen per cent of the time. For the hardest problems, like 7 X 8, the error rate can exceed twenty-five per cent. Our inbuilt ineptness when it comes to more complex mathematical processes has led Dehaene to question why we insist on drilling procedures like long division into our children at all. There is, after all, an alternative: the electronic calculator. “Give a calculator to a five-year-old, and you will teach him how to make friends with numbers instead of despising them,” he has written. By removing the need to spend hundreds of hours memorizing boring procedures, he says, calculators can free children to concentrate on the meaning of these procedures, which is neglected under the educational status quo.

There once lived, at a series of temporary addresses across the United States of America, a travelling man of Indian origin, advancing years and retreating mental powers, who, on account of his love for mindless television, had spent far too much of his life in the yellow light of tawdry motel rooms watching an excess of it, and had suffered a peculiar form of brain damage as a result. He devoured morning shows, daytime shows, late-night talk shows, soaps, situation comedies, Lifetime Movies, hospital dramas, police series, vampire and zombie serials, the dramas of housewives from Atlanta, New Jersey, Beverly Hills and New York, the romances and quarrels of hotel-fortune princesses and self-styled shahs, the cavortings of individuals made famous by happy nudities, the fifteen minutes of fame accorded to young persons with large social media followings on account of their plastic-surgery acquisition of a third breast or their post-rib-removal figures that mimicked the impossible shape of the Mattel company’s Barbie doll, or even, more simply, their ability to catch giant carp in picturesque settings while wearing only the tiniest of string bikinis; as well as singing competitions, cooking competitions, competitions for business propositions, competitions for business apprenticeships, competitions between remote-controlled monster vehicles, fashion competitions, competitions for the affections of both bachelors and bachelorettes, baseball games, basketball games, football games, wrestling bouts, kickboxing bouts, extreme sports programming and, of course, beauty contests.

I laughed from the doorway as I watched them struggle.  She would wrap her arms around his neck to buckle the collar, and he would duck or shift to avoid her but he never got up and walked away.  I caught a twinkle of amusement in his canine eyes. I knew Rachel wouldn’t give up getting a real collar on him.  He needed proof of license.  Yet, he appeared very determined to avoid the collar.  It served him right.  He was the one who chose to be a dog. Rachel mumbled again, and I decided to take pity on her.  I knew how to reason with him.  If Clay ever wanted to leave the house with me, he had to have a collar.  I just needed to point that out. “Here.”  I held out my hand.  “I’ll try.” “Good luck,” she said with a laugh as she got off her knees and handed me the collar.  She took my position in the doorway. “It was the biggest collar they had.  I don’t even know if it fits, he won’t let me get close enough.” With a half-smile on my face, I knelt in front of Clay.  I liked that he had a sense of humor when he interacted with Rachel.  It made having him in the house tolerable...almost. I looked him in the eye. “Clay, if you want to be able to go anywhere with us, you need a collar we can clip a leash on.  Not just the twine you have holding your tag around your neck.” He didn’t move so I leaned forward and reached for the string that held his current joke of a tag.  He held still for me while I removed the twine and replaced it with the real collar. “At least it’s not pink,” I said and patted him before I realized what I was doing. I’d forgotten myself again and treated him like a dog. I quickly stood and avoided Clay’s direct gaze. Rachel laughed.  “Hey, I wouldn’t do that to him. No pink for our man.  I don’t know why he sat still for you and not me.” I’d forgotten about Rachel.  She moved to pet and praise him for his good behavior.  If I wanted a chance of having a friend as a roommate, I knew I needed to deal with Clay as a pet.  But, I needed to watch myself.  The direction of my thoughts—his assumed permanent residency in the house—troubled me.  Making him comfortable and buying him a license wouldn’t help me get rid of him. Rachel gave him a kiss, and he sighed.  Maybe, he’d grow tired of her affection and run back to Canada.  I held onto that happy thought. “He’s moody,” I said, looking into his eyes.  Moody and stubborn with a quirky sense of humor.  Not a good combination.

Sir Grant Morgan looked up from his desk as Nick burst into his office before morning sessions. There was no trace of apology in his hard green eyes. “I see you’ve spoken to Sir Ross,” he said. Nick proceeded to give vent to his outrage in the coarsest words ever conceived in the history of the English language, leveling accusations that would have caused any other man either to cower in terror or to reach for the nearest pistol. Morgan, however, listened as calmly as if Nick were offering a description of the weather. After an extensive rant speculating on the likelihood that Morgan was nothing but a puppet while Sir Ross pulled the strings, the chief magistrate sighed and interrupted. “Enough,” he said shortly. “You’re beginning to repeat yourself. Unless you have anything new to add, you may as well spare yourself the breath. As to your last charge— that this situation is all of Sir Ross’s making— I can assure you that the decision to remove you from the force was fully as much mine as his.” -Morgan & Nick

If language A has an operator for removing spaces from strings and language B doesn’t, that probably doesn’t make A more powerful, because you can probably write a subroutine to do it in B. But if A supports, say, recursion, and B doesn’t, that’s not likely to be something you can fix by writing library functions.

I am a woman . A soul which is always packed with the strings of shyness , weakness and fear but I want to unpack , remove those strings . I want to be the one I am "the real me " . The beauty of a woman do lies in make over but more than that it lies in being bold , independent and fearless .

As if drawn to her on a string he closed the door and went to her. In silence he sat on the bed, removed his jacket, managed to pull off his boots. And then he was stretched out beside her. She came to him immediately, curling against his side, warm and soft and her body fitting against his with an aching perfection. As if she belonged there. And as he held her close and listened as her body grew relaxed and her breathing slowed in sleep, he thought for one mad moment that maybe, just maybe, she did.

I had considered orchestrating ‘The Long and Winding Road’ but I decided against it. I therefore want it altered to these specifications: Strings, horns, voices and all added noises to be reduced in volume. Vocal and Beatle instrumentation to be brought up in volume. Harp to be removed completely at the end of the song and original piano notes to be substituted. Don’t ever do it again. Signed, PAUL McCARTNEY c.c. Phil Spector, John Eastman

1.    Preheat the oven to 350°F. Combine the endive, parsley, ½ cup of the mint, the greens, bread crumbs, 1 tablespoon of the caraway seeds, 1 tablespoon of the coriander seeds, the citrus peel, nutmeg, dates, ½ cup of the capers, the egg, brown sugar, verjuice, and marrow in a large bowl and season with salt and pepper. Season both sides of the lamb with salt and pepper. Spoon the mixture into the center of the lamb and tie closed with kitchen string. Place in a baking pan and bake for 1¼ hours, or until the internal temperature reaches 160°F for medium. Remove the lamb from the pan and let rest for 10 minutes. Meanwhile, bring the stock to a boil in a small sauce pan, until reduced by half. 2.    Add the orange juice to the baking pan and stir well to loosen the pan drippings. Purée the pan drippings with the Renaissance Stock, the remaining 2 tablespoons of mint, the remaining 2 tablespoons of capers, and the granulated sugar until smooth. Stir in the orange zest and warm in a small saucepan. 3.    Place the leg of lamb in the center of a serving platter and spoon the sauce over the lamb. Sprinkle the remaining ½ tablespoon of caraway and coriander seeds over the lamb and around the platter. ORIGINAL RECIPE: A Legge of Lambe searst with Hearbes Strue it as before shewed, with sweet Hearbes and grated Bread, Bisket seeds, a few Coriander-seeds, Lemmon pills minst fine, Nutmeg sliced, sliced Dates, a little grosse pepper, Capers washt cleane: put all together with sixe or seven yolkes of new layd Egges, hard roasted and whole, & put them in your stuffe and worke them with Sugar, Rosewater and verjuyce, and the Marrow of a bone or two, Salt and pepper, put all together into the Skin: Carrawayes and Orangado are fittest garnish for your Dish. MURRELLS TWO BOOKES OF COOKERIE AND CARVING, BOOK 1, 1615

If you ask, "Why is Thekla's construction taking such a long time?" the inhabitants continue hoisting sacks, lowering leaded strings, moving long brushes up and down, as they answer, "So that its destruction cannot begin." And if asked whether they fear that, once the scaffoldings are removed, the city may begin to crumble and fall to pieces, they add hastily, in a whisper, "Not only the city.

The way xp_ cmdshell works is very simple: It takes a single string argument and then executes that as a command-line call. For example, the call would perform a directory listing of the server’s C drive. Again, at this point the damage is limited only by the attacker’s imagination, and exploiting this through SQL injection is absolutely trivial: If you’re running SQL Server, we strongly recommend disabling or removing the xp_cmdshell stored procedure. You can disable it through use of the sp_configure stored procedure, like so:

He devoured morning shows, daytime shows, late-night talk shows, soaps, situation comedies, Lifetime Movies, hospital dramas, police series, vampire and zombie serials, the dramas of housewives from Atlanta, New Jersey, Beverly Hills and New York, the romances and quarrels of hotel-fortune princesses and self-styled shahs, the cavortings of individuals made famous by happy nudities, the fifteen minutes of fame accorded to young persons with large social media followings on account of their plastic-surgery acquisition of a third breast or their post-rib-removal figures that mimicked the impossible shape of the Mattel company’s Barbie doll, or even, more simply, their ability to catch giant carp in picturesque settings while wearing only the tiniest of string bikinis; as well as singing competitions, cooking competitions, competitions for business propositions, competitions for business apprenticeships, competitions between remote-controlled monster vehicles, fashion competitions, competitions for the affections of both bachelors and bachelorettes, baseball games, basketball games, football games, wrestling bouts, kickboxing bouts, extreme sports programming and, of course, beauty contests. (He

How sad and astonishing a spectacle it is to see a man near the coast of eternity--namely, to behold a wretched sinner in his cold sweats and dying groans with his precious and immortal soul standing on his pale, cold, quivering lips; and death, the great conqueror and king of terrors, marching furiously with his writ of removal in one hand, not to be reversed, and his deadly dart and sting in the other hand; conscience on the rack, barking, biting, and tearing him like a lion; the devil, God's executioner, looking on and standing by; the heart under dejecting and sinking despair; the eyes dim and fixed; his heart strings ready to break with anguish; his wife, children, and friends at the bedside, weeping, sighing, crying, wring their hands, beating their breasts; the wife crying out, "Alas, my husband!"; the child crying out, "Alas, my father!"; the poor perishing soul all this while looking backward on his misspent time and bypast sins, inward on his own heart--a dreadful sight! Where he sees no Christ, no grace, no purity, nothing but sin, guilt, death, darkness. Then, looking upward to that God who has been provoked, to that Christ who has been rejected, to that heaven and eternity that he has lost. And looking downward to that dark and dreadful pit that must be his place and portion (with a fearful looking for judgment), seeing the devils come and ready to seize on him. Oh what a dreadful outcry and shriek will the soul make when it departs! Perceiving itself sinking down, down to the burning lake and bottomless pit, where he must take up his lodging with devouring fire to all eternity.

So she can’t winnow, then,” Cassian concluded. “And again—would she really be foolish enough to do something like this if the other queens have left?” Vassa’s eyes darkened. “Yes. The others’ departure would serve to remove obstacles to her ambitions. But she’d only do this if she had someone of immense power behind her. Perhaps pulling her strings.” Even the fire seemed to quiet. Lucien’s eye clicked. “Who?” “You wonder who is capable of making a unit of Fae soldiers across the sea vanish? Who could give Briallyn the power to winnow—or do it for her? Who could aid Briallyn so she’d be bold enough to do such a thing? Look to Koschei.” Cassian froze as memories clicked into place, as surely as one of Amren’s jigsaw puzzles. “The sorcerer who imprisoned you is named Koschei? Is he … is he the Bone Carver’s brother?” Everyone gaped at him. Cassian clarified, “The Bone Carver mentioned a brother to me once, a fellow true immortal and a death-lord. That was his name.” “Yes,” Vassa breathed. “Koschei is—was—the Bone Carver’s older brother.” Lucien and Jurian

If we were talking about the game of tennis instead of Spelunky, it’s as though this player asked me to remove the net because he was having trouble hitting the ball over it, neither of us realizing that the real problem was that I gave him a racket with broken strings.

Mother's Apron There's a great old skit called "Mother's Apron" that touts the many household uses of the apron. This basic skit, with its infinite individual variations, has been performed by women's church and community clubs for generations. Below is a version remembered by Bernice Esau that was presented by her mother, probably originally in Low German, the common language of the rural Minnesota community where it was performed, hence the slightly lilting, old-fashioned sound to it: Do you remember Mother's aprons? Always big they were, and their uses were many. Besides the foremost purpose, the protection of the dress beneath, it was a holder for removal of hot pans from the oven. It was wonderful for drying children's tears and, yes, even for wiping small noses. From the henhouse it carried eggs, fuzzy chicks, ducklings, or goslings, and sometimes half-hatched eggs to be finished in the warming oven. Its folds provided an ideal hiding place for shy children, and when guests lingered on chilly days, the apron was wrapped about Mother's arms. Innumerable times it wiped a perspiring brow bent over a hot wood-burning stove. Corncobs and wood kindlings came to the kitchen stove in that ample garment, as did fresh peas and string beans from the garden. Often they were podded and stemmed in the lap the apron covered. Windfall apples were gathered in it, and wildflowers. Chairs were hastily dusted with its corners when unexpected company was sighted. Waving it aloft was as good as a dinner bell to call the men from the field. Big they were, and useful. Now I wonder, will any modern-day apron provoke such sweet and homesick memories?

English ladies weren’t only painting themselves white to enhance their beauty. They were also painting themselves black to reveal, through contrast, the alleged hideousness of black women. In 1605, shortly after the death of Elizabeth, an infamous court masque known as The Masque of Blackness was presented by Jacob I’s queen, Anne of Denmark, and her court. The Masque of Blackness, by Ben Jonson, presented the tale of King Niger and his twelve daughters. While the king tries to convince his daughters that they are beautiful, they despise their black skin. An oracle (Aethiope) tells the girls that if they wish to remove their blackness, they should go to the land with the name ending in -TANIA (that is, Britannia), also known as “Albion the Fair.

Editor’s introduction: Welcome our guide on guest blogging in seo. That’s right, send it a spot on profcontent from our friend alex. Alex breaks down everything beginners need to know to start blogging on the web. Take that, Alex. What is good blogging? Guest blogging- also referred to as blogging – is the need to contribute to another person’s blog to build relevant exposure, leads and links. Link are a primary ranking factor in goggle, and seo offer a strong chance of getting a link back from another website, among other marketing considerations in guest blogging. Guest blogging build a relationship with the blogger hosting your post, connects with the blogger hosting your post, connects with their audience for additional exposure, and helps you build authority among that audience. The premise is simple: you write a blog article tailored to the needs of a particular blogger and get a backlink in return, What Is Guest Blogging in SEO? A Guide for usually below the article in what’s called an author box. Blogger are inserted in publishing high- quality content on their blogs that they can use to attract new readers as well as share with their exiting audience. This makes guest blogging a win-win solution for both website owners who want to rank higher in search engines (and need link to do so) and bloggers who want to drive more readers to their blog. Interested in attracting more readers their blog. Is guest blogging good for bloggers? The short answer is yes again. As extensive as the blogger is shrewdness and eager to spend time sifting through and excision posts from outside bases, guest blogging can be a great source of valuable content for the blogger’s audience. An important portion of removal any external role is reviewing the links inside the content Take a look at this (or another) post a bout guest blogging and inbound marketing written by Neil Patel. Almost every paragraph has an external link. You get, Neil knows that links add price to a post by if more material and additional incomes. Be like Neil. To be on the benign side, examine guest posts for superiority and make sure you only link to superiority websites that add price to the mesh. To type sure the websites you’re involving to are immobile available, aren’t recurring 404s, or readdressing to dissimilar content. 1.find list of top blogs. The first step of prospects is pretty obvious: type a phrase like “ top [ industry specific] blogs list” into goggle and review the results. Opinion all the blogs registered one by one on each sheet in the search fallouts. Most likely you find great blogs this way, but only a few of them can accept guest articles from contributors. 2. Advanced search with search strings: Google has many hunt strings to help you find exact happy on the web, which you can syndicate into search If you are novel to this, you can learn extra here or here. If you search for [“keyword” and “write for us”], your results will look like the image under. 3. Shadow people or businesses who actively visitor blog. One of the best ways to find great guest blogging opportunities is to find other people who consistently contribute quality guest posts to industry- related websites. Most people and companies share their posts through social media profiles. Once I ran across a twitter profile that was basically sharing their guest posts, so I pretty much grew my list in no time. Stab this search thread to find sites anywhere a precise person or business published a guest post: “individual name “or” corporation name” “guest column”.

Removing zero from the universe might seem like a drastic step, but strings are much more tractable than dots; by eliminating zero, string theory smooths out the discontinuous, particle-like nature of quantum mechanics and mends the gashes torn in general relativity by black holes. With these problems patched over, the two theories are no longer incompatible. Physicists began to think that string theory would unify quantum mechanics with relativity; they believed that it would lead to the theory of quantum gravity-the Theory of Everything that explains every phenomenon in the universe. However, string theory had some problems. For one thing, it required 10 dimensions to work.

Several of the filmʼs key sound effects were accomplished musically, the most famous being the monsterʼs roars, which went beyond the sound departmentʼs capabilities.  Various animal noises were recorded and modified but nothing worked until Ifukube came to the rescue by using a contrabass (basically a large bass fiddle); however the only one in existence in all Japan was at the prestigious Tokyo Music Conservatoryʼs Music Department which was not about to loan-out their precious instrument for the purpose of making a monster movie.  So one night Ifukube “borrowedˮ it, removed its lowest string, then had pupil Sei Ikuno stroke the remaining strings with a coarse leather glove coated with resin.  The sound was then tape-recorded before being played backwards at a slower speed supplemented with echo-chamber mixing, and the different roars were achieved by changing the playback speeds, giving the monster a melodic quality (the sound of the monster using its radioactive ray was a sped-up cymbal roll).

Removing his shoes, knotting the laces together, and stringing them around his neck, Horst rose from the cold, black water like a primeval amphibian with aspirations towards dapperness assaying a first journey onto land to spread the word about good tailoring.

Aubade with a Book and the Rattle from a String of Pearls" The color of the moon bleached the tops of trees and you left a book on the table, face down with its spine reaching for air. I thought the book might hate you for that. With my pre-dawn coffee and mouth full of sleep syllables I whistled the title, held the book in my arms like something would reach for it and carry it to another galaxy. I would go on preaching to windows about how the screens needed replacing, or how the dust motes settle the shelves. You were in agony yet you would not speak about things such as age and the body gestures that come to claim your mornings. Neck-sure, arm-sure, I think about you and your book coming to some agreement . . . some place of rest. Though the mica glittered like stars . . . though you breathed circles in the dark of your skin, you entered a slow recessional. It was a kind of starvation, knowing the dawn would come with its larks and cars stuttering past your house. You in your bed shut tight against the tide of sound refusing to believe that the book held your world in such simple connotations. A book is a book, you said. I take that for granted sometimes. Perhaps you were right to press its mouth to the table. My imaginings sometimes take me away from you. So morning breathes in my ear like the mutterings of a book title that I’ve forgotten . . . tip of the tongue. Each room carried us from clock to clock. Each tick an earful about ourselves. God knows, the way night moves its shoes from side to side or how day wrestles syllables from us in our sleep. What am I trying to say? Dawn on the spine of the book simply stood for you many years ago. I thought of the denim dress you had saved for gardening. You had asked if I could remove your necklace. I fumbled at the clasp and touched one of the ridges of your spine as the necklace broke and the days fell around us.

it is likely that even if string theory is right, no one ever will. Strings are so small that a direct observation would be tantamount to reading the text on this page from a distance of 100 light-years: it would require resolving power nearly a billion billion times finer than our current technology allows. Some scientists argue vociferously that a theory so removed from direct empirical testing lies in the realm of philosophy or theology, but not physics.