Stag Night Quotes

We've searched our database for all the quotes and captions related to Stag Night. Here they are! All 35 of them:

You could charm the pants off absolutely anyone," I told him quietly. He smirked. "I take it that means you like the idea?" "I love the idea. I love everything you've said. But I know Ellie's excited about this, so we're going to give our friends what they want." "Adam mentioned strippers," Braden warned me, his eyes twinkling. "If Adam books a stripper for you, I'll force Ellie to book a stripper for me. Chuckling, Braden relaxed back in his chair. "Let’s agree to no strippers." I raised my glass of water and waited for Braden to do the same. "To no strippers." "To no strippers," he repeated. "And let’s just make this a motto for our marriage.
Samantha Young (Castle Hill (On Dublin Street, #3.5))
She scanned the night sky until she located the Stag, the Lord of the North. The unmoving star atop the stag's head—the eternal crown—pointed the way the way to Terrasen. She'd been told that the great rulers of Terrasen turned into those bright stars so their people would never be alone—and would always know the way home. She hadn't set foot there in ten years. While he'd been her master, Arobynn hadn't let her, and afterward she hadn't dared. She had whispered the truth that day at Nehemia's grave. She'd been running for so long that she didn't know what it was to stand and fight.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
She walked with Bertram; she walked rather like a stag, with a little give of the ankles, fanning herself, majestic, silent, with all her senses roused, her ears pricked, snuffing the air, as if she had been some wild, but perfectly controlled creature taking its pleasure by night.
Virginia Woolf (A Summing Up)
It is true I have not seen the earth nor men, but in your books I have drunk fragrant wine, I have sung songs, I have hunted stags and wild boars in the forests, have loved women ... Beauties as ethereal as clouds, created by the magic of your poets and geniuses, have visited me at night, and have whispered in my ears wonderful tales that have set my brain in a whirl. In your books I have climbed to the peaks of Elburz and Mont Blanc, and from there I have seen the sun rise and have watched it at evening flood the sky, the ocean, and the mountain-tops with gold and crimson. I have watched from there the lightning flashing over my head and cleaving the storm-clouds. I have seen green forests, fields, rivers, lakes, towns. I have heard the singing of the sirens, and the strains of the shepherds' pipes; I have touched the wings of comely devils who flew down to converse with me of God ... In your books I have flung myself into the bottomless pit, performed miracles, slain, burned towns, preached new religions, conquered whole kingdoms ...
Anton Chekhov (The Bet)
From what the Headmaster told me this morning, you saved a lot of lives last night, Harry. If I'm proud of anything, it's how much you've learned. Tell me about your Patronus." "How d'you know about that?" said Harry, distracted. "What else could have driven the Dementors back?" Harry told Lupin what had happened. When he'd finished, Lupin was smiling again. "Yes, your father was always a stag when he transformed," he said. "You guessed right... that's why we called him Prongs.
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
Aelin felt him a heartbeat before he emerged between the distant, night-veiled trees. Too far in the woods to be anything but a ghost, a figment of an ancient god's dream. [...] the Lord of the North standing watch deep in the forest, the white stag's immortal glow muted in the rain, come to bid Aelin Galathynius farewell
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
Not to waste the spring I threw down everything, And ran into the open world To sing what I could sing... To dance what I could dance! And join with everyone! I wandered with a reckless heart beneath the newborn sun. First stepping through the blushing dawn, I crossed beneath a garden bower, counting every hermit thrush, counting every hour. When morning's light was ripe at last, I stumbled on with reckless feet; and found two nymphs engaged in play, approaching them stirred no retreat. With naked skin, their weaving hands, in form akin to Calliope's maids, shook winter currents from their hair to weave within them vernal braids. I grabbed the first, who seemed the stronger by her soft and dewy leg, and swore blind eyes, Lest I find I, before Diana, a hunted stag. But the nymphs they laughed, and shook their heads. and begged I drop beseeching hands. For one was no goddess, the other no huntress, merely two girls at play in the early day. "Please come to us, with unblinded eyes, and raise your ready lips. We will wash your mouth with watery sighs, weave you springtime with our fingertips." So the nymphs they spoke, we kissed and laid, by noontime's hour, our love was made, Like braided chains of crocus stems, We lay entwined, I laid with them, Our breath, one glassy, tideless sea, Our bodies draping wearily. We slept, I slept so lucidly, with hopes to stay this memory. I woke in dusty afternoon, Alone, the nymphs had left too soon, I searched where perched upon my knees Heard only larks' songs in the trees. "Be you, the larks, my far-flung maids? With lilac feet and branchlike braids... Who sing sweet odes to my elation, in your larking exaltation!" With these, my clumsy, carefree words, The birds they stirred and flew away, "Be I, poor Actaeon," I cried, "Be dead… Before they, like Hippodamia, be gone astray!" Yet these words, too late, remained unheard, By lark, that parting, morning bird. I looked upon its parting flight, and smelled the coming of the night; desirous, I gazed upon its jaunt, as Leander gazes Hellespont. Now the hour was ripe and dark, sensuous memories of sunlight past, I stood alone in garden bowers and asked the value of my hours. Time was spent or time was tossed, Life was loved and life was lost. I kissed the flesh of tender girls, I heard the songs of vernal birds. I gazed upon the blushing light, aware of day before the night. So let me ask and hear a thought: Did I live the spring I’d sought? It's true in joy, I walked along, took part in dance, and sang the song. and never tried to bind an hour to my borrowed garden bower; nor did I once entreat a day to slumber at my feet. Yet days aren't lulled by lyric song, like morning birds they pass along, o'er crests of trees, to none belong; o'er crests of trees of drying dew, their larking flight, my hands, eschew Thus I'll say it once and true… From all that I saw, and everywhere I wandered, I learned that time cannot be spent, It only can be squandered.
Roman Payne (Rooftop Soliloquy)
I shook my head, trying to make sense of everything. The Darkling’s men had found the stag. I should be thinking about that, about my destiny, about the fact that I would have to kill an ancient creature, about the power it would give me and the responsibility of that, but all I could think about was his hands on my hips, his lips on my neck, the lean, hard feel of him in the dark. I took another deep breath of night air. The sensible thing would be to lock my door and go to sleep. But I wasn’t sure I wanted to be sensible. When
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
For fifteen years I have been intently studying earthly life. It is true I have not seen the earth nor men, but in your books I have drunk fragrant wine, I have sung songs, I have hunted stags and wild boars in the forests, have loved women ... Beauties as ethereal as clouds, created by the magic of your poets and geniuses, have visited me at night, and have whispered in my ears wonderful tales that have set my brain in a whirl. In your books I have climbed to the peaks of Elburz and Mont Blanc, and from there I have seen the sun rise and have watched it at evening flood the sky, the ocean, and the mountain-tops with gold and crimson. I have watched from there the lightning flashing over my head and cleaving the storm-clouds. I have seen green forests, fields, rivers, lakes, towns. I have heard the singing of the sirens, and the strains of the shepherds' pipes; I have touched the wings of comely devils who flew down to converse with me of God ... In your books I have flung myself into the bottomless pit, performed miracles, slain, burned towns, preached new religions, conquered whole kingdoms ...
Anton Chekhov
That night, I dreamed of the stag. I saw the Darkling cut his throat again and again. I saw the life fading from his dark eyes. But when I looked down, it was my blood that spilled red into the snow.
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
The long warm light that came just before the night shimmered like water. As fall approached, the sounds of bellowing red stags punctuated the woods, fierce as bears. The leaves were not yet changing, but there was something substantial and weighty to them, a fullness that could be heard when the breeze lifted them. Summer was building, building, until it had to collapse into fall, and the effort was breathtaking to watch.
Maggie Stiefvater (Bravely)
Under the trimmed willows, where brown children are playing And leaves tumbling, the trumpets blow. A quaking of cemeteries. Banners of scarlet rattle through a sadness of maple trees, Riders along rye-fields, empty mills. Or shepherds sing during the night, and stags step delicately Into the circle of their fire, the grove’s sorrow immensely old, Dancing, they loom up from one black wall; Banners of scarlet, laughter, insanity, trumpets
Georg Trakl
So when their campfire was nothing but embers and the horses were dozing behind them, Ansel and Celaena lay on their backs on the side of a dune and stared up at the stars. Her hands tucked behind her head, Celaena took a long, deep breath, savoring the balmy night breeze, the exhaustion ebbing from her limbs. She rarely got to see stars so bright—not with the lights of Rifthold. The wind moved across the dunes, and the sand sighed. “That’s the stag,” Celaena breathed. “The Lord of the North.”... the smile faded when she stared at the familiar constellation. “Because the stag remains constant—no matter the season, he’s always there.
Sarah J. Maas (The Assassin and the Desert (Throne of Glass, #0.3))
I’ll think of you the night of the party, Judith, when I rush through the forest and tear open a stag’s throat with a single bite. I’ll remember how the red of the ribbon matches the red of its blood.” “You’re a madman,” she said, freeing herself of his grasp and adjusting the shawl. “Go, chase the moon, tell it your lies.
Silvia Moreno-Garcia (The Lover)
It’s the moment when something happens not just deep among the trees but also in the dark interior of the human heart, for the heart, too, has its night and its wild surges, as strong an instinct for the hunt as a wolf or a stag. The human night is filled with the crouching forms of dreams, desires, vanities, self-interest, mad love, envy, and the thirst for revenge, as the desert night conceals the puma, the hawk and the jackal.
Sándor Márai (Embers)
BARRY: Phwoar! This stuff shouldn’t be available on the internet where anybody can see it. GLENDA: Barry, what are you looking at? BARRY: Philosophy. You should see some of the ideas floating around here. GLENDA: As long as it’s only philosophy. BARRY: Only?! They come out with stuff that makes your hair stand on end. Look out there. What do you see? GLENDA: I can see it’s time to paint the fence. BARRY: What fence? GLENDA: Our fence. I don’t expect you to paint next door’s. BARRY: There is no fence out there. We just think there is. GLENDA: And I think it still needs painting. BARRY: It’s all in here. It’s only the way we see things that makes them look as if they’re out there. Actually everything is in our heads. GLENDA: Barry, if you can go out there with a pot of paint and paint it, then it’s out there. BARRY: I hate it when you do that. GLENDA: What? BARRY: Make more sense than philosophy. “The Second Stag Night of Doggy Wilkinson”, Last of the Summer Wine”, season 28 episode 1.
Roy Clarke (The Last of the Summer Wine)
And for all these many years Lord Temsland has not found you,” I whispered. He was very still—not afraid of me, but wary. “No other stag has ever been able to elude the lord,” I said softly, “for he is nothing if not a fine hunter. How... ?” The hart lived ever in the shadow of the wood. He knew its winding ways, knew where to find its hidden brooks of water. When the forest’s darker night fell upon him, then he rose up and led his herd to succulent herbs and fat nuts and sweet grasses. He lived side by side with death and was not sad. “So that is why you escape Lord Temsland—Death has bargained with you too,” I said. “But why?” “Because,” said a voice behind me, “he is so gloriously beautiful. Like you.
Martine Leavitt (Keturah and Lord Death)
The first signal of the change in her behavior was Prince Andrew’s stag night when the Princess of Wales and Sarah Ferguson dressed as policewomen in a vain attempt to gatecrash his party. Instead they drank champagne and orange juice at Annabel’s night club before returning to Buckingham Palace where they stopped Andrew’s car at the entrance as he returned home. Technically the impersonation of police officers is a criminal offence, a point not neglected by several censorious Members of Parliament. For a time this boisterous mood reigned supreme within the royal family. When the Duke and Duchess hosted a party at Windsor Castle as a thank you for everyone who had helped organize their wedding, it was Fergie who encouraged everyone to jump, fully clothed, into the swimming pool. There were numerous noisy dinner parties and a disco in the Waterloo Room at Windsor Castle at Christmas. Fergie even encouraged Diana to join her in an impromptu version of the can-can. This was but a rehearsal for their first public performance when the girls, accompanied by their husbands, flew to Klosters for a week-long skiing holiday. On the first day they lined up in front of the cameras for the traditional photo-call. For sheer absurdity this annual spectacle takes some beating as ninety assorted photographers laden with ladders and equipment scramble through the snow for positions. Diana and Sarah took this silliness at face value, staging a cabaret on ice as they indulged in a mock conflict, pushing and shoving each other until Prince Charles announced censoriously: “Come on, come on!” Until then Diana’s skittish sense of humour had only been seen in flashes, invariably clouded by a mask of blushes and wan silences. So it was a surprised group of photographers who chanced across the Princess in a Klosters café that same afternoon. She pointed to the outsize medal on her jacket, joking: “I have awarded it to myself for services to my country because no-one else will.” It was an aside which spoke volumes about her underlying self-doubt. The mood of frivolity continued with pillow fights in their chalet at Wolfgang although it would be wrong to characterize the mood on that holiday as a glorified schoolgirls’ outing. As one royal guest commented: “It was good fun within reason. You have to mind your p’s and q’s when royalty, particularly Prince Charles, is present. It is quite formal and can be rather a strain.
Andrew Morton (Diana: Her True Story in Her Own Words)
He knows that a lot of the literary people in college see books primarily as a way of appearing cultured. When someone mentioned the austerity protests that night in the Stag’s Head, Sadie threw her hands up and said: Not politics, please! Connell’s initial assessment of the reading was not disproven. It was culture as class performance, literature fetishized for its ability to take educated people on false emotional journeys, so that they might afterward feel superior to the uneducated people whose emotional journeys they liked to read about. Even if the writer himself was a good person, and even if his book really was insightful, all books were ultimately marketed as status symbols, and all writers participated to some degree in this marketing. Presumably this was how the industry made money. Literature, in the way it appeared at these public readings, had no potential as a form of resistance to anything. Still, Connell went home that night and read over some notes he had been making for a new story, and he felt the old beat of pleasure inside his body, like watching a perfect goal, like the rustling movement of light through leaves, a phrase of music from the window of a passing car. Life offers up these moments of joy despite everything.
Sally Rooney (Normal People)
Lying sprawled uncouthly at the foot of the Red Dragon where the men had tumbled him down, there was a certain splendor about him still. An old man, an old giant, with bright hairs that shone like gold wires in the gray jut of his beard and the mane of wild hair outflung about his head. I recognized him first by the earl's bracelet twisted about his sword arm, for a spear had taken him between the eyes, but as I looked down more closely into the smashed and blood-pooled face, I recognized the cunning iron-bound mouth, drawn back now in a frozen snarl. I recognized above all, I think the greatness that seemed to cling about him still, an atmosphere of the thing that had made him a giant in more than body; this ancient enemy of Ambrosius's. Hengest, the Jutish adventurer who had grown to be a war lord of the Saxon hordes, lying flung down like a tribute at the foot of the British standard that stirred faintly in the night air above him. That left the son and the grandson to deal with. 'So-o,' Bedwyr said softly. 'Earl Hengest goes at last to his own Storm Lords again. He should have died on a night of tempest, with the lightning leaping from hill to hill, not on a still summer evening with the scent of hawthorn in the air.' 'He was a royal stag,' I said. 'Thank God he is dead.
Rosemary Sutcliff (Sword at Sunset)
When the result of the lawsuit was made known (and rumour flew much quicker than the telegraph which has supplanted it), the whole town was filled with rejoicings. [Horses were put into carriages for the sole purpose of being taken out. Empty barouches and landaus were trundled up and down the High Street incessantly. Addresses were read from the Bull. Replies were made from the Stag. The town was illuminated. Gold caskets were securely sealed in glass cases. Coins were well and duly laid under stones. Hospitals were founded. Rat and Sparrow clubs were inaugurated. Turkish women by the dozen were burnt in effigy in the market place, together with scores of peasant boys with the label ‘I am a base Pretender’, lolling from their mouths. The Queen’s cream-coloured ponies were soon seen trotting up the avenue with a command to Orlando to dine and sleep at the Castle, that very same night. Her table, as on a previous occasion, was snowed under with invitations from the Countess of R., Lady Q., Lady Palmerston, the Marchioness of P., Mrs. W.E. Gladstone, and others, beseeching the pleasure of her company, reminding her of ancient alliances between their family and her own, etc.] — all of which is properly enclosed in square brackets, as above, for the good reason that a parenthesis it was without any importance in Orlando’s life. She skipped it, to get on with the text
Virginia Woolf (Orlando)
When the result of the lawsuit was made known (and rumour flew much quicker than the telegraph which has supplanted it), the whole town was filled with rejoicings. [Horses were put into carriages for the sole purpose of being taken out. Empty barouches and landaus were trundled up and down the High Street incessantly. Addresses were read from the Bull. Replies were made from the Stag. The town was illuminated. Gold caskets were securely sealed in glass cases. Coins were well and duly laid under stones. Hospitals were founded. Rat and Sparrow clubs were inaugurated. Turkish women by the dozen were burnt in effigy in the market place, together with scores of peasant boys with the label ‘I am a base Pretender’, lolling from their mouths. The Queen’s cream-coloured ponies were soon seen trotting up the avenue with a command to Orlando to dine and sleep at the Castle, that very same night. Her table, as on a previous occasion, was snowed under with invitations from the Countess of R., Lady Q., Lady Palmerston, the Marchioness of P., Mrs. W.E. Gladstone, and others, beseeching the pleasure of her company, reminding her of ancient alliances between their family and her own, etc.] — all of which is properly enclosed in square brackets, as above, for the good reason that a parenthesis it was without any importance in Orlando’s life. She skipped it, to get on with the text.
Virginia Woolf (Orlando)
When the result of the lawsuit was made known (and rumour flew much quicker than the telegraph which has supplanted it), the whole town was filled with rejoicings. [Horses were put into carriages for the sole purpose of being taken out. Empty barouches and landaus were trundled up and down the High Street incessantly. Addresses were read from the Bull. Replies were made from the Stag. The town was illuminated. Gold caskets were securely sealed in glass cases. Coins were well and duly laid under stones. Hospitals were founded. Rat and Sparrow clubs were inaugurated. Turkish women by the dozen were burnt in effigy in the market place, together with scores of peasant boys with the label ‘I am a base Pretender’, lolling from their mouths. The Queen’s cream-coloured ponies were soon seen trotting up the avenue with a command to Orlando to dine and sleep at the Castle, that very same night. Her table, as on a previous occasion, was snowed under with invitations from the Countess of R., Lady Q., Lady Palmerston, the Marchioness of P., Mrs. W.E. Gladstone, and others, beseeching the pleasure of her company, reminding her of ancient alliances between their family and her own, etc.] — all of which is properly enclosed in square brackets, as above, for the good reason that a parenthesis it was without any importance in Orlando’s life. She skipped it, to get on with the text.
Virginia Woolf (Orlando)
She wondered how much these creatures knew about the wars that had destroyed her land, about the Fae and faeries that had been hunted down, about the burning of the ancient forests and the butchering of the sacred stags of Terrasen. She wondered if they had ever learned what became of their brethren in the West. She didn’t know how she found it in herself to care. But they seemed so … curious. Surprising even herself, Celaena whispered into the humming night, “They still live.” All those eyes vanished.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
Never mind that for a while, she had felt like one of their own—felt, for the first time in a long, long while, like she had a place where she belonged. Where she might learn something more than deceit and how to end lives. But she’d been wrong. Somehow, realizing that hurt far worse than the beating Arobynn had given her. Her lips trembled, but she squared her shoulders and scanned the night sky until she found the Stag and the crowning star that led north. Sighing, Celaena blew out the lantern, mounted Kasida, and rode into the night.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
My bonny boy, last night I dreamt of a wily wolf and a swift stag, blessing a sapling among the trees. It is a sign you will make our people proud. They will sing of you when these songs are long forgotten.
Avellina Balestri (Saplings of Sherwood (The Telling of the Beads #1))
When I am out on the boats at night, with the stars all clear, I feel as though I’m caught between two hands of infinity. And they’re holding me still but pulling me into them all at the same time. And when everyone is quiet, just waiting, I feel like the sea has its own voice. Not the one everyone talks about – the voices of the dead or the sirens or the monsters – but its own. And it could tell you the answer to everything if you only knew how to ask it.” Keelan's voice slowed and deepened. “It’s like being in another world out there at night. I don’t know why the day ever has to come. I’ve taken my own boat out a few times, just by myself – that’s the best. Small boat and complete silence. Everything – the sky, the water, the silence – everything so much bigger than you.
Tamara Rendell (Realm of the Stag King (Lunar Fire, #1))
They went for long walks along the Hudson, sometimes well into the night, discussing the natural phenomena around them—tadpoles and constellations, falling leaves and the winds carrying them, the moon’s halo and the stag’s antlers.
Hernan Diaz (Trust)
there was a recent experiment where men on stag dos were separated from the group and asked about their night. The majority of men individually said they weren’t enjoying themselves but were doing it for the others!
Sara Pascoe (Sex Power Money)
I’m not going to marry Denny.” He paused. “You have told him this?” “Not yet. I will tell him soon.” “When did you decide?” “Last night.” She lifted her face to his and read pure male arrogance in the set of his brow, the little quirk at the corner of his lips. How like him, to think that disastrous kiss had changed everything. “No, not in the drawing room. I knew it later, in the forest.” He clucked his tongue. “Ah, Cecy. Don’t tell me you’ve fallen in love with the werestag? I fear he will make you a prickly husband.” “Don’t be absurd. And stop deriding me for my honesty, while you hide behind that ironic smirk.” His eyes hardened, and he set his jaw. Curse him, he still wouldn’t let her in. Exasperated, she pushed back the piano bench and stood. “Of course I do not mean to wed a werestag,” she said, crossing to the window. “But that encounter showed me what I truly desire. I want the man who will be there when I need him. The man who will protect me, fight for me.” “I have fought for you, Cecily.” His voice was low, and resonant with emotion. “I have fought for you, protected you. I have suffered and bled for you.” He approached her, covering the Aubusson carpet with a lithe grace that made her weak in the knees. For a moment, she was reminded of the majestic white stag: the innate pride that forbade him to heed her commands; the sheer, wild beauty of his form. They were so alike, he and Luke. Cecily’s breath caught. What did he mean, he had fought for her, bled for her? Was he referring to last— “I have fought for you,” he repeated, thumping a fist to his chest. “Risked my life on battlefields— for you, and for Denny, and for Brooke and Portia and every last soul who calls England home. Is that not enough?” Mere inches separated them now. She swayed forward, carving the distance in half. Her heart drummed in her breast as she whispered, “No.” His eyes flared. “Cecy . . .” “It’s not enough.” She lifted one hand to his neck, curling her fingers into the velvety hair at his nape. Yes, every bit as soft as it looked. “I want more.” If their game was taunting, victory was hers. Grasping her by the hips, he crushed her to the wall and kissed her with abandon.
Tessa Dare (The Legend of the Werestag)
Did you see it last night?” she asked quietly. “The stag?” “Yes.” “It was beautiful.” When he didn’t answer, she added, “Don’t you agree?” Perhaps men did not think animals “beautiful”, or did not admit to it if they did. “Yes.” He gave her a rare, easy smile. “It reminded me of you. Beautiful, graceful, fearless.” “And here I thought him so much like you. Proud, wild, strong.” She laughed softly. “Perhaps he didn’t exist at all, and we were just out here chasing each other.” -Cecily & Luke
Tessa Dare (The Legend of the Werestag)
During the year before Shara and I got married, I managed to persuade the owners of a small island, situated in Poole Harbor, to let me winter house-sit the place in return for free lodging. It was a brilliant deal. Chopping logs, keeping an eye on the place, doing a bit of maintenance, and living like a king on a beautiful twenty-acre island off the south coast of England. Some months earlier, I had been walking along a riverbank outside of London when I had spotted a little putt-putt fishing boat with an old 15 hp engine on the back. She was covered in mold and looked on her last legs, but I noticed her name, painted carefully on the side. She was called Shara. What were the chances of that? I bought her on the spot, with what was pretty well my last £800. Shara became my pride and joy. And I was the only person who could get the temperamental engine to start! I used the boat, though, primarily, as my way of going backward and forward to the small island. I had done some properly dicey crossings in Shara during the middle of that winter. Often done late at night, after an evening out, the three-mile crossing back to the island could be treacherous in bad weather. Freezing waves would crash over the bows, threatening to swamp the boat, and the old engine would often start cutting in and out. I had no nav-lights, no waterproofs, no life jacket, and no radio. And that meant no backup plan--which is bad. Totally irresponsible. But totally fun. I held my stag weekend over there with my best buddies--Ed, Mick, Neil, Charlie, Nige (one of Shara’s uni friends who has become such a brilliant buddy), Trucker, Watty, Stan, and Hugo--and it was a wild one. Charlie ended up naked on a post in the middle of the harbor, we got rescued twice having broken down trying to water-ski behind the underpowered Shara, and we had a huge bonfire while playing touch-rugby by firelight. Perfect.
Bear Grylls (Mud, Sweat and Tears)
Denny turned to Cecily and laid a hand on her wrist. “If you say you encountered a werestag last night, I believe you. Implicitly.” “Thank you, Denny.” She gave him a warm smile. How sweet. Truly, it made Luke’s stomach churn. Ignoring Brooke’s grumbling objection, Luke swiped a roll from his neighbor’s plate and chewed it moodily. He ought to be rejoicing, he supposed, or at least feeling relieved. She should forget him, she should marry Denny, the two of them should be disgustingly happy. But Luke could not be so charitable. For four years, she’d held on to that memory of their first, innocent kiss—and he had too. And he liked believing that no matter what occurred in the future—even if she married Denny, even if an ocean divided them—his and Cecily’s thoughts would always wander back to the same place: that graying bench tucked beneath the arbor in Swinford Manor’s side garden. He didn’t want to believe that she could forget that night. But even now, as she buttered another point of toast, he could sense her mind straying . . . and she wasn’t kissing him on a garden bench. She was deep in the forest with a blasted white stag. Damn it, it wasn’t right. When she lay abed at night, she shouldn’t see charging boars and violent tussles. She should dream of the scent of night-blooming jasmine and the texture of organdy and the distant strains of an orchestra playing a stately sarabande. As he had, all those freezing, damp nights. As he would, in all the bitter years to come.
Tessa Dare (How to Catch a Wild Viscount)
One night he left his tent and rambled around aimlessly in the sleeping camp. He wandered to the enclosure where the captives’ tents stood near the banks of the river Rha. The night was cold, silvery with moonlight, and silent; he could hear the river gently lapping against its banks. It was a sweet, soothing sound like the lullaby his mother used to sing. As he listened a change came into the rhythm of the river’s song—now it was sad, yearning . . . and he could hear words. Someone was singing near by. The melody coiled around his heart and drew him, down the grassy slope, down to the river’s edge he went. The soft grass deadened his footsteps and he saw the singer before she heard him. Leaning against a tree so close to the river that her moonlit figure was reflected in the water, stood one of the captive girls. Bendeguz stood motionless, watching and listening. Her deep sad voice seemed to melt the fierceness around his heart, the restlessness left him, he was at peace. The song came to an end. The girl turned away from the river with a sigh . . . she saw Bendeguz. She made a move as if to run away, then shrank against the tree and faced him defiantly. There was contempt in her eyes and pride in the lift of her head. Bendeguz wanted to say: “Do not be afraid,” but now he could not, for there was no fear in her eyes—just cold, proud contempt. He walked closer, he could have touched her, and still she faced him defiantly. “What is your name?” he asked and his voice was gentle. “Alleeta.” “Alleeta . . .” he repeated slowly. “Alleeta, your eyes are as cold as ice. Do you hate me?” She looked at him for a long time then she turned her head away. “No, not now,” she whispered. “Always I have before, but not now.” She was speaking the language of the Huns, yet it wasn’t the same. To Bendeguz the words she spoke were like her elusive reflection in the water, the same words he knew but subtly different. And suddenly the words of her song rang again in his ears: Lead me westward, White Eagle of the Moon, oh, lead me On silvery rays of the Moon— Westward I long to fly . . . . “Alleeta, where did you learn that song—where did you learn the language of my people?” he asked. She looked at him, surprised. “It is the language of my people and it is a song we all know, the Song of the White Eagle.” “The White Eagle!” exclaimed Bendeguz.
Kate Seredy (The White Stag)
What had one time looked a night of winter, and the dark clouds surly, took a change about the threshold of the morning, and the moon came out and stared. The mountains seemed to lift, the glens to deepen; everywhere were shadows dark as ink, inhabited by creatures drowsy and alert - the creeping ones, the squeaking ones, the swooping ones, and in the grassy nooks the big red stags at stamping, roaring on their queens. Glen Coe was loud with running waters falling down the gashes of the bens, the curlew whistling and the echoes of MacTala, son of earth, who taunts. From out its lower end among the clachans and the trees there came a company of men behind a fellow on a horse, all belted, bearing weapons, walking one behind another.
Neil Munro (The New Road)