Stacy Movie Quotes

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Did you notice?” “Notice what?” “How small she is? Even her hands are tiny, but her fingers are long. I don’t even know how that’s possible.” He was still making that face. "I mean, I guess it’s her fingers. They’re longer than her palms, so it gives the illusion that they’re long in general. Pretty sure one of her hands would fit on my palm. Like in Beauty and the Beast when he holds her hand and it’s just a wrist disappearing into his big, hairy fist.” He added blinking to the face. “Did you just compare yourself to a Disney movie?
Staci Hart (Work in Progress (Red Lipstick Coalition, #3))
Don’t know if you have any hobbies.” She nodded. “I do. I may have to take a break from it for a bit while I’m out here, but normally when I have a light day on campus, I go to a class . . .” I waited. “It’s . . . pole dancing.” I stopped breathing, but at least I didn’t choke. Nodding, I took a sip of my wine to block my face, which I was pretty sure had turned the shade of a beet. “So, like Flashdance? Welder by day, dancer by night?” I barked out, feeling a stirring in my pants that was wholly inappropriate for my roomie, who’d been talking about diode lasers a minute earlier. She’s a goddamn pole dancer. She chuckled and crossed her arms over her chest as though trying to keep me from picturing her dancing. “Excellent movie reference. But no, that’s not even close to what I do.” It hardly mattered. My brain was stuck. Like a white-hot strobe had blinded me to everything except Sarah wearing lingerie and grinding on a pole under hot lights. For me. Stop picturing it. Fuck! “Cool,” I finally managed to say with a straight face. Like it meant nothing. She nodded. Like it meant nothing. Then she spread some brie cheese on a cracker and took a bite. I choked out an excuse and went to the bathroom to get a grip. This will be okay. It will. It has to be. In the bathroom, I splashed some cold water on my face and took a hard look at myself in the mirror. What was happening? I hadn’t been this jacked up over a woman anytime in the past two years. My emotions had been buried in caverns so deep I felt confident they were gone for good. I was fine with that. It made no sense. Or . . . maybe it did. I’ve always been competitive as fuck. If I’m told I can’t have something, I want it all the more and do anything in my power to make it mine. That had to be what was happening here. It was all in my head. I knew she was off limits, so the competitive motherfucker in me started bucking against that. I just needed to get my head together and think of her like any other human who happened to be using my second bedroom. When I got back to the table, Sarah looked up at me with a thin slice of Parma ham twirled around her fork and put the bit into her mouth. I had no defensible reason to focus on her lips or the soft contour of her jaw while she chewed. She swallowed and smiled at me. “I figured I should get a head start on eating while you were gone. In case you had more questions.” “Good plan. Maybe we should focus on the food for a few minutes, or we could be here all night.” I bit into a slider and closed my eyes at how delicious the slow-roasted meat tasted on the brioche bun. Who needed to cook when someone else could make food that tasted like this? It was how I’d become addicted to takeout and why I rarely ate at home anymore. That, and I spent a lot of time at work. Sarah finished the last of the cheesy bread and wiped her lips gingerly on a napkin before looking right at me with those gorgeous eyes. “This is weird, right? It’s not just me?” I tilted my head, trying to read her expression and decipher her meaning. “Could you be specific? She waved her hands between us. “This. Us. We’re in our thirties and we’re roommates. I don’t know about you, but I haven’t had a roommate for about ten years. Does it freak you out a little bit?” Yes, but not for the reasons she meant.
Stacy Travis (The Spark Between Us (Berkeley Hills, #4))
They were standing in the middle of the arena, with Stardust tacked up and ready to go. Issie watched as Aunt Hester walked over to the mare and attached a long webbing lunge rein, clipping it on to the bit and running it over the mare’s poll and down the other side. “Before you get on her, let’s try putting Stardust through her paces on the lunge rein,” Hester said. “Run the stirrups up the leathers, will you, dear?” Issie slid the irons up on their leathers so that they didn’t bounce against the mare’s sides and then she stood back as Aunt Hester led Stardust into the centre of the arena. “Tsk tsk, walk on!” Hester clucked at the palomino to get her moving, and Stardust obeyed her commands, stepping out on the lunge at a brisk walk. The lunge rein was about three metres long. Hester held the end of the rein and her eyes followed the mare as she circled around her. “Trot on!” Hester called out and again Stardust immediately obliged, breaking into a trot on command. “She’s got the most lovely trot!” Issie called out to her aunt. “That’s nothing, wait until you see her canter,” Hester grinned. “Come on, Stardust, canter on!” Hester was right. Stardust had a canter that almost seemed to float above the ground–she was as graceful as a ballerina. Issie could see why Rupert had cast this mare in his movie. With her silver mane and tail flowing out behind her, she looked exactly like the sort of pony that belongs to a princess. Stardust shook her mane and arched her neck, as if she knew that she was the centre of attention as she circled round and round the arena. “And steady…walk on! And…halt!” Hester instructed. Stardust did just as she was asked, pulling up on the lunge and stopping in front of Hester in a perfect square halt. “Good girl, Stardust!
Stacy Gregg (Stardust and the Daredevil Ponies (Pony Club Secrets, Book 4))
I am a professional! I’m a natural movie star!” Stella grinned. “Did you see our grand entrance, Hester
Stacy Gregg (Stardust and the Daredevil Ponies (Pony Club Secrets, Book 4))
Fast Times at Ridgemont High (1982)—Not bad. It may fall into the general category of youth-exploitation movies, but it isn’t assaultive. The young director, Amy Heckerling, making her feature-film début, has a light hand. If the film has a theme, it’s sexual embarrassment, but there are no big crises; the story follows the course of several kids’ lives by means of vignettes and gags, and when the scenes miss they don’t thud. In this movie, a gag’s working or not working hardly matters—everything has a quick, makeshift feeling. If you’re eating a bowl of Rice Krispies and some of them don’t pop, that’s O.K., because the bowlful has a nice, poppy feeling. The friendship of the two girls—Jennifer Jason Leigh as the 15-year-old Stacy who is eager to learn about sex and Phoebe Cates as the jaded Valley Girl Linda who shares what she knows—has a lovely matter-of-factness. With Sean Penn as the surfer-doper Spicoli—the most amiable stoned kid imaginable. Penn inhabits the role totally; the part isn’t big but he comes across as a star. Also with Robert Romanus, Judge Reinhold, Brian Backer, and Ray Walston. The script, by Cameron Crowe, was adapted from his book about the year he spent at a California high school, impersonating an adolescent. The music—a collection of some 19 pop songs—doesn’t underline things; it’s just always there when it’s needed. Universal. color (See Taking It All In.)
Pauline Kael (5001 Nights at the Movies (Holt Paperback))
mousey woman in the front row is shaking her head gently, tears in her eyes. She is loving this right now, I know she is. It’s like she’s watching her favorite movie, mindlessly snacking on popcorn as her lips move gently, reciting every word.
Stacy Willingham (All the Dangerous Things)
Bree gave her a dry look. “Do I think a bunch of aliens noticed your speech was stolen from a forty-five-year-old Earth movie? No. No, I don’t.
Stacy Jones (Victoria's Embrace (Taken #4))