Squeeze Water From A Stone Quotes

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Dr. Heissman laughed and immediately apologized, "I'm sorry, I'm just so used to what I think of as squeezing water from a stone syndrome. SpecWar operators are not big on admitting to what they perceive to be a weakness. Even though awareness of vulnerability ultimately leads to strength. Either from directly dealing with the issue or learning to work around it.
Suzanne Brockmann (Into the Fire (Troubleshooters, #13))
Outside the snapdragons, cords of light. Today is easy as weeds & winds & early. Green hills shift green. Cardinals peck at feeders—an air seed salted. A power line across the road blows blue bolts. Crickets make crickets in the grass. We are made & remade together. An ant circles the sugar cube. Our shadow’s a blown sail running blue over cracked tiles. Cool glistening pours from the tap, even on the edges. A red wire, a live red wire, a temperature. Time, in balanced soil, grows inside the snapdragons. In the sizzling cast iron, a cut skin, a sunny side runs yellow across the pan. Silver pots throw a blue shadow across the range. We must carry this the length of our lives. Tall stones lining the garden flower at once. Tin stars burst bold & celestial from the fridge; blue applause. Morning winds crash the columbines; the turf nods. Two reeling petal-whorls gleam & break. Cartoon sheep are wool & want. Happy birthday oak; perfect in another ring. Branch shadows fall across the window in perfect accident without weight. Orange sponge a thousand suds to a squeeze, know your water. School bus, may you never rust, always catching scraps of children’s laughter. Add a few phrases to the sunrise, and the pinks pop. Garlic, ginger, and mangoes hang in tiers in a cradle of red wire. That paw at the door is a soft complaint. Corolla of petals, lean a little toward the light. Everything the worms do for the hills is a secret & enough. Floating sheep turn to wonder. Cracking typewriter, send forth your fire. Watched too long, tin stars throw a tantrum. In the closet in the dust the untouched accordion grows unclean along the white bone of keys. Wrapped in a branch, a canvas balloon, a piece of punctuation signaling the end. Holy honeysuckle, stand in your favorite position, beside the sandbox. The stripes on the couch are running out of color. Perfect in their polished silver, knives in the drawer are still asleep. A May of buzz, a stinger of hot honey, a drip of candy building inside a hive & picking up the pace. Sweetness completes each cell. In the fridge, the juice of a plucked pear. In another month, another set of moths. A mosquito is a moment. Sketched sheep are rather invincible, a destiny trimmed with flouncy ribbon. A basset hound, a paw flick bitching at black fleas. Tonight, maybe we could circle the floodwaters, find some perfect stones to skip across the light or we can float in the swimming pool on our backs—the stars shooting cells of light at each other (cosmic tag)—and watch this little opera, faults & all.
Kevin Phan (How to Be Better by Being Worse)
1. If postmodern thought has tried to gag God, unsuccessfully, by its radical hermeneutics and its innovative epistemology, the church is in danger of gagging God in quite another way. The church in Laodicea, toward the end of the first century, thought of itself as farsighted, respectable, basically well off. From the perspective of the exalted Christ, however, it was blind, naked, bankrupt. The nearby town of Colossae enjoyed water that was fresh and cold, and therefore useful; the nearby town of Hierapolis enjoyed hotsprings where people went to take the cure: its water, too, was useful. But Laodicea’s foul water was channeled in through stone pipes, and it was proverbial for its nauseating taste. The church had become much like the water it drank: neither hot and useful, nor cold and useful, but merely nauseating. Jesus is prepared to spue this church out of his mouth (Rev. 3:16). This church makes the exalted Jesus gag. I cannot escape the dreadful feeling that modern evangelicalism in the West more successfully effects the gagging of God, in this sense, than all the postmodernists together, in the other sense. 2. This calls for repentance. The things from which we must turn are not so much individual sins—greed, pride, sexual promiscuity, or the like, as ugly and as evil as they are—as fundamental heart attitudes that squeeze God and his Word and his glory to the periphery, while we get on with religion and self-fulfillment. 3. At issue is not only what we must turn from, but also what we must turn to: We will not be able to recover the vision and understanding of God’s grandeur until we recover an understanding of ourselves as creatures who have been made to know such grandeur. This must begin with the recovery of the idea that as beings made in God’s image, we are fundamentally moral beings, not consumers, that the satisfaction of our psychological needs pales in significance when compared with the enduring value of doing what is right. Religious consumers want to have a spirituality for the same reason that they want to drive a stylish and expensive auto. Costly obedience is as foreign to them in matters spiritual as self-denial is in matters material. In a culture filled with such people, restoring weight to God is going to involve much more than simply getting some doctrine straight; it’s going to entail a complete reconstruction of the modern self-absorbed pastiche personality.94 4. It follows that teachers and preachers in seminaries and churches must be people “for whom the great issue is the knowledge of God,”95 whatever their area of specialization might be. Preachers and teachers who do not see this point and passionately hold to it are worse than useless: they are dangerous, because they are diverting.
D.A. Carson (The Gagging of God: Christianity Confronts Pluralism)
Albert, apparently sensing that Traigh was, at that moment, plotting the different ways in which he’d kill their youngest brother, spoke up. “So will it be a hangin’in store fer Graeme, or do ye just plan on beatin’him half to death?” Traigh glanced at Albert. “I have no’decided just yet.” Albert was the most serious of the six MacAulay brothers. He rarely spoke without thinking first, and he was not one to go about chasing lasses like their brothers, Bruce and Albert. Neither was he one to jest frequently. ’Twas also said that Albert was as tightfisted with his money as a bairn is to his mother’s teat. Trying to get money from him was akin to trying to squeeze water from a stone. “I say we hang him,”Albert said, and not in jest. Traigh, though sorely tempted, knew ’twas impossible. “Our mother would have our heads if we hang him.” Albert thought on it for a moment. “Mayhap one day he will be out ridin’and have a mishap, whereby he falls off a cliff.” Traigh stared at him for a long while, uncertain if he was jesting or serious. Part of him was afraid to ask. Albert was just as vexed over Graeme’s behavior as Traigh was. “Remind me never to make ye angry,”he said. Albert raised a blonde brow. “Ye? Nay, I doubt ye’d ever anger me to the point of murder. Graeme, however, is another matter. I fear he has been so busy with book learnin’that he has fergotten everythin’a MacAulay stands for.” “Honor above self,”Traigh said. ’Twas the creed all MacAulays lived by. “Aye,”Albert said. “And right now, I believe he’s puttin’his own feelin’s ahead of everythin’. How anyone can remain angry for so long is beyond me. But then, I have no’had all the book learnin’that Graeme has had. Mayhap he can explain it to us.”Though his voice was laced with sarcasm, there was much truth to what he was saying. Traigh had to chuckle. “Shall we allow him to explain it before or after we beat him senseless?” Albert took a moment before answering. “Mayhap before, fer ’twill be difficult to understand him once I knock out a few of his teeth.” “Again, remind me ne’er to make ye angry, brother.” Albert shrugged his shoulders before urging his horse to move faster, leaving Traigh to wonder if he should mayhap begin to pray that Albert did not get his hands on Graeme first.
Suzan Tisdale (Isle of the Blessed)
Viewed from a distance, Nantucket Island is everything Karen Otis dreamed it would be: tasteful, charming, nautical, classic. The ferry passes inside a stone jetty, and Karen squeezes Bruce’s hand to let him know she would like to stand and walk the few feet to the railing now. Bruce places an arm across Karen’s back and eases her up out of her seat. He’s not a big man but he’s strong. He was the Pennsylvania state champion wrestler at 142 pounds in 1984. Karen first set eyes on him sitting in the Easton Area High School pool balcony. She was swimming the butterfly leg for the varsity relay team, which routinely practiced during lunch, and when she climbed out of the water, she spied Bruce, dressed in sweatpants and a hooded sweatshirt, staring at an orange he held in his hands
Elin Hilderbrand (The Perfect Couple (Nantucket, #3))
With a quick jab, I prick my fingertip using a sewing needle and squeeze a single red pearl into the liquid, focusing on the first question at hand. “Nahmthalahsh. Where is Warek, Finn’s father?” The water will only show me the present—not the past and never the future. I must also know what I’m looking for. Exactly. Staring at the glimmering surface, I conjure a thought of Warek. The water turns violet, then ripples like a puddle disrupted by a stone. An image forms, and I let out a deep breath. Warek sits near his horse with his back to a large boulder. He’s slumped over, legs outstretched, an empty flask lying in the dirt, inches from his hand. Mother was right. Too much drink.
Charissa Weaks (The Witch Collector (Witch Walker #1))
woke up the next day to clear, blue skies. She stretched and climbed out of bed, thankful that she didn’t suffer from the aches and pains that many her age complained about. She attributed that to her strict health regimen and hurried downstairs where she measured out a tablespoon of apple cider vinegar and squeezed half a lemon into heated, purified water. From her kitchen window up high on Israel Head Hill, she had a stunning, bird’s-eye-view of the Atlantic Ocean. The view drew her outside and she took her steaming mug into the large garden that encompassed the east side of the old, stone cottage in which she lived. The cottage had been her parents’ house, the one
Leighann Dobbs (A Crabby Killer (Mooseamuck Island, #2))
Before I could say anything the other gagged my mouth with a stone ball. I wanted to say what fools they were, but not the first fool in Dolingo. How could I confess anything with my mouth gagged? And the boy’s smell came to my nose again, so strong, almost as if he was right outside this cell, but now moving away. The one-eyed scientist pulled a knot at his neck and removed his hood. Bad Ibeji. I heard of one found at the foot of the Hills of Enchantment, which the Sangoma burned, even though it was already dead. Even in death it shook the unshakable woman, for it was the one mingi she would kill on sight. Bad Ibeji was never to be born but is not the unborn Douada, who roams the spirit world, wiggling on air like a tadpole and sometimes slipping into this world through a newborn. Bad Ibeji was the twin that the womb squeezed and crushed, tried to melt, but could not melt away. Bad Ibeji grows on its malcontent like that devil of the body’s own flesh, that bursts through the breasts of woman, killing her by poisoning her blood and bone. Bad Ibeji knows it will never be the favored one, so it attacks the other twin in the womb. Bad Ibeji sometimes dies at birth when the mind did not grow. When the mind did grow, all it knows to do is survive. It burrows into the twin’s skin, sucking food and water from his flesh. It leaves the womb with the twin, and sticks so tight to his skin that the mother thinks this too is the baby’s flesh, unformed, ugly like a burn and not handsome, and sometimes throws away them both to the open lands to die. It is wrinkled and puffy flesh, and skin and hair, and one eye big and a mouth that drools without stop, and one hand with claws and another stuck on the belly as if sewn, and useless legs that flap like fins, a thin penis, stiff like a finger, and hole that bursts shit like lava. It hates the twin for it will never be the twin, but it needs the twin for it cannot eat food, or drink water as it has no throat, and teeth grow anywhere, even above the eye. Parasite. Fat, and lumpy, like cow entrails tied together, and leaving slime where it crawls.
Marlon James (Black Leopard, Red Wolf (The Dark Star Trilogy, #1))
Before I could say anything the other gagged my mouth with a stone ball. I wanted to say what fools they were, but not the first fool in Dolingo. How could I confess anything with my mouth gagged? And the boy’s smell came to my nose again, so strong, almost as if he was right outside this cell, but now moving away. The one-eyed scientist pulled a knot at his neck and removed his hood. Bad Ibeji. I heard of one found at the foot of the Hills of Enchantment, which the Sangoma burned, even though it was already dead. Even in death it shook the unshakable woman, for it was the one mingi she would kill on sight. Bad Ibeji was never to be born but is not the unborn Douada, who roams the spirit world, wiggling on air like a tadpole and sometimes slipping into this world through a newborn. Bad Ibeji was the twin that the womb squeezed and crushed, tried to melt, but could not melt away. Bad Ibeji grows on its malcontent like that devil of the body’s own flesh, that bursts through the breasts of woman, killing her by poisoning her blood and bone. Bad Ibeji knows it will never be the favored one, so it attacks the other twin in the womb. Bad Ibeji sometimes dies at birth when the mind did not grow. When the mind did grow, all it knows to do is survive. It burrows into the twin’s skin, sucking food and water from his flesh. It leaves the womb with the twin, and sticks so tight to his skin that the mother thinks this too is the baby’s flesh, unformed, ugly like a burn and not handsome, and sometimes throws away them both to the open lands to die. It is wrinkled and puffy flesh, and skin and hair, and one eye big and a mouth that drools without stop, and one hand with claws and another stuck on the belly as if sewn, and useless legs that flap like fins, a thin penis, stiff like a finger, and hole that bursts shit like lava. It hates the twin for it will never be the twin, but it needs the twin for it cannot eat food, or drink water as it has no throat, and teeth grow anywhere, even above the eye. Parasite. Fat, and lumpy, like cow entrails tied together, and leaving slime where it crawls. The Bad Ibeji’s one hand splayed itself on the one-eyed scientist’s neck and chest. He unhooked each claw and a little blood ran out of each hole. The second hand unwrapped itself from the scientist’s waist, leaving a welt. I shook and screamed into the gag and kicked against the shackles but the only thing free was my nose to huff. The Bad Ibeji pulled his head off the twin’s shoulder and one eye popped open. The head, a lump upon a lump, upon a lump, with warts, and veins, and huge swellings on the right cheek with a little thing flapping like a finger. His mouth, squeezed at the corners, flopped open, and his body jerked and sagged like kneaded flour being slapped. From the mouth came a gurgle like from a baby. The Bad Ibeji left the scientist’s shoulder and slithered on my belly and up to my chest, smelling of arm funk and shit of the sick. The other scientist grabbed my head with both sides and held it stiff. I struggled and struggled, shaking, trying to nod, trying to kick, trying to scream, but all I could do was blink and breathe.
Marlon James
Cass?” The word came from behind her. She spun around. The cell was dark, quiet. A roman numeral fifteen was painted upside down over the door. Had someone just said her name? Or had she imagined it? A shadow stirred from inside the cell. There was a liquid sound in the dark, water being disturbed. A man’s face appeared at the tiny grate. Siena covered her mouth with one hand. Cass swallowed back a gasp. He had a thick beard covering his cheeks and chin, but his brown eyes shined golden in the darkness. It was Luca. “Am I--am I seeing things?” Luca’s voice was dry, cracked. “Is that you, Cass?” His eyes were wide and staring, as though he had woken in the middle of a dream. Cass felt like weeping. He was here. She had found him. She wanted to throw herself through the stone and press her face to his chest. Instead, she leaned close to the grate. “We’re going to get you out of here,” she mouthed. Luca rubbed his eyes, like he still thought Cass was just a dream. He shook his head. “Impossible,” he whispered. Cass reached for his face, barely managing to squeeze her fingers through the grate and touch his cheek. “I’ll be back. I promise.
Fiona Paul (Belladonna (Secrets of the Eternal Rose, #2))
He was going to kiss her. She was going to let him. Falco’s face blurred in the darkness as he closed the distance between them. And then…it wasn’t Falco she was about to kiss. It was Luca. She lunged backward in her seat, causing the gondola to lurch to one side. Falco’s eyes snapped open. “What happened?” Cass had no idea what to say. “I--I thought I saw something,” she stammered out. Falco glanced around, as if reaffirming that it would be impossible to see anything in the blackness under the bridge. “A vampire?” His voice was thick with sarcasm. Cass looked away. “Forget it. You wouldn’t understand.” “Oh. I think I understand.” Falco turned slowly away from Cass. He dragged his fingers across the shiny black wood as he moved toward the back of the boat. “Forgive me, Signorina. I didn’t mean to overstep my station.” “No. I--it’s not that,” Cass said. Her heart was trembling in her chest. Falco didn’t answer. He vaulted over the side of the boat and headed for the steps leading up to the bridge. Cass followed him, struggling to lift her skirts over the gondola’s edge. She fumbled her way up the uneven steps, feeling the dampness of the stones seeping through the bottom of her suede shoes. Falco stood in the middle of the bridge, his forearms resting on the railing. He stared down at the water so intently that Cass thought maybe it was his turn to see murderers and poisonous serpents beneath the surface. But no, Falco didn’t deal in superstition. Cass cleared her throat. Her chest felt as though there was a giant fist around it, squeezing. “Lately I always think I’m doing the wrong thing.” Falco nodded, keeping his eyes locked on the water. His jaw was tight. “You should stop thinking so much. Do what feels right.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))