I Love My Inmate Quotes

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I'm a woman; in so many ways I've been programmed to please. I took the job and spent time hunkered over figures, budgets, charts, and fiscal-year projections. I tried, but I hated it. "Working at a job you don't like is the same as going to prison every day," my father used to say. He was right. I felt imprisoned by an impressive title, travel, perks, and a good salary. On the inside, I was miserable and lonely, and I felt as if I was losing myself. I spent weekends working on reports no one read, and I gave presentations that I didn't care about. It made me feel like a sellout and, worse, a fraud. Now set free, like any inmate I had to figure out what to do with the rest of my life.
Kathleen Flinn (The Sharper Your Knife, the Less You Cry: Love, Laughter, and Tears at the World's Most Famous Cooking School)
I always think fondly of my years inside Detention Center LC/766B. The women and the children I met had all lost people they loved, but they never wallowed in despair. Dying is one of the few experiences we'll eventually all enjoy firsthand, and like most shit that's commonplace, it's boring to dwell on. My fellow inmates/classmates (and really, what's the difference?) showed me it was more interesting to concentrate on the living. Because death is fucking predictable... ...but life has science experiments and free time and surprise naps and who knows what comes next?
Brian K. Vaughan (Saga #36)
The prison population consists of heterogeneous elements; but, taking only those who are usually described as 'the criminals' proper, and of whom we have heard so much lately from Lombroso and his followers, what struck me most as regards them was that the prisons, which are considered as preventive of anti-social deeds, are exactly the institutions for breeding them. Every one knows that absence of education, dislike of regular work, physical incapability of sustained effort, misdirected love of adventure, gambling propensities, absence of energy, an untrained will, and carelessness about the happiness of others are the causes which bring this class of people before the courts. Now I was deeply impressed during my imprisonment by the fact that it is exactly these defects of human nature--each one of them--which the prison breeds in its inmates; and it is bound to breed them because it is a prison, and will breed them so long as it exists.
Pyotr Kropotkin (Memoirs of a Revolutionist)
Down by the river, Down by the banks of the River Charles That’s where you’ll find me Along with lovers, muggers and thieves Well I love that dirty water, Oh Boston, you’re my home. —The Inmates
Neal Stephenson (Zodiac)
We had a genuine love for each other, and we loved being around each other, and in the gang was where I felt love. Troit Lynes, former death row inmate of Her Majesty Prison
Drexel Deal (The Fight of My Life is Wrapped Up in My Father (The Fight of My Life is Wrapped in My Father Book 1))
Who" The month of flowering’s finished. The fruit’s in, Eaten or rotten. I am all mouth. October’s the month for storage. The shed’s fusty as a mummy’s stomach: Old tools, handles and rusty tusks. I am at home here among the dead heads. Let me sit in a flowerpot, The spiders won’t notice. My heart is a stopped geranium. If only the wind would leave my lungs alone. Dogsbody noses the petals. They bloom upside down. They rattle like hydrangea bushes. Mouldering heads console me, Nailed to the rafters yesterday: Inmates who don’t hibernate. Cabbageheads: wormy purple, silver-glaze, A dressing of mule ears, mothy pelts, but green-hearted, Their veins white as porkfat. O the beauty of usage! The orange pumpkins have no eyes. These halls are full of women who think they are birds. This is a dull school. I am a root, a stone, an owl pellet, Without dreams of any sort. Mother, you are the one mouth I would be a tongue to. Mother of otherness Eat me. Wastebasket gaper, shadow of doorways. I said: I must remember this, being small. There were such enormous flowers, Purple and red mouths, utterly lovely. The hoops of blackberry stems made me cry. Now they light me up like an electric bulb. For weeks I can remember nothing at all.
Sylvia Plath (The Collected Poems)
Never," said he, as he ground his teeth, "never was anything at once so frail and so indomitable. A mere reed she feels in my hand!" (And he shook me with the force of his hold.) "I could bend her with my finger and thumb: and what good would it do if I bent, if I uptore, if I crushed her? Consider that eye: consider the resolute, wild, free thing looking out of it, defying me, with more than courage- with a stern triumph. Whatever I do with it's cage, I cannot get at it-the savage, beautiful creature! If I tear, if I rend the slight prison, my outrage will only let the captive loose. Conquered I might be of the house; but the inmate would escape to heaven before I could call myself possessor of its clay-dwelling place. And it is you, spirit, with will and energy, and virtue and purity-that I want: not alone your brittle frame. Of yourself you could come with soft flight and nestle against my heart, if you would: seized against your will, you will elide the grasp like an essence-you will vanish ere I inhale your fragrance.
Charlotte Brontë (Jane Eyre: The Original 1847 Edition With Illustrations (A Classic Illustrated Novel of Charlotte Brontë))
Sometimes a sanctuary, sometimes a prison, that house on the hill has always been my home. I've spent my life yearning toward it, wanting to escapt it, paralyzed by its hold on me. (There are many ways to be crippled, I've learned over the years, many forms of paralysis.) Some sense memories fade as soon as they're past. Others are etched in your mind for the rest of your life. We should've sold this house when we had the chance. You're the inmate and I'm the warden. The words hand in the air between us. But as long as neither of us mentions them, we can pretend they were never said. The older I get, the more I believe that the greatest kindness is acceptance. There are many ways to love and be loved. Too bad it's taken most of a lifetime for me to understand what that means. Wyeth: Christina's World--The painting is more a psychological landscape than a portrait, a portrayal of a state of mind rather than a place. Like the house, like the landscape, she perseveres. As an embodiment of the strength of the American character, she is vibrant, pulsating, immortal.
Christina Baker Kline (A Piece of the World)
Chief among these motives was the overwhelming idea of the great whale himself. Such a portentous and mysterious monster roused all my curiosity. Then the wild and distant seas where he rolled his island bulk; the undeliverable, nameless perils of the whale; these, with all the attending marvels of a thousand Patagonian sights and sounds, helped to sway me to my wish. With other men, perhaps, such things would not have been inducements; but as for me, I am tormented with an everlasting itch for things remote. I love to sail forbidden seas, and land on barbarous coasts. Not ignoring what is good, I am quick to perceive a horror, and could still be social with it—would they let me—since it is but well to be on friendly terms with all the inmates of the place one lodges in. By reason of these things, then, the whaling voyage was welcome; the great flood-gates of the wonder-world swung open, and in the wild conceits that swayed me to my purpose, two and two there floated into my inmost soul, endless processions of the whale, and, mid most of them all, one grand hooded phantom, like a snow hill in the air.
Herman Melville (Moby-Dick or, The Whale)
The Carver stroked the shard of bone in his palm, attention fixed upon a stone-faced Cassian. 'What if I tell you what the rock and darkness and sea and beyond whispered to me, Lord of Bloodshed? How they shuddered in fear, on that island across the sea. How they trembled when she emerged. She took something- something precious. She ripped it out with her teeth.' Cassian's golden-brown face had drained of colour, his wings tucking in tight. 'What did you wake that day in Hybern, Prince of Bastards?' My blood went cold. 'What come out was not what went in.' A rasping laugh as the Carver laid the shard of bone on the ground beside him. 'How lovely she is- new as a fawn and yet ancient as the sea. How she calls to you. A queen, as my sister once was. Terrible and proud, beautiful as a winter sunrise.' Rhys had warned me of the inmates' capacity to lie, to sell anything, to get free. 'Nesta,' the Bone Carver murmured. 'Nes-ta.' I squeezed Cassian's hand. Enough. It was enough of this teasing and taunting. But he didn't look at me. 'How the wind moans her name. Can you hear it, too? Nesta. Nesta. Nesta.' I wasn't sure Cassian was breathing. 'What did she do, drowning in the ageless dark? What did she take?
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Inside the Mousery the smell was overpowering, but it is doubtful if any of the three noticed it. Down the center of the single long room ran a brick path on either side of which were shelves three deep, divided into roomy sections. The admiral stopped before one of them, ‘Golden Agouti’, he remarked. He took hold of a rectangular box, the front of which was wired; very slyly he lifted a lid set into the top panel, and lowered the cage so that the children might look in. Inside, midway between floor and lid was a smaller box five inches long; a little hole at one end of this inner box gave access to the interior of the cage, and from it a miniature ladder slanted down to the sawdust strewn floor. In this box were a number of little heaving pink lumps, by the side of which crouched a brownish mouse. Her beady eyes peered up anxiously, while the whiskers on her muzzle trembled. The admiral touched her gently with the tip of his little finger. ‘She’s a splendid doe’, he said affectionately; ‘a remarkably careful mother and not at all fussy!’ He shut the door and replaced the cage. ‘There’s a fine pair here’, he remarked, passing to a new section; ‘what about that for color!’ He put his hand into another cage and caught one of the occupants deftly by the tail. Holding the tail between his finger and thumb he let the mouse sprawl across the back of his other hand, slightly jerking the feet into position. The children gazed. ‘What color is that?’ they inquired. ‘Chocolate’, replied the admiral. ‘I rather fancy the Self varieties, there’s something so well-bred looking about them; for my part I don’t think a mouse can show his figure if he’s got a pied pelt on him, it detracts. Now this buck for instance, look at his great size, graceful too, very gracefully built, legs a little coarse perhaps, but an excellent tail, a perfect whipcord, no knots, no kinks, a lovely taper to the point!’ The mouse began to scramble. ‘Gently, gently!’ murmured the admiral, shaking it back into position. He eyed it with approbation, then dropped it back into its cage, where it scurried up the ladder and vanished into its bedroom. They passed from cage to cage; into some he would only let them peep lest the does with young should get irritable; from others he withdrew the inmates, displaying them on his hand. ‘Now this’, he told them, catching a grey-blue mouse. ‘This is worth your looking at carefully. Here we have
Radclyffe Hall (Radclyffe Hall: The Complete Novels)
close my eyes and I can still see his ruggedly handsome face. His eyes looking into mine. I love you, Brooke. That was what he said to me just a few hours before he tried to kill me. And that’s not even the worst thing he did.
Freida McFadden (The Inmate)
One of my colleagues in the cellular-telephone business was complaining about how the engineers had made cell phones hard to use by packing in so many rarely used features. She said that cell phones were "wet dogs." When I inquired about her metaphor, she explained, "You have to really love a wet dog a lot to want to carry it around.
Alan Cooper (The Inmates Are Running the Asylum: Why High Tech Products Drive Us Crazy and How to Restore the Sanity)
Andre wasn’t there, no other inmates…no one. The bailiff walked in about an hour after I’d arrived and I felt my stomach start to stir. Something wasn’t right and I could feel it, but I tried to calm myself down.
Porscha Sterling (Us Against the World 2: Our Love is Forever)
When I would watch my father go against the wall with the rest of the inmates and have to watch them walk back to the cell, it made me feel like shit. My father always made sure to take care of us when we were younger.
Diamond D. Johnson (Little Miami Girl 3: Antonia & Jahiem's Love Story)
Such a shame that I didn’t get to say good-bye to my fellow inmates,” he said sarcastically. “Actually, Puchalski was the only guy I liked. I still can’t figure out what got into him.” As Jordan used her chopsticks to pick up a piece of hamachi, she decided it was best to get her brother off that topic as fast as possible. “Sounds like he just snapped.” “But why would he have a fork in his shoe?” Kyle mused. “That makes me think he was planning the attack, which doesn’t make sense.” Let it go, Kyle. She shrugged. “Maybe he always keeps a fork in his shoe. Who understands why any of these felon types do what they do?” “Hey. I am one of those felon types.” Grey tipped his glass of wine. “And who would’ve thought you would do what you did?” “It was Twitter,” Kyle mumbled under his breath. Maybe we should change the subject,” Jordan suggested, sensing the conversation could only spiral downward from there. “Okay. Let’s talk about you instead,” Grey said. “I never asked—how did Xander’s party go?” Now there was a potential land mine of a topic. “It went fine. Pretty much the same party as usual.” Except for a little domestic espionage. She threw Kyle a look, needing help. Change the subject. Fast. He stared back cluelessly. Why? She glared. Just do it. He made a face. All right, all right. “Speaking of wine, Jordo, how was your trip to Napa?” Great. Leave it to her genius of a brother to pick the other topic she wanted to avoid. “I visited that new winery I told you about. We should have a deal this week so that my store will be the first to carry their wine in the Chicago area.” Grey’s tone was casual. “Did you bring Tall, Dark, and Smoldering with you on the trip?” Jordan set down her chopsticks and looked over at her father. He smiled cheekily as he took a sip of his wine. “You read Scene and Heard, too?” she asked. Grey scoffed at that. “Of course not. I have people read it for me. Half the time, it’s the only way I know what’s going on with you two. And don’t avoid the question. Tell us about this new guy you’re seeing. I find it very odd that you’ve never mentioned him.” He fixed his gaze on her like the Eye of Sauron. Jordan took a deep breath, suddenly very tired of the lies and the secret-agent games. Besides, she had to face the truth at some point. “Well, Dad, I don’t know if you have to worry about Tall, Dark, and Smoldering anymore. He’s not talking to me right now.” Kyle’s face darkened. “Tall, Dark, and Smoldering sounds like a moron to me.” Grey nodded, his expression disapproving. “I agree. You can do a lot better than a moron, kiddo.” “Thanks. But it’s not that simple. His job presents some . . . challenges.” That was definitely the wrong thing to say. “Why? What kind of work does he do?” her father asked immediately. Jordan stalled. Maybe she’d overshot a little with the no more lies promise. She threw Kyle another desperate look. Do something. Again. Kyle nodded. I’m on it. He eased back in his chair and stretched out his intertwined hands, limbering up his fingers. “Who cares what this jerk does? Send me his e-mail address, Jordo—I’ll take care of it. I can wreak all sorts of havoc on Tall, Dark, and Smoldering’s life in less than two minutes.” With an evil grin, he mimed typing at a keyboard. Their father looked ready to blow a gasket. “Oh no—you do not get to make the jokes,” he told Kyle. “Jordan and I make the jokes. You’ve been out of prison for four days and I seriously hope you learned your lesson, young man . . .
Julie James (A Lot like Love (FBI/US Attorney, #2))
He squeezes my hand in his. “I love you, Brooke.” It takes me a moment to realize what he’s said. He hasn’t told me he “lopes” me like he usually does. He said he loves me. He loves me.
Freida McFadden (The Inmate)
I love you, Brooke,” he murmurs in my ear. Since the first night he said it to me, we have opened up the floodgates. He loves telling me he loves me. And I can’t say I don’t love being loved. “I love you too.
Freida McFadden (The Inmate)
I am with you, rafēgh (comrade) By Siavash Kasrai Translation: Darya Saudade --- I am with you, rafēgh (comrade), in wherever you are and struggle. I am your neighbor when, beside the window in the evening's gaze, you hum the people’s anthem to yourself. I walk in step with you when, devoted to anxiety and eagerness, you hand out a nightly leaflet to every passerby in the alley, with the ring of every word, you awaken a heart, a city, a whole homeland. I am with you when among the people, like a restless fish in water, you slide and come and seek, and warn the sleeping of the flood coming. I work alongside you when the body is worn out from work, but, in the fields, the factories, you keep working, you keep working. I am your fellow-sufferer when with the caress of your hands you beckon the child to patience, as if awakening a bud from its slumber I am your fellow inmate when you fill the dragging moments with forgotten memories in the corner of your confinement or in the fever of torture and the throes of anguish. No, my soulmate, my comrade, no, I won’t leave you alone, when at an unknown dawn you sacrifice your life for ideals and love. I am with you, rafēgh, I am with you, rafēgh, In wherever I am and struggle. In wherever you are and struggle.
Siavash Kasrai
While he was in prison, he watched fifty-four people, fifty-three men and one woman, walk by his cell on their way to the execution chamber. He got his fellow inmates to start banging their bars at five minutes before the execution. "I discovered on death row that the other inmates had not had the unconditional love that I had had from my mother. We became a family, and we did not know if they had any other family and friends there, so we were banging the bars to say to those who were being put to death, 'We're with you, we still love you right up to the end.
Douglas Abrams (The Book of Joy: Lasting Happiness in a Changing World)
I stand there, shivering slightly in a jacket that isn’t warm enough for the amount of time I’ve been standing out on this porch. I hear raised voices inside the house—Tim and his mother arguing. I can only imagine what they’re saying to each other. He doesn’t want to see me. That much is clear. After what feels like an eternity, the door swings open again. And there he is. Tim Reese. The boy next door. The guy I thought I was falling in love with before I temporarily sent him to prison for murder. Oh boy. He doesn’t look great. I remember how I swooned a bit when I saw him standing outside the elementary school on Josh’s first day of school. But now he looks tired and pale and about fifteen pounds thinner. And pissed off as hell. “Brooke.” His eyes are like daggers. “What are you doing here?” He doesn’t invite me in. He doesn’t even budge from the doorway. “Um.” I wish I had planned something to say. I could have written down a little speech. Why oh why didn’t I write out a speech? “I wanted to say hi.” His eyebrows shoot up. “Hi?” “And welcome home,” I add. There isn’t even a hint of a smile on Tim’s lips. “No thanks to you.” “Look…” I squirm on the porch. “This hasn’t been easy for me either, you know—” “I was in prison, Brooke.” “Yeah, well.” I raise my eyes to meet his. “Josh’s dad tried to kill me. So, you know, it hasn’t been any picnic.” “No kidding.” Tim folds his arms across his chest. He’s wearing just a sweater, and I’m cold in my coat, so he’s got to be freezing, but he doesn’t look it. “I’d been telling you all along that Shane was dangerous. Didn’t I tell you? Didn’t I warn you repeatedly?” I hang my head. He absolutely did. “The guy stabbed me in the gut.” His fingers go to the area on his abdomen where he still has that scar. “I was practically bleeding to death, barely conscious, and I dragged myself off the floor when I saw you make a run for it. I grabbed that baseball bat off the floor and hit Shane as hard
Freida McFadden (The Inmate)
I wait for a moment, wondering if Josh will come out to greet me. There was an age when Mommy coming home was followed by the scrambling of little feet and a warm body hurling itself at my knees. Those kinds of greetings are less common now that Josh has turned ten years old. He still loves me, don’t get me wrong, just not quite so emphatically.
Freida McFadden (The Inmate)
I was one to one with a big nurse. Afraid to move and ask, ‘Whose blood is it so cold?’ … drop by drop … inside my small body. But the blood from the looks of these opposite men was not cold. It was hot, even very hot, pumping into my head. One man, another, and one more, some older than others, some even with temples of grey hair. But what united them all was the interest in a ten-year-old girl.” (-- Angelika Regossi, “Love in Communism. A Young Woman’s Adult Story”. Chapter 1: The Girl Felt a Woman) “We sat together, at the bottom of the trench, on the cold and dry ground. The sun slowly was going down, and the first signs of the cold September evening appeared. Tanya pulled out the matches and lit the cigarette butts, and we started to smoke; two small girls of seven and five. We thought that nobody was seeing us making the fumes. Suddenly, I saw Tanya’s sister go out to the balcony of their flat, looking around the yard. When she noticed the fumes from the trench, she screamed at the whole yard, ‘Tanya! Tanya! I see you. Come immediately home!’ ‘Why! Am I cold?’ shouted back Tanya, pressing the cigarette butt in the trench soil. ‘No! You want to eat!’ screamed her sister. They both imitated a joke about a caring mother. Tanya stood up, climbed out of the trench, and left. I remained sitting alone, and it was getting dark. I also wanted to go home, wash my hands and eat. When suddenly, I heard a soft man’s voice from the darkness, ‘Let me help you to get out of the trench, little girl.’” (-- Angelika Regossi, “Love in Communism. A Young Woman’s Adult Story”. Chapter 2: The Paedophile Play) “In the USSR, at schools, sometimes was carried a medical check-up for teenage girls from fourteen to seventeen years old, till the end of their school life. It was a very psychologically traumatic and humiliating experience because of the process itself, and because the results were reported to the school director, parents, and sometimes, even to the police. The girls were tested for virginity, but the boys were not.” (-- Angelika Regossi, “Love in Communism. A Young Woman’s Adult Story”. Chapter 3: Long Ten Years) “At that time, execution was allowed in the USSR, also for women. The maximum that prisoners could get was fifteen years. After that, capital punishment was the last measure. Mainly, the execution took place in the prison corridor by shooting the back of the inmate when he or she was taken to go somewhere, or in the prison yard. Executions were usually done by policemen.” (-- Angelika Regossi, “Love in Communism. A Young Woman’s Adult Story”. Chapter 4: Prison for Woman)
Angelika Regossi (Love in Communism: A Young Woman's Adult Story)
Well, obviously he’s not the first choice of guy I would choose for you, but what I see in the way he looks at you, that’s why I would be okay with you dating him.” “What do you see?” My dad thinks for a moment before saying, “I see a man who is so blindsided by love, he’s willing to single-handedly take on a room full of guards and inmates for that one person. I see someone who is so besotted, he doesn’t even realise it yet. I see someone who is looking at you like you’re the reason the earth spins.
Kylie Kent (Fused With Him (Merge, #2))
I close my eyes and I can still see his ruggedly handsome face. His eyes looking into mine. I love you, Brooke. That was what he said to me just a few hours before he tried to kill me. And that’s not even the worst thing he did.
Freida McFadden (The Inmate)
Kathleen: “Send them all my love and best wishes for happiness.” Jimmy Dennis: “I’m gonna do that, and you’re gonna keep getting better, alright? I can’t tell you how good it is to hear your voice again”. Kathleen: (trying hard not to cry) “Jimmy, you take care.” Jimmy: “You too, Kitty. Hey Andrew, you’re writing a book about someone who changed the legal game. She set precedents that are in place today going forward, but what’s most rare about Kitty Behan is she sees another person as a person. Most people see others in terms of what they can do for you. Kitty saved my life by seeing me as I am, and you quote me on that.
Andrew Mallin
As long as the prison remained in operation, it would continue to be used to sequester inmates from human contact. The change we made did not stand the test of time. I had focused my attention on Northern and Guantánamo but the “institution” was never any single prison. It was the carceral state. It was not enough to reimagine one prison—we had to reimagine the entire system.
Valarie Kaur (See No Stranger: A Memoir and Manifesto of Revolutionary Love)