Squad Girl Quotes

We've searched our database for all the quotes and captions related to Squad Girl. Here they are! All 100 of them:

Are we squad goals?” Ravi whispered to Pip. Cara heard and snorted.
Holly Jackson (Good Girl, Bad Blood (A Good Girl's Guide to Murder, #2))
A girl on the cheer squad had once asked Gabriel if having a twin was like looking in a mirror all the time. He'd asked her if being a cheerleader was like being an idiot all of the time - but really, it was a good question.
Brigid Kemmerer (Spark (Elemental, #2))
When a girl lets you be the one to hold her as her entire world falls apart, even though you’re ass naked, it changes the way you see her.
Kelly Oram (The Avery Shaw Experiment (Science Squad, #1))
If the entire cheerleading squad turns into mice, Robin, I will be very upset with you. Mortal adolescents are blind and cruel. You know that. You mustn't take revenge, no matter how you feel about the girl. Especially now. There are more worrisome things on the move. -Ms Stacy
Julie Kagawa (The Iron King (The Iron Fey, #1))
A bore or an uggo might manage not to get up anyone's nose, but if a girl's got brains and looks and personality, she's going to piss someone off, somewhere along the way.
Tana French (Faithful Place (Dublin Murder Squad, #3))
I'm not your girl" "You could be." "Yeah and I could also tattoo an anorexic pterodactyl on my navel, but I'm not planning on do that, either
Jennifer Lynn Barnes (Killer Spirit (The Squad, #2))
We were still at the age when girls are years older than guy, and the guys grow up by doing their best when the girls need them to.
Tana French (Faithful Place (Dublin Murder Squad, #3))
The girls I dream of are the gentle ones, wistful by high windows or singing sweet old songs at a piano, long hair drifting, tender as apple blossom. But a girl who goes into battle beside you and keeps your back is a different thing, a thing to make you shiver. Think of the first time you slept with someone, or the first time you fell in love: that blinding explosion that left you cracking to the fingertips with electricity, initiated and transformed. I tell you that was nothing, nothing at all, beside the power of putting your lives, simply and daily, into each other's hands.
Tana French (In the Woods (Dublin Murder Squad, #1))
But it was another girl, young and new to the city, fiddling with her keys.
Jennifer Egan (A Visit from the Goon Squad)
This girl: she bent reality around her like a lens bending light, she pleated it into so many flickering layers that you could never tell which one you were looking at, the longer you stared the dizzier you got.
Tana French (The Likeness (Dublin Murder Squad, #2))
Heard my girl Avery stomped you so hard in a game of pool that Grayson had to take pity on you before every college freshman at UVU saw just how small your junk is.
Kelly Oram (The Avery Shaw Experiment (Science Squad, #1))
If I've learned one thing today, it's that teenage girls make Moriarty look like a babe in the woods." Detective Stephen Moran
Tana French (The Secret Place (Dublin Murder Squad, #5))
In all your life, only a few moments matter. Mostly you never get a good look at them except in hindsight, long after they've zipped past you: the moment when you decided whether to talk to that girl, slow down on that blind bend, stop and find that condom. I was lucky, I guess you could call it. I got to see one of mine face-to-face, and recognize it for what it was.
Tana French (Faithful Place (Dublin Murder Squad, #3))
I always figured nerves were for Jane Austen characters and helium-voiced girls who never buy their round; I would no more have turned shaky in a crisis than I would have carried smelling salts around in my reticule.
Tana French (The Likeness (Dublin Murder Squad, #2))
No one is waiting for me. In this story, I'm the girl no one is waiting for.
Jennifer Egan (A Visit from the Goon Squad)
...and our footsteps rang and echoed till it sounded like the room was full of dancers, the house calling up all the people who had danced here across centuries of spring evenings, gallant girls seeing gallant boys off to war, old men and women straight-backed while outside their world disintegrated and the new one battered at their doors, all of them bruised and all of them laughing, welcoming us into their long lineage.
Tana French (The Likeness (Dublin Murder Squad, #2))
A bit of theory as we settle down for lunch: the waiter's treatment of Kitty is actually a kind of sandwich, with the bottom bread being the bored and slightly effete way he normally acts with customers, the middle being the crazed and abnormal way he feels around this famous nineteen-year-old girl, and the top bread being his attempt to contain and conceal this alien middle layer with some mode of behavior that at least approximates the bottom layer of boredom and effeteness that is his norm.
Jennifer Egan (A Visit from the Goon Squad)
But a girl who goes into battle beside you and keeps your back is a different thing, a thing to make you shiver.
Tana French (In the Woods (Dublin Murder Squad, #1))
At that point in time, there were three things in life that I knew for certain: (1) I was a girl who’d never met a site she couldn’t hack or a code she couldn’t break, (2) I had a roundhouse that could put a grown man in the hospital, and (3) I would without question chop off my own hands before I’d come within five feet of a pom-pom
Jennifer Lynn Barnes (Perfect Cover (The Squad, #1))
I think this conversation was making Grayson uncomfortable, but I couldn’t stop myself. My brain was stuck in a loop because moving forward meant acknowledging that Aiden saw me as a sister, and that was simply unacceptable. “He just hasn’t ever considered the possibility of a relationship between us,” I insisted. “Maybe he hasn’t hit that level of maturity yet. I mean it’s not like he’s ever gone out with anyone else. He never talks about any other girls.” “Maybe he’s gay.
Kelly Oram (The Avery Shaw Experiment (Science Squad, #1))
She hears all the voices from when she was little, soothing, strengthening: Don’t be scared, not of monsters, not of witches, not of big dogs. And now, snapping loud from every direction: Be scared, you have to be scared, ordering like this is your one absolute duty. Be scared you’re fat, be scared your boobs are too big and be scared they’re too small. Be scared to walk on your own, specially anywhere quiet enough that you can hear yourself think. Be scared of wearing the wrong stuff, saying the wrong thing, having a stupid laugh, being uncool. Be scared of guys not fancying you; be scared of guys, they’re animals, rabid, can’t stop themselves. Be scared of girls, they’re all vicious, they’ll cut you down before you can cut them. Be scared of strangers. Be scared you won’t do well enough in your exams, be scared of getting in trouble. Be scared terrified petrified that everything you are is every kind of wrong. Good girl.
Tana French (The Secret Place (Dublin Murder Squad, #5))
He remembered his mentor, Lou Kline, telling him in the nineties that rock and roll had peaked at Monterey Pop. They'd been in Lou's house in LA with its waterfalls, the pretty girls Lou always had, his car collection out front, and Bennie had looked into his idol's famous face and thought, You're finished. Nostalgia was the end - everyone knew that.
Jennifer Egan (A Visit from the Goon Squad)
I should've known the eyes. Wide, bright blue, and something about the delicate arc of the lids: a cat's slant, a pale jeweled girl in an old painting, a secret.
Tana French (The Secret Place (Dublin Murder Squad, #5))
Most people assumed Aaron was gay just because he was on the cheerleading squad. I, on the other hand, assumed a guy who would endure severe social stigma in the name of getting his hands under a bunch of girls' skirts when he lifted them into the air was probably pervier than your average bear.
Stacey Jay (Undead Much (Megan Berry, #2))
I glared at him. "Matt said he got a pep talk at his test. I don't rate a pep talk?" "You want a pep talk?" He made a fist with one hand, then punched it through the air in a victorious motion. "Go get 'em. You've got twenty-eight minutes." "Dude, do not join the pep squad.
Cecily White (Prophecy Girl (Angel Academy, #1))
They had us surrounded, and they were about to kill us when M-Squad showed up and saved our bacon, our sausage, and every other fine pork product we possess.
Robert J. Crane (Family (The Girl in the Box, #4))
She was older, no longer the wicked limber girl with the stalled Vespa, but no less beautiful to me for that: whatever elliptical beauty Cassie possesses has always lain not in the vulnerable planes of color and texture but deeper, in the polished contours of her bones.
Tana French (In the Woods (Dublin Murder Squad, #1))
Lexie Madison developed out of nothing like a Polaroid, she curled off the page and hung in the air like incense smoke, a girl with my face and a life from a half-forgotten dream.
Tana French (The Likeness (Dublin Murder Squad, #2))
Who who whose smell in the air of her room, whose fingerprints all over her friends’ secret places.
Tana French (The Secret Place (Dublin Murder Squad, #5))
And although many of us have caring, sympathetic men in our lives, there are some things—no matter how many times we explain them—that they’ll never fully understand.
Sam Maggs (Girl Squads: 20 Female Friendships That Changed History)
Ruth Bader Ginsburg “People ask me sometimes, ‘When will there be enough women on the court?’ and my answer is, ‘When there are nine.’ 
Sam Maggs (Girl Squads: 20 Female Friendships That Changed History)
Next thing they knew, the door burst open, and there stood a group of the three meanest girls in school, who called themselves "The squad." The leader, Victoria, held up a disposable camera, snapping a quick picture, before the three burst into a fit of laughter.
K.J. Morgan (Alex)
I looked at the back of Jessica's silky bent head and thought of those old stories where one twin is hurt and the other, miles away, feels the pain. I wondered if there had been a moment, during that giggly girls' night at Auntie Vera's, when she had made some small, unnoticed sound; if all the answers we wanted were locked away behind the strange dark gateways of her mind.
Tana French (In the Woods (Dublin Murder Squad, #1))
She takes hold of his hands. As they move together, Rolph feels his self-consciousness miraculously fade, as if he is growing up right there on the dance floor, becoming a boy who dances with girls like his sister. Charlie feels it, too. In fact, this particular memory is one she'll return to again and again, for the rest of her life, long after Rolph has shot himself in the head in their father's house at twenty eight: her brother as a boy, hair slicked flat, eyes sparking, shyly learning to dance.
Jennifer Egan (A Visit from the Goon Squad)
I could no longer picture Rosalind in my mind's eye; the tender vision of the girl in white had been blown to pieces as if by a nuclear bomb. This was something unimaginable, something hollow as the yellowed husks that insects leave behind in dry grass, blowing with cold alien winds and a fine corrosive dust that shredded everything it touched.
Tana French (In the Woods (Dublin Murder Squad, #1))
I think it was only in that moment I believed she was dead, this girl I had never seen alive. I'll never be free of her. I wear her face; as I get older it'll stay her changing mirror, the one glimpse of all the ages she never had. I lived her life, for a few strange bright weeks; her blood went into making me what I am, the same way it went to make the bluebells and the hawthorn tree. But when I had the chance to take that final step over the border, lie down with Daniel among the ivy leaves and the sound of water, let go of my own life with all its scars and all its wreckage and start new, I turned it down.
Tana French (The Likeness (Dublin Murder Squad, #2))
What if the girls on the squad realize I swoon over Peter Parker or that I secretly wish our uniforms included a cape
Leah Rae Miller (The Summer I Became a Nerd (Nerd, #1))
Mmm, carry me.” I laughed, reaching for my sweatpants. “I carry girls, boys, and women, not fully grown capable men.” “Slacker.” He grinned, shoving me.
Shaye Evans (Seduction Squad (Seduction Squad book 1))
This is where feminism had gotten her: locked in the back of a sticky squad car with the skirt on her tennis dress riding up her thighs.
Karin Slaughter (Pretty Girls)
Why do good girls like bad boys?
Cortez Law III (Serial Rites (Atlanta Homicide Squad #3))
Why do good girls like bad boys? Because when they’re bad, they’re good.
Cortez Law III (Serial Rites (Atlanta Homicide Squad #3))
Are we squad goals?” Ravi whispered to Pip. Cara heard and snorted.
Holly Jackson (A Good Girl’s Guide To Murder Series 4 Books Set (Paperback) - A Good Girl's Guide to Murder; Good Girl, Bad Blood; As Good as Dead; Kill Joy)
That girl in the photo isn’t one solid person, feet set solidly in one irrevocable life; that girl is an illusive firework-burst made of light reflecting off a million different possibilities.
Tana French (The Secret Place (Dublin Murder Squad, #5))
He gestured at the girl I'd been dealing with, whose carefree smile could be roughly translated as: 'He's officially not my problem anymore.' I gave her a wink whose exact translation was: 'Don't be so sure, darling.
Jennifer Egan (A Visit from the Goon Squad)
Sor-ry,” said Cassie, rolling her eyes and grinning at Damien. He grinned back, bonding away. I was taking a vague, unjustifiable dislike to Damien. I could see exactly why Hunt had assigned him to give the site tours—he was a PR dream, all blue eyes and diffidence—but I have never liked adorable, helpless men. I suppose it’s the same reaction Cassie has to those baby-voiced, easily impressed girls whom men always want to protect: a mixture of distaste, cynicism and envy.
Tana French (In the Woods (Dublin Murder Squad, #1))
When you're a little kid, you think people are just one thing; but then you get older, and you realize it's not that simple. Chris wasn't that simple. He was cruel and he was kind. And he didn't like realizing that. It bothered him, that he wasn't just one thing. It made him feel fragile. Like he could break into pieces any time, because he didn't know how to hold himself together. That was why he did that with those other girls, went with them and kept it secret: so he could try out being different things and see how it felt, and he'd be safe. He could be as lovely as he wanted or as horrible as he wanted, and it wouldn't count, because no one else would ever know.
Tana French (The Secret Place (Dublin Murder Squad, #5))
A girl gives her boyfriend an alibi for the evening when we suspect him of robbing a north-side Centra and stabbing the clerk. I flirt with her at first, telling her I can see why he would want to stay home when he's got her; she is peroxided and greasy, with flat, stunted features of generations of malnutrition, and privately I am thinking that if I were her boyfriend I would be relieved to trade her even for a hairy cellmate named Razor.
Tana French (In the Woods (Dublin Murder Squad, #1))
The hover swooped to the edge of the street. The magnets hummed as it lowered itself to the ground. "Shall I wait here for your return?" "Please," he said, threading his arms through the sleeves and tugging up the zipper. "I shouldn't be long." He considered giving a specific time - If I'm not back in an hour, then I've probably been cornered by paparazzi and screaming girls and you should send the royal security squad after me. But even thinking it made him feel melodramatic, so he just pulled the hood over his brow and stepped out of the hover, dragging Nainsi's pear-shaped body after him.
Marissa Meyer (Stars Above (The Lunar Chronicles, #4.5))
She isn’t simply unafraid of a good fight, she lives for it, and will often actively go looking for a fight. This is what differentiates your run-of-the-mill fighter from a crusader. The Warrior Princess Submissive is no shrinking violet. She is that dyed-in-the-wool Republican who attends the Democratic National Convention wearing a Rand Paul t-shirt. She is the African-American woman who invites herself to a Ku Klux Klan rally without a hood... and hands out business cards to everyone there. She is the woman who invites the Jehovah's Witnesses into her home and feeds them dinner, just for the opportunity to defend Christmas - even though she may be a Pagan. When the other girls in high school or college were trying out for the pep squad or cheerleading, she set her sights on the debate team. While her friends agonize over how to “fit in” socially, she is war gaming ideas on how to change society to fit her ideals and principles. Are you someone she considers to be immoral or evil? Run. She will eviscerate you.
Michael Makai (The Warrior Princess Submissive)
Jack took me to the Christmas Dance. It snowed the day of the dance, making the Meier Farmhouse and Dance Hall look like something out of a painting, the lights on the roof glowing under sheets of white. And when Jack led me onto the dance floor and grasped one of my hands and tugged it up behind his neck, then placed his arm around my back, soft and low, I thought life couldn't get better. He pulled me close against him, our hands clasped next to his chest.The cedar from the farmhouse mingled with Jack's aftershave,making a sweet, rustic scent. "Becks,remember the first time we met?" he asked,his lips grazing my ear. Of course I remembered. The events of that day were permanently etched into my brain. "You mean,the time you nearly beheaded me with a baseball?" "I had to do something to get the new girl's attention." "A simple 'hello' would have worked." He pulled me in tighter, as if that were possible. "Why did we wait so long to do this?" "Um, because you were making your way through the entire cheerleading squad?" He looked at me for a few moments, then shook his head and leaned in to brush his lips along my shoulder. I closed my eyes. If this was what I could expect for the rest of my high school years,I never wanted to graduate. Ever.
Brodi Ashton (Everneath (Everneath, #1))
Oh yeah!? Well I can count to purple backwards!
Teeny Tiny Girl's Squad
Frank has a childhood memory of Ma “screeching at Jackie for being such a bold girl that her da had to go to the pub because he couldn’t stand to be around her.
Tana French (Faithful Place (Dublin Murder Squad, #3))
Be scared terrified petrified that everything you are is every kind of wrong. Good girl.
Tana French (The Secret Place (Dublin Murder Squad, #5))
F*ck ever needing a tampon and having no one answer when you ask for help.
Maggie Tokuda-Hall (Squad)
Forty years on one of the most elite assassin squads on earth and it finished like this, with a free cruise and a bouncy letter from a girl who signed her letters with hashtags.
Deanna Raybourn (Killers of a Certain Age)
They say boys wreck your house and girls wreck your head, and it’s the truth.
Tana French (Faithful Place (Dublin Murder Squad #3))
It was such a pathetic little story, a snip of nothing, the kind teenage girls fight over and forget every day. It had led us to this week and this room.
Tana French (Faithful Place (Dublin Murder Squad, #3))
Dismissing women as “strident,” “harsh,” “bossy,” whatever, is one of the oldest tricks in the “Get Women To Shut Up” book.
Sam Maggs (Girl Squads: 20 Female Friendships That Changed History)
Here’s one of the more disturbing things about working Murder: how little you think about the person who’s been killed. There are some who move into your mind—children, battered pensioners, girls who went clubbing in their sparkly hopeful best and ended the night in bog drains—but mostly the victim is only your starting point; the gold at the end of the rainbow is the killer.
Tana French (The Likeness (Dublin Murder Squad #2))
For a moment, there was silnece, and then at Brooke's nod, the rest of the Squad, minus me, chimed in. "Yes, sir." I said nothing. For one thing, I wasn't exactly keen on speaking in unison, and for another, I wasn't about to make any promises I couldn't keep. "Toby." I jumped in my seat. The Voice actually knew my name. And somehow, he had the freaky ability to ascertain that of all of us, I was the one who hadn't responded. "Do you understand?" I contemplated telling him what I didn't understand was his familial relationshiops, but stayed momentarily silent, causing everyone within a three-foot radius to kick me under the table at once. "Ow!" I cleared my throat. "I mean, yes." I didn't throw the sir on the end, but apparently, that was good enough for the Voice. "Excellent. Report in tonight, and we'll have more information for you all tomorrow. And girl?" "Yes?" "Congratulations on the homecoming nominations. We're all very proud.
Jennifer Lynn Barnes (Killer Spirit (The Squad, #2))
Often the discrepancy works for us: people don’t know who to worry about, the little girl with the gun or the big guy apparently without, and the distraction of deciding keeps them off balance.
Tana French (In the Woods (Dublin Murder Squad, #1))
No one is waiting for me. In this story, I’m the girl no one is waiting for. Usually the girl is fat, but my problem is more rare, which is freckles: I look like someone threw handfuls of mud at my face.
Jennifer Egan (A Visit from the Goon Squad)
This is not an easy thing to admit, but until that moment I had held out some craven speck of hope that this had all been a hideous misunderstanding. A boy who would say anything he thought you wanted to hear, a girl made vicious by trauma and grief and my rejection on top of it all; we could have misinterpreted in any one of a hundred ways. It was only in that moment, in the ease of that gratuitous lie, that I understood that Rosalind—the Rosalind I had known, the bruised, captivating, unpredictable girl with whom I had laughed in the Central and held hands on a bench—had never existed. Everything she had ever shown me had been constructed for effect, with the absorbed, calculating care that goes into an actor's costume. Underneath the myriad shimmering veils, this was something as simple and deadly as razor wire.
Tana French (In the Woods (Dublin Murder Squad, #1))
So what are you thinking?" I asked. I meant about the case, obviously, but Cassie was in a giddy mood--she generates more energy than most people, and she'd been sitting indoors most of the day. "Will you listen to him? A woman asking a guy what he's thinking is the ultimate crime, she's clingy and needy and he runs a mile, but when it's the other--" "Behave yourself," I said, pulling her hood over her face. "Help! I'm being oppressed!" she yelled through it. "Call the Equality Commission." The stroller girl gave us a sour look. "You're overexcited," I told Cassie. "Calm down or I'll take you home with no ice cream.
Tana French (In the Woods (Dublin Murder Squad, #1))
For about five minutes, as I tried to get the Vespa to start, I fell in love with her. The oversized raincoat made her look about eight, as though she should have had matching Wellies with ladybugs on them, and inside the red hood were huge brown eyes and rain-spiked lashes and a face like a kitten’s. I wanted to dry her gently with a big fluffy towel, in front of a roaring fire. But then she said, “Here, let me—you have to know how to twist the thingy,” and I raised an eyebrow and said, “The thingy? Honestly, girls.” I immediately regretted it—I have never been talented at banter, and you never know, she could have been some earnest droning feminist extremist who would lecture me in the rain about Amelia Earhart. But Cassie gave me a deliberate, sideways look, and then clasped her hands with a wet spat and said in a breathy Marilyn voice, “Ohhh, I’ve always dreamed of a knight in shining armor coming along and rescuing little me! Only in my dreams he was good-looking.” What I saw transformed with a click like a shaken kaleidoscope. I stopped falling in love with her and started to like her immensely. I looked at her hoodie jacket and said, “Oh my God, they’re about to kill Kenny.” Then I loaded the Golf Cart into the back of my Land Rover and drove her home.
Tana French (In the Woods (Dublin Murder Squad, #1))
In place of a firing squad, I stare down the barrels of endless interrogation. Why did she not run away? Why did she not use the opportunities she had for escape? Why did she stay if, indeed, the conditions were as bad as she claims? How much of this wasn't really consensual? Let me tell you a story. Not mine, this time around. It is the story of a girl we call after the place of her birth, lacking the integrity to even utter her name. The Suranelli Girl. Forty-two men rape this girl, over a period of forty days. She is sixteen years old. The police do not investigate her case. The high court questions her character. The highest court in the land asks the inevitable. Why did she not run away? Why did she not have the opportunities she had for escape? Why did she say, if need, the conditions were as bad as she claims? How much of this wasn't really consensual? Sometimes the shame is not the beatings, not the rape. The shaming is in being asked to stand for judgement.
Meena Kandasamy (When I Hit You: Or, A Portrait of the Writer as a Young Wife)
I could no longer picture Rosalind in my mind’s eye; the tender vision of the girl in white had been blown to pieces as if by a nuclear bomb. This was something unimaginable, something hollow as the yellowed husks that insects leave behind in dry grass, blowing with cold alien winds and a fine corrosive dust that shredded everything it touched.
Tana French (In the Woods (Dublin Murder Squad, #1))
A best friend, the kind I read about in books . Everyone had best friends in the books I've loved, the ones about ordinary girls like me. They had multiple best friends, sometimes. Whole squads of them. A lot of the time they made me feel lonely in my own friendless reality, but I kept reading them. I devoured them, learning how to be a good best friend, so one day-one day- I'd be ready.
Sara Barnard
By December 1975, a year had passed since Mr. Harvey had packed his bags, but there was still no sign of him. For a while, until the tape dirtied or the paper tore, store owners kept a scratchy sketch of him taped to their windows. Lindsey and Samuel walked in the neighboorhood or hung out at Hal's bike shop. She wouldn't go to the diner where the other kids went. The owner of the diner was a law and order man. He had blown up the sketch of George Harvey to twice its size and taped it to the front door. He willingly gave the grisly details to any customer who asked- young girl, cornfield, found only an elbow. Finallly Lindsey asked Hal to give her a ride to the police station. She wanted to know what exactly they were doing. They bid farewell to Samuel at the bike shop and Hal gave Lindsey a ride through a wet December snow. From the start, Lindsey's youth and purpose had caught the police off guard. As more and more of them realized who she was, they gave her a wider and wider berth. Here was this girl, focused, mad, fifteen... When Lindsey and Hal waited outside the captain's office on a wooden bench, she thought she saw something across the room that she recognized. It was on Detective Fenerman's desk and it stood out in the room because of its color. What her mother had always distinguished as Chinese red, a harsher red than rose red, it was the red of classic red lipsticks, rarely found in nature. Our mother was proud of her ability fo wear Chinese red, noting each time she tied a particular scarf around her neck that it was a color even Grandma Lynn dared not wear. Hal,' she said, every muscle tense as she stared at the increasingly familiar object on Fenerman's desk. Yes.' Do you see that red cloth?' Yes.' Can you go and get it for me?' When Hal looked at her, she said: 'I think it's my mother's.' As Hal stood to retrieve it, Len entered the squad room from behind where Lindsey sat. He tapped her on the shoulder just as he realized what Hal was doing. Lindsey and Detective Ferman stared at each other. Why do you have my mother's scarf?' He stumbled. 'She might have left it in my car one day.' Lindsey stood and faced him. She was clear-eyed and driving fast towards the worst news yet. 'What was she doing in your car?' Hello, Hal,' Len said. Hal held the scarf in his head. Lindsey grabbed it away, her voice growing angry. 'Why do you have m mother's scarf?' And though Len was the detective, Hal saw it first- it arched over her like a rainbow- Prismacolor understanding. The way it happened in algebra class or English when my sister was the first person to figure out the sum of x or point out the double entendres to her peers. Hal put his hand on Lindsey's shoulder to guide her. 'We should go,' he said. And later she cried out her disbelief to Samuel in the backroom of the bike shop.
Alice Sebold
Big woman, Miss Eileen McKenna. Not fat, just big, the way some women get in their fifties after years of being the boss: all out front, hoisted up high and solid, ready to sail through anything and not get wet. I could see her in a break-time corridor, girls skittering away in front of her before they even knew she was coming. Lots of chin; lots of eyebrow. Iron hair and steely glasses. I don't know women's gear but I know quality, and the greeny tweed was quality; the pearls weren't from Penney's.
Tana French (The Secret Place (Dublin Murder Squad, #5))
The girls I dream of are the gentle ones, wistful by high windows or singing sweet old songs at a piano, long hair drifting, tender as apple blossom. But a girl who goes into battle beside you and keeps your back is a different thing, a thing to make you shiver. Think of the first time you slept with someone, or the first time you fell in love: that blinding explosion that left you crackling to the fingertips with electricity, initiated and transformed. I tell you that was nothing, nothing at all, beside the power of putting your lives, simply and daily, into each other’s hands.
Tana French (In the Woods (Dublin Murder Squad, #1))
The reason Dr. Caner’s flameout didn’t make a bigger dent in this school’s spiritual life, I think, is that Liberty students have much more pressing things to do than contemplate the existence of God. There are papers to write, grad school applications to complete, girls to ask out. Even if you were convinced by the Rational Response Squad, entertaining a crisis of faith would mean reevaluating every aspect of your life, from the friends you hang out with to the classes you take to, really, whether you should be at Liberty at all. In a faith system as rigorous and all-encompassing as this, severe doubt is paralyzing. Better just to keep believing, keep living life, and take up the big questions later, when not so much is at stake.
Kevin Roose (The Unlikely Disciple: A Sinner's Semester at America's Holiest University)
[...]a man and a boy, side by side on a yellow Swedish sofa from the 1950s that the man had bought because it somehow reminded him of a zoot suit, watching the A’s play Baltimore, Rich Harden on the mound working that devious ghost pitch, two pairs of stocking feet, size 11 and size 15, rising from the deck of the coffee table at either end like towers of the Bay Bridge, between the feet the remains in an open pizza box of a bad, cheap, and formerly enormous XL meat lover’s special, sausage, pepperoni, bacon, ground beef, and ham, all of it gone but crumbs and parentheses of crusts left by the boy, brackets for the blankness of his conversation and, for all the man knew, of his thoughts, Titus having said nothing to Archy since Gwen’s departure apart from monosyllables doled out in response to direct yes-or-nos, Do you like baseball? you like pizza? eat meat? pork?, the boy limiting himself whenever possible to a tight little nod, guarding himself at his end of the sofa as if riding on a crowded train with something breakable on his lap, nobody saying anything in the room, the city, or the world except Bill King and Ken Korach calling the plays, the game eventless and yet blessedly slow, player substitutions and deep pitch counts eating up swaths of time during which no one was required to say or to decide anything, to feel what might conceivably be felt, to dread what might be dreaded, the game standing tied at 1 and in theory capable of going on that way forever, or at least until there was not a live arm left in the bullpen, the third-string catcher sent in to pitch the thirty-second inning, batters catnapping slumped against one another on the bench, dead on their feet in the on-deck circle, the stands emptied and echoing, hot dog wrappers rolling like tumbleweeds past the diehards asleep in their seats, inning giving way to inning as the dawn sky glowed blue as the burner on a stove, and busloads of farmhands were brought in under emergency rules to fill out the weary roster, from Sacramento and Stockton and Norfolk, Virginia, entire villages in the Dominican ransacked for the flower of their youth who were loaded into the bellies of C-130s and flown to Oakland to feed the unassuageable appetite of this one game for batsmen and fielders and set-up men, threat after threat giving way to the third out, weak pop flies, called third strikes, inning after inning, week after week, beards growing long, Christmas coming, summer looping back around on itself, wars ending, babies graduating from college, and there’s ball four to load the bases for the 3,211th time, followed by a routine can of corn to left, the commissioner calling in varsity teams and the stars of girls’ softball squads and Little Leaguers, Archy and Titus sustained all that time in their equally infinite silence, nothing between them at all but three feet of sofa;
Michael Chabon (Telegraph Avenue)
After placing everything in the backseat, Nadia buckled her seat belt and turned to him. “Corvon,” she addressed him by his in-game persona. “If I were to tell you that you get a prize for besting me, what would you want?” He slid closer, dragging his gaze over her without hiding it. Caleb could see her nipples peaking under her bra. She was as turned on as he was. “Anything I want?” “Perhaps. What would it be?” She wouldn’t commit, which meant she didn’t trust him. It was time to drop the asshole persona. He couldn’t help but let her in. She was his One. “I would want …” He reached for her chin. “...a kiss.” Caleb leaned in so far he could feel her breath on his face. Her pupils were dilated wide, and he ran his thumb over her plush bottom lip. “Would you award me such a prize, Asteria?” She nodded. Closing the distance between them, he claimed her lips. This kiss was even hotter than the one at laser tag, slow and languid, like they had all the time in the world. He wrapped his hand around the base of her head and leaned her body back as her arms wrapped around his waist. Her tongue slid along his in a tantalizing dance that stoked the fire within. She sighed softly into his mouth as he felt the walls between them melt away from the heat. One kiss, that’s all he’d asked for. But he never wanted it to end. This felt dangerous. But so right. Finally, he forced himself to break the kiss, moaning Nadia’s name. She looked dazed, like she was just waking up — or just had the most incredible orgasm. What he wouldn’t give to see Nadia’s afterglow. “Can you drive?” His mouth was bone dry but he managed to get the words out eventually. She nodded and started the motor. He buckled himself in but didn’t stop looking at her. That had been no ordinary kiss. He needed another. As she backed out to turn the truck around, Nadia looked over at him shyly. “I wanna do that again.” “Me, too.” Licking his lips at the idea of tasting her again, he broke the first of his rules. “Come upstairs when we get to my place and we can.
Jasmine C. Caldwell (The Geek Girl Squad: Nadia (The Geek Girl Squad #2))
She is waiting for me when I step outside of school at the end of the day, her sturdy frame standing by the passenger door of my papaw's small truck, waving. Yes,waving-ildly, with both arms in the air,and catching herself on the door when she loses her balance. Mortified,I attempt a nonchalant wave to the other girls on my squad. Practice actually went well today.I like the girls and I'm on top of all the pyraminds, which is cool. What is not cool is my grandmother shouting my name and motioning at me like an escaped mental patient who has taken a day job landing planes.I sprint over to their truck, which is parked diagonally across to handicapped spots, as quickly as I can. "I'm here, gosh! Stop yelling," I say. "Comee here, baby," she says, and before I know it, she's pressing me against her massive bosom in a bear hug, slapping my back and cooing into my ear. "You're Mamaw's baby, ain't ya? Yes, Mamaw's sure happy to see you." There is no escape.Because I am too short and scrawny and no match for her brute grandchild-love strength, I wait it out.
Alecia Whitaker (The Queen of Kentucky)
I was starting to wonder if I’d been underestimating, not the killer, but the victim. I didn’t want to think this, I’d been flinching off it, but I knew: there had been something wrong with Lexie, way deep down. The flint of her, the way she had left Chad behind without a word and laughed while she got ready to leave Whitethorn House, like an animal biting off its own trapped paw with one snap and no whimper; that could have been just desperation. I understood that, all the way. But this, the seamlessness of that switch from sweet shy May-Ruth to bubbly clown Lexie: that had been something else, something wrong. No kind of fear or desperation could have demanded that. She had done it because she wanted to. A girl with that much hidden and that much dark could have sparked a very high caliber of anger in someone. It’s not easy, Frank had said. But that was the thing: for me, it always had been. Both times, being Lexie Madison had come as natural to me as breathing. I had slid into her like sliding into comfy old jeans, and this was what had scared me, all along.
Tana French (The Likeness (Dublin Murder Squad #2))
I used to believe, bless my naive little heart, that I had something to offer the robbed dead. Not revenge—there’s no revenge in the world that could return the tiniest fraction of what they’ve lost—and not justice, whatever that means, but the one thing left to give them: the truth. I was good at it. I had one, at least, of the things that make a great detective: the instinct for truth, the inner magnet whose pull tells you beyond any doubt what’s dross, what’s alloy and what’s the pure, uncut metal. I dug out the nuggets without caring when they cut my fingers and brought them in my cupped hands to lay on graves, until I found out—Operation Vestal again—how slippery they were, how easily they crumbled, how deep they sliced and, in the end, how very little they were worth. In Domestic Violence, if you can get one bruised girl to press charges or go to a shelter, then there’s at least one night when her boyfriend is not going to hit her. Safety is a small debased currency, copper-plated pennies to the gold I had been chasing in Murder, but what value it has it holds. I had learned, by that time, not to take that lightly. A few safe hours and a sheet of phone numbers to call: I had never been able to offer a single murder victim that much.
Tana French (The Likeness (Dublin Murder Squad #2))
When corporate security squads were sent on punitive raids, they were told not to waste ammunition—one bullet, one kill. They were not supposed to use company ammunition hunting big game for sport. As proof of their frugality, they were expected to bring back one severed human hand for every bullet expended.4 One eyewitness described soldiers returning from a raid: On the bow of the canoe is a pole, and a bundle of something on it. These are the hands (right hands) of sixteen warriors they have slain. “Warriors?” Don’t you see among them the hands of little children and girls? I have seen them. I have seen where the trophy has been cut off, while the poor heart beat strongly enough to shoot the blood from the cut arteries at a distance of fully four feet.5 Severed hands became a kind of currency—proof that orders were being obeyed. A basket of smoked hands covered any shortfall in production, and if there was no rubber to be had, the Free State’s security forces, the Force Publique, would go out to collect a quota of hands instead. Natives quickly learned that willingly sacrificing a hand might save their life. And not just hands. After one commander grumbled that his men were shooting only women and children, his soldiers returned from the next raid with a basket of penises.
Matthew White (Atrocities: The 100 Deadliest Episodes in Human History)
We end up at an outdoor paintball course in Jersey. A woodsy, rural kind of place that’s probably brimming with mosquitos and Lyme disease. When I find out Logan has never played paintball before, I sign us both up. There’s really no other option. And our timing is perfect—they’re just about to start a new battle. The worker gathers all the players in a field and divides us into two teams, handing out thin blue and yellow vests to distinguish friend from foe. Since Logan and I are the oldest players, we both become the team captains. The wide-eyed little faces of Logan’s squad follow him as he marches back and forth in front of them, lecturing like a hot, modern-day Winston Churchill. “We’ll fight them from the hills, we’ll fight them in the trees. We’ll hunker down in the river and take them out, sniper-style. Save your ammo—fire only when you see the whites of their eyes. Use your heads.” I turn to my own ragtag crew. “Use your hearts. We’ll give them everything we’ve got—leave it all on the field. You know what wins battles? Desire! Guts! Today, we’ll all be frigging Rudy!” A blond boy whispers to his friend, “Who’s Rudy?” The kid shrugs. And another raises his hand. “Can we start now? It’s my birthday and I really want to have cake.” “It’s my birthday too.” I give him a high-five. “Twinning!” I raise my gun. “And yes, birthday cake will be our spoils of war! Here’s how it’s gonna go.” I point to the giant on the other side of the field. “You see him, the big guy? We converge on him first. Work together to take him down. Cut off the head,” I slice my finger across my neck like I’m beheading myself, “and the old dog dies.” A skinny kid in glasses makes a grossed-out face. “Why would you kill a dog? Why would you cut its head off?” And a little girl in braids squeaks, “Mommy! Mommy, I don’t want to play anymore.” “No,” I try, “that’s not what I—” But she’s already running into her mom’s arms. The woman picks her up—glaring at me like I’m a demon—and carries her away. “Darn.” Then a soft voice whispers right against my ear. “They’re already going AWOL on you, lass? You’re fucked.” I turn to face the bold, tough Wessconian . . . and he’s so close, I can feel the heat from his hard body, see the small sprigs of stubble on that perfect, gorgeous jaw. My brain stutters, but I find the resolve to tease him. “Dear God, Logan, are you smiling? Careful—you might pull a muscle in your face.” And then Logan does something that melts my insides and turns my knees to quivery goo. He laughs. And it’s beautiful. It’s a crime he doesn’t do it more often. Or maybe a blessing. Because Logan St. James is a sexy, stunning man on any given day. But when he laughs? He’s heart-stopping. He swaggers confidently back to his side and I sneer at his retreating form. The uniformed paintball worker blows a whistle and explains the rules. We get seven minutes to hide first. I cock my paintball shotgun with one hand—like Charlize Theron in Fury fucking Road—and lead my team into the wilderness. “Come on, children. Let’s go be heroes.” It was a massacre. We never stood a chance. In the end, we tried to rush them—overpower them—but we just ended up running into a hail of balls, getting our hearts and guts splattered with blue paint. But we tried—I think Rudy and Charlize would be proud
Emma Chase (Royally Endowed (Royally, #3))
Sidney, is that what you girls go for these days?” Kathleen asked, pointing toward her oldest son. “All this scruffy whatnot?” Well, nothing like putting her on the spot here. Personally, Sidney thought that the dark hint of scruff along Vaughn’s angular jaw looked fine. Better than fine, actually. She would, however, rather be trapped for the next thirty-six hours in a car with the crazy pregnant lady before admitting that in front of him. “I generally prefer clean-shaven men.” She shrugged—sorry—when Vaughn gave her the side-eye as he began setting the table. “See? If you don’t believe me, at least listen to her,” Kathleen said, while peeling a carrot over a bowl at the island. “If you want to find a woman of quality, you can’t be running around looking like you just rolled out of bed.” “I’ll keep that in mind. But for now, the ‘scruffy whatnot’ stays. I need it for an undercover role,” Vaughn said. Surprised to hear that, Sidney looked over as she dumped the tomatoes into a large salad bowl filled with lettuce. “You’re working undercover now?” “Well, I’m not in the other identity right this second,” Vaughn said. “I’m kind of guessing my mother would be able to ID me.” Thank you, yes, she got that. “I meant, how does that work?” Sidney asked him. “You just walk around like normal, being yourself, when you’re not . . . the other you?” “That’s exactly how it works. At least, when we’re talking about a case that involves only part-time undercover work.” “But what if I were to run into the other you somewhere? Say . . . at a coffee shop.” A little inside reference there. “If I called you ‘Vaughn’ without realizing that you were working, wouldn’t that blow your cover?” “First of all, like all agents who regularly do undercover work, I tell my friends and family not to approach me if they happen to run into me somewhere—for that very reason. Second of all, in this case, the ‘other me’ doesn’t hang out at coffee shops.” “Where does the other you hang out?” Sidney asked. Not to contribute to his already healthy ego, but this was pretty interesting stuff. “In dark, sketchy alleys doing dark, sketchy things,” Vaughn said as he set the table with salad bowls. “So the other you is a bad guy, then.” Sidney paused, realizing something. “Is what you’re doing dangerous?” “The joke around my office is that the agents on the white-collar crime squad never do anything dangerous.” Sidney noticed that wasn’t an actual answer to her question
Julie James (It Happened One Wedding (FBI/US Attorney, #5))
They stood around a bleeding stump of a man lying on the ground. His right arm and left leg had been chopped off. It was inconceivable how, with his remaining arm and leg, he had crawled to the camp. The chopped-off arm and leg were tied in terrible bleeding chunks onto his back with a small wooden board attached to them; a long inscription on it said, with many words of abuse, that the atrocity was in reprisal for similar atrocities perpetrated by such and such a Red unit—a unit that had no connection with the Forest Brotherhood. It also said that the same treatment would be meted out to all the partisans unless, by a given date, they submitted and gave up their arms to the representatives of General Vitsyn’s army corps. Fainting repeatedly from loss of blood, the dying man told them in a faltering voice of the tortures and atrocities perpetrated by Vitsyn’s investigating and punitive squads. His own sentence of death had been allegedly commuted; instead of hanging him, they had cut off his arm and leg in order to send him into the camp and strike terror among the partisans. They had carried him as far as the outposts of the camp, where they had put him down and ordered him to crawl, urging him on by shooting into the air. He could barely move his lips. To make out his almost unintelligible stammering, the crowd around him bent low. He was saying: “Be on your guard, comrades. He has broken through.” “Patrols have gone out in strength. There’s a big battle going on. We’ll hold him.” “There’s a gap. He wants to surprise you. I know. ... I can’t go on, men. I am spitting blood. I’ll die in a moment.” “Rest a bit. Keep quiet.—Can’t you see it’s bad for him, you heartless beasts!” The man started again: “He went to work on me, the devil. He said: You will bathe in your own blood until you tell me who you are. And how was I to tell him, a deserter is just what I am? I was running from him to you.” “You keep saying ‘he.’ Who was it that got to work on you?” “Let me just get my breath. ... I’ll tell you. Hetman, Bekeshin. Colonel, Strese. Vitsyn’s men. You don’t know out here what it’s like. The whole town is groaning. They boil people alive. They cut strips out of them. They take you by the scruff of the neck and push you inside, you don’t know where you are, it’s pitch black. You grope about—you are in a cage, inside a freight car. There are more than forty people in the cage, all in their underclothes. From time to time they open the door and grab whoever comes first—out he goes. As you grab a chicken to cut its throat. I swear to God. Some they hang, some they shoot, some they question. They beat you to shreds, they put salt on the wounds, they pour boiling water on you. When you vomit or relieve yourself they make you eat it. As for children and women—O God!” The unfortunate was at his last gasp. He cried out and died without finishing the sentence. Somehow they all knew it at once and took off their caps and crossed themselves. That night, the news of a far more terrible incident flew around the camp. Pamphil had been in the crowd surrounding the dying man. He had seen him, heard his words, and read the threatening inscription on the board. His constant fear for his family in the event of his own death rose to a new climax. In his imagination he saw them handed over to slow torture, watched their faces distorted by pain, and heard their groans and cries for help. In his desperate anguish—to forestall their future sufferings and to end his own—he killed them himself, felling his wife and three children with that same, razor-sharp ax that he had used to carve toys for the two small girls and the boy, who had been his favorite. The astonishing thing was that he did not kill himself immediately afterward.
Boris Pasternak (Doctor Zhivago)
Lilac curled her upper lip in a dead-eyed sneer, and it made my skin crawl. The girl looked like she might fillet me and have me for a snack later. She made the Dale R. Fielding High School Cheer Squad look like Barney and Friends, and I vowed to give her a wide berth.
Veronica Wolff (Isle of Night (The Watchers, #1))
From what I've heard, others can recall the exact time in their lives when they lost their virginity. Not so with Catholics. Ours was wrapped beneath layers of guilt. Cautiously, slowly, and hoping that God was too busy with other things to notice, our logic and lust would unravel quilts of Sunday morning sermons, catechism lessons, confessional admonitions, and parental warnings. Such apprehensive behavior would often overflow into other activities. A devout Catholic would never completely open his Christmas gifts until August. Catholics also did very well on bomb squads. By the time we got through all the wrappings, we would often discover that our virginity had simply melted away. Ask a non-Catholic when they lost their virginity and they recall a specific moment. Ask a Catholic the same question and they begin counting the years on their fingers. Sitting in the library trying to figure out mathematical equations for a statistics course. I looked up from my pad of scribblings to see Denise Meyers, a girl I vaguely knew from around school, straining to reach a book that was on one of the higher shelves. She was wearing a short skirt. Discovering a new mathematical equation: Arousal equals the distance of the short skirt above the knees times the shapeliness of the legs. Denise Meyers was a reasonably attractive girl but, under the gaze of someone being affected by "library lunacy," she looked incredibly provocative. "Library lunacy" was a state of mind reached by sitting in the library and concentrating on material so boring that, after a few minutes, even the seventy-year-old librarian begins looking good. One sure indication that your mind was slipping
John R. Powers (The Unoriginal Sinner and the Ice-Cream God (Loyola Classics))
Something welled inside at her fearful tone. Jake darted forward, his feet digging into the sand. The shadows clarified. Meridith went down hard; the guy came down on her. Jake honed in on him. As he neared, he heard Meridith struggling. He grabbed the guy’s shirt, hauled him up. He heard a ripping sound, and then his fist found its mark. The loud pop was gratifying. Sean hit the sand, moaning. Jake braced his feet, ready—eager—to have another go at him. The kid only rolled to his other side. A sound at his feet drew his attention. “Meridith.” He dove to his knees beside her. “I’m okay.” He helped her sit up. She looked impossibly small. Behind him, Sean was standing, staggering. Jake stood, placing his body between them. Sean held up his hands, surrendering. “Hey, man, didn’t mean nothin’ . . . just flirting with the girl.” Jake took a step, ready to plant his fist in the guy’s face. A hand, surprisingly firm, on his leg stopped him. “Don’t, Jake.” He took a breath. Tried to calm himself. He wanted to plow the guy down and show him what it felt like to be powerless. Make him feel as powerless as Meridith had. Jake had no doubt he could do it. Apparently, neither did Sean. He was backing away toward the house. “Sorry, Meridith. Swear I didn’t mean nothin’.” The words meant squat to Jake. He clenched his fists at his side. Dirtbag. “Let him go.” Meridith’s voice, all tired and shaky, was the only thing that stopped him. He should call the cops and have the guy hauled off. Then he thought of the squad car pulling up to Summer Place, lights spinning. Summer Place didn’t need the bad publicity. The kids didn’t need the distress. He looked down at Meridith, huddled in the sand. She didn’t either. Jake glared at Sean. “Pack your things and get out of here. Now.” Sean stopped and turned. “What am I s’posed to tell my friends?” “Couldn’t care less.” Sean shifted in the sand, grabbed the railing. Finally he turned and stumbled up the beach steps and across the yard. Jake turned to Meridith. She’d pulled her knees to her chest, wrapped her arms around them. He extended his hands and she took them. They were icy cold. He pulled her to her feet, then took her chin and turned her face into the moonlight. He scanned her face for damage and found none. Just dazed eyes and chattering teeth. “You okay? He hurt you?” She shook her head. He could feel her trembling. He remembered feeling something on the sand and stooped to collect a bulky robe. Downwind, he shook out the sand, then draped the robe over her shoulders. The weight of it buckled her knees. He caught her around the waist. She came into his arms willingly. Jake tucked the robe around her, freed her hair, and the wind stole it from his fingers. She shivered. He could feel her cold fists through his shirt, tucked into his stomach. “You’re cold.” He wrapped his arms around her, turned his back to the wind. Shallow puffs of breath hit his chest, warm and quick. He cradled her head in his palm. She was so small. Helpless. What would’ve happened if he hadn’t come? And where was Lover Boy when Meri needed him? Halfway across the country. He ground his teeth together, fighting the anger that had barely begun to simmer. “The
Denise Hunter (Driftwood Lane (Nantucket, #4))
In this story, I'm the girl no one is waiting for.
Jennifer Egan (A Visit from the Goon Squad)
MY LORD, when you ask me to tell the court in my own words, this is what I shall say. I am kept locked up here like some exotic animal, last survivor of a species they had thought extinct. They should let in people to view me, the girl-eater, svelte and dangerous, padding to and fro in my cage, my terrible green glance flickering past the bars, give them something to dream about, tucked up cosy in their beds of a night. After my capture they clawed at each other to get a look at me. They would have paid money for the privilege, I believe. They shouted abuse, and shook their fists at me, showing their teeth. It was unreal, somehow, frightening yet comic, the sight of them there, milling on the pavement like film extras, young men in cheap raincoats, and women with shopping bags, and one or two silent, grizzled characters who just stood, fixed on me hungrily, haggard with envy. Then a guard threw a blanket over my head and bundled me into a squad car. I laughed. There was something irresistibly funny in the way reality, banal as ever, was fulfilling my worst fantasies.
John Banville (The Book of Evidence (Vintage International))
Dear Miss Know-It-All, I worked really hard to make the eighth-grade cheerleading team this year, but the other cheerleaders treat me like I don’t belong. I never get to do much cheering or dancing like they do. The only time the team captain needs me is when we do the human pyramid, and she always puts me at the bottom! I have to hold the most people on my back, which is totally excruciating, and if I lose my balance, the whole pyramid collapses and everyone bullies me about it! I’m tired of those girls walking all over me. Literally! I don’t know what I did to deserve this kind of treatment, but it’s pretty obvious they all hate my guts. ! I’m majorly frustrated! I don’t know if I should quit the team, confront my teammates, or just keep quiet so I don’t make things worse. I really don’t want to give up my dream of making varsity! What would you do?? —Cheerless Cheerleader * * * * * * * * * * * * * * * Dear Cheerless Cheerleader, Hon . . . I think you’re kidding yourself if you think you made the cheerleading team based on your awesome moves. My reliable source on the team told me your tryout routine was HOR-REN-DOUS. She said she couldn’t tell if you were trying to dance or going into convulsions! Your backflips were BACKFLOPS, your cartwheels were FLAT TIRES, and your dismount was totally DISGUSTING! Get the picture? You were chosen for one reason, and one reason alone—you look like a sturdy ogre who can carry a lot of weight! It’s been a long tradition for cheerleading captains to hand-pick strong, ugly girls for the bottom of the pyramid. Didn’t you know that?? Quit taking everything so personally! Just accept that the bottom is where you belong, sweetie! You should hold your green, Shrek-looking head high that someone actually wants you for something. Bet that doesn’t happen often! Yay you! Sincerely, Miss Know-It-All P.S. My source wants you to stop dancing. She says you’re giving the squad NIGHT TERRORS!
Rachel Renée Russell (Dork Diaries: Drama Queen)
Directly in front of them, dressed in white jerseys and forming a little protective phalanx, were the Pepettes, a select group of senior girls who made up the school spirit squad. The Pepettes supported all teams, but it was the football team they supported most. The number on the white jersey each girl wore corresponded to that of the player she had been assigned for the football season. With that assignment came various time-honored responsibilities. As part of the tradition, each Pepette brought some type of sweet for her player every week before the game. She didn’t necessarily have to make something from scratch, but there was indirect pressure to because of not-so-private grousing from players who tired quickly of bags of candy and not so discreetly let it be known that they much preferred something fresh-baked. If she had to buy something store-bought, it might as well be beer, and at least one player was able to negotiate such an arrangement with his Pepette during the season. Instead of getting a bag of cookies, he got a six-pack of beer. In addition, each Pepette also had to make a large sign for her player that went in his front yard and stayed there the entire season as a notice to the community that he played football for Permian. Previously the making of these yard signs, which looked like miniature Broadway marquees, had become quite competitive. Some of the Pepettes spent as much as $100 of their own money to make an individual sign, decorating it with twinkling lights and other attention-getting devices. It became a rather serious game of can-you-top-this, and finally a dictum was handed down that all the signs must be made the same way, without any neon.
H.G. Bissinger (Friday Night Lights: A Town, a Team, and a Dream)
Rage and aggression are the staples of military life but to produce an effective killing machine you have to dehumanise it. You have to remove empathy, understanding, forgiveness. Otherwise an enemy pleading for his life might garner a moment's hesitation, which is long enough to get control of a weapon and kill an entire squad. ‘It's all very clever until the soldier is released back into society. The mind-set instilled is not a temporary state. It's an altered set of beliefs. But suddenly, where is the enemy? Where is the guidance? Where is the rest of the team united in one clear goal? ‘Society then tells soldiers that what they did was wrong. Violence is wrong, killing is wrong. ‘You can't just suddenly wipe a mind clear because you now want that person to exist in a “normal” society. The hatred doesn't go away. It just has no clear target.
Angela Marsons (Lost Girls (DI Kim Stone, #3))
If I do, will you and the Golden Girl Commando Squad stand down?”-Jack Stratton
Christopher Greyson (Jack of Hearts (Jack Stratton #6))
She could walk the mile from Wall Street to the north edge of the city. But then she’d run into the guards stationed there. She’d have to sneak past them and not get shot. Then she’d have eleven miles of running to the north edge of the island. If she took the Greenwich Road or the Post Road, she’d likely be captured by one in need of a slave or in need of the reward paid for a healthy runaway. If she stuck to the woods that ran up the center of the island, she could be et by a bear or drowned in a swamp. If angels guided her safe through the woods and she made the north edge, she’d have to get past the guards watching over King’s Bridge, where New York Island touched the rest of America. I rolled over, my back to the fire. That girl could more likely grab hold of the feet of a passing crow and bid him fly her to safety. Better yet, sprout her own wings. The only path left was across the water. A girl like that could not swim and did not own a boat, not to mention the river currents were fast and the crossing would be noted by someone who would raise a ruckus and then the soldiers would line up like a firing squad and shoot that girl dead in the water. They wouldn’t even bury her proper, just let the water take the boat and the body and both would be consumed by sea monsters.
Laurie Halse Anderson (Chains (Seeds of America #1))
Caroline took one look at the box and figured Wally had given her a present in return—something even grosser than cat vomit. She took it to her room, then had second thoughts and took it out to the garage instead. Maybe she should call the bomb squad to open it. It was probably something that would explode in her face.
Phyllis Reynolds Naylor (The Girls' Revenge (Boy/Girl Battle, #4))
I came for this reason: I want to know what happened between A and B.” Bennie seemed to be waiting for more. “A is when we were both in the band, chasing the same girl. B is now.” I knew instantly that it had been the right move to bring up Alice. I’d said something literally, yes, but underneath that I’d said something else: we were both a couple of asswipes, and now only I’m an asswipe; why? And underneath that, something else: once an asswipe, always an asswipe. And deepest of all: You were the one chasing. But she picked me.
Jennifer Egan (A Visit from the Goon Squad)
I liked this girl. Hopefully I wouldn’t have to shoot her.
Tim Marquitz (Beyond the Veil (Demon Squad, #5))
How did you end up in all this? Working for Rubicon, I mean?’ She shot him a look, and he wondered if he had touched on a sore point. Lucy guided the Land Rover past a sluggish tanker truck and set her gaze on the view through the grimy windshield. ‘It’s no big deal,’ she said, at length. ‘I was Army green for a good while. No job for a lady, so my mom used to say. But I got a good eye, and I like guns. Delta was recruiting for Foxtrot Troop, so I opted in. Stayed for a tour.’ ‘I thought that was a myth,’ said Marc. ‘About Delta Force having an all-female squad . . .’ ‘Sure it is,’ Lucy replied evenly. ‘Just like it’s not true that British Intelligence has its own covert strike teams.’ ‘Fair point,’ he allowed. ‘Uncle Sam may be old-fashioned, but he ain’t stupid. Sometimes girls can get where boys can’t
James Swallow (Nomad (Marc Dane, #1))
At the time, she’d been pregnant with her first child, a girl, which made her sympathize with me instead of the rich golden-haired boy with the angelic blue eyes and the premed major. I couldn’t imagine anything worse, she had told me in the squad car, than losing a daughter like that.
Alison Gaylin (The Collective)
The Daisy he knew was young and innocent and had fully embraced her position on the high school geek squad. Her clothes had been quirky and weird, a mix of accessories, colors, patterns, and fandoms that she'd combined into a unique geek-chic style. She'd tied her long, dark hair in a ponytail so it didn't get in the way when she was helping the freshmen with their computer programs, mixing chemicals for science fair projects, or studying for the latest math competition.
Sara Desai (The Dating Plan (Marriage Game, #2))
Hit it, girls!” yelled the team leader in an unnaturally high voice. At that, the squad turned to face the audience. There was a moment of stunned silence. “Ye gods!” the goddessgirls shouted in unison. The squad was all boys! As Heracles, Hades, Actaeon, Ares, and Apollo began their comic routine, the girls and everyone else in the audience burst out laughing. The routine was full of hilariously clumsy leaps and strikingly awkward poses. But the chant the five boys had made up was actually pretty good: “Clap your hands, Stomp your feet. Those MOA girls can’t be beat! Go, blue. Go, gold. You’re a wonder to behold!” The boys tripped over one another, lost their wigs, and fell down a lot. At the end of their routine the pyramid they tried to form collapsed as badly as their cake had. They wound up sprawled on the floor. Making the best of it, they came up grinning.
Joan Holub (The Girl Games (Goddess Girls))
In the shattered schoolhouse where for the first time he had felt the security of power, a few feet from the room where he had come to know the uncertainty of love, Arcadio found the formality of death ridiculous. Death really did not matter to him but life did, and therefore the sensation he felt when they gave their decision was not a feeling of fear but of nostalgia. He did not speak until they asked him for his last request. “Tell my wife,” he answered in a well-modulated voice, “to give the girl the name of Úrsula.” He paused and said it again: “Úrsula, like her grandmother. And tell her also that if the child that is to be born is a boy, they should name him José Arcadio, not for his uncle, but for his grandfather.” Before they took him to the execution wall Father Nicanor tried to attend him. “I have nothing to repent,” Arcadio said, and he put himself under the orders of the squad after drinking a cup of black coffee.
Gabriel García Márquez (One Hundred Years of Solitude)
The media gleefully reported that many of Janice’s society friends ended up taking her ex-husband’s side due to her mercenary tactics. Her premarriage career as a yacht girl only cemented her gold-digger reputation.
Kyla Zhao (The Fraud Squad: The most dazzling and glamorous debut of 2023!)