Spruce Quotes

Science has taught me that everything is more complicated than we first assume, and that being able to derive happiness from discovery is a recipe for a beautiful life. It has also convinced me that carefully writing everything down is the only real defense we have against forgetting something important that once was and is no more, including the spruce tree that should have outlived me but did not.

The full moon rises. The fog clings to the lowest branches of the spruce trees. The man steps out of the darkest corner of the forest and finds himself transformed into... A monkey? I think not.

They stood together in the gloom of the spruces, an empty world glimmering about them wide and gray under the stars

When I die, nieces, I want to be cremated, my ashes taken up in a bush plane and sprinkled onto the people in town below. Let them think my body is snowflakes, sticking in their hair and on their shoulders like dandruff.

Fancy cutting down all those beautiful trees...to make pulp for those bloody newspapers, and calling it civilisation. - Winston Churchill, remarking to his son during a visit to Canada in 1929

As the glow of the cabin windows turned to flickers through the trees and then to black, her eyes adjusted and the starlight alone on the pure white snow was enough to light her way. The cold scorched her cheeks and her lungs, but she was warm in her fox hat and wool. An owl swooped through the spruce boughs, a slow-flying shadow, but she was not frightened. She felt old and strong, like the mountains and the river. She would find her way home.

The dark hills, with the darker spruces marching over them, looked grim on early falling nights, but Ingleside bloomed with firelight and laughter, though the winds come in from the Atlantic singing of mournful things. "Why isn't the wind happy, Mummy?" asked Walter one night. "Because it is remembering all the sorrow of the world since it began," answered Anne.

One of the oldest trees on Earth, a spruce in Sweden, is more than 9,500 years old. That’s 115 times longer than the average human lifetime.

The Snow Man" One must have a mind of winter To regard the frost and the boughs Of the pine-trees crusted with snow; And have been cold a long time To behold the junipers shagged with ice, The spruces rough in the distant glitter Of the January sun; and not to think Of any misery in the sound of the wind, In the sound of a few leaves, Which is the sound of the land Full of the same wind That is blowing in the same bare place For the listener, who listens in the snow, And, nothing himself, beholds Nothing that is not there and the nothing that is. Wallace Stevens, The Collected Poems of Wallace Stevens. (Vintage; Reissue edition February 19, 1990)

Let's sum up... a little house, white and green or to be made so... with trees, preferably birch and spruce... a window looking seaward... on a hill. That sounds very possible... but there is one other requirement. There must be magic about it, Jane... lashings of magic... and magic houses are scarce, even on the Island. Have you any idea at all what I mean, Jane?" Jane reflected. "You want to feel that the house is yours before you buy it," she said. "Jane," said dad, "you are too good to be true.

Afar in the southwest was the great shimmering, pearl-like sparkle of an evening star in a sky that was pale golden and ethereal rose over gleaming white spaces and dark glens of spruce

I rejoice that there are owls. Let them do the idiotic and maniacal hooting for men. It is a sound admirably suited to swamps and twilight woods which no day illustrates, suggesting a vast and undeveloped nature which men have not recognized. They represent the stark twilight and unsatisfied thoughts which all have. All day the sun has shown on the surface of some savage swamp, where the double spruce stands hung with usnea lichens, and small hawks circulate above, and the chickadee lisps amid the evergreens, and the partridge and rabbit skulk beneath; and now a more dismal and fitting day dawns, and a different race of creatures awakes to express the meaning of Nature there.

The awesome silence of the place crept up on her. The spruce and pines, all still laden with snow, spread their limbs in a frozen ballet, breathing a ghostly incense from dark, arid chapels sheltered by their branches.

Dark spruce forest frowned on either side the frozen waterway. The trees had been stripped by a recent wind of their white covering of frost, and they seemed to lean towards each other, black and ominous, in the fading light.

Mother Nature was one angry slut. She'd try and kill you the first chance she got. You'd screwed with her for so long that she was happy to eliminate you.

This is the most beautiful place on earth. There are many such places. Every man, every woman, carries in heart and mind the image of the ideal place, the right place, the one true home, known or unknown, actual or visionary. A houseboat in Kashmir, a view down Atlantic Avenue in Brooklyn, a gray gothic farmhouse two stories high at the end of a red dog road in the Allegheny Mountains, a cabin on the shore of a blue lake in spruce and fir country, a greasy alley near the Hoboken waterfront, or even, possibly, for those of a less demanding sensibility, the world to be seen from a comfortable apartment high in the tender, velvety smog of Manhattan, Chicago, Paris, Tokyo, Rio, or Rome — there's no limit to the human capacity for the homing sentiment.

There was a sensual feel to the way Aiden's eyes traveled over her, leaving her tingling without even a touch. ~from The Secret of Spruce Knoll.

The spruce, the hemlock, and the pine will not countenance despair.

Maybe being oneself is an acquired taste. For a writer it's a big deal to bow--or kneel or get knocked down--to the fact that you are going to write your own books and not somebody else's. Not even those books of the somebody else you thought it was your express business to spruce yourself up to be.

Sometimes back then, fishing with Jasper up the Sulphur, I hit my limit. I mean it felt my heart might just burst. Bursting is different than breaking. Like there is no way to contain how beautiful. Not it either, not just beauty. Something about how I fit. This little bend of smooth stones, the leaning cliffs. The smell of spruce. The small cutthroat making quiet rings in the black water of a pool. And no need to thank even. Just be. Just fish. Just walk up the creek, get dark, get cold, it is all a piece. Of me somehow.

Beauty was all around them. Unsuspected tintings glimmered in the dark demesnes of the woods and glowed in their alluring by-ways. The spring sunshine sifted through the young green leaves. Gay trills of song were everywhere. There were little hollows where you felt as if you were bathing in a pool of liquid gold. At every turn some fresh spring scent struck their faces: Spice ferns...fir balsam...the wholesome odour of newly ploughed fields. There was a lane curtained with wild-cherry blossoms; a grassy old field full of tiny spruce trees just starting in life and looking like elvish things that had sat down among the grasses; brooks not yet "too broad for leaping"; starflowers under the firs; sheets of curly young ferns; and a birch tree whence someone had torn away the white-skin wrapper in several places, exposing the tints of the bark below-tints ranging from purest creamy white, through exquisite golden tones, growing deeper and deeper until the inmost layer revealed the deepest, richest brown as if to tell tha all birches, so maiden-like and cool exteriorly, had yet warm-hued feelings; "the primeval fire of earth at their hearts.

The spruce and cedar on its shores, hung with gray lichens, looked at a distance like the ghosts of trees. Ducks were sailing here and there on its surface, and a solitary loon, like a more living wave, — a vital spot on the lake's surface, — laughed and frolicked, and showed its straight leg, for our amusement.

What is the colour of Christmas? Red? The red of the toyshops on a dark winter’s afternoon, Of Father Christmas and the robin’s breast? Or green? Green of holly and spruce and mistletoe in the house, dark shadow of summer in leafless winter? One might plainly add a romance of white, fields of frost and snow; thus white, green, red- reducing the event to the level of a Chianti bottle. But many will say that the significant colour is gold, gold of fire and treasure, of light in the winter dark; and this gets closer, For the true colour of Christmas is Black. Black of winter, black of night, black of frost and of the east wind, black of dangerous shadows beyond the firelight. I am not sure who wrote this. I got it from page nine of “A Book of Christmas” by William Sansom. Google didn’t help. It is rather true I think, that the true color of Christmas is black. For like the author said in succeeding sentences “The table yellow with electric light, the fire by which stories are told, the bright spangle of the tree- they all blazé out of shadow and out of a darkness of winter

Charlotte had never forgotten it - she was always looking for it. An old house facing seaward, ships going up and down. Spruce woods and musty hills, cold salt air from the water, rest, quiet, silence.

Three pairs of socks, one pair of trousers, an extra shirt. One canteen. A tin cup and plate. A cylindrical slide rule, a chronometer, a jar of spruce sap, my collection of anticorrosives -” “You were only supposed to pack what you need.” David gave an empathetic nod. “Exactly.” “Please tell me you didn’t bring all of Morozova’s journals,” I said. “Of course I did.” I rolled my eyes. There had to be at least fifteen leather-bound books. “Maybe they’ll make good kindling.” “Is she kidding?” David asked, looking concerned. “I can never tell if she’s kidding.

To our indigenous ancestors, and to the many aboriginal peoples who still hold fast to their oral traditions, language is less a human possession than it is a property of the animate earth itself, an expressive, telluric power in which we, along with the coyotes and the crickets, all participate. Each creature enacts this expressive magic in its own manner, the honeybee with its waggle dance no less than a bellicose, harrumphing sea lion. Nor is this power restricted solely to animals. The whispered hush of the uncut grasses at dawn, the plaintive moan of trunks rubbing against one another in the deep woods, or the laughter of birch leaves as the wind gusts through their branches all bear a thicket of many-layered meanings for those who listen carefully. In the Pacific Northwest I met a man who had schooled himself in the speech of needled evergreens; on a breezy day you could drive him, blindfolded, to any patch of coastal forest and place him, still blind, beneath a particular tree -- after a few moments he would tell you, by listening, just what species of pine or spruce or fir stood above him (whether he stood beneath a Douglas fir or a grand fir, a Sitka spruce or a western red cedar). His ears were attuned, he said, to the different dialects of the trees.

Along the western slopes of the Oregon Coastal Range . . . come look: the hysterical crashing of tributaries as they merge into the Wakonda Auga River . . . The first little washes flashing like thick rushing winds through sheep sorrel and clover, ghost fern and nettle, sheering, cutting . . . forming branches. Then, through bear-berry and salmonberry, blueberry and blackberry, the branches crashing into creeks, into streams. Finally, in the foothills, through tamarack and sugar pine, shittim bark and silver spruce—and the green and blue mosaic of Douglas fir—

I lay awake for hours in my twin bed next to the other, empty bed, feeling and hearing the spruces, the hemlocks, the rhododendron scraping at the partly open window, the verdant mountain out there in the night, the burgeoning of nature that did not seem to include me. And when, my restless body asked my teeming brain, had I agreed to be excluded?

God is the best makeup Artist I have ever seen however, you may get an honorable mention for sprucing.

There are trees growing in Philadelphia (at Fourth and Spruce Streets) and the University of Virginia (at Morea, a guest house) today that grew from the cuttings Lewis sent.

By lunchtime the valley was lightly coated, like a cake with confectioner's sugar...there was white fur on the antlers of the iron deer and on the melancholy boughs of the Norway spruce.

Because it was Granny who had told Elsa about the Christmas tree dance in Miamas, and no one who’s heard that story wants to have a spruce tree that someone has amputated and sold into slavery. In

The man rolls over onto his back, face-to-face with the morning sky. The messages swarm him. Even here, homeless, he thinks: Nothing will be the same. The spruces answer: Nothing has ever been the same. We're all doomed, the man thinks. We have always all been doomed. But things are different this time. Yes. You're here.

Why was fabulousness important? The world was a scary, sad place and adornment was one of the only ways she knew to make herself and the people around her forget their troubles. That was why she had opened her store almost five years ago. Everyone who entered the little square white house with miniature Corinthian columns, cherub statues, and French windows seemed to leave carrying armloads of newly handmade and well spruced-up recycled vintage clothing, humming sixties girl-group songs, seventies glam and punk, eighties New Wave one-hit wonders, or nineties grunge, doing silly dances, and not caring what anyone thought. Weetzie loved the old dresses she found and sold, because they had their own secret histories. She always wondered where, when, and how they had been worn. What they had seen. Old dresses were like old ladies.

Some enterprising rabbit had dug its way under the stakes of my garden again. One voracious rabbit could eat a cabbage down to the roots, and from the looks of things, he'd brought friends. I sighed and squatted to repair the damage, packing rocks and earth back into the hole. The loss of Ian was a constant ache; at such moments as this, I missed his horrible dog as well. I had brought a large collection of cuttings and seeds from River Run, most of which had survived the journey. It was mid-June, still time--barely--to put in a fresh crop of carrots. The small patch of potato vines was all right, so were the peanut bushes; rabbits wouldn't touch those, and didn't care for the aromatic herbs either, except the fennel, which they gobbled like licorice. I wanted cabbages, though, to preserve a sauerkraut; come winter, we would want food with some taste to it, as well as some vitamin C. I had enough seed left, and could raise a couple of decent crops before the weather turned cold, if I could keep the bloody rabbits off. I drummed my fingers on the handle of my basket, thinking. The Indians scattered clippings of their hair around the edges of the fields, but that was more protection against deer than rabbits. Jamie was the best repellent, I decided. Nayawenne had told me that the scent of carnivore urine would keep rabbits away--and a man who ate meat was nearly as good as a mountain lion, to say nothing of being more biddable. Yes, that would do; he'd shot a deer only two days ago; it was still hanging. I should brew a fresh bucket of spruce beer to go with the roast venison, though . . . (Page 844)

A storm ravaged among the spruces and shook them, and it made them even stronger. The prouder did they raise their tops the next morning and bathe them in the golden sunrays. They deserved to stretch up to the clouds and be proud.

He looked up to the tall spruce trees and noticed an eerie silence envelope the camp. Not a bird sang when the gates to Dachau opened. It seemed an evil-smelling place, and the dreary surroundings befitted this wicked establishment.

.. my husband can't pass by a beautiful birch tree or a beautiful spruce without just standing there, thunderstruck, watching... I'll have to be careful he doesn't merge with those trees body and soul, careful not to lose him altogether.

Little soul, little perpetually undressed one, do now as I bid you, climb the shelf-like branches of the spruce tree; wait at the top, attentive, like a sentry or look-out. He will be home soon; it behooves you to be generous. You have not been completely perfect either; with your troublesome body you have done things you shouldn’t discuss in poems. Therefore call out to him over the open water, over the bright water with your dark song, with your grasping, unnatural song—passionate, like Marie Callas. Who wouldn’t want you? Whose most demonic appetite could you possibly fail to answer? Soon he will return from wherever he goes in the meantime, suntanned from his time away, wanting his grilled chicken. Ah, you must greet him, you must shake the boughs of the tree to get his attention, but carefully, carefully, lest his beautiful face be marred by too many falling needles.

There’s something sexy in cooking for a man who likes my food. Am I growing up?

Remember that lettuce doesn’t grow on a spruce; and it also doesn’t rhyme with it.

In another landscape, a line of spruce in the distance would appear an inkblot, a punctuation to the endless grey sentence of the morning.

Dark spruce frowned on either side of the frozen waterway.

It is spruce and pine and hemlock country, deerfly and punkie and blackfly country, wool and four-wheel-drive country, loon and osprey and raven country. My kind of country.

How unusually beautiful the forest was in the morning without anyone walking through it but him, column after column of spruce, a vast hall with a blue-green vault.

In the forestlichen writhes and assembles itself into signs to light my path through the deep dark north shadow; and I emerge at last onto a hillside strewn with logogrammatic stones, and scramble away from spruce tops." in the poem "Beyond the Beacon" from Terra Affirmative.

The nurses did their best to spruce up the antiseptic corridors but the smell of pine boughs was overpowered by Pine Sol and no one paused beneath the mistletoe on the contagious ward.

Lots of times growing up, I’d just try to do something myself because I believed that being a boy, and being Indian, I should just know how to do things." -Will Bird, Through Black Spruce

They are, in fact, like nothing but themselves. They are the crowns of five white spruces laden with cones, bending in the wind as they do every day of their existence. Likeness is the sole problem of men.

Whenever you see redwoods in the National Geographic, or fog, or watch Shamu on TV, you'll be seeing me. Whenever you smell pine and spruce and day-old socks, that's me. Whenever you hear wind in the tops of trees, that's me, and whenever you taste crab and wine and Brie, that's me, and whenever the wind blows your hat off or you get under a cold shower, that's me. Whenever you read about an earthquake, that's me, sure as gun's iron. Whenever you smell wet dog, that's Curtis and me, and whenever you see a Rattus rattus, that's Forrest, and I'm right behind him. Never see me again? You'll never not see me. And I'll never not see you . . .Didn't I say I'd always be your same stars? If you get to missing me, just look up.

Compromised by longing & looking for language to note the differences in the map: the pointed spruces tipped against the moon this time & the water halflit, star-slid—but it makes no difference in the telling.

Upon learning of Sebastian’s success with the commissioner, Cam Rohan remarked admiringly, “That was a spruce trick, my lord. I’m beginning to think you can persuade anyone to do nearly anything.” Sebastian grinned and glanced at Evie, who was sitting nearby. “I should think Lady St. Vincent is proof of that,” he said.

Is it that we pretend to a reformation? Truly, no: but it may be we are more addicted to Venus than our fathers were. They are two exercises that thwart and hinder one another in their vigor. Lechery weakens our stomach on the one side; and on the other sobriety renders us more spruce and amorous for the exercise of love.

Let me write about an Icelandic road trip; a running man; backflashes galore; and slowly disclose what it is he’s running from. Bring him to Ásbyrgi; mention how the ravine was formed by a slammed-down hoof of Odin’s horse. Mention how it’s the Parliament of the Hidden Folk. Have him stare at the rock faces until the rock’s faces stare back. Breathe deep the resinous tang of the spruces. Let him meet a ghost from his past. Hear the bird, luring me in, ever deeper ever tighter circles. Where are you? There. On the toadstool-frilled tree stump.

Season late, day late, sun just down, and the sky Cold gunmetal but with a wash of live rose, and she, From water the color of sky except where Her motion has fractured it to shivering splinters of silver, Rises. Stands on the raw grass. Against The new-curdling night of spruces, nakedness Glimmers and, at bosom and flank, drips With fluent silver. The man, Some ten strokes out, but now hanging Motionless in the gunmetal water, feet Cold with the coldness of depth, all History dissolving from him, is Nothing but an eye. Is an eye only. Sees The body that is marked by his use, and Time's, Rise, and in the abrupt and unsustaining element of air, Sway, lean, grapple the pond-bank. Sees How, with that posture of female awkwardness that is, And is the stab of, suddenly perceived grace, breasts bulge down in The pure curve of their weight and buttocks Moon up and, in swelling unity, Are silver and glimmer. Then The body is erect, she is herself, whatever Self she may be, and with an end of the towel grasped in each hand, Slowly draws it back and forth across back and buttocks, but With face lifted toward the high sky, where The over-wash of rose color now fails. Fails, though no star Yet throbs there. The towel, forgotten, Does not move now. The gaze Remains fixed on the sky. The body, Profiled against the darkness of spruces, seems To draw to itself, and condense in its whiteness, what light In the sky yet lingers or, from The metallic and abstract severity of water, lifts. The body, With the towel now trailing loose from one hand, is A white stalk from which the face flowers gravely toward the high sky. This moment is non-sequential and absolute, and admits Of no definition, for it Subsumes all other, and sequential, moments, by which Definition might be possible. The woman, Face yet raised, wraps, With a motion as though standing in sleep, The towel about her body, under her breasts, and, Holding it there hieratic as lost Egypt and erect, Moves up the path that, stair-steep, winds Into the clamber and tangle of growth. Beyond The lattice of dusk-dripping leaves, whiteness Dimly glimmers, goes. Glimmers and is gone, and the man, Suspended in his darkling medium, stares Upward where, though not visible, he knows She moves, and in his heart he cries out that, if only He had such strength, he would put his hand forth And maintain it over her to guard, in all Her out-goings and in-comings, from whatever Inclemency of sky or slur of the world's weather Might ever be. In his heart he cries out. Above Height of the spruce-night and heave of the far mountain, he sees The first star pulse into being. It gleams there. I do not know what promise it makes him.

British Columbia has been described as a banana republic, only with bigger bananas,

It is an eccentric and uniquely human approach to resources: like plowing under your farmland to make way for more lawns, or compromising your air quality in exchange for an enormous car.

But even while Rome is burning, there’s somehow time for shopping at IKEA. Social imperatives are a merciless bitch. Everyone is attempting to buy what no one can sell.  See, when I moved out of the house earlier this week, trawling my many personal belongings in large bins and boxes and fifty-gallon garbage bags, my first inclination was, of course, to purchase the things I still “needed” for my new place. You know, the basics: food, hygiene products, a shower curtain, towels, a bed, and umm … oh, I need a couch and a matching leather chair and a love seat and a lamp and a desk and desk chair and another lamp for over there, and oh yeah don’t forget the sideboard that matches the desk and a dresser for the bedroom and oh I need a coffeetable and a couple end tables and a TV-stand for the TV I still need to buy, and don’t these look nice, whadda you call ’em, throat pillows? Oh, throw pillows. Well that makes more sense. And now that I think about it I’m going to want my apartment to be “my style,” you know: my own motif, so I need certain decoratives to spruce up the decor, but wait, what is my style exactly, and do these stainless-steel picture frames embody that particular style? Does this replica Matisse sketch accurately capture my edgy-but-professional vibe? Exactly how “edgy” am I? What espresso maker defines me as a man? Does the fact that I’m even asking these questions mean I lack the dangling brass pendulum that’d make me a “man’s man”? How many plates/cups/bowls/spoons should a man own? I guess I need a diningroom table too, right? And a rug for the entryway and bathroom rugs (bath mats?) and what about that one thing, that thing that’s like a rug but longer? Yeah, a runner; I need one of those, and I’m also going to need…

He's the ultimate plagiarist, copying what others do if it proves successful and putting his own spin on it, which really pisses me off, because it`s far more difficult to come up with the original idea than steal someone else`s and spruce it up a bit.

Dark spruce forest frowned on either side the frozen waterway. The trees had been stripped by a recent wind of their white covering of frost, and they seemed to lean towards each other, black and ominous, in the fading light. A vast silence reigned over the land.

DARK SPRUCE FOREST FROWNED ON EITHER SIDE THE FROZEN WATERWAY. The trees had been stripped by a recent wind of their white covering of frost, and they seemed to lean towards each other, black and ominous, in the fading light. A vast silence reigned over the land. The land itself was a desolation, lifeless, without movement, so lone and cold that the spirit of it was not even that of sadness. There was a hint in it of laughter, but of a laughter more terrible than any sadness—a laughter that was mirthless as the smile of the sphinx, a laughter cold as the frost and partaking of the grimness of infallibility. It was the masterful and incommunicable wisdom of eternity laughing at the futility of life and the effort of life. It was the Wild, the savage, frozen-hearted Northland Wild.

Unnoticed There's a winter wren in Alaska No man has laid eyes on her beauty She sings in the spruce pine where she lives No man has heard her song She flies down to gather a twig for her home No man has built her a house She comes upon a bite to eat A worm has a misfortunate morning No man has thrown seed for her food Overhead clouds cast a shadow in the dawn She returns home No man has noticed

I thought of my mother late that night, after leaving Dorothy, as I followed the moon's path back home across the Moose River. My mother, maybe she was in that moon's light. I didn't know any more, but when I was younger, Iuse to imagine that she was. I'd talk to the moon some nights, and I knew my mother listened. I haven't done that in a long time, me." -Through Black Spruce, Joseph Boyden, ch 13, pg 119

Across the road from my cabin was a huge clear-cut--hundreds of acres of massive spruce stumps interspersed with tiny Douglas firs--products of what they call "Reforestation," which I guess makes the spindly firs en masse a "Reforest," which makes an individual spindly fir a "Refir," which means you could say that Weyerhauser, who owns the joint, has Refir Madness, since they think that sawing down 200-foot-tall spruces and replacing them with puling 2-foot Refirs is no different from farming beans or corn or alfalfa. They even call the towering spires they wipe from the Earth's face forever a "crop"--as if they'd planted the virgin forest! But I'm just a fisherman and may be missing some deeper significance in their nomenclature and stranger treatment of primordial trees.

In the mist, in the darkness of the forest, in the dewdrops on the spruce needles. In the whales that swam in the sea, in the heart beating in my breast. Mist, heart, blood, trees. Why were they so appealing? What was it that enticed me with such power? That filled me with such enormous desire? Mist, heart, blood, trees. Oh, if only I could write about them, no, not write about them but make my writing be them, then I would be happy. Then I would have peace of mind.

Yes, they are alive and can have those colors, But I, in my soul, am alive too. I feel I must sing and dance, to tell Of this in a way, that knowing you may be drawn to me. And I sing amid despair and isolation Of the chance to know you, to sing of me Which are you. You see, You hold me up to the light in a way I should never have expected, or suspected, perhaps Because you always tell me I am you, And right. The great spruces loom. I am yours to die with, to desire. I cannot ever think of me, I desire you For a room in which the chairs ever Have their backs turned to the light Inflicted on the stone and paths, the real trees That seem to shine at me through a lattice toward you. If the wild light of this January day is true I pledge me to be truthful unto you Whom I cannot ever stop remembering. Remembering to forgive. Remember to pass beyond you into the day On the wings of the secret you will never know. Taking me from myself, in the path Which the pastel girth of the day has assigned to me. I prefer "you" in the plural, I want "you," You must come to me, all golden and pale Like the dew and the air. And then I start getting this feeling of exaltation.

Stacy stepped into the forest and immediately took a deep breath of the pine- and spruce-scented air she’d come to love. She’d seen pictures in books and newspapers of countries and cities around the world. She’d seen photos of tropical islands and beaches and mountain biomes. But she couldn’t imagine any biome more beautiful than their taiga forest.

Build it all up, and it all falls down. It all burns down. Everything you need can be taken. Remember that, nieces. Everything you hold dear, it can be taken.

They know we’re friends,” I whisper. “Just tell them you wanted to show me something in your room.” “What? Like my dick?” he hisses back.

Sometimes life in my dream-come-true was uncomfortable, like waving good morning and smiling at strangers. That felt foreign to me. And I had never lived in a world where I was the only Latino. In New York City I could hide in plain sight, like a cactus in the desert. In Connecticut, I was a palm tree among spruces." - excerpt from Confessions of an Internet Pornogrpaher

IT IS STARTLING to think that all Europe once looked like this Puszcza. To enter it is to realize that most of us were bred to a pale copy of what nature intended. Seeing elders with trunks seven feet wide, or walking through stands of the tallest trees here—gigantic Norway spruce, shaggy as Methuselah—should seem as exotic as the Amazon or Antarctica to someone raised among the comparatively puny, second-growth woodlands found throughout the Northern Hemisphere. Instead, what’s astonishing is how primally familiar it feels. And, on some cellular level, how complete.

Imagine if we had locally supported, collectively organized agriculture, where our apples were grown in--I dunno--Kent, and if you lived in Kent you could buy and eat those apples in Kent. And then someone turned up and said "I've got a better idea! Let me take over yourr orchard and all orchards like it, fly their produce around the globe to be spruced up and then we'll give em back to ya! Sound like a plan?" We'd tell em to fuck off, wouldn't we? Well it has happened, and we didn't because nobody explained it to us. The reason they don't explain this to us is that they know if we find out the extraordinary lengths that they're going to to fuck us over we will overthrow the current system and replace it with something fair. That is why all this important stuff is made to seem inaccessible, boring, and abstract. That is why our participation in politics has been sanded down into an impotent nub: Stick your X into this box and congratulate yourself on being free.

There was never anything so gallant, so spruce, so brilliant, and so well disposed as the two armies. Trumpets, fifes, hautboys, drums, and cannon made music such as Hell itself had never heard. The cannons first of all laid flat about six thousand men on each side; the muskets swept away from this best of worlds nine or ten thousand ruffians who infested its surface. The bayonet was also a sufficient reason for the death of several thousands. The whole might amount to thirty thousand souls. Candide, who trembled like a philosopher, hid himself as well as he could during this heroic butchery.

How beautiful it was, lying embowered in the twilight of the old trees; the tips of the loftiest spruces came out in purple silhouettes against the north-weatersn sky of rose and amber; down behind it the Blair Water dreamed in silver; the Wind Woman had folded her misty bat-wings in a valley of sunset and stillness that lay over the world like a blessing. Emily felt sure that everything would be all right.

Anne came dancing home in the purple winter twilight across the snowy places. Afar in the southwest was the great shimmering, pearl-like sparkle of an evening star in a sky that was pale golden and ethereal rose over gleaming white spaces and dark glens of spruce. The tinkles of sleigh bells among the snowy hills came like elfin chimes through the frosty air, but their music was not sweeter than the song in Anne's heart and on her lips.

When she slowly straightened, the land was vast before her. The sun was setting down the river, casting a cold pink hue along the white-capped mountains that framed both sides of the valley. Upriver, the willow shrubs and gravel bars, the spruce forests and low-lying poplar stands, swelled to the mountains in steely blue. No fields or fences, homes or roads; not a single living soul as far as she could see in any direction. Only wilderness.

There is a saying among the peoples of the Northwest Coast: “The world is as sharp as the edge of a knife,” and Robert Davidson, the man responsible for carving Masset’s first post-missionary pole, imagines this edge as a circle. “If you live on the edge of the circle,” he explained in a documentary film, “that is the present moment. What’s inside is knowledge, experience: the past. What’s outside has yet to be experienced. The knife’s edge is so fine that you can live either in the past or in the future. The real trick,” says Davidson, “is to live on the edge.

I passed the friendship centre and nodded to an old couple on the porch. Kookum smiled back and nodded, a cotton kerchief on her head. Moshum's eyes squinted, too, but never looked straight at me, just glanced my presence once, and that was enough. Old school. I knew that when they stood up to hobble home, he would lead a few feet ahead, and she would follow. They grew up in the bush and still walked the same way, as if the wide road was nothing more than a narrow path through the muskeg and spruce.

By the time these words are read, the centuries-old cedar, hemlock, and balsm of the cutblock known as Leah Block 2 will be a distant memory, long since processed into siding, two-by-fours, perhaps even the paper that has been recycled into the pages of this book.

To wake up on a gloriously bright morning, in a tent pitched beneath spruce trees, and to look out lazily and sleepily for a moment from the open side of the tent, across the dead camp-fire of the night before, to the river, where the light of morning rests and perhaps some early-rising[240] native is gliding in his birch canoe; to go to the river and freshen one's self with the cold water, and yell exultingly to the gulls and hell-divers, in the very joy of living; or to wake at night, when you have rolled in your blankets in the frost-stricken dying grass without a tent, and to look up through the leaves above to the dark sky and the flashing stars, and hear far off the call of a night bird or the howl of a wolf: this is the poetry, the joy of a wild and roving existence, which cannot come too often

Off Spruce, there was a little known trail. A savage gulley wound through acreage of older residential homes that met up with Green Rock Drive. A natural bouquet gust of wind assaulted me. The domestic and native encroached on each other in a battle for dominance at the edges of the cramped path's undergrowth. The tangy scent of wild onion and sagebrush intermingled with the verdant odor of wild geranium, blue flax, columbine and creeping pussytoes. The wild weeds spiced up the encroaching grass turf and the tamed floral honeysuckle vines and lilac bushes.

Why is the world full of color anyway? Sunlight is white, and when it is reflected, it is still white. And so we should be surrounded by a clinical looking, optically pure landscape. That this is not what we see is because every material absorbs light differently or converts it into other kinds of radiation. Only the wavelengths that remain are refracted and reach our eyes. Therefore, the color of organisms and objects is dictated by the color of the reflected light. And in the case of leaves on trees, this color is green. But why don't we see leaves as black? Why don't they absorb all light? Chlorophyll helps leaves process light. If trees processed light super-efficiently, there would be hardly any left over-and the forest would then look as dark during the day as it does at night. Chlorophyll, however, has one disadvantage. It has a so-called green gap, and because it cannot use this part of the color spectrum, it has to reflect it back unused. This weak spot means that we can see this photosynthetic leftover, and that's why almost all plants look deep green to us. What we are really seeing is waste light, the rejected part that trees cannot use. Beautiful for us; useless for the trees. Nature that we find pleasing because it reflects trash? Whether trees feel the same way about this I don't know, but one thing is for certain: hungry beeches and spruce are as happy to see blue sky as I am.

Funnel The family story tells, and it was told true, of my great-grandfather who begat eight genius children and bought twelve almost-new grand pianos. He left a considerable estate when he died. The children honored their separate arts; two became moderately famous, three married and fattened their delicate share of wealth and brilliance. The sixth one was a concert pianist. She had a notable career and wore cropped hair and walked like a man, or so I heard when prying a childhood car into the hushed talk of the straight Maine clan. One died a pinafore child, she stays her five years forever. And here is one that wrote- I sort his odd books and wonder his once alive words and scratch out my short marginal notes and finger my accounts. back from that great-grandfather I have come to tidy a country graveyard for his sake, to chat with the custodian under a yearly sun and touch a ghost sound where it lies awake. I like best to think of that Bunyan man slapping his thighs and trading the yankee sale for one dozen grand pianos. it fit his plan of culture to do it big. On this same scale he built seven arking houses and they still stand. One, five stories up, straight up like a square box, still dominates its coastal edge of land. It is rented cheap in the summer musted air to sneaker-footed families who pad through its rooms and sometimes finger the yellow keys of an old piano that wheezes bells of mildew. Like a shoe factory amid the spruce trees it squats; flat roof and rows of windows spying through the mist. Where those eight children danced their starfished summers, the thirty-six pines sighing, that bearded man walked giant steps and chanced his gifts in numbers. Back from that great-grandfather I have come to puzzle a bending gravestone for his sake, to question this diminishing and feed a minimum of children their careful slice of suburban cake.

So, let's get back to why the roots are the most important part of a tree. Conceivably, this is where the tree equivalent of a brain is located. Brain? you ask. Isn't that a bit farfetched? Possibly, but now we know that trees can learn. This means they must store experiences somewhere, and therefore, there must be some kind of a storage mechanism inside the organism. Just where it is, no one knows, but the roots are the part of the tree best suited to the task. The old spruce in Sweden also shows that what grows underground is the most permanent part of the tree-and where else would it store important information over a long period of time? Moreover, current research shows that a tree's delicate root networks is full of surprises. It is now an accepted fact that the root network is in charge of all chemical activity in the tree. And there's nothing earth shattering about that. Many of our internal processes are also regulated by chemical messengers. Roots absorb substances and bring them into the tree. In the other direction, they deliver the products of photosynthesis to the tree's fungal partners and even route warning signals to neighboring trees. But a brain? For there to be something we would recognize as a brain, neurological processes must be involved, and for these, in addition to chemical messages, you need electrical impulses. And these are precisely what we can measure in the tree, and we've been able to do so since as far back as the nineteenth century. For some years now, a heated controversy has flared up among scientists. Can plants think? Are they intelligent?

It was early autumn, then, before the snow began to fly. –(There’s an expression for you, born in the country, born from the imaginations of men and their feeling for the right word, the only word, to mirror clearly what they see! Those with few words must know how to use them.) Men who have seen it, who have watched it day by day outside their cabin window coming down from the sky, like the visible remorse of an ageing year; who have watched it bead upon the ears of the horses they rode, muffle the sound of hoofs on the trail, lie upon spruce boughs and over grass – cover, as if forever, the landscape in which they moved, round off the mountains, blanket the ice in the rivers – for them the snow flies. The snow doesn’t fall. It may ride the wind. It may descend slowly, in utter quiet, from the grey and laden clouds, so that you can hear the flakes touching lightly on the wide white waste, as they come to rest at the end of their flight. Flight – that’s the word. They beat in the air like wings, as if reluctant ever to touch the ground. I have observed them coming down, on a very cold day, near its end when the sky above me was still blue, in flakes great and wide as the palm of my hand. They were like immense moths winging down in the twilight, making the silence about me visible.

so much of what we see lies in the name; that is an apple tree, that is an elm, that is a cherry tree, that is a spruce. If we look at it for longer, we might get beneath the name and see it as a unique, singular tree and not merely as a representative of the category it belongs to. And eventually we may even be able to see what it 'is', its presence in the world. But by then we will have come to know it so well that it will seem familiar to us, which in turn creates a distance, for that's how it is with the familiar, isn't it, friends we've known for years - we no longer see them, we just note their presence, allowing it to fill the category we have created for them.

An acre of poppies and a forest of spruce boggle no one’s mind. Even ten square miles of wheat gladdens the hearts of most . . . No, in the plant world, and especially among the flowering plants, fecundity is not an assault on human values. Plants are not our competitors; they are our prey and our nesting materials. We are no more distressed at their proliferation than an owl is at a population explosion among field mice . . . but in the animal world things are different, and human feelings are different . . . Fecundity is anathema only in the animal. "Acres and acres of rats" has a suitably chilling ring to it that is decidedly lacking if I say, instead, "acres and acres of tulips".

This Is a Photograph of Me It was taken some time ago. At first it seems to be a smeared print: blurred lines and grey flecks blended with the paper; then, as you scan it, you see in the left-hand corner a thing that is like a branch: part of a tree (balsam or spruce) emerging and, to the right, halfway up what ought to be a gentle slope, a small frame house. In the background there is a lake, and beyond that, some low hills. (The photograph was taken the day after I drowned. I am in the lake, in the centre of the picture, just under the surface. It is difficult to say where precisely, or to say how large or small I am: the effect of water on light is a distortion but if you look long enough, eventually you will be able to see me.)

I explored the literature of tree-climbing, not extensive, but so exciting. John Muir had swarmed up a hundred-foot Douglas Spruce during a Californian windstorm, and looked out over a forest, 'the whole mass of which was kindled into one continuous blaze of white sun-fire!' Italo Calvino had written his The Baron in the Trees, Italian editionmagical novel, The Baron in the Trees, whose young hero, Cosimo, in an adolescent huff, climbs a tree on his father's forested estate and vows never to set foot on the ground again. He keeps his impetuous word, and ends up living and even marrying in the canopy, moving for miles between olive, cherry, elm, and holm oak. There were the boys in B.B.'s Brendan Chase, who go feral in an English forest rather than return to boarding-school, and climb a 'Scotch pine' in order to reach a honey buzzard's nest scrimmed with beech leaves. And of course there was the realm of Winnie the Pooh and Christopher Robin: Pooh floating on his sky-blue balloon up to the oak-top bee's nest, in order to poach some honey; Christopher ready with his pop-gun to shoot Pooh's balloon down once the honey had been poached....

so many white roses whose names won’t survive either, resistance groups and newspapers now as forgotten as soldiers waiting for the enemy veiled in snow, unknowingly digging their own graves in the forests, an entire infantry on alert among the pines and spruce, France, Belgium, elsewhere young German soldiers seeming to sleep, half-opened lips on the snow which likewise moulds itself to their boots and helmets, every one of them forever forgotten, dying for what or whom in these ice fields, oblivion or Hitler, even those still breathing on stretchers, statues of ice, petrified flesh outfitted in frost, this is the story of winter glory, cold and misery, men and horses finished off in the frigid fog, the young in uniform, hands raised and crying, I give up, enough, enough

By all kinds of traps and sign-boards, threatening the extreme penalty of the divine law, exclude such trespassers from the only ground which can be sacred to you. It is so hard to forget what it is worse than useless to remember! If I am to be a thoroughfare, I prefer that it be of the mountain-brooks, the Parnassian streams, and not the town-sewers. There is inspiration, that gossip which comes to the ear of the attentive mind from the courts of heaven. There is the profane and stale revelation of the bar-room and the police court. The same ear is fitted to receive both communications. Only the character of the hearer determines to which it shall be open, and to which closed. I believe that the mind can be permanently profaned by the habit of attending to trivial things, so that all our thoughts shall be tinged with triviality. Our very intellect shall be macadamized, as it were,--its foundation broken into fragments for the wheels of travel to roll over; and if you would know what will make for the most durable pavement, surpassing rolled stones, spruce blocks, and asphaltum, you have only to look into some of our minds which have been subjected to this treatment so long.

Setting aside the puppet shows, the only thing that matters is who will be ruling, who will have the keys to the cash register, and how they're going to split up other people's money among themselves. On their way to the booty they'll spruce everything up, which is badly needed. New Scoundrels will appear, new leaders, and a whole choir of jnnocents with no memory will come out into the streets, ready to believe whatever they want or need to believe. They'll follow whichever Pied Piper flatters them most and promises them some shotty paradise... This is what it is... with its highs and lows, and it's only as good as it gets, which is better than nothing. There are those who see it coming and go far away... And there are those of us who stay with our feet stuck in the mud, because anyhow we don't have anywhere better to go. But don't worry about the circus. We've now come to the clown acts, and the trapeze artists will take a while to arrive.

SATURDAY AT THE STORE is a nightmare. We are besieged by do-it-yourselfers wanting to spruce up their homes. Mr. and Mrs. Clayton and John and Patrick—the two other part-timers—and I are besieged by customers. But there’s a lull around lunchtime, and Mrs. Clayton asks me to check on some orders while I’m sitting behind the counter at the register discreetly eating my bagel. I’m engrossed in the task, checking catalog numbers against the items we need and the items we’ve ordered, eyes flicking from the order book to the computer screen and back as I make sure the entries match. Then, for some reason, I glance up … and find myself locked in the bold gray gaze of Christian Grey, who’s standing at the counter, staring at me. Heart failure. “Miss Steele. What a pleasant surprise.” His gaze is unwavering and intense. Holy crap. What the hell is he doing here, looking all outdoorsy with his tousled hair and in his cream chunky-knit sweater, jeans, and walking boots? I think my mouth has popped open, and I can’t locate my brain or my voice. “Mr. Grey,” I whisper, because that’s all I can manage. There’s a ghost of a smile on his lips and his eyes are alight with humor, as if he’s enjoying some private joke. “I was in the area,” he says by way of explanation. “I need to stock up on a few things. It’s a pleasure to see you again, Miss Steele.” His voice is warm and husky like dark melted chocolate fudge caramel … or something.

They never lost their way or seemed even momentarily uncertain of their location. They traveled narrow paths cut through tuckamore and bog or took shortcuts along the shoreline, chancing the unpredictable sea ice. Every hill and pond and stand of trees, every meadow and droke for miles was named and catalogued in their heads. At night they navigated by the moon and stars or by counting outcrops and valleys or by the smell of spruce and salt water and wood smoke. It seemed to Newman they had an additional sense lost to modern men for lack of use.

Solitary Swedish Houses" A mix-max of black spruce and smoking moonbeams. Here’s the croft lying low and not a sign of life. Till the morning dew murmurs and an old man opens – with a shaky hand – his window and lets out an owl. Further off, the new building stands steaming with the laundry butterfly fluttering at the corner in the middle of a dying wood where the mouldering reads through spectacles of sap the proceedings of the bark-drillers. Summer with flaxen-haired rain or one solitary thunder-cloud above a barking dog. The seed is kicking inside the earth. Agitated voices, faces fly in the telephone wires on stunted rapid wings across the moorland miles. The house on an island in the river brooding on its stony foundations. Perpetual smoke – they’re burning the forest’s secret papers. The rain wheels in the sky. The light coils in the river. Houses on the slope supervise the waterfall’s white oxen. Autumn with a gang of starlings holding dawn in check. The people move stiffly in the lamplight’s theatre. Let them feel without alarm the camouflaged wings and God’s energy coiled up in the dark.

Greenery Juniper, Oracle Oak and Hop Tree, California Buckeye, and Elderberry. Pacific Dogwood and the pale green Eucalyptus, Quaking Aspen and Flannelbush. raw, sprouting, lush green love green with envy green with youth green with early spring olive, emerald, avocado, greenlight ready, set, GO! greenhouse, greenbelts, ocean kelp, cucumber, lizard, lime and forest green, spruce, teal, and putting green. green-eyed, verdant, grassy, immature green and leafy green half-formed tender, pleasant, alluring temperate freshly sawed vigorous not ripe yet promising greenbriar, greenbug, green dragon greenshanks running along the ocean's edge greenlings swimming greenlets singing greengage plums green thumbs greenhorns and greenflies- how on earth amid sage swells kelly hillsides and swirls of firs did I ever find that green of hers? holly, drake, and brewster green, pistachio, shamrock, serpentine terre verde, Brunswick, tourmaline, lotus, jade, and spinach green: start to finish lowlands to highs no field, no forest, no leaf, no blade can catch the light or trap the shade; no earthly tones will ever rise to match the green enchantment of her eyes.

When the logs in the fireplace crackle merrily, the corpse of a beech or oak is going up in flames. The paper in the book you are holding in your hands right now is made from the shavings of spruce, and birches were expressly felled (that is to say, killed) for this purpose. Does that sound over the top? I don't think so. For if we keep in mind all we have learned in the previous chapters, parallels can definitely be drawn to pigs and pork. Not to put too fine a point on it, we use living things killed for our purposes. Does that make our behavior reprehensible? Not necessarily. After all, we are also part of Nature, and we are made in such a way that we can survive only with the help of organic substances from other species. We share this necessity with all other animals. The real question is whether we help ourselves only to what we need from the forest ecosystem, and-analogous to our treatment of animals-whether we spare the trees unnecessary suffering when we do this. That means it is okay to use wood as long as trees are allowed to live in a way that is appropriate to their species. And that means that they should be allowed to fulfill their social needs, to grow in a true forest environment on undisturbed ground, and to pass their knowledge on to the next generation. And at least some of them should be allowed to grow old with dignity and finally die a natural death.

The day we were all allowed to bring our pets into the classroom was going to be special. It was a nice sunny morning and Batty my black mouse had been spruced up for the occasion. He was in his new second-hand plastic cage, it was mustard coloured, had the mandatory wheel and sleeping chamber but had previously been a torture chamber for my cousin's late hamster. Despite my best efforts to revitalise it the wire remained rusty in places but at least it was more secure than the wooden enclosure my father had made... and Batty had instantly, and repeatedly, chewed his way out of. Sadly the species list for the class was a meagre four: rabbit, hamster, guinea pig and... one domesticated house mouse, Batty. They all ignored him, they cooed over the 'bunnies' and those chubby-fat tailless things whose eyes bulged when you squeezed them a bit, and queued to offer carrot and cabbage to those cow-licked multicoloured freaks with scratchy claws, but not one of the kids wanted to see, let alone hold, my mouse. By mid-afternoon the teacher finally caught sight of the lonely boy whispering into his mouse cage in the corner and gingerly agreed to let the rodent walk onto her hand in front of the class. Batty promptly pissed and then pooed three perfect wet little pellets, the classroom erupted with a huge collective 'urrgh' and then a frenzy of giggling, she practically threw him back in his cage and then made a big deal about washing her hands. With soap. Then we were all meant to wash our hands, with soap, but I didn't and no one noticed.

It has been noted in various quarters that the half-illiterate Italian violin maker Antonio Stradivari never recorded the exact plans or dimensions for how to make one of his famous instruments. This might have been a commercial decision (during the earliest years of the 1700s, Stradivari’s violins were in high demand and open to being copied by other luthiers). But it might also have been because, well, Stradivari didn’t know exactly how to record its dimensions, its weight, and its balance. I mean, he knew how to create a violin with his hands and his fingers but maybe not in figures he kept in his head. Today, those violins, named after the Latinized form of his name, Stradivarius, are considered priceless. It is believed there are only around five hundred of them still in existence, some of which have been submitted to the most intense scientific examination in an attempt to reproduce their extraordinary sound quality. But no one has been able to replicate Stradivari’s craftsmanship. They’ve worked out that he used spruce for the top, willow for the internal blocks and linings, and maple for the back, ribs, and neck. They’ve figured out that he also treated the wood with several types of minerals, including potassium borate, sodium and potassium silicate, as well as a handmade varnish that appears to have been composed of gum arabic, honey, and egg white. But they still can’t replicate a Stradivarius. The genius craftsman never once recorded his technique for posterity. Instead, he passed on his knowledge to a number of his apprentices through what the philosopher Michael Polyani called “elbow learning.” This is the process where a protégé is trained in a new art or skill by sitting at the elbow of a master and by learning the craft through doing it, copying it, not simply by reading about it. The apprentices of the great Stradivari didn’t learn their craft from books or manuals but by sitting at his elbow and feeling the wood as he felt it to assess its length, its balance, and its timbre right there in their fingertips. All the learning happened at his elbow, and all the knowledge was contained in his fingers. In his book Personal Knowledge, Polyani wrote, “Practical wisdom is more truly embodied in action than expressed in rules of action.”1 By that he meant that we learn as Stradivari’s protégés did, by feeling the weight of a piece of wood, not by reading the prescribed measurements in a manual. Polyani continues, To learn by example is to submit to authority. You follow your master because you trust his manner of doing things even when you cannot analyze and account in detail for its effectiveness. By watching the master and emulating his efforts in the presence of his example, the apprentice unconsciously picks up the rules of the art, including those which are not explicitly known to the master himself. These hidden rules can be assimilated only by a person who surrenders himself to that extent uncritically to the imitation of another.

When other birds are still, the screech owls take up the strain, like mourning women their ancient u-lu-lu. Their dismal scream is truly Ben Jonsonian.( Wise midnight hags! It is no honest and blunt tu-whit tu-who of the poets, but, without jesting, a most solemn graveyard ditty, the mutual consolations of suicide lovers remembering the pangs and the delights of supernal love in the infernal groves. Yet I love to hear their wailing, their doleful responses, trilled along the woodside; reminding me sometimes of music and singing birds; as if it were the dark and tearful side of music, the regrets and sighs that would fain be sung. They are the spirits, the low spirits and melancholy forebodings, of fallen souls that once in human shape night-walked the earth and did the deeds of darkness, now expiating their sins with their wailing hymns or threnodies in the scenery of their transgressions. They give me a new sense of the variety and capacity of that nature which is our common dwelling. Oh-o-o-o-o that I never had been bor-r-r-r-n! sighs one on this side of the pond, and circles with the restlessness of despair to some new perch on the gray oaks. Then — that I never had been bor-r-r-r-n! echoes another on the farther side with tremulous sincerity, and — bor-r-r-r-n! comes faintly from far in the Lincoln woods. I was also serenaded by a hooting owl. Near at hand you could fancy it the most melancholy sound in Nature, as if she meant by this to stereotype and make permanent in her choir the dying moans of a human being — some poor weak relic of mortality who has left hope behind, and howls like an animal, yet with human sobs, on entering the dark valley, made more awful by a certain gurgling melodiousness — I find myself beginning with the letters gl when I try to imitate it — expressive of a mind which has reached the gelatinous, mildewy stage in the mortification of all healthy and courageous thought. It reminded me of ghouls and idiots and insane howlings. But now one answers from far woods in a strain made really melodious by distance — Hoo hoo hoo, hoorer hoo; and indeed for the most part it suggested only pleasing associations, whether heard by day or night, summer or winter. I rejoice that there are owls. Let them do the idiotic and maniacal hooting for men. It is a sound admirably suited to swamps and twilight woods which no day illustrates, suggesting a vast and undeveloped nature which men have not recognized. They represent the stark twilight and unsatisfied thoughts which all have. All day the sun has shone on the surface of some savage swamp, where the double spruce stands hung with usnea lichens, and small hawks circulate above, and the chickadee lisps amid the evergreens, and the partridge and rabbit skulk beneath; but now a more dismal and fitting day dawns, and a different race of creatures awakes to express the meaning of Nature there.