“
Wear the old coat and buy the new book.
”
”
Austin Phelps
“
But race is the child of racism, not the father. And the process of naming “the people” has never been a matter of genealogy and physiognomy so much as one of hierarchy. Difference in hue and hair is old. But the belief in the preeminence of hue and hair, the notion that these factors can correctly organize a society and that they signify deeper attributes, which are indelible—this is the new idea at the heart of these new people who have been brought up hopelessly, tragically, deceitfully, to believe that they are white.
”
”
Ta-Nehisi Coates (Between the World and Me)
“
I am not an advocate for frequent changes in laws and Constitutions. But laws and institutions must go hand in hand with the progress of the human mind. As that becomes more developed, more enlightened, as new discoveries are made, new truths discovered and manners and opinions change, with the change of circumstances, institutions must advance also to keep pace with the times. We might as well require a man to wear still the coat which fitted him when a boy as civilized society to remain ever under the regimen of their barbarous ancestors.
”
”
Thomas Jefferson
“
Small, red, and upright he waited,
gripping his new bookbag tight
in one hand and touching a lucky penny inside his coat pocket with the other,
while the first snows of winter
floated down on his eyelashes and covered the branches around him and silenced
all trace of the world.
”
”
Anne Carson (Autobiography of Red)
“
The worst thing is not that the world is unfree, but that people have unlearned their liberty.
The more indifferent people are to politics, to the interests of others, the more obsessed they become with their own faces. The individualism of our time.
Not being able to fall asleep and not allowing oneself to move: the marital bed.
If high culture is coming to an end, it is also the end of you and your paradoxical ideas, because paradox as such belongs to high culture and not to childish prattle. You remind me of the young men who supported the Nazis or communists not out of cowardice or out of opportunism but out of an excess of intelligence. For nothing requires a greater effort of thought than arguments to justify the rule of nonthought… You are the brilliant ally of your own gravediggers.
In the world of highways, a beautiful landscape means: an island of beauty connected by a long line with other islands of beauty.
How to live in a world with which you disagree? How to live with people when you neither share their suffering nor their joys? When you know that you don’t belong among them?... our century refuses to acknowledge anyone’s right to disagree with the world…All that remains of such a place is the memory, the ideal of a cloister, the dream of a cloister…
Humor can only exist when people are still capable of recognizing some border between the important and the unimportant. And nowadays this border has become unrecognizable.
The majority of people lead their existence within a small idyllic circle bounded by their family, their home, and their work... They live in a secure realm somewhere between good and evil. They are sincerely horrified by the sight of a killer. And yet all you have to do is remove them from this peaceful circle and they, too, turn into murderers, without quite knowing how it happened.
The longing for order is at the same time a longing for death, because life is an incessant disruption of order. Or to put it the other way around: the desire for order is a virtuous pretext, an excuse for virulent misanthropy.
A long time a go a certain Cynic philosopher proudly paraded around Athens in a moth-eaten coat, hoping that everyone would admire his contempt for convention. When Socrates met him, he said: Through the hole in your coat I see your vanity. Your dirt, too, dear sir, is self-indulgent and your self-indulgence is dirty.
You are always living below the level of true existence, you bitter weed, you anthropomorphized vat of vinegar! You’re full of acid, which bubbles inside you like an alchemist’s brew. Your highest wish is to be able to see all around you the same ugliness as you carry inside yourself. That’s the only way you can feel for a few moments some kind of peace between yourself and the world. That’s because the world, which is beautiful, seems horrible to you, torments you and excludes you.
If the novel is successful, it must necessarily be wiser than its author. This is why many excellent French intellectuals write mediocre novels. They are always more intelligent than their books.
By a certain age, coincidences lose their magic, no longer surprise, become run-of-the-mill.
Any new possibility that existence acquires, even the least likely, transforms everything about existence.
”
”
Milan Kundera
“
Cold weather doesn’t care if your coat is old or new.
”
”
Ruskin Bond (A Book of Simple Living: Brief Notes from the Hills)
“
This is a house that hasn’t seen a new soul in half a century. The walls are saturated with her; the floorboards are worn down from her feet; the very air continues to carry her presence after her death.
”
”
Darcy Coates (The Haunting of Ashburn House)
“
Our art is made in cities like New York by people who are running from other places. They feel themselves as misfits who were trapped in dead-end suburbs. They hated high school. Their parents did not understand. They are seeking a better world. And when they realize that the world is wholly a problem, that the whole problem is in them, they make television for other people who are also running, who take voyage in search of a perfect world, then rage at the price of the ticket.
”
”
Ta-Nehisi Coates
“
Perhaps this was how the sparrows did it too; perhaps they were looking so hard at the peaks and tips of the new rooftops coated with dew, and the vast new horizon, that they only forgot that they did not know how to fly until they were already in midair.
”
”
Lauren Oliver (Liesl & Po)
“
Solar Eclipse
Each morning
I wake invisible.
I make a needle
from a porcupine quill,
sew feet to legs,
lift spine onto my thighs.
I put on my rib and collarbone.
I pin an ear to my head,
hear the waxwing's yellow cry.
I open my mouth for purple berries,
stick on periwinkle eyes.
I almost know what it is to be seen.
My throat enlarges from anger.
I make a hand to hold my pain.
My heart a hole the size of the sun's eclipse.
I push through the dark circle's
tattered edge of light.
All day I struggle with one hair after another
until the moon moves from the face of the sun
and there is a strange light
as though from a kerosene lamp in a cabin.
I pun on a dress,
a shawl over my shoulders.
My threads knotted and scissors gleaming.
Now I know I am seen.
I have a shadow.
I extend my arms,
dance and chant in the sun's new light.
I put a hat and coat on my shadow,
another larger dress.
I put on more shawls and blouses and underskirts
until even the shadow has substance
”
”
Diane Glancy
“
Are you okay?"
I sighed,my sodden coat chilling me to the bone. "Peachy.Made a new friend."
He pulled me up by the hand,unzipping my coat and yanking it off me.
"Shirt,too,please."
"No!"
"It's only fair. I seem to recall you making me strip the first time we met.
”
”
Kiersten White (Supernaturally (Paranormalcy, #2))
“
You know, Talon. Towels look really good on you. You go outside like that and you’ll start a whole new fashion craze. (Sunshine)
Do you always say everything that comes to your mind? (Talon)
Mostly. I do have some thoughts I keep to myself. I used to not care and would say anything at all, but then one time my college roommate called the psycho unit on me. You know, they really do have white coats. (Sunshine)
”
”
Sherrilyn Kenyon (Night Embrace (Dark-Hunter, #2))
“
I have just met Marius' new hat and new coat, with Marius inside them.
”
”
Victor Hugo (Les Misérables)
“
Another cat? Perhaps. For love there is also a season; its seeds must be resown. But a family cat is not replaceable like a wornout coat or a set of tires. Each new kitten becomes its own cat, and none is repeated. I am four cats old, measuring out my life in friends that have succeeded but not replaced one another.
”
”
Irving Townsend
“
it is amazin, she thinks, how simple appearances can be created - a rush, a smile, a new coat of paint, a slow, calm voice, a hug, a new dress - a resolve to keep out questions and cling to secrets
”
”
Mary E. Pearson (A Room on Lorelei Street)
“
He smiled, setting his forehead to hers. "you are very bad for me. I am trying to turn over a new leaf--I am trying to be more gentlemanly."
"But what if I want you to stay a rake?" she teased, her fingers trailing down his neck and chest, fingering the buttons on his waistcoat. "A libertine, even?" she slipped one fastening from its seat and he grabbed her errant hand, bringing it to his lips for a swift kiss.
"Callie," he said, his voice thick with warning as she set her free hand to the second button on his coat.
"What if I want the rogue, Gabriel?" the question was soft and sweet.
"What are you saying?"
She kissed across the firm square line of his jaw and whispered to him, shyness in her shaking voice, "Take me to bed, Gabriel. Give me a taste of scandal.
”
”
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
“
Today at school I will learn to read at once; then tomorrow I will begin to write, and the day after tomorrow to cipher. Then with my acquirements I will earn a great deal of money, and with the first money I have in my pocket I will immediately buy for my papa a beautiful new cloth coat. But what am I saying? Cloth, indeed! It shall be all made of gold and silver, and it shall have diamond buttons. That poor man really deserves it; for to buy me books and to have me taught he has remained in his shirt sleeves... And in this cold! It is only fathers who are capable of such sacrifices!...
”
”
Carlo Collodi
“
I can hear the library humming in the night,
a choir of authors murmuring inside their books
along the unlit, alphabetical shelves,
Giovanni Pontano next to Pope, Dumas next to his son,
each one stitched into his own private coat,
together forming a low, gigantic chord of language.
”
”
Billy Collins (Sailing Alone Around the Room: New and Selected Poems)
“
BAD PEOPLE
A man told me once that all the bad people
Were needed. Maybe not all, but your fingernails
You need; they are really claws, and we know
Claws. The sharks—what about them?
They make other fish swim faster. The hard-faced men
In black coats who chase you for hours
In dreams—that’s the only way to get you
To the shore. Sometimes those hard women
Who abandon you get you to say, “You.”
A lazy part of us is like a tumbleweed.
It doesn’t move on its own. Sometimes it takes
A lot of Depression to get tumbleweeds moving.
Then they blow across three or four States.
This man told me that things work together.
Bad handwriting sometimes leads to new ideas;
And a careless god—who refuses to let people
Eat from the Tree of Knowledge—can lead
To books, and eventually to us. We write
Poems with lies in them, but they help a little.
”
”
Robert Bly (Morning Poems)
“
Neil is wearing a coat such as I never saw in my life before: checked back and front, but plain sleeves. Perhaps it was made out of two old coats – though I hope not, as that would show him to be poor and his brother mean. And it looked rather a noisily new coat. I expect it’s just American.
”
”
Dodie Smith (I Capture the Castle)
“
The ram winked. “You like my new wool coat? Because I like ewe. Get it? Ewe?
”
”
Rick Riordan (Percy Jackson's Greek Gods)
“
If Palestinians are to be truly seen, it will be through stories woven by their own hands—not by their plunderers, not even by their comrades.
”
”
Ta-Nehisi Coates (The Message: The New York Times bestseller from the renowned author of Between the World and Me)
“
They saw even more ungodly things—the first zipper; the first-ever all-electric kitchen, which included an automatic dishwasher; and a box purporting to contain everything a cook would need to make pancakes, under the brand name Aunt Jemima’s. They sampled a new, oddly flavored gum called Juicy Fruit, and caramel-coated popcorn called Cracker Jack. A new cereal, Shredded Wheat, seemed unlikely to succeed—“shredded doormat,” some called it—but a new beer did well, winning the exposition’s top beer award. Forever afterward, its brewer called it Pabst Blue Ribbon.
”
”
Erik Larson (The Devil in the White City)
“
Bored whites were barbarian whites. While they played at aristocrats, we were their well-appointed and stoic attendants. But when they tired of dignity, the bottom fell out. New games were anointed and we were but pieces on the board. It was terrifying. There was no limit to what they might do at this end of the tether, nor what my father would allow them to do.
”
”
Ta-Nehisi Coates (The Water Dancer)
“
Think of your husband as a house. You are allowed to give him a fresh coat of paint and change out the furniture now and then. But if you're constantly trying to pour a new foundation or replace the roof, you're in serious trouble.
”
”
Peter Scott (There's a Spouse in My House: A Humorous Journey Through the First Years of Marriage)
“
He was very close to me. Our hands stayed on the windowsill like they were glued there. All at once he stepped back. “In the meantime,” he said, “there are ghosts to foil and lives to save. But right now it’s a lovely evening, and I’m going for a stroll. That was the other thing I wanted, to see if you’d come with me.” He adjusted his collar. “It’s the first outing for my new coat. What do you think of it?
”
”
Jonathan Stroud (The Empty Grave (Lockwood & Co., #5))
“
Rena?” I looked up as a figure emerged from the white void of snowfall. The snow dusted his broad shoulders as he took long, measured strides toward me, his black coat flapping in the wind.
As he neared, I made out his startled features. “Wallace?”
His gaze burned with indiscernible emotion. “Are you hugging the lamp post?
”
”
Carrie Butler (Strength (Mark of Nexus, #1))
“
Magnus had animated one of his magnificent Chinese fans, and it flapped ineffectively at him, barely stirring the breeze. It was, if he was completely honest with himself (and he did not want to be), a bit too hot for this new striped blue-and-rose-colored coat, made of taffeta and satin, and the silk faille waistcoat embroidered with a scene of birds and cherubs. The wing collar, and the wig, and the silk breeches, the wonderful new gloves in the most delicate lemon yellow . . . it was all a bit warm.
Still. If one could look this fabulous, one had an obligation to. One should wear everything, or one should wear nothing at all.
”
”
Cassandra Clare (The Bane Chronicles)
“
Somehow, impossibly, the interior of the space we’re in is coated in ice. It shines as light from above cascades down on it, reflecting and refracting, spinning different colors with every new facet of itself. There are planes and crags of it around the walls, with parts of it worked smooth, while others are ragged and shifting.", FADE by Kailin Gow
”
”
Kailin Gow (Fade (Fade, #1))
“
ALTERNATE UNIVERSE IN WHICH I AM UNFAZED BY THE MEN WHO DO NOT LOVE ME when the businessman shoulder checks me in the airport, i do not apologize. instead, i write him an elegy on the back of a receipt and tuck it in his hand as i pass through the first class cabin. like a bee, he will die after stinging me. i am twenty-four and have never cried. once, a boy told me he doesn’t “believe in labels” so i embroidered the word chauvinist on the back of his favorite coat. a boy said he liked my hair the other way so i shaved my head instead of my pussy. while the boy isn’t calling back, i learn carpentry, build a desk, write a book at the desk. i taught myself to cum from counting ceiling tiles. the boy says he prefers blondes and i steam clean his clothes with bleach. the boy says i am not marriage material and i put gravel in his pepper grinder. the boy says period sex is disgusting and i slaughter a goat in his living room. the boy does not ask if he can choke me, so i pretend to die while he’s doing it. my mother says this is not the meaning of unfazed. when the boy says i curse too much to be pretty and i tattoo “cunt” on my inner lip, my mother calls this “being very fazed.” but left over from the other universe are hours and hours of waiting for him to kiss me and here, they are just hours. here, they are a bike ride across long island in june. here, they are a novel read in one sitting. here, they are arguments about god or a full night’s sleep. here, i hand an hour to the woman crying outside of the bar. i leave one on my best friend’s front porch, send my mother two in the mail. i do not slice his tires. i do not burn the photos. i do not write the letter. i do not beg. i do not ask for forgiveness. i do not hold my breath while he finishes. the man tells me he does not love me, and he does not love me. the man tells me who he is, and i listen. i have so much beautiful time.
”
”
Olivia Gatwood (New American Best Friend)
“
April 19
And now it is spring. Birds are singing. Wistful notes and jubilant. And bare streets and no need for coats, and skipping ropes and bicycles and a thin new moon.
”
”
Elizabeth Smart (Necessary Secrets: The Journals of Elizabeth Smart)
“
How funny you are today New York
like Ginger Rogers in Swingtime
and St. Bridget’s steeple leaning a little to the left
here I have just jumped out of a bed full of V-days
(I got tired of D-days) and blue you there still
accepts me foolish and free
all I want is a room up there
and you in it
and even the traffic halt so thick is a way
for people to rub up against each other
and when their surgical appliances lock
they stay together
for the rest of the day (what a day)
I go by to check a slide and I say
that painting’s not so blue
where’s Lana Turner
she’s out eating
and Garbo’s backstage at the Met
everyone’s taking their coat off
so they can show a rib-cage to the rib-watchers
and the park’s full of dancers with their tights and shoes
in little bags
who are often mistaken for worker-outers at the West Side Y
why not
the Pittsburgh Pirates shout because they won
and in a sense we’re all winning
we’re alive
the apartment was vacated by a gay couple
who moved to the country for fun
they moved a day too soon
even the stabbings are helping the population explosion
though in the wrong country
and all those liars have left the UN
the Seagram Building’s no longer rivalled in interest
not that we need liquor (we just like it)
and the little box is out on the sidewalk
next to the delicatessen
so the old man can sit on it and drink beer
and get knocked off it by his wife later in the day
while the sun is still shining
oh god it’s wonderful
to get out of bed
and drink too much coffee
and smoke too many cigarettes
and love you so much
”
”
Frank O'Hara
“
She’d said that life had sections, like walking through doors. People had to choose when to walk through them, but no one could see what the next room held until they were in it. Some new rooms were painful. Some were happy. Some seemingly had no purpose. But the fullest, happiest lives were lived by those who walked through many different doors, unafraid of what they would find.
”
”
Darcy Coates (Hunted)
“
Well, he wouldn't get fooled again. He wouldn't give anybody the chance. Quentin felt a new attitude of detachment descend on him. His molten anger and grief were cooling into a glossy protective coating, a hard transparent lacquer of uncaring. He felt how infinitely safer and more sound this attitude was. The trick was just not wanting anything. That was power. That was courage: the courage not to love anyone or hope for anything.
”
”
Lev Grossman (The Magicians (The Magicians, #1))
“
One of the greatest glories of growing older is the willingness to ask why and, getting no good answer, deciding to follow my own inclinations and desires. Asking why is the way to wisdom. Why are we supposed to want possessions we don't need and work that seems beside the point and tight shoes and a fake tan? Why are we supposed to think new is better than old, youth and vigor better than long life and experience? Why are we supposed to turn our backs on those who have preceded us and to snipe at those who come after? When we were small children we asked 'Why?' constantly. Asking the question now is more a matter of testing the limits of what sometimes seems a narrow world. One of the useful things about age is realizing conventional wisdom is often simply inertia with a candy coating conformity.
”
”
Anna Quindlen (Lots of Candles, Plenty of Cake)
“
I know that “gentrification” is but a more pleasing name for white supremacy, is the interest on enslavement, the interest on Jim Crow, the interest on redlining, compounding across the years, and these new urbanites living off of that interest are, all of them, exulting in a crime.
”
”
Ta-Nehisi Coates (We Were Eight Years in Power: An American Tragedy)
“
Will you let me lift you?" he said. "Just let me lift you. Just let me see how light you are."
"All right," she said. "Do you want me to take off my coat?"
"Yes, yes, yes," he said. "Take off your coat."
She stood. She let her coat fall to the sofa.
"Can I do it now?" he said.
"Yes."
He put his hands under her arms. He raised her off the floor and then put her down gently. "Oh you're so light!" he shouted. "Your'e so light, you're so fragile, you don't weigh any more than a suitcase. Why, I could carry you, I could carry you anywhere, I could carry you from one end of New York to the other." He got his hat and coat and ran out of the house.
”
”
John Cheever (The Stories of John Cheever)
“
As slaves we were this country’s first windfall, the down payment on its freedom. After the ruin and liberation of the Civil War came Redemption for the unrepentant South and Reunion, and our bodies became this country’s second mortgage. In the New Deal we were their guestroom, their finished basement. And today, with a sprawling prison system, which has turned the warehousing of black bodies into a jobs program for Dreamers and a lucrative investment for Dreamers; today, when 8 percent of the world’s prisoners are black men, our bodies have refinanced the Dream of being white. Black life is cheap, but in America black bodies are a natural resource of incomparable value.
”
”
Ta-Nehisi Coates (Between the World and Me)
“
It may seem strange that people who have already attained a position of power through violence invest so much time in justifying their plunder with words. But even plunderers are human beings whose violent ambitions must contend with the guilt that gnaws at them when they meet the eyes of their victims. And so a story must be told, one that raises a wall between themselves and those they seek to throttle and rob.
”
”
Ta-Nehisi Coates (The Message: The New York Times bestseller from the renowned author of Between the World and Me)
“
I really, really want to catch him. I want to masticate him with my teeth. I want to barf on him and coat him in my stinging acids. I want to unleash a million babies inside him and burden him with their upbringing.
”
”
Ling Ma (Bliss Montage: A New York Times Best Book of the Year)
“
If you're not Gryffindor, we'll disinherit you," said Ron, "but no pressure."
"Ron!"
Lily and Hugo laughed, but Albus and Rose looked solemn.
"He doesn't mean it," said Hermione and Ginny, but Ron was no longer paying attention. Catching Harry's eye, he nodded covertly to a point of some fifty yards away. The steam had thinned for a moment, and three people stood in sharp relief against the shifting mist.
"Look who it is"
Draco Malfoy was standing there with his wife and son, a dark coat buttoned up to his throat. His hair was receding somewhat, with emphasised the pointed chin. The new boy resembled Draco as much as Albus resembled Harry. Draco caught sight of Harry, Ron, Hermione, Ginny staring at him, nodded curtly and turned away again.
"So that's little Scorpius" said Ron under his breath. "Make sure you beat him in every test, Rosie. Thank God you inherited your mother's brains."
"Ron for heaven's sake," said Hermione, half-stern, half-amused. "Don't try to turn them against each other before they've even started school!"
"You're right, sorry" said Ron, but unable to help himself, he added, "don't get too friendly with him, though Rosie. Granddad Weasley would never forgive you if you married a pure-blood."
"Hey!
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
When I return to that house it will be with my son in my arms. I shall have a red coat on him and red-flowered trousers and on his head a hat with a small gilded Buddha sewn on the front and on his feet tiger-faced shoes. And I will wear new shoes and a new coat of black sateen and I will go into the kitchen where I spent my days and I will go into the great hall where the Old One sits with her opium, and I will show myself and my son to all of them.
”
”
Pearl S. Buck (The Good Earth (House of Earth, #1))
“
A mirror does not develop because an historical pageant passes in front of it. It only develops when it gets a fresh coat of quicksilver—in other words, when it acquires new sensitiveness; and the novel’s success lies in its own sensitiveness, not in the success of its subject matter.
”
”
E.M. Forster (Aspects of the Novel)
“
The tree is waiting. It has everything ready. Its fallen leaves are mulching the forest floor, and its roots are drawing up the extra winter moisture, providing a firm anchor against seasonal storms. Its ripe cones and nuts are providing essential food in this scarce time for mice and squirrels, and its bark is hosting hibernating insects and providing a source of nourishment for hungry deer. It is far from dead. It is in fact the life and soul of the wood. It’s just getting on with it quietly. It will not burst into life in the spring. It will just put on a new coat and face the world again.
”
”
Katherine May (Wintering: The Power of Rest and Retreat in Difficult Times)
“
Now, tell me, my dear, I said, what are you crying about?
About the years that are gone, Mr. Betteredge," says Rosanna quietly. My past life still comes back to me sometimes.
Come, come, my girl, I said, your past life is all sponged out. Why can't you forget it?
"She took me by one of the lappets of my coat. I am a slovenly old man, and a good deal of my meat and drink gets splashed about on my clothes. Sometimes one of the women, and sometimes another, cleans me of my grease. The day before, Roseanna had taken out a spot for me on the lappet of my coat, with a new composition, warranted to remove anything. The grease was gone, but there was a little dull place left on the nap of the cloth where the grease had been. The girl pointed to that place, and shook here head.
The stain is taken off, she said. But the place shows, Mr. Betteredge--the place shows!
”
”
Wilkie Collins (The Moonstone)
“
There seems to be a different Chicago around every street corner, behind every bar, and within every apartment, two-flat, cottage, or bungalow. City of immigrants or city of heartless plutocrats, say what you will, Chicago almost defies interpretation. In many ways Chicago is like a snake that sheds its skin every thirty years or so and puts on a new coat to conform to a new reality.
”
”
Dominic A. Pacyga (Chicago: A Biography)
“
O Canada I have not forgotten you,
as I kneel in my canoe, beholding this vision
of a bookcase.
You are the paddle, the snowshoe, the cabin in the pines.
You are the moose in the clearing and the moosehead on
the wall.
You are the rapids, the propeller, the kerosene lamp.
You are the dust that coats the roadside berries.
But not only that,
you are the two boys with pails walking along that road.
”
”
Billy Collins (Sailing Alone Around the Room: New and Selected Poems)
“
I am certainly not an advocate for frequent and untried changes in laws and constitutions. I think moderate imperfections had better be borne with; because, when once known, we accommodate ourselves to them, and find practical means of correcting their ill effects. But I know also, that laws and institutions must go hand in hand with the progress of the human mind. As that becomes more developed, more enlightened, as new discoveries are made, new truths disclosed, and manners and opinions change with the change of circumstances, institutions must advance also, and keep pace with the times. We might as well require a man to wear still the coat which fitted him when a boy, as civilized society to remain ever under the regimen of their barbarous ancestors.
”
”
Thomas Jefferson
“
Things I love about spring are these:
Blooming flowers on fruit-bearing trees.
Fire-red tulips—their first reveal—
Followed by sun-yellow daffodils.
Trees acquiring new coats of green.
Natural waterfalls glistening.
The chirps and melodies of birds.
Throaty ribbits of frogs overheard.
A passing whiff of mint to smell,
Oregano and basil as well.
Colorful butterflies with wings.
Fuzzy, industrious bees that sting.
Sunlight waning late in the day.
Warm breezes causing willows to sway.
Most of all, a sense of things new,
Including budding feelings for you.
”
”
Richelle E. Goodrich (Being Bold: Quotes, Poetry, & Motivations for Every Day of the Year)
“
Each piano is unique. Each feels different beneath your hand and yields a new geography of sound. Each room or hall accepts that sound in a completely different way, and if, within that room or hall, the piano is moved, the sound will change, as it will if the hall is full of people in thick winter coats, or half full of people in light summer dresses. You must adjust your touch, your tone, your range; you must LISTEN, for even the most familiar passages can become unfamiliar, challenging, strange.
”
”
A. Manette Ansay (Limbo)
“
In the first week of April the weather turned suddenly, unseasonably, insistently lovely. The sky was blue, the air warm and windless, and the sun beamed on the muddy ground with all the sweet impatience of June. Toward the fringe of the wood, the young trees were yellow with the first tinge of new leaves; woodpeckers laughed and drummed in the copses and, lying in bed with my window open, I could hear the rush and gurgle of the melted snow running in the gutters all night long.
In the second week of April everyone waited anxiously to see if the weather would hold. It did, with serene assurance. Hyacinth and daffodil bloomed in the flower beds, violet and periwinkle in the meadows; damp, bedraggled white butterflies fluttered drunkenly in the hedgerows. I put away my winter coat and overshoes and walked around, nearly light-headed with joy, in my shirtsleeves.
”
”
Donna Tartt (The Secret History)
“
Daemon pulled the bright, deep-red sweater over his head and adjusted the collar of the gold-and-white-checked shirt. Satisfied, he studied his reflection. His eyes were butter melted by humor and good spirits, his face subtly altered by the relaxed, boyish grin. The change in his appearance startled him, but after a moment he just shook his head and brushed his hair. The difference was Jaenelle and the incalculable ways she worried, intrigued, fascinated, incensed, and delighted him. More than that, now, when he was so long past it, she was giving him—the bored, jaded Sadist—a childhood. She colored the days with magic and wonder, and all the things he’d ceased to pay attention to he saw again new. He grinned at his reflection. He felt like a twelve-year-old. No, not twelve. He was at least a sophisticated fourteen. Still young enough to play with a girl as a friend, yet old enough to contemplate the day he might sneak his first kiss. Daemon shrugged into his coat, went into the kitchen, pinched a couple of apples from the basket, sent Cook a broad wink, and gave himself up to a morning with Jaenelle.
”
”
Anne Bishop (Daughter of the Blood (The Black Jewels, #1))
“
If a snail’s shell gets injured, a repair can be made quickly. New shell material is secreted by the mantle, and where there was once a crack, a scar appears, looking much like a skin scar. Even a missing shell section can be replaced. Oliver Goldsmith described this in 1774: Sometimes these animals are crushed seemingly to pieces, and, to all appearance, utterly destroyed; yet still they set themselves to work, and, in a few days, mend all their numerous breaches . . . to the re-establishment of the ruined habitation. But all the junctures are very easily seen, for they have a fresher colour than the rest; and the whole shell, in some measure, resembles an old coat patched with new pieces.
”
”
Elisabeth Tova Bailey (The Sound of a Wild Snail Eating)
“
Spring comes to the Australian Alps like an invisible spirit. There is not the tremendous surge of upthrust life that there is in the lowland valleys, and no wild flowers bloom in the snow mountains till the early summer, but there is an immense stirring of excitement. A bright red and blue lowrie flits through the trees; snow thaws, and the streams become full of foaming water; the grey, flattened grass grows upwards again and becomes greener; wild horses start to lose their winter coats and find new energy; wombats sit, round and fat, blinking in the evening sunshine; at night there is the cry of a dingo to its mate.
”
”
Elyne Mitchell
“
Wear your new boots." He passed her the clothes. "They'll work well with that, and with the coat as well."
"What new boots?" Her eyebrows drew together as he took them off a shelf. "And where did they come from?"
"The boot elves, I assume."
"The boot elves are going to be pissed when they're dinged and scuffed inside a week."
"Oh, I think they're more tolerant than that."
"Those elves keep this up I'm going to need a bigger closet."
But she dressed as advised, then sat to pull on the boots while Roarke programmed breakfast for two.
They slid on like--as Peabody might say--butter. "Okay." She stood, took some strides. "They're great. Sturdy--I could definitely kick some teeth in with these."
"The elves had that as top priority.
”
”
J.D. Robb (Celebrity in Death (In Death, #34))
“
But when the light cleared I had new eyes, and I could see my own words in new ways—and the words from which they were derived—the stories, columns, speeches, and talks presented by “willing intellectuals.” So much seemed obvious. I now noted a symmetry in the bromides—that those who claimed Israel as the only democracy in the Middle East were just as likely to claim that America was the oldest democracy in the world.
”
”
Ta-Nehisi Coates (The Message)
“
But race is the child of racism, not the father. And the process of naming 'the people' has never been a matter of genealogy and physiognomy so much as one of hierarchy. Difference in hue and hair is old. But belief in the preeminence of hue and hair, the belief that these factors can correctly organize a society and that they signify deeper attributes , which are indelible--this is the new idea at the heart of these new people who have been brought up hopelessly, tragically, to believe that they are white.
These people are, like us, a modern invention. But unlike us, their new name has no real meaning divorced from the machinery of criminal power. The new people were something else before they were white--Catholic, Corsican, Welsh, Mennonite, Jewish--and if all our national hopes have any fulfillment, then they will have to be something else again. Perhaps they will truly become American and create a nobler basis for their myths. I cannot call it. As for now, it must be said that the process of washing the disparate tribes white, was not achieved through wine tasting and ice cream socials, but rather through the pillaging of life, liberty, labor, and land; through the flaying of backs; the chaining of limbs; the strangling of dissidents; the destruction of families; the rape of mothers; the sale of children; and various other acts meant, first and foremost, to you and me the right to secure and govern our own bodies.
”
”
Ta-Nehisi Coates (Between the World and Me)
“
There has to be something in you, something that hungers for clarity. And you will need that hunger, because if you follow that path, soon enough you will find yourself confronting not just their myths, not just their stories, but your own. This is difficult, if only because so much of our myth-making was done in service of liberation, in doing whatever we could to dig our way out of the pit into which we were cast. And above us stand the very people who did the casting, jeering, tossing soil into our eyes and yelling down at us, “You’re doing it wrong.” But we are not them, and the standards of enslavers, colonizers, and villains simply will not do. We require another standard—one that sees the sharpening of our writing as the sharpening of our quality of light. And with that light we are charged with examining the stories we have been told, and how they undergird the politics we have accepted, and then telling new stories ourselves.
”
”
Ta-Nehisi Coates (The Message)
“
The vision that accompanied me on my drive was a girl, a lady actually. We had the same hair but she didn't look like me. She was in a camel coat and ankle boots. A dress under the coat was belted high on her waist. She carried various shopping bags from specialty stores and as she was walking, pausing at certain windows, her coat would fly back in the wind. Her boot heels tapped on the cobblestones. She had lovers and breakups, an analyst, a library, acquaintances she ran into on the street whose names she couldn't call to mind. She belonged to herself only. She had edges, boundaries, tastes, definition down to her eyelashes. And when she walked it was clear she knew where she was going.
”
”
Stephanie Danler (Sweetbitter)
“
7. Make dedicated time for practice. The time you spend acquiring a new skill must come from somewhere. Unfortunately, we tend to want to acquire new skills and keep doing many of the other activities we enjoy, like watching TV, playing video games, et cetera. I’ll get around to it, when I find the time, we say to ourselves. Here’s the truth: “finding” time is a myth. No one ever “finds” time for anything, in the sense of miraculously discovering some bank of extra time, like finding a twenty-dollar bill you accidentally left in your coat pocket. If you rely on finding time to do something, it will never be done. If you want to find time, you must make time.
”
”
Josh Kaufman (The First 20 Hours: How to Learn Anything ... Fast)
“
This time I shall not lead you into a new corner of the house of the world. We know it so well by now, after all. We know where the Fairies live and where the shadows fall, where the cobwebs really ought to be cleaned up if anyone ever gets around to it, where a window is loose, where a door creaks. We are annoyed by the stove that will not light, by the weeds in the garden, by that ungodly mess in the closet. A thing too familiar becomes invisible.
It is time for us to Go Out.
But do not fear, even if it is colder outside than you might prefer, if Spring has once again been rudely tardy, if the trees only have a breath of green at their tips like a fine lady's jade rings, if the sun is pale and high and makes you squint, if the wind, for there is always wind, bites and pierces deep. Tug up your best coat round your neck and tie your longest scarf tight. You may hold my hand if you like. I promise, it is good for your health to step outside the house of the world. After all, we are not going far.
Only so far as the mailbox.
”
”
Catherynne M. Valente (The Boy Who Lost Fairyland (Fairyland, #4))
“
If Edgar sounded overeager, even rushed, the race was with his own temperament. He placed a premium on savvy. Yet since you could only obtain new information by admitting you didn’t know it already, savvy required an apprenticeship as a naive twit. You had to ask crude, obvious questions…you had to sit still while worldly-wise warhorses…fired withering glances as if you were born yesterday.
Well, Edgar was born yesterday for the moment, although his tolerance for being treated liked a simpleton was in short supply. He’d needed to rattle off a multitude of stupid questions before he embraced his next incarnation as an insider. The trouble was that savvy coated your brain in plastic like a driver’s license: nothing more could get in. Hence the point at which you decided you knew everything was exactly the point at which you became an ignorant dipshit.
”
”
Lionel Shriver (The New Republic)
“
Adam Wayne, the conqueror, with his face flung back and his mane like a lion's, stood with his great sword point upwards, the red raiment of his office flapping around him like the red wings of an archangel. And the King saw, he knew not how, something new and overwhelming. The great green trees and the great red robes swung together in the wind. The preposterous masquerade, born of his own mockery, towered over him and embraced the world. This was the normal, this was sanity, this was nature, and he himself, with his rationality, and his detachment and his black frock-coat, he was the exception and the accident - a blot of black upon a world of crimson and gold.
”
”
G.K. Chesterton (The Napoleon of Notting Hill)
“
The birth of a better world is not ultimately up to you, though I know, each day, there are grown men and women who tell you otherwise. The world needs saving precisely because of the actions of these same men and women. I am not a cynic. I love you, and I love the world, and I love it more with every new inch I discover. But you are a black boy, and you must be responsible for your body in a way that other boys cannot know. Indeed, you must be responsible for the worst actions of other black bodies, which, somehow, will always be assigned to you. And you must be responsible for the bodies of the powerful—the policeman who cracks you with a nightstick will quickly find his excuse in your furtive movements. And this is not reducible to just you—the women around you must be responsible for their bodies in a way that you never will know. You have to make your peace with the chaos, but you cannot lie.
”
”
Ta-Nehisi Coates (Between the World and Me)
“
All praise to winter, then, was Henry's feeling. Let others have their sultry luxuries. How full of creative genius was the air in which these snow-crystals were generated. He could hardly have marveled more if real stars had fallen and lodged on his coat. What a world to live in, where myriads of these little discs, so beautiful to the most prying eye, were whirled down on every traveler's coat, on the restless squirrel's fur and on the far-stretching fields and forests, the wooded dells and mountain-tops,--these glorious spangles, the sweepings of heaven's floor.
”
”
Van Wyck Brooks (The Flowering of New England, 1815-1865)
“
It will be under the name David Talbot.” “My clothes. There’s a stash of them here under the name Isaac Rummel. Just a suitcase or two, and some coats. It’s really winter, isn’t it?” I gave him the key to the room. This was humiliating. Rather like making a servant of him. Perhaps he’d change his mind and put our new lodgings under the name of Renfield.
”
”
Anne Rice (Memnoch the Devil (The Vampire Chronicles, #5))
“
Within the fair’s buildings visitors encountered devices and concepts new to them and to the world. They heard live music played by an orchestra in New York and transmitted to the fair by long-distance telephone. They saw the first moving pictures on Edison’s Kinetoscope, and they watched, stunned, as lightning chattered from Nikola Tesla’s body. They saw even more ungodly things—the first zipper; the first-ever all-electric kitchen, which included an automatic dishwasher; and a box purporting to contain everything a cook would need to make pancakes, under the brand name Aunt Jemima’s. They sampled a new, oddly flavored gum called Juicy Fruit, and caramel-coated popcorn called Cracker Jack. A new cereal, Shredded Wheat, seemed unlikely to succeed—“shredded doormat,” some called it—but a new beer did well, winning the exposition’s top beer award. Forever afterward, its brewer called it Pabst Blue Ribbon. Visitors also encountered the latest and arguably most important organizational invention of the century, the vertical file, created by Melvil Dewey, inventor of the Dewey Decimal System. Sprinkled among these exhibits were novelties of all kinds. A locomotive made of spooled silk. A suspension bridge built out of Kirk’s Soap. A giant map of the United States made of pickles. Prune makers sent along a full-scale knight on horseback sculpted out of prunes, and the Avery Salt Mines of Louisiana displayed a copy of the Statue of Liberty carved from a block of salt. Visitors dubbed it “Lot’s Wife.
”
”
Erik Larson (The Devil in the White City)
“
Some men look at constitutions with sanctimonious reverence, and deem them like the ark of the covenant, too sacred to be touched. They ascribe to the men of the preceding age a wisdom more than human, and suppose what they did to be beyond amendment. I knew that age well; I belonged to it, and labored with it. It deserved well of its country. It was very like the present, but without the experience of the present; and forty years of experience in government is worth a century of book-reading; and this they would say themselves, were they to rise from the dead. I am certainly not an advocate for frequent and untried changes in laws and constitutions. I think moderate imperfections had better be borne with; because, when once known, we accommodate ourselves to them, and find practical means of correcting their ill effects. But I know also, that laws and institutions must go hand in hand with the progress of the human mind. As that becomes more developed, more enlightened, as new discoveries are made, new truths disclosed, and manners and opinions change with the change of circumstances, institutions must advance also, and keep pace with the times. We might as well require a man to wear still the coat which fitted him when a boy, as civilized society to remain ever under the regimen of their barbarous ancestors.
”
”
Thomas Jefferson
“
He pulled my skirt up. I began to worry. Everyone knew he had broken in girls before and I didn't want it to happen to me. I said, 'No. Get off, please.' He pulled me down the alley and pushed me to the ground. As I lay on my back worrying about my new blue coat, he pushed his fingers up between my legs — and rammed himself into me.
I was crying. His lips were pressed against mine but I was motionless, like a small corpse. He grunted and I knew it was over. He got up, I just lay there on the ground, my tights round my ankles. The clock was striking twelve.
As he walked away, he turned and said, 'I've always wanted to do it to you. I like your mouth'.
When I got in, my mum said, 'Tracey, what's wrong with you?' I showed her my coat, the dirt and the stains, and told her 'I'm not a virgin any more.'
She didn't call the police or make any fuss. She just washed my coat and everything carried on as normal, as though nothing had happened.
But for me, my childhood was over, I had become conscious of my physicality, aware of my presence and open to the ugly truths of the world. At the age of thirteen, I realised that there was a danger in innocence and beauty, and I could not live with both.
(describing childhood rape)
”
”
Tracey Emin (Strangeland)
“
I had, by then, done my share of reading on Philadelphia, so I knew that, in another time, when the Task was here in Philadelphia, the city had fallen victim to a fever. And among the men who combatted this fever was Benjamin Rush, a famous doctor, which is hard to countenance given the theory he put forth in defense of the city. Colored people were immune to the fever, he told Philadelphia, and more than immune, their very presence could alter the air itself, sucking up the scourge and holding it captive in our fetid black bodies. And so tasking men were brought in by the hundreds on the alleged black magic of our bodies. They all died. And when the city began to fill with their corpses, its masters searched for a space far from the whites who were felled by the disease. And they chose a patch of land where no one lived, and tossed us into pits. Years later, after the fever had been forgotten, after the war had birthed this new country, they built rows and rows of well-appointed houses right on top of those people, and and named a square for their liberating general. It struck me that even here, in the free North, the luxuries of this world were built right on top of us.
”
”
Ta-Nehisi Coates (The Water Dancer)
“
But clouds bellied out in the sultry heat, the sky cracked open with a crimson gash, spewed flame-and the ancient forest began to smoke. By morning there was a mass of booming, fiery tongues, a hissing, crashing, howling all around, half the sky black with smoke, and the bloodied sun just barely visible.
And what can little men do with their spades, ditches, and pails? The forest is no more, it was devoured by fire: stumps and ash. Perhaps illimitable fields will be plowed here one day, perhaps some new, unheard-of wheat will ripen here and men from Arkansas with shaven faces will weigh in their palms the heavy golden grain. Or perhaps a city will grow up-alive with ringing sound and motion, all stone and crystal and iron-and winged men will come here flying over seas and mountains from all ends of the world. But never again the forest, never again the blue winter silence and the golden silence of summer. And only the tellers of tales will speak in many-colored patterned words about what had been, about wolves and bears and stately green-coated century-old grandfathers, about old Russia; they will speak about all this to us who have seen it with our own eyes ten years - a hundred years! - ago, and to those others, the winged ones, who will come in a hundred years to listen and to marvel at it all as at a fairy tale. ("In Old Russia")
”
”
Yevgeny Zamyatin (The Dragon: Fifteen Stories (English and Russian Edition))
“
It seems right now that all I’ve ever done in my life is making my way here to you.’
I could see that Rosie could not place the line from The Bridges of Madison County that had produced such a powerful emotional reaction on the plane. She looked confused.
‘Don, what are you…what have you done to yourself?’
‘I’ve made some changes.’
‘Big changes.’
‘Whatever behavioural modifications you require from me are a trivial price to pay for having you as my partner.’
Rosie made a downwards movement with her hand, which I could not interpret. Then she looked around the room and I followed her eyes. Everyone was watching. Nick had stopped partway to our table. I realised that in my intensity I had raised my voice. I didn’t care.
‘You are the world’s most perfect woman. All other women are irrelevant. Permanently. No Botox or implants will be required.
‘I need a minute to think,’ she said.
I automatically started the timer on my watch. Suddenly Rosie started laughing. I looked at her, understandably puzzled at this outburst in the middle of a critical life decision.
‘The watch,’ she said. ‘I say “I need a minute” and you start timing. Don is not dead.
'Don, you don’t feel love, do you?’ said Rosie. ‘You can’t really love me.’
‘Gene diagnosed love.’ I knew now that he had been wrong. I had watched thirteen romantic movies and felt nothing. That was not strictly true. I had felt suspense, curiosity and amusement. But I had not for one moment felt engaged in the love between the protagonists. I had cried no tears for Meg Ryan or Meryl Streep or Deborah Kerr or Vivien Leigh or Julia Roberts. I could not lie about so important a matter.
‘According to your definition, no.’
Rosie looked extremely unhappy. The evening had turned into a disaster.
'I thought my behaviour would make you happy, and instead it’s made you sad.’
‘I’m upset because you can’t love me. Okay?’
This was worse! She wanted me to love her. And I was incapable.
Gene and Claudia offered me a lift home, but I did not want to continue the conversation. I started walking, then accelerated to a jog. It made sense to get home before it rained. It also made sense to exercise hard and put the restaurant behind me as quickly as possible. The new shoes were workable, but the coat and tie were uncomfortable even on a cold night. I pulled off the jacket, the item that had made me temporarily acceptable in a world to which I did not belong, and threw it in a rubbish bin. The tie followed. On an impulse I retrieved the Daphne from the jacket and carried it in my hand for the remainder of the journey. There was rain in the air and my face was wet as I reached the safety of my apartment.
”
”
Graeme Simsion (The Rosie Project (Don Tillman, #1))
“
Once again, the celestial wheel had turned, ushering in a new beginning. In those earliest days, the great I am was the what you can become, and the people of rose river were radiant reflecting the light of the stars in his eyes. With his coat of many colors, he had painted the world in his own image, upon the infinite ocean of time that has no meaning. And when the moon was full, he cultivated a beautiful garden, from whence, with ecstasy's cry, she brought forth the water of life.
”
”
Sun Moon (The light of the stars in their eyes)
“
I read somewhere that spiders can spin silk strong enough to hold the weight of a thousand trucks. I tried to imagine those lines of silver, thinner than air, stronger than steel. Sometimes I think that a hundred webs, invisible gossamers, connect Gracie and me. They coat our bodies, tie our limbs together, link our hearts. They can stretch across cities, countries – even anger. Unbreakable. I felt them that first time I watched her play soccer.
She needed to win so badly. I watched a new Gracie crack out of her cocoon that day. Grey, moth-like, she seemed covered in a dust that let her take to the air. Fly. They’re beautiful things, moths, with their dark patterned wings hooking on wind to push them forward. You have to be careful with them, though. Brush them just lightly, and they can’t fly anymore.
”
”
Cath Crowley (The Life and Times of Gracie Faltrain (Gracie Faltrain, #1))
“
Silence is another element we find in classic fairy tales — girls muted by magic or sworn to silence in order to break enchantment. In "The Wild Swans," a princess is imprisoned by her stepmother, rolled in filth, then banished from home (as her older brothers had been before her). She goes in search of her missing brothers, discovers that they've been turned into swans, whereupon the young girl vows to find a way to break the spell. A mysterious woman comes to her in a dream and tells her what to do: 'Pick the nettles that grow in graveyards, crush and spin them into thread, then weave them into coats and throw them over your brothers' backs.' The nettles burn and blister, yet she never falters: picking, spinning, weaving, working with wounded, crippled hands, determined to save her brothers. All this time she's silent. 'You must not speak,' the dream woman has warned, 'for a single world will be like a knife plunged into your brothers' hearts.'
You must not speak. That's what my stepfather said: don't speak, don't cry, don't tell. That's what my mother said as well, as we sat in hospital waiting rooms -- and I obeyed, as did my brothers. We sat as still and silent as stone while my mother spun false tales to explain each break and bruise and burn. Our family moved just often enough that her stories were fresh and plausible; each new doctor believed her, and chided us children to be more careful. I never contradicted those tales. I wouldn't have dared, or wanted to. They'd send me into foster care. They'd send my young brothers away. And so we sat, and the unspoken truth was as sharp as the point of a knife.
”
”
Terri Windling (Mirror, Mirror on the Wall: Women Writers Explore Their Favorite Fairy Tales)
“
I bunched the squirrel-fur hat up under my head and left the pack for Mal to use as a pillow. Then I pulled my coat close around me and huddled beneath the new furs. I was nodding off when I heard Mal return and settle himself beside me, his back pressed comfortably against mine. As I drifted into sleep, I felt like I could still taste the sugar from that sweet roll on my tongue, feel the pleasure of laughter gusting through me. We’d been robbed. We’d almost been killed. We were being hunted by the most powerful man in Ravka. But we were friends again, and sleep came more easily than it had in a long time. At some point during the night, I woke to Mal’s snoring. I jabbed him in the back with my elbow. He rolled onto his side, muttered something in his sleep, and threw his arm over me. A minute later he started snoring again, but this time I didn’t wake him.
”
”
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
“
And then there was Joss. I met him in a dimly lit office, where he regaled me with tales of adventure, swashbuckling, shootings, spaceships, and narrow escapes. Um, where do I sign? He gave me a new identity, a costume, a gun, and a long brown duster for a cape. I remember that meeting so well; it was like a superhero "origin" issue. I remember Joss looking at Polaroid photos of my first costume fitting, holding up the one with the duster and gun saying, "Action figure, anyone?"
Never in my wildest. Like some sort of super-team benefactor, Joss made superheroes out of all of us, complete with a super-hideout spaceship. During filming, we'd all retreat to our dressing room trailers and emerge like Supermen with our alter egos. The boots, the suspenders, gun holstered low on my hip... with a flick and a spin of that wicked awesome coat over my shoulders, I became someone else.
”
”
Nathan Fillion
“
Since the moment when, at the sigh of his beloved and dying brother, Levin for the first time looked at the questions of life and death in the light of the new convictions, as he called them...he had been less horrified by death than by life without the least knowledge of whence it came, what it is for, why, and what it is. Organisms, their destruction, the indestructibility of matter, the law of the conservation of energy, development--the terms that had superseded these beliefs--were very useful for mental purposes; but they gave no guidance for life, and Levin suddenly felt like a person who has exchanged a thick fur coat fora muslin garment and who, being out in the frost for the first time, becomes clearly convinced, not by arguments, but with the whole of his being that he is as good as naked and that he must inevitably perish miserably. From that moment, without thinking about it and though he continued living as he had done heretofore, Levin never ceased to feel afraid of his ignorance...What astounded and upset him most in his connection, was that the majority of those in his set and of his age, did not see anything to be distressed about, and were quite contented and tranquil. So that, besides the principal question, Levin was tormented by other questions: were these people sincere? Were they not pretending? Or did they understand, possibly in some different or clearer way than he, the answers science gives to the questions he was concerned with?
”
”
Leo Tolstoy (Anna Karenina)
“
I’ve never been with a boy who hasn’t seen me naked.
It’s always the squeaky futon, bear-it-all, turn-off-the-lights quickstep.
Don’t chalk it up to “daddy issues.”
Maybe I’m sick of keeping private parts private.
I don’t want rainwater secrets on my lips, tasting of “don’t make too much noise”.
October’s dust in my lungs, maybe I don’t want bits of four AM lingering in my subconscious.
Smokers breathe in fire, coat their insides in ash. Is that suicide or arson?
Listen to me, listen to me. I’m alive. I’M ALIVE.
I’m naked and bruised, but I’m alive.
I’m not a piece of fruit. Don’t press into my flesh, looking for soft spots.
My whole body is tender and rotten, but I’m alive.
I’m alive and just because you can see it all, doesn’t mean you know it all
”
”
Taylor Rhodes (Sixteenth Notes: the breaking of the rose-colored glasses)
“
Each time a police officer engages us, death, injury, maiming is possible. It is not enough to say that this is true of anyone or more true of criminals. The moment the officers began their pursuit of Prince Jones, his life was in danger. The Dreamers accept this as the cost of doing business, accept our bodies as currency, because it is their tradition. As slaves we were this country’s first windfall, the down payment on its freedom. After the ruin and liberation of the Civil War came Redemption for the unrepentant South and Reunion, and our bodies became this country’s second mortgage. In the New Deal we were their guestroom, their finished basement. And today, with a sprawling prison system, which has turned the warehousing of black bodies into a jobs program for Dreamers and a lucrative investment for Dreamers; today, when 8 percent of the world’s prisoners are black men, our bodies have refinanced the Dream of being white. Black life is cheap, but in America black bodies are a natural resource of incomparable value.
”
”
Ta-Nehisi Coates (Between the World and Me)
“
There's a liberal story that limited opportunities, and barriers, lead to employment problems and criminal records, but then there's another story that has to do with norms, behaviors, and oppositional culture. You can't prove the latter statistically, but it still might be true.' Holzer thinks that both arguments contain truth and that one doesn't preclude the other. Fair enough. Suffice it to say, though, that the evidence supporting structural inequality is compelling. In 2001, a researcher sent out black and white job applicants in Milwaukee, randomly assigning them a criminal record. The researcher concluded that a white man with a criminal record had about the same chance of getting a job as a black man without one. Three years later, researchers produced the same results in New York under more rigorous conditions.
”
”
Ta-Nehisi Coates (We Were Eight Years in Power: An American Tragedy)
“
THUNDERCLAN LEADER FIRESTAR—ginger tom with a flame-coloured pelt DEPUTY GREYSTRIPE—long-haired grey tom MEDICINE CAT CINDERPELT—dark grey she-cat APPRENTICE, LEAFPAW WARRIORS (toms, and she-cats without kits) MOUSEFUR—small dusky brown she-cat APPRENTICE, SPIDERPAW DUSTPELT—dark brown tabby tom APPRENTICE, SQUIRRELPAW SANDSTORM—pale ginger she-cat APPRENTICE, SORRELPAW CLOUDTAIL—long-haired white tom BRACKENFUR—golden brown tabby tom APPRENTICE, WHITEPAW THORNCLAW—golden brown tabby tom APPRENTICE, SHREWPAW BRIGHTHEART—white she-cat with ginger patches BRAMBLECLAW—dark brown tabby tom with amber eyes ASHFUR—pale grey (with darker flecks) tom, dark blue eyes RAINWHISKER—dark grey tom with blue eyes SOOTFUR—lighter grey tom with amber eyes APPRENTICES (more than six moons old, in training to become warriors) SORRELPAW—tortoiseshell and white shecat with amber eyes SQUIRRELPAW—dark ginger she-cat with green eyes LEAFPAW—light brown tabby she-cat with amber eyes and white paws SPIDERPAW—long-limbed black tom with brown underbelly and amber eyes SHREWPAW—small dark brown tom with amber eyes WHITEPAW—white she-cat with green eyes QUEENS (she-cats expecting or nursing kits) GOLDENFLOWER—pale ginger coat, the oldest nursery queen
”
”
Erin Hunter (Midnight (Warriors: The New Prophecy, #1))
“
The competition to lead the Review was ferocious every year, involving rigorous vetting and a vote by eighty student editors. Being picked for the position was an enormous achievement for anyone. It turned out that Barack was also the first African American in the publication’s 103-year history to be selected—a milestone so huge that it had been written up in the New York Times, accompanied by a photo of Barack, smiling in a scarf and winter coat. My boyfriend, in other words, was a big deal. He could have landed any number of fat-salaried law firm jobs at that point, but instead he was thinking about practicing civil rights law once he got his degree,
”
”
Michelle Obama (Becoming)
“
On Westminster Bridge, Arthur was struck by the brightness of the streetlamps running across like a formation of stars. They shone white against the black coats of the marching gentlefold and fuller than the moon against the fractal spires of Westminster. They were, Arthur quickly realized, the new electric lights, which the city government was installing, avenue by avenue, square by square, in place of the dirty gas lamps that had lit London's public spaces for a century. These new electric ones were brighter. They were cheaper. They required less maintenance. And they shone farther into the dime evening, exposing every crack in the pavement, every plump turtle sheel of stone underfoot. So long to the faint chiaroscuro of London, to the ladies and gentlemen in black-on-black relief. So long to the era of mist and carbonized Newcastle coal, to the stench of the Blackfriars foundry. Welcome to the cleasing glare of the twentieth century.
”
”
Graham Moore (The Sherlockian)
“
As for free will, there is such a narrow crack of it for man to move in, crushed as he is from birth by environment, heredity, time and event and local convention. If I had been born of Italian parents in one of the caves in the hills I would be a prostitute at the age of 12 or so because I had to live (why?) and that was the only way open. If I was born into a wealthy New York family with pseudo-cultural leanings, I would have had my coming-out party along with the rest of them, and be equipped with fur coats, social contacts, and a blase pout. How do I know? I don't; I can only guess. I wouldn't be I. But I am I now; and so many other millions are so irretrievably their own special variety of "I" that I can hardly bear to think of it. I: how firm a letter; how reassuring the three strokes: one vertical, proud and assertive, and then the two short horizontal lines in quick, smug succession. The pen scratches on the paper... I... I... I... I... I... I.
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
When an Indian Child has been brought up among us, taught our language and habituated to our Customs, yet if he goes to see his relations and make one Indian Ramble with them there is no persuading him ever to return, and that this is not natural merely as Indians, but as men, is plain from this, that when white persons of either sex have been taken prisoner young by the Indians, and lived awhile among them, tho’ ransomed by their Friends, and treated with all imaginable tenderness to prevail with them to stay among the English, yet in a Short time they become disgusted with our manner of life, and the care and pains that are necessary to support it, and take the first opportunity of escaping again into the Woods, from whence there is no reclaiming them. One instance I remember to have heard, where the person was to be brought home to possess a good Estate; but finding some care necessary to keep it together, he relinquished it to a younger brother, reserving to himself nothing but a gun and match-Coat, with which he took his way again to the Wilderness.30
”
”
David Graeber (The Dawn of Everything: A New History of Humanity)
“
the people who could author the mechanized death of our ghettos, the mass rape of private prisons, then engineer their own forgetting, must inevitably plunder much more. This is not a belief in prophecy but in the seductiveness of cheap gasoline. Once, the Dream’s parameters were caged by technology and by the limits of horsepower and wind. But the Dreamers have improved themselves, and the damming of seas for voltage, the extraction of coal, the transmuting of oil into food, have enabled an expansion in plunder with no known precedent. And this revolution has freed the Dreamers to plunder not just the bodies of humans but the body of the Earth itself. The Earth is not our creation. It has no respect for us. It has no use for us. And its vengeance is not the fire in the cities but the fire in the sky. Something more fierce than Marcus Garvey is riding on the whirlwind. Something more awful than all our African ancestors is rising with the seas. The two phenomena are known to each other. It was the cotton that passed through our chained hands that inaugurated this age. It is the flight from us that sent them sprawling into the subdivided woods. And the methods of transport through these new subdivisions, across the sprawl, is the automobile, the noose around the neck of the earth, and ultimately, the Dreamers themselves.
”
”
Ta-Nehisi Coates (Between the World and Me)
“
The more south we were, the more deep a sky it seemed, till, in the Valley of Mexico, I thought it held back an element too strong for life, and that the flamy brilliance of blue stood off this menace and sometimes, like a sheath or silk membrane, shoed the weight it held in sags. So when later he would fly high over the old craters on the plain, coaly bubbles of the underworld, dangerous red everywhere from the sun, and then coats of snow on the peak of the cones—gliding like a Satan—well, it was here the old priests, before the Spaniards, waited for Aldebaran to come into the middle of heaven to tell them whether or not life would go on for another cycle, and when they received their astronomical sign built their new fire inside the split and emptied chest of a human sacrifice. And also, hereabouts, worshipers disguised as gods and as gods in the disguise of birds, jumped from platforms fixed on long poles, and glided as they spun by the ropes—feathered serpents, and eagles too, the voladores, or fliers. There still are such plummeters, in market places, as there seem to be remnants or conversions or equivalents of all the old things. Instead of racks or pyramids of skulls still in their hair and raining down scraps of flesh there are corpses of dogs, rats, horses, asses, by the roads; the bones dug out of the rented graves are thrown on a pile when the lease is up; and there are the coffins looking like such a rough joke on the female form, sold in the open shops, black, white, gray, and in all sizes, with their heavy death fringes daubed in Sapolio silver on the black. Beggars in dog voices on the church steps enact the last feebleness for you with ancient Church Spanish, and show their old flails of stump and their sores. The burden carriers with the long lines, hemp lines they wind over their foreheads to hold the loads on their backs, lie in the garbage at siesta and give themselves the same exhibited neglect the dead are shown. Which is all to emphasize how openly death is received everywhere, in the beauty of the place, and how it is acknowledged that anyone may be roughly handled—the proudest—pinched, slapped, and set down, thrown down; for death throws even worse in men’s faces and makes it horrible and absurd that one never touched should be roughly dumped under, dumped upon.
”
”
Saul Bellow (The Adventures of Augie March)
“
There's one big difference between the poor and the rich,' Kite says, taking a drag from his cigarette. We are in a pub, at lunch-time. John Kite is always, unless stated otherwise, smoking a fag, in a pub, at lunch-time.
'The rich aren't evil, as so many of my brothers would tell you. I've known rich people -- I have played on their yachts -- and they are not unkind, or malign, and they do not hate the poor, as many would tell you. And they are not stupid -- or at least, not any more than the poor are. Much as I find amusing the idea of a ruling class of honking toffs, unable to put their socks on without Nanny helping them, it is not true. They build banks, and broker deals, and formulate policy, all with perfect competency.
'No -- the big difference between the rich and the poor is that the rich are blithe. They believe nothing can ever really be so bad, They are born with the lovely, velvety coating of blitheness -- like lanugo, on a baby -- and it is never rubbed off by a bill that can't be paid; a child that can't be educated; a home that must be left for a hostel, when the rent becomes too much.
'Their lives are the same for generations. There is no social upheaval that will really affect them. If you're comfortably middle-class, what's the worst a government policy could do? Ever? Tax you at 90 per cent and leave your bins, unemptied, on the pavement. But you and everyone you know will continue to drink wine -- but maybe cheaper -- go on holiday -- but somewhere nearer -- and pay off your mortgage -- although maybe later.
'Consider, now, then, the poor. What's the worst a government policy can do to them? It can cancel their operation, with no recourse to private care. It can run down their school -- with no escape route to a prep. It can have you out of your house and into a B&B by the end of the year. When the middle-classes get passionate about politics, they're arguing about their treats -- their tax breaks and their investments. When the poor get passionate about politics, they're fighting for their lives.
'Politics will always mean more to the poor. Always. That's why we strike and march, and despair when our young say they won't vote. That's why the poor are seen as more vital, and animalistic. No classical music for us -- no walking around National Trust properties, or buying reclaimed flooring. We don't have nostalgia. We don't do yesterday. We can't bear it. We don't want to be reminded of our past, because it was awful; dying in mines, and slums, without literacy, or the vote. Without dignity. It was all so desperate, then. That's why the present and the future is for the poor -- that's the place in time for us: surviving now, hoping for better, later. We live now -- for our instant, hot, fast treats, to prep us up: sugar, a cigarette, a new fast song on the radio.
'You must never, never forget, when you talk to someone poor, that it takes ten times the effort to get anywhere from a bad postcode, It's a miracle when someone from a bad postcode gets anywhere, son. A miracle they do anything at all.
”
”
Caitlin Moran (How to Build a Girl (How to Build a Girl, #1))
“
Buttercups"
When we were children our papas were stout
And colorless as seaweed or the floats
At anchor off New Bedford. We were shut
In gardens where our brassy sailor coats
Made us like black-eyed susans bending out
Into the ocean, Then my teeth were cut:
A levelled broom-pole butt
Was pushed into my thin
And up-turned chin--
There were shod hoofs behind the horseplay. But
I played Napoleon in my attic cell
Until my shouldered broom
Bobbed down the room
With horse and neighing shell.
Recall the shadows the doll-curtains veined
On ancrem Winslow's ponderous plate from blue
China, the breaking of time's haggard tide
On the huge cobwebbed print of Waterloo,
With a cracked smile across the glass. I cried
To see the Emperor's sabered eagle slide
From the clutching grenadier
Staff-officer
With the gold leaf cascading down his side--
A red dragoon, his plough-horse rearing, swayed
Back on his reins to crop
The buttercup
Bursting upon the braid
”
”
Robert Lowell
“
He surveyed what remained of his crew. Rotty still hovered by the wreckage of the longboat. Jesper sat with elbows on knees, head in hands, Wylan beside him wearing the face of a near-stranger; Matthias stood gazing across the water in the direction of Hellgate like a stone sentinel. If Kaz was their leader, then Inej had been their lodestone, pulling them together when they seemed most likely to drift apart.
Nina had disguised Kaz’s crow-and-cup tattoo before they’d entered the Ice Court, but he hadn’t let her near the R on his bicep. Now he touched his gloved fingers to where the sleeve of his coat covered that mark. Without meaning to, he’d let Kaz Rietveld return. He didn’t know if it had begun with Inej’s injury or that hideous ride in the prison wagon, but somehow he’d let it happen and it had cost him dearly.
That didn’t mean he was going to let himself be bested by some thieving merch.
Kaz looked south toward Ketterdam’s harbors. The beginnings of an idea scratched at the back of his skull, an itch, the barest inkling. It wasn’t a plan, but it might be the start of one. He could see the shape it would take—impossible, absurd, and requiring a serious chunk of cash.
“Scheming face,” murmured Jesper.
“Definitely,” agreed Wylan.
Matthias folded his arms. “Digging in your bag of tricks, demjin?”
Kaz flexed his fingers in his gloves. How did you survive the Barrel? When they took everything from you, you found a way to make something from nothing.
“I’m going to invent a new trick,” Kaz said. “One Van Eck will never forget.” He turned to the others. If he could have gone after Inej alone, he would have, but not even he could pull that off. “I’ll need the right crew.”
Wylan got to his feet. “For the Wraith.”
Jesper followed, still not meeting Kaz’s eyes. “For Inej,” he said quietly.
Matthias gave a single sharp nod.
Inej had wanted Kaz to become someone else, a better person, a gentler thief. But that boy had no place here. That boy ended up starving in an alley. He ended up dead. That boy couldn’t get her back.
I’m going to get my money, Kaz vowed. And I’m going to get my girl. Inej could never be his, not really, but he would find a way to give her the freedom he’d promised her so long ago.
Dirtyhands had come to see the rough work done.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
Speaking of body decorations, I luuhhhvv your belly piercing!” Heeb said, looking at the gold ring in the center of her slim, tan waist. Despite the artic cold, Angelina had opted for a skin tight, black tube top that ended just above her belly, on the assumption that a warm cab, a winter coat, and a short wait to get into the club was an adequate frosty weather strategy. Heeb was still reverently staring at her belly when Angelina finally caught her breath from laughing.
“Do you really like it? You’re just saying that so that you can check out my belly!”
“And what’s so bad about that? I mean, didn’t you get that belly piercing so that people would check out your belly?”
“No. I just thought it would look cool…Do you have any piercings?”
“Actually, I do,” Heeb replied.
“Where?”
“My appendix.”
“Huh?”
“I wanted to be the first guy with a pierced organ. And the appendix is a totally useless organ anyway, so I figured why the hell not?”
“That’s pretty original,” she replied, amused.
“Oh yeah. I’ve outdone every piercing fanatic out there. The only problem is when I have to go through metal detectors at the airport.”
Angelina burst into laughs again, and then managed to say, “Don’t you have to take it out occasionally for a cleaning?”
“Nah. I figure I’ll just get it removed when my appendix bursts. It’ll be a two for one operation, if you know what I mean.
”
”
Zack Love (Sex in the Title: A Comedy about Dating, Sex, and Romance in NYC (Back When Phones Weren't So Smart))
“
Make the race proud," the elders used to say. But by then, I knew that I wasn't so much bound by a biological race as to a group of people, and these people were not black because of any uniform color or any uniform physical feature. They were bound because they suffered under the weight of the dream, and they were bound by all the beautiful things, all the language and mannerisms, all the food and music, all the literature and philosophy, all the common language that they had fashioned like diamonds under the weight of the dream. ... In other words, I was part of a world. And looking out, I had friends who too were part of other worlds. The world of Jews, or New Yorkers. The world of southerners or gay men. Of immigrants, of Californians, of Native Americans, or a combination of any of these worlds stitched into worlds like tapestry. And though I could never myself be a native of any of these worlds, I knew that nothing so essentialist as race stood between us. I had read too much by then, and my eyes, my beautiful precious eyes, were growing stronger each day. And I saw that what divided me from the world was not anything intrinsic to us, but the actual injury done by people intent on naming us. Intent on believing that what they have named us matters more than anything we could ever actually do. In America, the injury is not in being born with darker skin, with fuller lips, with a broader nose, but in everything that happens after.
”
”
Ta-Nehisi Coates
“
It’s no one’s fault really,” he continued. “A big city cannot afford to have its attention distracted from the important job of being a big city by such a tiny, unimportant item as your happiness or mine.”
This came out of him easily, assuredly, and I was suddenly interested. On closer inspection there was something aesthetic and scholarly about him, something faintly professorial. He knew I was with him, listening, and his grey eyes were kind with offered friendliness. He continued:
“Those tall buildings there are more than monuments to the industry, thought and effort which have made this a great city; they also occasionally serve as springboards to eternity for misfits who cannot cope with the city and their own loneliness in it.” He paused and said something about one of the ducks which was quite unintelligible to me.
“A great city is a battlefield,” he continued. “You need to be a fighter to live in it, not exist, mark you, live. Anybody can exist, dragging his soul around behind him like a worn-out coat; but living is different. It can be hard, but it can also be fun; there’s so much going on all the time that’s new and exciting.”
I could not, nor wished to, ignore his pleasant voice, but I was in no mood for his philosophising.
“If you were a negro you’d find that even existing would provide more excitement than you’d care for.”
He looked at me and suddenly laughed; a laugh abandoned and gay, a laugh rich and young and indescribably infectious. I laughed with him, although I failed to see anything funny in my remark.
“I wondered how long it would be before you broke down and talked to me,” he said, when his amusement had quietened down. “Talking helps, you know; if you can talk with someone you’re not lonely any more, don’t you think?”
As simple as that. Soon we were chatting away unreservedly, like old friends, and I had told him everything.
“Teaching,” he said presently. “That’s the thing. Why not get a job as a teacher?”
“That’s rather unlikely,” I replied. “I have had no training as a teacher.”
“Oh, that’s not absolutely necessary. Your degrees would be considered in lieu of training, and I feel sure that with your experience and obvious ability you could do well.”
“Look here, Sir, if these people would not let me near ordinary inanimate equipment about which I understand quite a bit, is it reasonable to expect them to entrust the education of their children to me?”
“Why not? They need teachers desperately.”
“It is said that they also need technicians desperately.”
“Ah, but that’s different. I don’t suppose educational authorities can be bothered about the colour of people’s skins, and I do believe that in that respect the London County Council is rather outstanding. Anyway, there would be no need to mention it; let it wait until they see you at the interview.”
“I’ve tried that method before. It didn’t work.”
“Try it again, you’ve nothing to lose. I know for a fact that there are many vacancies for teachers in the East End of London.”
“Why especially the East End of London?”
“From all accounts it is rather a tough area, and most teachers prefer to seek jobs elsewhere.”
“And you think it would be just right for a negro, I suppose.” The vicious bitterness was creeping back; the suspicion was not so easily forgotten.
“Now, just a moment, young man.” He was wonderfully patient with me, much more so than I deserved. “Don’t ever underrate the people of the East End; from those very slums and alleyways are emerging many of the new breed of professional and scientific men and quite a few of our politicians. Be careful lest you be a worse snob than the rest of us. Was this the kind of spirit in which you sought the other jobs?
”
”
E.R. Braithwaite (To Sir, With Love)
“
When you reach our age, Vasily, it all goes by so quickly. Whole seasons seem to pass without leaving the slightest mark on our memory.” “How true…, “ agreed the concierge (as he sorted through an allotment of tickets). “But surely, there is comfort to be taken from that,” continued the Count. “For even as the weeks begin racing by in a blur for us, they are making the greatest of impressions upon our children. When one turns seventeen and begins to experience that first period of real independence, one’s senses are so alert, one’s sentiments so finely attuned that every conversation, every look, every laugh may be writ indelibly upon one’s memory. And the friends that one happens to make in those impressionable years? One will meet them forever after with a welling of affection.”… “Perhaps it is a matter of celestial balance,” he reflected. “A sort of cosmic equilibrium. Perhaps the aggregate experience of Time is a constant and thus for our children to establish such vivid impressions of this particular June, we must relinquish our claims upon it.” “So that they might remember, we must forget,” Vasily summed up. “Exactly!” said the Count. “So that they might remember, we must forget. But should we take umbrage at that fact? Should we feel short-changed by the notion that their experiences for the moment may be richer than ours? I think not. For it is hardly our purpose at this late stage to log a new portfolio of lasting memories. Rather, we should be dedicating ourselves to ensuring that they taste freely of experience. And we must do so without trepidation. Rather than tucking in blankets and buttoning up coats, we must have faith in them to tuck and button on their own. And if they fumble with their newfound liberty, we must remain composed, generous, judicious. We must encourage them to venture out from under our watchful gaze, and then sigh with pride when they pass at last through the revolving door of life…
”
”
Amor Towles (A Gentleman in Moscow)
“
History is storytelling,’” Yaw repeated. He walked down the aisles between the rows of seats, making sure to look each boy in the eye. Once he finished walking and stood in the back of the room, where the boys would have to crane their necks in order to see him, he asked, “Who would like to tell the story of how I got my scar?”
The students began to squirm, their limbs growing limp and wobbly. They looked at each other, coughed, looked away.
“Don’t be shy,” Yaw said, smiling now, nodding encouragingly. “Peter?” he asked. The boy who only seconds before had been so happy to speak began to plead with his eyes. The first day with a new class was always Yaw’s favorite.
“Mr. Agyekum, sah?” Peter said.
“What story have you heard? About my scar?” Yaw asked, smiling still, hoping, now to ease some of the child’s growing fear.
Peter cleared his throat and looked at the ground. “They say you were born of fire,” he started. “That this is why you are so smart. Because you were lit by fire.”
“Anyone else?”
Timidly, a boy named Edem raised his hand. “They say your mother was fighting evil spirits from Asamando.”
Then William: “I heard your father was so sad by the Asante loss that he cursed the gods, and the gods took vengeance.”
Another, named Thomas: “I heard you did it to yourself, so that you would have something to talk about on the first day of class.”
All the boys laughed, and Yaw had to stifle his own amusement. Word of his lesson had gotten around, he knew. The older boys told some of the younger ones what to expect from him.
Still, he continued, making his way back to the front of the room to look at his students, the bright boys from the uncertain Gold Coast, learning the white book from a scarred man.
“Whose story is correct?” Yaw asked them. They looked around at the boys who had spoken, as though trying to establish their allegiance by holding a gaze, casting a vote by sending a glance.
Finally, once the murmuring subsided, Peter raised his hand. “Mr. Agyekum, we cannot know which story is correct.” He looked at the rest of the class, slowly understanding. “We cannot know which story is correct because we were not there.”
Yaw nodded. He sat in his chair at the front of the room and looked at all the young men. “This is the problem of history. We cannot know that which we were not there to see and hear and experience for ourselves. We must rely upon the words of others. Those who were there in the olden days, they told stories to the children so that the children would know, so that the children could tell stories to their children. And so on, and so on. But now we come upon the problem of conflicting stories. Kojo Nyarko says that when the warriors came to his village their coats were red, but Kwame Adu says that they were blue. Whose story do we believe, then?”
The boys were silent. They stared at him, waiting.
“We believe the one who has the power. He is the one who gets to write the story. So when you study history, you must always ask yourself, Whose story am I missing? Whose voice was suppressed so that this voice could come forth? Once you have figured that out, you must find that story too. From there, you begin to get a clearer, yet still imperfect, picture.
”
”
Yaa Gyasi (Homegoing)
“
It’s about to rain forks and knives,” Winterborne reported, water drops glittering on his hair and the shoulders of his coat. He reached for a glass of champagne from a silver tray on the table, and raised it in Tom’s direction. “Good luck it is, for the wedding day.”
“Why is that, exactly?” Tom asked, disgruntled.
“A wet knot is harder to untie,” Winterborne said. “The marriage bond will be tight and long lasting.”
Ethan Ransom volunteered, “Mam always said rain on a wedding day washed away the sadness of the past.”
“Not only are superstitions irrational,” Tom said, “they’re inconvenient. If you believe in one, you have to believe them all, which necessitates a thousand pointless rituals.”
Not being allowed to see the bride before the ceremony, for example. He hadn’t had so much as a glimpse of Cassandra that morning, and he was chafing to find out how she was feeling, if she’d slept well, if there was something she needed.
West came into the room with his arms full of folded umbrellas. Justin, dressed in a little velveteen suit, was at his heels.
“Aren’t you supposed to be upstairs in the nursery with your little brother?” St. Vincent asked his five-year-old nephew.
“Dad needed my help,” Justin said self-importantly, bringing an umbrella to him.
“We’re about to have a soaker,” West said briskly. “We’ll have to take everyone out to the chapel as soon as possible, before the ground turns to mud. Don’t open one of these indoors: It’s bad luck.”
“I didn’t think you were superstitious,” Tom protested. “You believe in science.”
West grinned at him. “I’m a farmer, Severin. When it comes to superstitions, farmers lead the pack. Incidentally, the locals say rain on the wedding day means fertility.”
Devon commented dryly, “To a Hampshireman, nearly everything is a sign of fertility. It’s a preoccupation around here.”
“What’s fertility?” Justin asked.
In the sudden silence, all gazes went to West, who asked defensively, “Why is everyone looking at me?”
“As Justin’s new father,” St. Vincent replied, making no effort to hide his enjoyment, “that question is in your province.”
West looked down into Justin’s expectant face. “Let’s ask your mother later,” he suggested.
The child looked mildly concerned. “Don’t you know, Dad?
”
”
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
“
Specialisation, accompanied by exchange, is the source of economic prosperity. Here, in my own words, is what a modern version of Smithism claims. First, the spontaneous and voluntary exchange of goods and services leads to a division of labour in which people specialise in what they are good at doing. Second, this in turn leads to gains from trade for each party to a transaction, because everybody is doing what he is most productive at and has the chance to learn, practise and even mechanise his chosen task. Individuals can thus use and improve their own tacit and local knowledge in a way that no expert or ruler could. Third, gains from trade encourage more specialisation, which encourages more trade, in a virtuous circle. The greater the specialisation among producers, the greater is the diversification of consumption: in moving away from self-sufficiency people get to produce fewer things, but to consume more. Fourth, specialisation inevitably incentivises innovation, which is also a collaborative process driven by the exchange and combination of ideas. Indeed, most innovation comes about through the recombination of existing ideas for how to make or organise things. The more people trade and the more they divide labour, the more they are working for each other. The more they work for each other, the higher their living standards. The consequence of the division of labour is an immense web of cooperation among strangers: it turns potential enemies into honorary friends. A woollen coat, worn by a day labourer, was (said Smith) ‘the produce of a great multitude of workmen. The shepherd, the sorter of the wool, the wool-comber or carder, the dyer, the scribbler, the spinner, the weaver, the fuller, the dresser . . .’ In parting with money to buy a coat, the labourer was not reducing his wealth. Gains from trade are mutual; if they were not, people would not voluntarily engage in trade. The more open and free the market, the less opportunity there is for exploitation and predation, because the easier it is for consumers to boycott the predators and for competitors to whittle away their excess profits. In its ideal form, therefore, the free market is a device for creating networks of collaboration among people to raise each other’s living standards, a device for coordinating production and a device for communicating information about needs through the price mechanism. Also a device for encouraging innovation. It is the very opposite of the rampant and selfish individualism that so many churchmen and others seem to think it is. The market is a system of mass cooperation. You compete with rival producers, sure, but you cooperate with your customers, your suppliers and your colleagues. Commerce both needs and breeds trust.
”
”
Matt Ridley (The Evolution of Everything: How New Ideas Emerge)
“
Swift came to the table and bowed politely. “My lady,” he said to Lillian, “what a pleasure it is to see you again. May I offer my renewed congratulations on your marriage to Lord Westcliff, and…” He hesitated, for although Lillian was obviously pregnant, it would be impolite to refer to her condition. “…you are looking quite well,” he finished.
“I’m the size of a barn,” Lillian said flatly, puncturing his attempt at diplomacy.
Swift’s mouth firmed as if he was fighting to suppress a grin. “Not at all,” he said mildly, and glanced at Annabelle and Evie.
They all waited for Lillian to make the introductions.
Lillian complied grudgingly. “This is Mr. Swift,” she muttered, waving her hand in his direction. “Mrs. Simon Hunt and Lady St. Vincent.”
Swift bent deftly over Annabelle’s hand. He would have done the same for Evie except she was holding the baby.
Isabelle’s grunts and whimpers were escalating and would soon become a full-out wail unless something was done about it.
“That is my daughter Isabelle,” Annabelle said apologetically. “She’s teething.”
That should get rid of him quickly, Daisy thought. Men were terrified of crying babies.
“Ah.” Swift reached into his coat and rummaged through a rattling collection of articles. What on earth did he have in there? She watched as he pulled out his pen-knife, a bit of fishing line and a clean white handkerchief.
“Mr. Swift, what are you doing?” Evie asked with a quizzical smile.
“Improvising something.” He spooned some crushed ice into the center of the handkerchief, gathered the fabric tightly around it, and tied it off with fishing line. After replacing the knife in his pocket, he reached for the baby without one trace of self-consciusness.
Wide-eyed, Evie surrendered the infant. The four women watched in astonishment as Swift took Isabelle against his shoulder with practiced ease. He gave the baby the ice-filled handkerchief, which she proceeded to gnaw madly even as she continued to cry.
Seeming oblivious to the fascinated stares of everyone in the room, Swift wandered to the window and murmured softly to the baby. It appeared he was telling her a story of some kind. After a minute or two the child quieted.
When Swift returned to the table Isabelle was half-drowsing and sighing, her mouth clamped firmly on the makeshift ice pouch.
“Oh, Mr. Swift,” Annabelle said gratefully, taking the baby back in her arms, “how clever of you! Thank you.”
“What were you saying to her?” Lillian demanded.
He glanced at her and replied blandly, “I thought I would distract her long enough for the ice to numb her gums. So I gave her a detailed explanation of the Buttonwood agreement of 1792.”
Daisy spoke to him for the first time. “What was that?”
Swift glanced at her then, his face smooth and polite, and for a second Daisy half-believed that she had dreamed the events of that morning. But her skin and nerves still retained the sensation of him, the hard imprint of his body.
“The Buttonwood agreement led to the formation of the New York Stock and Exchange Board,” Swift said. “I thought I was quite informative, but it seemed Miss Isabelle lost interest when I started on the fee-structuring compromise.”
“I see,” Daisy said. “You bored the poor baby to sleep.”
“You should hear my account of the imbalance of market forces leading to the crash of ’37,” Swift said. “I’ve been told it’s better than laudanum.
”
”
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
“
Come on, Gray,” another sailor called. “Just one toast.”
Miss Turner raised her eyebrows and leaned into him. “Come on, Mr. Grayson. Just one little toast,” she taunted, in the breathy, seductive voice of a harlot. It was a voice his body knew well, and vital parts of him were quickly forming a response.
Siren.
“Very well.” He lifted his mug and his voice, all the while staring into her wide, glassy eyes. “To the most beautiful lady in the world, and the only woman in my life.”
The little minx caught her breath. Gray relished the tense silence, allowing a broad grin to spread across his face. “To my sister, Isabel.”
Her eyes narrowed to slits. The men groaned.
“You’re no fun anymore, Gray,” O’Shea grumbled.
“No, I’m not. I’ve gone respectable.” He tugged on Miss Turner’s elbow. “And good little governesses need to be in bed.”
“Not so fast, if you please.” She jerked away from him and turned to face the assembled crew. “I haven’t made my toast yet. We ladies have our sweethearts too, you know.”
Bawdy murmurs chased one another until a ripple of laughter caught them up. Gray stepped back, lifting his own mug to his lips. If the girl was determined to humiliate herself, who was he to stop her? Who was he, indeed?
Swaying a little in her boots, she raised her tankard. “To Gervais. My only sweetheart, mon cher petit lapin.”
My dear little rabbit? Gray sputtered into his rum. What a fanciful imagination the chit had.
“My French painting master,” she continued, slurring her words, “and my tutor in the art of passion.”
The men whooped and whistled. Gray plunked his mug on the crate and strode to her side. “All right, Miss Turner. Very amusing. That’s enough joking for one evening.”
“Who’s joking?” she asked, lowering her mug to her lips and eyeing him saucily over the rim. “He loved me. Desperately.”
“The French do everything desperately,” he muttered, beginning to feel a bit desperate himself. He knew she was spinning naïve schoolgirl tales, but the others didn’t. The mood of the whole group had altered, from one of good-natured merriment to one of lust-tinged anticipation. These were sailors, after all. Lonely, rummed-up, woman-starved, desperate men. And to an innocent girl, they could prove more dangerous than sharks.
“He couldn’t have loved you too much, could he?” Gray grabbed her arm again. “He seems to have let you go.”
“I suppose he did.” She sniffed, then flashed a coquettish smile at the men. “I suppose that means I need a new sweetheart.”
That was it. This little scene was at its end.
Gray crouched, grasping his wayward governess around the thighs, and then straightened his legs, tossing her over one shoulder. She let out a shriek, and he felt the dregs of her rum spill down the back of his coat.
“Put me down, you brute!” She squirmed and pounded his back with her fists.
Gray bound her legs to his chest with one arm and gave her a pat on that well-padded rump with the other.
“Well, then,” he announced to the group, forcing a roguish grin, “we’ll be off to bed.”
Cheers and coarse laughter followed them as Gray toted his wriggling quarry down the companionway stairs and into the ladies’ cabin.
With another light smack to her bum that she probably couldn’t even feel through all those skirts and petticoats, Gray slid her from his shoulder and dropped her on her feet. She wobbled backward, and he caught her arm, reversing her momentum. Now she tripped toward him, flinging her arms around his neck and sagging against his chest. Gray just stood there, arms dangling at his sides.
Oh, bloody hell.
”
”
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))