“
With a chaste heart
With pure eyes I celebrate your beauty
Holding the leash of blood
So that it might leap out and trace your outline
Where you lie down in my Ode
As in a land of forests or in surf
In aromatic loam, or in sea music
Beautiful nude
Equally beautiful your feet
Arched by primeval tap of wind or sound
Your ears, small shells
Of the splendid American sea
Your breasts of level plentitude
Fulfilled by living light
Your flying eyelids of wheat
Revealing or enclosing
The two deep countries of your eyes
The line your shoulders have divided into pale regions
Loses itself and blends into the compact halves of an apple
Continues separating your beauty down into two columns of
Burnished gold
Fine alabaster
To sink into the two grapes of your feet
Where your twin symmetrical tree burns again and rises
Flowering fire
Open chandelier
A swelling fruit
Over the pact of sea and earth
From what materials
Agate?
Quartz?
Wheat?
Did your body come together?
Swelling like baking bread to signal silvered hills
The cleavage of one petal
Sweet fruits of a deep velvet
Until alone remained
Astonished
The fine and firm feminine form
It is not only light that falls over the world spreading inside your body
Yet suffocate itself
So much is clarity
Taking its leave of you
As if you were on fire within
The moon lives in the lining of your skin.
”
”
Pablo Neruda
“
She's very pretty but she's honey from the icebox, if you know what I mean. Cold sweets won't spread.
”
”
Saul Bellow (Humboldt's Gift)
“
Noah?"
A welcome voice - not my mother's, but welcome all the same: Echo. A smile spread across my face. This was too good. Me in a towel, alone in the house with my nymph. I left the bathroom.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
I once had a love who folded secrets between her thighs like napkins
and concealed memories in the valley of her breasts.
There was no match for the freckles on her chest,
and no one could mistake them for a field of honeysuckles.
Upon her lips, a thousand lies were spread in sweet gloss.
Her kiss was like a storybook from ancient history.
She was at home with the body of a man inside her, beside her.
At night, when she lay in bed crying,
no one could mistake the tears she wept for a summer shower
She is gone, my love. She was a wanderess, a wildflower.
”
”
Roman Payne
“
It is the custom of every good mother after her children are asleep to rummage in their minds and put things straight for next morning, repacking into their proper places the many articles that have wandered during the day. If you could keep awake (but of course you can’t) you would see your own mother doing this, and you would find it very interesting to watch her. It is quite like tidying up drawers. You would see her on her knees, I expect, lingering humorously over some of your contents, wondering where on earth you had picked this thing up, making discoveries sweet and not so sweet, pressing this to her cheek as if it were as nice as a kitten, and hurriedly stowing that out of sight. When you wake in the morning, the naughtinesses and evil passions with which you went to bed have been folded up small and placed at the bottom of your mind; and on the top, beautifully aired, are spread out prettier thoughts, ready for you to put on.
”
”
J.M. Barrie
“
Simple minded people do things like gossip, lie, spread rumors, and cause troubles. But, I know you're more intelligent.
”
”
Amaka Imani Nkosazana (Sweet Destiny)
“
Whitepeople believed that whatever the manners, under every dark skin was a jungle. Swift unnavigable waters, swinging screaming baboons, sleeping snakes, red gums ready for their sweet white blood. In a way, he thought, they were right. The more coloredpeople spent their strength trying to convince them how gentle they were, how clever and loving, how human, the more they used themselves up to persuade whites of something Negroes believed could not be questioned, the deeper and more tangled the jungle grew inside. But it wasn’t the jungle blacks brought with them to this place from the other (livable) place. It was the jungle whitefolks planted in them. And it grew. It spread. In, through and after life, it spread, until it invaded the whites who had made it. Touched them every one. Changed and altered them. Made them bloody, silly, worse than even they wanted to be, so scared were they of the jungle they had made. The screaming baboon lived under their own white skin; the red gums were their own.
”
”
Toni Morrison (Beloved (Beloved Trilogy, #1))
“
Mrs. Darling first heard of Peter when she was tidying up her children's minds. It is the nightly custom of every good mother after her children are asleep to rummage in their minds and put things straight for next morning, repacking into their proper places the many articles that have wandered during the day. If you could keep awake (but of course you can't) you would see your own mother doing this and you would find it very interesting to watch. It's quite like tidying up drawers. You would see her on her knees, I expect, lingering humorously over some of your contents, wondering where on Earth you picked this thing up, making discoveries sweet and not so sweet, pressing this to her cheek, as if it were a nice kitten, and hurriedly stowing that out of sight. When you wake in the morning, the naughtiness and evil passions with which you went to bed have been folded up small and placed at the bottom of your mind and on the top, beautifully aired, are spread out the prettier thoughts, ready for you to put on.
”
”
J.M. Barrie (Peter Pan)
“
Also guys, it would be awesome if you could upvote the information I've added letting everyone know that some of these quotes are fake and aren't real or cool things to spread around. :) Thanks Hiddlestoners!! ^_^
”
”
Tom Hiddleston
“
They're spreading out. Look unaware and sweet and innocent.
It's a little hard to look innocent when I'm as big as a house.
”
”
Christine Feehan (Ruthless Game (GhostWalkers, #9))
“
Being proper and sweet and nice and pleasing is a fucking nightmare. It’s exhausting. As women, we get the message about how to be a good girl – how to be a good, pretty girl – from such an early age. Then, at the same time, we’re told that well-behaved girls won’t change the world or ever make a splash. So it’s sort of like, well, what the fuck am I supposed to be? I’m supposed to be a really polite revolutionary?” Phoebe Waller-Bridge spreads her arms and starts to laugh. “It’s impossible.
”
”
Phoebe Waller-Bridge
“
I froze, then I asked, “You mean…?”
“Yes, baby,” Poppy replied. “You’ve come home. You’ve come home to me.”
A huge smile spread across my lips, and a flood of pure happiness washed over me. Unable to resist, I crashed my lips to Poppy’s waiting mouth. The minute I tasted her sweet taste on my lips, a deep peace filled me from within. Pulling back, I pressed my forehead to hers.
“I get to stay here with you? Forever?” I asked, praying it was true.
“Yes,” Poppy answered gently, and I could hear the complete serenity in her voice. “Our next adventure.”
This was real.
It was real.
”
”
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
“
Don’t you feel how connected we are?” I ask. “If I break your heart, I break mine.” A sweet smile spreads over her lips and she nods.
”
”
Kennedy Ryan (Grip (Grip, #1))
“
Dear Max -
You looked so beautiful today. I'm going to remember what you looked like forever.
...
And I hope you remember me the same way - clean, ha-ha. I'm glad our last time together was happy.
But I'm leaving tonight, leaving the flock, and this time it's for good. I don't know if I'll ever see any of you again. The thing is, Max, that everyone is a little bit right. Added up all together, it makes this one big right.
Dylan's a little bit right about how my being here might be putting the rest of you in danger. The threat might have been just about Dr. Hans, but we don't know that for sure. Angel is a little bit right about how splitting up the flock will help all of us survive. And the rest of the flock is a little bit right about how when you and I are together, we're focused on each other - we can't help it.
The thing is, Maximum, I love you. I can't help but be focused on you when we're together. If you're in the room, I want to be next to you. If you're gone, I think about you. You're the one who I want to talk to. In a fight, I want you at my back. When we're together, the sun is shining. When we're apart, everything is in shades of gray.
I hope you'll forgive me someday for turning our worlds into shades of gray - at least for a while.
...
You're not at your best when you're focused on me. I mean, you're at your best Maxness, but not your best leaderness. I mostly need Maxness. The flock mostly needs leaderness. And Angel, if you're listening to this, it ain't you, sweetie. Not yet.
...
At least for a couple more years, the flock needs a leader to survive, no matter how capable everyone thinks he or she is. The truth is that they do need a leader, and the truth is that you are the best leader. It's one of the things I love about you.
But the more I thought about it, the more sure I got that this is the right thing to do. Maybe not for you, or for me, but for all of us together, our flock.
Please don't try to find me. This is the hardest thing I've ever done in my life, besides wearing that suit today, and seeing you again will only make it harder. You'd ask me to come back, and I would, because I can't say no to you. But all the same problems would still be there, and I'd end up leaving again, and then we'd have to go through this all over again.
Please make us only go through this once.
...
I love you. I love your smile, your snarl, your grin, your face when you're sleeping. I love your hair streaming out behind you as we fly, with the sunlight making it shine, if it doesn't have too much mud or blood in it. I love seeing your wings spreading out, white and brown and tan and speckled, and the tiny, downy feathers right at the top of your shoulders. I love your eyes, whether they're cold or calculating or suspicious or laughing or warm, like when you look at me.
...
You're the best warrior I know, the best leader. You're the most comforting mom we've ever had. You're the biggest goofball, the worst driver, and a truly lousy cook. You've kept us safe and provided for us, in good times and bad. You're my best friend, my first and only love, and the most beautiful girl I've ever seen, with wings or without.
...
Tell you what, sweetie: If in twenty years we haven't expired yet, and the world is still more or less in one piece, I'll meet you at the top of that cliff where we first met the hawks and learned to fly with them. You know the one. Twenty years from today, if I'm alive, I'll be there, waiting for you. You can bet on it.
Good-bye, my love.
Fang
P.S. Tell everyone I sure will miss them
”
”
James Patterson
“
A gentle, warm, sweet pain spreads through my chest at those words.
”
”
Aleksandr Voinov (Skybound)
“
You’re beautiful, Finnie, but by the gods you have never been more beautiful than you are right now, spread before me, wrapped in my wool and filled with me
”
”
Kristen Ashley (Wildest Dreams (Fantasyland, #1))
“
Sweet Thames, run softly till I end my song,
Sweet Thames, run softly, for I speak not loud or long
But at my back in a cold blast I hear
The rattle of the bones, and chuckle spread from ear to ear
”
”
T.S. Eliot (The Waste Land)
“
Soft as the early morning breeze of May,
which heralds dawn, rich with the grass and flowers,
spreading in waves their breathing fragrances,
I felt a breeze strike soft upon my brow:
I felt a wing caress it, I am sure,
I sensed the sweetness of ambrosia.
”
”
Dante Alighieri (The Divine Comedy of Dante Alighieri, Volume 2: Purgatorio)
“
And a sweet expression spreads over her fair face.
”
”
Sappho
“
Will you look at us by the river! The whole restless mob of us on spread blankets in the dreamy briny sunshine skylarking and chiacking about for one day, one clear, clean, sweet day in a good world in the midst of our living. Yachts run before an unfelt gust with bagnecked pelicans riding above them, the city their twitching backdrop, all blocks and points of mirror light down to the water's edge.
”
”
Tim Winton (Cloudstreet)
“
My name...my name is Mary. I'm here with a friend.'
Rhage stopped breathing. His heart skipped a beat and then slowed. "Say that again,' he whispered.
'Ah, my name is Mary Luce. I'm a friend of Bella's...We came here with a boy, with John Matthew. We were invited.'
Rhage shivered, a balmy rush blooming out all over his skin. The musical lilt of her voice, the rhythm of her speech, the sound of her words, it all spread through him, calming him, comforting him. Chaining him sweetly.
He closed his eyes. 'Say something else.'
'What?' she asked, baffled.
'Talk. Talk to me. I want to hear your voice.'
She was silent, and he was about to demand that she speak when she said, 'You don't look well. Do you need a doctor?'
He found himself swaying. The words didn't matter. It was her sound: low, soft, a quiet brushing in his ears. He felt as if here being stroked on the inside of his skin.
'More,' he said, twisting his palm around to the front of her neck so he could feel the vibrations in her throat better.
'Could you... could you please let go of me?'
'No.' He brought his other arm up. She was wearing some kind of fleece, and he moved the collar aside, putting his hand on her shoulder so she couldn't get away from him. 'Talk.'
She started to struggle. 'You're crowding me.'
'I know. Talk.'
'Oh for God's sake, what do you want me to say?'
Even exasperated, her voice was beautiful. 'Anything.'
'Fine. Get your hand off my throat and let me go or I'm going to knee you where it counts.'
He laughed. Then sank his lower body into her, trapping her with his thighs and hips. She stiffened against him, but he got an ample feel of her. She was built lean, though there was no doubt she was female. Her breasts hit his chest, her hips cushioned his, her stomach was soft.
'Keep talking,' he said in her ear. God, she smelled good. Clean. Fresh. Like lemon.
When she pushed against him, he leaned his full weight into her. Her breath came out in a rush.
'Please,' he murmured.
Her chest moved against his as if she were inhaling. 'I... er, I have nothing to say. Except get off of me.'
He smiled, careful to keep his mouth closed. There was no sense showing off his fangs, especially if she didn't know what he was. 'So say that.'
'What?'
'Nothing. Say nothing. Over and over and over again. Do it.'
She bristled, the scent of fear replaced by a sharp spice, like fresh, pungent mint from a garden. She was annoyed now. 'Say it.'
"Fine. Nothing. Nothing.' Abruptly she laughed, and the sound shot right through to his spine, burning him. 'Nothing, nothing. No-thing. No-thing. Noooooothing. There, is that good enought for you? Will you let me go now?
”
”
J.R. Ward (Lover Eternal (Black Dagger Brotherhood, #2))
“
Being mindful of Aunt Kathy’s presence, I turned to reading the Bible while sitting in the living room. It was my way ofkeeping my aunt at bay. Yet, my facade didn’t sustain me for long. I got called to the dining table anyway. Next, I was told to follow Jerry’s instructions once we left the house. Then to my surprise, Aunt Kathy made breakfast for me anyway. Immediately, I was on high alert! “Oh hell, how do I get beyond this meal!”
There I was staring at bread blackened on one side and too soggy to fall off the plate. The bacon was two inches thick and fried hard enough to be a shoe insert. The grits had settled to a pace.
My eggs were a perfect substitute for popcorn. Even though I had no appetite, I had to gobble
something down or risk being ridiculed by my aunt.
Aunt Kathy made her own homemade peach preserves. It was extremely sweet and more concentrated than Playdough. I knew if she saw me using her sauce, she’d overlook the other items I left untouched. If lucky, thefermentation was potent enough to buzz me all day long. So, I made sure she’ll see me spreading that paste all over my charcoal toast. Of course, I made the
yummy sound “yums” as I took bite after bite. Fortunately, Aunt Kathy fell hook, line, and sinker for my facade. “I seeyou love that jelly! But I’m not going to let you eat all my jam! People will pay lots of money for that good stuff!”
“Yes Ma’am,” I said. Simply amazing! Being she had food she thought I liked, there was a limit.
But if I hated something then I had to be force-fed.
As Aunt Kathy talked, I fumbled and moved my food around as she gave me directives for the day. “When school is over, make sure to wait on the steps for your brother.”
“Yes Ma’am,” I said once again.
”
”
Harold Phifer (My Bully, My Aunt, & Her Final Gift)
“
We’re wasting time here. I’ve got a sweet ass to paddle. Some legs to spread…
”
”
Starla Kaye (Cowboys in Charge)
“
And then as the little plane climbed higher and Olive saw spread out below them fields of bright and tender green in this morning sun, farther out the coastline, the ocean shiny and almost flat, tiny white wakes behind a few lobster boats--then Olive felt something she had not expected to feel again: a sudden surging greediness for life. She leaned forward, peering out the window: sweet pale clouds, the sky as blue as your hat, the new green of the fields, the broad expanse of water--seen from up here it all appeared wondrous, amazing. She remembered what hope was, and this was it. That inner churning that moves you forward, plows you through life the way the boats below plowed the shiny water, the way the plane was plowing forward to a place new, and where she was needed.
”
”
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
“
The Frays had never been a religiously observant family, but Clary loved Fifth Avenue at Christmas time. The air smelled like sweet roasted chestnuts, and the window displays sparkled with silver and blue, green and red. This year there were fat round crystal snowflakes attached to each lamppost, sending back the winter sunlight in shafts of gold. Not to mention the huge tree at Rockefeller Center. It threw its shadow across them as she and Simon draped themselves over the gate at the side of the skating rink, watching tourists fall down as they tried to navigate the ice.
Clary had a hot chocolate wrapped in her hands, the warmth spreading through her body. She felt almost normal—this, coming to Fifth to see the window displays and the tree, had been a winter tradition for her and Simon for as long as she could remember.
“Feels like old times, doesn’t it?” he said, echoing her thoughts as he propped his chin on his folded arms.
She chanced a sideways look at him. He was wearing a black topcoat and scarf that emphasized the winter pallor of his skin. His eyes were shadowed, indicating that he hadn’t fed on blood recently. He looked like what he was—a hungry, tired vampire.
Well, she thought. Almost like old times. “More people to buy presents for,” she said. “Plus, the always traumatic what-to-buy-someone-for-the-first-Christmas-after-you’ve-started-dating question.”
“What to get the Shadowhunter who has everything,” Simon said with a grin.
“Jace mostly likes weapons,” Clary sighed. “He likes books, but they have a huge library at the Institute. He likes classical music …” She brightened. Simon was a musician; even though his band was terrible, and was always changing their name—currently they were Lethal Soufflé—he did have training. “What would you give someone who likes to play the piano?”
“A piano.”
“Simon.”
“A really huge metronome that could also double as a weapon?”
Clary sighed, exasperated.
“Sheet music. Rachmaninoff is tough stuff, but he likes a challenge.”
“Now you’re talking. I’m going to see if there’s a music store around here.” Clary, done with her hot chocolate, tossed the cup into a nearby trash can and pulled her phone out. “What about you? What are you giving Isabelle?”
“I have absolutely no idea,” Simon said. They had started heading toward the avenue, where a steady stream of pedestrians gawking at the windows clogged the streets.
“Oh, come on. Isabelle’s easy.”
“That’s my girlfriend you’re talking about.” Simon’s brows drew together. “I think. I’m not sure. We haven’t discussed it. The relationship, I mean.”
“You really have to DTR, Simon.”
“What?”
“Define the relationship. What it is, where it’s going. Are you boyfriend and girlfriend, just having fun, ‘it’s complicated,’ or what? When’s she going to tell her parents? Are you allowed to see other people?”
Simon blanched. “What? Seriously?”
“Seriously. In the meantime—perfume!” Clary grabbed Simon by the back of his coat and hauled him into a cosmetics store that had once been a bank. It was massive on the inside, with rows of gleaming bottles everywhere. “And something unusual,” she said, heading for the fragrance area. “Isabelle isn’t going to want to smell like everyone else. She’s going to want to smell like figs, or vetiver, or—”
“Figs? Figs have a smell?” Simon looked horrified; Clary was about to laugh at him when her phone buzzed. It was her mother.
where are you? It’s an emergency.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
A human life, I think, should be well rooted in some spot of native land, where it may get the love of tender kinship for the face of the earth, for the labours of men go forth to, for the sounds and accents that haunt it, for whatever will give that early home a familiar unmistakable difference among the future widening of knowledge: a spot where the definiteness of early memories may be inwrought with affection, and kindly acquaintance with all neighbors, even to the dogs and donkeys, may spread not by sentimental effort and reflection, but as a sweet habit of the blood.
”
”
George Eliot
“
It was sort of like Macbeth, thought Fat Charlie, an hour later; in fact, if the witches in Macbeth had been four little old ladies and if, instead of stirring cauldrons and intoning dread incantations, they had just welcomed Macbeth in and fed him turkey and rice and peas spread out on white china plates on a red-and-white patterned plastic tablecloth -- not to mention sweet potato pudding and spice cabbage -- and encouraged him to take second helpings, and thirds, and then, when Macbeth had declaimed that nay, he was stuffed nigh unto bursting and on his oath could truly eat no more, the witches had pressed upon him their own special island rice pudding and a large slice of Mrs. Bustamonte's famous pineapple upside-down cake, it would have been exactly like Macbeth.
”
”
Neil Gaiman (Anansi Boys)
“
Amazing Peace: A Christmas Poem
Thunder rumbles in the mountain passes
And lightning rattles the eaves of our houses.
Flood waters await us in our avenues.
Snow falls upon snow, falls upon snow to avalanche
Over unprotected villages.
The sky slips low and grey and threatening.
We question ourselves.
What have we done to so affront nature?
We worry God.
Are you there? Are you there really?
Does the covenant you made with us still hold?
Into this climate of fear and apprehension, Christmas enters,
Streaming lights of joy, ringing bells of hope
And singing carols of forgiveness high up in the bright air.
The world is encouraged to come away from rancor,
Come the way of friendship.
It is the Glad Season.
Thunder ebbs to silence and lightning sleeps quietly in the corner.
Flood waters recede into memory.
Snow becomes a yielding cushion to aid us
As we make our way to higher ground.
Hope is born again in the faces of children
It rides on the shoulders of our aged as they walk into their sunsets.
Hope spreads around the earth. Brightening all things,
Even hate which crouches breeding in dark corridors.
In our joy, we think we hear a whisper.
At first it is too soft. Then only half heard.
We listen carefully as it gathers strength.
We hear a sweetness.
The word is Peace.
It is loud now. It is louder.
Louder than the explosion of bombs.
We tremble at the sound. We are thrilled by its presence.
It is what we have hungered for.
Not just the absence of war. But, true Peace.
A harmony of spirit, a comfort of courtesies.
Security for our beloveds and their beloveds.
We clap hands and welcome the Peace of Christmas.
We beckon this good season to wait a while with us.
We, Baptist and Buddhist, Methodist and Muslim, say come.
Peace.
Come and fill us and our world with your majesty.
We, the Jew and the Jainist, the Catholic and the Confucian,
Implore you, to stay a while with us.
So we may learn by your shimmering light
How to look beyond complexion and see community.
It is Christmas time, a halting of hate time.
On this platform of peace, we can create a language
To translate ourselves to ourselves and to each other.
At this Holy Instant, we celebrate the Birth of Jesus Christ
Into the great religions of the world.
We jubilate the precious advent of trust.
We shout with glorious tongues at the coming of hope.
All the earth's tribes loosen their voices
To celebrate the promise of Peace.
We, Angels and Mortal's, Believers and Non-Believers,
Look heavenward and speak the word aloud.
Peace. We look at our world and speak the word aloud.
Peace. We look at each other, then into ourselves
And we say without shyness or apology or hesitation.
Peace, My Brother.
Peace, My Sister.
Peace, My Soul.
”
”
Maya Angelou (Amazing Peace: A Christmas Poem)
“
With thee conversing I forget all time,
All seasons and their change, all please alike.
Sweet is the breath of morn, her rising sweet,
With charm of earliest birds; pleasant the sun
When first on this delightful land he spreads
His orient beams, on herb, tree, fruit, and flower,
Glistering with dew; fragrant the fertile earth
After soft showers; and sweet the coming on
Of grateful evening mild, then silent night
With this her solemn bird and this fair moon,
And these the gems of heav'n, her starry train:
But neither breath of morn when she ascends
With charm of earliest birds, nor rising sun
On this delightful land, nor herb, fruit, flower,
Glistring with dew, nor fragrance after showers,
Nor grateful evening mild, nor silent night
With this her solemn bird, nor walk by moon,
Or glittering starlight without thee is sweet.
”
”
John Milton (Paradise Lost)
“
Oh! What a miserable night I passed! The cold stars shone in mockery, and the bare trees waved their branches above me; now and then the sweet voice of a bird burst forth amidst the universal stillness. All, save I, were at rest or in enjoyment; I, like the arch-fiend, bore a hell within me, and finding myself unsympathized with, wished to tear up the trees, spread havoc and destruction around me, and then to have sat down and enjoyed the ruin.
”
”
Mary Wollstonecraft Shelley (Frankenstein)
“
Thick is the darkness--
Sunward, O, sunward!
Rough is the highway--
Onward, still onward!
Dawn harbors surely
East of the shadows.
Facing us somewhere
Spread the sweet meadows.
Upward and forward!
Time will restore us:
Light is above us,
Rest is before us.
”
”
William Ernest Henley (Poems by William Ernest Henley)
“
Lines Written In Early Spring
I heard a thousand blended notes,
While in a grove I sate reclined,
In that sweet mood when pleasant thoughts
Bring sad thoughts to the mind.
To her fair works did Nature link
The human soul that through me ran;
And much it grieved my heart to think
What man has made of man.
Through primrose tufts, in that green bower,
The periwinkle trailed its wreaths;
And 'tis my faith that every flower
Enjoys the air it breathes.
The birds around me hopped and played,
Their thoughts I cannot measure:--
But the least motion which they made
It seemed a thrill of pleasure.
The budding twigs spread out their fan,
To catch the breezy air;
And I must think, do all I can,
That there was pleasure there.
If this belief from heaven be sent,
If such be Nature's holy plan,
Have I not reason to lament
What man has made of man?
”
”
William Wordsworth
“
how do i welcome in kindness
when i have only practiced
spreading my legs for the terrifying
what am i to do with you
if my idea of love is violence
but you are sweet
if your concept of passion is eye contact
but mine is rage
how can i call this intimacy
if i crave sharp edges
but your edges aren't even edges
they are soft landings
how do i teach muself
to accept a healthy love
if all i've ever known is pain
”
”
Rupi Kaur (The Sun and Her Flowers)
“
Happy the writer who, passing by characters that are boring, disgusting, shocking in their mournful reality, approaches characters that manifest the lofty dignity of man, who from the great pool of daily whirling images has chosen only the rare exceptions, who has never once betrayed the exalted turning of his lyre, nor descended from his height to his poor, insignificant brethren, and, without touching the ground, has given the whole of himself to his elevated images so far removed from it. Twice enviable is his beautiful lot: he is among them as in his own family; and meanwhile his fame spreads loud and far. With entrancing smoke he has clouded people's eyes; he has flattered them wondrously, concealing what is mournful in life, showing them a beautiful man. Everything rushes after him, applauding, and flies off following his triumphal chariot. Great world poet they name him, soaring high above all other geniuses in the world, as the eagle soars above the other high fliers. At the mere mention of his name, young ardent hearts are filled with trembling, responsive tears shine in all eyes...No one equals him in power--he is God! But such is not the lot, and other is the destiny of the writer who has dared to call forth all that is before our eyes every moment and which our indifferent eyes do not see--all the stupendous mire of trivia in which our life in entangled, the whole depth of cold, fragmented, everyday characters that swarm over our often bitter and boring earthly path, and with the firm strength of his implacable chisel dares to present them roundly and vividly before the eyes of all people! It is not for him to win people's applause, not for him to behold the grateful tears and unanimous rapture of the souls he has stirred; no sixteen-year-old girl will come flying to meet him with her head in a whirl and heroic enthusiasm; it is not for him to forget himself in the sweet enchantment of sounds he himself has evoked; it is not for him, finally, to escape contemporary judgment, hypocritically callous contemporary judgment, which will call insignificant and mean the creations he has fostered, will allot him a contemptible corner in the ranks of writers who insult mankind, will ascribe to him the quality of the heroes he has portrayed, will deny him heart, and soul, and the divine flame of talent. For contemporary judgment does not recognize that equally wondrous are the glasses that observe the sun and those that look at the movement of inconspicuous insect; for contemporary judgment does not recognize that much depth of soul is needed to light up the picture drawn from contemptible life and elevate it into a pearl of creation; for contemporary judgment does not recognize that lofty ecstatic laughter is worthy to stand beside the lofty lyrical impulse, and that a whole abyss separates it from the antics of the street-fair clown! This contemporary judgment does not recognize; and will turn it all into a reproach and abuse of the unrecognized writer; with no sharing, no response, no sympathy, like a familyless wayfarer, he will be left alone in the middle of the road. Grim is his path, and bitterly he will feel his solitude.
”
”
Nikolai Gogol (Dead Souls)
“
Lucy looked along the beam and presently saw something in it. At first it looked like a cross, then it looked like an aeroplane, then it looked like a kite, and at last with a whirring of wings it was right overhead and was an albatross. It circled three times round the mast and then perched for an instant on the crest of the gilded dragon at the prow. It called out in a strong sweet voice what seemed to be words though no one understood them. After that it spread its wings, rose, and began to fly slowly ahead, bearing a little to starboard. Drinian steered after it not doubting that it offered good guidance. But no one but Lucy knew that as it circled the mast it had whispered to her, “Courage, dear heart,” and the voice, she felt sure, was Aslan’s, and with the voice a delicious smell breathed in her face.
”
”
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
“
The deepest shade of twilight did not send him from his favourite plane-tree. He loved the soothing hour, when the last tints of light die away; when the stars, one by one, tremble through aether, and are reflected on the dark mirror of the waters; that hour, which, of all others, inspires the mind with pensive tenderness, and often elevates it to sublime contemplation. When the moon shed her soft rays among the foliage, he still lingered, and his pastoral supper of cream and fruits was often spread beneath it. Then, on the stillness of night, came the song of the nightingale, breathing sweetness, and awakening melancholy.
”
”
Ann Radcliffe (The Mysteries of Udolpho Volume 1 of 2)
“
This level reach of blue is not my sea;
Here are sweet waters, pretty in the sun,
Whose quiet ripples meet obediently
A marked and measured line, one after one.
This is no sea of mine. that humbly laves
Untroubled sands, spread glittering and warm.
I have a need of wilder, crueler waves;
They sicken of the calm, who knew the storm.
So let a love beat over me again,
Loosing its million desperate breakers wide;
Sudden and terrible to rise and wane;
Roaring the heavens apart; a reckless tide
That casts upon the heart, as it recedes,
Splinters and spars and dripping, salty weeds.
”
”
Dorothy Parker (The Portable Dorothy Parker)
“
A human life, I think, should be well rooted in some spot of a native land, where it may get the love of tender kinship for the face of the earth, for the labours men go forth to, for the sounds and accents that haunt it, for whatever will give that early home a familiar unmistakable difference amidst the future widening of knowledge: a spot where the definiteness of early memories may be inwrought with affection, and kindly acquaintance with all neighbours, even to the dogs and donkeys, may spread not by sentimental effort and reflection, but as a sweet habit of the blood. At five years old, mortals are not prepared to be citizens of the world, to be stimulated by abstract nouns, to soar above preference into impartiality; and that prejudice in favour of milk with which we blindly begin, is a type of the way body and soul must get nourished at least for a time. The best introduction to astronomy is to think of the nightly heavens as a little lot of stars belonging to one's own homestead.
”
”
George Eliot
“
It seems there's confusion at this time of year
regarding the reason for Christmas.
From shopping for presents to spreading good cheer,
the world makes an overly huge fuss.
But Christmas is not for the gifts we exchange.
It's not about sleigh rides or sweet candy canes.
Nay, Christmas is simple. A time to recall
Christ's gift of atonement He gave to us all.
”
”
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
“
Fasting
By Mevlana Jelaluddin Rumi
(1207 - 1273)
English version by Coleman Barks
There's hidden sweetness in the stomach's emptiness.
We are lutes, no more, no less. If the soundbox
is stuffed full of anything, no music.
If the brain and belly are burning clean
with fasting, every moment a new song comes out of the fire.
The fog clears, and new energy makes you
run up the steps in front of you.
Be emptier and cry like reed instruments cry.
Emptier, write secrets with the reed pen.
When you're full of food and drink, Satan sits
where your spirit should, an ugly metal statue
in place of the Kaaba. When you fast,
good habits gather like friends who want to help.
Fasting is Solomon's ring. Don't give it
to some illusion and lose your power,
but even if you have, if you've lost all will and control,
they come back when you fast, like soldiers appearing
out of the ground, pennants flying above them.
A table descends to your tents,
Jesus' table.
Expect to see it, when you fast, this table
spread with other food, better than the broth of cabbages.
”
”
Jalal ad-Din Muhammad ar-Rumi (The Illuminated Rumi)
“
Up until recently, Milton thought of Tessie as his prim cousin. Whenever one of his friends expressed interest in her, Milton told them to give up the idea. "That's honey from the icebox," he said, As Artie Shaw might have. "Cold sweets don't spread.
”
”
Jeffrey Eugenides (Middlesex)
“
I turn to look at him. His face is smooth, without the blotches and spots that have begun to afflict the other boys. His features are drawn with a firm hand; nothing awry or sloppy, nothing too large—all precise, cut with the sharpest of knives. And yet the effect itself is not sharp. He turns and finds me looking at him. “What?” he says. “Nothing.” I can smell him. The oils that he uses on his feet, pomegranate and sandalwood; the salt of clean sweat; the hyacinths we had walked through, their scent crushed against our ankles. Beneath it all is his own smell, the one I go to sleep with, the one I wake up to. I cannot describe it. It is sweet, but not just. It is strong but not too strong. Something like almond, but that still is not right. Sometimes, after we have wrestled, my own skin smells like it. He puts a hand down, to lean against. The muscles in his arms curve softly, appearing and disappearing as he moves. His eyes are deep green on mine. My pulse jumps, for no reason I can name. He has looked at me a thousand thousand times, but there is something different in this gaze, an intensity I do not know. My mouth is dry, and I can hear the sound of my throat as I swallow. He watches me. It seems that he is waiting. I shift, an infinitesimal movement, towards him. It is like the leap from a waterfall. I do not know, until then, what I am going to do. I lean forward and our lips land clumsily on each other. They are like the fat bodies of bees, soft and round and giddy with pollen. I can taste his mouth—hot and sweet with honey from dessert. My stomach trembles, and a warm drop of pleasure spreads beneath my skin. More.
”
”
Madeline Miller (The Song of Achilles)
“
That’s what the South was like for me. Sweet on the first taste, but something gone sour underneath. It’ll try to trick you, now—the sugarberries and the quiet and those lovely spread-out houses. But after that day with Auntie Rose, I could smell the rotten too.
”
”
Dawnie Walton (The Final Revival of Opal & Nev)
“
Curley's wife lay with a half-covering of yellow hay. And the meanness and the plannings and the discontent and the ache for attention were all gone from her face. She was pretty and simple, and her face was sweet and young. Now her rouged cheeks and reddened lips made her seem alive and sleeping very lightly. The curls, tiny little sausages, were spread on the hay behind her head and her lips were parted
”
”
John Steinbeck (Of Mice and Men)
“
This carpet,” said Abdullah, “unlike you, is of an ensorcellment so pure and excellent that it will listen only to the finest of language. It is at heart a poet among carpets.”
A certain smugness spread through the pile of the carpet. It held its tattered edges proudly straight and sailed sweetly forward into the golden sunlight above the mist.
”
”
Diana Wynne Jones
“
Pity would be no more
If we did not make somebody Poor;
And Mercy no more could be
If all were as happy as we.
And mutual fear brings peace,
Till the selfish loves increase:
Then Cruelty knits a snare
And spreads his baits with care.
He sits down with holy fears
And waters the ground with tears:
Then Humility takes its root
Underneath his foot.
Soon spreads the dismal shade
Of Mystery over his head,
And the Catterpiller and Fly
Feed on the Mystery.
And it bears the fruit of Deceit,
Ruddy and sweet to eat,
And the Raven his nest has made
In its thickest shade.
The Gods of the earth and sea
Sought thro' Nature to find this Tree,
But their search was all in vain:
There grows one in the Human Brain.
”
”
William Blake (Songs of Innocence and of Experience)
“
What do you want?” he growled.
“I just want to talk.” I tried to keep my voice steady. “You don't have to try to scare me.”
He kept a straight face, and his tone was seductively low. "There's hardly any room for fear when you're so bloody turned-on.”
A flash of shock hit me at his audacity. His eyes lowered to my body, but he never moved away.
“Ah, there's anger now,” he said coolly, “and a bit of embarrassment.”
He was reading me — reading my colors! And I couldn't see his at all. I felt stripped bare before him, vulnerable. I concentrated on why I'd gone there to begin with.
“I know what we are now.” I wished my voice weren't shaky.
“Congratulations.” He stood over me for a second more, savoring his power, no doubt, and then walked away, tossing the knife in the general direction of the dartboard and hitting the bull's-eye. Never missing a beat, he swaggered to a white couch with oversize pillows. He fell back onto it, propping his big, black boots on the white cushions and lounging back with arms spread wide across the back of the sofa. He stared as if daring me to talk.
I had no idea what to say or do. I didn't know anymore why I'd come. Had I just wanted to barge in and say, Ha, I know what we are! and then demand information?
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
Drop a pebble in the water: just a splash, and it is gone;
But there's half-a-hundred ripples circling on and on and on,
Spreading, spreading from the center, flowing on out to the sea.
And there is no way of telling where the end is going to be.
Drop a pebble in the water: in a minute you forget,
But there's little waves a-flowing, and there's ripples circling yet,
And those little waves a-flowing to a great big wave have grown;
You've disturbed a mighty river just by dropping in a stone.
Drop an unkind word, or careless: in a minute it is gone;
But there's half-a-hundred ripples circling on and on and on.
They keep spreading, spreading, spreading from the center as they go,
And there is no way to stop them, once you've started them to flow.
Drop an unkind word, or careless: in a minute you forget,
But there's little waves a-flowing, and there's ripples circling yet,
And perhaps in some sad heart a mighty wave of tears you've stirred,
And disturbed a life was happy ere you dropped that unkind word.
Drop a word of cheer and kindness: just a flash and it is gone;
But there's half-a-hundred ripples circling on and on and on,
Bearing hope and joy and comfort on each splashing, dashing wave
Till you wouldn't believe the volume of the one kind word you gave.
Drop a word of cheer and kindness: in a minute you forget;
But there's gladness still a-swelling, and there's joy a-circling yet,
And you've rolled a wave of comfort whose sweet music can be heard
Over miles and miles of water just by dropping one kind word.
”
”
James W. Foley
“
It looked like a colour, but also... like a bruise or a secretion, like an oozing-and something else, an odour, for example, it melted into the odour of wet earth, warm, moist wood, into a black odour that spread like varnish over this sensitive wood, in a flavour of chewed, sweet fibre. I did not simply see this black: sight is an abstract invention, a simplified idea, one of man's ideas. That black, amorphous, weakly presence, far surpassed sight, smell and taste. But this richness was lost in confusion and finally was no more because it was too much.
”
”
Jean-Paul Sartre (Nausea)
“
Like any great and good country, Japan has a culture of gathering- weddings, holidays, seasonal celebrations- with food at the core. In the fall, harvest celebrations mark the changing of the guard with roasted chestnuts, sweet potatoes, and skewers of grilled gingko nuts. As the cherry blossoms bloom, festive picnics called hanami usher in the spring with elaborate spreads of miso salmon, mountain vegetables, colorful bento, and fresh mochi turned pink with sakura petals.
”
”
Matt Goulding (Rice, Noodle, Fish: Deep Travels Through Japan's Food Culture)
“
Oftentimes, in the evening after they have finished spreading the fertiliser, the writer and his wife sit on the fence - with a wonderful sense of "togetherness" - and listen to the magic symphony of the crickets. I can understand that. Around our house, we're pretty busy, and of course we're not the least bit integrated, but nevertheless my husband and I often sit together in the deepening twilight and listen to the sweet, gentle slosh-click, slosh-click of the dishwasher. He smiles and I smile. Oh, it's a golden moment.
”
”
Jean Kerr (Please Don't Eat the Daisies)
“
You are in difficulty,” she observed. “He will not come,” Kraznys said. “There is a reason. A dragon is no slave.” And Dany swept the lash down as hard as she could across the slaver’s face. Kraznys screamed and staggered back, the blood running red down his cheeks into his perfumed beard. The harpy’s fingers had torn his features half to pieces with one slash, but she did not pause to contemplate the ruin. “Drogon,” she sang out loudly, sweetly, all her fear forgotten. “Dracarys.” The black dragon spread his wings and roared.
”
”
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
“
Christ, she was there. Under him. In a nightie. Her hair spread on the pillow. Her hands resting light on his lower back. He’d tasted her sweet pussy. He’d fucked it twice. He’d watched her come in the shower, giving it to her with his fingers. He’d swallowed her whimpers and moans. He’d felt her tighten around him every-fucking-where.
”
”
Kristen Ashley (The Will (Magdalene, #1))
“
Sweet is the breath of morn, her rising sweet,
With charm of earliest birds; pleasant the sun,
When first on this delightful land he spreads
His orient beams, on herb, tree, fruit and flower,
Glistening with dew; fragrant the fertile earth
After soft showers, and sweet the coming on
of grateful Evening mild; the silent Night,
With this her solumn bird and hisfair Moon,
And these the gems of Heaven, their starry train;
But neither breath of morn nor rising sun
On this delightful land, nor herb, fruit, flower
Glistening with dew, nor fragrance after shower,
Nor grateful Evening mild, nor silent Night,
With this her solumn bird, nor walk by Moon,
Or glittering starlight, without thee is sweet
”
”
John Milton
“
I suppose that rumours must have spread about me, and you are probably still having a hard time as a result. If that’s the case, I made a mistake in not quitting sooner than I did. I try to live a blameless life, but am crushed at times by peoples’ lack of understanding. Sometimes you just have to use your wits. That’s something else I should have told you.
”
”
Durian Sukegawa (Sweet Bean Paste)
“
Felix, how do you know when Hugh wants you to do something?"
"He tells me," Felix said.
"Ah!" She clapped her hands together. "He tells you. Imagine that. So you are able to communicate with actual words rather than grunts and snarls. What happened? Why didn't you tell me you wanted them alive after I killed the first one? It took me like three minutes to slide the sword into that second guy. I had to lay on it."
Hugh made a low noise in his throat. If humans could growl, it would sound just like that.
She gave him a sweet smile. Any sweeter and you could spread it on toast. "Use your words.
”
”
Ilona Andrews (Iron and Magic (The Iron Covenant, #1))
“
Jerry took a large slice of wheaten bread, spread with golden butter, and bit into it with her small white teeth. It was a natural gesture - she was very hungry indeed - but to Sam, there was something symbolic about it. Jerry was like bread, he thought. She was like good wholesome wheaten bread, spread thick with honest farm butter; and the thought crossed his mind, that a man might eat bread forever and ever, and not tire of it, and it would never clog his palate like sweet cakes or pastries or chocolate éclairs.
”
”
D.E. Stevenson (Miss Buncle Married (Miss Buncle #2))
“
Has anyone ever owned your body? Because that's how it would be between us." He bit her earlobe and sucked it into his mouth, savoring her taste, her scent, before continuing, "If you were mine, it would appear to the world as if you had a normal life, you might even feel as if your days were your own. But that would be an illusion; it wouldn't be just fucking with you and me. If you ever made the mistake of sleeping with me, it wouldn't be just sex. So, I'm warning you now. I'd own you. I'd own your body; I'd own your orgasms. I'd strip you naked, spread you wide and play with your body to my satisfaction before I'd ever let you experience release. Don't get me wrong, you wouldn't ever want to get away from me, but sweetheart, your life as you know it would be over. So before you ever let me sweet talk you into bed, understand that I'm just a little bit insane when it comes to you. It's the reason I've never put a move on you before, and it's the reason I'm going to let you slip away untouched tonight. I'm going to try my fucking best to stay away from you, but I don't know how long I'll be able to manage it. So if I come at you sometime in the future lying through my teeth and telling you it'll only be for fun, don't you fucking believe me.
”
”
Lynda Chance (Rule's Obsession (The House of Rule, #1))
“
The next morning, when Thomasin withdrew the curtains of her bedroom window, there stood the Maypole in the middle of the greek, its top cutting into the sky. It had sprung up in the night. or rather early morning, like Jack's bean-stalk. She opened the casement to get a better view of the garlands and posies that adored it. The sweet perfume of the flowers had already spread into the surrounding air, which being free from every taint, conducted to her lips a full measure of the fragrance received from the spire of blossom in its midst. At the top of the pole were crossed hoops decked with small flowers; beneath these came a milk-white zone of Maybloom;then a zone of bluebells, then of cowslips, then of lilacs, then of ragged-rosins, daffodils and so on, till the lowest stage was reached.Thomasin noticed all these, and was delighted that the May revel was to be so near.
”
”
Thomas Hardy (The Return of the Native)
“
Sometimes I fixate on how disgusting humans are. I think about how we do things like litter and invent nuclear bombs. I think about racism, war, rape, child abuse, and climate change. I think about how gross people are. I think about public bathrooms, armpits, and about all of our dirty hands. I think about how infection and diseases are spread. I think about how every human has a butt, and about how disgusting that is. Other times I fixate on how endearing people are. We sleep on soft surfaces; we like to be cozy. When I see cats cuddled up on pillows, I find it sweet; we are like that too. We like to eat cookies and smell flowers. We wear mittens and hats. We visit our families even when we’re old. We like to pet dogs. We laugh; we make involuntary sounds when we find things funny. Laughing is adorable, if you really think about it. We have hospitals. We invented buildings meant to help repair people. Doctors and nurses study for years to work here. They come here every day just to patch other people up. If we discovered some other animal who created infrastructure in the anticipation that their little animal peers might get hurt, we would all be absolutely moved and amazed.
”
”
Emily R. Austin (Everyone in This Room Will Someday Be Dead)
“
Her hair was well brushed that day and sheened darkly in contrast with the lusterless pallor of her neck and arms. She wore the striped tee shirt which in his lone fantasies he especially liked to peel off her twisting torso. The oilcloth was divided into blue and white squares. A smear of honey stained what remained of the butter in its cool crock.
'All right. And the third Real Thing?'
She considered him. A fiery droplet in the wick of her mouth considered him. A three-colored velvet violet, of which she had done an aquarelle on the eve, considered him from its fluted crystal. She said nothing. She licked her spread fingers, still looking at him.
Van, getting no answer, left the balcony. Softly her tower crumbled in the sweet silent sun.
”
”
Vladimir Nabokov (Ada, or Ardor: A Family Chronicle)
“
Her body gripped him in rapturous spasms as she went over the edge, lost in the pulsing intensity of feeling. His breath caught, and then he made a sound low in his throat, a velvety growl, while the heat of his release spread inside her.
They relaxed together slowly in the aftermath, their joined flesh resonant with deep twitches and throbs of pleasure.
Cassandra sighed and purred as his hands coasted over her tired limbs. "I think I was begging," she admitted, "near the end."
Tom pressed a soft laugh against the side of her throat, and kissed her flushed skin. "No, sweet. I'm sure that was me.
”
”
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
“
Towards four o'clock the dew fell, and she smelled a gust of sweetness from the roses and a paleness showed in the sky to the East. It was cold; the wetness was cold on her hands and she felt her skirt dragging around her ankles... the light spread, there were long lines of cloud in the sky and presently above them the outline of the snow peaks appeared, cold and hard as if they were made of iron; they turned from black to grey to white while the hills were still in darkness.
Then the forest came, mysteriously out of the darkness, and the light moved down, turning the trees dark blue and green, and the terrace was full of a swimming light that was colourless and confusing... Then she looked up and saw that the Himalayas were showing in their full range, and were coloured in ash and orange and precious Chinese pink, deeper in the east, paler in the west.
The people called it 'the flowering of the snows
”
”
Rumer Godden (Black Narcissus)
“
And the days move on and the names of the months change and the four seasons bury one another and it is spring again and yet again and the small streams that run over the rough sides of Gormenghast Mountain are big with rain while the days lengthen and summer sprawls across the countryside, sprawls in all the swathes of its green, with its gold and sticky head, with its slumber and the drone of doves and with its butterflies and its lizards and its sunflowers, over and over again, its doves, its butterflies, its lizards, its sunflowers, each one an echo-child while the fruit ripens and the grotesque boles of the ancient apple trees are dappled in the low rays of the sun and the air smells of such rotten sweetness as brings a hunger to the breast, and makes of the heart a sea-bed, and a tear, the fruit of salt and water, ripens, fed by a summer sorrow, ripens and falls … falls gradually along the cheekbones, wanders over the wastelands listlessly, the loveliest emblem of the heart’s condition. And the days move on and the names of the months change and the four seasons bury one another and the field-mice draw upon their granaries. The air is murky, and the sun is like a raw wound in the grimy flesh of a beggar, and the rags of the clouds are clotted. The sky has been stabbed and has been left to die above the world, filthy, vast and bloody. And then the great winds come and the sky is blown naked, and a wild bird screams across the glittering land. And the Countess stands at the window of her room with the white cats at her feet and stares at the frozen landscape spread below her, and a year later she is standing there again but the cats are abroad in the valleys and a raven sits upon her heavy shoulder. And every day the myriad happenings. A loosened stone falls from a high tower. A fly drops lifeless from a broken pane. A sparrow twitters in a cave of ivy. The days wear out the months and the months wear out the years, and a flux of moments, like an unquiet tide, eats at the black coast of futurity. And Titus Groan is wading through his boyhood.
”
”
Mervyn Peake (The Illustrated Gormenghast Trilogy)
“
And summer's surely really all about an imagined end. We head for it instinctually like it must mean something. We're always looking for it, looking it, heading towards it all year, the way a horizon holds the promise of a sunset. We're always looking for the full open leaf, the open warmth, the promise that we'll one day soon surely be able to lie back and have summer done to us; one day soon we’ll be treated well by the world. Like there really is a kinder finale and it's not just possible but assured, there's a natural harmony that'll be spread at your feet, unrolled like a sunlit landscape just for you. As if what it was always all about, your time on earth, was the full happy stretch of all the muscles of the body on a warmed patch of grass, one long sweet stem of that grass in the mouth.
Care free.
What a thought.
Summer.
”
”
Ali Smith (Summer (Seasonal Quartet, #4))
“
Whitepeople believed that whatever the manners, under every dark skin was a jungle. Swift unnavigable waters, swinging screaming baboons, sleeping snakes, red gums ready for their sweet white blood. In a way, he thought, they were right. The more coloredpeople spent their strength trying to convince them how gentle they were, how clever and loving, how human, the more they used themselves up to persuade whites of something Negroes believed could not be questioned, the deeper and more tangled the jungle grew inside. But it wasn’t the jungle blacks brought with them to this place from the other (livable) place. It was the jungle whitefolks planted in them. And it grew. It spread. In, through and after life, it spread, until it invaded the whites who had made it. Touched them every one. Changed and altered them. Made them bloody, silly, worse than even they wanted to be, so scared were they of the jungle they had made. The screaming baboon lived under their own white skin; the red gums were their own. Meantime,
”
”
Toni Morrison (Beloved (Beloved Trilogy, #1))
“
It has taken almost half my life away from Ireland for me to truly feel what home really is, and it is not what I was expecting. In the end it was not a place, or a past, or any sort of single, dazzling epiphany. It was all the little things. Cold butter spread thick on sweet wheaten bread or hot, subsiding potatoes; the scent of wet, black soil; a bushy spine of grass on a one-track road; wide iron gates leading to high beech corridors; the chalky smell of a cow's wet muzzle, and, most of all, in Seamus Heaney's words, the sound of rivers in the trees.
”
”
Trish Deseine (Home: Recipes from Ireland)
“
Alasdair yanked a pillow, shoving it under his arse. "I think you'll find I'm a heavy but remarkably fit and supple git, thank you very much.” He spread his legs wide open and leered.
“With real self-esteem issues.” Cosmo deadpanned.
“I will have if you don’t hurry up and make love to me.”
“Make love?” Aww, that’s sweet.”
“Less talking. More shagging.”
“Yes, boss!” Cosmo saluted with his free hand…
”
”
Josephine Myles (Screwing the System (Screwing the System, #1))
“
As a little drop of water added to a quantity of wine is completely dispersed and takes on the color and taste of wine, as red-hot iron becomes like molten fire losing its original form, as air when it is inundated with the sun’s light is transformed into total splendor and clarity so that it no longer seems illuminated but, rather, seems to be light itself, so I felt myself die of tender liquefaction, and I had only the strength left to murmur the words of the psalm: “Behold my bosom is like new wine, sealed, which bursts new vessels,” and suddenly I saw a brilliant light and in it a saffron-colored form which flamed up in a sweet and shining fire, and that splendid light spread through all the shining fire, and this shining fire through that golden form and that brilliant light and that shining fire through the whole form.
”
”
Umberto Eco (The Name of the Rose)
“
Bared your face in the starlight, curious the scene, cool blew the moderate night-wind, Long there and then in vigil I stood, dimly around me the battlefield spreading, Vigil wondrous and vigil sweet there in the fragrant silent night, But not a tear fell, not even a long-drawn sigh, long, long I gazed, Then on the earth partially reclining sat by your side leaning my chin in my hands, Passing sweet hours, immortal and mystic hours with you dearest comrade—not a tear, not a word, Vigil of silence, love and death, vigil for you my son and my soldier, As onward silently stars aloft, eastward new ones upward stole, Vigil final for you brave boy, (I could not save you, swift was your death, I faithfully loved you and cared for you living, I think we shall surely meet again,) Till at latest lingering of the night, indeed just as the dawn appear’d,
”
”
Walt Whitman (Civil War Poetry and Prose)
“
When they turned off, it was still early in the pink and green fields. The fumes of morning, sweet and bitter, sprang up where they walked. The insects ticked softly, their strength in reserve; butterflies chopped the air, going to the east, and the birds flew carelessly and sang by fits.
They went down again and soon the smell of the river spread over the woods, cool and secret. Every step they took among the great walls of vines and among the passion-flowers started up a little life, a little flight.
'We’re walking along in the changing-time,' said Doc. 'Any day now the change will come. It’s going to turn from hot to cold, and we can kill the hog that’s ripe and have fresh meat to eat. Come one of these nights and we can wander down here and tree a nice possum. Old Jack Frost will be pinching things up. Old Mr. Winter will be standing in the door. Hickory tree there will be yellow. Sweet-gum red, hickory yellow, dogwood red, sycamore yellow.' He went along rapping the tree trunks with his knuckle. 'Magnolia and live-oak never die. Remember that. Persimmons will all get fit to eat, and the nuts will be dropping like rain all through the woods here. And run, little quail, run, for we’ll be after you too.'
They went on and suddenly the woods opened upon light, and they had reached the river. Everyone stopped, but Doc talked on ahead as though nothing had happened. 'Only today,' he said, 'today, in October sun, it’s all gold—sky and tree and water. Everything just before it changes looks to be made of gold.'
("The Wide Net")
”
”
Eudora Welty (The Collected Stories)
“
A permanent dull ache spread from my belly to my chest. I thought I could feel pinpricks of loneliness in the pads of my fingers, taste it in the back of my mouth. Clara Miller must have been lonely too, longing to be touched. One day as she sat before her metal tub filled to the rim with sweet corn, she reached behind her head and unpinned her silver hair. It tumbled down her back like creamy lace cloak. She hiked her skirts to her knees and I could see she had removed her stockings. Her legs were heavy and milk white, solid as columns. She hiked her skirts higher, until they bunched in her lap.
When I kissed the back of her neck she quivered, like the dying peasant I’d shot and killed a week before. Her silver hair smelled like smoke. Clara and I tangled together like the bale of wire resting beside the unrepaired chicken coop. We were shameless, falling to the ground, wading into the creek, making our way to her bed.
”
”
Susan Power (The Grass Dancer)
“
There's hidden sweeteness in the stomach's emptiness.
We are lutes, no more no less. If the soundbox is stuffed full of anything, no music.
If the brain and the belly are burning clean
with fasting, every moment a new song comes out of the fire.
The fog clears, and new energy makes you
run up the steps in front of you.
Be emptier and cry like reed instruments cry.
Emptier, write secrets with the reed pen.
When you're full of food and drink, an ugly metal statue sits where your spirit should. When you fast,
good habits gather like friends who want to help.
Fasting is Solomon's ring. Don't give it to some illusion and lose your power,
but even if you have, if you've lost all will and control, they come back when you fast, like soldiers appearing out of the ground, pennants flying above them.
A table descends to your tents, Jesus' table.
Expect to see it, when you fast, this table spread with other food, better than the broth of cabbages.
”
”
Jalal ad-Din Muhammad ar-Rumi (The Essential Rumi)
“
It is the nightly custom of every good mother after her children are asleep to rummage in their minds and put things straight for next morning, repacking into their proper places the many articles that have wandered during the day. If you could keep awake (but of course you can't) you would see your own mother doing this, and you would find it very interesting to watch her. It is quite like tidying up drawers. You would see her on her knees, I expect, lingering humorously over some of your contents, wondering where on earth you had picked this thing up, making discoveries sweet and not so sweet, pressing this to her cheek as if it were as nice as a kitten, and hurriedly stowing that out of sight. When you wake in the morning, the naughtiness and evil passions with which you went to bed have been folded up small and placed at the bottom of your mind; and on the top, beautifully aired, are spread out your prettier thoughts, ready for you to put on.
”
”
J.M. Barrie (Peter Pan)
“
Does this feel like I don’t love every goddamn thing about your body, Chelcie? Hmm? Because let me tell you, Sunshine. I see your body and I want to throw you over my shoulder every damn time. I see your tits and I want to take them in my hands. I want to watch your pink nipples harden at my touch right before I suck them deep in my mouth. I see the stomach you say isn’t firm enough and, honestly, I could care less, babe. I see your stomach and I remember how hot you looked carrying our boy. Then I can’t help but get hot thinking about putting another baby in there. And that ass. Jesus Christ, you don’t even want to know how many times I’ve had to go to the bathroom at work because I’ll picture that fine ass and all of a sudden my cock is begging for release. I see those thighs you say are getting dimples and all I can think about is getting my hands on them—spreading your legs and digging my fingers in while I devour that sweet pussy with my tongue.
”
”
Harper Sloan (Cooper (Corps Security, #4))
“
And her heart sprang in Iseult, and she drew
With all her spirit and life the sunrise through
And through her lips the keen triumphant air
Sea-scented, sweeter than land-roses were,
And through her eyes the whole rejoicing east
Sun-satisfied, and all the heaven at feast
Spread for the morning; and the imperious mirth
Of wind and light that moved upon the earth,
Making the spring, and all the fruitful might
And strong regeneration of delight
That swells the seedling leaf and sapling man,
Since the first life in the first world began
To burn and burgeon through void limbs and veins,
And the first love with sharp sweet procreant pains
To pierce and bring forth roses; yea, she felt
Through her own soul the sovereign morning melt,
And all the sacred passion of the sun;
And as the young clouds flamed and were undone
About him coming, touched and burnt away
In rosy ruin and yellow spoil of day,
The sweet veil of her body and corporal sense
Felt the dawn also cleave it, and incense
With light from inward and with effluent heat
The kindling soul through fleshly hands and feet.
And as the august great blossom of the dawn
Burst, and the full sun scarce from sea withdrawn
Seemed on the fiery water a flower afloat,
So as a fire the mighty morning smote
Throughout her, and incensed with the influent hour
Her whole soul's one great mystical red flower
Burst, and the bud of her sweet spirit broke
Rose-fashion, and the strong spring at a stroke
Thrilled, and was cloven, and from the full sheath came
The whole rose of the woman red as flame:
And all her Mayday blood as from a swoon
Flushed, and May rose up in her and was June.
So for a space her hearth as heavenward burned:
Then with half summer in her eyes she turned,
And on her lips was April yet, and smiled,
As though the spirit and sense unreconciled
Shrank laughing back, and would not ere its hour
Let life put forth the irrevocable flower.
And the soft speech between them grew again
”
”
Algernon Charles Swinburne (Tristram of Lyonesse: And Other Poems)
“
—
If love wants you; if you’ve been melted
down to stars, you will love
with lungs and gills, with warm blood
and cold. With feathers and scales.
Under the hot gloom of the forest canopy
you’ll want to breathe with the spiral
calls of birds, while your lashing tail
still gropes for the waes. You’ll try
to haul your weight from simple sea
to gravity of land. Caught by the tide,
in the snail-slip of your own path, for moments
suffocating in both water and air.
If love wants you, suddently your past is
obsolete science. Old maps,
disproved theories, a diorama.
The moment our bodies are set to spring open.
The immanence that reassembles matter
passes through us then disperses
into time and place:
the spasm of fur stroked upright; shocked electrons.
The mother who hears her child crying upstairs
and suddenly feels her dress
wet with milk.
Among black branches, oyster-coloured fog
tongues every corner of loneliness we never knew
before we were loved there,
the places left fallow when we’re born,
waiting for experience to find its way
into us. The night crossing, on deck
in the dark car. On the beach wehre
night reshaped your face.
In the lava fields, carbon turned to carpet,
moss like velvet spread over splintered forms.
The instant spray freezes
in air above the falls, a gasp of ice.
We rise, hearing our names
called home through salmon-blue dusk, the royal moon
an escutcheon on the shield of sky.
The current that passes through us, radio waves,
electric lick. The billions of photons that pass
through film emulsion every second, the single
submicroscopic crystal struck
that becomes the phograph.
We look and suddenly the world
looks back.
A jagged tube of ions pins us to the sky.
—
But if, like starlings, we continue to navigate
by the rear-view mirror
of the moon; if we continue to reach
both for salt and for the sweet white
nibs of grass growing closest to earth;
if, in the autumn bog red with sedge we’re also
driving through the canyon at night,
all around us the hidden glow of limestone
erased by darkness; if still we sish
we’d waited for morning,
we will know ourselves
nowhere.
Not in the mirrors of waves
or in the corrading stream,
not in the wavering
glass of an apartment building,
not in the looming light of night lobbies
or on the rainy deck. Not in the autumn kitchen
or in the motel where we watched meteors
from our bed while your slow film, the shutter open,
turned stars to rain.
We will become
indigestible. Afraid
of choking on fur
and armour, animals
will refuse the divided longings
in our foreing blue flesh.
—
In your hands, all you’ve lost,
all you’ve touched.
In the angle of your head,
every vow and
broken vow. In your skin,
every time you were disregarded,
every time you were received.
Sundered, drowsed. A seeded field,
mossy cleft, tidal pool, milky stem.
The branch that’s released when the bird lifts
or lands. In a summer kitchen.
On a white winter morning, sunlight across the bed.
”
”
Anne Michaels
“
Nash yanked the phone out of my hand. “You want to know where she is, rich boy? She’s at my bar. Spread out naked on my desk. I stripped every piece of clothing from her body, and then I worshipped every inch of her. I erased every trace of you with my tongue. I went down on her, licking her sweet, wet, juicy pussy until she screamed my name loud enough for the entire bar to hear. My name, fuck boy. Not yours. Has she ever even uttered a sound when you fucked her with your tiny dick? You could never even get her wet, could you? And yet you call her frigid because you don’t know how to please her. You’re an embarrassment, Caleb. You’re a little boy, with a small dick, trying to play with the men. She doesn’t need you. She doesn’t fucking need anyone.
”
”
Elle Thorpe (Start a War (Saint View Psychos, #1))
“
Hot nights filled with summer thunder. Heat lightning far and thin and the midnight sky becrazed and mended back again. Suttree moved down to the gravelbar on the river and spread his blanket there under the gauzy starwash and lay naked with his back pressed to the wheeling earth. The river chattered and sucked past at his elbow. He'd lie awake long after the last dull shapes in the coals of the cookfire died and he'd go naked into the cool and velvet waters and submerge like an otter and come up and blow, the stones smooth as marbles under his cupped toes and the dark water reeling past his eyes. He'd lie on his back in the shallows and on these nights he'd see stars come adrift and rifle hot and dying across the face of the firmament. The enormity of the universe filled him with a strange sweet woe.
”
”
Cormac McCarthy (Suttree)
“
Homer's Hymn to the Moon
Published by Mrs. Shelley, "Poetical Works", 1839, 2nd edition; dated 1818.
Daughters of Jove, whose voice is melody,
Muses, who know and rule all minstrelsy
Sing the wide-winged Moon! Around the earth,
From her immortal head in Heaven shot forth,
Far light is scattered—boundless glory springs;
Where'er she spreads her many-beaming wings
The lampless air glows round her golden crown.
But when the Moon divine from Heaven is gone
Under the sea, her beams within abide,
Till, bathing her bright limbs in Ocean's tide,
Clothing her form in garments glittering far,
And having yoked to her immortal car
The beam-invested steeds whose necks on high
Curve back, she drives to a remoter sky
A western Crescent, borne impetuously.
Then is made full the circle of her light,
And as she grows, her beams more bright and bright
Are poured from Heaven, where she is hovering then,
A wonder and a sign to mortal men.
The Son of Saturn with this glorious Power
Mingled in love and sleep—to whom she bore
Pandeia, a bright maid of beauty rare
Among the Gods, whose lives eternal are.
Hail Queen, great Moon, white-armed Divinity,
Fair-haired and favourable! thus with thee
My song beginning, by its music sweet
Shall make immortal many a glorious feat
Of demigods, with lovely lips, so well
Which minstrels, servants of the Muses, tell.
”
”
Percy Bysshe Shelley (The Complete Poetical Works of Percy Bysshe Shelley)
“
Last Night’s Moon,"
“When will we next walk together
under last night’s moon?”
- Tu Fu
March aspens, mist
forest. Green rain pins down
the sea, early evening
cyanotype. Silver saltlines, weedy
toques of low tide, pillow lava’s
black spill indelible
in the sand. Unbroken
broken sea.
—
Rain sharpens marsh-hair
birth-green of the spring firs.
In the bog where the dead never disappear,
where river birch drown, the surface
strewn with reflection. This is the acid-soaked
moss that eats bones, keeps flesh;
the fermented ground where time stops and
doesn’t; dissolves the skull, preserves
the brain, wrinkled pearl in black mud.
—
In the autumn that made love
necessary, we stood in rubber boots
on the sphagnum raft and learned
love is soil–stronger than peat or sea–
melting what it holds.
The past
is not our own. Mole’s ribbon of earth,
termite house,
soaked sponge. It rises,
keloids of rain on wood; spreads,
milkweed galaxy, broken pod
scattering the debris of attention.
Where you are
while your body is here, remembering
in the cold spring afternoon.
The past
is a long bone.
—
Time is like the painter’s lie, no line
around apple or along thigh, though the apple
aches to its sweet edge, strains
to its skin, the seam of density. Invisible line
closest to touch. Lines of wet grass
on my arm, your tongue’s
wet line across my back.
All the history in the bone-embedded hills
of your body. Everything your mouth
remembers. Your hands manipullate
in the darkness, silver bromide
of desire darkening skin with light.
—
Disoriented at great depths,
confused by the noise of shipping routes,
whales hover, small eyes squinting as they consult
the magnetic map of the ocean floor. They strain,
a thousand miles through cold channels;
clicking thrums of distant loneliness
bounce off seamounts and abyssal plains. They look up
from perpetual dusk to rods of sunlight,
a solar forest at the surface.
Transfixed in the dark summer
kitchen: feet bare on humid
linoleum, cilia listening. Feral
as the infrared aura of the snake’s prey, the bees’
pointillism, the infrasonic
hum of the desert heard by the birds.
The nighthawk spans the ceiling;
swoops. Hot kitchen air
vibrates. I look up
to the pattern of stars under its wings.
”
”
Anne Michaels
“
I craved a form of naive realism. I paid special attention, I craned my readerly neck whenever a London street I knew was mentioned, or a style of frock, a real public person, even a make of car. Then, I thought, I had a measure, I could guage the quality of the writing by its accuracy, by the extent to which it aligned with my own impressions, or improved upon them. I was fortunate that most English writing of the time was in the form of undemanding social documentary. I wasn't impressed by those writers (they were spread between South and North America) who infiltrated their own pages as part of the cast, determined to remind poor reader that all the characters and even they themselves were pure inventions and the there was a difference between fiction and life. Or, to the contrary, to insist that life was a fiction anyway. Only writers, I thought, were ever in danger of confusing the two.
”
”
Ian McEwan (Sweet Tooth)
“
When your mama was the geek, my dreamlets,' Papa would say, 'she made the nipping off of noggins such a crystal mystery that the hens themselves yearned toward her, waltzing around her, hypnotized with longing. "Spread your lips, sweet Lil," they'd cluck, "and show us your choppers!"'
This same Crystal Lil, our star-haired mama, sitting snug on the built-in sofa that was Arty's bed at night, would chuckle at the sewing in her lap and shake her head. 'Don't piffle to the children, Al. Those hens ran like whiteheads.'
Nights on the road this would be, between shows and towns in some campground or pull-off, with the other vans and trucks and trailers of Binewski's Carnival Fabulon ranged up around us, safe in our portable village.
After supper, sitting with full bellies in the lamp glow, we Binewskis were supposed to read and study. But if it rained the story mood would sneak up on Papa. The hiss and tick on the metal of our big living van distracted him from his papers. Rain on a show night was catastrophe. Rain on the road meant talk, which, for Papa, was pure pleasure.
'It's a shame and a pity, Lil,' he'd say, 'that these offspring of yours should only know the slumming summer geeks from Yale.'
'Princeton, dear,' Mama would correct him mildly. 'Randall will be a sophomore this fall. I believe he's our first Princeton boy.'
We children would sense our story slipping away to trivia. Arty would nudge me and I'd pipe up with, 'Tell about the time when Mama was the geek!' and Arty and Elly and Iphy and Chick would all slide into line with me on the floor between Papa's chair and Mama.
Mama would pretend to be fascinated by her sewing and Papa would tweak his swooping mustache and vibrate his tangled eyebrows, pretending reluctance. 'WellIll . . .' he'd begin, 'it was a long time ago . . .'
'Before we were born!'
'Before . . .' he'd proclaim, waving an arm in his grandest ringmaster style, 'before I even dreamed you, my dreamlets!'
'I was still Lillian Hinchcliff in those days,' mused Mama. 'And when your father spoke to me, which was seldom and reluctantly, he called me "Miss." '
'Miss!' we would giggle. Papa would whisper to us loudly, as though Mama couldn't hear, 'Terrified! I was so smitten I'd stutter when I tried to talk to her. "M-M-M-Miss . . ." I'd say.'
We'd giggle helplessly at the idea of Papa, the GREAT TALKER, so flummoxed.
'I, of course, addressed your father as Mister Binewski.
”
”
Katherine Dunn (Geek Love)
“
Look your fill ” the creature murmured his voice as sweet and rich as syllabub sauce. And his lusty grin when he said it was sinful—and pleasurable.
Prue was certain her face flamed red at the barbarian’s insinuation.
“I’m sure I don’t know what you mean ” she replied tartly.
He smiled and drained his goblet. His head was tilted back exposing the thick cords in his throat and Prue watched him eagerly drink down the entire contents in one swallow. Never had she seen such a vulgar display. Never had she been so engrossed in the workings of a man’s throat and the movement of his Adam’s apple. With a thunk he set the goblet down and shoved his chair back. His legs were spread and the black leather riding britches he wore were pulled snugly over his massive thighs…and other parts as well.
Flushing Prudence glanced away. She could not look at him like that with his lace jabot untied and lying on either side of his opened shirt. A shirt that was unbuttoned and opened to his waist exposing a vast amount of dark male skin hairless and bronzed.
“Shall you not look my lady ” he beckoned softly. “I like the feel of your eyes on me.”
“Cover yourself sir ” she demanded. “It’s most unseemly.”
“Ah the lady is Temperance indeed ” the brute murmured huskily.
”
”
Charlotte Featherstone (Lust (The Sins and The Virtues, #1))
“
The progress of Sybilla though a market was the progress of worker bee through a bower of intently propagating blossoms. Everything stuck. From the toy stall she bought two ivory dolls, a hen whistle, a rattle and a charming set of miniature bells for a child’s skirts: all were heroically received and borne by Tom, henceforth marked by a faint, distracted jingling. From the spice booth, set with delicious traps for the fat purse, she took cinnamon, figs, cumin seed and saffron, ginger, flower of gillyflower and crocus and—an afterthought—some brazil for dyeing her new wool. These were distributed between Christian and Tom. They listened to a balladmonger, paid him for all the verses of “When Tay’s Bank,” and bought a lengthy scroll containing a brand-new ballad which Tom Erskine read briefly and then discreetly lost. “No matter,” said the Dowager cheerfully, when told. “Dangerous quantity, music. Because it spouts sweet venom in their ears and makes their minds all effeminate, you know. We can’t have that.” He was never very sure whether she was laughing at him, but rather thought not. They pursued their course purposefully, and the Dowager bought a new set of playing cards, some thread, a boxful of ox feet, a quantity of silver lace and a pair of scissors. She was dissuaded from buying a channel stone, which Tom, no curling enthusiast, refused utterly to carry, and got a toothpick in its case instead. They watched acrobats, invested sixpence for an unconvincing mermaid and finally stumbled, flattened and hot, into a tavern, where Tom forcibly commandeered a private space for the two women and brought them refreshments. “Dear, dear,” said Lady Culter, seating herself among the mute sea of her parcels, like Arion among his fishes. “I’m afraid I’ve forgotten which are the squashy ones. Never mind. If we spread them out, they can’t take much hurt, I should think. Unless the ox feet … Oh. What a pity, Tom. But I’m sure it will clean off.
”
”
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
“
Dropping to his knees before her, he loved her, worshiped her with his mouth, kissing her stomach, her hips, her thighs, and finally reaching her moist, intimate center.
She cried out his name and he knew she was shocked at his behavior, but he didn't care.
He devoured her, holding her tightly against his mouth as he drank her.
Alternating between swirls of his tongue and long, languid licks, he let her moans and sighs be his guide to pleasuring her. Her body shook and he knew she was close. He quickened his movements.
He slid his hands from her bottom around to her waist, and to her rib cage. Reaching her breasts, he plucked at her nipples while he suckled the tiny nubbin of flesh hidden in her folds.
She screamed. And he continued his sweet torture until her knees buckled.
He caught her to him. Holding her close he carried her to his bed, his cock so fiendishly hard he thought he'd go mad if he didn't take her at that moment.
In a stunningly short amount of time, he rid himself of his clothes and joined her on the bed. Her legs spread for him and he sank himself between her thighs.
Her limbs shaking, Charlotte wrapped her legs around his waist and eagerly met her husband's lips for a kiss.
His body was simply magnificent, she thought, running her hands down his muscled back, over the hard muscles of his arms and chest.
”
”
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
“
The universe is but a tenement
of all things visible. Darkness and day
the passing guests of Time.
Life slips away,
a dream of little joy and mean content.
Ah! wise the old philosophers who sought
To lengthen their long sunsets among flowers,
By stealing the young night's unsullied hours
And the dim moments with sweet burdens fraught.
And now Spring beckons me with verdant hand,
And Nature's wealth of eloquence doth win
Forth to the fragrant-bowered nectarine,
Where my dear friends abide, a careless band.
There meet my gentle, matchless brothers, there
I come, the obscure poet, all unfit
To wear the radiant jewelry of wit,
And in their golden presence cloud the air.
And while the thrill of meeting lingers, soon
As the first courtly words, the feast is spread,
While, couched on flowers 'mid wine-cups flashing red,
We drink deep draughts unto The Lady Moon.
Then as without the touch of verse divine
There is no outlet for the pent-up soul,
'Twas ruled that he who quaffed no fancy's bowl
Should drain the "Golden Valley" cups of wine
”
”
Li Bai
“
Hot nights filled with summer thunder. Heat lightning far and thin and the midnight sky becrazed and mended back again. Suttree moved down to the gravelbar on the river and spread his blanket there under the gauzy starwash and lay naked with his back pressed to the wheeling earth. The river chattered and sucked past at his elbow. He'd lie awake long after the last dull shapes in the coals of the cookfire died and he'd go naked into the cool and velvet waters and submerge like an otter and come up and blow, the stones smooth as marbles under his cupped toes and the dark water reeling past his eyes. He'd lie on his back in the shallows and on these nights he'd see stars come adrift and rifle hot and dying across the face of the firmament. The enormity of the universe filled him with a strange sweet woe.
She always found him. She'd come pale and naked from the trees into the water like some dream old prisoners harbor or sailors at sea. Or touch his cheek where he lay sleeping and say his name. Holding her arms aloft like a child for him to raise up over them the nightshirt that she wore and her to lie cool and naked against his side.
”
”
Cormac McCarthy (Suttree)
“
I.
In the greenest of our valleys,
By good angels tenanted,
Once a fair and stately palace -
Radiant palace - reared its head.
In the monarch Thought's dominion -
It stood there !
Never seraph spread a pinion
Over fabric half so fair.
II.
Banners yellow, glorious, golden,
On its roof did float and flow;
(This - all this - was in the olden
Time long ago)
And every gentle air that dallied,
In that sweet day,
Along the ramparts plumed and pallid,
A winged odor went away.
III.
Wanderers in that happy valley
Through two luminous windows saw
Spirits moving musically
To a lute's well-tunéd law,
Round about a throne, where sitting
(Porphyrogene !)
In state his glory well befitting,
The ruler of the realm was seen.
IV.
And all with pearl and ruby glowing
Was the fair palace door,
Through which came flowing, flowing, flowing,
And sparkling evermore,
A troop of Echoes whose sweet duty
Was but to sing,
In voices of surpassing beauty,
The wit and wisdom of their king.
V.
But evil things, in robes of sorrow,
Assailed the monarch's high estate ;
(Ah, let us mourn, for never morrow
Shall dawn upon him, desolate !)
And, round about his home, the glory
That blushed and bloomed
Is but a dim-remembered story
Of the old time entombed.
VI.
And travellers now within that valley,
Through the red-litten windows, see
Vast forms that move fantastically
To a discordant melody ;
While, like a rapid ghastly river,
Through the pale door,
A hideous throng rush out forever,
And laugh - but smile no more.
”
”
Edgar Allan Poe (The Fall of the House of Usher and Other Tales)
“
A morning-flowered dalliance
demured and dulcet-sweet
with ebullience and efflorescence
admiring, cozy cottages
and elixirs of eloquence
lie waiting at our feet -
We'll dance through fetching pleasantries
as we walk ephemeral roads
evocative epiphanies
ethereal, though we know
our hearts are linked with gossamer
halcyon our day
a harbinger of pretty things
infused with whispers longing still
and gamboling in sultry ways
to feelings, all ineffable
screaming with insouciance
masking labyrinthine paths
where, in our nonchalance, we walk
through the lilt of love’s new morning rays.
Mellifluous murmurings
from a babbling brook
that soothes our heated passion-songs
and panoplies perplexed with thought
of shadows carried off with clouds
in stormy summer rains…
My dear, and that I can call you 'dear'
after ripples turned to crashing waves
after pyrrhic wins, emotions drained
we find our palace sunned and rayed
with quintessential moments lit
with wildflower lanterns arrayed
on verandahs lush with mutual love,
the softest love – our preferred décor
of life's lilly-blossom gate
in white-fenced serendipity…
Twilight sunlit heavens cross
our gardens, graced with perseverance,
bliss, and thee, and thou, so splendid, delicate
as a morning dove of charm and mirth –
at least with me; our misty mornings
glide through air...
So with whippoorwill’d sweet poetry -
of moonstones, triumphs, wonder-woven
in chandliers of winglet cherubs
wrought with time immemorial,
crafted with innocence, stowed away
and brought to light upon our day
in hallelujah tapestries
of ocean-windswept galleries
in breaths of ballet kisses, light,
skipping to the breakfast room
cascading chrysalis's love
in diaphanous imaginings
delightful, fleeting, celestial-viewed
as in our eyes which come to rest
evocative, exuberant
on one another’s moon-stowed dreams
idyllic, in quiescent ways,
peaceful in their radiance
resplendent with a myriad of thought
soothing muse, rhapsodic song
until the somnolence of night
spreads out again its shaded truss
of luminescent fantasies
waiting to be loved by us…
Oh, love! Your sincerest pardons begged!
I’ve gone too long, I’ve rambled, dear,
and on and on and on and on -
as if our hours were endless here…
A morning toast, with orange-juiced lips
exalting transcendent minds
suffused with sunrise symphonies
organic-born tranquilities
sublimed sonorous assemblages
with scintillas of eternity beating
at our breasts – their embraces but
a blushing, longing glance away…
I’ll end my charms this enraptured morn'
before cacophony and chafe
coarse in crude and rough abrade
when cynical distrust is laid
by hoarse and leeching parasites,
distaste fraught with smug disgust
by hairy, smelly maladroit
mediocrities born of poisoned wells
grotesque with selfish lies -
shrill and shrieking, biting, creeping
around our love, as if they rose
from Edgar Allen’s own immortal
rumpled decomposing clothes…
Oh me, oh my! I am so sorry!
can you forgive me? I gone and kissed you
for so long, in my morning imaginings,
through these words, through this song -
‘twas supposed to be "a trifle treat,"
but little treats do sometimes last
a little longer; and, oh, but oh,
but if I could, I surly would
keep you just a little longer tarrying here,
tarrying here with me this pleasant morn
”
”
Numi Who
“
A throbbing ache started to grow in her womb. She wanted more, wanted something...
"Rothbury, please," she begged. "Please."
And then his fingers were there, delving inside, spreading her moisture up and down and around her opening. Her hips circled and dipped along with his movements. She moaned, saying his name. He groaned, panting along with her. Expertly, he handled her. Rhythmically, sweetly, he tortured her.
"Open my trousers," he breathed.
She complied.
Soon he was freed, his hardness jutting upward, seeking her heat.
"Look at me," he bit out through his teeth.
As if through a haze, she met his heated, intense gaze.
"This is the only time in my life I will ever hurt you."
Her brow scrunched and it was on the tip of her tongue to ask him just what exactly he meant, when the tip of his manhood pulsed at the opening of her center.
"Hold on," he said, his voice strained.
Charlotte gripped his shoulders. Rothbury gripped her hips. Lifting her, he hesitated for a moment.
"Do you want it?"
She nodded and made some sort of noise, half whimper and half the word "yes."
He bent his head to suckle one of her breasts again. For long moments, he held her poised above him as he toyed with her nipples, flicking, lapping, and gently running the bottom row of his teeth against them.
When she started to wriggle, he impaled her in one smooth, swift motion.
She cried out, nearly surging off of him.
"Shh. Shh." He kissed her eyelids, the apples of her cheeks. "Only this time, my angel. Only this time it hurts."
He kept very still, waiting for some sort of response from her, she imagined.
Where there was once only pleasure, she now felt a stabbing pain. It seemed to radiate around his arousal. Her breathing slowed. This couldn't be it. There had to be more...
And then she felt a sort of tickling. She looked down at their joined bodies to find Rothbury using his thumb to flick quickly against a tiny nubbin of flesh hidden in her folds. It felt... wonderful.
Like magic, her hips began to move of their own accord. Her breathing increased and the throbbing, damp pleasure returned. She rocked against him.
"There you are, Charlotte," he murmured against her throat. "Better?"
She nodded shakily, tiny shivers shimmering down her upper body as he nipped at her earlobe.
His large hands held her backside tightly against him, controlling, rolling her with him in a primal rhythm.
”
”
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
“
It has been a long trip,” said Milo, climbing onto the couch where the princesses sat; “but we would have been here much sooner if I hadn’t made so many mistakes. I’m afraid it’s all my fault.” “You must never feel badly about making mistakes,” explained Reason quietly, “as long as you take the trouble to learn from them. For you often learn more by being wrong for the right reasons than you do by being right for the wrong reasons.” “But there’s so much to learn,” he said, with a thoughtful frown. “Yes, that’s true,” admitted Rhyme; “but it’s not just learning things that’s important. It’s learning what to do with what you learn and learning why you learn things at all that matters.” “That’s just what I mean,” explained Milo as Tock and the exhausted bug drifted quietly off to sleep. “Many of the things I’m supposed to know seem so useless that I can’t see the purpose in learning them at all.” “You may not see it now,” said the Princess of Pure Reason, looking knowingly at Milo’s puzzled face, “but whatever we learn has a purpose and whatever we do affects everything and everyone else, if even in the tiniest way. Why, when a housefly flaps his wings, a breeze goes round the world; when a speck of dust falls to the ground, the entire planet weighs a little more; and when you stamp your foot, the earth moves slightly off its course. Whenever you laugh, gladness spreads like the ripples in a pond; and whenever you’re sad, no one anywhere can be really happy. And it’s much the same thing with knowledge, for whenever you learn something new, the whole world becomes that much richer.” “And remember, also,” added the Princess of Sweet Rhyme, “that many places you would like to see are just off the map and many things you want to know are just out of sight or a little beyond your reach. But someday you’ll reach them all, for what you learn today, for no reason at all, will help you discover all the wonderful secrets of tomorrow.
”
”
Norton Juster (The Phantom Tollbooth)
“
How do you remain an individual when you are also part of so powerfully driven a pair?”
“Irrational or justified, it is what it is.” Gideon was realizing the logic of that for himself even as he spoke the words. “Perhaps, in time, it will be less acute. I have no desire to rob you of your individuality, nor do I wish to lose my own. It is difficult for me as well . . . I have been so solitary throughout my lifetime, and now, to be suddenly given such riveting company . . . I fear I cannot do you the justice you deserve. And for you it will be worse; with the influx of power you are beginning to experience it will be taxing, to say the least.”
“I know.” Legna reached up and splayed her palms over the dark silk covering his chest. “I suppose at some point, if I start to go crazy, you are going to have to knock me out or tie me up or something.”
“Hmm. The latter has possibilities,” he mused with a growling smile that erased the tension in his face.
Legna laughed, giving him a shove.
“Gideon, you are nothing but an ancient pervert,” she teased him.
“And this is an issue because . . . ?”
“You are horrible!” She pushed away from him, gaining her feet.
He reached to take her hand, pulling her closer once more and continuing to do so until she had nowhere else to go but his lap. She took the seat, her voluminous skirts spreading over them both.
“I will forgive you, this time,” she conceded.
“Thank you,” he said with honest graciousness. “Now, my beauty, tell me what you would like to do to get to know me better. I find myself looking forward to your discoveries.”
“Well, I did not think of anything specific. I imagined time would fill itself.”
“That is dangerously liberal, sweet. If you leave it up to the natural course of things, I can tell you exactly what we will end up doing.”
Legna giggled, blushing because she realized he was right. Even just sitting in his lap and talking as she was, she could feel the mutual awareness that sparked between them, constantly simmering and waiting for just a little more heat to bring them up to the boiling point.
“Very well, I am open to suggestions,” she invited.
“Again, too liberal,” he teased, his eyes twinkling with mischievous starlight.
“You are incorrigible. I never realized you were a sex fiend, Gideon.”
“I am now,” he amended, drawing a finger down the slope of her nose.
”
”
Jacquelyn Frank (Gideon (Nightwalkers, #2))
“
BRIDE SONG
Too late for love, too late for joy,
Too late, too late!
You loitered on the road too long,
You trifled at the gate:
The enchanted dove upon her branch
Died without a mate;
The enchanted princess in her tower
Slept, died, behind the grate;
Her heart was starving all this while
You made it wait.
Ten years ago, five years ago,
One year ago,
Even then you had arrived in time,
Though somewhat slow;
Then you had known her living face
Which now you cannot know:
The frozen fountain would have leaped,
The buds gone on to blow,
The warm south wind would have awaked
To melt the snow.
Is she fair now as she lies?
Once she was fair;
Meet queen for any kingly king,
With gold-dust on her hair,
Now these are poppies in her locks,
White poppies she must wear;
Must wear a veil to shroud her face
And the want graven there:
Or is the hunger fed at length,
Cast off the care?
We never saw her with a smile
Or with a frown;
Her bed seemed never soft to her,
Though tossed of down;
She little heeded what she wore,
Kirtle, or wreath, or gown;
We think her white brows often ached
Beneath her crown,
Till silvery hairs showed in her locks
That used to be so brown.
We never heard her speak in haste;
Her tones were sweet,
And modulated just so much
As it was meet:
Her heart sat silent through the noise
And concourse of the street.
There was no hurry in her hands,
No hurry in her feet;
There was no bliss drew nigh to her,
That she might run to greet.
You should have wept her yesterday,
Wasting upon her bed:
But wherefore should you weep today
That she is dead?
Lo we who love weep not today,
But crown her royal head.
Let be these poppies that we strew,
Your roses are too red:
Let be these poppies, not for you
Cut down and spread.
”
”
Christina Rossetti (Poems of Christina Rossetti)
“
Ode to the West Wind
I
O wild West Wind, thou breath of Autumn’s being,
Thou, from whose unseen presence the leaves dead
Are driven, like ghosts from an enchanter fleeing,
Yellow, and black, and pale, and hectic red,
Pestilence-stricken multitudes: O thou,
Who chariotest to their dark wintry bed
The winged seeds, where they lie cold and low,
Each like a corpse within its grave, until
Thine azure sister of the Spring shall blow
Her clarion o’er the dreaming earth, and fill
(Driving sweet buds like flocks to feed in air)
With living hues and odours plain and hill:
Wild Spirit, which art moving everywhere;
Destroyer and preserver; hear, oh hear!
II
Thou on whose stream, mid the steep sky’s commotion,
Loose clouds like earth’s decaying leaves are shed,
Shook from the tangled boughs of Heaven and Ocean,
Angels of rain and lightning: there are spread
On the blue surface of thine aëry surge,
Like the bright hair uplifted from the head
Of some fierce Maenad, even from the dim verge
Of the horizon to the zenith’s height,
The locks of the approaching storm. Thou dirge
Of the dying year, to which this closing night
Will be the dome of a vast sepulchre,
Vaulted with all thy congregated might
Of vapours, from whose solid atmosphere
Black rain, and fire, and hail will burst: oh hear!
III
Thou who didst waken from his summer dreams
The blue Mediterranean, where he lay,
Lull’d by the coil of his crystàlline streams,
Beside a pumice isle in Baiae’s bay,
And saw in sleep old palaces and towers
Quivering within the wave’s intenser day,
All overgrown with azure moss and flowers
So sweet, the sense faints picturing them! Thou
For whose path the Atlantic’s level powers
Cleave themselves into chasms, while far below
The sea-blooms and the oozy woods which wear
The sapless foliage of the ocean, know
Thy voice, and suddenly grow gray with fear,
And tremble and despoil themselves: oh hear!
IV
If I were a dead leaf thou mightest bear;
If I were a swift cloud to fly with thee;
A wave to pant beneath thy power, and share
The impulse of thy strength, only less free
Than thou, O uncontrollable! If even
I were as in my boyhood, and could be
The comrade of thy wanderings over Heaven,
As then, when to outstrip thy skiey speed
Scarce seem’d a vision; I would ne’er have striven
As thus with thee in prayer in my sore need.
Oh, lift me as a wave, a leaf, a cloud!
I fall upon the thorns of life! I bleed!
A heavy weight of hours has chain’d and bow’d
One too like thee: tameless, and swift, and proud.
V
Make me thy lyre, even as the forest is:
What if my leaves are falling like its own!
The tumult of thy mighty harmonies
Will take from both a deep, autumnal tone,
Sweet though in sadness. Be thou, Spirit fierce,
My spirit! Be thou me, impetuous one!
Drive my dead thoughts over the universe
Like wither’d leaves to quicken a new birth!
And, by the incantation of this verse,
Scatter, as from an unextinguish’d hearth
Ashes and sparks, my words among mankind!
Be through my lips to unawaken’d earth
The trumpet of a prophecy! O Wind,
If Winter comes, can Spring be far behind?
”
”
Percy Bysshe Shelley (Ode to the West Wind and Other Poems)
“
But it wasn't all bad. Sometimes things wasn't all bad. He used to come home easing into bed sometimes, not too drunk. I make out like I'm asleep, 'casue it's late, and he taken three dollars out of my pocketbook that morning or something. I hear him breathing, but I don't look around. I can see in my mind's eye his black arms thrown back behind his head, the muscles like a great big peach stones sanded down, with veins running like little swollen rivers down his arms. Without touching him I be feeling those ridges on the tips of my fingers. I sees the palms of his hands calloused to granite, and the long fingers curled up and still. I think about the thick, knotty hair on his chest, and the two big swells his breast muscles make. I want to rub my face hard in his chest and feel the hair cut my skin. I know just where the hair growth slacks out-just above his navel- and how it picks up again and spreads out. Maybe he'll shift a little, and his leg will touch me, or I feel his flank just graze my behind. I don't move even yet. Then he lift his head, turn over, and put his hand on my waist. If I don't move, he'll move his hand over to pull and knead my stomach. Soft and slow-like. I still don't move, because I don't want him to stop. I want to pretend sleep and have him keep rubbing my stomach. Then he will lean his head down and bite my tit. Then I don't want him to rub my stomach anymore. I want him to put his hand between my legs. I pretend to wake up, and turn to him, but not opening my legs. I want him to open them for me. He does, and I be soft and wet where his fingers are strong and hard. I be softer than I ever been before. All my strength in his hand. My brain curls up like wilted leaves. A funny, empty feeling is in my hands. I want to grab holt of something, so I hold his head. His mouth is under my chin. Then I don't want his hands between my legs no more, because I think I am softening away. I stretch my legs open, and he is on top of me. Too heavy to hold, too light not to. He puts his thing in me. In me. In me. I wrap my feet around his back so he can't get away. His face is next to mine. The bed springs sounds like them crickets used to back home. He puts his fingers in mine, and we stretches our arms outwise like Jesus on the cross. I hold tight. My fingers and my feet hold on tight, because everything else is going, going. I know he wants me to come first. But I can't. Not until he does. Not until I feel him loving me. Just me. Sinking into me. Not until I know that my flesh is all that be on his mind. That he couldnt stop if he had to. That he would die rather than take his thing our of me. Of me. Not until he has let go of all he has, and give it to me. To me. To me. When he does, I feel a power. I be strong, I be pretty, I be young. And then I wait. He shivers and tosses his head. Now I be strong enough, pretty enough, and young enough to let him make me come. I take my fingers out of his and put my hands on his behind. My legs drop back onto the bed. I don't make a noise, because the chil'ren might hear. I begin to feel those little bits of color floating up into me-deep in me. That streak of green from the june-bug light, the purple from the berries trickling along my thighs, Mama's lemonade yellow runs sweet in me. Then I feel like I'm laughing between my legs, and the laughing gets all mixed up with the colors, and I'm afraid I'll come, and afraid I won't. But I know I will. And I do. And it be rainbow all inside. And it lasts ad lasts and lasts. I want to thank him, but dont know how, so I pat him like you do a baby. He asks me if I'm all right. I say yes. He gets off me and lies down to sleep. I want to say something, but I don't. I don't want to take my mind offen the rainbow. I should get up and go to the toilet, but I don't. Besides Cholly is asleep with his leg thrown over me. I can't move and I don't want to.
”
”
Toni Morrison (The Bluest Eye)
“
One day Moses was walking in the mountains on his own when he saw a shepherd in the distance.
The man was on his knees with his hands spread out to the sky, praying. Moses was delighted. But
when he got closer, he was equally stunned to hear the shepherd’s prayer.
“Oh, my beloved God, I love Thee more than Thou can know. I will do anything for Thee, just say
the word. Even if Thou asked me to slaughter the fattest sheep in my flock in Thy name, I would do so
without hesitation. Thou would roast it and put its tail fat in Thy rice to make it more tasty.”
Moses inched toward the shepherd, listening attentively.
“Afterward I would wash Thy feet and clean Thine ears and pick Thy lice for Thee. That is how much I love Thee.”
Having heard enough, Moses interrupted the shepherd, yelling, “Stop, you ignorant man! What do
you think you are doing? Do you think God eats rice? Do you think God has feet for you to wash? This
is not prayer. It is sheer blasphemy.”
Dazed and ashamed, the shepherd apologized repeatedly and promised to pray as decent people did.
Moses taught him several prayers that afternoon. Then he went on his way, utterly pleased with
himself.
But that night Moses heard a voice. It was God’s.
“Oh, Moses, what have you done? You scolded that poor shepherd and failed to realize how dear he
was to Me. He might not be saying the right things in the right way, but he was sincere. His heart was
pure and his intentions good. I was pleased with him. His words might have been blasphemy to your
ears, but to Me they were sweet blasphemy.”
Moses immediately understood his mistake. The next day, early in the morning, he went back to the
mountains to see the shepherd. He found him praying again, except this time he was praying in the way
he had been instructed. In his determination to get the prayer right, he was stammering, bereft of the
excitement and passion of his earlier prayer. Regretting what he had done to him, Moses patted the
shepherd’s back and said: “My friend, I was wrong. Please forgive me. Keep praying in your own way.
That is more precious in God’s eyes.”
The shepherd was astonished to hear this, but even deeper was his relief. Nevertheless, he did not
want to go back to his old prayers. Neither did he abide by the formal prayers that Moses had taught
him. He had now found a new way of communicating with God. Though satisfied and blessed in his
naïve devotion, he was now past that stage—beyond his sweet blasphemy.
“So you see, don’t judge the way other people connect to God,” concluded Shams. “To each his own
way and his own prayer. God does not take us at our word. He looks deep into our hearts. It is not the
ceremonies or rituals that make a difference, but whether our hearts are sufficiently pure or not.
”
”
Elif Shafak
“
He remembered an old tale which his father was fond of telling him—the story of Eos Amherawdur (the Emperor Nightingale). Very long ago, the story began, the greatest and the finest court in all the realms of faery was the court of the Emperor Eos, who was above all the kings of the Tylwydd Têg, as the Emperor of Rome is head over all the kings of the earth. So that even Gwyn ap Nudd, whom they now call lord over all the fair folk of the Isle of Britain, was but the man of Eos, and no splendour such as his was ever seen in all the regions of enchantment and faery. Eos had his court in a vast forest, called Wentwood, in the deepest depths of the green-wood between Caerwent and Caermaen, which is also called the City of the Legions; though some men say that we should rather name it the city of the Waterfloods. Here, then, was the Palace of Eos, built of the finest stones after the Roman manner, and within it were the most glorious chambers that eye has ever seen, and there was no end to the number of them, for they could not be counted. For the stones of the palace being immortal, they were at the pleasure of the Emperor. If he had willed, all the hosts of the world could stand in his greatest hall, and, if he had willed, not so much as an ant could enter into it, since it could not be discerned. But on common days they spread the Emperor's banquet in nine great halls, each nine times larger than any that are in the lands of the men of Normandi. And Sir Caw was the seneschal who marshalled the feast; and if you would count those under his command—go, count the drops of water that are in the Uske River. But if you would learn the splendour of this castle it is an easy matter, for Eos hung the walls of it with Dawn and Sunset. He lit it with the sun and moon. There was a well in it called Ocean. And nine churches of twisted boughs were set apart in which Eos might hear Mass; and when his clerks sang before him all the jewels rose shining out of the earth, and all the stars bent shining down from heaven, so enchanting was the melody. Then was great bliss in all the regions of the fair folk. But Eos was grieved because mortal ears could not hear nor comprehend the enchantment of their song. What, then, did he do? Nothing less than this. He divested himself of all his glories and of his kingdom, and transformed himself into the shape of a little brown bird, and went flying about the woods, desirous of teaching men the sweetness of the faery melody. And all the other birds said: "This is a contemptible stranger." The eagle found him not even worthy to be a prey; the raven and the magpie called him simpleton; the pheasant asked where he had got that ugly livery; the lark wondered why he hid himself in the darkness of the wood; the peacock would not suffer his name to be uttered. In short never was anyone so despised as was Eos by all the chorus of the birds. But wise men heard that song from the faery regions and listened all night beneath the bough, and these were the first who were bards in the Isle of Britain.
”
”
Arthur Machen (The Secret Glory)
“
There was a moment of stillness before something in him seemed to snap. she pounced on her with a sort of tigerish delight, and clamped his mouth over hers. She squeaked in surprise, wriggling in his hold, but his arms clamped around her easily, his muscles as solid as oak. He kissed her possessively, almost roughly at first, gentling by voluptuous degrees. Her body surrendered without giving her brain a chance to object, applying itself eagerly to every available inch of him. The luxurious male heat and hardness of him satisfied a wrenching hunger she hadn't been aware of until now. It also gave her the close-but-not-close-enough feeling she remembered from before. Oh, how confusing this was, this maddening need to crawl inside his clothes, practically inside his skin.
She let her fingertips wander over his cheeks and jaw, the neat shape of his ears, the taut smoothness of his neck. When he offered no objection, she sank her fingers into his thick, vibrant hair and sighed in satisfaction. He searched for her tongue, teased and stroked intimately until her heart pounded in a tumult of longing, and a sweet, empty ache spread all through her. Dimly aware that she was going to lose control, that she was on the verge of swooning, or assaulting him again, she managed to break the kiss and turn her face away with a gasp.
"Don't," she said weakly.
His lips grazed along her jawline, his breath rushing unsteadily against her skin. "Why? Are you still worried about Australian pox?"
Slowly it registered that they were no longer standing. Gabriel was sitting on the ground with his back against the grass-covered mound, and- heaven help her- she was in his lap. She glanced around them in bewilderment. How had this happened?
"No," she said, bewildered and perturbed, "but I just remembered that you said I kissed like a pirate."
Gabriel looked blank for a moment. "Oh, that. That was a compliment."
Pandora scowled. "It would only be a compliment if I had a beard and a peg leg."
Setting his mouth sternly against a faint quiver, Gabriel smoothed her hair tenderly. "Forgive my poor choice of words. What I meant to convey was that I found your enthusiasm charming."
"Did you?" Pandora turned crimson. Dropping her head to his shoulder, she said in a muffled voice, "Because I've worried for the past three days that I did it wrong."
"No, never, darling." Gabriel sat up a little and cradled her more closely to him. Nuzzling her cheek, he whispered, "Isn't it obvious that everything about you gives me pleasure?"
"Even when I plunder and pillage like a Viking?" she asked darkly.
"Pirate. Yes, especially then." His lips moved softly along the rim of her right ear. "My sweet, there are altogether too many respectable ladies in the world. The supply has far exceeded the demand. But there's an appalling shortage of attractive pirates, and you do seem to have a gift for plundering and ravishing. I think we've found you're true calling."
"You're mocking me," Pandora said in resignation, and jumped a little as she felt his teeth gently nip her earlobe.
Smiling, Gabriel took her head between his hands and looked into her eyes. "Your kiss thrilled me beyond imagining," he whispered. "Every night for the rest of my life, I'll dream of the afternoon in the holloway, when I was waylaid by a dark-haired beauty who devastated me with the heat of a thousand troubled stars, and left my soul in cinders. Even when I'm an old man, and my brain has fallen to wrack and ruin, I'll remember the sweet fire of your lips under mine, and I'll say to myself, 'Now, that was a kiss.'"
Silver-tongued devil, Pandora thought, unable to hold back a crooked grin. Only yesterday, she'd heard Gabriel affectionately mock his father, who was fond of expressing himself with elaborate, almost labyrinthine turns of phrase. Clearly the gift had been passed down to his son.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
A rattle of dishes warned of a servant’s entry into the hall, but Christopher was incensed, and half turning with a growl, he gestured Paine back.
“Get out of here, man!”
“Christopher!” Erienne gasped and took two halting steps to follow the befuddled servant, but Christopher came around to face her with a glare.
“Stay where you are, madam! I am not finished with you.”
“You have no right to give orders here,” she protested, her own ire growing. “This is my husband’s house!”
“I’ll give orders when and where I damn well please, and for once, you will stand and listen until I’m through!”
More than a trifle outraged herself, Erienne hurled back her answer. “You may command the men on your ship to your will, Mister Seton, but you have no such authority here! Good day to you!”
Catching up her skirts, she whirled and stalked toward the tower until she heard the sound of rapid footsteps coming behind her, then a sudden panic seized her that he would make such a scene that she would not be able to face the servants… or her husband. She raced into the entry, stepping over the puddle, and took to the stairs, forcing every bit of strength she could into her limbs. She had barely gained the fourth step when she heard sliding feet, a loud thump, and then a painful grunt followed by an angry curse.
When she whirled, Christopher was just coming to rest in a heap against the wall after sliding across the floor, partway on his back. For a moment she stared aghast at the dignified man sprawled in a most undignified manner, but when he raised his head to look at her with barely contained rage, she was struck by the humor of it all. Bubbling laughter broke forth, winning from him a dark scowl of exasperation.
“Are you hurt, Christopher?” she asked sweetly.
“Aye! My pride has been mightily bruised!”
“Oh, that will mend, sir,” she chuckled, spreading her skirts to perch primly on the step above him. Her eyes danced with a lively light that was simply dazzling to behold. “But you should take care. If such a modest spot of water can bring you down so abruptly, I would not advise sailing beyond these shores.”
“ ’Tis not a spot of water that’s brought me down, but a waspish wench who sets her barbs against me at every turn.”
“You dare accuse me when you come in here huffing and snorting like a raging bull?” She gave a throaty, skeptical laugh. “Really, Christopher, you ought to be ashamed of yourself. You frightened Paine and nearly made me swallow my heart.”
“That’s an impossibility, madam, for that thing is surely made of cold, hard steel.”
“You’re pouting,” she chided flippantly, “because I have not fallen swooning at your feet.”
“I’m angry because you continually deny the fact that you should be my wife!” he stated emphatically.
Footsteps on the stairs behind Erienne made them glance up. Aggie came nonchalantly down the steps, seeming unaware of Christopher’s storm-dark frown. Excusing herself, she stepped past her mistress. Finally, on reaching level footing, she contemplated the man, a twinkle of mischief in her eye.
“Aren’t ye a wee bit old ter be takin’ yer leisure on the floor, sir?”
He raised a brow at Erienne as that one smothered a giggle, and with a snort, got to his feet and brushed off his breeches and coatsleeve.
-Christopher, Erienne, and Aggie
”
”
Kathleen E. Woodiwiss (A Rose in Winter)