Spotted Tail Quotes

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Save yourselves!” Percy warned. “It is too late for us!” Then he gasped and pointed to the spot where Frank was hiding. “Oh, no! Frank is turning into a crazy dolphin!” Nothing happened. “I said,” Percy repeated, “Frank is turning into a crazy dolphin!” Frank stumbled out of nowhere, making a big show of grabbing his throat. “Oh, no,” he said, like he was reading from a teleprompter. “I am turning into a crazy dolphin.” He began to change, his nose elongating into a snout, his skin becoming sleek and gray. He fell to the deck as a dolphin, his tail thumping against the boards. The pirate crew disbanded in terror.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
He loves me, and I reward his love by forcing on him something he hates. In the evening, after we dance, he rarely returns to the throne; he dances with others or moves from place to place through the room. The court thinks he is trying to be gracious, sharing his attention. Only I see that he moves always to the empty spot and the court always moves after him. He is like a dog trying to escape his own tail. He indulged himself in one brief moment of privacy, and almost died of it. Relius, he hates being king.
Megan Whalen Turner (The King of Attolia (The Queen's Thief, #3))
I’m stuck fighting. (Acheron) You’re stuck fighting. But you’re welcome to come share my beach any time you get tired of the brawl. (Savitar) Save me a spot. If this blows up in my face, I’ll be back with my tail forever tucked between my legs. (Acheron)
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
And there in the middle, high above Prechistensky Boulevard, amidst a scattering of stars on every side but catching the eye through its closeness to the earth, its pure white light and the long uplift of its tail, shone the comet, the huge, brilliant comet of 1812, that popular harbinger of untold horrors and the end of the world. But this bright comet with its long, shiny tail held no fears for Pierre. Quite the reverse: Pierre’s eyes glittered with tears of rapture as he gazed up at this radiant star, which must have traced its parabola through infinite space at speeds unimaginable and now suddenly seemed to have picked its spot in the black sky and impaled itself like an arrow piercing the earth, and stuck there, with its strong upthrusting tail and its brilliant display of whiteness amidst the infinity of scintillating stars. This heavenly body seemed perfectly attuned to Pierre’s newly melted heart, as it gathered reassurance and blossomed into new life.
Leo Tolstoy (War and Peace)
Ridiculous!" Chrysaor's voice turned shrill. He didn't seem sure where to level his sword-at Percy or his own crew. "Save yourselves!" Percy warned. "It is too late for us!" Then he gasped and pointed to the spot where Frank was hiding. "Oh, no! Frank is turning into a crazy dolphin!" Nothing happened. "I said," Percy repeated, "Frank is turning into a crazy dolphin!" Frank stumbled out of nowhere, making a big show of grabbing his throat. "Oh, no," he said, like he was reading from a teleprompter. "I am turning into a crazy dolphin." He began to change, his nose elongating into a snout, his skin becoming sleek and gray. He fell to the deck as a dolphin, his tail thumping against the boards. The pirate crew disbanded in terror, chattering and clicking as they dropped their weapons, forgot the captives, ignored Chrysaor's orders, and jumped overboard.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
The Roach shakes his head. “I can learn from Jude’s example, though. I can ask for a promise. If we’re spotted, if we’re set upon, promise to go back to Elfhame immediately. You must do everything in your power to get to safety, no matter what.” Cardan glances toward me, as though for help. When I am silent, he frowns, annoyed with both of us. “Although I am wearing the cloak Mother Marrow made me, the one that will turn any blade, I still promise to run, tail between my legs. And since I have a tail, that should be amusing for everyone. Are you satisfied?
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
it is better for both parties to come together without arms and talk it over and find some peaceful way to settle it. —SINTE-GALESHKA (SPOTTED TAIL) OF THE BRULÉ SIOUX
Dee Brown (Bury My Heart at Wounded Knee: An Indian History of the American West)
as Joe Kraue, CEA of JotSpot ... puts it, "Up until now, the focus has been on dozens of markets of millions, instead of millions of markets of dozens.
Chris Anderson (The Long Tail: Why the Future of Business is Selling Less of More)
I passed a little further on and heard a peacock say: Who made the grass and made the worms and made my feathers gay, He is a monstrous peacock, and He waveth all the night His languid tail above us, lit with myriad spots of light.
W.B. Yeats (Collected Poems (Macmillan Collector's Library))
In the evening, after we dance, he rarely returns to the throne; he dances with others or he moves from place to place through the room. The court thinks he is trying to be gracious, sharing his attention. Only I see that he moves always toward the empty spot and the court moves always after him. He is like a dog trying to escape its own tail. He indulged himself in one brief moment of privacy and almost died of it. Relius, he hates being king.
Megan Whalen Turner (The King of Attolia (The Queen's Thief, #3))
He saw that there was something alive in it, and went near enough to read a sign that said, TWO DEADLY ENEMIES. HAVE A LOOK FREE. There was a black bear about four feet long and very thin, resting on the floor of the cage; his back was spotted with bird lime that had been shot down on him by a small chicken hawk sitting on a perch in the upper part of the same apartment. Mose of the hawk's tail was gone; the bear only had one eye.
Flannery O'Connor (3 by Flannery O'Connor: The Violent Bear It Away / Everything That Rises Must Converge / Wise Blood)
Three hundred types of mussel, a third of the world’s total, live in the Smokies. Smokies mussels have terrific names, like purple wartyback, shiny pigtoe, and monkeyface pearlymussel. Unfortunately, that is where all interest in them ends. Because they are so little regarded, even by naturalists, mussels have vanished at an exceptional rate. Nearly half of all Smokies mussels species are endangered; twelve are thought to be extinct. This ought to be a little surprising in a national park. I mean it’s not as if mussels are flinging themselves under the wheels of passing cars. Still, the Smokies seem to be in the process of losing most of their mussels. The National Park Service actually has something of a tradition of making things extinct. Bryce Canyon National Park is perhaps the most interesting-certainly the most striking-example. It was founded in 1923 and in less than half a century under the Park Service’s stewardship lost seven species of mammal-the white-tailed jackrabbit, prairie dog, pronghorn antelope, flying squirrel, beaver, red fox, and spotted skunk. Quite an achievement when you consider that these animals had survived in Bryce Canyon for tens of millions of years before the Park Service took an interest in them. Altogether, forty-two species of mammal have disappeared from America's national parks this century.
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
One of the windows shatters with enough force to tear down the blinds, saturating my place with muted light. I see a red figure standing in my living room at the same time I spot the daggers flying toward me. I leap onto the edge of the sink and hear the triple thud of knives slicing into the kitchen wall—to the hilt. I
Jayci Lee (Nine Tailed (Realm of Four Kingdoms, #1))
Even his sleep was full of dreams. He dreamt as he had not dreamt since the old days at Three Mile Cross — of hares starting from the long grass; of pheasants rocketing up with long tails streaming, of partridges rising with a whirr from the stubble. He dreamt that he was hunting, that he was chasing some spotted spaniel, who fled, who escaped him. He was in Spain; he was in Wales; he was in Berkshire; he was flying before park-keepers’ truncheons in Regent’s Park. Then he opened his eyes. There were no hares, and no partridges; no whips cracking and no black men crying “Span! Span!” There was only Mr. Browning in the armchair talking to Miss Barrett on the sofa.
Virginia Woolf (Flush)
Two motorcycles rumble in behind me and park in open spots. It's Pigpen and Dust. They're part of the volunteers tailing me and Violet until we're safe.
Katie McGarry (Long Way Home (Thunder Road, #3))
Getting back to the issue of the child," Tina said, harshing our buzz as visual, "I really think you should reconsider. He—" The phone rang. She picked it up, glanced at the caller ID. "We're kind of busy," I said, a little sharply. The phone was a whole thing between Tina and me. "But—" "If it's important, they'll call back." "But it's your mother." I practically snarled. The phone, the fucking phone! People used it the way they used to use the cat-o'-nine-tails. You had to drop everything and answer the fucking thing. And God help you if you were home and, for whatever reason, didn't answer. "But I called!" Yeah, it was convenient for you so you called. But I'm in the shit because it wasn't convenient for me to drop everything and talk to you, on the spot, for whatever you needed to talk about.
MaryJanice Davidson (Undead and Unpopular (Undead, #5))
If you think the person you're following has spotted you, turn and have a nice chat with a stranger on the street. The stranger may think you're a lunatic, but the person you're tailing will think you're harmless.
Kirsten Miller (Inside the Shadow City (Kiki Strike, #1))
To Bury A Star" "I pulled a star from the darkest corner of night and hid it within my bosom. When the Earth beneath my feet gave way, moist and fertile, I knelt to the ground and cupped the radiant treasure in my hands. In a shallow hole I buried it—layer upon layer of black dirt tossed upon the spot until it no longer glowed. This I did for you, my love. Now, come with me and see what has been born from a single wishing star. Hand in hand we walk to the same spot of dirt to find the black and fertile soil sucked dry, the color blanched as pale as desert sands. Look how a ring of white fire jumps and dances around the buried starling! We catch our breath, beholding what has sprouted from this magical seed. The illusion of twisted branches glowing in the darkness like tails of comets soaring skyward—tails of baby stars that shoot like fireworks from that ring of fire. Up, up, up they fly to light a neglected corner of the night. From a single wishing star a thousand more have been born. They are for you, my love—a thousand dreams destined to come true.
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
THE FORTRESS Under the pink quilted covers I hold the pulse that counts your blood. I think the woods outdoors are half asleep, left over from summer like a stack of books after a flood, left over like those promises I never keep. On the right, the scrub pine tree waits like a fruit store holding up bunches of tufted broccoli. We watch the wind from our square bed. I press down my index finger -- half in jest, half in dread -- on the brown mole under your left eye, inherited from my right cheek: a spot of danger where a bewitched worm ate its way through our soul in search of beauty. My child, since July the leaves have been fed secretly from a pool of beet-red dye. And sometimes they are battle green with trunks as wet as hunters' boots, smacked hard by the wind, clean as oilskins. No, the wind's not off the ocean. Yes, it cried in your room like a wolf and your pony tail hurt you. That was a long time ago. The wind rolled the tide like a dying woman. She wouldn't sleep, she rolled there all night, grunting and sighing. Darling, life is not in my hands; life with its terrible changes will take you, bombs or glands, your own child at your breast, your own house on your own land. Outside the bittersweet turns orange. Before she died, my mother and I picked those fat branches, finding orange nipples on the gray wire strands. We weeded the forest, curing trees like cripples. Your feet thump-thump against my back and you whisper to yourself. Child, what are you wishing? What pact are you making? What mouse runs between your eyes? What ark can I fill for you when the world goes wild? The woods are underwater, their weeds are shaking in the tide; birches like zebra fish flash by in a pack. Child, I cannot promise that you will get your wish. I cannot promise very much. I give you the images I know. Lie still with me and watch. A pheasant moves by like a seal, pulled through the mulch by his thick white collar. He's on show like a clown. He drags a beige feather that he removed, one time, from an old lady's hat. We laugh and we touch. I promise you love. Time will not take away that.
Anne Sexton (Selected Poems)
As an example, when Zeus is dallying with the nymph Io, Hera spots them, so he turns Io into a lovely white heifer. Hera, not fooled, seizes the cow and places her under the guard of a giant named Argus Panoptes (“All-Seeing”) because his body is covered with one hundred eyes (making him, quite literally, the first private eye called in by a wife to intervene in a case of adultery). Zeus sends in the god Hermes to tell him a boring, endless story, which gradually puts Argus to sleep, one eye at a time; then Hermes kills him and frees Io. Not done, Hera sends a gadfly to chase Io (an apt choice for hassling a cow), which stings her all the way to Egypt. Hera takes all of the eyes from Argus’ corpse and puts them on the tail of her favorite bird, the peacock. Take away the fanciful elements and the metamorphoses, and you have a classic story of an unfaithful husband confronted by an angry wife who tries to get even with the other woman.
Gregory S. Aldrete (The Long Shadow of Antiquity: What Have the Greeks and Romans Done for Us?)
You rarely saw the celebs protesting anything of substance. The Glades weren't a sexy enough cause, but give the latest blonde-haired twenty-something who'd just hit it big on TV six or seven horn-tailed, red-spotted, sticky-beaked, pigeon-toed, multi-striped tree-owls who might occasionally fly over the two-mile zone pumping millions of barrels of oil out of the ground, and suddenly she began to feel a stronger connection to the land than the Ancient Ones, the Anasazi. Two months later of course, the only red-spotted, sticky-beaked creature in sight would be the little blonde's flush face when she made it on TMZ for failing a breathalyzer test and cursing the cop arresting her, shouting the typical Hollywood star mantra: "Don't you know who I am?
Bobby Underwood (The Turquoise Shroud (Seth Halliday #1))
A certain quality of chance encounter has always affected me this way, exposing the state of things to be desperate and inescapable: spotted egg on pavement amid its own slight spill, shrine at a road sign, blue memory snapping like the tail of a stuck kite.
Jackie Polzin (Brood)
There were twenty-three females on the Keltar estate--not counting Gwen, Chloe, herself, or the cat--Gabby knew, because shortly after Adam had become visible last night, she'd met each and every one, from tiniest tot to tottering ancient. It had begun with a plump, thirtyish maid popping in to pull the drapes for the evening and inquire if the MacKeltars "were wishing aught else?" The moment her bespectacled gaze had fallen on Adam, she'd begun stammering and tripping over her own feet. It had taken her a few moments to regain a semblance of coordination, but she'd managed to stumble from the library, nearly upsetting a lamp and a small end table in her haste. Apparently it had been haste to alert the forces, for a veritable parade had ensued: a blushing curvaceous maid had come offering a warm-up of tear (they'd not been having any), followed by a giggling maid seeking a forgotten dust cloth (which--was anyone surprised?--was nowhere to be found), then a third one looking for a waylaid broom (yeah, right--they swept castles at midnight in Scotland--who believed that?), then a fourth, fifth, and sixth inquiring if the Crystal Chamber would do for Mr. Black (no one seemed to care what chamber might do for her; she half-expected to end up in an outbuilding somewhere). A seventh, eighth, and ninth had come to announce that his chamber was ready would he like an escort? A bath drawn? Help undressing? (Well, okay, maybe they hadn't actually asked the last, but their eyes certainly had.) Then a half-dozen more had popped in at varying intervals to say the same things over again, and to stress that they were there to provide "aught, aught at all Mr. Black might desire." The sixteenth had come to extract two tiny girls from Adam's lap over their wailing protests (and had stayed out of his lap herself only because Adam had hastily stood), the twenty-third and final one had been old enough to be someone's great-great-grandmother, and even she'd flirted shamelessly with the "braw Mr. Black," batting nonexistent lashes above nests of wrinkles, smoothing thin white hair with a blue-veined, age-spotted hand. And if that hadn't been enough, the castle cat, obviously female and obviously in heat, had sashayed in, tail straight up and perkily curved at the tip, and would her furry little self sinuously around Adam's ankles, purring herself into a state of drooling, slanty-eyed bliss. Mr. Black, my ass, she'd wanted to snap (and she liked cats, really she did; she'd certainly never wanted to kick one before, but please--even cats?), he's a fairy and I found him, so that him my fairy. Back off.
Karen Marie Moning (The Immortal Highlander (Highlander, #6))
It was clear and frosty. A dark, starlit heaven looked down on the black roofs and the dirty, dusky streets. Only by looking up at the sky could Pierre distance himself from the disgusting squalor of all earthly things as compared with the heights to which his soul had now been taken. As he drove into the Arbat a vast firmament of darkness and stars opened out before Pierre's eyes. And there in the middle, high above Prechistensky Boulevard, amidst a scattering of stars on every side but catching the eye through its closeness to the earth, its pure white light and the long uplift of its tail, shone the comet, the huge, brilliant comet of 1812, that popular harbinger of untold horrors and the end of the world. But this bright comet with its long, shiny tail held no fears for Pierre. Quite the reverse: Pierre's eyes glittered with tears of rapture as he gazed up at this radiant star, which must have traced its parabola through infinite space at speeds unimaginable and now suddenly seemed to have picked its spot in the black sky and impaled itself like an arrow piercing the earth, and stuck there, with its strong upthrusting tail and its brilliant display of whiteness amidst the infinity of scintillating stars. This heavenly body seemed perfectly attuned to Pierre's newly melted heart, as it gathered reassurance and blossomed into new life.
Leo Tolstoy (War and Peace)
Always, during both the low points and high points in our lives, if we needed to escape, we went bush. We were so lucky to share a passion for wildlife experiences. Tasmania, the beautiful island state off the southern coast of Australia, became one of our favorite wildlife hot spots. We so loved Tassie’s unique wildlife and spectacular wilderness areas that we resolved to establish a conservation property there. Wes and Steve scouted the whole island (in between checking out the top secret Tasmanian surf spots), looking for just the right land for us to purchse. Part of our motivation was that we did not want to see the Tasmanian devil go the way of the thylacine, the extinct Tasmanian tiger. A bizarre-looking animal, it was shaped like a large log, with a tail and a pouch like a kangaroo. It had been pushed off of the Australian mainland (probably by the dingo) thousands of years ago, but it was still surviving in Tasmania into the 1930s. There exists some heartbreaking black-and-white film footage of the only remaining known Tassie tiger in 1936, as the last of the thylacines paces its enclosure. Watching the film is enough to make you rededicate your life to saving wildlife.
Terri Irwin (Steve & Me)
Before the eyes of monks intent on meditation, what is the meaning of those ridiculous grotesques, those monstrous shapes and shapely monsters? Those sordid apes? Those lions, those centaurs, those half-human creatures, with mouths in their bellies, with single feet, ears like sails? Those spotted tigers, those fighting warriors, those hunters blowing their horns, and those many bodies with single heads and many heads with single bodies? Quadrupeds with serpents’ tails, and fish with quadrupeds’ faces, and here an animal who seems a horse in front and a ram behind, and there a horse with horns, and so on; by now it is more pleasurable for a monk to read marble than manuscript, and to admire the works of man than to meditate on the law of God. Shame! For the desire of your eyes and for your smiles!
Umberto Eco (The Name of the Rose)
Prum believes that animals may come to adopt certain aesthetic characteristics not because those traits are adaptive but simply because they are beautiful. This may be because of a sensory bias in the brain—a neurological feature that just prefers shiny things over nonshiny things—or a preference for novelty. But these attributes don’t necessarily signal that there is something better about the peacock with the extravagant tail. The peahen doesn’t like his tail more than others because it suggests he’s a strong and fit potential mate, but just because she likes how it’s shiny, and blue, and large. Prum bases this theory on a lifetime of studying birds like those in the drawers at his lab, many of which have plumage, skeletons, or songs that make it difficult for them to fly or easy to be spotted by predators.
Heather Radke (Butts: A Backstory)
I don’t know if you’ve ever watched a cat try to decide where to sit, but it involves a lot of circling around, sitting, getting up again, circling some more, thinking about it, lying down, standing up, bathing a paw or tail and . . . circling! A dog, on the other hand, sits. “This looks like a good spot,” a dog will say to himself. He will then lower his body to the spot in question and is usually so secure in his decision that he will fall asleep immediately.
James Howe (Bunnicula (Bunnicula, #1))
What It Looks Like If you spot the spectacular luna moth, don't try to catch it. It is an endangered species. The luna moth has very long tails. Its color is a glowing green, but it also has touches of purple, brown, yellow, white and gray. From wingtip to wingtip, it is a little shorter than your hand length. You may see it just beneath a streetlight, waggling its wings, as if dancing. When its long, dangling tails sway in the breeze, it looks like a little lunar-green
Mel Boring (Caterpillars, Bugs and Butterflies: Take-Along Guide (Take Along Guides))
Even in the coldest weather, the harbor, the fields, the woods, all are alive. Blue jays fly, and brown winter wrens; finches feed on birch seed. Tiny, unseen things crawl, hunt, live, die. Lacewings hibernate under the loose bark on the trees. Caddis-fly larvae carry houses made from plant debris on their backs, and aphids huddle on the alders. Wood frogs sleep frozen beneath piles of leaf mold, and beetles and back swimmers, newts and spotted salamanders, their tails thick with stored fat, all flicker in the icy waters above. There are carpenter ants, and snow fleas, and spiders, and black mourning cloak butterflies that flit across the snow like burned paper. White-footed mice and woodland voles and pygmy shrews scurry through the slash, ever-wary of the foxes and weasels and the vicious, porcupine-hunting fishers that share the habitat. The snowshoe hare changes its coat to white in response to the diminishing daylight hours, the better to hide itself from its predators. Because the predators never go away.
John Connolly (Dark Hollow (Charlie Parker, #2))
Just the same old couple!’ said Dick. ‘You’ve got a spot on your chin, George, and why on earth have you tied your hair into a ponytail, Anne?’ ‘You’re not very polite, Dick,’ said George, bumping him with her suitcase. ‘I can’t think why Anne and I looked forward so much to seeing you again. Here, take my suitcase – haven’t you any manners?’ ‘Plenty,’ said Dick, and grabbed the case. ‘I just can’t get over Anne’s new hairdo. I don’t like it, Anne – do you, Ju? Ponytail! A donkey tail would suit you better, Anne!
Enid Blyton (Five on Finniston Farm (Famous Five, #18))
Not many people know this desperate need to be put back together again. I have been split like the atom, and the effect on my psyche was just as powerful. Part of me is missing, even if it can’t be seen with the naked eye. A coin is not complete without both heads and tails. All of the negativity and unsavory characters in this environment only serve to make the exceptions shine all the more brightly. It causes you to appreciate kindness and consideration even more. When those with an inner beauty make their way into this hellish reality it shines forth like a beacon, and we denizens swarm to it like bugs to a zapper. In a very real way we’re starving to death, and these bright spots in the darkness are the only thing that can fill the hole. On an average day there is nothing kind, generous, caring, or sensitive within these walls. The energy directed at you is hatred, rage, disgust, stupidity, ignorance, and brutality. It affects you in mind, body, and soul, much like a physical beating. The pressure is relentless and unending. Soon you walk with your shoulders slumped and your
Damien Echols (Life After Death)
RECIPE FOR MAKING WONKA-VITE Take a block of finest chocolate weighing one ton (or twenty sackfuls of broken chocolate, whichever is the easier). Place chocolate in very large cauldron and melt over red-hot furnace. When melted, lower the heat slightly so as not to burn the chocolate, but keep it boiling. Now add the following, in precisely the order given, stirring well all the time and allowing each item to dissolve before adding the next: THE HOOF OF A MANTICORE THE TRUNK (AND THE SUITCASE) OF AN ELEPHANT THE YOLKS OF THREE EGGS FROM A WHIFFLE-BIRD A WART FROM A WART-HOG THE HORN OF A COW (IT MUST BE A LOUD HORN) THE FRONT TAIL OF A COCKATRICE SIX OUNCES OF SPRUNGE FROM A YOUNG SLIMESCRAPER TWO HAIRS (AND ONE RABBIT) FROM THE HEAD OF A HIPPOCAMPUS THE BEAK OF A RED-BREASTED WILBATROSS A CORN FROM THE TOE OF A UNICORN THE FOUR TENTACLES OF A QUADROPUS THE HIP (AND THE PO AND THE POT) OF A HIPPOPOTAMUS THE SNOUT OF A PROGHOPPER A MOLE FROM A MOLE THE HIDE (AND THE SEEK) OF A SPOTTED WHANGDOODLE THE WHITES OF TWELVE EGGS FROM A TREE-SQUEAK THE THREE FEET OF A SNOZZ-WANGER (IF YOU CAN’T GET THREE FEET, ONE YARD WILL DO) THE SQUARE-ROOT OF A SOUTH AMERICAN ABACUS THE FANGS OF A VIPER (IT MUST BE A VINDSCREEN VIPER) THE CHEST (AND THE DRAWERS) OF A WILD GROUT When all the above are thoroughly dissolved, boil for a further twenty-seven days but do not stir. At the end of this time, all liquid will have evaporated and there will be left in the bottom of the cauldron only a hard brown lump about the size of a football. Break this open with a hammer and in the very centre of it you will find a small round pill. This pill is WONKA-VITE.
Roald Dahl (Charlie and the Great Glass Elevator (Charlie Bucket, #2))
all by its nearness to the earth, its white light, and its long uplifted tail, shone the enormous and brilliant comet of 1812—the comet which was said to portend all kinds of woes and the end of the world. In Pierre, however, that comet with its long luminous tail aroused no feeling of fear. On the contrary he gazed joyfully, his eyes moist with tears, at this bright comet which, having traveled in its orbit with inconceivable velocity through immeasurable space, seemed suddenly—like an arrow piercing the earth—to remain fixed in a chosen spot, vigorously holding
Leo Tolstoy (War and Peace)
In front of her was a large…animal. She supposed it resembled something equine, but its mane and tail were made of black and blue flames, and its body was black like night and spotted with starlight. Perched on its back was a woman she thought beautiful and exquisite. She looked just a few years older than Dylan’s almost eighteen years, but every inch of her was gorgeous enough to banish the darkness laying claim to Dylan’s soul. The beautiful woman wore a dress, ocean blue and glittering in the dim light of the forest. As Dylan watched, it changed into a blue-green color.
K.M. Shea (The Little Selkie (Timeless Fairy Tales, #5))
Why, all our art treasures of to-day are only the dug-up commonplaces of three or four hundred years ago. I wonder if there is real intrinsic beauty in the old soup-plates, beer-mugs, and candle-snuffers that we prize so now, or if it is only the halo of age glowing around them that gives them their charms in our eyes. The “old blue” that we hang about our walls as ornaments were the common every-day household utensils of a few centuries ago; and the pink shepherds and the yellow shepherdesses that we hand round now for all our friends to gush over, and pretend they understand, were the unvalued mantel-ornaments that the mother of the eighteenth century would have given the baby to suck when he cried. Will it be the same in the future? Will the prized treasures of to-day always be the cheap trifles of the day before? Will rows of our willow-pattern dinner-plates be ranged above the chimneypieces of the great in the years 2000 and odd? Will the white cups with the gold rim and the beautiful gold flower inside (species unknown), that our Sarah Janes now break in sheer light-heartedness of spirit, be carefully mended, and stood upon a bracket, and dusted only by the lady of the house? That china dog that ornaments the bedroom of my furnished lodgings. It is a white dog. Its eyes blue. Its nose is a delicate red, with spots. Its head is painfully erect, its expression is amiability carried to verge of imbecility. I do not admire it myself. Considered as a work of art, I may say it irritates me. Thoughtless friends jeer at it, and even my landlady herself has no admiration for it, and excuses its presence by the circumstance that her aunt gave it to her. But in 200 years’ time it is more than probable that that dog will be dug up from somewhere or other, minus its legs, and with its tail broken, and will be sold for old china, and put in a glass cabinet. And people will pass it round, and admire it. They will be struck by the wonderful depth of the colour on the nose, and speculate as to how beautiful the bit of the tail that is lost no doubt was. We, in this age, do not see the beauty of that dog. We are too familiar with it. It is like the sunset and the stars: we are not awed by their loveliness because they are common to our eyes. So it is with that china dog. In 2288 people will gush over it. The making of such dogs will have become a lost art. Our descendants will wonder how we did it, and say how clever we were. We shall be referred to lovingly as “those grand old artists that flourished in the nineteenth century, and produced those china dogs.” The “sampler” that the eldest daughter did at school will be spoken of as “tapestry of the Victorian era,” and be almost priceless. The blue-and-white mugs of the present-day roadside inn will be hunted up, all cracked and chipped, and sold for their weight in gold, and rich people will use them for claret cups; and travellers from Japan will buy up all the “Presents from Ramsgate,” and “Souvenirs of Margate,” that may have escaped destruction, and take them back to Jedo as ancient English curios.
Jerome K. Jerome (Complete Works of Jerome K. Jerome)
It wasn’t until Clay felt the sand under his talons and heard the roaring of the dragons in the stands that he realized he hadn’t quite thought this plan through. He had no idea what his fighting skills would be like against an unknown dragon. His mind went blank as the SkyWing guards dropped a hissing IceWing onto the ground opposite him. Did he know anything about IceWings? The sun was high in the sky, and it was much warmer in the arena than up on their prison spires. Clay could see beads of silvery liquid dripping through the IceWing’s glacier-blue scales. Above them, Queen Scarlet smirked from her balcony, with Glory sleeping serenely beside her. The same SkyWing announcer from the day before strutted to the center of the arena and bellowed at the crowd. “After last month’s battle with Blaze’s army, our queen’s dungeons were stuffed with IceWing prisoners of war. Only nine have survived. After two wins, I give you — Fjord of the IceWings!” Fjord lashed his tail and snarled at Clay. “And in this corner, an unusual case — a MudWing, but not one of our allies. No, this dragonet was found hiding under our mountains, protected by the Talons of Peace. Is he one of the dragonets of destiny? Not if he loses this battle!” A murmur of laughter rippled around the seats, but in the closest faces Clay could see expressions of uneasiness and, he thought, concern. He spotted a large MudWing in one of the balconies, frowning down at him. Try to stop this, Clay thought at him, praying hard. Do something! I’m one of you! But the MudWing shifted his gaze away, as if he didn’t want to watch but couldn’t afford to leave. The SkyWing announcer went on. “If these prophesied dragonets are as wonderful and legendary as they’re supposed to be, this should be a showdown to remember. I hope you’re prepared to impress us, dragon of the mud. I present to you … Clay of the MudWings! Claws up, teeth ready! Fight!” Clay
Tui T. Sutherland (The Dragonet Prophecy (Wings of Fire, #1))
I love birds, she says dreamily into her son's ear, or maybe she just thinks it, she the one who taught him to name and spot the rare ones-the bar-tailed godwit, the whimbrel and Blackburnian warbler-just as her father had taught her, first from the fields and beach, then from inside, his wheelchair by the window, Petersons and binoculars in his lap, and she'd bike to the salt creek or climb to the top of the Teal Rock and sit there waiting, then ride back and drop her bike on the grass and go inside, to where the names flew from her mouth into her father's ears, a gift for both of them. "I love birds." She says it again, or maybe for the first time. "I know," Charlie says.
Elizabeth Graver (The End of the Point)
I’m Ghost 1 on the comms. Garcia is 2, Horn is 3, Fitz is 4, Rico is 5, and Tank is 6. When we land, we stay in close combat intervals. Fitz has point, Tank you’re on rear guard. Keep low to the ground. You spot anything, you signal it. And keep your distance. The juveniles can shoot their venom up to thirty feet. You are not to engage unless it’s a last resort. If you see them, we use our R49 grenades first. Complete radio discipline as soon as our boots hit dirt unless you’re about to get your arms ripped off. Understood?” Beckham spoke in a calm yet authoritative voice. It was a tone everyone respected. The members of Team Ghost all dipped their helmets. Apollo even wagged his tail.
Nicholas Sansbury Smith (Extinction End (Extinction Cycle, #5))
If I wanted to punish myself, I’d keep looking at your face.” “Isn’t my face in half the pictures taped to your bunk wall?” “Maybe I keep them there to scare away the devil.” “Just show him your feet,” he said, going for her weak spot. She had adorable toes, but she hated that her second one was longer than the first. “He’ll run screaming back to hell with his forked tail between his legs.” “Keep talking and I’ll send you there to meet him.” “I’ll say hello to your demon-spawn mother while I’m there.” “Try not to wet yourself like you did at the palace.” “Hey!” He drew back an inch. That was hitting below the belt. “I was only four when that happened, and your mom was legitimately scary.
Melissa Landers (Starfall (Starflight, #2))
Pounce trotted past the newcomers, carrying a black kitten with a white bib and mittens in his mouth. The small creature hung in Pounce’s grip, ears flat, hindquarters and tail curled up. It seemed as dejected as a body could be at my cat’s handling… My cat dropped his captive in Aniki’s lap. He then lectured her in meows, saying, I cannot let you maul me about. Do it to him. …Kora grabbed Pounce. “Why her?” she asked, holding Pounce up. “I’m a mage. By rights I should have a cat. You like Aniki more than you like me!” Ersken said, “I think Pounce is in a giving mood today.” Here came my cat with a second kitten. This one was a light and dark brown ball with thin black stripes and spots. Pounce dropped it in front of Kora.
Tamora Pierce (Terrier (Beka Cooper, #1))
eyes. She felt the changes shimmer across her scales. The hardest part was the extra horns IceWings had around their heads. She concentrated on making her ruff look like it was made of icicles and hoped that would do. She also couldn’t make her claws ridged like IceWing claws, and her tail wasn’t as whip-thin at the end as an IceWing’s would be. Maybe this is a bad idea. Maybe there’s no way I’ll get away with it. But it was still pretty dark out . . . and she really, really wanted to know what a NightWing was doing out here. Well, she thought ruefully, if he figures me out, I guess I’ll just kill him. Somehow it didn’t sound as funny as she’d hoped. She leaped into the air and flew back to the spot where she’d seen the strange dragon. For a moment she was afraid she’d lost him, before she realized that he was lying down, his black scales half-hidden in the long shadows. Confidence, she told herself. It’s all about attitude. “Hey!” she barked, landing with a thump beside him. “Who are you, and what are you doing in our territory?” The NightWing leaped up in surprise and stared at her. He was a lot younger and smaller than Morrowseer, wiry and graceful in his movements even when he was startled. The silver scales sparkling under his wings caught the morning light like trapped stars. “Great moons. Where did you come from?” he asked. He looked up at the sky with a puzzled expression. “Where do you think?” she said. “And I’m asking the questions here. What are you doing in the Ice Kingdom?” “Technically this isn’t the Ice Kingdom yet,” he said. “Or didn’t you know that?” It isn’t? she thought. The map she’d memorized didn’t exactly have borders drawn on it, not that those would have helped her out here anyway.
Tui T. Sutherland (The Hidden Kingdom (Wings of Fire, #3))
Coco?” I whispered, standing still, hardly able to believe it. “Oh—Coco?” “It is impossible to imagine,” a voice behind seemed to be saying from a great distance away, “how the dog could have reached this spot. For three days he has been immovable in his kennel.” I dropped on my knees, and took his paw in my hand. He gave the faintest wag of his tail, and tried to raise his head; but it fell back again, and he could only look at me. For an instant, for the briefest instant, we looked at each other, and while we looked his eyes glazed. “Coco—I’ve come back. Darling—I’ll never leave you any more——” I don’t know why I said these things. I knew he was dead, and that no calls, no lamentations, no love could ever reach him again. Sliding down on to the stone flags beside him, I laid my head on his and wept in an agony of bitter grief. Now indeed I was left alone in the world. Even my dog was gone.
Elizabeth von Arnim (All The Dogs Of My Life)
I saw a striking example of this among the baboons that I study in Kenya, when both a high-ranking and a low-ranking female gave birth to daughters the same week. The former’s kid hit every developmental landmark earlier than the other, the playing field already unlevel. When the infants were a few weeks old, they nearly had their first interaction. Daughter of subordinate mom spotted daughter of dominant one, toddled over to say hello. And as she got near, her low-ranking mother grabbed her by the tail and pulled her back. This was her first lesson about her place in that world. “You see her? She’s much higher ranking than you, so you don’t just go and hang with her. If she’s around, you sit still and avoid eye contact and hope she doesn’t take whatever you’re eating.” Amazingly, in twenty years those two infants would be old ladies, sitting in the savanna, still displaying the rank asymmetries they learned that morning.
Robert M. Sapolsky
The gray she-cat’s eyes were wide with distress. “I went into the nursery with some fresh-kill for Daisy and Sorreltail,” she explained. “The nest was still warm, but Daisy and the kits were gone.” “We’ve searched the whole camp,” Sorreltail added, lashing her tail. “We’ll have to send out patrols to look for them.” “Well, you won’t be going,” Ferncloud told her, brushing her muzzle against Sorreltail’s shoulder. “You need to stay with your kits.” “Brackenfur’s with them,” the young tortoiseshell queen mewed. “I want to help look for Daisy.” “Yes, but—” Ferncloud broke off as a flash of flame-colored fur announced the appearance of Firestar from his den on the Highledge. The Clan leader ran down the rocks and across the clearing toward them. “What’s going on?” Ferncloud explained; before she had finished speaking, Brambleclaw spotted Dustpelt emerging from the thorn tunnel, at the head of the returning dawn patrol. Squirrelflight, Sandstorm, and Brightheart were with him. Brambleclaw beckoned them over with his tail. “Did any of you see Daisy
Erin Hunter (Sunset (Warriors: The New Prophecy, #6))
Two Kittens by Maisie Aletha Smikle Born to a cat called Mitten Were two tiny little kittens Nested in a basket They purred for the warmth of a blanket Coated in short velvet hair of midnight black From whiskers to tail they were beauty black Soft cuddly and adorable They searched uncontrollably Twisting and twirling Their little tails floundering Tiny purrs pleading They comb their little basket for a blanket To feed her little kittens And warm their tiny bodies Mitten must feed her tummy With something very yummy Mitten searched for food She stayed close to her brood With their small eyes still closed Mitten’s little kittens mainly dozed Mitten peered and listen Her bright ocean blue eyes glisten She spots a mouse Coming from a house The mouse had just feasted Groggy from its feast It moved slowly Mitten pounced boldly She knocked her target out Picked it up in her mouth And feasted with delight Then licked her whiskers clean till they glisten bright Mitten returned to her kittens And found them soundly fast asleep She covered her little kittens And soon fell fast asleep
Maisie Aletha Smikle
THE INDIAN UPON GOD I PASSED along the water’s edge below the humid trees, My spirit rocked in evening light, the rushes round my knees, My spirit rocked in sleep and sighs; and saw the moor-fowl pace All dripping on a grassy slope, and saw them cease to chase Each other round in circles, and heard the eldest speak: Who holds the world between His bill and made us strong or weak Is an undying moorfowl, and He lives beyond the sky. The rains are from His dripping wing, the moonbeams from His eye. I passed a little further on and heard a lotus talk: Who made the world and ruleth it, He hangeth on a stalk, For I am in His image made, and all this tinkling tide Is but a sliding drop of rain between His petals wide. A little way within the gloom a roebuck raised his eyes Brimful of starlight, and he said: The Stamper of the Skies, He is a gentle roebuck; for how else, I pray, could He Conceive a thing so sad and soft, a gentle thing like me? I passed a little further on and heard a peacock say: Who made the grass and made the worms and made my feathers gay, He is a monstrous peacock, and He waveth all the night His languid tail above us, lit with myriad spots of light.
Anonymous
I sit by his bed and pull the covers over him. In doing so, I accidently brush against his thigh. And that’s when I feel it. That same electrical sensation I got the first time I touched the spot—in my room, when I begged him to stay the night. The feeling radiates up my spine and gnaws at my nerves. It’s like something’s there, marked on his leg. I run my fingers over the spot—through the blanket—almost tempted to have a look. I close my eyes, trying to sense things the way he does—to get a mental picture from merely touching the area. But I can’t. And I don’t. Still, I have to know if I’m right. I peer over my shoulder toward the door, checking to see that no one’s looking in. And then I roll the covers down. Ben’s wearing a hospital gown. With trembling fingers, I pull the hem and see it right away: the image of a chameleon, tattooed on his upper thigh. It’s about four inches long, with green and yellow stripes. And its tail curls into the letter C. I feel my face furrow, wondering when he got the tattoo, and why he never told me. It wasn’t so long ago that I told him the story of my name—how my mother named me after a chameleon, because chameleons have keen survival instincts.
Laurie Faria Stolarz (Deadly Little Games (Touch, #3))
His ears strained to pick up the least sound of tiny paws; instead, all he could hear was a furious yowling and scuffling that broke out somewhere ahead, near the Twoleg fence. Was something—maybe a Twoleg dog—attacking his warriors? He raced through the trees until he came to the edge of the wood. Ashfur and Brambleclaw were scuffling with an unfamiliar black-and-white cat. Brambleclaw had climbed onto the cat’s back, clawing at its neck fur, while Ashfur bit down hard on the end of its tail. The black-and-white cat was writhing on the ground, his flailing paws barely touching his attackers. “Get off me!” he yowled. “I need to see Rusty—I mean Firestar!” Firestar suddenly recognized the disheveled bundle of black-and-white fur. It was Smudge, the kittypet who had been his friend before Firestar left his Twolegs to live in the forest. “Stop!” He ran over to the wrestling cats, lowering his head to butt Brambleclaw hard in his flank. Brambleclaw slid off Smudge’s back, glaring up with a furious hiss that broke off when he realized who had interrupted the fight. “Leave him alone,” Firestar ordered. “But he’s an intruder,” Brambleclaw protested, scrambling to his paws and shaking dust from his pelt. “A kittypet intruder,” added Ashfur, reluctantly letting go of Smudge’s tail. “No, he’s not,” Firestar corrected them. “He’s a friend. What are you two doing here, anyway?” “We’re the border patrol,” Brambleclaw told him. “With Dustpelt and Mousefur. Look, here they come.” Following the direction of his pointing tail, Firestar spotted the two older warriors bounding rapidly through the trees. “In StarClan’s name, what’s going on?” Dustpelt demanded. “I thought a fox must have gotten you from all that noise.” “No, just a kittypet,” Firestar mewed, faintly amused at Brambleclaw’s and Ashfur’s outraged expressions. “Okay, carry on with your patrol,” he added. “But what about the kittypet?” Ashfur asked. “I think I can handle him,” Firestar mewed. “You’re doing fine, but just remember that not everything you haven’t seen before is a threat.” Brambleclaw and Ashfur fell in behind Dustpelt and Mousefur as they continued their patrol; Brambleclaw cast a threatening glance back at Smudge and hissed, “Stay off our territory in the future!” Smudge heaved himself to his paws, glaring at his attackers. His fur was covered in dust and stuck out in all directions, but he didn’t seem to be hurt. “You’re lucky I was here to save your pelt,” Firestar remarked as the patrol vanished among the trees. His old friend let out a furious snort. “I’ll never understand you, Firestar. You actually want to live with these violent ruffians?” Firestar hid his amusement.
Erin Hunter (Firestar's Quest (Warriors Super Edition, #1))
Traveling on, the shaft of his light reached now a great, dully shining oblong, and he stopped, surprised. Then, through the glass sides, he saw bright shapes of fish wheel in schools down the opaque water, startled by the illumination. Coming at last, and so suddenly, on life like his own, Mr. Lecky moved closer. The fixed flood of his light enveloped these small fish dimly, glowed back on him. They came sliding, drifting, mouths in motion, gills rippling, up the light, against the glass. Their senseless round eyes stared at Mr. Lecky. Idling with great grace, the extravagant products of selective breeding - fringetails, Korean, calico - passed, swayed about, came languidly back. Moving faster, stub-finned, crop-tailed danios from the Malabar coast appeared, hovered, taking the light on their fat flanks, now spotted, now iridescent pearl or opal. Seeing so many of them, so eager and attentive, Mr. Lecky felt an unexpected compunction. He was their only proprietor; and soon, trapped unnaturally here in the big tank, they would starve to death. His light went back to a counter he had just passed, showing him again the half-noticed packages - food for birds and pet animals, food, too, for fish. Returning to the tank, his light found many of the fish still waiting, the rest rushing back. He went and took a package, tore the top off, and poured the contents onto the rectangle of open water. It would perhaps postpone the time when, having eaten each other, the sick remainder must die anyway.
James Gould Cozzens (Castaway)
Sometimes our need clouds our ability to develop perspective. Being needy is kind of like losing your keys. You become desperate and search everywhere. You search in places you know damn well what you are looking for could never be. The more frantic you become in trying to find them the less rational you are in your search. The less rational you become the more likely you'll be searching in a way that actually makes finding what you want more difficult. You go back again and again to where you want them to be, knowing that there is no way in hell that they are there. There is a lot of wasted effort. You lose perspective of your real goal, let's say it's go to the grocery store, and instead of getting what you need -nourishment, you frantically chase your tail growing more and more confused and angry and desperate. You are mad at your keys, you are mad at your coat pockets for not doing their job. You are irrational. You could just grab the spare set, run to the grocery store and get what you need, have a sandwich, calm down and search at your leisure. But you don't. Where ARE your keys?! Your desperation is skewing your judgement. But you need to face it, YOUR keys are not in HIS pocket. You know your keys are not there. You have checked several times. They are not there. He is not responsible for your keys. You are. He doesn't want to be responsible for your keys. Here's the secret: YOU don't want to be responsible for your keys. If you did you would be searching for them in places they actually have a chance of being. Straight boys don't have your keys. You have tried this before. They may have acted like they did because they wanted you to get them somewhere or you may have hoped they did because you didn't want to go alone but straight boys don't have your keys. Straight boys will never have your keys. Where do you really want to go? It sounds like not far. If going somewhere was of importance you would have hung your keys on the nail by the door. Sometimes it's pretty comfortable at home. Lonely but familiar. Messy enough to lose your keys in but not messy enough to actually bother to clean house and let things go. Not so messy that you can't forget about really going somewhere and sit down awhile and think about taking a trip with that cute guy from work. Just a little while longer, you tell yourself. His girlfriend can sit in the backseat as long as she stays quiet. It will be fun. Just what you need. And really isn't it much safer to sit there and think about taking a trip than accepting all the responsibility of planning one and servicing the car so that it's ready and capable? Having a relationship consists of exposing yourself to someone else over and over, doing the work and sometimes failing. It entails being wrong in front of someone else and being right for someone too. Even if you do find a relationship that other guy doesn't want to be your chauffeur. He wants to take turns riding together. He may occasionally drive but you'll have to do some too. You will have to do some solo driving to keep up your end of the relationship. Boyfriends aren't meant to take you where you want to go. Sometimes they want to take a left when you want to go right. Being in a relationship is embarking on an uncertain adventure. It's not a commitment to a destination it is just a commitment to going together. Maybe it's time to stop telling yourself that you are a starcrossed traveler and admit you're an armchair adventurer. You don't really want to go anywhere or you would venture out. If you really wanted to know where your keys were you'd search in the most likely spot, down underneath the cushion of that chair you've gotten so comfortable in.
Tim Janes
speed in which he shifts nearly stops my heart. One moment I’m talking to him, the next a gigantic feline prowls over the long dining room table, batting plates aside and growling as he stalks toward me. Scooting my chair back, properly terrified, I quickly say, “Apparently I was wrong.” The lion still appears as if he’s going to attack. “A lion is impressive, yes, but what about an elephant?” I continue. “Can you change into a beast that large? Surely not.” With a loud crack and flying wood, the table collapses as the lion morphs into a creature so gigantic, there is scarcely room for him. Dishes, settings, and candelabras fly this way and that. The elephant holds a huge foot over me. “Are you impressed yet, Carabas?” “Quite,” I squeak and then clear my throat. “But, now that I think of it, it’s only natural that a large creature such as yourself can change into other large creatures. Not that difficult, really.” Slowly, the ogre-elephant lowers his foot, looking as if he’s about to gore me with his tusks. Standing, hoping to put a little distance between me and the beast, I add, “But to change into something tiny, something insignificant—now that would be a feat.” “Like what, Carabas?” the ogre glares at me with foreign eyes. “A rabbit? A grouse?” I shrug. “Certainly, but what about something as tiny as…a mouse? That would be quite impossible, would it not?” And just like that, the elephant is gone, vanished before my very eyes. I frantically look for him in the broken plates, splintered table, and mess of molten wax on the floor. Before I even spot the rodent the ogre shifted into, Puss leaps into the middle of the mess, pouncing with outstretched paws and a greedy look in his bright green eyes. A tiny gray tail disappears into the cat’s mouth, and that is my very last glimpse of the ogre. I stare at Puss with disbelief. The world slows, and the steady thrum of the grandfather clock in the corner is the only thing that tells me that time hasn’t actually stopped. “It
Shari L. Tapscott (Puss without Boots (Fairy Tale Kingdoms, #1))
She'd loved birds long before her physical limitations kept her grounded. She'd found a birding diary of her grandmother's in a trunk in the attic when she was Frankie's age, and when she asked her father about it, he dug through boxes on a shelf high above her head, handing down a small pair of binoculars and some field guides. She'd seen her first prothonotary warbler when she was nine, sitting alone on a tupelo stump in the forest, swatting at mosquitoes targeting the pale skin behind her ears. She glanced up from the book she was reading only to be startled by an unexpected flash of yellow. Holding her breath, she fished for the journal she kept in her pocket, focusing on the spot in the willow where he might be. A breeze stirred the branches, and she saw the brilliant yellow head and underparts standing out like petals of a sunflower against the backdrop of leaves; the under tail, a stark white. His beak was long, pointed and black; his shoulders a mossy green, a blend of the citron yellow of his head and the flat slate of his feathers. He had a black dot of an eye, a bead of jet set in a field of sun. Never had there been anything so perfect. When she blinked he disappeared, the only evidence of his presence a gentle sway of the branch. It was a sort of magic, unveiled to her. He had been hers, even if only for a few seconds. With a stub of pencil- 'always a pencil,' her grandmother had written. 'You can write with a pencil even in the rain'- she noted the date and time, the place and the weather. She made a rough sketch, using shorthand for her notes about the bird's coloring, then raced back to the house, raspberry canes and brambles speckling bloody trails across her legs. In the field guide in the top drawer of her desk, she found him again: prothonotary warbler, 'prothonotary' for the clerks in the Roman Catholic Church who wore robes of a bright yellow. It made absolute sense to her that something so beautiful would be associated with God. After that she spent countless days tromping through the woods, toting the drab knapsack filled with packages of partially crushed saltines, the bottles of juice, the bruised apples and half-melted candy bars, her miniature binoculars slung across one shoulder. She taught herself how to be patient, how to master the boredom that often accompanied careful observation. She taught herself how to look for what didn't want to be seen.
Tracy Guzeman (The Gravity of Birds)
Few grown humans can normally survive a fall of much more than twenty-five or thirty feet, though there have been some notable exceptions—none more memorable perhaps than that of a British airman in World War II named Nicholas Alkemade. In the late winter of 1944, while on a bombing run over Germany, Flight Sergeant Alkemade, the tail gunner on a British Lancaster bomber, found himself in a literally tight spot when his plane was hit by enemy flak and quickly filled with smoke and flames. Tail gunners on Lancasters couldn’t wear parachutes because the space in which they operated was too confined, and by the time Alkemade managed to haul himself out of his turret and reach for his parachute, he found it was on fire and beyond salvation. He decided to leap from the plane anyway rather than perish horribly in flames, so he hauled open a hatch and tumbled out into the night. He was three miles above the ground and falling at 120 miles per hour. “It was very quiet,” Alkemade recalled years later, “the only sound being the drumming of aircraft engines in the distance, and no sensation of falling at all. I felt suspended in space.” Rather to his surprise, he found himself to be strangely composed and at peace. He was sorry to die, of course, but accepted it philosophically, as something that happened to airmen sometimes. The experience was so surreal and dreamy that Alkemade was never certain afterward whether he lost consciousness, but he was certainly jerked back to reality when he crashed through the branches of some lofty pine trees and landed with a resounding thud in a snowbank, in a sitting position. He had somehow lost both his boots, and had a sore knee and some minor abrasions, but otherwise was quite unharmed. Alkemade’s survival adventures did not quite end there. After the war, he took a job in a chemical plant in Loughborough, in the English Midlands. While he was working with chlorine gas, his gas mask came loose, and he was instantly exposed to dangerously high levels of the gas. He lay unconscious for fifteen minutes before co-workers noticed his unconscious form and dragged him to safety. Miraculously, he survived. Some time after that, he was adjusting a pipe when it ruptured and sprayed him from head to foot with sulfuric acid. He suffered extensive burns but again survived. Shortly after he returned to work from that setback, a nine-foot-long metal pole fell on him from a height and very nearly killed him, but once again he recovered. This time, however, he decided to tempt fate no longer. He took a safer job as a furniture salesman and lived out the rest of his life without incident. He died peacefully, in bed, aged sixty-four in 1987. —
Bill Bryson (The Body: A Guide for Occupants)
There were a few things that really peeved a lion. Stealing his sunny nap spot. Messing up his mane. Eating the last donut. Yanking his fucking tail! Reflex had him spin on the brat who’d sneaked up on him. Well, sneaked up if he ignored the fact he knew she was behind him. Let her think she had him. He was so enchanted by the emergence of a playful side that he didn’t want to ruin her fun. A fun that ended when she yanked his tail. Rawr! He spun and shot her a baleful glare. For a moment she froze. A tremble went through her. She was scared. Ah hell. Surely she knew by now he’d never hurt her? But then again, could he expect years of abuse and habit to disappear after spending just over a day with him? He wondered what she’d do. Would she run or give him the broken puppy eyes? Why did this have to happen at all? Why did he have to look so fearsome? Was it his fault his lion was so impressive and scary? Was it— Wait a second, was she laughing? He eyed her. Yup. She was. Laughing and snorting. Now he glared for real. She chortled louder. “Oh. Oh.” She gasped. “If only you could see your expression.” He’d show her an expression. He shifted into his human self, but even his impressive nakedness couldn’t stem her mirth. He stood and then stalked, each long stride bringing him closer, and her laughter dampening until it stopped altogether. He almost applauded when she peered at him instead of staring at her toes. “Am I in trouble?” “Nothing a kiss wouldn’t fix.” Blackmail? Hell yeah. He’d do anything for a kiss. “If you want a kiss, you’ll have to catch me. Tag, you’re it.” She shoved him, open-palmed against his chest, before bolting, her lithe body a quick blur that soon disappeared from sight. Seriously? She was just awesomeness wrapped in a layer of perfection with a dab of naughty he was really loving.
Eve Langlais (When a Beta Roars (A Lion's Pride, #2))
Are you sure this idea of yours is entirely safe?” I asked, looking nervously down at the living room floor from atop the lofty fireplace mantel. “What if they come back early, Fred? What if we don’t find the right hiding spot? Fiddlesticks warned us—” “Of course we’re safe, my dear mouse,” Fred interrupted. “I’m sure they won’t be back for a while yet. We’ll blend into these incredible works of art, these…what are they called again?” “They’re mouse Hummels: little statues or figurines,” I replied, inching carefully between two of the delicate figures. “Well, this new owner has excellent taste, that’s fer sure. Very lifelike they are. Shame we have to knock some sense into this poor chap.” He extended a curious paw to examine a figurine’s tail when suddenly it turned and knocked his paw aside, exclaiming, “Excusez moi, s’il vous plaît!
Karl Erickson (Toupée Mice)
Virtually everything of any value in North Korea originates in China, and it mostly reaches the DPRK via Dandong. North Korean officials and businessmen, like the men I met on the train from Beijing, coming cap in hand on state-sponsored shopping trips are everywhere. Easily spotted by their badges proclaiming their loyalty to the various Kims, at night they haunt the Korean restaurants and karaoke bars within view of the DPRK itself. During the day, they congregate on the street by the border post beneath the bridge that leads to North Korea. From the early morning to the late afternoon, the line of trucks waiting to cross into the DPRK tails back down the road. There are warehouses and wholesale shops all along it and a constant procession of North Koreans going in and out of them. They buy spark plugs and coils of wire, generators and tyres, household appliances and kitchenware. The goods are destined for North Korea’s armed forces, more than a million strong, for the few industrial concerns still working, or for the Pyongyang elite.
David Eimer (The Emperor Far Away: Travels at the Edge of China)
Jane, may I introduce our house guest Miss Elizabeth Charming of Hertfordshire?” “How do you do, Miss Erstwhile, what-what?” said Miss Charming, her tightened lips trembling with the effort of approximating a British accent. “Spit spot I hope, rather.” “How do you do?” They both curtsied and Miss Charming made a silent “shh” with her lips, as though Jane would out her for the stairway meeting. Jane had a burst of maternal instinct that made her want to cuddle Miss Charming and help her through this crazy Austenland maze. If she only knew the way herself. “Miss Charming is about your age, I believe,” Aunt Saffronia said. “Oh no, Aunt, I’m quite certain that Miss Charming, still in the bloom of her youth, is several years my junior.” Miss Charming giggled. Aunt Saffronia smiled graciously as she took Jane’s arm, and the three walked into the drawing room. At their entrance, two gentlemen stood. Ah, the gentlemen. They wore the high-collared vests, cravats, buttoned coats with long tails, and tight little breeches that had driven Jane’s imagination mad on many an uneventful Tuesday night. Her heart bumped around in her chest like a bee at a window, and everything seemed to move in closer, the world pressing against her, insisting that all was real and there for the touching. She was really here. Jane held her hands behind her back in case they trembled with eagerness.
Shannon Hale (Austenland (Austenland, #1))
You better not bother the Chickcharnies while you're out here. Best to stay on their good side." The moonlight cast shadows on his face, but it was easy to see his teasing grin. She raised her eyebrows. "The Chickcharnies?" He pointed up into the palms and distant pines. "They're kind of like birds. They live up in the treetops --only on Andros Island and nowhere else in the world." Cyn scanned the darkness among the high branches. "What do you mean 'kind of like birds'?" He shrugged one shoulder. "Like owls. But they have three fingers, three toes, and they hang from the trees by their tails. You can spot their red eyes when they catch the light." Cyn clenched her teeth and squinted up into the trees, scanning for a pair of red eyes aimed her way. "They sound a little creepy." "If you see one, and you show it respect," Trent said, "you'll have good luck for the rest of your life." Cyn could use some good luck, for sure. She concentrated harder on finding those red eyes. None in sight, she furrowed her brow and set her gaze on Trent. "What do they do if you bother them?" His grin widened into that stop-your-heart smile that Cyn was finding harder to resist. "They turn your head around backward." "What?" "It's probably really painful," Trent said. Cyn swatted his arm, coming up against tight muscle. "You made that up." "Not really. It's island lore. People think the Chickcharnies descended from a big flightless owl they've found in fossils." "Have you ever seen one?" she asked skeptically. "Not yet. But you never know if one's around. I'd like to keep my head on straight, so I don't tease about them.".... Suddenly a huge screeching bird swooped down out of the trees, flew several feet over their heads, and veered up into a nearby copse of palms. Cyn yelped and ducked low. Trent pulled her close, tucking her against his chest. "Holy crap!" she said, "That was one pissed-off Chickcharnie. Hold on to your head.
Tracy March (The Marriage Match (Suddenly Smitten, #3))
Spot by Maisie Aletha Smikle Spot looks Dalmatian And might even be a Martian He likes to cuddle And play in a puddle Spot is polka dot Cotton white and velvet black Astute smooth and immaculate Better than a box of chocolate He cushions all Before a fall And stands tall To catch a ball At the cat Spot barks When he goes for walks Sniff sniff he detects a rat He must get that His nose to the ground Tail wagging like a hound His ears propped And huge eyes popped From the leash Spot dashed In a twinkling flash Like Tom and Jerry Spot leapt in a hurry He dug deep in the sand Till he could stand Sniff sniff the rat is gone And Spot is worn and all forlorn Spot needs a bone And not sand stone So back Spot went away from the pebbles To catch some floating bubbles Spot ate his bone And sat on a stone Gazing at the distant sun in the horizon He mused for treats he could have a dozen
Maisie Aletha Smikle
Kevin chuckled and walked over to his bike. He put up the kickstand and grabbed the handles. It was time to head home. “Nya.” Blink. “Nya?” “Nya.” Blink. Blink. Kevin looked at the wall near the distribution building—and nearly squealed upon spotting the small, cute, adorably furry animal sitting on its haunches. A black cat with big yellow eyes stared at him. Its tail swayed behind it, moving left, then right. It opened its mouth, releasing another one of those utterly endearing, if unusual, “nya” sounds. This cat reminds me of the one that I took home with me when I was in elementary school. It even nyas. How cool is that? “Kitty!” Like a child who’d just seen a new toy on Christmas Day, Kevin dropped his bike and went over to the cat, whose large incandescent orbs had yet to leave his face. He reached the feline in record time, and his hand was quick to descend upon its head. The cat didn’t seem to mind. Indeed, it reveled in the attention, purring as he gently scratched behind its left ear, which twitched with minute movements.
Brandon Varnell (A Fox's Vacation (American Kitsune, #5))
I think for a minute, tugging at a memory. Then, trying to act like a normal person chatting with another normal person, I blurt, “It reminds me of manticore tail.” He blinks once. “Manticore?” “You know. Those big fuckers that graze along the Styx. Human head. Lion body. Scorpion’s tail? Hard to kill, but they’re good eating.” He smiles at me the way you smile at a rabid dog, hoping it will bite the guy across the room and not you. His eyes move around in their sockets, trying to spot the security guard.
Richard Kadrey (Ballistic Kiss (Sandman Slim, #11))
Bernie, a giant Bernese mountain dog and Lab mix (she guessed), had a long coat, mostly black except for a streak of white starting on her forehead, then trailing down her throat and onto her chest, with another spot under her tail, making her look like a cream-filled chocolate-dipped cannoli. Three of her four paws looked dunked in white paint, like she'd made a mess during a home improvement project. She was named for one of Astra's favorite characters, Bernadette Fox from Where'd You Go, Bernadette. Like the titular character, Bernie had a small circle of people she adored; she found the rest to be annoying gnats (small children excluded--- they often had snacks to share), not to be bothered with, except the squirrel who lived in the front yard, who was her nemesis. She spent hours making sure the little rodent didn't sneak into the house.
Amy E. Reichert (Once Upon a December)
One blow to his shoulder unbalanced Tigerstar. He fell on his side, exposing his belly, and Scourge’s vicious claws sank into his throat. Blood welled out as the smaller cat ripped him down to the tail with a single slash. A desperate scream of fury erupted from Tigerstar, then broke off with a ghastly choking sound. His body convulsed, limbs jerking and tail flailing. For a heartbeat a stillness settled over him, and Firestar knew he was falling into the trance of a leader who loses a life, to wake after a little while restored to strength and with the rest of his lives intact. But not even StarClan could heal this terrible wound. Scourge stood back and watched coldly as Tigerstar’s body convulsed again. The dark red blood kept on flowing, spreading across the ground in a ceaseless tide. Tigerstar let out another shriek; Firestar wanted to cover his ears so he didn’t have to listen anymore, but he was frozen to the spot. Again the massive tabby’s body grew still for a heartbeat, but again the wound was too terrible to yield to the healing trance. Another spasm seized Tigerstar’s body. His claws tore up clumps of grass in his agony, while his screeches turned from fury to terror. He’s dying nine times,
Erin Hunter (The Darkest Hour)
I'd been drawn to an orange Siamese fighter fish with fins that moved like a graceful flamenco dancer, and I'd wanted one for the big tank in the restaurant until Charles explained that he (or she) would kill all the other fishes we'd picked out---tropical delights in all the colors of the rainbow, some spotted like leopards, all being delivered to the restaurant tomorrow morning. I tap on the glass. "I'm going to name you Frushi. French sushi. Don't worry, nobody is going to eat you. The sea bass, on the other hand, that's another story." Frushi shows off, wiggling his featherlike tail and fins, which look like they're made of inky silk, as he swims through the tiny castle and live plants I'd purchased for his new home.
Samantha Verant (The Spice Master at Bistro Exotique)
This war did not spring up here in our land; this war was brought upon us by the children of the Great Father who came to take our land from us without price, and who, in our land, do a great many evil things. The Great Father and his children are to blame for this trouble. … It has been our wish to live here in our country peaceably, and do such things as may be for the welfare and good of our people, but the Great Father has filled it with soldiers who think only of our death. Some of our people who have gone from here in order that they may have a change, and others who have gone north to hunt, have been attacked by the soldiers from this direction, and when they have got north have been attacked by soldiers from the other side, and now when they are willing to come back the soldiers stand between them to keep them from coming home. It seems to me there is a better way than this. When people come to trouble, it is better for both parties to come together without arms and talk it over and find some peaceful way to settle it. —SINTE-GALESHKA (SPOTTED TAIL) OF THE BRULÉ SIOUX
Dee Brown (Bury My Heart at Wounded Knee: An Indian History of the American West)
Steep black-cindered slope, with its soft gray patches of grass, sheered down and down, and out in rolling slope to merge upon a cedar-dotted level. Nothing moved below, but a red-tailed hawk sailed across her vision. How still-how gray the desert floor as it reached away, losing its black dots, and gaining bronze spots of stone! By plain and prairie it fell away, each inch of gray in her sight magnifying into its league-long roll, On and on, and down across dark lines that were steppes, and at last blocked and changed by the meandering green thread which was the verdure of a desert river. Beyond stretched the white sand, where whirlwinds of dust sent aloft their funnel-shaped spouts; and it led up to the horizon-wide ribs and ridges of red and walls of yellow and mountains of black, to the dim mound of purple so ethereal and mystic against the deep-blue cloud-curtained band of sky.
Zane Grey (The Call Of The Canyon)
He brought the umbrella swishing down through the air to point at Dudley – there was a flash of violet light, a sound like a firecracker, a sharp squeal and next second, Dudley was dancing on the spot with his hands clasped over his fat bottom, howling in pain. When he turned his back on them, Harry saw a curly pig’s tail poking through a hole in his trousers.
J.K. Rowling (Harry Potter and the Philosopher's Stone (Harry Potter, #1))
They had left the buckets of stemmed flowers and now found themselves in the center of the indoor succulent section, an array of miniature plants with whimsical names such as burro's tail and flaming katy. Olive slowed her pace, taking her time perusing metal racks of each variety. She stooped down and plucked a container of a sweet, blossom-shaped plant. "What's that one?" Julia asked. She liked the look of its pink-edged tips, whose color reminded her of a radish. "This guy here is called roseum. It likes the sun, so I'd have to think of a spot near a window. But it's a nice touch of color among all the green. At different times of year, it develops clusters of light-pink star-shaped flowers. I like it because it adds texture next to something like, say, that jade plant, which is more like a stocky little tree. If I place them together, it adds interest." "Wow. That sounds great." Olive brightened. "Thanks. And then, see these here?" She pointed to a miniature plant with chubby, rosette-style leaves. "Yes?" Julia leaned closer and squinted to read the sign. "The one that says 'Sedum Golden Glow'?" "Yes. That one. I'm thinking of getting a few of those guys and placing them on the dining table in these cool little glass-and-gold terrariums I found online. They have delicate little panes of glass set against metal frames that catch your eye, and they're fancy enough for Mom's taste. She's okay if I do rustic, but she always wants a touch of something expensive mixed in. The terrariums do the trick, I think.
Nicole Meier (The Second Chance Supper Club)
The shadow resolves into a big spotted salamander, Ambystoma maculata, black and yellow like the road. The shape is so primitive, with right-angle limbs jutting from the side and moving with a jerky, mechanical motion across the road, dragging a thick tail in a sinuous side-to-side wave behind it.
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants)
He brought the umbrella swishing down through the air to point at Dudley — there was a flash of violet light, a sound like a firecracker, a sharp squeal, and the next second, Dudley was dancing on the spot with his hands clasped over his fat bottom, howling in pain. When he turned his back on them, Harry saw a curly pig’s tail poking through a hole in his trousers.
J.K. Rowling (Harry Potter and the Sorcerer’s Stone (Harry Potter, #1))
There just weren’t enough professional astronomers who could observe enough of the heavens to have much, if any, chance of spotting such an event. But there were thousands of amateur astronomers all too happy to do that job themselves. Armed with relatively inexpensive computer-guided telescopes with Dobsonian optics, which allow quite large apertures (twelve inches is not unusual) in telescopes less than five feet long, and sensitive CCD (charge-coupled device) sensors that can collect more light than the human eye, contemporary amateur astronomers can photograph the skies better than astronomers with house-sized telescopes could a century ago. The first person to see Supernova 1987A was an observer somewhere between the amateurs and the pros. Ian Shelton, a Canadian grad-school dropout, was
Chris Anderson (The Long Tail: Why the Future of Business Is Selling Less of More)
other side of the pavilion, he hissed, “Your Majesty, I think there’s one of them right behind me.” The dragon next to him looked around in alarm, spotted Winter, and leaped backward, nearly knocking one of her companions off the platform. “Oh my gosh, is that what they look like?” she cried. “Why’s it pointy all over?” “Look at its tail!” yelped another. “It really is all spiky!” “And can you feel how cold it is?
Tui T. Sutherland (Winter Turning (Wings of Fire, #7))
Lucien's red hair gleamed like the leaves above us as he scanned the woods for anything to fill our bellies. His woods, by blood and law. He was a son of this forest, and here... He looked crafted from it. For it. Even that gold eye. Lucien eventually stopped at a jade stream wending through a granite-flanked gully, a spot he claimed had once been rich with trout. I was in the process of constructing a rudimentary fishing pole when he waded into the stream, boots off and pants rolled to his knees, and caught one with his bare hands. He'd tied his hair up, a few strands of it falling into his face as he swooped down again and threw a second trout onto the sandy bank where I'd been trying to find a substitute for fishing twine. We remained silent as the fish eventually stopped flapping, their sides catching and gleaming with all the colours so bright above us. Lucien picked them up by their tails, as if he'd done it a thousand times. He might very well have, right here in this stream. 'I'll clean them while you start the fire.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
WATCH YOUR DOWNSIDE It’s often said that opportunity is as important as risk. That’s false. Risk can kill you or your project. No upside can compensate for that. For fat-tailed risk, which is present in most projects, forget about forecasting risk; go directly to mitigation by spotting and eliminating dangers.
Bent Flyvbjerg (How Big Things Get Done: The Surprising Factors That Determine the Fate of Every Project, from Home Renovations to Space Exploration and Everything In Between)
In the watery light the cats are a tangle of angles and curves. A secret message? A code? Letters in their stripes, perhaps, in the points of their ears or the bends of their tails? He turns the letter this way and that, traces the ballpoint lines with the beam. On a tabby he thinks he spots an M; the arched leg of a black cat looks like an S, or maybe an N.
Celeste Ng (Our Missing Hearts)
Fathom stared at the dripping red knife in Albatross’s claws. Drops of blood spattered the floor, his grandfather’s talons, his tail. Fathom couldn’t move. Part of his brain was still thinking, Did he slip? Did someone throw that knife by accident? Why isn’t the queen getting up? Albatross can fix it; he fixes everything. And the other part of his brain was sending panicked alerts to every part of his body at once. Swim! Fly! Run! Fight! Albatross looked at the knife curiously, as if he’d just found a charming new pet. Over by the bar, the dragon who’d been slicing coconuts was still looking around in confusion, wondering where it had gone. The SkyWings reacted first, taking to the air with shrieks of fear. Albatross glanced up at them, turned the knife over for a moment, and then let it go. The knife flew through the air and stabbed Sunset in the spot where her jaw met her neck. A moment later, it yanked itself free and spun to catch Eagle in the heart.
Tui T. Sutherland (Darkstalker (Wings of Fire: Legends, #1))
You can see the black tails better and the spots on the fawn.
Margaret Daley (To Save Her Child (Alaskan Search and Rescue Book 2))
Road cat was lying in the middle of Main Street, its tail flicking with annoyance as it spotted Hadley biking toward it.
Eryn Scott (A Stoneybrook Mystery Collection: A Cozy Mystery Box Set Books 1-3)
Franz tipped his wing and looked down on the P-38 he had wounded. It was circling downward, its engine coughing black smoke. Suddenly the hood of its canopy tumbled away in the slipstream. The pilot stood in the cockpit then dove toward the rear of the wing. The draft sucked his body under the forked tail. He free-fell from twelve thousand feet, passing through the clouds. “Pull it!” Franz shouted at the American, urging him to open his chute. When the pilot’s parachute finally popped full of air, Franz felt relief. The pilot drifted lazily downward while his P-38 splashed into the sea. Franz flew lower and saw the P-38 pilot climb into a tiny yellow raft against the whitecaps. Franz radioed Olympus to tell them to relay the American’s position to the Italians. He guessed they were seventy kilometers west of Marettimo and asked if the island could send a boat to pick up the man. For a second, Franz considered hovering over the man in the raft like an aerial beacon to steer a boat to the spot, but he shook the thought from his mind. It would put him at risk. If a prowling flight of enemy fighters found him, Franz knew he, too, could be shot into the sea. Franz and Willi departed the scene, leaving the pilot in his raft to fate. As they flew away, Franz wished the man a strong westerly wind. The American who looked up from the raft was Second Lieutenant Conrad Bentzlin, a young man from a large Swedish-American family in Saint Paul, Minnesota. He was quiet and hardworking, having taught himself English in high school. He had paid his way through the University of Minnesota by working for the government’s Civilian Conservation Corps program, cutting firebreaks in the forests of northern Minnesota. Among his buddies of the 82nd Fighter Group, Bentzlin was known as “the smartest guy in the unit.” Far from shore Bentzlin floated alone. A day later, another flight of P-38s flew over him and, through a hole in the clouds, saw him waving his arms from a raft. But he was in the middle of the sea and they could do nothing. Bentzlin would never be seen again.*
Adam Makos (A Higher Call)
OLD FOOL TO TEACH HIM MAGIC TRICKS!” yelled Uncle Vernon. But he had finally gone too far. Hagrid seized his umbrella and whirled it over his head, “NEVER —” he thundered, “— INSULT — ALBUS — DUMBLEDORE — IN — FRONT — OF — ME!” He brought the umbrella swishing down through the air to point at Dudley — there was a flash of violet light, a sound like a firecracker, a sharp squeal, and the next second, Dudley was dancing on the spot with his hands clasped over his fat bottom, howling in pain. When he turned his back on them, Harry saw a curly pig’s tail poking through a hole in his trousers.
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
The natives started their trek to the village and the bus followed slowly. No one saw any lions, but Butubu pointed out graceful elands and kudus. They resembled American deer but their horns were quite different. Those of the elands were long and straight and pointed slightly backwards. The kudus’ rose straight up from the forehead and curved in such a way that from a distance they resembled snakes. Suddenly Butubu stopped the bus. “Look!” he said, pointing toward a tree-shaded area. “There’s a family of hyrax. In Africa we call them dassies.‘” “Aren’t they cute?” Bess exclaimed. “Are they some kind of rabbit?” “No,” Butubu replied. “If you will look closely, you will see that they have no tails. People used to think they belonged to the rat family. But scientists made a study of their bodies and say their nearest relatives are the elephants.” “Hard to believe,” said Burt. “Think of a rabbit-sized elephant!” The small, dark-brown animals were sunning themselves on an outcropping of rocks. Three babies were hopping about their mother. Butubu explained that they were among the most interesting African animals. “The babies start walking around within a few minutes of their birth and after the first day they’re on their own. They return to the mother only long enough to be fed, but they start eating greens very quickly.” Butubu drove on but continued to talk about the dassies. “There is an amusing folk tale about these little animals. It was said that in the days when the earth was first formed and animals were being put on it, the weather was cold and rainy. ”When all the animals were called to a certain spot to be given tails, the dassie did not want to go. As other kinds passed him, he begged them to bring him back a tail.“ Nancy laughed. “But none of them did.” “That is right,” Butubu answered. “And so to this day they have no tails that they can use to switch flies.” Everyone in the bus thanked him for relating the charming little legend, then looked out the windows. They were approaching a village of grass-roofed huts. The small homes were built in a semicircle.
Carolyn Keene (The Spider Sapphire Mystery (Nancy Drew, #45))
Pythons were voracious feeders. They chose ambush spots based on the size of their preferred prey but were opportunistic. Hungry or not, they would strike and kill anything they could swallow. Proof of this was in a 2012 report done for the Department of the Interior regarding the Everglades. In areas where pythons were well established, foxes and rabbits had disappeared. Ninety-nine percent of raccoons and possums had been destroyed, and the white-tailed deer population was down by 91.4 percent. According to the report, the problem began in 1992 after Hurricane Andrew destroyed a python breeding facility near Miami. Also to blame were pet owners who, after tiring of their snakes, had released them into the Glades.
Randy Wayne White (Seduced (Hannah Smith #4))
Dodge Caravan three weeks ago, out in Pittsfield.’ Pittsfield, she thought, right across the state border from Albany. Where a woman vanished just last month. She stood with the receiver pressed to her ear, her pulse starting to hammer. ‘Where’s that van now?’ ‘Our team sat tight and didn’t follow it. By the time they heard back about the plates, it was gone. It hasn’t come back.’ ‘Let’s change out that car and move it to a parallel street. Bring in a second team to watch the house. If the van comes by again, we can do a leapfrog tail. Two cars, taking turns.’ ‘Right, I’m headed over there now.’ She hung up. Turned to look into the interview room where Charles Cassell was still sitting at the table, his head bowed. Is that love or obsession I’m looking at? she wondered. Sometimes, you couldn’t tell the difference. Twenty-eight DAYLIGHT WAS FADING when Rizzoli cruised up Dedham Parkway. She spotted Frost’s car and pulled up behind him. Climbed out of her car and slid into his passenger seat. ‘And?’ she said. ‘What’s going on?’ ‘Not a damn thing.’ ‘Shit. It’s been over an hour. Did we scare him off?’ ‘There’s still a chance it wasn’t Lank.’ ‘White van, stolen plates from Pittsfield?’ ‘Well, it didn’t hang around. And it hasn’t been back.’ ‘When’s the last time Van Gates left the house?’ ‘He and the wife went grocery shopping around noon. They’ve been home ever since.’ ‘Let’s cruise by. I want to take a look.’ Frost drove past the house, moving slowly enough for her to get a good long gander at Tara-on-Sprague-Street. They passed the surveillance team, parked at the other end of the block, then turned the corner and pulled over. Rizzoli said: ‘Are you sure they’re home?’ ‘Team hasn’t seen either one of them leave since noon.’ ‘That house looked awfully dark to me.’ They sat there for a few minutes, as dusk deepened. As Rizzoli’s uneasiness grew. She’d seen no lights on. Were both husband and wife asleep? Had they slipped out without the surveillance team seeing them? What was that van doing in this neighborhood? She looked at Frost. ‘That’s it. I’m not going to wait any longer. Let’s pay a visit.’ Frost circled back to the house and parked. They rang the bell, knocked on the door. No one answered. Rizzoli stepped off the porch, backed up the walkway, and gazed up at the southern plantation facade with its priapic white columns. No lights were on upstairs, either. The van, she thought. It was here for a reason. Frost said, ‘What do you think?’ Rizzoli could feel her heart starting to punch, could feel prickles of unease. She cocked her head, and Frost got the message: We’re going around back. She circled to the side yard and swung open a gate. Saw just a narrow brick walkway, abutted by a fence. No room for a garden, and barely room for the two trash cans sitting there. She stepped through the gate. They had no warrant, but something was wrong here, something that was making her hands tingle, the same hands that had been scarred by Warren Hoyt’s blade. A monster leaves his mark on your flesh, on your instincts. Forever after, you can feel it when another one passes by. With Frost right behind her, she moved past dark windows and a central air-conditioning unit that blew warm air against her chilled flesh. Quiet, quiet. They were trespassing now, but all she wanted was a peek in the windows, a look in the back door. She rounded the corner and found a small backyard, enclosed by a fence. The rear gate was open. She crossed the yard to that gate and looked into the alley beyond it. No one there. She started toward the house and was almost at the back door when she noticed it was ajar. She and Frost exchanged a look. Both their weapons came out. It had happened so quickly, so automatically, that she did not even remember having drawn hers. Frost gave the back door a push, and it swung
Tess Gerritsen (Body Double (Jane Rizzoli & Maura Isles, #4))
...I was completely lost when I heard Heather and Lucy shout out the litany of ducks: common goldeneye, gadwall, long-tailed duck, bufflehead, redhead, ring-necked duck, white-winged scoter, red-breasted merganser, northern shoveler. If someone had told me then that it would take me five years to comfortably ID all those ducks, I would have quit on the spot.
Julia Zarankin (Field Notes from an Unintentional Birder: A Memoir)
Minky, the littlest cat, look as if she stepped in snow when she was a kitten and the snow never melted. She is all black except for her white paws and the spots on her head and tail where the snow didn't melt either.
Anne Michaels (The Adventures of Miss Petitfour)
Far out over the water a flock of boats moved by, heading south to the Keys, or east to Bimini, the Gulf Stream, and even beyond. A large sportfisher went roaring right over the deep spot where I had put Patrick, kicking up a high rooster tail in its wake. I wondered whether it would make enough turbulence to rip him free of his anchor; perhaps he would shoot up to the surface like a nightmare cork, and bob along behind the speeding boat, all the way to the Bahamas.
Jeff Lindsay (Dexter's Final Cut (Dexter, #7))
I saw our familiar stomping ground in Windorah through the eyes of our American visitors, who were as astounded as I had been at Steve’s ability to bring the desert to life. We searched and searched for fierce snakes, but to no avail. Then Steve’s sixth sense kicked in. At five thirty one morning, after days of fruitless searching, he said, “Hurry up, let’s get going.” Our Dateline host was keen. This was what she’d traveled halfway around the world to see. “Where are we heading?” she asked. “We’ve got to get out on the black soil plains,” Steve said. “We are going to see a fierce snake at seven thirty.” The host looked a bit surprised. Even I teased him. “Oh, yeah, seven thirty, Stevo, we are going to see a fierce snake at exactly seven thirty, right.” But off we trundled to the black soil plains, camera crew, host, Winnebago, Ute--the whole convoy. Steve scanned the landscape. I monitored the temperature (and the clock). Seven thirty came and went. “So, we’re going to see a fierce snake at seven thirty?” I said. “Let’s see, oh, yes, it is seven thirty, and where might the fierce snake be?” After a little bit of teasing, Steve gave a good-natured grin, but then a look of determination passed over his face. No lie: Precisely at 7:32, he spotted a fierce snake. We ended up filming not one but two that morning. The rest of the NBC crew looked upon Steve with new respect. This guy says we’re going to see a snake at seven thirty and he’s off by two minutes? They were checking their watches and shaking their heads. Always give Steve the benefit of the doubt in the bush. I had learned that lesson before, the last time we had tailed fierce snakes on the black soil plains. But his ability to sense wildlife continued to strike me as uncanny.
Terri Irwin (Steve & Me)
One of my favorite memories of Harriet was when John Edward, the psychic medium, came to the zoo. He found out almost by accident that he could read living animals. Everything Harriet communicated to him was absolutely spot-on. Although John hadn’t been to the zoo before, Harriet told him that she used to be in another enclosure and that she liked this one better. That made sense because her current enclosure was bigger. Harriet also said that she liked the keeper with an accent, but it wasn’t Australian or American. John was having trouble placing the accent, and then he met Jan, who was English. “That’s the accent,” he said. Turns out Jan had been taking care of Harriet since before I had ever visited the zoo. John also said that Harriet had had blood drawn from her tail--which was correct, since we’d done a DNA profile on her. One thing, though, John had wrong. “Harriet misses her blanket,” he said. “You know, John,” I said, “Harriet can’t have a blanket, because she tries to eat everything.” “She misses her blanket,” John politely insisted. After he left the zoo, I asked Steve about it. “Did Harriet ever have a blanket?” Steve laughed. “Nah, mate, she’d have just eaten it.” Weeks went by. I visited Steve’s dad, Bob, and told him about everything John Edward had said, right up to the blanket. “He was spot-on until he got to the blanket,” I said. Bob’s face widened with a big grin. “Actually, back in the eighties,” he said, “a woman knitted a blanket for Harriet. On cold nights, before we had given Harriet a heat lamp, we would put the blanket over her shell, hoping that it would help contain some of her heat during the night.” I laughed. I couldn’t believe it. Bob said, “Harriet had that blanket for weeks and weeks, until one day she tried to eat it. Then we had to take it away.
Terri Irwin (Steve & Me)
She left the room, with her black-and-white kitty, Ruff, Elizabeth, Naiad and Persephone- a spotted gray-and-white shorthair- following on her heels in hopes of getting breakfast. As for her other two cats, she knew they must be out hunting rodents and birds rather than waiting to go down to the kitchens with everyone else. Burr and old Henry, who had climbed with a stiff gait out of his basket, joined the furry entourage, tails wagging and tongues lolling as they descended the stairs. The Scotties were probably asleep in the nursery, happy to wait to see what tidbits the children would sneak them during their breakfast in another hour or two.
Tracy Anne Warren (Happily Bedded Bliss (The Rakes of Cavendish Square, #2))
Set your mind for victory You may not realize it, but that’s setting the tone for defeat, for failure, for a lousy day. The first thing you should do is get your mind going in the right direction. This is why many people don’t have enough energy, joy, vision, or passion. Their minds are set on the negative. It’s been that way so long they don’t know any better. It’s normal to them. They go through the day expecting problems, bad breaks, to barely get by, and to be mistreated. They live by Murphy’s Law, which says, “If anything can go wrong, it will, and at the worst possible time. Things will take longer than you thought. It will be more difficult than it seems.” Because these people haven’t set their minds, they expect negative things to happen. They wonder why they have such a tough time, and why they can’t get ahead. It’s because they’re setting their minds for defeat, for bad breaks, for failure. If you have fallen into that negative mind-set, you’ve got to change your outlook. You are a child of the most high God. You’ve been crowned with favor. You were never created to live an average, get-by, short-end-of-the-stick life. You were created to be the head and not the tail, to lend and not borrow, to reign in life as a king. You have royalty in your blood. Winning is in your DNA. Now get rid of that negative mentality, and set your mind for victory. Set your mind for increase. Set your mind for good breaks. Start expecting your plans to work out. Expect people to be good to you. Expect to have a productive day. If it doesn’t happen, don’t fall back into that old negative mentality by thinking things like: “I should have known it would not work out for me. I never get good breaks. I never find a good parking spot. These people never treat me right. It always takes me longer than anyone else.
Joel Osteen (You Can You Will: 8 Undeniable Qualities of a Winner)
Helicopters Nothing has done more to change the face of wilderness rescue than helicopters. They land in remote areas that were inaccessible to aircraft only a few years ago. If the spot isn’t flat enough, helicopters have been known to land on one skid while a patient is quickly loaded. When there is no spot to land, they have hovered with a rescuer hanging from a rope or cable, a rescuer equipped to attach the patient to the hauling system for evacuation. Helicopters go where the pilot wants because of the rapid spinning of two sets of blades. The large overhead blades create air by forcing air down. The pilot can vary the angle at which the blades attack the air and the speed at which they rotate to vary the amount of lift. The entire rotor can be tilted forward, backward, or sideways to determine the direction of travel. Without a second set of blades spinning in an opposite direction, the helicopter would turn circles helplessly in the air. Some large helicopters have two large sets of blades spinning in opposite directions, one fore and one aft, but most helicopters used in the wilderness maintain stability with one small tail rotor. When they are close to the ground, the spinning blades build a cushion of air that helps support the helicopter. This cushion of air varies in its ability to work, depending on its density. Rising air temperatures and increasing altitude reduce air density. So trying to land a helicopter on a mountaintop on a hot day is dangerous, and the weight of one person may prevent liftoff. Air density also is altered by the nearness of a mountainside. The downward shove of air by the blades can recirculate off the mountainside and reduce lift. One of the greatest fears of mountain flying is a sudden downdraft of air that can slam a helicopter toward the ground. Downdrafts are not only dangerous but also unpredictable. Add to air density and downdrafts the possibility of darkness and fog and wind, and you can understand that even if a helicopter is available it may not be able to come to your rescue.
Buck Tilton (Wilderness First Responder: How to Recognize, Treat, and Prevent Emergencies in the Backcountry)
The excitement of the first Sunday in Advent had hardly died down when the sixth of December came around, one of the most momentous days for all houses where little children lived. On the vigil of this day Saint Nikolaus comes down to earth to visit all the little ones. Saint Nikolaus was a saintly bishop of the fourth century, and being always very kind and helpful to children and young people, God granted that every year on his feastday he might come down to the children. He comes dressed in his Bishop’s vestments, with a mitre on his head and his Bishop’s staff in his hand. He is followed, however, by the Krampus, an ugly, black little devil with a long, red tongue, a pair of horns, and a long tail. When Saint Nikolaus enters a house, he finds the whole family assembled, waiting for him, and the parents greet him devoutly. Then he asks the children questions from their catechism. He has them repeat a prayer or sing a song. He seems to know everything, all the dark spots of the past year, as you can see from his admonishing words. All the good children are given a sack with apples and nuts, prunes and figs, and the most delicious, heavenly sweets. Bad children, however, must promise very hard to change their life. Otherwise, the Krampus will take them along, and he is grunting already and rattling his heavy chain. But the Holy Bishop won’t ever let him touch a child. He believes the tearful eyes and stammered promises, but it may happen that, instead of a sweet bag, you get a switch. That will be put up in a conspicuous place and will look very symbolic of a child’s behavior.
Maria Augusta von Trapp (The Story of the Trapp Family Singers)
We all know the situation; the brilliant quick bowler with his tail up delivers the ball on a perfect length and line. A hint of swing has it pitching just outside off, before seam movement takes it further away from the right hander who would be well advised, if good enough, to leave well alone. But he only has a fraction of a second to respond and make his decision. Yet somehow this astonishing batsman is neither shouldering arms nor nibbling, he’s standing tall and smashing a wicket-taking delivery through the covers, on the up, to the boundary. 'Wow,' enthuses the commentator, 'I’m here to tell you that was some shot.' And it was. Next over, same bowler, same ball, same response but instead of that beautiful meaty sound of ball meeting sweet-spot there is a heavy click as a thick edge flies waste high to a grateful third slip. 'Gone! And you have to say that was a poor shot – no foot movement.' "The gap between brilliant and brainless was some four centimetres. Or was it? Surely the first shot was every bit as reckless and feckless? Our foolhardy batsman got away with his poor shot selection first time but within minutes he went from hero to zero. So who is our thrilling and exasperating protagonist? Take your pick: Victor Trumper, Stan McCabe, Denis Compton, Barry Richards, Gordon Greenidge, Virender Sehwag. This is how they played, the risks they took made them what they were: the most thrilling, watchable and often frustrating batsmen of their respective generations. If you want the highs then you must take the lows, and for each run-a-ball century there will be a horridly inappropriate early-innings catastrophe signalling disappointment for all neutrals.
Andy Baynton-Power (Masterly Batting: 100 Great Test Innings)
Brisbane!” I exclaimed, only his mouth was on mine and the word was lost. After a long and thoroughly pleasurable moment, he lifted his head and I tried to catch my breath. His hand was still in a compromising spot and I returned the favour, smothering his groan with my lips. He was muttering something and I pulled away to hear it. “Forty-eight hours. Forty-eight hours. Forty-eight hours.” “Unless,” I began, then broke off, feeling suddenly shy. “Unless?” he prompted, his witch-black eyes glittering brilliantly in the dim light. “Unless you would like to slip upstairs now,” I murmured. “I can dismiss Morag. No one need know.” A slow smile curved his lips and he bent his head to nip my lower lip with his teeth. “Tempting, my lady. But I am engaged to play billiards with your father and your brother Benedick. They have threatened my manhood if I do not appear, and I’d rather keep that intact.” “So would I,” I said seriously. He burst out laughing and kissed me again. “Tomorrow after luncheon. The river meadow.” I nodded and he slipped out from behind Maurice, leaving me deliciously bemused. I adjusted the décolletage of my gown and waited a few seconds, then emerged. Out of the tail of my eye, I caught a glimpse of a white apron whisking around the corner. One of the maids, eavesdropping, no doubt. And I had a very good idea which.
Deanna Raybourn (Midsummer Night (Lady Julia Grey, #3.5))
Bilbo Baggins sniffed at a small pile of what must have been brain matter, and Crate threatened to shoot him on the spot if he did a stupid fuck thing like eating that dead thing's diseased brains. His tail between his legs, Bilbo padded into the shade beneath the awning and threw himself onto the weather-worn boards.
Mason James Cole (Pray to Stay Dead: A Zombie Novel)
Kneeling down next to an article of clothing, Kevin looked up to see Christine a few feet away, gathering up one of her extravagant lolita dresses. Looking at her like this, the girl really did look cute, like a fragile porcelain doll. As he continued to watch her, his eyes landed on the black choker around her neck. “Isn’t that the choker that I bought you for your birthday a while back?” Kevin asked. Christine paused in her work. Her hand went to her choker. “A-ah, um, yes, it is. I… well, this is my… my favorite choker, so I like to wear it a lot…” Christine’s cheeks flushed once more, but she at least didn’t seem to be blowing her top. “After you, Iris, and Lilian left, I was really lonely. I hadn’t realized how important all of you were to me until you were gone. Ever since that day, ever since you three went off to Greece, I’ve taken to wearing this, because it reminded me of all the good times we’ve shared together.” That was probably the most honest thing he’d ever heard Christine say since she’d confessed her feelings for him. He’d noticed it before, but Christine really was a tsundere. She rarely ever told anyone what she was really thinking, and she covered up her embarrassment with bluster and violence. Moments like this were rare for her. He could count the number of times where she’d been honest with her feelings on one hand and still have fingers left over. “I’m sorry we left you like that,” Kevin apologized. Christine shook her head. “You don’t need to apologize. I know that you didn’t have much of a choice. Had you not left, then…” Then he, Lilian, and Iris would have put everyone in danger. Back then, Lilian had been targeted by the Shénshèng Clan. One of its members, a three-tailed kitsune named Fan had attacked them during Lindsay’s soccer game. Iris had nearly been killed and Kevin had destroyed an entire school building just to defeat Fan. Christine had been there when it happened, so she understood why they had to leave. “Thank you for being so understanding,” he said. Christine quickly turned her back to him. “T-there’s no need to thank me. We’re friends. I-I was only doing what any good friend would do.” Tsundere until the end, Kevin thought with an amused chuckle. “Then, Christine, I’m very glad that you’re my friend.” Christine squeaked. As she sputtered incoherently, Kevin finally grabbed the article that he’d been kneeling over. Blinking when he realized that it felt different than everything else that he’d picked up thus far, he held the article up to study it. “What is this…?” He trailed off. The object in his hands… was Christine’s panties. “Uh…” Kevin could hear his brain sizzling. “W-what are you doing, idiot!? Don’t stare at those!” Christine leapt at him, and Kevin, too shocked by the object in his hands to do anything, let her tackle him to the ground. The panties were thrown from his hands as his back slammed into the floor. Spots appeared in his vision, but they were soon replaced by Christine’s face, which hovered not two inches from his own. Their noses were almost touching. “C-Christine?” He felt his eyes widen as Christine’s face inched a little closer to his. This was bad. This was a very bad situation. Christine was straddling him, and he could feel her thighs touching him, and her body was pressed against him, and… and… Oh, no… Perhaps it was the result of him still being horny because Christine had interrupted him and Lilian while they were having sex, but Kevin felt his arousal skyrocket. Christine felt it, too, because her eyes went even wider and she looked down. He also looked down. Then he looked back up. Their eyes met. Christine’s face was the brightest blue that he’d ever seen. “I can explain this,” Kevin said calmly. “KYA!” The sound of Christine’s scream was followed by a loud slap.
Brandon Varnell (A Fox's War (American Kitsune, #12))
Shadowpaw craned his neck over his back, straining to groom the hard-to-reach spot at the base of his tail. He had just managed to give his fur a few vigorous licks when he heard paw steps approaching. He looked up to see his father, Tiger star, and his mother, Dovewing, their pelts brushing as they gazed down at him with pride and joy shining in their eyes. “What is it?” he asked, sitting up and giving his pelt a shake. “We just came to see you off,” Tiger star responded, while Dovewing gave her son’s ears a quick, affectionate lick. Shadowpaw’s fur prickled with embarrassment. Like I haven’t been to the Moonpool before, he thought. They’re still treating me as if I’m a kit in the nursery! He was sure that his parents hadn’t made such a fuss when his littermates, Pouncestep and Lightleap, had been warrior apprentices. I guess it’s because I’m going to be a medicine cat.
Erin Hunter (Bravelands: The Spirit-Eaters (Bravelands, #5))
The story you’ve just been listening to is called Falsehood Exposed, or The Tale of a Grandmother. It is a story which took place under the reigning dynasty, on this very day of this very month of this very year on this very spot and at this very hour. How can Grannie “with one mouth tell a double tale”? Ah, how indeed! Our tale puts forth two tails. Which tail to wag? Wig-wag. But for the time being we do not inquire which tale is false, which true. Our story turns rather to those people in the party who were admiring the lanterns and watching the play… Just give these two kinsfolk a chance to drink a cup of wine and watch a scene or two more of the play, Grannie, and then you can get on with your Exposure of Falsehood – dynasty by dynasty.
Cao Xueqin (The Warning Voice)
Dante, as you might know, had originally titled his book The Comedy of Dante Alighieri, A Florentine by birth but not in character. The title Divine Comedy only came later, when the book became regarded as a masterpiece. It’s a work that can be approached in a thousand different ways, and over the centuries it has been,” he said, his voice gaining strength once he was on firm and familiar ground. “But what we’re going to focus on today is the use of natural imagery in the poem. And this Florentine edition which was recently donated to the Newberry collection—and which I think most of you have now seen in the central display case—is a particularly good way to do that.” He touched a button on the lectern’s electronic panel and the first image—an etching of a deep forest, with a lone figure, head bent, entering a narrow path—appeared on the screen. “ ‘In the middle of the journey of our life,’ ” he recited from memory, “ ‘I came to myself in a dark wood where the straight way was lost.’ ” Looking up, he said, “With the possible exception of ‘Jack and Jill went up the hill,’ there is probably no line of poetry more famous and easily identifiable than that. And you will notice that right here, at the very start of the epic that is to follow, we have a glimpse of the natural world that is both realistic—Dante spends a terrible night in that wood—and metaphorical.” Turning to the etching, he elaborated on several of its most salient features, including the animals that animated its border—a leopard with a spotted coat, a lion, and a skulking wolf with distended jaws. “Confronted by these creatures, Dante pretty much turns tail and runs, until he bumps into a figure—who turns out of course to be the Roman poet Virgil—who offers to guide him ‘through an eternal place where thou shalt hear the hopeless shrieks, shalt see the ancient spirits in pain so that each calls for a second death.’ ” A new image flashed on the screen, of a wide river—Acheron with mobs of the dead huddled on its shores, and a shrouded Charon in the foreground, pointing with one bony finger at a long boat. It was a particularly well-done image and David noted several heads nodding with interest and a low hum of comments. He had thought there might be. This edition of the Divine Comedy was one of the most powerful he had ever seen, and he was making it his mission to find out who the illustrator had been. The title pages of the book had sustained such significant water and smoke damage that no names could be discerned. The book had also had to be intensively treated for mold, and many of the plates bore ineradicable green and blue spots the circumference of a pencil eraser.
Robert Masello (The Medusa Amulet)