Kierkegaard Famous Quotes

Kierkegaard famously wrote “my sorrow is my castle.” Unfortunately not all of us have as much space.

It is with this thought that many believers would call up Kierkegaard's famous phrase, the 'leap of faith,' pictured perhaps as a leap from here to there, leaving out the in-between... What is usually overlooked, however, is that Kierkegaard said nothing about a safe landing; there was only the leap, and no guarantee of solid ground beyond it.

Modern art always projects itself into a twilight zone where no values are fixed. It is always born in anxiety, at least since Cézanne. And Picasso once said that what matters most to us in Cézanne, more than his pictures, is his anxiety. It seems to me a function of modern art to transmit this anxiety to the spectator, so that his encounter with the work is--at least while the work is new-- a genuine existential predicament. Like Kierkegaard's God, the work molests us with its aggressive absurdity [...]. It demands a decision in which you discover something of your own quality; and this decision is always a "leap of faith," to use Kierkegaard's famous term. And like Kierkegaard's God, who demands a sacrifice from Abraham in violation of every moral standard: like Kierkegaard's God, the picture seems arbitrary, cruel, irrational, demanding your faith, while it makes no promise of future rewards. In other words, it is in the nature of original contemporary art to present itself as a bad risk. And we the public, artists included, should be proud of being in this predicament, because nothing else would seem to us quite true to life; and art, after all, is supposed to be a mirror of life.

Jean-Paul Sartre is one of the most widely recognized and cited thinkers of existential philosophy. A movement of thinking that took form during the 19th century, fashioned by individuals like Soren Kierkegaard, Friedrich Nietzche, and Fyodor Dostoevsky, and then further popularized by individuals including Albert Camus, Martin Heidegger, and of course, Sartre. In Sartre’s lecture, Existentialism is a Humanism, he famously summarized the primary existential principle with the line, “Existence precedes essence.” The essence here meaning the qualities of a thing that creates its purpose. For example, Sartre references how a paper-knife is designed with a specific purpose in mind before it is made. And only once it is given a predetermined purpose and designed accordingly, is it manufactured into being. In which case, its essence precedes its existence. With exception to itself, humanity does this with nearly everything it makes. As rational beings, we create out of reason. Even if the reason is to make the point that we can create things for no reason, we have merely found ourselves in the paradox of creating for the reason of having none, which remains a reason. We exist with the innate desire for a reason. What we do. Who we are. Why we are. And so on. And here lies the beginning of our existential problem. According to Sartre and many others, there is no predetermined meaning or reason to human life. There is no authority figure designing us or our lives. And there is no essence to our existence prior to our existence. But rather, life exists for itself, and beyond itself, it is intrinsically meaningless. Whenever our sense of reason and logic confront this potential realization, that the nature of life, including the most essential part of our life, our self, appears to not agree with the same order of reason, we can often find ourselves in a sort of existential crisis. However, Sartre and the existentialists don’t see this as despairing, but rather, justification for living.

The Monday meetings were in a sense a tug-of-war, in which the Schlick faction—supposedly in the name of his mentors, Gottlob Frege and Bertrand Russell—sought to drag their master over the demarcation line of the “verification criterion” (Schlick: “The meaning of an assertion lies in the method of its verification”), while a famously indefatigable Wittgenstein held his ground at the other end of the rope with Schopenhauer, Tolstoy, and Kierkegaard, waiting for the whole positivist troop to collapse.

Knowledge of the truth I may perhaps have attained to; happiness, certainly not. What shall I do? Accomplish something in the world, men tell me. Shall I then publish my grief to the world, contribute one more proof for the wretchedness and misery of existence, perhaps discover a new flaw in human life, hitherto unnoticed? I might then reap the rare reward of becoming famous, like the man who discovered the spots on Jupiter. I prefer, however, to keep silent.