Splendid View Quotes

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People who dream when they sleep at night know of a special kind of happiness which the world of the day holds not, a placid ecstasy, and ease of heart, that are like honey on the tongue. They also know that the real glory of dreams lies in their atmosphere of unlimited freedom. It is not the freedom of the dictator, who enforces his own will on the world, but the freedom of the artist, who has no will, who is free of will. The pleasure of the true dreamer does not lie in the substance of the dream, but in this: that there things happen without any interference from his side, and altogether outside his control. Great landscapes create themselves, long splendid views, rich and delicate colours, roads, houses, which he has never seen or heard of...
Karen Blixen (Out of Africa)
The acknowledgement of a single possibility can change everything.
Aberjhani (Splendid Literarium: A Treasury of Stories, Aphorisms, Poems, and Essays)
Simple shifts in points of view can open doors to expansions of consciousness as easily as rigid dispositions can close hearts and minds to such elevated awareness. It generally depends on whether you allow fear and violence to rule your actions or whether you give wisdom, courage, and compassion the authority to do so.
Aberjhani (Splendid Literarium: A Treasury of Stories, Aphorisms, Poems, and Essays)
We will encounter great obstacles and splendid views, long dry deserts and shadow-rich trees. We will have to fight against those who try to attack and rob us. We will also make wonderful friends. We will often wonder if we will ever make it, but one day we will see coming to us the One who has been waiting for all eternity to welcome us home.
Henri J.M. Nouwen (Can You Drink the Cup?)
Altruism, compassion, empathy, love, conscience, the sense of justice—all of these things, the things that hold society together, the things that allow our species to think so highly of itself, can now confidently be said to have a firm genetic basis. That’s the good news. The bad news is that, although these things are in some ways blessings for humanity as a whole, they didn’t evolve for the “good of the species” and aren’t reliably employed to that end. Quite the contrary: it is now clearer than ever how (and precisely why) the moral sentiments are used with brutal flexibility, switched on and off in keeping with self-interest; and how naturally oblivious we often are to this switching. In the new view, human beings are a species splendid in their array of moral equipment, tragic in their propensity to misuse it, and pathetic in their constitutional ignorance of the misuse. The title of this book is not wholly without irony.
Robert Wright (The Moral Animal: Why We Are the Way We Are - The New Science of Evolutionary Psychology)
В погледа ѝ имаше нещо заплашително. Имах чувството, че в нея е въплътена цяла тълпа жени и че в друго време тя би могла да седи с плетката си пред гилотината и да се наслаждава на гледката. А аз цял живот съм изпитвал панически страх от всякакви тълпи. There was something distinctly intimidating about her stare. It seemed to come from a one-woman mob, separated only by time and chance from her knitting bag and a splendid view of the guillotine. I've been terrified of mobs, of any kind, all my life.
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
A KING WHO PLACED MIRRORS IN HIS PALACE There lived a king; his comeliness was such The world could not acclaim his charm too much. The world's wealth seemed a portion of his grace; It was a miracle to view his face. If he had rivals,then I know of none; The earth resounded with this paragon. When riding through his streets he did not fail To hide his features with a scarlet veil. Whoever scanned the veil would lose his head; Whoever spoke his name was left for dead, The tongue ripped from his mouth; whoever thrilled With passion for this king was quickly killed. A thousand for his love expired each day, And those who saw his face, in blank dismay Would rave and grieve and mourn their lives away- To die for love of that bewitching sight Was worth a hundred lives without his light. None could survive his absence patiently, None could endure this king's proximity- How strange it was that man could neither brook The presence nor the absence of his look! Since few could bear his sight, they were content To hear the king in sober argument, But while they listened they endure such pain As made them long to see their king again. The king commanded mirrors to be placed About the palace walls, and when he faced Their polished surfaces his image shone With mitigated splendour to the throne. If you would glimpse the beauty we revere Look in your heart-its image will appear. Make of your heart a looking-glass and see Reflected there the Friend's nobility; Your sovereign's glory will illuminate The palace where he reigns in proper state. Search for this king within your heart; His soul Reveals itself in atoms of the Whole. The multitude of forms that masquerade Throughout the world spring from the Simorgh's shade. If you catch sight of His magnificence It is His shadow that beguiles your glance; The Simorgh's shadow and Himself are one; Seek them together, twinned in unison. But you are lost in vague uncertainty... Pass beyond shadows to Reality. How can you reach the Simorgh's splendid court? First find its gateway, and the sun, long-sought, Erupts through clouds; when victory is won, Your sight knows nothing but the blinding sun.
Attar of Nishapur
Poor girl? I fail to understand the point of that remark. I think myself a very fortunate girl, I assure you. I’m thoroughly happy, and having a splendid time. Pray don’t waste time mourning over me. There’s enough sorrow in the world, isn’t there, without trying to invent it.
E.M. Forster (A Room with a View)
An example of perfection in nature is the cockroach. It was living six million years before us and it may outlast us by that long. The brain of a cockroach is a splendid little engine. It doesn't evolve and it doesn't need to. The human brain is a disaster from the point of view of perfection--great intellectual power combined with primitive emotional reactions. Human beings today are living with terrible risks of their own creation--nuclear weapons, the exploitation of natural resources, the great disparity between the wealthy and the poor. Our brains will probably bring us to destruction, but we also have the possibility of growth, evolution. I prefer being a human. We shouldn't always look for perfection, in nature or our lives.
Rita Levi-Montalcini
A soft luxurious course of habitual indulgence, is the practice of the bulk of modern Christians: and that constant moderation, that wholesome discipline of restraint and self-denial, which are requisite to prevent the unperceived encroachments of the inferior appetites, seem altogether disused, as the exploded austerities of monkish superstition... But the persons of whom we are now speaking, forgetting alike the duties they owe to themselves and to their fellow-creatures, often act as though their condition were meant to be a state of uniform indulgence, and vacant, unprofitable sloth... To multiply the comforts of affluence, to provide for the gratification of appetite, to be luxurious without diseases, and indolent without lassitude, seems the chief study of their lives. Others again seem more to attach themselves to what have been well termed the ‘pomps and vanities of this world.’ Magnificent houses, grand equipages, numerous retinues, splendid entertainments, high and fashionable connections, appear to constitute, in their estimation, the supreme happiness of life.
William Wilberforce (A Practical View of the Prevailing Religious Systems)
Americans are funny," Terence O'Donnell pointed out in a conversation we had about our national need to own as much as possible, including our joy. "We look for a state of happiness," said O'Donnell. "But the French know that's ridiculous. They accept that there are only les petits bonheurs, the little happinesses, only the moments: a sudden view, awakening to a superb morning, the sun's warmth, a cooling breeze.
Lionel Fisher (Celebrating Time Alone: Stories Of Splendid Solitude)
There are situations in life which are beyond one. The sensible man realizes this, and slides out of such situations, admitting himself beaten. Others try to grapple with them, but it never does any good. When affairs get in a real tangle, it is best to sit still and let them straighten themselves out. Or, if one does not do that, simply to think no more about them. This is Philosophy. The true philosopher is the man who says "All right," and goes to sleep in his arm-chair. One's attitude towards Life's Little Difficulties should be that of the gentleman in the fable, who sat down on an acorn one day and happened to doze. The warmth of his body caused the acorn to germinate, and it grew so rapidly that, when he awoke, he found himself sitting in the fork of an oak sixty feet from the ground. He thought he would go home, but, finding this impossible, he altered his plans. "Well, well," he said, "if I cannot compel circumstances to my will, I can at least adapt my will to circumstances. I decide to remain here." Which he did, and had a not unpleasant time. The oak lacked some of the comforts of home, but the air was splendid and the view excellent. Today's Great Thought for Young Readers. Imitate this man.
P.G. Wodehouse
Man is bound to follow the exploits of his scientific and inventive mind and to admire himself for his splendid achievements. At the same time, he cannot help admitting that his genius shows an uncanny tendency to invent things that become more and more dangerous, because they represent better and better means for wholesale suicide. In view of the rapidly increasing avalanche of world population, we have already begun to seek ways and means of keeping the rising flood at bay. But nature may anticipate all our attempts by turning against man his own creative mind, and, by releasing the H-bomb or some equally catastrophic device, put an effective stop to overpopulation. In spite of our proud domination of nature we are still her victims as much as ever and have not even learnt to control our own nature, which slowly and inevitably courts disaster.
C.G. Jung (The Collected Works of C.G. Jung)
We will simply say here that, as a means of contrast with the sublime, the grotesque is, in our view, the richest source that nature can offer art. Rubens so understood it, doubtless, when it pleased him to introduce the hideous features of a court dwarf amid his exhibitions of royal magnificence, coronations and splendid ceremonial. The universal beauty which the ancients solemnly laid upon everything, is not without monotony; the same impression repeated again and again may prove fatiguing at last. Sublime upon sublime scarcely presents a contrast, and we need a little rest from everything, even the beautiful. On the other hand, the grotesque seems to be a halting-place, a mean term, a starting-point whence one rises toward the beautiful with a fresher and keener perception. The salamander gives relief to the water-sprite; the gnome heightens the charm of the sylph.
Victor Hugo
A modern princess—of England, say, or Monaco— serves the purpose of being an adornment in the fantasy life of the public. Consequently, she receives the kind of education that one might think of giving to a particularly splendid papier-mâché angel before putting it at the top of the Christmas tree: an education whose main goal is proficiency in the arts of looking pretty and standing straight. Our century, whatever virtues it may have, is not an optimal time for princesses. Things were different in the Renaissance. Intelligence had a primary value then. At almost every level of the social order, education was meant to create true amateurs—people who were in love with quality. A gentleman or lady needed to be at least minimally skilled in many arts, because that was considered the fittest way of appreciating the good things in life and honoring the goodness itself. Nor did being well-rounded mean smoothing over your finest points and becoming like the reflection of a smile in a polished teaspoon. Intelligence walked hand in hand with individuality, although having finely sharpened points of view did not, it was felt, require you to poke other people with them. If wit was a rapier, courtesy was the button at the end of the blade.
Stephen Mitchell (The Frog Prince: A Fairy Tale for Consenting Adults)
was brilliant. It is a pleasure to hear really well-informed talk, unpunctuated by foolish and ignorant remarks (except occasionally from Randolph), and it is a relief to be in the background with occasional commissions to execute, but few views to express, instead of being expected to be interesting because one is the P.M.’s Private Secretary.
Erik Larson (The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz)
Empirically, things are poignant, tragic, beautiful, humorous, settled, disturbed, comfortable, annoying, barren, harsh, consoling, splendid, fearful; are such immediately and in their own right and behalf.... These traits stand in themselves on precisely the same level as colours, sounds, qualities of contact, taste and smell. Any criterion that finds the latter to be ultimate and "hard" data will, impartially applied, come to the same conclusion about the former. -Any- quality as such is final; it is at once initial and terminal; just what it is as it exists. it may be referred to other things, it may be treated as an effect or a sign. But this involves an extraneous extension and use. It takes us beyond quality in its immediate qualitativeness.... The surrender of immediate qualities, sensory and significant, as objects of science, and as proper forms of classification and understanding, left in reality these immediate qualities just as they were; since they are -had- there is no need to -know- them. But... the traditional view that the object of knowledge is reality par excellence led to the conclusion that the object of science was preeminently metaphysically real. Hence, immediate qualities, being extended from the object of science, were left thereby hanging loose from the "real" object. Since their -existence- could not be denied, they were gathered together into a psychic realm of being, set over against the object of physics. Given this premise, all the problems regarding the relation of mind and matter, the psychic and the bodily, necessarily follow. Change the metaphysical premise; restore, that is to say, immediate qualities to their rightful position as qualities of inclusive situations, and the problems in question cease to be epistemological problems. They become specifiable scientific problems; questions, that is to say, of how such and such an event having such and such qualities actually occurs.
John Dewey (Experience and Nature)
A small bathroom was attached to the room. Hassan was very proud of it, because he had recently installed a flush tank and western-style potty. I complimented him on the potty and said it looked very comfortable. But what really took my fancy was the bathroom window. It hadn’t been opened for some time, and the glass panes were caked with dirt. But when finally we got it open, the view was remarkable. Below the window was a sheer drop of two or three hundred feet. Ahead, an open vista, a wide valley, and then the mountains striding away towards the horizon. I don’t think any hotel in town had such a splendid view. And this little bathroom had it all. I could see myself sitting for hours on that potty, enraptured, enchanted, having the valley and the mountains all to myself. Almost certain constipation of course, but I would take that risk.
Ruskin Bond (Tales of Fosterganj)
A morning-flowered dalliance demured and dulcet-sweet with ebullience and efflorescence admiring, cozy cottages and elixirs of eloquence lie waiting at our feet - We'll dance through fetching pleasantries as we walk ephemeral roads evocative epiphanies ethereal, though we know our hearts are linked with gossamer halcyon our day a harbinger of pretty things infused with whispers longing still and gamboling in sultry ways to feelings, all ineffable screaming with insouciance masking labyrinthine paths where, in our nonchalance, we walk through the lilt of love’s new morning rays. Mellifluous murmurings from a babbling brook that soothes our heated passion-songs and panoplies perplexed with thought of shadows carried off with clouds in stormy summer rains… My dear, and that I can call you 'dear' after ripples turned to crashing waves after pyrrhic wins, emotions drained we find our palace sunned and rayed with quintessential moments lit with wildflower lanterns arrayed on verandahs lush with mutual love, the softest love – our preferred décor of life's lilly-blossom gate in white-fenced serendipity… Twilight sunlit heavens cross our gardens, graced with perseverance, bliss, and thee, and thou, so splendid, delicate as a morning dove of charm and mirth – at least with me; our misty mornings glide through air... So with whippoorwill’d sweet poetry - of moonstones, triumphs, wonder-woven in chandliers of winglet cherubs wrought with time immemorial, crafted with innocence, stowed away and brought to light upon our day in hallelujah tapestries of ocean-windswept galleries in breaths of ballet kisses, light, skipping to the breakfast room cascading chrysalis's love in diaphanous imaginings delightful, fleeting, celestial-viewed as in our eyes which come to rest evocative, exuberant on one another’s moon-stowed dreams idyllic, in quiescent ways, peaceful in their radiance resplendent with a myriad of thought soothing muse, rhapsodic song until the somnolence of night spreads out again its shaded truss of luminescent fantasies waiting to be loved by us… Oh, love! Your sincerest pardons begged! I’ve gone too long, I’ve rambled, dear, and on and on and on and on - as if our hours were endless here… A morning toast, with orange-juiced lips exalting transcendent minds suffused with sunrise symphonies organic-born tranquilities sublimed sonorous assemblages with scintillas of eternity beating at our breasts – their embraces but a blushing, longing glance away… I’ll end my charms this enraptured morn' before cacophony and chafe coarse in crude and rough abrade when cynical distrust is laid by hoarse and leeching parasites, distaste fraught with smug disgust by hairy, smelly maladroit mediocrities born of poisoned wells grotesque with selfish lies - shrill and shrieking, biting, creeping around our love, as if they rose from Edgar Allen’s own immortal rumpled decomposing clothes… Oh me, oh my! I am so sorry! can you forgive me? I gone and kissed you for so long, in my morning imaginings, through these words, through this song - ‘twas supposed to be "a trifle treat," but little treats do sometimes last a little longer; and, oh, but oh, but if I could, I surly would keep you just a little longer tarrying here, tarrying here with me this pleasant morn
Numi Who
The view was breathtaking. Her gaze swept out across the splendid, exciting square. Yes, she could see the horizon, the view so much more sweeping than she had expected. She saw now what Jim had seen, what had been there all the time. So much to do and know, and yes, she could do this. And then she saw something else. A familiar figure, cap pushed back, walking toward her. She saw him moving closer, saw those clear, blue eyes. She heard a laugh-- whose? Her own. And it was all right. She could be right or wrong, but her vow to herself was clear now. She would be strong and not always too careful, not settle for a smaller life, and face what was true. What was true? Perhaps it was here, staring her in the face. "May I help you down?" Jim said. He was standing beneath her now, his hands on the bridle, looking up, his eyes alight. Palms up, arms stretched out, she reached toward him. "Yes," she said.
Kate Alcott (The Dressmaker)
In order to make clear what this fourth stage has in view, and to throw some light on the curious term 'transformation,' we must first take account of those psychic needs of man which were not given a place in the other stages. In other words, we must ascertain what could seem more desirable or lead further than the claim to be a normally adapted, social being. Nothing is more useful or fitting than to be a normal human being; but the very notion of a 'normal human being' suggests a restriction to the average – as does also the concept of adaptation. It is only a man who as things stand, already finds it difficult to come to terms with the everyday world who can see in this restriction a desirable improvement: a man, let us say, whose neurosis unfits him for normal life. To be 'normal' is a splendid ideal for the unsuccessful, for all those who have not yet found an adaptation. But for people who have far more ability than the average, for whom it was never hard to gain successes and to accomplish their share of the world’s work-for them restriction to the normal signifies the bed of Procrustes, unbearable boredom, infernal sterility and hopelessness. As a consequence there are many people who become neurotic because they are only normal, as there are people who are neurotic because they cannot become normal. For the former the very thought that you want to educate them to normality is a nightmare; their deepest need is really to be able to lead 'abnormal' lives.
C.G. Jung (Modern Man in Search of a Soul)
If you must punish a man with deeds, do not abuse him with words, for the pain of punishment is enough for the unfortunate man without the addition of malicious speech. Consider the culprit who falls under your jurisdiction as a fallen man subject to the conditions of our depraved nature, and to the extent that you can, without doing injury to the opposing party, show him compassion and clemency, because although all the attributes of God are equal, in our view mercy is more brilliant and splendid than justice.
Miguel de Cervantes Saavedra (Don Quixote)
The avenue seemed full of gay people these days, persons as happy as she. At intervals were stationed the mounted traffic police. Their splendid figures, their neat, well-fitting uniforms, their highly polished puttees protecting perfectly formed legs, the thigh outlined by pressure against the horse's side, all combined to make a picture which she found irresistibly appealing. She found herself looking for the mounted police. She formed preferences for one or the other. She thought of the Aztecs with their idea that men astride of horses were some kind of god,and she smiled to think that her poetic sense was interpreting these horsemen in the same light. She liked especially to view the officers from the back, the torso, the carriage, the outline of the leg all accentuated.
Robert Scully
The great create an atmosphere which reacts badly upon the small. This atmosphere is easily and quickly felt. Walk among the magnificent residences, the splendid equipages, the gilded shops, restaurants, resorts of all kinds; scent the flowers, the silks, the wines; drink of the laughter springing from the soul of luxurious content, of the glances which gleam like light from defiant spears; feel the quality of the smiles which cut like glistening swords and of strides born of place, and you shall know of what is the atmosphere of the high and mighty. Little use to argue that of such is not the kingdom of greatness, but so long as the world is attracted by this and the human heart views this as the one desirable realm which it must attain, so long, to that heart, will this remain the realm of greatness. So long, also, will the atmosphere of this realm work its desperate results in the soul of man. It
Theodore Dreiser (Delphi Collected Works of Theodore Dreiser (Illustrated) (Delphi Series Eight Book 25))
The supposedly eyewitness authority of the Pseudo-Turpin finds a parallel in another genre in which vernacular prose was pioneered: that of the historical memoir. There were twelfth-century verse histories narrated by authors who had personally participated in the events they describe, such as the Third Crusade. But the Fourth Crusade of 1202-4 saw a switch to prose. This shameful fiasco, in which the crusaders were induced to turn aside from the Holy Land and attack instead the Christian city of Constantinople, inspired two contrasting accounts. Robert de Clari--ignorant of higher-level strategy, but all agog at the splendours of Constantinople--gives a worm's eye view. Geoffroi de Villehardouin, by contrast, has a top diplomat's suave authority and a leader's eye for the aesthetics of war--the splendid sight of a fleet, or the noble heroism of a ruler. For both authors the medium of prose seems to convey the purported authenticity and transparency of lived experience.
Sarah Cay Terence Cave Malcolm Bowie
Now I know what makes you so different from other women," said John Tenison, when he and Margaret were alone. "It's having that wonderful mother! She--she--well, she's one woman in a million; I don't have to tell you that! It's something to thank God for, a mother like that; it's a privilege to know her. I've been watching her all day, and I've been wondering what SHE gets out of it--that was what puzzled me; but now, just now, I've found out! This morning, thinking what her life is, I couldn't see what REPAID her, do you see? What made up to her for the unending, unending effort, and sacrifice, the pouring out of love and sympathy and help--year after year after year..." He hesitated, but Margaret did not speak. "You know," he went on musingly, "in these days, when women just serenely ignore the question of children, or at most, as a special concession, bring up one or two--just the one or two whose expenses can be comfortably met!--there's something magnificent in a woman like your mother, who begins eight destinies instead of one! She doesn't strain and chafe to express herself through the medium of poetry or music or the stage, but she puts her whole splendid philosophy into her nursery--launches sound little bodies and minds that have their first growth cleanly and purely about her knees. Responsibility--that's what these other women say they are afraid of! But it seems to me there's no responsibility like that of decreeing that young lives simply SHALL NOT BE. Why, what good is learning, or elegance of manner, or painfully acquired fineness of speech, and taste and point of view, if you are not going to distill it into the growing plants, the only real hope we have in the world! You know, Miss Paget," his smile was very sweet in the half darkness, "there's a higher tribunal than the social tribunal of this world, after all; and it seems to me that a woman who stands there, as your mother will, with a forest of new lives about her, and a record like hers, will--will find she has a Friend at court!" he finished whimsically.
Kathleen Thompson Norris
Compare a medieval French peasant to a modern Parisian banker. The peasant lived in an unheated mud hut overlooking the local pigsty, while the banker goes home to a splendid penthouse with all the latest technological gadgets and a view to the Champs-Elysées. Intuitively, we would expect the banker to be much happier than the peasant. However, mud huts, penthouses and the Champs-Elysées don’t really determine our mood. Serotonin does. When the medieval peasant completed the construction of his mud hut, his brain neurons secreted serotonin, bringing it up to level X. When in 2014 the banker made the last payment on his wonderful penthouse, brain neurons secreted a similar amount of serotonin, bringing it up to a similar level X. It makes no difference to the brain that the penthouse is far more comfortable than the mud hut. The only thing that matters is that at present the level of serotonin is X. Consequently the banker would not be one iota happier than his great-great-great-grandfather, the poor medieval peasant.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
I don’t believe it too harsh to say that the history of philosophy when boiled down consists mostly of failed models of the brain. A few of the modern neurophilosophers such as Patricia Churchland and Daniel Dennett have made a splendid effort to interpret the findings of neuroscience research as these become available. They have helped others to understand, for example, the ancillary nature of morality and rational thought. Others, especially those of poststructuralist bent, are more retrograde. They doubt that the “reductionist” or “objectivist” program of the brain researchers will ever succeed in explaining the core of consciousness. Even if it has a material basis, subjectivity in this view is beyond the reach of science. To make their argument, the mysterians (as they are sometimes called) point to the qualia, the subtle, almost inexpressible feelings we experience about sensory input. For example, “red” we know from physics, but what are the deeper sensations of “redness”? So what can the scientists ever hope to tell us in larger scale about free will, or about the soul, which for religious thinkers at least is the ultimate of ineffability?
Edward O. Wilson (The Meaning of Human Existence)
Elizabeth automatically started forward three steps, then halted, mesmerized. An acre of thick Aubusson carpet stretched across the book-lined room, and at the far end of it, seated behind a massive baronial desk with his shirtsleeves folded up on tanned forearms, was the man who had lied in the little cottage in Scotland and shot at a tree limb with her. Oblivious to the other three men in the room who were politely coming to their feet, Elizabeth watched Ian arise with that same natural grace that seemed so much a part of him. With a growing sense of unreality she heard him excuse himself to his visitors, saw him move away from behind his desk, and watched him start toward her with long, purposeful strides. He grew larger as he neared, his broad shoulders blocking her view of the room, his amber eyes searching her face, his smile one of amusement and uncertainty. “Elizabeth?” he said. Her eyes wide with embarrassed admiration, Elizabeth allowed him to lift her hand to his lips before she said softly, “I could kill you.” He grinned at the contrast between her words and her voice. “I know.” “You might have told me.” “I hoped to surprise you.” More correctly, he had hoped she didn’t know, and now he had his proof: Just as he had thought, Elizabeth had agreed to marry him without knowing anything of his personal wealth. That expression of dazed disbelief on her face had been real. He’d needed to see it for himself, which was why he’d instructed his butler to bring her to him as soon as she arrived. Ian had his proof, and with it came the knowledge that no matter how much she refused to admit it to him or to herself, she loved him. She could insist for now and all time that all she wanted from marriage was independence, and now Ian could endure it with equanimity. Because she loved him. Elizabeth watched the expressions play across his face. Thinking he was waiting for her to say more about his splendid house, she gave him a jaunty smile and teasingly said, “’Twill be a sacrifice, to be sure, but I shall contrive to endure the hardship of living in such a place as this. How many rooms are there?” she asked. His brows rose in mockery. “One hundred and eighty-two.” “A small place of modest proportions,” she countered lightly. “I suppose we’ll just have to make do.” Ian thought they were going to do very well.
Judith McNaught (Almost Heaven (Sequels, #3))
Never be guided by arbitrariness in law, which tends to have a good deal of influence on ignorant men who take pride in being clever. Let the tears of the poor find in you more compassion, but not more justice, than the briefs of the wealthy. Try to discover the truth in all the promises and gifts of the rich man, as well as in the poor man’s sobs and entreaties. When there can and should be a place for impartiality, do not bring the entire rigor of the law to bear on the offender, for the reputation of the harsh judge is not better than that of the compassionate one. If you happen to bend the staff of justice, let it be with the weight not of a gift, but of mercy. If you judge the case of one of your enemies, put your injury out of your mind and turn your thoughts to the truth of the question. Do not be blinded by your own passion in another’s trial, for most of the time the mistakes you make cannot be remedied, and if they can, it will be to the detriment of your good name and even your fortune. If a beautiful woman comes to you to plead for justice, turn your eyes from her tears and your ears from her sobs, and consider without haste the substance of what she is asking if you do not want your reason to be drowned in her weeping and your goodness in her sighs. If you must punish a man with deeds, do not abuse him with words, for the pain of punishment is enough for the unfortunate man without the addition of malicious speech. Consider the culprit who falls under your jurisdiction as a fallen man subject to the conditions of our depraved nature, and to the extent that you can, without doing injury to the opposing party, show him compassion and clemency, because although all the attributes of God are equal, in our view mercy is more brilliant and splendid than justice.
Miguel de Cervantes Saavedra (Don Quixote)
We need more baskets,” Pandora said triumphantly, entering the hall. The twins, who were clearly having a splendid time, had adorned themselves outlandishly. Cassandra was dressed in a green opera cloak with a jeweled feather ornament affixed to her hair. Pandora had tucked a light blue lace parasol beneath one arm, and a pair of lawn tennis rackets beneath the other, and was wearing a flowery diadem headdress that had slipped partially over one eye. “From the looks of it,” Kathleen said, “you’ve done enough shopping already.” Cassandra looked concerned. “Oh, no, we still have at least eighty departments to visit.” Kathleen couldn’t help glancing at Devon, who was trying, without success, to stifle a grin. It was the first time she had seen him truly smile in days. Enthusiastically the girls lugged the baskets to her and began to set objects on the counter in an unwieldy pile…perfumed soaps, powders, pomades, stockings, books, new corset laces and racks of hairpins, artificial flowers, tins of biscuits, licorice pastilles and barley sweets, a metal mesh tea infuser, hosiery tucked in little netted bags, a set of drawing pencils, and a tiny glass bottle filled with bright red liquid. “What is this?” Kathleen asked, picking up the bottle and viewing it suspiciously. “It’s a beautifier,” Pandora said. “Bloom of Rose,” Cassandra chimed in. Kathleen gasped as she realized what it was. “It’s rouge.” She had never even held a container of rouge before. Setting it on the counter, she said firmly, “No.” “But Kathleen--” “No to rouge,” she said, “now and for all time.” “We need to enhance our complexions,” Pandora protested. “It won’t do any harm,” Cassandra chimed in. “The bottle says that Bloom of Rose is ‘delicate and inoffensive’…It’s written right there, you see?” “The comments you would receive if you wore rouge in public would assuredly not be delicate or inoffensive. People would assume you were a fallen woman. Or worse, an actress.” Pandora turned to Devon. “Lord Trenear, what do you think?” “This is one of those times when it’s best for a man to avoid thinking altogether,” he said hastily.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
A fierce battle was taking place at Tobruk, and nothing thrilled him more than spirited warfare and the prospect of military glory. He stayed up until three-thirty, in high spirits, “laughing, chaffing and alternating business with conversation,” wrote Colville. One by one his official guests, including Anthony Eden, gave up and went to bed. Churchill, however, continued to hold forth, his audience reduced to only Colville and Mary’s potential suitor, Eric Duncannon. Mary by this point had retired to the Prison Room, aware that the next day held the potential to change her life forever. — IN BERLIN, MEANWHILE, HITLER and Propaganda Minister Joseph Goebbels joked about a newly published English biography of Churchill that revealed many of his idiosyncrasies, including his penchant for wearing pink silk underwear, working in the bathtub, and drinking throughout the day. “He dictates messages in the bath or in his underpants; a startling image which the Führer finds hugely amusing,” Goebbels wrote in his diary on Saturday. “He sees the English Empire as slowly disintegrating. Not much will be salvageable.” — ON SUNDAY MORNING, a low-grade anxiety colored the Cromwellian reaches of Chequers. Today, it seemed, would be the day Eric Duncannon proposed to Mary, and no one other than Mary was happy about it. Even she, however, was not wholly at ease with the idea. She was eighteen years old and had never had a romantic relationship, let alone been seriously courted. The prospect of betrothal left her feeling emotionally roiled, though it did add a certain piquancy to the day. New guests arrived: Sarah Churchill, the Prof, and Churchill’s twenty-year-old niece, Clarissa Spencer-Churchill—“looking quite beautiful,” Colville noted. She was accompanied by Captain Alan Hillgarth, a raffishly handsome novelist and self-styled adventurer now serving as naval attaché in Madrid, where he ran intelligence operations; some of these were engineered with the help of a lieutenant on his staff, Ian Fleming, who later credited Captain Hillgarth as being one of the inspirations for James Bond. “It was obvious,” Colville wrote, “that Eric was expected to make advances to Mary and that the prospect was viewed with nervous pleasure by Mary, with approbation by Moyra, with dislike by Mrs. C. and with amusement by Clarissa.” Churchill expressed little interest. After lunch, Mary and the others walked into the rose garden, while Colville showed Churchill telegrams about the situation in Iraq. The day was sunny and warm, a nice change from the recent stretch of cold. Soon, to Colville’s mystification, Eric and Clarissa set off on a long walk over the grounds by themselves, leaving Mary behind. “His motives,” Colville wrote, “were either Clarissa’s attraction, which she did not attempt to keep in the background, or else the belief that it was good policy to arouse Mary’s jealousy.” After the walk, and after Clarissa and Captain Hillgarth had left, Eric took a nap, with the apparent intention (as Colville
Erik Larson (The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz)
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ambuj shukla
You wouldn’t believe Morocco between Casablanca and Fez. The valleys are just splendid with green grass and flowers. The verdant land is singing the praises of its Maker, and so shall we in fullness when Jesus brings in the big springtime of His new world. This old world is such a mess when you get to know it: so much hatred in it, so much revenge, so much greed, and an almost endless supply of human foolishness. It makes it a mystery that we mortals cling to it with such strong fingers when we are really holding on to winter’s fog, mist, damp, rot, and mud. Lord, give me a longer view. Help me to see springtime in Your return.
C. John Miller (The Heart of a Servant Leader: Letters from Jack Miller)
The Relais Châteaux gourmet cuisine establishments also happened to be housed in the most splendid real estate, a bit like monasteries, on hills commanding the best views, gorgeous walled gardens, riverside banks, or ramparts in old towns belonging to another era.
Dame D.J. (Gourmands on the Run!: A gourmet travel journey from Paris to Monaco)
Slavery divided the United States regarding the meaning of freedom and liberty. Southerners reserved freedom for whites, who occupied positions of economic power and to whom slavery was key to their economy and social philosophy. By these Americans human equality, the heart of the Declaration of Independence, was scorned. George Fitzhugh stated that equality was “practically impossible, and directly conflicts with all government, all separate property, and all social existence.”47 He despised the founder’s views of liberty and human equality: We must combat the doctrines of natural liberty and human equality, and the social contract as taught by Locke and the American sages of 1776. Under the spell of Locke and the Enlightenment Jefferson and other misguided patriots ruined the splendid political edifice they erected by espousing dangerous abstractions— the crazy notions of liberty and equality that they wrote into the Declaration of Independence and the Virginia Bill of Rights. No wonder the abolitionists loved to quote the Declaration of Independence! Its precepts are wholly at war with slavery and equally at war with all government, all subordination, all order. It is full if mendacity and error. Consider its verbose, newborn, false and unmeaning preamble. . . . There is . . . no such thing as inalienable rights. Life and liberty are not inalienable. . . . Jefferson . . . was the architect of ruin, the inaugurator of anarchy. As his Declaration of Independence Stands . . . it is “exuberantly false, and absurdly fallacious.
Steven Dundas
The fabled beauty of Lestat seemed potent as a drug. And the crowning light of the chandelier was merciless or splendid depending on one’s point of view.
Anne Rice (Blackwood Farm (The Vampire Chronicles, #9))
Slavery divided the United States regarding the meaning of freedom and liberty. Southerners reserved freedom for whites, who occupied positions of economic power and to whom slavery was key to their economy and social philosophy. By these Americans human equality, the heart of the Declaration of Independence, was scorned. George Fitzhugh stated that equality was “practically impossible, and directly conflicts with all government, all separate property, and all social existence.” He despised the founder’s views of liberty and human equality: We must combat the doctrines of natural liberty and human equality, and the social contract as taught by Locke and the American sages of 1776. Under the spell of Locke and the Enlightenment Jefferson and other misguided patriots ruined the splendid political edifice they erected by espousing dangerous abstractions— the crazy notions of liberty and equality that they wrote into the Declaration of Independence and the Virginia Bill of Rights. No wonder the abolitionists loved to quote the Declaration of Independence! Its precepts are wholly at war with slavery and equally at war with all government, all subordination, all order. It is full if mendacity and error. Consider its verbose, newborn, false and unmeaning preamble. . . . There is . . . no such thing as inalienable rights. Life and liberty are not inalienable. . . . Jefferson . . . was the architect of ruin, the inaugurator of anarchy. As his Declaration of Independence Stands . . . it is “exuberantly false, and absurdly fallacious.
Steven Dundas
The pleasure of the true dreamer does not lie in the substance of the dream, but in this: that there things happen without any interference from his side, and altogether outside his control. Great landscapes create themselves, long splendid views, rich and delicate colours, roads, houses, which he has never seen or heard of. Strangers appear and are friends or enemies, although the person who dreams has never done anything about them. The ideas of flight and pursuit are recurrent in dreams and are equally enrapturing. Excellent witty things are said by everybody. It is true that if remembered in the day-time they will fade and lose their sense, because they belong to a different plane, but as soon as the one who dreams lies down at night, the current is again closed and he remembers their excellency. All the time the feeling of immense freedom is surrounding him and running through him like air and light, an unearthly bliss. He is a privileged person, the one who has got nothing to do, but for whose enrichment and pleasure all things are brought together.
Karen Blixen
What’s lost is the more balanced view, that we are splendidly endowed but also broken. And without that view, the whole logic of character-building falls apart. You build your career by building on your strengths, but you improve your character by trying to address your weaknesses.
Anonymous
my view of medical experts has become extremely jaundiced. At times I feel they are like those highly decorated generals in North Korea with the funny hats. They look splendid, and important, but the only point of their existence is to suppress dissent and keep an idiotic regime in place.
Malcolm Kendrick (Doctoring Data: How to sort out medical advice from medical nonsense)
We have to choose urgently for a change that will lead Europe towards a promising future. Investing in change requires endeavors. Merging our European powers, now divided and weak. Change in a European sense: to climb a mountain with a splendid view on the promised land and then descend to its valleys to pick the fruits. Isn’t that what we need and thus should want to achieve? Which forces us to gather courage. Investing in order to harvest.
Herbert Tombeur (The European Federalist Papers)
It scares us more than anything except death. Being alone. Our fear of solitude is so ingrained that given the choice of being alone or being with others we opt for safety in numbers, even at the expense of lingering in painful, boring, or totally unredeeming company. And yet more of us than ever are alone. While many more Americans have their solo lifestyles thrust on them--people die, people go away--a huge and growing population is choosing to be alone. Nonetheless, we persist in the conviction that a solitary existence is the harshest sentence life can mete to us. We loathe being alone--anytime, anywhere, for too long, for whatever reason. From childhood we're conditioned to accept that when alone we instinctively ache for company, that loners are outsiders yearning to get in rather than people who are content with their own company. Alone, we squander life by rejecting its full potential and wasting its remaining promises. Alone, we accept that experiences unshared are barely worthwhile, that sunsets viewed singly are not as spectacular, that time spent apart is fallow and pointless. And so we grow old believing we are nothing by ourselves, steadfastly shunning the opportunities for self-discovery and personal growth that time alone could bring us.
Lionel Fisher (Celebrating Time Alone: Stories Of Splendid Solitude)
Pat and I felt rather insignificant in a throng that included not only England’s most important, famous, and titled citizens but also most of western Europe’s royalty and heads of state from all over the world. The marriage of the heir to the English throne was very much a grand state occasion, in contrast to the ball, which had been a private celebration. The relative intimacy of the ball and the chance to visit with Diana made the party the more dazzling experience for us that week. Nonetheless, our spirits were buoyed by the happy fact that we actually knew the bride. Given our lack of social or political stature, Pat and I had joked that our assigned seats were likely to be at the very back of the nave and behind a pillar. Silently, we gave each other wide-eyed looks of surprise as the usher led us slowly up and up the center aisle to seats under the famous crossing dome, less than a dozen rows from the very front of the nave. We were floored! We would have an unobstructed view of the ceremony taking place on the dais on the front edge of the choir. As we entered our row to the left, we noticed Mrs. Thatcher, somber in dark blue, on the aisle in the same row to the right. Once again, I regretted my timidity two nights earlier. Pat and I couldn’t understand how we had ended up so near to the front of the cathedral. We assumed some error had been made, but were grateful for the mistake. Years later, when I was in London for Diana’s funeral, I learned that she had been allowed only one hundred personal invitations to her own wedding. We must have been in that small group, fortunately placed near the front of the church. As we waited almost breathlessly for the ceremony to being, Pat and I gazed discreetly at our splendid surroundings and the other guests privileged to be inside the cathedral. Once again, we didn’t know a soul and we would only see Diana from a distance today.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
In this view, we're not the utopian planners of Dostoyevsky's tale, nor are we the free, judging minds of James' proposition. Omelas already exists: no need to builit or choose it. We already live here - in the narrow, foul, dark prison we let our ignorance, fear, and hatred build for us and keep us in, here in the splendid, beaitufl city of life . . . .
Ursula K. Le Guin
In the new view, human beings are a species splendid in their array of moral equipment, tragic in their propensity to misuse it, and pathetic in their constitutional ignorance of the misuse.
Robert Wright (The Moral Animal: Why We Are the Way We Are: The New Science of Evolutionary Psychology)
Lansing’s views concerning “crimes against humanity” prevailed, however, and that phrase is not found in the peace treaties with Germany or the other Central Powers.
Christopher Simpson (The Splendid Blond Beast: Money, Law, and Genocide in the Twentieth Century (Forbidden Bookshelf))
This is (I suppose) a story. It draws a great deal on history; but as history is the lies the present tells in order to make sense of the past I have improved it where necessary. I have altered the places where facts, data, info, seem dull or inaccurate. I have quietly corrected errors in the calendar, adjusted flaws in world geography, now and then budged the border of a country, or changed the constitution of a nation. A wee postmodern Haussman, I have elegantly replanned some of the world's greatest cities, moving buildings to better sites, redesigning architecture, opening fresh views and fine urban prospects, redirecting the traffic. I've put statues in more splendid locations, usefully reorganised art galleries, cleaned, transferred or rehung famous paintings, staged entire new plays and operas. I have revised or edited some of our great books, and republished them. I have altered monuments, defaced icons, changed the street signs, occupied the railway station. In all this I have behaved just as history does itself, when it plots the world's advancing story in the great Book of Destiny above.
Malcolm Bradbury (To The Hermitage)
Gold letters on the hull read Bluenose Two. The tabby stood amazed by this splendid view. Her deck was deserted; the gangway was down. He crept abroad softly, not a soul was around. He slipped under a tarp without making a peep; within seconds the exhausted tabby was asleep.
Jim Bradford (The Tabby from Away Who Came to Stay)
Moderns think of the earth as a globe, as something one can easily get round, the spirit of a schoolmistress. This is shown in the odd mistake perpetually made about Cecil Rhodes. His enemies say that he may have had large ideas, but he was a bad man. His friends say that he may have been a bad man, but he certainly had large ideas. The truth is that he was not a man essentially bad, he was a man of much geniality and many good intentions, but a man with singularly small views. There is nothing large about painting the map red; it is an innocent game for children. It is just as easy to think in continents as to think in cobble-stones. The difficulty comes in when we seek to know the substance of either of them. Rhodes' prophecies about the Boer resistance are an admirable comment on how the "large ideas" prosper when it is not a question of thinking in continents but of understanding a few two-legged men. And under all this vast illusion of the cosmopolitan planet, with its empires and its Reuter's agency, the real life of man goes on concerned with this tree or that temple, with this harvest or that drinking-song, totally uncomprehended, totally untouched. And it watches from its splendid parochialism, possibly with a smile of amusement, motor-car civilization going its triumphant way, outstripping time, consuming space, seeing all and seeing nothing, roaring on at last to the capture of the solar system, only to find the sun cockney and the stars suburban.
G.K. Chesterton (Heretics and Orthodoxy)
In the new view, human beings are a species splendid in their array of moral equipment, tragic in their propensity to misuse it, and pathetic in their constitutional ignorance of the misuse. The title of this book is not wholly without irony.
Robert Wright (The Moral Animal: Why We Are the Way We Are: The New Science of Evolutionary Psychology)
Predestination: a portentous, awesome word in theology, the cross of the brooding intellect, the terror of the apprehensive conscience. At first glance it appears to be a somber mystery, and seems to be the more so, the less its true supernatural and hidden character is understood. But as soon as it is moved back to the proper distance and is inspected from the right point of view, it stands before us, for all the obscurity of its secret nature, as a luminous and splendid truth. Although its ramifications are lost in dim and, to some extent, alarming regions, its shining core emits most cheering and comforting rays.
Matthias Joseph Scheeben (The Mysteries of Christianity)
Take your dog over to that corner," he ordered, "and keep him there." Link fought back a yearning to punch the judge, and surlily he obeyed the mandate. Into his memory jumped the things the groom had said about a dog being "gated." If that judge thought for one second that any of those mutts could hold a candle to Chum—. Again he yearned to enforce with his two willing fists his opinion of the judge. But, as he well knew, to start a fight in this plutocratic assemblage would mean a jail term. And in such case, what would befall the deserted Chum? For the dog's sake he restrained himself, and he began to edge surreptitiously toward the ring exit, with a view to sliding out unperceived with his splendid, underrated dog.
Albert Payson Terhune (His Dog)
Americans of the West surrendered Pahaska to his final slumber. Pahaska, Farewell." Some twenty-five thousand people toiled up the mountainside to pay their respects. Three thousand automobiles (which included some Sells-Floto circus wagons) also climbed the mountain that day, not without strain, for cars of that time were not the powerful machines we know, and the Lariat Trail they followed, while a splendid achievement for 1913, was daunting. "The roads are excellent in their wealth of view," wrote Fowler. "At first the pitch of the road is gradual. It becomes more abrupt on the ascent. Its trend is ever upward." Mrs. Cody had to stop and rest before reaching the summit. "It was a remarkable funeral," continued Fowler. "There was a circus atmosphere about the whole thing. A lot of us drank straight rye from bottles while speeches were being made by expert liars. Six of the Colonel's surviving sweethearts-now obese and sagging with memories-sat on camp chairs beside the grave. . . . The glass over the Colonel's amazingly handsome face began to steam on the inside. . . . One of the old Camilles rose from her camp chair. . . . Then, as though
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
Suspended in the dim light before the window overlooking the magnificent tenth-floor view, the plants breathed softly, resting. By now the rain had stopped, and the atmosphere, sparkling, replete with moisture, refracted the glittering night splendidly.
Banana Yoshimoto (Kitchen)
Waterfall by Maisie Aletha Smikle Soothing water gushing from the rocks Hastens to meet the rivers and streams That meet in the ocean deep Never to reach a mountain peak Soft mist rises from the lunging gush As crystal water plunges down in a rush Carried by the gentle breeze Like a balm it calms the soul with ease It dims the heat and cools the air Trickles on the grassy meadow And on the sand beneath Cooling pebbles for your feet As you walk the sandy shore Inhaling cool mist as you tour And watch the little birds soar Chirping and singing like never before Beautiful waterfall So splendid and so tall Climb to the top And view the backdrop Mountains elegantly towering Over hills and plains beneath Casting shadows On lush green meadows Crystal clear water drops Naturally pure to the very last drop Nature is kind nature is fine Nature is undoubtedly divine
Maisie Aletha Smikle
there are the cheating forms that excited torments and ecstasies in me,” he said to himself, going over in imagination the chief pictures of the magic lantern of his life, looking at them now in the cold, white daylight of a clear view of death. “These are they, these coarsely sketched figures which seemed something splendid and mysterious. Glory, the good society, love for a woman, the fatherland—what grand pictures they used to seem to me, with what deep meaning they seemed to be filled! And it is all so simple, so colourless and coarse in the cold light of the day that I feel is dawning for me.
Leo Tolstoy (War and Peace (Modern Library Classics))
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It’s as if one should discuss the ideas expressed by St. Paul’s Cathedral without ever observing what the walls are built of or how the dome is supported. But it wasn’t Wren’s ideas that kept that dome standing through the bombings of 1940. It was the way he used the stone he built with. This is the artist’s, the artisan’s view; it is a meaner, humbler view than the philosopher’s or ideologue’s. But all the same, what makes a novel a novel is something nonintellectual, though not simple; something visceral, not cerebral… ; something that rises from touch not thought, from sounds, rests, rhythms… It involves ideas, of course, and ideas issue from it, the splendid affirmation of the dome rises above the terror and the rubble and the smoke… but all the thinking in the world won’t hold that dome up. Theory is not enough. There must be stones.
Ursula K. Le Guin (The Language of the Night: Essays on Writing, Science Fiction, and Fantasy)