Splendid Morning Quotes

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Morning is an important time of day, because how you spend your morning can often tell you what kind of day you are going to have. For instance, if you wake up to the sound of twittering birds, and find yourself in an enormous canopy bed, with a butler standing next to you holding a breakfast of freshly made muffins and hand-squeezed orange juice on a silver tray, you will know that your day will be a splendid one. If you wake up to the sound of church bells, and find yourself in a fairly big regular bed, with a butler standing next to you holding a breakfast of hot tea and toast on a plate, you will know that your day will be O.K. And if you wake up to the sound of somebody banging two metal pots together, and find yourself in a small bunk bed, with a nasty foreman standing in the doorway holding no breakfast at all, you will know that your day will be horrid.
Lemony Snicket (Horseradish: Bitter Truths You Can't Avoid)
In spring it is the dawn that is most beautiful. As the light creeps over the hills, their outlines are dyed a faint red and wisps of purplish cloud trail over them. In summer the nights. Not only when the moon shines, but on dark nights too, as the fireflies flit to and fro, and even when it rains, how beautiful it is! In autumn, the evenings, when the glittering sun sinks close to the edge of the hills and the crows fly back to their nests in threes and fours and twos; more charming still is a file of wild geese, like specks in the distant sky. When the sun has set, one's heart is moved by the sound of the wind and the hum of the insects. In winter the early mornings. It is beautiful indeed when snow has fallen during the night, but splendid too when the ground is white with frost; or even when there is no snow or frost, but it is simply very cold and the attendants hurry from room to room stirring up the fires and bringing charcoal, how well this fits the season's mood! But as noon approaches and the cold wears off, no one bothers to keep the braziers alight, and soon nothing remains but piles of white ashes.
Sei Shōnagon
Nine-year-old Laila rose from bed, as she did most mornings, hungry for the sight of her friend Tariq. This morning, however, she knew there would be no Tariq sighting. - How long will you be gone? - She’d asked when Tariq had told her that his parents were taking him south, to the city of Ghazni, to visit his paternal uncle. - Thirteen days - Thirteen days? - It’s not so long. You’re making a face, Laila. - I am not. - You’re not going to cry, are you? - I am not going to cry! Not over you. Not in a thousand years. She’d kicked at his shin, not his artificial but his real one, and he’d playfully whacked the back of her head. Thirteen days. Almost two weeks. And, just five days in, Laila had learned a fundamental truth about time: Like the accordion on which Tariq’s father sometimes played old Pashto songs, time stretched and contracted depending on Tariq’s absence or presence.
Khaled Hosseini (A Thousand Splendid Suns)
Fortunately, the sun has a wonderfully glorious habit of rising every morning. When the sky lightened, when the birds awoke, I knew I would never again see anything so splendid as the round red sun coming up over the earth.
Jean Craighead George (My Side of the Mountain (Mountain, #1))
It was a splendid summer morning and it seemed as if nothing could go wrong.
John Cheever (The Stories of John Cheever)
And if you wish to receive of the ancient city an impression with which the modern one can no longer furnish you, climb--on the morning of some grand festival, beneath the rising sun of Easter or of Pentecost--climb upon some elevated point, whence you command the entire capital; and be present at the wakening of the chimes. Behold, at a signal given from heaven, for it is the sun which gives it, all those churches quiver simultaneously. First come scattered strokes, running from one church to another, as when musicians give warning that they are about to begin. Then, all at once, behold!--for it seems at times, as though the ear also possessed a sight of its own,--behold, rising from each bell tower, something like a column of sound, a cloud of harmony. First, the vibration of each bell mounts straight upwards, pure and, so to speak, isolated from the others, into the splendid morning sky; then, little by little, as they swell they melt together, mingle, are lost in each other, and amalgamate in a magnificent concert. It is no longer anything but a mass of sonorous vibrations incessantly sent forth from the numerous belfries; floats, undulates, bounds, whirls over the city, and prolongs far beyond the horizon the deafening circle of its oscillations. Nevertheless, this sea of harmony is not a chaos; great and profound as it is, it has not lost its transparency; you behold the windings of each group of notes which escapes from the belfries.
Victor Hugo (The Hunchback of Notre-Dame)
I’m so glad my window looks east into the sun rising,” said Anne, going over to Diana. “It’s so splendid to see the morning coming up over those long hills and glowing through those sharp fir tops. It’s new every morning, and I feel as if I washed my very soul in that bath of earliest sunshine. Oh,
L.M. Montgomery (Anne of Green Gables (Anne of Green Gables series Book 1))
This is not the way these tales end," Calliope said firmly. "This is not the way that things end when they get to be tales," Amatus said, "but since ours is not yet told, we cannot count on it. There were a hundred dead princes on the thorns outside Sleeping Beauty's castle, and I'm sure many of them were splendid fellows.
John Barnes (One for the Morning Glory)
I’m not in the depths of despair this morning. I never can be in the morning. Isn’t it a splendid thing that there are mornings?
L.M. Montgomery (Anne of Green Gables)
When Aziza first spotted Mariam in the morning, her eyes always sprang open, and she began mewling and squirming in her mother's grip. She thrust her arms toward Mariam, demanding to be held, her tiny hands opening and closing urgently, on her face a look of both adoration and quivering anxiety... "Why have you pinned your little heart to an old, ugly hag like me?" Mariam would murmur into Aziza's hair... "What have I got to give you?" But Aziza only muttered contentedly and dug her face in deeper. And when she did that, Mariam swooned. Her eyes watered. Her heart took flight. And she marveled at how, after all these years of rattling loose, she had found in this little creature the first true connection in her life of false, failed connections.
Khaled Hosseini (A Thousand Splendid Suns)
What a splendid pleasure is to say good morning to the morning sun!
Mehmet Murat ildan
I think the nicest thing about days is their unexpectedness. It's jolly to wake up like this on a golden-fine morning and day-dream for ten minutes before I get up, imagining heaps of splendid things that might happen.
L.M. Montgomery (Rilla of Ingleside (Anne of Green Gables, #8))
In the deep spring when the grass was green on fields and foothills, when the lupines and poppies made a splendid blue and gold earth, when the great trees awakened in yellow-green young leaves, then there was no more lovely place in the world. It was no beauty you could ignore by being used to it. It caught you in the throat in the morning and made a pain of pleasure in the pit of your stomach when the sun went down over it.
John Steinbeck (The Wayward Bus)
TODAY I THINK MY RELATIONSHIP WITH HELL IS OVER. It was hell, the ancient hell. Hell: I believed that if I loved V enough, we would love each other. All I know is that I’ve been returned to earth violently; I’ve a duty to myself to survive and to see what is. I have to deal with the truth, with nothing else. Did V’s charity to me almost cause my death? I, starving, fed on the dream that V loved me and I lived a lie. So forgive me, You who knows that only truth matters. Yes—this dawn is at best difficult. The blood he let out of my skin, now dried and stiff, hurts me and there’s nothing else in my life but memories of him. Mental war is constant. Nonetheless, this is the eve before the morning. May I accept the influxes of vigor and whatever real tenderness floats by in these barren waters. And when dawn comes, armed with my patience which burns, I shall see the cities of humans which are splendid. The imagination is nothing unless it is made actual.
Kathy Acker (In Memoriam to Identity)
This morning a splendid dawn passed over our house on its way, to Kansas. This morning Kansas rolled out of its sleep into a sunlight grandly announced, proclaimed throughout heaven—one more of the very finite number of days that this old prairie has been called Kansas, or Iowa. But it has all been one day, that first day. Light is constant, we just turn over in it. So every day is in fact the selfsame evening and morning. My grandfather’s grave turned into the light, and the dew on his weedy little mortality patch was glorious.
Marilynne Robinson (Gilead)
Let us be just, my friends! What a splendid destiny for a nation to be the Empire of such an Emperor, when that nation is France and when it adds its own genius to the genius of that man! To appear and to reign, to march and to triumph, to have for halting-places all capitals, to take his grenadiers and to make kings of them, to decree the falls of dynasties, and to transfigure Europe at the pace of a charge; to make you feel that when you threaten you lay your hand on the hilt of the sword of God; to follow in a single man, Hannibal, Caesar, Charlemagne; to be the people of some one who mingles with your dawns the startling announcement of a battle won, to have the cannon of the Invalides to rouse you in the morning, to hurl into abysses of light prodigious words which flame forever, Marengo, Arcola, Austerlitz, Jena, Wagram! To cause constellations of victories to flash forth at each instant from the zenith of the centuries, to make the French Empire a pendant to the Roman Empire, to be the great nation and to give birth to the grand army, to make its legions fly forth over all the earth, as a mountain sends out its eagles on all sides to conquer, to dominate, to strike with lightning, to be in Europe a sort of nation gilded through glory, to sound athwart the centuries a trumpet-blast of Titans, to conquer the world twice, by conquest and by dazzling, that is sublime; and what greater thing is there?" "To be free," said Combeferre.
Victor Hugo (Les Misérables)
Yes, this sudden transmutation in the order of things seems to enhance our pleasure, as if consecrating the unchanging nature of a ritual established over our afternoons together, a ritual that has ripened into a solid and meaningful reality. Today, because it has been transgressed, our ritual suddenly acquires all its power; we are tasting the splendid gift of this unexpected morning as if it were some precious nectar; ordinary gestures have an extraordinary resonance, as we breathe in the fragrance of the tea, savor it, lower our cups, serve more, and sip again: every gesture has the bright aura of rebirth. At moments like this the web of life is revealed by the power of ritual, and each time we renew our ceremony, the pleasure will be all the greater for our having violated one of its principles. Moments like this act as magical interludes, placing our hearts at the edge of our souls: fleetingly, yet intensely, a fragment of eternity has come to enrich time. Elsewhere the world may be blustering or sleeping, wars are fought, people live and die, some nations disintegrate, while others are born, soon to be swallowed up in turn - and in all this sound and fury, amidst eruptions and undertows, while the world goes its merry way, bursts into flames, tears itself apart and is reborn: human life continues to throb.
Muriel Barbery (The Elegance of the Hedgehog)
weren't we all the same as children?" eiko asked. "all of us, destined to become beautiful brides in fluffy white dresses!" she giggled to herself. "where did we go wrong?" isn't that what keeps life interesting?" i replied. "and who knows? next year you could be somebody's wife. no one knows what will happen." sometimes i think it would be wonderful just to stay the way i am forever, just kick back and space out during the afternoon thinking about all the exciting things that the night will bring, all the naughty things i might take part in." she snickered again. well," i said, "aren't you the happy one." she squinted her tiny nose and laughed. dawn was breaking as we said good-bye. i saw her off by watching her small body disappear into the background, her high heels clapping along, echoing in the early morning city. my drunkenness, the sunrise, the bright sky, and a friend who was leaving. if i had died in my fall i would have missed that morning - that splendid sunrise over tokyo.
Banana Yoshimoto
That's splendid. That will do. You got up this morning. You've made everyone understand that. You don't have to be amusing or make people laugh to be a good speaker. The important thing is that you said you hadn't anything to talk about & you did find something to say.
Tetsuko Kuroyanagi (Totto-chan: The Little Girl at the Window)
If this morning wasn't enjoyable, at least it was...shall we say...interesting, and my clothing was worth the sacrifice if it means we've reached a truce of sorts. I have no wish to be awakened before dawn next week only to be informed I have to single-handedly slaughter a cow." Her eyes widened. How did he know?
Julia Quinn (Minx (The Splendid Trilogy, #3))
It was very, very early in the morning. You were probably only just awake. Your mother was asleep in the corner. It was an exquisite morning. I was walking along wondering who it could be in a four-in-hand? It was a splendid set of four horses with bells, and in a second you flashed by, and I saw you at the window—you were sitting like this, holding the strings of your cap in both hands, and thinking awfully deeply about something," he said, smiling. "How I should like to know what you were thinking about then! Something important?
Leo Tolstoy (Anna Karenina)
The Dandy is the highest form of existence attainable by the human form. His life is exclusively dedicated to dressing exquisitely, parading about the fashionable boroughs of splendid cities and and holding forth at his club, where he dispenses witticism as readily as the vulgaroisie utters its banal platitudes. The only species of 'work' this singular Chap might engage in would consist of discussing buttonhole stitching with his tailor and performing his ablutions until the morning has been well aired enough for him to step into it.
Gustav Temple and Vic Darkwood (The Chap Manifesto: Revolutionary Etiquette for the Modern Gentleman)
The joy of this day is splendid.
Lailah Gifty Akita (Pearls of Wisdom: Great mind)
Sleep to gather strength for the morning. For the morning will come.
Erik Larson (The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz)
Americans are funny," Terence O'Donnell pointed out in a conversation we had about our national need to own as much as possible, including our joy. "We look for a state of happiness," said O'Donnell. "But the French know that's ridiculous. They accept that there are only les petits bonheurs, the little happinesses, only the moments: a sudden view, awakening to a superb morning, the sun's warmth, a cooling breeze.
Lionel Fisher (Celebrating Time Alone: Stories Of Splendid Solitude)
If running taught me anything, it was how to turn things around. So many times, I had dreaded a workout, only for it to turn out splendid. So many days I had been convinced I would get lost. only to be thrilled by new scenery as I found my way. So many mornings I growled about rising at the butt-crack of dawn, then wound up laughing with my friends. This was no different. The doldrums wouldn’t last, especially if I took action.
Nita Sweeney (Depression Hates a Moving Target: How Running With My Dog Brought Me Back From the Brink)
Be fair, my friends! To be the empire of such an emperor, what a splendid destiny for a nation, when that nation is France, and when it adds its genius to the genius of such a man ! To appear and to reign, to march and to triumph, to have every capital for a staging area, to take his grenadiers and make kings of them, to decree the downfall of dynasties, to transfigure Europe at a double quickstep, so men feel, when you threaten, that you are laying your hand on the hilt of God’s sword, to follow in one man Hannibal , Caesar, and Charlemagne, to be the people of a man who mingles with your every dawn the glorious announcement of a battle won, to be wakened in the morning by the cannon of the Invalides, to hurl into the vault of day mighty words that blaze forever, Marengo, Arcola, Austerlitz, lena, Wagram ! To repeatedly call forth constellations of victories at the zenith of the centuries, to make the French Empire the successor of the Roman Empire, to be the grand nation and to bring forth the Grand Army, to send your legions flying across the whole earth as a mountain sends out its eagles, to vanquish, to rule, to strike thunder, to be for Europe a kind of golden people through glory, to sound through history a Titan’s fanfare, to conquer the world twice, by conquest and by resplendence, that is sublime. What could be greater?" "To be free," said Combeferre.
Victor Hugo (Les Misérables)
I’m so glad my window looks east into the sunrising,’ said Anne, going over to Diana. ‘It’s so splendid to see the morning coming up over those long hills and glowing through those sharp fir tops. It’s new every morning, and I feel as if I washed my very soul in that bath of earliest sunshine.
L.M. Montgomery (Anne of Green Gables (Anne of Green Gables, #1))
I wonder where everyone is," she muttered. "Sleeping, if they have any idea what's good for them," Dunford replied acerbically. "I suppose we could get started on our own," she said doubtfully. For the first time all morning he smiled broadly and meant it. "I know less than nothing about stonemasonry, so I vote we wait.
Julia Quinn (Minx (The Splendid Trilogy, #3))
Close your eyes. Be with me. Imagine that I am stepping off of the front stoop of my old apartment building. That I am strolling along the Upper West Side, like always. Just like any other morning. It is a splendid, sunlit day, and I am wearing my brand-new Gucci pumps. Walking across 110th Street, I take the rustic, parkside staircase into the tiled recesses of the Cathedral Parkway station. It may have originally opened in 1904, but for my money it doesn’t look a day over 60. I wonder, sometimes, what it must have been like to be alive back then, when all of this was different. Before the city had made, erased, and remade itself fifty times over. In my fantasy world, everything must have been slower—easier, even. I like to think that if we could somehow slow down the passage of time, if we could eke just a little bit more out of each minute, then we could get more depth out of life. That things might taste a bit richer, more diffuse. That we could experience the fullness of sound. That we could feel things more deeply—and longer.
Kenneth Womack (The Restaurant at the End of the World)
Churchill was unusually crabby. “Too little sleep made the P.M. irritable all morning,” Colville wrote. By lunch, he was “morose.” The proximate cause had nothing to do with the war or Roosevelt but, rather, with his discovery that Clementine had used his treasured honey, sent to him from Queensland, Australia, for the frivolous objective of sweetening rhubarb.
Erik Larson (The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz)
One splendid summer afternoon Kaspar realized he had never been happier in his life or both of his lives, past and present. Not fireworks-orgasms-and-champagne happy, but on waking in the morning he was glad almost every single day to be exactly where he was. He had never before experienced the feeling of genuine, constant well-being and it was a true revelation. The longer the satisfaction continued, the less he thought about his previous life as a mechanic and the extraordinary things he’d once seen and been able to do. Misery may love company but happiness is content to be alone. The funny irony of his existence now was, as long as he was this happy and content with his lot, Kaspar didn’t need to make much of an effort to “walk away” from his mechanic’s life because now he was sated with this one both in mind and heart.
Jonathan Carroll (Bathing the Lion)
We seem afraid of the natural forces. John Burroughs puts it well, says, if the American is only dry, he is not content to take a drink of pure cold water, but must put sugar into it, or a flavor. To me, these things—the things of which these are the type—are the prominent dangers in the future of our America. The exhilaration of such freedom—the going and coming—the being master of yourself and of the road! No one who is not a walker can begin to know it! Oh! the long, long walks, way into the nights!—in the after hours—sometimes lasting till two or three in the morning! The air, the stars, the moon, the water—what a fullness of inspiration they imparted!—what exhilaration! And there were the detours, too—wanderings off into the country out of the beaten path: I remember one place in Maryland in particular to which we would go. How splendid, above all, was the moon—the full moon, the half moon: and then the wonder, the delight, of the silences.
Walt Whitman (Walt Whitman Speaks: His Final Thoughts on Life, Writing, Spirituality, and the Promise of America: A Library of America Special Publication)
The answers to your questions will come, but only after you know which ones are worth asking. Wait. Live your questions. Then ask. Become open to the changes that the answers will inevitably bring. This may take some time, but time is the New Year’s bountiful blessing: three hundred sixty-five bright mornings and starlit evenings; fifty-two promising weeks; twelve transformative months full of beautiful possibilities; and four splendid seasons. A simply abundant year to be savored.
Sarah Ban Breathnach (Simple Abundance: A Daybook of Comfort of Joy)
A morning-flowered dalliance demured and dulcet-sweet with ebullience and efflorescence admiring, cozy cottages and elixirs of eloquence lie waiting at our feet - We'll dance through fetching pleasantries as we walk ephemeral roads evocative epiphanies ethereal, though we know our hearts are linked with gossamer halcyon our day a harbinger of pretty things infused with whispers longing still and gamboling in sultry ways to feelings, all ineffable screaming with insouciance masking labyrinthine paths where, in our nonchalance, we walk through the lilt of love’s new morning rays. Mellifluous murmurings from a babbling brook that soothes our heated passion-songs and panoplies perplexed with thought of shadows carried off with clouds in stormy summer rains… My dear, and that I can call you 'dear' after ripples turned to crashing waves after pyrrhic wins, emotions drained we find our palace sunned and rayed with quintessential moments lit with wildflower lanterns arrayed on verandahs lush with mutual love, the softest love – our preferred décor of life's lilly-blossom gate in white-fenced serendipity… Twilight sunlit heavens cross our gardens, graced with perseverance, bliss, and thee, and thou, so splendid, delicate as a morning dove of charm and mirth – at least with me; our misty mornings glide through air... So with whippoorwill’d sweet poetry - of moonstones, triumphs, wonder-woven in chandliers of winglet cherubs wrought with time immemorial, crafted with innocence, stowed away and brought to light upon our day in hallelujah tapestries of ocean-windswept galleries in breaths of ballet kisses, light, skipping to the breakfast room cascading chrysalis's love in diaphanous imaginings delightful, fleeting, celestial-viewed as in our eyes which come to rest evocative, exuberant on one another’s moon-stowed dreams idyllic, in quiescent ways, peaceful in their radiance resplendent with a myriad of thought soothing muse, rhapsodic song until the somnolence of night spreads out again its shaded truss of luminescent fantasies waiting to be loved by us… Oh, love! Your sincerest pardons begged! I’ve gone too long, I’ve rambled, dear, and on and on and on and on - as if our hours were endless here… A morning toast, with orange-juiced lips exalting transcendent minds suffused with sunrise symphonies organic-born tranquilities sublimed sonorous assemblages with scintillas of eternity beating at our breasts – their embraces but a blushing, longing glance away… I’ll end my charms this enraptured morn' before cacophony and chafe coarse in crude and rough abrade when cynical distrust is laid by hoarse and leeching parasites, distaste fraught with smug disgust by hairy, smelly maladroit mediocrities born of poisoned wells grotesque with selfish lies - shrill and shrieking, biting, creeping around our love, as if they rose from Edgar Allen’s own immortal rumpled decomposing clothes… Oh me, oh my! I am so sorry! can you forgive me? I gone and kissed you for so long, in my morning imaginings, through these words, through this song - ‘twas supposed to be "a trifle treat," but little treats do sometimes last a little longer; and, oh, but oh, but if I could, I surly would keep you just a little longer tarrying here, tarrying here with me this pleasant morn
Numi Who
Behold at a sign from heaven, because it comes from the Sun itself, those thousand churches trembling all at once. At first a faint tinkling passes from church to church...see how, all of a sudden, at the same moment, there rises from each steeple as it were a column of sound, a cloud of harmony. At first the vibration of each bell rises straight, pure, and in a manner separate from that of the others, into the splendid morning sky; then swelling by degrees, they blend, melt, intermingle, and amalgamate into a magnificent concert...this sea of harmony, however, is not chaos... This is truly an opera well worth listening to...In this case the city sings....Say if you know anything in the world more rich, more joyful, more golden, more overwhelming than that tumult of bells, than that furnace of music, than those ten thousand voices of bronze singing all at once from flutes of stone three hundred feet high, than that city which has become an orchestra, than that symphony which roars like a storm.
Victor Hugo
This morning a splendid dawn passed over our house on its way to Kansas. This morning Kansas rolled out of its sleep into a sunlight grandly announced, proclaimed throughout heaven—one more of the very finite number of days that this old prairie has been called Kansas, or Iowa. But it has all been one day, that first day. Light is constant, we just turn over in it. So every day is in fact the selfsame evening and morning. My grandfather’s grave turned into the light, and the dew on his weedy little mortality patch was glorious.
James Wood (How Fiction Works)
The next morning, Tuesday, Churchill worked on it some more, but found his concentration broken by the sound of hammering coming from construction underway in the Horse Guards Parade, where workers were busy shoring up the Cabinet War Rooms (later named the Churchill War Rooms), situated in the basement of a large government office building a short walk from No. 10 Downing Street. At nine A.M. he ordered Colville to find the source and stop it. “This is an almost daily complaint,” Colville wrote, “and must cause considerable delay in the measures being taken to defend Whitehall.
Erik Larson (The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz)
Harvey, being anything but dull, began to comprehend and enjoy the dry chorus of wavetops turning over with a sound of incessant tearing; the hurry of the winds working across open spaces and herding the purple-blue cloud shadows; the splendid upheaval of the red sunrise; the folding and packing seat of the morning musta m; wall after walk withdrawn across the white floors; the salty glare and blaze of boo ; the kiss of rain falling over thousands of dead, flat square miles; the chilly blackening of everything at the day’s end; and the million wrinkles of the sea under moonlight.
Rudyard Kipling
Some centuries ago they had Raphael and Michael Angelo; now we have Mr. Paul Delaroche, and all because we are progressing. You brag of your Opera houses; ten Opera houses the size of yours could dance a saraband in a Roman amphitheatre. Even Mr. Martin, with his lame tiger and his poor gouty lion, as drowsy as a subscriber to the Gazette, cuts a pretty small figure by the side of a gladiator from antiquity. What are your benefit performances, lasting till two in the morning, compared with those games which lasted a hundred days, with those performances in which real ships fought real battles on a real sea; when thousands of men earnestly carved each other -- turn pale, O heroic Franconi! -- when, the sea having withdrawn, the desert appeared, with its raging tigers and lions, fearful supernumeraries that played but once; when the leading part was played by some robust Dacian or Pannonian athlete, whom it would often have been might difficult to recall at the close of the performance, whose leading lady was some splendid and hungry lioness of Numidia starved for three days? Do you not consider the clown elephant superior to Mlle. Georges? Do you believe Taglioni dances better than did Arbuscula, and Perrot better than Bathyllus? Admirable as is Bocage, I am convinced Roscius could have given him points. Galeria Coppiola played young girls' parts, when over one hundred years old; it is true that the oldest of our leading ladies is scarcely more than sixty, and that Mlle. Mars has not even progressed in that direction. The ancients had three or four thousand gods in whom they believed, and we have but one, in whom we scarcely believe. That is a strange sort of progress. Is not Jupiter worth a good deal more than Don Juan, and is he not a much greater seducer? By my faith, I know not what we have invented, or even wherein we have improved.
Théophile Gautier (Mademoiselle de Maupin)
3 May. Bistritz.—Left Munich at 8:35 P. M., on 1st May, arriving at Vienna early next morning; should have arrived at 6:46, but train was an hour late. Buda-Pesth seems a wonderful place, from the glimpse which I got of it from the train and the little I could walk through the streets. I feared to go very far from the station, as we had arrived late and would start as near the correct time as possible. The impression I had was that we were leaving the West and entering the East; the most western of splendid bridges over the Danube, which is here of noble width and depth, took us among the traditions of Turkish rule.
Bram Stoker (Dracula)
3 May. Bistritz.—Left Munich at 8:35 P. M., on 1st May, arriving at Vienna early next morning; should have arrived at 6:46, but train was an hour late. Buda-Pesth seems a wonderful place, from the glimpse which I got of it from the train and the little I could walk through the streets. I feared to go very far from the station, as we had arrived late and would start as near the correct time as possible. The impression I had was that we were leaving the West and entering the East; the most western of splendid bridges over the Danube, which is here of noble width and depth, took us among the traditions of Turkish rule.
Bram Stoker (Dracula)
Ho there, my fine fellow!” said the same man who had ordered the soldiers to halt. “Ho there, I say! Who are you to sit here this splendid morning, drinking and enjoying a merry game of chance, as if you hadn’t a care in the world? Do we not merit the courtesy of being met with drawn swords? Who are you, I say?” Slowly, as if he had just noticed the presence of the soldiers and considered it to be of little importance, Roran raised his gaze from the table to regard a small bearded man with a flamboyantly plumed helm who sat before him on an enormous black war-horse, which was heaving like a pair of bellows. “I’m nobody’s fine fellow, and certainly not yours,” Roran said, making no effort to conceal his dislike at being addressed in such a familiar manner. “Who are you, I might ask, to interrupt my game so rudely?” The long, striped feathers mounted atop the man’s helm bobbed and fluttered as he looked Roran over, as if Roran were an unfamiliar creature he had encountered while hunting. “Tharos the Quick is my name, Captain of the Guard. Rude as you are, I must tell you, it would grieve me mightily to kill a man as bold as yourself without knowing his name.” As if to emphasize his words, Tharos lowered the spear he held until it was pointing at Roran.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
When Aziza first spotted Mariam in the morning, her eyes always sprang open, and she began mewling and squirming in her mother's grip. She thrust her arms toward Mariam, demanding to be held, her tiny hands opening and closing urgently, on her face a look of both adoration and quivering anxiety. "What a scene you're making," Laila would say, releasing her to crawl toward Mariam. "What a scene! Calm down. Khala Mariam isn't going anywhere. There she is, your aunt. See? Go on, now." As soon as she was in Mariam's arms, Aziza's thumb shot into her mouth and she buried her face in Mariam's neck. Mariam bounced her stiffly, a half-bewildered, half-grateful smile on her lips. Mariam had never before been wanted like this. Love had never been declared to her so guilelessly, so unreservedly. Aziza made Mariam want to weep. "Why have you pinned your little heart to an old, ugly hag like me?" Mariam would murmur into Aziza's hair. "Huh? I am nobody, don't you see? A dehati. What have I got to give you?" But Aziza only muttered contentedly and dug her face in deeper. And when she did that, Mariam swooned. Her eyes watered. Her heart took flight. And she marvelled at how, after all these years of rattling loose, she had found in this little creature the first true connection in her life of false, failed connections.
Khaled Hosseini (A Thousand Splendid Suns)
GETHSEMANE The grass never sleeps. Or the roses. Nor does the lily have a secret eye that shuts until morning. Jesus said, wait with me. But the disciples slept. The cricket has such splendid fringe on its feet, and it sings, have you noticed, with its whole body, and heaven knows if it ever sleeps. Jesus said, wait with me. And maybe the stars did, maybe the wind wound itself into a silver tree, and didn’t move, maybe the lake far away, where once he walked as on a blue pavement, lay still and waited, wild awake. Oh the dear bodies, slumped and eye-shut, that could not keep that vigil, how they must have wept, so utterly human, knowing this too must be a part of the story.
Mary Oliver (Devotions: The Selected Poems of Mary Oliver)
There's one thing you ought to know about old people," Alberto Terégo told me on our early morning walk on the beach. "Like what?" I asked my friend in reply. "Like old people don't mind if you kill them," Terégo said. "Just don't give them any more crap while you're doing it." "Are you talking about yourself?" I said. "You're telling me you'd rather have someone kill you than give you a hard time?” My head was starting to hurt. It usually did when I talked with Terégo, but never so soon into our daily conservation. He was grinning now, knowing he had me again. I just stared at him. He has this uncanny knack of making me feel he's laid a booby trap of punji sticks on which I'm about to impale myself. “That's ridiculous," I said finally, feeling like a kid for not being able to come up with a better response to his bizarre suggestion. “No, it's life,” Terégo said, his grin growing larger. “What's life?” I said. “Taking crap,” he said. "Taking crap is life?" I said. The grin hung ear to ear now. “It's what nice people do,” Terégo said. “There's an 18th century proverb that says we all have to eat a peck of dirt before we die. We do it from an early age, so old people have been doing it for a very long time, way beyond the proverbial amount that broke the camel's back.” “Eating dirt is life?” I said, feeling the pain grow under my arched eyebrows. "That's right," he said. "Eating dirt?" I repeated dully. "We do it to be team players, so we don’t rock the boat, to go with the flow," Terégo said. "We put up, shut up, get along--no matter what--with people even the Dalai Lama would slap silly. We defer to their foolishness, stupidity, biases, racism, ego, telling them what they want to hear, keeping quiet when we ought to be speaking up loud and clear. We put a sock in it even though it chokes us. We do it so we won’t offend, to fit in, be neighborly, sociable, kind. We do it so people will like us, love and reward and hire and promote us. We do it to be successful, secure, happy." "We eat dirt to be happy," I said, my eyes starting to glaze over like frost on window panes in deep winter. "You see the supreme irony in that," Terégo said, the triumph in his voice almost palpable, galling me no end.
Lionel Fisher (Celebrating Time Alone: Stories Of Splendid Solitude)
You need to get home, both of you. Louis, I’d like to keep the letters here, if you don’t mind. I want to go over them again.” I came to my feet. “And ask the stars about them?” Jesse nodded. Armand only shook his head, gloomy. There were bruises under his eyes that hadn’t been there yesterday. “Ask the-fine. Splendid. Keep them if you like. Burn them. Turn them to gold or silver or lead. In the morning I’ll wake up and none of this will have happened.” “No, lordling,” I said to him. “You’re never going to wake like that again, and you’re never going to be able to forget.” “Bugger you, waif.” “And you.” He walked past both of us without another glance or another word, opened the door, and disappeared into the night. I went to Jesse and wrapped my arms around him. After only a second’s hesitation, his arms lifted to embrace me, too. “I don’t want to go,” I whispered. I felt his chest expand beneath my cheek. “This is going to be much more difficult than I anticipated.” “Which part?” “All of it.” He brought a hand to my hair, his fingers weaving through. “Things are about to change rapidly now, Lora. He’ll come back to us stronger and stronger. He’s going to crave you more and more, and not having you will eat him raw.” I frowned up at him. “What do you mean?” Jesse tucked a strand behind my ear, his eyes emerald dark, his lashes tipped with candlelight. “It will be in his nature. He’ll feel compelled to claim you, and he won’t stop trying to do that. Ever. When that happens-“ “That is not bloody going to happen.” “When that happens,” he said again resolutely, “I want you to remember two things. One: I’ve loved you since before he even knew you lived. Two: Spare a little pity for him. This isn’t entirely his fault. He was born into his role, just as you and I were. But, Lora-of-the-moon-only a little pity, all right?” “My pity may reach as deep and wide as the ocean,” I answered. “But my heart is already claimed.” To prove it, I clutched his shirt and lifted myself to my toes and brought my lips to his. Sweeter than raspberry jam, warmer than candle flame, softer than bread. People often spoke with religious rapture of milk and honey, but if I had nothing but Jesse to consume for the rest of my days, I’d die a heathen beast, content.
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
Reading a newspaper account of one young woman's fatal accident on a midsummer morning a few years ago got me thinking about how I would have liked to have departed before my time if that had been my destiny. If I'd had to die young, hers is the death I would have chosen. She was twenty-two, the story disclosed, bright, talented, beautiful, her future spread before her like a brilliant, textured tapestry. She'd just graduated from a prestigious eastern university, had accepted a communications position with a New York television network, and would depart the following day on a four-week holiday in Europe before embarking on her promising career and the rest of her exciting life. On that golden summer day, the young woman had just finished her morning run. She had sprinted the last half mile, then stopped abruptly to catch her breath. She was bent at the waist, hands on her knees, eyes on the ground, her mind a world away, perhaps in Barcelona or Tuscany or Rome, exulting in the enchanting sights she would soon see, the splendid life she would have. It was then that the train hit her. Unaware, unthinking, oblivious to everything but the beguiling visions in her head, she had ended her run on the railroad tracks that wound through the center of her small Oregon town, one moment in the fullest expectancy of her glorious youth, adrenaline and endorphins coursing through her body, sugarplum visions dancing in her head, the next moment gone, the transition instantaneous, irrevocable, complete.
Lionel Fisher (Celebrating Time Alone: Stories Of Splendid Solitude)
On that golden summer day, the young woman had just finished her morning run. She had sprinted the last half mile, then stopped abruptly to catch her breath. She was bent at the waist, hands on her knees, eyes on the ground, her mind a world away, perhaps in Barcelona or Tuscany or Rome, exulting in the enchanting sights she would soon see, the splendid life she would have. It was then that the train hit her. Unaware, unthinking, oblivious to everything but the beguiling visions in her head, she had ended her run on the railroad tracks that wound through the center of her small Oregon town, one moment in the fullest expectancy of her glorious youth, adrenaline and endorphins coursing through her body, sugarplum visions dancing in her head, the next moment gone, the transition instantaneous, irrevocable, complete. If I'd had to die young, hers is the death I would have chosen.
Lionel Fisher (Celebrating Time Alone: Stories Of Splendid Solitude)
IN BERLIN ON SATURDAY MORNING, Joseph Goebbels focused his regular propaganda meeting on how best to take advantage of what he believed must certainly be a rising sense of dread among England’s civilian population. “The important thing now,” he told the gathering, “is to intensify as far as possible the mood of panic which is undoubtedly slowly gaining ground in Britain.” Germany’s secret transmitters and foreign-language service were to continue describing the “frightful effects” of air raids. “The secret transmitters, in particular, should marshal witnesses who must give horrifying accounts of the destruction they have seen with their own eyes.” This effort, he instructed, should also include transmissions warning listeners that fog and mist would not protect them from aerial attack; bad weather merely confused the aim of German bombers and made it more likely that bombs would fall on unintended targets.
Erik Larson (The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz)
TODAY I THINK MY RELATIONSHIP WITH HELL IS OVER. It was hell, the ancient hell. Hell: I believed that if I loved V enough, we would love each other. All I know is that I’ve been returned to earth violently; I’ve a duty to myself to survive and to see what is. I have to deal with the truth, with nothing else. Did V’s charity to me almost cause my death? I, starving, fed on the dream that V loved me and I lived a lie. So forgive me, You who knows that only truth matters. Yes—this dawn is at best difficult. The blood he let out of my skin, now dried and stiff, hurts me and there’s nothing else in my life but memories of him. Mental war is constant. Nonetheless, this is the eve before the morning. May I accept the influxes of vigor and whatever real tenderness floats by in these barren waters. And when dawn comes, armed with my patience which burns, I shall see the cities of humans which are splendid. The imagination is nothing unless it is made actual.
Kathy Acker (In Memoriam to Identity)
And if you wish to receive of the ancient city an impression with which the modern one can no longer furnish you, climb—on the morning of some grand festival, beneath the rising sun of Easter or of Pentecost—climb upon some elevated point, whence you command the entire capital; and be present at the wakening of the chimes. Behold, at a signal given from heaven, for it is the sun which gives it, all those churches quiver simultaneously. First come scattered strokes, running from one church to another, as when musicians give warning that they are about to begin. Then, all at once, behold!—for it seems at times, as though the ear also possessed a sight of its own,—behold, rising from each bell tower, something like a column of sound, a cloud of harmony. First, the vibration of each bell mounts straight upwards, pure and, so to speak, isolated from the others, into the splendid morning sky; then, little by little, as they swell they melt together, mingle, are lost in each other, and amalgamate in a magnificent concert. It is no longer anything but a mass of sonorous vibrations incessantly sent forth from the numerous belfries; floats, undulates, bounds, whirls over the city, and prolongs far beyond the horizon the deafening circle of its oscillations. Nevertheless, this sea of harmony is not a chaos; great and profound as it is, it has not lost its transparency; you behold the windings of each group of notes which escapes from the belfries. You can follow the dialogue, by turns grave and shrill, of the treble and the bass; you can see the octaves leap from one tower to another; you watch them spring forth, winged, light, and whistling, from the silver bell, to fall, broken and limping from the bell of wood; you admire in their midst the rich gamut which incessantly ascends and re-ascends the seven bells of Saint-Eustache; you see light and rapid notes running across it, executing three or four luminous zigzags, and vanishing like flashes of lightning. Yonder is the Abbey of Saint-Martin, a shrill, cracked singer; here the gruff and gloomy voice of the Bastille; at the other end, the great tower of the Louvre, with its bass. The royal chime of the palace scatters on all sides, and without relaxation, resplendent trills, upon which fall, at regular intervals, the heavy strokes from the belfry of Notre-Dame, which makes them sparkle like the anvil under the hammer. At intervals you behold the passage of sounds of all forms which come from the triple peal of Saint-Germain-des-Prés. Then, again, from time to time, this mass of sublime noises opens and gives passage to the beats of the Ave Maria, which bursts forth and sparkles like an aigrette of stars. Below, in the very depths of the concert, you confusedly distinguish the interior chanting of the churches, which exhales through the vibrating pores of their vaulted roofs. Assuredly, this is an opera which it is worth the trouble of listening to. Ordinarily, the noise which escapes from Paris by day is the city speaking; by night, it is the city breathing; in this case, it is the city singing. Lend an ear, then, to this concert of bell towers; spread over all the murmur of half a million men, the eternal plaint of the river, the infinite breathings of the wind, the grave and distant quartette of the four forests arranged upon the hills, on the horizon, like immense stacks of organ pipes; extinguish, as in a half shade, all that is too hoarse and too shrill about the central chime, and say whether you know anything in the world more rich and joyful, more golden, more dazzling, than this tumult of bells and chimes;—than this furnace of music,—than these ten thousand brazen voices chanting simultaneously in the flutes of stone, three hundred feet high,—than this city which is no longer anything but an orchestra,—than this symphony which produces the noise of a tempest.
Victor Hugo (The Hunchback of Notre Dame)
Now I know what makes you so different from other women," said John Tenison, when he and Margaret were alone. "It's having that wonderful mother! She--she--well, she's one woman in a million; I don't have to tell you that! It's something to thank God for, a mother like that; it's a privilege to know her. I've been watching her all day, and I've been wondering what SHE gets out of it--that was what puzzled me; but now, just now, I've found out! This morning, thinking what her life is, I couldn't see what REPAID her, do you see? What made up to her for the unending, unending effort, and sacrifice, the pouring out of love and sympathy and help--year after year after year..." He hesitated, but Margaret did not speak. "You know," he went on musingly, "in these days, when women just serenely ignore the question of children, or at most, as a special concession, bring up one or two--just the one or two whose expenses can be comfortably met!--there's something magnificent in a woman like your mother, who begins eight destinies instead of one! She doesn't strain and chafe to express herself through the medium of poetry or music or the stage, but she puts her whole splendid philosophy into her nursery--launches sound little bodies and minds that have their first growth cleanly and purely about her knees. Responsibility--that's what these other women say they are afraid of! But it seems to me there's no responsibility like that of decreeing that young lives simply SHALL NOT BE. Why, what good is learning, or elegance of manner, or painfully acquired fineness of speech, and taste and point of view, if you are not going to distill it into the growing plants, the only real hope we have in the world! You know, Miss Paget," his smile was very sweet in the half darkness, "there's a higher tribunal than the social tribunal of this world, after all; and it seems to me that a woman who stands there, as your mother will, with a forest of new lives about her, and a record like hers, will--will find she has a Friend at court!" he finished whimsically.
Kathleen Thompson Norris
I don't think anyone outside my family knows that." "Not even Amanda?" It came out before I could stop it. "Not even Amanda." He reached for the soda. "Two," he muttered as he poured, "I wish more people knew that Amanda and I are not a single unit and fewer people knew that she dumped me temporarily over the summer for a lifegaurd in Loveladies named Biff." While I processed that,he finished. "Three. I bombed the PSATs." "Oh.Well,isn't the point of preliminary tests to help you learn how to do well on the later ones?" "Tell that to my dad. He was decided that I am now on the fast track toward a future of digging ditches." "Come on.I'm sure he sees that it's just a prep test." "What he sees," Alex corrected me, "is that the path of Yale, followed by Powel Law an the family firm, has gotten a little slippery." I had no idea what to say.In my family, whatever we want to do, as long as it involves getting out of bed every morning and satisfying our souls, is considered just splendid.And that coming from multiple generations who've struggled to pay the mortgage.
Melissa Jensen (The Fine Art of Truth or Dare)
In the Morning of Life In the morning of life, when its cares are unknown, And its pleasures in all their new lustre begin, When we live in a bright-beaming world of our own, And the light that surrounds us is all from within; Oh, it is not, believe me, in that happy time We can love as in hours of less transport we may: -- Of our smiles, of our hopes, 'tis the gay sunny prime, But affection is warmest when these fade away. When we see the first glory of youth pass us by, Like a leaf on the stream that will never return; When our cup, which had sparkled with pleasure so high, First tastes of the other, the dark flowing urn; Then, then is the moment affection can sway With a depth and a tenderness joy never knew; Love nursed among pleasures is faithless as they, But the Love born of sorrow, like sorrow, is true! In climes full of sunshine, though splendid their dyes, Yet faint is the odour the flowers shed about; 'Tis the clouds and the mists of our own weeping skies That call the full spirit of fragrancy out. So the wild glow of passion may kindle from mirth, But 'tis only in grief true affection appears; -- And even though to smiles it may first owe its birth, All the soul of its sweetness is drawn out by tears.
Thomas Moore
If anything, it made his appointment all the more exquisite. In the fading light, Inspector Thompson saw tears begin to slip down Churchill’s cheeks. Thompson, too, found himself near tears. — LATE THAT NIGHT CHURCHILL lay in bed, alive with a thrilling sense of challenge and opportunity. “In my long political experience,” he wrote, “I had held most of the great offices of State, but I readily admit that the post which had now fallen to me was the one I liked the best.” Coveting power for power’s sake was a “base” pursuit, he wrote, adding, “But power in a national crisis, when a man believes he knows what orders should be given, is a blessing.” He felt great relief. “At last I had the authority to give directions over the whole scene. I felt as if I were walking with destiny, and that all my past life had been but a preparation for this hour and for this trial….Although impatient for the morning I slept soundly and had no need for cheering dreams. Facts are better than dreams.” Despite the doubts he had expressed to Inspector Thompson, Churchill brought to No. 10 Downing Street a naked confidence that under his leadership Britain would win the war, even though any objective appraisal would have said he did not have a chance. Churchill
Erik Larson (The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz)
Oh, it's you, sir," she exclaimed. She drew the door right back. A look of highly pleasurable excitement spread over her face. "Come in, sir, if you please, sir." We entered the hall. From beneath the door on the left, loud snuffling sounds proceeded, interspersed with growls. Bob was endeavoring to "place" us correctly. "You can let him out", I suggested. "I will, sir. He's quite all right, really, but he makes such a noise and rushes at people so it frightens them. He's a splendid watchdog though." She opened the morning room door, and Bob shot through like a suddenly projected cannonball. "Who is it? Where are they? Oh, there you are. Dear me, don't I seem to remember -" sniff- sniff- sniff- prolonged snort. "Of course! We have met!" "Hullo, old man," I said. "How goes it?" Bob wagged his tail perfunctorily. "Nicely, thank you. Let me just see -" he resumed his researches. "Been talking to a spaniel lately, I smell. Foolish dogs, I think. What's this? A cat? That is interesting. Wish we had her here. We'd have rare sport. H'm - not a bad bull terrier." Having correctly diagnosed a visit I had paid recently to some doggy friends, he transferred his attention to Poirot, inhaled a noseful of benzine and walked away reproachfully. "Bob", I called. He threw me a look over his shoulder. "It's all right. I know what I am doing. I'll be back in a jiffy.
Agatha Christie (Dumb Witness (Hercule Poirot, #17))
The traditional Roman wedding was a splendid affair designed to dramatize the bride’s transfer from the protection of her father’s household gods to those of her husband. Originally, this literally meant that she passed from the authority of her father to her husband, but at the end of the Republic women achieved a greater degree of independence, and the bride remained formally in the care of a guardian from her blood family. In the event of financial and other disagreements, this meant that her interests were more easily protected. Divorce was easy, frequent and often consensual, although husbands were obliged to repay their wives’ dowries. The bride was dressed at home in a white tunic, gathered by a special belt which her husband would later have to untie. Over this she wore a flame-colored veil. Her hair was carefully dressed with pads of artificial hair into six tufts and held together by ribbons. The groom went to her father’s house and, taking her right hand in his, confirmed his vow of fidelity. An animal (usually a ewe or a pig) was sacrificed in the atrium or a nearby shrine and an Augur was appointed to examine the entrails and declare the auspices favorable. The couple exchanged vows after this and the marriage was complete. A wedding banquet, attended by the two families, concluded with a ritual attempt to drag the bride from her mother’s arms in a pretended abduction. A procession was then formed which led the bride to her husband’s house, holding the symbols of housewifely duty, a spindle and distaff. She took the hand of a child whose parents were living, while another child, waving a hawthorn torch, walked in front to clear the way. All those in the procession laughed and made obscene jokes at the happy couple’s expense. When the bride arrived at her new home, she smeared the front door with oil and lard and decorated it with strands of wool. Her husband, who had already arrived, was waiting inside and asked for her praenomen or first name. Because Roman women did not have one and were called only by their family name, she replied in a set phrase: “Wherever you are Caius, I will be Caia.” She was then lifted over the threshold. The husband undid the girdle of his wife’s tunic, at which point the guests discreetly withdrew. On the following morning she dressed in the traditional costume of married women and made a sacrifice to her new household gods. By the late Republic this complicated ritual had lost its appeal for sophisticated Romans and could be replaced by a much simpler ceremony, much as today many people marry in a registry office. The man asked the woman if she wished to become the mistress of a household (materfamilias), to which she answered yes. In turn, she asked him if he wished to become paterfamilias, and on his saying he did the couple became husband and wife.
Anthony Everitt (Cicero: The Life and Times of Rome's Greatest Politician)
This new surge in morale had nothing to do with Churchill’s speech and everything to do with his gift for understanding how simple gestures could generate huge effects. What had infuriated Londoners was that during these night raids the Luftwaffe seemed free to come and go as it wished, without interference from the night-blind RAF and the city’s strangely quiescent anti-aircraft guns. Gun crews were under orders to conserve ammunition and fire only when aircraft were sighted overhead and, as a consequence, did little firing at all. On Churchill’s orders, more guns were brought to the city, boosting the total to nearly two hundred, from ninety-two. More importantly, Churchill now directed their crews to fire with abandon, despite his knowing full well that guns only rarely brought down aircraft. The orders took effect that Wednesday night, September 11. The impact on civic morale was striking and immediate. Crews blasted away; one official described it as “largely wild and uncontrolled shooting.” Searchlights swept the sky. Shells burst over Trafalgar Square and Westminster like fireworks, sending a steady rain of shrapnel onto the streets below, much to the delight of London’s residents. The guns raised “a momentous sound that sent a chattering, smashing, blinding thrill through the London heart,” wrote novelist William Sansom. Churchill himself loved the sound of the guns; instead of seeking shelter, he would race to the nearest gun emplacement and watch. The new cacophony had “an immense effect on people’s morale,” wrote private secretary John Martin. “Tails are up and, after the fifth sleepless night, everyone looks quite different this morning—cheerful and confident. It was a curious bit of mass psychology—the relief of hitting back.” The next day’s Home Intelligence reports confirmed the effect. “The dominating topic of conversation today is the anti-aircraft barrage of last night. This greatly stimulated morale: in public shelters people cheered and conversation shows that the noise brought a shock of positive pleasure.
Erik Larson (The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz)
went off, without waiting for serving men, and unsaddled my horse, and washed such portions of his ribs and his spine as projected through his hide, and when I came back, behold five stately circus tents were up—tents that were brilliant, within, with blue, and gold, and crimson, and all manner of splendid adornment! I was speechless. Then they brought eight little iron bedsteads, and set them up in the tents; they put a soft mattress and pillows and good blankets and two snow-white sheets on each bed. Next, they rigged a table about the centre-pole, and on it placed pewter pitchers, basins, soap, and the whitest of towels—one set for each man; they pointed to pockets in the tent, and said we could put our small trifles in them for convenience, and if we needed pins or such things, they were sticking every where. Then came the finishing touch—they spread carpets on the floor! I simply said, "If you call this camping out, all right—but it isn't the style I am used to; my little baggage that I brought along is at a discount." It grew dark, and they put candles on the tables—candles set in bright, new, brazen candlesticks. And soon the bell—a genuine, simon-pure bell—rang, and we were invited to "the saloon." I had thought before that we had a tent or so too many, but now here was one, at least, provided for; it was to be used for nothing but an eating-saloon. Like the others, it was high enough for a family of giraffes to live in, and was very handsome and clean and bright-colored within. It was a gem of a place. A table for eight, and eight canvas chairs; a table-cloth and napkins whose whiteness and whose fineness laughed to scorn the things we were used to in the great excursion steamer; knives and forks, soup-plates, dinner-plates—every thing, in the handsomest kind of style. It was wonderful! And they call this camping out. Those stately fellows in baggy trowsers and turbaned fezzes brought in a dinner which consisted of roast mutton, roast chicken, roast goose, potatoes, bread, tea, pudding, apples, and delicious grapes; the viands were better cooked than any we had eaten for weeks, and the table made a finer appearance, with its large German silver candlesticks and other finery, than any table we had sat down to for a good while, and yet that polite dragoman, Abraham, came bowing in and apologizing for the whole affair, on account of the unavoidable confusion of getting under way for a very long trip, and promising to do a great deal better in future! It is midnight, now, and we break camp at six in the morning. They call this camping out. At this rate it is a glorious privilege to be a pilgrim to the Holy Land.
Mark Twain (The Innocents Abroad - Mark Twain [Modern library classics] (Annotated))
Much to Sophie’s extreme lack of surprise, Benedict showed up at his mother’s home the following morning for breakfast. Sophie should have been able to avoid him completely, except that he was loitering in the hall as she tried to make her way down to the kitchen, where she planned to take her morning meal with the rest of the servants. “And how was your first night at Number Five, Bruton Street?” he inquired, his smile lazy and masculine. “Splendid,” Sophie replied, stepping aside so that she might make a clean half circle around him. But as she stepped to her left, he stepped to his right, effectively blocking her path. “I’m so glad you’re enjoying yourself,” he said smoothly. Sophie stepped back to her right. “I was,” she said pointedly. Benedict was far too debonair to step back to his left, but he somehow managed to turn and lean against a table in just the right way to once again block her movement. “Have you been given a tour of the house?” he asked. “By the housekeeper.” “And of the grounds?” “There are no grounds.” He smiled, his brown eyes warm and melting. “There’s a garden.” “About the size of a pound note,” she retorted. “Nonetheless . . .” “Nonetheless,” Sophie cut in, “I have to eat breakfast.” He stepped gallantly aside. “Until next time,” he murmured. And Sophie had the sinking feeling that next time would come quickly indeed. Thirty minutes later, Sophie edged slowly out of the kitchen, half-expecting Benedict to jump out at her from around a corner. Well, maybe not half-expecting. Judging from the way she couldn’t quite breathe, she was probably whole-expecting. But he wasn’t there. She inched forward. Surely he would come bounding down the stairs at any moment, ambushing her with his very presence. Still no Benedict. Sophie opened her mouth, then bit her tongue when she realized she’d been about to call out his name. “Stupid girl,” she muttered. “Who’s stupid?” Benedict asked. “Surely not you.” Sophie nearly jumped a foot. “Where did you come from?” she demanded, once she’d almost caught her breath. He pointed to an open doorway. “Right there,” he answered, his voice all innocence. “So now you’re jumping out at me from closets?” “Of course not.” He looked affronted. “That was a staircase.” Sophie peered around him. It was the side staircase. The servants’ staircase. Certainly not anyplace a family member would just happen to be walking. “Do you often creep down the side staircase?” she asked, crossing her arms. He leaned forward, just close enough to make her slightly uncomfortable, and, although she would never admit it to anyone, barely even herself, slightly excited. “Only when I want to sneak up on someone.” -Benedict & Sophie
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
Ah! you cliques of the city!—don’t you know you had forebears with handlebar mustaches, who came down to the river in the morning bearing masts and booms on their shoulders? who killed their own bulls with a mighty club? who made their own clothes and tilled their own earth? For a million of your clever fashionable phrases, would you exchange one single such accomplishment? I know I would—and Oh God but I’m just as futile as you are, you city vermin; I too am vermin, vermin trying to struggle back to manhood, with small success. Here is our second illuminative nugget, with no emotions this time: that the fear of the family album is pursuant to the city’s general fear of time and particularly of the past (“Oh the stupid Victorian 19th Century!” they keep crying, as though Victorianism were the whole sum of that great century). Fear of the past is in the city, thus a love, a frantic need of the present—with all the hedonistic overtones involved, the psychological doctrines of “alertness” and the so-called liberation of sexuality: in other words, giving the moment over to the dictates of sexuality (divorce is such a dictate) and leaving time, the future—which is to them equivalent to the past, as a moral factor rather than a hedonistic factor of the “pulsing present”—leaving the future to the dogs, childless marriages, or one-child “families,” broken-up families, and thus leaving the future of mankind and the race to the dogs: to the destruction at the hands of a society’s inward atom bomb of organic-familial-societal disintegration: in short, the end of a race, as in Rome. This fear of reaching back into the past, into lineality and tradition, and of extending similarly forward into the future, is like a plant drying up, dying. Where I say this, they speak of the “reality of the moment” and the danger of suppressing the urges of the moment for any reason—but I find good reason if it is to spell the continuation of our own cultural mankind. Perhaps that’s what they don’t want, like children who resent all brothers and sisters burgeoning in their mother’s womb, resenting the future after them, feeling they should be the last, final men, that none must follow—a childish emotion. But to give oneself over to childish emotions is the aim of these city intellectuals, they abstrusely find much to “scientifically” substantiate this desire in the cult of psychoanalysis and its sub-cults, the Orgone “Institute” for one splendid example, and so they go ahead blithely, and I am not the one to oppose their concepts, their march off the ship’s plank—since I am marching to a plank of my own, since I do not wish to be reviled as a neurotic and an atavistic neo-fascist, since the other night, when mentioning these objections of mine, a city intellectual had apoplexy right before me. Oh
Jack Kerouac (The Unknown Kerouac: Rare, Unpublished & Newly Translated Writings)
A fierce battle was taking place at Tobruk, and nothing thrilled him more than spirited warfare and the prospect of military glory. He stayed up until three-thirty, in high spirits, “laughing, chaffing and alternating business with conversation,” wrote Colville. One by one his official guests, including Anthony Eden, gave up and went to bed. Churchill, however, continued to hold forth, his audience reduced to only Colville and Mary’s potential suitor, Eric Duncannon. Mary by this point had retired to the Prison Room, aware that the next day held the potential to change her life forever. — IN BERLIN, MEANWHILE, HITLER and Propaganda Minister Joseph Goebbels joked about a newly published English biography of Churchill that revealed many of his idiosyncrasies, including his penchant for wearing pink silk underwear, working in the bathtub, and drinking throughout the day. “He dictates messages in the bath or in his underpants; a startling image which the Führer finds hugely amusing,” Goebbels wrote in his diary on Saturday. “He sees the English Empire as slowly disintegrating. Not much will be salvageable.” — ON SUNDAY MORNING, a low-grade anxiety colored the Cromwellian reaches of Chequers. Today, it seemed, would be the day Eric Duncannon proposed to Mary, and no one other than Mary was happy about it. Even she, however, was not wholly at ease with the idea. She was eighteen years old and had never had a romantic relationship, let alone been seriously courted. The prospect of betrothal left her feeling emotionally roiled, though it did add a certain piquancy to the day. New guests arrived: Sarah Churchill, the Prof, and Churchill’s twenty-year-old niece, Clarissa Spencer-Churchill—“looking quite beautiful,” Colville noted. She was accompanied by Captain Alan Hillgarth, a raffishly handsome novelist and self-styled adventurer now serving as naval attaché in Madrid, where he ran intelligence operations; some of these were engineered with the help of a lieutenant on his staff, Ian Fleming, who later credited Captain Hillgarth as being one of the inspirations for James Bond. “It was obvious,” Colville wrote, “that Eric was expected to make advances to Mary and that the prospect was viewed with nervous pleasure by Mary, with approbation by Moyra, with dislike by Mrs. C. and with amusement by Clarissa.” Churchill expressed little interest. After lunch, Mary and the others walked into the rose garden, while Colville showed Churchill telegrams about the situation in Iraq. The day was sunny and warm, a nice change from the recent stretch of cold. Soon, to Colville’s mystification, Eric and Clarissa set off on a long walk over the grounds by themselves, leaving Mary behind. “His motives,” Colville wrote, “were either Clarissa’s attraction, which she did not attempt to keep in the background, or else the belief that it was good policy to arouse Mary’s jealousy.” After the walk, and after Clarissa and Captain Hillgarth had left, Eric took a nap, with the apparent intention (as Colville
Erik Larson (The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz)
I woke up this morning with the words clomping around in my head: 'Truth does not become wisdom until the exact moment you're ready for it. No one can force it on you, even though everyone thinks they have a right to try. So the rest of us should just put a sock in it. Bug out. Leave everyone to discover their own truths, each in their own way, all in their own time. And go find our own wisdom. Which will happen. But not until that exact, excruciating, exactly right moment when, at long last, confusing, convoluted truth becomes simple, crystal-clear wisdom. Because we're finally, gloriously, ready for it. Not a second before.
Lionel Fisher (Celebrating Time Alone: Stories Of Splendid Solitude)
I woke up this morning with the words clomping around in my head: "Truth does not become wisdom until the exact moment you're ready for it." No one can force it on you, even though everyone thinks they have a right to try. So the rest of us should just put a sock in it. Bug out. Leave everyone to discover their own truths, each in their own way, all in their own time. And go find our own wisdom. Which will happen. But not until that exact, excruciating Aha! moment when, at long last, confusing, convoluted truth becomes simple, crystal-clear wisdom. Because we're finally, gloriously, ready for it. Not a second before.
Lionel Fisher (Celebrating Time Alone: Stories Of Splendid Solitude)
Winter again. The summer people have gone. The early morning walks are solitary once more. Fog wraps the ocean and sky like a wet, gray glove. Sprinting through the frosty dune grass, my dog Buddy emerges soaked and grinning. He's become a man-child, his boundless puppy love and mindless exuberance caroming off the walls in a muscular body. He lives by one rule: To be alive is to be gloriously happy. Not a bad way to be, I often remind myself. Comfortable in the ebb and flow of each other's idiosyncracies and needs, he keeps me company while I work, I join him often in his play. His unflagging high spirits urge me to cram activity and joy into every waking moment as he does. By so doing, I tell myself, I will multiply my allotted time by dog years and dilate the remaining seasons accordingly. A good way to look at life, I figure.
Lionel Fisher (Celebrating Time Alone: Stories Of Splendid Solitude)
324This morning a splendid dawn passed over our house on its way to Kansas. This morning Kansas rolled out its sleep into a sunlight grandly announced, proclaimed throughout heaven--one more of the very finite number of days that this old prairie has been called Kansas, or Iowa. But it has all been one day, that first day. Light is constant, we just turn over in it. So every day is in fact the selfsame evening and morning. My grandfather's grave turned into the light, and the dew on his weedy little mortality patch was glorious
Marilynne Robinson
Though few had seen him go, his leaving seemed to constitute a kind of subtle signal, for slowly, as white wore on, my guests slipped away, many of them in pairs. Elenet left with the Orbanith family, all but her laughing. The Renselaeuses came all three to thank me formally for a splendid--memorable--evening, and then departed in a group. After they left, I felt tiredness pressing on my shoulders and eyelids; and though I stood there, back straight and smile steady on my aching face, I longed for my bed. The lake blue light of morning was just paling the eastern windows when the last guests departed and I stepped wearily up to my rooms. They were lit, and steaming listerblossom tea awaited. A surge of gratitude rose in me as I wondered how many times Mora had summoned fresh tea that I might come back to this. I sank down onto my cushions, wondering if I’d be able to get up again to undress and climb into my bed. My hand clattered the cup and saucer as I poured--and then froze when I heard a slight noise come from my bedroom. I froze, not breathing. The tapestry stirred, and then, looking two steps from death, Azmus came forward and sank down onto his knees a pace away from me. “They’re going to war,” he wheezed. “The Merindars. They’re going to march on Remalna-city as soon as the last of their hirelings arrive.
Sherwood Smith (Court Duel (Crown & Court, #2))
The greatest religion gives suffering to nobody,” reads a weather-beaten sign, quoting the Buddha, at Chele La pass, the highest motorable point in the country, near Paro. This maxim is everywhere evident. As a Bhutanese friend and I walked in the mountains one afternoon, he reflexively removed insects from the path and gently placed them in the verge, out of harm’s way. Early one morning in Thimphu, I saw a group of young schoolboys, in their spotless white-sleeved ghos, crouching over a mouse on the street, gently offering it food. In Bhutan, the horses that trudge up the steep trail to the Tiger’s Nest monastery are reserved for out-of-shape tourists; Bhutanese don’t consider horses beasts of burden and prefer not to make them suffer under heavy loads. Even harvesting honey is considered a sign of disrespect for the industrious bees; my young guide, Kezang, admonished me for buying a bottle of Bhutanese honey to take home. (Chastened, I left it there.) In
Madeline Drexler (A Splendid Isolation: Lessons on Happiness from the Kingdom of Bhutan)
One morning when we three were alone, Nee leaned forward and said, “Elen, you’ve been closeted with Vidanric a lot, I’ve noticed. Has he said aught about a coronation? I confess it makes me nervous to have it not decided--as if they are waiting for something terrible to happen.” Elenet’s expression did not change, but high on her thin cheeks appeared a faint flush. “I trust we will hear something soon,” she murmured. And she turned the conversation to something general. Were they in love? I knew that she was. Elenet would make a splendid queen, I told myself, and they both certainly deserved happiness. I found myself watching them closely whenever we were all at an event, which occurred more and more often. There were no touches, no special smiles, none of the overt signs that other courting couples gave--but she was often by his side. I’d inevitably turn away, thinking to myself that it was none of my business. It wasn’t as if I didn’t have admirers, both the social kind and one real one--though I didn’t know his name. Still, the subject made me restless, which I attributed to my knowledge of how badly I had behaved to Shevraeth. I knew I owed him an apology, or an explanation, two things I could not bring myself to offer lest--someone--misconstrue my motives. And think me angling for a crown. So I hugged to myself the knowledge of my Unknown. No matter how my emotions veered during those social occasions, it was comforting to realize that I would return to my room and find a letter from the person whose opinions and thoughts I had come to value most. I preferred courtship by paper, I told myself. No one feels a fool, no one gets hurt. And yet--and yet--though I loved getting those letters, as the days went by I realized I was becoming slightly impatient of certain restraints that I felt were imposed on us. Like discussing current events and people. I kept running up against this constraint and finding it more irksome as each day passed. We continued to range over historical events, or the current entertainments such as the Ortali ribbon dancers or the piper-poets from faraway Tartee--all subjects that I could have just as well discussed with an erudite lady. The morning of Nee’s question to Elenet about coronations, I found the usual letter waiting when I returned to my room. I decided to change everything. Having scanned somewhat impatiently down the well-written comparison of two books about the Empire of Sveran Djur, I wrote: I can find it in myself to agree with the main points, that kings ought not to be sorcerers, and that the two kinds of power are better left in the charge of different persons. But I must confess that trouble in Sveran Djur and Senna Lirwan seems a minor issue right now. The problems of wicked mage-kings are as distant as those two kingdoms, and what occupy my attention now are problems closer to home. Everyone seems to whisper about the strange delay concerning our own empty throne, but as yet no one seems willing to speak aloud. Have you any insights on why the Renselaeus family has not made any definite plans?
Sherwood Smith (Court Duel (Crown & Court, #2))
It's the whistling," Laila said to Tariq, "the damn whistling, I hate more than anything" Tariq nodded knowingly. It wasn't so much the whistling itself, Laila thought later, but the seconds between the start of it and impact. The brief and interminable time of feeling suspended. The not knowing. The waiting. Like a defendant about to hear the verdict. Often it happened at dinner, when she and Babi were at the table. When it started, their heads snapped up. They listened to the whistling, forks in mid-air, unchewed food in their mouths. Laila saw the reflection of their half-lit faces in the pitch-black window, their shadows unmoving on the wall. The whistling. Then the blast, blissfully elsewhere, followed by an expulsion of breath and the knowledge that they had been spared for now while somewhere else, amid cries and choking clouds of smoke, there was a scrambling, a barehanded frenzy of digging, of pulling from the debris, what remained of a sister, a brother, a grandchild. But the flip side of being spared was the agony of wondering who hadn't. After every rocket blast, Laila raced to the street, stammering a prayer, certain that, this time, surely this time, it was Tariq they would find buried beneath the rubble and smoke. At night, Laila lay in bed and watched the sudden white flashes reflected in her window. She listened to the rattling of automatic gunfire and counted the rockets whining overhead as the house shook and flakes of plaster rained down on her from the ceiling. Some nights, when the light of rocket fire was so bright a person could read a book by it, sleep never came. And, if it did, Laila's dreams were suffused with fire and detached limbs and the moaning of the wounded. Morning brought no relief. The muezzin's call for namaz rang out, and the Mujahideen set down their guns, faced west, and prayed. Then the rugs were folded, the guns loaded, and the mountains fired on Kabul, and Kabul fired back at the mountains, as Laila and the rest of the city watched as helpless as old Santiago watching the sharks take bites out of his prize fish.
Khaled Hosseini (A Thousand Splendid Suns)
Seduced by our tantalizing nakedness, my bidder dared himself to enter our homoerotic realm – a realm that defied time and space and only Divine Providence was left to forfeit active participation. Nothing but our lustful releases could satisfy our overwhelming genital hunger; when the cocks crowed treis, we savored our afterglow from the rising sun. This Bacha Bazi was a splendid reminder of Mario, Andy and me floating on a private gondola in Venezia’s Grand Canal. I was already infatuated with my bidder before morning broke.
Young (Unbridled (A Harem Boy's Saga, #2))
Shopping Dana Gioia I enter the temple of my people but do not pray. I pass the altars of the gods but do not kneel Or offer sacrifices proper to the season. Strolling the hushed aisles of the department store, I see visions shining under glass, Divinities of leather, gold, and porcelain, Shrines of cut crystal, stainless steel, and silicon. But I wander the arcades of abundance, Empty of desire, no credit to my people, Envying the acolytes their passionate faith. Blessed are the acquisitive, For theirs is the kingdom of commerce. Redeem me, gods of the mall and marketplace. Mercury, protector of cell phones and fax machines, Venus, patroness of bath and bedroom chains, Tantalus, guardian of the food court. Beguile me with the aromas of coffee, musk, and cinnamon. Surround me with delicately colored soaps and moisturizing creams. Comfort me with posters of children with perfect smiles And pouting teenage models clad in lingerie. I am not made of stone. Show me satins, linen, crepe de chine, and silk, Heaped like cumuli in the morning sky, As if all caravans and argosies ended in this parking lot To fill these stockrooms and loading docks. Sing me the hymns of no cash down and the installment plan, Of custom fit, remote control, and priced to move. Whisper the blessing of Egyptian cotton, polyester, and cashmere. Tell me in what department my desire shall be found. Because I would buy happiness if I could find it, Spend all that I possessed or could borrow. But what can I bring you from these sad emporia? Where in this splendid clutter Shall I discover the one true thing? Nothing to carry, I should stroll easily Among the crowded countertops and eager cashiers, Bypassing the sullen lines and footsore customers, Spending only my time, discounting all I see. Instead I look for you among the pressing crowds, But they know nothing of you, turning away, Carrying their brightly packaged burdens. There is no angel among the vending stalls and signage. Where are you, my fugitive? Without you There is nothing but the getting and the spending Of things that have a price. Why else have I stalked the leased arcades Searching the kiosks and the cash machines? Where are you, my errant soul and innermost companion? Are you outside amid the potted palm trees, Bumming a cigarette or joking with the guards, Or are you wandering the parking lot Lost among the rows of Subarus and Audis? Or is it you I catch a sudden glimpse of Smiling behind the greasy window of the bus As it disappears into the evening rush?
Vaddhaka Linn (The Buddha on Wall Street: What's Wrong with Capitalism and What We Can Do about It)
Poem For Laura" Now come the bright prophets across my life. The solemn fl esh, the miracles, and the pain. Across the simple meadows of my heart, splendidly you come promising sorrow. And knowing, I bless your coming with trees of love, singing, singing even to the night. The princely mornings will fail when you go, and night will come like animals. Yet I open my cautious life and sing thanksgiving of yes, oh yes to love, even while the tireless crows of pain and the diligent fever-ticks of sorrow are somehow privileged in my flowering heart. For you fashion such rivers in my soon unable heart as are focused to paradise by the crippling night. Such terraced waters as are cheap at only sorrow. And to have cargoes of hyacinths sail once more my life I will freely undertake any debt of pain. I will break these hands for tokens, oh my love.
Jack Gilbert (Collected Poems)
There were moments of a morning or at sunset when the plain was splendid as a tranquil sea, and in such moments I bowed down to its mysterious beauty--but for the most part it seemed an empty, desolate, mocking world.
Hamlin Garland (A Son of the Middle Border)
It was now, I realized almost with a shock, October; perhaps the most beautiful month of the year in Rome. The trees had changed into a hundred shades of red and gold. Sometimes an unearthly pearly light washed the city, sharp and clear like a spring morning on the Acropolis, and in the evening that curious pinkish flush in the streets, which lasts only from dusk to darkness, seemed to be accentuated. Masses of splendid fat grapes, black and white, filled the street stalls. They reminded me that Bacchic revels made respectable by church processions—a collaboration that would not have surprised Gregory the Great—were taking place in the wine towns of the Castelli Romani, where the grape harvest had now been gathered. Some pungent whiff of this Virgilian moment seemed to enter Rome in the morning with those odd-looking wine carts and their rows of little barrels, the driver sitting up beneath a huge ribbed umbrella, in shape like the shell of some shabby and discredited Aphrodite. They trundled into Trastevere and replenished the tavern cellars with more than usual jollity and it was often in my mind to go out to Frascati and look up my friends of the wine vaults who were, I supposed, now knee deep in the new vintage: but I never did so.
H.V. Morton (A Traveller In Rome (H.V. Morton))
He need not have worried. Huxley had a splendid trip, one that would change forever the culture’s understanding of these drugs when, the following year, he published his account of his experience in The Doors of Perception. “It was without question the most extraordinary and significant experience this side of the Beatific Vision,” Huxley wrote in a letter to his editor shortly after it happened. For Huxley, there was no question but that the drugs gave him access not to the mind of the madman but to a spiritual realm of ineffable beauty. The most mundane objects glowed with the light of a divinity he called “the Mind at Large.” Even “the folds of my gray flannel trousers were charged with ‘is-ness,’” he tells us, before dilating on the beauty of the draperies in Botticelli’s paintings and the “Allness and Infinity of folded cloth.” When he gazed upon a small vase of flowers, he saw “what Adam had seen on the morning of his creation—the miracle, moment by moment, of naked existence . . . flowers shining with their own inner light and all but quivering under the pressure of the significance with which they were charged.” “Words
Michael Pollan (How to Change Your Mind: What the New Science of Psychedelics Teaches Us About Consciousness, Dying, Addiction, Depression, and Transcendence)
These flowers, which were splendid and sprightly, Waking in the dawn of the morning, In the evening will be a pitiful frivolity, Sleeping in the cold night’s arms.
Pedro Calderón de la Barca
No matter where you are on the pathway of your life, please don’t let the pain of an imperfect past hinder the glory of your fabulous future. You are so much more powerful than you may currently understand. Splendid victories—and outright blessings—are coming your way.
Robin S. Sharma (The 5AM Club: Own Your Morning. Elevate Your Life.)
It was splendid to have four seasons. The first summer produced so many hours of both beaming sun and bellowing rain that it seemed to add up to more than twenty-four hours in a day. Everything was green as a fairytale. Autumn was sharp and red, the sloping fields half-hidden in the morning by white fog. In the evenings, unseen bonfires scented the air as crickets shrilled their goodbyes to the heat. In the winter, it snowed with such thorough confidence that it seemed white Christmases must be the norm (they weren’t). And just when Mór and Niall had grown bored of hiding from the cold in the farmhouse, spring ferns uncurled in the forest, crocuses peeped out from under the newly repaired porch, and a new year’s sky washed clear and fresh-faced above.
Maggie Stiefvater (Greywaren (Dreamer Trilogy, #3))
Lennon was – whether by luck, accident or perceptive foresight – at the forefront of the psychedelic era’s passion for rose-tinted introspection, which channelled the likes of children’s literature, Victorian fairgrounds and circuses, and an innocent sense of wonder. McCartney, too, moved with the times when writing his children’s singalong Yellow Submarine. Among the hippie era’s other moments of nostalgia were Pink Floyd’s Bike and The Gnome from their debut album Piper At The Gates Of Dawn, recorded at EMI Studios as the Beatles worked on Sgt Pepper’s Lonely Hearts Club Band; Jefferson Airplane’s White Rabbit, laid down in 1966 but released in the same month as Sgt Pepper, and which drew from Lewis Carroll’s Alice stories just as Lennon did; and many more, from Tiny Tim’s Tiptoe Through The Tulips to Traffic’s psychedelic fantasy Hole In My Shoe. The Beatles continued writing songs evoking childhood to the end of their days. Sgt Pepper – itself a loose concept album harking back to earlier, more innocent times – referenced Lewis Carroll (Lucy In The Sky With Diamonds), youthful anticipation of old age (When I’m Sixty-Four), a stroll down memory lane (Good Morning Good Morning), and the sensory barrage of a circus big top extravaganza (Being For The Benefit Of Mr Kite!). It was followed by Magical Mystery Tour and Yellow Submarine, two films firmly pitched at the widest possible audience. A splendid time was, indeed, guaranteed for all.
Joe Goodden (Riding So High: The Beatles and Drugs)
I want to be thoroughly used up when I die, for the harder I work the more I live. I rejoice in life for its own sake. Life is no ‘brief candle’ for me. It is a sort of splendid torch which I have got hold of for the moment, and I want to make it burn as brightly as possible before handing it on to future generations.
Robin S. Sharma (The 5AM Club: Own Your Morning. Elevate Your Life.)
No matter where you are on the pathway of your life, please don’t let the pain of an imperfect past hinder the glory of your fabulous future. You are so much more powerful than you may currently understand. Splendid victories—and outright blessings—are coming your way. And you’re exactly where you need to be to receive the growth necessary for you to lead the unusually productive, extremely prodigious and exceptionally influential life that you’ve earned through your harshest trials. Nothing is wrong at this moment, even if it feels like everything’s falling apart. If you sense your life’s a mess right now, this is simply because your fears are just a little stronger than your faith. With practice, you can turn down the volume of the voice of your scared self. And increase the tone of your most triumphant side. The truth is that every challenging event you’ve experienced, each toxic person that you’ve encountered and all the trials you’ve endured have been perfect preparation to make you into the person that you now are. You needed these lessons to activate the treasures, talents and powers that are now awakening within you.
Robin S. Sharma (The 5AM Club: Change Your Morning, Change Your Life)
No matter where you are on the pathway of your life, please don’t let the pain of an imperfect past hinder the glory of your fabulous future. You are so much more powerful than you may currently understand. Splendid victories—and outright blessings—are coming your way. And you’re exactly where you need to be to receive the growth necessary for you to lead the unusually productive, extremely prodigious and exceptionally influential life that you’ve earned through your harshest trials. Nothing is wrong at this moment, even if it feels like everything’s falling apart. If you sense your life’s a mess right now, this is simply because your fears are just a little stronger than your faith. With practice, you can turn down the volume of the voice of your scared self. And increase the tone of your most triumphant side. The truth is that every challenging event you’ve experienced, each toxic person that you’ve encountered and all the trials you’ve endured have been perfect preparation to make you into the person that you now are. You needed these lessons to activate the treasures, talents and powers that are now awakening within you. Nothing was an accident. Zero was a waste. You’re definitely exactly where you need to be to begin the life of your most supreme desires. One that can make you an empire-builder along with a world-changer. And perhaps even a history-maker.” “This all sounds easy but it’s a lot harder in reality,” shouted a man in a red baseball cap, seated in the fifth row. He sported a gray t-shirt and ripped jeans, the type you can buy torn at your local shopping mall. Though this outburst could have seemed disrespectful, the pitch of the participant’s voice and his body language displayed genuine admiration for The Spellbinder. “I agree with you, you wonderful human being,” responded The Spellbinder, his grace influencing all participants and his voice sounding somewhat stronger, as he stood up from his chair. “Ideas are worth nothing unless backed by application. The smallest of implementations is always worth more than the grandest of intentions. And if being an amazing person and developing a legendary life was easy, everyone would be doing it. Know what I mean?
Robin S. Sharma (The 5AM Club: Own Your Morning. Elevate Your Life.)
The two lovebirds chirp nonsense, yet flowers seem to be blooming wherever they go. Splendidly, the morning light shines through the glass building. It adds radiance to the image of the pair of lovers. Not just flowers, but the sunlight is beaming on the path they walk.
Bai Bai (The Only Sunflower I See Is You (Vol. 3): A Chinese BL Novel)
It wasn't only you, Lord Langford. It was this place, these people. This life. I want nothing to do with it." "It's a bit late for that, Rue. Whether you like it or not, we are your blood." "Half my blood." "Aye," agreed the marquess, sober. "Although 'twould seem you've gotten the better half by far. All beauty, none of the beast." She blinked at that, and crossed her arms. "How charming! Had you planned that for long?" "Only since this morning." He shrugged, unabashed. "I'll do better in London." "Please, don't bother." "I'm afraid I can't help myself. I'm charming by nature." And he looked back at her now in utter and wicked innocence, snaring her in a world of sharp, splendid green. -Rue & Kit
Shana Abe (The Smoke Thief (Drakon, #1))
This morning a splendid dawn passed over our house on its way to Kansas. This morning Kansas rolled out of its sleep into a sunlight grandly announced, proclaimed throughout heaven—one more of the very finite number of days that this old prairie has been called Kansas, or Iowa. But it has all been one day, that first day. Light is constant, we just turn over in it. So every day is in fact the selfsame evening and morning.
Marilynne Robinson
Mary Lovell’s Straight On Till Morning: The Life of Beryl Markham was the first biography to bring Beryl to light, in 1987, and her pioneering efforts and careful research have been crucial to my own and other writers’ abilities to imagine Beryl’s life. Mary Lovell also compiled Beryl Markham’s stories in The Splendid Outcast, a collection that wouldn’t have been available otherwise, and for that
Paula McLain (Circling the Sun)
intent stare, but I splurged on a black Donna Karan jersey dress, and I know I’m looking my best. “Splendid morning,” he
Magda Alexander (Storm Damages (Storm Damages, #1))
To be frank, I think the elegant, long sentence is a thing of beauty, a self-contained entity worthy of study all by itself. Consider this sentence by Dylan Thomas from Quite Early One Morning: I was born in a large Welsh town at the beginning of the Great War—an ugly, lovely town (or so it was and is to me), crawling, sprawling by a long and splendid curving shore where truant boys and sandfield boys and old men from nowhere, beachcombed, idled and paddled, watched the dock-bound ships or the ships streaming away into wonder and India, magic and China, countries bright with oranges and loud with lions; threw stones into the sea for the barking outcast dogs; made castles and forts and harbours and race tracks in the sand; and on Saturday afternoons listened to the brass band, watched the Punch and Judy, or hung about on the fringes of the crowd to hear the fierce religious speakers who shouted at the sea, as though it were wicked and wrong to roll in and out like that, white-horsed and full of fishes.
Charles Johnson (The Way of the Writer: Reflections on the Art and Craft of Storytelling)
June 2012               Dearest Andy, You haven’t changed much over the years. I’m glad we can continue to relate to each other after such a long absence. Times of change had not vanquished my love for you either. You are always in my heart and I’ll continue to cherish your love wherever I am. You haven’t heard the last of Bernard – at one time, he arrived to visit me at Uncle James. I had no idea he was in London when he showed up one afternoon. I had been out running a couple of errands. As I was unlocking the front door, I felt a tap on my shoulder and Bernard was behind me, looking as handsome as when we parted in Belfast. He had grown taller and more mature during our absence. In Ireland he had worked some odd jobs to earn enough money for a one-way plane ticket to London. The only person he knew in London was me. He knew I would not turn him away if he called. Uncle James was in Hong Kong and I was the only one staying in the house; I took the boy in, making him promise that he would have to leave when I moved in 3 weeks to my new lodgings in Ladbroke Grove. He did as promised and was a splendid house guest. When Uncle James returned a week before my move, he was charmed by the adolescent. Bernard made a good impression on Uncle James. The boy had run away from Belfast and planned a fresh start in London. During the course of the 3 weeks, he successfully secured himself as a newspaper delivery boy in the mornings and also worked part-time in a Deli near the house. To top it off, five evenings a week he was a bus boy in an Italian restaurant. Both Uncle James and I were impressed by his industrious tenacity. James decided to help him obtain an apprenticeship with a professional photographer in Edinburgh, Scotland.
Young (Unbridled (A Harem Boy's Saga, #2))
But guess where he came out? Come on. Guess. Guess!” “Sevro, did he come out the sea demon’s rectum?” I ask. Sevro squeals with laughter. “He did! Right out the ass. Shot like a turd—” My chair rolls to a stop. His voice cut short, followed by a thump and sliding sound. My wheelchair rolls forward again. I look back and see Ragnar pushing it innocently along. Sevro isn’t in the hallway behind us. I frown, wondering where he went, till he bursts out of a side passage. “You! Troll!” Sevro shouts. “I’m a terrorist warlord! Stop throwing me. You made me drop my candy!” Sevro looks at the floor of the hallway. “Wait. Where is it? Dammit, Ragnar. Where is my peanut bar? You know how many people I had to kill to get that. Six! Six!” Ragnar chews quietly above me, and though I’m probably mistaken, I think I see him smile. “Ragnar, have you been brushing your teeth? They look splendid.” “Thank you,” he preens as much as a man eight feet tall can preen past a mouthful of peanut butter bar. “The wizard removed my old ones. They pained me greatly. These are new. Are they not fine?
Pierce Brown (Morning Star (Red Rising, #3))
He was polite; he was cool; he was enigmatic. He was every bit what they expected and wanted the storied Duke of Falconbridge to be, because it amused him to be so. In truth, his eyes were on the stairs. He waited with the patience of a cat near a mouse hole for Genevieve Eversea to arrive. He almost didn't recognize her when she did appear. Her dress was a glossy silk of midnight blue, cut very low, and the "sleeves"- really scraps of net- clung to her pale, flawless shoulders, as though she'd tumbled down through clouds to get here and brought a few sheds of sky with her. Her neck was long. Her collarbone had that smooth pristine temptation of a bank of new-fallen snow. It was interrupted only by a drop of a blue stone on a chain that pointed directly at quite confident cleavage, as if the owner knew full well it was splendid and was accustomed to exposing it. Her sleek dark hair was dressed up high and away from her face, and tiny diamanté sparks were scattered through it. Her face beneath it was revealed in delicate simplicity. A smooth, pale, high forehead, etched cheekbones. Elegant as Wedgwood, set off by that dark, dark hair and those vivid eyes. He stared. He wasn't precisely... nonplussed. Still, this particular vision of Genevieve Eversea required reconciling with the quiet girl in the morning dress, the moor pony with the determined gait. As though they were not quite the same thing, or were perhaps 'variations' of the same thing, like verb tenses. He felt a bit like a boy who needed to erase his morning lessons and begin again.
Julie Anne Long (What I Did for a Duke (Pennyroyal Green, #5))
Will you allow me to start over this morning? I fear I arose on the wrong side of the bed. 'It is I who should apologize. I'm afraid that any side of the bed would have been the wrong one at this hour.
Julia Quinn (Dancing at Midnight (The Splendid Trilogy, #2))