Splash Mountain Quotes

It is absolutely necessary, for the peace and safety of mankind, that some of earth's dark, dead corners and unplumbed depths be left alone; lest sleeping abnormalities wake to resurgent life, and blasphemously surviving nightmares squirm and splash out of their black lairs to newer and wider conquests.

Do not fail to learn from The pure voice of an Ever-flowing mountain stream Splashing over the rocks.

It is absolutely necessary, for the peace and safety of mankind, that some of earth’s dark, dead corners and unplumbed depths be let alone; lest sleeping abnormalities wake to resurgent life, and blasphemously surviving nightmares squirm and splash out of their black lairs to newer and wider conquests.

Look at walls splashed with a number of stains, or stones of various mixed colours. If you have to invent some scene, you can see there resemblances to a number of landscapes, adorned with mountains, rivers, rocks, trees, great plains, valleys and hills, in various ways. Also you can see various battles, and lively postures of strange figures, expressions on faces, costumes and an infinite number of things, which you can reduce to good integrated form. This happens on such walls and varicoloured stones, (which act) like the sound of bells, in whose peeling you can find every name and word that you can imagine. Do not despise my opinion, when I remind you that it should not hard for you to stop sometimes and look into the stains of walls, or the ashes of a fire, or clouds, or mud or like places, in which, if you consider them well, you may find really marvelous ideas. The mind of the painter is stimulated to new discoveries, the composition of battles of animals and men, various compositions of landscapes and monstrous things, such as devils and similar things, which may bring you honor, because by indistinct things the mind is stimulated to new inventions.

Once I had been jerked back to reality, like I was in a log on Splash Mountain and someone quickly applied the brakes, I knew this had been a terrible choice, but I was in it now. There was no getting out; there was no abandoning the mission.

In the glittering light I got drunk and reeled through the rooms, And cried, “Cartagena! swamp of unholy loves!” And wept for the Indian whores who were younger than me, and I was eighteen, And splashed after the crew down the streets wearing sandals bought at a stall And got back to the ship, dawn came, we were far out at sea.

Across both doors was a splash of vandalism in the universal language of Fuck You.

The water was tripping over itself, splashing and hypnotizing, and I tried to fix my mind on a chunk of it, like each little ripple was a life that began far away in a high mountain source and had traveled miles pushing forward until it arrived at this spot before my eyes, and now without hesitation that water-life was hurling itself over the cliff. I wanted my body in all that swiftness; I wanted to feel the slip and pull of the currents and be dashed and pummeled on the rocks below . . .

The noise of drinking was exhilarating. Champagne corks popped and the pale, chrysanthemum-coloured liquid, whispering gleefully with bubbles, hissed into the glasses; heavy red wine glupped into the goblets, thick and crimson as the blood of some mythical monster, and a swirling wreath of pink bubbles formed on the surface; the frosty white wine tiptoed into the glasses, shrilling, gleaming, now like diamonds, now like topaz; the ouzo lay transparent and innocent as the edge of a mountain pool until the water splashed in and the whole glass curdled like a conjuring trick, coiling and blurring into a summer cloud of moonstone white.

Take time to leave cities, at least once in a year, and go to some natural place, hills, sea, jungles, rivers, where you see nothing but nature… His creations. Where you only hear chirping of birds, clinkering of trees, murmuring of winds, splashes of water in the river, and uproar of waterfalls.

It had grown darker now; it was full night already, with the swiftness of the mountainous latitudes. The square of sky over the patio was soft and dark as indigo velour, with magnificent stars like many-legged silver spiders festooned on its underside. Below them the white roses gleamed phosphorescently in the starlight, with a magnesium-like glow. There was a tiny splash from the depths of the well as a pebble or grain of dislodged earth fell in. ("The Moon Of Montezuma")

How many times have I photographed this glorious seascape? . . . The late-afternoon rusted tones of the Saudi Arabian mountains on the opposite side of the Red Sea; the view from the Devil’s Head, which is eternally splashed by crashing waves. Like an arrow pointed toward Saudi Arabia’s unexplored secrets, the cliff stands erect just before me.

Do not fail To learn from The pure voice of an Ever-flowing mountain stream Splashing over the rocks.

In a valley shaded with rhododendrons, close to the snow line, where a stream milky with meltwater splashed and where doves and linnets flew among the immense pines, lay a cave, half, hidden by the crag above and the stiff heavy leaves that clustered below. The woods were full of sound: the stream between the rocks, the wind among the needles of the pine branches, the chitter of insects and the cries of small arboreal mammals, as well as the birdsong; and from time to time a stronger gust of wind would make one of the branches of a cedar or a fir move against another and groan like a cello. It was a place of brilliant sunlight, never undappled. Shafts of lemon-gold brilliance lanced down to the forest floor between bars and pools of brown-green shade; and the light was never still, never constant, because drifting mist would often float among the treetops, filtering all the sunlight to a pearly sheen and brushing every pine cone with moisture that glistened when the mist lifted. Sometimes the wetness in the clouds condensed into tiny drops half mist and half rain, which floated downward rather than fell, making a soft rustling patter among the millions of needles. There was a narrow path beside the stream, which led from a village-little more than a cluster of herdsmen's dwellings - at the foot of the valley to a half-ruined shrine near the glacier at its head, a place where faded silken flags streamed out in the Perpetual winds from the high mountains, and offerings of barley cakes and dried tea were placed by pious villagers. An odd effect of the light, the ice, and the vapor enveloped the head of the valley in perpetual rainbows.

Do you remember in How the Grinch Stole Christmas! when the Grinch is alone on the mountain after plundering the Christmas of the Whos down below, and his heart swells to three times its normal size? That's the other thing that happens when you become a mom. You feel more deeply. You become capable of a raw, scary fullness of emotion that tenderizes the hardened muscle of the heart. And it endangers you. Because you feel for other people's suffering more than you used to, especially for the suffering of children, as if the love you bear for your child is so outsized that it can't be contained but splashes out into the world, your salty tears brimming the salty oceans.

Leaves and Blossoms Along the Way,” If you’re John Muir you want trees to live among. If you’re Emily, a garden will do. Try to find the right place for yourself. If you can’t find it, at least dream of it. • When one is alone and lonely, the body gladly lingers in the wind or the rain, or splashes into the cold river, or pushes through the ice-crusted snow. Anything that touches. • God, or the gods, are invisible, quite understandable. But holiness is visible, entirely. • Some words will never leave God’s mouth, no matter how hard you listen. • In all the works of Beethoven, you will not find a single lie. • All important ideas must include the trees, the mountains, and the rivers. • To understand many things you must reach out of your own condition. • For how many years did I wander slowly through the forest. What wonder and glory I would have missed had I ever been in a hurry! • Beauty can both shout and whisper, and still it explains nothing. • The point is, you’re you, and that’s for keeps.

There were mists over the river and clouds on the mountain and the trucks splashed mud on the road and the troops were muddy and wet in their capes; their rifles were wet and under their capes the two leather cartridge-boxes on the front of the belts, gray leather boxes heavy with the packs of clips of thin, long 6.5 mm. cartridges, bulged forward under the capes so that the men, passing on the road, marched as though they were six months gone with child.

He liked the splash of the river and the night things that gathered there: katydids and crickets, frogs and cicadas. At night the smell of the river overtook his house. It smelled of everything it had passed on its way to him. It smelled of homes with families in them; of girls that sat in stiff chairs, painting their toenails and dreaming of far-off places; of boys who skipped rocks on the river's surface to break up the moonlight. The river at night carried the scent of untamed mountains and long, cool fields where dew settled first and sunlight hit last in the mornings.

The professional endures adversity. He lets the birdshit splash down on his slicker, remembering that it comes clean with a heavy-duty hosing. He himself, his creative center, cannot be buried, even beneath a mountain of guano. His core is bulletproof. Nothing can touch it unless he lets it. I saw a fat happy old guy once in his Cadillac on the freeway. He had the A/C going, Pointer Sisters on the CD, puffing on a stogie. His license plate: DUES PD The professional keeps his eye on the doughnut and not on the hole. He reminds himself it's better to be in the arena, getting stomped by the bull, than to be up in the stands or out in the parking lot.

A forest fire will rage through deep glens of a mountain, crackling dry from summer heat, and coppices blaze up in every quarter as wind whips the flame: so Akhilleus flashed to right and left like a wild god, trampling the men he killed, and black earth ran with blood. As when a countryman yokes oxen with broad brows to tread out barley on a well-bedded threshing floor. and quickly the grain is husked under the bellowing beasts: the sharp-hooved horses of Akhilleus just so crushed dead men and shields. His axle-tree was splashed with blood, so was his chariot rail, with drops thrown up by wheels and horses' hooves. And Peleus' son kept riding for his glory. staining his powerful arms with mire and blood.

Through Poppy’s eyes, she learned to see the treasures that the mountains held for those who lowered their eyes and let them linger on the ground: neat little mats of wild thyme encrusted on sun-baked rocks and stones covered with pin cushions of yellow saxifrage bobbing up and down between the sparkling ripples of the mountain streams. Lucy had passed waterfalls where tall, pink adenostyles stood proudly at the edge to be showered and splashed, and frothy clumps of white saxifrage cascaded from crannies in the shining, rocky sides into the tumbling waters below. She had wandered across hillsides where wild cumin blew on the breeze, ambled under the cool shadows of the pinewoods punctuated by bright, dainty astrantia and plodged through mountain bogs amongst the fluffy white drumsticks of cotton grass. 

He had only three days off, which meant our honeymoon was only two days. We went to Lake Tahoe, and one of the highlights was a snowmobile tour in the mountains. In theory, we had to ride our separate vehicles very placidly, with no horsing around. But Chris-or maybe it was me-discovered that by maneuvering carefully, it was possible to splash up a lot of snow, and as we went up to the top we managed to cover each other with snow. It was the sort of simple joy you vow to repeat as often as you can, even as you realize the moment will be impossible to duplicate. They were a great two days, though I wished there were more. I happened to be reading a book around that time that theorized that humans live through many lives. I asked Chris what he thought about the concept. Did he think he had many past lives? “Oh, I don’t know,” he said. “That’s not in the Bible.” “No, it’s not.” “I guess anything’s possible,” he told me after a little thought. “I don’t think we have all the answers. But I do know this: if we get more than one life, I can’t wait to spend the rest of them with you.

I set my coffee beside me on the curb; I smell loam on the wind; I pat the puppy; I watch the mountain. My hand works automatically over the puppy’s fur, following the line of hair under his ears, down his neck, inside his forelegs, along his hot-skinned belly. Shadows lope along the mountain’s rumpled flanks; they elongate like root tips, like lobes of spilling water, faster and faster. A warm purple pigment pools in each ruck and tuck of the rock; it deepens and spreads, boring crevasses, canyons. As the purple vaults and slides, it tricks out the unleafed forest and rumpled rock in gilt, in shape-shifting patches of glow. These gold lights veer and retract, shatter and glide in a series of dazzling splashes, shrinking, leaking, exploding. The ridge’s bosses and hummocks sprout bulging from its side; the whole mountain looms miles closer; the light warms and reddens; the bare forest folds and pleats itself like living protoplasm before my eyes, like a running chart, a wildly scrawling oscillograph on the present moment. The air cools; the puppy’s skin is hot. I am more alive than all the world.

Gansey felt the feeling of time slipping--one last time. The sense of having done this before. He gently laid the backs of his hands on her cheeks. He whispered, "It'll be okay. I'm ready. Blue, kiss me." The rain splatted about them, kicking up splashes of red-black, making the petals around them twitch. Dream things from Ronan's newly healed imagination piled around their feet. In the rain, everything smelled of these mountains in fall: oak leaves and hay fields, ozone and dirt turned over. It was beautiful here, and Gansey loved it. It had taken a long time, but he'd ended up where he wanted after all. Blue kissed him. He had dreamt of it often enough, and here it was, willed into life. In another world, it would just be this: a girl softly pressing her lips to a boy's. But in this one, Gansey felt the effects of it at once. Blue, a mirror, an amplifier, a strange half-tree soul with ley line magic running through her. And Gansey, restored once by the ley line's power, given a ley line heart, another kind of mirror. And when they were pointed at each other, the weaker one gave. Gansey's ley line heart had been gifted, not grown. He pulled back from her. Out loud, with intention, with the voice that left no room for doubt, he said, "Let it be to kill the demon." Right after he spoke, Blue threw her arms tightly around his neck. Right after he spoke, she pressed her face into the side of his. Right after he spoke, she held him like a shouted word. Love, love, love. He fell quietly from her arms. He was a king.

It may not have been very big, she said, but everyone will notice that it’s missing. How could they not? One might as well overlook a bare patch of earth on the crest of a snow-covered mountain. And her eyes rolled forward as she tried to peer down her long snout at the small, dark hole above her nostril. Eragon laughed and splashed a handful of water at her. Then, to soothe her injured pride, he said, “No one will notice, Saphira. Trust me. Besides, even if they do, they’ll take it for a battle wound and consider you all the more fearsome because of it.” You think so? She returned to examining herself in the lake. The water and her scales reflected off each other in a dazzling array of rainbow-hued flecks. What if a soldier stabs me there? The blade would go right through me. Perhaps I should ask the dwarves to make a metal plate to cover the area until the scale regrows. “That would look exceedingly ridiculous.” It would? “Mm-hmm.” He nodded, on the verge of laughing again. She sniffed. There’s no need to make fun of me. How would you like it if the fur on your head started falling out, or you lost one of those silly little nubs you call teeth? I would end up having to comfort you, no doubt. “No doubt,” he agreed easily. “But then, teeth don’t grow back.” He pushed himself off the rock and made his way up the shore to where he had left his boots, stepping carefully to avoid hurting his feet on the stones and branches that littered the water’s edge. Saphira followed him, the soft earth squishing between her talons. You could cast a spell to protect just that spot, she said as he pulled on his boots. “I could. Do you want me to?” I do.

Moreover, Nancy Sinatra was afflicted, as the overwhelming majority of Americans were, with monolingualism. Lana’s richer, more textured version of “Bang Bang” layered English with French and Vietnamese. Bang bang, je ne l’oublierai pas went the last line of the French version, which was echoed by Pham Duy’s Vietnamese version, We will never forget. In the pantheon of classic pop songs from Saigon, this tricolor rendition was one of the most memorable, masterfully weaving together love and violence in the enigmatic story of two lovers who, regardless of having known each other since childhood, or because of knowing each other since childhood, shoot each other down. Bang bang was the sound of memory’s pistol firing into our heads, for we could not forget love, we could not forget war, we could not forget lovers, we could not forget enemies, we could not forget home, and we could not forget Saigon. We could not forget the caramel flavor of iced coffee with coarse sugar; the bowls of noodle soup eaten while squatting on the sidewalk; the strumming of a friend’s guitar while we swayed on hammocks under coconut trees; the football matches played barefoot and shirtless in alleys, squares, parks, and meadows; the pearl chokers of morning mist draped around the mountains; the labial moistness of oysters shucked on a gritty beach; the whisper of a dewy lover saying the most seductive words in our language, anh oi; the rattle of rice being threshed; the workingmen who slept in their cyclos on the streets, kept warm only by the memories of their families; the refugees who slept on every sidewalk of every city; the slow burning of patient mosquito coils; the sweetness and firmness of a mango plucked fresh from its tree; the girls who refused to talk to us and who we only pined for more; the men who had died or disappeared; the streets and homes blown away by bombshells; the streams where we swam naked and laughing; the secret grove where we spied on the nymphs who bathed and splashed with the innocence of the birds; the shadows cast by candlelight on the walls of wattled huts; the atonal tinkle of cowbells on mud roads and country paths; the barking of a hungry dog in an abandoned village; the appetizing reek of the fresh durian one wept to eat; the sight and sound of orphans howling by the dead bodies of their mothers and fathers; the stickiness of one’s shirt by afternoon, the stickiness of one’s lover by the end of lovemaking, the stickiness of our situations; the frantic squealing of pigs running for their lives as villagers gave chase; the hills afire with sunset; the crowned head of dawn rising from the sheets of the sea; the hot grasp of our mother’s hand; and while the list could go on and on and on, the point was simply this: the most important thing we could never forget was that we could never forget.

Put yourself in the way of grace,' says a friend of ours, who is a monk, and a bishop; and he smiles his floating and shining smile. And truly, can there be a subject of more interest to each of us than whether or not grace exists, and the soul? And, consequent upon the existence of the soul, a whole landscape of incorruptible forces, perhaps even a source, an almost palpably suggested second universe? A world that is incomprehensible through reason? To believe in the soul---to believe in it exactly as much and as hardily as one believes in a mountain, say, or a fingernail, which is ever in view---imagine the consequences! How far-reaching, and thoroughly wonderful! For everything, by such a belief, would be charged, and changed. You wake in the morning, the soul exists, your mouth sings it, your mind accepts it. And the perceived, tactile world is, upon the instant, only half the world! How easily I travel, about halfway, through such a scenario. I believe in the soul---in mine, and yours, and the blue-jay's, and the pilot whale's. I believe each goldfinch flying away over the coarse ragweed has a soul, and the ragweed too, plant by plant, and the tiny stones in the earth below, and the grains of earth as well. Not romantically do I believe this, nor poetically, nor emotionally, nor metaphorically except as all reality is metaphor, but steadily, lumpishly, and absolutely. The wild waste spaces of the sea, and the pale dunes with one hawk hanging in the wind, they are for me the formal spaces that, in a liturgy, are taken up by prayer, song, sermon, silence, homily, scripture, the architecture of the church itself. And as with prayer, which is a dipping of oneself toward the light, there is a consequence of attentiveness to the grass itself, and the sky itself, and to the floating bird. I too leave the fret and enclosure of my own life. I too dip myself toward the immeasurable. Now winter, the winter I am writing about, begins to ease. And what, if anything, has been determined, selected, nailed down? This is the lesson of age---events pass, things change, trauma fades, good fortune rises, fades, rises again but different. Whereas what happens when one is twenty, as I remember it, happens forever. I have not been twenty for a long time! The sun rolls toward the north and I feel, gratefully, its brightness flaming up once more. Somewhere in the world the misery we can do nothing about yet goes on. Somewhere the words I will write down next year, and the next, are drifting into the wind, out of the ornate pods of the weeds of the Provincelands. Once I went into the woods to find an almost unfindable bird, a blue grosbeak. And I found it: a rough, deep blue, almost black, with heavy beak; it was plucking one by one the humped, pale green caterpillars from the leaves of a thick green tree. Then it vanished into the shadows of the leaves and, in the same moment, from the crown of the tree flew a western bluebird---little aqua thrush of the mountains, hundreds of miles from its home. It is a moment hard to top---but, I can. Once I came upon two angels, they were standing quietly, keeping guard beside a car. Light streamed from them, and a splash of flames lay quietly under their feet. What is one to do with such moments, such memories, but cherish them? Who knows what is beyond the known? And if you think that any day the secret of light might come, would you not keep the house of your mind ready? Would you not cleanse your study of all that is cheap, or trivial? Would you not live in continual hope, and pleasure, and excitement?

It is a sound as integral to the scenery of the Alps in summer as the whistling of the marmot, the cry of the buzzard and the splashing of waterfalls. The gentle, tinkling music of cowbells as cattle graze in the mountain pastures, each bell unique in size, shape, and tone, becomes discernible only when it stops. 

The professional endures adversity. He lets the birdshit splash down on his slicker, remembering that it comes clean with a heavy-duty hosing. He himself, his creative center, cannot be buried, even beneath a mountain of guano. His core is bulletproof. Nothing can touch it unless he lets it.

We of the Hernystiri do not look at the hill streams and say: how can I bring that to my home? We build our homes beside the stream. We do not have a faceless God to glorify with towers taller than the trees of the Circoille. We know that the gods live in the trees and in the bones of the earth, and in the rivers that splash high as any fountain, racing down from the Grianspog mountains.

The noise of drinking was exhilarating. Champagne corks popped and the pale, chrysanthemum-coloured liquid, whispering gleefully with bubbles, hissed into the glasses; heavy red wine glupped into the goblets, thick and crimson as the blood of some mythical monster, and a swirling wreath of pink bubbles formed on the surface; the frosty white wine tiptoed into the glasses, shrilling, gleaming, now like diamonds, now like topaz; the ouzo lay transparent and innocent as the edge of a mountain pool until the water splashed in and the whole glass curdled like a conjuring trick, coiling and blurring into a summer cloud of moonstone white. Presently

I stamp out the flames, the mtal sprays from beneath my boot, falling, freezing in the shape of a splash, red cooled to silver, still too hot for human touch.

What is this but a place?” he said. “Nothing more than a place. We’re both here in this place, occupying space. Everywhere is a place. All places share this quality. Is there any real difference between going to a gorgeous mountain resort with beautiful high thin waterfalls so delicate and ribbonlike they don't even splash when they hit bottom — waterfalls that plash; is this so different from sitting in a kitchen with bumpy linoleum and grease on the wall behind the stove across the street from a gravel pit? What are we talking about? Two places, that's all. There's nowhere you can go that isn't a place. So what's such a difference? If you can understand this idea, you'll never be unhappy. Think of the word 'place.' A sun deck with views of gorgeous mountains. A tiny dark kitchen. These share the most important of all things anything can share. They are places. The word 'place' applies in both cases. In this sense, how do we distinguish between them? How do we say one is better or worse than the other? They are equal in the most absolute of ways. Grasp this truth, sonny, and you'll never be sad.

Miniature Emilie came along. Lincoln could tell she was watching him, but he tried not to encourage her. He didn't want to betray Beth. They wouldn't let you ride Splash Mountain, he thought.

I have hazarded into a new corner of the world, an unknown spot, a Brigadoon. Before me extends a low hill trembling in yellow brome, and behind the hill, filling the sky, rises an enormous mountain ridge, forested, alive and awesome with brilliant blown lights. I have never seen anything so tremulous and live. Overhead, great strips and chunks of cloud dash to the northwest in a gold rush. At my back the sun is setting- how can I have not noticed before that the sun is setting? My mind has been a blank slab of black asphalt for hours, but that doesn’t stop the sun’s wild wheel. I set my coffee on the curb; I smell loam on the wind; I pat the puppy; I watch the mountain. Shadows lope along the mountain’s rumpled flanks; they elongate like root tips, like lobes of spilling water, faster and faster. A warm purple pigment pools in each ruck and tuck of the rock; it deepens and spreads, boring crevasses, canyons. As the purple vaults and slides, it tricks out the unleafed forest and rumpled rock in gilt, in shape-shifting patches of glow. These gold lights veer and retract, shatter, and glide in a series of dazzling splashes, shrinking, leaking, exploding. The ridge’s bosses and hummocks sprout bulging from its sides; the whole mountain looms miles closer; the light warms and reddens; the bare forest folds and pleats itself like living protoplasm before my eyes, like a running chart, a wildly scrawling oscillography on the present moment. The air cools; the puppy’s skin is hot. I am more alive than all the world. This is it, I think, this is it, right now, the present, this empty gas station, here, this western wind, this tang of coffee on the tongue, and I am patting the puppy, I am watching the mountain. Version 1 (joy)

On the wooded hillsides below, an owl hooted, heralding the first liquid trills of a nightingale, while in the air above, tiny bats dashed to and fro like fleeting splashes of shadow. Then, somewhere on a distant mountain farm, a dog barked a warning to imagined marauders skulking by his master's gate. Mallorca was preparing to sleep.

What I mean, King, is this. We are the true Renouncers, because change is our very secret. We lose, in order to find. We have no faith in the never-changing. What do you mean? Haven't you noticed the detachment of the rushing river, as it runs splashing from its mountain cave? It gives itself away so swiftly, and only thus it finds itself. What is never changing, for the river, is the desert sand, where it loses its course.

Rishikesh is one of the most wanted places for adventure lovers. Rishikesh is also well-known among Hindus for its pilgrimage. The free of charge graceful river and also Substring Mountains make this place beautiful for travelers. It is really one of the best locations for people wanting onward to get tons of adventure, and fun. It's also a precious knowledge for nature lovers. The major fair activity in Rishikesh is White Water Rafting. It has grown to a well-liked and daring spot for white water rafting enthusiast as the place offers an impressive experience of average to very tough and rough rapids in the region of River Ganges. Uttarakhand adventure is well known rafting company in Rishikesh. Many adventurous tourists both from India and overseas stay this place to experience the real challenge of white water rafting. All services for white water rafting Rishikesh is available here, and there are preparation guides for rafting from whom a tourist can take help in this sport. River rafting in Rishikesh is one of the majority popular sport activities because of free flowing rivers from Himalayas. Rafting, camping, trekking, and Rock Climbing, Bungee jumping is some of the sports education that a traveler can consider. We are best rafting company in Rishikesh. Important and Helpful Information and Rafting Safety Tips for All Rafting Users • Important Equipments Shell Be take for River Rafting and Camping • Sunglasses and water glasses with retaining cord, Battery Torch • Swimming costume and quick drying shorts for river • Odomos, Antiseptic Cream and Sunscreen Lotion, First Aid Box • Only Use River Sandals & old Sneakers , no flip flops • River Rafting Guide & Splash life jackets. • Other required safety accessories • Waterproof disposable camera with Extra Battery (Full Battery Charge). • Mobile Phone with Extra Mobile Batteries (Electricity may be off) • We provide River Rafting Gears & Assistance • Helmets & river rafting gears • Trekking Shoes

Driving back to Brady, Mattie said, “A license to practice law is a powerful tool, Samantha, when it’s used to help little people. Crooks like Snowden are accustomed to bullying folks who can’t afford representation. But you get a good lawyer involved and the bullying stops immediately.” “You’re a pretty good bully yourself.” “I’ve had practice.” “When did you prepare the lawsuit?” “We keep them in inventory. The file is actually called ‘Dummy Lawsuits.’ Just plug in a different name, splash the words ‘Federal Court’ all over it, and they scatter like squirrels.” Dummy lawsuits. Scattering like squirrels. Samantha wondered how many of her classmates at Columbia had been exposed to such legal tactics.

The End of What Begun by Maisie Aletha Smikle All that begun Have spun Time has come Thread is always broken at the end Teeth clatter Fowls flutter All that matter Went clitter clatter Mountains shuddered and fled To roaring river beds Valleys climbed up instead Rocks flew topsy turvy hitting everybody's head Trees took refuge in caves Sparrows flew by and waved Bringing news of a tidal wave Into caves splashed the waves Caves caved in And there was no inn The inns caved in And waves dived in Grasping tree trunks Carried by the waves Floating on the ebb of the tide Animals and all glide and took a ride A ride to hide from an end Which has come For what had begun Has spun reaching it's broken end

As soon as the park opens, ride Seven Dwarfs Mine Train in Fantasyland. 3. Take Peter Pan’s Flight in Fantasyland. 4. In Adventureland, take the Jungle Cruise. 5. Experience Pirates of the Caribbean. 6. Ride Big Thunder Mountain Railroad in Frontierland. 7. Ride Splash Mountain. While you’re in line for Splash Mountain, use mobile ordering to order lunch. The best spot nearby is Pecos Bill Tall Tale Inn & Cafe, also in Frontierland. 8. Eat lunch. 9. Ride The Many Adventures of Winnie the Pooh. 10. Take the It’s a Small World boat ride. 11. Tour The Haunted Mansion around the corner in Liberty Square. 12. See the Country Bear Jamboree in Frontierland. 13. Experience Walt Disney’s Enchanted Tiki Room around the corner in Adventureland. 14. Tour the Swiss Family Treehouse. 15. See Mickey’s PhilharMagic in Fantasyland. 16. Ride Under the Sea: Journey of the Little Mermaid. If you’re staying in the park for dinner, order dinner using mobile ordering. 17. Eat dinner.

The crowd trails us through the park as we play games at the Penny Arcade and ride Pirates of the Caribbean. Eriku insists on sampling all the foods available. In between Splash Mountain and Big Thunder Mountain, we eat Ukiwaman, shrimp in a doughy bun in adorable Donald Duck packaging. We have curry rice and then a milk tea drink with berries on the bottom and whipped cream and nuts at the top for lunch.

Bang bang was the sound of memory’s pistol firing into our heads, for we could not forget love, we could not forget war, we could not forget lovers, we could not forget enemies, we could not forget home, and we could not forget Saigon. We could not forget the caramel flavor of iced coffee with coarse sugar; the bowls of noodle soup eaten while squatting on the sidewalk; the strumming of a friend’s guitar while we swayed on hammocks under coconut trees; the football matches played barefoot and shirtless in alleys, squares, parks, and meadows; the pearl chokers of morning mist draped around the mountains; the labial moistness of oysters shucked on a gritty beach; the whisper of a dewy lover saying the most seductive words in our language, anh oi; the rattle of rice being threshed; the workingmen who slept in their cyclos on the streets, kept warm only by the memories of their families; the refugees who slept on every sidewalk of every city; the slow burning of patient mosquito coils; the sweetness and firmness of a mango plucked fresh from its tree; the girls who refused to talk to us and who we only pined for more; the men who had died or disappeared; the streets and homes blown away by bombshells; the streams where we swam naked and laughing; the secret grove where we spied on the nymphs who bathed and splashed with the innocence of the birds; the shadows cast by candlelight on the walls of wattled huts; the atonal tinkle of cowbells on mud roads and country paths; the barking of a hungry dog in an abandoned village; the appetizing reek of the fresh durian one wept to eat; the sight and sound of orphans howling by the dead bodies of their mothers and fathers; the stickiness of one’s shirt by afternoon, the stickiness of one’s lover by the end of lovemaking, the stickiness of our situations; the frantic squealing of pigs running for their lives as villagers gave chase; the hills afire with sunset; the crowned head of dawn rising from the sheets of the sea; the hot grasp of our mother’s hand; and while the list could go on and on and on, the point was simply this: the most important thing we could never forget was that we could never forget.

A murky haze then spread swiftly inward from the moon’s edges, fully engrossing it, and I continued to stretch my hand out, begging it to let me touch it. The haze then transformed into the boldest and most blinding shade of red I’d ever seen—a bloodred that rippled and splashed across the moon’s surface like storm waves crashing onto a shore. It was haunting . . . and beautiful. A bloodred moon? What did it mean?

Aye, chihuahua!” I scream when my foot slips and the water splashes up to my crotch. “It’s freezing!” Aiden appears beside me, his warm hand on my elbow. With a chuckle and a slight tone of sarcasm, he tells me, “It’s snow runoff, you know.” If he weren’t a giant mountain of a man, I’d attempt to shove him into the river and see how much his delicate balls like the frigid temperature. He’d probably scream like a tiny baby.

Disney Imagineers thoughtfully placed a bridge at the foot of the mountain so guests could watch the logs as they plunge into the briar patch, but beware, hidden dangers lay in wait! Every third log creates a splash, insuring riders get soaked and so do those watching from the bridge.

the wasteland flanked by magnificent mountains of sharp, shining granite peaks, some like shattered knives and others like fractured black bones, or marked with odd, inky splashes of obsidian.

She squeezed the trigger. The shot echoed off the mountain, sending half a dozen crows airborne from a tangle of red-barked manzanitas. The rattler’s head vanished, and a splash of crimson struck the dirt on the trail.

Moreover, Nancy Sinatra was afflicted, as the overwhelming majority of Americans were, with monolingualism. Lana’s richer, more textured version of “Bang Bang” layered English with French and Vietnamese. Bang bang, je ne l’oublierai pas went the last line of the French version, which was echoed by Pham Duy’s Vietnamese version, We will never forget. In the pantheon of classic pop songs from Saigon, this tricolor rendition was one of the most memorable, masterfully weaving together love and violence in the enigmatic story of two lovers who, regardless of having known each other since childhood, or because of knowing each other since childhood, shoot each other down. Bang bang was the sound of memory’s pistol firing into our heads, for we could not forget love, we could not forget war, we could not forget lovers, we could not forget enemies, we could not forget home, and we could not forget Saigon. We could not forget the caramel flavor of iced coffee with coarse sugar; the bowls of noodle soup eaten while squatting on the sidewalk; the strumming of a friend’s guitar while we swayed on hammocks under coconut trees; the football matches played barefoot and shirtless in alleys, squares, parks, and meadows; the pearl chokers of morning mist draped around the mountains; the labial moistness of oysters shucked on a gritty beach; the whisper of a dewy lover saying the most seductive words in our language, anh oi; the rattle of rice being threshed; the workingmen who slept in their cyclos on the streets, kept warm only by the memories of their families; the refugees who slept on every sidewalk of every city; the slow burning of patient mosquito coils; the sweetness and firmness of a mango plucked fresh from its tree; the girls who refused to talk to us and who we only pined for more; the men who had died or disappeared; the streets and homes blown away by bombshells; the streams where we swam naked and laughing; the secret grove where we spied on the nymphs who bathed and splashed with the innocence of the birds; the shadows cast by candlelight on the walls of wattled huts; the atonal tinkle of cowbells on mud roads and country paths; the barking of a hungry dog in an abandoned village; the appetizing reek of the fresh durian one wept to eat; the sight and sound of orphans howling by the dead bodies of their mothers and fathers; the stickiness of one’s shirt by afternoon, the stickiness of one’s lover by the end of lovemaking, the stickiness of our situations; the frantic squealing of pigs running for their lives as villagers gave chase; the hills afire with sunset; the crowned head of dawn rising from the sheets of the sea; the hot grasp of our mother’s hand; and while the list could go on and on and on, the point was simply this: the most important thing we could never forget was that we could never forget. When Lana was finished, the audience clapped, whistled, and stomped, but I sat silent and stunned as she bowed and gracefully withdrew, so disarmed I could not even applaud.

It seems to me that Montana is a great splash of grandeur. The scale is huge but not overpowering. The land is rich with grass and color, and the mountains are the kind I would create if mountains were ever put on my agenda. Montana seems to me to be what a small boy would think Texas is like from hearing Texans.

I used to become very restless. I was continually thinking of the life I would lead. I wanted to know what life had in store for me. I was particularly restless at some moments. You know there are such moments, especially in solitude. There was a small waterfall there; it fell from a height on the mountain, such a tiny thread, almost perpendicular—foaming, white and splashing. Though it fell from a great height it didn’t seem so high; it was the third of a mile away, but it only looked about fifty paces. I used to like listening to the sound of it at night. At such moments I was sometimes overcome with great restlessness; sometimes too at midday I wandered on the mountains, and stood alone halfway up a mountain surrounded by great ancient resinous pine trees; on the crest of the rock an old medieval castle in ruins; our little village far, far below, scarcely visible; bright sunshine, blue sky, and the terrible stillness. At such times I felt something was drawing me away, and I kept fancying that in walked straight on, far, far away and reached that line where sky and earth meet, there I should find the key to the mystery, there I should see a new life a thousand times richer and more turbulent than ours. I dreamed of some great town like Naples, full of palaces, noise, roar, life. And I dreamed of all sorts of things, indeed. But afterwards I fancied one might find a wealth of life even in prison.

I exist through you! An existence like a fluid, Where everything assumes the shape of desires, The heart keeps beating and thoughts keep arising, While passions do not settle and rage like wildfires, Dreams float in an ocean of fluid imaginations, Mountains gaze at the stars tirelessly, Hoping they would fall somehow and tumble over its edges, And in hope of the stars, and the mountain peaks, I climb the mountains of my life relentlessly, The moonlight shines over the summit, But in a while the summit vanishes and the mountain is gone, In this fluid world only your thoughts have a reliable permanence, Desires in the ocean of imagination take dips of hope all alone, To retrieve the wet feelings of your kiss and those wet moments of romance, The sky sometimes looks at me and feels sad and develops an unknown urge, Maybe, it is just a false impression of my mind, But it is true in your absence the ocean of fluid desires tends to get deeper and feels like a dirge, And over its ripples, waves, and million whirling cones they try to unwind, But then fluidity comes with inherent uncertainty, And a desire that exists as a memory of summer or anything that is not bound to you Irma, eventually tends to fuse with your memories too, And in this vast and deep ocean of fluidity, Then you and your memories spread everywhere, They now govern the principles of fluid desires in the ocean of fluid wishes, Where every desire begins with you only to end with you, And as waves of my fluid existence cascade through the unknown plains of life where everything perishes, My mountains of desires and your memories Irma, always remind them of you, Those wet feelings, our feelings, that sank to the bottom of this ocean, Raise its volume of sentiment and emotional viscosity, Then the fluid motion somehow stops to move and everything gets stranded in this still state of the ocean, But I get carried to the middle of this world of our desires, our wishes, our kisses and they engulf me in their enormity, And I gradually spread my arms wide, To let this fluid world of existence circle me, The moon disappears, the stars turn fainter and the night turns dark in this still ocean wide, As these wet kisses, wet desires stir again, they flow through me, And I become a fluid entity myself in this fluid world of desires, Then the mountains fall, stars tumble and the sky collapses too, Because now it is just you and only you, in this world of fluid desires, Where I exist, but now only through you! The ocean of fluid imaginations finally enters into a restive state, As my fluid existence bonds with your wet kisses and wet desires, The wet kisses splash over me in this tempest of fluid desires and now neither you nor I am a desire innate!