Spinning Top Quotes

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TO BE HOPEFUL in bad times is not just foolishly romantic. It is based on the fact that human history is a history not only of cruelty, but also of compassion, sacrifice, courage, kindness. What we choose to emphasize in this complex history will determine our lives. If we see only the worst, it destroys our capacity to do something. If we remember those times and places—and there are so many—where people have behaved magnificently, this gives us the energy to act, and at least the possibility of sending this spinning top of a world in a different direction. And if we do act, in however small a way, we don’t have to wait for some grand utopian future. The future is an infinite succession of presents, and to live now as we think human beings should live, in defiance of all that is bad around us, is itself a marvelous victory.
Howard Zinn
Boo, Forever Spinning like a ghost on the bottom of a top, I'm haunted by all the space that I will live without you.
Richard Brautigan (The Pill vs. the Springhill Mine Disaster)
Wait,” Kaidan called from behind me. I squeezed my eyes shut for a second, but kept walking. Then I felt his hand around my wrist, spinning me in a half circle and pulling me to his chest. His face was so close. He reached down and cupped my face with one woolly hand, and wiped the top corner of my lip hard with his thumb. I flinched back. “What are you doing?” “I...” He appeared to have no idea himself. “I wanted to see your freckle.” A vulnerable tenderness flashed across his face, more painful to see than the coldness. It took every ounce of strength I had not to beg for one last kiss. As fast as his expression had softened, it was back to stone again. “What do you want from me, Kai?” “For starters?” His voice lowered to sexy, dangerous depths. “I want to introduce myself to every freckle on your body.” A powerful shiver ripped through me.
Wendy Higgins (Sweet Evil (Sweet, #1))
The attempt at introspective analysis... is in fact like seizing a spinning top to catch its motion, or trying to turn up the gas quickly enough to see the darkness.
William James (The Principles of Psychology: Volume 1)
Ever since we discovered that Earth is round and turns like a mad spinning-top, we have understood that reality is not as it appears to us.
Carlo Rovelli (Seven Brief Lessons on Physics)
But depression wasn't the word. This was a plunge encompassing sorrow and revulsion far beyond the personal: a sick, drenching nausea at all humanity and human endeavor from the dawn of time. The writhing loathsomeness of the biological order. Old age, sickness, death. No escape for anyone. Even the beautiful ones were like soft fruit about to spoil. And yet somehow people still kept fucking and breeding and popping out new fodder for the grave, producing more and more new beings to suffer like this was some kind of redemptive, or good, or even somehow morally admirable thing: dragging more innocent creatures into the lose-lose game. Squirming babies and plodding, complacent, hormone-drugged moms. Oh, isn't he cute? Awww. Kids shouting and skidding in the playground with no idea what future Hells await them: boring jobs and ruinous mortgages and bad marriages and hair loss and hip replacements and lonely cups of coffee in an empty house and a colostomy bag at the hospital. Most people seemed satisfied with the thin decorative glaze and the artful stage lighting that sometimes, made the bedrock atrocity of the human predicament look somewhat more mysterious or less abhorrent. People gambled and golfed and planted gardens and traded stocks and had sex and bought new cars and practiced yoga and worked and prayed and redecorated their homes and got worked up over the news and fussed over their children and gossiped about their neighbors and pored over restaurant reviews and founded charitable organizations and supported political candidates and attended the U.S. Open and dined and travelled and distracted themselves with all kinds of gadgets and devices, flooding themselves incessantly with information and texts and communication and entertainment from every direction to try to make themselves forget it: where we were, what we were. But in a strong light there was no good spin you could put on it. It was rotten from top to bottom.
Donna Tartt (The Goldfinch)
Out of my peripheral vision, I see Four shove the door open and walk out. Apparently this fight isn't interesting enough for him. Or maybe he's going to figure out why everything's spinning like a top, and I don't blame him; I want to know the answer too.
Veronica Roth (Divergent (Divergent, #1))
My face breaks into a huge smile and i start walking in Peeta's direction. Then, as if i can't stand it another second, I start running.He catches me and spins me around and then he slips-he still isn't entirely in command of his artificial leg-and we fall into the snow, me on top of him, and that's where we have our first kiss in months.It's full of fur and snowflakes and lipstick, but underneath all that, I can feel the steadiness that Peeta brings to everything. And I know I'm not alone.As badly as I've hurt him, he won't expose me in front of the cameras. Won't condemn me with a halfhearted kiss. He's still looking out for me. Just as he did in the arena. Somehow the thought makes me want to cry. Instead I pull him to his feet, tuck my glove through the crook of his arm, and merrily pull him on our way.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
We launch our souls from the cannons of art and discipline, and on any one night, hovering over the chimney tops of Europe, halfway to the stars, there are armies of brightly spinning spirits that have risen like fireworks, tethered to the souls of those men and women who, by reflection, mortification, and devotion, effortlessly outdazzle kings.
Mark Helprin (A Soldier of the Great War)
You can widen the feet of a compass, but they are still attached at the top; you can spin them away from each other, but you always wind up where you started.
Jodi Picoult (Vanishing Acts)
He was shockingly easy to follow. The pressure of his hand, the step of his foot, the angle of his frame... it was like reading his mind. When he leaned right, they turned in perfect unison. He swept her across the gallery in a quick three, a dizzying pace. Gilded frames and glass cases and the window blurred in her vision, and Azalea spun out, her skirts pulling and poofing around her, before he caught her and brought her back into dance position. She could almost hear music playing, swelling inside of her. Mother had once told her about this perfect twining into one. She called it interweave, and said it was hard to do, for it took the perfect matching of the partners’ strengths to overshadow each other’s weaknesses, meshing into one glorious dance. Azalea felt the giddiness of being locked in not a pairing, but a dance. So starkly different than dancing with Keeper. Never that horrid feeling that she owed him something; no holding her breath, wishing for the dance to end. Now, spinning from Mr. Bradford’s hand, her eyes closed, spinning back and feeling him catch her, she felt the thrill of the dance, of being matched, flow through her. ”Heavens, you’re good!” said Azalea, breathless. ”You’re stupendous,” said Mr. Bradford, just as breathless. “It’s like dancing with a top!
Heather Dixon Wallwork (Entwined)
If walking into the responsibility of caring for eighteen children was difficult, walking out on that responsibility was almost impossible. The children had become a constant presence, little spinning tops that splattered joy onto everyone they bumped into.
Conor Grennan (Little Princes: One Man's Promise to Bring Home the Lost Children of Nepal)
She sat quietly in one corner of the sofa, the end of her sari drawn modestly over her hair. Like the motionless illusion of a madly spinning top, she was staring vacantly into space.
Ismat Chughtai (The Quilt and Other Stories)
The Ballad of Lucy Jordan The morning sun touched lightly on the eyes of Lucy Jordan In a white suburban bedroom in a white suburban town As she lay there 'neath the covers dreaming of a thousand lovers Till the world turned to orange and the room went spinning round. At the age of thirty-seven she realised she'd never Ride through Paris in a sports car with the warm wind in her hair. So she let the phone keep ringing and she sat there softly singing Little nursery rhymes she'd memorised in her daddy's easy chair. Her husband, he's off to work and the kids are off to school, And there are, oh, so many ways for her to spend the day. She could clean the house for hours or rearrange the flowers Or run naked through the shady street screaming all the way. At the age of thirty-seven she realised she'd never Ride through Paris in a sports car with the warm wind in her hair So she let the phone keep ringing as she sat there softly singing Pretty nursery rhymes she'd memorised in her daddy's easy chair. The evening sun touched gently on the eyes of Lucy Jordan On the roof top where she climbed when all the laughter grew too loud And she bowed and curtsied to the man who reached and offered her his hand, And he led her down to the long white car that waited past the crowd. At the age of thirty-seven she knew she'd found forever As she rode along through Paris with the warm wind in her hair
Marianne Faithfull
...Mr. Wodehouse is a prose stylist of such startling talent that Frankie nearly skipped around with glee when she first read some of his phrases. Until her discovery of Something Fresh on the top shelf of Ruth's bookshelf one bored summer morning, Frankie's leisure reading had consister primarily of paperback mysteries she found on the spinning racks at the public library down the block from her house, and the short stories of Dorothy Parker. Wodehouse's jubilant wordplay bore itself into her synapses like a worm into a fresh ear of corn.
E. Lockhart (The Disreputable History of Frankie Landau-Banks)
Julita was being spinned like a top by a drop-dead-gorgeous Dominicano. Later she told us that he’d asked for her number and she had given him the wrong one. “Why did you do that?” I asked her. “He smelled married,” she said.
Isabel Lopez (Isabel's Hand-Me-Down Dreams)
I never feel like I know how to live in the world. Only on top of it, hanging on as it spins madly.
Marisa Crane (I Keep My Exoskeletons to Myself)
Several yards away – closer to the cathedral’s legendary carved doorways – Anna and St. Clair are standing on top of Point Zéro. It’s been hand-brushed clear of its dusting of snow. Point Zéro is the bronze marker, a star, which designates the official centre of France. There are at least two superstitions about it. One is that anyone who stands on the star will return to France. The other is that you can use it to make a wish. “Wait for it,” Josh says. Lola stands straighter, excited. “No!” “Yes,” Cricket says. I’m the last one in the dark, until – suddenly – it happens. St. Clair removes something from his pocket. And then he gets down on one knee. Anna’s entire body lights with shock and joy and love. She nods a vigorous yes. St. Clair places the ring on her finger. He stands, she throws her arms around him, and they kiss. He spins her in a circle. They kiss again. Deep, hungry, long. And then he turns to us and waves – with the biggest smile I’ve ever seen – clearly aware that we’ve been standing here the whole time.
Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
What’s your favorite flower?” The sudden change in topic left her spinning out like a top. “What?” “Your favorite flower,” he repeated. “You said you don’t like roses, but there are over four hundred thousand types of flowering plants.” He spoke in a slur, his words running all together. “It’d be easier if you told me which you liked to save me from having to buy them all.
Kelly Andrew (The Whispering Dark)
I have the cliffs and the skerries and the birds. I have the white bill and the round bill and the peaked hill. I have the clear spring water and the rich good pasture that covers the tilted top of the island like a blanket. I have the old black cow and the sweet grass that grows between the rocks, I have my great chair and my sturdy house. I have my spinning wheel and I have the teapot and I have Pegi, and now, amazingly, I have John Ferguson too.
Carys Davies (Clear)
We may see a Creature with forty-nine heads Who lives in the desolate snow, And whenever he catches a cold (which he dreads) He has forty-nine noses to blow. 'We may see the venomous Pink-Spotted Scrunch Who can chew up a man with one bite. It likes to eat five of them roasted for lunch And eighteen for its supper at night. 'We may see a Dragon, and nobody knows That we won't see a Unicorn there. We may see a terrible Monster with toes Growing out of the tufts of his hair. 'We may see the sweet little Biddy-Bright Hen So playful, so kind and well-bred; And such beautiful eggs! You just boil them and then They explode and they blow off your head. 'A Gnu and a Gnocerous surely you'll see And that gnormous and gnorrible Gnat Whose sting when it stings you goes in at the knee And comes out through the top of your hat. 'We may even get lost and be frozen by frost. We may die in an earthquake or tremor. Or nastier still, we may even be tossed On the horns of a furious Dilemma. 'But who cares! Let us go from this horrible hill! Let us roll! Let us bowl! Let us plunge! Let's go rolling and bowling and spinning until We're away from old Spiker and Sponge!
Roald Dahl (James and the Giant Peach)
There are two good reasons for being nice to the underdogs in this life. One, because if the underdog grows up to be the kind of person that starts shooting, you'll have a chance at survival. Two, because it's the right thing to do the third reason being that the wheel of fortune is always spinning, spinning. And just because you're at the top today doesn't mean it'll always be so. When you're at the bottom, you'll want someone to be there for you too.
Lauren Baratz-Logsted (Crazy Beautiful)
Facts are but the Play-things of lawyers,-- Tops and Hoops, forever a-spin... Alas, the Historian may indulge no such idle Rotating. History is not Chronology, for that is left to Lawyers,-- nor is it Remembrance, for Remembrance belongs to the People. History can as little pretend to the Veracity of the one, as claim the Power of the other,-- her Practitioners, to survive, must soon learn the arts of the quidnunc, spy, and Taproom Wit,-- that there may ever continue more than one life-line back into a Past we risk, each day, losing our forebears in forever,-- not a Chain of single Links, for one broken Link could lose us All,-- rather, a great disorderly Tangle of Lines, long and short, weak and strong, vanishing into the Mnemonick Deep, with only their Destination in common.
Thomas Pynchon (Mason & Dixon)
The bicycle saves my life every day. If you've ever experienced a moment of awe or freedom on a bicycle; if you've ever taken flight from sadness to the rhythm of two spinning wheels, or felt the resurgence of hope pedalling to the top of a hill with the dew of effort on your forehead; if you've ever wondered, swooping down bird-like down a long hill, if the world was standing still; if you have ever, just once, sat on a bicycle with a singing heart and felt like an ordinary human touching the gods, then we share something fundamental. We know it's all about the bike.
Robert Penn
Are we or are we not on an invisible spinning top, whipped by a thread of sunlight, on a grain of crazed sand which turns and turns without ever knowing why, without ever reaching a destination, as if it enjoyed turning like that, to make us feel a little colder or warmer, and make us die (often feeling that we have merely carried out a series of meaningless gestures) after fifty or sixty years?
Luigi Pirandello (The Late Mattia Pascal)
Wait,” Kaidan called from behind me. I squeezed my eyes shut for a second, but kept walking. Then I felt his hand around my wrist, spinning me in a half circle and pulling me to his chest. His face was so close. He reached down and cupped my face with one woolly hand, and wiped the top corner of my lip hard with his thumb. I flinched back. “What are you doing?” “I...” He appeared to have no idea himself. “I wanted to see your freckle.” A vulnerable tenderness flashed across his face, more painful to see than the coldness. It took every ounce of strength I had not to beg for one last kiss. As fast as his expression had softened, it was back to stone again. “What do you want from me, Kai?” “For starters?” His voice lowered to sexy, dangerous depths. “I want to introduce myself to every freckle on your body.” A powerful shiver ripped through me. “So, just something physical, then?” I clarified. “That's all you want?” “Tell me you hate me,” he demanded. I felt the air of his words against my face. “But I don't hate you. I couldn't.” “You could,” he assured me, pulling me tighter. “And you should.” “I'm letting you go.” My voice shook. “But only because I have to. I need to move on with my life, but I'll never hate you.” “The one who got away,” Kaidan murmured. “Nobody got away,” I corrected him. “And so help me, if you start comparing us to an unfinished game that went into overtime-” He released me and I stumbled back a step. I had to get away before I started clinging and begging him to admit his feelings, whatever they might have been. It was necessary to rip off this Band-Aid, and fast. So, as I'd done at the airport, I walked away from him, dragging my heart behind me. I didn't look back. Game over.
Wendy Higgins (Sweet Evil (Sweet, #1))
The dream clung to her. Her sleep had been full of Jupiter ever since the survey last week: that overwhelming, unstoppable girth; the swirling patterns of the atmosphere, dark belts and light stripes rolling in circular rivers of ammonia crystal clouds; every shade of orange in the spectrum, from soft, sand-coloured regions to vivid streams of molten vermilion; the breathtaking speed of a ten-hour orbit, whipping around and around the planet like a spinning top; the opaque surface, simmering and roaring in century-old tempests. And the moons! The ancient, pockmarked skin of Callisto and the icy crust of Ganymede. The rusty cracks of Europa’s subterranean oceans. The volcanoes of Io, magma fireworks leaping up from the surface.
Lily Brooks-Dalton (Good Morning, Midnight)
I am one beautiful and powerful son of a bitch,' he told himself. 'Smart as a whip, respected, prosperous, beloved and valuable. I have the right to be healthy, happy and rich, for I am the baddest player in this arena or any other. I love myself more than I love money and pretty women and fine clothes. I love myself more than I love neat gardens and healthy babies and a good gospel choir. I love myself as I love The Law. I love myself in error and in correctness, waking or sleeping, sneezing, tipsy, or fabulously brilliant I love myself doing the books or sitting down to a good game of poker. I love myself making love expertly, or tenderly and shyly, or clumsily and inept. I love myself as I love The Master's Mind,' he continued his litany, having long ago stumbled upon the prime principle as a player--that self-love produces the gods and the gods are genius. It took genius to run the Southwest Community Infirmary. So he made the rounds of his hospital the way he used to make the rounds of his houses to keep the tops spinning, reciting declarations of self-love.
Toni Cade Bambara (The Salt Eaters)
Quantum physicists discovered that physical atoms are made up of vortices of energy that are constantly spinning and vibrating; each atom is like a wobbly spinning top that radiates energy. Because each atom has its own specific energy signature (wobble), assemblies of atoms (molecules) collectively radiate their own identifying energy patterns. So every material structure in the universe, including you and me, radiates a unique energy signature. If it were theoretically possible to observe the composition of an actual atom with a microscope, what would we see? Imagine a swirling dust devil cutting across the desert’s floor. Now remove the sand and dirt from the funnel cloud. What you have left is an invisible, tornado-like vortex. A number of infinitesimally small, dust devil–like energy vortices called quarks and photons collectively make up the structure of the atom. From far away, the atom would likely appear as a blurry sphere. As its structure came nearer to focus, the atom would become less clear and less distinct. As the surface of the atom drew near, it would disappear. You would see nothing. In fact, as you focused through the entire structure of the atom, all you would observe is a physical void. The atom has no physical structure—the emperor has no clothes! Remember the atomic models you studied in school, the ones with marbles and ball bearings going around like the solar system? Let’s put that picture beside the “physical” structure of the atom discovered by quantum physicists. No, there has not been a printing mistake; atoms are made out of invisible energy not tangible matter! So in our world, material substance (matter) appears out of thin air. Kind of weird, when you think about it. Here you are holding this physical book in your hands. Yet if you were to focus on the book’s material substance with an atomic microscope, you would see that you are holding nothing. As it turns out, we undergraduate biology majors were right about one thing—the quantum universe is mind-bending. Let’s look more closely at the “now you see it, now you don’t” nature of quantum physics. Matter can simultaneously be defined as a solid (particle) and as an immaterial force field (wave). When scientists study the physical properties of atoms, such as mass and weight, they look and act like physical matter. However, when the same atoms are described in terms of voltage potentials and wavelengths, they exhibit the qualities and properties of energy (waves). (Hackermüller, et al, 2003; Chapman, et al, 1995; Pool 1995) The fact that energy and matter are one and the same is precisely what Einstein recognized when he concluded that E = mc2. Simply stated, this equation reveals that energy (E) = matter (m, mass) multiplied by the speed of light squared (c2). Einstein revealed that we do not live in a universe with discrete, physical objects separated by dead space. The Universe is one indivisible, dynamic whole in which energy and matter are so deeply entangled it is impossible to consider them as independent elements.
Bruce H. Lipton (The Biology of Belief: Unleasing the Power of Consciousness, Matter and Miracles)
[excerpt] The usual I say. Essence. Spirit. Medicine. A taste. I say top shelf. Straight up. A shot. A sip. A nip. I say another round. I say brace yourself. Lift a few. Hoist a few. Work the elbow. Bottoms up. Belly up. Set ‘em up. What’ll it be. Name your poison. I say same again. I say all around. I say my good man. I say my drinking buddy. I say git that in ya. Then a quick one. Then a nightcap. Then throw one back. Then knock one down. Fast & furious I say. Could savage a drink I say. Chug. Chug-a-lug. Gulp. Sauce. Mother’s milk. Everclear. Moonshine. White lightning. Firewater. Hootch. Relief. Now you’re talking I say. Live a little I say. Drain it I say. Kill it I say. Feeling it I say. Wobbly. Breakfast of champions I say. I say candy is dandy but liquor is quicker. I say Houston, we have a drinking problem. I say the cause of, and solution to, all of life’s problems. I say god only knows what I’d be without you. I say thirsty. I say parched. I say wet my whistle. Dying of thirst. Lap it up. Hook me up. Watering hole. Knock a few back. Pound a few down. My office. Out with the boys I say. Unwind I say. Nurse one I say. Apply myself I say. Toasted. Glow. A cold one a tall one a frosty I say. One for the road I say. Two-fisted I say. Never trust a man who doesn’t drink I say. Drink any man under the table I say. Then a binge then a spree then a jag then a bout. Coming home on all fours. Could use a drink I say. A shot of confidence I say. Steady my nerves I say. Drown my sorrows. I say kill for a drink. I say keep ‘em comin’. I say a stiff one. Drink deep drink hard hit the bottle. Two sheets to the wind then. Knackered then. Under the influence then. Half in the bag then. Out of my skull I say. Liquored up. Rip-roaring. Slammed. Fucking jacked. The booze talking. The room spinning. Feeling no pain. Buzzed. Giddy. Silly. Impaired. Intoxicated. Stewed. Juiced. Plotzed. Inebriated. Laminated. Swimming. Elated. Exalted. Debauched. Rock on. Drunk on. Bring it on. Pissed. Then bleary. Then bloodshot. Glassy-eyed. Red-nosed. Dizzy then. Groggy. On a bender I say. On a spree. I say off the wagon. I say on a slip. I say the drink. I say the bottle. I say drinkie-poo. A drink a drunk a drunkard. Swill. Swig. Shitfaced. Fucked up. Stupefied. Incapacitated. Raging. Seeing double. Shitty. Take the edge off I say. That’s better I say. Loaded I say. Wasted. Off my ass. Befuddled. Reeling. Tanked. Punch-drunk. Mean drunk. Maintenance drunk. Sloppy drunk happy drunk weepy drunk blind drunk dead drunk. Serious drinker. Hard drinker. Lush. Drink like a fish. Boozer. Booze hound. Alkie. Sponge. Then muddled. Then woozy. Then clouded. What day is it? Do you know me? Have you seen me? When did I start? Did I ever stop? Slurring. Reeling. Staggering. Overserved they say. Drunk as a skunk they say. Falling down drunk. Crawling down drunk. Drunk & disorderly. I say high tolerance. I say high capacity. They say protective custody. Blitzed. Shattered. Zonked. Annihilated. Blotto. Smashed. Soaked. Screwed. Pickled. Bombed. Stiff. Frazzled. Blasted. Plastered. Hammered. Tore up. Ripped up. Destroyed. Whittled. Plowed. Overcome. Overtaken. Comatose. Dead to the world. The old K.O. The horrors I say. The heebie-jeebies I say. The beast I say. The dt’s. B’jesus & pink elephants. A mindbender. Hittin’ it kinda hard they say. Go easy they say. Last call they say. Quitting time they say. They say shut off. They say dry out. Pass out. Lights out. Blackout. The bottom. The walking wounded. Cross-eyed & painless. Gone to the world. Gone. Gonzo. Wrecked. Sleep it off. Wake up on the floor. End up in the gutter. Off the stuff. Dry. Dry heaves. Gag. White knuckle. Lightweight I say. Hair of the dog I say. Eye-opener I say. A drop I say. A slug. A taste. A swallow. Down the hatch I say. I wouldn’t say no I say. I say whatever he’s having. I say next one’s on me. I say bottoms up. Put it on my tab. I say one more. I say same again
Nick Flynn (Another Bullshit Night in Suck City)
I do not want to take part in my life. It can just go on without me; I’m not giving it any help. I don’t want to see it, I don’t want to talk to it, I don’t want it anywhere near me. It takes too much energy. I refuse to be a part of it. If you have a life, even if you get used to it ruining your sleep, spoiling your fun, requiring your somewhat undivided attention, what overwhelming relief one must feel when it finally skips town. I don’t like having to keep the spinning plates spinning on top of all their various and sun-dried poles. From now on they can fall off the poles and break for all I care. I censor myself and where the fuck does it get you? Gussying up your thoughts and putting them to paper.
Carrie Fisher (The Princess Diarist)
Any little Dreamer in his top-floor back, spinning by rushlight his web of beauty, was greater than the finest critical intelligence that ever lived. The one, for all his poor technique, was stammering over something God had whispered to him, the other merely destroying thoughts invented by the brain of man.
Algernon Blackwood (The Centaur)
But they would have been amazed if he had the words to describe it - how delicate it had been, how it reached almost three quarters of the way from the top of the desk to the ceiling, a lacy construct of jacks and deuces and kings and tens and Big Akers, a red and black configuration of paper diamonds standing in defiance of a world spinning through a universe of incoherent motions and forces; a tower that seemed to 'Cimi's amazed eyes to be a ringing denial of all the unfair paradoxes of life.
Stephen King (The Drawing of the Three (The Dark Tower, #2))
...the third reason [for being nice to the underdogs in life] being that the wheel of fortune is always spinning, spinning. And just because you're at the top today doesn't mean it'll always be so. When you're at the bottom, you'll want someone to be there for you too.
Lauren Baratz-Logsted (Crazy Beautiful)
In our research we consistently found that the people who were most effective during the Investigating stage were the ones most likely to be top sales performers.
Neil Rackham (SPIN Selling: Situation Problem Implication Need-payoff)
These hips are mighty hips. These hips are magic hips. I have known them to put a spell on a man and spin him like a top
Carol Shields (Dropped Threads: What We Aren't Told)
Dance, the Sheep Man said. Dance in tip-top form. Dance so it all keeps spinning.
Haruki Murakami (Dance Dance Dance (The Rat, #4))
Born in 1962, ya always got something to do. The world is spinning like a top, don't sop moving or you might fall off.
Flea (Acid for the Children)
That’s the thing I’ve never really understood about emotions. We’re given unhelpful words for them—sad, happy, angry, scared, disgusted—but they’re not accurate and there never seems to be anywhere near enough of them. How could there be? Emotions aren’t binary or finite: they change, shift, run into each other like colored water. They are layered, three-dimensional and twisted; they don’t arrive in order, one by one, labeled neatly. They lie on top of each other, twisting like kaleidoscopes, like prisms, like spinning bird feathers lit with their own iridescence.
Holly Smale (Cassandra in Reverse)
grab this world by its clothespins, and shake it out again and again. And hop on top and take it for a spin. And when you hop off, shake it again. For this is yours. Make these words worth it. Make this not just another poem that I write. Not just another poem like just another night, that sits heavy above us all. Walk into it, breath it in. Let it crawl though the halls of your arms, like the millions of years of millions of poets coursing like blood, pumping and pushing, making you live, shaking the dust. So when the world knocks at your door, clutch the knob tightly and open on up. And run forward. Run forward as fast and as far as you must. Run into its widespread greeting arms with your hands outstretched before you, fingertips trembling though they may be.
Anis Mojgani (Songs From Under the River: A collection of early and new work)
Annabeth hadn’t seen much of Buford during the trip. He mostly stayed in the engine room. (Leo insisted that Buford had a secret crush on the engine.) He was a three-legged table with a mahogany top. His bronze base had several drawers, spinning gears, and a set of steam vents. Buford was toting a bag like a mail sack tied to one of his legs. He clattered to the helm and made a sound like a train whistle.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
I saw snakes, and one raised his head from a ledge of rock and hissed at me with a noise not unlike the spinning of a top. Little did I suppose that he was a deadly enemy and that the noise was the famous rattle.
Walter Scott (The Greatest Sea Novels and Tales of All Time)
An optimist isn’t necessarily a blithe, slightly sappy whistler in the dark of our time. To be hopeful in bad times is not just foolishly romantic. It is based on the fact that human history is a history not only of cruelty, but also of compassion, sacrifice, courage, kindness. What we choose to emphasize in this complex history will determine our lives. If we see only the worst, it destroys our capacity to do something. If we remember those times and places—and there are so many—where people have behaved magnificently, this gives us energy to act, and at least the possibility of sending this spinning top of a world in a different direction.
James Baraz (Awakening Joy: 10 Steps That Will Put You on the Road to Real Happiness)
she entered the room, clean and dressed, he turned to greet her. A smile lit his face as he looked her over from top to bottom. She gave a little spin and asked, “How do I look?” She knew what he thought, but wanted to hear the answer anyway.
Jeannette Winters (The Billionaire's Secret (Betting on You, #1))
The question, then, is not about changing people; it's about reaching people. I'm not speaking simply of better information, a sharper and clearer factual presentation to disperse the thick fogs generated by today's spin machines. Of course, we always need stronger empirical arguments to back up our case. It would certainly help if at least as many people who believe, say, in a "literal devil" or that God sent George W. Bush to the White House also knew that the top 1 percent of households now have more wealth than the bottom 90 percent combined. Yes, people need more information than they get from the media conglomerates with their obsession for nonsense, violence and pap. And we need, as we keep hearing, "new ideas." But we are at an extraordinary moment. The conservative movement stands intellectually and morally bankrupt while Democrats talk about a "new direction" without convincing us they know the difference between a weather vane and a compass. The right story will set our course for a generation to come.
Bill Moyers
Kerr found that a spinning black hole would not collapse into a pointlike star, as Schwarzschild assumed, but would collapse into a spinning ring. Anyone unfortunate enough to hit the ring would perish; but someone falling into the ring would not die, but would actually fall through. But instead of winding up on the other side of the ring, he or she would pass through the Einstein-Rosen Bridge and wind up in another universe. In other words, the spinning black hole is the rim of Alice's Looking Glass. If he or she were to move around the spinning ring a second time, he or she would enter yet another universe. In fact, repeated entry into the spinning ring would put a person in different parallel universes, much like hitting the "up" button on an elevator. In principle, there could be an infinite number of universes, each stacked on top of each other. "Pass through this magic ring and-presto!-you're in a completely different universe where radius and mass are negative!" Kerr wrote. There is an important catch, however. Black holes are examples of "nontransversable wormholes"; that is, passing through the event horizon is a one-way trip. Once you pass through the event horizon and the Kerr ring, you cannot go backward through the ring and out through the event horizon.
Michio Kaku (Physics of the Impossible)
was going to pay the price. He was going to die. Then his fingers finally found the valve. At first it wouldn’t turn, and he realized he was trying to spin it the wrong way. He reversed his fingers and a rush of cool, blessed air gusted into the mask. Ollie lay under the potatoes, gasping. He jumped a little when the fire blew in the door at the top of the stairs; for a moment he could
Stephen King (Under the Dome)
I spit upon the dancers painted by Degas. I spit upon their short bodies, their stiff stays, their toes whereupon they spin like peg-tops, above all upon that chambermaid face. They might have looked timeless, Remeses the Great, but not the chambermaid, that old maid history. I spit! I spit! I spit!
W.B. Yeats (The Death of Cuchulain : Manuscript Materials Including the Author's Final Text)
This one truth, that the few people you adore will die, is plenty difficult to absorb. But on top of it, someone’s brakes fail, or someone pulls the trigger or snatches the kid, or someone deeply trusted succumbs to temptation, and everything falls apart. We are hurt beyond any reasonable chance of healing. We are haunted by our failures and mortality. And yet the world keeps on spinning, and in our grief, rage, and fear a few people keep on loving us and showing up. It’s all motion and stasis, change and stagnation. Awful stuff happens and beautiful stuff happens, and it’s all part of the big picture.
Anne Lamott (Help Thanks Wow: Three Essential Prayers)
Space is like liquid/water, but space has no friction. Water has a density. The planets have a density. The galaxies are like different vortexes and the gravitational pull is caused by the pull of the vortex. The vortex spins faster in the center and slower on the top/outside. So that's why gravitational pull is different on other planets/moons Density dictates where you fall in the galaxy/vortex and there are many vortexes throughout the universe. Theory.
Eric John Mancini
FROM A WILD NIGHT'S BRIDE by Victoria Vane: His gaze glued to the bed, Ned made a mechanical backward retreat to the center of the room where he had a clearer prospect of its crowning glory. His vision rose to the top of the headboard, to the heraldic shield seated betwixt the carved figures of a lion and a unicorn. His gaze slid with dread to the engraved scroll beneath. Dieu Et Mon Driot. God and my right, the motto of the king. His chest seized. The room began to spin. He looked to Phoebe, aware that the blood was draining from his face, and that his voice emerged as a strangled sound. "May the same God save me...for I'm going to be hung, drawn, and quartered for spending last night rutting in the King of England's bed!" coming April 27, 2012 from Breathless Press
Emery Lee
Without the Moon’s steadying influence, the Earth would wobble like a dying top, with goodness knows what consequences for climate and weather. The Moon’s steady gravitational influence keeps the Earth spinning at the right speed and angle to provide the sort of stability necessary for the long and successful development of life.
Bill Bryson (A Short History of Nearly Everything)
Thomas had no concept of time as he went through the Changing. It started much like his first memory of the Box—dark and cold. But this time he had no sensation of anything touching his feet or body. He floated in emptiness, stared into a void of black. He saw nothing, heard nothing, smelled nothing. It was as if someone had stolen his five senses, leaving him in a vacuum. Time stretched on. And on. Fear turned into curiosity, which turned into boredom. Finally, after an interminable wait, things began to change. A distant wind picked up, unfelt but heard. Then a swirling mist of whiteness appeared far in the distance—a spinning tornado of smoke that formed into a long funnel, stretching out until he could see neither the top nor the bottom of the white whirlwind. He felt the gales then, sucking into the cyclone so that it blew past him from behind, ripping at his clothes and hair like they were shredded flags caught in a storm. The tower of thick mist began to move toward him—or he was moving toward it, he couldn’t tell—increasing its speed at an alarming rate. Where seconds before he’d been able to see the distinct form of the funnel, he now could see only a flat expanse of white. And then it consumed him; he felt his mind taken by the mist, felt memories flood into his thoughts. Everything else turned into pain.
James Dashner (The Maze Runner (The Maze Runner, #1))
Nick grinned, swooping in for another kiss and then leaning back and scruffing his hair up. “Harriet Manners, I’m about to give you six stamps. Then I’m going to write something on a piece of paper and put it in an envelope with your address on it.” “OK …” “Then I’m going to put the envelope on the floor and spin us as fast as I can. As soon as either of us manage to stick a stamp on it, I’m going to race to the postbox and post it unless you can catch me first. If you win, you can read it.” Nick was obviously faster than me, but he didn’t know where the nearest postbox was. “Deal,” I agreed, yawning and rubbing my eyes. “But why six stamps?” “Just wait and see.” A few seconds later, I understood. As we spun in circles with our hands stretched out, one of my stamps got stuck to the ground at least a metre away from the envelope. Another ended up on a daisy. A third somehow got stuck to the roundabout. One of Nick’s ended up on his nose. And every time we both missed, we laughed harder and harder and our kisses got dizzier and dizzier until the whole world was a giggling, kissing, spinning blur. Finally, when we both had one stamp left, I stopped giggling. I had to win this. So I swallowed, wiped my eyes and took a few deep breaths. Then I reached out my hand. “Too late!” Nick yelled as I opened my eyes again. “Got it, Manners!” And he jumped off the still-spinning roundabout with the envelope held high over his head. So I promptly leapt off too. Straight into a bush. Thanks to a destabilised vestibular system – which is the upper portion of the inner ear – the ground wasn’t where it was supposed to be. Nick, in the meantime, had ended up flat on his back on the grass next to me. With a small shout I leant down and kissed him hard on the lips. “HA!” I shouted, grabbing the envelope off him and trying to rip it open. “I don’t think so,” he grinned, jumping up and wrapping one arm round my waist while he retrieved it again. Then he started running in a zigzag towards the postbox. A few seconds later, I wobbled after him. And we stumbled wonkily down the road, giggling and pulling at each other’s T-shirts and hanging on to tree trunks and kissing as we each fought for the prize. Finally, he picked me up and, without any effort, popped me on top of a high wall. Like Humpty Dumpty. Or some kind of really unathletic cat. “Hey!” I shouted as he whipped the envelope out of my hands and started sprinting towards the postbox at the bottom of the road. “That’s not fair!” “Course it is,” he shouted back. “All’s fair in love and war.” And Nick kissed the envelope then put it in the postbox with a flourish. I had to wait three days. Three days of lingering by the front door. Three days of lifting up the doormat, just in case it had accidentally slipped under there. Finally, the letter arrived: crumpled and stained with grass. Ha. Told you I was faster. LBxx
Holly Smale (Picture Perfect (Geek Girl, #3))
People gambled and golfed and planted gardens and traded stocks and had sex and bought new cars and practiced yoga and worked and prayed and redecorated their homes and got worked up over the news and fussed over their children and gossiped about their neighbors and pored over restaurant reviews and founded charitable organizations and supported political candidates and attended the U.S. Open and dined and travelled and distracted themselves with all kinds of gadgets and devices, flooding themselves incessantly with information and texts and communication and entertainment from every direction to try to make themselves forget it: where we were, what we were. But in a strong light there was no good spin you could put on it. It was rotten top to bottom. Putting your time in at the office; dutifully spawning your two point five; smiling politely at your retirement party; then chewing on your bedsheet and choking on your canned peaches at the nursing home. It was better never to have been born—never to have wanted anything, never to have hoped for anything. And all this mental thrashing and tossing
Donna Tartt (The Goldfinch)
ONE All the best things in my life have started with a Dolly Parton song. Including my friendship with Ellen Dryver. The song that sealed the deal was “Dumb Blonde” from her 1967 debut album, Hello, I’m Dolly. During the summer before first grade, my aunt Lucy bonded with Mrs. Dryver over their mutual devotion to Dolly. While they sipped sweet tea in the dining room, Ellen and I would sit on the couch watching cartoons, unsure of what to make of each other. But then one afternoon that song came on over Mrs. Dryver’s stereo. Ellen tapped her foot as I hummed along, and before Dolly had even hit the chorus, we were spinning in circles and singing at the top of our lungs. Thankfully, our love for each other and Dolly ended up running deeper than one song. I
Julie Murphy (Dumplin' (Dumplin', #1))
if alcohol made you happy, every time you drank you should be full of happiness. Let me ask you, from a purely physiological perspective, how could alcohol possibly make you happy? The effect of alcohol is to deaden all of your senses, to numb you, to inebriate you. If you are numb, how can you feel anything, happiness included? Surely you are not happy every time you drink. None of us are proud of everything we have said or done while drinking. Yet in the moment we believe we are on top of the world, saying and doing anything we please, deluding ourselves into thinking it’s making us happy. Are you happy when the room starts to spin, or your dinner comes back up? Is the drunk on the street in Vegas who has lost his home and his family to booze truly happy? You might take issue with this and tell me that
Annie Grace (This Naked Mind: Control Alcohol, Find Freedom, Discover Happiness & Change Your Life)
The boldness and strength and happiness that were natural to me and to which I was denying their natural outlet refused to be denied and to be made sickly and fearful, and they poured through my veins then in an action of delight that was healthy and bold and strong. I forgot who or where I was and I made a sort of buzzing, humming noise like a top spinning or a bee. I felt a vibration like music all through me as if my blood were actually singing. And as though I were driven by that music which was formless yet felt as if it had the force of a dynamo. I crouched over my paper and held my pencil slavishly quick and intense, ready to serve this marvelous buzzing happiness at the moment when like surcharged atmosphere it should condense and form precious words that would drop onto my paper from the end of my pencil.
Katharine Butler Hathaway (The Little Locksmith)
It was long, with a wide body up front that tapered as it moved back. Multiple rotors sat on top of it, spinning so quickly they were only visible as a solid circle above it. More were situated along short wings on the tail at the back, and on a second pair of slightly larger wings closer to the front. An open hatch was spilling light on the port side, and Hayden could make out narrow lines running from it to the rooftop.
M.R. Forbes (Earth Unknown (Forgotten Earth, #1))
Rabbi Moshe Weinberger of Mesivta Beis Shraga related how his father used to say that on Purim, the handle of the gragger (noisemaker) we spin is beneath the gragger itself, while on Chanukah the handle of the dreidel (four-sided top) we spin is on top. Purim, he expounded, represents human initiative, an "awakening from below," while Chanukah represents Divine intervention, an "awakening from above." On Purim, we stir ourselves with drink, joy, a hearty meal and other activities. On Chanukah, we light a candle that we are not allowed to use for any purpose other than to gaze at its flame. We just sit back and look. We let Hashem take over. We remind ourselves that Hashem is running the show.
Yaakov Astor (The Hidden Hand: Uncovering Divine Providence in Major Events of the 20th Century)
described approached so nigh as to receive some interruption from the warders, he dashed his dusky green turban from his head, showed that his beard and eyebrows were shaved like those of a professed buffoon, and that the expression of his fantastic and writhen features, as well as of his little black eyes, which glittered like jet, was that of a crazed imagination. "Dance, marabout," cried the soldiers, acquainted with the manners of these wandering enthusiasts, "dance, or we will scourge thee with our bow-strings till thou spin as never top did under schoolboy's lash." Thus shouted the reckless warders, as much delighted at having a subject to tease as a child when he catches a butterfly, or a schoolboy upon discovering a bird's nest. The marabout, as if happy to do their behests, bounded from the earth, and spun his giddy round before them with singular agility, which, when contrasted with his slight and wasted figure, and
Walter Scott (The Complete Works of Sir Walter Scott: Novels, Short Stories, Poetry, Plays, Journal, Letters, Articles and much more (Illustrated Edition): Epic Scots Anthology)
have one second to breathe before he’s spinning me around and bending me over the table. His left hand presses at the back of my head, driving my face to the wooden table. His other hand bunches my skirt around my waist and yanks down my panties. I gasp out, sending a fallen leaf skittering over the table. “If you want to fuck the Lost Boys,” Peter Pan says, “why not start at the top?” He kicks my legs apart, baring me and I hear the rasp of a zipper opening. “Maybe I will,” I say.
Nikki St. Crowe (The Never King (Vicious Lost Boys, #1))
I’m pretty sure decapitation wouldn’t get us out of patrol.” I smiled, which earned me a glare from Finley. “I know it must be an adjustment after having faeries, or whatever, do your dirty work for you, but this is how we do things here,” she said, shoving a black backpack at me. “Please. You must never have met a faerie if you think they do anything dirty,” I replied. “We’ve met plenty of faeries,” Finley snapped, but her shoulders were up around her ears, and Izzy shot her a curious look. Whatever. I had enough family drama of my own to deal with. But then I reminded myself that technically, Izzy and Finley were my family. Demons on one side, Prodigium on the other. Was it any wonder I was so screwed up? Finley turned to face the door, which was bolted with several different locks. I watched her spin the dial on two, open another with a key she wore around her neck, ad unhook a latch at the top. “Man, I bet it takes you forever to get into your lockers,” I joked.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
If you’re a fly, you keep flying and being a nuisance. If you lived in Linares at that time, you could never stop going out to the fields or ranches to tend to your crops or animals. You might close the store for a few days because of the initial shock, but you would open it again because, even if your relatives were sick or dead, your needs and the needs of others—those who sold to you and those who bought from you—persisted. If you lived at that time, you could not avoid having to go out to buy food, and not a day could pass without washing diapers or underpants, even if you sent your mother to the cemetery two hours earlier. In the midst of this crisis, you had tooth decay, infected toenails, and stomach upsets—slight or severe—that you put up with for a while before having to seek help from a doctor, if you could find one. Others went out to sell goat milk, or whistles, yo-yos, and spinning tops in the square, in the hope that there were still children alive to buy them.
Sofía Segovia (The Murmur of Bees)
Nothing that remains static is truly ever alive. Nature does not abide idleness. All energy sources of the natural world and the cosmos are in a constant motion, they are in a perpetual state of fluctuation. All forms of living must make allowances for the seasons of change. The Earth itself is twirling through space, spinning on its axis analogous to a child’s top. The unpredictable forces of instability brought about by a combination of motion, change, and flux propels the miraculous dynamism of existence.
Kilroy J. Oldster (Dead Toad Scrolls)
I was alone in a great spinning wheel surrounded by things that were made out of meat, things that moved all by themselves. Some of them were wrapped in pieces of cloth. Strange nonsensical sounds came from holes at their top ends, and there were other things up there, bumps and ridges and something like marbles or black buttons, wet and shiny and embedded in the slabs of meat. They glistened and jiggled and moved as if trying to escape. I didn’t understand the sounds the meat was making, but I heard a voice from somewhere. It was like God talking, and that I couldn’t help but understand.
Peter Watts (Blindsight (Firefall, #1))
But in a strong light there was no good spin you could put on it. It was rotten top to bottom. Putting your time in at the office; dutifully spawning your two point five; smiling politely at your retirement party; then chewing on your bedsheet and choking on your canned peaches at the nursing home.
Donna Tartt (The Goldfinch)
The real writer, the fellow who sends planets spinning and models a man asleep and eagerly tampers with the sleeper's rib, that kind of author has no given values at his disposal: he must create them himself. The art of writing is a very futile business if it does not imply first of all the art of seeing the world as the potentiality of fiction. The material of this world may be real enough (as far as reality goes) but it does not exist at all as an accepted entirety: it is chaos, and to this chaos the author says "go!" allowing the world to flicker and to fuse. It is now recombined in its very atoms, not merely in its visible and superficial parts. The writer is the first man to map it and to name the natural objects it contains. Those berries are edible. That speckled creature that bolted across my path might be tamed. That lake between those trees will be called Lake Opal or, more artistically, Dishwater Lake. That mist is a mountain--and that mountain must be conquered. Up a trackless slope climbs the master artist, and at the top, on a windy ridge, whom do you think he meets? The panting and happy reader, and there they spontaneously embrace and are linked forever if the book lasts forever.
Vladimir Nabokov
When I look up, he is still dead. This wasn’t right. I thought the Society only played games with its slaves. Wrong. Julian didn’t score like I did on the tests. He wasn’t as physically capable as me. So he was a sacrificial lamb. One hundred students per House and the bottom fifty are only here to be killed by the top fifty. This is just a bloodydamn test … for me. Even the Bellona Family, powerful as they are, could not protect their less capable son. And that is the point. I hate myself. I know they made me do this, yet it still feels like a choice. Like when I pulled Eo’s legs and felt the snap of her small spine. My choice. But what other choice was there with her? With Julian? They do this to make us wear the guilt. There’s nowhere to wipe the blood, only stone and two na**d bodies. This is not who I am, who I want to be. I want to be a father, a husband, a dancer. Let me dig in the earth. Let me sing the songs of my people and leap and spin and run along the walls. I would never sing the forbidden song. I would work. I would bow. Let me wash dirt from my hands instead of blood. I want only to live with my family. We were happy enough. Freedom costs too much. But Eo disagreed. Damn her.
Pierce Brown (Red Rising (Red Rising Saga, #1))
The sides of my head throb. My knees feel weak. “You need therapy.” Mom laughs the most over-the-top, hysterical laugh I’ve ever heard. “It’s not funny. There is something wrong with you. Who treats their kids this way? There’s a reason none of us want to be around you. There’s a reason Shoji wants to live with Dad, and why Taro spent the rest of the summer with his friend, and why I want to go to art school thousands of miles away from you.” My face burns with frustration. “You are so obsessed with yourself that there isn’t any room for anyone else’s feelings. You don’t care about anything unless it somehow relates back to you.” I start to walk away, intent on leaving her alone in her chair. But something stops me. Spinning back to face her, my breathing erratic and my voice hoarse, I growl, “And I’m not imagining what happened to me. Your sick brother sexually abused me. I don’t care what you think it’s called, because that’s what it is. Sexual abuse. I was sexually abused. Do you get that? And if you were any kind of mother, that would have mattered to you. You wouldn’t have tried to justify it or rationalize it away by saying it wasn’t rape and therefore isn’t as bad—it was bad. That’s it.
Akemi Dawn Bowman (Starfish)
Too damn long.’ He put his coat on an empty chair, settled a slim attaché case on top of it, and placed a narrow-brimmed gray hat on top of the attaché case. He seated himself across the table from me and dug his lucky charm out of his pocket. I watched him set it spinning. ‘Too goddamned long, Matt,’ he told the coin.
Lawrence Block (Time To Murder And Create (Matthew Scudder Mysteries Series Book 2))
Hey!” said Ron, who had staggered to his feet and was now tottering drunkenly toward Harry, giggling. “Hey, Harry, there are brains in here, ha ha ha, isn’t that weird, Harry?” “Ron, get out of the way, get down —” But Ron had already pointed his wand at the tank. “Honest, Harry, they’re brains — look — Accio Brain!” The scene seemed momentarily frozen. Harry, Ginny, and Neville and each of the Death Eaters turned in spite of themselves to watch the top of the tank as a brain burst from the green liquid like a leaping fish. For a moment it seemed suspended in midair, then it soared toward Ron, spinning as it came, and what looked like ribbons
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
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I do not want to take part in my life. It can just go on without me; I’m not giving it any help. I don’t want to see it, I don’t want to talk to it, I don’t want it anywhere near me. It takes too much energy. I refuse to be a part of it. If you have a life, even if you get used to it ruining your sleep, spoiling your fun, requiring your somewhat undivided attention, what overwhelming relief one must feel when it finally skips town. I don't like having to keep the spinning plates spinning on top of all their various and sun-dried poles. From now on they can fall of the poles and break for all I care. I censor myself and where the fuck does it get you?
Carrie Fisher (The Princess Diarist)
Once upstairs, Regina unlocked the bedroom door and stepped aside. Bas’s room was what I imagined my high school bullies went home to every night. A shelf with trophies. A row of autographed pictures of famous athletes on the wall. A framed news story about a high school football team, presumably his, winning a state championship. A TV positioned so that he could play video games from his bed. Dirty clothes scattered on the floor, mostly T-shirts and shorts. In one corner, there was an altar built out of human bones, topped with a glowing skull that was floating two inches from its stone base, slowing spinning in circles. I said, “Anything jump out at you?” “I’m going to go check around the altar.
Jason Pargin (If This Book Exists, You're in the Wrong Universe (John Dies at the End, #4))
The businessman turns out to have a lot of zanshin. Translating this concept into English is like translating "fuckface" into Nipponese, but it might translate into "emotional intensity" in football lingo. He charges directly at Hiro, hollering at the top of his lungs... "Emotional intensity" doesn't convey the half of it, of course. It is the kind of coarse and disappointing translation that makes the dismembered bodies of samurai warriors spin in their graves. The word "zanshin" is larded down with a lot of other folderol that you have to be Nipponese to understand. And Hiro thinks, frankly, that most of it is pseudomystical crap, on the same level as his old high school football coach exhorting his men to play at 110 percent.
Neal Stephenson (Snow Crash)
Each side of the sign depicted an anthropomorphized brown foot. “Sad Foot” had a Band-Aid on its big toe, bloodshot eyes, a mouth gaping in pain, crutches, hands and feet. “Happy Foot” was miraculously healed through the power of podiatry: two thumbs up, a manic smile, and the feet of the foot in pristine white high-tops. The sign was suspended high above the parking lot of a Comfort Inn, whose ground floor contained a Thai vegetarian restaurant and the podiatrist in question. The sign pirouetted slowly, making approximately one revolution every twelve seconds. Legend—though perhaps this was too grand a word for a spinning sign over a budget hotel—had it that whichever side of the sign you saw first would determine how the rest of your day went.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
Kids shouting and skidding in the playground with no idea what future Hells awaited them: boring jobs and ruinous mortgages and bad marriages and hair loss and hip replacements and lonely cups of coffee in an empty house and a colostomy bag at the hospital. Most people seemed satisfied with the thin decorative glaze and the artful stage lighting that, sometimes, made the bedrock atrocity of the human predicament look somewhat more mysterious or less abhorrent. People gambled and golfed and planted gardens and traded stocks and had sex and bought new cars and practiced yoga and worked and prayed and redecorated their homes and got worked up over the news and fussed over their children and gossiped about their neighbors and pored over restaurant reviews and founded charitable organizations and supported political candidates and attended the U.S. Open and dined and travelled and distracted themselves with all kinds of gadgets and devices, flooding themselves incessantly with information and texts and communication and entertainment from every direction to try to make themselves forget it: where we were, what we were. But in a strong light there was no good spin you could put on it. It was rotten top to bottom. Putting your time in at the office; dutifully spawning your two point five; smiling politely at your retirement party; then chewing on your bedsheet and choking on your canned peaches at the nursing home. It was better never to have been born—never to have wanted anything, never to have hoped for anything.
Donna Tartt (The Goldfinch)
The top four priorities would be food, fuel, clothing and shelter. Dig the garden, feed the pig, fetch water from the brook, gather wood from the forest, wash some potatoes, light a fire (no matches), cook lunch, repair the roof, fetch fresh bracken for clean bedding, whittle a needle, spin some thread, sew leather for shoes, wash in the stream, fashion a pot out of clay, catch and cook a chicken for dinner.
Matt Ridley (The Rational Optimist)
She hung her head, afraid of the people they met. He looked sideways at her as they walked. There was a wonderful close down on her face near the ear that he wanted to touch. And a certain heaviness, the heaviness of a very full ear of corn that dips slightly in the wind, that there was about her, made his brain spin. He seemed to be spinning down the street, everything going round. As they sat in the tramcar, she leaned her heavy shoulder against him, and he took her hand. He felt himself coming round from the anaesthetic, beginning to breathe. Her ear, half-hidden among her blonde hair, was near to him. The temptation to kiss it was almost too great. But there were other people on top of the car. It still remained to him to kiss it. After all, he was not himself, he was some attribute of hers, like the sunshine that fell on her.
D.H. Lawrence (Sons and Lovers)
She hoots like a monkey and pulls me back onto a shelf in the tub. I fall between her legs, I fall on top of her, we sink … and then we’re twirling, spinning in the water, me on top, then her, then me, and giggling, and making bird cries. Steam envelops us, cloaks us; light sparkles on the agitated water; and we keep spinning, so that at some point I’m not sure which hands are mine, which legs. We aren’t kissing. This game is far less serious, more playful, free-style, but we’re gripping each other, trying not to let the other’s slippery body go, and our knees bump, our tummies slap, our hips slide back and forth. Various submerged softnesses on Clementine’s body are delivering crucial information to mine, information I store away but won’t understand until years later. How long do we spin? I have no idea. But at ,some point we get tired. Clementine beaches on the shelf, with me on top.
Jeffrey Eugenides (Middlesex)
SEEN ACROSS TEN MILES OF sunlit water, Lorbanery was green, green as the bright moss by a fountain’s rim. Nearby, it broke up into leaves, and tree-trunks, and shadows, and roads, and houses, and the faces and clothing of people, and dust, and all that goes to make up an island inhabited by men. Yet still, over all, it was green: for every acre of it that was not built or walked upon was given up to the low, round-topped hurbah trees, on the leaves of which feed the little worms that spin the silk that is made into thread and woven by the men and women and children of Lorbanery. At dusk the air there is full of small grey bats who feed on the little worms. They eat many, but are suffered to do so and are not killed by the silk-weavers, who indeed account it a deed of very evil omen to kill the grey-winged bats. For if human beings live off the worms, they say, surely small bats have the right to do so.
Ursula K. Le Guin (The Farthest Shore (Earthsea Cycle, #3))
Spinning in April MOON in heaven's garden, among the clouds that wander, Crescent moon so young to see, above the April ways, Whiten, bloom not yet, not yet, within the twilight yonder; All my spinning is not done, for all the loitering days. Oh, my heart has two wild wings that ever would be flying! Oh, my heart's a meadow-lark that ever would be free! Well it is that I must spin until the light is dying; Well it is the little wheel must turn all day for me! All the hill-tops beckon, and beyond the western meadows Something calls for ever, calls me ever, low and clear: A little tree as young as I, the coming summer shadows,— The voice of running waters that I always thirst to hear. Oftentime the plea of it has set my wings a-beating; Oftentime it coaxes, as I sit weary-wise, Till the wild life hastens out to wild things all entreating, And leaves me at the spinning-wheel with dark, unseeing eyes.
Josephine Preston Peabody (The Classic Works of Josephine Preston Peabody)
The result, a few moments later, was that the glider came snapping over the top just as its connection to the last flynk was severed. In a few seconds it had been hauled two thousand meters straight up and let go with a velocity of a few hundred kilometers per hour. Meanwhile, every other flynk in the chain had decoupled itself fore and aft, causing the entire chain to disintegrate into a linear cloud of identical fragments, each headed in a different direction. Each flynk, sensing that it was aloft and alone, automatically deployed large tail vanes that turned it from a bullet into a badminton shuttlecock. The flynks rapidly slowed down to their terminal velocity, turned nose down, and began to fall toward the ground. A slight canting of the vanes caused them to begin spinning like maple seeds, further slowing their descent, and in this manner the entire swarm began to descend in the direction of an empty lot adjacent to the flynk barn.
Neal Stephenson (Seveneves)
On a subtle level, even democracy encourages division. Modern political leaders can still force their way to the top — they can cheat, spin or bend the truth, manipulate and even buy their way into leadership. Until leadership demands its highest frequency, that of the 7th Siddhi of Virtue, we will never fully see the end of political division and hierarchy. The 7th Shadow cannot command true respect or loyalty because it has at its core the lust for power rather than the good of others.
Richard Rudd (The Gene Keys: Embracing Your Higher Purpose)
Which means we couldn’t possibly turn a blind eye to the poor or declare “comfort and safety” our top priority. If we really believed, then we’d never be happy living healthy, affluent lives while ignoring the 25,000 people who will die of starvation that same day. Once we are believers, we can’t begrudge our enemies or live a totally self-absorbed life. Believing in Jesus means transformation—how could it mean anything less? One who says, “I believe” and lives for herself doesn’t believe at all.
Jen Hatmaker (Out of the Spin Cycle: Devotions to Lighten Your Mother Load)
Did those “new gays” spinning about like giddy tops in discos care to know that dancing with someone of the same sex was punishable as “lewd conduct” then? Still, a club in Topanga Canyon boasted a system of warning lights. When they flashed, lesbians and gay men shifted—what a grand adventure!—and danced with each other, laughing at the officers’ disappointed faces! How much pleasure—and camaraderie, yes, real kinship—had managed to exist in exile. Did those arrogant young people know that, only years ago, you could be sentenced to life in prison for consensual sex with another man? A friend of his destroyed by shock therapy decreed by the courts. Another friend sobbing on the telephone before he slashed his wrists— Thomas's hands on his steering wheel had clenched in anger, anger he had felt then, anger he felt now. And all those pressures attempted to deplete you, and disallow— “—the yearnings of the heart,” he said aloud. Yet he and others of his generation had lived through those barbaric times—and survived—those who had survived—with style. Faced with those same outrages, what would these “new gays” have done? “Exactly as we did,” he answered himself. The wind had resurged, sweeping sheaths of dust across the City, pitching tumbleweeds from the desert into the streets, where they shattered, splintering into fragments that joined others and swept away. Now, they said, everything was fine, no more battles to fight. Oh, really? What about arrests that continued, muggings, bashings, murder, and hatred still spewing from pulpits, political platforms, and nightly from the mouths of so-called comedians? Didn't the “new gays” know—care!—that entrenched “sodomy” laws still existed, dormant, ready to spring on them, send them to prison? How could they think they had escaped the tensions when those pressures were part of the legacy of being gay? Didn't they see that they remained—as his generation and generations before his had been—the most openly despised? And where, today, was the kinship of exile?
John Rechy (The Coming of the Night (Rechy, John))
with information and texts and communication and entertainment from every direction to try to make themselves forget it: where we were, what we were. But in a strong light there was no good spin you could put on it. It was rotten top to bottom. Putting your time in at the office; dutifully spawning your two point five; smiling politely at your retirement party; then chewing on your bedsheet and choking on your canned peaches at the nursing home. It was better never to have been born—never to have wanted anything, never to have hoped for anything.
Donna Tartt (The Goldfinch)
You never told me how everyone liked the sirupskake." "It was splendid!" she said, her smile returning. "Your fa- my husband asked that you bake another one soon for me to bring him." Freya was always tripping over her words like that. Anna did the same thing herself. She chalked it up to wanting to say so much in a short amount of time. She was like a pot of melting chocolate: the words bubbled over. "Did he like the candied oranges I placed on top?" "Yes! He said he'd never seen it done that way before." Anna shrugged. "I love to put my own spin on recipes. I like to be unique, if you haven't noticed." "I have." Freya smiled. "I think my husband would enjoy meeting you. You and I have a similar joyful spirit, while he"- she sighed- "carries the weight of the world on his shoulders, I'm afraid. Much like my daughter." Freya talked about her daughter a lot but unfortunately never brought her along for visits. From what Anna knew, the girl seemed whip smart and serious. Anna wished she could meet her so she could shake her up a bit. Everyone needed to let their hair down sometimes. Plus it would be nice to have a friend close to her own age.
Jen Calonita (Conceal, Don't Feel)
Originally, the word power meant able to be. In time, it was contracted to mean to be able. We suffer the difference. Iwas waiting for a plane when I overheard two businessmen. One was sharing the good news that he had been promoted, and the other, in congratulation, said, “More power to you.” I've heard this expression before, but for some reason, I heard it differently this time and thought, what a curious sentiment. As a good wish, the assumption is that power is the goal. Of course, it makes a huge difference if we are wishing others worldly power or inner power. By worldly power, I mean power over things, people, and situations—controlling power. By inner power, I mean power that comes from being a part of something larger—connective power. I can't be certain, but I'm fairly sure the wish here was for worldly power, for more control. This is commonplace and disturbing, as the wish for more always issues from a sense of lack. So the wish for more power really issues from a sense of powerlessness. It is painfully ironic that in the land of the free, we so often walk about with an unspoken and enervating lack of personal freedom. Yet the wish for more controlling power will not set us free, anymore than another drink will quench the emptiness of an alcoholic in the grip of his disease. It makes me think of a game we played when I was nine called King of the Hill, in which seven or eight of us found a mound of dirt, the higher the better, and the goal was to stand alone on top of the hill. Once there, everyone else tried to throw you off, installing themselves as King of the Hill. It strikes me now as a training ground for worldly power. Clearly, the worst position of all is being King of the Hill. You are completely alone and paranoid, never able to trust anyone, constantly forced to spin and guard every direction. The hills may change from a job to a woman to a prized piece of real estate, but those on top can be so enslaved by guarding their position that they rarely enjoy the view. I always hated King of the Hill—always felt tense in my gut when king, sad when not, and ostracized if I didn't want to play. That pattern has followed me through life. But now, as a tired adult, when I feel alone and powerless atop whatever small hill I've managed to climb, I secretly long for anyone to join me. Now, I'm ready to believe there's more power here together.
Mark Nepo (The Book of Awakening: Having the Life You Want by Being Present to the Life You Have)
flew toward them with the goal hanging over it. He glanced in front and the bridge-opening suddenly engulfed them, Dancer barreling between the metal rails and its hooves hitting wood. VrrrrOOOOOMMMMM! The SUV’s front bumper slammed the narrow bridge’s metal railings, snapping the bolts and curling the steel on both sides of the horse. Greyson felt the engine’s heat on his back and grimaced, bracing for impact. But then it happened – the goal’s net snagged the edge of the bridge rail and pulled the metal frame down like a clamp around the hood; the front wheels dug into the bridge and stopped, but the back of the vehicle carried the momentum and swung over top, the rear wheels spinning loudly as they pointed toward the falling rain. The speed carried the huge metal beast over the net and flung it at the children from behind. Dancer leapt from the bridge just as the SUV struck it like a colossal pendulum, exploding in a cluster bomb of splinters and a tidal wave of water. The shockwave of wood and water washed over them from behind, hitting them with stinging shrapnel as Dancer galloped with the wave into open field. Sydney pulled on the reins and Dancer curled to a stop. Breathing heavy with adrenaline,
B.C. Tweedt (Camp Legend (Greyson Gray #1))
The two fragments from Marks and Spencer which, as Fenchurch rose now into the misty body of the clouds, Arthur removed very, very slowly, which is the only way it's possible to do it when you're flying and also not using your hands, went on to create considerable havoc in the morning in, respectively, counting from top to bottom, Isleworth and Richmond. They were in the cloud for a long time, because it was stacked very high, and when finally they emerged wetly above it, Fenchurch spinning like a starfish lapped by a rising tide pool, they found that above the clouds is where the night gets seriously moonlit. The light is darkly brilliant. There are different mountains up there, but they are mountains with their own white Arctic snows. They had emerged at the top of the high-stacked cumulonimbus, and now began lazily to drift down its contours, as Fenchurch eased Arthur in turn from his clothes, pried him free of them till all were gone, winding their surprised way down into the enveloping whiteness. She kissed him, kissed his neck, his chest, and soon they were drifting on, turning slowly, in a kind of speechless T-shape, which might have caused even a Fuolornis Fire Dragon, had one flown past, replete with pizza, to flap its wings and cough a little.
Douglas Adams (So Long, and Thanks for All the Fish (The Hitchhiker's Guide to the Galaxy, #4))
Speaking of Vaughan, his claim in the Daily Telegraph last week that the story of a senior county pro being offered money to fix domestic matches was 'the tip of the iceberg' did not go down well with one former England captain contacted by the Top Spin. 'I played the game for almost 20 years,' he seethed, 'and I don't know a single player who has been offered money, either for information or to fix a game. To say it's the tip of the iceberg is absolute rubbish.' The fact that the player in question had just registered a mediocre Stableford score of 20 playing off a handicap of 14 had nothing to do, I was assured, with his foul mood.
Lawrence Booth
Helene straightened up from her trunk and pursed her already-drawn lips. “It’s a bit like Mr Holmes always said. ‘Pay attention to details. Everything is important’.” “Actually I don’t think Mr Holmes ever did say that, not quite in those words at any rate! But I take your point. Anything might be important, therefore everything is important.” I glanced back towards the corner with the pile of burlap sacks thoughtfully. “Everything is important. Everything is a circle.” “What?” Helene’s startled face appeared round a stack of old books that had an ancient spinning-wheel Miss Hurst had thrown out years ago reposing haughtily—albeit somewhat askew—on top. “Oh, nothing.
Bethany Willcock (Everything (King’s Daughters Story Collection, #2))
The Top Spin would raise a glass to Rudi Koertzen, the popular veteran South African umpire who will stand in his 107th and final Test when Pakistan meet Australia at Headingley in July [2010]. But we're slightly worried about being misunderstood. A few years back, in a light-hearted series of profiles of the elite umpires for a newspaper supplement, we suggested Rudi was a 'sociable' character who enjoyed spending a no-more-than-inordinate amount of time at the '19th hole'. Cue a concerned phonecall from the ICC, who wanted to register Rudi's displeasure at the implication. Whoops. Presumably it will be orange juices all round when he finally hangs up the white coat.
Lawrence Booth
I fell asleep at nine that night and didn’t move until nine the next morning, waking up still dressed and wrapped like a pupa in the Park Hyatt’s comforter. Marlboro Man wasn’t in the room; I was disoriented and dizzy, stumbling to the bathroom like a drunk sorority girl after a long night of partying. But I didn’t look like a sorority girl. I looked like hell, pale and green and drawn; Marlboro Man was probably on a flight back to the States, I imagined, after having woken up and seen what he’d been sleeping to all night. I made myself take a warm shower, even though the beautiful marble bathroom was spinning like a top. The water hitting my back made me feel better. When I came out of the bathroom, refreshed and wearing the Park Hyatt robe, Marlboro Man was sitting on the bed, reading an Australian paper, which he’d picked up down the street along with some orange juice and a cinnamon roll for me in hopes it would make me feel better. “C’mere,” he said, patting the empty spot on the bed next to him. I obliged. I curled up next to him. Like clockwork our arms and legs began to wrap around each other until we were nothing but a mass of flesh again. We stayed there for almost an hour--him rubbing my back and asking me if I was okay…me, dying from bliss with each passing minute and trying to will away the nausea, which was still very much hovering over our happiness.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Their mouths crashed together. Tongues tangled. He kissed her as if he wanted to consume her, devour her alive. Fierce kisses, hard kisses, desperate, wanting kisses. He tasted like chocolate and smelled like sin. "Sam..." She pulled away. "I can't breathe." "Neither can I." Her wrapped his arms around her and drew her in for another hungry kiss. Hot, hard, and wet, melting her to the side of the Jeep. His tongue worked past her lips to plunge into her mouth, every stroke tugging at things low and deep in her belly. Her hands moved to his chest, sliding over his pecs and the ripple of abs beneath his shirt. Harman was perfect but Sam was real, his body hard from his fight training, muscles thick from use. He hissed out a breath when her fingers grazed the top of his belt, his infamous self-control giving way to her curious hands. "What are we doing?" he murmured as he drew her earlobe into his mouth, his five-o'clock shadow rough against her sensitive skin. "I don't know, but don't stop." "No chance of that." He shifted against her, his arousal as evident from his ragged breaths as the growing hardness pressed against her hips. When he thrust a thick thigh between her legs, she rocked against him, reckless and wanton in her need for release. She was dying, burning, her body on fire. She'd never felt anything like the toxic combination of anger and lust that pounded through her veins. It made her head spin, drove logic away.
Sara Desai (The Marriage Game (Marriage Game, #1))
Imagine a city where there is no desire. Supposing for a moment that the inhabitants of the city continue to eat, drink and procreate in some mechanical way: still, their life looks flat. They do not theorize or spin tops or speak figuratively. Few think to shun pain; none give gifts. They bury their dead and forget where. Zeno finds himself elected mayor and is set to work copying the legal code on sheets of bronze. Now and again a man and a woman may marry and live very happily, as travellers who meet by chance at an inn; at night falling asleep they dream the same dream, where they watch fire move along a rope that binds them together, but it is unlikely they remember the dream in the morning. The art of storytelling is widely neglected.
Anne Carson (Eros the Bittersweet)
When it passes us, the driver tips his cap our way, eying us as if he thinks we're up to no good-the kind of no good he might call the cops on. I wave to him and smile, wondering if I look as guilty as I feel. Better make this the quickest lesson in driving history. It's not like she needs to pass the state exam. If she can keep the car straight for ten seconds in a row, I've upheld my end of the deal. I turn off the ignition and look at her. "So, how are you and Toraf doing?" She cocks her head at me. "What does that have to do with driving?" Aside from delaying it? "Nothing," I say, shrugging. "Just wondering." She pulls down the visor and flips open the mirror. Using her index finger, she unsmudges the mascara Rachel put on her. "Not that it's your business, but we're fine. We were always fine." "He didn't seem to think so." She shoots me a look. "He can be oversensitive sometimes. I explained that to him." Oversensitive? No way. She's not getting off that easy. "He's a good kisser," I tell her, bracing myself. She turns in her seat, eyes narrowed to slits. "You might as well forget about that kiss, Emma. He's mine, and if you put your nasty Half-Breed lips on him again-" "Now who's being oversensitive?" I say, grinning. She does love him. "Switch places with me," she snarls. But I'm too happy for Toraf to return the animosity. Once she's in the driver's seat, her attitude changes. She bounces up and down like she's mattress shopping, getting so much air that she'd puncture the top if I hadn't put it down already. She reaches for the keys in the ignition. I grab her hand. "Nope. Buckle up first." It's almost cliché for her to roll her eyes now, but she does. When she's finished dramatizing the act of buckling her seat belt-complete with tugging on it to make sure it won't unclick-she turns to me in pouty expectation. I nod. She wrenches the key and the engine fires up. The distant look in her eyes makes me nervous. Or maybe it's the guilt swirling around in my stomach. Galen might not like this car, but it still feels like sacrilege to put the fate of a BMW in Rayna's novice hands. As she grips the gear stick so hard her knuckles turn white, I thank God this is an automatic. "D is for drive, right?" she says. "Yes. The right pedal is to go. The left pedal is to stop. You have to step on the left one to change into drive." "I know. I saw you do it." She mashes down on the brake, then throws us into drive. But we don't move. "Okay, now you'll want to step on the right pedal, which is the gas-" The tires start spinning-and so do we. Rayna stares at me wide-eyed and mouth ajar, which isn't a good thing since her hands are on the wheel. It occurs to me that she's screaming, but I can't hear her over my own screeching. The dust wall we've created whirls around us, blocking our view of the trees and the road and life as we knew it. "Take your foot off the right one!" I yell. We stop so hard my teeth feel rattled. "Are you trying to get us killed?" she howls, holding her hand to her cheek as if I've slapped her. Her eyes are wild and glassy; she just might cry. "Are you freaking kidding me? You're the one driving!
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Jake tried to pull away from the clutching hand and went sprawling on the Tick-Tock Man's throne. His eye fell on a pocket which had been sewn into the right-hand arm-rest. Jutting from the elasticized top was the cracked pearl handle of a revolver. "Oh, cully, how you'll suffer!" the Tick-Tock Man whispered ecstatically. The O of surprise had been replaced by a wide, trembling grin. "Oh how you'll suffer! And how happy I'll be to...WHAT--?" The grin slackened and the surprised O began to reappear as Jake pointed the cheesy nickel-plated revolver at him and thumbed back the hammer. The grip on Jake's ankle tightened until it seemed to him that the bones there must snap. "You DASN'T!" Tick-Tock said in a screamy whisper. "Yes I DO," Jake said grimly, and pulled the trigger of the Tick-Tock Man's runout gun. There was a flat crack, much less dramatic than the Schmeisser's Teutonic roar. A small black hole appeared high up on the right side of Tick-Tock's forehead. The Tick-Tock Man went on staring up at Jake, disbelief in his remaining eye. Jake tried to make himself shoot him again and couldn't do it. Suddenly a flap of the Tick-Tock Man's scalp peeled away like old wallpaper and dropped on his right cheek. Roland would have known what this meant; Jake, however, was now almost beyond coherent thought. A dark, panicky horror was spinning across his mind like a tornado funnel. He cringed back in the big chair as the hand on his ankle fell away and the Tick-Tock Man collapsed forward on his face. The door. He had to open the door and let the gunslinger in. Focusing on that and nothing but, Jake let the pearl-handled revolver clatter to the iron grating...
Stephen King (The Waste Lands (The Dark Tower, #3))
So, Like- always I am going too dragged myself out of my bed, brush my hair, brush my teeth.' 'Grab a bra out of my dresser and slide it up on me. Today it is an adorable baby pink one with black dots, and a little bow in the middle, so sweet- like me.' 'So anyway, I am going to clasp it in the back, as my long hair falls forward while doing it.' 'Then spin a white blouse through my arms and on top of my shoulders, I will fix my collar. Button everything it up, to a point; tie it up at the bottom so it is snug to my lower ribs. Then I slide a skirt up over my body, zip and button it in the front. I will use the bathroom one last time.' 'Fix my hair for the last time, while looking into my oval bathroom mirror, which is lit from both sides. That is where I do all my makeup. I like to use a nude shade of powder, pink blush on my cheeks, and a soft eyeshadow.
Marcel Ray Duriez
I shouted over the music, 'I don't need a keeper"' I wanted to spin and spin and spin. 'No, you don't,' Tamlin said, never once stumbling over his playing. How his bow did dance upon the strings, his fingers sturdy and strong, no sign of those claws that I had come to stop fearing... 'Dance, Feyre,' he whispered. So I did. I was loosened, a top whirling around and around, and I didn't know who I danced with or what they looked like, only that I had become the music and the fire and the night, and there was nothing that could slow me down. Through it all, Tamlin and his musicians played such joyous music that I didn't think the world could contain it all. I sashayed over to him, my faerie lord, my protector and warrior, my friend, and danced before him. He grinned at me, and I didn't break my dancing as he rose from his seat and knelt before me in the grass, offering up a solo on his fiddle to me. Music just for me- a gift. He played on, his fingers fast and hard upon the strings of his fiddle. My body slithering like a snake, I tipped my head back to the heavens and let Tamlin's music fill all of me. There was a pressure at my waist and I was swept away in someone's arms as they whisked me back into the ring of dancing. I laughed so hard I thought I'd combust, and when I opened my eyes, I found Tamlin there, spinning me round and round. Everything became a blur of colour and sound, and he was the only object in it, tethering me to sanity, to my body, which glowed and burned in every place he touched. I was filled with sunshine. It was like I'd never experienced summer before, like I'd never known who was waiting to emerge from that forest of ice and snow. I didn't want it to end- I never wanted to leave this hilltop.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
I’ve increased the fastest serve recorded in tennis. Tennis is a quicker game now, since I served at 132 miles per hour. Now almost every player on the WTA is serving faster than we all were even ten years ago. My forehand averages 81 miles per hour. You can’t come close to me on that either. So pay me a little respect, Soto. I’ve won the US Open more than any woman in tennis history, including you. My forehand and backhand groundstrokes have more spin than any other female player ever—last year I topped two thousand revolutions per minute. I am currently the highest-paid female athlete in the world. For someone like me, do you understand what that means? And I’ve spent the most weeks at number one—which is currently three hundred and seventeen. You only have three hundred and—” “Nine,” I say. “Right.” “So you just go around memorizing your stats?” I say, even though I know I’m being a hypocrite.
Taylor Jenkins Reid (Carrie Soto Is Back)
Gerda sends Astrid flying back, then swings to her own board. Astrid soars now like a rider taming a wild beast, bending the trapeze to her own will. She spins by her ankles, by a lone knee, barely touching the bar to which I always cling fast. Gerda watches Astrid with disinterest, almost distaste. She and the other women do not like Astrid. Within days of arriving, I heard the whispers: they resent Astrid for returning and taking her spot at the top of the aerial act while they had worked for years, and for coupling up with Peter, one of the few eligible men the war had left. The girls at the home were much the same, sniping and whispering behind each other’s backs. Why are we so hard on one another? I wonder. Hadn’t the world already given us challenges enough? But if Astrid notices their coldness, she doesn’t seem to mind. Or perhaps she just doesn’t have need for any of them. She certainly doesn’t need me
Pam Jenoff (The Orphan's Tale)
History generally records that Michael Vaughan quit the England captaincy in tearful circumstances following the Test-series defeat to South Africa in 2008. But the Top Spin can reveal this version of events is little more than a smokescreen. For it appears that what actually tipped Vaughan over the edge was a phonecall from a stricken team-mate - a call so harrowing Vaughan decided he could cope no longer. The ex-skipper was enjoying a barbecue at home with friends two summers ago when he took a rare call from Monty Panesar. 'Hello, Monty.' 'Hello Vaughany. I've got some bad news for you.' 'Oh?' 'Yes, you know I was telling you about my parrot Gary last week?' 'Er...' 'Well, he's gone missing. Just thought you'd like to know.' 'Sorry to hear that Monty.' 'Bye.' 'Bye.' So aghast was Vaughan that captaincy duty now extended to fielding calls from team-mates about escaped pets that he knew his time was up. Sure, the tears at the farewell press conference left an impression on us all. But it was Monty's ex-parrot that sealed the deal.
Lawrence Booth
Oh, ’ello, ’Arry,” said Mundungus Fletcher, with a most unconvincing stab at airiness. “Well, don’t let me keep ya.” And he began scrabbling on the ground to retrieve the contents of his suitcase with every appearance of a man eager to be gone. “Are you selling this stuff?” asked Harry, watching Mundungus grab an assortment of grubby-looking objects from the ground. “Oh, well, gotta scrape a living,” said Mundungus. “Gimme that!” Ron had stooped down and picked up something silver. “Hang on,” Ron said slowly. “This looks familiar —” “Thank you!” said Mundungus, snatching the goblet out of Ron’s hand and stuffing it back into the case. “Well, I’ll see you all — OUCH!” Harry had pinned Mundungus against the wall of the pub by the throat. Holding him fast with one hand, he pulled out his wand. “Harry!” squealed Hermione. “You took that from Sirius’s house,” said Harry, who was almost nose to nose with Mundungus and was breathing in an unpleasant smell of old tobacco and spirits. “That had the Black family crest on it.” “I — no — what — ?” spluttered Mundungus, who was slowly turning purple. “What did you do, go back the night he died and strip the place?” snarled Harry. “I — no —” “Give it to me!” “Harry, you mustn’t!” shrieked Hermione, as Mundungus started to turn blue. There was a bang, and Harry felt his hands fly off Mundungus’s throat. Gasping and spluttering, Mundungus seized his fallen case, then — CRACK — he Disapparated. Harry swore at the top of his voice, spinning on the spot to see where Mundungus had gone. “COME BACK, YOU THIEVING — !” “There’s no point, Harry.” Tonks had appeared out of nowhere, her mousy hair wet with sleet. “Mundungus will probably be in London by now. There’s no point yelling.” “He’s nicked Sirius’s stuff! Nicked it!” “Yes, but still,” said Tonks, who seemed perfectly untroubled by this piece of information. “You should get out of the cold.” She watched them go through the door of the Three Broomsticks. The moment he was inside, Harry burst out, “He was nicking Sirius’s stuff!” “I know, Harry, but please don’t shout, people are staring,” whispered Hermione.
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
Do you always wake up so sweet?” I ask. She’s like cotton candy in my arms. She smells soft and clean, and she’s not shoving me away. “I’m not awake yet,” she says. She spins over in my arms, facing away from me. My forearm is under her head and her bottom is tucked against my groin. Her head is beneath my chin, and I can’t see her face anymore. But I doubt she’s talking. She’s soft in my arms, and her breath rushes out of her open mouth with every exhale, searing my forearm with every breath. The bottoms of her feet are cold against the tops of mine, so I pull the blanket over us both, tucking it around her and throwing it over our feet. I don’t want to let her go, but I know I need to get up. I need to go back to the couch. I close my eyes and brush her hair down between us. She lets me wrap around her, and I’m willing to pretend she’s still asleep. Will it hurt to stay there? I keep holding her. I’ve never had a girl sleep the whole night in my bed before. Ever. I’ve never woken up with someone. I’ve never wanted to. Until now. I settle my arm around her waist. I’ll just stay a few more minutes.
Tammy Falkner (Tall, Tatted and Tempting (The Reed Brothers, #1))
I continued my explorations in a cobbled yard overlooked by broken doors and cracked windows. Pushing open a swollen door into a storeroom, I found a stream running across paving stones and a carpet of slippery green moss. My explorations took me beneath a gateway surmounted by a clock face, standing with hands fixed permanently at eleven o'clock. Beyond stood derelict stables; then the park opened up in an undulating vista, reaching all the way to a swathe of deep forest on the horizon. In the distance was the twinkle of the river that I realized must border my own land at Whitelow. The grass was knee-high and speckled with late buttercups, but I was transported by that first sight of the Delafosse estate. In its situation alone, the Croxons had chosen our new home well. I dreamed for a moment of myself and Michael making a great fortune, and no longer renting Delafosse Hall but owning every inch of it, my inheritance spinning gold from cotton. Turning back to view the Hall I took a sharp breath; it was as massive and ancient as a child's dream of a castle, the bulk of its walls carpeted in greenery, the diamond-leaded windows sparkling in picturesque stone mullions. True, the barley-twist chimneys leaned askew, and the roofs sagged beneath the weight of years, but the shell of it was magnificent. It cast a strange possessive mood upon me. I remembered Michael's irritation at the house the previous night, and his eagerness to leave. Somehow I had to entice Michael into this shared dream of a happy life here, beside me. Determined to explore the park, I followed the nearest path. After walking through a deep wood for a good while I emerged into the sunlight by a round hill surmounted by a two-story tower. A hunting lodge, Mrs. Croxon had called it, but I thought it more a folly. It had a fantastical quality, with four miniature turrets, each topped with a verdigris-tarnished dome. Above the doorway stood a sundial drawn upon a disc representing a blazing sun. It was embellished with a script I thought might be Latin: FERREA VIRGA EST, UMBRATILIS MOTUS. I wondered whether Michael might know the meaning, or Anne's husband perhaps. As for the sundial's accuracy, the morning light was too weak to cast a line of shadow.
Martine Bailey (A Taste for Nightshade)
But depression wasn’t the word. This was a plunge encompassing sorrow and revulsion far beyond the personal: a sick, drenching nausea at all humanity and human endeavor from the dawn of time. The writhing loathsomeness of the biological order. Old age, sickness, death. No escape for anyone. Even the beautiful ones were like soft fruit about to spoil. And yet somehow people still kept fucking and breeding and popping out new fodder for the grave, producing more and more new beings to suffer like this was some kind of redemptive, or good, or even somehow morally admirable thing: dragging more innocent creatures into the lose-lose game. Squirming babies and plodding, complacent, hormone-drugged moms. Oh, isn’t he cute? Awww. Kids shouting and skidding in the playground with no idea what future Hells awaited them: boring jobs and ruinous mortgages and bad marriages and hair loss and hip replacements and lonely cups of coffee in an empty house and a colostomy bag at the hospital. Most people seemed satisfied with the thin decorative glaze and the artful stage lighting that, sometimes, made the bedrock atrocity of the human predicament look somewhat more mysterious or less abhorrent. People gambled and golfed and planted gardens and traded stocks and had sex and bought new cars and practiced yoga and worked and prayed and redecorated their homes and got worked up over the news and fussed over their children and gossiped about their neighbors and pored over restaurant reviews and founded charitable organizations and supported political candidates and attended the U.S. Open and dined and travelled and distracted themselves with all kinds of gadgets and devices, flooding themselves incessantly with information and texts and communication and entertainment from every direction to try to make themselves forget it: where we were, what we were. But in a strong light there was no good spin you could put on it. It was rotten top to bottom. Putting your time in at the office; dutifully spawning your two point five; smiling politely at your retirement party; then chewing on your bedsheet and choking on your canned peaches at the nursing home. It was better never to have been born—never to have wanted anything, never to have hoped for anything.
Donna Tartt (The Goldfinch)
That's quite a pile," he said. "I suppose you want me to spin it into gold." "Well, the situation has changed just a bit," said the miller's daughter (who also had a name--it was Meredith). "If you don't, I will die. If you do, I marry the king." Now that, thought Rumpelstiltskin, has possibilities. After all, getting to be the queen was a big step up for a miller's daughter. She would surely pay him anything. And there was only one thing in the world he really wanted--a little child to love and care for. "Okay, here's the deal," he said. "I will spin the straw into gold, just like before. In return, once you become queen, you must let me adopt your firstborn child. I promise I'll be an excellent father. I know all the lullabies. I'll read to the child every day. I'll even coach Little League." "You've got to be kidding," Meredith said. "I'd rather marry you than that jerk!" "Really?" said Rumpelstiltskin, and he blushed all the way from the top of his head to the tip of his toes (which admittedly wasn't very far, because he was so short). "Sure," she said. "I like your ideas on parenting, you'd make a good provider, and I have a weakness for short men.
Diane Stanley (Rumpelstiltskin's Daughter)
Unlike classically spinning bodies, such as tops, however, where the spin rate can assume any value fast or slow, electrons always have only one fixed spin. In the units in which this spin is measured quantum mechanically (called Planck's constant) the electrons have half a unit, or they are "spin-1/2" particles. In fact, all the matter particles in the standard model-electrons, quarks, neutrinos, and two other types called muons and taus-all have "spin 1/2." Particles with half-integer spin are known collectively as fermions (after the Italian physicist Enrico Fermi). On the other hand, the force carriers-the photon, W, Z, and gluons-all have one unit of spin, or they are "spin-1" particles in the physics lingo. The carrier of gravity-the graviton-has "spin 2," and this was precisely the identifying property that one of the vibrating strings was found to possess. All the particles with integer units of spin are called bosons (after the Indian physicist Satyendra Bose). Just as ordinary spacetime is associated with a supersymmetry that is based on spin. The predictions of supersymmetry, if it is truly obeyed, are far-reaching. In a universe based on supersymmetry, every known particle in the universe must have an as-yet undiscovered partner (or "superparrtner"). The matter particles with spin 1/2, such as electrons and quarks, should have spin 0 superpartners. the photon and gluons (that are spin 1) should have spin-1/2 superpartners called photinos and gluinos respectively. Most importantly, however, already in the 1970s physicists realized that the only way for string theory to include fermionic patterns of vibration at all (and therefore to be able to explain the constituents of matter) is for the theory to be supersymmetric. In the supersymmetric version of the theory, the bosonic and fermionic vibrational patters come inevitably in pairs. Moreover, supersymmetric string theory managed to avoid another major headache that had been associated with the original (nonsupersymmetric) formulation-particles with imaginary mass. Recall that the square roots of negative numbers are called imaginary numbers. Before supersymmetry, string theory produced a strange vibration pattern (called a tachyon) whose mass was imaginary. Physicists heaved a sigh of relief when supersymmetry eliminated these undesirable beasts.
Mario Livio (The Equation That Couldn't Be Solved: How Mathematical Genius Discovered the Language of Symmetry)
The final examination came and my mother came down to watch it. She hated watching me fight. (Unlike my school friends, who took a weird pleasure in the fights--and more and more so as I got better.) But Mum had a bad habit. Instead of standing on the balcony overlooking the gymnasium where the martial arts grading and fights took place, she would lie down on the ground--among everyone else vying to get a good view. Now don’t ask me why. She will say it is because she couldn’t bear to watch me get hurt. But I could never figure out why she just couldn’t stay outside if that was her reasoning. I have, though, learned that there is never much logic to my wonderful mother, but at heart there is great love and concern, and that has always shone through with Mum. Anyway, it was the big day. I had performed all the routines and katas and it was now time for the kumite, or fighting part of the black-belt grading. The European grandmaster Sensei Enoeda had come down to adjudicate. I was both excited and terrified--again. The fight started. My opponent (a rugby ace from a nearby college), and I traded punches, blocks, and kicks, but there was no real breakthrough. Suddenly I found myself being backed into a corner, and out of instinct (or desperation), I dropped low, spun around, and caught my opponent square round the head with a spinning back fist. Down he went. Now this was not good news for me. It was bad form and showed a lack of control. On top of that, you simply weren’t meant to deck your opponent. The idea was to win with the use of semicontact strikes, delivered with speed and technique that hit but didn’t injure your opponent. So I winced, apologized, and then helped the guy up. I then looked over to Sensei Enoeda, expecting a disapproving scowl, but instead was met with a look of delight. The sort of look that a kid gives when handed an unexpected present. I guess that the fighter in him loved it, and on that note I passed and was given my black belt. I had never felt so proud as I did finally wearing that belt after having crawled my way up the rungs of yellow, green, orange, purple, brown--you name it--colored belts. I had done this on my own and the hard way; you can’t buy your way to a black belt. I remember being told by our instructor that martial arts is not about the belts, it is about the spirit; and I agree…but I still couldn’t help sleeping with my black belt on that first night. Oh, and the bullying stopped.
Bear Grylls (Mud, Sweat and Tears)
We walk around inside that house like everything is okay, but it’s not, Quinn. We’ve been broken for years and I have no idea how to fix us. I find solutions. It’s what I do. It’s what I’m good at. But I have no idea how to solve me and you. Every day I come home, hoping things will be better. But you can’t even stand to be in the same room with me. You hate it when I touch you. You hate it when I talk to you. I pretend not to notice the things you don’t want me to notice because I don’t want you to hurt more than you already do.” He releases a rush of air. “I am not blaming you for what I did. It’s my fault. I did that. I fucked up. But I didn’t fuck up because I was attracted to her. I fucked up because I miss you. Every day, I miss you. When I’m at work, I miss you. When I’m home, I miss you. When you’re next to me in bed, I miss you. When I’m inside you, I miss you.” Graham presses his mouth to mine. I can taste his tears. Or maybe they’re my tears. He pulls back and presses his forehead to mine. “I miss you, Quinn. So much. You’re right here, but you aren’t. I don’t know where you went or when you left, but I have no idea how to bring you back. I am so alone. We live together. We eat together. We sleep together. But I have never felt more alone in my entire life.” Graham releases me and falls back against his seat. He rests his elbow against the window, covering his face as he tries to compose himself. He’s more broken than I’ve ever seen him in all the years I’ve known him. And I’m the one slowly tearing him down. I’m making him unrecognizable. I’ve strung him along by allowing him to believe there’s hope that I’ll eventually change. That I’ll miraculously turn back into the woman he fell in love with. But I can’t change. We are who our circumstances turn us into. “Graham.” I wipe at my face with my shirt. He’s quiet, but he eventually looks at me with his sad, heartbroken eyes. “I haven’t gone anywhere. I’ve been here this whole time. But you can’t see me because you’re still searching for someone I used to be. I’m sorry I’m no longer who I was back then. Maybe I’ll get better. Maybe I won’t. But a good husband loves his wife through the good and the bad times. A good husband stands at his wife’s side through sickness and health, Graham. A good husband- a husband who truly loves his wife - wouldn’t cheat on her and then blame his infidelity on the fact that he’s lonely.” Graham’s expression doesn’t change. He’s as still as a statue. The only thing that moves is his jaw as he works it back and forth. And then his eyes narrow and he tilts his head. “You don’t think I love you, Quinn?” “I know you used to. But I don’t think you love the person I’ve become.” Graham sits up straight. He leans forward, looking me hard in the eye. His words are clipped as he speaks. “I have loved you every single second of every day since the moment I laid eyes on you. I love you more now than I did the day I married you. I love you, Quinn. I fucking love you!” He opens his car door, gets out and then slams it shut with all his strength. The whole car shakes. He walks toward the house, but before he makes it to the front door, he spins around and points at me angrily. “I love you, Quinn!” He’s shouting the words. He’s angry. So angry. He walks toward his car and kicks at the front bumper with his bare foot. He kicks and he kicks and he kicks and then pauses to scream it at me again. “I love you!” He slams his fist against the top of his car, over and over, until he finally collapses against the hood, his head buried in his arms. He remains in this position for an entire minute, the only thing moving is the subtle shaking of his shoulders. I don’t move. I don’t even think I breathe. Graham finally pushes off the hood and uses his shirt to wipe at his eyes. He looks at me, completely defeated. “I love you,” he says quietly, shaking his head. “I always have. No matter how much you wish I didn’t.
Colleen Hoover (All Your Perfects (Hopeless, #3))
Half-way into the stuck substance of sky clay-white dome of the day-moon pokes... Unkempt and in rags as I am my girl's dressed all in dots: in skirts and flowery blouses I spin her round and tie bows in little doll shoes to match her tails asking even dogs how she looks— stupidly, doting on her…. By amber candlelit warmth, I played cards in your sisters’ ambience: it was like you said: the warmth of their smiles charmed me, their enfolding talk, and eyes that wink…. A field of grass lay half-way between boughs and the sky I contemplate the clouds… solid and amassed, clouds topple on top of clouds clouds up into peaks culminate and yet are only clouds dissolving to a shroud and shadow in the sky…. Shh!— past sapling fleets and swift trunks she sprints quickly on feet and calves and finds me where I lounge, painting clouds— in her glass head radiant eyes like blue-glass shine blushing color bleeds lustrous through her cheeks to hover and float, floating just beneath the skin…. On my second helping of leek- and-potato stew, ladled like melting goo in my bowl— I watched you, bobbing, in the solving resolve of their womb-like steadiness, cooing and aspiring…. Insulating sun lushens in the grass— already afternoon shadows long out…. Root-grip to root-grip ahead I mark twists in the trail by way of the young-girl bulbs of her legs the deep churning spread of her waist swimming in my head and in my head quietly drowning…. Harvest-time’s swelling our baskets— spring in the fruiting grove… with her mouth stained red in seeded-berries and those cheeks just-flushed in blood, I'll pounce high on that raised bounce of her waist….
Mark Kaplon
Real burrata is a creation of arresting beauty- white and unblemished on the surface, with a swollen belly and a pleated top. The outer skin should be taut and resistant, while the center should give ever so slightly with gentle prodding. Look at the seam on top: As with mozzarella, it should be rough, imperfect, the sign of human hands at work. Cut into the bulge, and the deposit of fresh cream and mozzarella morsels seems to exhale across the plate. The richness of the cream- burrata comes from burro, the Italian word for "butter"- coats the mouth, the morsels of mozzarella detonate one by one like little depth charges, and the entire package pulses with a gentle current of acidity. The brothers, of course, like to put their own spin on burrata. Sometimes that means mixing cubes of fresh mango into its heart. Or Spanish anchovies. Even caviar. Today, Paolo sends me next door to a vegetable stand to buy wild arugula, which he chops and combines with olives and chunks of tuna and stirs into the liquid heart of the burrata, so that each bite registers in waves: sharp, salty, fishy, creamy. It doesn't move me the same way the pure stuff does, but if I lived on a daily diet of burrata, as so many Dicecca customers do, I'd probably welcome a little surprise in the package from time to time. While the Diceccas experiment with what they can put into burrata, the rest of the world rushes to find the next food to put it onto. Don't believe me? According to Yelp, 1,800 restaurants in New York currently serve burrata. In Barcelona, more than 500 businesses have added it to the menu. Burrata burgers, burrata pizza, burrata mac and cheese. Burrata avocado toasts. Burrata kale salads. It's the perfect food for the globalized palate: neutral enough to fit into anything, delicious enough to improve anything.
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
against the velvet rope force fields that kept everyone without an invitation at bay. As I walked toward the entrance, the crowd bombarded me with a mix of insults, autograph requests, death threats, and tearful declarations of undying love. I had my body shield activated, but surprisingly, no one took a shot at me. I flashed the cyborg doorman my invitation, then mounted the long crystal staircase leading up into the club. Entering the Distracted Globe was more than a little disorienting. The inside of the giant sphere was completely hollow, and its curved interior surface served as the club’s bar and lounge area. The moment you passed through the entrance, the laws of gravity changed. No matter where you walked, your avatar’s feet always adhered to the interior of the sphere, so you could walk in a straight line, up to the “top” of the club, then back down the other side, ending up right back where you started. The huge open space in the center of the sphere served as the club’s zero-gravity “dance floor.” You reached it simply by jumping off the ground, like Superman taking flight, and then swimming through the air, into the spherical zero-g “groove zone.” As I stepped through the entrance, I glanced up—or in the direction that was currently “up” to me at the moment—and took a long look around. The place was packed. Hundreds of avatars milled around like ants crawling around the inside of a giant balloon. Others were already out on the dance floor—spinning, flying, twisting, and tumbling in time with the music, which thumped out of floating spherical speakers that drifted throughout the club. In the middle of all the dancers, a large clear bubble was suspended in space, at the absolute center of the club. This was the “booth” where the DJ stood, surrounded by turntables, mixers, decks, and dials. At the center of all that gear was the opening DJ, R2-D2, hard at work, using his various robotic arms to work the turntables. I recognized the tune he was playing: the ’88 remix of New Order’s “Blue Monday,” with a lot of Star Wars droid sound samples mixed in. As I made my way to the nearest bar, the avatars I passed all stopped to stare and point in
Ernest Cline (Ready Player One)
But depression wasn’t the word. This was a plunge encompassing sorrow and revulsion far beyond the personal: a sick, drenching nausea at all humanity and human endeavor from the dawn of time. The writhing loathsomeness of the biological order. Old age, sickness, death. No escape for anyone. Even the beautiful ones were like soft fruit about to spoil. And yet somehow people still kept fucking and breeding and popping out new fodder for the grave, producing more and more new beings to suffer like this was some kind of redemptive, or good, or even somehow morally admirable thing: dragging more innocent creatures into the lose-lose game. Squirming babies and plodding, complacent, hormone-drugged moms. Oh, isn’t he cute? Awww. Kids shouting and skidding in the playground with no idea what future Hells awaited them: boring jobs and ruinous mortgages and bad marriages and hair loss and hip replacements and lonely cups of coffee in an empty house and a colostomy bag at the hospital. Most people seemed satisfied with the thin decorative glaze and the artful stage lighting that, sometimes, made the bedrock atrocity of the human predicament look somewhat more mysterious or less abhorrent. People gambled and golfed and planted gardens and traded stocks and had sex and bought new cars and practiced yoga and worked and prayed and redecorated their homes and got worked up over the news and fussed over their children and gossiped about their neighbors and pored over restaurant reviews and founded charitable organizations and supported political candidates and attended the U.S. Open and dined and travelled and distracted themselves with all kinds of gadgets and devices, flooding themselves incessantly with information and texts and communication and entertainment from every direction to try to make themselves forget it: where we were, what we were. But in a strong light there was no good spin you could put on it. It was rotten top to bottom. Putting your time in at the office; dutifully spawning your two point five; smiling politely at your retirement party; then chewing on your bedsheet and choking on your canned peaches at the nursing home. It was better never to have been born—never to have wanted anything, never to have hoped for anything. And all this mental thrashing and tossing was mixed up with recurring images, or half-dreams, of Popchik lying weak and thin on one side with his ribs going up and down—I’d forgotten him somewhere, left him alone and forgotten to feed him, he was dying—over and over, even when he was in the room with me, head-snaps where I started up guiltily, where is Popchik; and this in turn was mixed up with head-snapping flashes of the bundled pillowcase, locked away in its steel coffin.
Donna Tartt (The Goldfinch)
I turn my body from the sun. What ho, Tashtego! Let me hear thy hammer. Oh! ye three unsurrendered spires of mine; thou uncracked keel; and only god-bullied hull; thou firm deck, and haughty helm, and Pole-pointed prow, - death-glorious ship! must ye then perish, and without me? Am I cut off from the last fond pride of meanest shipwrecked captains? Oh, lonely death on lonely life! Oh, now I feel my topmost greatness lies in my topmost grief. Ho, ho! from all your furthest bounds, pour ye now in, ye bold billows of my whole foregone life, and top this one piled comber of my death! Towards thee I roll, thou all-destroying but unconquering whale; to the last I grapple with thee; from hell's heart I stab at thee; for hate's sake I spit my last breath at thee. Sink all coffins and all hearses to one common pool! and since neither can be mine, let me then tow to pieces, while still chasing thee, though tied to thee, thou damned whale! Thus, I give up the spear!" The harpoon was darted; the stricken whale flew forward; with igniting velocity the line ran through the groove; - ran foul. Ahab stooped to clear it; he did clear it; but the flying turn caught him round the neck, and voicelessly as Turkish mutes bowstring their victim, he was shot out of the boat, ere the crew knew he was gone. Next instant, the heavy eye-splice in the rope's final end flew out of the stark-empty tub, knocked down an oarsman, and smiting the sea, disappeared in its depths. For an instant, the tranced boat's crew stood still; then turned. "The ship? Great God, where is the ship?" Soon they through dim, bewildering mediums saw her sidelong fading phantom, as in the gaseous Fata Morgana; only the uppermost masts out of water; while fixed by infatuation, or fidelity, or fate, to their once lofty perches, the pagan harpooneers still maintained their sinking lookouts on the sea. And now, concentric circles seized the lone boat itself, and all its crew, and each floating oar, and every lance-pole, and spinning, animate and inanimate, all round and round in one vortex, carried the smallest chip of the Pequod out of sight. But as the last whelmings intermixingly poured themselves over the sunken head of the Indian at the mainmast, leaving a few inches of the erect spar yet visible, together with long streaming yards of the flag, which calmly undulated, with ironical coincidings, over the destroying billows they almost touched; - at that instant, a red arm and a hammer hovered backwardly uplifted in the open air, in the act of nailing the flag faster and yet faster to the subsiding spar. A sky-hawk that tauntingly had followed the main-truck downwards from its natural home among the stars, pecking at the flag, and incommoding Tashtego there; this bird now chanced to intercept its broad fluttering wing between the hammer and the wood; and simultaneously feeling that etherial thrill, the submerged savage beneath, in his death-gasp, kept his hammer frozen there; and so the bird of heaven, with archangelic shrieks, and his imperial beak thrust upwards, and his whole captive form folded in the flag of Ahab, went down with his ship, which, like Satan, would not sink to hell till she had dragged a living part of heaven along with her, and helmeted herself with it. Now small fowls flew screaming over the yet yawning gulf; a sullen white surf beat against its steep sides; then all collapsed, and the great shroud of the sea rolled on as it rolled five thousand years ago.
Herman Melville
Through the breach, they heard the waters pour, as mountain torrents down a flume. "The ship! The hearse!--the second hearse!" cried Ahab from the boat; "its wood could only be American!" Diving beneath the settling ship, the whale ran quivering along its keel; but turning under water, swiftly shot to the surface again, far off the other bow, but within a few yards of Ahab's boat, where, for a time, he lay quiescent. "I turn my body from the sun. What ho, Tashtego! let me hear thy hammer. Oh! ye three unsurrendered spires of mine; thou uncracked keel; and only god-bullied hull; thou firm deck, and haughty helm, and Pole-pointed prow,--death-glorious ship! must ye then perish, and without me? Am I cut off from the last fond pride of meanest shipwrecked captains? Oh, lonely death on lonely life! Oh, now I feel my topmost greatness lies in my topmost grief. Ho, ho! from all your furthest bounds, pour ye now in, ye bold billows of my whole foregone life, and top this one piled comber of my death! Towards thee I roll, thou all-destroying but unconquering whale; to the last I grapple with thee; from hell's heart I stab at thee; for hate's sake I spit my last breath at thee. Sink all coffins and all hearses to one common pool! and since neither can be mine, let me then tow to pieces, while still chasing thee, though tied to thee, thou damned whale! THUS, I give up the spear!" The harpoon was darted; the stricken whale flew forward; with igniting velocity the line ran through the grooves;--ran foul. Ahab stooped to clear it; he did clear it; but the flying turn caught him round the neck, and voicelessly as Turkish mutes bowstring their victim, he was shot out of the boat, ere the crew knew he was gone. Next instant, the heavy eye-splice in the rope's final end flew out of the stark-empty tub, knocked down an oarsman, and smiting the sea, disappeared in its depths. For an instant, the tranced boat's crew stood still; then turned. "The ship? Great God, where is the ship?" Soon they through dim, bewildering mediums saw her sidelong fading phantom, as in the gaseous Fata Morgana; only the uppermost masts out of water; while fixed by infatuation, or fidelity, or fate, to their once lofty perches, the pagan harpooneers still maintained their sinking lookouts on the sea. And now, concentric circles seized the lone boat itself, and all its crew, and each floating oar, and every lance-pole, and spinning, animate and inanimate, all round and round in one vortex, carried the smallest chip of the Pequod out of sight. But as the last whelmings intermixingly poured themselves over the sunken head of the Indian at the mainmast, leaving a few inches of the erect spar yet visible, together with long streaming yards of the flag, which calmly undulated, with ironical coincidings, over the destroying billows they almost touched;--at that instant, a red arm and a hammer hovered backwardly uplifted in the open air, in the act of nailing the flag faster and yet faster to the subsiding spar. A sky-hawk that tauntingly had followed the main-truck downwards from its natural home among the stars, pecking at the flag, and incommoding Tashtego there; this bird now chanced to intercept its broad fluttering wing between the hammer and the wood; and simultaneously feeling that etherial thrill, the submerged savage beneath, in his death-gasp, kept his hammer frozen there; and so the bird of heaven, with archangelic shrieks, and his imperial beak thrust upwards, and his whole captive form folded in the flag of Ahab, went down with his ship, which, like Satan, would not sink to hell till she had dragged a living part of heaven along with her, and helmeted herself with it. Now small fowls flew screaming over the yet yawning gulf; a sullen white surf beat against its steep sides; then all collapsed, and the great shroud of the sea rolled on as it rolled five thousand years ago.
Herman Melville
China might be a quite convincing story, through the works of a genius observer, Joseph Needham, who debunked quite a few Western beliefs and figured out the powers of Chinese science. As China became a top-down mandarinate (that is, a state managed by Soviet-Harvard centralized scribes, as Egypt had been before), the players somehow lost the zest for bricolage, the hunger for trial and error. Needham’s biographer Simon Winchester cites the sinologist Mark Elvin’s description of the problem, as the Chinese did not have, or, rather, no longer had, what he called the “European mania for tinkering and improving.” They had all the means to develop a spinning machine, but “nobody tried”—another example of knowledge hampering optionality. They probably needed someone like Steve Jobs—blessed with an absence of college education and the right aggressiveness of temperament—to take the elements to their natural conclusion.
Nassim Nicholas Taleb (Antifragile: Things That Gain From Disorder (Incerto, #4))
For example, the Chinese invented gunpowder. But for some reason these perennial warriors and kung-fu fighters weren’t savvy enough to use their invention as a weapon of war. The ancient Indians are widely credited with inventing the numerical system we currently use. But they certainly didn’t invent calculus like Newton and Leibniz did. Most uncomfortable for egalitarians and their ilk is that there are vast landmasses—sometimes entire continents—where the indigenous inhabitants have invented virtually nothing. Sub-Saharan Africans are not known for contributing much to rocket science, and black Americans are so underrepresented as inventors that everyone has heard a gorillion times about the mulatto who improved blood-storage methods and George Washington Carver’s wondrous dalliances with the magical peanut. The so-called “Native Americans” are credited with inventing the spinning top, which somehow proved incapable of defending them against the white man and his guns. And Australia’s aborigines? Well, let’s not talk about them, because they’d be embarrassed. Peruvians can take pride in developing the art of potato cultivation. And I’ve already covered the Mexicans and their nachos.
Jim Goad (Whiteness: The Original Sin)
She stared at the water until the sun’s reflection became too much, and then reached for her single bag of belongings. Digging around, she found the clay turtle. It was made of earth. It was tiny. She could use it for practice. Small, she thought as she cradled it with both hands. Precise. Silent. Small. She curled her lips in concentration. It was like crooking the tip of her pinky while wiggling her opposite ear. She needed a whole-body effort to keep her focus sufficiently narrow. There was another reason why she didn’t want to seek instruction from a famous bending master with a sterling reputation and wisdom to spare. Such a teacher would never let her kill Jianzhu in cold blood. Her hunger to learn all four elements had nothing to do with becoming a fully realized Avatar. Fire, Air, and Water were simply more weapons she could bring to bear on a single target. And she had to bring her earthbending up to speed too. Small. Precise. The turtle floated upward, trembling in the air. It wasn’t steady the way bent earth should be, more of a wobbling top on its last few spins. But she was bending it. The smallest piece of earth she’d ever managed to control. A minor victory. This was only the beginning of her path. She would need much more practice to see Jianzhu broken in pieces before her feet, to steal his world away from him the way he had stolen hers, to make him suffer as much as possible before she ended his miserable worthless life— There was a sharp crack. The turtle fractured along innumerable fault lines. The smallest parts, the blunt little tail and squat legs, crumbled first. The head fell off and bounced over the edge of the saddle. She tried to close her grip around the rest of it and caught only dust. The powdered clay slipped between her fingers and was taken by the breeze. Her only keepsake of Kelsang flew away on the wind.
F.C. Yee (Avatar: The Rise of Kyoshi (The Kyoshi Novels, #1))
say that information exists in and of itself is akin to speaking of spin without the top, of ripples without water, of a dance without the dancer, or of the Cheshire Cat’s grin without the cat.
Meghan O'Gieblyn (God, Human, Animal, Machine: Technology, Metaphor, and the Search for Meaning)
Hang on,” Darcy spoke over me and my fingers itched with the urge to punish her for that. If she’d done so in my classroom, I would have made her pay severely for it. As it was, I supposed I could be lenient this once. She’d soon learn I was not to be fucked with anyway. Of course, then my treacherous mind ran to the dangerous place where my punishments involved me pushing her down on my desk and spanking her ass raw, and I cursed myself internally. What the fuck’s the matter with me? ... “Yes. But not just any school. The best school.” It really was the fucking best. “So what do you say?” “I say you're crazy,” Darcy said and I had a vision of showing her just how crazy I could be. Not an appropriate one though. The kind where she was pinned beneath me gasping my name. Focus. ... A beat later, Darcy returned from the bathroom in tight jeans which clung to her round ass and a black tank top that hugged the hourglass curves of her body. Ah, great. Why couldn’t she have been covered in Heptian Toad skin? For some reason, her twin of the exact same figure hadn’t stirred anything in me, but this one had my cock throbbing and my mind spinning with filthy fantasies I could never, ever act on. You fucking idiot. ... I grabbed her shoulders, jerking her around to face the circle of new students in The Howling Meadow ready for their Awakening as my heart thrashed and rioted in my chest. Darcy stepped away from me and my fingers balled and unballed as I stared after her, a growl rolling low through my throat as I worked to fight against the thirst, and the other, hungry part of me which had awoken. Darcy glanced back at me in alarm. “What's going on?” she asked, her green eyes dancing with panic. I guessed this really was a mindfuck. “Did you just drug us?” Tory rounded on me. “What is it with you and drugs?” I muttered. “Remember to keep calm,” I commanded, needing them to get through this without making a complete scene. I had to know what Elements they possessed. Lionel would be waiting for me to call and give him a play by play of everything that had happened tonight, everything I’d learned about the Vegas. But there was one thing for sure I wouldn’t tell even Darius about this night. That I felt a pull to one of them that defied all logic and made my hatred for them deepen. Because of all the concerns I’d had about the Vega twins returning to Solaria, none of my imaginings had conjured up this. Maybe it was the power of their blood that called to me, but as it was only Darcy who had made me fucking burn with unwanted need, I doubted I could put it down to that. One thing was for sure, I’d be cutting these twisted urges out of me just as soon as I could. And they were not going to affect anything about what came next. Because the Vega twins would not be ascending to the throne. It was my duty to make sure of that. And no girl with blue-tipped hair in bunny pyjamas was going to fuck with my plans.(Lance Orion POV)
Caroline Peckham (The Awakening as Told by the Boys (Zodiac Academy, #1.5))
of the tiny aircraft and helped the third passenger aboard, his girlfriend Sandra, 30. The plane taxied and sped down the runway. As it rose into the blue California sun, Norman felt a surge of excitement. But as they banked east over Venice Beach, it was clear there was a storm ahead. In front of them a thick blanket of grey cloud was smothering the San Bernardino Mountains. Only the very tips of their 3,000 m (10,000 ft) peaks showed above the gloom. Norman Senior asked the pilot if it was okay to fly in that weather. The pilot reassured them: it was just a thirty-minute hop. They’d stay low and pop through the mountains to Big Bear before they knew it. Norman wondered if he’d be able to see the slope he’d won the championship on when they wheeled round Mount Baldy. His dad nodded and sat back to read the paper and whistle a Willie Nelson tune. Up front, Norman was savouring every moment. He stretched up to see over the plane’s dashboard and listened to the air traffic chatter on his headphones. As the foothills rose below them, he heard Burbank control pass their plane on to Pomona Control. The pilot told Pomona he wanted to stay below 2,300 m (7,500 ft) because of low freezing levels. Then a private plane radioed a warning against flying into the Big Bear area without decent instruments. Suddenly, the sun went out. The greyness was all around them, as thick as soup. They had pierced the storm. The plane shook and lurched. A tree seemed to flit by in the mist, its spiky fingers lunging at the window. But that couldn’t be, not up here. Then there really was a branch outside and with a sickening yawn, time slowed down and the horror unfurled. Norman instinctively curled into a ball. A wing clipped into a tree, tumbling the plane round, up, down, over and round. The spinning only stopped when they slammed into the rugged north face of Ontario Peak. The plane was instantly smashed into debris and the passengers hurled across an icy gully. And there they lay, sprawled amid the wreckage, 75 m (250 ft) from the top of the 2,650 m (8,693 ft) high mountain and perched on a 45-degree ice slope in the heartless storm.
Collins Maps (Extreme Survivors: 60 of the World’s Most Extreme Survival Stories)
It would be so easy to reach out and cup their fullness, to spin her around and push her down onto the table. We’ve been together nearly every day for the last month. I’ve seen her look at me when she thinks I’m not aware. Her eyes scanning my body from top to bottom, lingering on my chest, my arms. What would she do if I tried?
Elizabeth Helen (Bonded by Thorns (Beasts of the Briar, #1))
The first bell went off just as I got to my locker. After spinning the combination into the padlock, I yanked on the handle while pressing my shoulder into the door. It was my usual routine whenever I visited my locker so none of my stuff would fall out. Sure, we have a locker clean out every two weeks, but you know how life can get busy sometimes, right? That and I was pretty sure I was feeding a small family of rodents living at the bottom of it. I’m not sure I could live with myself if I did anything to take food off their table. Squeezing my fingers into the cold, dark, and somehow damp locker, I managed to scrape the top of my math book just enough so that it would tip into my hand. “Gotcha!” I exclaimed as I slid the book out slowly. After it was free from the locker, I slammed the door shut with my knee since that was the spot where it clicked shut. Suddenly, like she materialized out of thin air, Naomi was standing
Marcus Emerson (Spirit Week Shenanigans (Diary of a 6th Grade Ninja, #8))
The first bell went off just as I got to my locker. After spinning the combination into the padlock, I yanked on the handle while pressing my shoulder into the door. It was my usual routine whenever I visited my locker so none of my stuff would fall out. Sure, we have a locker clean out every two weeks, but you know how life can get busy sometimes, right? That and I was pretty sure I was feeding a small family of rodents living at the bottom of it. I’m not sure I could live with myself if I did anything to take food off their table. Squeezing my fingers into the cold, dark, and somehow damp locker, I managed to scrape the top of my math book just enough so that it would tip into my hand. “Gotcha!
Marcus Emerson (Spirit Week Shenanigans (Diary of a 6th Grade Ninja, #8))
LOVE yourself, and what you’re doing, even if you’re not yet at the place you hope to land. Let joy be the thing that drives you, and I bet you’ll get there faster. Give yourself permission to make mistakes. Those mistakes are as valuable as the triumphs. If you free yourself from having to be “right,” you’ll open so many doors. You might choose classes that interest you, rather than ones you’re “supposed” to take. You might carry a book with you that isn’t something you’re required to read for school. You might try something new—like, say, taking a three-day spinning instructor certification class—and change direction entirely. And why not? Your job doesn’t define you—your bravery and kindness and gratitude do. Even without any “big” accomplishments yet to your name, you are enough. Whether you have top billing, or you’re still dancing in the back row, you are enough, just as you are.
Lauren Graham (In Conclusion, Don't Worry About It)
He headed in the general direction of the treatment room, feeling that familiar wave of energy surge through him. In another minute, he sensed, he would generate enough energy to found a dynasty, lift a truck, start a war, light up the whole of Clayborne for a week. “I am one beautiful and powerful son of a bitch,” he told himself. “Smart as a whip, respected, prosperous, beloved and valuable. I have the right to be healthy, happy and rich, for I am the baddest player in this arena or any other. I love myself more than I love money and pretty women and fine clothes. I love myself more than I love neat gardens and healthy babies and a good gospel choir. I love myself as I love The Law. I love myself in error and in correctness, waking or sleeping, sneezing, tipsy, or fabulously brilliant. I love myself doing the books or sitting down to a good game of poker. I love myself making love expertly, or tenderly and shyly, or clumsily and inept. I love myself as I love The Master’s Mind,” he continued his litany, having long ago stumbled upon the prime principle as a player—that self-love produces the gods and the gods are genius. It took genius to run the Southwest Community Infirmary. So he made the rounds of his hospital the way he used to make the rounds of his houses to keep the tops spinning, reciting declarations of self-love.
Toni Cade Bambara (The Salt Eaters (Vintage Contemporaries))
I arrived at HQ, nodded to a few ender soldiers milling about and totally fanboy-ing at me, and went straight to my room. An ender servant was standing ready outside of the room to assist me. I recognized him. “Hello, Seth,” I said. “I’m going to take a nap. Can you wake me up in forty-five minutes so that I don’t miss my meeting with the Ender King?” Seth stood straight and bowed his head slightly. “Of course, sir. Would you like a snack or any water before you take your nap?” I shook my head. “I’ll eat lunch when I wake up. Please don’t let anyone disturb me. I’m exhausted.” Seth nodded his head and opened the door for me. I walked in and he closed the door behind me. I walked over to my bed and flopped down on it. I closed my eyes and began drifting to sleep but then started to think about my meeting with the Rainbow Creeper. I thought about the different things the head monk had said. My mind started spinning like a top. I would not be able to sleep unless I could take my mind off of all of that stuff. So,
Dr. Block (Diary of a Surfer Villager, Books 16-20 (Diary of a Surfer Villager #16-20))
And they were all as self-centered as a spinning top.
Terry Pratchett (Wyrd Sisters (Discworld, #6))
It’s splendid to be always optimistic, magnificently positive, right up there on top of the world every minute of every day; it’s also impossible. But if you’ve got a lock on the world, when you know the bruise in the blood or dull ache in your gut is a temporary thing if only you can con yourself into believing it is, nine times out of ten you can tighten those loose ends and warm the chill wind sighing inside, turn the snake of sadness around until it bites its tail and things start spinning, livening up, getting right again.
Richard S. Prather (Shell Scott PI Mystery Series, Volume Five)
It was not like her to lose her senses. The ability to drift was beaten from her long ago. But Sorasa drifted now, pacing the beach. She did not hear the shift of sand, or the heavy scuff of boots over the loose stones. There was only the wind. Until a strand of gold blew across her vision, joined by a warm unyielding palm against her shoulder. Her body jolted as she turned, nose to nose with Domacridhan of Iona. His green eyes glittered, his mouth open as he shouted something again, his voice swallowed up by the droning in her own head. “Sorasa.” It came to her slowly, as if through deep water. Her own name, over and over again. She could only stare back into the verdant green, lost in the fields of his eyes. In her chest, her heart stumbled. She expected her body to follow. Instead, her fist closed and her knuckles met cheekbone. Dom was good enough to turn his head, letting the blow glance off. Begrudgingly, Sorasa knew he had spared her a broken hand on top of everything else. “How dare you,” she forced out, trembling. Whatever concern he wore burned away in an instant. “How dare I what? Save your life?” he snarled, letting her go Sorasa swayed without his support. She clenched her own jaw, fighting to maintain her balance lest she fall to pieces entirely. “Is that another Amhara lesson?” he raged on, throwing up both arms. “When given the choice between death or indignity, choose death?!” Hissing, Sorasa looked back to the spot where she woke up. Heat crept up her face as she realized her body left a trail through the sand when he dragged her up from the tide line. A blind man would have noticed it. But not Sorasa in her fury and grief. “Oh,” was all she could manage. Her mouth flapped open, her mind spinning. Only the truth came, and that was far too embarrassing. “I did not see. I—” Her head throbbed again and she pressed a hand to her temple, wincing away from his stern glare. “I will feel better if you sit,” Dom said stiffly. Despite the pain, Sorasa loosed a growl. She wanted to stand just to spite him, but thought better of it. With a huff, she sank, cross-legged on the cool sand. Dom was quick to follow, almost blurring. It made her head spin again. “So you saved me from the shipwreck just to abandon me here?” Sorasa muttered as Dom opened his mouth to protest. “I don’t blame you. Time is of the essence now. A wounded mortal will only slow you down.” She expected him to bluster and lie. Instead, his brow furrowed, lines creasing between his still vivid eyes. The light off the ocean suited him. “Are you? Wounded?” he asked gently, his gaze raking over her. His focus snagged on her temple, and the gash there. “Anywhere else, I mean?” For the first time since she woke, Sorasa tried to still herself. Her breath slowed as she assessed herself, feeling her own body from toes to scalp. As her awareness traveled, she noted every blooming bruise and cut, every dull ache and shooting pain. Bruises ribs. A sprained wrist. Her tongue flicked in her mouth. Scowling, she spit out a broken tooth. “No, I’m not wounded,” she said aloud. Dom’s desperate smile broke wide. He went slack against the sand for an instant, falling back on his elbows to tip his face to the sky. His eyes fluttered shut only for a moment. Sorasa knew his gods were too far. He had said so himself. The gods of Glorian could not hear their children in this realm. Even so, Sorasa saw it on his face. Dom prayed anyway. In his gratitude or anger, she did not know. “Good,” he finally said, sitting back up.
Victoria Aveyard (Fate Breaker (Realm Breaker, #3))
The axis of spin for the planet Arrakis is at right angles to the radius of its orbit. The world itself is not a globe, but more a spinning top somewhat fat at the equator and concave toward the poles. There is a sense that this may be artificial, the product of some ancient artifice. Report of the Third Imperial Commission on Arrakis
Brian Herbert (Dune: House Corrino (Prelude to Dune Book 3))
When you're reading a conventional map, north is generally straight ahead, though this is entirely artefact of map-making culture and has no effect on orientation. Medieval European maps were 'east up', in line with Christian sensibilities, and early Islamic maps were orientated in the direction of Mecca. Whatever was important went at the top. 'North up' maps became commonplace during the sixteenth century, when European explorers began to make extensive journeys using the North Star and the (northward-pointing) compass to navigate. Since then, the idea of north has taken on an importance in people's imaginings: a place to strive for, or one that seems forever out of reach. A standard compass needle will assure you that there is always more north to be had, except when you reach the North Pole itself, at which point the needle will spin like a lost soul, confounded by its goal.
Michael Shaw Bond (From Here to There: The Art and Science of Finding and Losing Our Way)
A waiter set a small tart of caramelized pears before each of them and added a dab of licorice ice cream. Next came bananas topped with passion fruit and black pepper, little pirouettes of pleasure. The meal was as large and generous as the chef himself, and by the time he was serving them aged Armagnac with a ripe Roquefort, Stella's head was spinning. Although they were now surrounded by people eating dinner, new dishes kept arriving. Petit fours appeared, and then chocolates. A basket of fruit. Jules and the chef toasted each other with fragrant fruit brandies.
Ruth Reichl (The Paris Novel)
years, but this feels different somehow. A spark zooms through me, and I quickly stare at my feet. No luck for Andrea tonight, or Gemette. The bottle comes to rest on Andrea’s best friend, Annelise, instead. She and I were in Science together a long time ago. Her dark brown hair hangs loose, framing high cheekbones and expressive chocolate eyes. She frowns. Tonight doesn’t seem to be going right for anyone so far. “Now what?” Annelise’s voice shakes. “We just kiss, right here in front of everyone?” “No, of course not,” Gemette snaps. “Who made you the boss?” Evan frowns. Judging by his sulky tone, he’s still mad about losing his turn earlier. “Unfortunately, I’m the boss,” Wesley says, “and she’s right.” He points to a dilapidated shed at the top of the hill. “You two go up there.” “Romantic.” Tom rolls his eyes as he stands up. He rubs his bare palms on his pants. Gross. At least I know I’m not the only nervous one here. Tom and Annelise trudge a path through clumps of frozen brown grass toward the rundown tool shed. What a special memory for their first kiss. Gemette sighs and I pat her gloved hand with my own. I’d feel worse for her, but Gemette likes every decent looking guy in town, including a few boys a year younger than us. She’ll recover from missing out on a special moment with Tom. I glance again toward Andrea, an acquaintance from my time in Agriculture. She and Tom trained together for years. She may have liked him as long as I’ve liked Wesley. She looks into the fire while her foot digs a messy hole in the soil. I wonder how I’ll feel if Wesley spins and gets Andrea. Or worse, Gemette. I’ll have to sit here and twiddle my thumbs while I know he’s in there kissing a friend. My stomach lurches. Coming tonight was a stupid idea. I clearly didn’t think this through.
Bridget E. Baker (Marked (Sins of Our Ancestors, #1))
His arm comes around my waist from behind. He slides a hand up my stomach and takes a firm hold of one of my breasts. His other hand feathers my shoulder as he moves the hair away from my neck. I squeeze my eyes shut, just as his fingers begin to trace across my skin, up to my shoulder. He slowly runs his finger over the heart and a shudder runs over my whole body. His lips meet my skin, right over the tattoo, and then he sinks his teeth into me so hard, I scream. I try to pull away from him, but he has such a tight grip on me he doesn’t even budge. The pain from his teeth piercing my collarbone rips through my shoulder and down my arm. I immediately start crying. Sobbing. “Ryle, let me go,” I say, my voice pleading. “Please. Walk away.” His arms are cutting into mine as he holds me tightly from behind. He spins me, but my eyes are still closed. I’m too scared to look at him. His hands are digging into my shoulders as he pushes me toward the bed. I start trying to fight him off of me, but it’s useless. He’s too strong for me. He’s angry. He’s hurt. And he’s not Ryle. My back meets the bed and I frantically scoot back toward the headboard, trying to get away from him. “Why is he still here, Lily?” His voice isn’t as composed as it was in the kitchen. He’s really angry now. “He’s in everything. The magnet on the fridge. The journal in the box I found in our closet. The fucking tattoo on your body that used to be my favorite goddamn part of you!” He’s on the bed now. “Ryle,” I beg. “I can explain.” Tears streak down my temples and into my hair. “You’re angry. Please don’t hurt me, please. Walk away, and when you come back, I’ll explain.” His hand grips my ankle and he yanks me until I’m beneath him. “I’m not angry, Lily,” he says, his voice disturbingly calm now. “I just think I haven’t proved to you how much I love you.” His body comes down against mine and he takes my wrists with one hand above my head, pressing them against the mattress. “Ryle, please.” I’m sobbing, trying to push him off of me with any part of my body. “Get off me. Please.” No, no, no, no. “I love you, Lily,” he says, his words crashing against my cheek. “More than he ever did. Why can’t you see that?” My fear folds in on itself, and I become diluted with rage. All I can see when I squeeze my eyes shut is my mother crying on our old living room couch; my father forcing himself on top of her. Hatred rips through me and I start screaming. Ryle tries to muffle my screams with his mouth. I bite down on his tongue. His forehead comes crashing down against mine. In an instant, all the pain fades as a blanket of darkness rolls over my eyes and consumes me.
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
With his other hand, he grabs the front of my throat, spinning me until my back is against his chest, holding me in place. Leaning over the top of me the way he does, even in my heels, he tips my head back, and I understand what he wants of me. My lips part as my tongue dips out of my mouth. He spits the liquid down into my mouth, pouring a mouthful of alcohol onto my tongue. A fiery peppermint-tasting substance. His hand holds my throat, ensuring I swallow it down, some of the burning liquid dripping over my lips, down my chin, and onto my chest.
Jescie Hall (That Sik Luv)
look over at Nathaniel, but he is looking away. It’s like he’s refusing to catch my gaze. If I couldn’t concentrate before, it’s about a thousand times worse now. I don’t understand what happened. He told me he entered me in that contest. Was he lying? No, Nathaniel would never lie to me. We know each other too well for that. Except I can’t come up with another explanation. I try to catch him after the bell rings, but he takes off like a flash, and I’m left behind, my head still spinning. We’re supposed to meet after he’s done with the school paper, but I can’t wait that long. So I grab my phone and send him a message in Snapflash: What happened? I thought you entered me in that contest? Thankfully, his reply comes soon after: I promise I’ll explain everything when we meet. I stare at the words on the screen, which don’t explain anything. But at least he admits he has explaining to do. On top of that, he ends up being twenty minutes late for our liaison in the darkroom. I stand there waiting for him, getting more and more irritated, and when the door finally opens, I’m ready to jump out of my skin.
Freida McFadden (The Teacher)
Welsh sprites Sili-go-Dwt and Trwtyn-Tratyn, the Cornish Terry-Top, Scottish Perrifool, Whuppity-Stoorie, Marget Totts, Titty Tod and Fittle-te-trot are all similar characters in British folk tales in which an elf helps with spinning flax or some similar thread and demands a forfeit unless its name is guessed.
John Kruse (Who's Who in Faeryland)
The man above remained rigid, and yet his mystery was mobile. He stood beyond the railing of the observation deck of the south tower – at any moment he might just take off. Below him, a single pigeon swooped down from the top floor of the Federal Office Building, as if anticipating the fall. The movement caught the eyes of some watchers and they followed the gray flap against the small of the standing man. The bird shot from one eave to another, and it was then the watchers noticed that they had been joined by others and the windows of offices, where blinds were being lifted and a few glass panes labored upward. All that could be seen was a pair of elbows or the end of a shirtsleeve, or an arm garter, but then it was joined by a head, or an odd-looking pair of hands above it, lifting the frame even higher. In the windows of nearby skyscrapers, figures came to look out – men in shirtsleeves and women in bright blouses, wavering in the glass like funhouse apparitions.
Colum McCann (Let the Great World Spin)
When I woke up enough to know I was still restrained with a long grey rope I was soothed by an onlooker who mopped my brow with a brown dress sock. He said Let me take your top off, I want to feel your adorable flesh next to mine. I want to cup your breasts and weigh them in my hand like an expensive bag of grain. Let me take your pants off, I want to bend your legs until they reach around my love for you, it is so great. I will run my fingers up and down the spot where the world stops spinning and escapes into a black box. Let me take your ring off, I want to put my mouth around its gold seal, the purity of its design eclipsed by a desire so perfect it must not be spoken of. I put the naked finger in my mouth and sucked away at it, cleaning the nail that traces trails of disaster on my back. Let me take you away from all of this, lovely girl, because I know how sad one can be when un-loved.
Grace Krilanovich (The Orange Eats Creeps)
In the course of all of the compass-spinning twists, roller coaster hills, and sphincter-contracting turns, I hadn’t noticed that we had stopped at the top of a very large ridge. The beginning of the trail was not pleasant, inviting, or even remotely civil; it was recreational molestation at its best.
Michael Gurnow (Nature's Housekeeper)
I motion toward Mellie and crouch down. She climbs onto my back and holds on tightly. I stand up and swing her around the way I would my niece, and she squeals and laughs. I still have pizzas in one hand, so I set them on top of the car. “Do me,” Joey cries, clinging to my leg. I scoop Joey up too and spin them both in circles. Sky laughs. “I think they like you,” she says quietly. There’s a look of longing on her face. I jostle them both. “Yeah, they like me.” They both squeal as I spin them around again. “I mean, really,” I tease. “What’s not to like?” I arch my brow at her, joking with her like I would with a woman I might be interested in. But there hasn’t been one of those in a long time. Her face colors, and she’s so damn pretty. But she doesn’t say anything. Her eyes travel, though, from the top of my head to the tips of my feet, staying in some places longer than others. Is that interest I see in her eyes? She licks her lips and looks away. “Careful,” I warn quietly. She shakes her head, like she wants me to shut up. So I do. For now.
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
She wobbled, steadying herself against the pale blue walls. “You’ve been going out alone?” “Yes.” He reached out for her arm, but she tore it away from him. “Beth—” She yanked open the door. “Don’t touch me.” The thing clapped shut behind her. Rage at himself had Wrath spinning toward his desk, and the instant he saw all the papers, all the requests, all the complaints, all the problems, it was like someone hooked jumper cables up to his shoulder blades and hit him with a charge. He shot forward, swept his arms across the top, and sent the shit flying everywhere. As papers fluttered down like snow, he took off his sunglasses and rubbed his eyes, a headache spearing into his frontal lobe. Robbed of breath, he stumbled around, finding his chair by feel and collapsing into the damn thing. With a ragged grunt, he let his head fall back. These stress headaches were becoming a daily occurrence lately, wiping him out and lingering like a flu that refused to be cured. Beth. His Beth… When he heard a knock, he gave the f-word a workout. The knock came again. “What,” he barked. Rhage put his head around the jamb, then froze. “Ah…” “What.” “Yeah, well…Ah, going by the door slamming—and, wow, the stiff wind that clearly just blew by your desk—do you still want to meet with us?” -Beth, Wrath, & Rhage
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
Here,” he says, removing my camera from its dry home and handing it to me to turn on. “I want to take a picture of you.” I spin all the way around to fully face him, my back to the village, and smile. He takes way more than one, zooming in and out, aiming up and down, every possible angle and frame width. He mumbles a few things in Italian between shots, and judging by the look on his face, he’s up to no good. Is this why he wanted me to wear my sundress? The temperature is suddenly roasting, my cheeks blazing. There’s a reason I like being on the other side of the camera. Finally I put my hand out in front of my face. “Okay, okay. I think you got enough.” He sets it down in his lap and cocks his head to the side, studying me. “You could belong here,” he says, his tone surprisingly serious. I turn from him and look back at the cluster of buildings, one on top of the other. A beautiful and unique place to visit, but to live long term? “I don’t know about that,” I say. “This could be your life.” He spreads his arms out as if to encompass the whole of Cinque Terre. And him.
Kristin Rae (Wish You Were Italian (If Only . . . #2))
George Malcolm: half white, half black, with messy tousled hair, rumpled and tugged between kind of curly and extremely curly. Once, a year or so before, he'd been at our house and he'd pulled out a lock of his hair and used it to teach me about eddies and helixes. It's a circular current into a central station, he'd explained, giving me one to hold. I pulled on the spring. Nature is full of the same shapes, he said, taking me to the bathroom sink and spinning on the top and pointing out the way the water swirled down the drain. Taking me to the bookshelf and flipping open a book on weather and showing me a cyclone. Then a spiral galaxy. Pulling me back to the bathroom sink, to my glass jar of collected seashells, and pointing out the same curl in a miniature conch. See? he said, holding the seashell up to his hair. Yes! I clapped. His eyes were warm with teaching pleasure. It's galactic hair, he said, smiling. At school, George was legendary already. He was so natural at physics that one afternoon the eighth-grade science teacher had asked him to do a preview of the basics of relativity, really fast, for the class. George had stood up and done such a fine job, using a paperweight and a yardstick and the standard-issue school clock, that the teacher had pulled a twenty-dollar bill from his wallet. I'd like to be the first person to pay you for your clarity of mind, the teacher had said. George used the cash to order pizza for the class. Double pepperoni, he told me later, when I'd asked.
Aimee Bender (The Particular Sadness of Lemon Cake)
He caught hold of Tom’s leg—as well as he could, it was thick as a young tree-trunk—but he was sent spinning up into the top of some bushes, when Tom kicked the sparks up in Thorin’s face.
J.R.R. Tolkien (The Hobbit)
wall while swinging from the rope bridge. At the top of the wall was a zip line with handlebars you had to grab. After that point, it was difficult to see the rest of the course. There were walls among walls blocking the view. It looked like there were spinning pillars scattered throughout it. I saw other pools of water and mud that the runner would have to avoid or worse yet, swim across. At the end of the course, there was a flat open space with barriers scattered throughout. High above the open space was a gun that shot tennis balls the runner had to avoid. The course was a monster. “Beauty, ain’t she?” Mr. Cooper said proudly as he approached us. “Just got her imported from Norway. The pamphlet said it was something that the Vikings themselves trained with, but somehow I doubt that. It also says ninety nine percent of students who attempt it can’t make it past the first rope bridge.” “What’s it doing here?” Carlyle asked. “Will students be running it today?” Mr. Cooper shook his head. “Oh no, it’s not ready by any means, legally I mean, buuuuut…,” the gym teacher trailed off as he glanced over his shoulder. “I didn’t see nothin’.” “Race ya,” Brayden said as he smiled at me. “How can I possibly say no?” I asked as I started running toward the obstacle course at full speed. When I reached the rope bridge, I didn’t hesitate and started climbing. Grabbing the ropes, I balanced myself and walked as quickly as possible over the pool of water. I
Marcus Emerson (Pirate Invasion (Diary of a 6th Grade Ninja, #2))
People, says Tarantoga, believe what they want to believe. Take astrology for instance. Astronomers, who after all should know more than anyone about the stars, tell us that they are giant balls of incandescent gas spinning since the world began and that their influence on our fate is considerably less than the influence of a banana peel, on which you can slip and break your leg. But there is no interest in banana peels, whereas serious periodicals include horoscopes and there are even pocket computers you can consult before you invest in the stock market to find out if the stars are favorable. Anyone who says that the skin of a fruit can have more effect on a person’s future than all the planets and stars combined won’t be listened to. An individual comes into the world because his father, say, didn’t withdraw in time, thereby becoming a father. The mother-to-be, seeing what happened, took quinine and jumped from the top of the dresser to the floor but that didn’t help. So the individual is born and he finishes school and works in a store selling suspenders, or in a post office. Then suddenly he learns that that’s not the way it was at all. The planets came into conjunction, the signs of the zodiac arranged themselves carefully into a special pattern, half the sky cooperated with the other half so that he could come into being and stand behind this counter or sit behind this desk. It lifts his spirits. The whole universe revolves around him, and even if things aren’t going well, even if the stars are lined up in such a way that the suspenders manufacturer loses his shirt and the individual consequently loses his job, it’s still more comforting than to know that the stars don’t really give a damn. Knock astrology out of his head, and the belief too that the cactus on his windowsill cares about him, and what is left? Barefoot, naked despair. So says Professor Tarantoga, but I see I am digressing.
Stanisław Lem (Peace on Earth)
Ian had taken the desk near mine. He grabbed my hand and squeezed it. Physical contact on top of an overload of energy made my head spin. To top it off, when our eyes met, I couldn’t look away. From across the room, Brandy threw a pen at us. It landed loudly on the desk in front of me, breaking the spell. She shook her head and Ian pulled his hand away. Brandy fell in step with me after class. “You’re humming,” she remarked disapprovingly. “I don’t think Ian’s parents would approve of the type of energy floating around here.” “I had to do it,” Ian said, coming up behind us. “She was paralyzed with fear.” “Too bad the side effects will make both of you useless for the rest of the day. You didn’t think about that, did you?” “Useless for what?” I asked. “Ian won’t be able to defend himself if someone should attack. His energy is too wrapped up in yours,” Brandy explained.
Gloria Craw (Atlantis Rising (Atlantis Rising, #1))
Scientists believe that the Earth twirls upon a great pole like a spinning top; this rotational point is theoretically located in the Arctic North, where the land is so desolate and lovely that daylight and nighttime cannot bear to give it up, and trade shifts in six-month intervals. These scientists are mistaken about the Arctic North; for I know in my heart that though the Earth does spin, and spin far too quickly for many of us to bear, London is the centre of the axis.
Lyndsay Faye (Jane Steele)
If an organisation is top-heavy, it will spin like a top without moving ahead.
Haresh Sippy
That bastard making fun of me in front of all my peers Those people think I own this town, you're stripping all my gears Well guess what Mr. President, I'll be seeing you In four years Though on the campaign trail the papers paint me like a clown Still all I see are crowds who want to fit me for a crown I point out all my enemies just so my fans Bring them down Isn't anybody going to stop me? I don't want this job I don't want this job, my god Can't you tell I'm unwell You try to pin me down but you don't really try that hard I throw out any shit I want and no one trumps that card So dazzled and distracted by your fantasy Of Hildegard Isn't anybody going to stop me? I don't want this job I don't want this job, my god Can't you tell I'm unwell You ask about my plan but baby my plan is to win I wind up all the tops and watch the others keep the spin You handing me grenades is just compelling me To pull the pin Isn't anybody going to stop me? I don't want this job I can't do this job, my god Can't you tell I'm unwell
Aimee Mann
I want you to inject this into a red-top Vacutainer and spin it down.” “Okay. What tests do you want done?” “A CBC and a standard Chem-20. But don’t throw any serum away. I may do some more tests,
Greg Iles (True Evil)
it grows. When a larva pops out of its last skin, it becomes a pupa. The pupa stage is a short "rest stop" before it becomes an adult. Pupas don't eat, they just rest. Maybe they're saving up energy to fly. The complete change from larva to adult happens while it is a pupa. When a butterfly caterpillar sheds its last skin, its inner skin hardens into a chrysalis. A moth caterpillar doesn't make a chrysalis. It makes a cocoon. First, it hooks a silk strand to the top of twig. Next, it fastens that same thread to the bottom of the twig. Then it hangs head-down and spins threads across for the rest of the cocoon. Find a chrysalis or cocoon and watch the new butterfly or moth emerge! What It Looks Like The cabbage caterpillar is green or tan. Its skinny body grows no longer than your thumb. It looks like a tiny cucumber, so it can easily hide on a plant, and is hard to find. It is the first bug of spring, and can be found in any garden cabbage patch. What It Eats The cabbage caterpillar was named for its favorite food. It also eats broccoli,
Mel Boring (Caterpillars, Bugs and Butterflies: Take-Along Guide (Take Along Guides))
complete change from larva to adult happens while it is a pupa. When a butterfly caterpillar sheds its last skin, its inner skin hardens into a chrysalis. A moth caterpillar doesn't make a chrysalis. It makes a cocoon. First, it hooks a silk strand to the top of twig. Next, it fastens that same thread to the bottom of the twig. Then it hangs head-down and spins threads across for the rest of the cocoon. Find a chrysalis or cocoon and watch the new butterfly or moth emerge! What It Looks Like
Mel Boring (Caterpillars, Bugs and Butterflies: Take-Along Guide (Take Along Guides))
pupa stage is a short "rest stop" before it becomes an adult. Pupas don't eat, they just rest. Maybe they're saving up energy to fly. The complete change from larva to adult happens while it is a pupa. When a butterfly caterpillar sheds its last skin, its inner skin hardens into a chrysalis. A moth caterpillar doesn't make a chrysalis. It makes a cocoon. First, it hooks a silk strand to the top of twig. Next, it fastens that same thread to the bottom of the twig. Then it hangs head-down and spins threads across for the rest of the cocoon. Find a chrysalis or cocoon and watch the new butterfly or moth emerge! What It Looks Like
Mel Boring (Caterpillars, Bugs and Butterflies: Take-Along Guide (Take Along Guides))
Journal Entry – April 17, 2013/May 10, 2013 Hollow. Numb. Empty. Nothingness. Are these feelings? Or are they just words in the English language? I ask these questions, because these words best describe how I feel right now as I sit here in my hospital room. The waiting game. My mind and thoughts swishing around my head, and my eyes burn feeling as if I am going to cry at any moment. Breakfast has come and gone. Vitals have been taken. And the five to ten minute check in with my assigned morning nurse has occurred. It has been three hours since I woke up, and I have twelve to thirteen hours to survive before I can go to sleep for the night. My day will be made up of one education group, lunch, dinner, and the remainder of the day and evening doing nothing but laying on the bed curled up in a ball depressed waiting for the time to pass looking at the clock hanging on the wall periodically wishing the time would move faster… on the flip side…a few days later…Writing in an attempt to keep my mind and head out of the skies. My heart feels as though it will beat outside of my chest, and my brain is on its own axis within my skull. I feel like I am on top of the world. I feel like I could do anything. I feel like I could write forever. I feel like my mind is on the spin cycle of a washing machine. Or, like I am hooked onto a pair of windshield wipers stuck on a speed mode. Although, my brain has spun faster than this and I feel that the meds are keeping the jerks at bay, I still feel that all too familiar whirling feeling. It is indescribable. It is hard to pinpoint. Some of it must be anxiety. Some of it must be that I am locked up like a caged animal ready to pounce. Then again, some of it must be nature. My brain misfiring and backfiring and causing itself to spin in every which direction at all sorts of speeds none of which are consistent or in the same direction. Inconsistency. Slow, fast, in between. A complete blur. I have trouble tracking. I have trouble focusing. I have trouble remembering…My mind is obsessing. I try to stop my mind from racing. I try to stop my eyes from darting across the page. I try to stop my legs from jittering. To no avail. It all starts again. My internal engine drives the show. It is as if I have a compulsion to move and dart and jerk. It is uncomfortable. My thoughts are scattered. My thoughts do not make sense. I find I have to edit my own thoughts or at least dig through the mess. I must navigate the thoughts to find the ones that fit together all in time before the memory loses focus and the tracking loses hold and “poof” the statement or thought is gone forever. Frustrating. I am intelligent. I feel stupid. My mind is in 5th gear and climbing at an unprecedented rate of speed. It is magical and amazing, but terrifying and exhausting. How to remain “normal” – is it possible? Is there a possibility of the insanity to stop? Is it possible for the cycle of speed to come to an end? I like the productivity, but the wreckage is too much to take. I just want a break. I want to be normal. I don’t want to be manic.
Justin Schleifer (Fractures)
What else do you want to know?” “I didn’t know I wanted to know. But it isn’t—they aren’t things I can just ask you,” she sighs and turns to face him. With his hands on either side of her, he has her penned in, and she’s just as close to his mouth as she was in the foyer. Her gaze flickers from his eyes to his lips and back again as she says, “If I could have asked you, I would have by now.” “You can ask me now,” he whispers, leaning in, his bottom lip deftly sweeping across hers as he turns his head. “Austin—” “Ask me,” he says, his lips grazing her cheek as his head dips lower and his mouth hovers near her neck. She presses herself into him, arching up just enough to let his lips press against her skin. She feels bold and daring and his lips are so soft. “Harper,” he says breathlessly. “Ask me.” “Do you—” Harper’s voice quivers from his mouth on her neck and her head spins, filled with a dizzying lust. She slides a hand into his hair to still him long enough to get out the words she needs. “Austin—Austin, do you want me?” A groan breaks free from Austin’s throat as his teeth scrape along her neck, and Harper’s hand fists reflexively in his hair, pulls him closer. He litters slow kisses along the low-slung neckline of her tank top, beneath the strap as it slides off her shoulder indulgently, each one eliciting a whimper from Harper that spurs on the next move of his lips. When he reaches the hollow beneath her ear, he whispers, “Always.
Jessica Katoff (What You Leave Behind)
Module,” Za said, sprawling out over the seat and looking thoughtful, “I’d like a double standard measure of staol and chilled Shungusteriaung warp-wing liver wine bottoming a mouth of white Eflyre-Spin cruchen-spirit in a slush of medium cascalo, topped with roasted weirdberries and served in a number three strength Tipprawlic osmosis-bowl, or your best approximation thereof.
Iain M. Banks (The Player of Games (Culture, #2))
The life is a whipping top. When it ends the spin, life ends!
Deyth Banger
So Lisa as your matron of honor and Stephanie as bridesmaid,” Cat was saying. “Do you know who Sean wants as best man?” “No. We haven’t gotten that far yet.” He didn’t hear any tension in Emma’s voice, but he guessed she was feeling it. Planning a wedding that wasn’t going to happen was weird, to say the least. “Maybe we could ask Mike’s oldest son—Joey, right?—to be a groomsman so he can escort Stephanie.” “I don’t know,” Emma said. “I don’t think it’s very fair to ask one of the boys and not the others.” “True. Maybe they could be ushers and then join their parents once everybody’s seated.” Sean had just decided to beat a fast retreat back to the living room, when he heard a chair scrape back. “We can talk about that later, Gram. Right now I should go wake Sean so he’s not still groggy when we ask him to fire up the grill.” He didn’t have time to escape, so he leaned against the counter and twisted the top of his beer. Emma paused when she saw him, and then grabbed his hand and dragged him down the hall to the living room. “Where did you disappear to?” he asked. “What? Oh, a client had an emergency. But—” “There are gardening emergencies?” She blew out an exasperated breath. “Yes. When you’re rich, everything’s an emergency. But did you hear what Gram was saying?” “Yeah. How the hell are guys supposed to pick a best man, anyway? I’ve got three brothers and I like them all. And what about Mikey? Or Kevin or Joe? It seems easier to pick a stranger off the street so you don’t have to play favorites. I guess maybe I’d ask Mitch. He’s the oldest, so most of what the rest of us know about catching a woman we learned from him.” “In case you’ve forgotten, you haven’t actually caught a woman yet. And it doesn’t really matter who you choose, because there is no wedding.” She was wound up like an eight-day clock, so he didn’t dare laugh at her. Her cheeks were bright and she kept spinning her ring around and around on her finger. Since there was nothing he could say to make her feel better about Cat wanting to plan their fake wedding, he slid the hand not holding his beer around her waist and hauled her close. “You worry too much,” he told her. “And you—” He kissed her to shut her up. And because all he’d been able to think about since the last time he’d had his hands on her was getting his hands on her again. And, most of all, because he liked kissing her. A lot. Maybe too much, if he thought about it. So he didn’t think about it. Instead, he lost himself in the taste of her mouth and the softness of her lips and the way her hands slid over his lower back, holding him close. “Oh,” Cat said from behind him. “I didn’t mean to interrupt.” “No,” Emma said. “We were just…talking.” “I can see that.
Shannon Stacey (Yours to Keep (Kowalski Family, #3))
When she wasn't at Courtney's, she was perched on top of a stationary bike at spinning class. Siobhán would much rather ride a scooter. It never made sense to her why anyone would want to pedal like mad on top of something that was never going to go anywhere.
Carlene O'Connor (Murder in an Irish Village (Irish Village Mystery, #1))
The studies concluded that the graviton must be massless and chargeless, and must have the quantum mechanical property known as spin-2. (Very roughly, the graviton should spin like a top, twice as fast as the spin of a photon.)
Brian Greene (The Hidden Reality: Parallel Universes and the Deep Laws of the Cosmos)
Another five grand on top of the twenty-five large from Carlisle. I vowed not to tell Kiddiot. Knowing him, he would definitely demand I buy him more cat toys. The
David Freed (Flat Spin (Cordell Logan Mysteries Book 1))
I’m not sure why I thought it would be a good idea to bring Kanish to Mel Odious Sound yesterday. Bringing a Billionheir to a large recording complex full of Producers is like opening a bag of chips at a seagull convention. It wouldn’t be long before every Producer within earshot swooped in to aggressively pitch his latest and greatest pet project, most of which would likely prove unprofitable. Rev is obviously going to pitch a project, and it very well may be something amazing. But as I’ve pointed out, in order for Kanish to make a profit, he would have to pick up half the Publishing—a non-starter for the Rev. He’s not a Songwriting Producer, so he likely doesn’t have a sufficient portion of the Publishing to share. And even if he did, no seasoned Producer is going to give half of their equity in a song in order to basically secure a small loan from an outside investor. There’s no upside. For starters, Kanish has no channels of Distribution beyond Streaming, which is already available to anyone and everyone who wants it, and which is currently only profitable for the Major Labels and the stockholders of the Streaming services themselves. Everyone else is getting screwed. And please don’t quote me the Douchebag Big Tech Billionaires running big Streaming Corporations. They are literally lining their pockets with the would-be earnings of Artists and Songwriters alike. What they claim as fair is anything but. Frankly, I don’t think we should be comfortable with Spotify taking a 30 percent margin off the top, and then disbursing the Tiger’s Share of the remaining 70 percent to the Major Labels who have already negotiated top dollar for access to their catalog. This has resulted in nothing but some remaining scraps trickling down to the tens of thousands of Independent Artists out there who just want to make a living. You can’t make a living off scraps, or even a trickle, for that matter. Mark my words, we are currently witnessing the greatest heist in the annals of the Music Business, and that’s saying something given its history. Can you say Napster? Stunningly, the only place that Songwriters can make sufficient Performance Royalties is radio—a medium that is coming up on its hundred-year anniversary. To make matters worse, the Major Distributors still have radio all locked up, and without airplay, there’s no hit. So even now, more than twenty years into the Internet revolution, the odds of breaking through the artistic cacophony without Major-Label Distribution are impossibly low. So much for the Internet leveling the playing field. At this point, only Congress can solve the problem. And despite the fact that Streaming has been around since the mid-aughts, Congress has done nothing to deal with the issue. Why? Because it’s far cheaper for Big Tech to line the pockets of lobbyists and fund the campaigns of politicians who gladly ignore the issue than it is to pay Artists and Songwriters a fair rate for their work, my friends. Same is it ever was. Just so I’m clear, there is a debate to be had as to how much Songwriters and Artists should be paid for Streaming. A radio Spin can reach millions. A Stream rarely reaches more than a few listeners. Clearly, a new method of calculation is required. But that doesn’t mean that we should just sit by as the Big Tech Douchebags rob an entire generation of royalties all so they can sell their Streaming Corporation for billions down the line. I mean, that is the end game, after all. At which point, profit for the new majority stockholder will be all but impossible. How will anyone get paid then?
Mixerman (#Mixerman and the Billionheir Apparent)
No, not ten, not seconds, everything's different there, space slips away, and time collapses sideways like a ragged wave, and everything spins, spins like a top: there, one second is huge, slow, and resonant, like an abandoned cathedral, another is tiny, sharp, fast--you strike a match and burn up a thousand millennia; a step to the side--and you're in another universe....
Tatyana Tolstaya
Ah. I thought that the common method of refusal was stepping on my toe and spinning off like a top during the turn,” he said.
Alyssa Cole (Agnes Moor's Wild Knight)
Do you mean to tell me that right now, my ward is in an underground club, surrounded by ruffians, gambling on an illegal prizefight—which the constable could break up at any time?” Ian nodded. “Not to mention the fact that the crowd often becomes unruly after a particularly diverting match. Fisticuffs are guaranteed every night.” He rose from his seat and beckoned a servant to fetch their coats and top hats. “I suppose we ought to go fetch them now, shall we?” A haze of red encompassed Vincent’s sight as he donned his coat. “How can you be so calm about this? Our women are in danger!” “Nonsense.” Ian chuckled. “Angelica is capable of defending herself. Also, Rafe won’t let any physical harm come to them. However, I am concerned with the possibility of them being thrown into Newgate for breaking numerous laws just by being at that club.” The duke’s words faded as Vincent strode out of White’s, determined to snatch Lydia out of that hovel so fast her head would spin. He was just about to take off in a burst of preternatural speed when Ian clapped a hand on his shoulder. “We must take a hackney.” “But—” Ian waved off Vincent’s protest. “For one thing, if a duke and an earl arrive without a coach, people will take notice. For another, you cannot use your speed to remove Lydia from the club without eliciting the same response. And it simply would not do to be seen walking back to our neighborhood with Miss Price slung over your shoulder like a sack of grain.” “Very well.” Vincent inclined his head in grudging acknowledgment of Ian’s logic. The duke nodded and flagged down a coach. “And remember, we must treat them as young men. We cannot risk revealing their identities, or they truly will be in danger.” Although
Brooklyn Ann (One Bite Per Night (Scandals with Bite, #2))
The next morning, Steve took his boat out and saw what had happened. The big male had triggered the trap and was snared in the mesh--sort of. Even though the rectangular-shaped net was the biggest he had, the croc’s tail and back leg stuck out. But the black ghost had finally been caught. At Steve’s approach, the animal thrashed wildly, smashing apart mangrove trees on either side of the trap. Steve tried to top-jaw-rope the croc, but it was fighting too violently. Normally Chilli acted as a distraction, giving Steve the chance to secure the croc. But the dog wanted no part of this. She cowered on the floor of the dinghy, unwilling to face this monstrously large croc. Steve was truly on his own. He finally secured a top-jaw rope and tied the other end to a tree. With a massive “death roll”--a defensive maneuver in which the reptile spins its enormous body--the big croc smashed the tree flat and snapped it off. Steve tried again; the croc thrashed, growling and roaring in protest at the trapper in khaki, lunging again and again to tear Steve apart. Finally, the giant croc death-rolled so violently that he came off the bank and landed in the boat, which immediately sank. Chilli had jumped out and was swimming for shore as Steve worked against time. With the croc underwater, Steve lashed the croc, trap and all, in the dinghy. But moving the waterlogged boat and a ton of crocodile was simply too much. Steve sprinted several miles in the tropical heat to reach a cane farm, where he hoped to get help. The cane farmers were a bit hesitant to lend a hand, so Steve promised them a case of beer, and a deal was made. With a sturdy fishing boat secured to each side of Steve’s dinghy, they managed to tow it downriver where they could winch croc and boat onto dry land to get him into a crate. By this time, a crowd of spectators had gathered. When Steve told me the story of the capture, I got the sense that he felt sorry he had to catch the crocodile at all. “It seemed wrong to remove the king of the river,” Steve said. “That croc had lasted in his territory for decades. Here I was taking him out of it. The local people just seemed relieved, and a couple even joked about how many boots he’d make.” Steve was very clever to include the local people and soon won them over to see just how special this crocodile really was. Just as he was dragged into his crate, the old croc attempted a final act of defiance, a death roll that forced Steve to pin him again. “I whispered to him to calm him down,” Steve said. “What did you say to him?” I asked. “Please don’t die.” The black crocodile didn’t die. Steve brought him back to Beerwah, named him Acco, and gave him a beautiful big pond that Bob had prepared, with plenty of places to hide. We were in the Crocodile Environmental Park at the zoo when Steve first told me the story of Acco’s capture. I just had to revisit him after hearing his story. There he was, the black ghost himself, magnificently sunning on the bank of his billabong.
Terri Irwin (Steve & Me)
Win spread his hands. “But why? What about the winner do we want to emulate? His ability to blind himself to anything but the pursuit of empty aggrandizement? His ego-inflating obsession with wearing a hunk of metal around his neck? His willingness to sacrifice anything, including people, in order to best another human being on a lump of AstroTurf for a cheesy statuette?” He looked up at Myron, his always serene face suddenly lost. “Why do we applaud this selfishness, this self-love?” “Competitive drive isn’t a bad thing, Win. You’re talking about extremes.” “But it is the extremists we admire most. By its nature, what you call ‘competitive drive’ leads to extremism and destroys all in its path.” “You’re being simplistic, Win.” “It is simple, my friend.” They both settled back. Myron stared up at the exposed beams. After some time, he said, “You have it wrong.” “How so?” Myron wondered how to explain it. “When I played basketball,” he began, “I mean, when I really got into it and reached these levels you’re talking about—I barely thought about the score. I barely thought about my opponent or about beating somebody. I was alone. I was in the zone. This is going to sound stupid, but playing at the top of my game was almost Zen-like.” Win
Harlan Coben (Back Spin (Myron Bolitar, #4))
US Military Was Prepared to Act in Benghazi Contrary to what the Obama administration has told the American people, the US military was poised and ready to respond immediately and forcefully against terrorists in Benghazi, Libya. That’s what we learned in December 2015 from an email exchange from then–Department of Defense Chief of Staff Jeremy Bash to State Department leadership immediately offering “forces that could move to Benghazi” during the terrorist attack on Benghazi. In an email sent to top Department of State officials, at 7:19 p.m. ET, only hours after the attack had begun, Bash says, “we have identified the forces that could move to Benghazi. They are spinning up as we speak.” The Obama administration redacted the details of the military forces available, oddly citing a Freedom of Information Act (FOIA) exemption that allows the withholding of “deliberative process” information. The Obama administration and Clinton officials hid this compelling Benghazi email for years. The email makes readily apparent that the military was prepared to launch immediate assistance that could have made a difference, at least at the CIA annex. The fact that the Obama Administration withheld this email for so long only worsens the scandal of Benghazi.
Tom Fitton (Clean House: Exposing Our Government's Secrets and Lies)
Sam whispers something to Emilio and then Emilio steps back and hitches his hip against the wall. He grins. Something is up. I just don’t know what. “So,” Sam says really loudly. Friday is holding her phone up and she has the video on. What’s going on? I glare at Sam, because apparently I’m the only one who’s not in on the joke. “What?” I ask him. Then he pulls a box from his pocket and drops down on one knee in front of me. I cover my mouth with my hand. He pops the top of the box and I see a great big diamond ring shining back at me. “So, you wanna?” he says. “Do I wanna…?” I repeat. My heart is in my throat. “Marry me, cupcake.” He stares up at me, blinking those beautiful blue eyes. “Now?” We’re about to leave. I jerk my thumb toward the airport. I can’t make any more words. He laughs and shakes his head. “Not right this second, but soon. We can make little cupcakes together. You can be my plus-one. Or it can just be me and you. But you and me is not negotiable. I kind of need you, cupcake. Have ever since I met you.” I look down at him. He adjusts his stance. “How much longer are you going to make me kneel here on my bad knee?” He grins at me. “Oh, God!” I cry. I help him up and then I hold out my hand. “P-put it on me. I w-wanna.” My hand is shaking in the air, and he takes it in his and slides the ring onto my finger. That’s when I realize it’s Emilio’s mother’s ring. I look at him and he shrugs and smiles. Then Sam picks me up and spins me around. I’m dizzy when he finally sets me down and I cling to him. Cameras snap all around us, and I bury my face in Sam’s chest. He laughs and holds me close. “You sure?” he asks me quietly, so only I can hear. “More sure than I have ever been of anything.” And I mean it. I really do. Emilio gives me one last hug. “Did you know about this?” I ask him. He shrugs. “He came to see me yesterday to ask me for permission.” “And?” “And he just asked you, didn’t he?” He chuckles. “He’s a good one.” Emilio brushes a lock of hair back from my forehead. “I wouldn’t let just anyone marry one of my daughters. Particularly not the first one I ever had.” My
Tammy Falkner (Zip, Zero, Zilch (The Reed Brothers, #6))
THERE MUST BE SOMEONE YOU RELY ON EVEN EARTH HAS AN AXIS TO GO AROUND किसी पर तो भरोसा होगा तुझे धरा की भी एक धुरी होती है 6 Oct National Coaches Day 14 Oct International Top Spinning Day
Vineet Raj Kapoor
Want a ride?" ... One look at the car, & I decided that walking didn't sound so bad, after all. ... "Half the people around here shouldn't even be driving." She said this will no irony whatsoever, despite the fact that her car's black cloth top kept rising and lowering like some kind of strange bird trying to achieve flight. The driver, a young ginger haired guy, took a stab at making it stop, & turned the wipers on instead. "I'm good," I assured her. ... Ronnie panicked & veered sharply to the right, missing the race car but clipping a VW Bug that had stalled out in the middle of the air. It's hood was jacked up, and its owner's butt was hanging over the side. Or, at least, it was until the impact caused the Bug to go spinning in one direction & flung the owner in the other. ...."uh-oh" .... Ronnie glanced at me. "Get in if you're getting!" I'd have refused, considering his grasp on the fundamentals of the road -- or in this case, the air. But traffic was piling up around the accident, pushing more people out of the safe zone. And I was beginning to doubt that most of them even knew how to drive on land.
Karen Chance (Death's Mistress (Dorina Basarab, #2))
Thump. Thump thump. Thump thump thump. “What the…?” one of the soldiers said. The limbs of Glass Eyes clomped down around them. Arms chopped off at the shoulder joint, legs ending at the top of the thigh, hands and feet and torsos, all with a spaghetti of wires and lab-grown veins spilling from holes where no holes should have been. From the direction the card soldiers had expected their death to come, the silhouette of a Wonderlander appeared out of the smoke—a Wonderlander they would have recognized anywhere. The hat, the dramatic swing of the coat, the spinning blades on his wrists: Hatter Madigan.
Frank Beddor (Seeing Redd (The Looking Glass Wars, #2))
It crackled like an inferno; it danced as only supernatural beings know how to dance, its body proliferating around its immobility; it swayed in a twisting of scarves, so quivering, so bronze, so indefatigably remolded by the euphoria of its body that you could no longer tell if it was anchored by the clinging of its prodigious roots or by the meticulous speed of the tip of the spinning top on which the gods take their rest.
Jean Giono (Un roi sans divertissement)
Since I had been doing nothing but follow my brother’s lead, his suicide sent me spinning like a top. I believe this was a very dangerous turning point in my life.
Akira Kurosawa (Something Like An Autobiography)
DIDN’T COME GET me until two in the morning, and she was still singing—in French.” Lydia yawned hugely, then sang, “Ne me quitte pas, blah-blah-blah-blah-blah. What am I going to do? Ben won’t let me into his room every night, no matter what Jeffrey says.” “Sleep in my room from now on,” said Alice. “You can have either the top or bottom bunk.” “Really?” What a relief to never again sleep in the mansion. “Actually, I do prefer the top bunk, so if you wouldn’t mind the bottom—” “No, I mean, do you really think I can stay with you? Wouldn’t your parents mind?” “They’ll like it. They’ve decided you’re a good influence on me.” Lydia thought that being a good influence made her sound as boring as being a person who liked everyone (except she didn’t). But if that was what she had to suffer to get out of the mansion, she’d accept it. Both girls were in their new ballet skirts, swishing along on their way to see Blossom. Alice was carrying the oats in a bag—the skirts were without pockets—and Lydia was carrying Natalie’s phone, plus two books, in another bag. Alice knew about only one of the books, Practical Magic, written by an Alice for grown-ups. The other, sneaked in by Lydia, was a copy of Alice’s Adventures in Wonderland and Through the Looking-Glass. She was hoping to convince both Alice and Blossom to love it. Unless—she stopped walking—that could be considered being a good influence. No, she decided, and started walking again, quickly, to catch up with Alice as she entered the field. They’d decided to begin the visit with a dance, the best way to show Blossom their new skirts. This was the first time the two of them had danced together seriously, and anyone other than sheep would have appreciated the vision—the beautiful skirts, the fusion of ballet and tae kwon do, the paean to freedom and friendship. But to Blossom, the oat carriers seemed to have gone crazy, spinning around like bugs trying to escape a water trough. She stopped halfway across the field, apparently planning to chomp on grass until they became less buglike. The dancing a failure, the girls moved on to the second part of the entertainment. Alice took out oats, Lydia took out Practical Magic, and Blossom came the rest of the way over, accepting the oats and ignoring the book.
Jeanne Birdsall (The Penderwicks at Last (The Penderwicks, #5))
Half a long pepper and lastly a teaspoon of troll fat.' 'Yuck,' Stef said, as she looked down at the small bowl of fat. 'Yes, it is a bit gross, but it's very effective,' Miss Maker said, as she walked over to the front row and paused by a cauldron that belonged to a girl with red hair. 'That looks fantastic, Patricia.' 'How does she know all our names?' Gerty whispered to Charlotte, forgetting that Miss Maker could hear them. 'Gerty, Charlotte, how are you getting on?' She smiled over at them. 'Erm, okay,' Gerty muttered quietly. Yeah, okay I think,' Charlotte added. 'Great!' Miss Maker walked back to the front of the room. 'Now take your spoons and place them into the cauldron, careful not to splash any of the potion. Turn it in a clockwise direction twenty times, like this’ She began to turn her spoon, counting the turns aloud. 'When you've done that, carefully remove your spoon.' 'Now take your wand out and say, 'strength potion make me strong.' Then add one cup of cranberry juice and stir another ten times in a clockwise direction. Pour a glass and drink up girls. This spell will only last for three hours, and then your body’s strength will return to normal.' Stef was the first to drink her potion, followed by Margaret and then Demi. Charlotte and Gerty exchanged looks before they picked up their glasses and drank the liquid. Charlotte looked down to see her arms begin to bulk up under her cardigan until large muscles were visible. 'Look, look!' Gerty lifted her blouse, revealing a six-pack of muscles on her tummy. ''Whoa,' Charlotte said, as she looked down at her own stomach and legs and saw that they were changing too. 'My thighs are huge,' Alice said disgustedly, clutching hold of her muscled leg. 'I feel so strong,' Gerty giggled, as she reached out and lifted Charlotte with one hand and balanced her above her head, spinning her around like a spinning top. 'I feel weaker Miss Maker, what's happening?' Stef asked, as she stumbled and gripped onto the table for support before looking down at herself. Her arms and legs had become much smaller, and she looked skinny and haggard. There were gasps at Stef's appearance as the other girls gathered around her. 'Can you show me what direction is clockwise?' Miss Maker passed Stef a spoon. Stef nodded as she put the spoon into the cauldron and stirred to her left. 'Oh dear.' Miss Maker shook her head. 'That is anti-clockwise, you're lucky the spell is only for three hours.' She led Stef over to the comfy chair that was behind her desk and then addressed the other girls. 'This is a perfect example of how careful you must be when brewing potions and a great lesson for us all. Now, we have to tidy up. Please be careful when cleaning the cauldrons and glasses, don't forget your new strength.' 'Have you seen Demi's muscles? They're huge!' A girl with black hair pointed to Demi's arms.
Katrina Kahler (Witch School, Book 1)
And anyway, where would she ever find the time to make time? There was no time. That was the whole point. What if she stopped going to bed altogether? She could shut herself away like someone in a fairy tale, in a room at the top of a tower and spin time like gold. She could stay awake until there was so much time, lying in golden hanks at her feet, that it would last her the rest of her life and she would never run out again. The idea of living in a tower, cut off from everyone and everything, sounded like heaven to Michelle. The
Kate Atkinson (Case Histories (Jackson Brodie, #1))
house settle into the dark, and where my grandfather and I had seen the amazing and for all purposes apocryphal orrery, with its ivory planets and moons and brass sun, and I had turned the wooden-handled crank and made the entire arrangement of spheres spin on their axes and around one another and the sun in perfect symphony. I decided to break into Mrs. Hale’s house and find the orrery. Nothing in the world seemed more important suddenly than turning the crank and feeling the perfectly machined resistance it offered and the perfect ratio of force applied and degrees that the crank turned to the various periods of the celestial bodies, from the almost imperceptible orbits of the outer planets to the smallest little moons, which spun as quickly and neatly as tops.
Paul Harding (Enon)
FLOAT Like you / my social anxiety / ability to connect with people always manifests itself / as gravity / messing with me in every room / I go into / Every party / gathering always starts / for me / with reeling / this feeling that isn’t floating / but a sinking / up / People talking on the ground / & I’m walking / on / the ceiling Yes / it’s hard / to make new friends / while upside down Hard / when everyone / just thinks / I’m frowning But tonight / you sail / into the room shoes off / dancing / in the chandelier’s / gold hue a spinning top / & everything / I see / goes right side up / We never say a word / take our seats on the ceiling fan / whirring / laughing / without a care for those below.
Grant Chemidlin (What We Lost in the Swamp: Poems)
When we would stretch out and go long, when we got really loud and into it, the dancers would look at us uncomfortably and start glancing at the bartenders for help. But rather than putting an end to it, this one particular bartender, who had a glass eye, would add to the freakiness. He would pour lighter fluid all along the drainage ditch of the bar, pop his glass eye out of its socket, spin it on the bar top, and then set the whole damn thing on fire. From my perch on the drum riser, it looked like a curtain of flame with a madman’s eye spinning right through it. Everyone was like, “What the fuck is going on here?
Bill Kreutzmann (Deal: My Three Decades of Drumming, Dreams, and Drugs with the Grateful Dead)
Tesla claimed that scalar waves can cause changes in the course of time. - Since the human brain can produce these waves, there is the possibility of understanding all paranormal phenomenons, like levitation, remote communication, radionics, dowsing and others. - We can assume that some ancient civilizations have been using these remote communication possibilities with the help of telepathic messages of scalar waves of the brain, adding gravitational components to their thoughts and and spoken messages, while meditating, turning heavy prayer wheels, as well as those small spinning tops, the way Tibetan monks still do today as a part of their prayers. - Today we know that we can produce scalar waves with the Hieronymus machine. When this machine is working, common instruments and detectors don’t detect a thing, but people who are present feel very uncomfortable, with headaches, nausea, and very unpleasant vibrations inside the body, along with the appearance of obvious nervous disorders.
Vilim Kanjski (The Secrets of the Pyramids Revealed)
I like most of my fellow Republicans and conservatives was a victim of the progressive paradigm, embedded in all our institutions of culture, from academia to Hollywood to the media. In this case, the story that we had accepted, like suckers, was the idea that fascism and Nazism are inherently “right wing.” The Left is really good at inventing and disseminating these paradigms. When one of them falls, they simply reach for another. In my previous book and film, Hillary’s America, I challenged another powerful leftist paradigm. This is the paradigm that the progressives and the Democrats are the party of emancipation, equality, and civil rights. I showed instead that they are the party of slavery and Indian removal, of segregation and Jim Crow, of racial terrorism and the Ku Klux Klan, and of opposition to the civil rights movement of the 1960s. My goal was to strip away the race card from the Democrats—a card they had been successfully playing against Republicans for a generation. Incredibly the Democrats had taken full credit for the civil rights movement, even though Republicans are the ones who got it passed, and even though the opposition to it came almost entirely from the Democratic Party. Democrats accused Republicans—the party of emancipation and opposition to segregation, bigotry, and white supremacy—of being the party of bigotry and white supremacy. Talk about transference. This was my introduction to the Left’s political strategy of shifting the blame for racism onto the party that had historically opposed racism in all its forms. So successful were the Democrats in this con that in 2005 a head of the Republican National Committee, Ken Mehlman, went around apologizing to black groups for sins that had actually been committed, not by the Republicans, but by the Democrats. 5 Equally astonishing, the Democrats have never admitted their racist history, never taken responsibility for what they did, never apologized for it, never paid one penny of restitution for their crimes. What intrigued me most was how one can get away with such a big lie. The answer is you have to dominate all the large megaphones of the culture, from academia to the movies to the major media. With this cultural arsenal at their disposal, big liars can spin out falsehoods with the confidence that no one else has a large enough megaphone to challenge them. They can have their lies taught in classrooms, made into movies and TV shows, and reported in the everyday media as the unvarnished truth. This is how big lies come to be widely believed, sometimes even by the people who are being lied about. Hillary’s America was met with outrage on the Left, but no one could rebut a single fact in the book or movie. Even my most incriminating allegations proved invulnerable. I noted that, in 1860, the year before the Civil War, no Republican owned a slave; all the four million slaves at the time were owned by Democrats. Now this generalization could easily be refuted by someone providing a list of Republicans who owned slaves. The Left couldn’t do it. One assiduous researcher finally sought to dispute me with a single counterexample. Ulysses S. Grant, he pointed out, once inherited a slave from his wife’s family. I conceded the point but reminded him that, at the time, Ulysses S. Grant was not a Republican. Fearful that they had no substantive answer to Hillary’s America, the mainstream media went into complete denial. If you watched the major networks or public television, or listened to National Public Radio, you would have no idea that Hillary’s America even existed. The book was Number One on the New York Times bestseller list and the movie was the top-grossing documentary of the year. Both were dense with material directly relevant to the ongoing election debate. Yet they were completely ignored by a press that was squarely in the Hillary camp.
Dinesh D'Souza (The Big Lie: Exposing the Nazi Roots of the American Left)
It was a place where she knew what was going to happen, it was a place where she would always choose the right side, where the failure was in history and not herself, where she did not read the wrong writers, was no seized with surges of enthusiasm for the wrong leaders, did not eat the wrong animals, cheer at bullfights, call little kids Pussy as a nickname, believe in fairies or mediums or spirit photography, blood purity or manifest destiny or night air, did not lobotomize her daughters or send her sons to war, where she was not subject to the swells and currents and storms of the mind of the time—which could not be escaped except through genius, and even then you probably beat your wife, abandoned your children, pinched the rumps of your maids, had maids at all. She had seen the century spin to its conclusion and she knew how it all turned out. Everything had been decided by a sky in long black judge robes, and she floated as the head at the top of it and saw everything, everything, backward, backward, and turned away in fright from her own bright day.
Patricia Lockwood (No One Is Talking About This)
We’re all little miracles,” she said, “everything about us: all our stupid habits and our jokes and our weird faces, on a spinning ball that’s the perfect distance from the sun. And now here we are, you and me, sitting on top of a million years of history.
Martin Stewart
Module,” Za said, sprawling out over the seat and looking thoughtful, “I’d like a double standard measure of staol and chilled Shungusteriaung warp-wing liver wine bottoming a mouth of white Eflyre-Spin cruchen-spirit in a slush of medium cascalo, topped with roasted weirdberries and served in a number three strength Tipprawlic osmosis-bowl, or your best approximation thereof.” “Male or female warp-wing?” the module said. “In this place?” Za laughed. “Hell; both.” “It will take some minutes.” “That is perfectly all right.
Iain M. Banks (The Player of Games (Culture, #2))
Nanette raised her street sign. “Is that it? May I kill you now?” “No, no!” I said. “I am just, ah, letting Calypso sit so…so she can act as my chorus. A good Greek performance always needs a chorus.” Calypso’s hand looked like a crushed eggplant. Her ankle had swollen around the top of her sneaker. I didn’t see how she could stay conscious, much less act as a chorus, but she took a shaky breath and nodded. “Ready.” “Lo!” I said. “I arrived at Camp Half-Blood as Lester Papadopoulos!” “A pathetic mortal!” Calypso chorused. “Most worthless of teens!” I glared at her, but I didn’t dare stop my performance again. “I overcame many challenges with my companion, Meg McCaffrey!” “He means his master!” Calypso added. “A twelve-year-old girl! Behold her pathetic slave, Lester, most worthless of teens!” The policeman huffed impatiently. “We know all this. The emperor told us.” “Shh,” said Nanette. “Be polite.” I put my hand over my heart. “We secured the Grove of Dodona, an ancient Oracle, and thwarted the plans of Nero! But alas, Meg McCaffrey fled from me. Her evil stepfather had poisoned her mind!” “Poison!” Calypso cried. “Like the breath of Lester Papadopoulos, most worthless of teens!” I resisted the urge to push Calypso into the flower bed. Meanwhile, Leo was making his way toward the bulldozer under the guise of an interpretive dance routine, spinning and gasping and pantomiming my words. He looked like a hallucinating ballerina in boxer shorts, but the blemmyae politely got out of his way. “Lo!” I shouted. “From the Oracle of Dodona we received a prophecy—a limerick most terrible!” “Terrible!” Calypso chorused. “Like the skills of Lester, most worthless of teens.” “Vary your adjectives,” I grumbled, then continued for my audience: “We traveled west in search of another Oracle, along the way fighting many fearsome foes! The Cyclopes we brought low!” Leo jumped onto the running board of the bulldozer. He raised his staple gun dramatically, then stapled the bulldozer operator twice in the pectorals—right where his actual eyes would be. That could not have felt good—even for a tough species such as the blemmyae. The operator screamed and grabbed his chest. Leo kicked him out of the driver’s seat. The police officer yelled, “Hey!” “Wait!” I implored them. “Our friend is only giving you a dramatic interpretation of how we beat the Cyclopes. That’s totally allowed while telling a story!
Rick Riordan (The Dark Prophecy (The Trials of Apollo, #2))
Getting It Right" Your ankles make me want to party, want to sit and beg and roll over under a pair of riding boots with your ankles hidden inside, sweating beneath the black tooled leather; they make me wish it was my birthday so I could blow out their candles, have them hung over my shoulders like two bags full of money. Your ankles are two monster-truck engines but smaller and lighter and sexier than a saucer with warm milk licking the outside edge; they make me want to sing, make me want to take them home and feed them pasta, I want to punish them for being bad and then hold them all night long and say I’m sorry, sugar, darling, it will never happen again, not in a million years. Your thighs make me quiet. Make me want to be hurled into the air like a cannonball and pulled down again like someone being pulled into a van. Your thighs are two boats burned out of redwood trees. I want to go sailing. Your thighs, the long breath of them under the blue denim of your high-end jeans, could starve me to death, could make me cry and cry. Your ass is a shopping mall at Christmas, a holy place, a hill I fell in love with once when I was falling in love with hills. Your ass is a string quartet, the northern lights tucked tightly into bed between a high-count-of-cotton sheets. Your back is the back of a river full of fish; I have my tackle and tackle box. You only have to say the word. Your back, a letter I have been writing for fifteen years, a smooth stone, a moan someone makes when his hair is pulled, your back like a warm tongue at rest, a tongue with a tab of acid on top; your spine is an alphabet, a ladder of celestial proportions. I am navigating the North and South of it. Your armpits are beehives, they make me want to spin wool, want to pour a glass of whiskey, your armpits dripping their honey, their heat, their inexhaustible love-making dark. I am bright yellow for them. I am always thinking about them, resting at your side or high in the air when I’m pulling off your shirt. Your arms of blue and ice with the blood running to make them believe in God. Your shoulders make me want to raise an arm and burn down the Capitol. They sing to each other underneath your turquoise slope-neck blouse. Each is a separate bowl of rice steaming and covered in soy sauce. Your neck is a skyscraper of erotic adult videos, a swan and a ballet and a throaty elevator made of light. Your neck is a scrim of wet silk that guides the dead into the hours of Heaven. It makes me want to die, your mouth, which is the mouth of everything worth saying. It’s abalone and coral reef. Your mouth, which opens like the legs of astronauts who disconnect their safety lines and ride their stars into the billion and one voting districts of the Milky Way. Darling, you’re my President; I want to get this right! Matthew Dickman, The New Yorker: Poems | August 29, 2011 Issue
Matthew Dickman
If a navigator stands on the North Pole, the North Star will sit directly overhead at ninety degrees to the horizon in all directions. The top of the world is at ninety degrees latitude. On the equator, at zero degrees latitude, Polaris dances right on the horizon. So latitude can be directly determined by the angle between the polestar and the horizon. I will try to measure the angle of the North Star to the horizon to give me my latitude. Determining longitude is another matter entirely. To do so, the navigator equates arc with time. Each of the 360 degrees of the earth's circular belt line is divided into sixty minutes of arc. Each minute is one nautical mile—6076 feet. Since the earth spins once every twenty-four hours, the heavenly bodies pass over fifteen degrees of longitude every hour, or fifteen minutes of longitude every minute. Some astronomers in Greenwich, England, began and ended their demarcation of the globe by running the longitude line of zero degrees through their little town. Longitude can be calculated by comparing the time when a heavenly body appears overhead to the time when it would be over Greenwich. The difference in time is then converted to arc, which tells the observer how far east or west of Greenwich he is. Not until the advent of accurate timepieces was it possible to fix longitude.
Steven Callahan (Adrift: Seventy-Six Days Lost at Sea)
The Maiden strode unseen through the castle, smiling as she went, until she climbed to the top of the tallest tower, where a spinning wheel waited for her. She reached her pale finger to the spindle’s end. There are many versions of this story, but there is always a pricked finger. There are always three drops of the Maiden’s blood. Her blood touched the castle floor and a spell drifted through the castle. Every living creature fell into a sudden slumber.
Alix E. Harrow (The Once and Future Witches)
Life at that time was like walking on a path made of spinning tops You took a step you were spun off one way The next step spun you off another Every moment was the moment when everything changed
Paul Murray (The Bee Sting)
Neck Strength Equipment That Reduces Head Injury Risk A strong neck reduces concussion risk, and using neck strength equipment is a proven way to build critical support. Mid-training sessions that include resistance-based exercises help control head movement during hits. The result is reduced rotational force, which plays a key role in brain injury prevention. Coaches and athletes alike now consider this gear essential in sports safety programs, helping maintain performance while minimizing the risk of concussions and other neck-related injuries.
TopSpin360
Scary Wheels is a hilariously dark and thrilling physics-based racing game that combines absurd humor with fast-paced action. Inspired by the internet-famous Happy Wheels, this game delivers a chaotic ride full of danger, destruction, and unexpected surprises. With unique characters, deadly obstacles, and ragdoll physics, Scary Wheels offers an experience that is as funny as it is challenging. The core gameplay revolves around controlling oddball characters on unstable vehicles through increasingly difficult obstacle courses. Whether it’s a grandpa in a motorized wheelchair, a daredevil cyclist, or a businessperson on a segway, each character comes with their own brand of awkward movement and vulnerability. The game encourages trial and error, and part of the fun is seeing just how spectacularly things can go wrong. The physics engine is what makes Scary Wheels so addictive. Characters react to terrain and collisions with exaggerated motion and often hilarious consequences. Limbs can detach, vehicles explode, and players are flung into traps if their timing isn’t perfect. This unpredictability keeps every level exciting and makes every small victory satisfying. One of the most entertaining aspects of the game is its use of dark humor. Although the injuries and deaths are exaggerated and cartoonish, they provide a twisted kind of comedy. Players often find themselves laughing out loud after watching their character fly off a cliff or get squashed by a giant hammer. This lighthearted gore gives Scary Wheels a unique identity among racing games. Level design in Scary Wheels is both creative and punishing. Courses are filled with hazards like spinning blades, spikes, mines, collapsing platforms, and swinging axes. Each level is a puzzle that requires a mix of timing, reflexes, and sometimes pure luck. As you progress, the challenges become more intense, demanding better control and more thoughtful strategies. Despite its chaotic nature, the game features simple controls that make it accessible to players of all ages. You move using the arrow keys or WASD, and balance your character to avoid tipping over or crashing. The simplicity of these controls allows anyone to jump in and enjoy the game within minutes, but true mastery requires practice and patience. Replay value is high in Scary Wheels thanks to its diverse selection of characters and ever-changing obstacle courses. Each character behaves differently, giving players a reason to revisit old levels with new strategies. The unpredictability of physics-based gameplay also means no two runs are ever quite the same. Scary Wheels is a perfect blend of laughter and challenge, offering an entertaining experience for gamers who enjoy over-the-top physics and ridiculous, sometimes gruesome outcomes. Whether you’re trying to beat a level or just seeing how much chaos you can cause, the game guarantees fun with every attempt. For fans of ragdoll physics, outrageous fails, and high-stakes obstacle courses, Scary Wheels is a must-play.
Doodle Jump
Then voices began to filter down to her, coming out of her memory, speaking out of the dazzling sun of this place. And they were the voices of the players and poets who had filled her days as a child in the mistress’s sitting room when she was a singing dancing fool. Endless gossip these voices spoke, and joke, and insinuation. The meaty-headed poet with the red beard, his friend who designed the poet’s masques and sketched the girl one day on the margin of a musical score, in the form of a smiling spinning top.
Lauren Groff (The Vaster Wilds)