Spinning Top Quotes

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TO BE HOPEFUL in bad times is not just foolishly romantic. It is based on the fact that human history is a history not only of cruelty, but also of compassion, sacrifice, courage, kindness. What we choose to emphasize in this complex history will determine our lives. If we see only the worst, it destroys our capacity to do something. If we remember those times and places—and there are so many—where people have behaved magnificently, this gives us the energy to act, and at least the possibility of sending this spinning top of a world in a different direction. And if we do act, in however small a way, we don’t have to wait for some grand utopian future. The future is an infinite succession of presents, and to live now as we think human beings should live, in defiance of all that is bad around us, is itself a marvelous victory.
Howard Zinn
Boo, Forever Spinning like a ghost on the bottom of a top, I'm haunted by all the space that I will live without you.
Richard Brautigan (The Pill vs. the Springhill Mine Disaster)
Wait,” Kaidan called from behind me. I squeezed my eyes shut for a second, but kept walking. Then I felt his hand around my wrist, spinning me in a half circle and pulling me to his chest. His face was so close. He reached down and cupped my face with one woolly hand, and wiped the top corner of my lip hard with his thumb. I flinched back. “What are you doing?” “I...” He appeared to have no idea himself. “I wanted to see your freckle.” A vulnerable tenderness flashed across his face, more painful to see than the coldness. It took every ounce of strength I had not to beg for one last kiss. As fast as his expression had softened, it was back to stone again. “What do you want from me, Kai?” “For starters?” His voice lowered to sexy, dangerous depths. “I want to introduce myself to every freckle on your body.” A powerful shiver ripped through me.
Wendy Higgins (Sweet Evil (Sweet, #1))
The attempt at introspective analysis... is in fact like seizing a spinning top to catch its motion, or trying to turn up the gas quickly enough to see the darkness.
William James (The Principles of Psychology: Volume 1)
Ever since we discovered that Earth is round and turns like a mad spinning-top, we have understood that reality is not as it appears to us.
Carlo Rovelli (Seven Brief Lessons on Physics)
But depression wasn't the word. This was a plunge encompassing sorrow and revulsion far beyond the personal: a sick, drenching nausea at all humanity and human endeavor from the dawn of time. The writhing loathsomeness of the biological order. Old age, sickness, death. No escape for anyone. Even the beautiful ones were like soft fruit about to spoil. And yet somehow people still kept fucking and breeding and popping out new fodder for the grave, producing more and more new beings to suffer like this was some kind of redemptive, or good, or even somehow morally admirable thing: dragging more innocent creatures into the lose-lose game. Squirming babies and plodding, complacent, hormone-drugged moms. Oh, isn't he cute? Awww. Kids shouting and skidding in the playground with no idea what future Hells await them: boring jobs and ruinous mortgages and bad marriages and hair loss and hip replacements and lonely cups of coffee in an empty house and a colostomy bag at the hospital. Most people seemed satisfied with the thin decorative glaze and the artful stage lighting that sometimes, made the bedrock atrocity of the human predicament look somewhat more mysterious or less abhorrent. People gambled and golfed and planted gardens and traded stocks and had sex and bought new cars and practiced yoga and worked and prayed and redecorated their homes and got worked up over the news and fussed over their children and gossiped about their neighbors and pored over restaurant reviews and founded charitable organizations and supported political candidates and attended the U.S. Open and dined and travelled and distracted themselves with all kinds of gadgets and devices, flooding themselves incessantly with information and texts and communication and entertainment from every direction to try to make themselves forget it: where we were, what we were. But in a strong light there was no good spin you could put on it. It was rotten from top to bottom.
Donna Tartt (The Goldfinch)
Out of my peripheral vision, I see Four shove the door open and walk out. Apparently this fight isn't interesting enough for him. Or maybe he's going to figure out why everything's spinning like a top, and I don't blame him; I want to know the answer too.
Veronica Roth (Divergent (Divergent, #1))
My face breaks into a huge smile and i start walking in Peeta's direction. Then, as if i can't stand it another second, I start running.He catches me and spins me around and then he slips-he still isn't entirely in command of his artificial leg-and we fall into the snow, me on top of him, and that's where we have our first kiss in months.It's full of fur and snowflakes and lipstick, but underneath all that, I can feel the steadiness that Peeta brings to everything. And I know I'm not alone.As badly as I've hurt him, he won't expose me in front of the cameras. Won't condemn me with a halfhearted kiss. He's still looking out for me. Just as he did in the arena. Somehow the thought makes me want to cry. Instead I pull him to his feet, tuck my glove through the crook of his arm, and merrily pull him on our way.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
You can widen the feet of a compass, but they are still attached at the top; you can spin them away from each other, but you always wind up where you started.
Jodi Picoult (Vanishing Acts)
He was shockingly easy to follow. The pressure of his hand, the step of his foot, the angle of his frame... it was like reading his mind. When he leaned right, they turned in perfect unison. He swept her across the gallery in a quick three, a dizzying pace. Gilded frames and glass cases and the window blurred in her vision, and Azalea spun out, her skirts pulling and poofing around her, before he caught her and brought her back into dance position. She could almost hear music playing, swelling inside of her. Mother had once told her about this perfect twining into one. She called it interweave, and said it was hard to do, for it took the perfect matching of the partners’ strengths to overshadow each other’s weaknesses, meshing into one glorious dance. Azalea felt the giddiness of being locked in not a pairing, but a dance. So starkly different than dancing with Keeper. Never that horrid feeling that she owed him something; no holding her breath, wishing for the dance to end. Now, spinning from Mr. Bradford’s hand, her eyes closed, spinning back and feeling him catch her, she felt the thrill of the dance, of being matched, flow through her. ”Heavens, you’re good!” said Azalea, breathless. ”You’re stupendous,” said Mr. Bradford, just as breathless. “It’s like dancing with a top!
Heather Dixon Wallwork (Entwined)
If walking into the responsibility of caring for eighteen children was difficult, walking out on that responsibility was almost impossible. The children had become a constant presence, little spinning tops that splattered joy onto everyone they bumped into.
Conor Grennan (Little Princes: One Man's Promise to Bring Home the Lost Children of Nepal)
We launch our souls from the cannons of art and discipline, and on any one night, hovering over the chimney tops of Europe, halfway to the stars, there are armies of brightly spinning spirits that have risen like fireworks, tethered to the souls of those men and women who, by reflection, mortification, and devotion, effortlessly outdazzle kings.
Mark Helprin (A Soldier of the Great War)
She sat quietly in one corner of the sofa, the end of her sari drawn modestly over her hair. Like the motionless illusion of a madly spinning top, she was staring vacantly into space.
Ismat Chughtai (The Quilt and Other Stories)
The Ballad of Lucy Jordan The morning sun touched lightly on the eyes of Lucy Jordan In a white suburban bedroom in a white suburban town As she lay there 'neath the covers dreaming of a thousand lovers Till the world turned to orange and the room went spinning round. At the age of thirty-seven she realised she'd never Ride through Paris in a sports car with the warm wind in her hair. So she let the phone keep ringing and she sat there softly singing Little nursery rhymes she'd memorised in her daddy's easy chair. Her husband, he's off to work and the kids are off to school, And there are, oh, so many ways for her to spend the day. She could clean the house for hours or rearrange the flowers Or run naked through the shady street screaming all the way. At the age of thirty-seven she realised she'd never Ride through Paris in a sports car with the warm wind in her hair So she let the phone keep ringing as she sat there softly singing Pretty nursery rhymes she'd memorised in her daddy's easy chair. The evening sun touched gently on the eyes of Lucy Jordan On the roof top where she climbed when all the laughter grew too loud And she bowed and curtsied to the man who reached and offered her his hand, And he led her down to the long white car that waited past the crowd. At the age of thirty-seven she knew she'd found forever As she rode along through Paris with the warm wind in her hair
Marianne Faithfull
...Mr. Wodehouse is a prose stylist of such startling talent that Frankie nearly skipped around with glee when she first read some of his phrases. Until her discovery of Something Fresh on the top shelf of Ruth's bookshelf one bored summer morning, Frankie's leisure reading had consister primarily of paperback mysteries she found on the spinning racks at the public library down the block from her house, and the short stories of Dorothy Parker. Wodehouse's jubilant wordplay bore itself into her synapses like a worm into a fresh ear of corn.
E. Lockhart (The Disreputable History of Frankie Landau-Banks)
Julita was being spinned like a top by a drop-dead-gorgeous Dominicano. Later she told us that he’d asked for her number and she had given him the wrong one. “Why did you do that?” I asked her. “He smelled married,” she said.
Isabel Lopez (Isabel's Hand-Me-Down Dreams)
There are two good reasons for being nice to the underdogs in this life. One, because if the underdog grows up to be the kind of person that starts shooting, you'll have a chance at survival. Two, because it's the right thing to do the third reason being that the wheel of fortune is always spinning, spinning. And just because you're at the top today doesn't mean it'll always be so. When you're at the bottom, you'll want someone to be there for you too.
Lauren Baratz-Logsted (Crazy Beautiful)
Several yards away – closer to the cathedral’s legendary carved doorways – Anna and St. Clair are standing on top of Point Zéro. It’s been hand-brushed clear of its dusting of snow. Point Zéro is the bronze marker, a star, which designates the official centre of France. There are at least two superstitions about it. One is that anyone who stands on the star will return to France. The other is that you can use it to make a wish. “Wait for it,” Josh says. Lola stands straighter, excited. “No!” “Yes,” Cricket says. I’m the last one in the dark, until – suddenly – it happens. St. Clair removes something from his pocket. And then he gets down on one knee. Anna’s entire body lights with shock and joy and love. She nods a vigorous yes. St. Clair places the ring on her finger. He stands, she throws her arms around him, and they kiss. He spins her in a circle. They kiss again. Deep, hungry, long. And then he turns to us and waves – with the biggest smile I’ve ever seen – clearly aware that we’ve been standing here the whole time.
Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
We may see a Creature with forty-nine heads Who lives in the desolate snow, And whenever he catches a cold (which he dreads) He has forty-nine noses to blow. 'We may see the venomous Pink-Spotted Scrunch Who can chew up a man with one bite. It likes to eat five of them roasted for lunch And eighteen for its supper at night. 'We may see a Dragon, and nobody knows That we won't see a Unicorn there. We may see a terrible Monster with toes Growing out of the tufts of his hair. 'We may see the sweet little Biddy-Bright Hen So playful, so kind and well-bred; And such beautiful eggs! You just boil them and then They explode and they blow off your head. 'A Gnu and a Gnocerous surely you'll see And that gnormous and gnorrible Gnat Whose sting when it stings you goes in at the knee And comes out through the top of your hat. 'We may even get lost and be frozen by frost. We may die in an earthquake or tremor. Or nastier still, we may even be tossed On the horns of a furious Dilemma. 'But who cares! Let us go from this horrible hill! Let us roll! Let us bowl! Let us plunge! Let's go rolling and bowling and spinning until We're away from old Spiker and Sponge!
Roald Dahl (James and the Giant Peach)
Facts are but the Play-things of lawyers,-- Tops and Hoops, forever a-spin... Alas, the Historian may indulge no such idle Rotating. History is not Chronology, for that is left to Lawyers,-- nor is it Remembrance, for Remembrance belongs to the People. History can as little pretend to the Veracity of the one, as claim the Power of the other,-- her Practitioners, to survive, must soon learn the arts of the quidnunc, spy, and Taproom Wit,-- that there may ever continue more than one life-line back into a Past we risk, each day, losing our forebears in forever,-- not a Chain of single Links, for one broken Link could lose us All,-- rather, a great disorderly Tangle of Lines, long and short, weak and strong, vanishing into the Mnemonick Deep, with only their Destination in common.
Thomas Pynchon (Mason & Dixon)
What’s your favorite flower?” The sudden change in topic left her spinning out like a top. “What?” “Your favorite flower,” he repeated. “You said you don’t like roses, but there are over four hundred thousand types of flowering plants.” He spoke in a slur, his words running all together. “It’d be easier if you told me which you liked to save me from having to buy them all.
Kelly Andrew (The Whispering Dark)
The bicycle saves my life every day. If you've ever experienced a moment of awe or freedom on a bicycle; if you've ever taken flight from sadness to the rhythm of two spinning wheels, or felt the resurgence of hope pedalling to the top of a hill with the dew of effort on your forehead; if you've ever wondered, swooping down bird-like down a long hill, if the world was standing still; if you have ever, just once, sat on a bicycle with a singing heart and felt like an ordinary human touching the gods, then we share something fundamental. We know it's all about the bike.
Robert Penn
Wait,” Kaidan called from behind me. I squeezed my eyes shut for a second, but kept walking. Then I felt his hand around my wrist, spinning me in a half circle and pulling me to his chest. His face was so close. He reached down and cupped my face with one woolly hand, and wiped the top corner of my lip hard with his thumb. I flinched back. “What are you doing?” “I...” He appeared to have no idea himself. “I wanted to see your freckle.” A vulnerable tenderness flashed across his face, more painful to see than the coldness. It took every ounce of strength I had not to beg for one last kiss. As fast as his expression had softened, it was back to stone again. “What do you want from me, Kai?” “For starters?” His voice lowered to sexy, dangerous depths. “I want to introduce myself to every freckle on your body.” A powerful shiver ripped through me. “So, just something physical, then?” I clarified. “That's all you want?” “Tell me you hate me,” he demanded. I felt the air of his words against my face. “But I don't hate you. I couldn't.” “You could,” he assured me, pulling me tighter. “And you should.” “I'm letting you go.” My voice shook. “But only because I have to. I need to move on with my life, but I'll never hate you.” “The one who got away,” Kaidan murmured. “Nobody got away,” I corrected him. “And so help me, if you start comparing us to an unfinished game that went into overtime-” He released me and I stumbled back a step. I had to get away before I started clinging and begging him to admit his feelings, whatever they might have been. It was necessary to rip off this Band-Aid, and fast. So, as I'd done at the airport, I walked away from him, dragging my heart behind me. I didn't look back. Game over.
Wendy Higgins (Sweet Evil (Sweet, #1))
I never feel like I know how to live in the world. Only on top of it, hanging on as it spins madly.
Marisa Crane (I Keep My Exoskeletons to Myself)
I am one beautiful and powerful son of a bitch,' he told himself. 'Smart as a whip, respected, prosperous, beloved and valuable. I have the right to be healthy, happy and rich, for I am the baddest player in this arena or any other. I love myself more than I love money and pretty women and fine clothes. I love myself more than I love neat gardens and healthy babies and a good gospel choir. I love myself as I love The Law. I love myself in error and in correctness, waking or sleeping, sneezing, tipsy, or fabulously brilliant I love myself doing the books or sitting down to a good game of poker. I love myself making love expertly, or tenderly and shyly, or clumsily and inept. I love myself as I love The Master's Mind,' he continued his litany, having long ago stumbled upon the prime principle as a player--that self-love produces the gods and the gods are genius. It took genius to run the Southwest Community Infirmary. So he made the rounds of his hospital the way he used to make the rounds of his houses to keep the tops spinning, reciting declarations of self-love.
Toni Cade Bambara (The Salt Eaters)
Are we or are we not on an invisible spinning top, whipped by a thread of sunlight, on a grain of crazed sand which turns and turns without ever knowing why, without ever reaching a destination, as if it enjoyed turning like that, to make us feel a little colder or warmer, and make us die (often feeling that we have merely carried out a series of meaningless gestures) after fifty or sixty years?
Luigi Pirandello (The Late Mattia Pascal)
[excerpt] The usual I say. Essence. Spirit. Medicine. A taste. I say top shelf. Straight up. A shot. A sip. A nip. I say another round. I say brace yourself. Lift a few. Hoist a few. Work the elbow. Bottoms up. Belly up. Set ‘em up. What’ll it be. Name your poison. I say same again. I say all around. I say my good man. I say my drinking buddy. I say git that in ya. Then a quick one. Then a nightcap. Then throw one back. Then knock one down. Fast & furious I say. Could savage a drink I say. Chug. Chug-a-lug. Gulp. Sauce. Mother’s milk. Everclear. Moonshine. White lightning. Firewater. Hootch. Relief. Now you’re talking I say. Live a little I say. Drain it I say. Kill it I say. Feeling it I say. Wobbly. Breakfast of champions I say. I say candy is dandy but liquor is quicker. I say Houston, we have a drinking problem. I say the cause of, and solution to, all of life’s problems. I say god only knows what I’d be without you. I say thirsty. I say parched. I say wet my whistle. Dying of thirst. Lap it up. Hook me up. Watering hole. Knock a few back. Pound a few down. My office. Out with the boys I say. Unwind I say. Nurse one I say. Apply myself I say. Toasted. Glow. A cold one a tall one a frosty I say. One for the road I say. Two-fisted I say. Never trust a man who doesn’t drink I say. Drink any man under the table I say. Then a binge then a spree then a jag then a bout. Coming home on all fours. Could use a drink I say. A shot of confidence I say. Steady my nerves I say. Drown my sorrows. I say kill for a drink. I say keep ‘em comin’. I say a stiff one. Drink deep drink hard hit the bottle. Two sheets to the wind then. Knackered then. Under the influence then. Half in the bag then. Out of my skull I say. Liquored up. Rip-roaring. Slammed. Fucking jacked. The booze talking. The room spinning. Feeling no pain. Buzzed. Giddy. Silly. Impaired. Intoxicated. Stewed. Juiced. Plotzed. Inebriated. Laminated. Swimming. Elated. Exalted. Debauched. Rock on. Drunk on. Bring it on. Pissed. Then bleary. Then bloodshot. Glassy-eyed. Red-nosed. Dizzy then. Groggy. On a bender I say. On a spree. I say off the wagon. I say on a slip. I say the drink. I say the bottle. I say drinkie-poo. A drink a drunk a drunkard. Swill. Swig. Shitfaced. Fucked up. Stupefied. Incapacitated. Raging. Seeing double. Shitty. Take the edge off I say. That’s better I say. Loaded I say. Wasted. Off my ass. Befuddled. Reeling. Tanked. Punch-drunk. Mean drunk. Maintenance drunk. Sloppy drunk happy drunk weepy drunk blind drunk dead drunk. Serious drinker. Hard drinker. Lush. Drink like a fish. Boozer. Booze hound. Alkie. Sponge. Then muddled. Then woozy. Then clouded. What day is it? Do you know me? Have you seen me? When did I start? Did I ever stop? Slurring. Reeling. Staggering. Overserved they say. Drunk as a skunk they say. Falling down drunk. Crawling down drunk. Drunk & disorderly. I say high tolerance. I say high capacity. They say protective custody. Blitzed. Shattered. Zonked. Annihilated. Blotto. Smashed. Soaked. Screwed. Pickled. Bombed. Stiff. Frazzled. Blasted. Plastered. Hammered. Tore up. Ripped up. Destroyed. Whittled. Plowed. Overcome. Overtaken. Comatose. Dead to the world. The old K.O. The horrors I say. The heebie-jeebies I say. The beast I say. The dt’s. B’jesus & pink elephants. A mindbender. Hittin’ it kinda hard they say. Go easy they say. Last call they say. Quitting time they say. They say shut off. They say dry out. Pass out. Lights out. Blackout. The bottom. The walking wounded. Cross-eyed & painless. Gone to the world. Gone. Gonzo. Wrecked. Sleep it off. Wake up on the floor. End up in the gutter. Off the stuff. Dry. Dry heaves. Gag. White knuckle. Lightweight I say. Hair of the dog I say. Eye-opener I say. A drop I say. A slug. A taste. A swallow. Down the hatch I say. I wouldn’t say no I say. I say whatever he’s having. I say next one’s on me. I say bottoms up. Put it on my tab. I say one more. I say same again
Nick Flynn (Another Bullshit Night in Suck City)
Quantum physicists discovered that physical atoms are made up of vortices of energy that are constantly spinning and vibrating; each atom is like a wobbly spinning top that radiates energy. Because each atom has its own specific energy signature (wobble), assemblies of atoms (molecules) collectively radiate their own identifying energy patterns. So every material structure in the universe, including you and me, radiates a unique energy signature. If it were theoretically possible to observe the composition of an actual atom with a microscope, what would we see? Imagine a swirling dust devil cutting across the desert’s floor. Now remove the sand and dirt from the funnel cloud. What you have left is an invisible, tornado-like vortex. A number of infinitesimally small, dust devil–like energy vortices called quarks and photons collectively make up the structure of the atom. From far away, the atom would likely appear as a blurry sphere. As its structure came nearer to focus, the atom would become less clear and less distinct. As the surface of the atom drew near, it would disappear. You would see nothing. In fact, as you focused through the entire structure of the atom, all you would observe is a physical void. The atom has no physical structure—the emperor has no clothes! Remember the atomic models you studied in school, the ones with marbles and ball bearings going around like the solar system? Let’s put that picture beside the “physical” structure of the atom discovered by quantum physicists. No, there has not been a printing mistake; atoms are made out of invisible energy not tangible matter! So in our world, material substance (matter) appears out of thin air. Kind of weird, when you think about it. Here you are holding this physical book in your hands. Yet if you were to focus on the book’s material substance with an atomic microscope, you would see that you are holding nothing. As it turns out, we undergraduate biology majors were right about one thing—the quantum universe is mind-bending. Let’s look more closely at the “now you see it, now you don’t” nature of quantum physics. Matter can simultaneously be defined as a solid (particle) and as an immaterial force field (wave). When scientists study the physical properties of atoms, such as mass and weight, they look and act like physical matter. However, when the same atoms are described in terms of voltage potentials and wavelengths, they exhibit the qualities and properties of energy (waves). (Hackermüller, et al, 2003; Chapman, et al, 1995; Pool 1995) The fact that energy and matter are one and the same is precisely what Einstein recognized when he concluded that E = mc2. Simply stated, this equation reveals that energy (E) = matter (m, mass) multiplied by the speed of light squared (c2). Einstein revealed that we do not live in a universe with discrete, physical objects separated by dead space. The Universe is one indivisible, dynamic whole in which energy and matter are so deeply entangled it is impossible to consider them as independent elements.
Bruce H. Lipton (The Biology of Belief: Unleasing the Power of Consciousness, Matter and Miracles)
The dream clung to her. Her sleep had been full of Jupiter ever since the survey last week: that overwhelming, unstoppable girth; the swirling patterns of the atmosphere, dark belts and light stripes rolling in circular rivers of ammonia crystal clouds; every shade of orange in the spectrum, from soft, sand-coloured regions to vivid streams of molten vermilion; the breathtaking speed of a ten-hour orbit, whipping around and around the planet like a spinning top; the opaque surface, simmering and roaring in century-old tempests. And the moons! The ancient, pockmarked skin of Callisto and the icy crust of Ganymede. The rusty cracks of Europa’s subterranean oceans. The volcanoes of Io, magma fireworks leaping up from the surface.
Lily Brooks-Dalton (Good Morning, Midnight)
But they would have been amazed if he had the words to describe it - how delicate it had been, how it reached almost three quarters of the way from the top of the desk to the ceiling, a lacy construct of jacks and deuces and kings and tens and Big Akers, a red and black configuration of paper diamonds standing in defiance of a world spinning through a universe of incoherent motions and forces; a tower that seemed to 'Cimi's amazed eyes to be a ringing denial of all the unfair paradoxes of life.
Stephen King (The Drawing of the Three (The Dark Tower, #2))
I do not want to take part in my life. It can just go on without me; I’m not giving it any help. I don’t want to see it, I don’t want to talk to it, I don’t want it anywhere near me. It takes too much energy. I refuse to be a part of it. If you have a life, even if you get used to it ruining your sleep, spoiling your fun, requiring your somewhat undivided attention, what overwhelming relief one must feel when it finally skips town. I don’t like having to keep the spinning plates spinning on top of all their various and sun-dried poles. From now on they can fall off the poles and break for all I care. I censor myself and where the fuck does it get you? Gussying up your thoughts and putting them to paper.
Carrie Fisher (The Princess Diarist)
...the third reason [for being nice to the underdogs in life] being that the wheel of fortune is always spinning, spinning. And just because you're at the top today doesn't mean it'll always be so. When you're at the bottom, you'll want someone to be there for you too.
Lauren Baratz-Logsted (Crazy Beautiful)
These hips are mighty hips. These hips are magic hips. I have known them to put a spell on a man and spin him like a top
Carol Shields (Dropped Threads: What We Aren't Told)
Dance, the Sheep Man said. Dance in tip-top form. Dance so it all keeps spinning.
Haruki Murakami (Dance Dance Dance (The Rat Series, #4))
Ah. I thought that the common method of refusal was stepping on my toe and spinning off like a top during the turn,” he said.
Alyssa Cole (Agnes Moor's Wild Knight)
Born in 1962, ya always got something to do. The world is spinning like a top, don't sop moving or you might fall off.
Flea (Acid for the Children)
grab this world by its clothespins, and shake it out again and again. And hop on top and take it for a spin. And when you hop off, shake it again. For this is yours. Make these words worth it. Make this not just another poem that I write. Not just another poem like just another night, that sits heavy above us all. Walk into it, breath it in. Let it crawl though the halls of your arms, like the millions of years of millions of poets coursing like blood, pumping and pushing, making you live, shaking the dust. So when the world knocks at your door, clutch the knob tightly and open on up. And run forward. Run forward as fast and as far as you must. Run into its widespread greeting arms with your hands outstretched before you, fingertips trembling though they may be.
Anis Mojgani (Songs From Under the River: A collection of early and new work: A Poetry Collection of Early and New Work)
Annabeth hadn’t seen much of Buford during the trip. He mostly stayed in the engine room. (Leo insisted that Buford had a secret crush on the engine.) He was a three-legged table with a mahogany top. His bronze base had several drawers, spinning gears, and a set of steam vents. Buford was toting a bag like a mail sack tied to one of his legs. He clattered to the helm and made a sound like a train whistle.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
An optimist isn’t necessarily a blithe, slightly sappy whistler in the dark of our time. To be hopeful in bad times is not just foolishly romantic. It is based on the fact that human history is a history not only of cruelty, but also of compassion, sacrifice, courage, kindness. What we choose to emphasize in this complex history will determine our lives. If we see only the worst, it destroys our capacity to do something. If we remember those times and places—and there are so many—where people have behaved magnificently, this gives us energy to act, and at least the possibility of sending this spinning top of a world in a different direction.
James Baraz (Awakening Joy: 10 Steps That Will Put You on the Road to Real Happiness)
she entered the room, clean and dressed, he turned to greet her. A smile lit his face as he looked her over from top to bottom. She gave a little spin and asked, “How do I look?” She knew what he thought, but wanted to hear the answer anyway.
Jeannette Winters (The Billionaire's Secret (Betting on You, #1))
This one truth, that the few people you adore will die, is plenty difficult to absorb. But on top of it, someone’s brakes fail, or someone pulls the trigger or snatches the kid, or someone deeply trusted succumbs to temptation, and everything falls apart. We are hurt beyond any reasonable chance of healing. We are haunted by our failures and mortality. And yet the world keeps on spinning, and in our grief, rage, and fear a few people keep on loving us and showing up. It’s all motion and stasis, change and stagnation. Awful stuff happens and beautiful stuff happens, and it’s all part of the big picture.
Anne Lamott (Help Thanks Wow: Three Essential Prayers)
ONE All the best things in my life have started with a Dolly Parton song. Including my friendship with Ellen Dryver. The song that sealed the deal was “Dumb Blonde” from her 1967 debut album, Hello, I’m Dolly. During the summer before first grade, my aunt Lucy bonded with Mrs. Dryver over their mutual devotion to Dolly. While they sipped sweet tea in the dining room, Ellen and I would sit on the couch watching cartoons, unsure of what to make of each other. But then one afternoon that song came on over Mrs. Dryver’s stereo. Ellen tapped her foot as I hummed along, and before Dolly had even hit the chorus, we were spinning in circles and singing at the top of our lungs. Thankfully, our love for each other and Dolly ended up running deeper than one song. I
Julie Murphy (Dumplin' (Dumplin', #1))
The question, then, is not about changing people; it's about reaching people. I'm not speaking simply of better information, a sharper and clearer factual presentation to disperse the thick fogs generated by today's spin machines. Of course, we always need stronger empirical arguments to back up our case. It would certainly help if at least as many people who believe, say, in a "literal devil" or that God sent George W. Bush to the White House also knew that the top 1 percent of households now have more wealth than the bottom 90 percent combined. Yes, people need more information than they get from the media conglomerates with their obsession for nonsense, violence and pap. And we need, as we keep hearing, "new ideas." But we are at an extraordinary moment. The conservative movement stands intellectually and morally bankrupt while Democrats talk about a "new direction" without convincing us they know the difference between a weather vane and a compass. The right story will set our course for a generation to come.
Bill Moyers
Kerr found that a spinning black hole would not collapse into a pointlike star, as Schwarzschild assumed, but would collapse into a spinning ring. Anyone unfortunate enough to hit the ring would perish; but someone falling into the ring would not die, but would actually fall through. But instead of winding up on the other side of the ring, he or she would pass through the Einstein-Rosen Bridge and wind up in another universe. In other words, the spinning black hole is the rim of Alice's Looking Glass. If he or she were to move around the spinning ring a second time, he or she would enter yet another universe. In fact, repeated entry into the spinning ring would put a person in different parallel universes, much like hitting the "up" button on an elevator. In principle, there could be an infinite number of universes, each stacked on top of each other. "Pass through this magic ring and-presto!-you're in a completely different universe where radius and mass are negative!" Kerr wrote. There is an important catch, however. Black holes are examples of "nontransversable wormholes"; that is, passing through the event horizon is a one-way trip. Once you pass through the event horizon and the Kerr ring, you cannot go backward through the ring and out through the event horizon.
Michio Kaku (Physics of the Impossible)
was going to pay the price. He was going to die. Then his fingers finally found the valve. At first it wouldn’t turn, and he realized he was trying to spin it the wrong way. He reversed his fingers and a rush of cool, blessed air gusted into the mask. Ollie lay under the potatoes, gasping. He jumped a little when the fire blew in the door at the top of the stairs; for a moment he could
Stephen King (Under the Dome)
When she wasn't at Courtney's, she was perched on top of a stationary bike at spinning class. Siobhán would much rather ride a scooter. It never made sense to her why anyone would want to pedal like mad on top of something that was never going to go anywhere.
Carlene O'Connor (Murder in an Irish Village (Irish Village Mystery, #1))
That’s the thing I’ve never really understood about emotions. We’re given unhelpful words for them—sad, happy, angry, scared, disgusted—but they’re not accurate and there never seems to be anywhere near enough of them. How could there be? Emotions aren’t binary or finite: they change, shift, run into each other like colored water. They are layered, three-dimensional and twisted; they don’t arrive in order, one by one, labeled neatly. They lie on top of each other, twisting like kaleidoscopes, like prisms, like spinning bird feathers lit with their own iridescence.
Holly Smale (Cassandra in Reverse)
I spit upon the dancers painted by Degas. I spit upon their short bodies, their stiff stays, their toes whereupon they spin like peg-tops, above all upon that chambermaid face. They might have looked timeless, Remeses the Great, but not the chambermaid, that old maid history. I spit! I spit! I spit!
W.B. Yeats (The Death of Cuchulain : Manuscript Materials Including the Author's Final Text)
Space is like liquid/water, but space has no friction. Water has a density. The planets have a density. The galaxies are like different vortexes and the gravitational pull is caused by the pull of the vortex. The vortex spins faster in the center and slower on the top/outside. So that's why gravitational pull is different on other planets/moons Density dictates where you fall in the galaxy/vortex and there are many vortexes throughout the universe. Theory.
Eric John Mancini
FROM A WILD NIGHT'S BRIDE by Victoria Vane: His gaze glued to the bed, Ned made a mechanical backward retreat to the center of the room where he had a clearer prospect of its crowning glory. His vision rose to the top of the headboard, to the heraldic shield seated betwixt the carved figures of a lion and a unicorn. His gaze slid with dread to the engraved scroll beneath. Dieu Et Mon Driot. God and my right, the motto of the king. His chest seized. The room began to spin. He looked to Phoebe, aware that the blood was draining from his face, and that his voice emerged as a strangled sound. "May the same God save me...for I'm going to be hung, drawn, and quartered for spending last night rutting in the King of England's bed!" coming April 27, 2012 from Breathless Press
Emery Lee
Without the Moon’s steadying influence, the Earth would wobble like a dying top, with goodness knows what consequences for climate and weather. The Moon’s steady gravitational influence keeps the Earth spinning at the right speed and angle to provide the sort of stability necessary for the long and successful development of life.
Bill Bryson (A Short History of Nearly Everything)
Thomas had no concept of time as he went through the Changing. It started much like his first memory of the Box—dark and cold. But this time he had no sensation of anything touching his feet or body. He floated in emptiness, stared into a void of black. He saw nothing, heard nothing, smelled nothing. It was as if someone had stolen his five senses, leaving him in a vacuum. Time stretched on. And on. Fear turned into curiosity, which turned into boredom. Finally, after an interminable wait, things began to change. A distant wind picked up, unfelt but heard. Then a swirling mist of whiteness appeared far in the distance—a spinning tornado of smoke that formed into a long funnel, stretching out until he could see neither the top nor the bottom of the white whirlwind. He felt the gales then, sucking into the cyclone so that it blew past him from behind, ripping at his clothes and hair like they were shredded flags caught in a storm. The tower of thick mist began to move toward him—or he was moving toward it, he couldn’t tell—increasing its speed at an alarming rate. Where seconds before he’d been able to see the distinct form of the funnel, he now could see only a flat expanse of white. And then it consumed him; he felt his mind taken by the mist, felt memories flood into his thoughts. Everything else turned into pain.
James Dashner (The Maze Runner (The Maze Runner, #1))
The boldness and strength and happiness that were natural to me and to which I was denying their natural outlet refused to be denied and to be made sickly and fearful, and they poured through my veins then in an action of delight that was healthy and bold and strong. I forgot who or where I was and I made a sort of buzzing, humming noise like a top spinning or a bee. I felt a vibration like music all through me as if my blood were actually singing. And as though I were driven by that music which was formless yet felt as if it had the force of a dynamo. I crouched over my paper and held my pencil slavishly quick and intense, ready to serve this marvelous buzzing happiness at the moment when like surcharged atmosphere it should condense and form precious words that would drop onto my paper from the end of my pencil.
Katharine Butler Hathaway (The Little Locksmith)
Nick grinned, swooping in for another kiss and then leaning back and scruffing his hair up. “Harriet Manners, I’m about to give you six stamps. Then I’m going to write something on a piece of paper and put it in an envelope with your address on it.” “OK …” “Then I’m going to put the envelope on the floor and spin us as fast as I can. As soon as either of us manage to stick a stamp on it, I’m going to race to the postbox and post it unless you can catch me first. If you win, you can read it.” Nick was obviously faster than me, but he didn’t know where the nearest postbox was. “Deal,” I agreed, yawning and rubbing my eyes. “But why six stamps?” “Just wait and see.” A few seconds later, I understood. As we spun in circles with our hands stretched out, one of my stamps got stuck to the ground at least a metre away from the envelope. Another ended up on a daisy. A third somehow got stuck to the roundabout. One of Nick’s ended up on his nose. And every time we both missed, we laughed harder and harder and our kisses got dizzier and dizzier until the whole world was a giggling, kissing, spinning blur. Finally, when we both had one stamp left, I stopped giggling. I had to win this. So I swallowed, wiped my eyes and took a few deep breaths. Then I reached out my hand. “Too late!” Nick yelled as I opened my eyes again. “Got it, Manners!” And he jumped off the still-spinning roundabout with the envelope held high over his head. So I promptly leapt off too. Straight into a bush. Thanks to a destabilised vestibular system – which is the upper portion of the inner ear – the ground wasn’t where it was supposed to be. Nick, in the meantime, had ended up flat on his back on the grass next to me. With a small shout I leant down and kissed him hard on the lips. “HA!” I shouted, grabbing the envelope off him and trying to rip it open. “I don’t think so,” he grinned, jumping up and wrapping one arm round my waist while he retrieved it again. Then he started running in a zigzag towards the postbox. A few seconds later, I wobbled after him. And we stumbled wonkily down the road, giggling and pulling at each other’s T-shirts and hanging on to tree trunks and kissing as we each fought for the prize. Finally, he picked me up and, without any effort, popped me on top of a high wall. Like Humpty Dumpty. Or some kind of really unathletic cat. “Hey!” I shouted as he whipped the envelope out of my hands and started sprinting towards the postbox at the bottom of the road. “That’s not fair!” “Course it is,” he shouted back. “All’s fair in love and war.” And Nick kissed the envelope then put it in the postbox with a flourish. I had to wait three days. Three days of lingering by the front door. Three days of lifting up the doormat, just in case it had accidentally slipped under there. Finally, the letter arrived: crumpled and stained with grass. Ha. Told you I was faster. LBxx
Holly Smale (Picture Perfect (Geek Girl, #3))
People gambled and golfed and planted gardens and traded stocks and had sex and bought new cars and practiced yoga and worked and prayed and redecorated their homes and got worked up over the news and fussed over their children and gossiped about their neighbors and pored over restaurant reviews and founded charitable organizations and supported political candidates and attended the U.S. Open and dined and travelled and distracted themselves with all kinds of gadgets and devices, flooding themselves incessantly with information and texts and communication and entertainment from every direction to try to make themselves forget it: where we were, what we were. But in a strong light there was no good spin you could put on it. It was rotten top to bottom. Putting your time in at the office; dutifully spawning your two point five; smiling politely at your retirement party; then chewing on your bedsheet and choking on your canned peaches at the nursing home. It was better never to have been born—never to have wanted anything, never to have hoped for anything. And all this mental thrashing and tossing
Donna Tartt (The Goldfinch)
I’m pretty sure decapitation wouldn’t get us out of patrol.” I smiled, which earned me a glare from Finley. “I know it must be an adjustment after having faeries, or whatever, do your dirty work for you, but this is how we do things here,” she said, shoving a black backpack at me. “Please. You must never have met a faerie if you think they do anything dirty,” I replied. “We’ve met plenty of faeries,” Finley snapped, but her shoulders were up around her ears, and Izzy shot her a curious look. Whatever. I had enough family drama of my own to deal with. But then I reminded myself that technically, Izzy and Finley were my family. Demons on one side, Prodigium on the other. Was it any wonder I was so screwed up? Finley turned to face the door, which was bolted with several different locks. I watched her spin the dial on two, open another with a key she wore around her neck, ad unhook a latch at the top. “Man, I bet it takes you forever to get into your lockers,” I joked.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
If you’re a fly, you keep flying and being a nuisance. If you lived in Linares at that time, you could never stop going out to the fields or ranches to tend to your crops or animals. You might close the store for a few days because of the initial shock, but you would open it again because, even if your relatives were sick or dead, your needs and the needs of others—those who sold to you and those who bought from you—persisted. If you lived at that time, you could not avoid having to go out to buy food, and not a day could pass without washing diapers or underpants, even if you sent your mother to the cemetery two hours earlier. In the midst of this crisis, you had tooth decay, infected toenails, and stomach upsets—slight or severe—that you put up with for a while before having to seek help from a doctor, if you could find one. Others went out to sell goat milk, or whistles, yo-yos, and spinning tops in the square, in the hope that there were still children alive to buy them.
Sofía Segovia (The Murmur of Bees)
Nothing that remains static is truly ever alive. Nature does not abide idleness. All energy sources of the natural world and the cosmos are in a constant motion, they are in a perpetual state of fluctuation. All forms of living must make allowances for the seasons of change. The Earth itself is twirling through space, spinning on its axis analogous to a child’s top. The unpredictable forces of instability brought about by a combination of motion, change, and flux propels the miraculous dynamism of existence.
Kilroy J. Oldster (Dead Toad Scrolls)
if alcohol made you happy, every time you drank you should be full of happiness. Let me ask you, from a purely physiological perspective, how could alcohol possibly make you happy? The effect of alcohol is to deaden all of your senses, to numb you, to inebriate you. If you are numb, how can you feel anything, happiness included? Surely you are not happy every time you drink. None of us are proud of everything we have said or done while drinking. Yet in the moment we believe we are on top of the world, saying and doing anything we please, deluding ourselves into thinking it’s making us happy. Are you happy when the room starts to spin, or your dinner comes back up? Is the drunk on the street in Vegas who has lost his home and his family to booze truly happy? You might take issue with this and tell me that
Annie Grace (This Naked Mind: Control Alcohol, Find Freedom, Discover Happiness & Change Your Life)
I skipped between the dancers, twirling my skirts. The seated, masked musicians didn’t look up at me as I leaped before them, dancing in place. No chains, no boundaries—just me and the music, dancing and dancing. I wasn’t faerie, but I was a part of this earth, and the earth was a part of me, and I would be content to dance upon it for the rest of my life. One of the musicians looked up from his fiddling, and I halted. Sweat gleamed on the strong column of his neck as he rested his chin upon the dark wood of the fiddle. He’d rolled up the sleeves of his shirt, revealing the cords of muscle along his forearms. He had once mentioned that he would have liked to be a traveling minstrel if not a warrior or a High Lord—now, hearing him play, I knew he could have made a fortune from it. “I’m sorry, Tam,” Lucien panted, appearing from nowhere. “I left her alone for a little at one of the food tables, and when I caught up to her, she was drinking the wine, and—” Tamlin didn’t pause in his playing. His golden hair damp with sweat, he looked marvelously handsome—even though I couldn’t see most of his face. He gave me a feral smile as I began to dance in place before him. “I’ll look after her,” Tamlin murmured above the music, and I glowed, my dancing becoming faster. “Go enjoy yourself.” Lucien fled. I shouted over the music, “I don’t need a keeper!” I wanted to spin and spin and spin. “No, you don’t,” Tamlin said, never once stumbling over his playing. How his bow did dance upon the strings, his fingers sturdy and strong, no signs of those claws that I had come to stop fearing … “Dance, Feyre,” he whispered. So I did. I was loosened, a top whirling around and around, and I didn’t know who I danced with or what they looked like, only that I had become the music and the fire and the night, and there was nothing that could slow me down. Through it all, Tamlin and his musicians played such joyous music that I didn’t think the world could contain it all. I sashayed over to him, my faerie lord, my protector and warrior, my friend, and danced before him. He grinned at me, and I didn’t break my dancing as he rose from his seat and knelt before me in the grass, offering up a solo on his fiddle to me.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
I was alone in a great spinning wheel surrounded by things that were made out of meat, things that moved all by themselves. Some of them were wrapped in pieces of cloth. Strange nonsensical sounds came from holes at their top ends, and there were other things up there, bumps and ridges and something like marbles or black buttons, wet and shiny and embedded in the slabs of meat. They glistened and jiggled and moved as if trying to escape. I didn’t understand the sounds the meat was making, but I heard a voice from somewhere. It was like God talking, and that I couldn’t help but understand.
Peter Watts (Blindsight (Firefall, #1))
The real writer, the fellow who sends planets spinning and models a man asleep and eagerly tampers with the sleeper's rib, that kind of author has no given values at his disposal: he must create them himself. The art of writing is a very futile business if it does not imply first of all the art of seeing the world as the potentiality of fiction. The material of this world may be real enough (as far as reality goes) but it does not exist at all as an accepted entirety: it is chaos, and to this chaos the author says "go!" allowing the world to flicker and to fuse. It is now recombined in its very atoms, not merely in its visible and superficial parts. The writer is the first man to map it and to name the natural objects it contains. Those berries are edible. That speckled creature that bolted across my path might be tamed. That lake between those trees will be called Lake Opal or, more artistically, Dishwater Lake. That mist is a mountain--and that mountain must be conquered. Up a trackless slope climbs the master artist, and at the top, on a windy ridge, whom do you think he meets? The panting and happy reader, and there they spontaneously embrace and are linked forever if the book lasts forever.
Vladimir Nabokov
When I look up, he is still dead. This wasn’t right. I thought the Society only played games with its slaves. Wrong. Julian didn’t score like I did on the tests. He wasn’t as physically capable as me. So he was a sacrificial lamb. One hundred students per House and the bottom fifty are only here to be killed by the top fifty. This is just a bloodydamn test … for me. Even the Bellona Family, powerful as they are, could not protect their less capable son. And that is the point. I hate myself. I know they made me do this, yet it still feels like a choice. Like when I pulled Eo’s legs and felt the snap of her small spine. My choice. But what other choice was there with her? With Julian? They do this to make us wear the guilt. There’s nowhere to wipe the blood, only stone and two na**d bodies. This is not who I am, who I want to be. I want to be a father, a husband, a dancer. Let me dig in the earth. Let me sing the songs of my people and leap and spin and run along the walls. I would never sing the forbidden song. I would work. I would bow. Let me wash dirt from my hands instead of blood. I want only to live with my family. We were happy enough. Freedom costs too much. But Eo disagreed. Damn her.
Pierce Brown (Red Rising (Red Rising Saga, #1))
The sides of my head throb. My knees feel weak. “You need therapy.” Mom laughs the most over-the-top, hysterical laugh I’ve ever heard. “It’s not funny. There is something wrong with you. Who treats their kids this way? There’s a reason none of us want to be around you. There’s a reason Shoji wants to live with Dad, and why Taro spent the rest of the summer with his friend, and why I want to go to art school thousands of miles away from you.” My face burns with frustration. “You are so obsessed with yourself that there isn’t any room for anyone else’s feelings. You don’t care about anything unless it somehow relates back to you.” I start to walk away, intent on leaving her alone in her chair. But something stops me. Spinning back to face her, my breathing erratic and my voice hoarse, I growl, “And I’m not imagining what happened to me. Your sick brother sexually abused me. I don’t care what you think it’s called, because that’s what it is. Sexual abuse. I was sexually abused. Do you get that? And if you were any kind of mother, that would have mattered to you. You wouldn’t have tried to justify it or rationalize it away by saying it wasn’t rape and therefore isn’t as bad—it was bad. That’s it.
Akemi Dawn Bowman (Starfish)
Too damn long.’ He put his coat on an empty chair, settled a slim attaché case on top of it, and placed a narrow-brimmed gray hat on top of the attaché case. He seated himself across the table from me and dug his lucky charm out of his pocket. I watched him set it spinning. ‘Too goddamned long, Matt,’ he told the coin.
Lawrence Block (Time To Murder And Create (Matthew Scudder Mysteries Series Book 2))
I do not want to take part in my life. It can just go on without me; I’m not giving it any help. I don’t want to see it, I don’t want to talk to it, I don’t want it anywhere near me. It takes too much energy. I refuse to be a part of it. If you have a life, even if you get used to it ruining your sleep, spoiling your fun, requiring your somewhat undivided attention, what overwhelming relief one must feel when it finally skips town. I don't like having to keep the spinning plates spinning on top of all their various and sun-dried poles. From now on they can fall of the poles and break for all I care. I censor myself and where the fuck does it get you?
Carrie Fisher (The Princess Diarist)
Rabbi Moshe Weinberger of Mesivta Beis Shraga related how his father used to say that on Purim, the handle of the gragger (noisemaker) we spin is beneath the gragger itself, while on Chanukah the handle of the dreidel (four-sided top) we spin is on top. Purim, he expounded, represents human initiative, an "awakening from below," while Chanukah represents Divine intervention, an "awakening from above." On Purim, we stir ourselves with drink, joy, a hearty meal and other activities. On Chanukah, we light a candle that we are not allowed to use for any purpose other than to gaze at its flame. We just sit back and look. We let Hashem take over. We remind ourselves that Hashem is running the show.
Yaakov Astor (The Hidden Hand: Uncovering Divine Providence in Major Events of the 20th Century)
The businessman turns out to have a lot of zanshin. Translating this concept into English is like translating "fuckface" into Nipponese, but it might translate into "emotional intensity" in football lingo. He charges directly at Hiro, hollering at the top of his lungs... "Emotional intensity" doesn't convey the half of it, of course. It is the kind of coarse and disappointing translation that makes the dismembered bodies of samurai warriors spin in their graves. The word "zanshin" is larded down with a lot of other folderol that you have to be Nipponese to understand. And Hiro thinks, frankly, that most of it is pseudomystical crap, on the same level as his old high school football coach exhorting his men to play at 110 percent.
Neal Stephenson (Snow Crash)
The top four priorities would be food, fuel, clothing and shelter. Dig the garden, feed the pig, fetch water from the brook, gather wood from the forest, wash some potatoes, light a fire (no matches), cook lunch, repair the roof, fetch fresh bracken for clean bedding, whittle a needle, spin some thread, sew leather for shoes, wash in the stream, fashion a pot out of clay, catch and cook a chicken for dinner.
Matt Ridley (The Rational Optimist (P.S.))
She hoots like a monkey and pulls me back onto a shelf in the tub. I fall between her legs, I fall on top of her, we sink … and then we’re twirling, spinning in the water, me on top, then her, then me, and giggling, and making bird cries. Steam envelops us, cloaks us; light sparkles on the agitated water; and we keep spinning, so that at some point I’m not sure which hands are mine, which legs. We aren’t kissing. This game is far less serious, more playful, free-style, but we’re gripping each other, trying not to let the other’s slippery body go, and our knees bump, our tummies slap, our hips slide back and forth. Various submerged softnesses on Clementine’s body are delivering crucial information to mine, information I store away but won’t understand until years later. How long do we spin? I have no idea. But at ,some point we get tired. Clementine beaches on the shelf, with me on top.
Jeffrey Eugenides (Middlesex)
SEEN ACROSS TEN MILES OF sunlit water, Lorbanery was green, green as the bright moss by a fountain’s rim. Nearby, it broke up into leaves, and tree-trunks, and shadows, and roads, and houses, and the faces and clothing of people, and dust, and all that goes to make up an island inhabited by men. Yet still, over all, it was green: for every acre of it that was not built or walked upon was given up to the low, round-topped hurbah trees, on the leaves of which feed the little worms that spin the silk that is made into thread and woven by the men and women and children of Lorbanery. At dusk the air there is full of small grey bats who feed on the little worms. They eat many, but are suffered to do so and are not killed by the silk-weavers, who indeed account it a deed of very evil omen to kill the grey-winged bats. For if human beings live off the worms, they say, surely small bats have the right to do so.
Ursula K. Le Guin (The Farthest Shore (Earthsea Cycle, #3))
Spinning in April MOON in heaven's garden, among the clouds that wander, Crescent moon so young to see, above the April ways, Whiten, bloom not yet, not yet, within the twilight yonder; All my spinning is not done, for all the loitering days. Oh, my heart has two wild wings that ever would be flying! Oh, my heart's a meadow-lark that ever would be free! Well it is that I must spin until the light is dying; Well it is the little wheel must turn all day for me! All the hill-tops beckon, and beyond the western meadows Something calls for ever, calls me ever, low and clear: A little tree as young as I, the coming summer shadows,— The voice of running waters that I always thirst to hear. Oftentime the plea of it has set my wings a-beating; Oftentime it coaxes, as I sit weary-wise, Till the wild life hastens out to wild things all entreating, And leaves me at the spinning-wheel with dark, unseeing eyes.
Josephine Preston Peabody (The Classic Works of Josephine Preston Peabody)
described approached so nigh as to receive some interruption from the warders, he dashed his dusky green turban from his head, showed that his beard and eyebrows were shaved like those of a professed buffoon, and that the expression of his fantastic and writhen features, as well as of his little black eyes, which glittered like jet, was that of a crazed imagination. "Dance, marabout," cried the soldiers, acquainted with the manners of these wandering enthusiasts, "dance, or we will scourge thee with our bow-strings till thou spin as never top did under schoolboy's lash." Thus shouted the reckless warders, as much delighted at having a subject to tease as a child when he catches a butterfly, or a schoolboy upon discovering a bird's nest. The marabout, as if happy to do their behests, bounded from the earth, and spun his giddy round before them with singular agility, which, when contrasted with his slight and wasted figure, and
Walter Scott (The Complete Works of Sir Walter Scott: Novels, Short Stories, Poetry, Plays, Journal, Letters, Articles and much more (Illustrated Edition): The Entire ... Guy Mannering, The Antiquary and many more)
The result, a few moments later, was that the glider came snapping over the top just as its connection to the last flynk was severed. In a few seconds it had been hauled two thousand meters straight up and let go with a velocity of a few hundred kilometers per hour. Meanwhile, every other flynk in the chain had decoupled itself fore and aft, causing the entire chain to disintegrate into a linear cloud of identical fragments, each headed in a different direction. Each flynk, sensing that it was aloft and alone, automatically deployed large tail vanes that turned it from a bullet into a badminton shuttlecock. The flynks rapidly slowed down to their terminal velocity, turned nose down, and began to fall toward the ground. A slight canting of the vanes caused them to begin spinning like maple seeds, further slowing their descent, and in this manner the entire swarm began to descend in the direction of an empty lot adjacent to the flynk barn.
Neal Stephenson (Seveneves)
On a subtle level, even democracy encourages division. Modern political leaders can still force their way to the top — they can cheat, spin or bend the truth, manipulate and even buy their way into leadership. Until leadership demands its highest frequency, that of the 7th Siddhi of Virtue, we will never fully see the end of political division and hierarchy. The 7th Shadow cannot command true respect or loyalty because it has at its core the lust for power rather than the good of others.
Richard Rudd (The Gene Keys: Embracing Your Higher Purpose)
Which means we couldn’t possibly turn a blind eye to the poor or declare “comfort and safety” our top priority. If we really believed, then we’d never be happy living healthy, affluent lives while ignoring the 25,000 people who will die of starvation that same day. Once we are believers, we can’t begrudge our enemies or live a totally self-absorbed life. Believing in Jesus means transformation—how could it mean anything less? One who says, “I believe” and lives for herself doesn’t believe at all.
Jen Hatmaker (Out of the Spin Cycle: Devotions to Lighten Your Mother Load)
Did those “new gays” spinning about like giddy tops in discos care to know that dancing with someone of the same sex was punishable as “lewd conduct” then? Still, a club in Topanga Canyon boasted a system of warning lights. When they flashed, lesbians and gay men shifted—what a grand adventure!—and danced with each other, laughing at the officers’ disappointed faces! How much pleasure—and camaraderie, yes, real kinship—had managed to exist in exile. Did those arrogant young people know that, only years ago, you could be sentenced to life in prison for consensual sex with another man? A friend of his destroyed by shock therapy decreed by the courts. Another friend sobbing on the telephone before he slashed his wrists— Thomas's hands on his steering wheel had clenched in anger, anger he had felt then, anger he felt now. And all those pressures attempted to deplete you, and disallow— “—the yearnings of the heart,” he said aloud. Yet he and others of his generation had lived through those barbaric times—and survived—those who had survived—with style. Faced with those same outrages, what would these “new gays” have done? “Exactly as we did,” he answered himself. The wind had resurged, sweeping sheaths of dust across the City, pitching tumbleweeds from the desert into the streets, where they shattered, splintering into fragments that joined others and swept away. Now, they said, everything was fine, no more battles to fight. Oh, really? What about arrests that continued, muggings, bashings, murder, and hatred still spewing from pulpits, political platforms, and nightly from the mouths of so-called comedians? Didn't the “new gays” know—care!—that entrenched “sodomy” laws still existed, dormant, ready to spring on them, send them to prison? How could they think they had escaped the tensions when those pressures were part of the legacy of being gay? Didn't they see that they remained—as his generation and generations before his had been—the most openly despised? And where, today, was the kinship of exile?
John Rechy (The Coming of the Night)
Kids shouting and skidding in the playground with no idea what future Hells awaited them: boring jobs and ruinous mortgages and bad marriages and hair loss and hip replacements and lonely cups of coffee in an empty house and a colostomy bag at the hospital. Most people seemed satisfied with the thin decorative glaze and the artful stage lighting that, sometimes, made the bedrock atrocity of the human predicament look somewhat more mysterious or less abhorrent. People gambled and golfed and planted gardens and traded stocks and had sex and bought new cars and practiced yoga and worked and prayed and redecorated their homes and got worked up over the news and fussed over their children and gossiped about their neighbors and pored over restaurant reviews and founded charitable organizations and supported political candidates and attended the U.S. Open and dined and travelled and distracted themselves with all kinds of gadgets and devices, flooding themselves incessantly with information and texts and communication and entertainment from every direction to try to make themselves forget it: where we were, what we were. But in a strong light there was no good spin you could put on it. It was rotten top to bottom. Putting your time in at the office; dutifully spawning your two point five; smiling politely at your retirement party; then chewing on your bedsheet and choking on your canned peaches at the nursing home. It was better never to have been born—never to have wanted anything, never to have hoped for anything.
Donna Tartt (The Goldfinch)
with information and texts and communication and entertainment from every direction to try to make themselves forget it: where we were, what we were. But in a strong light there was no good spin you could put on it. It was rotten top to bottom. Putting your time in at the office; dutifully spawning your two point five; smiling politely at your retirement party; then chewing on your bedsheet and choking on your canned peaches at the nursing home. It was better never to have been born—never to have wanted anything, never to have hoped for anything.
Donna Tartt (The Goldfinch)
You never told me how everyone liked the sirupskake." "It was splendid!" she said, her smile returning. "Your fa- my husband asked that you bake another one soon for me to bring him." Freya was always tripping over her words like that. Anna did the same thing herself. She chalked it up to wanting to say so much in a short amount of time. She was like a pot of melting chocolate: the words bubbled over. "Did he like the candied oranges I placed on top?" "Yes! He said he'd never seen it done that way before." Anna shrugged. "I love to put my own spin on recipes. I like to be unique, if you haven't noticed." "I have." Freya smiled. "I think my husband would enjoy meeting you. You and I have a similar joyful spirit, while he"- she sighed- "carries the weight of the world on his shoulders, I'm afraid. Much like my daughter." Freya talked about her daughter a lot but unfortunately never brought her along for visits. From what Anna knew, the girl seemed whip smart and serious. Anna wished she could meet her so she could shake her up a bit. Everyone needed to let their hair down sometimes. Plus it would be nice to have a friend close to her own age.
Jen Calonita (Conceal, Don't Feel)
Originally, the word power meant able to be. In time, it was contracted to mean to be able. We suffer the difference. Iwas waiting for a plane when I overheard two businessmen. One was sharing the good news that he had been promoted, and the other, in congratulation, said, “More power to you.” I've heard this expression before, but for some reason, I heard it differently this time and thought, what a curious sentiment. As a good wish, the assumption is that power is the goal. Of course, it makes a huge difference if we are wishing others worldly power or inner power. By worldly power, I mean power over things, people, and situations—controlling power. By inner power, I mean power that comes from being a part of something larger—connective power. I can't be certain, but I'm fairly sure the wish here was for worldly power, for more control. This is commonplace and disturbing, as the wish for more always issues from a sense of lack. So the wish for more power really issues from a sense of powerlessness. It is painfully ironic that in the land of the free, we so often walk about with an unspoken and enervating lack of personal freedom. Yet the wish for more controlling power will not set us free, anymore than another drink will quench the emptiness of an alcoholic in the grip of his disease. It makes me think of a game we played when I was nine called King of the Hill, in which seven or eight of us found a mound of dirt, the higher the better, and the goal was to stand alone on top of the hill. Once there, everyone else tried to throw you off, installing themselves as King of the Hill. It strikes me now as a training ground for worldly power. Clearly, the worst position of all is being King of the Hill. You are completely alone and paranoid, never able to trust anyone, constantly forced to spin and guard every direction. The hills may change from a job to a woman to a prized piece of real estate, but those on top can be so enslaved by guarding their position that they rarely enjoy the view. I always hated King of the Hill—always felt tense in my gut when king, sad when not, and ostracized if I didn't want to play. That pattern has followed me through life. But now, as a tired adult, when I feel alone and powerless atop whatever small hill I've managed to climb, I secretly long for anyone to join me. Now, I'm ready to believe there's more power here together.
Mark Nepo (The Book of Awakening: Having the Life You Want by Being Present to the Life You Have)
Speaking of Vaughan, his claim in the Daily Telegraph last week that the story of a senior county pro being offered money to fix domestic matches was 'the tip of the iceberg' did not go down well with one former England captain contacted by the Top Spin. 'I played the game for almost 20 years,' he seethed, 'and I don't know a single player who has been offered money, either for information or to fix a game. To say it's the tip of the iceberg is absolute rubbish.' The fact that the player in question had just registered a mediocre Stableford score of 20 playing off a handicap of 14 had nothing to do, I was assured, with his foul mood.
Lawrence Booth
Helene straightened up from her trunk and pursed her already-drawn lips. “It’s a bit like Mr Holmes always said. ‘Pay attention to details. Everything is important’.” “Actually I don’t think Mr Holmes ever did say that, not quite in those words at any rate! But I take your point. Anything might be important, therefore everything is important.” I glanced back towards the corner with the pile of burlap sacks thoughtfully. “Everything is important. Everything is a circle.” “What?” Helene’s startled face appeared round a stack of old books that had an ancient spinning-wheel Miss Hurst had thrown out years ago reposing haughtily—albeit somewhat askew—on top. “Oh, nothing.
Bethany Willcock (Everything (King’s Daughters Story Collection, #2))
The Top Spin would raise a glass to Rudi Koertzen, the popular veteran South African umpire who will stand in his 107th and final Test when Pakistan meet Australia at Headingley in July [2010]. But we're slightly worried about being misunderstood. A few years back, in a light-hearted series of profiles of the elite umpires for a newspaper supplement, we suggested Rudi was a 'sociable' character who enjoyed spending a no-more-than-inordinate amount of time at the '19th hole'. Cue a concerned phonecall from the ICC, who wanted to register Rudi's displeasure at the implication. Whoops. Presumably it will be orange juices all round when he finally hangs up the white coat.
Lawrence Booth
I fell asleep at nine that night and didn’t move until nine the next morning, waking up still dressed and wrapped like a pupa in the Park Hyatt’s comforter. Marlboro Man wasn’t in the room; I was disoriented and dizzy, stumbling to the bathroom like a drunk sorority girl after a long night of partying. But I didn’t look like a sorority girl. I looked like hell, pale and green and drawn; Marlboro Man was probably on a flight back to the States, I imagined, after having woken up and seen what he’d been sleeping to all night. I made myself take a warm shower, even though the beautiful marble bathroom was spinning like a top. The water hitting my back made me feel better. When I came out of the bathroom, refreshed and wearing the Park Hyatt robe, Marlboro Man was sitting on the bed, reading an Australian paper, which he’d picked up down the street along with some orange juice and a cinnamon roll for me in hopes it would make me feel better. “C’mere,” he said, patting the empty spot on the bed next to him. I obliged. I curled up next to him. Like clockwork our arms and legs began to wrap around each other until we were nothing but a mass of flesh again. We stayed there for almost an hour--him rubbing my back and asking me if I was okay…me, dying from bliss with each passing minute and trying to will away the nausea, which was still very much hovering over our happiness.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
When it passes us, the driver tips his cap our way, eying us as if he thinks we're up to no good-the kind of no good he might call the cops on. I wave to him and smile, wondering if I look as guilty as I feel. Better make this the quickest lesson in driving history. It's not like she needs to pass the state exam. If she can keep the car straight for ten seconds in a row, I've upheld my end of the deal. I turn off the ignition and look at her. "So, how are you and Toraf doing?" She cocks her head at me. "What does that have to do with driving?" Aside from delaying it? "Nothing," I say, shrugging. "Just wondering." She pulls down the visor and flips open the mirror. Using her index finger, she unsmudges the mascara Rachel put on her. "Not that it's your business, but we're fine. We were always fine." "He didn't seem to think so." She shoots me a look. "He can be oversensitive sometimes. I explained that to him." Oversensitive? No way. She's not getting off that easy. "He's a good kisser," I tell her, bracing myself. She turns in her seat, eyes narrowed to slits. "You might as well forget about that kiss, Emma. He's mine, and if you put your nasty Half-Breed lips on him again-" "Now who's being oversensitive?" I say, grinning. She does love him. "Switch places with me," she snarls. But I'm too happy for Toraf to return the animosity. Once she's in the driver's seat, her attitude changes. She bounces up and down like she's mattress shopping, getting so much air that she'd puncture the top if I hadn't put it down already. She reaches for the keys in the ignition. I grab her hand. "Nope. Buckle up first." It's almost cliché for her to roll her eyes now, but she does. When she's finished dramatizing the act of buckling her seat belt-complete with tugging on it to make sure it won't unclick-she turns to me in pouty expectation. I nod. She wrenches the key and the engine fires up. The distant look in her eyes makes me nervous. Or maybe it's the guilt swirling around in my stomach. Galen might not like this car, but it still feels like sacrilege to put the fate of a BMW in Rayna's novice hands. As she grips the gear stick so hard her knuckles turn white, I thank God this is an automatic. "D is for drive, right?" she says. "Yes. The right pedal is to go. The left pedal is to stop. You have to step on the left one to change into drive." "I know. I saw you do it." She mashes down on the brake, then throws us into drive. But we don't move. "Okay, now you'll want to step on the right pedal, which is the gas-" The tires start spinning-and so do we. Rayna stares at me wide-eyed and mouth ajar, which isn't a good thing since her hands are on the wheel. It occurs to me that she's screaming, but I can't hear her over my own screeching. The dust wall we've created whirls around us, blocking our view of the trees and the road and life as we knew it. "Take your foot off the right one!" I yell. We stop so hard my teeth feel rattled. "Are you trying to get us killed?" she howls, holding her hand to her cheek as if I've slapped her. Her eyes are wild and glassy; she just might cry. "Are you freaking kidding me? You're the one driving!
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Jake tried to pull away from the clutching hand and went sprawling on the Tick-Tock Man's throne. His eye fell on a pocket which had been sewn into the right-hand arm-rest. Jutting from the elasticized top was the cracked pearl handle of a revolver. "Oh, cully, how you'll suffer!" the Tick-Tock Man whispered ecstatically. The O of surprise had been replaced by a wide, trembling grin. "Oh how you'll suffer! And how happy I'll be to...WHAT--?" The grin slackened and the surprised O began to reappear as Jake pointed the cheesy nickel-plated revolver at him and thumbed back the hammer. The grip on Jake's ankle tightened until it seemed to him that the bones there must snap. "You DASN'T!" Tick-Tock said in a screamy whisper. "Yes I DO," Jake said grimly, and pulled the trigger of the Tick-Tock Man's runout gun. There was a flat crack, much less dramatic than the Schmeisser's Teutonic roar. A small black hole appeared high up on the right side of Tick-Tock's forehead. The Tick-Tock Man went on staring up at Jake, disbelief in his remaining eye. Jake tried to make himself shoot him again and couldn't do it. Suddenly a flap of the Tick-Tock Man's scalp peeled away like old wallpaper and dropped on his right cheek. Roland would have known what this meant; Jake, however, was now almost beyond coherent thought. A dark, panicky horror was spinning across his mind like a tornado funnel. He cringed back in the big chair as the hand on his ankle fell away and the Tick-Tock Man collapsed forward on his face. The door. He had to open the door and let the gunslinger in. Focusing on that and nothing but, Jake let the pearl-handled revolver clatter to the iron grating...
Stephen King (The Waste Lands (The Dark Tower, #3))
So, Like- always I am going too dragged myself out of my bed, brush my hair, brush my teeth.' 'Grab a bra out of my dresser and slide it up on me. Today it is an adorable baby pink one with black dots, and a little bow in the middle, so sweet- like me.' 'So anyway, I am going to clasp it in the back, as my long hair falls forward while doing it.' 'Then spin a white blouse through my arms and on top of my shoulders, I will fix my collar. Button everything it up, to a point; tie it up at the bottom so it is snug to my lower ribs. Then I slide a skirt up over my body, zip and button it in the front. I will use the bathroom one last time.' 'Fix my hair for the last time, while looking into my oval bathroom mirror, which is lit from both sides. That is where I do all my makeup. I like to use a nude shade of powder, pink blush on my cheeks, and a soft eyeshadow.
Marcel Ray Duriez
I’ve increased the fastest serve recorded in tennis. Tennis is a quicker game now, since I served at 132 miles per hour. Now almost every player on the WTA is serving faster than we all were even ten years ago. My forehand averages 81 miles per hour. You can’t come close to me on that either. So pay me a little respect, Soto. I’ve won the US Open more than any woman in tennis history, including you. My forehand and backhand groundstrokes have more spin than any other female player ever—last year I topped two thousand revolutions per minute. I am currently the highest-paid female athlete in the world. For someone like me, do you understand what that means? And I’ve spent the most weeks at number one—which is currently three hundred and seventeen. You only have three hundred and—” “Nine,” I say. “Right.” “So you just go around memorizing your stats?” I say, even though I know I’m being a hypocrite.
Taylor Jenkins Reid (Carrie Soto Is Back)
Gerda sends Astrid flying back, then swings to her own board. Astrid soars now like a rider taming a wild beast, bending the trapeze to her own will. She spins by her ankles, by a lone knee, barely touching the bar to which I always cling fast. Gerda watches Astrid with disinterest, almost distaste. She and the other women do not like Astrid. Within days of arriving, I heard the whispers: they resent Astrid for returning and taking her spot at the top of the aerial act while they had worked for years, and for coupling up with Peter, one of the few eligible men the war had left. The girls at the home were much the same, sniping and whispering behind each other’s backs. Why are we so hard on one another? I wonder. Hadn’t the world already given us challenges enough? But if Astrid notices their coldness, she doesn’t seem to mind. Or perhaps she just doesn’t have need for any of them. She certainly doesn’t need me
Pam Jenoff (The Orphan's Tale)
History generally records that Michael Vaughan quit the England captaincy in tearful circumstances following the Test-series defeat to South Africa in 2008. But the Top Spin can reveal this version of events is little more than a smokescreen. For it appears that what actually tipped Vaughan over the edge was a phonecall from a stricken team-mate - a call so harrowing Vaughan decided he could cope no longer. The ex-skipper was enjoying a barbecue at home with friends two summers ago when he took a rare call from Monty Panesar. 'Hello, Monty.' 'Hello Vaughany. I've got some bad news for you.' 'Oh?' 'Yes, you know I was telling you about my parrot Gary last week?' 'Er...' 'Well, he's gone missing. Just thought you'd like to know.' 'Sorry to hear that Monty.' 'Bye.' 'Bye.' So aghast was Vaughan that captaincy duty now extended to fielding calls from team-mates about escaped pets that he knew his time was up. Sure, the tears at the farewell press conference left an impression on us all. But it was Monty's ex-parrot that sealed the deal.
Lawrence Booth
Do you always wake up so sweet?” I ask. She’s like cotton candy in my arms. She smells soft and clean, and she’s not shoving me away. “I’m not awake yet,” she says. She spins over in my arms, facing away from me. My forearm is under her head and her bottom is tucked against my groin. Her head is beneath my chin, and I can’t see her face anymore. But I doubt she’s talking. She’s soft in my arms, and her breath rushes out of her open mouth with every exhale, searing my forearm with every breath. The bottoms of her feet are cold against the tops of mine, so I pull the blanket over us both, tucking it around her and throwing it over our feet. I don’t want to let her go, but I know I need to get up. I need to go back to the couch. I close my eyes and brush her hair down between us. She lets me wrap around her, and I’m willing to pretend she’s still asleep. Will it hurt to stay there? I keep holding her. I’ve never had a girl sleep the whole night in my bed before. Ever. I’ve never woken up with someone. I’ve never wanted to. Until now. I settle my arm around her waist. I’ll just stay a few more minutes.
Tammy Falkner (Tall, Tatted and Tempting (The Reed Brothers, #1))
I continued my explorations in a cobbled yard overlooked by broken doors and cracked windows. Pushing open a swollen door into a storeroom, I found a stream running across paving stones and a carpet of slippery green moss. My explorations took me beneath a gateway surmounted by a clock face, standing with hands fixed permanently at eleven o'clock. Beyond stood derelict stables; then the park opened up in an undulating vista, reaching all the way to a swathe of deep forest on the horizon. In the distance was the twinkle of the river that I realized must border my own land at Whitelow. The grass was knee-high and speckled with late buttercups, but I was transported by that first sight of the Delafosse estate. In its situation alone, the Croxons had chosen our new home well. I dreamed for a moment of myself and Michael making a great fortune, and no longer renting Delafosse Hall but owning every inch of it, my inheritance spinning gold from cotton. Turning back to view the Hall I took a sharp breath; it was as massive and ancient as a child's dream of a castle, the bulk of its walls carpeted in greenery, the diamond-leaded windows sparkling in picturesque stone mullions. True, the barley-twist chimneys leaned askew, and the roofs sagged beneath the weight of years, but the shell of it was magnificent. It cast a strange possessive mood upon me. I remembered Michael's irritation at the house the previous night, and his eagerness to leave. Somehow I had to entice Michael into this shared dream of a happy life here, beside me. Determined to explore the park, I followed the nearest path. After walking through a deep wood for a good while I emerged into the sunlight by a round hill surmounted by a two-story tower. A hunting lodge, Mrs. Croxon had called it, but I thought it more a folly. It had a fantastical quality, with four miniature turrets, each topped with a verdigris-tarnished dome. Above the doorway stood a sundial drawn upon a disc representing a blazing sun. It was embellished with a script I thought might be Latin: FERREA VIRGA EST, UMBRATILIS MOTUS. I wondered whether Michael might know the meaning, or Anne's husband perhaps. As for the sundial's accuracy, the morning light was too weak to cast a line of shadow.
Martine Bailey (A Taste for Nightshade)
That's quite a pile," he said. "I suppose you want me to spin it into gold." "Well, the situation has changed just a bit," said the miller's daughter (who also had a name--it was Meredith). "If you don't, I will die. If you do, I marry the king." Now that, thought Rumpelstiltskin, has possibilities. After all, getting to be the queen was a big step up for a miller's daughter. She would surely pay him anything. And there was only one thing in the world he really wanted--a little child to love and care for. "Okay, here's the deal," he said. "I will spin the straw into gold, just like before. In return, once you become queen, you must let me adopt your firstborn child. I promise I'll be an excellent father. I know all the lullabies. I'll read to the child every day. I'll even coach Little League." "You've got to be kidding," Meredith said. "I'd rather marry you than that jerk!" "Really?" said Rumpelstiltskin, and he blushed all the way from the top of his head to the tip of his toes (which admittedly wasn't very far, because he was so short). "Sure," she said. "I like your ideas on parenting, you'd make a good provider, and I have a weakness for short men.
Diane Stanley (Rumpelstiltskin's Daughter)
Unlike classically spinning bodies, such as tops, however, where the spin rate can assume any value fast or slow, electrons always have only one fixed spin. In the units in which this spin is measured quantum mechanically (called Planck's constant) the electrons have half a unit, or they are "spin-1/2" particles. In fact, all the matter particles in the standard model-electrons, quarks, neutrinos, and two other types called muons and taus-all have "spin 1/2." Particles with half-integer spin are known collectively as fermions (after the Italian physicist Enrico Fermi). On the other hand, the force carriers-the photon, W, Z, and gluons-all have one unit of spin, or they are "spin-1" particles in the physics lingo. The carrier of gravity-the graviton-has "spin 2," and this was precisely the identifying property that one of the vibrating strings was found to possess. All the particles with integer units of spin are called bosons (after the Indian physicist Satyendra Bose). Just as ordinary spacetime is associated with a supersymmetry that is based on spin. The predictions of supersymmetry, if it is truly obeyed, are far-reaching. In a universe based on supersymmetry, every known particle in the universe must have an as-yet undiscovered partner (or "superparrtner"). The matter particles with spin 1/2, such as electrons and quarks, should have spin 0 superpartners. the photon and gluons (that are spin 1) should have spin-1/2 superpartners called photinos and gluinos respectively. Most importantly, however, already in the 1970s physicists realized that the only way for string theory to include fermionic patterns of vibration at all (and therefore to be able to explain the constituents of matter) is for the theory to be supersymmetric. In the supersymmetric version of the theory, the bosonic and fermionic vibrational patters come inevitably in pairs. Moreover, supersymmetric string theory managed to avoid another major headache that had been associated with the original (nonsupersymmetric) formulation-particles with imaginary mass. Recall that the square roots of negative numbers are called imaginary numbers. Before supersymmetry, string theory produced a strange vibration pattern (called a tachyon) whose mass was imaginary. Physicists heaved a sigh of relief when supersymmetry eliminated these undesirable beasts.
Mario Livio (The Equation That Couldn't Be Solved: How Mathematical Genius Discovered the Language of Symmetry)
The final examination came and my mother came down to watch it. She hated watching me fight. (Unlike my school friends, who took a weird pleasure in the fights--and more and more so as I got better.) But Mum had a bad habit. Instead of standing on the balcony overlooking the gymnasium where the martial arts grading and fights took place, she would lie down on the ground--among everyone else vying to get a good view. Now don’t ask me why. She will say it is because she couldn’t bear to watch me get hurt. But I could never figure out why she just couldn’t stay outside if that was her reasoning. I have, though, learned that there is never much logic to my wonderful mother, but at heart there is great love and concern, and that has always shone through with Mum. Anyway, it was the big day. I had performed all the routines and katas and it was now time for the kumite, or fighting part of the black-belt grading. The European grandmaster Sensei Enoeda had come down to adjudicate. I was both excited and terrified--again. The fight started. My opponent (a rugby ace from a nearby college), and I traded punches, blocks, and kicks, but there was no real breakthrough. Suddenly I found myself being backed into a corner, and out of instinct (or desperation), I dropped low, spun around, and caught my opponent square round the head with a spinning back fist. Down he went. Now this was not good news for me. It was bad form and showed a lack of control. On top of that, you simply weren’t meant to deck your opponent. The idea was to win with the use of semicontact strikes, delivered with speed and technique that hit but didn’t injure your opponent. So I winced, apologized, and then helped the guy up. I then looked over to Sensei Enoeda, expecting a disapproving scowl, but instead was met with a look of delight. The sort of look that a kid gives when handed an unexpected present. I guess that the fighter in him loved it, and on that note I passed and was given my black belt. I had never felt so proud as I did finally wearing that belt after having crawled my way up the rungs of yellow, green, orange, purple, brown--you name it--colored belts. I had done this on my own and the hard way; you can’t buy your way to a black belt. I remember being told by our instructor that martial arts is not about the belts, it is about the spirit; and I agree…but I still couldn’t help sleeping with my black belt on that first night. Oh, and the bullying stopped.
Bear Grylls (Mud, Sweat and Tears)
We walk around inside that house like everything is okay, but it’s not, Quinn. We’ve been broken for years and I have no idea how to fix us. I find solutions. It’s what I do. It’s what I’m good at. But I have no idea how to solve me and you. Every day I come home, hoping things will be better. But you can’t even stand to be in the same room with me. You hate it when I touch you. You hate it when I talk to you. I pretend not to notice the things you don’t want me to notice because I don’t want you to hurt more than you already do.” He releases a rush of air. “I am not blaming you for what I did. It’s my fault. I did that. I fucked up. But I didn’t fuck up because I was attracted to her. I fucked up because I miss you. Every day, I miss you. When I’m at work, I miss you. When I’m home, I miss you. When you’re next to me in bed, I miss you. When I’m inside you, I miss you.” Graham presses his mouth to mine. I can taste his tears. Or maybe they’re my tears. He pulls back and presses his forehead to mine. “I miss you, Quinn. So much. You’re right here, but you aren’t. I don’t know where you went or when you left, but I have no idea how to bring you back. I am so alone. We live together. We eat together. We sleep together. But I have never felt more alone in my entire life.” Graham releases me and falls back against his seat. He rests his elbow against the window, covering his face as he tries to compose himself. He’s more broken than I’ve ever seen him in all the years I’ve known him. And I’m the one slowly tearing him down. I’m making him unrecognizable. I’ve strung him along by allowing him to believe there’s hope that I’ll eventually change. That I’ll miraculously turn back into the woman he fell in love with. But I can’t change. We are who our circumstances turn us into. “Graham.” I wipe at my face with my shirt. He’s quiet, but he eventually looks at me with his sad, heartbroken eyes. “I haven’t gone anywhere. I’ve been here this whole time. But you can’t see me because you’re still searching for someone I used to be. I’m sorry I’m no longer who I was back then. Maybe I’ll get better. Maybe I won’t. But a good husband loves his wife through the good and the bad times. A good husband stands at his wife’s side through sickness and health, Graham. A good husband- a husband who truly loves his wife - wouldn’t cheat on her and then blame his infidelity on the fact that he’s lonely.” Graham’s expression doesn’t change. He’s as still as a statue. The only thing that moves is his jaw as he works it back and forth. And then his eyes narrow and he tilts his head. “You don’t think I love you, Quinn?” “I know you used to. But I don’t think you love the person I’ve become.” Graham sits up straight. He leans forward, looking me hard in the eye. His words are clipped as he speaks. “I have loved you every single second of every day since the moment I laid eyes on you. I love you more now than I did the day I married you. I love you, Quinn. I fucking love you!” He opens his car door, gets out and then slams it shut with all his strength. The whole car shakes. He walks toward the house, but before he makes it to the front door, he spins around and points at me angrily. “I love you, Quinn!” He’s shouting the words. He’s angry. So angry. He walks toward his car and kicks at the front bumper with his bare foot. He kicks and he kicks and he kicks and then pauses to scream it at me again. “I love you!” He slams his fist against the top of his car, over and over, until he finally collapses against the hood, his head buried in his arms. He remains in this position for an entire minute, the only thing moving is the subtle shaking of his shoulders. I don’t move. I don’t even think I breathe. Graham finally pushes off the hood and uses his shirt to wipe at his eyes. He looks at me, completely defeated. “I love you,” he says quietly, shaking his head. “I always have. No matter how much you wish I didn’t.
Colleen Hoover (All Your Perfects)
Their mouths crashed together. Tongues tangled. He kissed her as if he wanted to consume her, devour her alive. Fierce kisses, hard kisses, desperate, wanting kisses. He tasted like chocolate and smelled like sin. "Sam..." She pulled away. "I can't breathe." "Neither can I." Her wrapped his arms around her and drew her in for another hungry kiss. Hot, hard, and wet, melting her to the side of the Jeep. His tongue worked past her lips to plunge into her mouth, every stroke tugging at things low and deep in her belly. Her hands moved to his chest, sliding over his pecs and the ripple of abs beneath his shirt. Harman was perfect but Sam was real, his body hard from his fight training, muscles thick from use. He hissed out a breath when her fingers grazed the top of his belt, his infamous self-control giving way to her curious hands. "What are we doing?" he murmured as he drew her earlobe into his mouth, his five-o'clock shadow rough against her sensitive skin. "I don't know, but don't stop." "No chance of that." He shifted against her, his arousal as evident from his ragged breaths as the growing hardness pressed against her hips. When he thrust a thick thigh between her legs, she rocked against him, reckless and wanton in her need for release. She was dying, burning, her body on fire. She'd never felt anything like the toxic combination of anger and lust that pounded through her veins. It made her head spin, drove logic away.
Sara Desai (The Marriage Game (Marriage Game #1))
But depression wasn’t the word. This was a plunge encompassing sorrow and revulsion far beyond the personal: a sick, drenching nausea at all humanity and human endeavor from the dawn of time. The writhing loathsomeness of the biological order. Old age, sickness, death. No escape for anyone. Even the beautiful ones were like soft fruit about to spoil. And yet somehow people still kept fucking and breeding and popping out new fodder for the grave, producing more and more new beings to suffer like this was some kind of redemptive, or good, or even somehow morally admirable thing: dragging more innocent creatures into the lose-lose game. Squirming babies and plodding, complacent, hormone-drugged moms. Oh, isn’t he cute? Awww. Kids shouting and skidding in the playground with no idea what future Hells awaited them: boring jobs and ruinous mortgages and bad marriages and hair loss and hip replacements and lonely cups of coffee in an empty house and a colostomy bag at the hospital. Most people seemed satisfied with the thin decorative glaze and the artful stage lighting that, sometimes, made the bedrock atrocity of the human predicament look somewhat more mysterious or less abhorrent. People gambled and golfed and planted gardens and traded stocks and had sex and bought new cars and practiced yoga and worked and prayed and redecorated their homes and got worked up over the news and fussed over their children and gossiped about their neighbors and pored over restaurant reviews and founded charitable organizations and supported political candidates and attended the U.S. Open and dined and travelled and distracted themselves with all kinds of gadgets and devices, flooding themselves incessantly with information and texts and communication and entertainment from every direction to try to make themselves forget it: where we were, what we were. But in a strong light there was no good spin you could put on it. It was rotten top to bottom. Putting your time in at the office; dutifully spawning your two point five; smiling politely at your retirement party; then chewing on your bedsheet and choking on your canned peaches at the nursing home. It was better never to have been born—never to have wanted anything, never to have hoped for anything.
Donna Tartt (The Goldfinch)
But depression wasn’t the word. This was a plunge encompassing sorrow and revulsion far beyond the personal: a sick, drenching nausea at all humanity and human endeavor from the dawn of time. The writhing loathsomeness of the biological order. Old age, sickness, death. No escape for anyone. Even the beautiful ones were like soft fruit about to spoil. And yet somehow people still kept fucking and breeding and popping out new fodder for the grave, producing more and more new beings to suffer like this was some kind of redemptive, or good, or even somehow morally admirable thing: dragging more innocent creatures into the lose-lose game. Squirming babies and plodding, complacent, hormone-drugged moms. Oh, isn’t he cute? Awww. Kids shouting and skidding in the playground with no idea what future Hells awaited them: boring jobs and ruinous mortgages and bad marriages and hair loss and hip replacements and lonely cups of coffee in an empty house and a colostomy bag at the hospital. Most people seemed satisfied with the thin decorative glaze and the artful stage lighting that, sometimes, made the bedrock atrocity of the human predicament look somewhat more mysterious or less abhorrent. People gambled and golfed and planted gardens and traded stocks and had sex and bought new cars and practiced yoga and worked and prayed and redecorated their homes and got worked up over the news and fussed over their children and gossiped about their neighbors and pored over restaurant reviews and founded charitable organizations and supported political candidates and attended the U.S. Open and dined and travelled and distracted themselves with all kinds of gadgets and devices, flooding themselves incessantly with information and texts and communication and entertainment from every direction to try to make themselves forget it: where we were, what we were. But in a strong light there was no good spin you could put on it. It was rotten top to bottom. Putting your time in at the office; dutifully spawning your two point five; smiling politely at your retirement party; then chewing on your bedsheet and choking on your canned peaches at the nursing home. It was better never to have been born—never to have wanted anything, never to have hoped for anything. And all this mental thrashing and tossing was mixed up with recurring images, or half-dreams, of Popchik lying weak and thin on one side with his ribs going up and down—I’d forgotten him somewhere, left him alone and forgotten to feed him, he was dying—over and over, even when he was in the room with me, head-snaps where I started up guiltily, where is Popchik; and this in turn was mixed up with head-snapping flashes of the bundled pillowcase, locked away in its steel coffin.
Donna Tartt (The Goldfinch)