Spencer Silver Quotes

We've searched our database for all the quotes and captions related to Spencer Silver. Here they are! All 9 of them:

But if we were silver, Vaughn Spencer was gold. If we were good, he was brilliant. And when we shone? He gleamed with the force of a thousand suns, charring everything around him. It was like God had carved him differently, paid extra attention to detail while creating him.
L.J. Shen (Angry God (All Saints High, #3))
A white night for me is as rare as a fat postman. If it hadn’t been for Mr. Howard Spencer at the Ritz-Beverly I would have killed a bottle and knocked myself out. And the next time I saw a polite character drunk in a Rolls-Royce Silver Wraith, I would depart rapidly in several directions. There is no trap so deadly as the trap you set for yourself.
Raymond Chandler (The Long Goodbye (Philip Marlowe, #6))
Maynard Spencer was a white man in his late fifties, bits of silver in his cropped black hair. A real “crack of dawner,” as Harriet used to say, who moved with a deliberate air, as if he rehearsed everything in front of a mirror.
Colson Whitehead (The Nickel Boys)
In the search for a strong and permanent glue, Spencer Silver at 3M in Minneapolis found a weak and temporary adhesive instead. This was in 1968. Nobody could think of a use for it, until five years later a colleague named Art Fry remembered it when irritated by his place-markers falling out of a hymn-book while singing in a church choir. He went back to Silver and asked to apply the glue to small sheets of paper. The only paper lying around was bright yellow. The Post-it note was born.
Matt Ridley (How Innovation Works: And Why It Flourishes in Freedom)
Laurel stood on stage. She was very still. Her lovely blue eyes were lowered modestly. Her silver blonde hair fell in disheveled curls around her face, white roses and strands of pearls woven artfully throughout. A necklace of what looked like diamonds clasped her slender throat while white kid gloves were drawn up to her elbow. She held a fan of frosted silver in one hand, dangling at her side. Her dress was a shimmering sapphire blue, and it fit her exquisitely, molding to her form, hugging her small bosom and lifting her breasts until they appeared ready to spill from the satin bodice. A silver braided sash cinched her waist, emphasizing its narrowness. And then, she lifted her head, raised the hand that held the fan, then the other one and, tipping her head back, opened her eyes. They were haunting and luminous, soft in the candlelight. Her skin was pale and smooth. The crowd was utterly quiet, watching her. And then, she began to sing. If Dare had thought Laurel Spencer beautiful before, now she became goddess-like to him in an instant as a melody so heart-wrenching and lovely spilled forth from her lips.
Fenna Edgewood (Kiss Me, My Duke (Blakeley Manor, #3))
THE POUNDING RAIN HAD STOPPED as suddenly as it had begun. Sheets of silver green neon clung hungrily to the moist black asphalt like some reptilian skin.
Oliver Dean Spencer (Tell Me That You Love Me: A Hard-Boiled Short Fiction Featuring James Cartwright, P.I)
Vanessa’s scream of terror pierced the air, while the pegasi flapped their wings and whinnied. Andy looked to the sky. A flock of giant ebony swans flew toward the clearing, visible just beyond the tall trees. Their shiny feathers shifted between black and silver in the sunlight. Their beaks were a dull bronze, their red eyes gleaming with malice. Together they let out a screech, and the trees shook. Spencer’s jaw dropped. “That’s them. The Stymphalian Birds.
A.P. Mobley (The Helm of Darkness (War on the Gods, #1))
Jewish is practically Catholic,” Elle said. “You have the guilt, you adore your mothers, and you own good silver candlesticks.
Julia Spencer-Fleming (The Clare Fergusson & Russ Van Alstyne Series, Books 7-8: One Was a Soldier / Through the Evil Days (The Rev. Clare Fergusson & Russ Van Alstyne Mysteries #7-8))
Through the snowy silver maple trees, he could see the gray stone stronghold of St. Alban’s. She was in there, behind one of the diamond-paned windows, a block away and as far out of reach as the moon. On his CD player, Natalie Maines of the Dixie Chicks was crooning, Without you, I’m not okay, and without you, I’ve lost my way… If he lived through this mess, he was never listening to country music again.
Julia Spencer-Fleming (All Mortal Flesh (The Rev. Clare Fergusson & Russ Van Alstyne Mysteries #5))