Spell Out Quotes

We've searched our database for all the quotes and captions related to Spell Out. Here they are! All 100 of them:

Lissa and I had been friends ever since kindergarten, when our teacher had paired us up together for writing lessons. Forcing five-year-olds to spell Vasilisa Dragomir and Rosemarie Hathaway was beyond cruel, and we’d—or rather, I’d—responded appropriately. I’d chucked my book at out teacher and called her a fascist bastard. I hadn’t known what those words meant, but I’d known how to hit a moving target. Lissa and I had been inseparable ever since.
Richelle Mead (Vampire Academy (Vampire Academy, #1))
To learn to read is to light a fire; every syllable that is spelled out is a spark.
Victor Hugo
The spell. Victor said you had to want me... to care about me... for it to work." When he didn't say anything, I tried to grip his shirt, but my fingers were too weak. "Did you? Did you want me?" His words came out thickly. "Yes, Roza. I did want you. I still do. I wish... we could be together." "Then why did you lie to me?" We reached the clinic, and he managed to open the door while still holding me. As soon as he stepped inside, he began yelling for help. "Why did you lie?" I murmured again. Still holding me in his arms, he looked down at me. I could hear voices and footsteps getting closer. "Because we can't be together." "Because of the age thing, right?" I asked. "Because you're my mentor?" His fingertip gently wiped away a tear that had escaped down my cheek. "That's part of it," he said. "But also... well, you and I will both be Lissa's gaurdians someday. I need to protect her at all cost. If a pack of Strogoi come, I need to throw my body between them and her." I know that. Of course that's what you have to do." The black sparkles were dancing in front of my eyes again. I was fading out. "No. If I let myself love you, I won't throw myself in front of her. I'll throw myself in front of you.
Richelle Mead (Vampire Academy (Vampire Academy, #1))
I heard the man and woman cry a warning as I frantically racked my brain for some sort of throat-repairing spell, which I was clearly about to need. Of course the only words that I actually managed to yell at the werewolf as he ran at me were, 'BAD DOG!' Then, out of the corner of my eye, I caught a flash of blue light on my left. Suddenly, the werewolf seemed to smack into an invisible wall just inches in front of me.... "You know," someone said off to my left, "I usually find a blocking spell to be a lot more effective than yelling 'Bad dog,' but maybe that's just me.
Rachel Hawkins (Hex Hall (Hex Hall, #1))
You should never assume. You know what happens when you assume. You make an ass out of you and me because that's how it's spelled.
Ellen DeGeneres
But life doesn’t often spell things out for you or give you what you want exactly when you want it, otherwise it wouldn’t be called life, it would be called vending machine.
Lauren Graham (Talking as Fast as I Can: From Gilmore Girls to Gilmore Girls)
People flock in, nevertheless, in search of answers to those questions only librarians are considered to be able to answer, such as "Is this the laundry?" "How do you spell surreptitious?" and, on a regular basis, "Do you have a book I remember reading once? It had a red cover and it turned out they were twins.
Terry Pratchett (Going Postal (Discworld, #33; Moist von Lipwig, #1))
It has made me better loving you... it has made me wiser, and easier, and brighter. I used to want a great many things before, and to be angry that I did not have them. Theoretically, I was satisfied. I flattered myself that I had limited my wants. But I was subject to irritation; I used to have morbid sterile hateful fits of hunger, of desire. Now I really am satisfied, because I can’t think of anything better. It’s just as when one has been trying to spell out a book in the twilight, and suddenly the lamp comes in. I had been putting out my eyes over the book of life, and finding nothing to reward me for my pains; but now that I can read it properly I see that it’s a delightful story.
Henry James (The Portrait of a Lady)
I'm stupid, remember? I need things spelled out." "Shut up." "Am I at ninety-four yet?" "You are at one hundred.
Nora Sakavic (The King's Men (All for the Game, #3))
And just in case my reaction to your idiocy didn’t make it clear where I stand with us, then let me spell it out for you.” I whirl around to scowl at him. “I love you, you stupid jackass.
Elle Kennedy (The Mistake (Off-Campus, #2))
Intuition is like reading a word without having to spell it out. A child can't do that because it has had so little experience. A grown-up person knows the word because they've seen it often before.
Agatha Christie (Murder at the Vicarage (Miss Marple, #1))
This wasn’t the first time I’d been pulled out of bed for a crucial mission. It was, however, the first time I’d been subjected to such a personal line of questioning. “Are you a virgin?
Richelle Mead (The Indigo Spell (Bloodlines, #3))
Check out the magic crap.” He shot me a look. “Oh, is that what we’re supposed to be doing? Because I’ve just been drawing hearts and our initials in the dirt.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
I love you. Okay? Want it louder? I LOVE YOU. Spell it out, should I? I ell-oh-vee-ee why-oh-you. Want it backward? You love I.
William Goldman (The Princess Bride)
If every life is a river, then it's little wonder that we do not even notice the changes that occur until we are far out in the darkest sea. One day you look around and nothing is familiar, not even your own face. My name once meant daughter, grandaughter, friend, sister, beloved. Now those words mean only what their letters spell out; Star in the night sky. Truth in the darkness. I have crossed over to a place where I never thought I'd be. I am someone I would have never imagined. A secret. A dream. I am this, body and soul. Burn me. Drown me. Tell me lies. I will still be who I am.
Alice Hoffman (Incantation)
Tell me," he said, his voice sharp and demanding. "Tell me David is all you need or want out of life." Ηis face was close to her, his soft breath caressing her face. "Τhat you never think of me when you are kissing him, that you don't dream of me the way I dream of you. Tell me you don't love me.
Aprilynne Pike (Spells (Wings, #2))
If you are having trouble understanding, let me spell it out for you … This is serious, Bianca. I’ve never been more fucking serious in my life.
R.K. Lilley (In Flight (Up in the Air, #1))
If you stuff yourself full of poems, essays, plays, stories, novels, films, comic strips, magazines, music, you automatically explode every morning like Old Faithful. I have never had a dry spell in my life, mainly because I feed myself well, to the point of bursting. I wake early and hear my morning voices leaping around in my head like jumping beans. I get out of bed to trap them before they escape.
Ray Bradbury
Wow,” said Adrian. He sat down on the bed and tested its bounciness, giving it a nod of approval. “This is amazing. What do you think, buttercup?” “I have no words,” I said honestly. He patted the spot beside him. “Want to try it out?
Richelle Mead (The Indigo Spell (Bloodlines, #3))
He shook his head in mock sympathy. "I tell you, Sage. Sometimes I think I am the one who needs to take out the restraining order on you.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
If we are not prepared to spell out clearly the content of our thinking or to ‘name’ undisputedly the quality of the cold hard facts, we deserve to be disentitled, intellectually. ("Even if the world goes down, my mobile will save me" )
Erik Pevernagie
Don't get pissy with me leech." With a glare, Carrow pressed her print to his torque. "Even tapped out, I can still do a love spell to make you fall in love--with the sun.
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
I know what's happened," Apollo said after a few seconds. My brows furrowed. "What are you talking about?" He nodded at the board. My gaze dropped to the game and I nearly passed out. He'd spelled SEX and AIDEN with those stupid little squares.
Jennifer L. Armentrout (Deity (Covenant, #3))
I sent a quick text to Adrian: I have a hickey! You can’t ever kiss me again. I honestly hadn’t expected him to be awake this early, so I was surprised to get a response: Okay. I won’t kiss you on your neck again. So typical of him. No! You can’t ever kiss me ANYWHERE. You said you were going to keep your distance. I’m trying, he wrote back. But you won’t keep your distance from me. I didn’t dignify that with a response.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
If we cannot flap with the butterflies of “happiness,” we must bring to life the cascades of “joy,” conjuring up the spell of its enchantment and rolling cheerfully on the splashing waves of the future. ("Waiting for Mr. Out-placer")
Erik Pevernagie
One day she's throwing a book at me. The next, we're making out behind the library.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
… What about the main thing in life, all its riddles? If you want, I'll spell it out for you right now. Do not pursue what is illusionary -property and position: all that is gained at the expense of your nerves decade after decade, and is confiscated in one fell night. Live with a steady superiority over life -don't be afraid of misfortune, and do not yearn for happiness; it is, after all, all the same: the bitter doesn't last forever, and the sweet never fills the cup to overflowing. It is enough if you don't freeze in the cold and if thirst and hunger don't claw at your insides. If your back isn't broken, if your feet can walk, if both arms can bend, if both eyes can see, if both ears hear, then whom should you envy? And why? Our envy of others devours us most of all. Rub your eyes and purify your heart -and prize above all else in the world those who love you and who wish you well. Do not hurt them or scold them, and never part from any of them in anger; after all, you simply do not know: it may be your last act before your arrest, and that will be how you are imprinted on their memory.
Aleksandr Solzhenitsyn (The Gulag Archipelago 1918–1956 (Abridged))
My nails dug into his back, and he trailed his lips down the edge of my chin, down the center of my neck. He kept going until he reached the bottom of the dress’s V-neck. I let out a small gasp, and he kissed all around the neckline, just enough to tease.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
You can't do a blocking spell, and you've never heard of L'Occhio di Dio? Man, what kind of witch are you?" I had an incredibly nasty retort ready that involved his mother and the U.S. Navy, but before I could get it out....
Rachel Hawkins (Hex Hall (Hex Hall, #1))
I kind of wanted someone to rearrange the stars so they spelled out his words. I needed them big and bright, and somewhere I could see then when things felt dark. I love you. And I'm so, so proud.
Kiera Cass (The Elite (The Selection, #2))
Adrian shook his head, still smiling. "I've said over and over, I'd do anything for you. I just keep hoping it'll be something like, 'Adrian, let's go hot tubbing' or 'Adrian, take me out for fondue.'" "Well, sometimes we have to--did you say fondue?" Sometimes it was impossible to follow Adrian's train of thought. "Why in the world would I ever say that?" He shrugged. "I like fondue.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
With friends, if you keep making an effort to reach out and you keep getting hurt, you eventually stop trying. But it's much harder to give up on family. Somewhere deep down you want it to work so badly that you keep making the same mistake over and over again.
Tori Spelling
Great,” Glory said. “How about a trail of cow parts, too? And a map of where we’re going? Or perhaps we could set this part of the forest on fire, just to make sure everyone knows how to find us. Would you like me to spell out ‘DRAGONETS WUZ HERE’ in giant rocks?
Tui T. Sutherland (The Lost Heir (Wings of Fire, #2))
Adrian sifted through the bags and pulled out a slice of coconut cream. "If I were a dragon, this is what I'd go for." I didn't argue, mainly because that statement had no logical argument.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
We never come out untouched from the spell of beauty. While we break away from the commonplace, upscaling and veering from the trodden path, it challenges the ordinary. On the broken pieces of the humdrum of our lives, beauty conjures up poetry and infinity.( "Absence of beauty was like hell")
Erik Pevernagie
Metaphors. This was the cost of making out with an artist.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
The timeless moments between ‘being in the nick of time’ and ‘missing out’ may captivate our thinking and arouse a spell of time traveling. Those moments may be unsuspected anchor points in our lives, confer an astounding depth to our daily experiences and throw a stunning light on the history of our being. ("All the words he always wanted to tell her." )
Erik Pevernagie
He bent his head to mine and kissed the sense out of me. If you’d asked me my name, I’d have told you wrong. He had that kind of ability and he was mine, maybe it was because he was mine and because I loved him the way I did that his spell could cast itself over me with such ferocity.
Fisher Amelie (Callum & Harper (Sleepless, #1))
It's astounding the first time you realize that a stranger has a body - the realization that he has a body makes him a stranger. It means that you have a body, too. You will live with this forever, and it will spell out the language of your life.
James Baldwin (If Beale Street Could Talk)
You know," he said, "under normal circumstances, you inviting me to the bedroom would be the highlight of my day." I crossed my arms and sat on the bed. I did so out of simple fatigue, but a moment later, I was struck by what I was doing. This is where Adrian sleeps. I'm touching the covers he's wrapped in every night. What does he wear? Does he wear anything? I jumped up.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
I have to say, your technique is really different. Curran hammered at the spell until it broke. You just talk. Help me out here, what’s the strategy? Are you hoping the ward will get tired and kill itself so it won’t have to listen to you anymore?
Ilona Andrews (Magic Breaks (Kate Daniels, #7))
I want you to break the spell. Finish it off.” "What do you mean?” "The spell you did on me and Dimitri.” "That spell is done. It burned itself out.” I shook my head. "No. I keep thinking about him. I keep wanting to…” He smiled knowingly when I didn't finish. "My dear, that was already there, long before I set that up.
Richelle Mead (Vampire Academy (Vampire Academy, #1))
You pile of stones, you waste, you desolation, I'll stuff you with misery till it comes out of your eyes. I'll change your heart into green grass, and all you love into a sheep. I'll turn you into a bad poet with dreams.
Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
Do you love me, Westley? Is that it?’ He couldn’t believe it. ‘Do I love you? My God, if your love were a grain of sand, mine would be a universe of beaches. If your love were—‘ ‘I don’t understand the first one yet,’ Buttercup interrupted. She was starting to get very excited now. ‘Let me get this straight. Are you saying my love is the size of a grain of sand and yours is this other thing? Images just confuse me so—is this universal business of yours bigger than my sand? Help me, Westley. I have the feeling we’re on the verge of something just terribly important.’ ‘I have stayed these years in my hovel because of you. I have taught myself languages because of you. I have made my body strong because I thought you might be pleased by a strong body. I have lived my life with only the prayer that some sudden dawn you might glance in my direction. I have not known a moment in years when the sight of you did not send my heart careening against my rib cage. I have not known a night when your visage did not accompany me to sleep. There has not been a morning when you did not flutter behind my waking eyelids….Is any of this getting through to you, Buttercup, or do you want me to go on for a while?’ ‘Never stop.’ ‘There has not been—‘ ‘If you’re teasing me, Westley, I’m just going to kill you.’ ‘How can you even dream I might be teasing?’ ‘Well, you haven’t once said you loved me.’ ‘That’s all you need? Easy. I love you. Okay? Want it louder? I love you. Spell it out, should I? I ell-oh-vee-ee why-oh-you. Want it backward? You love I.’ ‘You are teasing now; aren’t you?’ ‘A little maybe; I’ve been saying it so long to you, you just wouldn’t listen. Every time you said ‘Farm boy do this’ you thought I was answering ‘As you wish’ but that’s only because you were hearing wrong. ‘I love you’ was what it was, but you never heard, and you never heard.
William Goldman (The Princess Bride)
Eragon cried out, and in his desperation he reached for Saphira and the Eldunarí... and without meaning to, he drew from their stories of energy. And with that energy he cast a spell. It was a spell without words... His was a spell of instinct and emotion; language could not contain it.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
I have walked in the blackest deeps. You cannot guess what spells I have cast, what poisons I have gathered to protect myself against you, how your power may rebound upon your head. Who knows what is in me? Will you find out?
Madeline Miller (Circe)
-BDB on the board- Knitter's Anonimous May 8, 2006 Rhage (in his bedroom posting in V's room on the board) Hi, my name is V. ("Hi, V") I've been knitting for 125 years now. (*gasping noises*) It's begun to impact my personal relationships: my brothers think I'm a nancy. It's begun to affect my health: I'm getting a callus on my forefinger and I find bits of yarn in all my pockets and I'm starting to smell like wool. I can't concentrate at work: I keep picturing all these lessers in Irish sweaters and thick socks. (*sounds of sympathy*) I've come seeking a community of people who, like me, are trying not to knit. Can you help me? (*We're with you*) Thank you (*takes out hand-knitted hankie in pink*) (*sniffles*) ("We embrace you, V") Vishous (in the pit): Oh hell no...you did not just put that up. And nice spelling in the title. Man...you just have to roll up on me, don't you. I got four words for you, my brother. Rhage: Four words? Okay...lemme see... Rhage, you're so sexy. hmmm.... Rhage, you're SO smart. No wait! Rhage, you're SO right! That's it, isn't it...g'head. You can tell me. Vishous: First one starts with a "P" Use your head for the other three. Bastard. Rhage: P? Hmm... Please pass the yarn Vishous: Payback is a bitch! Rhage: Ohhhhhhhhhhhh I'm so scuuuuuurred. Can you whip me up a blanket to hide under?
J.R. Ward (The Black Dagger Brotherhood: An Insider's Guide (Black Dagger Brotherhood))
Yeah, and we still have to deal with The Eye being…Eyeish, and me learning to be Head of the Council, which will probably involve lots of boring books and—” Archer pressed his mouth to mine, effectively shutting me up and kissing the hell out of me. When he pulled back, he was grinning. “And you have an arrogant, screwed-up former demon hunter who is stupidly in love with you.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
If I’d had any doubts about how Archer felt about me, they were eradicated when I saw the look on his face. I’d never had my spleen ripped out, but if I had, I figured I’d make the same face Archer wore now.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
In the past few hours, I’ve been possessed, nearly had my head caved in, and found out my mom is secretly a Prodigium hunter. And before that, I lost just about everyone else I care about, and discovered that people I trusted are secretly demon-raising creeps. My life sucks pretty hard right now. So, yeah. I’m making jokes.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
THAT’S HOW MY STORY ENDS. With the loss of everyone I have ever loved. With me, in a big, beautiful Upper East Side apartment, missing everyone who ever meant anything to me. When you write the ending, Monique, make sure it’s clear that I don’t love this apartment, that I don’t care about all my money, that I couldn’t give a rat’s ass if people think I’m a legend, that the adoration of millions of people never warmed my bed. When you write the ending, Monique, tell everyone that it is the people I miss. Tell everyone that I got it wrong. That I chose the wrong things most of the time. When you write the ending, Monique, make sure the reader understands that all I was ever really looking for was family. Make sure it’s clear that I found it. Make sure they know that I am heartbroken without it. Spell it out if you have to. Say that Evelyn Hugo doesn’t care if everyone forgets her name. Evelyn Hugo doesn’t care if everyone forgets she was ever alive. Better yet, remind them that Evelyn Hugo never existed. She was a person I made up for them. So that they would love me. Tell them that I was confused, for a very long time, about what love was. Tell them that I understand it now, and I don’t need their love anymore. Say to them, “Evelyn Hugo just wants to go home. It’s time for her to go to her daughter, and her lover, and her best friend, and her mother.” Tell them Evelyn Hugo says good-bye.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
Right,' Thomas said. 'Where are we headed?' 'To where they treat me like royalty,' I said. 'We're going to Burger King?' I rubbed the heel of my hand against my forehead and spelled fratricide in a subvocal mutter, but I had to spell out temporary insanity and justifiable homicide, too, before I calmed down enough to speak politely. 'Just take a left and drive. Please.' 'Well,' Thomas said, grinning, 'since you said 'please' - Thomas Raith & Harry Dresden, Small Favor, Jim Butcher
Jim Butcher (Small Favor (The Dresden Files, #10))
You are a terror, aren't you? Leave this yard alone. I know just where everything is in it, and I won't be able to find the things I need for my transport spells if you tidy them up.' So there was probably a bundle of souls or a box of chewed hearts somewhere out here, Sophie thought. She felt really thwarted. ‘Tidying up is what I’m here for!’ she shouted at Howl. ‘Then you must think of a new meaning for your life,’ Howl said.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
Sophie's here, but Elodie's possessing her right now." "In that case, I'll wait out here," he said.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
The northern girl. Winterfell's daughter. We heard she killed the king with a spell, and afterward changed into a wolf with big leathery wings like a bat, and flew out a tower window.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
He’d moved toward me again. His hands released mine and moved to my waist, and I noticed I wasn’t the only one breathing heavily. He pulled me to him, bringing our bodies together. The world was all heat and electricity, thick with tension that was only one spark away from exploding around us. I was balancing on another precipice, which wasn’t easy to do in heels. I wrapped my arms around his neck, and this time I was the one who drew him closer.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
He wished they would invite him, just once. He wished he wasn't always the one left out, he wished he knew how it felt to have a friend as close as James. More than ever, he wanted someone to talk to. Suddenly overwhelmed, Remus quickly casted his own spell, so the others wouldn't hear him crying.
MsKingBean89 (All the Young Dudes)
And parents who love you, and who are probably making out back at that car," Archer said ...
Rachel Hawkins (Spell Bound (Hex Hall, #3))
But life doesn’t often spell things out for you or give you what you want exactly when you want it, otherwise it wouldn’t be called life, it would be called vending machine. It’s hard to say exactly when it will happen, and it’s true that whatever you’re after may not drop down the moment you spend all your quarters, but someday soon a train is coming. In fact, it may already be on the way. You just don’t know it yet.
Lauren Graham (Talking as Fast as I Can: From Gilmore Girls to Gilmore Girls, and Everything in Between)
It [the scarlet letter] had the effect of a spell, taking her out of the ordinary relations with humanity, and enclosing her in a sphere by herself.
Nathaniel Hawthorne (The Scarlet Letter)
Derek lunged. He hit me in the shoulder and knocked me to the floor, landing on top of me. His body jerked, like he'd been hit with the spell, and I let out a yelp, struggling to get up, but he held me down, whispering "I'm okay, it's okay" until the words penetrated.
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
This is another paradox, that many of the most important impressions and thoughts in a person's life are ones that flash through your head so fast that fast isn't even the right word, they seem totally different from or outside of the regular sequential clock time we all live by, and they have so little relation to the sort of linear, one-word-after-another word English we all communicate with each other with that it could easily take a whole lifetime just to spell out the contents of one split-second's flash of thoughts and connections, etc. -- and yet we all seem to go around trying to use English (or whatever language our native country happens to use, it goes without saying) to try to convey to other people what we're thinking and to find out what they're thinking, when in fact deep down everybody knows it's a charade and they're just going through the motions. What goes on inside is just too fast and huge and all interconnected for words to do more than barely sketch the outlines of at most one tiny part of it at any given instant.
David Foster Wallace
In a lightning-fast move, he placed both of his hands on the brick wall, caging me with his body. He leaned toward me and my heart shifted into a gear I didn't know existed. His warm breath caressed my neck, melting my frozen skin. I tilted my head, waiting for the solid warmth of his body on mine. I could see his eyes again and those dark orbs screamed hunger . "I heard a rumor." "What's that?" I struggled to get out. "It's your birthday." Terrified speaking would break the spell, I licked my suddenly dry lips and nodded. "Happy birthday." Noah drew his lips closer to mine; that sweet musky smell overwhelmed my senses. I could almost taste his lips when he unexpectedly took a step back, inhaling deeply. The cold air slapped me into the land of sober.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
Adrian tipped my face up toward his and kissed me. Like always, the world around me stopped moving. No, the world became Adrian, only Adrian. Kissing him was as mind-blowing as ever, full of that same passion and need I had never believed I’d feel. But today, there was even more to it. I no longer had any doubt about whether this was wrong or right. It was a culmination of a long journey . . . or maybe the beginning of one. I wrapped my arms around his neck and pulled him closer. I didn’t care that we were out in public. I didn’t care that he was Moroi. All that mattered was that he was Adrian, my Adrian. My match. My partner in crime, in the long battle I’d just signed on for to right the wrongs in the Alchemist and Moroi worlds. Maybe Marcus was right that I’d also signed myself up for disaster, but I didn’t care. In that moment, it seemed that as long as Adrian and I were together, there was no challenge too great for us. I don’t know how long we stood there kissing. Like I said, the world around me was gone. Time had stopped. I was awash in the feel of Adrian’s body against mine, in his scent, and in the taste of his lips. That was all that mattered right now.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
She sometimes thought she was going crazy. Her first thought when she woke up was always how to get him out of her thoughts. And she would keep watch, hoping to see him next door, while plotting ways to never have to see him again.
Sarah Addison Allen (Garden Spells (Waverley Family, #1))
Little Words When you are gone, there is nor bloom nor leaf, Nor singing sea at night, nor silver birds; And I can only stare, and shape my grief In little words. I cannot conjure loveliness, to drown The bitter woe that racks my cords apart. The weary pen that sets my sorrow down Feeds at my heart. There is no mercy in the shifting year, No beauty wraps me tenderly about. I turn to little words- so you, my dear, Can spell them out.
Dorothy Parker (The Portable Dorothy Parker)
You can do anything you want. You don't believe me. You think, she's out of her head. Yeah, I'm out of my head- on being me. What are you on? On being them. You don't even know. I bet you were never given a chance to know. ....Listen. You can be anything you want to be. Be careful. It's a spell. It's magic. Listen to the words.... You are anything...everyone, anyone. ...You listen to them, teachers, parents, politicians. They're always saying, if you steal you're a thief, if you sleep aroung you're a slut, if you take drugs you're a junkie. They want to get inside your head and control you with their fear. ...Don't play their game. Nothing can touch you; you stay beautiful.
Melvin Burgess (Smack)
Nix to Declan: Begin transcript— Testing. Hello, hellooo, anybody out there? Check, check, one, two. Soft pee. Puh, puh. Resonance! Sooooooft pee. Alpha bravo disco tango duck. This is Nïx! I’m the Ever-Knowing One, a goddess incandescent, incomparable, and irresistible. But enough about what you think of me. It’s a beautiful day in New Orleans. The wind is out of the east at a steady five knots and clouds look like rabbits … But enough about what you think of me! Now, down to business— Squirrel! Where was I? [Long pause] Why am I in Regin’s car? Bertil, you crawl right back out of that bong this minute! Oh, I remember! I am hereby laying down this track for Magister Declan Chase. If you are a mortal of the recorder peon class, know that Dekko and I go waaaaay back, and he’ll go berserk (snicker snicker) if he doesn’t receive this transmittal. … Chase, riddle me this: what’s beautiful but monstrous, long of tooth but sharp of tooth and soft of mind, and can never ever tell a lie? That’s right. The Enemy of Old can be very useful to you. So use him already. P.S. Your middle name’s about to be spelled r-e-g-r-e-t. And with that, I must bid you adieu. Don’t worry, we’ll catch up very soon. … [Muffled] Who’s mummy’s wittle echolocator? That’s right—you are! —End transcript
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
The ancient covenant is in pieces; man knows at last that he is alone in the universe's unfeeling immensity, out of which he emerged only by chance. His destiny is nowhere spelled out, nor is his duty. The kingdom above or the darkness below: it is for him to choose.
Jacques Monod (Chance and Necessity: An Essay on the Natural Philosophy of Modern Biology)
I will quote one sentence from this text, namely, the one with which it ended. It was also the sentence which finally dissolved the writer’s block that had inhibited the author from starting work. I have since used it whenever I myself have been gripped by fear of the blank sheet in front of me. It is infallible, and its effect is always the same: the knot unravels and a stream of words gushes out on to the virgin paper. It acts like a magic spell and I sometimes fancy it really is one. But, even if it isn’t the work of a sorcerer, it is certainly the most brilliant sentence any writer has ever devised. It runs: ‘This is where my story begins.’
Walter Moers (The City of Dreaming Books (Zamonia, #4))
I saw your name in lights last night. It's the middle of the night, and I can't sleep, thinking all my trumpeting thoughts, and I get out of bed, open the curtains, and look into the night full of stars, and you know what I saw? Your name. Like the stars joined up and spelled the word for me. Like a sign.
Jaclyn Moriarty (The Year of Secret Assignments (Ashbury/Brookfield, #2))
Oh, good, it worked,” Archer said, his ghostly face relieved. Unlike Elodie, his voice came in loud and clear, and so familiar that my heart broke all over again. I stood frozen, my back against the door. Even though he was faint, I could see him smirk. “Um…Mercer? Haven’t seen you in nearly a month. I was expecting something like, ‘Oh, Cross, love of my heart, fire of my loins, how I’ve longed—’” “You’re dead,” I blurted out, pressing a hand against my stomach. “You’re a ghost, and you think—” All the humor disappeared from his face, and he held up both hands. “Whoa, whoa, whoa. Not dead. Promise.” My heart was still hammering. “Then what the heck are you?” Archer almost looked sheepish as he reached inside his shirt and pulled out some kind of amulet on a thin silver chain. “It’s a speaking stone. Lets you appear to people kind of like a hologram. You know. ‘Help me, Sophie-Wan Kenobi, you’re my only hope.’” “Did you steal it from the cellar at Hecate, too?” Archer had collected all sorts of magical knickknacks back when we had cellar duty at Hex Hall. “No,” he said, offended. “I found it at a…store. For magical stuff. Okay, yes, I stole it from the cellar.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
Because I knew the moment I saw you,” he ground out savagely, her “I hate you” still ringing in his ears, “that in another life—a life where I didn’t become a dark sorcerer—you were my wife. I cherished you. I adored you. I loved you until the end of time, Jessica MacKeltar. But I doona get to have that life. So I’ll take you any fucking way I can get you. And I’ll not apologize for one moment of it
Karen Marie Moning (Spell of the Highlander (Highlander, #7))
Look at this!" he shouted "look at it! what has that one-woman force of chaos done to these spells?" Sophie and Michael whirled round and looked at Howl. His hair was wet, but, apart from that, neither of them could see that it looked any different. "If you mean me-" Sophie began. "I do mean you! Look!" Howl shrieked. He sat down with a thump on the three-legged stool and jabbed at his wet head with his fingers. "Look. Survey. Inspect. My hair is ruined! I look like a pan of bacon and eggs!" Michael and Sophie bent nervously over Howl's head. it seemed the usual flaxen color right down to the roots. The only difference might have been a slight, very slight, trace of red. Sophie found that agreeable. It reminded her a little of the color her own hair should have been. "I think it's nice," she said. "Nice!" screamed Howl. "You would! You did it on purpose. You couldn't rest until you made me miserable too. Look at it! It's ginger! I shall have to hide until it's grown out!" He spread his arms out passionately. "Dispair!" he yelled. "Anguish! Horror!
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
You were born where you were born and faced the future that you faced because you were black and for no other reason. The limits of your ambition were, thus, expected to be set forever. You were born into a society which spelled out with brutal clarity, and in as many ways as possible, that you were a worthless human being. You were not expected to aspire to excellence: you were expected to make peace with mediocrity. Wherever you have turned, James, in your short time on this earth, you have been told where you could go and what you could do (and how you could do it) and where you could live and whom you could marry. I know your countrymen do not agree with me about this, and I hear them saying "You exaggerate." They do not know Harlem, and I do. So do you. Take no one's word for anything, including mine- but trust your experience. Know whence you came.
James Baldwin (The Fire Next Time)
Unbeknown to her, that Louisiana background secretly intimidated my urgency to drop to a knee and produce a ring. Or maybe, I wanted to see her raise a chicken from the dead. Rumors had assured me, her tribe was capable of voodoo, spells, and such. Well, those were my on-going issues toward matrimony. But on the other hand, Deya couldn’t wait to meet the kin folks. Yes, I knew what visions of family meant to her, butsadly, I wasn’t it. Still, I had to risk her involvement as a potential rope out of hell.
Harold Phifer (My Bully, My Aunt, & Her Final Gift)
Sometimes I think I live in a gap between two worlds, one world that I have to wake up to, be adherent of the rules and live in a place that is dictated by others. A place I sometimes feel the fear of aging and dying before I have figured out what it is I am here to do. That other world is sweet, fresh and misty, inviting adventure into the unknown, melding ancient wisdom with new discovery; the sunlight turning into moonlight and the spell of eternal life is never broken. Perhaps in that gap I should repair the forgotten bridge from one side to the other, but truth be told, I don't want to. I don't want to because I don't have the energy to fix what is broken within. I am a wild, wandering nomad, I belong everywhere and nowhere all at the same time, and in that gap between worlds, I am free.
Riitta Klint
I remember the rules, rules that were never spelled out but every woman knew: Don't open your door to a stranger, even if he says he is the police. Make him slide his ID under the door. Don't stop on the road to help a motorist pretending to be in trouble. Keep the locks on and keep going. If anyone whistles, don't turn to look. Don't go into a laundromat, by yourself, at night. I think about laundromats. What I wore to them: shorts, jeans, jogging pants. What I put into them: my own clothes, my own soap, my own money, money I had earned myself. I think about having such control. Now we walk along the same street, in red pairs, and not man shouts obscenities at us, speaks to us, touches us. No one whistles. There is more than one kind of freedom, said Aunt Lydia. Freedom to and freedom from.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
now, if there's anything stupider than buddy lists, its lol. if anyone ever uses lol with me, i rip my computer right out of the wall and smash it over the nearest head. i mean, it's not like anyone is laughing out loud about the things they lol. i think it should be spelled loll. like what a lobotomized person's tongue does. loll. loll. i can't think anymore. loll. loll! or ttyl. bitch, you're not actually talking. that would require actual vocal contact or <3. you honestly think that looks like a heart? if you do, that's only because you'v never seen scrotum. (rofl! what? are you really rolling on the floor laughing? well, please stay down there a sec while i KICK YOUR ASS)
David Levithan (Will Grayson, Will Grayson)
Julian's skin was cold, as if he'd been leaning out the window into the night air. She turned his hand and drew with her finger on his bare forearm. It was something they’d done since they were small children and didn't want to get caught talking during lessons. Over the years they'd gotten so good at it that they could map out detailed messages on each other's hands, arms, even their shoulders through their T-shirts. D-I-D Y-O-U E-A-T? she spelled out. Julian shook his head, still staring at Livvy and Ty. His curls were sticking up in tufts as if he’d been raking his hands through his hair. She felt his fingers, light on her upper arm. N-O-T H-U-N-G-R-Y.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
Every morning the maple leaves. Every morning another chapter where the hero shifts from one foot to the other. Every morning the same big and little words all spelling out desire, all spelling out You will be alone always and then you will die. So maybe I wanted to give you something more than a catalog of non-definitive acts, something other than the desperation. Dear So-and-So, I’m sorry I couldn’t come to your party. Dear So-and-So, I’m sorry I came to your party and seduced you and left you bruised and ruined, you poor sad thing. You want a better story. Who wouldn’t? A forest, then. Beautiful trees. And a lady singing. Love on the water, love underwater, love, love and so on. What a sweet lady. Sing lady, sing! Of course, she wakes the dragon. Love always wakes the dragon and suddenly flames everywhere. I can tell already you think I’m the dragon, that would be so like me, but I’m not. I’m not the dragon. I’m not the princess either. Who am I? I’m just a writer. I write things down. I walk through your dreams and invent the future. Sure, I sink the boat of love, but that comes later. And yes, I swallow glass, but that comes later. Let me do it right for once, for the record, let me make a thing of cream and stars that becomes, you know the story, simply heaven. Inside your head you hear a phone ringing and when you open your eyes only a clearing with deer in it. Hello deer. Inside your head the sound of glass, a car crash sound as the trucks roll over and explode in slow motion. Hello darling, sorry about that. Sorry about the bony elbows, sorry we lived here, sorry about the scene at the bottom of the stairwell and how I ruined everything by saying it out loud. Especially that, but I should have known. Inside your head you hear a phone ringing, and when you open your eyes you’re washing up in a stranger’s bathroom, standing by the window in a yellow towel, only twenty minutes away from the dirtiest thing you know. All the rooms of the castle except this one, says someone, and suddenly darkness, suddenly only darkness. In the living room, in the broken yard, in the back of the car as the lights go by. In the airport bathroom’s gurgle and flush, bathed in a pharmacy of unnatural light, my hands looking weird, my face weird, my feet too far away. I arrived in the city and you met me at the station, smiling in a way that made me frightened. Down the alley, around the arcade, up the stairs of the building to the little room with the broken faucets, your drawings, all your things, I looked out the window and said This doesn’t look that much different from home, because it didn’t, but then I noticed the black sky and all those lights. We were inside the train car when I started to cry. You were crying too, smiling and crying in a way that made me even more hysterical. You said I could have anything I wanted, but I just couldn’t say it out loud. Actually, you said Love, for you, is larger than the usual romantic love. It’s like a religion. It’s terrifying. No one will ever want to sleep with you. Okay, if you’re so great, you do it— here’s the pencil, make it work … If the window is on your right, you are in your own bed. If the window is over your heart, and it is painted shut, then we are breathing river water. Dear Forgiveness, you know that recently we have had our difficulties and there are many things I want to ask you. I tried that one time, high school, second lunch, and then again, years later, in the chlorinated pool. I am still talking to you about help. I still do not have these luxuries. I have told you where I’m coming from, so put it together. I want more applesauce. I want more seats reserved for heroes. Dear Forgiveness, I saved a plate for you. Quit milling around the yard and come inside.
Richard Siken
Archer, Jenna, and I weren’t exactly clutching each other and sobbing, but we were pretty shaken as we formed a little huddle. “Okay,” I finally said. “Can we all agree that this is maybe the most screwed-up situation we’ve ever found ourselves in?” “Agreed,” they said in unison. “Awesome.” I gave a little nod. “And do either of you have any idea what we should do about it?” “Well, we can’t use magic,” Archer said. “And if we try to leave, we get eaten by Monster Fog,” Jenna added. “Right. So no plans at all, then?” Jenna frowned. “Other than rocking in the fetal position for a while?” “Yeah, I was thinking about taking one of those showers where you huddle in the corner fully clothed and cry,” Archer offered. I couldn’t help but snort with laughter. “Great. So we’ll all go have our mental breakdowns, and then we’ll somehow get ourselves out of this mess.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
I wasn’t aware of just how close he’d moved to me until now. So many details came into focus. The shape of his lips, the line of his neck. “I’m not dangerous,” I breathed. He brought his face toward mine. “You are to me.” And somehow, against all reason, we were kissing. I closed my eyes, and the world around me faded. The noise, the smoke . . . it was gone. All that mattered was the taste of his mouth, a mix of cloves and mints. There was a fierceness in his kiss, a desperation . . . and I answered, just as hungry for him. I didn’t stop him when he pulled me closer, so that I almost sat on his lap. I’d never been wrapped around someone’s body like that, and I was shocked at how eagerly mine responded. His arm went around my waist, pulling me onto him further, and his other hand slid up the back of my neck, getting entangled in my hair. He took his lips away from my mouth, gently trailing kisses down to my neck. I tipped my head back, gasping when the intensity returned to his mouth. There was an animalistic quality that sent shock waves through the rest of my body.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
Tell me you don't love me." Laurel's mouth moved, but she said nothing. "Tell me," he said, his voice sharp and demanding. "Tell me David is all you need or want in your life." His face was closer to her, his soft breath caressing her face. "That you never think of me when you're kissing him. That you don't dream about me the way I dream about you.Tell me you don't love me." She looked up at him,desperation consuming her. Her mouth felt dry, parched, and the words she tried to force out wouldn't come. "You can't even say it," he said, his arms pulling her in now instead of holding her steady. "Then love me, Laurel. Just love me!
Aprilynne Pike (Spells (Wings, #2))
Spell-Cleaver. That was his title. She surveyed him with her usual disdain. But Helion gave her the same bow he’d offered me—though his smile was edged with enough sensuality that even my heart raced a bit. No wonder the Lady of Autumn hadn’t stood a chance. “I don’t think we were introduced properly earlier,” he crooned to Nesta. “I’m—” “I don’t care,” Nesta said with a snap of her wrist, striding right past him and up to my side. “I’d like a word,” she said. “Now.” Cassian was biting his knuckle to keep from laughing—at the utter surprise and shock on Helion’s face. It wasn’t every day, I supposed, that anyone of either sex dismissed him so thoroughly. I threw the High Lord a semi-apologetic glance and led my sister out of the room.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
You might want to do something about your neck.” I was totally lost. “My neck?” She reached into her purse and handed me a compact mirror. I opened it and surveyed my neck, still trying to figure out what she could be talking about. Then I saw it. A small, brownish purple bruise on the side of my neck. “What on earth is that?” I exclaimed. Ms. Terwilliger snorted. “Although it’s been a while for me, I believe the technical term is a hickey” She paused and arched an eyebrow. “You do know what that is, don’t you?” “Of course I know!” I lowered the mirror. “But there’s no way—I mean, we barely—that is—” She held up a hand to silence me. “You don’t have to justify your private life to me. But you might want to consider how you can actually keep it private in the next fifteen minutes.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
There are three ways that men get what they want: by planning, by working, and by praying. Any great military operation takes careful planning or thinking. Then you must have well trained troops to carry it out: that's working. But between the plan and the operation there is always an unknown. That unknown spells defeat or victory; success or failure. It is the reaction of the actors to the ordeal when it actually comes. Some people call that getting the breaks. I call it God. God has His part or margin in everything. That's where prayer comes in.
George S. Patton Jr.
Desperately, I needed a reversal of fortunes. Then suddenly, I knew what I needed to do. So, I stopped at the Northside cemetery. Mom was buried there. I gave Deya another pass and left her outside the gates of the cemetery. I wasn’t certain but I didn’t want to mix my perceived notion of Deya’s Voodoo with Mom’s Ghosts, Dead Dawg, and Haints. Too many demons in the same location didn’t appear to be a smart thing. Once inside,I said what I needed to say, laid a rose, and headed back to retrieve my sweetheart. But I knew Deya. She had a fear of ghouls and hitchhikers hanging out in the graveyard. So wisely, I scanned her person for a Greek cross, miniature doll, or chicken foot in her possession. Fortunately, she passed my inspections. So, I left the graveyard, took the wheel, and got the hell out of that area in a haze.
Harold Phifer (My Bully, My Aunt, & Her Final Gift)
I gave him my Order smile: sweet grin, hard eyes, reached over to my passenger seat, and pulled out my submachine gun. About twenty-seven inches long, the HK was my favorite toy for close-quarters combat. The rider’s eyes went wide. “This is an HK UMP submachine gun. Renowned for its stopping power and reliability. Cyclic rate of fire: eight hundred rounds per minute. That means I can empty this thirty-round clip into you in less than three seconds. At this range, I’ll cut you in half.” It wasn’t strictly true but it sounded good. “You see what it says on the barrel?” On the barrel, pretty white letters spelled out PARTY STARTER.
Ilona Andrews (Gunmetal Magic (Kate Daniels, #5.5; World of Kate Daniels, #6 & #6.5; Andrea Nash, #1))
I watched, enthralled, as he painted a large silver heart with flames edging one side. The whole design was Celtic in style. It was beautiful. "Where did you get that from?" I asked in awe. I'd seen a lot of his work but never anything like this. His eyes were on his heart, completely caught up in his work. "Just something kicking around in my head. Reminds me of you. Fiery and sweet, all at the same time. A flame in the dark, lighting my way." His voice... his words... I recognized one of his spirit-driven moments. It should've unnerved me, but there was something sensual about the way he spoke, something that made my breath catch. A flame in the dark. He swapped out the silver paintbrush for a black one. Before I could stop him, he wrote over the heart: AYE. Underneath it, in smaller letters, he added: HONORARY MEMBER.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
Don’t dash off a six-thousand-word story before breakfast. Don’t write too much. Concentrate your sweat on one story, rather than dissipate it over a dozen. Don’t loaf and invite inspiration; light out after it with a club, and if you don’t get it you will none the less get something that looks remarkably like it. Set yourself a “stint,” [London wrote 1,000 words nearly every day of his adult life] and see that you do that “stint” each day; you will have more words to your credit at the end of the year. Study the tricks of the writers who have arrived. They have mastered the tools with which you are cutting your fingers. They are doing things, and their work bears the internal evidence of how it is done. Don’t wait for some good Samaritan to tell you, but dig it out for yourself. See that your pores are open and your digestion is good. That is, I am confident, the most important rule of all. Keep a notebook. Travel with it, eat with it, sleep with it. Slap into it every stray thought that flutters up into your brain. Cheap paper is less perishable than gray matter, and lead pencil markings endure longer than memory. And work. Spell it in capital letters. WORK. WORK all the time. Find out about this earth, this universe; this force and matter, and the spirit that glimmers up through force and matter from the maggot to Godhead. And by all this I mean WORK for a philosophy of life. It does not hurt how wrong your philosophy of life may be, so long as you have one and have it well. The three great things are: GOOD HEALTH; WORK; and a PHILOSOPHY OF LIFE. I may add, nay, must add, a fourth—SINCERITY. Without this, the other three are without avail; with it you may cleave to greatness and sit among the giants." [Getting Into Print (The Editor magazine, March 1903)]
Jack London
Why do I take a blade and slash my arms? Why do I drink myself into a stupor? Why do I swallow bottles of pills and end up in A&E having my stomach pumped? Am I seeking attention? Showing off? The pain of the cuts releases the mental pain of the memories, but the pain of healing lasts weeks. After every self-harming or overdosing incident I run the risk of being sectioned and returned to a psychiatric institution, a harrowing prospect I would not recommend to anyone. So, why do I do it? I don't. If I had power over the alters, I'd stop them. I don't have that power. When they are out, they're out. I experience blank spells and lose time, consciousness, dignity. If I, Alice Jamieson, wanted attention, I would have completed my PhD and started to climb the academic career ladder. Flaunting the label 'doctor' is more attention-grabbing that lying drained of hope in hospital with steri-strips up your arms and the vile taste of liquid charcoal absorbing the chemicals in your stomach. In most things we do, we anticipate some reward or payment. We study for status and to get better jobs; we work for money; our children are little mirrors of our social standing; the charity donation and trip to Oxfam make us feel good. Every kindness carries the potential gift of a responding kindness: you reap what you sow. There is no advantage in my harming myself; no reason for me to invent delusional memories of incest and ritual abuse. There is nothing to be gained in an A&E department.
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
At its best fashion is a game. But for women it's a compulsory game, like net ball, and you can't get out of it by faking your period. I know I have tried. And so for a woman every outfit is a hopeful spell, cast to influence the outcome of the day. An act of trying to predict your fate, like looking at your horoscope. No wonder there are so many fashion magazines. No wonder the fashion industry is worth an estimated 900 billion dollars a year. No wonder every woman's first thought is, for nearly every event in her life, be it work, snow or birth. The semi-despairing cry of "but what will I wear?" Because when a woman says I have nothing to wear, what she really means is there is nothing here for who I am supposed to be today.
Caitlin Moran (How to Be a Woman)
Your Royal Bloody Pain in My Back, We're bloody waiting here to talk to you, and we're getting angry perturbed. (That means angry.) Thom says that you're a queen now, but I figure that changes nothing, sense you acted like a queen all the time anyway. Don't forget that I carried halled your pretty little backside out of a hole in Tear, but you acted like a queen then, so I guess I don't know why I'm surprised now that you act like one when you really are a queen. So I'm thinking I should treat you like a bloody Queen and send you a bloody letter and all, speaking with high talk and getting your attention. I even used my ring as a signet, like it was paper proper. So here my formal salutation. So BLOODY STOP TURNING ME AWAY so we can talk. I need your bellfounders. It's bloody important. --Mat p.s. Salutation means greeting. p.p.s. Don't mind the scratched out words and bad spellings. I was going to rewrite this letter, but Thom is laffing so hard at me that I want to be done. p.p.s. Don't mind me calling your backside pretty. I hardly ever spent any time looking at it, as I've an awareness that you'd pull my eyes out if you saw me. Besides, I'm married now, so that all doesn't matter.
Robert Jordan
Unbeknown to her, that Louisiana background secretly intimidated my urgency to drop to a knee and produce a ring. Or maybe, I wanted to see her raise a chicken from the dead. Rumors had assured me, her tribe was capable of voodoo, spells, and such. Well, those were my on-going issues toward matrimony. But on the other hand, Deya couldn’t wait to meet the kin folks. Yes, I knew what visions of family meant to her, butsadly, I wasn’t it. Still, I had to risk her involvement as a potential rope out of hell. Meantime, we pressed onward to my dreaded hometown. I must have counted all the hog farms, catfish ponds, livestock yards, and chicken barns along our route. Being a country boy, I knew the smells, stinks, and how to identify them all. Yet dealing with my relatives and the death of Aunt Kathy were different kinds of shit to take in.
Harold Phifer (My Bully, My Aunt, & Her Final Gift)
I was so distracted when walking out of the restroom that I hadn't noticed Rose standing nearby with Dimitri Belikov. They stood arm in arm, smiling at my surprise. I hadn't seen Dimitri tonight, and his black and white guardian attire told me why. He was on duty here and had undoubtedly been one of the shadows darting among the trees of the greenhouse, keeping a watch on everyone. He must be on break now because there was no way he'd be standing so casually here, even with Rose, otherwise. And really, "casual" for Dimitri meant he could still leap into battle at any moment. They were a striking couple. His dark-haired, dark-eyed looks matched hers, and they were both dazzlingly attractive. It was no wonder Adrian had fallen for her, and I felt surprised at how uncomfortable that memory made me. Like Sonya and Mikhail, there was a bond of love between Rose and Dimitri and Rose that was almost palpable.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
I wanted you, nameless Woman of the South, No wraith, but utterly—as still more alone The Southern Cross takes night And lifts her girdles from her, one by one— High, cool, wide from the slowly smoldering fire Of lower heavens,— vaporous scars! Eve! Magdalene! or Mary, you? Whatever call—falls vainly on the wave. O simian Venus, homeless Eve, Unwedded, stumbling gardenless to grieve Windswept guitars on lonely decks forever; Finally to answer all within one grave! And this long wake of phosphor, iridescent Furrow of all our travel—trailed derision! Eyes crumble at its kiss. Its long-drawn spell Incites a yell. Slid on that backward vision The mind is churned to spittle, whispering hell. I wanted you . . . The embers of the Cross Climbed by aslant and huddling aromatically. It is blood to remember; it is fire To stammer back . . . It is God—your namelessness. And the wash— All night the water combed you with black Insolence. You crept out simmering, accomplished. Water rattled that stinging coil, your Rehearsed hair—docile, alas, from many arms. Yes, Eve—wraith of my unloved seed! The Cross, a phantom, buckled—dropped below the dawn. Light drowned the lithic trillions of your spawn.
Hart Crane (The Bridge)
Immediately when you arrive in Sahara, for the first or the tenth time, you notice the stillness. An incredible, absolute silence prevails outside the towns; and within, even in busy places like the markets, there is a hushed quality in the air, as if the quiet were a conscious force which, resenting the intrusion of sound, minimizes and disperses sound straightaway. Then there is the sky, compared to which all other skies seem fainthearted efforts. Solid and luminous, it is always the focal point of the landscape. At sunset, the precise, curved shadow of the earth rises into it swiftly from the horizon, cutting into light section and dark section. When all daylight is gone, and the space is thick with stars, it is still of an intense and burning blue, darkest directly overhead and paling toward the earth, so that the night never really goes dark. You leave the gate of the fort or town behind, pass the camels lying outside, go up into the dunes, or out onto the hard, stony plain and stand awhile alone. Presently, you will either shiver and hurry back inside the walls, or you will go on standing there and let something very peculiar happen to you, something that everyone who lives there has undergone and which the French call 'le bapteme de solitude.' It is a unique sensation, and it has nothing to do with loneliness, for loneliness presupposes memory. Here in this wholly mineral landscape lighted by stars like flares, even memory disappears...A strange, and by no means pleasant, process of reintergration begins inside you, and you have the choice of fighting against it, and insisting on remaining the person you have always been, or letting it take its course. For no one who has stayed in the Sahara for a while is quite the same as when he came. ...Perhaps the logical question to ask at this point is: Why go? The answer is that when a man has been there and undergone the baptism of solitude he can't help himself. Once he has been under the spell of the vast luminous, silent country, no other place is quite strong enough for him, no other surroundings can provide the supremely satisfying sensation of existing in the midst of something that is absolute. He will go back, whatever the cost in time or money, for the absolute has no price.
Paul Bowles (Their Heads are Green and Their Hands are Blue: Scenes from the Non-Christian World)
We believe in the wrong things. That's what frustrates me the most. Not the lack of belief, but the belief in the wrong things. You want meaning? Well, the meanings are out there. We're just so damn good at reading them wrong. I don't think meaning is something that can be explained. You have to understand it on your own. It's like when you're starting to read. First, you learn the letters. Then, once you know what sounds the letters make, you use them to sound out words. You know that c-a-t leads to cat and d-o-g leads to dog. But then you have to make that extra leap, to understand that the word, the sound, the "cat" is connected to an actual cat , and that "dog" is connected to an actual dog. It's that leap, that understanding, that leads to meaning. And a lot of the time in life, we're still just sounding things out. We know the sentences and how to say them. We know the ideas and how to present them. We know the prayers and which words to say in what order. But that's only spelling" It's much harder to lie to someone's face. But. It is also much harder to tell the truth to someone's face. The indefatigable pursuit of an unattainable perfection, even though it consist in nothing more than in the pounding of an old piano, is what alone gives a meaning to our life on this unavailing star. (Logan Pearsall Smith) Being alone has nothing to do with how many people are around. (J.R. Moehringer) You could be standing a few feet away...I could have sat next to you on the subway, or brushed beside you as we went through the turnstiles. But whether or not you are here, you are here- because these words are for you, and they wouldn't exist is you weren't here in some way. At last I had it--the Christmas present I'd wanted all along, but hadn't realized. His words. The dream was obviously a sign: he was too enticing to resist. Wow. You must have a lot of faith in me. Which I appreciate. Even if I'm not sure I share it. I could do this on my own, and not freak out that I had no idea what waited for me on the other side of this night. Hope and belief. I'd always wanted hope, but never believed that I could have such an adventure on my own. That I could own it. And love it. But it happened. Because I'm So uncool and so afraid. If there was a clue, that meant the mystery was still intact I fear you may have outmatched me, because not I find these words have nowhere to go. It's hard to answer a question you haven't been asked. It's hard to show that you tried unless you end up succeeding. This was not a haystack. We were people, and people had ways of finding eachother. It was one of those moments when you feel the future so much that is humbles the present. Don't worry. It's your embarrassment at not having the thought that counts. You think fairy tales are only for girls? Here's ahint- ask yourself who wrote them. I assure you, it wasn't just the women. It's the great male fantasy- all it takes is one dance to know that she's the one. All it takes is the sound of her song from the tower, or a look at her sleeping face. And right away you know--this is the girl in your head, sleeping or dancing or singing in front of you. Yes, girls want their princes, but boys want their princesses just as much. And they don't want a very long courtship. They want to know immediately. Be careful what you;re doing, because no one is ever who you want them to be. And the less you really know them, the more likely you are to confuse them with the girl or boy in your head You should never wish for wishful thinking
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
A Rock, A River, A Tree Hosts to species long since departed, Mark the mastodon. The dinosaur, who left dry tokens Of their sojourn here On our planet floor, Any broad alarm of their of their hastening doom Is lost in the gloom of dust and ages. But today, the Rock cries out to us, clearly, forcefully, Come, you may stand upon my Back and face your distant destiny, But seek no haven in my shadow. I will give you no hiding place down here. You, created only a little lower than The angels, have crouched too long in The bruising darkness, Have lain too long Face down in ignorance. Your mouths spelling words Armed for slaughter. The rock cries out today, you may stand on me, But do not hide your face. Across the wall of the world, A river sings a beautiful song, Come rest here by my side. Each of you a bordered country, Delicate and strangely made proud, Yet thrusting perpetually under siege. Your armed struggles for profit Have left collars of waste upon My shore, currents of debris upon my breast. Yet, today I call you to my riverside, If you will study war no more. Come, clad in peace and I will sing the songs The Creator gave to me when I And the tree and stone were one. Before cynicism was a bloody sear across your brow And when you yet knew you still knew nothing. The river sings and sings on. There is a true yearning to respond to The singing river and the wise rock. So say the Asian, the Hispanic, the Jew, The African and Native American, the Sioux, The Catholic, the Muslim, the French, the Greek, The Irish, the Rabbi, the Priest, the Sheikh, The Gay, the Straight, the Preacher, The privileged, the homeless, the teacher. They hear. They all hear The speaking of the tree. Today, the first and last of every tree Speaks to humankind. Come to me, here beside the river. Plant yourself beside me, here beside the river. Each of you, descendant of some passed on Traveller, has been paid for. You, who gave me my first name, You Pawnee, Apache and Seneca, You Cherokee Nation, who rested with me, Then forced on bloody feet, Left me to the employment of other seekers-- Desperate for gain, starving for gold. You, the Turk, the Swede, the German, the Scot... You the Ashanti, the Yoruba, the Kru, Bought, sold, stolen, arriving on a nightmare Praying for a dream. Here, root yourselves beside me. I am the tree planted by the river, Which will not be moved. I, the rock, I the river, I the tree I am yours--your passages have been paid. Lift up your faces, you have a piercing need For this bright morning dawning for you. History, despite its wrenching pain, Cannot be unlived, and if faced with courage, Need not be lived again. Lift up your eyes upon The day breaking for you. Give birth again To the dream. Women, children, men, Take it into the palms of your hands. Mold it into the shape of your most Private need. Sculpt it into The image of your most public self. Lift up your hearts. Each new hour holds new chances For new beginnings. Do not be wedded forever To fear, yoked eternally To brutishness. The horizon leans forward, Offering you space to place new steps of change. Here, on the pulse of this fine day You may have the courage To look up and out upon me, The rock, the river, the tree, your country. No less to Midas than the mendicant. No less to you now than the mastodon then. Here on the pulse of this new day You may have the grace to look up and out And into your sister's eyes, Into your brother's face, your country And say simply Very simply With hope Good morning.
Maya Angelou