Spell Or High Water Quotes

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I find that stubbornness often beats intelligence eventually. Stubbornness will beat anything eventually. That’s the whole point of stubbornness.
Scott Meyer (Spell or High Water (Magic 2.0, #2))
For a smart person to argue with a dumb person, they have to dumb down their logic on the fly, while the dumb person thinks in dumb logic naturally, giving them an advantage.
Scott Meyer (Spell or High Water (Magic 2.0, #2))
Every morning the maple leaves. Every morning another chapter where the hero shifts from one foot to the other. Every morning the same big and little words all spelling out desire, all spelling out You will be alone always and then you will die. So maybe I wanted to give you something more than a catalog of non-definitive acts, something other than the desperation. Dear So-and-So, I’m sorry I couldn’t come to your party. Dear So-and-So, I’m sorry I came to your party and seduced you and left you bruised and ruined, you poor sad thing. You want a better story. Who wouldn’t? A forest, then. Beautiful trees. And a lady singing. Love on the water, love underwater, love, love and so on. What a sweet lady. Sing lady, sing! Of course, she wakes the dragon. Love always wakes the dragon and suddenly flames everywhere. I can tell already you think I’m the dragon, that would be so like me, but I’m not. I’m not the dragon. I’m not the princess either. Who am I? I’m just a writer. I write things down. I walk through your dreams and invent the future. Sure, I sink the boat of love, but that comes later. And yes, I swallow glass, but that comes later. Let me do it right for once, for the record, let me make a thing of cream and stars that becomes, you know the story, simply heaven. Inside your head you hear a phone ringing and when you open your eyes only a clearing with deer in it. Hello deer. Inside your head the sound of glass, a car crash sound as the trucks roll over and explode in slow motion. Hello darling, sorry about that. Sorry about the bony elbows, sorry we lived here, sorry about the scene at the bottom of the stairwell and how I ruined everything by saying it out loud. Especially that, but I should have known. Inside your head you hear a phone ringing, and when you open your eyes you’re washing up in a stranger’s bathroom, standing by the window in a yellow towel, only twenty minutes away from the dirtiest thing you know. All the rooms of the castle except this one, says someone, and suddenly darkness, suddenly only darkness. In the living room, in the broken yard, in the back of the car as the lights go by. In the airport bathroom’s gurgle and flush, bathed in a pharmacy of unnatural light, my hands looking weird, my face weird, my feet too far away. I arrived in the city and you met me at the station, smiling in a way that made me frightened. Down the alley, around the arcade, up the stairs of the building to the little room with the broken faucets, your drawings, all your things, I looked out the window and said This doesn’t look that much different from home, because it didn’t, but then I noticed the black sky and all those lights. We were inside the train car when I started to cry. You were crying too, smiling and crying in a way that made me even more hysterical. You said I could have anything I wanted, but I just couldn’t say it out loud. Actually, you said Love, for you, is larger than the usual romantic love. It’s like a religion. It’s terrifying. No one will ever want to sleep with you. Okay, if you’re so great, you do it— here’s the pencil, make it work … If the window is on your right, you are in your own bed. If the window is over your heart, and it is painted shut, then we are breathing river water. Dear Forgiveness, you know that recently we have had our difficulties and there are many things I want to ask you. I tried that one time, high school, second lunch, and then again, years later, in the chlorinated pool. I am still talking to you about help. I still do not have these luxuries. I have told you where I’m coming from, so put it together. I want more applesauce. I want more seats reserved for heroes. Dear Forgiveness, I saved a plate for you. Quit milling around the yard and come inside.
Richard Siken
The leaves were long, the grass was green, The hemlock-umbels tall and fair, And in the glade a light was seen Of stars in shadow shimmering. Tinuviel was dancing there To music of a pipe unseen, And light of stars was in her hair, And in her raiment glimmering. There Beren came from mountains cold, And lost he wandered under leaves, And where the Elven-river rolled. He walked along and sorrowing. He peered between the hemlock-leaves And saw in wonder flowers of gold Upon her mantle and her sleeves, And her hair like shadow following. Enchantment healed his weary feet That over hills were doomed to roam; And forth he hastened, strong and fleet, And grasped at moonbeams glistening. Through woven woods in Elvenhome She lightly fled on dancing feet, And left him lonely still to roam In the silent forest listening. He heard there oft the flying sound Of feet as light as linden-leaves, Or music welling underground, In hidden hollows quavering. Now withered lay the hemlock-sheaves, And one by one with sighing sound Whispering fell the beechen leaves In the wintry woodland wavering. He sought her ever, wandering far Where leaves of years were thickly strewn, By light of moon and ray of star In frosty heavens shivering. Her mantle glinted in the moon, As on a hill-top high and far She danced, and at her feet was strewn A mist of silver quivering. When winter passed, she came again, And her song released the sudden spring, Like rising lark, and falling rain, And melting water bubbling. He saw the elven-flowers spring About her feet, and healed again He longed by her to dance and sing Upon the grass untroubling. Again she fled, but swift he came. Tinuviel! Tinuviel! He called her by her elvish name; And there she halted listening. One moment stood she, and a spell His voice laid on her: Beren came, And doom fell on Tinuviel That in his arms lay glistening. As Beren looked into her eyes Within the shadows of her hair, The trembling starlight of the skies He saw there mirrored shimmering. Tinuviel the elven-fair, Immortal maiden elven-wise, About him cast her shadowy hair And arms like silver glimmering. Long was the way that fate them bore, O'er stony mountains cold and grey, Through halls of iron and darkling door, And woods of nightshade morrowless. The Sundering Seas between them lay, And yet at last they met once more, And long ago they passed away In the forest singing sorrowless.
J.R.R. Tolkien (The Lord of the Rings)
Does it make sense to boycott ourselves? Does it hold water to boycott the fluid course of our life? Is it consistent to commit self-sabotage by destroying wittingly our corporeal and mental structure? Those are the questions thousands of people may ask as they are confronted with the schizophrenic dilemma on the point of smoking, boozing, doping, sexual transgressing or environmental polluting. Many seem to be aware of their problem. Many have decided to stop from tomorrow on. But when tomorrow and after tomorrow come many tend to let slip their vow and their self-sabotage goes on to rule their life. Their dissonant behavior transforms them into social losers or hopeless patsies and depresses them into the class of forlorn pariahs. They realize, as such, that self-handicapping makes no sense, but are not able to protect themselves from themselves since they haven’t got the muscle to live down the spell of addiction. Thousands of people may feel having set the bar too high and recognize they are are failing to find the right angle and are missing sufficient insight to steer their life. If, however, they decide to give it a try they should be aware that the road may be very bumpy and that they have to be prepared for disappointments and regressions, that they might have to deal with very slowly crescent improvements, that they shouldn’t take themselves for a ride and that they could only possibly succeed by focusing painfully on the path to breaking free from the hornet's nest they have got themselves into.
Erik Pevernagie
I wanted you, nameless Woman of the South, No wraith, but utterly—as still more alone The Southern Cross takes night And lifts her girdles from her, one by one— High, cool, wide from the slowly smoldering fire Of lower heavens,— vaporous scars! Eve! Magdalene! or Mary, you? Whatever call—falls vainly on the wave. O simian Venus, homeless Eve, Unwedded, stumbling gardenless to grieve Windswept guitars on lonely decks forever; Finally to answer all within one grave! And this long wake of phosphor, iridescent Furrow of all our travel—trailed derision! Eyes crumble at its kiss. Its long-drawn spell Incites a yell. Slid on that backward vision The mind is churned to spittle, whispering hell. I wanted you . . . The embers of the Cross Climbed by aslant and huddling aromatically. It is blood to remember; it is fire To stammer back . . . It is God—your namelessness. And the wash— All night the water combed you with black Insolence. You crept out simmering, accomplished. Water rattled that stinging coil, your Rehearsed hair—docile, alas, from many arms. Yes, Eve—wraith of my unloved seed! The Cross, a phantom, buckled—dropped below the dawn. Light drowned the lithic trillions of your spawn.
Hart Crane (The Bridge)
In high school, I played a lot of Dungeons and Dragons. (You may not have guessed this botanist/mechanical engineer was a bit of a nerd in high school, but indeed I was.) In the game I played a cleric. One of the magic spells I could cast was “Create Water.” I always thought it was a really stupid spell, and I never used it. Boy, what I wouldn’t give to be able to do that in real life right now.
Andy Weir (The Martian: Stranded on Mars, one astronaut fights to survive)
Everything’s senseless until someone makes sense of it. Life doesn’t explain itself.
Scott Meyer (Spell or High Water (Magic 2.0, #2))
If I use it, and you know what it means, it a word.
Scott Meyer (Spell or High Water (Magic 2.0, #2))
Martin said, “A mixed metaphor is like a beautiful woman.” “How so?” “They can both make a guy look stupid.
Scott Meyer (Spell or High Water (Magic 2.0, #2))
Reality is inelegant,” Phillip huffed. “No,” Martin said definitively. “Reality is stunningly elegant. Our understanding of it is not.
Scott Meyer (Spell or High Water (Magic 2.0, #2))
There’s nothing a showoff hates more than a competing showoff.
Scott Meyer (Spell or High Water (Magic 2.0, #2))
Blow on, ye death fraught whirlwinds! blow, Around the rocks, and rifted caves; Ye demons of the gulf below! I hear you, in the troubled waves. High on this cliff, which darkness shrouds In night's impenetrable clouds, My solitary watch I keep, And listen, while the turbid deep Groans to the raging tempests, as they roll Their desolating force, to thunder at the pole. Eternal world of waters, hail! Within thy caves my Lover lies; And day and night alike shall fail Ere slumber lock my streaming eyes. Along this wild untrodden coast, Heap'd by the gelid' hand of frost; Thro' this unbounded waste of seas, Where never sigh'd the vernal breeze; Mine was the choice, in this terrific form, To brave the icy surge, to shiver in the storm. Yes! I am chang'd - My heart, my soul, Retain no more their former glow. Hence, ere the black'ning tempests roll, I watch the bark, in murmurs low, (While darker low'rs the thick'ning' gloom) To lure the sailor to his doom; Soft from some pile of frozen snow I pour the syren-song of woe; Like the sad mariner's expiring cry, As, faint and worn with toil, he lays him down to die. Then, while the dark and angry deep Hangs his huge billows high in air ; And the wild wind with awful sweep, Howls in each fitful swell - beware! Firm on the rent and crashing mast, I lend new fury to the blast; I mark each hardy cheek grow pale, And the proud sons of courage fail; Till the torn vessel drinks the surging waves, Yawns the disparted main, and opes its shelving graves. When Vengeance bears along the wave The spell, which heav'n and earth appals; Alone, by night, in darksome cave, On me the gifted wizard calls. Above the ocean's boiling flood Thro' vapour glares the moon in blood: Low sounds along the waters die, And shrieks of anguish fill the' sky; Convulsive powers the solid rocks divide, While, o'er the heaving surge, the embodied spirits glide. Thrice welcome to my weary sight, Avenging ministers of Wrath! Ye heard, amid the realms of night, The spell that wakes the sleep of death. Where Hecla's flames the snows dissolve, Or storms, the polar skies involve; Where, o'er the tempest-beaten wreck, The raging winds and billows break; On the sad earth, and in the stormy sea, All, all shall shudd'ring own your potent agency. To aid your toils, to scatter death, Swift, as the sheeted lightning's force, When the keen north-wind's freezing breath Spreads desolation in its course, My soul within this icy sea, Fulfils her fearful destiny. Thro' Time's long ages I shall wait To lead the victims to their fate; With callous heart, to hidden rocks decoy, And lure, in seraph-strains, unpitying, to destroy.
Anne Bannerman (Poems by Anne Bannerman.)
The beauty of capital punishment,” he continued, “is that you only have to do it once to make your point.
Scott Meyer (Spell or High Water (Magic 2.0, #2))
just like a truly powerful person never needs to tell people that they are powerful, a truly rich person doesn’t need to demonstrate that they are rich.
Scott Meyer (Spell or High Water (Magic 2.0, #2))
Gwen decided it was time to speak up. “Tell me, has any woman ever laughed when you made the obvious joke?” “No,” Sid said, “but that’s just because women don’t really have a sense of humor.” Gwen asked, “What makes you say that?” Sid said, “I tell a lot of jokes, jokes my male friends think are hilarious, but women almost never laugh.” Brit nodded, and said, “Well, we can’t argue with that. Your logic is as strong as your wit.” Sid bowed more deeply, and said, “Thank you.
Scott Meyer (Spell or High Water (Magic 2.0, #2))
And what work is fit for a real man?” Phillip asked. “Look around you, and see for yourself,” Ampyx said. “Guarding things, tending to the flowers, selling clothing, serving food. Some of us cut hair.” “Manly work,” Phillip said. “Yes.” Now Martin had to make sure he was hearing things properly. “And what about building things, inventing, and running the government?” Ampyx said, “The women seem to enjoy doing those things, and they’re good at it, so we leave them to it while we tend to what’s important.
Scott Meyer (Spell or High Water (Magic 2.0, #2))
The only bright point was when we stopped off at that fish market they got here before we went to the airport.” “Oh,” Jimmy said brightly, “the one where they throw those great big fish around?” “Yeah, that’s the one,” Agent Miller said, wearily. “How was it?” Jimmy asked. “It was a fish market. You’ve been to a fish market, haven’t you, Jimmy? It was exactly like that, only crowded, and with guys yelling and throwing around a big dead fish. Does that sound like fun, Jimmy? How they ever convinced people that that’s a tourist attraction is beyond me. It’s all a big sham. I’m pretty sure they kept throwing the same fish around no matter what anyone ordered.
Scott Meyer (Spell or High Water (Magic 2.0, #2))
Raven mumbled something. “Eh? What was that? Speak up! Don’t mumble like a caterpillar.” “I said, I don’t want to scare them.” Baba Yaga picked up a blue spray bottle and squirted Raven in the face with water, making Raven blink. “This is how I train my cats not to jump up on my spell table. They learn after a while. Maybe you will, too.
Shannon Hale (The Storybook of Legends (Ever After High, #1))
Yes,” Gary agreed, “and if less is more, then logically, more must be even more than that.
Scott Meyer (Spell or High Water (Magic 2.0, #2))
Oh, he’s not stupid, just a slow learner. Stupid people are useless. Slow learners are tremendous fun to jerk around.
Scott Meyer (Spell or High Water (Magic 2.0, #2))
They were amazed to hear that Roy was from the year 1973, or as Gary put it, pre-Star Wars.
Scott Meyer (Spell or High Water (Magic 2.0, #2))
They’re smarter than I am.” “Are they smarter, or do they just know more?” Martin asked, “Is there a difference?
Scott Meyer (Spell or High Water (Magic 2.0, #2))
So, if he doesn’t act with subtlety, what on earth made you think he would react to subtlety?
Scott Meyer (Spell or High Water (Magic 2.0, #2))
Sadly, I find that stubbornness often beats intelligence eventually. Stubbornness will beat anything eventually. That’s the whole point of stubbornness.
Scott Meyer (Spell or High Water (Magic 2.0, #2))
Tell me, what do you know about giant squid?
Scott Meyer (Spell or High Water (Magic 2.0, #2))
One guy was wearing a loincloth and a hat made of a wolf’s skull, which he insisted was his dress ensemble. Later, Martin worked up the nerve to ask him a few questions. It turned out his name was Richard, and he was from Portland, Oregon, in the year 2003. “Yeah, that’s where you’re from originally,” Martin said. “But where do you live?” Richard said, “Portland, in the year two thousand and three. I own a food truck.
Scott Meyer (Spell or High Water (Magic 2.0, #2))
That concludes the official message. I’m adding this last part because I know the two of you won’t be satisfied if I don’t.” Gwen turned so that both Martin and Phillip could see her in profile. She took a deep breath, put the hood up on her cloak. She looked from side to side in an exaggerated pantomime of fear, then said, “Help me, Obi Wan Kenobi; you’re my only hope.” With that, she bent at the waist, mimed putting a card into a slot, then disappeared.
Scott Meyer (Spell or High Water (Magic 2.0, #2))
The only question that got any traction was when he asked Martin what he did. Martin tersely replied that he was a wizard and was met with a blank stare. “You know, a wizard,” Martin said. “I do magic.” Martin had expected that this would at least impress Ampyx. Martin was wrong. “Why?” Ampyx asked. “Why what? Why do I do magic?” “Yes, why do you do magic?” Ampyx asked, as if it were the most obvious question in the world. Martin looked at Phillip, who shrugged. Finally, Martin answered, “Why wouldn’t I do magic? Wouldn’t you do magic if you could?” “Never,” Ampyx said. “Well, why not?” Ampyx scrunched his face and said, “Magic . . . it is . . . woman’s work.
Scott Meyer (Spell or High Water (Magic 2.0, #2))
I’m surprised that Phillip worked so fast,” Gwen said. “He’s never seemed all that romantic to me.” “Well, he doesn’t show that side to you, Gwen. You’re like a sister to him.” Gwen smiled. “Are you saying he’s shown that side of himself to you?” “Not directly,” Martin said, just defensively enough to make it clear he was in on the joke. “But I know it’s there. Guys like Phillip are like, hmm . . . You know those cheap frozen chicken pot pies you get from the grocery store? Phillip’s like one of those. He’s all bland and beige on the surface, a little bit flaky too, but underneath, on the inside, he’s a scalding hot, bubbling mass of passion and gravy. And peas.” “And chicken?” Gwen offered. “Less than you’d think,” Martin said.
Scott Meyer (Spell or High Water (Magic 2.0, #2))
That is my main intention. But Reepicheep here has an even higher hope.” Everyone’s eyes turned to the Mouse. “As high as my spirit,” it said. “Though perhaps as small as my stature. Why should we not come to the very eastern end of the world? And what might we find there? I expect to find Aslan’s own country. It is always from the east, across the sea, that the great Lion comes to us.” “I say, that is an idea,” said Edmund in an awed voice. “But do you think,” said Lucy, “Aslan’s country would be that sort of country--I mean, the sort you could ever sail to?” “I do not know, Madam,” said Reepicheep. “But there is this. When I was in my cradle a wood woman, a Dryad, spoke this verse over me: “Where sky and water meet, Where the waves grow sweet, Doubt not, Reepicheep, To find all you seek, There is the utter East. “I do not know what it means. But the spell of it has been on me all my life.
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
Letter You can see it already: chalks and ochers; Country crossed with a thousand furrow-lines; Ground-level rooftops hidden by the shrubbery; Sporadic haystacks standing on the grass; Smoky old rooftops tarnishing the landscape; A river (not Cayster or Ganges, though: A feeble Norman salt-infested watercourse); On the right, to the north, bizarre terrain All angular--you'd think a shovel did it. So that's the foreground. An old chapel adds Its antique spire, and gathers alongside it A few gnarled elms with grumpy silhouettes; Seemingly tired of all the frisky breezes, They carp at every gust that stirs them up. At one side of my house a big wheelbarrow Is rusting; and before me lies the vast Horizon, all its notches filled with ocean blue; Cocks and hens spread their gildings, and converse Beneath my window; and the rooftop attics, Now and then, toss me songs in dialect. In my lane dwells a patriarchal rope-maker; The old man makes his wheel run loud, and goes Retrograde, hemp wreathed tightly round the midriff. I like these waters where the wild gale scuds; All day the country tempts me to go strolling; The little village urchins, book in hand, Envy me, at the schoolmaster's (my lodging), As a big schoolboy sneaking a day off. The air is pure, the sky smiles; there's a constant Soft noise of children spelling things aloud. The waters flow; a linnet flies; and I say: "Thank you! Thank you, Almighty God!"--So, then, I live: Peacefully, hour by hour, with little fuss, I shed My days, and think of you, my lady fair! I hear the children chattering; and I see, at times, Sailing across the high seas in its pride, Over the gables of the tranquil village, Some winged ship which is traveling far away, Flying across the ocean, hounded by all the winds. Lately it slept in port beside the quay. Nothing has kept it from the jealous sea-surge: No tears of relatives, nor fears of wives, Nor reefs dimly reflected in the waters, Nor importunity of sinister birds.
Victor Hugo
Why don't you make everybody an Alpha Double Plus while you're about it?" Mustapha Mond laughed. "Because we have no wish to have our throats cut," he answered. "We believe in happiness and stability. A society of Alphas couldn't fail to be unstable and miserable. Imagine a factory staffed by Alphas–that is to say by separate and unrelated individuals of good heredity and conditioned so as to be capable (within limits) of making a free choice and assuming responsibilities. Imagine it!" he repeated. The Savage tried to imagine it, not very successfully. "It's an absurdity. An Alpha-decanted, Alpha-conditioned man would go mad if he had to do Epsilon Semi-Moron work–go mad, or start smashing things up. Alphas can be completely socialized–but only on condition that you make them do Alpha work. Only an Epsilon can be expected to make Epsilon sacrifices, for the good reason that for him they aren't sacrifices; they're the line of least resistance. His conditioning has laid down rails along which he's got to run. He can't help himself; he's foredoomed. Even after decanting, he's still inside a bottle–an invisible bottle of infantile and embryonic fixations. Each one of us, of course," the Controller meditatively continued, "goes through life inside a bottle. But if we happen to be Alphas, our bottles are, relatively speaking, enormous. We should suffer acutely if we were confined in a narrower space. You cannot pour upper-caste champagne-surrogate into lower-caste bottles. It's obvious theoretically. But it has also been proved in actual practice. The result of the Cyprus experiment was convincing." "What was that?" asked the Savage. Mustapha Mond smiled. "Well, you can call it an experiment in rebottling if you like. It began in A.F. 473. The Controllers had the island of Cyprus cleared of all its existing inhabitants and re-colonized with a specially prepared batch of twenty-two thousand Alphas. All agricultural and industrial equipment was handed over to them and they were left to manage their own affairs. The result exactly fulfilled all the theoretical predictions. The land wasn't properly worked; there were strikes in all the factories; the laws were set at naught, orders disobeyed; all the people detailed for a spell of low-grade work were perpetually intriguing for high-grade jobs, and all the people with high-grade jobs were counter-intriguing at all costs to stay where they were. Within six years they were having a first-class civil war. When nineteen out of the twenty-two thousand had been killed, the survivors unanimously petitioned the World Controllers to resume the government of the island. Which they did. And that was the end of the only society of Alphas that the world has ever seen." The Savage sighed, profoundly. "The optimum population," said Mustapha Mond, "is modelled on the iceberg–eight-ninths below the water line, one-ninth above." "And they're happy below the water line?" "Happier than above it.
Aldous Huxley (Brave New World)
Near the exit to the blue patio, DeCoverley Pox and Joaquin Stick stand by a concrete scale model of the Jungfrau, ... socking the slopes of the famous mountain with red rubber hot-water bags full of ice cubes, the idea being to pulverize the ice for Pirate's banana frappes. With their nights' growths of beard, matted hair, bloodshot eyes, miasmata of foul breath, DeCoverley and Joaquin are wasted gods urging on a tardy glacier. Elsewhere in the maisonette, other drinking companions disentangle from blankets (one spilling wind from his, dreaming of a parachute), piss into bathroom sinks, look at themselves with dismay in concave shaving mirrors, slab water with no clear plan in mind onto heads of thinning hair, struggle into Sam Brownes, dub shoes against rain later in the day with hand muscles already weary of it, sing snatches of popular songs whose tunes they don't always know, lie, believing themselves warmed, in what patches of the new sunlight come between the mullions, begin tentatively to talk shop as a way of easing into whatever it is they'll have to be doing in less than an hour, lather necks and faces, yawn, pick their noses, search cabinets or bookcases for the hair of the dog that not without provocation and much prior conditioning bit them last night. Now there grows among all the rooms, replacing the night's old smoke, alcohol and sweat, the fragile, musaceous odor of Breakfast:flowery, permeating, surprising, more than the color of winter sunlight, taking over not so much through any brute pungency or volume as by the high intricacy to the weaving of its molecules, sharing the conjuror's secret by which-- though it is not often Death is told so clearly to fuck off--- the genetic chains prove labyrinthine enough to preserve some human face down ten or twenty generations. . . so the same assertion-through-structure allows this war morning's banana fragrance to meander, repossess, prevail. Is there any reason not to open every window, and let the kind scent blanket all Chelsea? As a spell, against falling objects. . . .
Thomas Pynchon
The wind was blustering again, whipping the curtains. Peter went over to close the window. The moon was now high on the eastern rise, radiant above the church where small water-cart clouds raced across the sky. About to fasten the window latch, his eye was drawn down to the garden. The fox stood under the apple tree looking up at him. The animal began to bark. Each monosyllabic yip and yap seemed to mimic human speech. By some strange power or spell, Peter could understand what the animal was saying. He heard the words loud and clear. ‘I-am Si-on,’ the fox barked. Man and beast looked unwaveringly at one another, neither moving a muscle. The wind stopped blowing, the curtains hung at rest. Peter leaned out the window. ‘What do you want from me?’ he called down. ‘Save-us-from-the-stea-lers,’ barked Sion. Peter’s mind reeled. It would be madness to believe he could understand what the fox was saying—lunacy to think he could commune with it! ‘I must still be asleep,’ he reasoned, closing the window. He sat down on the bed, folding his hands in his lap. But this is not a dream. Lying down, he pulled the bedcovers over himself. ‘Save-us! Save-us! Save-us!’ the fox kept barking from the garden.
Robin Craig Clark (Heart of the Earth: A Fantastic Mythical Adventure of Courage and Hope, Bound by a Shared Destiny)
Finally, he thought, If we’re going to talk, let’s really talk. “There are those who say that because nothing we do seems to change the future, it means that whatever we do now has to be what we did in the past. Essentially, they say that all of our decisions were made for us, and that all we can do is play our parts. They tell us that any effort we make to change the course of history, or our own destiny, is futile, and ultimately results in us becoming the very thing we struggled to keep from becoming.” Brit peered at him over the rim of her glass, pulled the drink down from her mouth without actually taking a drink, then asked Phillip, “That’s what they say. What do you say?” Phillip smiled. “Usually, something loud and insulting. I am my own man. I make my own decisions. If the universe expects me to do anything different, it should prepare for a fight. I reject the idea that just because we can see the future that we’re doomed to create it. I say free will and imagination are deeply linked, and if you don’t believe you have one it just means that you lack the other.” Phillip realized he was raising his voice. He took a deep breath. “I get a little crazy when this topic comes up,” Phillip said. “I’m sorry. I’ll stop now.” “No,” Brit said, “please, go on.
Scott Meyer (Spell or High Water (Magic 2.0, #2))
Roses, roses! An interminable chain of these royal blossoms, red and white, wreathed by the radiant fingers of small rainbow-winged creatures as airy as moonlight mist, as delicate as thistledown! They cluster round me with smiling faces and eager eyes; they place the end of their rose-garland in my hand, and whisper, "FOLLOW!" Gladly I obey, and hasten onward. Guiding myself by the fragrant chain I hold, I pass through a labyrinth of trees, whose luxuriant branches quiver with the flight and song of birds. Then comes a sound of waters; the riotous rushing of a torrent unchecked, that leaps sheer down from rocks a thousand feet high, thundering forth the praise of its own beauty as it tosses in the air triumphant crowns of silver spray. How the living diamonds within it shift, and change, and sparkle! Fain would I linger to watch this magnificence; but the coil of roses still unwinds before me, and the fairy voices still cry, "FOLLOW!" I press on. The trees grow thicker; the songs of the birds cease; the light around me grows pale and subdued. In the far distance I see a golden crescent that seems suspended by some invisible thread in the air. Is it the young moon? No; for as I gaze it breaks apart into a thousand points of vivid light like wandering stars. These meet; they blaze into letters of fire. I strain my dazzled eyes to spell out their meaning. They form one word—HELIOBAS. I read it. I utter it aloud. The rose-chain breaks at my feet, and disappears. The fairy voices die away on my ear. There is utter silence, utter darkness,—save where that one NAME writes itself in burning gold on the blackness of the heavens.
Marie Corelli (A Romance of Two Worlds)
Hey, Gwen. How’s it going?” he asked. “Good, Martin,” she replied. “How are you today?” “Fine. I’m fine. I gotta say though, this meeting, with all of these motions being raised and seconded, I feel like I’m in one of the Star Wars prequels.” “I know!” Gwen enthused. She proceeded to go on at length about how much she loved the Star Wars prequels, and how particularly the parts set in the Galactic Senate gave all of the events much more of a sense of gravitas. Martin drank his coffee as quickly as he could and tried to pretend the conversation wasn’t happening.
Scott Meyer (Spell or High Water (Magic 2.0, #2))
I see what you’re saying, guys,” Phillip said, “but surely in a situation like this, less is more.” “Yes,” Gary agreed, “and if less is more, then logically, more must be even more than that.
Scott Meyer (Spell or High Water (Magic 2.0, #2))
Martin was not surprised to find that coffee was on the menu, despite the fact that South America wouldn’t be discovered by Europe for hundreds of years.
Scott Meyer (Spell or High Water (Magic 2.0, #2))
Gwen knew that Martin had once been captured by federal agents. She didn’t know that when he referred to being interrogated by the best, he was talking about his mother.
Scott Meyer (Spell or High Water (Magic 2.0, #2))
It’s always when you feel like you’re onto something that life knocks the wind out of you.
Scott Meyer (Spell or High Water (Magic 2.0, #2))
The room reeked of dust and failure, which was better than humidity and dead bugs, but only a little.
Scott Meyer (Spell or High Water (Magic 2.0, #2))
There was a painful-looking gravel berm just wide enough for him to bounce off before he fell over the side to his certain death.
Scott Meyer (Spell or High Water (Magic 2.0, #2))
The dark ages are obscure but they were not weird. Magicians there were, to be sure, and miracles. In the flickering firelight of the winter hearth, mead songs were sung of dragons and ring-givers, of fell deeds and famine, of portents and vengeful gods. Strange omens in the sky were thought to foretell evil times. But in a world where the fates seemed to govern by whimsy and caprice, belief in sympathetic magic, superstition and making offerings to spirits was not much more irrational than believing in paper money: trust is an expedient currency. There were charms to ward of dwarfs, water-elf disease and swarms of bees; farmers recited spells against cattle thieves and women knew of potions to make men more - or less - virile. Soothsayers, poets and those who remembered the genealogies of kings were held in high regard. The past was an immense source of wonder and inspiration, of fear and foretelling.
Max Adams (The King in the North: The Life and Times of Oswald of Northumbria)
We turned the page together and kept on without a pause, and halfway down the page a line flowed out of us that was music, his voice crisply carrying the words while I sang them along, high and low, and abruptly, shockingly, it was easy. No—not easy; that wasn’t even an adequate word. His hand had closed on mine, tightly; our fingers were interlaced, and our magic also. The spell came singing out of us, effortless as water running downhill. It would have been harder to stop than to keep going. And I understood now why he hadn’t been able to find the right words, why he hadn’t been able to tell me whether the spell would help Kasia or not. The Summoning didn’t bring forth any beast or object, or conjure up some surge of power; there was no fire or lightning. The only thing it did at all was fill the room with a clear cool light, not even bright enough to be blinding. But in that light everything began to look, to be different.
Naomi Novik (Uprooted)
and if less is more, then logically, more must be even more than that.
Scott Meyer (Spell or High Water (Magic 2.0, #2))
Oh, the airport’s not far from downtown. It’s just a little over an hour commute each way, thanks to this amazing Seattle traffic. The hotel’s not much, but it’s all we need. There’s ten channels’ worth of cable on the TV, and clean sheets on our twin beds, and a picturesque view of the gentlemen’s club next door.” Jimmy thought he saw Agent Miller’s left eye twitch. Jimmy said, “I’m sure that’s very entertaining.” Miller couldn’t take anymore. “It might be,” he said, “if we had a view of the inside, but all we can see is a parking lot full of desperate, lonely men, all of whom seem to look in our window. They seem to be fascinated by the sight of two middleaged men lying in twin beds like Ernie and Bert, watching The Weather Channel because it’s the most exciting thing on. It’s like being an exhibit in an alien zoo, on the planet of the scabby pervs!
Scott Meyer
Oh, the airport’s not far from downtown. It’s just a little over an hour commute each way, thanks to this amazing Seattle traffic. The hotel’s not much, but it’s all we need. There’s ten channels’ worth of cable on the TV, and clean sheets on our twin beds, and a picturesque view of the gentlemen’s club next door.” Jimmy thought he saw Agent Miller’s left eye twitch. Jimmy said, “I’m sure that’s very entertaining.” Miller couldn’t take anymore. “It might be,” he said, “if we had a view of the inside, but all we can see is a parking lot full of desperate, lonely men, all of whom seem to look in our window. They seem to be fascinated by the sight of two middleaged men lying in twin beds like Ernie and Bert, watching The Weather Channel because it’s the most exciting thing on. It’s like being an exhibit in an alien zoo, on the planet of the scabby pervs!
Scott Meyer, Spell or High Water
Gwen, I don’t deny that you’re much smarter than I am, and have been around longer, and that you know Ida far better than I do. That said, you just used the fact that she’s an elected official as evidence that she wouldn’t have done something stupid. Are you even listening to yourself?
Scott Meyer (Spell or High Water (Magic 2.0, #2))
William Caxton, for example, England's first printer, recorded for us in 1484 the following account of a reptilian monster in medieval Italy. I have modernised the spelling and punctuation: “There was found within a great river [i.e. the Po in Italy] a monster marine, or of the sea, of the form or likeness which followeth. He had the form or making of a fish, the which part was in two halves, that is to wit double. He had a great beard and he had two wonderfully great horns above his ears. Also he had great paps and a wonderfully great and horrible mouth. And at the both [of] his elbows he had wings right broad and great of fish's armour wherewith he swimmed and only he had but the head out of the water. It happed then that many women laundered and washed at the port or haven of the said river [where] that this horrible and fearful beast was, [who] for lack or default of meat came swimming toward the said women. Of the which he took one by the hand and supposed to have drawn her into the water. But she was strong and well advised and resisted against the said monster. And as she defended herself, she began to cry with an high voice, "Help, help!" To the which came running five women which by hurling and drawing of stones, killed and slew the said monster, for he was come too far within the sound, wherefore he might not return to the deep water. And after, when he rendered his spirit, he made a right little cry. He was of great corpulence more than any man's body. And yet, saith Poge [Pogius Bracciolini of Florence] in this manner, that he, being at Ferrara, he saw the said monster and saith yet that the young children were accustomed for to go bathe and wash them within the said river, but they came not all again. Wherefore the women [neither] washed nor laundered their clothes at the said port, for the folk presumed and supposed that the monster killed the young children which were drowned.
Bill Cooper (After the Flood)
For any ordinary person, the implosion of a deep-sea submersible is an instant death. The violence of the event and the pressures involved will completely destroy the human body faster than its nervous system can register a single pain signal. Death is immediate and certain, like someone turning off a switch marked you.
Scott Meyer (Spell or High Water (Magic 2.0, #2))
The horses, reluctant and excited from the first, become furious and wild. At the next shoal-personal nastiness being past consideration-we dismount, at knee-deep, to give them a moment's rest, shifting the mule's saddle to the trembling long-legged mare, and turning Mr. Brown loose, to follow as he could. After a breathing-spell we resume our splashed seats and the line of wade. Experience has taught us something, and we are more shrewd in choice of footing, the slopes around large trees being attractively high ground, until, by a stumble on a covered root, a knee is nearly crushed against a cypress trunk. Gullies now commence, cut by the rapid course of waters flowing off before north winds, in which it is good luck to escape instant drowning. Then quag again; the pony bogs; the mare, quivering and unmanageable, jumps sidelong among loose corduroy; and here are two riders standing waist-deep in mud and water between two frantic, plunging-horses, fortunately not beneath them. Nack soon extricates himself, and joins the mule, looking on terrified from behind. Fanny, delirious, believes all her legs broken and strewn about her, and falls, with a whining snort, upon her side. With incessant struggles she makes herself a mud bath, in which, with blood-shot eyes, she furiously rotates, striking, now and then, some stump, against which she rises only to fall upon the other side, or upon her back, until her powers are exhausted, and her head sinks beneath the surface. Mingled with our uppermost sympathy are thoughts of the soaked note-books, and other contents of the saddle-bags, and of the.hundred dollars that drown with her. What of dense soil there was beneath her is now stirred to porridge, and it is a dangerous exploit to approach. But, with joint hands, we length succeed in grappling her bridle, and then in hauling her nostrils above water. She revives only for a new tumult of dizzy pawing, before which we hastily retreat. At a second pause her lariat is secured, and the saddle cut adrift. For a half-hour the alternate resuscitation continues, until we are able to drag the head of the poor beast, half strangled by the rope, as well as the mud and water, toward firmer ground, where she recovers slowly her senses and her footing. Any further attempts at crossing the somewhat "wet" Neches bottoms are, of course, abandoned, and even the return to the ferry is a serious sort of joke. However, we congratulate ourselves that we are leaving, not entering the State.
Frederick Law Olmsted (A Journey through Texas: Or a Saddle-Trip on the Southwestern Frontier)
Deep in the underground lake, another dragonet was swimming, although the temperature of the water didn’t bother her. Fathom’s great-great-great-great-great-great-great-great-great-great-granddaughter dove to the bottom and then shot up out of the lake, soaring to the ceiling and spiraling back down with a splash. “Very impressive, Princess!” called the SeaWing named Pike, paddling in a small circle nearby. “Such speed! And grace!” The SeaWing with the skyfire bracelet snorted from the top of a rock. “Anybody can do that,” he said. “Not when you’re tied to your mother,” his sister said, squirting water at him with her talons. I’ve never flown as fast as I wanted or soared as high as I could go. Now I can do anything, anything I want. “Stop being such a mope, Turtle. So what if your entire winglet is gone? You’ve still got us.” She thwacked her tail into the water, sending a wave over the other three SeaWings in the lake with her. Unless Mother comes and tries to take me home. But I won’t let her. I won’t. I might be the most powerful dragon in the world, and if she didn’t learn that from what I did to Whirlpool, I can teach her some other way. The spell on Auklet’s harness should keep her away from me, though. If it doesn’t, I’ll come up with something stronger. “Tag! You’re it!” Barracuda called, tapping Anemone’s tail and racing away. The rest of the SeaWing princess’s thoughts scattered into laughter and the game.
Tui T. Sutherland (Winter Turning (Wings of Fire, #7))
Ruhn looked ready to get into it with his cousin, so Hunt did both of them—and himself, if he was being honest—a favor and said, “We’ve been waiting on a Many Waters contact to get back to us about a possible pattern with the demon attacks. Have you come across any information about the kristallos negating magic?” Days later, he couldn’t stop thinking about it—how it’d felt for his power to just sputter and die in his veins. “No. I still haven’t found anything about the creation of the kristallos except that it was made from the blood of the first Starborn Prince and the essence of the Star-Eater himself. Nothing about it negating magic.” Ruhn nodded at him. “You’ve never come across a demon that can do that?” “Not one. Witch spells and gorsian stones negate magic, but this was different.” He’d dealt with both. Before they’d bound him using the witch-ink on his brow, they’d shackled him with manacles hewn from the gorsian stones of the Dolos Mountains, a rare metal whose properties numbed one’s access to magic. They were used on high-profile enemies of the empire—the Hind herself was particularly fond of using them as she and her interrogators broke the Vanir among the rebel spies and leaders. But for years now, rumors had swirled in the 33rd’s barracks that rebels were experimenting with ways to render the metal into a spray that could be unleashed upon Vanir warriors on the battlefields.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
According to an esoteric explanation, the Sanskrit term mantra signifies “that which protects (trāna) the mind (manas). Specifically, mantra is a sound (letter, syllable, word, or phrase) that is charged with transformative power, such as the letter a, the sacred syllable om, the word hamsa, or the phrase om mani padme hūm. Thus a mantra could be explained as a potentized sound by which specific effects in consciousness can be produced. Most high-minded practitioners are reluctant to use mantras for anything other than the greatest human goal (purusha-artha, written purushārtha), which is liberation. In Tantric rituals, mantras are used to purify the altar, one’s seat, implements such as vessels and offering spoons, or the offerings themselves (e.g., flowers, water, food), or to invoke deities, protectors, and so on. Yet, the science of sacred sound (mantra-shāstra) has since ancient times been widely put to secular use as well. In this case, mantras assume the character of magical spells rather than sacred vibrations in the service of self-transformation and self-transcendence. The serpent energy hidden in the body is associated with the Sanskrit alphabet constituted of fifty basic letters, or sound vibrations, which go into the making of mantras. In contrast to ordinary words, however, mantras most often do not have a particular meaning, and their potency is tapped into through frequent repetition, whether mentally, whispered, or aloud. It is not commonly understood that for a sound to be a mantra, it must have been given in the context of initiation (dīkshā), whether formally or informally. Only then does the mantra have truly transformative power. For a mantra to become “active” or “awakened,” it must be recited at least 100,000 times. A mantra lacking in “consciousness” is just like any other sound. As the Kula-Arnava-Tantra (15.61–64) states: Mantras without consciousness are said to be mere letters. They yield no result even after a trillion recitations. The state that manifests promptly when the mantra is recited [with “consciousness”], that result is not [to be gained] from a hundred, a thousand, a hundred thousand, or ten million recitations. O Kuleshvarī, the knots at the heart and throat are pierced, all the limbs are invigorated, tears of joy, gooseflesh, bodily ecstasy, and tremulous speech suddenly occur for sure . . . . . . when a mantra endowed with consciousness is uttered even once. Where such signs are seen, that [mantra] is said to be according to tradition. Mantras of concentrated potency are known as “seed syllables” (bīja). Om is the original seed syllable, the source of all others. The Mantra-Yoga-Samhitā (71) calls it the “best of all mantras,” adding that all other mantras receive their power from it. Thus om is prefixed or sometimes also suffixed to numerous mantras, such as om namah shivāya
Georg Feuerstein (The Deeper Dimension of Yoga: Theory and Practice)
Scholar Karen Randolph Joines adds more to the Egyptian origin of this motif, by explaining that the usage of serpent images to defend against snakes was also an exclusively Egyptian notion without evidence in Canaan or Mesopotamia.[32] And Moses came out of Egypt. But the important element of these snakes being flying serpents or even dragons with mythical background is reaffirmed in highly respected lexicons such as the Brown, Driver, Briggs Hebrew Lexicon.[33] The final clause in Isaiah 30:7 likening Egypt’s punishment to the sea dragon Rahab lying dead in the desert is a further mythical serpentine connection.[34] But the Bible and Egypt are not the only places where we read of flying serpents in the desert. Hans Wildberger points out Assyrian king Esarhaddon’s description of flying serpents in his tenth campaign to Egypt in the seventh century B.C.   “A distance of 4 double-hours I marched over a territory… (there were) two-headed serpents [whose attack] (spelled) death—but I trampled (upon them) and marched on. A distance of 4 double-hours in a journey of 2 days (there were) green [animals] [Tr.: Borger: “serpents”] whose wings were batting.”[35]   The Greek historian Herodotus wrote of “sacred” winged serpents and their connection to Egypt in his Histories:   There is a place in Arabia not far from the town of Buto where I went to learn about the winged serpents. When I arrived there, I saw innumerable bones and backbones of serpents... This place… adjoins the plain of Egypt. Winged serpents are said to fly from Arabia at the beginning of spring, making for Egypt... The serpents are like water-snakes. Their wings are not feathered but very like the wings of a bat. I have now said enough concerning creatures that are sacred.[36]   The notion of flying serpents as mythical versus real creatures appearing in the Bible is certainly debated among scholars, but this debate gives certain warrant to the imaginative usage of winged flying serpents appearing in Chronicles of the Nephilim.[37]
Brian Godawa (Joshua Valiant (Chronicles of the Nephilim Book 5))
Yo momma's so tall when I tell her to bend over she's still taller than me. Yo momma's so tall, she did a push-up and burned her back on the sun. Yo momma's so tall she went to Leeds and her legs were still at home. Yo momma's so tall she called the Ocean a kitty pool. Yo momma's so tall, she can see her house from anywhere. Yo momma's so tall when she jump in the sky it hit jesus' balls. Yo momma's so tall she could "69" big foot. Yo momma's so tall she has to take a bath in Niagra falls. Yo Momma's so Stupid   Yo momma's so stupid, she told me everything she knows during a commercial break. Yo momma's so stupid, that if I need a brain transplant I'll take hers, because it's barely been used. Yo momma's so stupid she sent me a fax with a stamp on it. Yo momma's so stupid. She went to the eye doctor to buy an iPad. Yo momma's so stupid she threw the clock out the window to see time fly! Yo momma's so stupid she took a spoon to the superbowl. Yo momma's so stupid, if her brain was chocolate it wouldn't fill a M&M. Yo momma's so stupid if you stand close enough to her you can hear the ocean. Yo momma's so stupid, the smartest thing to come out of her mouth was a penis. Yo momma's so stupid, the government banned her from homeschooling her kids. Yo momma's so stupid, she's the reason women only make 75 cents on the dollar. Yo momma's so stupid, she filled her car with water so she can drive in the Car Pool lane. Yo momma's so stupid, I would ask her how old she is, but I know she can't count that high. Yo momma's so stupid she called Dan Quayle for a spell check. Yo momma's so stupid she put cheese on my dad because he's a cracker. Yo momma's so stupid she stepped on a crack and broke her own back. Yo momma's so stupid she makes Beavis and Butt-Head look like Nobel Prize winners. Yo momma's so stupid she got locked in a grocery store and starved to death. Yo momma's so stupid she tripped over a cordless phone. Yo momma's so Stupid when i said One mans trash is another mans Treasure she jump in a trash bin. Yo momma's so stupid she spent 20 minutes looking at the orange juice box because it said "concentrate". Yo momma's so stupid she thought she needed a token to get on Soul Train.
Tony Glare (Yo Mama Jokes: 201+ Best Yo Momma jokes! (Comedy, Jokes And Riddles, Humour, Jokes For Kids, Yo Mama Jokes))
I feel like I’m in one of the Star Wars prequels.” “I know!” Gwen enthused. She proceeded to go on at length about how much she loved the Star Wars prequels,
Scott Meyer (Spell or High Water (Magic 2.0, #2))
Despite physical appearances, Brit and Phillip were both middle-aged mentally, and this was not the first time either of them had slept over with someone. It was the first time they had slept over with each other, and later they’d both remember it the way most people remember a first of this type: as having been absolutely wonderful, and technically, not that great.
Scott Meyer (Spell or High Water (Magic 2.0, #2))
Something snatched onto Crickets’ left leg, and it was rapidly pulling her into the depths away from the wharf. Air-bubbles restricted her view in the pre-stirred water, as she kicked furiously against the high strength of her unknown assailant. Being from Louisiana, Cricket’s first instinct told her she was going down to a certain-death by Alligator!
Darwun St. James (CRICKET)
Ugh, sorry. Watching parliamentary procedure always makes me bored and angry. I think it has to do with the Star Wars prequels.” Phillip furrowed his brow. “Wait a minute. They made prequels to Star Wars?” Martin winced. He remembered that he, Tyler, Gary, and Jeff had all sworn never to tell Phillip about the Star Wars prequels. “There are some things about the future that he’s better off not knowing,” Jeff had argued.
Scott Meyer (Spell or High Water (Magic 2.0, #2))
I say free will and imagination are deeply linked, and if you don’t believe you have one it just means that you lack the other.
Scott Meyer (Spell or High Water (Magic 2.0, #2))
Ugh, sorry. Watching parliamentary procedure always makes me bored and angry. I think it has to do with the Star Wars prequels.
Scott Meyer (Spell or High Water (Magic 2.0, #2))
The two agents exchanged a look that was like stepping on a LEGO—quick and unpleasant.
Scott Meyer (Spell or High Water (Magic 2.0, #2))
This was not unexpected. Miller and Murphy employed an exaggerated version of the old good cop/bad cop routine that Jimmy liked to call “violently unstable rage-aholic cop/friendly, talkative youth pastor cop.” As soon as it became clear that Jimmy was not a perpetrator to be bullied, but an ally to be placated, Agent Murphy had taken over most communication.
Scott Meyer (Spell or High Water (Magic 2.0, #2))
Phillip asked, “Did that sentence make sense to you when you planned it in your head, or do you just open your mouth and let the words fall out however they like?
Scott Meyer (Spell or High Water (Magic 2.0, #2))
It’s a seed of doubt that will grow into a tree of trust, which I can sit beneath for shade or cut down for lumber as I see fit.
Scott Meyer (Spell or High Water (Magic 2.0, #2))
- ...I'm sure he's mellowed with age. Most men do. - They get wiser and stop letting things bother them? - No. Things bother them more. It's just they don't have the energy to act on it like they used to.
Scott Meyer, Spell or High Water