Spell Casting Quotes

We've searched our database for all the quotes and captions related to Spell Casting. Here they are! All 100 of them:

Smirking, he says, "Whatever spell you just tried to cast on me, it didn't work, so I think you need to go back to Hogwarts.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
Was it weird having a witch grandma? Scary? Was she always, like, threatening to cast spells if you were bad?" "Most of the time she just threatened to send me to my room." "That doesn't sound so scary to me." "That's because you haven't met her.
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
The Sea, once it casts its spell, holds one in its net of wonder forever.
Jacques-Yves Cousteau
And now I understand that truth casts a spell of its own, one I'm not sure of how to hold on to, though I'm desperate to try.
Libba Bray (A Great and Terrible Beauty (Gemma Doyle, #1))
I have walked in the blackest deeps. You cannot guess what spells I have cast, what poisons I have gathered to protect myself against you, how your power may rebound upon your head. Who knows what is in me? Will you find out?
Madeline Miller (Circe)
i spent the entire night casting spells to bring you back
Rupi Kaur (the sun and her flowers)
Time cast a spell on you but you won't forget me, I know I could have loved you, but you would not let me. I'll follow you down 'til the sound of my voice will haunt you, you'll never get away from the sound of the woman that loves you
Stevie Nicks
He wished they would invite him, just once. He wished he wasn't always the one left out, he wished he knew how it felt to have a friend as close as James. More than ever, he wanted someone to talk to. Suddenly overwhelmed, Remus quickly casted his own spell, so the others wouldn't hear him crying.
MsKingBean89 (All the Young Dudes)
He bent his head to mine and kissed the sense out of me. If you’d asked me my name, I’d have told you wrong. He had that kind of ability and he was mine, maybe it was because he was mine and because I loved him the way I did that his spell could cast itself over me with such ferocity.
Fisher Amelie (Callum & Harper (Sleepless, #1))
He put on his hat and wrapped his scarf around his jaw, but did without the wig and the sunglasses. He clicked his key chain and the car beeped and the doors locked. "That's it?" He looked up. "Sorry?" "Aren't you afraid it might get stolen? We're not exactly in a good part of town." "It's got a car alarm." "Don't you, like, cast a spell or something? To keep it safe?" "No. It's a pretty good car alarm.
Derek Landy (Skulduggery Pleasant (Skulduggery Pleasant, #1))
Eragon cried out, and in his desperation he reached for Saphira and the Eldunarí... and without meaning to, he drew from their stories of energy. And with that energy he cast a spell. It was a spell without words... His was a spell of instinct and emotion; language could not contain it.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
Don't speak negatively about yourself, even as a joke. Your body doesn't know the difference. Words are energy and they cast spells, that's why it's called spelling. Change the way you speak about yourself, and you can change your life.
Bruce Lee
The sea, once it casts its spell, holds one in its net of wonder forever. Jacques Yves Cousteau
Jacques-Yves Cousteau
He was, like everyone of a strongly erotic disposition, twice as good, twice as much himself when he knew that women liked him, just as many actors find their most ardent vein when they sense that they have cast their spell over the audience, the breathing mass of spectators before them.
Stefan Zweig (The Burning Secret and other stories)
This was a few weeks ago," Annabeth said. "Percy told me a crazy story about meeting a boy our near Moriches Bay. Apparently this kid used hieroglyphs to cast spells. He helped Percy battle a crocodile monsters." "The Sob of Sobek!" Sadie blurted. "But my brother battled that monster. He didn't say anything about-" "Is your brother's name Carter?" Annabeth asked. An angry golden aura flickered around Sadie's head-a halo of hieroglyphs that resembled frowns, fists, and dead stick men. "As of this moment," Sadie growled, "My brother's name is Punching Bag.
Rick Riordan (The Staff of Serapis (Demigods & Magicians, #2))
The leaves were long, the grass was green, The hemlock-umbels tall and fair, And in the glade a light was seen Of stars in shadow shimmering. Tinuviel was dancing there To music of a pipe unseen, And light of stars was in her hair, And in her raiment glimmering. There Beren came from mountains cold, And lost he wandered under leaves, And where the Elven-river rolled. He walked along and sorrowing. He peered between the hemlock-leaves And saw in wonder flowers of gold Upon her mantle and her sleeves, And her hair like shadow following. Enchantment healed his weary feet That over hills were doomed to roam; And forth he hastened, strong and fleet, And grasped at moonbeams glistening. Through woven woods in Elvenhome She lightly fled on dancing feet, And left him lonely still to roam In the silent forest listening. He heard there oft the flying sound Of feet as light as linden-leaves, Or music welling underground, In hidden hollows quavering. Now withered lay the hemlock-sheaves, And one by one with sighing sound Whispering fell the beechen leaves In the wintry woodland wavering. He sought her ever, wandering far Where leaves of years were thickly strewn, By light of moon and ray of star In frosty heavens shivering. Her mantle glinted in the moon, As on a hill-top high and far She danced, and at her feet was strewn A mist of silver quivering. When winter passed, she came again, And her song released the sudden spring, Like rising lark, and falling rain, And melting water bubbling. He saw the elven-flowers spring About her feet, and healed again He longed by her to dance and sing Upon the grass untroubling. Again she fled, but swift he came. Tinuviel! Tinuviel! He called her by her elvish name; And there she halted listening. One moment stood she, and a spell His voice laid on her: Beren came, And doom fell on Tinuviel That in his arms lay glistening. As Beren looked into her eyes Within the shadows of her hair, The trembling starlight of the skies He saw there mirrored shimmering. Tinuviel the elven-fair, Immortal maiden elven-wise, About him cast her shadowy hair And arms like silver glimmering. Long was the way that fate them bore, O'er stony mountains cold and grey, Through halls of iron and darkling door, And woods of nightshade morrowless. The Sundering Seas between them lay, And yet at last they met once more, And long ago they passed away In the forest singing sorrowless.
J.R.R. Tolkien (The Lord of the Rings)
You are the spell the universe has cast.
Phyllis Curott
Most of us are safe. If you're not a delirious dream the gods are having, if your beauty doesn't trouble the constellations, nobody's going to cast a spell on you.
Michael Cunningham (A Wild Swan: And Other Tales)
Truth casts a spell of its own.
Libba Bray
If a person cast no shadow at all, he couldn't be alive. His existence became meaningless.Execrating Apophis by destroying his shadow would cut his connection to the mortal world completely. He'd never be able to rise again. I finally understood why he'd been so anxious to burn Setne's scrolls, and he was afraid of this spell. (Carter Kane)
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
At its best fashion is a game. But for women it's a compulsory game, like net ball, and you can't get out of it by faking your period. I know I have tried. And so for a woman every outfit is a hopeful spell, cast to influence the outcome of the day. An act of trying to predict your fate, like looking at your horoscope. No wonder there are so many fashion magazines. No wonder the fashion industry is worth an estimated 900 billion dollars a year. No wonder every woman's first thought is, for nearly every event in her life, be it work, snow or birth. The semi-despairing cry of "but what will I wear?" Because when a woman says I have nothing to wear, what she really means is there is nothing here for who I am supposed to be today.
Caitlin Moran (How to Be a Woman)
Ancient mirror Macick mirror Shades of gray Hidden Forbidden Within, away Part the mist Macick kissed Call the fey Reveal the past The spell is cast I save the day!
P.C. Cast (Hidden (House of Night, #10))
Advice for the wise: You"d better bite your tongue Rather than cast a spell wrong.
Ana Claudia Antunes (The Witches Of Avignon)
This is the most important lesson you must learn about magic," Miss Ochiba went on. "There are many ways of seeing. Each has an element of truth, but none is the whole truth. If you limit yourselves to one way of seeing, one truth, you will limit your power. You will also place limits on the kinds of spells you can cast, as well as their strength. To be a good magician, you must see in many ways. You must be flexible. You must be willing to learn from different sources. And you must always remember that the truths you see are incomplete.
Patricia C. Wrede (Thirteenth Child (Frontier Magic, #1))
I cast a spell to make me Juliet. It worked. But I forgot that Romeo and Juliet is a tragedy. I got what I asked for.
Douglas Rees (The Juliet Spell)
You do realize that getting down on one knee generally refers to a proposal, right?” Sidney continued. “A marriage proposal?” His eyes, a warm green-gold, daringly held hers as he softly sang the next line of the song. “‘You smiled . . . and then the spell was cast.’” Okay, he pretty much just melted her heart right there.
Julie James (It Happened One Wedding (FBI/US Attorney, #5))
The real magic - the magic we'd lived with all our lives, my mother's magic of charms and cantrips, of salt by the door and a red silk sachet to placate the little gods - had turned sour on us that summer, somehow, like a spider that turns from good luck to bad at the stroke of midnight, spinning its web to catch our dreams. And for every little spell of charm, for every card dealt and every rune cast and every sign scratched against a doorway to divert the path of malchance, the wind just blew a little harder, tugging at our clothes, sniffing at us like a hungry dog, moving us here and moving us there.
Joanne Harris (The Lollipop Shoes (Chocolat, #2))
In high school, I played a lot of Dungeons and Dragons. (You may not have guessed this botanist/mechanical engineer was a bit of a nerd in high school, but indeed I was.) In the game I played a cleric. One of the magic spells I could cast was “Create Water.” I always thought it was a really stupid spell, and I never used it. Boy, what I wouldn’t give to be able to do that in real life right now.
Andy Weir (The Martian: Stranded on Mars, one astronaut fights to survive)
If you meet somebody and they love you when you are your true, awful, not-ready-yet, boring, not cool enough, not handsome enough, not pretty enough, too fat, too poor self? And if you love them back so much it makes you calm? And they have flaws and you do not mind a single one of them? That means you get yourself to the church and you pull one of those priests out of bed and you have him cast one of those wedding spells on you. If you’re gay and this happens, you might have to rent a car first and drive to one of the states that operates a few hours ahead. Because if you found that, you found it.
Augusten Burroughs
On the count of three, we will cast our first spells. Neither of us will be aiming to kill, of course.” “I wouldn’t bet on that,” Harry murmured, watching Snape baring his teeth.
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
I'm not saying you're wrong, Declan," Gansey said. His ear throbbed where it had been boxed. He could feel Ronan's pulse crashing in his arm where he restrained him. His vow to consider his words more carefully came back to him, so he framed the rest of the statement in his head before saying it out loud. "But you are not Niall Lynch, and you won't ever be. And you'd get ahead a lot faster if you stopped trying." Gansey released Ronan. Ronan didn't move, though, and neither did Declan, as if by saying their father's name, Gansey had cast a spell. They wore matching raw expressions. Different wounds inflicted by the same weapon.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
Please, Mogget,” whispered Lirael, too soft to be heard by anyone at all. But the white shape did hear. It stopped and turned inwards, to face Orannis, changing from a pillar of fire to a more human shape, but one with skin as bright as a burning star. “I am Yrael,” it said, casting a hand out to throw a line of silver fire into the breaking spell-ring, its voice crackling with force. “I also stand against you.
Garth Nix (Abhorsen (Abhorsen, #3))
Penelope Bunce is a fierce magician, I’ve never minded saying it. She’s just escaped from handcuffs and a flaming car. She’s casting spells without her wand in a dead spot. Harry Houdini himself couldn’t top it.
Wayward Son, Rainbow Rowell
It is said that love does not last, that it is just a momentary spell cast upon your soul by some higher power, or a small trick of the mind. If this were all true, there would be no story to tell.
Natalie Valdes (NIRVANA(PART I))
Witches and sorcerers cultivated plants with the power to "cast spells" -- in our vocabulary, "psychoactive" plants. Their potion recipes called for such things as datura, opium poppies, belladona, hashish, fly-agaric mushrooms (Amanita muscaria), and the skin of toads (which can contain DMT, a powerful hallucinogen). These ingredients would be combined in a hempseed-oil-based "flying ointment" that the witches would then administer vaginally using a special dildo. This was the "broomstick" by which these women were said to travel. (119)
Michael Pollan (The Botany of Desire: A Plant's-Eye View of the World)
There is no “makes sense” in the universal sense – that is to say, criticizing a time travel story because its rules do not line up with rules in the real world is akin to dismissing the Harry Potter books because the conductive properties of wood could never sustain the energy required for spell casting.
Ann VanderMeer (The Time Traveler's Almanac)
I use to believe in Santa Claus, the Easter Bunny, and Tom Cruise too.
Barbara Bretton (Casting Spells (Sugar Maple, #1))
Julian had a voice meant for casting spells. But tonight he'd have broken them instead. He sounded like salt without the sea. Rough, alone, and lost.
Stephanie Garber (Legendary (Caraval, #2))
Kizzy was so busy wishing she was Sarah Ferris or Jenny Glass that she could scarcely see herself at all and she was certainly blind to her own weird beauty: her heavy spell-casting eyes too-wide mouth wild hair and hips that could be wild too if they learned how. No one else in town looked anything like her and if she lived to womanhood she was the one artists would want to draw not the Sarahs and Jennys. She was the one who would some day know a dozen ways to wear a silk scarf how to read the sky for rain and coax feral animals near how to purr throaty love songs in Portuguese and Basque how to lay a vampire to rest how to light a cigar how to light a man's imagination on fire.
Laini Taylor (Lips Touch: Three Times)
And then a silver hare, a boar, and a fox soared past Harry, Ron, and Hermione's heads: The dementors fell back before the creatures' approach. Three more people had arrived out of the darkness to stand beside them, their wands outstretched, continuing to cast their Patronuses: Luna, Ernie, and Seamus. "That's right," said Luna encouragingly, as if they were back in the Room of Requirement and this was simply spell practice for the D.A. "That's right, Harry... come on, think of something happy..." "Something happy?" he said, his voice cracked. "We're all still here," she whispered, "we're still fighting. Come on, now..." There was a silver spark, then a wavering light, and then, with the greatest effort it had ever cost him, the stag burst from the end of Harry's wand.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
I know you not quite well Yet I foolishly surrender my mind to you. Slowly and carefully you have cast a spell Now my virgin heart only longs for you. There is no need to push, I am already falling. Once proudly tall, I’m no longer standing. Knowing well that I am doomed to misery, I will roll the dice and take delight in my suffering.
Kamand Kojouri
Hey ! Mr Tambourine Man, play a song for me I'm not sleepy and there is no place I'm going to Hey ! Mr Tambourine Man, play a song for me In the jingle jangle morning I'll come followin' you. Take me on a trip upon your magic swirlin' ship My senses have been stripped, my hands can't feel to grip My toes too numb to step, wait only for my boot heels To be wanderin' I'm ready to go anywhere, I'm ready for to fade Into my own parade, cast your dancing spell my way I promise to go under it.
Bob Dylan
In the forest, in the forest, silence had cast a spell over all things. She plucked a great bouquet of daffodils and snowdrops, and tenderly held them to her, and tenderly kissed their fresh spring faces. She did not sing at all, but sat silent, expectant, and wondering, till her flowers faded and withered in her hands.
Katherine Mansfield
What were you chanting when you gave me your blood?” “More of my vampire magic. I cast a healing spell to aid the powers of my blood.” She sniffled, her nose stuffy. “It was better than Vicodin.” “Vicodin?” “A painkiller from my world.” “A killer of pain. Did you love him?” The words were growled.A burst of unexpected humor gave her strength. “No. In fact, he was hard to shake. He, uh, stalked me, that kind of thing. I had to pretend he didn’t exist.” Nicolai kissed her temple and relaxed against her.
Gena Showalter (Lord of the Vampires (Royal House of Shadows, #1))
The trees' bony fingers make spell-casting gestures in the wind as they pass.
David Foster Wallace (Infinite Jest)
Oh, Moon, upon me shine- Give back his life, instead take mine. Send back his heart, return his breath. Please release him from his death. Give back his eyes, bring back his voice. I willingly have made this choice. Hand back his plans, restore his mind, I willingly grant you mine. Oh, Moon, Oh, Stars, upon me glow- Tell the river to let go.
Ann M. Noser from HOW TO DATE DEAD GUYS
You cannot guess what spells I have cast, what poisons I have gathered to protect myself against you, how your power may rebound upon your head. Who knows that is in me? Will you find out?
Madeline Miller (Circe)
Incompatible religious doctrines have balkanized our world into separate moral communities, and these divisions have become a continuous source of bloodshed. Indeed, religion is as much a living spring of violence today as it has been at any time in the past. The recent conflicts in Palestine (Jews vs. Muslims), the Balkans (Orthodox Serbians vs. Catholic Croatians; Orthodox Serbians vs. Bosnian and Albanian Muslims), Northern Ireland (Protestants vs. Catholics), Kashmir (Muslims vs. Hindus), Sudan (Muslims vs. Christians and animists), Nigeria (Muslims vs. Christians), Ethiopia and Eritrea (Muslims vs. Christians), Sri Lanka (Sinhalese Buddhists vs. Tamil Hindus), Indonesia (Muslims vs. Timorese Christians), Iran and Iraq (Shiite vs. Sunni Muslims), and the Caucasus (Orthodox Russians vs. Chechen Muslims; Muslim Azerbaijanis vs. Catholic and Orthodox Armenians) are merely a few cases in point. These are places where religion has been the explicit cause of literally millions of deaths in recent decades. Why is religion such a potent source of violence? There is no other sphere of discourse in which human beings so fully articulate their differences from one another, or cast these differences in terms of everlasting rewards and punishments. Religion is the one endeavor in which us–them thinking achieves a transcendent significance. If you really believe that calling God by the right name can spell the difference between eternal happiness and eternal suffering, then it becomes quite reasonable to treat heretics and unbelievers rather badly. The stakes of our religious differences are immeasurably higher than those born of mere tribalism, racism, or politics.
Sam Harris
At least, I thought in those early days, once I cast a spell, I would not have to learn it again. But even that was not true. However often I had used an herb before, each cutting had its own character. One rose would give up its secrets if it were ground, another must be pressed, a third steeped. Each spell was a montain to be climbed anew. All I could carry with me from last time was the knowedge that it could be done.
Madeline Miller (Circe)
No man can live this life and emerge unchanged. He will carry, however faint, the imprint of the desert, the brand which marks the nomad; and he will have within him the yearning to return, weak or insistent according to his nature. For this cruel land can cast a spell which no temperate clime can match.
Wilfred Thesiger
To speak a dream aloud is to cast a magic spell.
Alice Bag
But more to be dreaded than this tribulation was the strange spell of sadness which the unbroken solitude cast upon the minds of stone.
O.E. Rølvaag (Giants in the Earth)
You must always confront your fears,” Goon said as though she hadn’t spoken. “Then skulking monsters become merely unfamiliar shadows, thrown by a tree bough. Whispering voices are just the wind. The wild flare of panic is merely a burst of emotion, not a terror spell cast by some evil witch.
Charles de Lint (The Very Best of Charles de Lint)
I know Caraval can be magical and romantic and wonderful, but the spells it casts aren’t easily shaken off, and half the time I don’t even think people realise they have been bewitched.
Stephanie Garber (Legendary (Caraval, #2))
His eyes are wet and wide in that orange glow of night-road, that perfect combination of street lamp and moonlight that casts a terrific sadness, or wildness, on any space in its spell.
T Kira Madden (Long Live the Tribe of Fatherless Girls)
I hadn’t simply taken a fancy to you.” “No?” He shook his head slowly. His thumb traced the shape of her lips. “Fancy doesn’t begin to describe it. This is closer to . . . an obsession. An enchantment, or perhaps a curse. You’re like a little fair-haired witch who cast a spell on me, and I can’t concentrate. I can’t sleep. I can’t think of anything but hearing you laugh and holding you close and imagining what you’ll look like naked in my bed.
Tessa Dare (Do You Want to Start a Scandal (Spindle Cove, #5; Castles Ever After, #4))
You will not seduce anyone by simply depending on your engaging personality, or by occasionally doing something noble or alluring. Seduction is a process that occurs over time—the longer you take and the slower you go, the deeper you will penetrate into the mind of your victim. It is an art that requires patience, focus, and strategic thinking. You need to always be one step ahead of your victim, throwing dust in their eyes, casting a spell, keeping them off balance.
Robert Greene (The Art of Seduction)
Kim lifted the lid. Inside, on a small pillow covered in white velvet, lay a gold sunburst the size of her thunbnail, hung on a delicate chain. It looked a little like the first spell she had ever cast, a small explosion of light re-created in metal, and she was not really surprised to find the card with the single word "Mairelon" scrawled across it.
Patricia C. Wrede (A Matter of Magic (Mairelon, #1-2))
Deep down I know I have to have Baya. I need her to want me too, and I can’t figure out why the hell I feel this way after knowing her for less than a few hours. Baya Brighton has cast her spell whether she’s aware of it or not, and, now, the only thing left to do is to figure out how the hell to break it. I don’t think I can. I don’t think I want to.
Addison Moore (3:AM Kisses (3:AM Kisses, #1))
I believe that love, like magic, casts its own spell of enchantment.
Debbie Herbert
Gifted Deirdre cast the spell that enabled our souls to eventually be reunited. She couldn't bear for us to be apart, and neither could I.
Hope Irving (Twice upon a Time (The Black Angel Book Series, #1))
There is a famous black-and-white photograph from the era of the Third Reich. It is a picture taken in Hamburg, Germany, in 1936, of shipyard workers, a hundred or more, facing the same direction in the light of the sun. They are heiling in unison, their right arms rigid in outstretched allegiance to the Führer. If you look closely, you can see a man in the upper right who is different from the others. His face is gentle but unyielding. Modern-day displays of the photograph will often add a helpful red circle around the man or an arrow pointing to him. He is surrounded by fellow citizens caught under the spell of the Nazis. He keeps his arms folded to his chest, as the stiff palms of the others hover just inches from him. He alone is refusing to salute. He is the one man standing against the tide. Looking back from our vantage point, he is the only person in the entire scene who is on the right side of history. Everyone around him is tragically, fatefully, categorically wrong. In that moment, only he could see it. His name is believed to have been August Landmesser. At the time, he could not have known the murderous path the hysteria around him would lead to. But he had already seen enough to reject it.
Isabel Wilkerson (Caste: The Origins of Our Discontents)
Arms wrapped around him, she kissed him, halting the flow of his words. He decided he would allow the kiss, but since he couldn’t make her naked here, he had to stop it. “Why did you change your face, Lily?” Liliana lifted her hands to her face at that quizzical question, terrified her father had cast a final vengeful spell. “Is it very bad?” she whispered to the man who held her in arms of steel. “I suppose I’ll get used to it,” he muttered, then kissed her again using his tongue and squeezing her bottom—as if his brothers and sister, and other people, weren’t standing right there. An instant later, she decided she didn’t care.
Nalini Singh (Lord of the Abyss (Royal House of Shadows, #4))
Esmeralda?” Scarlett turned to the witch next. “Don’t you want to do magic, again?” “Of course I do! It’s the only thing I dream of. Casting spells… Turning people into frogs… Genetically engineering my gingerbread army…
Cassandra Gannon (Wicked Ugly Bad (A Kinda Fairytale, #1))
A person’s shadow stood for his legacy, his impact on the world. Some people cast hardly any shadow at all. Some cast long, deep shadows that endured for centuries. I thought about what the ghost Setne had said—how he and I had each grown up in the shadow of a famous father. I realized now that he hadn’t just meant it as a figure of speech. My dad cast a powerful shadow that still affected me and the whole world. If a person cast no shadow at all, he couldn’t be alive. His existence became meaningless. Execrating Apophis by destroying his shadow would cut his connection to the mortal world completely. He’d never be able to rise again. I finally understood why he’d been so anxious to burn Setne’s scrolls, and why he was afraid of this spell.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
You cast spells every day. Your makeup is glamor magic. Hiding and highlighting. The clothes you pick out to make your legs look longer, your waist smaller. The red you wear for confidence; the black when you’re sad, the blue for clarity. Your favorite bra. Your lucky socks. The way you take an hour on your hair. It’s a ritual. It’s never just about clothes, or makeup, or perfectly messy buns. It’s about magic.
Moïra Fowley-Doyle (Spellbook of the Lost and Found)
Moon-Watcher and his companions had no recollection of what they had seen, after the crystal had ceased to cast its hypnotic spell over their minds and to experiment with their bodies. The next day, as they went out to forage, they passed it with scarcely a second thought; it was now part of the disregarded background of their lives. They could not eat it, and it could not eat them; therefore it was not important.
Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))
You have great power inborn in you, and you used that power wrongly, to work a spell over which you had no control, not knowing how that spell affects the balance of light and dark, life and death, good and evil. And you were moved to do this by pride and by hate. Is it any wonder the result was ruin? You summoned a spirit from the dead, but with it came one of the Powers of unlife. Uncalled it came from a place where there are no names. Evil, it wills to work evil through you. The power you had to call it gives it power over you: you are connected. It is the shadow of your arrogance, the shadow of your ignorance, the shadow you cast. Has a shadow a name?
Ursula K. Le Guin (A Wizard of Earthsea (Earthsea Cycle, #1))
There is some confusion as to what magic actually is. I think this can be cleared up if you just look at the very earliest descriptions of magic. Magic in its earliest form is often referred to as “the art”. I believe this is completely literal. I believe that magic is art and that art, whether it be writing, music, sculpture, or any other form is literally magic. Art is, like magic, the science of manipulating symbols, words, or images, to achieve changes in consciousness. The very language about magic seems to be talking as much about writing or art as it is about supernatural events. A grimmoir for example, the book of spells is simply a fancy way of saying grammar. Indeed, to cast a spell, is simply to spell, to manipulate words, to change people's consciousness. And I believe that this is why an artist or writer is the closest thing in the contemporary world that you are likely to see to a Shaman. I believe that all culture must have arisen from cult. Originally, all of the faucets of our culture, whether they be in the arts or sciences were the province of the Shaman. The fact that in present times, this magical power has degenerated to the level of cheap entertainment and manipulation, is, I think a tragedy. At the moment the people who are using Shamanism and magic to shape our culture are advertisers. Rather than try to wake people up, their Shamanism is used as an opiate to tranquilize people, to make people more manipulable. Their magic box of television, and by their magic words, their jingles can cause everyone in the country to be thinking the same words and have the same banal thoughts all at exactly the same moment. In all of magic there is an incredibly large linguistic component. The Bardic tradition of magic would place a bard as being much higher and more fearsome than a magician. A magician might curse you. That might make your hands lay funny or you might have a child born with a club foot. If a Bard were to place not a curse upon you, but a satire, then that could destroy you. If it was a clever satire, it might not just destroy you in the eyes of your associates; it would destroy you in the eyes of your family. It would destroy you in your own eyes. And if it was a finely worded and clever satire that might survive and be remembered for decades, even centuries. Then years after you were dead people still might be reading it and laughing at you and your wretchedness and your absurdity. Writers and people who had command of words were respected and feared as people who manipulated magic. In latter times I think that artists and writers have allowed themselves to be sold down the river. They have accepted the prevailing belief that art and writing are merely forms of entertainment. They’re not seen as transformative forces that can change a human being; that can change a society. They are seen as simple entertainment; things with which we can fill 20 minutes, half an hour, while we’re waiting to die. It’s not the job of the artist to give the audience what the audience wants. If the audience knew what they needed, then they wouldn’t be the audience. They would be the artists. It is the job of artists to give the audience what they need.
Alan Moore
Once, Lila Zacharov was in love with a boy with hair as black as spilled ink and eyes as dark as coffee. She would trace his name on her skin, over and over, write it in the condensation of her breath on panes of glass, scrawl it on the bottoms of her feet with the tip of her nail, like she was casting a spell.
Holly Black
Words, no matter whether they are vocalized and made into sounds or remain unspoken as thoughts, can cast an almost hypnotic spell upon you. You easily lose yourself in them, become hypnotized into implicitly believing that when you have attached a word to something, you know what it is. The fact is: You don’t know what it is. You have only covered up the mystery with a label. Everything, a bird, a tree, even a simple stone, and certainly a human being, is ultimately unknowable. This is because it has unfathomable depth. All we can perceive, experience, think about, is the surface layer of reality, less than the tip of an iceberg.
Eckhart Tolle (A New Earth: Awakening to Your Life's Purpose)
Words have power, my son. Words can cut to the heart and soothe the deepest hurts. They can be puzzles that leave another pondering for days. I prefer to cast my spells of words in ways that make others think. It is a fault, I fear, that has come with age.
Cheryl Matthynssens (The Blackguard (The Blue Dragon's Geas, #2))
Impressive deduction,” Ryan murmured. “You certainly look deeper than most.” He brushed back a strand of my hair, and I screwed my eyes shut. He was doing this on purpose. “But let me give you some advice.” His lips were right next to my ear. “I wouldn’t peer too far. Even the clearest window can cast back your own reflection.
Sam Dogra (The Binding (Chronicles of Azaria, #1))
None of this…none of this…whatever you call this.” She waved her hand to encompass everything. Kissing. Taking her blood. Seducing her. Ordering her around. Setting perimeters. All of it. His black gaze never left her face. His eyes as still as those of a leopard scenting prey. Avid. Burning. Intense. He took her breath away with his eyes. Hypnotized her. Cast a spell over her. Tempest pulled her gaze from his, from the seductive, black velvet trap. “And stop that, too,” she said decisively, despite the fact that he made her hungry for him. “Stop what?” “Stop looking at me that way, it’s definitely out. You can’t look at me that way. It’s cheating.” “How am I looking at you?” His deep voice dropped even lower, the cadence soft and husky. Mesmerizing. “Okay, that’s out, too. No talking in that tone of voice,” she declared staunchly. “And you know very well what you’re doing. Act normal.” His white teeth gleamed at her, nearly stopping her heart. “I am acting normal, Tempest.” “Well, then, that’s out, too. No acting normal.
Christine Feehan (Dark Fire (Dark, #6))
When you go for romantic, you go all out, don’t you?” “Only way to go.” Zane knelt and crawled onto the blanket, straightened the edges out where they’d blown over, then turned around, still on one knee, and held his hand out. Ty took it, meeting Zane’s eyes in the flickering light. Zane hesitated, looking up at him with brown eyes that seemed to have gone liquid in the low light. Time seemed to slow. Ty found himself short of breath, and he had no idea why. Zane bent his head to kiss Ty’s fingers, breaking the little spell he’d cast, and then he tugged Ty down to join him on the blanket.
Abigail Roux (Stars & Stripes (Cut & Run, #6))
I write because writing is power. Writing is creation. When you write, you are as a god, a deity wielding his pen like some Harry Potter staff, making whatever you want to happen, happen. By sheer force of will and some clever word placement, I can arrange all of these little symbols together to invoke emotions and ideas at a whim out of whosoever allows me to cast my spell. It does not take a man and a woman to create. It just takes a writer.
Jonathan Culver
She’d bought a blue notebook in the pharmacy to write down her aunt’s remedies. Star tulip to understand dreams, bee balm for a restful sleep, black mustard seed to repel nightmares, remedies that used essential oils of almond or apricot or myrrh from thorn trees in the desert. Two eggs, which must never be eaten, set under a bed to clean a tainted atmosphere. Vinegar as a cleansing bath. Garlic, salt, and rosemary, the ancient spell to cast away evil.
Alice Hoffman (The Rules of Magic (Practical Magic, #0.2))
Came the visions of icy beauty, from the land of death where they dwell. Pursuing their prize and grisly duty, came the thieves of the charm and spell. The bells chimed thrice, and death came a-calling. Alluring of shape though seldom seen, they traveled the breeze on a spark. some fed twigs to their newborn queen, while others invaded the dark. the bells chimed thrice, and death came a-calling. some they called and others they kissed as they traveled on river and wave. with resolve they came and did insist: every one touched to a grave. the bells chimed thrice, and death came a-calling. roving to hunt and gathering to dance, they practiced their dark desires by casting a hex and a beautiful trance, before feeding the queen's new fires. the bells chimed thrice, and death came a-calling. till he parted the falls and the bells chimed thrice, till he issued the calls and demanded the price. the bells chimed thrice and death met the mountain. they charmed and embraced and they tried to extoll but he bade them in grace and demanded a soul. the bells fell silent and the mountain slew them all. and the mountain entombed them all.
Terry Goodkind (Soul of the Fire (Sword of Truth, #5))
The second spell I cast beneath it. It was an enchantment woven into the island itself, every bird and beast and grain of sand, every leaf and rock and drop of water. I marked them, and all the generations in their bellies, with Telegonus’ name. If ever she did break through that smoke, the island would rise up in his defence, the beasts and birds, the branches and rocks, the roots in the earth.
Madeline Miller (Circe)
I have one final hope, If I get double sixes, maybe he will change his mind, come back to me. As if to cast a magic spell, I blow on the dice just as Dex did...Just as it happened with our first roll, one die lands before its mate. On a six! I hold my breath. For a brief second, I see a mess of dots, and think I have boxcars again. I kneel, staring at the second die. It is onle a five. I have rolled an eleven, It is as if someone is mocking me, saying, Close, but no dice.
Emily Giffin
At least, I thought in those early days, once I cast a spell, I would not have to learn it again. But even that was not true. However often I had used an herb before, each cutting had its own character. One rose would give up its secrets if it were ground, another must be pressed, a third steeped. Each spell was a mountain to be climbed anew. All I could carry with me from last time was the knowledge that it could be done.
Madeline Miller (Circe)
His sensitive nature was still smarting under the lashes of an undivided and squalid way of life. His soul was still disquieted and cast down by the dull phenomenon of Dublin. He had emerged from a two years' spell of revery to find himself in the midst of a new scene, every event and figure of which affected him intimately, disheartened him or allured and, whether alluring or disheartening, filled him always with unrest and bitter thoughts. All the leisure which his school life left him was passed in the company of subversive writers whose jibes and violence of speech set up a ferment in his brain before they passed out of it into his crude writings.
James Joyce (A Portrait of the Artist as a Young Man)
I've been meaning to ask," said Magnus. "When Shinyun and I were fighting in the pentagram in Rome, you shot her. You told me that you could see dozens of illusions of me fighting dozens of her. How did you know which one was really her?" "I didn't," said Alec. "I knew which one was you." "Oh. Was one version of me more handsome than the others?" Magnus said, charmed. "More debonair? Possessed a certain je ne sais quoi?" "I don't know about that," said Alec. "You reached for a knife. You had it in your grasp, and then you let it go." Magnus deflated. "You knew it was me because I'm worse at fighting than she is?" Magnus asked. "Well, that's terrible news. I imagine 'pathetic in combat' is on the top ten list of Shadowhutner turnoffs." "No," said Alec. "Number eleven, just below 'doesn't actually look good in black'?" Alec shook his head again. "Before we were together," he said, "I was angry a lot, and I hurt people because I was in pain. Being kind when you're in pain - it's hard. Most people struggle to do it at the best of times. The demon who cast that spell couldn't imagine it. But among all those identical figures, there was one person who hesitated to hurt somebody, even at the moment of utmost horror. That had to be you.
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
It is because of this sea between us. The earth has never, up to now, separated us. But, ever since yesterday, there has been something in this nonetheless real, perfectly Atlantic, salty, slightly rough sea that has cast a spell on me. And every time I think about Promethea, I see her crossing this great expanse by boat and soon, alas, a storm comes up, my memory clouds over, in a flash there are shipwrecks, I cannot even cry out, my mouth is full of saltwater sobs. I am flooded with vague, deceptive recollections, I am drowning in my imagination in tears borrowed from the most familiar tragedies, I wish I had never read certain books whose poison is working in me. Has this Friday, perhaps, thrown a spell on me? But spells only work if you catch them. I have caught the Tragic illness. If only Promethea would make me some tea I know I would find some relief. But that is exactly what is impossible. And so, today, I am sinning. I am sinking beneath reality. I am weighted down with literature. That is my fate. Yet I had the presence of mind to start this parenthesis, the only healthy moment in these damp, feverish hours. All this to try to come back to the surface of our book... Phone me quickly, Promethea, get me out of this parenthesis fast!)
Hélène Cixous (The Book of Promethea)
Four Spells to Keep Inside Your Mouth ‘I respect myself’—the most powerful incantation that will change your whole life if you believe it when you say it. ‘My heart is too valuable for you’—the spell that will set you free from any destructive soul. ‘I believe in you’—the best gift you can ever give anyone else. ‘No’—a single, commanding, two-letter spell with the ability to liberate you if only you learn to use it unapologetically and cast it without fear.
Nikita Gill (Fierce Fairytales: Poems and Stories to Stir Your Soul)
I am Sally Skellington, the Pumpkin Queen." There is warmth in my chest now, heat and fury and anger. "But I was born in Dream Town." The words feel like their won conjuring, a spell, a ritual or bedtime riddle to cast things into the stars and make them true. I feel suddenly awake and alive, a woman who isn't simply a rag doll, but a ruler who has traveled to all the realms, even the human world, to set things right. Who feels a spark, a wrath growing inside her.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
Most people seem to think being a wizard is all about casting spells and being cryptic, but, really, most of it is really boring. A big chunk of it is research. Reading old books, cross-referencing them against other books, and then double-checking all of that against other sources. Then, for the big finish, writing down your own conclusions in your own journal, detailing what you did and how you did it so that someone else can repeat the process with your notes in a hundred years. Yeah, I was in for a glamorous life. That's why mages get invited to all of the good parties. The thing is, it worked.
Ben Reeder (Page of Swords (The Demon's Apprentice, #2))
To become a magician you must do something very different,” the man said. This was clearly his set piece. “You cannot study magic. You cannot learn it. You must ingest it. Digest it. You must merge with it. And it with you. “When a magician casts a spell, he does not first mentally review the Major, Minor, Tertiary, and Quaternary Circumstances. He does not search his soul to determine the phase of the moon, and the nearest body of water, and the last time he wiped his ass. When he wishes to cast a spell he simply casts it. When he wishes to fly, he simply flies. When he wants the dishes done, they simply are.
Lev Grossman (The Magicians (The Magicians, #1))
Guyal of Sfere had been born one apart from his fellows and early proved a source of vexation for his sire. Normal in outward configuration, there existed within his mind a void that ached for nourishment. It was as if a spell had been cast upon his birth, a harassment visited on the child in a spirit of sardonic mockery, so that every occurrence, no matter how trifling, became a source of wonder and amazement. Even as young as four he was expounding such inquiries as: ‘Why do squares have more sides than triangles?’ ‘How will we see when the sun goes dark?’ ‘Do flowers grow under the ocean?’ ‘Do stars hiss and sizzle when rain comes by night?
Jack Vance
I hear the door open again behind me. “Honestly, Eleanor, I will not move in with you. You’re welcome to come to Gallen. I’m certain we could find something for you to study.” A voice that is not Eleanor’s answers me. “I plan on studying history scholars, actually.” All the grief I have neatly packed and stored in the shadows of my soul springs up, rising into my throat and choking me. I stand, unable to turn, unable to draw a breath for fear of being mistaken, my eyes glued to the floor. A fine pair of shoes enters the narrow range of my vision. They cast no shadow. “You’re dead,” I whisper, still not daring to look up. “Nearly,” Finn answers, his voice the soft song of my dreams. I look up, barely able to see him through tears. He’s thinner, with the pale and drawn look of someone who has been sick for a long time but is on the mend. “It’s a tricky thing, trying to use a transport spell stored in your body while being pulled down a river bleeding to death. You will have to excuse me for getting lost and taking so long to get back to you.” “I will excuse no such thing.” I throw my arms around his neck and bury my face in his shoulder. “You are not excused, you will never be excused, and you will spend the rest of your life making it up to me.” He laughs. “I had planned on nothing less.” My lips meet his, and I do not resign myself to this fate. I claim it as my own. Forever.
Kiersten White (Illusions of Fate)
We are talking about a cloak that really and truly renders the wearer completely invisible, and endures eternally, giving constant and impenetrable concealment, no matter what spells are cast at it. How many cloaks have you ever seen like that, Miss Granger?” Hermione opened her mouth to answer, then closed it again, looking more confused than ever. She, Harry, and Ron glanced at one another, and Harry knew that they were all thinking the same thing. It so happened that a cloak exactly like the one Xenophilius had just described was in the room with them at that very moment. “Exactly,” said Xenophilius, as if he had defeated them all in reasoned argument. “None of you have ever seen such a thing. The possessor would be immeasurably rich, would he not?” He glanced out of the window again. The sky was now tinged with the faintest trace of pink. “All right,” said Hermione, disconcerted. “Say the Cloak existed…what about the stone, Mr. Lovegood? The thing you call the Resurrection Stone?” “What of it?” “Well, how can that be real?” “Prove that it is not,” said Xenophilius. Hermoine looked outraged. “But that’s--I’m sorry, but that’s completely ridiculous! How can I possibly prove it doesn’t exist? Do you expect me to get hold of--of all the pebbles in the world and test them? I mean, you could claim that anything’s real if the only basis for believing in it is that nobody’s proved it doesn’t exist!” “Yes, you could,” said Xenophilius. “I am glad to see that you are opening your mind a little.” “So the Elder Wand,” said Harry quickly, before Hermione could retort, “you think that exists too?
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
My father took me to see this film in 1950, when I was eight years old. And I’ve never forgotten it. I wouldn’t know how to begin to explain what this film has meant to me over the years. It’s about the joy and exuberance of film-making itself. It’s one of the true miracles of film history. What keeps nourishing me over the years is the spell the film casts, how it weaves the mystery of the obsession of creativity, of the creative drive. It all comes down to that wonderful exchange early in the film when Anton Walbrook confronts Moira Shearer at a cocktail party. ‘Why do you want to dance?’ he asks, and she answers, ‘Why do you want to live?’ The look on his face is extraordinary.’ Over the years, I’ve thought a lot about that exchange. It expresses so much about the burning need for art – the mystery of the passion to create. It’s not that you want to do it, it’s that you have to do it. You have no choice. You have to live it and it comes with a price. But what a time paying it. [on, The Red Shoes (1948)]
Martin Scorsese
Winter? Everything all right?” “I can’t go there,” Winter said. “Why not?” Qibli asked, startled. “It’s cursed.” Winter waved a talon at the sharp-edged shapes of the mountains. “No IceWing has ever returned from those mountains alive. They’re a legend as old as Darkstalker in our tribe.” “With a poetically ominous-sounding name, I bet,” said Qibli. “Peaks of Doom? Mountain Range of Certain Death?” Winter frowned at him. “We call them Darkstalker’s Teeth,” he said with immense dignity. “Seriously?” Qibli cried. “SERIOUSLY? A mountain range called Darkstalker’s Teeth, and you never thought maybe the old Night Kingdom was on the other side?” “It’s not like I think about it very often!” Winter objected. “And no, honestly, we all assumed he went around cursing random parts of Pyrrhia as traps for IceWings to fall into.” “What are we waiting for?” Anemone demanded, flying back to them. “Winter thinks the mountains are going to eat him,” Qibli answered. “I DO NOT,” Winter protested. “But I do think they’re going to kill me, yes.” “Um, a whole horde of dragons just flew over them a few days ago.” Anemone flicked her tail at the evening sky, dimming to purple. “And they’re all fine.” “Because they’re not IceWings,” Winter pointed out. “The mountains only eat IceWings,” Qibli explained with a straight face. “STOP THAT,” Winter hissed at him. “It’s a REAL CURSE.” “If it’s real, then it’s not a curse, it’s a spell,” Qibli said practically. “And if it’s a spell, then Darkstalker cast it, in which case the earring will protect you.” Winter touched his ear doubtfully. One piece of jewelry against centuries of nightmare stories … Qibli could practically see Winter’s courage trying to stamp out his childhood fears. “You’ll make it through,” he said. “Remember, Moon is on the other side.” He knew that would work, because it was working for him. Winter gave him a puzzled look, as though he would never understand Qibli. “Yes,” he said. “All right. Let’s fly.” “Fiiiiiiiiiiiiiiiiiiiiiiiiiiiiiinally,” Anemone grouched, wheeling about in the sky. As
Tui T. Sutherland (Darkness of Dragons (Wings of Fire #10))
Wanting his mind on other matters, she deliiberately challenged his statement. "You don't know so much about me. There was a man once. He was crazy about me." She tried to look wordly. "Absolutely crazy for me." His answering laughter was warm against her neck, her throat. His lips touched the skin over her pulse and skimmed lightly up to her ear. "Are you, by any chance, referring to that foppish boy with the orange hair and spiked collar? Dragon something?" Savannah gasped and pulled away to glare at im. "How could you possibly know about him? I dated him last year." Gregori nuzzled her neck, inhaling her fragrance, his hand sliding over her shoulder, moving gently over her satin skin to take possession of her breast. "He wore boots and rode a Harley." His breath came out in a rush as his palm cupped the soft weight, his thumb brushing her nipple into a hard peak. The feel of his large hand-so strong, so warm and possessive on her-sent heat curling through her body. Desire rose sharply. He was seducing her with tenderness. Savannah didn't want it to happen. Her body felt better, but the soreness was there to remind her where this could all lead. Her hand caught at his wrist. "How did you find out about Dragon?" she asked, desperate to distract him, to distract herself. How could he make her body burn for his when she was so afraid of him, of having sex with him? "Making love," he corrected, his voice husky, caressing, betraying the ease with which his mind moved like a shadow through hers."And to answer your question, I live in you, can touch you whenever I wish.I knew about all of them. Every damn one." He growled the worrds, and her breath caught in her throat. "He was the only one you thought of kissing." His mouth touched hers. Gently. Lightly. Returned for more. Coaxing, teasing, until she opened to him. He stole her breath, her reason, whirling her into a world of feeling.Bright colors and white-hot heat, the room falling away until there was only his broad shoulders,strong arms, hard body, and perfect,perfect mouth. When he lifted his head, Savannah nearly pulled him back to her.He watched her face,her eyes cloudy with desire, her lips so beautiful, bereft of his. "Do you have any idea how beautiful you are, Savannah? There is such beauty in your soul,I can see it shining in your eyes." She touched his face, her palm molding his strong jaw. Why couldn't she resist his hungry eyes? "I think you're casting a spell over me. I can't remember what we were talking about." Gregori smiled. "Kissing." His teeth nibbled gently at her chin. "Specifically,your wanting to kiss that orange-bearded imbecile." "I wanted to kiss every one of them," she lied indignantly. "No,you did not.You were hoping that silly fop would wipe my taste from your mouth for all eternity." His hand stroked back the fall of hair around her face.He feathered kisses along the delicate line of her jaw. "It would not have worked,you know.As I recall,he seemed to have a problem getting close to you." Her eyes smoldered dangerously. "Did you have anything to do with his allergies?" She had wanted someone, anyone,to wipe Gregori's taste from her mouth,her soul. He raised his voice an octave. "Oh, Savannah, I just have to taste your lips," he mimicked. Then he went into a sneezing fit. "You haven't ridden until you've ridden on a Harley,baby." He sneezed, coughed, and gagged in perfect imitation. Savannah pushed his arm, forgetting for a moment her bruised fist. When it hurt, she yelped and glared accusingly at him. "It was you doing all that to him! That poor man-you damaged his ego for life. Each time he touched me, he had a sneezing fit." Gregori raised an eyebrow, completely unrepentant. "Technically,he did not lay a hand on you.He sneezed before he could get that close.
Christine Feehan (Dark Magic (Dark, #4))
He took the sacramental chalice, and stretching forth his bare arm, cried in a loud voice, 'Come ye viewless ministers of this dread hour! come from the fenny lake, the hanging rock, and the midnight cave! The moon is red - the stars are out - the sky is burning - and all nature stands aghast at what we do!' Then replacing the sacred vessel on the altar, he drew, one by one, from different parts of his body, from his knotted hair, from his bosom, from beneath his nails, the unholy things which he cast into it. 'This,' said he, 'I plucked from the beak of a raven feeding on a murderer's brains! This is the mad dog's foam! These the spurgings of a dead man's eyes, gathered since the rising of the evening star! This is a screech-owl's egg! This a single drop of black blood, squeezed from the heart of a sweltered toad! This, an adder's tongue! And here, ten grains of the gray moss that grew upon a skull which had lain in the charnel-house three hundred years! What! Not yet?' And his eyes seemed like balls of fire as he cast them upwards. 'Not yet? I call ye once! I call ye twice! Dare ye deny me! Nay, then, as I call ye thrice, I'll wound mine arm, and as it drops, I'll breathe a spell shall cleave the ground and drag you here!' ("The Forsaken Of God")
William Mudford (Reign of Terror: Great Victorian Horror Stories)
MAY 9 YOU WILL REBUKE ALL THE POWERS OF JEZEBEL OUT OF YOUR LIFE MY CHILD, PLACE yourself securely within the control and power of My Holy Spirit so that you will not be surprised or intimidated by the overwhelming of the spirit of Jezebel in your world today. Allow My presence to permeate your spirit and sensitize you to all the gateways by which the devil and Jezebel may enter your life. Get rid of the gods of Jezebel who creep in unawares into your home. Do not let the diviners and evil prophets of this world deceive you, nor listen to the lies they would tell you about your thoughts and dreams. Watch out for the evil influence of this world’s enchanters, astrologers, and diviners. Allow the power of My Holy Spirit to fill your life with My power, which alone is mighty enough to destroy the spirits of Jezebel out of your life. 1 SAMUEL 28:9; JEREMIAH 29:8; DANIEL 5:11 Prayer Declaration Father, I loose tribulation against the kingdom of Jezebel. I rebuke and tear down her strongholds, and in the name of Jesus and the power of the Holy Spirit I destroy her witchcraft. No longer will she be allowed to cast spells or influence me or my family to practice idolatry. Greater is the power of Your Holy Spirit within me than the evil power of Jezebel upon me.
John Eckhardt (Daily Declarations for Spiritual Warfare: Biblical Principles to Defeat the Devil)
Ungh,” Ryan said. “That shit is so hot.” Everyone turned to stare at him. He was bright red. “I said that out loud, didn’t I? Dammit.” “What?” I squeaked. “When you do magic, it turns me on,” Ryan said, shaking his head frantically. “Ah gods. I can’t—stop. Just stop. Ahhh, I get erections when you cast spells. Oh shit.” “Sweet molasses,” I managed to say. “This… this is not what I thought was going to happen today,” Gary said. “What you think happen?” Tiggy asked. “I thought Ryan and Sam would continue to ignore how much they want to bone each other and we would all be suffering in silence because Sam won’t pull his head out of his ass to see that Ryan wants to eat said ass for dinner.” “I do,” Ryan said through gritted teeth. “For breakfast, even. And lunch. And a midnight snack. Especially when you do magic.” “You have a magic kink?” I said, because that was the only thing I could focus on. “Yes. But only for you. Your magic gets me hard,” he said, looking like he wished he could be anywhere but where he was. “When you do anything, I get hard, really. Even your ridiculous sex puns. You remember when you wrapped those Dark wizards in stone at the restaurant?” “Yeah,” I managed to say. “I wanted to tell you that you gave me an e-rock-tion.” He bent over and banged his forehead against the table. “Why, why, why did I say that out loud? Please. Someone. Anyone. Kill me.” “Sex puns,” I breathed. “Knight Delicious Face said a sex pun.” “There it is again!” he exclaimed. “Knight Delicious Face. What is that?” “You’re a knight,” I said. “And your face is delicious.” “You think I’m delicious?” he said, suddenly shy. “Oh my gods,” Gary moaned. “This is so awkward I can’t even stand it. I physically hurt from how awkward this is. I don’t even care that we’re apparently in mortal danger. I just don’t want to listen to you two flirt anymore. Eloise? Yoo-hoo, Eloise? If you’re going to kill us, can you please do it now? I can’t take this anymore.
T.J. Klune (The Lightning-Struck Heart (Tales From Verania, #1))
Simon's lying on the ground. His wing is bent the wrong way. Lamb: "Yes, all right, I've betrayed you. Just keep your cool, Baz, and you'll live to hate me for it." I'll live... Simon. We heard gunshots. On the other side of the hill. And then we didn't. Simon's on the ground, his wing is bent the wrong way. Someone should fix it for him. Someone should cast a spell. I'd cast it, but I'm in a dead spot. I'm in a Quiet Zone. I'm keeping my wand a secret, I'm pretending to be a vampire. "Simon..." Simon Snow. The way you were. There wasn't a day I believed we'd both live through it. (Through what, through what, through what?) Lamb: "The treaty holds!" Simon: Simon is on the ground. There were gunshots, and then there weren't. His wing is bent the wrong way. His hair is a mess. He doesn't have a sword. I told him it would be alright. I told him... I didn't tell him, I never told him. Not in a way that he believed. Not in a way that he could let in and hold onto. Everything he was to me. That he was everything. Simon, Simon... You were the sun, and I was crashing into you. I'd wake up every morning and tell myself... I'd tell myself... "You live in fear! In denial!" Simon is on the ground. His wing is bent the wrong way. His blood is red and abundant. It smells like brown butter. His hair is a mess, his face is in the sand. He doesn't know how much I love him. He's never really heard it. I'd wake up every morning and tell myself... "Simon, love, get up. We still have to save Agatha." Simon is on the ground. This will end in flames.
Rainbow Rowell (Carry On (Simon Snow, #1))
Child, you are finally going out to carry out missions. As your teacher, I am extremely relieved, but there are some instructions that I must give you before I can truly be at ease.” “I will definitely be careful, teacher.” I felt extremely moved ; my teacher is truly very concerned about me ! “Yes, child, you must be careful ! Remember, a Sun Knight must always maintain his graceful demeanor, regardless of time and place.” I nodded my head obediently. “Teacher, I will complete my mission very gracefully.” (Back then, I had gone through a lifestyle involving lots of falling down for several months already. On average, I would have to look for a cleric once every three days to cast a high level healing spell on me to cure the wounds I receive from a particularly nasty fall.) My teacher shook his head and said, “Child, completing the mission gracefully is but the basics.” “Then what’s more advanced than that ?” “Child, you must remember, when you have failed your mission and are near death, at that time, you must...” “Pray to the God of Light ?” “No, you must contemplate what sort of pose you will die in, and if that pose will be accompanied by a serene expression or a heroic one. Still more important is the question of whether you will die from a single thrust to the heart from your enemy or if you will slit your own throat, and so on and so forth. Only after all of the important circumstances surrounding your death have been planned out and arranged perfectly can you pass away in as graceful a position as possible ! Even in the face of death, a Sun Knight must die very gracefully !” “...
Yu Wo (騎士基本理論 (吾命騎士, #1))
There were charming ones as well as terrible ones, that I must admit. The painter was particularly entranced by Japanese masks: warriors', actors' and courtesans' masks. Some of them were frightfully contorted, the bronze cheeks creased by a thousand wrinkles, with vermilion weeping from the corners of the eyes and long trails of green at the corners of the mouths like splenetic beards. 'These are the masks of demons,' said the Englishman, caressing the long black swept-back tresses of one of them. 'The Samurai wore them in battle, to terrify the enemy. The one which is covered in green scales, with two opal pendants between the nostrils, is the mask of a sea-demon. This one, with the tufts of white fur for eyebrows and the two horsehair brushes beside the lips, is the mask of an old man. These others, of white porcelain - a material as smooth and fine as the cheeks of a Japanese maiden, and so gentle to the touch - are the masks of courtesans. See how alike they all are, with their delicate nostrils, their round faces and their heavy slanted eyelids; they are all effigies of the same goddess. The black of their wigs is rather beautiful, isn't it? Those which bubble over with laughter even in their immobility are the masks of comic actors.' That devil of a man pronounced the names of demons, gods and goddesses; his erudition cast a spell. Then: 'Bah! I have been down there too long!' Now he took up the light edifices of gauze and painted silk which were Venetian masks. 'Here is a Cockadrill, a Captain Fracasse, a Pantaloon and a Braggadocio. Only the noses are different - and the cut of their moustaches, if you look at them closely. Doesn't the white silk mask with enormous spectacles evoke a rather comical dread? It is Doctor Curucucu, an actual marionette featured in the Tales of Hoffmann. And what about that one, with all the black horsehair and the long spatulate nose like a stork's beak tipped with a spoon? Can you imagine anything more appalling? It's a duenna's mask; amorous young women were well-guarded when they had to go about flanked by old dragons dressed up in something like that. The whole carnival of Venice is put on parade before us beneath the cape and the domino, lying in ambush behind these masks... Would you like a gondola? Where shall we go, San Marco or the Lido?
Jean Lorrain (Monsieur De Phocas)