Speedboat Quotes

But you can't stay with people because of guilt. Or because they can drive a speedboat.

Connor and Cameron look wide-eyed at the carnage. Cameron slowed the speedboat down to a crawl. She and Connor looked at Jason. “Oops,” Jason said meekly. Nothing else seemed appropriate. “Oops?” Connor shouted. “You blew up half the town.

I think when you are truly stuck, when you have stood still in the same spot for too long, you throw a grenade in exactly the spot you were standing in, and jump, and pray. It is the momentum of last resort.

That 'writers write' is meant to be self-evident. People like to say it. I find it is hardly ever true. Writers drink. Writers rant. Writers phone. Writers sleep. I have met very few writers who write at all.

Hardly anyone about whom I deeply care at all resembles anyone else I have ever met, or heard of, or read about in literature.

Self-pity” is just sadness, I think, in the pejorative.

Karrin Murphy led the charge, and Sanya and I tried to keep up. She went through that sea of foes like a little speedboat, her enemies spun and tossed and turned and disoriented in her wake. Sanya and I hacked our way through stunned foes, pushing and chopping with unsophisticated brutality-and that big Russian lunatic just kept laughing the whole time.

Being neurotic seemed to be a kind of wild card, an all-purpose explanation.

People who are less happy, I find, are always consoling those who are more.

The whole magic of a plot requires that somebody be impeded from getting something over with.

My capacity for having a good time exists. It surfaces, however, on odd occasions.

Do you realize how angry you sound?” must be one of the most infuriating questions in the language.

And then there were the wallflowers who had recognized for years that the thing was hopeless, who had found in that information a kind of calm. They no longer tried, with a bright and desperate effort, to sustain a conversation with somebody's brother, somebody's usher, somebody's roommate, somebody's roommate's usher's brother... The category of wallflower who had given up on all this was very quiet, not indifferent, only quiet. And she always brought a book.

...we need tits and arse because they have got to be available to us; to be pawed, fucked, wanked over. Because we’re men? No. Because we’re consumers. Because those are things we like, things we intrinsically feel or have been conned into believing will give us value, release satisfaction. We value them so we need to at least have the illusion of their availability. For tits and arse read coke, crisps, speedboats, cars, houses, computers, designer labels, replica shirts. That’s why advertising and pornography are similar; they sell the illusion of availability and the non-consequence of consumption.

I love the laconic. Clearly, I am not of their number.

Some immaterial pattern of energy, throwing off a spray of radiation like the wake of a racing speedboat, had leaped from the face of the Moon, and was heading out toward the stars.

The radical intelligence in the moderate position is the only place where the center holds. Or so it seems.

I took a little celebrational nap.

Arguing with somebody is never pleasant, but sometimes it is useful and necessary to do so. Just the other day, for example, it was useful and necessary for me to have an unpleasant argument with a medical student because if he hadn't let me borrow his speedboat I would now be chained inside a very small waterproof room, instead of sitting in a typewriter factory typing our this woeful tale.

My dislike has no consequences. It accrues only in my mind—like preserves on a shelf or guns zeroing in, and never firing.

The second rat, of course, may have been the first rat farther uptown, in which case I am either being followed or the rat keeps the same rounds and hours I do. I think sanity, however, is the most profound moral option of our time. Two rats, then.

Despite his awkwardness Alec couldn’t deny it felt good to be in receipt of spoiling. “I’m buying our house, no arguments. Something understated, like a castle with a moat and a speedboat so you can get to the front door quickly!

…They used the fail-safe method for undergraduate work at any solid institution: take two utterly unrelated things or matters and show that they are, if not in fact identical, actually related in the most profound and subtle sense.

Things have changed very much, several times, since I grew up, and, like everyone in New York except the intellectuals, I have led several lives and I still lead some of them.

Speech, tennis, music, skiing, manners, love- you try them waking and perhaps balk at the jump, and then you're over. You've caught the rhythm of them once and for all, in your sleep at night. The city, of course, can wreck it. So much insomnia. So many rhythms collide. The salesgirl, the landlord, the guests, the bystanders, sixteen varieties of social circumstance in a day. Everyone has the power to call your whole life into question here. Too many people have access to your state of mind. Some people are indifferent to dislike, even relish it. Hardly anyone I know.

Speedboats, made-up aristocratic titles, exploding dildos… You’re not living in a fucking TV series, Villanelle.

The girls were always running out of money, out of cash, precisely, to pay taxi drivers, train conductors, men who delivered pizzas after dark. They borrowed cash, normally, upon arrival. They borrowed passions—Wallace Stevens, Joseph Conrad, Mozart, hiking, the Bible—from each other, as girls of another generation borrowed clothes.

Every love story,every commercial trade, every secret, every matter in which trust is involved, is a gentle transaction of hostages. Everything is, to a degree, in the custody of every other thing. Blackmail, kidnapping, then, are among the extreme violations of the deal. Anyway, I seem to be about to have Jim's child; at least, I think I will, and the thing is I haven't mentioned it to Jim.

What is the point. That is what must be borne in mind. Sometimes the point is really who wants what. Sometimes the point is what is right or kind. Sometimes the point is a momentum, a fact, a quality, a voice, an imitation, a thing that is said or unsaid. Sometimes it's who's at fault, or what will happen if you do not move at once. The point changes and goes out. You cannot be forever watching for the point, or you lose the simplest thing: being a major character in your own life. But if you are, for any length of time, custodian of the point-- in art, in court, in politics, in lives, in rooms-- it turns out there are rear-guard actions everywhere. To see a thing clearly, and when your vision of it dims, or when it goes to someone else, if you have a gentle nature, keep your silence, that is lovely. Otherwise, now and then, a small foray is worthwhile. Just so that being always, complacently, thoroughly wrong does not become the safest position of them all. The point has never quite been entrusted to me.

…a kind of Calvinist in reverse; that is, he was uncompromisingly bohemian

The style of flirtation specific to classrooms was of service to the students all their lives.

It could be that the sort of sentence one wants right here is the kind that runs, and laughs, and slides, and stops right on a dime.

And I recognized then the process by which I had always attempted difficult things. I had simply not allowed myself to think of the consequences, but had closed my eyes, jumped in, and before I knew where I was, it was impossible to renege. I was basically a dreadful coward, I knew that about myself. The only way I could overcome this was to trick myself with that other self, who lived in dream and fantasy and who was annoyingly lackadaisical and unpractical. All passion, no sense, no order, no instinct for self-preservation. That’s what I had done, and now that cowardly self had discovered an unburnt bridge by which to return to the past. As Renata Adler writes in Speedboat: I think when you are truly stuck, when you have stood still in the same spot for too long, you throw a grenade in exactly the spot you were standing in, and jump, and pray. It is the momentum of last resort.

I feel like a millionaire on the back of an armored jet-ski my samurai girlfriend who loves me is charging at a cartel speedboat to win a game of chicken. Isn’t this the day’s best part? You don’t even have to remember to enjoy it. It enjoys you into itself.

The salesgirl, the landlord, the guests, the bystanders, sixteen varieties of social circumstance in a day. Everyone has the power to call your whole life into question here. Too many people have access to your state of mind. Some people are indifferent to dislike, even relish it. Hardly anyone I know.

It is, understandably, considered gauche to describe bisexuality as transitory, almost as gauche as the word “bisexual” itself. Perhaps it would be better to think of bisexuality as queerly universal—stem cells potent with potential. As long as compulsive heteronormativity exists, queer people will pass through bisexuality at some point, however briefly. Some tear through it on a speedboat, heading for a more monosexual harbor, others circle, content, drinking aperitifs in the sun.

The pressures were wrong. There was just enough money and not enough time.

She watched the hulk of marriage drifting down on her frail speed-boat of aspiration, and steered in desperate circles.

The dishes that were meant to be hot were never quite as warm as those that were meant to be chilled.

Boats were more to Gotti’s liking, and he piloted cigarette speedboats off the Florida and New York coasts; his boat in Florida was named Not Guilty.

He’s on a speedboat, headed straight for dry land. I’m floating on a breeze with no direction at all.

No matter how good AI [artificial intelligence] gets, humans still want role models, and we want to be inspired by human greatness. This is why we cheer for Olympic swimmers, even though speedboats go faster.

They were frisky, eager and exuberant, and they had all been friends in the States. They were plainly unthinkable. They were noisy, overconfident, empty-headed kids of twenty-one. They had gone to college and were engaged to pretty, clean girls whose pictures were already standing on the rough cement mantelpiece of Orr's fireplace. They had ridden in speedboats and played tennis. They had been horseback riding. One had once been to bed with an older woman. They knew the same poeple in different parts of the country and had gone to school with each other's cousins.

I think sanity, however, is the most profound moral option of our time.

None of us is leading quite the life we were at all prepared for.

Fucking incredible! Four miles in five minutes, with a slight maneuver to avoid an oil barge anchored halfway in. And when the HJ peeled away and abandoned the pursuit and the helicopter began to fall back and gain altitude, Teresa stood up in the middle of the speedboat and, still illuminated by the spotlight, lifted a triumphant single finger. Adiós Cabróooon.

The score," the megaphone on the ferry around Manhattan said, from time to time, without further explanation, "is one to nothing." to the foreigners, unaware perhaps that a World Series was in progress, this may have seemed an obscure instruction, or a commentary on the sights. "In the top of the fifth," it said, with some excitement, as we rounded Wall Street, "the score is five to one.

Late-sleeping Utopians, especially, persist like mercury. I am a fanatic myself, although not a woman of temperament. I get nervous at scenes. I stole a washcloth once from a motel in Angkor Wat. The bellboy was incensed. I had to give it back. To promote the general welfare and secure the blessings of liberty to ourselves and our posterity—I believe all that. I go to parties almost whenever I am asked. I think a high tone of moral indignation, used too often, is an ugly thing. I get up at eight. Quite often now I have a drink before eleven. In some ways, I have overshot my mark in life in spades.

Most schools of thought both ancient and modern spend a decent amount of time extolling the most brilliant and educated among us, and affirming that humans are better than other creatures because we can think and reason and philosophize. Those arguments make sense until you see a bunch of kids on a speedboat during spring break chugging vodka from an ice luge shaped like a shotgun, and then you start to think maybe otters and butterflies have it more figured out than we do.

Many people, particularly children, have had poison ivy very often, very badly. They speak of it. They do not forget it. But there is an outer limit, a kind that passes any question of degree. Those who have utterly had it instantly recognize each other—like the Jews and homosexuals in Proust. It has no dignity whatever. There are no poison-ivy heroes… There are other such cabals, reverse elites of outer limit, junkies, sufferers from migraines, the truly seasick, soldiers’ fear in wartime, certain cramps.Many people suffer from cramps severely, turn quite silent, green, and shaky. Someone offers them a glass of gin. But there are cramps of an entirely other order, when even hardened doctors—knowing it is not important, only temporary, just a matter of hours—reach for the Demerol and the needle. It must be so in each lonely degrading thing from which one comes back having learned nothing whatever. There are no conclusions to be drawn from it. Lonely people see double entendres everywhere.

Impressing the ladies is an arduous task ', as the narrator is always saying on Animal Planet...'Perhaps no creature has a more elaborate courtship display than the bower bird'. No creature? That's a joke, right? You can't think of one? Clue: as part of its elaborate courtship displays this creature has invented telephones, moving pictures, cars, music, money, organized warfare, tigerskin rugs, alcohol, mood-lighting, speedboats, mink coats, cities and poetry. So, please, no sniggering at the bower birds' attempts to get laid.

Guts,” never much of a word outside the hunting season, was a favorite noun in literary prose. People were said to have or to lack them, to perceive beauty and make moral distinctions in no other place. “Gut-busting” and “gut-wrenching” were accolades. “Nerve-shattering,” “eye-popping,” “bone-crunching”—the responsive critic was a crushed, impaled, electrocuted man. “Searing” was lukewarm. Anything merely spraining or tooth-extracting would have been only a minor masterpiece. “Literally,” in every single case, meant figuratively; that is, not literally. This film will literally grab you by the throat. This book will literally knock you out of your chair… Sometimes the assault mode took the form of peremptory orders. See it. Read it. Go at once…Many sentences carried with them their own congratulations, Suffice it to say…or, The only word for it is…Whether it really sufficed to say, or whether there was, in fact, another word, the sentence, bowing and applauding to itself, ignored…There existed also an economical device, the inverted-comma sneer—the “plot,” or his “work,” or even “brave.” A word in quotation marks carried a somehow unarguable derision, like “so-called” or “alleged…” “He has suffered enough” meant if we investigate this matter any further, it will turn out our friends are in it, too… Murders, generally, were called brutal and senseless slayings, to distinguish them from all other murders; nouns thus became glued to adjectives, in series, which gave an appearance of shoring them up… Intelligent people, caught at anything, denied it. Faced with evidence of having denied it falsely, people said they had not done it and had not lied about it, and didn’t remember it, but if they had done it or lied about it, they would have done it and misspoken themselves about it in an interest so much higher as to alter the nature of doing and lying altogether. It was in the interest of absolutely nobody to get to the bottom of anything whatever. People were no longer “caught” in the old sense on which most people could agree. Induction, detection, the very thrillers everyone was reading were obsolete. The jig was never up. In every city, at the same time, therapists earned their living by saying, “You’re being too hard on yourself.

Goggles but no bathing suit?" she asked. Daniel blushed. "I guess that was stupid. But I was in a hurry, only thinking about what you would need to get the halo." He drove the paddle back into the water, propelling them more quickly than a speedboat. "You can swim in your underwear, right?" Now Luce blushed. Under normal circumstances, the question might have seemed thrilling, something they both would have giggled at. Not these nine days. She nodded. Eight days now. Daniel was deadly serious. Luce just swallowed hard and said, "Of course." The pair of green-gray spires grew larger, more detailed, and then they were upon them. They were tall and conical, made of rusted slats of copper. They had once been capped by small teardrop-shaped copper flags sculpted to look like they were rippling in the wind, but one weathered flag was pocked with holes, and the other had broken off completely. In the open water, the spires' protrusion was bizarre, suggesting a cavernous cathedral of the deep. Luce wondered how long ago the church had sunk, how deep it sat below. The thought of diving down there in ridiculous goggles and mom-bought underwear made her shudder. "This church must be huge," she said. She meant I don't think I can do this. I can't breathe underwater. How are we going to find one small halo sunk in the middle of the sea? "I can take you down as far as the chapel itself, but only that far. So long as you hold on to my hand." Daniel extended a warm hand to help Luce stand up in the gondola. "Breathing will not be a problem. But the church will still be sanctified, which means I'll need you to find the halo and bring it out to me." Daniel yanked his T-shirt off over his head, dropping it to the bench of the gondola. He stepped out of his pants quickly, perfectly balanced on the boat, then kicked off his tennis shoes. Luce watched, feeling something stir inside her, until she realized she was supposed to be stripping down, too. She kicked off her boots, tugged off her socks, stepped out of her jeans as modestly as she could. Daniel held her hand to help her balance; he was watching her but not the way she would have expected. He was worried about her, the goose bumps rising on her skin. He rubbed her arms when she slipped off he sweater and stood freezing in her sensible underwear n the gondola in the middle of the Venetian lagoon. Again she shivered, cold and fear an indecipherable mass inside her. But her voice sounded brave when she tugged the goggles, which pinched, down over her eyes and said, "Okay, let's swim." They held hands, just like they had the last time they'd swum together at Sword & Cross. As their feet lifted off the varnished floor of the gondola, Daniel's hand tugged her upward, higher than she ever could have jumped herself-and then they dove. Her body broke the surface of the sea, which wasn't as cold as she'd expected. In fact, the closer she swam beside Daniel, the warmer the wake around them grew. He was glowing.

It turned out that every single child on the school bus had known that one of their Kevins was missing. They had not mentioned it to the driver, or their teacher, or each other. They took it that Kevin had been left, forever, for some reason, which would become clear to them, with patience, in the course of time.

Violet felt so free. She could hear Jay laughing from behind her as he held on tight. She spun the craft first sharply to the right and then quickly to the left. He knew she was trying to buck him free, testing him to see how long he could hold on to her before being tossed into the frigid water of the lake as she maneuvered the miniature speedboat back and forth. But he was stronger now than ever before, and his reflexes were sharper. He seemed to know which way she was going to go even before she did. After a while, Violet slowed down near a floating dock in the lake and parked the Wave Runner. “Do you want to jump in?” she asked as she pulled the key from the ignition without waiting for an answer, making it more of a statement than a question. Jay stood up and hopped from the Wave Runner onto the dock. Violet joined him and instead of diving into the water, she sat down and dangled her feet in. “It’s quiet here,” he commented absently. He sat down beside her. “Mm-hmm,” she sighed, kicking her feet and splashing up water. “How are your knees?” He reached out and brushed his fingers across the damp bandages. Violet shrugged. “They’re fine . . .” and then she added with mock adoration, “. . . thanks to you, of course.” And to show her gratitude, she kicked water in his direction. He nudged her with his shoulder but didn’t say anything. They stayed like that for a while, enjoying the silence of being alone and enjoying each other’s presence. It was easy . . . and comfortable.

The idea of hostages is very deep. Becoming pregnant is taking a hostage–as is running a pawnshop, being a bank, receiving a letter, taking a photograph, or listening to a confidence. Every love story, every commercial trade, every secret, every matter in which trust is involved, is a gentle transaction of hostages. Everything is, to a degree, in the custody of every other thing.

Greg, who had spent the winter in a Patmos monastery, had a single Greek word: Oreia. It seemed to be an exclamation of approval or joy. He used it incessantly, in a tone so flat, bleak and despairing that we all began to like it. Oreia, we would say, when the waiter, after four hours, brought our dinner. Oreia, when, after nine straight days, the rain stopped. Oreia, when the radio, which was dead most nights, woke up and spoke the news.

The fortnight in Venice passed quickly and sweetly- perhaps too sweetly; I was drowning in honey, stingless. On some days life kept pace with the gondola, as we nosed through the side canals and the boatman uttered his plaintive musical bird-cry of warning; on other days with the speed-boat bouncing over the lagoon in a stream of sun-lit foam; it left a confused memory of fierce sunlight on the sands and cool, marble interiors; of water everywhere, lapping on smooth stone, reflected in a dapple of light on painted cielings; of a night at the Corombona palace such as Byron might have known, and another Byronic night fishing for scampi in the shallows of Chioggia, the phosphorescent wake of the little ship, the lantern swinging in the prow, and the net coming up full of weed and sand and floundering fishes; of melon and prosciutto on the balcony in the cool of the morning; of hot cheese sandwiches and champagne cocktails at Harrys Bar.

Our ambitions were, nonetheless, what those of any sensible group of women at that time, perhaps at any modern time, ought to have been: to become safe and successful; to marry someone safe and successful; to have for our children some sort of worldly safety and success. From time to time, however, there is something, I don't know, wistful, about how it has turned out. Not just Brecht's great ship of eight sales and the fifty cannon. The other ships. Perhaps the tall ships, the fleet, the craft, the other ships that don't come in.

In almost every thriller, a point is reached when someone, usually calling from a phone booth, telephones with a vital piece of information, which he cannot divulge by phone. By the time the hero arrives at the place where they had arranged to meet, the caller is dead, or too near death to tell. There is never an explanation for the reluctance of the caller to impart his message in the first place. Certainly, the convention existed well before the age of the tape recorder and the wiretap. Not on the phone, in a spy or mystery story, has always been, in and of itself, sufficient to hold up the resolution of the case for a long, long time.

I splash enough water in Chloe's face to put out a small house fire. I don't want to drown her, just exfoliate her eyeballs with sea salt. When she thinks I'm done, she opens her eyes-and her mouth. Big mistake. The next wave rinses off the hangy ball in the back of her throat and makes it to her lungs before she can swallow. She chokes and coughs and rubs her eyes as if she's been maced. "Great, Emma! You got my new hair wet!" she sputters. "Happy now?" "Nope." "I said I was sorry." She blows her nose in her hand, then sets the snot to sea. "Gross. And sorry's not good enough." "Fine. I'll make it up to you. What do you want?" "Let me hold your head underwater until I feel better," I say. I cross my arms, which is tricky when straddling a surfboard being pitched around in the wake of a passing speedboat. Chloe knows I'm nervous being this far out, but holding on would be a sign of weakness. "I'll let you do that because I love you. But it won't make you feel better." "I won't know for sure until I try it." I keep eye contact, sit a little straighter. "Fine. But you'll still look albino when you let me back up." She rocks the board and makes me grab it for balance. "Get your snotty hands off the surfboard. And I'm not albino. Just white." I want to cross my arms again, but we almost tipped over that time. Swallowing my pride is a lot easier than swallowing the Gulf of Mexico. "White than most," she grins. "People would think you're naked if you wore my swimsuit." I glance down at the white string bikini, offset beautifully against her chocolate-milk skin. She catches me and laughs. "Well, maybe I could get a tan while we're here," I say, blushing. I feel myself cracking and I hate it. Just this once, I want to stay mad at Chloe. "Maybe you could get a burn while we're here, you mean. Matterfact, did you put sunblock on?" I shake my head. She shakes her head too, and makes a tsking sound identical to her mother's. "Didn't think so. If you did, you would've slipped right off that guy's chest instead of sticking to it like that." "I know," I groan. "Got to be the hottest guy I've ever seen," she says, fanning herself for emphasis. "Yeah, I know. Smacked into him, remember? Without my helmet, remember?" She laughs. "Hate to break it to you, but he's still staring at you. Him and his mean-ass sister." "Shut up." She snickers. "But seriously, which one of them do you think would win a staring contest? I was gonna tell him to meet us at Baytowne tonight, but he might be one of those clingy stalker types. That's too bad, too. There's a million dark little corners in Baytowne for you two to snuggle-" "Ohmysweetgoodness, Chloe, stop!

Billing was an archetypal playboy, ‘fascinated by fast aircraft, fast speed-boats, fast cars and fast women – he was highly attractive to women

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A speedboat packed with college kids swerved past. Carelessly close, blasting music, seemingly oblivious to the near miss. “Everyone goes a little crazy the last week of summer." —from SUMMER HOURS, out June 4, 2019

He also explained Operation Trojan, where Mossad relayed disinformation to be received by the US and Britain. They planted the Trojan, a communication device, deep inside the enemy territory. The device would rebroadcast prerecorded digital transmissions, which would be able to be picked up by Americans and the British. On the night of February 17th, two Israeli missile boats headed through the Mediterranean, letting four submarines and two speedboats disembark just outside the territorial waters of Libya. The submarines headed for shore and the agents headed inland with the Trojan device. They were picked up by a Mossad combatant who was already there, then they headed to the city, where they went to an apartment building less than three blocks away from the Bab al Azizia barracks known to house Qadhafi’s headquarters. They brought the device to the top floor of the building, activated it, then headed back to the beach. The combatant monitored the unit in the apartment for the next few weeks. The Trojan broadcasted messages during heavy communication traffic hours. They appeared as long series of terrorist orders to Libyan embassies around the world. The Americans began to perceive the Libyans as active sponsors of terrorism, while the French and Spanish were suspicious. The Mossad used America’s promise to retaliate against support for terrorism, to manipulate them into the ploy. Their intention was to get a country with better weapons to attack Libya. They succeeded. On April 14th, 1986, one hundred and sixty American aircrafts dropped over sixty tons of bombs on Libya. A deal for the release of American hostages in Lebanon was cut, forty Libyan civilians died, and an American pilot and his weapons officer died. For the Mossad, this mission was incredibly successful. However, it doesn’t highlight the intelligence agency in the same ways as other stories of operations. It showed deceit toward the Americans, who they would normally try to cooperate with. It “by ingenious sleight of hand, had prodded the United States to do what was right.” It showed the world what side the US was on in the Arab-Israeli conflict.

When I began writing this story, I thought I had some idea of what it was about. I was wrong. In my life writing I've discovered that there are times when a story, like architecture, is carefully designed, erected, and furnished. Then there are tales that take their own way, and I find myself being dragged along after them like a white-knuckled water skier behind a speedboat.

I think that when you are truly stuck, when you have stood still in the same spot for too long, you throw a grenade in exactly the spot you were standing in, and jump, and pray.

Susan is happy off on another project to save yet another endangered creature. But I miss Irving, and though Susan would laugh at me probably, I like to think that Irving is somewhere chasing angelic speedboats, or maybe he’s got his own wings. Surely, even God needs a laugh now and then, and Irving is a funny guy, for a monster.

Prologue When I began writing this story, I thought I had some idea of what it was about. I was wrong. In my life writing I've discovered that there are times when a story, like architecture, is carefully designed, erected, and furnished. Then there are tales that take their own way, and I find myself being dragged along after them like a white-knuckled water skier behind a speedboat.

Outside, Frank and Joe mounted their motorcycles and rode through the downtown traffic to the Bayport waterfront. Leaving the big commercial piers behind, they took the Shore Road, past a section of private docks to where the brothers kept their trim speedboat, the Sleuth. Driving on, the Hardys followed the road along the curve of the left bank of the bay to the mouth of the harbor. Here they turned north and continued parallel with the ocean. Soon they saw a jumble of board shanties on the wide beach ahead. Some were nothing more than open lean-tos, but others had glass windows and stovepipes. Pieces of ragged clothing fluttered from ropes in the breeze. Smoke curled up lazily from a small fire around which three men lay, watching the steam from a black pot which hung on a tripod above the flames.

Now youth was a speedboat leaving the pier.

…I feel a stab of guilt. But you can’t stay with people because of guilt. Or because they can drive a speedboat.

I often meet people who do not like me or each other. It doesn’t always matter. I keep on smiling, talking. I knock at the same door once, three times, twelve. My dislike has no consequences. It accrues only in my mind—like preserves on a shelf or guns zeroing in, and never firing. The same smile. I knew someone who used to go to sleep counting, not sheep, but people against whom he had grievances—bullies from childhood, kindergarten teachers, back to nannies even, bosses, employees, anybody awful up to the preceding day. When they were rounded up in his mind, he would machine-gun them down.

in January 2003, Barack Obama was just a small speedboat trying to launch before some battleship came along and capsized his ambitions.

Edith Piaf stava tenendo uno dei suoi tanti ultimissimi concerti all'Olympia di Parigi. Cantava Je ne suis pas folle. Terminò la canzone, come sempre, con una risata pazza. Quella sera, qualcuno in fondo al teatro fece eco alla sua risata. All'inizio si pensò che fosse una burlona, o almeno una disturbatrice. Poi si pensò che facesse parte dello spettacolo. Ma quando quella folle risata continuò, sgradevole, agghiacciante, sulla stessa nota di Edith Piaf, come un diapason di pazzia che rispondesse a un altro, tre maschere e sei membri del pubblico accompagnarono fuori, con infinita cortesia, la signora che rideva.

You’re going in the one on the far end.” I followed Lir’s point toward the predator speedboat. “Nice.” “Actually, it’s because they want you gone as quickly as possible. There’s some concern that if you manage to piss people off, some of that is going to splash on the people who took you across. The less time they have to spend with you, the more they can deny they had any idea who you were.” “Sounds fair,” I agreed.

Escape procedures, however, were in full force. Some people, in a frenzy of antipathy and boredom, were drinking themselves into extreme approximations of longing to be together. Exchanging phone numbers, demanding to have lunch, proposing to share an apartment—the escalations of fellowship had the air of a terminal auction, a fierce adult version of slapjack, a bill-payer loan from a finance company, an attempt to buy with one grand convivial debt, to be paid in future, an exit from each other’s company at that instant.

She was by no means one of the great refusers. Not an existentialist hero, or a Rosa Parks, or even a Bartleby.

Count Conti smiled. "Not at all boys; I’d love you to visit so we can spend some quality time together. I will collect you in my speedboat tomorrow morning. We will have breakfast at the Lido Excelsior di Venezia. I don't think your friends will be up early to join us after painting the town red. I can have you boys all to myself. I'm a greedy lover." He smiled seductively.

altogether too much of life is mood. Aldo

It is all weird. I am not always well.

As always, the passengers, having felt the squalor, the suspense, the scale of confinement, applauded when the wheels touched the ground.

Maybe there are stories, even, like solitaire or canasta; they are shuffled and dealt, then they do or they do not come out. Or the deck falls on the floor. Or a piece of country music, a quartet, a parade, the flag—all the things one ought by now to be too old for—touch, whatever it is.

Sometimes I think they are writers who do not write. That "writers write" is meant to be self-evident. People like to say it. I find it is hardly ever true. Writers drink. Writers rant. Writers phone. Writers sleep. I have met very few writers that write at all.

Judy Pilger—and we followed them, crossing back and forth in a rowboat. But it was Frankie and Chris Nucci my sisters and I had crushes on, and mostly Frankie. Frankie had a speedboat and took his friends waterskiing up and down the creek. He sat on the top of the seat back to drive, one leg propped on the dash, coolly checking the skier behind him. He had silky hair and brown eyes and trickled a sultry cool through our world. The boys were more interested in my older sister than in me. She knew how to smoke and inhale. But I tagged along anyway wherever they went. We hiked down the falls to Tarzan’s Pit and spent the afternoon jumping off the cliff into the water. Then we’d climb up to the rickety wooden trestle that hung over the tiny waterfall to drink beer and wait for the trains to come. We’d show off for one another and stand up as the trains came roaring by with their whistles screaming in our ears. We hung

I like to think that Irving is somewhere chasing angelic speedboats, or maybe he’s got his own wings. Surely, even God needs a laugh now and then, and Irving is a funny guy, for a monster.

Too many people have access to your state of mind.

Vigilant skepticism, a deep dubiety, is probably the strongest and certainly the most modern current of feeling in Speedboat: doubt, after all, is writing.

The movies were just kind of figuring out how to use computers in 2003, and nobody was just kind of figuring out how to use computers harder than Michael Bay. It’s tempting to say that every frame of Bad Boys II looks like a TV commercial, but truly every frame looks like a print advertisement, like those Candies ads where Jenny McCarthy’s taking a shit, shallow and glossy and tinged acid green. There are four car chases, one of which is at least fifteen minutes long. Even the most passing transitions are giddily tasteless: the camera EXPLODES out of the speedboat’s tailpipe and ZOOMS across Biscayne Bay and WHAMS down the ventilation shaft in the backward sunglasses factory and SHOOMPS into the buttcrack of a raver’s low-rise jeans and SPROINGS across her transverse colon and SQUEAKS through her appendix and AIRHORNS out her belly button and PLOPS into the Cuban drug lord’s mojito as he shoots his favorite nephew in the head while saying, “Adios, kemosabe,” or something fucking cool like that. When faced with a choice, Bay picks “all of the above” every time. He’s like a dog in one of those obedience trials who’s like, “Obedience? I don’t know her,” and just goes buck wild on the sausages. Except instead of “obedience” it’s “having a coherent plot that holds the audience’s attention” and instead of “sausages” it’s “explosions, Ferrari chases, and how many different cool kinds of box could a gun come in.

We spoke of a friend of ours who had died the night before, at forty-three. “But my God! I’m forty-one,” a bearded banker said. “Don’t worry,” his wife, who is German, answered. “There is no order. It is not a line.

I knew someone who used to go to sleep counting, not sheep, but people against whom he had grievances—bullies from childhood, kindergarten teachers, back to nannies even, bosses, employees, anybody awful up to the preceding day.

You cannot be forever watching for the point, or you lose the simplest thing: being a major character in your own life.

The boys took a taxi to the oceanfront. It was a beautiful day and the sea sparkled in the sunshine. The four sleuths ate lunch at a restaurant specializing in seafood, then Frank rented a trim little speedboat. “Oh, boy, I can hardly wait to take her out!” Tony gloated as he warmed up the motor. “We should stick in pairs to be on the safe side,” Joe said thoughtfully. Chet would accompany Tony. A few moments later the two boys put-putted out across the water.

James Bond’s latest outing, The Spy Who Loved Me, had featured an ill-advised and hastily-written fifth act ‘twist’ whereby the unnamed PM, played by a no-name Yorkshire character actor, had absconded and sought to take ‘State Secrets’ with him to the Russians. Roger Moore had chased him down–improbably, in a speedboat–and seen to it that he would face justice. The critics were calling for the same fate to befall the screenwriters.

Helen Fielding recalls Marie inviting her to take the boat downriver to Parliament one Monday night. “We could grab a buoy and start a barbecue, and clock how long it takes for MI5 to send a speedboat.” They did exactly that, cooking sausages onboard outside the House of Commons and waiting for the security service, which never showed up, before steering unsteadily back, mooring the boat, and teetering ashore across the mud left by the falling tide, handbags akimbo.

Only last week, the Bureau announced that one of those fugitive girls might be “feigning pregnancy.” It struck me as a strange idea of what constitutes disguise. Whiskers, I would have thought, yes. Sunglasses even, a wig; but pregnancy, no. Jim says I misunderstood what the Bureau meant. The “feigned pregnancy” was considered, not as a disguise, but as a means of getting people not to shoot. I don’t know.

There was also a little pamphlet, with a half page of instructions for putting the rifle together, six pages of instructions for joining the National Rifle Association. I could have figured out how to join the N.R.A. without those instructions, particularly since the pamphlet included an application for membership.

But when the birthday song is imminent, the group is small. There is the possibility that everyone will mouthe.

There are no tears here,” the young construction worker said at the funeral, when the ancient union leader, with two strokes, three heart attacks, and a lung condition, died at last. “True,” the priest said, surveying the mourners in the cathedral. “No tears. Either the wake went on too long or he was a hard, hard man.

I think when you are truly stuck, when you have stood still in the same spot for too long, you throw a grenade in exactly the spot you were standing in, and jump, and pray. It is the momentum of last resort. Some people get a jump on the morning in other ways—