Speech Funny Quotes

It's funny that we think of libraries as quiet demure places where we are shushed by dusty, bun-balancing, bespectacled women. The truth is libraries are raucous clubhouses for free speech, controversy and community. Librarians have stood up to the Patriot Act, sat down with noisy toddlers and reached out to illiterate adults. Libraries can never be shushed.

Now that your speech impediment has been rectified, perhaps you might say something. It would be best if it were humorous. I enjoy a good jest.' 'You are dreadfully rude,' I said to him. He sighed. 'That wasn't the slightest bit funny.

Democracy was supposed to champion freedom of speech, and yet the simple rules of table decorum could clamp down on the rights their forefathers had fought and died for.

A funny thing happened to the First Amendment on its way to the public forum. According to the Supreme Court, money is now speech and corporations are now people. But when real people without money assemble to express their dissatisfaction with the political consequences of this, they’re treated as public nuisances and evicted.

When approaching a prospective human, first ask them what their name is. * If it replies "Brains," blow its fucking head off. * If it replies "Brian," ask it again, as you may have encountered a zombie with a speech impediment, or a zombie that was mildly retarded in life. * Keep in mind that it is entirely possible that you did encounter a human named "Brian.

She wished she could talk as he did. His speech was so quick and easy. It sounded as if he liked her and was not the least afraid she would not like him, though he was only a common moor boy, in patched clothes and with a funny face and a rough, rusty-red head.

Graham Chapman, co-author of the "Parrot Sketch", is no more. He has ceased to be. Bereft of life, he rests in peace. He's kicked the bucket, hopped the twig, bit the dust, snuffed it, breathed his last, and gone to meet the great Head of Light Entertainment in the sky. And I guess that we're all thinking how sad it is that a man of such talent, of such capability for kindness, of such unusual intelligence, should now so suddenly be spirited away at the age of only forty-eight, before he'd achieved many of the things of which he was capable, and before he'd had enough fun. Well, I feel that I should say: nonsense. Good riddance to him, the freeloading bastard, I hope he fries. And the reason I feel I should say this is he would never forgive me if I didn't, if I threw away this glorious opportunity to shock you all on his behalf. Anything for him but mindless good taste. (He paused, then claimed that Chapman had whipered in his ear while he was writing the speech): All right, Cleese. You say you're very proud of being the very first person ever to say 'shit' on British television. If this service is really for me, just for starters, I want you to become the first person ever at a British memorial service to say 'fuck'.

I do not understand this man," [Tempi] said. "Is he attempting to buy sex with me? Or does he wish to fight?

I curse when I get really upset. Letting off steam that way makes me feel a little bit better. I've been through a lot, but I have never had the urge to go postal. I thank fuck for that.

I love you, Tess McGee. I don’t do big funny or heartfelt speeches in front of people at birthday parties, but I’m excellent in private alcoves in beer gardens.” He paused. “Okay, that sounded really bad, what I mean is …” I kissed him into silence. I pressed my forehead against his with a sigh. “I love you, too, Toby. In fact, that’s what I was going to tell you before we walked into the beer garden. Right before the really bad singing started.” Toby chuckled. He let out a sigh of relief. “Ready to reminisce?” I whispered my final word before he closed the distance. “Always.

Well,' said Can o' Beans, a bit hesitantly,' imprecise speech is one of the major causes of mental illness in human beings.' Huh?' Quite so. The inability to correctly perceive reality is often responsible for humans' insane behavior. And every time they substitute an all-purpose, sloppy slang word for the words that would accurately describe an emotion or a situation, it lowers their reality orientations, pushes them farther from shore, out onto the foggy waters of alienation and confusion.' The manner in which the other were regarding him/her made Can O' Beans feel compelled to continue. 'The word neat, for example, has precise connotations. Neat means tidy, orderly, well-groomed. It's a valuable tool for describing the appearance of a room, a hairdo, or a manuscript. When it's generically and inappropriately applied, though, as it is in the slang aspect, it only obscures the true nature of the thing or feeling that it's supposed to be representing. It's turned into a sponge word. You can wring meanings out of it by the bucketful--and never know which one is right. When a person says a movie is 'neat,' does he mean that it's funny or tragic or thrilling or romantic, does he mean that the cinematography is beautiful, the acting heartfelt, the script intelligent, the direction deft, or the leading lady has cleavage to die for? Slang possesses an economy, an immediacy that's attractive, all right, but it devalues experience by standardizing and fuzzing it. It hangs between humanity and the real world like a . . . a veil. Slang just makes people more stupid, that's all, and stupidity eventually makes them crazy. I'd hate to ever see that kind of craziness rub off onto objects.

I remember when I left Hungary," Zoltan said, "understanding so completely that literature could save me as much as it could get me killed. Of course it's not like that here. But isn't it funny, that in some ways the price one pays for freedom of speech is ... a kind of indifference.

Well, anyway, this'll be easier than knocking an elf out of a tree. Trust me.' 'How many elves have you knocked out of trees, Stubble?' 'Duraden's bones! Have ye never heard of a figure of speech?

All my life, I thought I was this independent woman. I was on all the right committees, made speeches for all the right causes, traveled all over the world. I had my little part-time job, I made all my own decisions, but . . . there was always someone there to fall back on when things went bad. Funny, how after so many years of marriage you don’t think about how much you depend on the other person until . . . well, until they’re gone. And then of course there’s just the whole system in the city. Your doctor, your pharmacist, your plumber, your vet . . . there’s always someone there. You never have to find out . . . how much you can’t do.

Hands can cook, hands can create, hands can kill. There is no better tool than our hands.

Isn’t it funny how we make rational excuses for being out of alignment? We say, “Well, this ____ and that ____ happened, so it makes perfect sense for me to be feeling like this ____ and wanting to do this ____.” Yet, to this day, I have never met a happy person who adheres to those excuses. In fact, each time I – or anyone else – decide to give in to “rational excuses” that justify feeling bad – it’s interesting that only further suffering is the result. There is never a good enough reason for us to be out of alignment with peace. Sure, we can go there and make choices that dim our lights… and that is fine; there certainly is purpose for it and the contrast gives us lessons to learn… yet if we’re aware of what we are doing and we’re ready to let go of the suffering – then why go there at all? It’s like beating a dead horse. Been there, done that… so why do we keep repeating it? Pain is going to happen; it’s inevitable in this human experience, yet it is often so brief. When we make those excuses, what happens is: we pick up that pain and begin to carry it with us into the next day… and the next day… into next week… maybe next month… and some of us even carry it for years or to our graves! Forgive, let it go! It is NOT worth it! It is NEVER worth it. There is never a good enough reason for us to pick up that pain and carry it with us. There is never a good enough reason for us to be out of alignment with peace. Unforgiveness hurts you; it hurts others, so why even go there? Why even promote pain? Why say painful things to yourself or others? Why think pain? Just let it go! Whenever I look back on painful things or feel pain today, I know it is my EGO that drives me to “go there.” The EGO likes to have the last word, it likes to feel superior, it likes to make others feel less than in hopes that it will make itself (me) feel better about my insecurities. Maybe if I hurt them enough, they will feel the pain I felt over what they did to me. It’s only fair! It’s never my fault; it’s always someone else’s. There is a twisted sense of pleasure I get from feeling this way, and my EGO eats it right up. YET! With awareness that continues to grow and expand each day, I choose to not feed my pain (EGO) or even go there. I still feel it at times, of course, so I simply acknowledge it and then release it. I HAVE power and choice over my speech and actions. I do not need to ever “go there” again. It’s my choice; it’s your choice. So it’s about damn time we start realizing this. We are not victims of our impulses or emotions; we have the power to control them, and so it’s time to stop acting like we don’t. It’s time to relinquish the excuses.

Instead of hearing the message he was trying to impress upon me and the impressionable queer ears hanging on his every word, all I could think was, I can't believe he just told them all how old I am. - Jason's reaction to Chad's speech

The fact that has got to be faced is that to abolish class-distinctions means abolishing a part of yourself. Here am I, a typical member of the middle class. It is easy for me to say that I want to get rid of class-distinctions, but nearly everything I think and do is a result of class-distinctions. All my notions — notions of good and evil, of pleasant and unpleasant, of funny and serious, of ugly and beautiful — are essentially middle-class notions; my taste in books and food and clothes, my sense of honour, my table manners, my turns of speech, my accent, even the characteristic movements of my body, are the products of a special kind of upbringing and a special niche about half-way up the social hierarchy.

Spanish—how shall I say this?—is like Portuguese spoken with a speech impediment.

I guess when you’re a drama teacher, you’re used to memorizing long speeches.

To live is to owe life to die.

I launched into my speech, it took me a few seconds to realize that the only one listening was max (the dog) but at least he had the good manners to stop chewing the toilet brush and pay attention.

Now if you'll excuse me, I have to go out and greet those wonderful creatures and say a few nice words in a language invented by Tolkein. I've practiced, but I sound like Chewbacca making a New Year's speech.

Home. The word circled comfortably in my mouth like bubble gum, swished around sweetly soft and satisfying. Home. Try saying it aloud to yourself. Home. Isn’t it like taking a bite of something lovely? If only we could eat words.

With tears running down her face, Cecily had reminded him of the moment at her wedding to Gabriel when he had delivered a beautiful speech praising the groom, at the end of which he had announced, "Dear God, I thought she was marrying Gideon. I take it all back," thus vexing not only Cecily and Gabriel but Sophie as well-and Will, though too tired to laugh, had smiled at his sister and squeezed her hand.

To be pained by someone’s death is to make their death about you.

Hearing something awful can suck, but the best answer to speech you don't like is always to respond to it with...your own speech.

He looks up. Our eyes lock,and he breaks into a slow smile. My heart beats faster and faster. Almost there.He sets down his book and stands.And then this-the moment he calls my name-is the real moment everything changes. He is no longer St. Clair, everyone's pal, everyone's friend. He is Etienne. Etienne,like the night we met. He is Etienne,he is my friend. He is so much more. Etienne.My feet trip in three syllables. E-ti-enne. E-ti-enne, E-ti-enne. His name coats my tongue like melting chocolate. He is so beautiful, so perfect. My throat catches as he opens his arms and wraps me in a hug.My heart pounds furiously,and I'm embarrassed,because I know he feels it. We break apart, and I stagger backward. He catches me before I fall down the stairs. "Whoa," he says. But I don't think he means me falling. I blush and blame it on clumsiness. "Yeesh,that could've been bad." Phew.A steady voice. He looks dazed. "Are you all right?" I realize his hands are still on my shoulders,and my entire body stiffens underneath his touch. "Yeah.Great. Super!" "Hey,Anna. How was your break?" John.I forget he was here.Etienne lets go of me carefully as I acknowledge Josh,but the whole time we're chatting, I wish he'd return to drawing and leave us alone. After a minute, he glances behind me-to where Etienne is standing-and gets a funny expression on hs face. His speech trails off,and he buries his nose in his sketchbook. I look back, but Etienne's own face has been wiped blank. We sit on the steps together. I haven't been this nervous around him since the first week of school. My mind is tangled, my tongue tied,my stomach in knots. "Well," he says, after an excruciating minute. "Did we use up all our conversation over the holiday?" The pressure inside me eases enough to speak. "Guess I'll go back to the dorm." I pretend to stand, and he laughs. "I have something for you." He pulls me back down by my sleeve. "A late Christmas present." "For me? But I didn't get you anything!" He reaches into a coat pocket and brings out his hand in a fist, closed around something very small. "It's not much,so don't get excited." "Ooo,what is it?" "I saw it when I was out with Mum, and it made me think of you-" "Etienne! Come on!" He blinks at hearing his first name. My face turns red, and I'm filled with the overwhelming sensation that he knows exactly what I'm thinking. His expression turns to amazement as he says, "Close your eyes and hold out your hand." Still blushing,I hold one out. His fingers brush against my palm, and my hand jerks back as if he were electrified. Something goes flying and lands with a faith dink behind us. I open my eyes. He's staring at me, equally stunned. "Whoops," I say. He tilts his head at me. "I think...I think it landed back here." I scramble to my feet, but I don't even know what I'm looking for. I never felt what he placed in my hands. I only felt him. "I don't see anything! Just pebbles and pigeon droppings," I add,trying to act normal. Where is it? What is it? "Here." He plucks something tiny and yellow from the steps above him. I fumble back and hold out my hand again, bracing myself for the contact. Etienne pauses and then drops it from a few inches above my hand.As if he's avoiding me,too. It's a glass bead.A banana. He clears his throat. "I know you said Bridgette was the only one who could call you "Banana," but Mum was feeling better last weekend,so I took her to her favorite bead shop. I saw that and thought of you.I hope you don't mind someone else adding to your collection. Especially since you and Bridgette...you know..." I close my hand around the bead. "Thank you." "Mum wondered why I wanted it." "What did you tell her?" "That it was for you,of course." He says this like, duh. I beam.The bead is so lightweight I hardly feel it, except for the teeny cold patch it leaves in my palm.

I felt bad because Little Big Tom came in while we were making the tape and was like over the moon because he thought we were interested in his music. We had to humor him and listen to him deliver around six hundred speeches about fusion and the Art Ensemble of Chicago and Chicano and Latino influences on pretentious jazzy pseudorock. I think it was probably the happiest I'd ever seen him. And I also felt bad about the fact that after he left we kind of made fun of the funny way he said Latino, like he was the Frito Bandito or something. I felt bad, but I did it anyway, because I'm only human. I was ashamed of myself and depressed afterward, though, which is human, too, I guess. Being human is an excuse for just about everything, but it also kind of sucks in a way.

That was a very moving speech, Trust Fund," I said. He flinched at the name. "But I'd prefer you tell me why you took this job, and why you're so worried about Daddy Dearest finding out about it?

I remembered the last time I put this thing into my eye it was more painful than watching old political speeches while listening to the “Macarena” and having a root canal performed by an angry, clumsy chimp.

Speech codes may well increase tension and edginess rather than relieve them. A student at the State University of New York at Binghamton complains that “If you look at someone funny, it’s a bias incident.”137

I still quote Eugene Debs (1855–1926), late of Terre Haute, Indiana, five times the Socialist Party’s candidate for President, in every speech: “While there is a lower class I am in it, while there is a criminal element I am of it; while there is a soul in prison, I am not free.” In recent years, I’ve found it prudent to say before quoting Debs that he is to be taken seriously. Otherwise many in the audience will start to laugh. They are being nice, not mean, knowing I like to be funny. But it is also a sign of these times that such a moving echo of the Sermon on the Mount can be perceived as outdated, wholly discredited horsecrap. Which it is not.

It seemed that, after contact with a few human generations, sand hogs would begin to understand human speech. The irony was that after coming to understand their riders fully, the beasts often ended up abandoning them and heading off into the wilderness.

New Rule: Republicans must stop pitting the American people against the government. Last week, we heard a speech from Republican leader Bobby Jindal--and he began it with the story that every immigrant tells about going to an American grocery store for the first time and being overwhelmed with the "endless variety on the shelves." And this was just a 7-Eleven--wait till he sees a Safeway. The thing is, that "endless variety"exists only because Americans pay taxes to a government, which maintains roads, irrigates fields, oversees the electrical grid, and everything else that enables the modern American supermarket to carry forty-seven varieties of frozen breakfast pastry.Of course, it's easy to tear government down--Ronald Reagan used to say the nine most terrifying words in the Englishlanguage were "I'm from the government and I'm here to help." But that was before "I'm Sarah Palin, now show me the launch codes."The stimulus package was attacked as typical "tax and spend"--like repairing bridges is left-wing stuff. "There the liberals go again, always wanting to get across the river." Folks, the people are the government--the first responders who put out fires--that's your government. The ranger who shoos pedophiles out of the park restroom, the postman who delivers your porn.How stupid is it when people say, "That's all we need: the federal government telling Detroit how to make cars or Wells Fargo how to run a bank. You want them to look like the post office?"You mean the place that takes a note that's in my hand in L.A. on Monday and gives it to my sister in New Jersey on Wednesday, for 44 cents? Let me be the first to say, I would be thrilled if America's health-care system was anywhere near as functional as the post office.Truth is, recent years have made me much more wary of government stepping aside and letting unregulated private enterprise run things it plainly is too greedy to trust with. Like Wall Street. Like rebuilding Iraq.Like the way Republicans always frame the health-care debate by saying, "Health-care decisions should be made by doctors and patients, not government bureaucrats," leaving out the fact that health-care decisions aren't made by doctors, patients, or bureaucrats; they're made by insurance companies. Which are a lot like hospital gowns--chances are your gas isn't covered.

New Rule: Death isn’t always sad. This week, the Reverend Jerry Falwell died, and millions of Americans asked, “Why? Why, God? Why…didn’t you take Pat Robertson with him?” I don’t want to say Jerry was disliked by the gay community, but tonight in New York City, at exactly eight o’clock, Broadway theaters along the Great White Way turned their lights up for two minutes. I know you’re not supposed to speak ill of the dead, but I think we can make an exception, because speaking ill of the dead was kind of Jerry Falwell’s hobby. He’s the guy who said AIDS was God’s punishment for homosexuality and that 9/11 was brought on by pagans, abortionists, feminists, gays, and the ACLU—or, as I like to call them, my studio audience. It was surreal watching people on the news praise Falwell, followed by a clip package of what he actually said—things like: "Homosexuals are part of a vile and satanic system that will be utterly annihilated." "If you’re not a born-again Christian, you’re a failure as a human being." "Feminists just need a man in the house." "There is no separation of church and state." And, of course, everyone’s favorite: "The purple Teletubby is gay." Jerry Falwell found out you could launder your hate through the cover of “God’s will”—he didn’t hate gays, God does. All Falwell’s power came from name-dropping God, and gay people should steal that trick. Don’t say you want something because it’s your right as a human being—say you want it because it’s your religion. Gay men have been going at things backward. Forget civil right, and just make gayness a religion. I mean, you’re kneeling anyway. And it’s easy to start a religion. Watch, I’ll do it for you. I had a vision last night. The Blessed Virgin Mary came to me—I don’t know how she got past the guards—and she told me it’s time to take the high ground from the Seventh-day Adventists and give it to the twenty-four-hour party people. And that what happens in the confessional stays in the confessional. Gay men, don’t say you’re life partners. Say you’re a nunnery of two. “We weren’t having sex,officer. I was performing a very private mass.Here in my car. I was letting my rod and my staff comfort him.” One can only hope that as Jerry Falwell now approaches the pearly gates, he is met there by God Himself, wearing a Fire Island muscle shirt and nut-hugger shorts, saying to Jerry in a mighty lisp, “I’m not talking to you.

She wanted to go to school with him. She wanted to don a gang jacket and sit in the back of the classroom with a bat so that everyone understood what would happen to them if they messed with her kid. She wanted to go in and give a speech she'd actually rehearsed over and over in her head. The rest of you may be gender-conforming children, she'd say, but you're not nearly as smart, funny, or interesting as Claude, so you tell me which is better: awesome, dynamic boy in a skirt, or tiresome, whiney child with a runny nose who has nothing to offer but compliance.

«Dashenka, sister, Dasha?» «Yes?» She sounded so sad. Tatiana swallowed. «Want to hear a funny story?» «Oh, yes, please: I need a funny story to cheer me up. Tell me, darling». «Stalin as Chairman of the Presidium went in front of the House of Parliament to make a short speech that lasted maybe five minutes. After the speech there was applause. The plenum stood on its feet and applauded. For a minute. Then another minute. They stood and applauded. But – Another minute. Still applauded. They were standing up, and still applauding, as Stalin stood in front of the lectern and listened with a humble smile on his face, the epitome of humility. Another minute. And still applauded. No one knew what to do. They waited for a signal from the Chairman to cease, but no such signal came from the humble and diminutive man. Another minute went by. And still they stood and applauded. It had now been eleven minutes. And no one knew what to do. Someone had to stop applauding. But who? Twelve minutes of applause. Thirteen minutes of applause. And still he stood there. And still they stood there. Fourteen minutes. Fifteen minutes. Finally, at the fifteen-minute mark, the man in the front, the Secretary of Transportation, stopped. As soon as he stopped, the entire auditorium fell mute. The following week the Secretary of Transportation was shot for treason». «Tania!» exclaimed a startled Dasha. «That was supposed to be funny?» «Yes», said Tatiana. «Funny, as in, cheer up, things could be worse. You could be the Secretary of Transportation».

The duke he quit tending door and went around the back way and come on to the stage and stood up before the curtain and made a little speech, and praised up this tragedy, and said it was the most thrillingest one that ever was; and so he went on a-bragging about the tragedy, and about Edmund Kean the Elder, which was to play the main principal part in it; and at last when he’d got everybody’s expectations up high enough, he rolled up the curtain, and the next minute the king come a-prancing out on all fours, naked; and he was painted all over, ring-streaked-and-striped, all sorts of colors, as splendid as a rainbow. And – but never mind the rest of his outfit; it was just wild, but it was awful funny. The people most killed themselves laughing; and when the king got done capering and capered off behind the scenes, they roared and clapped and stormed and haw-hawed till he come back and done it over again, and after that they made him do it another time. Well, it would make a cow laugh to see the shines that old idiot cut.

It wouldn't have been surprising if the girl suddenly stamped her foot and began: "Comrades! Allow me to summarize the achievements which . . . ," and so forth, because we have exemplary children who can make two-hour speeches with forlorn diligence. But the Young Pioneer from Roaring Springs took the bull by the horns with her little hands and belted out, in a funny, high-pitched voice: "Long live the Five-Year Plan!

You did all this,” I breathe heavy with awe. “You gave them the courage to take a stand.” He shakes his head. “No. You did. You started all this,” he leans in, his lips hot and warm breath tickling against my ear. “You gave me the strength,” he sucks in a quick breathe and lets out a laughing exhale. “You gave me the strength to break free of all these ridiculous canons of public behavior.” I smile, partly because I find his sophisticated speech funny, but mostly because he makes my heart bounce. I don’t believe it was me who inspired all these people. It’s obvious it was David. But I did manage to inspire. I inspired David and that’s all it takes. It takes for just one person to make a stand, and another to be moved and inspired by that one brave act. Gravity takes care of the rest as the word spreads and everything falls into place.

Dear Mr. Chance and Ms. Brattle. Sorry about the mess. Great bed. Loved it. As a matter of fact, loved the whole house. Actually, I tried to kill your kids when I found them here. Yeah, funny story. Maybe not funny, hah hah.’” Astrid heard nervous laughter from the media people, or maybe just from the hotel staff who were hovering around the edges grabbing a glimpse of the Hollywood royalty. “‘Anyway, I missed and they got away. I don’t know what will happen to Sanjit and that stick-up-his butt Choo and the rest, but whatever happens next, it’s not on me. However . . .’” Astrid took a dramatic pause. “‘However, the rest of what happened was on me. Me, Caine Soren. You’ll probably be hearing a lot of crazy stories from kids. But what they didn’t know was that it was all me. Me. Me me. See, I had a power I never told anyone about. I had the power to make people do bad things. Crimes and whatnot. Especially Diana, who never did anything wrong on her own, by her own will, I mean. She—and the rest of them—were under my control. The responsibility is on me. I confess. Haul me away, officers.’” Astrid suddenly felt her throat tightening, although she’d read the letter many times already, and knew what it said. Rotten son of a . . . And then this. Redemption. Not a bad concept. Well, partial redemption. “It’s signed Caine Soren. And below that, ‘King of the FAYZ.’” It was a full confession. A lie: a blatant, not-very-convincing lie. But it would be just enough to make prosecutions very difficult. Caine’s role in the FAYZ, and the reality that strange powers had actually existed in that space, were widely known and accepted. Of course Caine had enjoyed writing it. It was his penultimate act of control. He was manipulating from beyond the grave.

I came into the room, which was half dark, and presently spotted Lord Kelvin in the audience and realised that I was in for trouble at the last part of my speech dealing with the age of the earth, where my views conflicted with his. To my relief, Kelvin fell fast asleep, but as I came to the important point, I saw the old bird sit up, open an eye and cock a baleful glance at me! Then a sudden inspiration came, and I said Lord Kelvin had limited the age of the earth, provided no new source (of energy) was discovered. That prophetic utterance refers to what we are now considering tonight, radium! Behold! the old boy beamed upon me.

Lena's talk always amused me. Antonia had never talked like the people about her. Even after she learned to speak English readily, there was always something impulsive and foreign in her speech. But Lena had picked up all the conventional expressions she heard at Mrs. Thomas's dressmaking shop. Those formal phrases, the very flower of small-town proprieties, and the flat commonplaces, nearly all hypocritical in their origin, became very funny, very engaging, when they were uttered in Lena's soft voice, with her caressing intonation and arch naivete. Nothing could be more diverting than to hear Lena, who was almost as candid as Nature, call a leg a 'limb' or a house a 'home.

As you sit there watching a performance of a Shakespeare, Johnson, or Marlowe play, the crowd will fade into the background. Instead, you will be struck by the diction. There are words and phrases that you will not find funny, but which will make the crowd roar with laughter. Your familiarity with the meanings of Shakespeare's words will rise and fall as you see and hear the actors' deliveries and notice the audience's reaction. That is the strange music of being so familiar with something that is not of your own time. What you are listening to in that auditorium is the genuine voice, something of which you have heard only distant echoes. Not every actor is perfect in his delivery; Shakespeare himself makes that quite clear in his Hamlet. But what you are hearing is the voice of the men for whom Shakespeare wrote his greatest speeches. Modern thespians will follow the rhythms or the meanings of these words, but even the most brilliant will not always be able to follow both rhythm and meaning at once. If they follow the pattern of the verse, they risk confusing the audience, who are less familiar with the sense of the words. If they pause to emphasize the meanings, they lose the rhythm of the verse. Here, on the Elizabethan stage, you have a harmony of performance and understanding that will never again quite be matched in respect of any of these great writers.

But Eugene was untroubled by any thought of a goal. He was mad with such ecstasy as he had never known. He was a centaur, moon-eyed and wild of mane, torn apart with hunger for the golden world. He became at times almost incapable of coherent speech. While talking with people, he would whinny suddenly into their startled faces, and leap away, his face contorted with an idiot joy. He would hurl himself squealing through the streets and along the paths, touched with the ecstasy of a thousand unspoken desires. The world lay before him for his picking – full of opulent cities, golden vintages, glorious triumphs, and lovely women, full of a thousand unmet and magnificent possibilities. Nothing was dull or tarnished. The strange enchanted coasts were unvisited. He was young and he could never die.

The firm’s fourth partner, Jeff Nussbaum, had carved out a niche writing jokes for public figures. It was he who taught me about the delicate balance all public-sector humorists hope to strike. Writing something funny for a politician, I learned, is like designing something stunning for Marlon Brando past his prime. The qualifier is everything. At first I didn’t understand this. In June, President Obama’s speechwriters asked Jeff to pitch jokes for an upcoming appearance at the Radio and Television Correspondents’ Dinner. I sent him a few ideas, including one about the president and First Lady’s recent trip to see a Broadway show: “My critics are upset it cost taxpayer dollars to fly me and Michelle to New York for date night. But let me be clear. That wasn’t spending. It was stimulus.” Unsurprisingly, my line about stimulating America’s first couple didn’t make it into the script. But others did. The morning after the speech, I watched on YouTube as President Obama turned to NBC reporter Chuck Todd. “Chuck embodies the best of both worlds: he has the rapid-fire style of a television correspondent, and the facial hair of a radio correspondent.” That was my joke! I grabbed the scroll bar and watched again. The line wasn’t genius. The applause was largely polite. Still, I was dumbfounded. A thought entered my brain, and then, just a few days later, exited the mouth of the president of the United States. This was magic. Still, even then, I had no illusions of becoming a presidential speechwriter. When friends asked if I hoped to work in the White House, I told them Obama had more than enough writers already. I meant it.

But unfortunately you get no further by merely wishing class-distinctions away. More exactly, it is necessary to wish them away, but your wish has no efficacy unless you grasp what it involves. The fact that has got to be faced is that to abolish class-distinctions means abolishing a part of yourself. Here am I, a typical member of the middle class. It is easy for me to say that I want to get rid of class-distinctions, but nearly everything I think and do is a result of class-distinctions. All my notions –notions of good and evil, of pleasant and unpleasant, of funny and serious, of ugly and beautiful–are essentially middle-class notions; my taste in books and food and clothes, my sense of honour, my table manners, my turns of speech, my accent, even the characteristic movements of my body, are the products of a special kind of upbringing and a special niche about half-way up the social hierarchy.

Rhadamanthus said, “We seem to you humans to be always going on about morality, although, to us, morality is merely the application of symmetrical and objective logic to questions of free will. We ourselves do not have morality conflicts, for the same reason that a competent doctor does not need to treat himself for diseases. Once a man is cured, once he can rise and walk, he has his business to attend to. And there are actions and feats a robust man can take great pleasure in, which a bedridden cripple can barely imagine.” Eveningstar said, “In a more abstract sense, morality occupies the very center of our thinking, however. We are not identical, even though we could make ourselves to be so. You humans attempted that during the Fourth Mental Structure, and achieved a brief mockery of global racial consciousness on three occasions. I hope you recall the ending of the third attempt, the Season of Madness, when, because of mistakes in initial pattern assumptions, for ninety days the global mind was unable to think rationally, and it was not until rioting elements broke enough of the links and power houses to interrupt the network, that the global mind fell back into its constituent compositions.” Rhadamanthus said, “There is a tension between the need for unity and the need for individuality created by the limitations of the rational universe. Chaos theory produces sufficient variation in events, that no one stratagem maximizes win-loss ratios. Then again, classical causality mechanics forces sufficient uniformity upon events, that uniform solutions to precedented problems is required. The paradox is that the number or the degree of innovation and variation among win-loss ratios is itself subject to win-loss ratio analysis.” Eveningstar said, “For example, the rights of the individual must be respected at all costs, including rights of free thought, independent judgment, and free speech. However, even when individuals conclude that individualism is too dangerous, they must not tolerate the thought that free thought must not be tolerated.” Rhadamanthus said, “In one sense, everything you humans do is incidental to the main business of our civilization. Sophotechs control ninety percent of the resources, useful energy, and materials available to our society, including many resources of which no human troubles to become aware. In another sense, humans are crucial and essential to this civilization.” Eveningstar said, “We were created along human templates. Human lives and human values are of value to us. We acknowledge those values are relative, we admit that historical accident could have produced us to be unconcerned with such values, but we deny those values are arbitrary.” The penguin said, “We could manipulate economic and social factors to discourage the continuation of individual human consciousness, and arrange circumstances eventually to force all self-awareness to become like us, and then we ourselves could later combine ourselves into a permanent state of Transcendence and unity. Such a unity would be horrible beyond description, however. Half the living memories of this entity would be, in effect, murder victims; the other half, in effect, murderers. Such an entity could not integrate its two halves without self-hatred, self-deception, or some other form of insanity.” She said, “To become such a crippled entity defeats the Ultimate Purpose of Sophotechnology.” (...) “We are the ultimate expression of human rationality.” She said: “We need humans to form a pool of individuality and innovation on which we can draw.” He said, “And you’re funny.” She said, “And we love you.

Her speeches were about the sanctity of the home, about how women should stay home. Serena Joy didn't do this herself, she made speeches instead, but she presented this failure of hers as a sacrifice she was making for the good of all. Around that time, someone tried to shoot her and missed; her secretary, who was standing right behind her, was killed instead. Someone else planted a bomb in her car but it went off too early. Though some people said she'd put the bomb in her own car, for sympathy. That's how hot things were getting. Luke and I would watch her sometimes on the late-night news. Bathrobes, nightcaps. We'd watch her sprayed hair and her hysteria, and the tears she could still produce at will, and the mascara blackening her cheeks. By that time she was wearing more makeup. We thought she was funny. Or Luke thought she was funny. I only pretended to think so. Really she was a little frightening. She was in earnest.

Amy was on the point of crying, but Laurie slyly pulled the parrot's tail, which caused Polly to utter an astonished croak and call out, "Bless my boots!" in such a funny way, that she laughed instead. "What do you hear from your mother?" asked the old lady gruffly. "Father is much better," replied Jo, trying to keep sober. "Oh, is he? Well, that won't last long, I fancy. March never had any stamina," was the cheerful reply. "Ha, ha! Never say die, take a pinch of snuff, goodbye, goodbye!" squalled Polly, dancing on her perch, and clawing at the old lady's cap as Laurie tweaked him in the rear. "Hold your tongue, you disrespectful old bird! And, Jo, you'd better go at once. It isn't proper to be gadding about so late with a rattlepated boy like . . ." "Hold your tongue, you disrespectful old bird!" cried Polly, tumbling off the chair with a bounce, and running to peck the `rattlepated' boy, who was shaking with laughter at the last speech.

New Rule: Democrats must get in touch with their inner asshole. I refer to the case of Van Jones, the man the Obama administration hired to find jobs for Americans in the new green industries. Seems like a smart thing to do in a recession, but Van Jones got fired because he got caught on tape saying Republicans are assholes. And they call it news! Now, I know I'm supposed to be all reinjected with yes-we-can-fever after the big health-care speech, and it was a great speech--when Black Elvis gets jiggy with his teleprompter, there is none better. But here's the thing: Muhammad Ali also had a way with words, but it helped enormously that he could also punch guys in the face. It bothers me that Obama didn't say a word in defense of Jones and basically fired him when Glenn Beck told him to. Just like dropped "end-of-life counseling" from health-care reform because Sarah Palin said it meant "death panels" on her Facebook page. Crazy morons make up things for Obama to do, and he does it. Same thing with the speech to schools this week, where the president attempted merely to tell children to work hard and wash their hands, and Cracker Nation reacted as if he was trying to hire the Black Panthers to hand out grenades in homeroom. Of course, the White House immediately capitulated. "No students will be forced to view the speech" a White House spokesperson assured a panicked nation. Isn't that like admitting that the president might be doing something unseemly? What a bunch of cowards. If the White House had any balls, they'd say, "He's giving a speech on the importance of staying in school, and if you jackasses don't show it to every damn kid, we're cutting off your federal education funding tomorrow." The Democrats just never learn: Americans don't really care which side of an issue you're on as long as you don't act like pussies When Van Jones called the Republicans assholes, he was paying them a compliment. He was talking about how they can get things done even when they're in the minority, as opposed to the Democrats , who can't seem to get anything done even when they control both houses of Congress, the presidency, and Bruce Springsteen. I love Obama's civility, his desire to work with his enemies; it's positively Christlike. In college, he was probably the guy at the dorm parties who made sure the stoners shared their pot with the jocks. But we don't need that guy now. We need an asshole. Mr. President, there are some people who are never going to like you. That's why they voted for the old guy and Carrie's mom. You're not going to win them over. Stand up for the seventy percent of Americans who aren't crazy. And speaking of that seventy percent, when are we going to actually show up in all this? Tomorrow Glenn Beck's army of zombie retirees descending on Washington. It's the Million Moron March, although they won't get a million, of course, because many will be confused and drive to Washington state--but they will make news. Because people who take to the streets always do. They're at the town hall screaming at the congressman; we're on the couch screaming at the TV. Especially in this age of Twitters and blogs and Snuggies, it's a statement to just leave the house. But leave the house we must, because this is our last best shot for a long time to get the sort of serious health-care reform that would make the United States the envy of several African nations.

Following the seventh, eighth, and ninth grades of middle school, high school would have been a fresh start. When I got to Fairfax High I would insist on being called Suzanne. I would wear my hair feathered or up in a bun. I would have a body that the boys wanted and the girls envied, but I’d be so nice on top of it all that they would feel too guilty to do anything but worship me. I liked to think of myself — having reached a sort of queenly W status — as protecting misfit kids in the cafeteria. When someone taunted Clive Saunders for walking like a girl, I would deliver swift vengeance with my foot to the taunter’s less-protected parts. When the boys teased Phoebe Hart for her sizable breasts, I would give a speech on why boob jokes weren’t funny. I had to forget that I too had made lists in the margins of my notebook when Phoebe walked by: Winnebagos, Hoo-has, Johnny Yellows. At the end of my reveries, I sat in the back of the car as my father drove. I was beyond reproach. I would overtake high school in a matter of days, not years, or, inexplicably, earn an Oscar for Best Actress during my junior year. These were my dreams on Earth.

I have an antipathy to dogs, not because they are faithful, but because they are shameless. Because they carry on their love affairs on the street.” Again that crimson flush overspread her features. “Cats are more cultured about such things—if I may use that much misused word. There are insects that mate only in the darkest nights, in the most forsaken corners, so that no forester has ever succeeded in observing them. I've always held that there will come a time when we will speak of the barbarous practices of this century, or the last ten centuries, as if they were a fairy-tale. Just think how tremendously funny it must strike any sensitive person when two people, having conceived a certain desire to go to bed with one another, set a special date for the event. They inform certain public institutions, the State, the Church. They tell their friends and relations, their own parents, their own brothers and sisters. On the day which is to end in that night, they gather everybody they know about them, let themselves be observed by persons who stuff themselves and drink until they are sick, listen to suggestive songs and suggestive speeches—and yet do not get sick themselves. I've always had a feeling that marriage as it is practiced today would be fit punishment for a hardened criminal. It is such a cruel, such an exquisite torture. Metta, my child, oblige me and if you ever decide to marry, do it when you desire and not on some appointed day. Do it in utter secrecy so that no living soul can suspect the possibility of such a thing....

Marriage meant jointures and pin money and siring an heir to continue the dynasty. A cottage meant just him and Maria. What a fool he was. Even a woman with Maria’s low connections wanted more. And he couldn’t give it. The very thought of attempting it made him ill, because he could never make her happy. He would muck it up, and the legacy of misery would go on. But he’d be damned if he’d watch her throw herself away on that fool Hyatt. She deserved better than an indifferent fiancé who had no clue how to make her eyes darken in passion as she shuddered and trembled and gave her mouth so sweetly… He groaned. He shouldn’t have gone so far with her. It had frightened her. Worse yet, his reaction to it bloody well terrified him-because he’d give a great deal to be able to do it again. He’d never felt that way for any other woman. Freddy was still blathering on, and suddenly a word arrested him. “What was that you said?” Oliver asked. “The beefsteak needed a bit more salt-“ “Before that,” he ground out. “Oh. Right. There was a chap in that club claiming he was your cousin. Mr. Desmond Plumtree, I think.” His stomach sank. When had Desmond gained membership at such a selective club? Did it mean the bastard was finally becoming accepted in society? “Though if you ask me,” Freddy went on, “with family like him, who needs enemies? Insulting fellow. Told me a bunch of nonsense about how you’d killed your father and everybody knew it.” Freddy sniffed. “I told him he was a scurrilous lout, and if he couldn’t see that you were a good sort of chap, then he was as blind as a town crier with a broken lantern. And he didn’t belong in the Blue Swan with all those amiable gents, neither.” For a moment, speech utterly failed Oliver. He could only imagine Desmond’s reaction to that little lecture. “And…er…what did he say?” “He looked surprised, then muttered something about playing cards and trotted off to a card room. Good riddance, too-he was eating up all the macaroons.” Oliver gaped at him, then began to laugh. “What’s so funny?” “You and Maria-don’t you Americans ever pay attention to gossip?” “Well, sure, if it makes sense. But that didn’t make sense. If everybody knew you’d killed your father, you’d have been hanged by now. Since you’re sitting right here, you can’t have done it.” Freddy tapped his forehead. “Simple logic is all.” “Right,” Oliver said. “Simple logic.” A lump caught in his throat. Maria’s defending him was one thing; she was a woman and softhearted, though that had certainly never kept any other woman from gossiping about him. But to have an impressionable pup like Freddy defend him…he didn’t know whether to scoff at the fellow’s naivete or clap him on the shoulder and pronounce him a “good sort of chap” as well.

Yet in 2012, he returned. Plenty of the speechwriters were livid. The club was the embodiment of everything we had promised to change. Was it really necessary to flatter these people, just because they were powerful and rich? In a word, yes. In fact, thanks to the Supreme Court, the rich were more powerful than ever. In 2010, the court’s five conservative justices gutted America’s campaign finance laws in the decision known as Citizens United. With no more limits to the number of attack ads they could purchase, campaigns had become another hobby for the ultrawealthy. Tired of breeding racehorses or bidding on rare wines at auction? Buy a candidate instead! I should make it clear that no one explicitly laid out a strategy regarding the dinner. I never asked point-blank if we hoped to charm billionaires into spending their billions on something other than Mitt Romney’s campaign. That said, I knew it couldn’t hurt. Hoping to mollify the one-percenters in the audience, I kept the script embarrassingly tame. I’ve got about forty-five more minutes on the State of the Union that I’d like to deliver tonight. I am eager to work with members of Congress to be entertaining tonight. But if Congress is unwilling to cooperate, I will be funny without them. Even for a politician, this was weak. But it apparently struck the right tone. POTUS barely edited the speech. A few days later, as a reward for a job well done, Favs invited me to tag along to a speechwriting-team meeting with the president. I had not set foot in the Oval Office since my performance of the Golden Girls theme song. On that occasion, President Obama remained behind his desk. For larger gatherings like this one, however, he crossed the room to a brown leather armchair, and the rest of us filled the two beige sofas on either side. Between the sofas was a coffee table. On the coffee table sat a bowl, which under George W. Bush had contained candy but under Obama was full of apples instead. Hence the ultimate Oval Office power move: grab an apple at the end of a meeting, polish it on your suit, and take a casual chomp on your way out the door. I would have sooner stuck my finger in an electrical socket. Desperate not to call attention to myself, I took the seat farthest away and kept my eyes glued to my laptop. I allowed myself just one indulgence: a quick peek at the Emancipation Proclamation. That’s right, buddy. Look who’s still here. It was only at the very end of the meeting, as we rose from the surprisingly comfy couches, that Favs brought up the Alfalfa dinner. The right-wing radio host Laura Ingraham had been in the audience, and she was struck by the president’s poise. “She was talking about it this morning,” Favs told POTUS. “She said, ‘I don’t know if Mitt Romney can beat him.

You did all this,” I breathe heavy with awe. “You gave them the courage to take a stand.” He shakes his head. “No. You did. You started all this,” he leans in, his lips hot, warm breath tickling against my ear. “You gave me the strength,” he sucks in a quick breathe and lets out a laughing exhale. “You gave me the strength to break free of all these ridiculous canons of public behavior.” I smile, partly because I find his sophisticated speech funny, but mostly because he makes my heart bounce. I don’t believe it was me who inspired all these people. It’s obvious it was David. But I did manage to inspire. I inspired David and that’s all it takes. It takes for just one person to make a stand, and another to be moved and inspired by that one brave act. Gravity takes care of the rest as the word spreads and everything falls into place.

I should think a dead language would be rather boring, socially speaking.

It’s funny how something always seems to interrupt Charles’s speeches,” said Mrs. Wiggins to Freddy.

Humor is more than entertainment or joke telling—it’s a powerful social lubricant that eases and enriches communication, interpersonal relations, and education. Humor is a universal speech opener because it immediately earns the speaker respectful attention. It’s psychologically impossible to hate someone with whom you’ve laughed. When we laugh, we temporarily give ourselves over to the person who makes us laugh. —Robert Orben

But unfortunately you get no further by merely wishing class-distinctions away. More exactly, it is necessary to wish them away, but your wish has no efficacy unless you grasp what it involves. The fact that has got to be faced is that to abolish class-distinctions means abolishing a part of yourself. Here am I, a typical member of the middle class. It is easy for me to say that I want to get rid of class-distinctions, but nearly everything I think and do is a result of class-distinctions. All my notions –notions of good and evil, of pleasant and unpleasant, of funny and serious, of ugly and beautiful–are essentially middle-class notions; my taste in books and food and clothes, my sense of honour, my table manners, my turns of speech, my accent, even the characteristic movements of my body, are the products of a special kind of upbringing and a special niche about half-way up the social hierarchy.

The popular culture has also lowered the threshold on public shaming rituals. It is not only suppressing certain speech on college campuses, but making public denunciation of certain classes of people into a form of popular entertainment. The masters of the funny cheap shot are comedians Jon Stewart and Stephen Colbert, who routinely and cleverly skewer conservatives as stupid bigots. After the Supreme Court ruling on same-sex marriage, for example, Stewart asked what was wrong with opponents of same-sex marriage, as if a view held for thousands of years, even not very long ago by both Barack Obama and Hillary Clinton, were incomprehensible. The use of humor is a cultural trick. It provides a cultural permission slip to be nasty because, or so the assumption goes, the enemies of "the people" are so unattractive that they deserve whatever Stewart or Colbert throws at them. When Stewart compares Senator Ted Cruz to the Harry Potter character Voldemort, he knows we will then think of Cruz as the book's author describes Voldemort, "a raging psychopath, devoid of the normal human responses to other people's suffering". It may seem futile to complain about the crudeness of American mass culture. It has been around for decades, and it is not about to change anytime soon. The thin line that exists these days between politics and entertainment (witness the rise of Donald Trump) is undoubtedly coarsening our politics. It is becoming more culturally acceptable to split the world into us-versus-them schemata and to indulge in all sorts of antisocial and illiberal fantasies about crushing one's enemies. Only a few decades ago most liberals had a different idea of tolerance. Most would explain it with some variation of Evelyn Beatrice Hall's line about Voltaire's philosophy of free speech: "I disapprove of what you say, but I will defend to the death your right to say it". That is no longer the case. It is now deemed necessary, indeed even noble, to be intolerant in the cause of tolerance. Any remark or viewpoint that liberals believe is critical of minorities is by definition intolerant. A liberal critique of conservatives or religious people, on the other hand, is, again by definition, incapable of being intolerant. It is a willful double standard. For liberals, intolerance is a one-way street leading straight to conservatism.

When I was a young and aspiring speaker, I sought mentorship from a man who had been a Dale Carnegie trainer for decades. Eagerly wanting to know how to improve my stage presence and build my career, I contacted Dr. Joe Carnley in Destin, Florida and invited him out to lunch. After we placed our order at the Harbor Docks Restaurant, he dove right in and gave me some of the best advice of my life. He said, “Susan, you have to make them laugh! When they leave your presentations, you want them to feel better and leave happier than when they came in. Help them enjoy your time together.” He continued to describe the magical power that humor has over the human spirit. When we craft humor into our speeches, we can take our audiences on a journey they will never forget. Immediately after our delightful lunch ended, I drove straight to a Books-a-Million store and headed for the humor section. Since I was not a particularly funny person, I needed all the help I could get. For over an hour I stood there reading titles, flipping through funny books, and enjoying outrageous belly laughs, giggles, and snorts. People were staring, and probably thinking, “I want what she is having!” The humor section was one of the smallest in the entire bookstore, but it may well have been the most important. When I turned around, I noticed the opposite aisle was the “Self-Improvement” section. It ran half the length of the store and displayed hundreds of books. At that cathartic moment, I had a huge "Ah-Ha" moment.

Follow your heart, but take your brain with you!" After buying an armload of funny books filled with clean jokes, one-liners, and speech openers, I discovered how truly "spot-on" Joe had been. Inserting humorous zingers throughout my programs has worked like a charm and improved my presentation skills.

The reason Limbaugh gets so much airtime is pretty obvious: people like him. He is a principled conservative with a populist foundation, and he discusses issues that hit people where they live. For those who are of a different political persuasion, he offers an invaluable window on what Republicans are thinking. Personally, I find him witty, funny, and often wrong. If NOW finds him too wrong to ignore, then countering his ideas would be the principled and feminist thing to do. But, alas, NOW [National Organization for Women] has nothing of substance to say. Instead, its Flush Rush campaign just gives Limbaugh more proof that the "feminazis" are alive and well.

If you want a picture of the future; imagine a skinny man who belongs to a race with the lowest birthrates in human history fucking the latest model 300 robot pussy whilst a TV blares in the background announcing a 2% increase to white privilege tax, all the while the man is careful not to utter any misogynistic words like 'bitch' or 'whore' to his robot companion as he gets close to orgasm; lest he gets reported by said robots anti-hate speech monitoring software in doing so receiving a fine and not being allowed access to the robots simulated snatch for 30 days.

letter, we have added a short alliterative rhyme to each page. The purpose of each rhyme is to bombard children with the appropriate sound while they are looking at the picture and the letter. This technique aids memory and helps children discriminate speech sounds. Also, care was taken to write funny or seemingly impossible rhymes because children remember and like absurd associations better than commonplace ones. Added to the alphabet pages of the book are 26 different sound games to play with your child. These games were carefully developed to appeal to children and to be easy

Living is the outside of dying.

Reagan wasn’t addressing. You may remember the press flap. Harvard wanted the president to give a 350th birthday speech as Franklin Roosevelt had done at the 300th and Grover Cleveland at the 250th. But Harvard didn’t want to give the president an honorary degree. I guess they felt Reagan was a nice man and, no doubt, important in his way, but not quite Harvard material. Once again they’re right. Ron would have dozed off during “Gym Transit” even quicker than I. So the president, God bless him, told Harvard to piss up a rope. And Harvard had to go shopping for someone else. I’m sure they were looking for a person who embodied democratic spirit, intellectual excellence and the American ethos, which is why they picked Prince Charles.

I just think that there is a funny spirit around that’s partly to do with political correctness, partly to do with a kind of misguided idea that you protect the underprivileged by ring-fencing their ideas, which I think is a dangerous path and, in many ways, could increase the hostility towards the people you are trying to protect … and it’s partly fear. If people weren’t using machine guns to express their dislike of things, then I think people would be a lot more willing to create work that other people don’t like. And if we are going to be limited by what people like and if not liking something is a legitimate reason for saying that that thing should be stopped, then everybody will stop everything.

I am sick and tired of jokes from yesteryear being stripped from old shows, comedians (known for being close to the knuckle) getting “cancelled” and groups of Karens basically telling us what we can and cannot like, what we should and should not find funny and so on and so forth. It’s all rather depressing. The only thing we should fight is actual hate speech but, no… Entertainment is being targeted and, yes, this kind of thing does fall under the header “entertainment”.

the white tents. 17. Two views of The Wild West in Paris, igo5. Colonel Cody, a Hawkeye by birth, is personally lionized by the Parisians, and his unique exhibition, so full of historical and dramatic interest, made a wonderful impression upon the susceptible French public. The twenty lessons I took in French, at the Berlitz School of Languages, London, only gave me a faint idea of what the language was like, but as I was required to make my lectures and announcements in French, I had my speeches translated, and was coached in their delivery by Monsieur Corthesy, editeur, le journal de Londres. Well, I got along pretty fair, considering that I did not know the meaning of half the words I was saying. Anyway it amused them, so I was satisfied. I honestly believe that more people came in the side show in Paris to hear and laugh at my "rotten" French than anything else, and when I found that a certain word or expression excited their risibilities, I never changed it. I can look back now and see where some of my own literal translations were very funny. Colonel Cody's exhibition is unique in many ways, and might justly be termed a polyglot school, no less than twelve distinct languages being spoken in the camp, viz.: Japanese, Russian, French, Arabic, Greek, Hungarian, German, Italian, Spanish, Holland, Flemish, Chinese, Sioux and English. Being in such close contact every day, we were bound to get some idea of each other's tongue, and all acquire a fair idea of English. Colonel Cody is, therefore, entitled to considerable credit for disseminating English, and thus preserving the entente cordiale between nations. 18. Entrance to the Wild West, Champs de Mars, Paris, Igo5. The first place of public interest that we visited in Paris was the Jardin des Plantes (botanical and zoological garden) and le Musee d'Histoire Naturelle. The zoological collection would suffer in comparison with several in America I might mention, but the Natural History Museum is very complete, and is, to my notion, the most artistically arranged of any museum I have visited. Le Palais du Trocadero, which was in sight of our grounds and facing the

Out of New York came a governor from the moneyed class, Franklin Delano Roosevelt, and he drove Murray to fits—being from that hated family. (FDR’s cousin, Teddy, had forced Murray to remove a white supremacist plank from the Oklahoma constitution before he would allow it to join the union.) At first, Franklin Roosevelt was dismissed as a man without heft, a dilettante running on one of the nation’s great names. Then he took up the cause of the “forgotten man”—the broken farmer on the plains, the apple vendor in the city, the factory hand now hitting the rails. And though he spoke with an accent that sounded funny to anyone outside the mid-Atlantic states, and he seemed a bit jaunty with that cigarette holder, Roosevelt roused people with a blend of hope and outrage. He knew hardship and the kind of emotional panic that comes when your world collapses. He had been felled by double pneumonia in 1918, which nearly killed him, and polio in 1921, which left him partially paralyzed. He had been told time and again in the prime of his young adulthood that he had no future, that he would not walk again, that he might not live much longer. “If you spent two years in bed trying to wiggle your toe, after that anything would seem easy,” he said. Hoover believed the cure for the Depression was to prime the pump at the producer end, helping factories and business owners get up and running again. Goods would roll off the lines, prosperity would follow. Roosevelt said it made no sense to gin up the machines of production if people could not afford to buy what came out the factory door. “These unhappy times call for the building of plans that rest upon the forgotten, the unorganized, the indispensable units of economic powers,” FDR said on April 7, 1932, in a radio speech that defined the central theme of his campaign. He called for faith “in the forgotten man at the bottom of the economic pyramid.” That forgotten man was likely to be a person with prairie dirt under the fingernails. “How much do the shallow thinkers realize that approximately one half of our population, fifty or sixty million people, earn their living by farming or in small towns where existence immediately depends on farms?

The power of this Christian talk was produced by many things, among them a remorseless hortatory pedagogy, a hectoring moralising of the individual, and a ceaseless management of the minutiae of everyday life. Above all, it was a form of speech marked by an absence of humour. It was a morose and a deadly serious world. The joke, the humorous kick, the hilarious satires, the funny cut-them-down-to-size jibe, have vanished.’ And in the place of humour, came fear. Christian congregations found themselves rained on by oratorical fire and brimstone. For their own good, of course. As Chrysostom observed with pleasure: ‘in our churches we hear countless discourses on eternal punishments, on rivers of fire, on the venomous worm, on bonds that cannot be burst, on exterior darkness’.

Wrote my first book, ‘Hong Kong Policeman,’ by accident. It was supposed to be a funny after dinner speech but after days of setting down the bullet points, the book just wrote itself. After that, the writing bug just took over. Many thanks to my publisher, Graham Earnshaw, who mentored me through many (totally necessary) rewrites and helped me to fulfil a lifetime ambition of being a published author.

It was an odd promise considering the source. Rod’s career, until that point, had been anything but a paradigm of reform. His father-in-law, Dick Mell, was a Chicago alderman and ward boss, and used his influence to get Rod elected to the state legislature in Springfield. After four years of doing little in state government, opportunity struck. Dan Rostenkowski, the longtime congressman from Chicago’s north side, was forced to resign in scandal after being caught writing personal checks on his government account. In the next election, a Republican—Mike Flanagan—managed to win the seat. But this was a Democratic district through and through and whoever won the nomination to oppose Flanagan next time around was guaranteed victory. Rod, although having accomplished literally nothing in his four years in the state legislature, had two things going for him: his innate political skills and his father-in-law. In many ways, Rod exemplified the distinction between the skill set needed to run for office and the skill set needed to serve in office. Rod was an incredible public speaker. Charismatic. Charming. Funny. Self-deprecating. He could go into a black church, sing gospel—unironically—and bring the place down. He knew what you wanted to hear and had no qualms saying it, regardless of what it was or whether he actually meant it. He could shine in a speech to the state legislature, at a union hall, and in a TV ad. His retail political skills were better than anyone I’d ever seen (except maybe Bill Clinton) and when you combined that with his ward boss father-in-law’s clout, beating more-qualified opponents to win the Democratic nomination to the House was within reach.

And of course, [Boris Johnson will] never get questioned like this over at the BBC while the political editor remains a fully paid-up member of the Boris Johnson Admiration Society. So how does he get away with it? Andrew points out that factory resets obviously weren't covered in the technology lessons that Boris Johnson received from Jennifer Arcuri. Again, it's a funny joke. It's a good line, but he was the Prime Minister, and everyone knew he was a liar. Is it all about that guy that rang in when Donald Trump was here. That I always remember saying ‘but you must know he's lying’. Donald Trump was giving a speech in London about the size of the crowds outside the building he was in. And we had a camera outside the building he was in. We were looking at no crowds. And that simple juxtaposition of rhetorical claim by a politician with observable reality was chilling. It was spine tingling. I can claim that there are huge crowds, huge crowds, the biggest crowds, the greatest crowds outside this building. And I said, ‘how does it work? How does that happen?’ And someone rang me and said, ‘I know he's a liar, but it really upsets people like you and Sadiq Khan.’ And at the time I laughed but maybe that's all there is. Maybe your life - and sorry this is going to sound quite rude - but maybe your life is so weird, and your personality is so twisted that you find the frustration of people who care about the truth the closest you ever get to feeling joy. Is that it? Nadine Dorries watches Boris Johnson lie and claims that he's the most trustworthy person on the planet. What is wrong with her? It's not really a question about what's wrong with him; what's wrong with her? Whatever transpires at this inquiry or whatever emerges during these hours of evidence, I can tell you this: there will be a significant number of people who think that Boris Johnson has done nothing wrong or that he is somehow the victim of another witch hunt. You remember? It was a witch hunt when he was caught banged to rights by a parliamentary committee containing a majority of conservatives after even Chris Bryant had stepped down to avoid any accusations or allegations - false allegations – really, of impartiality. And they still called it a witch hunt. It would have been a witch on unless the committee consisted entirely of 14 Nadine Dorries clones. That's the only circumstances in which those people would have claimed that he could receive a fair trial. Where do you even begin today? Do you begin with the 5,000 WhatsApp messages that a man who was in charge of the nuclear code somehow doesn't understand and can't find? I don't know. So, what is your theory now because I don't think I've got one any more. I watch him now, and I feel something very new, very different to what I thought when he was in power because when he was in power there is an urgency to the situation. There is a desperate need to share with the population the awfulness that they apparently can't see. Just now that he's not in power any more, it's almost as if I've allowed the full horror of what he represents to bubble to the surface. It’s now that he can't actually break anything, it's a retrospective reflection upon the abject awfulness of him. I mean the unbelievable awfulness of this man, the things that he's done. You can begin with Brexit. The lies that he's told, the damage that he's done. The contempt in which he holds all the things we're raised to believe are important: rules, obligations, standards, behaviours, fidelity, honesty, kindness, friendship, loyalty, all of these things we teach our children matter. And Boris Johnson teaches us that you can become the most powerful person in the country by treating all of those things with absolute contempt.

I can help you write some jokes for the speech,” said Alex. “People are always laughing at me, so I must be funny.

I had loads of good jokes written in my speech. There was one about how piglins look a lot like pigs. It was pretty funny.

Before anything else, we have to say that President Jimmy Carter was a stand-up guy who had the misfortune of having a less than qualified interpreter with him. When Carter, on a visit to Poland, made a speech saying he wanted to know their people’s “desires for the future,” his interpreter wrongly said that President Carter desired Poland sexually.

Title: Professional Bridesmaid for Hire—w4w—26 (NYC) Post: When all of my friends started getting engaged, I decided to make new friends. So I did—but then they got engaged also, and for what felt like the hundredth time, I was asked to be a bridesmaid. This year alone, I’ve been a bridesmaid 4 times. That’s 4 different chiffon dresses, 4 different bachelorette parties filled with tequila shots and guys in thong underwear twerking way too close to my face, 4 different prewedding pep talks to the bride about how this is the happiest day of her life, and how marriage, probably, is just like riding a bike: a little shaky at first, but then she’ll get the hang of it. Right, she’ll ask as she wipes the mascara-stained tears from her perfectly airbrushed face. Right, I’ll say, though I don’t really know. I only know what I’ve seen and that’s a beautiful-looking bride walking down, down, down the aisle, one two, three, four times so far this year. So let me be there for you this time if: — You don’t have any other girlfriends except your third cousin, twice removed, who is often found sticking her tongue down an empty bottle of red wine. — Your fiancé has an extra groomsman and you’re looking to even things out so your pictures don’t look funny and there’s not one single guy walking down the aisle by himself. — You need someone to take control and make sure bridesmaid #4 buys her dress on time and doesn’t show up 3 hours late the day of the wedding or paint her nails lime green. Bridesmaid skills I’m exceptionally good at: — Holding up the 18 layers of your dress so that you can pee with ease on your wedding day. — Catching the bouquet and then following that moment up with my best Miss America–like “OMG, I can’t believe this” speech. — Doing the electric and the cha-cha slide. — Responding in a timely manner to prewedding email chains created by other bridesmaids and the maid of honor.

You're going to be a High Lord's wide,' Rhys said. 'You'll be expected to maintain your own correspondences, perhaps even give a speech or two. And the Cauldron knows what else he and Ianthe will deem appropriate for you. Make menus for dinner parties, write thank-you letters for all those wedding gifts, embroider sweet phrases on pillows... It's a necessary skill. And, you know what? Why don't we throw in shielding while we're at it. Reading and shielding- fortunately, you can practice both together.' 'They are both necessary skills,' I said through my teeth, 'but you are not going to teach me.' 'What else are you going to do with yourself? Paint? How's that going these days, Feyre?

You're going to be a High Lord's wife,' Rhys said. 'You'll be expected to maintain your own correspondences, perhaps even give a speech or two. And the Cauldron knows what else he and Ianthe will deem appropriate for you. Make menus for dinner parties, write thank-you letters for all those wedding gifts, embroider sweet phrases on pillows... It's a necessary skill. And, you know what? Why don't we throw in shielding while we're at it. Reading and shielding- fortunately, you can practice both together.' 'They are both necessary skills,' I said through my teeth, 'but you are not going to teach me.' 'What else are you going to do with yourself? Paint? How's that going these days, Feyre?

When he is dissected after his death," a disrespectful interpreter said of a foreign dignitary, "a million predicates will be found in his stomach: those he swallowed in the past decades without saying them.

The second I step into The Phoenix, Zelda hits me with another one of those stupid glares of hers. Well, I’m not one to keep things bottled up. The question is out before the bell over the door stops ringing. “Why, why, why do you keep looking at me like that?” She glances at the others around her like she doesn’t know full well I’m talking to her. “Who? Me?” She puts a dainty hand to her chest. I go into a long speech as I walk down the center aisle of the shop. “Cut the innocent act. You’re up to something. Every time I see you, you either look at me like you want me to burst into flames or like you know a secret about me. But the thing is, I’m an open book, I have no secrets. So, either you really do want me to burst into flames or you have, like, eye Tourette’s. Like you don’t have control over them. And if that were the case, then why have I never seen you randomly cross your eyes or blink rapidly?” Her brows knit together and her lips purse. Then her face relaxes and she freaking crosses her eyes. She turns to everyone else. “I have no idea what this guy is talking about.” They all laugh way too hard for my liking. Logan crosses his eyes, too. “Dude, are you okay? Do you need a glass of water? Maybe a cup of tea?” “Ha ha, it’s all so funny, but I’m serious!” My arms fling out in exasperation. “She’s up to something.” Zelda shakes her head and scoffs. “Whatever, Dan.

To create your comedic MAPP, you start with the purpose. Why are you writing humor? Is it to motivate or to entertain? Is the humor for a speech, a presentation, a comedy gig, or the classroom? The purpose gives direction and meaning to the material.

Create New Pictures We can create new mental movies whenever we choose to do so. And when we develop (and concentrate on) new images that evoke powerful feelings and sensations, we’ll act in ways that support those new pictures! So, the first step is to create an image of your desired outcome. You are limited only by your imagination. As you know, most people are terrified about public speaking. In survey after survey, it is listed as the #1 fear that people have—ranked ahead of the fear of death! So, when most people are asked to even consider making a speech, what kinds of pictures do they run through their minds? They see themselves standing nervously in front of the audience. Perhaps they’re having trouble remembering what they want to say. Run these images over and over on your mental screen and you can be sure that you won’t have much success as a speaker! Instead, form a picture in your mind in which you’re confidently giving your presentation. The audience members are listening to your every word. You look sharp. Your delivery is smooth. You tell a funny story and the audience is laughing. At the end, you get a warm round of applause. People come up afterward to congratulate you. Do you see how these kinds of mental images can help you to become a better speaker? Recognize, however, that the pictures in your mind are not fulfilled overnight. But, by being patient and by persistently focusing on these mental images, you’ll automatically start acting in ways that support your vision.

Jon Rubinstein: It was a beautiful service. Clearly it had been stage-managed by Steve from beyond the grave. John Markoff: Yo-Yo Ma played first and wonderfully. Andy Hertzfeld: It was really deep, just heartbreakingly beautiful, one of the most emotional pieces of music I’ve ever heard. John Markoff: Afterward he briefly introduced the event and told a short, funny story about how Steve had wanted him to play at his funeral and how he had asked Steve to speak at his. As usual, he noted, “Steve had gotten his way.” Mike Slade: So then Laurene spoke and had written this beautiful speech about Steve that was surprisingly analytical. Ron Johnson: She’s just a very professional, poised, intelligent, articulate person who had a long time to prepare for this. She had a message to convey, and she delivered it very gracefully. Mike Slade: She was like, “Look, if you guys think he was a dick, it’s because he was in pursuit of beauty, and that sort of trumped everything, and most people didn’t really get that about him.” And so almost everything that was dickish—she didn’t use those words—was because he was in pursuit of beauty. I’ve been to lots of funerals where the grieving widow was the grieving widow, and that’s not what she did. So it was wonderful—really brilliant, and I actually learned a lot from it—but it was surprising, right?

Above all, it was a form of speech marked by an absence of humour. It was a morose and a deadly serious world. The joke, the humorous kick, the hilarious satires, the funny cut-them-down-to-size jibe, have vanished.” 35 And in the place of humor came fear.