Spectator Club Quotes

Sometimes I feel that I am destined always to be offstage whenever the main action occurs. That God has made me the victim of some cosmic practical joke, by assigning me little more than a walk-on part in my own life. Or sometimes I feel that my role is simply to be a spectator to other people's stories, and always to wander away at the most important moment, drifiting into the kitchen to make a cup of tea just as the denouement unfolds.

Hephaestus wishes he had a bailiff who could club this unruly spectator on the head. But that's probably not what bailiffs are supposed to do.

Although sledging was not considered gentlemanly at the time and seemed, temporarily perhaps, to die out after WG’s retirement from first class cricket in 1908, there had always been an undercurrent of hostility between the English and Australian players. Lord Harris’s 1878-79 tour to Australia set the trend for many of the ill-tempered Ashes clashes to follow, although the urn itself was not at stake. The home side hammered the English in the first Test in Melbourne, with the tourists’ captain so disappointed in his own performance that he hurled his bat across the pavilion. The bad feelings rolled over to the Sydney Test, and when Australian umpire George Coulthard adjudged local hero Billy Murdoch run out, two thousand spectators invaded the pitch and began attacking the English players. Lord Harris was beaten with a whip, Albert Hornby had his shirt ripped off and six English players were forced to defend themselves with stumps. In retaliation, many English clubs refused to play the touring Australians when they visited the following year.

In the world of greatness, never be a spectator; become a noble contributor. Seek new opportunities, work on your novel ideas and maximize your potential, then watch the story of your life become spectacular.

In the world of greatness, never be a spectator, become a noble contributor. Seek new opportunities, work on your novel ideas and maximize your potential, then watch the story of your life become spectacular.

Then it occurred to me that I could walk outside and contrive to take a spill, or squeeze out the window on the rear staircase on HmH and fall several meters to the steep embankment below, being sure to land on the bad ankle and hurt it, so I’d not have to play. That I could carefully plan out a fall from the courts’ observation transom or the spectators’ gallery of whatever club C.T. and the Moms sent us to to help raise funds, and fall so carefully badly I’d take out all the ankle’s ligaments and never play again. Never have to, never get to. I could be the faultless victim of a freak accident and be knocked from the game while still on the ascendant. Becoming the object of compassionate sorrow rather than disappointed sorrow. 

I couldn’t stay with this fantastic line of thought long enough to parse out whose disappointment I was willing to cripple myself to avoid (or forgo).

Then it occurred to me that I could walk outside and contrive to take a spill, or squeeze out the window on the rear staircase oh HmH and fall several meters to the steep embankment below, being sure to land on the bad ankle and hurt it, so I’d not have to play. That I could carefully plan out a fall from the courts’ observation transom or the spectators’ gallery of whatever club C.T. and the Moms sent us to to help raise funds, and fall so carefully badly I’d take out all the ankle’s ligaments and never play again. Never have to, never get to. I could be the faultless victim of a freak accident and be knocked from the game while still on the ascendant. Becoming the object of compassionate sorrow rather than disappointed sorrow. I couldn’t stay with this fantastic line of thought long enough to parse out whose disappointment I was willing to cripple myself to avoid (or forgo).

Then it occurred to me that I could walk outside and contrive to take a spill, or squeeze out the window on the rear staircase oh HmH and fall several meters to the steep embankment below, being sure to land on the bad ankle and hurt it, so I’d not have to play. That I could carefully plan out a fall from the courts’ observation transom or the spectators’ gallery of whatever club C.T. and the Moms sent us to to help raise funds, and fall so carefully badly I’d take out all the ankle’s ligaments and never play again. Never have to, never get to. I could be the faultless victim of a freak accident and be knocked from the game while still on the ascendant. Becoming the object of compassionate sorrow rather than disappointed sorrow. 

I couldn’t stay with this fantastic line of thought long enough to parse out whose disappointment I was willing to cripple myself to avoid (or forgo).

May we not think of the two friends together in a College chamber, Addison of slender frame, with features wanting neither in dignity nor in refinement, Steele of robust make, with the radiant 'short face' of the 'Spectator', by right of which he claimed for that worthy his admission to the Ugly Club. Addison reads Dryden, in praise of whom he wrote his earliest known verse; or reads endeavours of his own, which his friend Steele warmly applauds. They dream together of the future; Addison sage, but speculative, and Steele practical, if rash. Each is disposed to find God in the ways of life, and both avoid that outward show of irreligion, which, after the recent Civil Wars, remains yet common in the country, as reaction from an ostentatious piety which laid on burdens of restraint; a natural reaction which had been intensified by the base influence of a profligate King. Addison, bred among the preachers, has a little of the preacher's abstract tone, when talk between the friends draws them at times into direct expression of the sacred sense of life which made them one.

Charlestown’s most characteristic pastime had long been the reckless sport of “looping.” The young “looper” played by a rigid set of rules. First, he stole a car in downtown Boston. Then he roared into Charlestown, accelerating as he reached City Square, where the District 15 police station stood in a welter of bars, nightclubs, and pool halls. Often he had to take a turn around the square before the first policeman dashed for his patrol car or motorcycle. Then the chase was on: down Chelsea Street to Hayes Square, up the long slope of Bunker Hill Street to St. Francis de Sales’ Church at the crest, then down again, picking up speed, often to 70 or 80 miles per hour, until a screeching left into Sullivan Square took him onto Main Street, where, dodging the stanchions of the El, he roared into City Square again, completing the “loop.” All that remained was to ditch the car before the police caught up. Looping was an initiation rite, proof that a Townie had come of age. But it was something else as well: a challenge flung at authority, a middle finger raised to the powers that be. Before long, looping became a kind of civic spectacle, pitting the Town’s young heroes against the forces of law and order. Plans for a loop circulated well in advance. At the appointed hour, hundreds of men, women, and children gathered along Bunker Hill Street, awaiting the gladiators. When the stolen car came in sight, racing up the long hill, a cheer would rise from the spectators, followed by jeers for the pursuing policemen. The first recorded “loop” was performed in 1925 by a sixteen-year-old daredevil named Jimmy “Speed King” Murphy, but most renowned of all was “Shiner” Sheehan, the teenage son of a federal alcohol agent, whose exploits so electrified the Town that he drew round him a group of young acolytes. Membership in their “Speeders Club” was limited to those who could produce newspaper clippings showing they had bested the police.