Spec Quotes

We've searched our database for all the quotes and captions related to Spec. Here they are! All 100 of them:

When God Created Mothers" When the Good Lord was creating mothers, He was into His sixth day of "overtime" when the angel appeared and said. "You're doing a lot of fiddling around on this one." And God said, "Have you read the specs on this order?" She has to be completely washable, but not plastic. Have 180 moveable parts...all replaceable. Run on black coffee and leftovers. Have a lap that disappears when she stands up. A kiss that can cure anything from a broken leg to a disappointed love affair. And six pairs of hands." The angel shook her head slowly and said. "Six pairs of hands.... no way." It's not the hands that are causing me problems," God remarked, "it's the three pairs of eyes that mothers have to have." That's on the standard model?" asked the angel. God nodded. One pair that sees through closed doors when she asks, 'What are you kids doing in there?' when she already knows. Another here in the back of her head that sees what she shouldn't but what she has to know, and of course the ones here in front that can look at a child when he goofs up and say. 'I understand and I love you' without so much as uttering a word." God," said the angel touching his sleeve gently, "Get some rest tomorrow...." I can't," said God, "I'm so close to creating something so close to myself. Already I have one who heals herself when she is sick...can feed a family of six on one pound of hamburger...and can get a nine year old to stand under a shower." The angel circled the model of a mother very slowly. "It's too soft," she sighed. But tough!" said God excitedly. "You can imagine what this mother can do or endure." Can it think?" Not only can it think, but it can reason and compromise," said the Creator. Finally, the angel bent over and ran her finger across the cheek. There's a leak," she pronounced. "I told You that You were trying to put too much into this model." It's not a leak," said the Lord, "It's a tear." What's it for?" It's for joy, sadness, disappointment, pain, loneliness, and pride." You are a genius, " said the angel. Somberly, God said, "I didn't put it there.
Erma Bombeck (When God Created Mothers)
The job is what you do when you are told what to do. The job is showing up at the factory, following instructions, meeting spec, and being managed. Someone can always do your job a little better or faster or cheaper than you can. The job might be difficult, it might require skill, but it's a job. Your art is what you do when no one can tell you exactly how to do it. Your art is the act of taking personal responsibility, challenging the status quo, and changing people. I call the process of doing your art 'the work.' It's possible to have a job and do the work, too. In fact, that's how you become a linchpin. The job is not the work.
Seth Godin (Linchpin: Are You Indispensable?)
Knowing mathematics is like wearing a pair of X-ray specs that reveal hidden structures underneath the messy and chaotic surface of the world.
Jordan Ellenberg (How Not to Be Wrong: The Power of Mathematical Thinking)
You don't see anything, do you? You see everything but the goddamn mind; you see all the little specs and crap, but you don't see what goes on, do you?
Edward Albee (Who's Afraid of Virginia Woolf?)
Rex lost his specs.
Scott Westerfeld (The Secret Hour (Midnighters, #1))
Art is never defect-free. Things that are remarkable never meet spec, because that would make them standardized, not worth talking about.
Seth Godin (Linchpin: Are You Indispensable?)
That’s the first law of magic, Specs. Misdirection. Never forget it.
Donna Tartt (The Goldfinch)
The plain truth is we are going to die. Here I am, a teeny spec surrounded by boundless space and time, arguing with the whole of creation, shaking my fist, sputtering, growing even eloquent at times, and then-poof! I am gone. Swept off once and for all. I think that is very, very funny.
Charles Simic
I was the only boy in our school what had asthma," said the fat boy with a touch of pride. "And I've been wearing specs since I was three.
William Golding (Barron's Book Notes: Lord of the Flies)
If you can’t understand the spec for a new technology, don’t worry: nobody else will understand it either, and the technology won’t be that important.
Joel Spolsky
Bowden Cable is the sort of honest and dependable operative that is the backbone of SpecOps. They never win commendations or medals and the public has no knowledge of them at all. They are all worth ten of people like me.
Jasper Fforde (The Eyre Affair (Thursday Next, #1))
Usu­al­ly, very ear­ly in the morn­ing. Ger­man la­bor­ers were go­ing to work. They would stop and look at us with­out sur­prise. One day when we had come to a stop, a work­er took a piece of bread out of his bag and threw it in­to a wag­on. There was a stam­pede. Dozens of starv­ing men fought des­per­ate­ly over a few crumbs. The work­er watched the spec­ta­cle with great interest. Years later, I witnessed a sim­ilar spec­ta­cle in Aden. Our ship’s pas­sen­gers amused them­selves by throw­ing coins to the “natives,” who dove to retrieve them. An el­egant Parisian la­dy took great plea­sure in this game. When I no­ticed two chil­dren des­perate­ly fighting in the wa­ter, one try­ing to stran­gle the oth­er, I implored the la­dy: “Please, don’t throw any more coins!” “Why not?” said she. “I like to give char­ity…
Elie Wiesel (Night (The Night Trilogy, #1))
Miss Skeeter say maybe don't spec nothing at all, that most Southern peoples is "repressed." If they feel something, they might not say a word. Just hold they breath and wait for it to pass, like gas.
Kathryn Stockett (The Help)
Why is it a girl has to be so silly to catch a husband?” “Ah specs it’s kase gempmums doan know whut dey wants. Dey jes’ knows whut dey thinks dey wants. An’ givin’ dem whut dey thinks dey wants saves a pile of mizry an’ bein’ a ole maid. An’ dey thinks dey wants mousy lil gals wid bird’s tastes an’ no sense at all. It doan make a gempmum feel lak mahyin’ a lady ef he suspicions she got mo’ sense dan he has.
Margaret Mitchell (Gone with the Wind)
Perfect is an illusion, one that was created to maintain the status quo. The Six Sigma charade is largely about hiding from change, because change is never perfect. Change means reinvention, and until something is reinvented, we have no idea what the spec is.
Seth Godin (Tribes: We Need You to Lead Us)
Spec = asking the world to have sex with you and promising dinner date to one lucky winner.
Jeffrey Zeldman
I love her handbag. Inside are papers and her wallet and cigarettes and at the bottom, where she never looks, there is loose change, loose mints, specs of tobacco from her cigarettes. Sometimes I bring the bag to my face, open it and inhale as deeply as I can.
Augusten Burroughs (Running with Scissors)
Anyways, the secret is, always fix their attention *away* from where the slippery stuff's going on. That's the first law of magic, Specs. Misdirection. Never forget it.
Donna Tartt (The Goldfinch)
Out in the field, any connection with home just makes you weaker. It reminds you that you were once civilized, soft; and that can get you killed faster than a bullet through the head.
Henry Mosquera (Sleeper's Run)
When getting my nose in a book Cured most things short of school, It was worth ruining my eyes To know I could still keep cool, And deal out the old right hook To dirty dogs twice my size. Later, with inch-thick specs, Evil was just my lark: Me and my coat and fangs Had ripping times in the dark. The women I clubbed with sex! I broke them up like meringues. Don't read much now: the dude Who lets the girl down before The hero arrives, the chap Who's yellow and keeps the store Seem far too familiar. Get stewed: Books are a load of crap. (A Study Of Reading Habits)
Philip Larkin (Collected Poems)
Grownups know things, said Piggy. They ain't afraid of the dark. They'd meet and have tea and discuss. Then things 'ud be alright--- They wouldn't set fire to the island. Or lose--- They'd build a ship--- The three boys stood in the darkness, striving unsuccessfully to convey the majesty of adult life. They wouldn't quarrel--- Or break my specs--- Or talk about a beast--- If only they could get a message to us, cried Ralph desperately. If only they could send us something grownup. . . a sign or something.
William Golding
I like myself. I have never once hated myself. My high specs, my half decent looks, My pessimistic, realist point of view. I don't hate any of it at all. But, for the first time, I feel like I could hate myself. The Yukino Yukinoshita I've seen all this time was always beautiful, pure, Never told a lie, and could stand on her own feet even- With nobody to lean on. I'm pretty sure I always admired her for that. I forced my own expectations and ideals on her, Let myself think I understood her, and let myself be dissapointed. I cautioned myself against this time and time again, But I still haven't gotten over it. Even Yukino Yukinoshita tells lies. I couldn't even accept such an obvious fact, And for that...I...hate myself — Hachiman Hikigaya
Wataru Watari (やはり俺の青春ラブコメはまちがっている。-妄言録- vol.1)
it is better to remain silent and be thought an idiot, than to speak and remove all doubt'.
Craig Alanson (SpecOps (Expeditionary Force, #2))
In short, in big companies, the product spec is market-driven; in startups, the marketing is product-driven.
Steve Blank (The Four Steps to the Epiphany: Successful Strategies for Startups That Win)
I heard mauma say, "I don't spec to get free. The only way I'm getting free is for you to get free.
Sue Monk Kidd (The Invention of Wings)
I think one of the prophets stuttered when he dictated your specs,” Jal said, snickering. “Or the gene-splicer was daydreaming about his high-status trueborn love and he botched your programming.
Karen Sandler (Tankborn (Tankborn, #1))
For reading not to become something that we do for anxious self-optimisation – for it not to be akin to buying high-spec trainers and a gym membership each January – all texts must be open, to all people.
Katherine Rundell (Why You Should Read Children's Books, Even Though You Are So Old and Wise)
I think all artists struggle to represent the geometry of life in their own way, just like writers deal with archetypes. There are only so many stories that you can tell, but an infinite number of storytellers.
Henry Mosquera (Sleeper's Run)
Our family became spelled after my ancestor pixed off two evil witch sisters. The witches’ curse was supposed to doom my great- great- great grandmother to turn evil and torch the world— except the spell wasn’t worded right. It didn’t spec-ify which Emerald princess. So ever since, all the girls in the Emerald family have been stuck inside, since there’s no way to know what generation will inherit the curse.
Betsy Schow (Spelled (The Storymakers, #1))
The Special Operations Network was instigated to handle policing duties considered either too unusual or too specialized to be tackled by the regular force. There were thirty departments in all, starting at the more mundane Neighborly Disputes (SO-30) and going onto Literary Detectives (SO-27) and Art Crime (SO-24). Anything below SO-20 was restricted information, although it was common knowledge that the ChronoGuard was SO-12 and Antiterrorism SO-9. It is rumored that SO-1 was the department that polices the SpecOps themselves. Quite what the others do is anyone's guess. What is known is that the individual operatives themselves are mostly ex-military or ex-police and slightly unbalanced. 'If you want to be a SpecOp,' the saying goes, 'act kinda weird...
Jasper Fforde (The Eyre Affair (Thursday Next, #1))
Or, more accurately, spend all day trying to avoid making a mistake? These are very different things. Defect-free is what people are often in search of. Meeting spec. Blameless.
Seth Godin (Linchpin: Are You Indispensable?)
most of the day looking at the specs. It heats CO2 to 900°C, then
Andy Weir (The Martian)
The SpecOps dress code stated that our apparel should be 'dignified' but in Cordelia's case they had obviously stretched a point.
Jasper Fforde (Lost in a Good Book (Thursday Next, #2))
My subconscious eyes me warily over her tortoiseshell half-moon specs.
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
Iris kissing the lips of a dying boy. Imagine! So very kind, so killingly funny! Cross-eyed Iris in her specs, whatever did the poor boy think?
Lesley Glaister (Blasted Things)
Belle was not only a perfect secretary and office manager, she also had personal specs which would have delighted Praxiteles and a fragrance which affected me the way catnip does Pete.
Robert A. Heinlein (The Door into Summer)
Jen and her best friends in fluffy white robes, loung­ing in a large suite, drink­ing wine, talk­ing in that way I’d some­times over­hear Jen and her friends talk­ing to each other when they came round to our flat. Each tak­ing turns to present an emo­tion they’ve felt and all of them putting it un­der the mi­cro­scope for in­spec­tion, as if it were a gem with a bil­lion faces.
Dolly Alderton (Good Material)
Knowing mathematics is like wearing a pair of X-ray specs that reveal hidden structures underneath the messy and chaotic surface of the world. Math is a science of not being wrong about things, its techniques and habits hammered out by centuries of hard work and argument. With the tools of mathematics in hand, you can understand the world in a deeper, sounder, and more meaningful way.
Jordan Ellenberg (How Not to Be Wrong: The Power of Mathematical Thinking)
A pilot can be too cautious. He can be too methodical. He reads and memorizes the specifications, knows the boundaries of the performance envelope, and is careful never to nudge up against the performance limits. But Boyd did not believe the performance specs and had no fear of the aircraft.
Robert Coram (Boyd: The Fighter Pilot Who Changed the Art of War)
I waited. Nothing. Here again was the colossal silence where God's, someone's, anyone's voice should have been. Learn this lesson now, my brother said, I shan't teach it twice. There is nothing. It means nothing. Then the night exhaled and flowed again. I knew with clairvoyant weariness I'd go back countless times to the question of why, how, but knew too I carried the answer inside. It had gone in like an inhaled spec of toxic dust. Life is nothing but a statement of what happens to be.
Glen Duncan (The Last Werewolf (The Last Werewolf, #1))
First item in the crew roster is given name, so I'll input 'Skippy'. Second item is surname-" "The Magnificent." "Really?" "It is entirely appropriate, Joe." "Oh, uh huh, because that's what everyone calls you," I retorted sarcastically, rolling my eyes. Not wanting to argue with him, I typed in 'TheMagnificent'. "Next question is your rank, this file is designed for military personnel." "I'd like 'Grand Exalted Field Marshall El Supremo'." "Right, I'll type in 'Cub Scout'. Next question-" "Hey! You jerk-" "-is occupational specialty." "Oh, clearly that should be Lord God Controller of All Things." "I'll give you that one, that is spelled A, S, S, H, O, L, E. Next-" "Hey! You shithead, I should-" "Age?" I asked. "A couple million, at least. I think." "Mentally, you're a six year old, so that's what I typed in." "Joe, I just changed your rank in the personnel file to 'Big Poopyhead'." Skippy laughed. "Five year old. You're a five year old." "I guess that's fair," he admitted. "Sex? I'm going to select 'n/a' on that one for you," I said. "Joe, in your personnel file, I just updated Sex to 'Unlikely'." "This is not going well, Skippy." "You started it!" "That was mature. Four year old, then. Maybe Terrible Twos." "I give up," Skippy snorted. "Save the damned file and we'll call it even, Ok?" "No problem. We should do this more often, huh?" "Oh, shut up.
Craig Alanson (SpecOps (Expeditionary Force, #2))
Phillip shook his head. “I understand all of these specs, but the numbers are all so large, I don’t know what any of it means. What on earth can a person do with four gigabytes of RAM?” “Upgrade it immediately,” Martin answered.
Scott Meyer (Off to Be the Wizard (Magic 2.0, #1))
For high school graduation in Finland, you wear a fluffy white hat with a black band. There's a ceremony in which they hand out diplomas, and when you come home all your relatives are there with lots of champagne, flowers, and cake. And there's also a party for the entire class at a local restaurant. We did all that, and I guess I had fun, but I don't remember anything special about it. But ask me about the specs on my 68008-chip machine and I can rattle them off with total recall.
Linus Torvalds (Just for Fun: The Story of an Accidental Revolutionary)
Isn’t your wife worth it?” His face lit up as he said it, and his eyes grew wide and the corners of his mouth turned upwards in a sadistic grin. I noticed his respirations increased fivefold. The spec ops leader appeared to find the exchange exhilarating.
L.T. Ryan (Noble Beginnings (Jack Noble #1))
Two aisles, each a quarter mile long, were entirely devoted to camouflage clothing in every possible color: desert brown, forest green, arctic gray, and hot pink, just in case your spec-ops team needed to infiltrate a child’s princess-themed birthday party.
Rick Riordan (The Burning Maze (The Trials of Apollo, #3))
On Harlan’s World, you don’t see many mandroids. They’re expensive to build, compared to a synthetic or even a clone, and most jobs that require a human form are better done by those organic alternatives. The truth is that a robot human is a pointless collision of two disparate functions: artificial intelligence, which really works better strung out on a mainframe, and hard-wearing, hazard-proof bodywork, which most cyberengineering firms designed to spec for the task at hand. The last robot I’d seen on the World was a gardening crab.
Richard K. Morgan (Altered Carbon (Takeshi Kovacs, #1))
I really can’t keep it up anymore,” Huahua said. “No one’s doing any better,” Specs said lightly. “It’s not the same. This is impossible!” “Think of yourself as a computer. You’re just cold hardware, and reality is just data. Accept your input and perform your calculations. That’s how you keep it up.
Liu Cixin (Supernova Era)
The Joel Test 1. Do you use source control? 2. Can you make a build in one step? 3. Do you make daily builds? 4. Do you have a bug database? 5. Do you fix bugs before writing new code? 6. Do you have an up-to-date schedule? 7. Do you have a spec? 8. Do programmers have quiet working conditions? 9. Do you use the best tools money can buy? 10. Do you have testers? 11. Do new candidates write code during their interview? 12. Do you do hallway usability testing?
Joel Spolsky (Joel on Software)
Charlie’s Almanack, Influence, and Man’s Search for Meaning, among others The habit of listening to single songs on repeat for focus (page 507) Nearly everyone has done some form of “spec” work (completing projects on their own time and dime, then submitting them to prospective buyers) The belief that “failure is not durable” (see Robert Rodriguez, page 628) or variants thereof Almost every guest has been able to take obvious “weaknesses” and turn them into huge competitive advantages (see Arnold Schwarzenegger, page 176)
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
Semper Taedium could be our motto: 'Always Boredom'. I'd be happy with that.
Craig Alanson (SpecOps (Expeditionary Force, #2))
The most lasting thing from my linguistics education is SpecGram..
Trey Jones
AFTER I SPENT A YEAR dreading it, November eighth finally come. I spec I sleep about two hours the night before.
Kathryn Stockett (The Help)
Many programmers would prefer to mock in their client library specs, but doing so could result in the service and client passing all specs with hidden failures.
Paul Dix
for the service in spec/service_spec.rb, you add another describe block:
Paul Dix
Perhaps we ought to feel with more imagination. As today the sky 70 degrees above zero with lines falling The way September moves a lace curtain to be near a pear, The oddest device can't be usual. And that is where The pejorative sense of fear moves axles. In the stars There is no longer any peace, emptied like a cup of coffee Between the blinding rain that interviews. You were my quintuplets when I decided to leave you Opening a picture book the pictures were all of grass Slowly the book was on fire, you the reader Sitting with specs full of smoke exclaimed How it was a rhyme for "brick" or "redder." The next chapter told all about a brook. You were beginning to see the relation when a tidal wave Arrived with sinking ships that spelled out "Aladdin." I thought about the Arab boy in his cave But the thoughts came faster than advice. If you knew that snow was a still toboggan in space The print could rhyme with "fallen star.
John Ashbery (Rivers and Mountains)
We hire for perfect, we manage for perfect, we measure for perfect, and we reward for perfect. So why are we surprised that people spend their precious minutes of self-directed, focused work time trying to achieve perfect? The problem is simple: Art is never defect-free. Things that are remarkable never meet spec, because that would make them standardized, not worth talking about. Rough
Seth Godin (Linchpin: Are You Indispensable?)
Sensational new breakthrough in Improbability Physics. As soon as the ship’s drive reaches Infinite Improbability it passes through every point in the Universe. Be the envy of other major governments.’ Wow, this is big league stuff.” Ford hunted excitedly through the technical specs of the ship, occasionally gasping with astonishment at what he read— clearly Galactic astrotechnology had moved ahead during the years of his exile.
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
If you tasked a cultural engineering team with designing a substance that would satisfy specs aimed at maximizing individual creativity and group cooperation, they would come up with something very much like alcohol.
Edward Slingerland (Drunk: How We Sipped, Danced, and Stumbled Our Way to Civilization)
A few minutes later, a very slim, very directed black-haired woman with olive skin and a classic profile swept into the room. Her hair was pulled back in a bun. She was the executive assistant version of the beautiful librarian cliché. Severe suit, abrupt manner, glasses perched on her nose and secured on a no-nonsense chain around her neck. But you knew when she took those specs off and let down her hair, the results would be dazzling.
Stephen J. Cannell (The Prostitutes' Ball (Shane Scully, #10))
her house being small. They ain’t rich folk, that I know. Rich folk don’t try so hard. I’m used to working for young couples, but I spec this is the smallest house I ever worked in. It’s just the one story. Her and Mister Leefolt’s room in the back be a fair size, but Baby Girl’s room be tiny. The dining room and the regular living room kind a join up. Only two bathrooms, which is a relief cause I worked in houses where they was five or
Kathryn Stockett (The Help)
Rea­sons Why I Loved Be­ing With Jen I love what a good friend you are. You’re re­ally en­gaged with the lives of the peo­ple you love. You or­ga­nize lovely ex­pe­ri­ences for them. You make an ef­fort with them, you’re pa­tient with them, even when they’re side­tracked by their chil­dren and can’t pri­or­i­tize you in the way you pri­or­i­tize them. You’ve got a gen­er­ous heart and it ex­tends to peo­ple you’ve never even met, whereas I think that ev­ery­one is out to get me. I used to say you were naive, but re­ally I was jeal­ous that you al­ways thought the best of peo­ple. You are a bit too anx­ious about be­ing seen to be a good per­son and you def­i­nitely go a bit over­board with your left-wing pol­i­tics to prove a point to ev­ery­one. But I know you re­ally do care. I know you’d sign pe­ti­tions and help peo­ple in need and vol­un­teer at the home­less shel­ter at Christ­mas even if no one knew about it. And that’s more than can be said for a lot of us. I love how quickly you read books and how ab­sorbed you get in a good story. I love watch­ing you lie on the sofa read­ing one from cover-to-cover. It’s like I’m in the room with you but you’re in a whole other gal­axy. I love that you’re al­ways try­ing to im­prove your­self. Whether it’s running marathons or set­ting your­self chal­lenges on an app to learn French or the fact you go to ther­apy ev­ery week. You work hard to be­come a bet­ter ver­sion of your­self. I think I prob­a­bly didn’t make my ad­mi­ra­tion for this known and in­stead it came off as ir­ri­ta­tion, which I don’t re­ally feel at all. I love how ded­i­cated you are to your fam­ily, even when they’re an­noy­ing you. Your loy­alty to them wound me up some­times, but it’s only be­cause I wish I came from a big fam­ily. I love that you al­ways know what to say in con­ver­sa­tion. You ask the right ques­tions and you know ex­actly when to talk and when to lis­ten. Ev­ery­one loves talk­ing to you be­cause you make ev­ery­one feel im­por­tant. I love your style. I know you think I prob­a­bly never no­ticed what you were wear­ing or how you did your hair, but I loved see­ing how you get ready, sit­ting in front of the full-length mir­ror in our bed­room while you did your make-up, even though there was a mir­ror on the dress­ing ta­ble. I love that you’re mad enough to swim in the English sea in No­vem­ber and that you’d pick up spi­ders in the bath with your bare hands. You’re brave in a way that I’m not. I love how free you are. You’re a very free per­son, and I never gave you the sat­is­fac­tion of say­ing it, which I should have done. No one knows it about you be­cause of your bor­ing, high-pres­sure job and your stuffy up­bring­ing, but I know what an ad­ven­turer you are un­der­neath all that. I love that you got drunk at Jack­son’s chris­ten­ing and you al­ways wanted to have one more drink at the pub and you never com­plained about get­ting up early to go to work with a hang­over. Other than Avi, you are the per­son I’ve had the most fun with in my life. And even though I gave you a hard time for al­ways try­ing to for al­ways try­ing to im­press your dad, I ac­tu­ally found it very adorable be­cause it made me see the child in you and the teenager in you, and if I could time-travel to any­where in his­tory, I swear, Jen, the only place I’d want to go is to the house where you grew up and hug you and tell you how beau­ti­ful and clever and funny you are. That you are spec­tac­u­lar even with­out all your sports trophies and mu­sic cer­tifi­cates and in­cred­i­ble grades and Ox­ford ac­cep­tance. I’m sorry that I loved you so much more than I liked my­self, that must have been a lot to carry. I’m sorry I didn’t take care of you the way you took care of me. And I’m sorry I didn’t take care of my­self, ei­ther. I need to work on it. I’m pleased that our break-up taught me that. I’m sorry I went so mental. I love you. I always will. I'm glad we met.
Dolly Alderton (Good Material)
Freelancing requires such strict adherence to toadyism, to sycophancy, to the grubbiest, lowliest submissions. It is an on-spec life and it is full of what can only be described as insane serendipity (or serendipitous insanity).
Richard Morgan
I don't think the opposite of casual is serious, actually." "What is it then?" Jake looks at me. His hazel eyes appear almost gold underneath the light of the heat lamp - tiny specs of sunlight. "Depth," he says. "The opposite of casual is deep.
Rebecca Serle (Expiration Dates)
Two aisles, each a quarter of a mile long, were entirely devoted to camouflage clothing in every possible colour: desert brown, forest green, arctic grey, and hot pink, just in case your spec-ops team needed to infiltrate a child's princess-themed birthday party.
Rick Riordan (The Burning Maze (The Trials of Apollo, #3))
In order to match a person to the design, start by creating a spec sheet so that there will be a consistent set of criteria that can be applied from recruiting through performance reviews. Bridgewater’s spec sheets use the same bank of qualities as our Baseball Cards.
Ray Dalio (Principles: Life and Work)
Piggy saw the smile and misinterpreted it as friendliness. There had grown up tacitly among the biguns the opinion that Piggy was an outsider, not only by accent, which did not matter, but by fat, and ass-mar, and specs, and a certain disinclination for manual labour.
William Golding (Lord of the Flies)
The truth is that a robot human is a pointless collision of two disparate functions: artificial intelligence, which really works better strung out on a mainframe, and hard-wearing, hazard-proof bodywork, which most cyberengineering firms designed to spec for the task at hand.
Richard K. Morgan (Altered Carbon (Takeshi Kovacs, #1))
He had obviously forgotten my name already as he picked up my place card, patting his pockets helplessly for an absent pair of specs, before holding it at arm's length. "GUEST OF ADAM HARRIS," he read aloud." "It's a bit of a mouthful, but my friends just call me Guest," I replied.
Clare Chambers (Bright Girls)
I LOST MY OWN BOY, Treelore, right before I started waiting on Miss Leefolt. He was twenty-four years old. The best part of a person’s life. It just wasn’t enough time living in this world. He had him a little apartment over on Foley Street. Seeing a real nice girl name Frances and I spec they was gone get married, but he was slow bout things like that. Not cause he looking for something better, just cause he the thinking kind. Wore big glasses and reading all the time. He even start writing his own book, bout being a colored man living and working in Mississippi.
Kathryn Stockett (The Help)
I am so small. A billion tons of durosteel and nanometal move through the heavens, and I have never been beyond Mars's atmosphere. They are like specks of silver in an ocean of ink. And I am so much less. But those specs could ravage Mars. They could destroy a moon. Those specks rule the ink.
Pierce Brown (Red Rising (Red Rising Saga, #1))
Once I was wicked enough to stop in a thrilling place, and say meekly, 'I'm afraid it tires you, ma'am. Shan't I stop now?'" "She caught up her knitting, which had dropped out of her hands, gave me a sharp look through her specs, and said, in her short way, 'Finish the chapter, and don't be impertinent, miss'.
Louisa May Alcott (Little Women)
Good engineering estimates are possible only if you have two things: good information and good engineers. If the specs are crap, and a programmer is asked to conjure up a number based on an incomprehensible whiteboard scribbling, everyone should know exactly what they’re getting: a fuzzy scribble of an estimate.
Scott Berkun (Making Things Happen: Mastering Project Management)
The truth is that a robot human is a pointless collision of two disparate functions: artificial intelligence, which really works better strung out on a mainframe, and hard-wearing, hazard-proof bodywork, which most cyberengineering firms designed to spec for the task at hand. The last robot I’d seen on the World was a gardening crab.
Richard K. Morgan (Altered Carbon (Takeshi Kovacs, #1))
The irony, however, is that with no body, the world itself becomes my body. One might think this would make me feel grand, but it doesn’t. If my body is the Earth, then I am nothing more than a spec of dust in the vastness of space. I wonder what it would be like, then, if my consciousness were to someday span the distance between stars.
Neal Shusterman (Thunderhead (Arc of a Scythe, #2))
For a moment, my eyes shift focus to the glass wall beside her and I see my reflection. There stands Dominic Smith, whose tinted specs make him look dead cool, thank you very much, although the scraggy black hair manages to spoil the effect. My hair stages more uprisings than a nineteenth-century revolutionary. I inherited it from my dad. Thanks, Dad.
Simon Cheshire (Plastic Fantastic)
We put my possibly not incredibly awful stupid plan into action two days later. Two days after that, the Kristang took the bait.
Craig Alanson (SpecOps (Expeditionary Force, #2))
helicopters don't use aerodynamics to fly, they just beat the air into submission.
Craig Alanson (SpecOps (Expeditionary Force, #2))
Don’t worry, I am very confident. Fairly confident. Somewhat confident. Ok, yes, I’m making this shit up as I go, all right? Give me a freakin' break.
Craig Alanson (SpecOps (Expeditionary Force, #2))
Dr. Heissman laughed and immediately apologized, "I'm sorry, I'm just so used to what I think of as squeezing water from a stone syndrome. SpecWar operators are not big on admitting to what they perceive to be a weakness. Even though awareness of vulnerability ultimately leads to strength. Either from directly dealing with the issue or learning to work around it.
Suzanne Brockmann (Into the Fire (Troubleshooters, #13))
An ice-cold Martini is like the first sip of water for a desert strandee — nectar from the Gods; a warm one is a human rights violation and tastes more like Bear Grylls' regular drink of choice
Cas Oh (CO Specs: Recipes & Histories of Classic Cocktails)
I went to sleep, and Jim didn’t call me when it was my turn. He often done that. When I waked up just at daybreak he was sitting there with his head down betwixt his knees, moaning and mourning to himself. I didn’t take notice nor let on. I knowed what it was about. He was thinking about his wife and his children, away up yonder, and he was low and homesick; because he hadn’t ever been away from home before in his life; and I do believe he cared just as much for his people as white folks does for their’n. It don’t seem natural, but I reckon it’s so. He was often moaning and mourning that way nights, when he judged I was asleep, and saying, “Po’ little ’Lizabeth! po’ little Johnny! it’s mighty hard; I spec’ I ain’t ever gwyne to see you no mo’, no mo’!” He was a mighty good nigger, Jim was.
Mark Twain (The Adventures of Huckleberry Finn)
Peace of mind isn’t at all superficial to technical work. It’s the whole thing. That which produces it is good work and that which destroys it is bad work. The specs, the measuring instruments, the quality control, the final check-out, these are all means toward the end of satisfying the peace of mind of those responsible for the work. What really counts in the end is their peace of mind, nothing else.
Robert M. Pirsig (Zen and the Art of Motorcycle Maintenance)
A successful special operation defies conventional wisdom by using a small force to defeat a much larger or well-entrenched opponent. This book develops a theory of special operations that explains why this phenomenon occurs. I will show that through the use of certain principles of warfare a special operations force can reduce what Carl von Clausewitz calls the frictions of war to a manageable level. By minimizing these frictions the special operations force can achieve relative superiority over the enemy. Once relative superiority is achieved, the attacking force is no longer at a disadvantage and has the initiative to exploit the enemy’s weaknesses and secure victory. Although gaining relative superiority doesn’t guarantee success, it is necessary for success. If we can determine, prior to an operation, the best way to achieve relative superiority, then we can tailor special operations planning and preparation to improve our chances of victory.
William H. McRaven (Spec Ops: Case Studies in Special Operations Warfare: Theory and Practice)
commodification of information is the only thing that’s made space travel economically feasible. It’s the only commodity whose value exceeds its transportation cost. We’d be exporting biologicals or photonics if it paid. But our trading partners can build the machines and grow the organics much cheaper than we can send them, if they just have the codes and specs. If information were free, the way the radicals want, then there would be nothing to trade, and there goes the only incentive for interstellar ties.
Carolyn Ives Gilman (Halfway Human)
Funding for the Special Operations Network comes directly from the government. Most work is centralized, but all of the SpecOps divisions have local representatives to keep a watchful eye on any provincial problems. They are administered by local commanders, who liaise with the national offices for information exchange, guidance and policy decisions. Like any other big government department, it looks good on paper but is an utter shambles. Petty infighting and political agendas, arrogance and sheer bloody-mindedness almost guarantees that the left hand doesn't know what the right is doing.
Jasper Fforde (The Eyre Affair (Thursday Next, #1))
Ex ‘Fleet man?” “He was a full Commander, last I heard, sir.” “Interesting.” Falconer commented. “Get me his specs. If I have to take him aboard my ship, I want to know all about him.” She swallowed. “Yes sir.” Falconer returned his attention to Nordyke. “What’s their location?” “They’re about a week outside the Hermes system, Captain.” “Helm, set a course – best possible speed!” “Um – sir, we’re on conversion drive at the moment.” The helmsman reported. “I know, Linson – d’you think I’m senile?” “No, sir – I…” The young helmsman stammered. “I did say ‘best possible speed’, didn’t I?” “Yes, sir.
Christina Engela (Blachart)
It was a fine gun, but an unlucky one. Steyr-Daimler-Puch built it with the prospect of big orders from the Austrian Army dancing in its eyes, but a rival outfit named Glock came along and stole the prize. Which left the GB an unhappy orphan, like Cinderella. And like Cinderella it had many excellent qualities. It packed eighteen rounds, which was a lot, but it weighed less than two and a half pounds unloaded, which wasn’t. You could take it apart and put it back together in twelve seconds, which was fast. Best of all, it had a very smart gas management system. All automatic weapons work by using the explosion of gas in the chamber to cycle the action, to get the spent case out and the next cartridge in. But in the real world some cartridges are old or weak or badly assembled. They don’t all explode with the same force. Put an out-of-spec weak load in some guns, and the action just wheezes and won’t cycle at all. Put a too-heavy load in, and the gun can blow up in your hand. But the Steyr was designed to deal with anything that came its way. If I were a Special Forces soldier taking dubious-quality ammunition from whatever ragtag bunch of partisans I was hanging with, I’d use a Steyr. I would want to be sure that whatever I was depending on would fire, ten times out of ten. Through
Lee Child (The Enemy (Jack Reacher, #8))
But even a vessel pulsates, beats and pumps in ecstasy and in rage! I wonder are the way we are because we are trying to protect ourselves from the “monsters” not realizing this fear that we are harboring inside us is turning us into goblins and ghouls ourselves? Not even a heart caged inside of ribs can be protected. Who can really be to blame for your broken heart? In-turn we find our own vices , our own ways to cope, ways that we petrify our bodies our lives in such a fashion so we can stop and notice the stars sparkling in the sky everything and everyone that embodies love YOUR LOVE… and every spec dancing in our own light, specs we failed to see because of our own faults.
QuietStormPoet
What did he have, exactly? In his mind’s eye he saw a boy with a tartan bookbag running from the tough guys; he saw a boy who wore glasses, a thin boy with a pale face that had somehow seemed to scream Hit me! Go on and hit me! in some mysterious way to every passing bully. Here’s my lips! Mash them back against my teeth! Here’s my nose! Bloody it for sure and break it if you can! Box an ear so it swells up like a cauliflower! Split an eyebrow! Here’s my chin, go for the knockout button! Here are my eyes, so blue and so magnified behind these hateful, hateful glasses, these horn-rimmed specs one bow of which is held on with adhesive tape. Break the specs! Drive a shard of glass into one of these eyes and close it forever! What the hell!
Stephen King (It)
You had a jumpship and you gave it away?” Nikki’s eyes widened in astonishment. “Do you have any more?” “Not at present. Oh, look, a General-class cruiser.” Miles reached for it. “My father commanded one of those, once, I believe. Do you have any Betan Survey ships . . . ?” Heads bent together, they laid out the little fleet on the floor. Nikki, Miles was pleased to find, was well-up on all the tech-specs of every ship he owned; he expanded wonderfully, his voice, formerly shy around Miles-the-weird-adult-stranger, growing louder and faster in his unselfconscious enthusiasm as he detailed his machinery. Miles’s stock rose as he was able to claim personal acquaintance with nearly a dozen of the originals for the models, and add a few interesting nonclassified jumpship anecdotes to Nikki’s already impressive fund of knowledge.
Lois McMaster Bujold (Komarr (Vorkosigan Saga, #11))
Mr. and Mrs. Johnson in Omaha or San Francisco or Manhattan will watch the films and weep and decide once and for all that war is inhumane and terrible, and they will tell their friends at church and their family this, but Corporal Johnson at Camp Pendleton and Sergeant Johnson at Travis Air Force Base and Seaman Johnson at Coronado Naval Station and Spec 4 Johnson at Fort Bragg and Lance Corporal Swofford at Twentynine Palms Marine Corps Base watch the same films and are excited by them, because the magic brutality of the films celebrates the terrible and despicable beauty of their fighting skills. Fight, rape, war, pillage, burn. Filmic images of death and carnage are pornography for the military man; with film you are stroking his cock, tickling his balls with the pink feather of history, getting him ready for his real First Fuck.
Anthony Swofford (Jarhead: A Solder's Story of Modern War)
Flick froze at the voice that came from inside the carriage, but then the footman was slamming the door behind her, causing her to lose her balance and fall straight into ... a lap? Slowly her eyes adjusted to the dim light, and she saw the face above her. It *was* him. Flick knew that voice from nights when he would stop at her warehouse and drop those hands on her table, something clever in his eyes, which were as dark as the delicate tattoos winding up the side of his neck. "I'm used to women throwing themselves at me, but really, there's a time and a place," he said. A current zapped right through her. His peaked hat was pulled low and he wore tinted specs over his eyes, but she recognized his mouth. It was the kind that was hard to forget and equally hard to stop thinking about. "Jin?" His lips curved. "Hello, Felicity. I've missed you.
Hafsah Faizal (A Tempest of Tea (Blood and Tea, #1))
Rautu sighed and in his exhalation blew on his dear chocolate. The few specs it had incurred were easily blown away and the giant inspected his confection with a contented glint in his eye. All was amended and the chocolate, which had nearly succumbed to ruination, was saved. He took in the aroma of his favourite treat and tasted it. All seemed right in the world and the almost catastrophic incident was averted. “I thought your scripture says that your people are not permitted to eat from the ground because of illness caused by doing so,” the commander said with a suppressed laugh for her mate’s immediate happiness. “It does,” the Den Asaan quietly replied. “However, most of our provisions are not dry in nature and our meals are eaten on the sand.” “And so eating from the stone upon which many feet walk is acceptable?” Rautu glared at his mate. “It is for chocolate,” he growled.
Michelle Franklin (Tales from Frewyn: Short Stories from the Haanta Series Vol. 1)
The usual short story cannot have a complex plot, but it often has a simple one resembling a chain with two or three links. The short short, however, doesn't as a rule have even that much - you don't speak of a chain when there's only one link. ... Sometimes ... the short short appears to rest on nothing more than a fragile anecdote which the writer has managed to drape with a quantity of suggestion. A single incident, a mere anecdote - these form the spine of the short short. Everything depends on intensity, one sweeping blow of perception. In the short short the writer gets no second chance. Either he strikes through at once or he's lost. And because it depends so heavily on this one sweeping blow, the short short often approaches the condition of a fable. When you read the two pieces by Tolstoy in this book, or I.L. Peretz's 'If Not Higher,' or Franz Kafka's 'The Hunter Gracchus,' you feel these writers are intent upon 'making a point' - but obliquely, not through mere statement. What they project is not the sort of impression of life we expect in most fiction, but something else: an impression of an idea of life. Or: a flicker in darkness, a slight cut of being. The shorter the piece of writing, the more abstract it may seem to us. In reading Paz's brilliant short short we feel we have brushed dangerously against the sheer arbitrariness of existence; in reading Peretz's, that we have been brought up against a moral reflection on the nature of goodness, though a reflection hard merely to state. Could we say that the short short is to other kinds of fiction somewhat as the lyric is to other kinds of poetry? The lyric does not seek meaning through extension, it accepts the enigmas of confinement. It strives for a rapid unity of impression, an experience rendered in its wink of immediacy. And so too with the short short. ... Writers who do short shorts need to be especially bold. They stake everything on a stroke of inventiveness. Sometimes they have to be prepared to speak out directly, not so much in order to state a theme as to provide a jarring or complicating commentary. The voice of the writer brushes, so to say, against his flash of invention. And then, almost before it begins, the fiction is brought to a stark conclusion - abrupt, bleeding, exhausting. This conclusion need not complete the action; it has only to break it off decisively. Here are a few examples of the writer speaking out directly. Paz: 'The universe is a vast system of signs.' Kafka in 'First Sorrow': The trapeze artist's 'social life was somewhat limited.' Paula Fox: 'We are starving here in our village. At last, we are at the center.' Babel's cossack cries out, 'You guys in specs have about as much pity for chaps like us as a cat for a mouse.' Such sentences serve as devices of economy, oblique cues. Cryptic and enigmatic, they sometimes replace action, dialogue and commentary, for none of which, as it happens, the short short has much room. There's often a brilliant overfocussing. ("Introduction")
Irving Howe (Short Shorts)
What a gentle, pleasing flavor! It's as if I've taken a bite of powdery snow! Using that special explosion oven, she baked thin sheets of piecrust at a high temperature until they were nice and crispy... layering them together to create a mille-feuille! One bite and they crumble into delicate flakes... which then meld with the elegantly smooth and sweetly rich meringue created by the blades of her chain carving knife! "Excellently done! With every bite I take... ... my mouth fills with flavorful joy. It's so good I can't help but writhe in my seat!" What?! Out of nowhere... my tongue was assaulted with an explosion of thick, full-bodied sweetness? "Ah! There are flakes of chocolate in between the mille-feuille layers?" "I call those my CLUSTER CHOCO CHIPS. I mixed almond powder and mint leaves into chocolate and then chilled it until it was good and hard." Crushing that chocolate with a sledgehammer, I deployed the fragments into the piecrust, set to explode with just enough firepower! Protected by the layers of crust, the chocolate didn't melt during baking and was instead tempered... resulting in chocolate chips that have the crunch and richness of baking chocolate! The more you eat, the more you trip, setting off a chain of explosions... ... as if triggering a cluster bomb! "These are the specs of what I have dubbed... ... my CLUSTER BOMB CAKE!
Yūto Tsukuda (食戟のソーマ 34 [Shokugeki no Souma 34] (Food Wars: Shokugeki no Soma, #34))
John Doerr, the legendary venture capitalist who backed Netscape, Google, and Amazon, doesn’t remember the exact day anymore; all he remembers is that it was shortly before Steve Jobs took the stage at the Moscone Center in San Francisco on January 9, 2007, to announce that Apple had reinvented the mobile phone. Doerr will never forget, though, the moment he first laid eyes on that phone. He and Jobs, his friend and neighbor, were watching a soccer match that Jobs’s daughter was playing in at a school near their homes in Palo Alto. As play dragged on, Jobs told Doerr that he wanted to show him something. “Steve reached into the top pocket of his jeans and pulled out the first iPhone,” Doerr recalled for me, “and he said, ‘John, this device nearly broke the company. It is the hardest thing we’ve ever done.’ So I asked for the specs. Steve said that it had five radios in different bands, it had so much processing power, so much RAM [random access memory], and so many gigabits of flash memory. I had never heard of so much flash memory in such a small device. He also said it had no buttons—it would use software to do everything—and that in one device ‘we will have the world’s best media player, world’s best telephone, and world’s best way to get to the Web—all three in one.’” Doerr immediately volunteered to start a fund that would support creation of applications for this device by third-party developers, but Jobs wasn’t interested at the time. He didn’t want outsiders messing with his elegant phone. Apple would do the apps. A year later, though, he changed his mind; that fund was launched, and the mobile phone app industry exploded. The moment that Steve Jobs introduced the iPhone turns out to have been a pivotal junction in the history of technology—and the world.
Thomas L. Friedman (Thank You for Being Late: An Optimist's Guide to Thriving in the Age of Accelerations)
Stanford University’s John Koza, who pioneered genetic programming in 1986, has used genetic algorithms to invent an antenna for NASA, create computer programs for identifying proteins, and invent general purpose electrical controllers. Twenty-three times Koza’s genetic algorithms have independently invented electronic components already patented by humans, simply by targeting the engineering specifications of the finished devices—the “fitness” criteria. For example, Koza’s algorithms invented a voltage-current conversion circuit (a device used for testing electronic equipment) that worked more accurately than the human-invented circuit designed to meet the same specs. Mysteriously, however, no one can describe how it works better—it appears to have redundant and even superfluous parts. But that’s the curious thing about genetic programming (and “evolutionary programming,” the programming family it belongs to). The code is inscrutable. The program “evolves” solutions that computer scientists cannot readily reproduce. What’s more, they can’t understand the process genetic programming followed to achieve a finished solution. A computational tool in which you understand the input and the output but not the underlying procedure is called a “black box” system. And their unknowability is a big downside for any system that uses evolutionary components. Every step toward inscrutability is a step away from accountability, or fond hopes like programming in friendliness toward humans. That doesn’t mean scientists routinely lose control of black box systems. But if cognitive architectures use them in achieving AGI, as they almost certainly will, then layers of unknowability will be at the heart of the system. Unknowability might be an unavoidable consequence of self-aware, self-improving software.
James Barrat (Our Final Invention: Artificial Intelligence and the End of the Human Era)
Modern 3D cinema technology works by ensuring your left eye sees one image while your right sees another. But they could, presumably, issue one pair of specs comprising two left-eye lenses (for children to wear), and another with two right-eye lenses (for adults). This would make it possible for parents to take their offspring to the cinema and watch two entirely different films at the same time. So while the kiddywinks are being placated by an animated CGI doodle about rabbits entering the Winter Olympics or something, their parents will be bearing witness to some apocalyptically degrading pornography. The tricky thing would be making the soundtracks match. Those cartoon rabbits would have to spend a lot of time slapping their bellies and moaning.
Charlie Brooker (I Can Make You Hate)
Nowadays it seemed like half the technical data on the planet were being stored genetically. Try sequencing a lung fluke and it was even money whether the base pairs you read would code for protein or the technical specs on the Denver sewer system.
Peter Watts (Echopraxia (Firefall, #2))
The line from a first customer is usually, “We need a big discount because we are your first customer.” You should turn this around and say, “You need to pay list price because you are going to be the first ones to use it.” If that doesn’t sound rational to the customer, you haven’t found a visionary. Feel free to be flexible on the terms (no payment until delivery, no payment until it works as spec’d, etc.). But be tougher on discounts.
Steve Blank (The Four Steps to the Epiphany: Successful Strategies for Startups That Win)