Spec's Love Quotes

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When God Created Mothers" When the Good Lord was creating mothers, He was into His sixth day of "overtime" when the angel appeared and said. "You're doing a lot of fiddling around on this one." And God said, "Have you read the specs on this order?" She has to be completely washable, but not plastic. Have 180 moveable parts...all replaceable. Run on black coffee and leftovers. Have a lap that disappears when she stands up. A kiss that can cure anything from a broken leg to a disappointed love affair. And six pairs of hands." The angel shook her head slowly and said. "Six pairs of hands.... no way." It's not the hands that are causing me problems," God remarked, "it's the three pairs of eyes that mothers have to have." That's on the standard model?" asked the angel. God nodded. One pair that sees through closed doors when she asks, 'What are you kids doing in there?' when she already knows. Another here in the back of her head that sees what she shouldn't but what she has to know, and of course the ones here in front that can look at a child when he goofs up and say. 'I understand and I love you' without so much as uttering a word." God," said the angel touching his sleeve gently, "Get some rest tomorrow...." I can't," said God, "I'm so close to creating something so close to myself. Already I have one who heals herself when she is sick...can feed a family of six on one pound of hamburger...and can get a nine year old to stand under a shower." The angel circled the model of a mother very slowly. "It's too soft," she sighed. But tough!" said God excitedly. "You can imagine what this mother can do or endure." Can it think?" Not only can it think, but it can reason and compromise," said the Creator. Finally, the angel bent over and ran her finger across the cheek. There's a leak," she pronounced. "I told You that You were trying to put too much into this model." It's not a leak," said the Lord, "It's a tear." What's it for?" It's for joy, sadness, disappointment, pain, loneliness, and pride." You are a genius, " said the angel. Somberly, God said, "I didn't put it there.
Erma Bombeck (When God Created Mothers)
I love her handbag. Inside are papers and her wallet and cigarettes and at the bottom, where she never looks, there is loose change, loose mints, specs of tobacco from her cigarettes. Sometimes I bring the bag to my face, open it and inhale as deeply as I can.
Augusten Burroughs (Running with Scissors)
I think one of the prophets stuttered when he dictated your specs,” Jal said, snickering. “Or the gene-splicer was daydreaming about his high-status trueborn love and he botched your programming.
Karen Sandler (Tankborn (Tankborn, #1))
Rea­sons Why I Loved Be­ing With Jen I love what a good friend you are. You’re re­ally en­gaged with the lives of the peo­ple you love. You or­ga­nize lovely ex­pe­ri­ences for them. You make an ef­fort with them, you’re pa­tient with them, even when they’re side­tracked by their chil­dren and can’t pri­or­i­tize you in the way you pri­or­i­tize them. You’ve got a gen­er­ous heart and it ex­tends to peo­ple you’ve never even met, whereas I think that ev­ery­one is out to get me. I used to say you were naive, but re­ally I was jeal­ous that you al­ways thought the best of peo­ple. You are a bit too anx­ious about be­ing seen to be a good per­son and you def­i­nitely go a bit over­board with your left-wing pol­i­tics to prove a point to ev­ery­one. But I know you re­ally do care. I know you’d sign pe­ti­tions and help peo­ple in need and vol­un­teer at the home­less shel­ter at Christ­mas even if no one knew about it. And that’s more than can be said for a lot of us. I love how quickly you read books and how ab­sorbed you get in a good story. I love watch­ing you lie on the sofa read­ing one from cover-to-cover. It’s like I’m in the room with you but you’re in a whole other gal­axy. I love that you’re al­ways try­ing to im­prove your­self. Whether it’s running marathons or set­ting your­self chal­lenges on an app to learn French or the fact you go to ther­apy ev­ery week. You work hard to be­come a bet­ter ver­sion of your­self. I think I prob­a­bly didn’t make my ad­mi­ra­tion for this known and in­stead it came off as ir­ri­ta­tion, which I don’t re­ally feel at all. I love how ded­i­cated you are to your fam­ily, even when they’re an­noy­ing you. Your loy­alty to them wound me up some­times, but it’s only be­cause I wish I came from a big fam­ily. I love that you al­ways know what to say in con­ver­sa­tion. You ask the right ques­tions and you know ex­actly when to talk and when to lis­ten. Ev­ery­one loves talk­ing to you be­cause you make ev­ery­one feel im­por­tant. I love your style. I know you think I prob­a­bly never no­ticed what you were wear­ing or how you did your hair, but I loved see­ing how you get ready, sit­ting in front of the full-length mir­ror in our bed­room while you did your make-up, even though there was a mir­ror on the dress­ing ta­ble. I love that you’re mad enough to swim in the English sea in No­vem­ber and that you’d pick up spi­ders in the bath with your bare hands. You’re brave in a way that I’m not. I love how free you are. You’re a very free per­son, and I never gave you the sat­is­fac­tion of say­ing it, which I should have done. No one knows it about you be­cause of your bor­ing, high-pres­sure job and your stuffy up­bring­ing, but I know what an ad­ven­turer you are un­der­neath all that. I love that you got drunk at Jack­son’s chris­ten­ing and you al­ways wanted to have one more drink at the pub and you never com­plained about get­ting up early to go to work with a hang­over. Other than Avi, you are the per­son I’ve had the most fun with in my life. And even though I gave you a hard time for al­ways try­ing to for al­ways try­ing to im­press your dad, I ac­tu­ally found it very adorable be­cause it made me see the child in you and the teenager in you, and if I could time-travel to any­where in his­tory, I swear, Jen, the only place I’d want to go is to the house where you grew up and hug you and tell you how beau­ti­ful and clever and funny you are. That you are spec­tac­u­lar even with­out all your sports trophies and mu­sic cer­tifi­cates and in­cred­i­ble grades and Ox­ford ac­cep­tance. I’m sorry that I loved you so much more than I liked my­self, that must have been a lot to carry. I’m sorry I didn’t take care of you the way you took care of me. And I’m sorry I didn’t take care of my­self, ei­ther. I need to work on it. I’m pleased that our break-up taught me that. I’m sorry I went so mental. I love you. I always will. I'm glad we met.
Dolly Alderton (Good Material)
But even a vessel pulsates, beats and pumps in ecstasy and in rage! I wonder are the way we are because we are trying to protect ourselves from the “monsters” not realizing this fear that we are harboring inside us is turning us into goblins and ghouls ourselves? Not even a heart caged inside of ribs can be protected. Who can really be to blame for your broken heart? In-turn we find our own vices , our own ways to cope, ways that we petrify our bodies our lives in such a fashion so we can stop and notice the stars sparkling in the sky everything and everyone that embodies love YOUR LOVE… and every spec dancing in our own light, specs we failed to see because of our own faults.
QuietStormPoet
First we devise the notion that this spec of cosmic gas and elements is the universe’s Disneyland. Then we further display our arrogance by declaring that this particular country on this spec of dust is beloved by some imaginary creator. We’re so engorged on national pride that we stop baseball games in the 7th inning just to sing a self-aggrandizing dirge celebrating how much the man in the sky loves us. We well up at songs, waving flags, and jets flying overhead spewing out red, white and blue smoke in a proud demonstration of patriotic flatulence. We get aroused over symbols but are too lazy or stupid to ponder the concepts they represent. Don
Ian Gurvitz (WELCOME TO DUMBFUCKISTAN: The Dumbed-Down, Disinformed, Dysfunctional, Disunited States of America)
Arrogance. We think we’ve been lovingly placed on this tiny spec of space dust by a benevolent father figure whose got a super special plan for each one of our lives, and afterlives. We also think He loves one particular group more than any other. Of course, which group that is depends on whether you’re talking to Jews, Christians, or Muslims. Even
Ian Gurvitz (WELCOME TO DUMBFUCKISTAN: The Dumbed-Down, Disinformed, Dysfunctional, Disunited States of America)
Ladies and gentlemen meet Eva our top spec prototype. She really can be anything you want her to be. Your lover, your friend, your enemy, your killer, your deceased loved on brought back to life or even your child. Marcus Natches explained.
Jill Thrussell (Humantics (Humantics #1))
The number one thing a good logline must have, the single most important element, is: irony. My good friend and former writing partner, the funny and fast-typing Colby Carr, pointed this out to me one time and he’s 100% correct. And that goes for whether it’s a comedy or a drama. A cop comes to L.A. to visit his estranged wife and her office building is taken over by terrorists – Die Hard A businessman falls in love with a hooker he hires to be his date for the weekend – Pretty Woman I don’t know about you, but I think both of these loglines, one from a drama, one from a romantic comedy, fairly reek of irony. And irony gets my attention. It’s what we who struggle with loglines like to call the hook, because that’s what it does. It hooks your interest. What is intriguing about each of the spec sales I’ve cited above is that they, too, have that same ironic touch. A holiday season of supposed family joy is turned on its cynical head in the 4 Christmases example. What could be more unexpected (another way to say “ironic”) for a new employee, instead of being welcomed to a company, to be faced with a threat on his life during The Retreat? What Colby identified is the fact that a good logline must be emotionally intriguing, like an itch you have to scratch. A logline is like the cover of a book; a good one makes you want to open it, right now, to find out what’s inside. In identifying the ironic elements of your story and putting them into a logline, you may discover that you don’t have that. Well, if you don’t, then there may not only be something wrong with your logline — maybe your story’s off, too. And maybe it’s time to go back and rethink it. Insisting on irony in your logline is a good place to find out what’s missing. Maybe you don’t have a good movie yet.
Blake Snyder (Save the Cat!: The Last Book on Screenwriting You'll Ever Need)
Don’t spend time on learning or talking to single individuals when you can create a framework that can allow other people to do it. Write a spec, enforce it by means of an enforcer; then you’re no longer limited by your hours.
Richard Heart (sciVive)
Oh! So you’re from, erm … Danishland. Pastries, yeah? I love ’em! That’ll be why you talk funny, eh? Anyway let’s have a look at your specs then?’ ‘My spectacles?
Ross Welford (The 1,000 Year Old Boy)
tortoiseshell specs they love to take off and nibble the arm of, plus
David Foster Wallace (Consider the Lobster and Other Essays)
A tall woman strode over to them, shouldering her rifle. Her helmet hid her hair, but her goggles were up, showing blazing blue eyes. “I’m Valkyrie, the team leader.” She waved a hand at the dark-skinned soldier holding him up. “Doc’s our medic, he’ll see to your leg.” Rhys didn’t move and the woman’s face turned harsher than the mountains surrounding them. “Do you have a problem, sailor?” She knew they were SEALs, even without identifying insignia. “No, sir,” Rhys said. “I mean, ma’am.” She rolled her eyes before facing Jake. “My team can handle this from here. Get on the bird.” Jake shook his head in confusion, pain making his thinking slow. “You’re a woman.” Her voice hardened. “I’m a captain, and you’re done here. This is now my mission.” “You’re not spec ops.” Jake’s leg might be screaming at him, but no American woman was allowed in special operations. “We’re better than spec ops,” she said. “We’re E.D.G.E. operators. Now get your ass onboard.” She walked away. “I think I’m in love,” Rhys said, staring after her.
Trish Loye (Edge of Control (Edge Security, #1))
engineering organizations are typically designed to focus on building a product right, rather than building the right product. It’s easy for the product management team to be consumed in the details and pressures of producing detailed specs rather than looking at the market opportunity and discovering a winning product strategy and roadmap.
Marty Cagan (Inspired: How To Create Products Customers Love)
I suspect that God is what you do, not what or who you believe in. But people do shit things all the time, I said. There’s something wrong with us. Perhaps. And maybe not. But when you do right, Jaxie, when you make good — well, then you are an instrument of God. Then you are joined to the divine, to the life-force, to life itself. That’s what I believe. That’s what I hope for. And it’s what I have missed. That’s all jumblyfuck to me, I said as decent as I could. Well, think of it this way, he said, pushing his specs back up his nose. When somebody does me a kindness, it enlarges me, adds to my life, you see? And not only mine — it adds to all life. Which is why I wanted to thank you. For coming here. Me? Fintan gave a sad little laugh. And I caught him looking at me goony as an emu. What? I said. Don’t you understand me, boy? Can’t you see it? Jaxie Clackton, you are an instrument of God.
Tim Winton (The Shepherd's Hut)
Even specs cannot find the cunning fake faces
Er.HaripriyaJPS