Spear Sayings And Quotes

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A girl’s got to use what she’s given and I’m not going to make a guy drool the way a Britney video does. So I take it to extremes. I don’t say I dress sexily on stage - what I do is so extreme. It’s meant to make guys think: ‘I don’t know if this is sexy or just weird.
Lady Gaga
When I break into the clearing, she's on the ground, hopelessly entangled in a net. She just has the time to reach her hand through the mesh and say my name before the spear enters her body.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
To say I had some pent-up anger would be like saying Britney Spears had minor impulse-control issues.
Molly Harper
The saddest part to me was that what I always wanted was a dad who would love me as I was—somebody who would say, “I just love you. You could do anything right now. I’d still love you with unconditional love.
Britney Spears (The Woman in Me)
We ate the birds. We ate them. We wanted their songs to flow up through our throats and burst out of our mouths, and so we ate them. We wanted their feathers to bud from our flesh. We wanted their wings, we wanted to fly as they did, soar freely among the treetops and the clouds, and so we ate them. We speared them, we clubbed them, we tangled their feet in glue, we netted them, we spitted them, we threw them onto hot coals, and all for love, because we loved them. We wanted to be one with them. We wanted to hatch out of clean, smooth, beautiful eggs, as they did, back when we were young and agile and innocent of cause and effect, we did not want the mess of being born, and so we crammed the birds into our gullets, feathers and all, but it was no use, we couldn’t sing, not effortlessly as they do, we can’t fly, not without smoke and metal, and as for the eggs we don’t stand a chance. We’re mired in gravity, we’re earthbound. We’re ankle-deep in blood, and all because we ate the birds, we ate them a long time ago, when we still had the power to say no.
Margaret Atwood
Who would guess," he teased, "that I'd ever see you on a rooftop with straw in your hair?" Kit giggled. "Are you saying I've turned into a crow?" "Not exactly." His eyes were intensely blue with merriment. "I can still see the green feathers if I look hard enough. But they've done their best to make you into a sparrow, haven't they?
Elizabeth George Speare (The Witch of Blackbird Pond)
Hold on to me!” Tedros yelled, hacking briars with his training sword.Dazed, Agatha clung to his chest as he withstood thorn lashes with moans of pain. Soon he had the upper hand and pulled Agatha from the Woods towards the spiked gates, which glowed in recognition and pulled apart, cleaving a narrow path for the two Evers. As the gates speared shut behind them,Agatha looked up at limping Tedros, crisscrossed with bloody scratches, blue shirt shredded away. “Had a feeling Sophie was getting in through the Woods,” he panted, hauling her up into slashed arms before she could protest. “So Professor Dovey gave me permission to take some fairies and stakeout the outer gates. Should have known you’d be here trying to catch her yourself.” Agatha gaped at him dumbly. “Stupid idea for a princess to take on witches alone,” Tedros said, dripping sweat on her pink dress. “Where is she?” Agatha croaked. “Is she safe?” “Not a good idea for princesses to worry about witches either,” Tedros said, hands gripping her waist. Her stomach exploded with butterflies. “Put me down,” she sputtered— “More bad ideas from the princess.” “Put me down!”Tedros obeyed and Agatha pulled away. “I’m not a princess!” she snapped, fixing her collar. “If you say so,” the prince said, eyes drifting downward.Agatha followed them to her gashed legs, waterfalls of brilliant blood. She saw blood blurring— Tedros smiled. “One . . . two . . . three . . .”She fainted in his arms. “Definitely a princess,” he said.
Soman Chainani (The School for Good and Evil (The School for Good and Evil, #1))
I KNOW THE WAY YOU CAN GET I know the way you can get When you have not had a drink of Love: Your face hardens, Your sweet muscles cramp. Children become concerned About a strange look that appears in your eyes Which even begins to worry your own mirror And nose. Squirrels and birds sense your sadness And call an important conference in a tall tree. They decide which secret code to chant To help your mind and soul. Even angels fear that brand of madness That arrays itself against the world And throws sharp stones and spears into The innocent And into one's self. O I know the way you can get If you have not been drinking Love: You might rip apart Every sentence your friends and teachers say, Looking for hidden clauses. You might weigh every word on a scale Like a dead fish. You might pull out a ruler to measure From every angle in your darkness The beautiful dimensions of a heart you once Trusted. I know the way you can get If you have not had a drink from Love's Hands. That is why all the Great Ones speak of The vital need To keep remembering God, So you will come to know and see Him As being so Playful And Wanting, Just Wanting to help. That is why Hafiz says: Bring your cup near me. For all I care about Is quenching your thirst for freedom! All a Sane man can ever care about Is giving Love!
null
Your heart, Mary Karr, he'd say. His pen touched my sternum, and it felt for all the world like the point of a dull spear as he said, Your heart knows what your head don't. Or won't.
Mary Karr (Lit)
12. The common man has to fight to survive each day But when his Lord demands his homage to pay The common man has to fight another way With sword or axe or spear, whatever his Lord doth say The common man just hopes to live beyond this frightening day And asks for the courage not to turn and run away
Robert Reid (The Empress (The Emperor, The Son and The Thief #4))
I sat up. Slowly. Between the belly dancing, the fire, the visit to Dave and it's aftermath, the night had taken its toll. You look like crap!" Cole said merrily. "I like the hair though." He made a camera frame with his thumbs and forefingers and in the genie voice from Aladdin said, "Now what does this say to me? Homeless women? Tornado victim? Britney Spears? I've got it! Preschooler who's misplaced her gum!" I regarded him balefully. "You're a morning person, aren't you?" You make that sound like a bad thing." Not if you stop talking.
Jennifer Rardin (Another One Bites the Dust (Jaz Parks, #2))
Clove!" Cato's voice is much nearer now. I can tell by the pain in it that he sees her on the ground. "You better run now, Fire Girl," says Thresh. I don't need to be told twice. I flip over and my feet dig into the hard-packed earth as I run away from Thresh and Clove and the sound of Cato's voice. Only when I reach the woods do I turn back for an instant. Thresh and both large backpacks are vanishing over the edge of the plain into the area I've never seen. Cato kneels beside Clove, spear in hand, begging her to stay with him. In a moment, he will realize it's futile, she can't be saved.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
The coward believes he will live forever If he holds back in the battle, But in old age he shall have no peace Though spears have spared his limbs.
Hávamál - The sayings of the high one
Shaving my head was a way of saying to the world: Fuck you. You want me to be pretty for you? Fuck you. You want me to be good for you? Fuck you. You want me to be your dream girl? Fuck you. I’d been the good girl for years. I’d smiled politely while TV show hosts leered at my breasts, while American parents said I was destroying their children by wearing a crop top, while executives patted my hand condescendingly and second-
Britney Spears (The Woman in Me)
Tyson charged at the Cyclops leader, Ma Gasket, her chain-mail dress spattered with mud and decorated with broken spears. She gawked at Tyson and started to say, “Who—?” Tyson hit her in the head so hard, she spun in a circle and landed on her rump. “Bad Cyclops Lady!” he bell owed. “General Tyson says GO AWAY!” He hit her again, and Ma Gasket broke into dust.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
Why am I doing this, Brynne?” he demanded. “I don’t know, Ethan.” I could barely speak." “Yes you do. Say it, Brynne!” I tensed as an orgasm started to rule me but he immediately reduced the pace, taking it down a notch with slow pulls in and out of my spread sex. “Say what?” I cried, frustrated. “Say the words I have to hear. Say the truth and I’ll let you come.” He speared into me slower and nipped at my bare shoulder with his teeth. “What is the truth?” I was starting to sob now, completely at his mercy. “The truth is,” he grunted the rest on three, hard, punctuating thrusts, “You. Are. Mine!” I inhaled on a cry at the final thrust. He sped up again, fucking faster. “Say it!” he growled. “I’m yours, Ethan!
Raine Miller (Naked (The Blackstone Affair, #1))
A sharp spear," runs the Kukuana saying, "needs no polish.
H. Rider Haggard (King Solomon's Mines (Allan Quatermain, #1))
Listen my hatchling, for now you shall hear Of the only seven slayers a dragon must fear. First beware Pride, lest belief in one’s might Has you discount the foeman who is braving your sight. Never Envy other dragons their wealth, power, or home For dark plots and plans will bring death to your own. Your Wrath shouldn’t win, when spears strike your scale Anger kills cunning, which you will need to prevail. A dragon must rest, but Sloth you should dread Else long years of napping let assassins to your bed. ‘Greed is good,’ or so foolish dragons will say Until piles of treasure bring killing thieves where they lay. Hungry is your body, and at times you must feed But Gluttony makes fat dragons, who can’t fly at their need. A hot Lust for glory, gems, gold, or mates Leads reckless young drakes to the blackest of fates. So take heed of this wisdom, precious hatchling of mine, And the long years of dragonhood are sure to be thine.
E.E. Knight (Dragon Champion (Age of Fire, #1))
didn’t know what to say but I did know what to think and that was that Jake Spear was…the…bomb.
Kristen Ashley (The Will (Magdalene, #1))
Everyone thought it was hilarious. Look how crazy she is! Even my parents acted embarrassed by me. But nobody seemed to understand that I was simply out of my mind with grief. My children had been taken away from me. With my head shaved, everyone was scared of me, even my mom. No one would talk to me anymore because I was I was too ugly. My long hair was a big part of what people liked – I knew that. I knew a lot of guys thought long hair was hot… shaving my head was a way of saying to the world: Fuck you. You want me to be pretty for you? Fuck you. You want me to be good for you? Fuck you. You want me to be your dream girl? Fuck you.
Britney Spears (The Woman in Me)
This is all sounding pretty fairy tale-ish,” Conor said, suspiciously. You would not say that if you heard the screams of a man killed by a spear, said the monster. Or his cries of terror as he was torn to pieces by wolves. Now be quiet.
Patrick Ness (A Monster Calls)
I was treated like a criminal and they made me think I deserved that. They made me forget my self-worth and my value. Of all the things they did, I will say the worst was to make me question my faith. I never had strict ideas about religion, I just knew there was something bigger than me. Under their control I stopped believing in God for awhile. But then when it came time to end the conservatorship I realized one thing: You can't fuck with a woman who knows how to pray. Really pray. All I did was pray.
Britney Spears (The Woman in Me)
the Completer and Wu Wang all used spears and battle-axes in order to succor their generation. The SSU-MA FA says: "If one man slay another of set purpose, he himself
Sun Tzu (The Art of War)
If you can master me, that look seemed to say, then you can master whatever else this wicked world might bring. I can see her now, standing amidst her deerhounds that had the same thin, lean bodies, and the same long nose and the same huntess eyes as their mistress. Green eyes, she had, with a kind of cruelty deep inside them. It was not a soft face, any more that her body was soft. She was a woman of strong lines and high bones, and that made for a good face and a handsome one, but hard, so hard. What made her beautiful was her hair and her carriage, for she stood as straight as spear and her hair fell around her shoulders like a cascade of tumbling red tangles. That red hair softened her looks, while her laughter snared men like salmon caught in basket traps. There have been many more beautiful women, and thousands who were better, but since the world was weaned I doubt there have been many more so unforgettable as Guinevere, eldest daughter of Leodegan, the exiled King of Henis Wyren. And it would have been better, Merlin always said, had she been drowned at birth.
Bernard Cornwell (The Winter King (The Warlord Chronicles, #1))
YOUR GREATER ANIMAL They say that if you are Ever confronted by A lion or bear, To never act scared. Instead act like You are the greater animal And that they're The hare That you are about To tear. This has been Proven And compared. This is how presidents Are loved And feared. Each one of us has an animal Within us That is armed with Mental, Physical or Spiritual gifts That could shoot spears Through the air. So next time You are confronted in A fight that seems unfair, Just remember the lion and the bear. MAGNIFY Your greater animal And all that feel your magnificence Will quickly step away And disappear.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
I wanted to say that I was sorry, but not for the obvious. I was sorry that I had turned out to be such a big disappointment. Sorry that I couldn’t make things better. Sorry that everything I touched turned to crap. Seeing Mom cry had torn me up. Until finally she said something. “What happened to your hair? Did you do that?” At that moment, I hated Britney Spears.
Jordan Dane (In the Arms of Stone Angels)
Its some kynd of thing it aint us but yet its in us. Its looking out thru our eye hoals. May be you dont take no noatis of it only some times. Say you get woak up suddn in the middl of the nite. 1 minim youre a sleap and the nex youre on your feet with a spear in your han. Wel it werent you put that spear in your han it wer that other thing whats looking out thru your eye hoals. It aint you nor it dont even know your name. Its in us lorn and loan and sheltering how it can.
Russell Hoban (Riddley Walker)
My boy,” he said quietly, “we have not forgotten. We feel as you do. In his heart every Jew grieves at our captivity. We have need of patriotism like yours. But we have need also of patience. We must not say we cannot endure what God in His judgment has visited upon us.” “But how long—must we endure it for ever?” “God has not spoken His final word. Until He does, it is our part to endure.
Elizabeth George Speare (The Bronze Bow: A Newbery Award Winner)
His voice is small when he says, out loud, “I was so close.” He is looking at Jun when he says this. Jun refuses to look at him; he knows that if he does, he will change his mind. Keema is looking at Jun and he is crying. I was so close.
Simon Jimenez (The Spear Cuts Through Water)
Of the things that followed I cannot at all say whether they were what men call real or what men call dream. And for all I can tell, the only difference is that what many see we call a real thing, and what only one sees we call a dream. But things that many see may have no taste or moment in them at all, and things that are shown only to one may be spears and water-spouts of truth from the very depth of truth.
C.S. Lewis (Till We Have Faces)
You are wrong,” says the man. His voice is low and resonant. The metal walls of the dome, all the knives and swords and spears, all seem to vibrate with each of his words. “Your rulers and their propaganda have sold you this watered-down conceit of war, of a warrior yoked to the whims of civilization. Yet for all their self-professed civility, your rulers will gladly spend a soldier’s life to better aid their posturing, to keep the cost of a crude good low. They will send the children of others off to die and only think upon it later to grandly and loudly memorialize them, lauding their great sacrifice. Civilization is but the adoption of this cowardly method of murder.
Robert Jackson Bennett (City of Blades (The Divine Cities, #2))
The poet Rumi says the wound is the place where the light enters you.
Britney Spears (The Woman in Me)
I'm sure they would," said Mercy promptly. "Besides, that's not the point. You'll give Kit a fine impression of us, Judith, and anyway, we'd better start on the work that's waiting right here." Judith did not move. Her attention had turned again to the row of trunks. "Do you mean to say that every one of those trunks is full of dresses like the one you have on?
Elizabeth George Speare (The Witch of Blackbird Pond)
Daniel stood staring at his friend. Simon had lost his senses altogether. “Safe? Jesus has put you all in danger!” Simon’s voice was steady. “Jesus has taught us that we must not be afraid of the things that men can do to us.” “Suppose they put chains on all of you and drag you off to prison?” “He says that the only chains that matter are fear and hate, because they chain our souls. If we do not hate anyone and do not fear anyone, then we are free.” “Free? In chains? Simon—you know what they could do to you! How could you possibly not be afraid?
Elizabeth George Speare (The Bronze Bow: A Newbery Award Winner)
Impossible to believe we are truly in God's image. Something of the reptile in us yet, the caveman's allegiance to the spear. A vestige of our time in the swamps. And yet there are those wish to return. Be more like the reptile, they say. Be more like the snake, lying in wait. Of course they do not say snake, they say lion, but there is little difference in character between the two, only in appearance.
Philipp Meyer (The Son)
I was a little girl with big dreams. I wanted to be a star like Madonna, Dolly Parton, or Whitney Houston. I had simpler dreams too, dreams that seemed even harder to achieve and that felt too ambitious to say out loud: I wanted my dad to stop drinking. I want my mom to stop yelling. I want everyone to be okay.
Britney Spears (The Woman in Me)
Keema stepped toward Jun, and touched him. His arm, his bony cheek, his lips, and Jun received that touch as he would the water from a waterfall, with eyes closed and face upturned. "You feel like the sun," Jun said.
Simon Jimenez (The Spear Cuts Through Water)
Say what?” I cried, frustrated. “Say the words I have to hear. Say the truth and I’ll let you come.” He speared into me slower and nipped at my bare shoulder with his teeth. “What is the truth?” I was starting to sob now, completely at his mercy. “The truth is,” he grunted the rest on three, hard, punctuating thrusts, “You. Are. Mine!” I inhaled on a cry at the final thrust. He sped up again, fucking faster. “Say it!” he growled. “I’m yours!
Raine Miller (Naked (The Blackstone Affair, #1))
When you say you want all peoples to unite, you really mean that you want all peoples to unite to learn the tricks of your people. If the Bedouin Arab does not know how to read, some English missionary or schoolmaster must be sent to teach him to read, but no one ever says, 'This schoolmaster does not know how to ride on a camel; let us pay a Bedouin to teach him.' You say your civilisation will include all talents. Will it? Do you really mean to say that at the moment when the Esquimaux has learnt to vote for a County Council, you will have learnt to spear a walrus? I recur to the example I gave. In Nicaragua we had a way of catching wild horses—by lassooing the fore feet—which was supposed to be the best in South America. If you are going to include all the talents, go and do it. If not, permit me to say what I have always said, that something went from the world when Nicaragua was civilised.
G.K. Chesterton (The Napoleon of Notting Hill)
Of the things that followed I cannot say at all whether they were what men call dream. And for all I can tell, the only difference is that what many see we call a real thing, and what only one sees we call a dream. But things that many see may have no taste or moment in them at all, and things that are shown only to one may be spears and water-spouts of truth from the very depth of truth.
C.S. Lewis (Till We Have Faces)
War was what the world would say Achilles was born for. That his hands and swift feet were fashioned for this alone - the cracking of Troy's mighty walls. They would throw him among thousands of Trojan spears and watch with triumph as he stained his fair hands red.
Madeline Miller
We forget what we say much more than what we hear, what we write much more than what we read, what we send much more than what we receive, that is why we barely count the insults we hand out to others, unlike those dealt out to us, which is why almost everyone harbors some grudge against someone.
Javier Marías (Fever and Spear (Your Face Tomorrow, #1))
At the sight of the city utterly perishing amidst the flames Scipio burst into tears, and stood long reflecting on the inevitable change which awaits cities, nations, and dynasties, one and all, as it does every one of us men. This, he thought, had befallen Ilium, once a powerful city, and the once mighty empires of the Assyrians, Medes, Persians, and that of Macedonia lately so splendid. And unintentionally or purposely he quoted---the words perhaps escaping him unconsciously--- "The day shall be when holy Troy shall fall And Priam, lord of spears, and Priam's folk." And on my asking him boldly (for I had been his tutor) what he meant by these words, he did not name Rome distinctly, but was evidently fearing for her, from this sight of the mutability of human affairs. . . . Another still more remarkable saying of his I may record. . . [When he had given the order for firing the town] he immediately turned round and grasped me by the hand and said: "O Polybius, it is a grand thing, but, I know not how, I feel a terror and dread, lest some one should one day give the same order about my own native city.
Polybius
I was rebelling, yes, but I can see now that there’s a reason why people go through rebellious times. And you have to let people go through them. I’m not saying that I was right to spiral, but I think to hinder someone’s spirit to that degree and to put them down that much, to the point where they no longer feel like themselves—I don’t think that’s healthy, either. We, as people, have to test the world. You have to test your boundaries, to find out who you are, how you want to live.
Britney Spears (The Woman in Me)
When he was finished, he set his plate down, looked at me, and raised an eyebrow. I leaned forward and whispered angrily, “I am not going to sit on your lap, so don’t get your hopes up, Mister.” He still waited until I picked up a fork and took a few bites. I speared a bite of macadamia nut crusted ruby snapper and said, “Whew. Time’s up. Isn’t it? The clock is ticking. You must be sweating it, huh? I mean, you could turn any second.” He just took a bite of curried lamb and then some saffron rice and sat there chewing as cool as a cucumber. I watched him closely for a full two minutes and then folded up my napkin. “Okay, I give. Why are you acting so smug and confident? When are you going to tell me what’s going on?” He wiped his mouth carefully and took a sip of water. “What’s going on, my prema, is that the curse has been lifted.” My mouth dropped open. “What? If it was lifted, why were you a tiger for the last two days?” “Well, to be clear, the curse is not completely gone. I seem to have been granted a partial removal of the curse.” “Partial? Partial meaning what, exactly?” “Partial, meaning a certain number of hours per day. Six hours to be exact.” I recited the prophecy in my mind and remembered that there were four sides to the monolith, and four times six was…”Twenty-four.” He paused. “Twenty-four what?” “Well, six hours makes sense because there are four gifts to obtain for Durga and four sides of the monolith. We’ve only completed one of the tasks, so you only get six hours.” He smiled. “I guess I get to keep you around then, at least until the other tasks are finished.” I snorted. “Don’t hold your breath, Tarzan. I might not need to be present for the other tasks. Now that you’re a man part of the time, you and Kishan can resolve this problem yourselves, I’m sure.” He cocked his head and narrowed his eyes at me. “Don’t underestimate your level of…involvement, Kelsey. Even if you weren’t needed anymore to break the curse, do you think I’d simply let you go? Let you walk out of my life without a backward glance?” I nervously began toying with my food and decided to say nothing. That was exactly what I’d been planning to do. Something had changed. The hurt and confused Ren that made me feel guilty for rejecting him in Kishkindha was gone. He was now supremely confident, almost arrogant, and very sure of himself.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
May I just say that on his explosive album and in all the press that surrounded it, Justin neglected to mention the several times he’d cheated on me? There’s always been more leeway in Hollywood for men than for women. And I see how men are encouraged to talk trash about women in order to become famous and powerful. But I was shattered.
Britney Spears (The Woman in Me)
A book,” says Vandos of Ur-Amakir, “is a fortress, a place of weeping, the key to a desert, a river that has no bridge, a garden of spears.
Sofia Samatar (A Stranger in Olondria)
I knew it!" he cried, jubilant. "I thought 'twas you, but there's more of you now. You should've seen the likes of her, boys," he said, turning towards the other convicts as he pointed at Kel. "We was all outlaws, livin' on the edges, and this bunch of pages stumbled into our camp. We chased 'em back in a canyon, and her -" he jabbed his finger at Kel - "she gutted ol' Breakbone Dell, and him the meanest dog-skinner you'd ever hope to meet. Stood there afoot, her and her spear, cool as meltwater with Breakbone ridin' down on her with that neck-cutter sword of his. First time she got 'im in the leg, second in the tripes, and he was done. Her and six lads held us all back, just them. There she was, eyes like stone and that bloody spear in her hand. Lady." He bowed deep. Kel looked at him, not sure what to say. Finally she asked, "What's your name, soldier?" "Me? Gilab Lofts - Gil. Lady. It's - it's good to see you well." He bowed again and returned to his seat, whispering with the men on either side of him. Kel waited for them to quiet once again before she said ruefully, "I'm not sure that being known for gutting a man is exactly a recommendation for a commander." "It is in the north!" cried someone. Several men laughed outright; others grinned.
Tamora Pierce (Lady Knight (Protector of the Small, #4))
Don’t build a cabin near a termite colony. Don’t rear rabbits near wolves. Don’t attack a cub in front of its mother. Don’t stone a bird you want to catch. Don’t pick a flower before it blooms. Don’t pick fruit before it sweetens. Don’t count game you have not caught. Don’t hunt with a blunt spear. Don’t fish in poisoned waters. Don’t close your eyes near a predator.
Matshona Dhliwayo
It was a terrible battle. The most dreadful of all Bilbo’s experiences, and the one which at the time he hated most—which is to say it was the one he was most proud of, and most fond of recalling long afterwards, although he was quite unimportant in it. Actually I may say he put on his ring early in the business, and vanished from sight, if not from all danger. A magic ring of that sort is not a complete protection in a goblin charge, nor does it stop flying arrows and wild spears; but it does help in getting out of the way, and it prevents your head from being specially chosen for a sweeping stroke by a goblin swordsman.
J.R.R. Tolkien (The Hobbit: Or There and Back Again)
This one is bigger than the other by at least a quarter,” he said. “That’s perspective,” Will replied stubbornly. “The left one is closer, so it looks bigger.” “If it’s perspective, and it’s that much bigger, your handcart would have to be about five meters wide,” Horace told him. “Is that what you’re planning?” Again, Will studied the drawing critically. “No. I thought maybe two meters. And three meters long.” He quickly sketched in a smaller version of the left wheel, scrubbing over the first attempt as he did so. “Is that better?” “Could be rounder,” Horace said. “You’d never get a wheel that shape to roll. It’s sort of pointy at one end.” Will’s temper flared as he decided his friend was simply being obtuse for the sake of it. He slammed the charcoal down on the table. “Well, you try drawing a perfect circle freehand!” he said angrily. “See how well you do! This is a concept drawing, that’s all. It doesn’t have to be perfect!” Malcolm chose that moment to enter the room. He had been outside, checking on MacHaddish, making sure the general was still securely fastened to the massive log that held him prisoner. He glanced now at the sketch as he passed by the table. “What’s that?” he asked. “It’s a walking cart,” Horace told him. “You get under it, so the spears won’t hit you, and go for a walk.” Will glared at Horace and decided to ignore him. He turned his attention to Malcolm. “Do you think some of your people could build me something like this?” he asked. The healer frowned thoughtfully. “Might be tricky,” he said. “We’ve got a few cart wheels, but they’re all the same size. Did you want this one so much bigger than the other?” Now Will switched his glare to Malcolm. Horace put a hand up to his face to cover the grin that was breaking out there. “It’s perspective. Good artists draw using perspective,” Will said, enunciating very clearly. “Oh. Is it? Well, if you say so.” Malcolm studied the sketch for a few more seconds. “And did you want them this squashed-up shape? Our wheels tend to be sort of round. I don’t think these ones would roll too easily, if at all.” Truth be told, Malcolm had been listening outside the house for several minutes and knew what the two friends had been discussing. Horace gave vent to a huge, indelicate snort that set his nose running. His shoulders were shaking, and Malcolm couldn’t maintain his own straight face any longer. He joined in, and the two of them laughed uncontrollably. Will eyed them coldly. “Oh, yes. Extremely amusing,” he said.
John Flanagan (The Siege of Macindaw (Ranger's Apprentice, #6))
They shall beat their swords into ploughshares, and their spears into pruning-hooks,” is immensely more forcible than to say in general that they will convert their weapons of war into implements of agriculture.
John Albert Broadus (On the Preparation and Delivery of Sermons)
Good gods, you look like cold shit.” Ghleanna gazed at her brother and again wondered why she hadn’t smashed his bloody egg when she had the chance. Her mother would have eventually forgiven her. “Thank you, brother. And you look fat and happy. Having an easy time of it here, are you?” “Fat? Fat?” He speared the moaning human at his feet. “How dare you! My human form is in fighting trim, you callous cow.” “If you say so.
G.A. Aiken (Supernatural (Lords of Deliverance, #1.5; Demonica, #6.5; Guardians of Eternity, #7.6; Nightwalkers, #1.5; Dragon Kin, #0.4))
And Patroclus, Shaking the voice out of his body, says: ‘Big mouth. Remember it took three of you to kill me. A god, a boy, and, last and least, a prince. I can hear Death pronounce my name, and yet Somehow it sounds like Hector. And as I close my eyes I see Achilles’ face With Death’s voice coming out of it.’ Saying these things Patroclus died. And as his soul went through the sand Hector withdrew his spear and said: ‘Perhaps.
Christopher Logue (War Music: An Account of Homer's Iliad)
Perceval said to the Grail Knight: “Will you break a spear with me this day?” He did not expect Galahad to look down on him from Lancelot’s immense height and say, gently, as if he knew it must disappoint, “Sir, I cannot.” “No? Well, there are others to fight,” said Perceval, trying not to show how vexed he felt to be denied the honour. “Not for any lack of love,” Galahad added. “But for the regard in which I hold you, Perceval of Wales.
Suzannah Rowntree (Pendragon's Heir (Pendragon's Heir #1-3))
Gannets I am watching the white gannets blaze down into the water with the power of blunt spears and a stunning accuracy-- even though the sea is riled and boiling and gray with fog and the fish are nowhere to be seen, they fall, they explode into the water like white gloves, then they vanish, then they climb out again, from the cliff of the wave, like white flowers-- and still I think that nothing in this world moves but as a positive power-- even the fish, finning down into the current or collapsing in the red purse of the beak, are only interrupted from their own pursuit of whatever it is that fills their bellies-- and I say: life is real, and pain is real, but death is an imposter, and if I could be what once I was, like the wolf or the bear standing on the cold shore, I would still see it-- how the fish simply escape, this time, or how they slide down into a black fire for a moment, then rise from the water inseparable from the gannets' wings.
Mary Oliver (New and Selected Poems, Volume One)
And then there was the sad sign that a young woman working at a Tim Hortons in Lethbridge, Alberta, taped to the drive-through window in 2007. It read, “No Drunk Natives.” Accusations of racism erupted, Tim Hortons assured everyone that their coffee shops were not centres for bigotry, but what was most interesting was the public response. For as many people who called in to radio shows or wrote letters to the Lethbridge Herald to voice their outrage over the sign, there were almost as many who expressed their support for the sentiment. The young woman who posted the sign said it had just been a joke. Now, I’ll be the first to say that drunks are a problem. But I lived in Lethbridge for ten years, and I can tell you with as much neutrality as I can muster that there were many more White drunks stumbling out of the bars on Friday and Saturday nights than there were Native drunks. It’s just that in North America, White drunks tend to be invisible, whereas people of colour who drink to excess are not. Actually, White drunks are not just invisible, they can also be amusing. Remember how much fun it was to watch Dean Martin, Red Skelton, W. C. Fields, John Wayne, John Barrymore, Ernie Kovacs, James Stewart, and Marilyn Monroe play drunks on the screen and sometimes in real life? Or Jodie Marsh, Paris Hilton, Cheryl Tweedy, Britney Spears, and the late Anna Nicole Smith, just to mention a few from my daughter’s generation. And let’s not forget some of our politicians and persons of power who control the fates of nations: Winston Churchill, John A. Macdonald, Boris Yeltsin, George Bush, Daniel Patrick Moynihan. Hard drinkers, every one. The somewhat uncomfortable point I’m making is that we don’t seem to mind our White drunks. They’re no big deal so long as they’re not driving. But if they are driving drunk, as have Canada’s coffee king Tim Horton, the ex-premier of Alberta Ralph Klein, actors Kiefer Sutherland and Mel Gibson, Super Bowl star Lawyer Milloy, or the Toronto Maple Leafs’ Mark Bell, we just hope that they don’t hurt themselves. Or others. More to the point, they get to make their mistakes as individuals and not as representatives of an entire race.
Thomas King (The Inconvenient Indian: A Curious Account of Native People in North America)
The old ghostie man,” Finn said. “He was holding a book then, wasn’t he? That last time we saw him. I had to be ninety years old, and I still hadn’t finished reading these books.” Teagan shook her head. “You just loved them so much you were reading them again. I’m sure of it.” “I’m glad one of us is.” Finn took back the paper and turned it over in his hands. “He said I couldn’t ask you to marry me until I’d finished the quest. He didn’t say a word about canoodling. Do you want to—” “Yes.
Kersten Hamilton (When the Stars Threw Down Their Spears (Goblin Wars, #3))
I'm just saying, when a woman in a maiden, she's in the spotlight. Everybody cares what a pretty, young girl does and says. And she's got some pretty strict archetypes to adhere to: Sleeping Beauty or Cinderella or Britney Spears. Pick your poison. But when you become a young mother? People don't give a fuck what you're doing. Their eyes glaze over before they even finish asking you. Once a woman starts doing the most important work of her life, all of a sudden, nobody wants to know a thing about it.
Rufi Thorpe (The Girls from Corona del Mar)
He seizes my hand, and crows to me of the day's events, of how his name was on everybody's lips, of the power of his absence, big as a Cyclops, walking heavily amongst the soldiers. The excitement of the day has flared through him, like flame in dry grass. For the first time, he dreams of killing: the stroke of glory, his inevitable spear through Hector's heart. My skin prickles to hear him say so. 'Do you see?' he says. 'It is the beginning!' I cannot escape the feeling that, below the surface, something is breaking.
Madeline Miller (The Song of Achilles)
I forgot to say—a merely curious detail—that in one of the first chapters of Sartor Resartus, when speaking about garments, Carlyle says that the simplest garment he knows of was used by the cavalry of Bolivar in the South American war. And here we have a description of the poncho as “a blanket with a hole in the middle,” under which he imagines Bolivar’s cavalry soldier, he imagines him—simplifying it a bit—“mother naked,” as naked as when he came out of his mother’s belly, covered by the poncho, with only his sword and his spear.”25
Jorge Luis Borges (Professor Borges: A Course on English Literature)
BOWLS OF FOOD Moon and evening star do their slow tambourine dance to praise this universe. The purpose of every gathering is discovered: to recognize beauty and love what’s beautiful. “Once it was like that, now it’s like this,” the saying goes around town, and serious consequences too. Men and women turn their faces to the wall in grief. They lose appetite. Then they start eating the fire of pleasure, as camels chew pungent grass for the sake of their souls. Winter blocks the road. Flowers are taken prisoner underground. Then green justice tenders a spear. Go outside to the orchard. These visitors came a long way, past all the houses of the zodiac, learning Something new at each stop. And they’re here for such a short time, sitting at these tables set on the prow of the wind. Bowls of food are brought out as answers, but still no one knows the answer. Food for the soul stays secret. Body food gets put out in the open like us. Those who work at a bakery don’t know the taste of bread like the hungry beggars do. Because the beloved wants to know, unseen things become manifest. Hiding is the hidden purpose of creation: bury your seed and wait. After you die, All the thoughts you had will throng around like children. The heart is the secret inside the secret. Call the secret language, and never be sure what you conceal. It’s unsure people who get the blessing. Climbing cypress, opening rose, Nightingale song, fruit, these are inside the chill November wind. They are its secret. We climb and fall so often. Plants have an inner Being, and separate ways of talking and feeling. An ear of corn bends in thought. Tulip, so embarrassed. Pink rose deciding to open a competing store. A bunch of grapes sits with its feet stuck out. Narcissus gossiping about iris. Willow, what do you learn from running water? Humility. Red apple, what has the Friend taught you? To be sour. Peach tree, why so low? To let you reach. Look at the poplar, tall but without fruit or flower. Yes, if I had those, I’d be self-absorbed like you. I gave up self to watch the enlightened ones. Pomegranate questions quince, Why so pale? For the pearl you hid inside me. How did you discover my secret? Your laugh. The core of the seen and unseen universes smiles, but remember, smiles come best from those who weep. Lightning, then the rain-laughter. Dark earth receives that clear and grows a trunk. Melon and cucumber come dragging along on pilgrimage. You have to be to be blessed! Pumpkin begins climbing a rope! Where did he learn that? Grass, thorns, a hundred thousand ants and snakes, everything is looking for food. Don’t you hear the noise? Every herb cures some illness. Camels delight to eat thorns. We prefer the inside of a walnut, not the shell. The inside of an egg, the outside of a date. What about your inside and outside? The same way a branch draws water up many feet, God is pulling your soul along. Wind carries pollen from blossom to ground. Wings and Arabian stallions gallop toward the warmth of spring. They visit; they sing and tell what they think they know: so-and-so will travel to such-and-such. The hoopoe carries a letter to Solomon. The wise stork says lek-lek. Please translate. It’s time to go to the high plain, to leave the winter house. Be your own watchman as birds are. Let the remembering beads encircle you. I make promises to myself and break them. Words are coins: the vein of ore and the mine shaft, what they speak of. Now consider the sun. It’s neither oriental nor occidental. Only the soul knows what love is. This moment in time and space is an eggshell with an embryo crumpled inside, soaked in belief-yolk, under the wing of grace, until it breaks free of mind to become the song of an actual bird, and God.
Jalal ad-Din Muhammad ar-Rumi (The Soul of Rumi: A New Collection of Ecstatic Poems)
The generals take the credit, of course, and indeed they provide the gold. But they are always calling you into their tent and asking for reports of what you’re doing instead of letting you go do it. The songs say it is heroes. They are another piece. When Achilles puts on his helmet and cleaves his red path through the field, the hearts of common men swell in their chests. They think of the stories that will be told, and they long to be in them. I fought beside Achilles. I stood shield to shield with Ajax. I felt the wind and fan of their great spears. Those soldiers, of course, are yet another piece, for though they are weak and unsteady, when they are harnessed together they will carry you to victory. But there is a hand that must gather all those pieces and make them whole. A mind to guide the purpose, and not flinch from war’s necessities.
Madeline Miller (Circe)
Don’t we say all helpless folk—the orphan, the stranger, the suppliant, who have nothing to bargain with and can only pray—are sacred to Zeus the Savior? The King must answer for them; he is next the god. For the serfs, the landless hirelings, the captives of the spear; even the slaves.
Mary Renault (The Bull from the Sea (Theseus, #2))
The village of Proginnot? Aye the ridge had a wood atop it. It lies perhaps ten miles south-east of here.” “There we will make a stand, our numbers may not be enough to go on the attack, but let them come to us and throw themselves on our spears. Old Matteus used to say that a good position is worth ten thousand men.
T.O. Munro (Lady of the Helm (Bloodline Trilogy, #1))
Throughout the biblical story, from Genesis to Revelation, every radical challenge from the biblical God is both asserted and then subverted by its receiving communities— be they earliest Israelites or latest Christians. That pattern of assertion-and-subversion, that rhythm of expansion-and-contraction, is like the systole-and-diastole cycle of the human heart. In other words, the heartbeat of the Christian Bible is a recurrent cardiac cycle in which the asserted radicality of God’s nonviolent distributive justice is subverted by the normalcy of civilization’s violent retributive justice. And, of course, the most profound annulment is that both assertion and subversion are attributed to the same God or the same Christ. Think of this example. In the Bible, prophets are those who speak for God. On one hand, the prophets Isaiah and Micah agree on this as God’s vision: “they shall beat their swords into plowshares, / and their spears into pruning hooks; / nation shall not lift up sword against nation, / neither shall they learn war any more” (Isa. 2:4 = Mic. 4:3). On the other hand, the prophet Joel suggests the opposite vision: “Beat your plowshares into swords, / and your pruning hooks into spears; / let the weakling say, ‘I am a warrior’” (3:10). Is this simply an example of assertion-and-subversion between prophets, or between God’s radicality and civilization’s normalcy? That proposal might also answer how, as noted in Chapter 1, Jesus the Christ of the Sermon on the Mount preferred loving enemies and praying for persecutors while Jesus the Christ of the book of Revelation preferred killing enemies and slaughtering persecutors. It is not that Jesus the Christ changed his mind, but that in standard biblical assertion-and-subversion strategy, Christianity changed its Jesus.
John Dominic Crossan (How to Read the Bible and Still Be a Christian: Struggling with Divine Violence from Genesis Through Revelation)
Praise be to Allah, who revealed the Book, controls the clouds, defeats factionalism, and says in His Book: 'But when the forbidden months are past, then fight and slay the pagans wherever ye find them, seize them, beleaguer them, and lie in wait for them in every stratagem (of war)'; and peace be upon our Prophet, Muhammad Bin-'Abdallah, who said: I have been sent with the sword between my hands to ensure that no one but Allah is worshipped, Allah who put my livelihood under the shadow of my spear and who inflicts humiliation and scorn on those who disobey my orders. ...All these crimes and sins committed by the Americans are a clear declaration of war on Allah, his messenger, and Muslims. And ulema have throughout Islamic history unanimously agreed that the jihad is an individual duty if the enemy destroys the Muslim countries. This was revealed by Imam Bin-Qadamah in 'Al- Mughni,' Imam al-Kisa'i in 'Al-Bada'i,' al-Qurtubi in his interpretation, and the shaykh of al-Islam in his books, where he said: 'As for the fighting to repulse [an enemy], it is aimed at defending sanctity and religion, and it is a duty as agreed [by the ulema]. Nothing is more sacred than belief except repulsing an enemy who is attacking religion and life.' On that basis, and in compliance with Allah's order, we issue the following fatwa to all Muslims: The ruling to kill the Americans and their allies -- civilians and military -- is an individual duty for every Muslim who can do it in any country in which it is possible to do it, in order to liberate the al-Aqsa Mosque and the holy mosque [Mecca] from their grip, and in order for their armies to move out of all the lands of Islam, defeated and unable to threaten any Muslim. This is in accordance with the words of Almighty Allah, 'and fight the pagans all together as they fight you all together,' and 'fight them until there is no more tumult or oppression, and there prevail justice and faith in Allah.' ...We -- with Allah's help -- call on every Muslim who believes in Allah and wishes to be rewarded to comply with Allah's order to kill the Americans and plunder their money wherever and whenever they find it. We also call on Muslim ulema, leaders, youths, and soldiers to launch the raid on Satan's U.S. troops and the devil's supporters allying with them, and to displace those who are behind them so that they may learn a lesson. ...Almighty Allah also says: 'O ye who believe, what is the matter with you, that when ye are asked to go forth in the cause of Allah, ye cling so heavily to the earth! Do ye prefer the life of this world to the hereafter? But little is the comfort of this life, as compared with the hereafter. Unless ye go forth, He will punish you with a grievous penalty, and put others in your place; but Him ye would not harm in the least. For Allah hath power over all things.' Almighty Allah also says: 'So lose no heart, nor fall into despair. For ye must gain mastery if ye are true in faith.' [World Islamic Front Statement, 23 February 1998]
Osama bin Laden
In all evils we must confess that God is the author and say: “Since You have done it, we must be silent and dumb,” lest we murmur or blaspheme against Him. And He must be implored to remove the evil. For he who does not know who brings in the evil becomes impatient in vain and attempts to banish it. It is as if a spear were hurled from an unknown place, and the one struck is angry in vain.
Martin Luther (Luther's Works, Vol. 10: Lectures on Psalms)
That assumption—that labeling and sorting children based on gender doesn’t really matter as long as everyone is treated fairly—would hold true if children only paid attention to the more overt, obvious messages we adults send. If children only listened to our purposeful messages, parenting would be easy. Most (but not all) parents and teachers take great effort in treating their children fairly, regardless of gender. Parents don’t need to say to their daughters, “You probably won’t enjoy math” or say to their sons, “Real boys don’t play with dolls.” Most parents wouldn’t dream of saying these blatant stereotypes to their kids. But research has shown that when we label (and sort and color-code) by gender, children do notice. And it matters—children are learning whether you mean to be teaching them or not.
Christia Spears Brown (Parenting Beyond Pink & Blue: How to Raise Your Kids Free of Gender Stereotypes)
The world's greatest computer is the brain. The world's greatest engine is the heart. The world's greatest generator is the soul. The world's greatest television is the mind. The world's greatest radio is the tongue. The world's greatest camera is the eye. The world's greatest ladder is faith. The world's greatest hammer is courage. The world's greatest sword is accuracy. The world's greatest photographer is sight. The world's greatest knife is fate. The world's greatest spear is intelligence. The world's greatest submerine is a fish. The world's greatest aeroplane is a bird. The world's greatest jet is a fly. The world's greatest bicycle is a camel. The world's greatest motorbike is a horse. The world's greatest train is a centipede. The world's greatest sniper is a cobra. The world's greatest schemer is a fox. The world's greatest builder is an ant. The world's greatest tailor is a spider. The world's greatest assassin is a wolf. The world's greatest ruler is a lion. The world's greatest judge is karma. The world's greatest preacher is nature. The world's greatest philosopher is truth. The world's greatest mirror is reality. The world's greatest curtain is darkness. The world's greatest author is destiny.
Matshona Dhliwayo
The marketing techniques were getting refined. There had been a trend away from conventional political consultants and the traditional campaign philosophy of “getting our message out to the people.” Surveys showed the people were allergic to messages and refused to listen, even if the president was on TV saying the water supply was radioactive and giant spiders were running the government. The strategy shifted from “the message” to brand recognition after it was learned that most campaigns were decided during the selection of color scheme, typeface and logo. Campaigns began aggressively headhunting at Coca-Cola and Procter & Gamble. They spent heavily on focus groups and test markets. Conference rooms full of average citizens ate potato chips and pickle spears while campaign workers auditioned fonts and swatches.
Tim Dorsey (Orange Crush (Serge Storms #3))
Of the things that followed I cannot at all say whether they were what men call real or what men call dream. And, for all I can tell, the only difference is that what many see we call a real thing, and what only one sees we call a dream. But things that many see may have no taste or moment in them at all, and things that are shown only to one may be spears and water-spouts of truth from the very depth of truth.
C.S. Lewis (Till We Have Faces)
Allow me to introduce my shepherd,” The Under-King said from the mist ahead, standing beside a ten-foot-tall black dog. Each of its fangs were as long as one of her fingers. All hooked—like a shark’s. Designed to latch into flesh and hold tight while it ripped and shredded. Its eyes were milky white—sightless. Identical to the Under-King’s. Her light would have no effect on something that was already blind. The dog’s fur—sleek and iridescent enough that it almost resembled scales—flowed over bulky, bunched muscles. Claws like razor blades sliced into the dry ground. Hunt’s lightning crackled, skittering at Bryce’s feet. “That’s a demon,” he ground out. He’d fought enough of them to know. “An experiment of the Prince of the Ravine’s, from the First Wars,” the Under-King rasped. “Forgotten and abandoned here in Midgard during the aftermath. Now my faithful companion and helper. You’d be surprised how many souls do not wish to make their final offering to the Gate. The Shepherd…Well, it herds them for me. As it shall herd you.” “Fry this fucker,” Bryce muttered to Hunt as the dog snarled. “I’m assessing.” “Assess faster. Roast it like a—” “Do not make a joke about—” “Hot dog.” Bryce had no sooner finished saying the words than the hound lunged. Hunt struck, swift and sure, a lightning bolt spearing toward its neck.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
The marquess held the weapon out, as formally as if he were passing a sword. Soberly, Ned accepted it. He placed the sacrificial citrus on the table in front of him, and then with one careful incision, eviscerated it. He speared deep into its heart, his hands steady, and then cut it to pieces. Jenny allotted herself one short moment of wistful sorrow for her afterdinner treat gone awry as the juice ran everywhere. “Enough.” She reached out and covered his hand midstab. “It’s dead now,” she explained gravely. He pulled his hand away and nodded. Lord Blakely took back his knife and cleaned it with a handkerchief. Jenny studied the corpse. It was orange. It was pulpy. It was going to be a mess to clean up. Most importantly, it gave her an excuse to sit and think of something mystical to say—the only reason for this exercise, really. Lord Blakely demanded particulars. But in Jenny’s profession, specifics were the enemy.
Courtney Milan (Proof by Seduction (Carhart, #1))
They know we're here." He turns to Galen. "What do you think?" Galen scratches the back of his neck. "It's a trap." Toraf rolls his eyes. "Oh, you think so?" He shakes his head. "I'm asking if you think Musa is in on it." Galen is not very familiar with Musa. He's only talked to her a handful of times, and that was when he was very young. Still, out of all the Archives who seemed to support Jagen and his monumental act of treason, Musa's face does not come to mind. "Would she be?" Toraf shrugs. Woden scowls. “With much respect, Highness, Musa is an Archive. She will not forsake her vows to remain neutral.” It takes all of Galen’s willpower to bite his tongue. Woden is still naïve enough to believe that all the Archives are of a pure and unbiased mind. That they do not get tangled up in emotions such as greed, ambition, and envy. Did Woden attend the same tribunal I did? Toraf slaps Woden on the back. “Then you don’t mind going first?” The Poseidon Tracker visibly swallows. “Oh. Of course not. I’m happy to-“ “Oh, let’s get on with this,” Galen says, snatching the spear from Woden’s unsuspecting grasp. This seems to embarrass the young Tracker. Galen doesn’t have time for embarrassment. “Yes, let’s,” Toraf says. “Before the humans get those disgusting wrinkles on their skin.” He nudges Woden. “It’s probably the most horrific thing I’ve ever seen. And I’ve seen lots of things.” It’s the first time Galen realizes that Woden’s nervous demeanor and over-respectful attitude is not out of reverence for his own Royal status, but out of reverence for Toraf. It seems Toraf has a fan. And why wouldn’t he? He’s the best Tracker in the history of both territories. Any Tracker should feel humbled in his presence. Galen is not any Tracker. He grunts. “Shut up, idiot. Get behind me.” Toraf speeds ahead. “No, you get behind me, minnow.” Despite their grand words, they creep to the door together.
Anna Banks (Of Triton (The Syrena Legacy, #2))
In the modern era, teachers and scholarship have traditionally laid strenuous emphasis on the fact that Briseis, the woman taken from Achilles in Book One, was his géras, his war prize, the implication being that her loss for Achilles meant only loss of honor, an emphasis that may be a legacy of the homoerotic culture in which the classics and the Iliad were so strenuously taught—namely, the British public-school system: handsome and glamorous Achilles didn’t really like women, he was only upset because he’d lost his prize! Homer’s Achilles, however, above all else, is spectacularly adept at articulating his own feelings, and in the Embassy he says, “‘Are the sons of Atreus alone among mortal men the ones / who love their wives? Since any who is a good man, and careful, / loves her who is his own and cares for her, even as I now / loved this one from my heart, though it was my spear that won her’ ” (9.340ff.). The Iliad ’s depiction of both Achilles and Patroklos is nonchalantly heterosexual. At the conclusion of the Embassy, when Agamemnon’s ambassadors have departed, “Achilles slept in the inward corner of the strong-built shelter, / and a woman lay beside him, one he had taken from Lesbos, / Phorbas’ daughter, Diomede of the fair colouring. / In the other corner Patroklos went to bed; with him also / was a girl, Iphis the fair-girdled, whom brilliant Achilles / gave him, when he took sheer Skyros” (9.663ff.). The nature of the relationship between Achilles and Patroklos played an unlikely role in a lawsuit of the mid-fourth century B.C., brought by the orator Aeschines against one Timarchus, a prominent politician in Athens who had charged him with treason. Hoping to discredit Timarchus prior to the treason trial, Aeschines attacked Timarchus’ morality, charging him with pederasty. Since the same charge could have been brought against Aeschines, the orator takes pains to differentiate between his impulses and those of the plaintiff: “The distinction which I draw is this—to be in love with those who are beautiful and chaste is the experience of a kind-hearted and generous soul”; Aeschines, Contra Timarchus 137, in C. D. Adams, trans., The Speeches of Aeschines (Cambridge, MA, 1958), 111. For proof of such love, Aeschines cited the relationship between Achilles and Patroklos; his citation is of great interest for representing the longest extant quotation of Homer by an ancient author. 32
Caroline Alexander (The War That Killed Achilles: The True Story of Homer's Iliad and the Trojan War)
Aelin snarled, “You killed him.” The king approached, his footfalls thudding on the glass bridge. “My one regret,” the king said to her, “is that I did not get to take my time.” She backed up a step—just one. The king drew Nothung. “I’ll take my time with you, though.” Aelin lifted her sword in both hands. Then— “What did you say?” Dorian. The voice was hoarse, broken. The king and Aelin both turned toward the prince. But Dorian’s eyes were on his father, and they were burning like stars. “What did you say. About Chaol.” The king snapped. “Silence.” “Did you kill him.” Not a question. Aelin’s lips began trembling, and she tunneled down, down, down inside herself. “And if I did?” the king said, brows high. “Did you kill Chaol?” The light at Dorian’s hand burned and burned— But the collar remained around his neck. “You,” the king snapped—and Aelin realized he meant her just as a spear of darkness shot for her so fast, too fast— The darkness shattered against a wall of ice.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
Was I mad at being “outed” by him as sexually active? No. To be honest with you, I liked that Justin said that. Why did my managers work so hard to claim I was some kind of young-girl virgin even into my twenties? Whose business was it if I’d had sex or not? I’d appreciated it when Oprah told me on her show that my sexuality was no one else’s business, and that when it came to virginity, “you don’t need a world announcement if you change your mind.” Yes, as a teenager I played into that portrayal, because everyone was making such a big deal out of it. But if you think about it, it was pretty stupid for people to describe my body in that way, for them to point to me and say, “Look! A virgin!” It’s nobody’s business at all. And it took the focus off me as a musician and performer. I worked so hard on my music and on my stage shows. But all some reporters could think of to ask me was whether or not my breasts were real (they were, actually) and whether or not my hymen was intact.
Britney Spears (The Woman in Me)
There’s another high-pitched cry, this time my name. “Katniss! Katniss!” “Rue!” I shout back, so she knows I’m near. So, they know I’m near, and hopefully the girl who has attacked them with tracker jackers and gotten an eleven they still can’t explain will be enough to pull their attention away from her. “Rue! I’m coming!” When I break into the clearing, she’s on the ground, hopelessly entangled in a net. She just has time to reach her hand through the mesh and say my name before the spear enters her body.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Here are some people who have written books, telling what they did and why they did those things: John Dean. Henry Kissinger. Adolf Hitler. Caryl Chessman. Jeb Magruder. Napoleon. Talleyrand. Disraeli. Robert Zimmerman, also known as Bob Dylan. Locke. Charlton Heston. Errol Flynn. The Ayatollah Khomeini. Gandhi. Charles Olson. Charles Colson. A Victorian Gentleman. Dr. X. Most people also believe that God has written a Book, or Books, telling what He did and why—at least to a degree—He did those things, and since most of these people also believe that humans were made in the image of God, then He also may be regarded as a person… or, more properly, as a Person. Here are some people who have not written books, telling what they did… and what they saw: The man who buried Hitler. The man who performed the autopsy on John Wilkes Booth. The man who embalmed Elvis Presley. The man who embalmed—badly, most undertakers say—Pope John XXIII. The twoscore undertakers who cleaned up Jonestown, carrying body bags, spearing paper cups with those spikes custodians carry in city parks, waving away the flies.
Stephen King (Pet Sematary)
K’Vruck is so much more complete than death. It is the reduction of matter to a state of utter inertness, from which nothing can ever rise again. It is less than nothing. Nothing is something. K’Vruck is absolute. Your species would postulate the loss of soul to try to wrap their puny brains around it. I stiffen. I know this voice. This mockery. My spear will be no use against it. If I kill the Hunter, it would probably just hop a ride on me. I will tell you a secret, it says silkily. You do go on. Humans. Unless you are—it laughs softly—K’Vrucked.
Karen Marie Moning (Shadowfever (Fever, #5))
Strange game, this stating the obvious,” Suri said, shaking her head. She got up and joined Minna at the woodpile. “Pointless, but popular. Everyone plays it. You’re eating our bread. That isn’t your bed. You have a wolf. But as you can see, I’m getting the knack of it. Tura told me to blend in at villages, especially the dahls. She said people who live inside walls are crazy and can be dangerous. Touched animals are, too. Cursed by the gods, sort of like you, and even a tainted squirrel’s bite can make you that way.” “I merely meant, well…” Persephone hesitated. “I didn’t think you’d still be here.” Suri pointed at the treetops visible over the rear wall of the dahl where the gray spears had become a curtain of green. “Was waiting on the leaves.” Persephone laughed. “It’s been two weeks.” The mystic twisted her face, thinking hard. “You have two ears.” She smiled proudly. “I’m starting to see the fun of this. Using a part of what another person says makes it harder, doesn’t it? Probably gets more challenging late in winter when you’ve been sealed up for months— I assume you can’t repeat the same thing twice, right?
Michael J. Sullivan (Age of Myth (The Legends of the First Empire, #1))
Eating forks were thought comically dainty and unmanly—and dangerous, too, come to that. Since they had only two sharp tines, the scope for spearing one’s lip or tongue was great, particularly if one’s aim was impaired by wine and jollity. Manufacturers experimented with additional numbers of tines—sometimes as many as six—before settling, late in the nineteenth century, on four as the number that people seemed to be most comfortable with. Why four should induce the optimum sense of security isn’t easy to say, but it does seem to be a fundamental fact of flatware psychology.
Bill Bryson (At Home: A Short History of Private Life)
Five years from today. Where, exactly, do you want to be?" Her eyes lit up. Sadie loves that kind of question. "Ooh. Wow. Let me think. December, getting close to Christmas. I'll be twenty-one..." "Passed out under the tree with a fifth of Jack, half a 7-Eleven rotisserie chicken, and a cat who poops in your shoes." Frankie returned our startled glances with his lizard look. "Oh, wait. That's me. Sorry." I opted to ignore him. "Five years to the day,Sadie." She glanced quickly between Frankie and me. "Do we need a time-out here?" "Nope," I said. "Carry on." "Okay. Five years. I will be in New York visiting the pair of you because, while NYU is fab, I will be halfwau through my final year of classics at Cambridge, trying to decide whether I want to be a psychologist or a pastry chef. You," she said sternly to Frankie, "will be drinking appropriate amounds of champagne with your boyfriend, a six-three blond from Helsinki who happens to design for Tory Burch. Ah! Don't say anything. It's my future. You can choose a different designer when it's you go. I want the Tory freebies." She turned to me. "We will be sipping said champagne in the middle of the Gagosian Galley, because it is the opening night of your first solo exhibit. At which everything will sell." She punctuated the sentence by poking the air with a speared black olive. "I love you," I told her. Then, "But that wasn't really about you." "Oh,but it was," she disagreed, going back to her salad. "It's exactly where I want to be. Although" -she grinned over a tomato wedge- "I might have the next David Beckham in tow." "The next David Beckham is a five-foot-tall Welshman named Madog Cadwalader. He has extra teeth and bow legs." "Really?" Sadie asked. Frankie snorted. "No.Not really.
Melissa Jensen (The Fine Art of Truth or Dare)
Eliot's understanding of poetic epistemology is a version of Bradley's theory, outlined in our second chapter, that knowing involves immediate, relational, and transcendent stages or levels. The poetic mind, like the ordinary mind, has at least two types of experience: The first consists largely of feeling (falling in love, smelling the cooking, hearing the noise of the typewriter), the second largely of thought (reading Spinoza). The first type of experience is sensuous, and it is also to a great extent monistic or immediate, for it does not require mediation through the mind; it exists before intellectual analysis, before the falling apart of experience into experiencer and experienced. The second type of experience, in contrast, is intellectual (to be known at all, it must be mediated through the mind) and sharply dualistic, in that it involves a breaking down of experience into subject and object. In the mind of the ordinary person, these two types of experience are and remain disparate. In the mind of the poet, these disparate experiences are somehow transcended and amalgamated into a new whole, a whole beyond and yet including subject and object, mind and matter. Eliot illustrates his explanation of poetic epistemology by saying that John Donne did not simply feel his feelings and think his thoughts; he felt his thoughts and thought his feelings. He was able to "feel his thought as immediately as the odour of a rose." Immediately" in this famous simile is a technical term in philosophy, used with precision; it means unmediated through mind, unshattered into subject and object. Falling in love and reading Spinoza typify Eliot's own experiences in the years in which he was writing The Waste Land. These were the exciting and exhausting years in which he met Vivien Haigh-Wood and consummated a disastrous marriage, the years in which he was deeply involved in reading F. H. Bradley, the years in which he was torn between the professions of philosophy and poetry and in which he was in close and frequent contact with such brilliant and stimulating figures as Bertrand Russell and Ezra Pound, the years of the break from his family and homeland, the years in which in every area of his life he seemed to be between broken worlds. The experiences of these years constitute the material of The Waste Land. The relevant biographical details need not be reviewed here, for they are presented in the introduction to The Waste Land Facsimile. For our purposes, it is only necessary to acknowledge what Eliot himself acknowledged: the material of art is always actual life. At the same time, it should also be noted that material in itself is not art. As Eliot argued in his review of Ulysses, "in creation you are responsible for what you can do with material which you must simply accept." For Eliot, the given material included relations with and observations of women, in particular, of his bright but seemingly incurably ill wife Vivien(ne).
Jewel Spears Brooker (Reading the Waste Land: Modernism and the Limits of Interpretation)
Again, enthusiastic would incorrectly label me as a warmonger or battle junkie,” Ortiz said. “I am a warrior and a soldier. If there’s to be a knock-down drag-out match for our right to exist, then yes… I want to be at the tip of the spear. “Can none of you see it? Win or lose, we’re living in legendary times. Our actions will determine the fate of our entire species, and the choices we make, or don’t make, will ring through history for centuries. So no, I am not enthusiastic, but I am willing to accept the challenge that’s been given us. What is the point of being alive if only to exist and consume? The universe has asked if we are worthy. How will we answer that question? That’s all I’m saying.
Joshua Dalzelle (Call to Arms (Black Fleet Trilogy, #2))
Man overboard!” Then everyone was busy. Some of the sailors hurried aloft to take in the sail; others hurried below to get to the oars; and Rhince, who was on duty on the poop, began to put the helm hard over so as to come round and back to the man who had gone overboard. But by now everyone knew that it wasn’t strictly a man. It was Reepicheep. “Drat that mouse!” said Drinian. “It’s more trouble than all the rest of the ship’s company put together. If there is any scrape to be got into, in it will get! It ought to be put in irons--keelhauled--marooned--have its whiskers cut off. Can anyone see the little blighter?” All this didn’t mean that Drinian really disliked Reepicheep. On the contrary he liked him very much and was therefore frightened about him, and being frightened put him in a bad temper--just as your mother is much angrier with you for running out into the road in front of a car than a stranger would be. No one, of course, was afraid of Reepicheep’s drowning, for he was an excellent swimmer; but the three who knew what was going on below the water were afraid of those long, cruel spears in the hands of the Sea People. In a few minutes the Dawn Treader had come round and everyone could see the black blob in the water which was Reepicheep. He was chattering with the greatest excitement but as his mouth kept on getting filled with water nobody could understand what he was saying. “He’ll blurt the whole thing out if we don’t shut him up,” cried Drinian. To prevent this he rushed to the side and lowered a rope himself, shouting to the sailors, “All right, all right. Back to your places. I hope I can heave a mouse up without help.
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
In Psalm 57: 1, David says, “In the shadow of thy wings will I make my refuge, until these calamities be overpass.” Instead of going out to fight his own battles, David took refuge in God. How tempting it might have been for him to show the enemy his strength and might. To show his enemy that he was not somebody to be messed with must have been a great temptation for a man like David. Instead of engaging the enemy, however, David took refuge in the shadow of God’s wings. What a blessed truth to understand that, in the middle of all of our difficulties and calamities, we have a refuge. Certainly, there is a time to go forth into battle and engage the enemy. But this should only be under the direct orders of the Captain of our salvation. Young David understood this as he faced Goliath. And all this assembly shall know that the LORD saveth not with sword and spear: for the battle is the LORD’s, and he will give you into our hands (1 Sam. 17: 47). The battle is always the Lord’s.
A.W. Tozer (The Crucified Life: How To Live Out A Deeper Christian Experience)
Which mirror now, Ms. Lane?” He glanced around the white room, scanning the ten mirrors. “Fourth from the left. Jericho.” I was sick of him calling me Ms. Lane. I picked myself up off the white floor. Once again the Silver had spit me out with entirely too much enthusiasm, and I didn’t even have the stones on me. I didn’t have anything but the spear in my holster, a protein bar, two flashlights, and a bottle of Unseelie in my pockets. “You don’t have the right to call me Jericho.” “Why? Because we haven’t been intimate enough? I’ve had sex with you in every possible position, killed you, fed you my blood in the hopes that it would bring you back to life, crammed Unseelie into your stomach, and tried to rearrange your guts. I’d say that’s pretty personal. How much more intimate do we have to get for you to feel comfortable with me calling you Jericho? Jericho.” I expected him to pounce on the sex-in-every-possible-position comment, but he only said. “You fed me your—” I pushed into the mirror, cutting him off. Like the first one, it resisted me, then grabbed me and squirted me out on the other side. His voice preceded his arrival. “You bloody fool, do you never stop to consider the consequences of your actions?” He barreled out of the mirror behind me. “Of course I do,” I said coolly. “There’s always plenty of time to consider the consequences. After I’ve screwed up.” “Funny girl, aren’t you, Ms. Lane?” “Sure am. Jericho. It’s Mac. I’m Mac. No more fake formality between us. Get with the program or get the hell out of here.” His dark eyes flared. “Big talk. Ms. Lane. Try to enforce it.” Challenge burned in his gaze. I sauntered toward him. He watched me coldly and I was reminded of the other night, when I’d pretended to be coming on to him, because I was angry. He thought I was doing it again. I wasn’t. Being in the White Mansion with him was doing something strange to me. Unraveling all my inhibitions, as if these walls had no tolerance for lies, or within them there was no need.
Karen Marie Moning (Shadowfever (Fever, #5))
On the 27th morning, at around 8 a.m. the train left Godhra Station. The karsevaks were loudly chanting the Ram Dhoon. The train had hardly gone a few meters, when it suddenly stopped. Somebody had perhaps pulled the chain to stop the train. Before anybody could know what had happened, we saw a huge mob approaching the train. People were carrying weapons like Gupti, Spears, Swords and such other deadly weapons in their hands and were throwing stones at the train. We all got frightened and somehow closed the windows and the doors of the compartment. People outside were shouting loudly, saying ‘Maro, Kato’ and were attacking the train. A loudspeaker from the Masjid (i.e. Mosque) closeby was also very loudly shouting ‘Maro, Kato, Laden na dushmano ne Maro.’ (“Cut, kill, kill the enemies of Laden”)These attackers were so fierce that they managed to break the windows and close the doors from outside before pouring petrol inside and setting the compartment on fire so that nobody could escape alive. A number of attackers entered the compartment and were beating the karsevaks and looting their belongings. The compartments were drenched in petrol all over. We were terrified and were shouting for help but who was there to help us? A few policemen were later seen approaching the compartment but they were also whisked away by the furious mob outside. There was so much of smoke in the compartment that we were unable to see each other and also getting suffocated. Going out was too difficult, however, myself and Pooja somehow managed to jump out through the windows. Pooja was hurt in her back and was unable to stand up. People outside were trying to hold us to take us away but we could escape and run under the burning train and succeeded in crawling towards the cabin. I have seen my parents and sisters being burnt alive right in front of my eyes.” Luckily, Gayatri was not hurt too badly. “We somehow managed to go up to the station and meet our aunty (Masi). After the compartments were completely burnt, the crowd started withering. We saw that even amongst them were men, women and youngsters like us, both male and female.
M.D. Deshpande (Gujarat Riots: The True Story: The Truth of the 2002 Riots)
5And David went out  fand was successful wherever Saul sent him, so that Saul set him over the men of war. And this was good in the sight of all the people and also in the sight of Saul’s servants. Saul’s Jealousy of David 6As they were coming home, when David returned from striking down the Philistine,  gthe women came out of all the cities of Israel, singing and dancing, to meet King Saul, with tambourines, with songs of joy, and with musical instruments. [1] 7And the women  hsang to one another as they celebrated, i“Saul has struck down his thousands, and David his ten thousands.” 8And Saul was very angry, and this saying displeased him. He said, “They have ascribed to David ten thousands, and to me they have ascribed thousands, and what more can he have but  jthe kingdom?” 9And Saul eyed David from that day on. 10The next day  ka harmful spirit from God rushed upon Saul, and  lhe raved within his house while David was  mplaying the lyre, as he did day by day.  nSaul had his spear in his hand. 11And Saul  ohurled the spear, for he thought, “I will pin David to the wall.” But David evaded him twice. 12
Anonymous (ESV Classic Reference Bible)
The Golden Bough captured the imagination of many artists in the early twentieth century. Eliot, certainly, was immersed in it, discussing it familiarly in his graduate school papers and book reviews and constantly alluding to it in his art. The most straightforward advice he offers to readers of The Waste Land (given in the notes to the poem) is, in paraphrase, that any serious reader of the poem must take into consideration modern scholarship in myth and anthropology, especially Frazer Golden Bough and Jessie Weston From Ritual to Romance. The poet says that he is indebted to this scholarship for his title, his plan, his symbolism, and many of his references to ancient religion and society. His claim about the title, taken from the monomyth of Frazer and Weston, his claim about the symbolism, associated with the birth-death-rebirth cycles of the myths, and his claim about the miscellaneous undergirding references have been discussed by Grover Smith and other scholars. We wish to focus more on Eliot's claim about being indebted to Frazer for the plan of the poem. We believe it refers, at least in part, to Frazer's use of the comparative method and to his practice of assembling many perspectives and allowing these perspectives to make his point. It must be noted at once that Eliot was quite selective in his admiration of Frazer. For example, he did not admire Frazer's positivism. Frazer put his faith in science and celebrated what he called the evolution from magic to religion to science. Nor did Eliot share Frazer's conclusions. In his 1913 paper on the interpretation of primitive ritual, he says that Frazer's interpretations of specific myths (the myth of the dying god is his example) are almost certainly mistaken. But Eliot did admire Frazer's erudition and his increasingly nontheoretical presentation of many angles of vision which in themselves tend to generate an overarching abstract primitive vision. In 1924, on the occasion of the publication of a condensed edition of The Golden Bough, Eliot wrote a review in which he lauded Frazer for having "extended the consciousness of the human mind into as dark a backward and abysm of time as has yet been explored." Eliot argues that Frazer's importance for artists is in his exemplary withdrawal from speculation, his adoption of the absence of interpretation as a positive modus operandi.
Jewel Spears Brooker (Reading the Waste Land: Modernism and the Limits of Interpretation)
Eeh, but whah’s the use, the fuckin’ use?” Dixon resting his head briefly tho’ audibly upon the Table. “It’s over . . . ? Nought left to us but Paper-work . . . ?” Their task has shifted, from Direct Traverse upon the Line to Pen-and-Paper Representation of it, in the sober Day-Light of Philadelphia, strain’d thro’ twelve-by-twelve Sash-work, as in the spectreless Light of the Candles in their Rooms, suffering but the fretful Shadows of Dixon at the Drafting Table, and Mason, seconding now, reading from Entries in the Field-Book, as Dixon once minded the Clock for him. Finally, one day, Dixon announces, “Well,— won’t thee at least have a look . . . ?” Mason eagerly rushes to inspect the Map of the Boundaries, almost instantly boggling, for there bold as a Pirate’s Flag is an eight-pointed Star, surmounted by a Fleur-de-Lis. “What’s this thing here? pointing North? Wasn’t the l’Grand flying one of these? Doth it not signify, England’s most inveterately hated Rival? France?” “All respect, Mason,— among Brother and Sister Needle-folk in ev’ry Land, ’tis known universally, as the ‘Flower-de-Luce.’ A Magnetickal Term.” “ ‘Flower of Light’? Light, hey? Sounds Encyclopedistick to me, perhaps even Masonick,” says Mason. A Surveyor’s North-Point, Dixon explains, by long Tradition, is his own, which he may draw, and embellish, in any way he pleases, so it point where North be. It becomes his Hall-Mark, personal as a Silver-Smith’s, representative of his Honesty and Good Name. Further, as with many Glyphs, ’tis important ever to keep Faith with it,— for an often enormous Investment of Faith, and Will, lies condens’d within, giving it a Potency in the World that the Agents of Reason care little for. “ ’Tis an ancient Shape, said to go back to the earliest Italian Wind-Roses,” says Dixon, “— originally, at the North, they put the Letter T, for Tramontane, the Wind that blew down from the Alps . . . ? Over the years, as ever befalls such frail Bric-a-Brack as Letters of the Alphabet, it was beaten into a kind of Spear-head,— tho’ the kinder-hearted will aver it a Lily, and clash thy Face, do tha deny it.” “Yet some, finding it upon a new Map, might also take it as a reassertion of French claims to Ohio,” Mason pretends to remind him. “Aye, tha’ve found me out, I confess,— ’tis a secret Message to all who conspire in the Dark! Eeh! The old Jesuit Canard again!
Thomas Pynchon (Mason & Dixon)
Spearing a quail egg with her fork, Evie popped it into her mouth. “What is to be done about Mr. Egan?” His shoulders lifted in a graceful shrug. “As soon as he is sober enough to walk, he’ll be dismissed.” Evie brushed away a stray lock of hair that had fallen over her cheek. “There is no one to replace him.” “Yes, there is. Until a suitable manager can be found, I’ll run the club.” The quail egg seemed to stick in her throat, and Evie choked a little. Hastily she reached for her wine, washed it down, and regarded him with bulging eyes. How could he say something so preposterous? “You can’t.” “I can hardly do worse than Egan. He hasn’t managed a damned thing in months… before long, this place will be falling down around our ears.” “You said you hated work!” “So I did. But I feel that I should try it at least once, just to be certain.” She began to stammer in her anxiety. “You’ll pl-play at this for a few days, and then you’ll tire of it.” “I can’t afford to tire of it, my love. Although the club is still profitable, its value is in decline. Your father has a load of outstanding debt that must be settled. If the people who owe him can’t muster the cash, we’ll have to take property, jewelry, artwork… whatever they can manage. Having a good idea of the value of things, I can negotiate some acceptable settlements. And there are other problems I haven’t yet mentioned… Jenner has a string of failing Thoroughbreds that have lost a fortune at Newmarket. And he’s made some insane investments— ten thousand pounds he put into an alleged gold mine in Flintshire— a swindle that even a child should have seen through.” “Oh God,” Evie murmured, rubbing her forehead. “He’s been ill— people have taken advantage—” “Yes. And now, even if we wanted to sell the club, we couldn’t without first putting it in order. If there were an alternative, believe me, I would find it. But this place is a sieve, with no one who is capable or willing to stop the holes. Except for me.” “You know nothing about filling holes!” she cried, appalled by his arrogance. Sebastian responded with a bland smile and the slightest arch of one brow. Before he could open his mouth to reply, she clapped her hands over her ears. "Oh, don't say it, don't!" When she saw that he was obligingly holding his silence-though a devilish gleam remained in his eyes-she lowered her hands cautiously.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Ho there, my fine fellow!” said the same man who had ordered the soldiers to halt. “Ho there, I say! Who are you to sit here this splendid morning, drinking and enjoying a merry game of chance, as if you hadn’t a care in the world? Do we not merit the courtesy of being met with drawn swords? Who are you, I say?” Slowly, as if he had just noticed the presence of the soldiers and considered it to be of little importance, Roran raised his gaze from the table to regard a small bearded man with a flamboyantly plumed helm who sat before him on an enormous black war-horse, which was heaving like a pair of bellows. “I’m nobody’s fine fellow, and certainly not yours,” Roran said, making no effort to conceal his dislike at being addressed in such a familiar manner. “Who are you, I might ask, to interrupt my game so rudely?” The long, striped feathers mounted atop the man’s helm bobbed and fluttered as he looked Roran over, as if Roran were an unfamiliar creature he had encountered while hunting. “Tharos the Quick is my name, Captain of the Guard. Rude as you are, I must tell you, it would grieve me mightily to kill a man as bold as yourself without knowing his name.” As if to emphasize his words, Tharos lowered the spear he held until it was pointing at Roran.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
If you are afflicted with melancholy at this season, go to the swamp and see the brave spears of skunk-cabbage buds already advanced toward a new year. Their gravestones are not bespoken yet. Who shall be sexton to them? Is it the winter of their discontent? Do they seem to have lain down to die, despairing of their skunk-cabbagedom? “Up and at ‘em,” “Give it to ‘em,” “Excelsior,” “Put it through,” –these are their mottoes. Mortal human creatures must take a little respite in this fall of the year; their spirits do flag a little. There is a little questioning of destiny, and thinking to go like cowards to where the “weary shall be at rest.” But not so with skunk-cabbage. Its withered leaves fall and are transfixed by a rising bud. Winter and death are ignored; the circle of life is complete. Are these false prophets? Is it a lie or a vain boast underneath the skunk-cabbage bud, pushing it upward and lifting the dead leaves with it? They rest with spears advanced; they rest to shoot! I say it is good for me to be here, slumping in the mud, a trap covered with withered leaves. See those green cabbage buds lifting the dry leaves in that watery and muddy place. There is no can’t nor cant to them. They see over the brow of winter’s hill. They see another summer ahead.
Henry David Thoreau (The Journal of Henry D. Thoreau: In Fourteen Volumes Bound as Two: Vols. I–VII (1837–October, 1855))
If you are afflicted with melancholy at this season, go to the swamp and see the brave spears of skunk-cabbage buds already advanced toward a new year. Their gravestones are not bespoken yet. Who shall be sexton to them? Is it the winter of their discontent? Do they seem to have lain down to die, despairing of their skunk-cabbagedom? “Up and at ‘em,” “Give it to ‘em,” “Excelsior,” “Put it through,” –these are their mottoes. Mortal human creatures must take a little respite in this fall of the year; their spirits do flag a little. There is a little questioning of destiny, and thinking to go like cowards to where the “weary shall be at rest.” But not so with skunk-cabbage. Its withered leaves fall and are transfixed by a rising bud. Winter and death are ignored; the circle of life is complete. Are these false prophets? Is it a lie or a vain boast underneath the skunk-cabbage bud, pushing it upward and lifting the dead leaves with it? They rest with spears advanced; they rest to shoot! I say it is good for me to be here, slumping in the mud, a trap covered with withered leaves. See those green cabbage buds lifting the dry leaves in that watery and muddy place. There is no can’t nor cant to them. They see over the brow of winter’s hill. They see another summer ahead. (October 31, 1857)
Henry David Thoreau (The Journal of Henry D. Thoreau: In Fourteen Volumes Bound as Two: Vols. I–VII (1837–October, 1855))
A few minutes later the Witch herself walked out on to the top of the hill and came straight across and stood before Aslan. The three children, who had not seen her before, felt shudders running down their backs at the sight of her face; and there were low growls among all the animals present. Though it was bright sunshine everyone felt suddenly cold. The only two people present who seemed to be quite at their ease were Aslan and the Witch herself. It was the oddest thing to see those two faces--the golden face and the dead-white face--so close together. Not that the Witch looked Aslan exactly in his eyes; Mrs. Beaver particularly noticed this. “You have a traitor there, Aslan,” said the Witch. Of course everyone present knew that she meant Edmund. But Edmund had got past thinking about himself after all he’d been through and after the talk he’d had that morning. He just went on looking at Aslan. It didn’t seem to matter what the Witch said. “Well,” said Aslan, “his offense was not against you.” “Have you forgotten the Deep Magic?” asked the Witch. “Let us say I have forgotten it,” answered Aslan gravely. “Tell us of this Deep Magic.” “Tell you?” said the Witch, her voice growing suddenly shriller. “Tell you what is written on that very Table of Stone which stands beside us? Tell you what is written in letters deep as a spear is long on the trunk of the World Ash Tree? Tell you what is engraved on the scepter of the Emperor-Beyond-the-Sea? You at least know the magic which the Emperor put into Narnia at the very beginning. You know that every traitor belongs to me as my lawful prey and that for every treachery I have a right to a kill.” “Oh,” said Mr. Beaver. “So that’s how you came to imagine yourself a Queen--because you were the Emperor’s hangman. I see.” “Peace, Beaver,” said Aslan, with a very low growl.
C.S. Lewis (The Chronicles of Narnia The Lion, the Witch & the Wardrobe)
GET MOVING People are often scared of the word exercise. We associate the word with pain, and we think of it as a chore. (And it can be--who likes going to the gym at 6 A.M.?) If that’s how you’re thinking, then you need to change your psychology. I don’t think of my body in terms of exercise; I think in terms of movement. Look at the actual word--I see it as “meant to move.” As human beings, going back to the beginning of civilization, we’ve had to move to survive. We had to throw spears to hunt, we had to prepare land to plant seeds, we had to gather firewood. Our bodies are hardwired to move. Not even TiVo can rewire those thousands of years of DNA. This isn’t a new idea, but it’s easy to forget: your body is connected to your mind and spirit. People say, “I’m miserable because I’m overweight” or “I’m overweight because I’m miserable,” but these two go hand in hand. I know when I drink to excess or put poisons in my body, the next day I’m not going to feel happy or inspired. The body is the vehicle that can help you reach your dreams. Keeping it moving, strong, and healthy paves the way to overall well-being. You can’t say you love yourself when you abuse yourself physically, and by not using your body, you’re abusing it. But here’s the first piece of good news: you don’t have to be in the gym to exercise. You just need to move--and keep moving. It can be anywhere, at any time. Sometimes I’ll do push-ups during a commercial break while watching TV. Sometimes I take a short walk, even around the block with my dog, just to break up my day. Your body wants to move; your body was created to move. You have to feed that. When you’re feeling miserable, your body is telling you to get on your feet. Moving makes you feel good. It helps you slay the demon of procrastination that lurks in the shadow of every human being. Most of us sleepwalk through life because we’re waiting for the perfect time, the perfect place, and the perfect opportunity to improve ourselves. Stop waiting. Start moving and keep moving.
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
In February, after not getting to see the boys for weeks and weeks, completely beside myself with grief, I went to plead to see them. Kevin wouldn't let me in. I begged him. Jayden James was five months old and Sean Preston was seventeen months old. I imagined their not knowing where their mother was, wondering why she didn't want to be with them. I wanted to get a battering ram to get to them. I didn't know what to do. The paparazzi watched it all happen. I can't describe the humiliation I felt. I was concerned. I was out being chased, like always, by these men waiting for me to do something they could photograph. And so that night I gave them some material. I went into a hair salon, and I took the clippers, and I shaved off all my hair. Everyone thought it was hilarious. Look how crazy she is! Even my parents acted embarrassed by me. But nobody seemed to understand that I was simply out of my mind with grief. My children had been taken away from me. With my head shaved, everyone was scared of me, even my mom. No one would talk to me anymore because I was too ugly. My long hair was a big part of what people liked-I knew that. I knew a lot of guys thought long hair was hot. Shaving my head was a way of saying to the world: Fuck you. You want me to be pretty for you? Fuck you. You want me to be good for you? Fuck you. You want me to be your dream girl? Fuck you. I'd been the good girl for years. I'd smiled politely while TV show hosts leered at my breasts, while American parents said I was destroying their children by wearing a crop top, while executives patted my hand condescendingly and second-guessed my career choices even though I'd sold millions of records, while my family acted like I was evil. And I was tired of it. At the end of the day, I didn't care. All I wanted to do was see my boys. It made me sick thinking about the hours, the days, the weeks I missed with them. My most special moments in life were taking naps with my children, That's the closest I've ever felt to God-taking naps with me precious babies, smelling their hair, holding their tiny hands.
Britney Spears (The Woman in Me)