Spear Sayings And Quotes

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A girl’s got to use what she’s given and I’m not going to make a guy drool the way a Britney video does. So I take it to extremes. I don’t say I dress sexily on stage - what I do is so extreme. It’s meant to make guys think: ‘I don’t know if this is sexy or just weird.
Lady Gaga
When I break into the clearing, she's on the ground, hopelessly entangled in a net. She just has the time to reach her hand through the mesh and say my name before the spear enters her body.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
To say I had some pent-up anger would be like saying Britney Spears had minor impulse-control issues.
Molly Harper
The saddest part to me was that what I always wanted was a dad who would love me as I was—somebody who would say, “I just love you. You could do anything right now. I’d still love you with unconditional love.
Britney Spears (The Woman in Me)
12. The common man has to fight to survive each day But when his Lord demands his homage to pay The common man has to fight another way With sword or axe or spear, whatever his Lord doth say The common man just hopes to live beyond this frightening day And asks for the courage not to turn and run away
Robert Reid (The Empress (The Emperor, The Son and The Thief #4))
We ate the birds. We ate them. We wanted their songs to flow up through our throats and burst out of our mouths, and so we ate them. We wanted their feathers to bud from our flesh. We wanted their wings, we wanted to fly as they did, soar freely among the treetops and the clouds, and so we ate them. We speared them, we clubbed them, we tangled their feet in glue, we netted them, we spitted them, we threw them onto hot coals, and all for love, because we loved them. We wanted to be one with them. We wanted to hatch out of clean, smooth, beautiful eggs, as they did, back when we were young and agile and innocent of cause and effect, we did not want the mess of being born, and so we crammed the birds into our gullets, feathers and all, but it was no use, we couldn’t sing, not effortlessly as they do, we can’t fly, not without smoke and metal, and as for the eggs we don’t stand a chance. We’re mired in gravity, we’re earthbound. We’re ankle-deep in blood, and all because we ate the birds, we ate them a long time ago, when we still had the power to say no.
Margaret Atwood
Who would guess," he teased, "that I'd ever see you on a rooftop with straw in your hair?" Kit giggled. "Are you saying I've turned into a crow?" "Not exactly." His eyes were intensely blue with merriment. "I can still see the green feathers if I look hard enough. But they've done their best to make you into a sparrow, haven't they?
Elizabeth George Speare (The Witch of Blackbird Pond)
Hold on to me!” Tedros yelled, hacking briars with his training sword.Dazed, Agatha clung to his chest as he withstood thorn lashes with moans of pain. Soon he had the upper hand and pulled Agatha from the Woods towards the spiked gates, which glowed in recognition and pulled apart, cleaving a narrow path for the two Evers. As the gates speared shut behind them,Agatha looked up at limping Tedros, crisscrossed with bloody scratches, blue shirt shredded away. “Had a feeling Sophie was getting in through the Woods,” he panted, hauling her up into slashed arms before she could protest. “So Professor Dovey gave me permission to take some fairies and stakeout the outer gates. Should have known you’d be here trying to catch her yourself.” Agatha gaped at him dumbly. “Stupid idea for a princess to take on witches alone,” Tedros said, dripping sweat on her pink dress. “Where is she?” Agatha croaked. “Is she safe?” “Not a good idea for princesses to worry about witches either,” Tedros said, hands gripping her waist. Her stomach exploded with butterflies. “Put me down,” she sputtered— “More bad ideas from the princess.” “Put me down!”Tedros obeyed and Agatha pulled away. “I’m not a princess!” she snapped, fixing her collar. “If you say so,” the prince said, eyes drifting downward.Agatha followed them to her gashed legs, waterfalls of brilliant blood. She saw blood blurring— Tedros smiled. “One . . . two . . . three . . .”She fainted in his arms. “Definitely a princess,” he said.
Soman Chainani (The School for Good and Evil (The School for Good and Evil, #1))
Shaving my head was a way of saying to the world: Fuck you. You want me to be pretty for you? Fuck you. You want me to be good for you? Fuck you. You want me to be your dream girl? Fuck you. I’d been the good girl for years. I’d smiled politely while TV show hosts leered at my breasts, while American parents said I was destroying their children by wearing a crop top, while executives patted my hand condescendingly and second-
Britney Spears (The Woman in Me)
Your heart, Mary Karr, he'd say. His pen touched my sternum, and it felt for all the world like the point of a dull spear as he said, Your heart knows what your head don't. Or won't.
Mary Karr (Lit)
I KNOW THE WAY YOU CAN GET I know the way you can get When you have not had a drink of Love: Your face hardens, Your sweet muscles cramp. Children become concerned About a strange look that appears in your eyes Which even begins to worry your own mirror And nose. Squirrels and birds sense your sadness And call an important conference in a tall tree. They decide which secret code to chant To help your mind and soul. Even angels fear that brand of madness That arrays itself against the world And throws sharp stones and spears into The innocent And into one's self. O I know the way you can get If you have not been drinking Love: You might rip apart Every sentence your friends and teachers say, Looking for hidden clauses. You might weigh every word on a scale Like a dead fish. You might pull out a ruler to measure From every angle in your darkness The beautiful dimensions of a heart you once Trusted. I know the way you can get If you have not had a drink from Love's Hands. That is why all the Great Ones speak of The vital need To keep remembering God, So you will come to know and see Him As being so Playful And Wanting, Just Wanting to help. That is why Hafiz says: Bring your cup near me. For all I care about Is quenching your thirst for freedom! All a Sane man can ever care about Is giving Love!
null
Clove!" Cato's voice is much nearer now. I can tell by the pain in it that he sees her on the ground. "You better run now, Fire Girl," says Thresh. I don't need to be told twice. I flip over and my feet dig into the hard-packed earth as I run away from Thresh and Clove and the sound of Cato's voice. Only when I reach the woods do I turn back for an instant. Thresh and both large backpacks are vanishing over the edge of the plain into the area I've never seen. Cato kneels beside Clove, spear in hand, begging her to stay with him. In a moment, he will realize it's futile, she can't be saved.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
I sat up. Slowly. Between the belly dancing, the fire, the visit to Dave and it's aftermath, the night had taken its toll. You look like crap!" Cole said merrily. "I like the hair though." He made a camera frame with his thumbs and forefingers and in the genie voice from Aladdin said, "Now what does this say to me? Homeless women? Tornado victim? Britney Spears? I've got it! Preschooler who's misplaced her gum!" I regarded him balefully. "You're a morning person, aren't you?" You make that sound like a bad thing." Not if you stop talking.
Jennifer Rardin (Another One Bites the Dust (Jaz Parks, #2))
The coward believes he will live forever If he holds back in the battle, But in old age he shall have no peace Though spears have spared his limbs.
Hávamál - The sayings of the high one
Tyson charged at the Cyclops leader, Ma Gasket, her chain-mail dress spattered with mud and decorated with broken spears. She gawked at Tyson and started to say, “Who—?” Tyson hit her in the head so hard, she spun in a circle and landed on her rump. “Bad Cyclops Lady!” he bell owed. “General Tyson says GO AWAY!” He hit her again, and Ma Gasket broke into dust.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
Keema stepped toward Jun, and touched him. His arm, his bony cheek, his lips, and Jun received that touch as he would the water from a waterfall, with eyes closed and face upturned. "You feel like the sun," Jun said.
Simon Jimenez (The Spear Cuts Through Water)
Why am I doing this, Brynne?” he demanded. “I don’t know, Ethan.” I could barely speak." “Yes you do. Say it, Brynne!” I tensed as an orgasm started to rule me but he immediately reduced the pace, taking it down a notch with slow pulls in and out of my spread sex. “Say what?” I cried, frustrated. “Say the words I have to hear. Say the truth and I’ll let you come.” He speared into me slower and nipped at my bare shoulder with his teeth. “What is the truth?” I was starting to sob now, completely at his mercy. “The truth is,” he grunted the rest on three, hard, punctuating thrusts, “You. Are. Mine!” I inhaled on a cry at the final thrust. He sped up again, fucking faster. “Say it!” he growled. “I’m yours, Ethan!
Raine Miller (Naked (The Blackstone Affair, #1))
A sharp spear," runs the Kukuana saying, "needs no polish.
H. Rider Haggard (King Solomon's Mines (Allan Quatermain, #1))
Listen my hatchling, for now you shall hear Of the only seven slayers a dragon must fear. First beware Pride, lest belief in one’s might Has you discount the foeman who is braving your sight. Never Envy other dragons their wealth, power, or home For dark plots and plans will bring death to your own. Your Wrath shouldn’t win, when spears strike your scale Anger kills cunning, which you will need to prevail. A dragon must rest, but Sloth you should dread Else long years of napping let assassins to your bed. ‘Greed is good,’ or so foolish dragons will say Until piles of treasure bring killing thieves where they lay. Hungry is your body, and at times you must feed But Gluttony makes fat dragons, who can’t fly at their need. A hot Lust for glory, gems, gold, or mates Leads reckless young drakes to the blackest of fates. So take heed of this wisdom, precious hatchling of mine, And the long years of dragonhood are sure to be thine.
E.E. Knight (Dragon Champion (Age of Fire, #1))
Everyone thought it was hilarious. Look how crazy she is! Even my parents acted embarrassed by me. But nobody seemed to understand that I was simply out of my mind with grief. My children had been taken away from me. With my head shaved, everyone was scared of me, even my mom. No one would talk to me anymore because I was I was too ugly. My long hair was a big part of what people liked – I knew that. I knew a lot of guys thought long hair was hot… shaving my head was a way of saying to the world: Fuck you. You want me to be pretty for you? Fuck you. You want me to be good for you? Fuck you. You want me to be your dream girl? Fuck you.
Britney Spears (The Woman in Me)
didn’t know what to say but I did know what to think and that was that Jake Spear was…the…bomb.
Kristen Ashley (The Will (Magdalene, #1))
I was treated like a criminal and they made me think I deserved that. They made me forget my self-worth and my value. Of all the things they did, I will say the worst was to make me question my faith. I never had strict ideas about religion, I just knew there was something bigger than me. Under their control I stopped believing in God for awhile. But then when it came time to end the conservatorship I realized one thing: You can't fuck with a woman who knows how to pray. Really pray. All I did was pray.
Britney Spears (The Woman in Me)
This is all sounding pretty fairy tale-ish,” Conor said, suspiciously. You would not say that if you heard the screams of a man killed by a spear, said the monster. Or his cries of terror as he was torn to pieces by wolves. Now be quiet.
Patrick Ness (A Monster Calls)
If you can master me, that look seemed to say, then you can master whatever else this wicked world might bring. I can see her now, standing amidst her deerhounds that had the same thin, lean bodies, and the same long nose and the same huntess eyes as their mistress. Green eyes, she had, with a kind of cruelty deep inside them. It was not a soft face, any more that her body was soft. She was a woman of strong lines and high bones, and that made for a good face and a handsome one, but hard, so hard. What made her beautiful was her hair and her carriage, for she stood as straight as spear and her hair fell around her shoulders like a cascade of tumbling red tangles. That red hair softened her looks, while her laughter snared men like salmon caught in basket traps. There have been many more beautiful women, and thousands who were better, but since the world was weaned I doubt there have been many more so unforgettable as Guinevere, eldest daughter of Leodegan, the exiled King of Henis Wyren. And it would have been better, Merlin always said, had she been drowned at birth.
Bernard Cornwell (The Winter King (The Warlord Chronicles, #1))
the Completer and Wu Wang all used spears and battle-axes in order to succor their generation. The SSU-MA FA says: "If one man slay another of set purpose, he himself
Sun Tzu (The Art of War)
Of the things that followed I cannot at all say whether they were what men call real or what men call dream. And for all I can tell, the only difference is that what many see we call a real thing, and what only one sees we call a dream. But things that many see may have no taste or moment in them at all, and things that are shown only to one may be spears and water-spouts of truth from the very depth of truth.
C.S. Lewis (Till We Have Faces)
My boy,” he said quietly, “we have not forgotten. We feel as you do. In his heart every Jew grieves at our captivity. We have need of patriotism like yours. But we have need also of patience. We must not say we cannot endure what God in His judgment has visited upon us.” “But how long—must we endure it for ever?” “God has not spoken His final word. Until He does, it is our part to endure.
Elizabeth George Speare (The Bronze Bow)
His voice is small when he says, out loud, “I was so close.” He is looking at Jun when he says this. Jun refuses to look at him; he knows that if he does, he will change his mind. Keema is looking at Jun and he is crying. I was so close.
Simon Jimenez (The Spear Cuts Through Water)
I'm sure they would," said Mercy promptly. "Besides, that's not the point. You'll give Kit a fine impression of us, Judith, and anyway, we'd better start on the work that's waiting right here." Judith did not move. Her attention had turned again to the row of trunks. "Do you mean to say that every one of those trunks is full of dresses like the one you have on?
Elizabeth George Speare (The Witch of Blackbird Pond)
YOUR GREATER ANIMAL They say that if you are Ever confronted by A lion or bear, To never act scared. Instead act like You are the greater animal And that they're The hare That you are about To tear. This has been Proven And compared. This is how presidents Are loved And feared. Each one of us has an animal Within us That is armed with Mental, Physical or Spiritual gifts That could shoot spears Through the air. So next time You are confronted in A fight that seems unfair, Just remember the lion and the bear. MAGNIFY Your greater animal And all that feel your magnificence Will quickly step away And disappear.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
I wanted to say that I was sorry, but not for the obvious. I was sorry that I had turned out to be such a big disappointment. Sorry that I couldn’t make things better. Sorry that everything I touched turned to crap. Seeing Mom cry had torn me up. Until finally she said something. “What happened to your hair? Did you do that?” At that moment, I hated Britney Spears.
Jordan Dane (In the Arms of Stone Angels)
Its some kynd of thing it aint us but yet its in us. Its looking out thru our eye hoals. May be you dont take no noatis of it only some times. Say you get woak up suddn in the middl of the nite. 1 minim youre a sleap and the nex youre on your feet with a spear in your han. Wel it werent you put that spear in your han it wer that other thing whats looking out thru your eye hoals. It aint you nor it dont even know your name. Its in us lorn and loan and sheltering how it can.
Russell Hoban (Riddley Walker)
You are wrong,” says the man. His voice is low and resonant. The metal walls of the dome, all the knives and swords and spears, all seem to vibrate with each of his words. “Your rulers and their propaganda have sold you this watered-down conceit of war, of a warrior yoked to the whims of civilization. Yet for all their self-professed civility, your rulers will gladly spend a soldier’s life to better aid their posturing, to keep the cost of a crude good low. They will send the children of others off to die and only think upon it later to grandly and loudly memorialize them, lauding their great sacrifice. Civilization is but the adoption of this cowardly method of murder.
Robert Jackson Bennett (City of Blades (The Divine Cities, #2))
I was a little girl with big dreams. I wanted to be a star like Madonna, Dolly Parton, or Whitney Houston. I had simpler dreams too, dreams that seemed even harder to achieve and that felt too ambitious to say out loud: I wanted my dad to stop drinking. I want my mom to stop yelling. I want everyone to be okay.
Britney Spears (The Woman in Me)
Daniel stood staring at his friend. Simon had lost his senses altogether. “Safe? Jesus has put you all in danger!” Simon’s voice was steady. “Jesus has taught us that we must not be afraid of the things that men can do to us.” “Suppose they put chains on all of you and drag you off to prison?” “He says that the only chains that matter are fear and hate, because they chain our souls. If we do not hate anyone and do not fear anyone, then we are free.” “Free? In chains? Simon—you know what they could do to you! How could you possibly not be afraid?
Elizabeth George Speare (The Bronze Bow)
The poet Rumi says the wound is the place where the light enters you.
Britney Spears (The Woman in Me)
Of the things that followed I cannot say at all whether they were what men call dream. And for all I can tell, the only difference is that what many see we call a real thing, and what only one sees we call a dream. But things that many see may have no taste or moment in them at all, and things that are shown only to one may be spears and water-spouts of truth from the very depth of truth.
C.S. Lewis (Till We Have Faces)
Impossible to believe we are truly in God's image. Something of the reptile in us yet, the caveman's allegiance to the spear. A vestige of our time in the swamps. And yet there are those wish to return. Be more like the reptile, they say. Be more like the snake, lying in wait. Of course they do not say snake, they say lion, but there is little difference in character between the two, only in appearance.
Philipp Meyer (The Son)
Say what?” I cried, frustrated. “Say the words I have to hear. Say the truth and I’ll let you come.” He speared into me slower and nipped at my bare shoulder with his teeth. “What is the truth?” I was starting to sob now, completely at his mercy. “The truth is,” he grunted the rest on three, hard, punctuating thrusts, “You. Are. Mine!” I inhaled on a cry at the final thrust. He sped up again, fucking faster. “Say it!” he growled. “I’m yours!
Raine Miller (Naked (The Blackstone Affair, #1))
May I just say that on his explosive album and in all the press that surrounded it, Justin neglected to mention the several times he’d cheated on me? There’s always been more leeway in Hollywood for men than for women. And I see how men are encouraged to talk trash about women in order to become famous and powerful. But I was shattered.
Britney Spears (The Woman in Me)
I was rebelling, yes, but I can see now that there’s a reason why people go through rebellious times. And you have to let people go through them. I’m not saying that I was right to spiral, but I think to hinder someone’s spirit to that degree and to put them down that much, to the point where they no longer feel like themselves—I don’t think that’s healthy, either. We, as people, have to test the world. You have to test your boundaries, to find out who you are, how you want to live.
Britney Spears (The Woman in Me)
War was what the world would say Achilles was born for. That his hands and swift feet were fashioned for this alone - the cracking of Troy's mighty walls. They would throw him among thousands of Trojan spears and watch with triumph as he stained his fair hands red.
Madeline Miller
When Justin cheated on me and then acted sexy, it was seen as cute. But when I wore a sparkly bodysuit, I had Diane Sawyer making me cry on national television, MTV making me listen to people criticizing my costumes, and a governor's wife saying she wanted to shoot me.
Britney Spears (The Woman in Me)
At the sight of the city utterly perishing amidst the flames Scipio burst into tears, and stood long reflecting on the inevitable change which awaits cities, nations, and dynasties, one and all, as it does every one of us men. This, he thought, had befallen Ilium, once a powerful city, and the once mighty empires of the Assyrians, Medes, Persians, and that of Macedonia lately so splendid. And unintentionally or purposely he quoted---the words perhaps escaping him unconsciously--- "The day shall be when holy Troy shall fall And Priam, lord of spears, and Priam's folk." And on my asking him boldly (for I had been his tutor) what he meant by these words, he did not name Rome distinctly, but was evidently fearing for her, from this sight of the mutability of human affairs. . . . Another still more remarkable saying of his I may record. . . [When he had given the order for firing the town] he immediately turned round and grasped me by the hand and said: "O Polybius, it is a grand thing, but, I know not how, I feel a terror and dread, lest some one should one day give the same order about my own native city.
Polybius
We forget what we say much more than what we hear, what we write much more than what we read, what we send much more than what we receive, that is why we barely count the insults we hand out to others, unlike those dealt out to us, which is why almost everyone harbors some grudge against someone.
Javier Marías (Fever and Spear (Your Face Tomorrow, #1))
When you say you want all peoples to unite, you really mean that you want all peoples to unite to learn the tricks of your people. If the Bedouin Arab does not know how to read, some English missionary or schoolmaster must be sent to teach him to read, but no one ever says, 'This schoolmaster does not know how to ride on a camel; let us pay a Bedouin to teach him.' You say your civilisation will include all talents. Will it? Do you really mean to say that at the moment when the Esquimaux has learnt to vote for a County Council, you will have learnt to spear a walrus? I recur to the example I gave. In Nicaragua we had a way of catching wild horses—by lassooing the fore feet—which was supposed to be the best in South America. If you are going to include all the talents, go and do it. If not, permit me to say what I have always said, that something went from the world when Nicaragua was civilised.
G.K. Chesterton (The Napoleon of Notting Hill)
When he was finished, he set his plate down, looked at me, and raised an eyebrow. I leaned forward and whispered angrily, “I am not going to sit on your lap, so don’t get your hopes up, Mister.” He still waited until I picked up a fork and took a few bites. I speared a bite of macadamia nut crusted ruby snapper and said, “Whew. Time’s up. Isn’t it? The clock is ticking. You must be sweating it, huh? I mean, you could turn any second.” He just took a bite of curried lamb and then some saffron rice and sat there chewing as cool as a cucumber. I watched him closely for a full two minutes and then folded up my napkin. “Okay, I give. Why are you acting so smug and confident? When are you going to tell me what’s going on?” He wiped his mouth carefully and took a sip of water. “What’s going on, my prema, is that the curse has been lifted.” My mouth dropped open. “What? If it was lifted, why were you a tiger for the last two days?” “Well, to be clear, the curse is not completely gone. I seem to have been granted a partial removal of the curse.” “Partial? Partial meaning what, exactly?” “Partial, meaning a certain number of hours per day. Six hours to be exact.” I recited the prophecy in my mind and remembered that there were four sides to the monolith, and four times six was…”Twenty-four.” He paused. “Twenty-four what?” “Well, six hours makes sense because there are four gifts to obtain for Durga and four sides of the monolith. We’ve only completed one of the tasks, so you only get six hours.” He smiled. “I guess I get to keep you around then, at least until the other tasks are finished.” I snorted. “Don’t hold your breath, Tarzan. I might not need to be present for the other tasks. Now that you’re a man part of the time, you and Kishan can resolve this problem yourselves, I’m sure.” He cocked his head and narrowed his eyes at me. “Don’t underestimate your level of…involvement, Kelsey. Even if you weren’t needed anymore to break the curse, do you think I’d simply let you go? Let you walk out of my life without a backward glance?” I nervously began toying with my food and decided to say nothing. That was exactly what I’d been planning to do. Something had changed. The hurt and confused Ren that made me feel guilty for rejecting him in Kishkindha was gone. He was now supremely confident, almost arrogant, and very sure of himself.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
He seizes my hand, and crows to me of the day's events, of how his name was on everybody's lips, of the power of his absence, big as a Cyclops, walking heavily amongst the soldiers. The excitement of the day has flared through him, like flame in dry grass. For the first time, he dreams of killing: the stroke of glory, his inevitable spear through Hector's heart. My skin prickles to hear him say so. 'Do you see?' he says. 'It is the beginning!' I cannot escape the feeling that, below the surface, something is breaking.
Madeline Miller (The Song of Achilles)
I forgot to say—a merely curious detail—that in one of the first chapters of Sartor Resartus, when speaking about garments, Carlyle says that the simplest garment he knows of was used by the cavalry of Bolivar in the South American war. And here we have a description of the poncho as “a blanket with a hole in the middle,” under which he imagines Bolivar’s cavalry soldier, he imagines him—simplifying it a bit—“mother naked,” as naked as when he came out of his mother’s belly, covered by the poncho, with only his sword and his spear.”25
Jorge Luis Borges (Professor Borges: A Course on English Literature)
She just has time to reach her hand through the mesh and say my name before the spear enters her body.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Say something, you idiot.
Jessica Buss (Speared by You (Chicago Steel #4))
In the Bible it says your tongue is your sword. My tongue and my sword were me singing.
Britney Spears (The Woman in Me)
Action is the only thing that proves something Don’t talk about it Actually do it In the end You can say I actually did it. —Nate Spears
Nate Spears (Inspiration 2 Smile)
I'm just saying it definitely makes your job easier. Easier to know where your sheath it when your dagger's in it." ~Sarka Rowan
Carolyn Spear (Guarding His Heart (Wiccan Haus, #8))
A book,” says Vandos of Ur-Amakir, “is a fortress, a place of weeping, the key to a desert, a river that has no bridge, a garden of spears.
Sofia Samatar (A Stranger in Olondria)
They say we live a life at home, without danger, while they do battle with spears. Those fools: I would prefer to stand three times behind a shield then give birth once.
Euripides (Medea)
I knew it!" he cried, jubilant. "I thought 'twas you, but there's more of you now. You should've seen the likes of her, boys," he said, turning towards the other convicts as he pointed at Kel. "We was all outlaws, livin' on the edges, and this bunch of pages stumbled into our camp. We chased 'em back in a canyon, and her -" he jabbed his finger at Kel - "she gutted ol' Breakbone Dell, and him the meanest dog-skinner you'd ever hope to meet. Stood there afoot, her and her spear, cool as meltwater with Breakbone ridin' down on her with that neck-cutter sword of his. First time she got 'im in the leg, second in the tripes, and he was done. Her and six lads held us all back, just them. There she was, eyes like stone and that bloody spear in her hand. Lady." He bowed deep. Kel looked at him, not sure what to say. Finally she asked, "What's your name, soldier?" "Me? Gilab Lofts - Gil. Lady. It's - it's good to see you well." He bowed again and returned to his seat, whispering with the men on either side of him. Kel waited for them to quiet once again before she said ruefully, "I'm not sure that being known for gutting a man is exactly a recommendation for a commander." "It is in the north!" cried someone. Several men laughed outright; others grinned.
Tamora Pierce (Lady Knight (Protector of the Small, #4))
Don’t build a cabin near a termite colony. Don’t rear rabbits near wolves. Don’t attack a cub in front of its mother. Don’t stone a bird you want to catch. Don’t pick a flower before it blooms. Don’t pick fruit before it sweetens. Don’t count game you have not caught. Don’t hunt with a blunt spear. Don’t fish in poisoned waters. Don’t close your eyes near a predator.
Matshona Dhliwayo
And they say to us that we're never at risk, sheltered at home, while they fight with spears. How wrong they are: I'd rather three times over stand behind a shield than give birth once.
James Romm (The Greek Plays: Sixteen Plays by Aeschylus, Sophocles, and Euripedes)
Shaving my head was a way of saying to the world: Fuck you. You want me to be pretty for you? Fuck you. You want me to be good for you? Fuck you. You want me to be your dream girl? Fuck you. I’d
Britney Spears (The Woman in Me)
Okay,” said Shadow. He stopped and thought. Then he said, “You say there’s some spear you had to throw to kick off the battle. Like the whole Uppsala thing. This is the battle you’ll be feeding on. Am I right?
Neil Gaiman (American Gods)
It was a terrible battle. The most dreadful of all Bilbo’s experiences, and the one which at the time he hated most—which is to say it was the one he was most proud of, and most fond of recalling long afterwards, although he was quite unimportant in it. Actually I may say he put on his ring early in the business, and vanished from sight, if not from all danger. A magic ring of that sort is not a complete protection in a goblin charge, nor does it stop flying arrows and wild spears; but it does help in getting out of the way, and it prevents your head from being specially chosen for a sweeping stroke by a goblin swordsman.
J.R.R. Tolkien (The Hobbit: Or There and Back Again)
This one is bigger than the other by at least a quarter,” he said. “That’s perspective,” Will replied stubbornly. “The left one is closer, so it looks bigger.” “If it’s perspective, and it’s that much bigger, your handcart would have to be about five meters wide,” Horace told him. “Is that what you’re planning?” Again, Will studied the drawing critically. “No. I thought maybe two meters. And three meters long.” He quickly sketched in a smaller version of the left wheel, scrubbing over the first attempt as he did so. “Is that better?” “Could be rounder,” Horace said. “You’d never get a wheel that shape to roll. It’s sort of pointy at one end.” Will’s temper flared as he decided his friend was simply being obtuse for the sake of it. He slammed the charcoal down on the table. “Well, you try drawing a perfect circle freehand!” he said angrily. “See how well you do! This is a concept drawing, that’s all. It doesn’t have to be perfect!” Malcolm chose that moment to enter the room. He had been outside, checking on MacHaddish, making sure the general was still securely fastened to the massive log that held him prisoner. He glanced now at the sketch as he passed by the table. “What’s that?” he asked. “It’s a walking cart,” Horace told him. “You get under it, so the spears won’t hit you, and go for a walk.” Will glared at Horace and decided to ignore him. He turned his attention to Malcolm. “Do you think some of your people could build me something like this?” he asked. The healer frowned thoughtfully. “Might be tricky,” he said. “We’ve got a few cart wheels, but they’re all the same size. Did you want this one so much bigger than the other?” Now Will switched his glare to Malcolm. Horace put a hand up to his face to cover the grin that was breaking out there. “It’s perspective. Good artists draw using perspective,” Will said, enunciating very clearly. “Oh. Is it? Well, if you say so.” Malcolm studied the sketch for a few more seconds. “And did you want them this squashed-up shape? Our wheels tend to be sort of round. I don’t think these ones would roll too easily, if at all.” Truth be told, Malcolm had been listening outside the house for several minutes and knew what the two friends had been discussing. Horace gave vent to a huge, indelicate snort that set his nose running. His shoulders were shaking, and Malcolm couldn’t maintain his own straight face any longer. He joined in, and the two of them laughed uncontrollably. Will eyed them coldly. “Oh, yes. Extremely amusing,” he said.
John Flanagan (The Siege of Macindaw (Ranger's Apprentice, #6))
They shall beat their swords into ploughshares, and their spears into pruning-hooks,” is immensely more forcible than to say in general that they will convert their weapons of war into implements of agriculture.
John Albert Broadus (On the Preparation and Delivery of Sermons)
Good gods, you look like cold shit.” Ghleanna gazed at her brother and again wondered why she hadn’t smashed his bloody egg when she had the chance. Her mother would have eventually forgiven her. “Thank you, brother. And you look fat and happy. Having an easy time of it here, are you?” “Fat? Fat?” He speared the moaning human at his feet. “How dare you! My human form is in fighting trim, you callous cow.” “If you say so.
G.A. Aiken (Supernatural (Lords of Deliverance, #1.5; Demonica, #6.5; Guardians of Eternity, #7.6; Nightwalkers, #1.5; Dragon Kin, #0.4))
And Patroclus, Shaking the voice out of his body, says: ‘Big mouth. Remember it took three of you to kill me. A god, a boy, and, last and least, a prince. I can hear Death pronounce my name, and yet Somehow it sounds like Hector. And as I close my eyes I see Achilles’ face With Death’s voice coming out of it.’ Saying these things Patroclus died. And as his soul went through the sand Hector withdrew his spear and said: ‘Perhaps.
Christopher Logue (War Music: An Account of Homer's Iliad)
Perceval said to the Grail Knight: “Will you break a spear with me this day?” He did not expect Galahad to look down on him from Lancelot’s immense height and say, gently, as if he knew it must disappoint, “Sir, I cannot.” “No? Well, there are others to fight,” said Perceval, trying not to show how vexed he felt to be denied the honour. “Not for any lack of love,” Galahad added. “But for the regard in which I hold you, Perceval of Wales.
Suzannah Rowntree (Pendragon's Heir (Pendragon's Heir #1-3))
Gannets I am watching the white gannets blaze down into the water with the power of blunt spears and a stunning accuracy-- even though the sea is riled and boiling and gray with fog and the fish are nowhere to be seen, they fall, they explode into the water like white gloves, then they vanish, then they climb out again, from the cliff of the wave, like white flowers-- and still I think that nothing in this world moves but as a positive power-- even the fish, finning down into the current or collapsing in the red purse of the beak, are only interrupted from their own pursuit of whatever it is that fills their bellies-- and I say: life is real, and pain is real, but death is an imposter, and if I could be what once I was, like the wolf or the bear standing on the cold shore, I would still see it-- how the fish simply escape, this time, or how they slide down into a black fire for a moment, then rise from the water inseparable from the gannets' wings.
Mary Oliver (New and Selected Poems, Volume One)
And then there was the sad sign that a young woman working at a Tim Hortons in Lethbridge, Alberta, taped to the drive-through window in 2007. It read, “No Drunk Natives.” Accusations of racism erupted, Tim Hortons assured everyone that their coffee shops were not centres for bigotry, but what was most interesting was the public response. For as many people who called in to radio shows or wrote letters to the Lethbridge Herald to voice their outrage over the sign, there were almost as many who expressed their support for the sentiment. The young woman who posted the sign said it had just been a joke. Now, I’ll be the first to say that drunks are a problem. But I lived in Lethbridge for ten years, and I can tell you with as much neutrality as I can muster that there were many more White drunks stumbling out of the bars on Friday and Saturday nights than there were Native drunks. It’s just that in North America, White drunks tend to be invisible, whereas people of colour who drink to excess are not. Actually, White drunks are not just invisible, they can also be amusing. Remember how much fun it was to watch Dean Martin, Red Skelton, W. C. Fields, John Wayne, John Barrymore, Ernie Kovacs, James Stewart, and Marilyn Monroe play drunks on the screen and sometimes in real life? Or Jodie Marsh, Paris Hilton, Cheryl Tweedy, Britney Spears, and the late Anna Nicole Smith, just to mention a few from my daughter’s generation. And let’s not forget some of our politicians and persons of power who control the fates of nations: Winston Churchill, John A. Macdonald, Boris Yeltsin, George Bush, Daniel Patrick Moynihan. Hard drinkers, every one. The somewhat uncomfortable point I’m making is that we don’t seem to mind our White drunks. They’re no big deal so long as they’re not driving. But if they are driving drunk, as have Canada’s coffee king Tim Horton, the ex-premier of Alberta Ralph Klein, actors Kiefer Sutherland and Mel Gibson, Super Bowl star Lawyer Milloy, or the Toronto Maple Leafs’ Mark Bell, we just hope that they don’t hurt themselves. Or others. More to the point, they get to make their mistakes as individuals and not as representatives of an entire race.
Thomas King (The Inconvenient Indian: A Curious Account of Native People in North America)
The old ghostie man,” Finn said. “He was holding a book then, wasn’t he? That last time we saw him. I had to be ninety years old, and I still hadn’t finished reading these books.” Teagan shook her head. “You just loved them so much you were reading them again. I’m sure of it.” “I’m glad one of us is.” Finn took back the paper and turned it over in his hands. “He said I couldn’t ask you to marry me until I’d finished the quest. He didn’t say a word about canoodling. Do you want to—” “Yes.
Kersten Hamilton (When the Stars Threw Down Their Spears (Goblin Wars, #3))
I'm just saying, when a woman in a maiden, she's in the spotlight. Everybody cares what a pretty, young girl does and says. And she's got some pretty strict archetypes to adhere to: Sleeping Beauty or Cinderella or Britney Spears. Pick your poison. But when you become a young mother? People don't give a fuck what you're doing. Their eyes glaze over before they even finish asking you. Once a woman starts doing the most important work of her life, all of a sudden, nobody wants to know a thing about it.
Rufi Thorpe (The Girls from Corona del Mar)
Allow me to introduce my shepherd,” The Under-King said from the mist ahead, standing beside a ten-foot-tall black dog. Each of its fangs were as long as one of her fingers. All hooked—like a shark’s. Designed to latch into flesh and hold tight while it ripped and shredded. Its eyes were milky white—sightless. Identical to the Under-King’s. Her light would have no effect on something that was already blind. The dog’s fur—sleek and iridescent enough that it almost resembled scales—flowed over bulky, bunched muscles. Claws like razor blades sliced into the dry ground. Hunt’s lightning crackled, skittering at Bryce’s feet. “That’s a demon,” he ground out. He’d fought enough of them to know. “An experiment of the Prince of the Ravine’s, from the First Wars,” the Under-King rasped. “Forgotten and abandoned here in Midgard during the aftermath. Now my faithful companion and helper. You’d be surprised how many souls do not wish to make their final offering to the Gate. The Shepherd…Well, it herds them for me. As it shall herd you.” “Fry this fucker,” Bryce muttered to Hunt as the dog snarled. “I’m assessing.” “Assess faster. Roast it like a—” “Do not make a joke about—” “Hot dog.” Bryce had no sooner finished saying the words than the hound lunged. Hunt struck, swift and sure, a lightning bolt spearing toward its neck.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
Now my husband, Hesam, tells me that it’s a whole thing for beautiful girls to shave their heads. It’s a vibe, he says—a choice not to play into ideas of conventional beauty. He tries to make me feel better about it, because he feels bad about how much it still pains me.
Britney Spears (The Woman in Me)
The generals take the credit, of course, and indeed they provide the gold. But they are always calling you into their tent and asking for reports of what you’re doing instead of letting you go do it. The songs say it is heroes. They are another piece. When Achilles puts on his helmet and cleaves his red path through the field, the hearts of common men swell in their chests. They think of the stories that will be told, and they long to be in them. I fought beside Achilles. I stood shield to shield with Ajax. I felt the wind and fan of their great spears. Those soldiers, of course, are yet another piece, for though they are weak and unsteady, when they are harnessed together they will carry you to victory. But there is a hand that must gather all those pieces and make them whole. A mind to guide the purpose, and not flinch from war’s necessities.
Madeline Miller (Circe)
Don’t we say all helpless folk—the orphan, the stranger, the suppliant, who have nothing to bargain with and can only pray—are sacred to Zeus the Savior? The King must answer for them; he is next the god. For the serfs, the landless hirelings, the captives of the spear; even the slaves.
Mary Renault (The Bull from the Sea (Theseus, #2))
BOWLS OF FOOD Moon and evening star do their slow tambourine dance to praise this universe. The purpose of every gathering is discovered: to recognize beauty and love what’s beautiful. “Once it was like that, now it’s like this,” the saying goes around town, and serious consequences too. Men and women turn their faces to the wall in grief. They lose appetite. Then they start eating the fire of pleasure, as camels chew pungent grass for the sake of their souls. Winter blocks the road. Flowers are taken prisoner underground. Then green justice tenders a spear. Go outside to the orchard. These visitors came a long way, past all the houses of the zodiac, learning Something new at each stop. And they’re here for such a short time, sitting at these tables set on the prow of the wind. Bowls of food are brought out as answers, but still no one knows the answer. Food for the soul stays secret. Body food gets put out in the open like us. Those who work at a bakery don’t know the taste of bread like the hungry beggars do. Because the beloved wants to know, unseen things become manifest. Hiding is the hidden purpose of creation: bury your seed and wait. After you die, All the thoughts you had will throng around like children. The heart is the secret inside the secret. Call the secret language, and never be sure what you conceal. It’s unsure people who get the blessing. Climbing cypress, opening rose, Nightingale song, fruit, these are inside the chill November wind. They are its secret. We climb and fall so often. Plants have an inner Being, and separate ways of talking and feeling. An ear of corn bends in thought. Tulip, so embarrassed. Pink rose deciding to open a competing store. A bunch of grapes sits with its feet stuck out. Narcissus gossiping about iris. Willow, what do you learn from running water? Humility. Red apple, what has the Friend taught you? To be sour. Peach tree, why so low? To let you reach. Look at the poplar, tall but without fruit or flower. Yes, if I had those, I’d be self-absorbed like you. I gave up self to watch the enlightened ones. Pomegranate questions quince, Why so pale? For the pearl you hid inside me. How did you discover my secret? Your laugh. The core of the seen and unseen universes smiles, but remember, smiles come best from those who weep. Lightning, then the rain-laughter. Dark earth receives that clear and grows a trunk. Melon and cucumber come dragging along on pilgrimage. You have to be to be blessed! Pumpkin begins climbing a rope! Where did he learn that? Grass, thorns, a hundred thousand ants and snakes, everything is looking for food. Don’t you hear the noise? Every herb cures some illness. Camels delight to eat thorns. We prefer the inside of a walnut, not the shell. The inside of an egg, the outside of a date. What about your inside and outside? The same way a branch draws water up many feet, God is pulling your soul along. Wind carries pollen from blossom to ground. Wings and Arabian stallions gallop toward the warmth of spring. They visit; they sing and tell what they think they know: so-and-so will travel to such-and-such. The hoopoe carries a letter to Solomon. The wise stork says lek-lek. Please translate. It’s time to go to the high plain, to leave the winter house. Be your own watchman as birds are. Let the remembering beads encircle you. I make promises to myself and break them. Words are coins: the vein of ore and the mine shaft, what they speak of. Now consider the sun. It’s neither oriental nor occidental. Only the soul knows what love is. This moment in time and space is an eggshell with an embryo crumpled inside, soaked in belief-yolk, under the wing of grace, until it breaks free of mind to become the song of an actual bird, and God.
Jalal ad-Din Muhammad ar-Rumi (The Soul of Rumi: A New Collection of Ecstatic Poems – Coleman Barks's Sublime Renderings of the 13th-Century Sufi Mystic's Insights into Divine Love and the Human Heart)
Singing is magic. When I sing, I own who I am. I can communicate purely. When you sing you stop using the language of “Hi, how are you…” You’re able to say things that are much more profound. Singing takes me to a mystical place where language doesn’t matter anymore, where anything is possible.
Britney Spears (The Woman in Me)
Throughout the biblical story, from Genesis to Revelation, every radical challenge from the biblical God is both asserted and then subverted by its receiving communities— be they earliest Israelites or latest Christians. That pattern of assertion-and-subversion, that rhythm of expansion-and-contraction, is like the systole-and-diastole cycle of the human heart. In other words, the heartbeat of the Christian Bible is a recurrent cardiac cycle in which the asserted radicality of God’s nonviolent distributive justice is subverted by the normalcy of civilization’s violent retributive justice. And, of course, the most profound annulment is that both assertion and subversion are attributed to the same God or the same Christ. Think of this example. In the Bible, prophets are those who speak for God. On one hand, the prophets Isaiah and Micah agree on this as God’s vision: “they shall beat their swords into plowshares, / and their spears into pruning hooks; / nation shall not lift up sword against nation, / neither shall they learn war any more” (Isa. 2:4 = Mic. 4:3). On the other hand, the prophet Joel suggests the opposite vision: “Beat your plowshares into swords, / and your pruning hooks into spears; / let the weakling say, ‘I am a warrior’” (3:10). Is this simply an example of assertion-and-subversion between prophets, or between God’s radicality and civilization’s normalcy? That proposal might also answer how, as noted in Chapter 1, Jesus the Christ of the Sermon on the Mount preferred loving enemies and praying for persecutors while Jesus the Christ of the book of Revelation preferred killing enemies and slaughtering persecutors. It is not that Jesus the Christ changed his mind, but that in standard biblical assertion-and-subversion strategy, Christianity changed its Jesus.
John Dominic Crossan (How to Read the Bible and Still Be a Christian: Struggling with Divine Violence from Genesis Through Revelation)
Another time, we were in Vegas, and one of my dancers who’d been hanging out with him told me he’d gestured toward a girl and said, “Yeah, man, I hit that last night.” I don’t want to say who he was talking about because she’s actually very popular and she’s married with kids now. I don’t want her to feel
Britney Spears (The Woman in Me)
I was a little girl with big dreams. I wanted to be a star like Madonna, Dolly Parton, or Whitney Houston. I had simpler dreams, too, dreams that seemed even harder to achieve and that felt too ambitious to say out loud: I want my dad to stop drinking. I want my mom to stop yelling. I want everyone to be okay.
Britney Spears (The Woman in Me)
The village of Proginnot? Aye the ridge had a wood atop it. It lies perhaps ten miles south-east of here.” “There we will make a stand, our numbers may not be enough to go on the attack, but let them come to us and throw themselves on our spears. Old Matteus used to say that a good position is worth ten thousand men.
T.O. Munro (Lady of the Helm (Bloodline Trilogy, #1))
In the news media, I was described as a harlot who’d broken the heart of America’s golden boy. The truth: I was comatose in Louisiana, and he was happily running around Hollywood. May I just say that on his explosive album and in all the press that surrounded it, Justin neglected to mention the several times he’d cheated on me?
Britney Spears (The Woman in Me)
Was I mad at being “outed” by him as sexually active? No. To be honest with you, I liked that Justin said that. Why did my managers work so hard to claim I was some kind of young-girl virgin even into my twenties? Whose business was it if I’d had sex or not? I’d appreciated it when Oprah told me on her show that my sexuality was no one else’s business, and that when it came to virginity, “you don’t need a world announcement if you change your mind.” Yes, as a teenager I played into that portrayal, because everyone was making such a big deal out of it. But if you think about it, it was pretty stupid for people to describe my body in that way, for them to point to me and say, “Look! A virgin!” It’s nobody’s business at all. And it took the focus off me as a musician and performer. I worked so hard on my music and on my stage shows. But all some reporters could think of to ask me was whether or not my breasts were real (they were, actually) and whether or not my hymen was intact.
Britney Spears (The Woman in Me)
But if I hear that any creatures are being hunted or abused, I will come back and take this off your head.” “Whoa, Tea,” Abby said. “You’ll take off his head?” “I’ll help,” Enkidu said happily. “I didn’t say I’d take off his head. I said I’d take the crown off his head.” “It was totally in your tone of voice, though,” Abby insisted.
Kersten Hamilton (When the Stars Threw Down Their Spears (Goblin Wars, #3))
Praise be to Allah, who revealed the Book, controls the clouds, defeats factionalism, and says in His Book: 'But when the forbidden months are past, then fight and slay the pagans wherever ye find them, seize them, beleaguer them, and lie in wait for them in every stratagem (of war)'; and peace be upon our Prophet, Muhammad Bin-'Abdallah, who said: I have been sent with the sword between my hands to ensure that no one but Allah is worshipped, Allah who put my livelihood under the shadow of my spear and who inflicts humiliation and scorn on those who disobey my orders. ...All these crimes and sins committed by the Americans are a clear declaration of war on Allah, his messenger, and Muslims. And ulema have throughout Islamic history unanimously agreed that the jihad is an individual duty if the enemy destroys the Muslim countries. This was revealed by Imam Bin-Qadamah in 'Al- Mughni,' Imam al-Kisa'i in 'Al-Bada'i,' al-Qurtubi in his interpretation, and the shaykh of al-Islam in his books, where he said: 'As for the fighting to repulse [an enemy], it is aimed at defending sanctity and religion, and it is a duty as agreed [by the ulema]. Nothing is more sacred than belief except repulsing an enemy who is attacking religion and life.' On that basis, and in compliance with Allah's order, we issue the following fatwa to all Muslims: The ruling to kill the Americans and their allies -- civilians and military -- is an individual duty for every Muslim who can do it in any country in which it is possible to do it, in order to liberate the al-Aqsa Mosque and the holy mosque [Mecca] from their grip, and in order for their armies to move out of all the lands of Islam, defeated and unable to threaten any Muslim. This is in accordance with the words of Almighty Allah, 'and fight the pagans all together as they fight you all together,' and 'fight them until there is no more tumult or oppression, and there prevail justice and faith in Allah.' ...We -- with Allah's help -- call on every Muslim who believes in Allah and wishes to be rewarded to comply with Allah's order to kill the Americans and plunder their money wherever and whenever they find it. We also call on Muslim ulema, leaders, youths, and soldiers to launch the raid on Satan's U.S. troops and the devil's supporters allying with them, and to displace those who are behind them so that they may learn a lesson. ...Almighty Allah also says: 'O ye who believe, what is the matter with you, that when ye are asked to go forth in the cause of Allah, ye cling so heavily to the earth! Do ye prefer the life of this world to the hereafter? But little is the comfort of this life, as compared with the hereafter. Unless ye go forth, He will punish you with a grievous penalty, and put others in your place; but Him ye would not harm in the least. For Allah hath power over all things.' Almighty Allah also says: 'So lose no heart, nor fall into despair. For ye must gain mastery if ye are true in faith.' [World Islamic Front Statement, 23 February 1998]
Osama bin Laden
Again, enthusiastic would incorrectly label me as a warmonger or battle junkie,” Ortiz said. “I am a warrior and a soldier. If there’s to be a knock-down drag-out match for our right to exist, then yes… I want to be at the tip of the spear. “Can none of you see it? Win or lose, we’re living in legendary times. Our actions will determine the fate of our entire species, and the choices we make, or don’t make, will ring through history for centuries. So no, I am not enthusiastic, but I am willing to accept the challenge that’s been given us. What is the point of being alive if only to exist and consume? The universe has asked if we are worthy. How will we answer that question? That’s all I’m saying.
Joshua Dalzelle (Call to Arms (Black Fleet Trilogy, #2))
You weren’t going to say goodbye?” She had no right to make such demands, expect such things, tentative allies or no. “After last night’s party, I had thought you would be… preoccupied.” With Chaol. Her brows rose. “All day?” The prince gave her a roguish smile, finishing off his long braid and picking up his spear once more. “I certainly would take all day.
Sarah J. Maas (Tower of Dawn (Throne of Glass, #6))
When a man becomes dissatisfied with married life, he goes outdoors and finds relief for his frustrations. But we are bound to love one partner and look no further. They say we live sheltered lives in the home, free from danger, while they wield 250       their spears in battle – what fools they are! I would rather face the enemy three times over than bear a child once.
Euripides (Medea and Other Plays: Medea / Alcestis / The Children of Heracles / Hippolytus)
In all evils we must confess that God is the author and say: “Since You have done it, we must be silent and dumb,” lest we murmur or blaspheme against Him. And He must be implored to remove the evil. For he who does not know who brings in the evil becomes impatient in vain and attempts to banish it. It is as if a spear were hurled from an unknown place, and the one struck is angry in vain.
Martin Luther (Luther's Works, Vol. 10: Lectures on Psalms)
That assumption—that labeling and sorting children based on gender doesn’t really matter as long as everyone is treated fairly—would hold true if children only paid attention to the more overt, obvious messages we adults send. If children only listened to our purposeful messages, parenting would be easy. Most (but not all) parents and teachers take great effort in treating their children fairly, regardless of gender. Parents don’t need to say to their daughters, “You probably won’t enjoy math” or say to their sons, “Real boys don’t play with dolls.” Most parents wouldn’t dream of saying these blatant stereotypes to their kids. But research has shown that when we label (and sort and color-code) by gender, children do notice. And it matters—children are learning whether you mean to be teaching them or not.
Christia Spears Brown (Parenting Beyond Pink & Blue: How to Raise Your Kids Free of Gender Stereotypes)
Avery stiffened. “Yes?” Unconsciously he moved closer to Layanna, only to find that she had moved off and was inspecting the room. “May I be of assistance?” “Horax told me his friend was a doctor, but you ... didn’t you say you were a salesperson?” Avery adjusted his collar. “Ah, yes ... about that ...” The captain waved it away. “Save it. Tell me what the fuck happened here.” His eyes speared the wreckage.
Jack Conner (The Atomic Sea: Volume One (The Atomic Sea, #1))
The marketing techniques were getting refined. There had been a trend away from conventional political consultants and the traditional campaign philosophy of “getting our message out to the people.” Surveys showed the people were allergic to messages and refused to listen, even if the president was on TV saying the water supply was radioactive and giant spiders were running the government. The strategy shifted from “the message” to brand recognition after it was learned that most campaigns were decided during the selection of color scheme, typeface and logo. Campaigns began aggressively headhunting at Coca-Cola and Procter & Gamble. They spent heavily on focus groups and test markets. Conference rooms full of average citizens ate potato chips and pickle spears while campaign workers auditioned fonts and swatches.
Tim Dorsey (Orange Crush (Serge Storms #3))
Of the things that followed I cannot at all say whether they were what men call real or what men call dream. And, for all I can tell, the only difference is that what many see we call a real thing, and what only one sees we call a dream. But things that many see may have no taste or moment in them at all, and things that are shown only to one may be spears and water-spouts of truth from the very depth of truth.
C.S. Lewis (Till We Have Faces)
The marquess held the weapon out, as formally as if he were passing a sword. Soberly, Ned accepted it. He placed the sacrificial citrus on the table in front of him, and then with one careful incision, eviscerated it. He speared deep into its heart, his hands steady, and then cut it to pieces. Jenny allotted herself one short moment of wistful sorrow for her afterdinner treat gone awry as the juice ran everywhere. “Enough.” She reached out and covered his hand midstab. “It’s dead now,” she explained gravely. He pulled his hand away and nodded. Lord Blakely took back his knife and cleaned it with a handkerchief. Jenny studied the corpse. It was orange. It was pulpy. It was going to be a mess to clean up. Most importantly, it gave her an excuse to sit and think of something mystical to say—the only reason for this exercise, really. Lord Blakely demanded particulars. But in Jenny’s profession, specifics were the enemy.
Courtney Milan (Proof by Seduction (Carhart, #1))
What do you think of Cain’s affirmations?” “He never told a lie. If he says that God talks to him, he is convinced that God is talking to him.” “Do you believe he is a saint?” “God only knows, and never better said. He might be, but again, I have my own taste on the matter. I’m not keen on perfection, especially when it’s dressed up like hardness. I prefer the cracked plate, the slightly blunt spear…” “The imperfect human being.” “Yes. The gloriously imperfect human being.
Olga Núñez Miret
They know we're here." He turns to Galen. "What do you think?" Galen scratches the back of his neck. "It's a trap." Toraf rolls his eyes. "Oh, you think so?" He shakes his head. "I'm asking if you think Musa is in on it." Galen is not very familiar with Musa. He's only talked to her a handful of times, and that was when he was very young. Still, out of all the Archives who seemed to support Jagen and his monumental act of treason, Musa's face does not come to mind. "Would she be?" Toraf shrugs. Woden scowls. “With much respect, Highness, Musa is an Archive. She will not forsake her vows to remain neutral.” It takes all of Galen’s willpower to bite his tongue. Woden is still naïve enough to believe that all the Archives are of a pure and unbiased mind. That they do not get tangled up in emotions such as greed, ambition, and envy. Did Woden attend the same tribunal I did? Toraf slaps Woden on the back. “Then you don’t mind going first?” The Poseidon Tracker visibly swallows. “Oh. Of course not. I’m happy to-“ “Oh, let’s get on with this,” Galen says, snatching the spear from Woden’s unsuspecting grasp. This seems to embarrass the young Tracker. Galen doesn’t have time for embarrassment. “Yes, let’s,” Toraf says. “Before the humans get those disgusting wrinkles on their skin.” He nudges Woden. “It’s probably the most horrific thing I’ve ever seen. And I’ve seen lots of things.” It’s the first time Galen realizes that Woden’s nervous demeanor and over-respectful attitude is not out of reverence for his own Royal status, but out of reverence for Toraf. It seems Toraf has a fan. And why wouldn’t he? He’s the best Tracker in the history of both territories. Any Tracker should feel humbled in his presence. Galen is not any Tracker. He grunts. “Shut up, idiot. Get behind me.” Toraf speeds ahead. “No, you get behind me, minnow.” Despite their grand words, they creep to the door together.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Now I see even more clearly that he was self-medicating after enduring years of abuse at the hands of his father, June. At the time, though, I had no idea why he was so hard on us, why nothing we did seemed to be quite good enough for him. The saddest part to me was that what I always wanted was a dad who would love me as I was—somebody who would say, “I just love you. You could do anything right now. I’d still love you with unconditional love.” My dad was reckless, cold, and mean
Britney Spears (The Woman in Me)
Aelin snarled, “You killed him.” The king approached, his footfalls thudding on the glass bridge. “My one regret,” the king said to her, “is that I did not get to take my time.” She backed up a step—just one. The king drew Nothung. “I’ll take my time with you, though.” Aelin lifted her sword in both hands. Then— “What did you say?” Dorian. The voice was hoarse, broken. The king and Aelin both turned toward the prince. But Dorian’s eyes were on his father, and they were burning like stars. “What did you say. About Chaol.” The king snapped. “Silence.” “Did you kill him.” Not a question. Aelin’s lips began trembling, and she tunneled down, down, down inside herself. “And if I did?” the king said, brows high. “Did you kill Chaol?” The light at Dorian’s hand burned and burned— But the collar remained around his neck. “You,” the king snapped—and Aelin realized he meant her just as a spear of darkness shot for her so fast, too fast— The darkness shattered against a wall of ice.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
Doug Spears; the rancher who lived at the mouth of Hell Roaring Creek. ‘So you’re the lady who found the body,’ he said. She hesitated, wondering which body he meant, how much they knew. ‘I mean the hiker’s body,’ he said. ‘Archie told us Jed Trotter got took by a bear too.’ She said: ‘I was talking to Otis Lenhart this afternoon; he says someone was shooting on Wapiti on Sunday.’ Spears smiled and shook his head. ‘It wasn’t me, ma’am.’ Zack Coons regarded her without expression, chewing solemnly.
Gwen Moffat (Grizzly Trail (Miss Pink #8))
Ten minutes after loading up her plate, when Iris is sipping pale apple juice, she asks Els across the table, “I’m told I should make myself useful. What are my options?” Els spears a strawberry. “What can you do?” “I organize.” “Like your sister.” “I organize people, events,” Iris says. “Denise organizes information.” I absorb that. I never thought of myself as organizing anything. I think of myself as listening, coping, avoiding. The words feel good, rolled over in my mind: Denise organizes information.
Corinne Duyvis (On the Edge of Gone)
There’s another high-pitched cry, this time my name. “Katniss! Katniss!” “Rue!” I shout back, so she knows I’m near. So, they know I’m near, and hopefully the girl who has attacked them with tracker jackers and gotten an eleven they still can’t explain will be enough to pull their attention away from her. “Rue! I’m coming!” When I break into the clearing, she’s on the ground, hopelessly entangled in a net. She just has time to reach her hand through the mesh and say my name before the spear enters her body.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Gold and bronze,” she said. “My mother was fair, but I am all Cretan. She was ashamed of me.” I said, “Bronze is more precious. From bronze come honor and life. Make my enemy a golden spear, and a sword blade too.” I did not like to speak of her mother, after all I had heard; so I kissed her instead. She hung all her weight upon my neck, and pulled me down to her. She was like a young salamander meeting flame; afraid at first, and only when flung in knowing its own element. There is an old saying that the house of Minos has sun-fire in the blood.
Mary Renault (The King Must Die (Theseus, #1))
Here are some people who have written books, telling what they did and why they did those things: John Dean. Henry Kissinger. Adolf Hitler. Caryl Chessman. Jeb Magruder. Napoleon. Talleyrand. Disraeli. Robert Zimmerman, also known as Bob Dylan. Locke. Charlton Heston. Errol Flynn. The Ayatollah Khomeini. Gandhi. Charles Olson. Charles Colson. A Victorian Gentleman. Dr. X. Most people also believe that God has written a Book, or Books, telling what He did and why—at least to a degree—He did those things, and since most of these people also believe that humans were made in the image of God, then He also may be regarded as a person… or, more properly, as a Person. Here are some people who have not written books, telling what they did… and what they saw: The man who buried Hitler. The man who performed the autopsy on John Wilkes Booth. The man who embalmed Elvis Presley. The man who embalmed—badly, most undertakers say—Pope John XXIII. The twoscore undertakers who cleaned up Jonestown, carrying body bags, spearing paper cups with those spikes custodians carry in city parks, waving away the flies.
Stephen King (Pet Sematary)
Man overboard!” Then everyone was busy. Some of the sailors hurried aloft to take in the sail; others hurried below to get to the oars; and Rhince, who was on duty on the poop, began to put the helm hard over so as to come round and back to the man who had gone overboard. But by now everyone knew that it wasn’t strictly a man. It was Reepicheep. “Drat that mouse!” said Drinian. “It’s more trouble than all the rest of the ship’s company put together. If there is any scrape to be got into, in it will get! It ought to be put in irons--keelhauled--marooned--have its whiskers cut off. Can anyone see the little blighter?” All this didn’t mean that Drinian really disliked Reepicheep. On the contrary he liked him very much and was therefore frightened about him, and being frightened put him in a bad temper--just as your mother is much angrier with you for running out into the road in front of a car than a stranger would be. No one, of course, was afraid of Reepicheep’s drowning, for he was an excellent swimmer; but the three who knew what was going on below the water were afraid of those long, cruel spears in the hands of the Sea People. In a few minutes the Dawn Treader had come round and everyone could see the black blob in the water which was Reepicheep. He was chattering with the greatest excitement but as his mouth kept on getting filled with water nobody could understand what he was saying. “He’ll blurt the whole thing out if we don’t shut him up,” cried Drinian. To prevent this he rushed to the side and lowered a rope himself, shouting to the sailors, “All right, all right. Back to your places. I hope I can heave a mouse up without help.
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
K’Vruck is so much more complete than death. It is the reduction of matter to a state of utter inertness, from which nothing can ever rise again. It is less than nothing. Nothing is something. K’Vruck is absolute. Your species would postulate the loss of soul to try to wrap their puny brains around it. I stiffen. I know this voice. This mockery. My spear will be no use against it. If I kill the Hunter, it would probably just hop a ride on me. I will tell you a secret, it says silkily. You do go on. Humans. Unless you are—it laughs softly—K’Vrucked.
Karen Marie Moning (Shadowfever (Fever, #5))
There must, whether the gods see it or not, be something great in the mortal soul. For suffering, it seems, is infinite, and our capacity without limit. Of the things that followed I cannot at all say whether they were what men call real or what men call dream. And for all I can tell, the only difference is that what many see we call a real thing, and what only one sees we call a dream. But things that many see may have no taste or moment in them at all, and things that are shown only to one may be spears and water-spouts of truth from the very depth of truth.
C.S. Lewis (Till We Have Faces: A Myth Retold)
Strange game, this stating the obvious,” Suri said, shaking her head. She got up and joined Minna at the woodpile. “Pointless, but popular. Everyone plays it. You’re eating our bread. That isn’t your bed. You have a wolf. But as you can see, I’m getting the knack of it. Tura told me to blend in at villages, especially the dahls. She said people who live inside walls are crazy and can be dangerous. Touched animals are, too. Cursed by the gods, sort of like you, and even a tainted squirrel’s bite can make you that way.” “I merely meant, well…” Persephone hesitated. “I didn’t think you’d still be here.” Suri pointed at the treetops visible over the rear wall of the dahl where the gray spears had become a curtain of green. “Was waiting on the leaves.” Persephone laughed. “It’s been two weeks.” The mystic twisted her face, thinking hard. “You have two ears.” She smiled proudly. “I’m starting to see the fun of this. Using a part of what another person says makes it harder, doesn’t it? Probably gets more challenging late in winter when you’ve been sealed up for months— I assume you can’t repeat the same thing twice, right?
Michael J. Sullivan (Age of Myth (The Legends of the First Empire, #1))
We stood, separated by space, certainly, in identical conditions of pleasant uncertainty and anticipation, and we both held our heart in our hands, all pink and palpitating and ready for pleasure and pain, and we were about to throw these hearts in each other's faces like snowballs, or cricket balls (How's that?) or, more accurately, like great bleeding wounds: "Take my wound". Because the last thing one ever thinks at such moments is that he (or she) will say: Take my wound, please remove the spear from my side. No, not at all; one simply expects to get rid of one's one.
Doris Lessing (A Man and Two Women: Stories)
Eating forks were thought comically dainty and unmanly—and dangerous, too, come to that. Since they had only two sharp tines, the scope for spearing one’s lip or tongue was great, particularly if one’s aim was impaired by wine and jollity. Manufacturers experimented with additional numbers of tines—sometimes as many as six—before settling, late in the nineteenth century, on four as the number that people seemed to be most comfortable with. Why four should induce the optimum sense of security isn’t easy to say, but it does seem to be a fundamental fact of flatware psychology.
Bill Bryson (At Home: A Short History of Private Life)
He looked at Abby. “Do I get a kiss?” “From the monkey?” Abby shrugged. “You can ask him.” “I’d prefer a kiss from an Italian goddess.” “Yeah? I’ll take you to meet Zia Sophia. If she likes you, then maybe we’ll talk.” “Talk? Doesn’t a knight-errant deserve a reward?” “See, that’s what we’re going to talk about. I don’t give any parts of this package”—she motioned the length of her body—“out as rewards. I’m not saying there won’t be any rewarding. I’m just saying it will be mutual if there is.” “Mu-tu-al.” Jing pressed his hand to his heart. “I swear to give as good as I get.
Kersten Hamilton (When the Stars Threw Down Their Spears (Goblin Wars, #3))
Five years from today. Where, exactly, do you want to be?" Her eyes lit up. Sadie loves that kind of question. "Ooh. Wow. Let me think. December, getting close to Christmas. I'll be twenty-one..." "Passed out under the tree with a fifth of Jack, half a 7-Eleven rotisserie chicken, and a cat who poops in your shoes." Frankie returned our startled glances with his lizard look. "Oh, wait. That's me. Sorry." I opted to ignore him. "Five years to the day,Sadie." She glanced quickly between Frankie and me. "Do we need a time-out here?" "Nope," I said. "Carry on." "Okay. Five years. I will be in New York visiting the pair of you because, while NYU is fab, I will be halfwau through my final year of classics at Cambridge, trying to decide whether I want to be a psychologist or a pastry chef. You," she said sternly to Frankie, "will be drinking appropriate amounds of champagne with your boyfriend, a six-three blond from Helsinki who happens to design for Tory Burch. Ah! Don't say anything. It's my future. You can choose a different designer when it's you go. I want the Tory freebies." She turned to me. "We will be sipping said champagne in the middle of the Gagosian Galley, because it is the opening night of your first solo exhibit. At which everything will sell." She punctuated the sentence by poking the air with a speared black olive. "I love you," I told her. Then, "But that wasn't really about you." "Oh,but it was," she disagreed, going back to her salad. "It's exactly where I want to be. Although" -she grinned over a tomato wedge- "I might have the next David Beckham in tow." "The next David Beckham is a five-foot-tall Welshman named Madog Cadwalader. He has extra teeth and bow legs." "Really?" Sadie asked. Frankie snorted. "No.Not really.
Melissa Jensen (The Fine Art of Truth or Dare)
Lois’s mother hated Polish food, saying it reminded her of her grandmother’s tiny hovel of an apartment in Portage Park, rancid with herring and vinegar. This drove Lois’s father mad. Sometimes, when they were particularly angry with one another, he would bring home the kielbasa his mother always made for him as a child for Ela to fry up, and eat several of them at the dinner table without pausing for breath, as Lois’s mother quietly speared the pale, wet cucumbers on her salad plate. This is how Lois first conceived of marriage: as a poorly played chess game no one ever seems to win.
Rowan Beaird (The Divorcées: A Novel)
Eliot's understanding of poetic epistemology is a version of Bradley's theory, outlined in our second chapter, that knowing involves immediate, relational, and transcendent stages or levels. The poetic mind, like the ordinary mind, has at least two types of experience: The first consists largely of feeling (falling in love, smelling the cooking, hearing the noise of the typewriter), the second largely of thought (reading Spinoza). The first type of experience is sensuous, and it is also to a great extent monistic or immediate, for it does not require mediation through the mind; it exists before intellectual analysis, before the falling apart of experience into experiencer and experienced. The second type of experience, in contrast, is intellectual (to be known at all, it must be mediated through the mind) and sharply dualistic, in that it involves a breaking down of experience into subject and object. In the mind of the ordinary person, these two types of experience are and remain disparate. In the mind of the poet, these disparate experiences are somehow transcended and amalgamated into a new whole, a whole beyond and yet including subject and object, mind and matter. Eliot illustrates his explanation of poetic epistemology by saying that John Donne did not simply feel his feelings and think his thoughts; he felt his thoughts and thought his feelings. He was able to "feel his thought as immediately as the odour of a rose." Immediately" in this famous simile is a technical term in philosophy, used with precision; it means unmediated through mind, unshattered into subject and object. Falling in love and reading Spinoza typify Eliot's own experiences in the years in which he was writing The Waste Land. These were the exciting and exhausting years in which he met Vivien Haigh-Wood and consummated a disastrous marriage, the years in which he was deeply involved in reading F. H. Bradley, the years in which he was torn between the professions of philosophy and poetry and in which he was in close and frequent contact with such brilliant and stimulating figures as Bertrand Russell and Ezra Pound, the years of the break from his family and homeland, the years in which in every area of his life he seemed to be between broken worlds. The experiences of these years constitute the material of The Waste Land. The relevant biographical details need not be reviewed here, for they are presented in the introduction to The Waste Land Facsimile. For our purposes, it is only necessary to acknowledge what Eliot himself acknowledged: the material of art is always actual life. At the same time, it should also be noted that material in itself is not art. As Eliot argued in his review of Ulysses, "in creation you are responsible for what you can do with material which you must simply accept." For Eliot, the given material included relations with and observations of women, in particular, of his bright but seemingly incurably ill wife Vivien(ne).
Jewel Spears Brooker (Reading the Waste Land: Modernism and the Limits of Interpretation)
Why am I doing this, Brynne?” he demanded. “I don’t know, Ethan.” I could barely speak." “Yes you do. Say it, Brynne!” I tensed as an orgasm started to rule me but he immediately reduced the pace, taking it down a notch with slow pulls in and out of my spread sex. “Say what?” I cried, frustrated. “Say the words I have to hear. Say the truth and I’ll let you come.” He speared into me slower and nipped at my bare shoulder with his teeth. “What is the truth?” I was starting to sob now, completely at his mercy. “The truth is,” he grunted the rest on three, hard, punctuating thrusts, “You. Are. Mine!
Raine Miller (Naked (The Blackstone Affair, #1))
In the modern era, teachers and scholarship have traditionally laid strenuous emphasis on the fact that Briseis, the woman taken from Achilles in Book One, was his géras, his war prize, the implication being that her loss for Achilles meant only loss of honor, an emphasis that may be a legacy of the homoerotic culture in which the classics and the Iliad were so strenuously taught—namely, the British public-school system: handsome and glamorous Achilles didn’t really like women, he was only upset because he’d lost his prize! Homer’s Achilles, however, above all else, is spectacularly adept at articulating his own feelings, and in the Embassy he says, “‘Are the sons of Atreus alone among mortal men the ones / who love their wives? Since any who is a good man, and careful, / loves her who is his own and cares for her, even as I now / loved this one from my heart, though it was my spear that won her’ ” (9.340ff.). The Iliad ’s depiction of both Achilles and Patroklos is nonchalantly heterosexual. At the conclusion of the Embassy, when Agamemnon’s ambassadors have departed, “Achilles slept in the inward corner of the strong-built shelter, / and a woman lay beside him, one he had taken from Lesbos, / Phorbas’ daughter, Diomede of the fair colouring. / In the other corner Patroklos went to bed; with him also / was a girl, Iphis the fair-girdled, whom brilliant Achilles / gave him, when he took sheer Skyros” (9.663ff.). The nature of the relationship between Achilles and Patroklos played an unlikely role in a lawsuit of the mid-fourth century B.C., brought by the orator Aeschines against one Timarchus, a prominent politician in Athens who had charged him with treason. Hoping to discredit Timarchus prior to the treason trial, Aeschines attacked Timarchus’ morality, charging him with pederasty. Since the same charge could have been brought against Aeschines, the orator takes pains to differentiate between his impulses and those of the plaintiff: “The distinction which I draw is this—to be in love with those who are beautiful and chaste is the experience of a kind-hearted and generous soul”; Aeschines, Contra Timarchus 137, in C. D. Adams, trans., The Speeches of Aeschines (Cambridge, MA, 1958), 111. For proof of such love, Aeschines cited the relationship between Achilles and Patroklos; his citation is of great interest for representing the longest extant quotation of Homer by an ancient author. 32
Caroline Alexander (The War That Killed Achilles: The True Story of Homer's Iliad and the Trojan War)
The world's greatest computer is the brain. The world's greatest engine is the heart. The world's greatest generator is the soul. The world's greatest television is the mind. The world's greatest radio is the tongue. The world's greatest camera is the eye. The world's greatest ladder is faith. The world's greatest hammer is courage. The world's greatest sword is accuracy. The world's greatest photographer is sight. The world's greatest knife is fate. The world's greatest spear is intelligence. The world's greatest submerine is a fish. The world's greatest aeroplane is a bird. The world's greatest jet is a fly. The world's greatest bicycle is a camel. The world's greatest motorbike is a horse. The world's greatest train is a centipede. The world's greatest sniper is a cobra. The world's greatest schemer is a fox. The world's greatest builder is an ant. The world's greatest tailor is a spider. The world's greatest assassin is a wolf. The world's greatest ruler is a lion. The world's greatest judge is karma. The world's greatest preacher is nature. The world's greatest philosopher is truth. The world's greatest mirror is reality. The world's greatest curtain is darkness. The world's greatest author is destiny.
Matshona Dhliwayo
I go to the table. The pixie regards me with her inkdrop-black eyes, like Tatterfell’s. I notice the extra joint in her fingers as she reaches for an eggroll. “Go ahead,” she says. “There’s plenty. I used most of the hot mustard packets, though.” Roiben waits, watching me. “Mortal food,” I say, in what I hope is a neutral way. “We live alongside mortals, do we not?” he asks me. “I think she more than lives beside them,” the pixie objects, looking at me. “Your pardon,” he says, and waits. I realize they really expect me to eat something. I spear a dumpling with a single chopstick and stuff it into my mouth. “It’s good.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
I see the pricks of blood the spear has left in his shoulder, and when Mutt slides the door shut, I spring on to Mutt and press my little switchblade to his great bulging neck. I can see his skin sucking in with his pulse. My knife lies right next to it. "I thought you said to beat you on the sand," Mutt says. corr slams the wall of his stall with his hooves. My voice hisses out through a cage of my teeth. "I also said ten drops of your blood for every drop of his." I want a pool of his blood around him like the one beneath Edana. I want him to lie against this wall and whimper like she does.I want him to know he'll never stand again. I want him to remember David Prince's death mask as he wears it for himself.
Maggie Stiefvater (The Scorpio Races)
Kronos the trainer had explained to me what the number markings meant and how to read them, but I still got confused sometimes and mixed them up. So we made a joke out of it every time Elka asked me to spin the shield wheel and pick a number. “Thirteen!” I would call out and spin the wheel so that the markings blurred. Elka’s spear invariably pierced the twelve: XII. “Only off by one!” she would say. For some reason the joke had yet to grow stale. And her aim had yet to falter. As a prospective gladiatrix, she was good. And she actually seemed content—happy, even—that her fate had led her to the Ludus Achillea and the chance to live and die as one. Which makes her either stronger than me . . . or weaker. I didn’t know which.
Lesley Livingston (The Valiant (The Valiant, #1))
I used to hide a lot of the hard parts about my life because I didn't want people to feel sorry for me or give me any pity. But then, as I got more successful, people started asking me, 'How did you do it, Tiffany? How is your life so great?' I realized if I hide the mistakes I've made, I'm going to give people the wrong idea. There's going to be some little girl out there thinking that if she messes up, that's it. Game over. No chance of having a good life. So now when I fuck up, I Eight Mile that shit, naming my weaknesses before anyone else can... If I tell everyone where I messed up, can't nobody make me feel shame for it. If I just say my truth, there's no weapon you can hold against me, unless it's a spear or something.
Tiffany Haddish (I Curse You With Joy)
It won’t take long. And you know what you can do in the meantime? You can tell my friend here all about your doll.” “What?” Bellamy shot her a look. “I’m coming with you.” “No extraneous activity for you. Doctor’s orders.” Bellamy rolled his eyes, then sighed and turned to the little girl. “So…” she heard him say as she hurried off. “What’s your doll’s favorite way to hunt? Does she like spears or bows and arrows?” Clarke grinned to herself as she imagined the look of confusion on the little girl’s face, then took another flight of stairs down and turned in the direction she assumed led to the bedrooms, but the layout of this floor was different than the one above. She backtracked and tried going the other way but ended up even more turned around. The
Kass Morgan (Homecoming (The Hundred, #3))
My disapproval extended to the personnel of the various native tribes he had encountered in the course of his explorations. On his own showing, he had for years been horning in uninvited on the aborigines of Brazil, the Congo and elsewhere, and not one of them apparently had had the enterprise to get after him with a spear or to say it with poisoned darts from the family blowpipe. And these were fellows who called themselves savages. Savages, forsooth! The savages in the books I used to read in my childhood would have had him in the Obituary column before he could say 'What ho', but with the ones you get nowadays it's all slackness and laissez-faire. Can't be bothered. Leave it to somebody else. Let George do it. One sometimes wonders what the world's coming to.
P.G. Wodehouse (Stiff Upper Lip, Jeeves (Jeeves, #13))
The proximity of these two cultures over the course of many generations presented both sides with a stark choice about how to live. By the end of the nineteenth century, factories were being built in Chicago and slums were taking root in New York while Indians fought with spears and tomahawks a thousand miles away. It may say something about human nature that a surprising number of Americans—mostly men—wound up joining Indian society rather than staying in their own. They emulated Indians, married them, were adopted by them, and on some occasions even fought alongside them. And the opposite almost never happened: Indians almost never ran away to join white society. Emigration always seemed to go from the civilized to the tribal, and it left Western thinkers flummoxed about how to explain such an apparent rejection of their society. “When
Sebastian Junger (Tribe: On Homecoming and Belonging)
MAC. Fear not then any longer the hostile spear of the Argives; for I myself, old man, before I am commanded, am prepared to die, and to stand for slaughter; for what shall we say if the city thinks fit for our sakes to encounter a great danger, but we putting toils on others, avoid death when we can be saved? Not so, since this would be ridiculous for suppliants sitting at the shrines of the Gods to mourn, but being of such a sire as we are, to be seen to be cowards; how can this seem good! it were more noble, I think, (which may it never happen!) to fall into the hands of the enemy, this city being taken, and afterward, being born of a noble father, having suffered dreadful things, to see Hades none the less; but shall I wander about, driven from this land, and shall I not indeed be ashamed if any one says, "Why have ye come hither with your suppliant branches, yourselves being too fond of life! Depart from the land, for we will not aid cowards." But neither, indeed, if these die, and I myself am saved, have I any hope to fare well; for before now many have in this way betrayed their friends. For who would choose to have me, a solitary damsel, for his wife, or to raise children from me? therefore it is better to die than to have such an unworthy fate as this; and this may even be more seemly for some other, who is not illustrious as I. Lead me then where this body must needs die, and crown me and begin the rites, if you think fit, and conquer your enemies; for this life is ready for you, willing, and not unwilling; and I promise to die for these my brethren, and for myself; for not caring for life, I have found this most glorious thing to find, namely, to leave life gloriously.
Euripides (The Tragedies of Euripides, Volume I.)
Norse mythology hints at Odinic cults, with Odin being worshipped through a combination of ecstatic and seemingly shamanistic rituals. From the eddic poem The Sayings of the High One ( Hávamál ), he is said to have hanged himself in a sacrificial ritual on a tree. Barely surviving this ordeal, Odin gains arcane knowledge, including the use of runes, the ancient Scandinavian alphabet sometimes used for magical purposes. In the poem, Odin chants : I know that I hung on the wind-swept tree all nine nights with spear was I wounded and given to Odin, myself to me, on that tree which no one knows from which roots it grows. Bread I was not given, no drink from the horn, downwards I glared; up I pulled the runes, screaming I took them, from there I fell back again. - excerpt from Jesse L. Byock's Introduction and Notes, of Sturluson's Prose Edda.
Snorri Sturluson (The Prose Edda: Norse Mythology)
Then it's time for our first complete bites after we mix the gnocchi and sauce together with a sprinkling of parmesan over the top. Spearing one of the little potato pillows with my fork, I drag it through some extra sauce before popping it into my mouth. The flavors explode on my tongue, my taste buds experiencing something akin to euphoria as the fresh tomatoes and garlic and herbs and salt all meld around a light, fluffy center. I fight the urge to moan aloud, because oh. My. Pasta-loving stars. I thought I loved pasta before. But then I met this gnocchi, which Benny says isn't even technically pasta, and all I know is that it tastes like my every good Italian restaurant and home-cooked comfort food memory rolled into one and amplified. I feel like I'm about to melt to the floor, literally light-headed from this rapturous food experience. The dish is savory and hearty and warms me from the inside out.
Kaitlyn Hill (Love from Scratch)
A few minutes later the Witch herself walked out on to the top of the hill and came straight across and stood before Aslan. The three children, who had not seen her before, felt shudders running down their backs at the sight of her face; and there were low growls among all the animals present. Though it was bright sunshine everyone felt suddenly cold. The only two people present who seemed to be quite at their ease were Aslan and the Witch herself. It was the oddest thing to see those two faces--the golden face and the dead-white face--so close together. Not that the Witch looked Aslan exactly in his eyes; Mrs. Beaver particularly noticed this. “You have a traitor there, Aslan,” said the Witch. Of course everyone present knew that she meant Edmund. But Edmund had got past thinking about himself after all he’d been through and after the talk he’d had that morning. He just went on looking at Aslan. It didn’t seem to matter what the Witch said. “Well,” said Aslan, “his offense was not against you.” “Have you forgotten the Deep Magic?” asked the Witch. “Let us say I have forgotten it,” answered Aslan gravely. “Tell us of this Deep Magic.” “Tell you?” said the Witch, her voice growing suddenly shriller. “Tell you what is written on that very Table of Stone which stands beside us? Tell you what is written in letters deep as a spear is long on the trunk of the World Ash Tree? Tell you what is engraved on the scepter of the Emperor-Beyond-the-Sea? You at least know the magic which the Emperor put into Narnia at the very beginning. You know that every traitor belongs to me as my lawful prey and that for every treachery I have a right to a kill.” “Oh,” said Mr. Beaver. “So that’s how you came to imagine yourself a Queen--because you were the Emperor’s hangman. I see.” “Peace, Beaver,” said Aslan, with a very low growl.
C.S. Lewis (The Chronicles of Narnia The Lion, the Witch & the Wardrobe)
Below us the country looked like a black lake. Nowhere was there a glimmer of light. Nowhere, so far as the eye could range, was there a living creature except here in this group of holy buildings. With the going down of the sun, the night wind rose and set about the business of the gods, the dusting of the corners of Earth. As it swept along the valley below, it was trapped by the mountainside and was channeled up through faults in the rock, to emerge into our upper air with a dull moaning boom, like a giant conch calling one to service. Around us there was the creaking and crackling of rocks moving and contracting now that the greater heat of the day had gone. Above us the stars were vivid in the dark night sky. The Old People used to say that Kesar’s Legions had dropped their spears on the Floor of Heaven at the call of Buddha, and the stars were but the reflections of the lights of the Heavenly Room shining through the holes.
T. Lobsang Rampa (The Third Eye)
They’re at the gates now, and there’s no lock on them that Parks can see, but they don’t open. Used to be electric, obviously, but bygones are bygones and in the brave new post-mortem world that just means they don’t bloody work. “Over!” he yells. “Up and over!” Which is easily said. A head-high rampart of ornamental ironwork with functional spear points on top says different. They try, all the same. Parks leaves them to it, turns his back to them and goes on firing. The up side is that now he can be indiscriminate. Set to full auto and aim low. Cut the hungries’ legs out from under them, turning the front-runners into trip hazards to slow the ones behind. The down side is that more and more of them keep coming. The noise is like a dinner bell. Hungries are crowding into the green space from the streets on every side, at what you’d have to call a dead run. There’s no limit to their numbers, and there is a limit to his ammo. Which
M.R. Carey (The Girl With All the Gifts)
PSALM 46 God is our refuge and strength, an ever-present help in trouble. Therefore we will not fear, though the earth give way and the mountains fall into the heart of the sea, though its waters roar and foam and the mountains quake with their surging. There is a river whose streams make glad the city of God, the holy place where the Most High dwells. God is within her, she will not fall; God will help her at break of day. Nations are in uproar, kingdoms fall; he lifts his voice, the earth melts. The LORD Almighty is with us; the God of Jacob is our fortress. Come and see what the LORD has done, the desolations he has brought on the earth. He makes wars cease to the ends of the earth. He breaks the bow and shatters the spear; he burns the shields with fire. He says, “Be still, and know that I am God; I will be exalted among the nations, I will be exalted in the earth.” The LORD Almighty is with us; the God of Jacob is our fortress.
Sadie Robertson (Live Fearless: A Call to Power, Passion, and Purpose)
In Psalm 57: 1, David says, “In the shadow of thy wings will I make my refuge, until these calamities be overpass.” Instead of going out to fight his own battles, David took refuge in God. How tempting it might have been for him to show the enemy his strength and might. To show his enemy that he was not somebody to be messed with must have been a great temptation for a man like David. Instead of engaging the enemy, however, David took refuge in the shadow of God’s wings. What a blessed truth to understand that, in the middle of all of our difficulties and calamities, we have a refuge. Certainly, there is a time to go forth into battle and engage the enemy. But this should only be under the direct orders of the Captain of our salvation. Young David understood this as he faced Goliath. And all this assembly shall know that the LORD saveth not with sword and spear: for the battle is the LORD’s, and he will give you into our hands (1 Sam. 17: 47). The battle is always the Lord’s.
A.W. Tozer (The Crucified Life: How To Live Out A Deeper Christian Experience)
Hel's kingdom seems to have been reserved for the common dead, especially those who were not slain by handheld weapons. Valhöll, however, welcomed the valiant. Originally located beneath the earth, the Hall of Warriors fallen in battle" was transported close to Asgard, the abode of the gods, and according to the Sayings of Grimnir, it occupied the fifth heavenly dwelling place, the World of Joy (Gladsheimr) There, every day, Odin chose the warriors who died in combat and shared them with Frigg (Freyja). It was believed that Valhöll had the Unique Warriors (Einherjar), the elite. It is easy to understand why the Germans dreaded to die bedridden; if they were at risk of this, they asked those close to them to mark their bodies with spears. In the Saga of Ynglingar (chapter 9) Snorri Sturluson says that the god Odin, seen here from a euhemeristic perspective, proceeded in this way, but it is surprising to see Njörd, a god of the third function, demanding to be marked with this martial sign.
Claude Lecouteux (The Return of the Dead: Ghosts, Ancestors, and the Transparent Veil of the Pagan Mind)
Which mirror now, Ms. Lane?” He glanced around the white room, scanning the ten mirrors. “Fourth from the left. Jericho.” I was sick of him calling me Ms. Lane. I picked myself up off the white floor. Once again the Silver had spit me out with entirely too much enthusiasm, and I didn’t even have the stones on me. I didn’t have anything but the spear in my holster, a protein bar, two flashlights, and a bottle of Unseelie in my pockets. “You don’t have the right to call me Jericho.” “Why? Because we haven’t been intimate enough? I’ve had sex with you in every possible position, killed you, fed you my blood in the hopes that it would bring you back to life, crammed Unseelie into your stomach, and tried to rearrange your guts. I’d say that’s pretty personal. How much more intimate do we have to get for you to feel comfortable with me calling you Jericho? Jericho.” I expected him to pounce on the sex-in-every-possible-position comment, but he only said. “You fed me your—” I pushed into the mirror, cutting him off. Like the first one, it resisted me, then grabbed me and squirted me out on the other side. His voice preceded his arrival. “You bloody fool, do you never stop to consider the consequences of your actions?” He barreled out of the mirror behind me. “Of course I do,” I said coolly. “There’s always plenty of time to consider the consequences. After I’ve screwed up.” “Funny girl, aren’t you, Ms. Lane?” “Sure am. Jericho. It’s Mac. I’m Mac. No more fake formality between us. Get with the program or get the hell out of here.” His dark eyes flared. “Big talk. Ms. Lane. Try to enforce it.” Challenge burned in his gaze. I sauntered toward him. He watched me coldly and I was reminded of the other night, when I’d pretended to be coming on to him, because I was angry. He thought I was doing it again. I wasn’t. Being in the White Mansion with him was doing something strange to me. Unraveling all my inhibitions, as if these walls had no tolerance for lies, or within them there was no need.
Karen Marie Moning (Shadowfever (Fever, #5))
stand here for ever as a warning.’ ‘If you had been the first to lift the Orthanc-stone, and not he, how would it be now?’ said Aragorn. ‘You might have done worse. Who can say? But now it is your luck to come with me, I fear. At once. Go and get ready, and bring anything that Pippin left behind. Make haste!’ Over the plains Shadowfax was flying, needing no urging and no guidance. Less than an hour had passed, and they had reached the Fords of Isen and crossed them. The Mound of the Riders and its cold spears lay grey behind them. Pippin was recovering. He was warm, but the wind in his face was keen and refreshing. He was with Gandalf. The horror of the Stone and of the hideous shadow over the moon was fading, things left behind in the mists of the mountains or in a passing dream. He drew a deep breath. ‘I did not know you rode bare-back, Gandalf,’ he said. ‘You haven’t a saddle or a bridle!’ ‘I do not ride elf-fashion, except on Shadowfax,’ said Gandalf. ‘But Shadowfax will have no harness. You
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
Minute imperfections of his have become insufferable. Irritability sizzles inside me like electric shock waves, saws against the bones of my head like a serrated blade. I can quiver out of my skin, gag, get instant, knifing headaches from the way he sucks on a tooth, drums his fingers, mispronounces certain words, says byootefoolinstead of beautifuland between you and Iinstead of between you and me,and laughs when I correct him — I have an impulse to correct him every single time and have to stifle it. The words spear through my consciousness and slam to a stop against bone, the inside of my skull. I can restrain myself from saying them, but I cannot suppress the need to want to. I am incensed with him for provoking it. He bubbles saliva in the corner of his mouth and still wears the white smudge on his chapped lips of whatever antacid pill or solution he has been taking for his stomach distress. "Heh-heh," he has fallen into the habit of saying, with lowered, escaping eyes. "Heh-heh," I want to mock back.
Joseph Heller (Something Happened)
Kelly and I had to take our turns to work the concessions stand at the games. We would always try to work our designated duties together. If you've ever assembled a hundred hot dogs after a game, you know things can get pretty hectic behind that concessions counter. Kelly and I would slap those orders together as fast as we could, but keep in mind this was not either of our fortes. Did the guy in the green jacket order a hot dog or a burger? Did that lady say "diet" or did I imagine it? We often held our breath when the person left, wondering if he would discover in short order that what he asked for was not at all what he received from the inept concession stand staff. Big crowds of of hungry basketball fans made us nervous, and Kelly and I often made a mess filling their orders. One time I got impatient with the ketchup bottle, as I kept banging on the bottom of it and nothing was coming out. All of the sudden, half the bottled spewed out in this huge blob, and I looked like a bloody accident victim the rest of the night!
Lynne Spears (Through The Storm: A Real Story of Fame and Family in a Tabloid World)
Most of us are easily impressed by glorious generals on their magnificent warhorses (or their modern equivalents), but Yahweh and his prophets are not. For example, the prophet Isaiah sees Jerusalem’s trust in chariots and horses as idolatrous and a forsaking of the ways of Yahweh. After announcing that the reign of Messiah will be characterized by a renunciation of militarism where swords are turned into plowshares, spears into pruning hooks, war renounced, and military training abandoned,[7] Isaiah goes on to immediately denounce Israel’s idolatrous militarism by saying, Come, descendents of Jacob, let us walk in the light of the Lord! For the Lord has rejected his people, the descendents of Jacob, because they have filled their land with practices from the East and with sorcerers, as the Philistines do. Israel is full of silver and gold; there is no end to its treasures. Their land is full of warhorses; there is no end to its chariots. Their land is full of idols; the people worship things they have made with their own hands.
Brian Zahnd (Postcards from Babylon: The Church In American Exile)
On the 27th morning, at around 8 a.m. the train left Godhra Station. The karsevaks were loudly chanting the Ram Dhoon. The train had hardly gone a few meters, when it suddenly stopped. Somebody had perhaps pulled the chain to stop the train. Before anybody could know what had happened, we saw a huge mob approaching the train. People were carrying weapons like Gupti, Spears, Swords and such other deadly weapons in their hands and were throwing stones at the train. We all got frightened and somehow closed the windows and the doors of the compartment. People outside were shouting loudly, saying ‘Maro, Kato’ and were attacking the train. A loudspeaker from the Masjid (i.e. Mosque) closeby was also very loudly shouting ‘Maro, Kato, Laden na dushmano ne Maro.’ (“Cut, kill, kill the enemies of Laden”)These attackers were so fierce that they managed to break the windows and close the doors from outside before pouring petrol inside and setting the compartment on fire so that nobody could escape alive. A number of attackers entered the compartment and were beating the karsevaks and looting their belongings. The compartments were drenched in petrol all over. We were terrified and were shouting for help but who was there to help us? A few policemen were later seen approaching the compartment but they were also whisked away by the furious mob outside. There was so much of smoke in the compartment that we were unable to see each other and also getting suffocated. Going out was too difficult, however, myself and Pooja somehow managed to jump out through the windows. Pooja was hurt in her back and was unable to stand up. People outside were trying to hold us to take us away but we could escape and run under the burning train and succeeded in crawling towards the cabin. I have seen my parents and sisters being burnt alive right in front of my eyes.” Luckily, Gayatri was not hurt too badly. “We somehow managed to go up to the station and meet our aunty (Masi). After the compartments were completely burnt, the crowd started withering. We saw that even amongst them were men, women and youngsters like us, both male and female.
M.D. Deshpande (Gujarat Riots: The True Story: The Truth of the 2002 Riots)
I looked. The Palace stood on an easy slope; yet it had no more walls than a common dwelling-house might have, to keep thieves out and slaves in. The roofs were even without battlements, crowned only by their insolent horns, a pair facing each way. Such was the power of Minos. His walls were on the waters, which his ships commanded. I stared in silence, shutting my face on my despair. I felt like a child come among warriors with a wooden spear. Also I felt up-country, rude and ignorant, which hurts a young man more. “All very fine,” I said. “But if war came to Crete, they could not hold it a day.” Lukos had heard me. But here on his home ground he was too easy for anger. He said with his careless smile, “The House of the Ax has stood here a thousand years, and never fell yet except when the Earth Bull shook it. It was old when you Hellenes were herdsmen still on the northern grasslands. I see you doubt me, but that is natural. We have learned from the Egyptians to reckon years and ages. You, I think, have a saying, ‘Time out of mind.’” He strolled on, before I had an answer.
Mary Renault (The King Must Die (Theseus, #1))
5And David went out  fand was successful wherever Saul sent him, so that Saul set him over the men of war. And this was good in the sight of all the people and also in the sight of Saul’s servants. Saul’s Jealousy of David 6As they were coming home, when David returned from striking down the Philistine,  gthe women came out of all the cities of Israel, singing and dancing, to meet King Saul, with tambourines, with songs of joy, and with musical instruments. [1] 7And the women  hsang to one another as they celebrated, i“Saul has struck down his thousands, and David his ten thousands.” 8And Saul was very angry, and this saying displeased him. He said, “They have ascribed to David ten thousands, and to me they have ascribed thousands, and what more can he have but  jthe kingdom?” 9And Saul eyed David from that day on. 10The next day  ka harmful spirit from God rushed upon Saul, and  lhe raved within his house while David was  mplaying the lyre, as he did day by day.  nSaul had his spear in his hand. 11And Saul  ohurled the spear, for he thought, “I will pin David to the wall.” But David evaded him twice. 12
Anonymous (ESV Classic Reference Bible)
The Golden Bough captured the imagination of many artists in the early twentieth century. Eliot, certainly, was immersed in it, discussing it familiarly in his graduate school papers and book reviews and constantly alluding to it in his art. The most straightforward advice he offers to readers of The Waste Land (given in the notes to the poem) is, in paraphrase, that any serious reader of the poem must take into consideration modern scholarship in myth and anthropology, especially Frazer Golden Bough and Jessie Weston From Ritual to Romance. The poet says that he is indebted to this scholarship for his title, his plan, his symbolism, and many of his references to ancient religion and society. His claim about the title, taken from the monomyth of Frazer and Weston, his claim about the symbolism, associated with the birth-death-rebirth cycles of the myths, and his claim about the miscellaneous undergirding references have been discussed by Grover Smith and other scholars. We wish to focus more on Eliot's claim about being indebted to Frazer for the plan of the poem. We believe it refers, at least in part, to Frazer's use of the comparative method and to his practice of assembling many perspectives and allowing these perspectives to make his point. It must be noted at once that Eliot was quite selective in his admiration of Frazer. For example, he did not admire Frazer's positivism. Frazer put his faith in science and celebrated what he called the evolution from magic to religion to science. Nor did Eliot share Frazer's conclusions. In his 1913 paper on the interpretation of primitive ritual, he says that Frazer's interpretations of specific myths (the myth of the dying god is his example) are almost certainly mistaken. But Eliot did admire Frazer's erudition and his increasingly nontheoretical presentation of many angles of vision which in themselves tend to generate an overarching abstract primitive vision. In 1924, on the occasion of the publication of a condensed edition of The Golden Bough, Eliot wrote a review in which he lauded Frazer for having "extended the consciousness of the human mind into as dark a backward and abysm of time as has yet been explored." Eliot argues that Frazer's importance for artists is in his exemplary withdrawal from speculation, his adoption of the absence of interpretation as a positive modus operandi.
Jewel Spears Brooker (Reading the Waste Land: Modernism and the Limits of Interpretation)
Eeh, but whah’s the use, the fuckin’ use?” Dixon resting his head briefly tho’ audibly upon the Table. “It’s over . . . ? Nought left to us but Paper-work . . . ?” Their task has shifted, from Direct Traverse upon the Line to Pen-and-Paper Representation of it, in the sober Day-Light of Philadelphia, strain’d thro’ twelve-by-twelve Sash-work, as in the spectreless Light of the Candles in their Rooms, suffering but the fretful Shadows of Dixon at the Drafting Table, and Mason, seconding now, reading from Entries in the Field-Book, as Dixon once minded the Clock for him. Finally, one day, Dixon announces, “Well,— won’t thee at least have a look . . . ?” Mason eagerly rushes to inspect the Map of the Boundaries, almost instantly boggling, for there bold as a Pirate’s Flag is an eight-pointed Star, surmounted by a Fleur-de-Lis. “What’s this thing here? pointing North? Wasn’t the l’Grand flying one of these? Doth it not signify, England’s most inveterately hated Rival? France?” “All respect, Mason,— among Brother and Sister Needle-folk in ev’ry Land, ’tis known universally, as the ‘Flower-de-Luce.’ A Magnetickal Term.” “ ‘Flower of Light’? Light, hey? Sounds Encyclopedistick to me, perhaps even Masonick,” says Mason. A Surveyor’s North-Point, Dixon explains, by long Tradition, is his own, which he may draw, and embellish, in any way he pleases, so it point where North be. It becomes his Hall-Mark, personal as a Silver-Smith’s, representative of his Honesty and Good Name. Further, as with many Glyphs, ’tis important ever to keep Faith with it,— for an often enormous Investment of Faith, and Will, lies condens’d within, giving it a Potency in the World that the Agents of Reason care little for. “ ’Tis an ancient Shape, said to go back to the earliest Italian Wind-Roses,” says Dixon, “— originally, at the North, they put the Letter T, for Tramontane, the Wind that blew down from the Alps . . . ? Over the years, as ever befalls such frail Bric-a-Brack as Letters of the Alphabet, it was beaten into a kind of Spear-head,— tho’ the kinder-hearted will aver it a Lily, and clash thy Face, do tha deny it.” “Yet some, finding it upon a new Map, might also take it as a reassertion of French claims to Ohio,” Mason pretends to remind him. “Aye, tha’ve found me out, I confess,— ’tis a secret Message to all who conspire in the Dark! Eeh! The old Jesuit Canard again!
Thomas Pynchon (Mason & Dixon)
Spearing a quail egg with her fork, Evie popped it into her mouth. “What is to be done about Mr. Egan?” His shoulders lifted in a graceful shrug. “As soon as he is sober enough to walk, he’ll be dismissed.” Evie brushed away a stray lock of hair that had fallen over her cheek. “There is no one to replace him.” “Yes, there is. Until a suitable manager can be found, I’ll run the club.” The quail egg seemed to stick in her throat, and Evie choked a little. Hastily she reached for her wine, washed it down, and regarded him with bulging eyes. How could he say something so preposterous? “You can’t.” “I can hardly do worse than Egan. He hasn’t managed a damned thing in months… before long, this place will be falling down around our ears.” “You said you hated work!” “So I did. But I feel that I should try it at least once, just to be certain.” She began to stammer in her anxiety. “You’ll pl-play at this for a few days, and then you’ll tire of it.” “I can’t afford to tire of it, my love. Although the club is still profitable, its value is in decline. Your father has a load of outstanding debt that must be settled. If the people who owe him can’t muster the cash, we’ll have to take property, jewelry, artwork… whatever they can manage. Having a good idea of the value of things, I can negotiate some acceptable settlements. And there are other problems I haven’t yet mentioned… Jenner has a string of failing Thoroughbreds that have lost a fortune at Newmarket. And he’s made some insane investments— ten thousand pounds he put into an alleged gold mine in Flintshire— a swindle that even a child should have seen through.” “Oh God,” Evie murmured, rubbing her forehead. “He’s been ill— people have taken advantage—” “Yes. And now, even if we wanted to sell the club, we couldn’t without first putting it in order. If there were an alternative, believe me, I would find it. But this place is a sieve, with no one who is capable or willing to stop the holes. Except for me.” “You know nothing about filling holes!” she cried, appalled by his arrogance. Sebastian responded with a bland smile and the slightest arch of one brow. Before he could open his mouth to reply, she clapped her hands over her ears. "Oh, don't say it, don't!" When she saw that he was obligingly holding his silence-though a devilish gleam remained in his eyes-she lowered her hands cautiously.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Ho there, my fine fellow!” said the same man who had ordered the soldiers to halt. “Ho there, I say! Who are you to sit here this splendid morning, drinking and enjoying a merry game of chance, as if you hadn’t a care in the world? Do we not merit the courtesy of being met with drawn swords? Who are you, I say?” Slowly, as if he had just noticed the presence of the soldiers and considered it to be of little importance, Roran raised his gaze from the table to regard a small bearded man with a flamboyantly plumed helm who sat before him on an enormous black war-horse, which was heaving like a pair of bellows. “I’m nobody’s fine fellow, and certainly not yours,” Roran said, making no effort to conceal his dislike at being addressed in such a familiar manner. “Who are you, I might ask, to interrupt my game so rudely?” The long, striped feathers mounted atop the man’s helm bobbed and fluttered as he looked Roran over, as if Roran were an unfamiliar creature he had encountered while hunting. “Tharos the Quick is my name, Captain of the Guard. Rude as you are, I must tell you, it would grieve me mightily to kill a man as bold as yourself without knowing his name.” As if to emphasize his words, Tharos lowered the spear he held until it was pointing at Roran.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
If you are afflicted with melancholy at this season, go to the swamp and see the brave spears of skunk-cabbage buds already advanced toward a new year. Their gravestones are not bespoken yet. Who shall be sexton to them? Is it the winter of their discontent? Do they seem to have lain down to die, despairing of their skunk-cabbagedom? “Up and at ‘em,” “Give it to ‘em,” “Excelsior,” “Put it through,” –these are their mottoes. Mortal human creatures must take a little respite in this fall of the year; their spirits do flag a little. There is a little questioning of destiny, and thinking to go like cowards to where the “weary shall be at rest.” But not so with skunk-cabbage. Its withered leaves fall and are transfixed by a rising bud. Winter and death are ignored; the circle of life is complete. Are these false prophets? Is it a lie or a vain boast underneath the skunk-cabbage bud, pushing it upward and lifting the dead leaves with it? They rest with spears advanced; they rest to shoot! I say it is good for me to be here, slumping in the mud, a trap covered with withered leaves. See those green cabbage buds lifting the dry leaves in that watery and muddy place. There is no can’t nor cant to them. They see over the brow of winter’s hill. They see another summer ahead. (October 31, 1857)
Henry David Thoreau (The Journal of Henry D. Thoreau: In Fourteen Volumes Bound as Two: Vols. I–VII (1837–October, 1855))
the promise about the bruising of the serpent's head, recorded in Genesis, as made to our first parents, was actually made, and if all mankind were descended from them, then it might be expected that some trace of this promise would be found in all nations. And such is the fact. There is hardly a people or kindred on earth in whose mythology it is not shadowed forth. The Greeks represented their great god Apollo as slaying the serpent Pytho, and Hercules as strangling serpents while yet in his cradle. In Egypt, in India, in Scandinavia, in Mexico, we find clear allusions to the same great truth. "The evil genius," says Wilkinson, "of the adversaries of the Egyptian god Horus is frequently figured under the form of a snake, whose head he is seen piercing with a spear. The same fable occurs in the religion of India, where the malignant serpent Calyia is slain by Vishnu, in his avatar of Crishna; and the Scandinavian deity Thor was said to have bruised the head of the great serpent with his mace." "The origin of this," he adds, "may be readily traced to the Bible." In reference to a similar belief among the Mexicans, we find Humboldt saying, that "The serpent crushed by the great spirit Teotl, when he takes the form of one of the subaltern deities, is the genius of evil--a real Kakodaemon.
Alexander Hislop (The Two Babylons)
Here are some people who have written books, telling what they did and why they did those things: John Dean. Henry Kissinger. Adolf Hitler. Caryl Chessman. Jeb Magruder. Napoleon. Talleyrand. Disraeli. Robert Zimmerman, also known as Bob Dylan. Locke. Charlton Heston. Errol Flynn. The Ayatollah Khomeini. Gandhi. Charles Olson. Charles Colson. A Victorian Gentleman. Dr. X. Most people also believe that God has written a Book, or Books, telling what He did and why—at least to a degree—He did those things, and since most of these people also believe that humans were made in the image of God, then He also may be regarded as a person… or, more properly, as a Person. Here are some people who have not written books, telling what they did… and what they saw: The man who buried Hitler. The man who performed the autopsy on John Wilkes Booth. The man who embalmed Elvis Presley. The man who embalmed—badly, most undertakers say—Pope John XXIII. The twoscore undertakers who cleaned up Jonestown, carrying body bags, spearing paper cups with those spikes custodians carry in city parks, waving away the flies. The man who cremated William Holden. The man who encased the body of Alexander the Great in gold so it would not rot. The men who mummified the Pharaohs. Death is a mystery, and burial is a secret.
Stephen King (Pet Sematary)
Here are some people who have written books, telling what they did and why they did those things: John Dean. Henry Kissinger. Adolph Hitler. Caryl Chessman. Jeb Magruder. Napoleon. Talleyrand. Disraeli. Robert Zimmerman, also known as Bob Dylan. Locke. Charlton Heston. Errol Flynn. The Ayatollah Khomeini. Gandhi. Charles Olson. Charles Colson. A Victorian Gentleman. Dr. X. Most people also believe that God has written a Book, or Books, telling what He did and why—at least to a degree—He did those things, and since most of these people also believe that humans were made in the image of God, then He also may be regarded as a person . . . or, more properly, as a Person. Here are some people who have not written books, telling what they did . . . and what they saw: The man who buried Hitler. The man who performed the autopsy on John Wilkes Booth. The man who embalmed Elvis Presley. The man who embalmed—badly, most undertakers say—Pope John XXIII. The twoscore undertakers who cleaned up Jonestown, carrying body bags, spearing paper cups with those spikes custodians carry in city parks, waving away the flies. The man who cremated William Holden. The man who encased the body of Alexander the Great in gold so it would not rot. The men who mummified the Pharaohs. Death is a mystery, and burial is a secret.
Stephen King (Pet Sematary)
But – I am not made for happiness.’ ‘You cannot say, after these last weeks and months …’ ‘Oh, but I can say. And I do. I am made for sensation, for pleasure, for the moment. I am constantly in search of new sensations, new emotions. That is how I shall be until my life is worn away. My heart desires more excitement than anyone – any one person – can give.’ He looked away from her. This was more than a man could bear. ‘You must understand this,’ she went on. ‘I shall never marry. I promise you that. I shall always be, as you put it, a balloonatic. I shall never take that heavier-than-air machine with anyone. What can I do? You must not be angry with me. You must think of me as an incomplete person.’ He summoned up one last attempt. ‘Madame Sarah, we are all of us incomplete. I am just as incomplete as you. That is why we seek another person. For completion. And I too have never thought I would marry. Not because it is the conventional thing to do. But because I previously did not have the courage. Marriage is a greater danger than a pack of infidels with spears, if you want my opinion. Do not be afraid, Madame Sarah. Do not let your actions be governed by your fears. That is what my first commanding officer used to tell me.’ ‘It is not fear, Capitaine Fred,’ she said gently. ‘It is self-knowledge. And do not be angry with me.’ ‘I am not angry. You have a manner which quite disarms anger. If I appear angry, it is because I am angry with the universe that has made you, that has made us, so that this … so that this is how.
Julian Barnes (Levels of Life)
A new wife is not a matter. She is my family. Their Graces have had thirty years to spend holidays with us, and this my first—” Westhaven sighed, took a sip of punch, and glanced over at Val. “It doesn’t get easier the longer you’re married. You still fret, more in fact, once the babies start coming.” Val’s head cocked, as if he’d just recalled his brother was also his friend. “Well, as to that…” Val smiled at his punch. Baby Brother sported a devastating smile when he wanted to, but this expression was… St. Just lifted his mug. “Congratulations, then. How’s Ellen faring?” “She’s in fine spirits, in glowing good health, and I’m a wreck. I think she sent me off to Peterborough with something like relief in her eye.” Westhaven was staring morosely at his grog. “Anna isn’t subtle about it anymore. She tells me to get on my horse and not come back until I’ve worked the fidgets out of us both. She’s quite glad to see me when I return, though. Quite glad.” For Westhaven, that was the equivalent of singing a bawdy song in the common. St. Just propped his mug on his stomach. “Emmie says I’m an old campaigner, and I get twitchy if I’m confined to headquarters too long. Winnie says I need to go on scouting patrol. The reunions are nice, though. You’re right about that.” Val took a considering sip of his drink then speared St. Just with a look. “I wouldn’t know about those reunions, but I intend to find out soon. Dev, you are the only one of us experienced at managing a marching army, and I’m not in any fit condition to be making decisions, or I’d be on my way back to Oxfordshire right now.” “Wouldn’t advise that,” Westhaven said, still looking glum. “Your wife will welcome you sweetly into her home and her bed, but you’ll know you didn’t quite follow orders—our wives are in sympathy with Her Grace—and they have their ways of expressing their…” Both brothers chimed in, “Disappointment.
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
GET MOVING People are often scared of the word exercise. We associate the word with pain, and we think of it as a chore. (And it can be--who likes going to the gym at 6 A.M.?) If that’s how you’re thinking, then you need to change your psychology. I don’t think of my body in terms of exercise; I think in terms of movement. Look at the actual word--I see it as “meant to move.” As human beings, going back to the beginning of civilization, we’ve had to move to survive. We had to throw spears to hunt, we had to prepare land to plant seeds, we had to gather firewood. Our bodies are hardwired to move. Not even TiVo can rewire those thousands of years of DNA. This isn’t a new idea, but it’s easy to forget: your body is connected to your mind and spirit. People say, “I’m miserable because I’m overweight” or “I’m overweight because I’m miserable,” but these two go hand in hand. I know when I drink to excess or put poisons in my body, the next day I’m not going to feel happy or inspired. The body is the vehicle that can help you reach your dreams. Keeping it moving, strong, and healthy paves the way to overall well-being. You can’t say you love yourself when you abuse yourself physically, and by not using your body, you’re abusing it. But here’s the first piece of good news: you don’t have to be in the gym to exercise. You just need to move--and keep moving. It can be anywhere, at any time. Sometimes I’ll do push-ups during a commercial break while watching TV. Sometimes I take a short walk, even around the block with my dog, just to break up my day. Your body wants to move; your body was created to move. You have to feed that. When you’re feeling miserable, your body is telling you to get on your feet. Moving makes you feel good. It helps you slay the demon of procrastination that lurks in the shadow of every human being. Most of us sleepwalk through life because we’re waiting for the perfect time, the perfect place, and the perfect opportunity to improve ourselves. Stop waiting. Start moving and keep moving.
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
In February, after not getting to see the boys for weeks and weeks, completely beside myself with grief, I went to plead to see them. Kevin wouldn't let me in. I begged him. Jayden James was five months old and Sean Preston was seventeen months old. I imagined their not knowing where their mother was, wondering why she didn't want to be with them. I wanted to get a battering ram to get to them. I didn't know what to do. The paparazzi watched it all happen. I can't describe the humiliation I felt. I was concerned. I was out being chased, like always, by these men waiting for me to do something they could photograph. And so that night I gave them some material. I went into a hair salon, and I took the clippers, and I shaved off all my hair. Everyone thought it was hilarious. Look how crazy she is! Even my parents acted embarrassed by me. But nobody seemed to understand that I was simply out of my mind with grief. My children had been taken away from me. With my head shaved, everyone was scared of me, even my mom. No one would talk to me anymore because I was too ugly. My long hair was a big part of what people liked-I knew that. I knew a lot of guys thought long hair was hot. Shaving my head was a way of saying to the world: Fuck you. You want me to be pretty for you? Fuck you. You want me to be good for you? Fuck you. You want me to be your dream girl? Fuck you. I'd been the good girl for years. I'd smiled politely while TV show hosts leered at my breasts, while American parents said I was destroying their children by wearing a crop top, while executives patted my hand condescendingly and second-guessed my career choices even though I'd sold millions of records, while my family acted like I was evil. And I was tired of it. At the end of the day, I didn't care. All I wanted to do was see my boys. It made me sick thinking about the hours, the days, the weeks I missed with them. My most special moments in life were taking naps with my children, That's the closest I've ever felt to God-taking naps with me precious babies, smelling their hair, holding their tiny hands.
Britney Spears (The Woman in Me)
Bringing back the Golden Fleece,” I repeated, mocking him. “As if it exists.” Castor frowned. “What’s biting you? Of course it exists! We told you what Jason said. It belonged to a marvelous ram sent by the gods to rescue two royal children, Phrixus and Helle, from their murderous stepmother. A pity it wasn’t a perfect rescue. Phrixus reached Colchis safely, but his sister, Helle, fell off in mid-flight and drowned. Jason says that’s why the place where she plunged into the sea’s called the Hellespont. If that doesn’t prove the story’s true, what will satisfy you?” “Anyone can give a place a name,” I said, rolling my eyes. “When I get home, I’ll name that olive grove near our training ground Wolf Forest and see what happens. A ram with a fleece of real gold, a flying ram that could carry the children through the skies to Colchis, where there are dragons, oh yes, that’s believable! That’s worth risking your lives for on a voyage across the world! I’ll bet you don’t care if that story’s true or not. You just want an excuse to go off chasing fame!” Polydeuces set a honey cake on my already heaping plate. “There must be something waiting for us in Colchis, little sister,” he said gently. “Maybe not the gold fleece of a flying ram, but something. Why would Jason go to the trouble and expense of outfitting a ship for such a long, dangerous voyage otherwise?” He smiled wistfully and added, “You mustn’t worry about us. We’ll come back; we’ll be fine.” He was right: I was worried about what would become of my brothers on that great adventure. But more than that, I envied them with all my heart. So what if the goal of their expedition was the phantom fleece of a ram that never existed? The fascinating lands my brothers would see and the exploits they’d share would be real enough. And I’d be left behind. They’ll see marvels I can’t being to imagine, I thought. Maybe they’ll even see that old sailor’s five-legged monster! Meanwhile, I’m going to be trundled home in an oxcart so thickly hedged around by Spartan soldiers that all I’ll see during my journey will be spears. It’s not fair! I can handle a sword almost as well as either of them, and I know I’m better with a bow and arrow!
Esther M. Friesner (Nobody's Princess (Nobody's Princess, #1))
Sophie put us to rights,” Westhaven said, “and my guess is we’ve never thanked her. We’ve gone off and gotten married, started our families, and neglected to thank someone who contributed so generously to our happiness. We’re thanking Sophie now by not calling you out. If she wants you, Charpentier, then we’ll truss you up with a Christmas ribbon and leave you staked out under the nearest kissing bough.” “And if she doesn’t want me?” “She wanted you for something,” Lord Val said dryly. “I’d hazard it isn’t just because you’re a dab hand at a dirty nappy, either.” Vim didn’t want to lie to these men, but neither was he about to admit he suspected Sophie Windham, for reasons he could not fathom, had gifted him with her virginity then sent him on his way. “She lent you that great hulking beast of hers,” St. Just pointed out. “She’s very protective of those she cares for, and yet she let you go larking off with her darling precious—never to be seen again? I would not be so sure.” Vim had wondered about the same thing, except if a woman as practical as Sophie were determined to be shut of a man, she might just lend the sorry bastard a horse, mightn’t she? “I proposed to my wife, what was it, six times?” Westhaven said. “At least seven,” Lord Val supplied. St. Just sent Westhaven a wry smile. “I lost count after the second hangover, but Westhaven is the determined sort. He proposed a lot. It was pathetic.” “Quite.” Westhaven’s ears might have turned just a bit red. “I had to say some magic words, cry on Papa’s shoulder, come bearing gifts, and I don’t know what all before Anna took pity on me, but I do know this: Sophie has been out for almost ten years, and she has never, not once, given a man a second look. You come along with that dratted baby, and she looks at you like a woman smitten.” “He’s a wonderful baby.” “He’s a baby,” Westhaven said, loading three words with worlds of meaning. “Sophie is attached to the infant, but it’s you she’s smitten with.” All three of Sophie’s brothers speared him with a look, a look that expected him to do something. “If you gentleman will excuse me, I’m going to offer to take the baby tonight for Sophie. She’s been the one to get up and down with him all night for better than a week, and that is wearing on a woman.” He
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
Well, then, to put it in a nutshell,” said the Chief Voice, “we’ve been waiting for ever so long for a nice little girl from foreign parts, like it might be you, Missie--that would go upstairs and go to the magic book and find the spell that takes off the invisibleness, and say it. And we all swore that the first strangers as landed on this island (having a nice little girl with them, I mean, for if they hadn’t it’d be another matter) we wouldn’t let them go away alive unless they’d done the needful for us. And that’s why, gentlemen, if your little girl doesn’t come up to scratch, it will be our painful duty to cut all your throats. Merely in the way of business, as you might say, and no offense, I hope.” “I don’t see all your weapons,” said Reepicheep. “Are they invisible too?” The words were scarcely out of his mouth before they heard a whizzing sound and next moment a spear had stuck, quivering, in one of the trees behind them. “That’s a spear, that is,” said the Chief Voice. “That it is, Chief, that it is,” said the others. “You couldn’t have put it better.” “And it came from my hand,” the Chief Voice continued. “They get visible when they leave us.” “But why do you want me to do this?” asked Lucy. “Why can’t one of your own people? Haven’t you got any girls?” “We dursen’t, we dursen’t,” said all the Voices. “We’re not going upstairs again.” “In other words,” said Caspian, “you are asking this lady to face some danger which you daren’t ask your own sisters and daughters to face!” “That’s right, that’s right,” said all the Voices cheerfully. “You couldn’t have said it better. Eh, you’ve had some education, you have. Anyone can see that.” “Well, of all the outrageous--” began Edmund, but Lucy interrupted. “Would I have to go upstairs at night, or would it do in daylight?” “Oh, daylight, daylight, to be sure,” said the Chief Voice. “Not at night. No one’s asking you to do that. Go upstairs in the dark? Ugh.” “All right, then, I’ll do it,” said Lucy. “No,” she said, turning to the others, “don’t try to stop me. Can’t you see it’s no use? There are dozens of them there. We can’t fight them. And the other way there is a chance.” “But a magician!” said Caspian. “I know,” said Lucy. “But he mayn’t be as bad as they make out. Don’t you get the idea that these people are not very brave?” “They’re certainly not very clever,” said Eustace.
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
It is said that, as he wandered the streets of the City, an ancient jackbird cycled three times above him, then came to rest upon Sam's shoulder, saying: "Are you not Maitreya, Lord of Light, for whom the world has waited, lo, these many years–he whose coming I prophesyed long ago in a poem?" "No, my name is Sam," he replied, "and I am about to depart the world, not enter into it Who are you?" "I am a bird who was once a poet. All morning have I flown, since the yawp of Garuda opened the day. I was flying about the ways of Heaven looking for Lord Rudra, hoping to befoul him with my droppings, when I felt the power of a weird come over the land. I have flown far, and I have seen many things, Lord of Light." "What things have you seen, bird who was a poet?" "I have seen an unlit pyre set at the end of the world, with fogs stirring all about it. I have seen the gods who come late hurrying across the snows and rushing through the upper airs, circling outside the dome. I have seen the players upon the ranga and the nepathya, rehearsing the Masque of Blood, for the wedding of Death and Destruction. I have seen the Lord Vayu raise up his hand and stop the winds that circle through Heaven. I have seen all-colored Mara atop the spire of the highest tower, and I have felt the power of the weird he lays–for I have seen the phantom cats troubled within the wood, then hurrying in this direction. I have seen the tears of a man and of a woman. I have heard the laughter of a goddess. I have seen a bright spear uplifted against the morning, and I have heard an oath spoken. I have seen the Lord of Light at last, of whom I wrote, long ago: Always dying, never dead; Ever ending, never ended; Loathed in darkness, Clothed in light, He comes, to end a world, As morning ends the night. These lines were writ By Morgan, free, Who shall, the day he dies, See this prophecy." The bird ruffled his feathers then and was still. "I am pleased, bird, that you have had a chance to see many things," said Sam, "and that within the fiction of your metaphor you have achieved a certain satisfaction. Unfortunately, poetic truth differs considerably from that which surrounds most of the business of life." "Hail, Lord of Light!" said the bird, and sprang into the air. As he rose, he was pierced through by an arrow shot from a nearby window by one who hated jackbirds. Sam hurried on.
Roger Zelazny (Lord of Light)
I’m having my lunch when I hear a familiar hoarse shout, ‘Oy Tony!’ I whip round, damaging my neck further, to see Michael Gambon in the lunch queue. … Gambon tells me the story of Olivier auditioning him at the Old Vic in 1962. His audition speech was from Richard III. ‘See, Tone, I was thick as two short planks then and I didn’t know he’d had a rather notable success in the part. I was just shitting myself about meeting the Great Man. He sussed how green I was and started farting around.’ As reported by Gambon, their conversation went like this: Olivier: ‘What are you going to do for me?’ Gambon: ‘Richard the Third.’ Olivier: ‘Is that so. Which part?’ Gambon: ‘Richard the Third.’ Olivier: ‘Yes, but which part?’ Gambon: ‘Richard the Third.’ Olivier: ‘Yes, I understand that, but which part?’ Gambon: ‘Richard the Third.’ Olivier: ‘But which character? Catesby? Ratcliffe? Buckingham’s a good part …’ Gambon: ‘Oh I see, beg your pardon, no, Richard the Third.’ Olivier: ‘What, the King? Richard?’ Gambon: ‘ — the Third, yeah.’ Olivier: “You’ve got a fucking cheek, haven’t you?’ Gambon: ‘Beg your pardon?’ Olivier: ‘Never mind, which part are you going to do?’ Gambon: ‘Richard the Third.’ Olivier: ‘Don’t start that again. Which speech?’ Gambon: ‘Oh I see, beg your pardon, “Was every woman in this humour woo’d.”‘ Olivier: ‘Right. Whenever you’re ready.’ Gambon: ‘ “Was ever woman in this humour woo’d –” ‘ Olivier: ‘Wait. Stop. You’re too close. Go further away. I need to see the whole shape, get the full perspective.’ Gambon: ‘Oh I see, beg your pardon …’ Gambon continues, ‘So I go over to the far end of the room, Tone, thinking that I’ve already made an almighty tit of myself, so how do I save the day? Well I see this pillar and I decide to swing round it and start the speech with a sort of dramatic punch. But as I do this my ring catches on a screw and half my sodding hand gets left behind. I think to myself, “Now I mustn’t let this throw me since he’s already got me down as a bit of an arsehole”, so I plough on … “Was ever woman in this humour woo’d –”‘ Olivier: ‘Wait. Stop. What’s the blood?’ Gambon: ‘Nothing, nothing, just a little gash, I do beg your pardon …’ A nurse had to be called and he suffered the indignity of being given first aid with the greatest actor in the world passing the bandages. At last it was done. Gambon: ‘Shall I start again?’ Olivier: ‘No. I think I’ve got a fair idea how you’re going to do it. You’d better get along now. We’ll let you know.’ Gambon went back to the engineering factory in Islington where he was working. At four that afternoon he was bent over his lathe, working as best as he could with a heavily bandaged hand, when he was called to the phone. It was the Old Vic. ‘It’s not easy talking on the phone, Tone. One, there’s the noise of the machinery. Two, I have to keep my voice down ’cause I’m cockney at work and posh with theatre people. But they offer me a job, spear-carrying, starting immediately. I go back to my work-bench, heart beating in my chest, pack my tool-case, start to go. The foreman comes up, says, “Oy, where you off to?” “I’ve got bad news,” I say, “I’ve got to go.” He says, “Why are you taking your tool box?” I say, “I can’t tell you, it’s very bad news, might need it.” And I never went back there, Tone. Home on the bus, heart still thumping away. A whole new world ahead. We tend to forget what it felt like in the beginning.
Antony Sher (Year Of The King)
He wasn’t given time to think on this development as, not even a second later, several lances coalesced into existence around him. “Let’s see you dodge this,” Ken said, smiling widely. “Water Art: Numerous Spears.” “And people say I’m horrible at naming things—eek!
Brandon Varnell (A Fox's Vacation (American Kitsune, #5))
You’ll always get the kind of person who watches himself acting, who sees himself as if in some continuous performance. Who believes there’ll be witnesses to report his generous or contemptible death and that this is what matters most. Or who, if there are no witnesses, invents them — the eye of God, the world stage, or whatever. Who believes that the world only exists to the extent that it’s reported and events only to the extent that they’re recounted, even though it’s highly unlikely that anyone will bother to recount them, or to recount those particular facts, I mean, the facts relating to each individual. The vast majority of things simply happen and there neither is nor ever was any record of them, those we hear about are an infinitesimal fraction of what goes on. Most lives and, needless to say, most deaths, are forgotten as soon as they’ve occurred and leave not the slightest trace, or become unknown soon afterwards, after a few years, a few decades, a century, which, as you know, is, in reality, a very short time. Take battles, for example, think how important they were for those who took part in them and, sometimes, for their compatriots, think how many of those battles now mean nothing to us, not even their names, we don’t even know which war they belonged to, more than that, we don’t care. What do the names Ulundi and Beersheba, or Gravelotte and Rezonville, or Namur, or Maiwand, Paardeberg and Mafeking, or Mohacs, or Nájera, mean to anyone nowadays?’ — He mispronounced that last name, Nájera. — ‘But there are many others who resist, incapable of accepting their own insignificance or invisibility, I mean once they’re dead and converted into past matter, once they’re no longer present to defend their existence and to declare: “Hey, I’m here. I can intervene, I have influence, I can do good or cause harm, save or destroy, and even change the course of the world, because I haven’t yet disappeared.” — ‘I’m still here, therefore I must have been here before,
Javier Marías (Your Face Tomorrow: Fever and Spear / Dance and Dream / Poison, Shadow, and Farewell (Your face tomorrow, #1-3))
Cetshwayo, sensing there were vast numbers of men absent, asked where the rest of his regiments were. When told that they were dead, the king prohibited his people from the traditional celebrations following such a victory. Instead, he called for a time of mourning and is quoted as saying, “A spear has been thrust into the belly of our nation…there are not enough tears to mourn the dead.
James Mace (Brutal Valour: The Tragedy of Isandlwana (The Anglo-Zulu War #1))
People say it far too much, 'I'll be eternally grateful' is one of the most vacuous statements ever uttered and yet one hears it often, always with that unvarying epithet, always that same irresponsible 'eternally', another clue to its absolute lack of reality, or truth or meaning
Javier Marías (Your Face Tomorrow: Fever and Spear / Dance and Dream / Poison, Shadow, and Farewell (Your face tomorrow, #1-3))
Once they figure a way to work a dead horse, we'll be next. Likely I'll be the first too. 'Edd' they'll say, 'dying's no excuse for laying down no more, so get on up and take this spear, you've got the watch tonight.' Well, I shouldn't be so gloomy. Might be I'll die before they work it out.
George R.R. Martin
Did you want her to go? I can speak to Kira..." My voice trails off into a chuckle at the scowl he gives me. "No? Joh-see is harmless." "She talks incessantly," he says in a curt voice, placing a small, leather protective case over the tip of his spear. "Regardless of whether or not I am interested in hearing her words." Amusing. "Perhaps if you spoke to her instead of ignoring her, she would realize what an unpleasant fellow you are.
Ruby Dixon (Barbarian Lover (Ice Planet Barbarians, #3))
Why’re you still here?” She yawned. “Go away. Jared will be here any moment, and I’ll be nothing but an unfortunate memory.” I should go. Pivot and leave. To my relief, I started doing just that. The echo of my footsteps bounced on the bare walls. I did not look back. Knew that if I caught a glimpse of her again, I’d make a mistake. This was for the best. It was time to cut my losses, admit my one mistake in my thirty-one years of life, and move on. My life would return to normal. Peaceful. Tidy. Noiseless. Unexpensive. My hand curled around the doorknob, about to push it open. “Hey, asshole.” I stopped but didn’t turn around. I refused to answer to the word. “What do you say—one last time for the road?” I glanced behind my shoulder, knowing I shouldn’t, and found my soon-to-be ex-wife propped on the hood of my Maybach, her dress hiked up her waist, revealing she’d worn no panties. Her bare pussy glistened, ready for me. A dare. I never shied away from those. Throwing caution to the wind (and the remaining few brain cells she hadn’t fried with her mindless conversation), I marched to her. When I reached the car, she lifted her hand to stop me, slapping her palm against my chest. “Not so fast.” It is going to be fast and a half, seeing as I’m about to come just from watching you like this. I arched an eyebrow. “Cold feet?” “Nah, low temperature is your thing. Don’t wanna steal your thunder. Either we go all the way, or we go nowhere at all. It’s all or nothing.” It infuriated me that each time I gave her a choice, she fabricated another. If I gave her an option, she swapped it with one of her creation. And now, on the heels of my ultimatum, she’d dished out her own. And like a doomed fool, I chose everything. I chose my downfall. We exploded together in a filthy, frustrated kiss full of tongue and teeth. She latched on to my neck, half-choking me, half-hugging me. I fumbled with the zipper of my suit pants, freeing my cock, which by this point gleamed with precum, so heavy and so hard it was uncomfortable to stand. My teeth grazed down her chin, trailing her throat before I did what I hadn’t done in five fucking years and pushed into her, all at once. Bare. My cock disappeared inside her, hitting a hot spot, squeezed to death by her muscles. Oh, fuck. My forehead fell against hers. A thin coat of sweat glued us together. Never in my life had anything felt quite so good. I wanted to evaporate into mist, seep into her, and never come back. I wanted to live, breathe, and exist inside my beautiful, maddening, conniving, infuriating curse of a wife. She was the one thing I never wanted and the only thing I craved. Worst, still, was the fact that I knew I couldn’t deny her a single thing she desired, be it a frock or piece of jewelry. Or, unfortunately, my heart on a platter, speared straight through with a skewer for her to devour. Still beating and as vibrant red as candied apples. I retreated, then slammed into her harder. Pulled and rushed back in. My fingers gripped her by the waist, pinning her down, wild with lust and desire. I drove into her in jerky, frenzied movements of a man starved for sex, fucking the ever-living shit out of her. Now that I’d officially filed a restraining order against my logic, I grabbed the front of her throat, sinking my teeth onto her lower lip. My spearmint breath skated over her face. The hood of the car warmed her thighs, still hot from the engine, jacking up the temperature between us even further. Small, desperate yelps fled her mouth. The only sounds in the cavernous space came from my grunts, our skin slapping together, and her tiny gasps of pleasure. The car rocked back and forth to the rhythm of my thrusts... (chapter 44)
Parker S. Huntington (My Dark Romeo (Dark Prince Road, #1))
Kaladin had long since given up on understanding Lopen. “Three?” Kaladin demanded. “Cousins!” Lopen replied, looking up. “You have too many of those,” Kaladin said. “That’s impossible! Rod, Huio, say hello!” “Bridge Four,” the two men said, raising their bowls. Kaladin shook his head, accepting his own stew and then walking past the cauldron into the darker area beside the barrack. He peeked into the storage room, and found Shen stacking sacks of tallew grain there, lit only by a single diamond chip. “Shen?” Kaladin said. The parshman continued stacking bags. “Fall in and attention!” Kaladin barked. Shen froze, then stood up, back straight, at attention. “At ease, soldier,” Kaladin said softly, stepping up to him. “I spoke to Dalinar Kholin earlier today and asked if I could arm you. He asked if I trusted you. I told him the truth.” Kaladin held out his spear to the parshman. “I do.” Shen looked from the spear to Kaladin, dark eyes hesitant. “Bridge Four
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
asked if we could take a photo together and tried to take one where we were standing, and she said, “No! Come stand here, darling. This is my light. This is my side. I want you to stand here so I can get my good side, girl.” She kept saying that in her deep, beautiful voice: “My good side, girl. My good side, girl.” I did everything Mariah Carey told me to do and we took the photo. Of course she was completely right about everything—the photo looked incredible. I know I won an award that night, but I couldn’t even tell you what it was. The perfect photo with Mariah Carey—that was the real prize.
Britney Spears (The Woman in Me)
And the way adolescent Jamie Lynn spoke to my mother—my mouth would just drop. I’d listen to her spew these hateful words, and I’d turn to my mother and say, “Are you going to let this little witch talk to you like that?” I mean, she was bad.
Britney Spears (The Woman in Me)
Shaving my head was a way of saying to the world: Fuck you. You want me to be pretty for you? Fuck you. You want me to be good for you? Fuck you. You want me to be your dream girl? Fuck you. I’d been the good girl for years. I’d smiled politely while TV show hosts leered at my breasts, while American parents said I was destroying their children by wearing a crop top, while executives patted my hand condescendingly and second-guessed my career choices even though I’d sold millions of records, while my family acted like I was evil. And I was tired of it.
Britney Spears (The Woman in Me)
And so that night I gave them some material. I went into a hair salon, and I took the clippers, and I shaved off all my hair. Everyone thought it was hilarious. Look how crazy she is! Even my parents acted embarrassed by me. But nobody seemed to understand that I was simply out of my mind with grief. My children had been taken away from me. With my head shaved, everyone was scared of me, even my mom. No one would talk to me anymore because I was too ugly. My long hair was a big part of what people liked—I knew that. I knew a lot of guys thought long hair was hot. Shaving my head was a way of saying to the world: Fuck you. You want me to be pretty for you? Fuck you. You want me to be good for you? Fuck you. You want me to be your dream girl? Fuck you. I’d been the good girl for years. I’d smiled politely while TV show hosts leered at my breasts, while American parents said I was destroying their children by wearing a crop top, while executives patted my hand condescendingly and second-guessed my career choices even though I’d sold millions of records, while my family acted like I was evil. And I was tired of it.
Britney Spears (The Woman in Me)
I had no idea why he was so hard on us, why nothing we did seemed to be quite good enough for him. The saddest part to me was that what I always wanted was a dad who would love me as I was—somebody who would say, “I just love you. You could do anything right now. I’d still love you with unconditional love.
Britney Spears (The Woman in Me)
They . . . brought us parrots and balls of cotton and spears and many other things, which they exchanged for the glass beads and hawks’ bells. They willingly traded everything they owned. . . . They were well-built, with good bodies and handsome features. . . . They do not bear arms, and do not know them, for I showed them a sword, they took it by the edge and cut themselves out of ignorance. They have no iron. Their spears are made of cane. . . . They would make fine servants. . . . With fifty men we could subjugate them all and make them do whatever we want. These Arawaks of the Bahama Islands were much like Indians on the mainland, who were remarkable (European observers were to say again and again) for their hospitality, their belief in sharing.
Howard Zinn (A People's History of the United States: 1492 to Present)
the Bible it says your tongue is your sword. My tongue and my sword were me singing.
Britney Spears (The Woman in Me)
Some of my favorite nights were when I would go out with my dancers. One time in Europe we went to a gay club where I felt like everyone around me on the dance floor was so tall. The club played great electro dance music and I loved it. I danced until six o'clock in the morning and felt like it went by in two seconds. My heart was so alive. It was like the mystical time in Arizona - it was a spiritual experience to be with people who I could feel loved me unconditionally. With friends like that, it doesn't matter what you do or say or who you know. That's true love.
Britney Spears (The Woman in Me)
But if you think about it, it was pretty stupid for people to describe my body in that way, for them to point to me and say, “Look! A virgin!” It’s nobody’s business at all. And it took the focus off me as a musician and performer. I worked so hard on my music and on my stage shows. But all some reporters could think of to ask me was whether or not my breasts were real (they were, actually) and whether or not my hymen was intact.
Britney Spears (The Woman in Me)
11:25. they prophesied. What exactly do they do? Prophecy in the Bible does not primarily involve prediction. It is not that they are going about telling the future. What is happening that makes it obvious to Moses, Joshua, and apparently everyone that they are doing something that is associated with prophets? Some suggest that they are in some sort of trance, but trance behavior is not generally part of what is pictured in the fifteen books of the prophets in the Tanak or in the cases of prophecy in the Tanak's narrative books. What is typical of prophecy, as opposed to historical narrative, in the Bible is that prophecy is in poetry (or in combinations of poetry and prose). Biblical prophecy has the characteristics of oral formulaic poetry. That is, the prophet composes it on the spot, using lines that he or she has already composed and memorized, and mixing these "formulas" with new lines that occur to him or her spontaneously. When such poems occurred to the ancient poets, the poets must have truly felt inspired. And the people who watched and listened to them must have perceived them to be inspired as well. When we a man spontaneously says: They'll beat their swords into plowshares and their spears into pruning hooks. A nation won't lift a sword against a nation, and they won't learn anymore. we can easily imagine him and his audience feeling that it is God moving through him.
Richard Elliott Friedman (Commentary on the Torah)
Poem of the Phalanx (Perception as Visual Personal Art) Memories, shard, intersect and twitch, Create images anew as they inter and switch. Amid blackness eternal, the ground breaks the day And the shape which cuts the ground— Phalanx in time—reapers way. 5 Thoughts as geometric planes galley the night mind, Images thoughted, float raging ever by. Comets to the mind–bolt outta the black they mortise and fly– Disappear they do–into their midnighted cry. (Yea, evil is wrought from the want of the want of Love’s lost ought. 10 Goodness wrights of the abundance of Love in blood ’twas bought. —Live the moment within God’s Mind too, For once missed she will pass by you. But He alone shall remember thy days, For in His Heart He will hold thy ways. 15 (. . . Surmount untold; reproaching its summits hidden self face, Can’t make for a daydrop of lost opportunity and regret’s disgrace. Yes, eternities of regrets can never create The day’s bested instance that was forsaked). Fleets of illusion harbor and snag, 20 Bristled spears impale with emotive jags. Willish anvil beaten and enhammored in bers red embs, Guards the hellgates unhinged in forged remembered contems. (Aye, the anvil of will beaten and wrought Sentinels the gate ripped in forged oughts). 25 Phalanx of dreams penetrate they deep, Guard thy soul they do lest the enemy storms thy keep. They rancor and barb thyself under penalty of arms, And kill the dragons that would do thee most harm. Yea, in the Belly of the Beast thy wounds do feel pierced, 30 For Love Eternal must cut darkness as the Spirit is so fierce. The hour of shadows exalt—! ’Gainst the Christ in His plain splin‴try array– Yet curshed in a moment on that ill-fated day. The way of caution doth forbear to tread beyond the mire In those bleak hours when the ‘Powers that Be’ seek to solace thee in thy soulish desires. 35 Mercy travails deep upon the Fires of His Winds To heal by His cut; His own everlasting His– Is to die to Love Eternal with He, –as He now does and is . . . Hell for others, heaven for some, His work ’tis finished all given and in all thrust done. 40 As Love rejoices His shed blood run red for thee—, —Things Divined and precioius for you and for me forever in He (The spear that killed Him gave Him life –the enemy’s travesty). Phalanx comes, phalanx goes, Wither are thou—dost thousest know? 45 Are ye pierced through and through out within? Seek his face so life may begin Sharp keys to hell the warriors doth say, Yet unlock they the gate to heaven’s pathway. End
Douglas M. Laurent
She spears the first piece of squid and stuffs it into her mouth. Her eyes flutter shut in momentary ecstasy. You always did find good places to eat, she says, reopening her eyes.
Charlie Jane Anders (Some of the Best from Tor.com, 2020 edition)
Best stick to sword fighting, then" "I'd rather, really. But [Ian] says -- " "I know what [Ian] says. Everyone should learn every conceivable weapon and unarmed combat, in case you lose your axe, sword, dagger, pike, spear, mace, bow, crossbow...
Elizabeth Moon (The Deed of Paksenarrion (The Deed of Paksenarrion, #1-3))
Your mother will die some day, and you and I will have to die some day, too. Yet My God has never died. Perhaps you haven’t heard clearly the story that tells how He goes on living for ever and ever. In appearance only did He die. But three days after He had died He came to life again and with great pomp He rose up to heaven.” “How often?” the chief asked in a dry tone. Astonished at this unexpected question, the monk answered, “Why . . . why . . . eh . . . once only, quite naturally once only.” “Once only? And has he, your great god, ever returned to earth?” “No, of course not,” Padre Balmojado answered, his voice burdened with irritation. “He has not returned yet, but He has promised mankind that He will return to earth in His own good time, so as to judge and to . . .” “. . . and to condemn poor mankind,” the chief finished the sentence. “Yes, and to condemn!” the monk said in a loud and threatening tone. Confronted with such inhuman stubbornness he lost control of himself. Louder still he continued: “Yes, to judge and to condemn all those who deny Him and refuse to believe in Him, and who criticize His sacred words, and who ignore Him, and who maliciously refuse to accept the true and only God even if He is brought to them with brotherly love and a heart overflowing with compassion for the poor ignorant brethren living in sin and utter darkness, and who can obtain salvation for nothing more than having belief in Him and having the true faith.” Not in the least was the chieftain affected by this sudden outburst of the monk, who had been thrown off routine by these true sons of America who had learned to think long and carefully before speaking. The chieftain remained very calm and serene. With a quiet, soft voice he said: “Here, my holy white father, is what our god had put into our hearts and souls, and it will be the last word I have to say to you before we return to our beautiful and tranquil tierra: Our god dies every evening for us who are his children. He dies every evening to bring us cool winds and freshness of nature, to bring us peace and quiet for the night so that we may rest well, man and animal. Our god dies every evening in a deep golden glory, not insulted, not spat upon, not spattered with stinking mud. He dies beautifully and glori¬ously, as every real god will die. Yet he does not die forever. In the morning he returns to life, refreshed and more beautiful than ever, his body still trailing the veils and wrappings of the dead. But soon his golden spears dart across the blue firmament as a sign that he is ready to fight the gods of darkness who threaten the peoples on earth. And before you have time to realize what happens, there he stands before wondering human eyes, and there he stays, great, mighty, powerful, golden, and in ever-growing beauty, dominating the universe. “He, our god, is a spendthrift in light, warmth, beauty, and fertility, enriching the flowers with perfumes and colors, teaching the birds to sing, filling the corn with strength and health, playing with the clouds in an ocean of gold and blue. As my beloved mother does, so does he give and give and never cease giving; never does he ask for prayers, not expect¬ing adoration or worship, not commanding obedience or faith, and never, never condemning anybody or thing on earth. And when evening comes, again he passes away in beauty and glory, a smile all over his face, and with his last glimmer blesses his Indian children. Again the next morning he is the eternal giver; he is the eternally young, the eternally beautiful, the eternally new-born, the ever and ever returning great and golden god of the Indians. “And this is what our god has put into our hearts and souls and what I am bound to tell you, holy white father: ‘Do not, not ever, beloved Indian sons of these your beautiful lands, give away your own great god for any other god.’ ” ("Conversion Of Some Indians")
B. Traven (The Night Visitor and Other Stories)
I shall cherish you, Mellonyfulgria, and protect you with all my strength. My heart, my body, my spear, shall be yours alone.” His declaration robs me of words. If it had come from Garrett’s lips, I would have thought it a bunch of bluster and flowery language, and I’d have smiled and nodded and not believed a bit of it. But every time Pelayo speaks, now especially, a sweet sort of earnestness pours from him. I find that I believe every single thing he promises. It’s incredible. Never in my wildest dreams did I imagine anyone would say such a thing to me and mean it.
Elena Moore (Married to a Merman (Bargained to Monsters #2))
It’s okay,” Crash says with a light laugh. “She was all of the above.” “Please don’t elaborate on the nuts part,” I mutter, spearing Dane with a look when he snorts. “It’s not that funny.” Dane sucks in a breath. “I mean . . . it kind of is?” “You’re the worst. Crash is literally here, pouring out his broken heart, and you’re laughing about the woman being a squirrel.” “My heart is fully intact,
Rory Miles (Twilight Terrors (To Kill A Nightmare, #2))
Maybe this is the way married couples are, I thought as Kevin and I grew more and more estranged. You take turns letting each other be a little selfish. This is his first taste of fame for himself. I should let him have it. I gave myself pep talks: He's my husband. I'm supposed to respect him, accept him on a deeper level than I'd accept someone I was just dating. He's the father of my kids. His demeanor is different now, but if it changed, it could change back. People say he's going to break up with me while I have tiny children, like he did with the mother of his first two children when they were infants, but no way! How he was with his other family won't be the way he is with me. In trying to make up all these excuses in my head, I was lying to myself-totally in denial this whole time that he was leaving me.
Britney Spears (The Woman in Me)
So I was young, and I made a lot of mistakes. But I will say this: I wasn't manipulative. I was just stupid.
Britney Spears (The Woman in Me)
Jeremiah 50:1, 2a, 41–42 (NLT): The Lord gave Jeremiah the prophet this message concerning Babylon and the land of the Babylonians. This is what the Lord says: . . . “Look! A great army is coming from the north. A great nation and many kings are rising against you from far-off lands. They are armed with bows and spears. They are cruel and show no mercy. As they ride forward on horses, they sound like a roaring sea. They are coming in battle formation, planning to destroy you, Babylon.
Mark E. Fisher (Last Days of the End (Days Of The Apocalypse #5))
The avalanche of expert advice—and nonexpert advice on nonetheless very enticing Web sites—undermines our belief that we are equipped with enough common sense to deal with most child-rearing issues. That battered confidence, in turn, leads us to look ever more desperately to the experts wherever we find them. At the library. In parenting magazines. On TV. Online. But a lot of those experts give advice so daunting and detailed and frankly nondoable (does anyone really want to spend the day retelling potty stories with the aid of a spoon puppet?) that we feel like failures. Then when—surprise—our kids turn out not to be perfect, we know who’s to blame. We are! If only we’d made one more pretend forest out of broccoli spears, our kid would be a veggie fiend. If only we’d put aside that deep-fried Oreo in our second trimester, she’d be in the gifted program at school. And if our child is cranky? Uncommunicative? Headed for five to ten years’ hard labor? That just might be because we told her, “Look, sweetie, a broken cracker is not the end of the world!” instead of saying, “Oooh, your cracker broke. Sad sad sad sad sad!” and respectfully relating.
Lenore Skenazy (Free-Range Kids, How to Raise Safe, Self-Reliant Children (Without Going Nuts with Worry))
Shaving my head was a way of saying to the world: Fuck you. You want me to be pretty for you? Fuck you. You want me to be good for you? Fuck you. You want me to be your dream girl? Fuck you.
Britney Spears (The Woman in Me)
But it wasn’t just Twain and Whitman whispering heresies into my ear, a whole ink spill of geniuses had staked their reputations on the argument that “Will Shake-speare” was one of the hyphenated pen names popular among Elizabethan satirists who didn’t fancy being disemboweled in public. The list of gadflies who questioned the official narrative of Shakespeare included Chaplin, Coleridge, Emerson, Gielgud, Hardy, Holmes, Jacobi, James, Joyce, Welles, and of late even Mark Rylance, the first artistic director of Shakespeare’s Globe Theatre. Collectively they believed the Stratford businessman to be a front and a fraud. Whatever the truth, it’s fair to say the authorship debate had long been divided into two camps, artists vs. academics.
Lee Durkee (Stalking Shakespeare: A Memoir of Madness, Murder, and My Search for the Poet Beneath the Paint)
I am always happiest when I love things. And when you begin to stop listening to pretentious blowhards, it's amazing what you make room to care about. So say what you want - I can't hear anyone over my Best of Britney Spears mix anyway.
Anne T Donahue (Nobody Cares: Essays)
The word chivalry has meant at different times a good many different things--from heavy cavalry to giving a woman a seat in a train. But if we want to understand chivalry as an ideal distinct from other ideals--if we want to isolate that particular conception of the man, comme il faut (as it should be), which was the special contribution of the Middle Ages to our culture--we cannot do better than turn to the words addressed to the greatest of all the imaginary knights in Malory's Morte D'arthur. 'Thou wert the meekest man', says Sir Ector to the dead Launcelot. 'Thou were the meekest man that ever ate in hall among ladies; and thou were the sternest knight to thy mortal foe that ever put spear in the rest.' The important thing about this ideal is, of course, the double demand it makes on human nature. The knight is a man of blood and iron, a man familiar with the sight of smashed faces and the ragged stumps of lopped-off limbs; he is also a demure, almost a maidenlike, guest in hall, a gentle, modest, unobtrusive man. He is not a compromise or happy mean between ferocity and meekness; he is fierce to the nth and meek to the nth. When Launcelot heard himself pronounced the best knight in the world, 'he wept as he had been a child that had been beaten'...The medieval ideal brought together two things which have no natural tendency to gravitate towards one another. It brought them together for that very reason. It taught humility and forbearance to the great warrior because everyone knew by experience how much he usually needed that lesson. It demanded valour of the urbane and modest man because everyone knew that he was as likely as not to be a milksop. In so doing, the Middle Ages fixed on the one hope of the world. It may or may not be possible to produce by the thousand men who combine the two sides of Launcelot's character. But if it is not possible, then all talk of any lasting happiness or dignity in human society is pure moonshine.
C.S. Lewis (Present Concerns: Journalistic Essays)
The word chivalry has meant at different times a good many different things, from heavy cavalry to giving a woman a seat in a train. But if we want to understand chivalry as an ideal distinct from other ideals, if we want to isolate that particular conception of the man, comme il faut (as it should be), which was the special contribution of the Middle Ages to our culture--we cannot do better than turn to the words addressed to the greatest of all the imaginary knights in Malory's Morte D'arthur. 'Thou wert the meekest man', says Sir Ector to the dead Launcelot. 'Thou were the meekest man that ever ate in hall among ladies; and thou were the sternest knight to thy mortal foe that ever put spear in the rest.' The important thing about this ideal is, of course, the double demand it makes on human nature. The knight is a man of blood and iron, a man familiar with the sight of smashed faces and the ragged stumps of lopped-off limbs; he is also a demure, almost a maidenlike, guest in hall, a gentle, modest, unobtrusive man. He is not a compromise or happy mean between ferocity and meekness; he is fierce to the nth and meek to the nth. When Launcelot heard himself pronounced the best knight in the world, 'he wept as he had been a child that had been beaten'...The medieval ideal brought together two things which have no natural tendency to gravitate towards one another. It brought them together for that very reason. It taught humility and forbearance to the great warrior because everyone knew by experience how much he usually needed that lesson. It demanded valour of the urbane and modest man because everyone knew that he was as likely as not to be a milksop. In so doing, the Middle Ages fixed on the one hope of the world. It may or may not be possible to produce by the thousand men who combine the two sides of Launcelot's character. But if it is not possible, then all talk of any lasting happiness or dignity in human society is pure moonshine.
C.S. Lewis (Present Concerns: Journalistic Essays)
The word chivalry has meant at different times a good many different things, from heavy cavalry to giving a woman a seat in a train. But if we want to understand chivalry as an ideal distinct from other ideals, if we want to isolate that particular conception of the man, comme il faut (as it should be), which was the special contribution of the Middle Ages to our culture, we cannot do better than turn to the words addressed to the greatest of all the imaginary knights in Malory's Morte D'arthur. 'Thou wert the meekest man', says Sir Ector to the dead Launcelot. 'Thou were the meekest man that ever ate in hall among ladies; and thou were the sternest knight to thy mortal foe that ever put spear in the rest.' The important thing about this ideal is, of course, the double demand it makes on human nature. The knight is a man of blood and iron, a man familiar with the sight of smashed faces and the ragged stumps of lopped-off limbs; he is also a demure, almost a maidenlike, guest in hall, a gentle, modest, unobtrusive man. He is not a compromise or happy mean between ferocity and meekness; he is fierce to the nth and meek to the nth. When Launcelot heard himself pronounced the best knight in the world, 'he wept as he had been a child that had been beaten'...The medieval ideal brought together two things which have no natural tendency to gravitate towards one another. It brought them together for that very reason. It taught humility and forbearance to the great warrior because everyone knew by experience how much he usually needed that lesson. It demanded valour of the urbane and modest man because everyone knew that he was as likely as not to be a milksop. In so doing, the Middle Ages fixed on the one hope of the world. It may or may not be possible to produce by the thousand men who combine the two sides of Launcelot's character. But if it is not possible, then all talk of any lasting happiness or dignity in human society is pure moonshine.
C.S. Lewis (Present Concerns: Journalistic Essays)
The word chivalry has meant at different times a good many different things, from heavy cavalry to giving a woman a seat in a train. But if we want to understand chivalry as an ideal distinct from other ideals, if we want to isolate that particular conception of the man, comme il faut (as it should be), which was the special contribution of the Middle Ages to our culture, we cannot do better than turn to the words addressed to the greatest of all the imaginary knights in Malory's Morte D'arthur. 'Thou wert the meekest man', says Sir Ector to the dead Launcelot. 'Thou were the meekest man that ever ate in hall among ladies; and thou were the sternest knight to thy mortal foe that ever put spear in the rest.' The important thing about this ideal is, of course, the double demand it makes on human nature. The knight is a man of blood and iron, a man familiar with the sight of smashed faces and the ragged stumps of lopped-off limbs; he is also a demure, almost a maidenlike, guest in hall, a gentle, modest, unobtrusive man. He is not a compromise or happy mean between ferocity and meekness; he is fierce to the nth and meek to the nth. When Launcelot heard himself pronounced the best knight in the world, 'he wept as he had been a child that had been beaten'...The medieval ideal brought together two things which have no natural tendency to gravitate towards one another. It brought them together for that very reason. It taught humility and forbearance to the great warrior because everyone knew by experience how much he usually needed that lesson. It demanded valour of the urbane and modest man because everyone knew that he was as likely as not to be a milksop. In so doing, the Middle Ages fixed on the one hope of the world. It may or may not be possible to produce by the thousand men who combine the two sides of Launcelot's character. But if it is not possible, then all talk of any lasting happiness or dignity in human society is pure moonshine.
C.S. Lewis (Present Concerns: Journalistic Essays)
The word chivalry has meant at different times a good many different things, from heavy cavalry to giving a woman a seat in a train. But if we want to understand chivalry as an ideal distinct from other ideals, if we want to isolate that particular conception of the man, comme il faut (as it should be), which was the special contribution of the Middle Ages to our culture, we cannot do better than turn to the words addressed to the greatest of all the imaginary knights in Malory's Morte D'arthur. 'Thou wert the meekest man', says Sir Ector to the dead Launcelot. 'Thou were the meekest man that ever ate in hall among ladies; and thou were the sternest knight to thy mortal foe that ever put spear in the rest.' The important thing about this ideal is, of course, the double demand it makes on human nature. The knight is a man of blood and iron, a man familiar with the sight of smashed faces and the ragged stumps of lopped-off limbs; he is also a demure, almost a maidenlike, guest in hall, a gentle, modest, unobtrusive man. He is not a compromise or happy mean between ferocity and meekness; he is fierce to the nth and meek to the nth. When Launcelot heard himself pronounced the best knight in the world, 'he wept as he had been a child that had been beaten'...The medieval ideal brought together two things which have no natural tendency to gravitate towards one another. It brought them together for that very reason. It taught humility and forbearance to the great warrior because everyone knew by experience how much he usually needed that lesson. It demanded valour of the urbane and modest man because everyone knew that he was as likely as not to be a milksop. In so doing, the Middle Ages fixed on the one hope of the world. It may or may not be possible to produce by the thousand men who combine the two sides of Launcelot's character. But if it is not possible, then all talk of any lasting happiness or dignity in human society is pure moonshine.
C.S. Lewis (Present Concerns: Journalistic Essays)
Suddenly round the corner of the house a group of men appeared, as though they had come up from the ground. They waded waist-deep in the grass, in a compact body, bearing an improvised stretcher in their midst. Instantly, in the emptiness of the landscape, a cry arose whose shrillness pierced the still air like a sharp arrow flying straight to the very heart of the land; and, as if by enchantment, streams of human beings — of naked human beings — with spears in their hands, with bows, with shields, with wild glances and savage movements, were poured into the clearing by the dark-faced and pensive forest. The bushes shook, the grass swayed for a time, and then everything stood still in attentive immobility. “‘Now, if he does not say the right thing to them we are all done for,’ said the Russian at my elbow. The
Book House (100 Books You Must Read Before You Die - volume 1 [newly updated] [Pride and Prejudice; Jane Eyre; Wuthering Heights; Tarzan of the Apes; The Count of ... (The Greatest Writers of All Time))
Before anyone else could say anything, a loud “Meow!” was heard out of the dark sky. Everyone’s head whipped up to watch as Bruce swooped through the air, his elytra wings reflecting the firelight. His claws were out and he speared the potato, zipping off into the air again. Carl sat there, blinking at his empty hands. And then he freaked out. “AHHHH! Why is that cat flying? What kind of idiot would give a cat wings?” Spidroth laughed. “I like that cat.
Pixel Ate (Multiverse Tournament of Champions: Book 1: An Unofficial Minecraft Crossover Series)
I understand, lieutenant. I share your feelings, your anger.” Jim read in Jürgen’s eyes that he truly did. Against his better judgment, Jim drew a deep breath, then continued. “What I wanted to say is that I believe we’re going to uncover a plot so devastating it would put a Greek tragedy to shame. I think we’re on the verge of unearthing a genocidal scheme that will cast a shadow over German society for generations. I’m sorry, I don’t mean to throw spears at you, sir.” “But maybe I deserve them. Perhaps all of us who never swore allegiance to the Party deserve them for not standing up to the man we let commandeer our nation.” “The trouble is, you realize such things only in hindsight, never as they’re happening, never as you’re going down the road.” “Maybe,” Jürgen said, his words almost a whisper, “the road was just too dark.” “It had to have been,” Jim said softly, though he couldn’t really imagine, couldn’t really envision, living in a police state where the ideology of a despot was the only credo acceptable, and dissenting beliefs and actions were deemed punishable by imprisonment . . . or worse.
H.W. "Buzz" Bernard (Down a Dark Road (When Heroes Flew Book 4))
I’m surprised you know a Christmas song, considering it’s the season of giving. Do you even know what that means, Anya?” he asks with a raised eyebrow. “I’m well known for my ‘giving.’ It just so happens I deal a cruel hand.” He smirks but makes no remark about the song, which pisses me off even more. I lean back over and play the Backstreet Boys. “Classic, really, wouldn’t you say? Which was your favorite?” he asks, deadly serious. But I know he’s fucking with me. “I prefer men, not boys,” I chide. What else, what else? I switch to Britney Spears. “I feel like you and Britney would have much in common,” he remarks. Oh, fuck off.
Kia Carrington-Russell (Cunning Vows (Lethal Vows, #3))
When I sing, I own who I am. I can communicate purely. When you sing you stop using the language of “Hi, how are you…” You’re able to say things that are much more profound.
Britney Spears (The Woman in Me)
Have you ever fought in a melee like that, General? A straight fight, toe to toe, at push of pike, as they say?” Vissbruck did not pause for a moment from squinting eagerly through his own eye-glass. “No. I have not.” “I wouldn’t recommend it. I have only done it once and I am not keen to repeat the experience.” He shifted the handle of his cane in his sweaty palm. Not that that’s terribly likely now, of course. “I fought on horseback often enough. Charged small bodies of infantry, broke and pursued them. A noble business, cutting men down as they run, I earned all kinds of praise for it. I soon discovered a battle on foot is a different matter. The crush is so tight you can hardly take a breath, let alone perform acts of heroism. The heroes are the ones lucky enough to live through it.” He snorted with joyless laughter. “I remember being pushed up against a Gurkish officer, as close to each other as lovers, neither one of us able to strike, or do anything but snarl at each other. Spear-points digging everywhere, at random. Men pushed onto the weapons of their own side, or crushed underfoot. More killed by mishap than by design.” The whole business is one giant mishap.
Joe Abercrombie (Before They Are Hanged (The First Law, #2))
We were watching videos at night on her Samsung tablet or my company iPad. She showed me the Silvano Agosti 1983 Italian interview with a little Italian boy called “D'Amore si vive, We Live of Love.” The boy was so cute, and his thoughts seemed similar to mine and Martina's. I was so deeply in love with her. The boy on the interview was just like what our own child would be, and we agreed and laughed. “We Live of Love.” What a coincidence! Living. By: Love. I knew the interview from before and she was surprised at how I knew about it. I showed her on my Instagram a picture of the boy I had recently taken a screenshot of and posted. With the subtitle at the right moment under his face: “Descubrir a la vida.” To discover life. Together. With his one and only girlfriend, as the boy explains. I told her multiple times that I was still unsure if she was real, or if it was all a dream; if I had only dreamed of her one night in the dark; if Pinto and I had invented her in my mind. She was a big fan of space, but I thought she liked the mystery behind the endless space with all its questions and secrets for us humans. I thought she liked the sky and space because she recently flew from Argentina to land in my arms. Martina and I were obsessed with Chris Rock and Eddie Murphy; we both knew all their stand-up comedies by heart. We kept replaying the best moments or faces that Chris or Eddie made. We had so much fun watching the same videos over and over that I couldn't believe it. Nobody else ever found the same moments or the same stand-ups as funny as Martina and I did. Nobody before or after found it so amusing. If I showed it to someone, they didn't understand why I was so excited about it or why racist jokes were so funny for an hour from one black comedian to the next. We were obsessed the way Eddie spoke about the „Zebra-Bitch of her dreams, her dream-wife who doesn’t know the concept of money”, saying “she should have an afro, like Angela Davis goes 'God damn it.'“ We were laughing so much. Sometimes I tickled her flat belly or her ribs and she was laughing so sweetly and so much that she couldn't stop. She was begging me to stop tickling her when I barely touched her. She said “No, no, no, no” so many times so quickly and cutely that I had to stop and kiss her; I couldn't resist her lips or her person, I had to kiss and hug her. We laughed so much at particular parts of Chris Rock's stand-up comedies that we could barely stop, almost as if we were tickling each other. We were laughing when Chris Rock was mocking Bone-Thugs-n-Harmony for singing ‘Welfare chariots’ such as „The First of the Month” or when he explained that the government hates rappers, but „only the good rappers get gunned down. They could find Saddam Hussein in a cave in Iraq but couldn't arrest anyone related to Tupac Shakur’s assassination, which didn't happen in a cave in Iraq but in Las Vegas, on the Strip, not one of those side streets, but in front of Circus Circus, after a Mike Tyson fight. Now how many witnesses do you need, to arrest somebody?” We were fascinated with Eddie Murphy, Charlie Murphy, and Chris Rock, but when I showed her Richard Prior, Doug Stanhope, Aries Spears, or George Carlin, she was no longer so impressed for some reason. Her favorite part perhaps was when Chris Rock talked about love and relationships. He said that „you never really been in love unless you have contemplated murder; unless you have practiced your alibi in front of the mirror, staring at a can of rat poison for 45 minutes straight, you haven't been in love. And the only thing preventing you from killing your significant other was an episode of CSI.” He said that relationships are hard and that in order for them to work, both people need to have the same focus, which is all about: her.
Tomas Adam Nyapi