“
You know what my mother said to me when she came to say good-bye, as if to cheer me up, she says maybe District Twelve will finally have a winner. Then I realized she didn't mean me, she meant you!" bursts out Peeta.
"Oh, she meant you," I say with a wave of dismissal.
"She said, 'She's a survivor, that one.' She is," says Peeta.
That pulls me up short. Did his mother really say that about me? Did she rate me over her son? I see the pain in Peeta's eyes and know he isn't lying.
Suddenly I'm behind the bakery and I can feel the chill of the rain running down my back, the hollowness in my belly. I sound eleven years old when I speak. "But only because someone helped me.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
[The Old Astronomer to His Pupil]
Reach me down my Tycho Brahe, I would know him when we meet,
When I share my later science, sitting humbly at his feet;
He may know the law of all things, yet be ignorant of how
We are working to completion, working on from then to now.
Pray remember that I leave you all my theory complete,
Lacking only certain data for your adding, as is meet,
And remember men will scorn it, 'tis original and true,
And the obloquy of newness may fall bitterly on you.
But, my pupil, as my pupil you have learned the worth of scorn,
You have laughed with me at pity, we have joyed to be forlorn,
What for us are all distractions of men's fellowship and smiles;
What for us the Goddess Pleasure with her meretricious smiles.
You may tell that German College that their honor comes too late,
But they must not waste repentance on the grizzly savant's fate.
Though my soul may set in darkness, it will rise in perfect light;
I have loved the stars too fondly to be fearful of the night.
What, my boy, you are not weeping? You should save your eyes for sight;
You will need them, mine observer, yet for many another night.
I leave none but you, my pupil, unto whom my plans are known.
You 'have none but me,' you murmur, and I 'leave you quite alone'?
Well then, kiss me, -- since my mother left her blessing on my brow,
There has been a something wanting in my nature until now;
I can dimly comprehend it, -- that I might have been more kind,
Might have cherished you more wisely, as the one I leave behind.
I 'have never failed in kindness'? No, we lived too high for strife,--
Calmest coldness was the error which has crept into our life;
But your spirit is untainted, I can dedicate you still
To the service of our science: you will further it? you will!
There are certain calculations I should like to make with you,
To be sure that your deductions will be logical and true;
And remember, 'Patience, Patience,' is the watchword of a sage,
Not to-day nor yet to-morrow can complete a perfect age.
I have sown, like Tycho Brahe, that a greater man may reap;
But if none should do my reaping, 'twill disturb me in my sleep
So be careful and be faithful, though, like me, you leave no name;
See, my boy, that nothing turn you to the mere pursuit of fame.
I must say Good-bye, my pupil, for I cannot longer speak;
Draw the curtain back for Venus, ere my vision grows too weak:
It is strange the pearly planet should look red as fiery Mars,--
God will mercifully guide me on my way amongst the stars.
”
”
Sarah Williams (Twilight Hours: A Legacy of Verse)
“
This place is packed," Vee complained. "Where am I supposed to park?" She steered down an alley and slowed to a stop behind a bookstore. "This looks good. Lots of parking back here."
"The sign says employee parking only."
"How are they going to know that we aren't employees? The Neon blends right in. All these cars speak low class."
"The sign says violators will be towed."
"They just say that to scare people like you and me away. It's an empty threat. Nothing to worry about."
.......
Vee came to a halt. "What is THAT?"
We were standing in the parking lot behind the bookstore, a few feet from the Neon, and we were staring at a large piece of metal attached to the left rear tire.
"I think it's a car boot," I said.
"I can see that. What's it doing on my car?"
"I guess when they say all violators will be towed, they mean it.
”
”
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
“
I waited for him to say something more, but he was quiet.
"Was there something you wanted?" I asked.
He didn't answer right away, but I could feel him struggling, so I waited.
"If I asked you something, would you tell me the truth?"
It was my turn to hesitate. "I don't know everything," I hedged.
"You would know this. When we were walking... me and Jeb... he was telling me some things. Things he thought, but I don't know if he's right."
Melanie was suddenly very in my head.
Jamie's whisper was hard to hear, quieter than my breathing. "Uncle Jeb thinks that Melanie might still be alive. Inside there with you, I mean."
Melanie sighed.
I said nothing to either of them.
"I didn't know that could happen. Does that happen?" His voice broke and I could hear that he was fighting tears. He was not a boy to cry, and here I'd grieved him this deeply twice in one day. A pain pierced through the general region of my chest.
"Does it, Wanda?"
"Why won't you answer me?" Jamie was really crying now but trying to muffle the sound.
I crawled off the bed, squeezing into the hard space between the mattress and the mat, and threw my arm over his shaking chest. I leaned my head against his hair and felt his tears, warm on my neck.
"Is Melanie still alive, Wanda? Please?"
He was probably a tool. The old man could have sent him just for this, Jeb was smart enough to see how easily Jamie broke through my defenses.
Jamie's body shook beside me.
Melanie cried. She battered ineffectually at my control.
But I couldn't blame this on Melanie if it turned out to be a huge mistake. I knew who was speaking now.
"She promised she would come back, didn't she?" I murmured. "Would Melanie break a promise to you?"
Jamie slid his arms around my waist and clung to me for a long time. After a few minutes, he whispered. "Love you, Mel."
"She loves you, too. She's so happy that you're here and safe."
He was silent long enough for the tears on my skin to dry, leaving a fine, salty dust behind.
”
”
Stephenie Meyer (The Host (The Host, #1))
“
His voice worked on me like an aphrodisiac. I was wet and ready. I had been since he began speaking. For two months, I'd been trapped in a Fae-induced sexual frenzy, having constant, incredible sex with him, while listening to his voice, smelling his scent. Like one of Pavlov's dogs, I'd been conditioned by repeated stimuli to have a guaranteed response. My body anticipated, greedily expected pleasure in his presence. I inhaled, caught myself straining for the scent of him, forced it back out, and closed my eyes, as if maybe I could hide behind my own lids from an ironic truth : V'lane and Barrons had swapped roles.
I was no longer sexually vulnerable to the death-by-sex Fae Prince.
Jericho Barrons was my poison now.
”
”
Karen Marie Moning (Dreamfever (Fever, #4))
“
A pale, slightly luminescent form materialized in front of us. Mason. He looked the same as ever-or did he? The usual sadness was there, but I could see something else, something else I couldn't quite put my finger on. Panic? Frustration? I could have almost sworn it was fear, but honestly, what would a ghost have to be afraid of.
"What's wrong?" asked Dimitri.
"Do you see him?" I whispered.
Dimitri followed my gaze. "See who?"
"Mason."
Mason's troubled expression grew darker. I might not have been able to adequately identify it, but I knew it wasn't anything good. The nauseous feeling within me intensified, but somehow, I knew it had nothing to do with him.
"Rose...we should go back..." said Dimitri carefully. He still wasn't on board with me seeing ghosts.
But I didn't move. Mason's face was saying something else to me-or trying to. There was something here, something important that I needed to know. But he couldn't communicate it.
"What?" I asked. "What is it?"
A look of frustration crossed his face. He pointed off behind me, the dropped his hand.
"Tell me," I said, my frustration mirroring his. Dimitri was looking back and forth between me and Mason, though mason was probably only and empty space to him.
I was too fixated on Mason to worry what Dimitri might think. There was something here. Something big. Mason opened his mouth, wanting to speak as in previous times but still unable to get the words out. Except, this time, after several agonizing seconds, he managed it. The words were nearly inaudible.
"They're...coming....
”
”
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
“
Now you die while we live on, and you’ve no one to blame but your selves. So do not speak of betrayal behind my back, humans. For the Great Betrayal is your shame, not mine. ~ Ayden
”
”
Rachel Haimowitz (Counterpoint (Song of the Fallen, #1))
“
Patch's eyes grazed me with silent heat. My reflection swirled in them, red hair and lips aflame. I was connected to him by a force I couldn't control, a tiny thread that tethered my soul to his. With the moon at his back, shadows painted the faint hollows beneath his eyes and cheekbones, making him look breathtakingly handsome and equally diabolical. His hands steadied my face, holding me still before him. The wind tangled my hair around his wrists, twining us together. His thumbs moved across my cheekbones in a slow, intimate caress. Despite the cold, a steady burn coiled up inside me, vulnerable to his touch. His fingers traced lower, lower, leaving behind a hot, delicious ache. I closed my eyes, my joints melting. He lit me up like a flame, light and heat burning at a depth I'd never fathomed. His thumb stroked my lip, a soft, seductive tease. I gave a sharp sigh of pleasure.
"Kiss you now?" he asked.
I couldn't speak; a wilted no was my reply.
His mouth, hot and daring, met mine. All play had left him, and he kissed me with his own black fire, deep and possessive, consuming my body, my soul, and laying waste to all past notions of what it meant to be kissed.
”
”
Becca Fitzpatrick (Finale (Hush, Hush, #4))
“
She was extending a hand that I didn't know how to take, so I broke its fingers with my silence, she said, "You don't want to talk to me, do you?" I took my daybook out of my knapsack and found the next blank page, the second to last. "I don't speak," I wrote. "I'm sorry." She looked at the piece of paper, then at me, then back at the piece of paper, she covered her eyes with her hands and cried, tears seeped between her fingers, she cried and cried and cried, there weren't any napkins nearby, so I ripped the page from the book - "I don't speak. I'm sorry" - and used it to dry her cheeks, my explanation and apology ran down her face like mascara, she took my pen from me and wrote on the next blank page of my daybook, the final one:
Please marry me
I flipped back and pointed at: "Ha ha ha!" She flipped forward and pointed at: "Please marry me." I flipped back and pointed at: "Thank you, but I'm about to burst." She flipped forward and pointed at: "Please marry me." I flipped back and pointed at: "I'm not sure, but it's late." She flipped forward and pointed at: "Please marry me", and this time put her finger on "Please", as if to hold down the page and end the conversation, or as if she were trying to push through the word, and into what she was trying to say. I thought about life, about my life, the embarrassments, the little coincidences, the shadows of alarm clocks on bedside tables, I thought about my small victories and everything I'd seen destroyed. I'd swum through mink coats on my parents' bed while they hosted downstairs, I'd lost the only person with whom I could have spent my only life, I'd left behind a thousand tonnes of marble from which I could have released sculptures, I could have released myself from the marble of myself, I'd experienced joy, but not nearly enough, could there be enough? The end of suffering does not justify the suffering, and so there is no end to suffering, what a mess I am, I thought, what a fool, how foolish and narrow, how worthless, how pinched and pathetic, how helpless in the universe. None of my pets knows their own name. What kind of person am I? I flipped back, one page at a time:
Help
”
”
Jonathan Safran Foer
“
But my attention’s elsewhere, drawn to that warm wonderful pull, the familiar loving essence that only belongs to one person—only belongs to him—
Watching as Damen cuts through the water, board tucked under his arm, body so sculpted, so bronzed, Rembrandt would weep. Water sluicing behind him like a hot knife through butter, cleanly, fluidly, as though parting the sea.
My lips part, desperate to speak, to call out his name and bring him back to me. But just as I’m about to, my eyes meet his and I see what he sees: me—hair tangled and wet—clothes twisted and clinging—frolicking in the ocean on a hot sunny day with Jude’s tanned strong arms still wrapped around me.
I release myself from Jude’s grip, but it’s too late. Damen’s already seen me.
Already moved on.
Leaving me hollow, breathless, as I watch him retreat.
No tulips, no telepathic message, just a sad, empty void left behind in his place.
”
”
Alyson Noel (Shadowland (The Immortals, #3))
“
I am sorry for your girl, Ned. Truly. About the wolf, I mean. My son was lying, I’d stake my soul on it. My son … you love your children, don’t you?”
“With all my heart,” Ned said.
“Let me tell you a secret, Ned. More than once, I have dreamed of giving up the crown. Take ship for the Free Cities with my horse and my hammer, spend my time warring and whoring, that’s what I was made for. The sellsword king, how the singers would love me. You know what stops me? The thought of Joffrey on the throne, with Cersei standing behind him whispering in his ear. My son. How could I have made a son like that, Ned?”
“He’s only a boy,” Ned said awkwardly. He had small liking for Prince Joffrey, but he could hear the pain in Robert’s voice. “Have you forgotten how wild you were at his age?”
“It would not trouble me if the boy was wild, Ned. You don’t know him as I do.” He sighed and shook his head. “Ah, perhaps you are right. Jon despaired of me often enough, yet I grew into a good king.” Robert looked at Ned and scowled at his silence. “You might speak up and agree now, you know.”
“Your Grace …” Ned began, carefully.
Robert slapped Ned on the back. “Ah, say that I’m a better king than Aerys and be done with it. You never could lie for love nor honor, Ned Stark. I’m still young, and now that you’re here with me, things will be different. We’ll make this a reign to sing of, and damn the Lannisters to seven hells.
”
”
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
“
John Hay, in The Immortal Wilderness, has written: 'There are occasions when you can hear the mysterious language of the Earth, in water, or coming through the trees, emanating from the mosses, seeping through the undercurrents of the soil, but you have to be willing to wait and receive.' Sometimes I hear it talking. The light of the sunflower was one language, but there are others more audible. Once, in the redwood forest, I heard a beat, something like a drum or a heart coming from the ground and trees and wind. That underground current stirred a kind of knowing inside me, a kinship and longing, a dream barely remembered that disappeared back to the body....
Tonight, I walk. I am watching the sky. I think of the people who came before me and how they knew the placement of the stars in the sky, watching the moving sun long and hard enough to witness how a certain angle of light touched a stone only once a year. Without written records, they knew the gods of every night, the small, fine details of the world around them and the immensity above them.
Walking, I can almost hear the redwoods beating....It is a world of elemental attention, of all things working together, listening to what speaks in the blood. Whichever road I follow, I walk in the land of many gods, and they love and eat one another. Walking, I am listening to a deeper way. Suddenly all my ancestors are behind me. Be still, they say. Watch and listen. You are the result of the love of thousands.
”
”
Linda Hogan (Dwellings: A Spiritual History of the Living World)
“
Barry, let me give you a history lesson, Ladybird Hope-style. When the Vietnamese got kids hooked on drugs and we had to fight a war to stop it, did we give in? No! We said, “Crack is wack!” and we made sure everybody could have guns instead of drugs. Back before the British were our friends, and they had a mean king who made us pay too much tax instead of just having hot princes who go to nightclubs, they wanted to keep us from bringing freedom to the people of Mexico and making it a state, and George Washington had to chop down that cherry tree and write the “Star-Spangled Banner,” and that’s the reason we fought World War II, and why we keep fighting, because those freedom-hating people out there want to take away our right to be rich and good-lookin’ and have gated communities and designer sweatpants like the ones from my Ladybird Hope Don’t Sweat it line, and they want us all to learn to speak Muslim and let the lawyers stop us from teaching about Adam and Eve and that will be the day that every child gets left behind.
”
”
Libba Bray (Beauty Queens)
“
Eventually, I developed my own image of teh "befriending" impulse behind my depression. Imagine that from early in my life, a friendly figure, standing a block away, was trying to get my attention by shouting my name, wanting to teach me some hard but healing truths about myself. But I-- fearful of what I might hear or arrogantly trying to live wihtout help or simply too busy with my ideas and ego and ethics to bother-- ignored teh shouts and walked away.
So this figure, still with friendly intent, came closer and shouted more loudly, but AI kept walking. Ever closer it came, close enough to tap me on the shoulder, but I walked on. Frustrated by my unresponsiveness, the figure threw stones at my back, then struck me with a stick, still wanting simply to get my attention. But despite teh pain, I kept walking away.
Over teh years, teh befriending intent of this figure never disapppeared but became obscured by the frustration cuased by my refusal to turn around. Since shouts and taps, stones and sticks had failed to do the trick, there was only one thing left: drop the nuclear bomb called depression on me, not with the intent to kill but as a last-ditch effort to get me to turn and ask the simple question, "What do you want?" When I was finally able to make the turn-- and start to absorb and act on the self-knowledge that then became available to me-- I began to get well.
The figure calling to me all those years was, I believe, what Thomas Merton calls "true self." This is not the ego self that wants to inflate us (or deflate us, another from of self-distortion), not the intellectual self that wants to hover above the mess of life in clear but ungrounded ideas, not the ethical self that wants to live by some abstract moral code. It is the self-planted in us by the God who made us in God's own image-- the self that wants nothing more, or less, than for us to be who we were created to be.
True self is true friend. One ignores or rejects such friendship only at one's peril.
”
”
Parker J. Palmer (Let Your Life Speak: Listening for the Voice of Vocation)
“
A hedgehog flies from the safety of a bush, startling me. It darts past us in a terrible hurry. Kartik nods toward the furry little thing. "Don't mind him. He's off to meet his lady friend."
"How can you be sure?"
"He has on his best hedgehog suit."
"Ah, I should have noticed." I say, happy to be playing this game-any game-with him. I put my hand on the tree's trunk and swing myself around it slowly, letting my body feel gravity's pull. "And why has he worn his best?"
"He's been away in London, you see, and now he has returned to her," Kartik continues.
"And what if she is angry with him for being away so long?"
Kartik circles just behind me. "She will forgive him."
"Will she?" I say pointedly.
"It is his hope that she will, for he didn't mean to upset her." Kartik answers, and I am no longer sure we speak of the hedgehog.
"And is he happy to see her again?"
"Yes," Kartik says. "He should like to stay longer, but he cannot."
The bark chafes against my hand. "Why is that?"
"He has his reasons, and hopes his lady will understand them one day." Kartik has changed direction. He comes around the other side of the tree. We are face to face. A palm of moonglow reaches through the branches to caress his face.
"Oh," I say, heart beating fast.
"And what would the lady hedgehog say to that?" he asks. His voice soft and low.
"She would say..." I swallow hard.
Kartik steps closer. "Yes?"
"She would say," I whisper, "'If you please, I am not a hedgehog. I am a woodchuck.'"
A small smile plays at Kartik's lips.
"He is fortunate to have so witty a lady friend," he says, and I wish I could have the moment back again to play differently.
”
”
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
“
Dear Jack:
I have no idea who he was. But he saved me. From you.
I watched from the doorway as he smacked, punched, and threw you against the wall. You fought back hard- I'll give you that- but you were no match for him.
And when it was over- when you'd finally passed out- the boy made direct eye contact with me. He removed the rag from my mouth and asked me if I was okay.
'Yes. I mean, I think so,' I told him.
But it was her that he was really interested in: the girl who was lying unconscious on the floor. Her eyes were swollen, and there looked to be a trail of blood running from her nose.
The boy wiped her face with a rag. And then he kissed her, and held her, and ran his hand over her cheek, finally grabbing his cell to dial 911.
He was wearing gloves, which I thought was weird. Maybe he was concerned about his fingerprints, from breaking in. But once he hung up, he removed the gloves, took the girl's hand, and placed it on the front of his leg- as if it were some magical hot spot that would make her better somehow. Tears welled up in his eyes as he apologized for not getting there sooner.
'I'm so sorry,' he just kept saying.
And suddenly I felt sorry too.
Apparently it was the anniversary of something tragic that'd happened. I couldn't really hear him clearly, but I was pretty sure he'd mentioned visiting an old girlfriend's grave.
'You deserve someone better,' he told her. 'Someone who'll be open and honest; who won't be afraid to share everything with you.' He draped his sweatshirt over her, kissed her behind the ear, and then promised to love her forever.
A couple minutes later, another boy came in, all out of breath. 'Is she alright?' he asked.
The boy who saved me stood up, wiped his tearful eyes, and told the other guy to sit with her until she woke up. And then he went to find scissors for me. He cut me free and brought me out to the sofa. 'My name's Ben,' he said. 'And help is on the way.'
When the girl finally did wake up, Ben allowed the other guy to take credit for saving her life. I wanted to ask him why, but I haven't been able to speak.
That's what this letter is for. My therapist says that I need to tell my side of things in order to regain my voice. She suggested that addressing my thoughts directly to you might help provide some closure.
So far, it hasn't done the trick.
Never your Jill,
Rachael
”
”
Laurie Faria Stolarz (Deadly Little Voices (Touch, #4))
“
Nekhbet shrieked in alarm. I turned to see what was going on. Immediately, I wished I could burn my eyes out of my head.
Liz made a gagging sound. "Lord, no! That's wrong!"
"Agh!" Emma shouted, in perfect baboon-speak. "Make him stop!"
Bes had indeed put on his ugly outfit.He climbed onto the roof of the limo and stood there, legs planted, arms akimbo, like Superman- except with only the underwear. For those faint of heart I wont go into detail, but Bes, all of a meter tall, was showing off his disgusting physique- his potbelly, hairy limbs, awful feet, gross flabby bits- and wearing only a blue Speedo. Imagine the worst looking person you've ever seen on a public beach- the person for whom swimwear should be illegal. Bes looked worse than that.
I wasn't sure what to say except: "Put some clothes on!"
Bes laughed= the sort of guffaw that says Ha-ha! I'm amazing!
"Not until they leave," he said. "Or I'll be forced to scare them back to the Duat."
"This is not your affair, dwarf god!" Nekhbet snarled, averting her eyes from his horribleness. "Go away!"
"These children are under my protection," Bes insisted
"I don't know you," I said. "I never met you before today."
"Nonsense. You expressly asked for my protection."
"I didn't ask for the Speedo Patrol!"
Bes leaped off the limo and landed in front of my circle placing himself between Babi and me. The dwarf was even more horrible from behind. His back was so hairy it looked like a mink coat. And on the back of his Speedo was printed DWARF PRIDE.
”
”
Rick Riordan
“
The look he gives me makes me wonder if I’m in trouble. “I thought you were going out.”
“I wanted to come back and say I’m sorry,” I tell him, and I put my arms around his waist and hug. “You shut the door in a way that made me sad, and I wanted to tell you that I’m going to do better.”
“Do better at what? How’d I shut the door?” His other arm wraps around my shoulders. He crosses his feet behind my heels, and now his entire body is hugging me. Warm, soft, hard. I thought my mattress was heaven, but that’s before I laid myself on this person. How am I going to ever peel myself off?
I inhale his birthday-candle pheromones. I want to know what his goddamn bones smell like. Let me start down in his DNA structure and work my way back out. I speak into his muscles. “You shut the door like you’ve just accepted that I don’t come back. I’m going to start being like you. Completely, one hundred percent honest.” I hover on the precipice and decide to try. “This is the best hug of my life.
”
”
Sally Thorne (99 Percent Mine)
“
I’m mesmerized by lipstick prints on coffee cups.
By the lines of lips against white pottery. By the color chosen by the woman who sat and sipped and lived life. By the mark she leaves behind. Some people read tea leaves and others can tell your future through the lines on your palm. I think I’d like to read lipstick marks on coffee mugs.
To learn how to differentiate yearning from satiation. To know the curve of a deep-rooted joy or the line of bottomless grief. To be able to say, this deep blue red you chose and how firmly you planted your lips, this speaks of love on the horizon. But, darling, you must be sure to stand in your own truth. That barely-there nude that circles the entire rim? You are exploding into lightness and possibilities beyond what you currently know. The way the gloss only shows when the light hits it and the coffee has sloshed all over the saucer? people need to take the time to see you whole but my god, you’re glorious and messy and wonderful and free. The deep purple bruise almost etched in a single spot and most of the cup left unconsumed? Oh love. Let me hold the depth of your ache. It is true. He’s not coming back. I know you already know this, but do you also know this is not the end? Love. This is not the end.
I imagine that I can know entire stories by these marks on discarded mugs. Imagine that I know something intimate and true of the woman who left them. That I could take those mugs home one day and an entire novel worth of characters would pour out, just like that.
”
”
Jeanette LeBlanc
“
Helen of Troy Does Counter Dancing
The world is full of women
who'd tell me I should be ashamed of myself
if they had the chance. Quit dancing.
Get some self-respect
and a day job.
Right. And minimum wage,
and varicose veins, just standing
in one place for eight hours
behind a glass counter
bundled up to the neck, instead of
naked as a meat sandwich.
Selling gloves, or something.
Instead of what I do sell.
You have to have talent
to peddle a thing so nebulous
and without material form.
Exploited, they'd say. Yes, any way
you cut it, but I've a choice
of how, and I'll take the money.
I do give value.
Like preachers, I sell vision,
like perfume ads, desire
or its facsimile. Like jokes
or war, it's all in the timing.
I sell men back their worst suspicions:
that everything's for sale,
and piecemeal. They gaze at me and see
a chain-saw murder just before it happens,
when thigh, ass, inkblot, crevice, tit, and nipple
are still connected.
Such hatred leaps in them,
my beery worshipers! That, or a bleary
hopeless love. Seeing the rows of heads
and upturned eyes, imploring
but ready to snap at my ankles,
I understand floods and earthquakes, and the urge
to step on ants. I keep the beat,
and dance for them because
they can't. The music smells like foxes,
crisp as heated metal
searing the nostrils
or humid as August, hazy and languorous
as a looted city the day after,
when all the rape's been done
already, and the killing,
and the survivors wander around
looking for garbage
to eat, and there's only a bleak exhaustion.
Speaking of which, it's the smiling
tires me out the most.
This, and the pretense
that I can't hear them.
And I can't, because I'm after all
a foreigner to them.
The speech here is all warty gutturals,
obvious as a slam of ham,
but I come from the province of the gods
where meaning are lilting and oblique.
I don't let on to everyone,
but lean close, and I'll whisper:
My mothers was raped by a holy swan.
You believe that? You can take me out to dinner.
That's what we tell all the husbands.
There sure are a lot of dangerous birds around.
Not that anyone here
but you would understand.
The rest of them would like to watch me
and feel nothing. Reduce me to components
as in a clock factory or abattoir.
Crush out the mystery.
Wall me up alive
in my own body.
They'd like to see through me,
but nothing is more opaque
than absolute transparency.
Look - my feet don't hit the marble!
Like breath or a balloon, I'm rising,
I hover six inches in the air
in my blazing swan-egg of light.
You think I'm not a goddess?
Try me.
This is a torch song.
Touch me and you'll burn.
”
”
Margaret Atwood (Morning in the Burned House: Poems)
“
Countrymen: I have given proofs, as well as the best of you, of desiring liberty for our country, and I continue to desire it. But I place as a premise the education of the people, so that by means of instruction and work they may have a personality of their own and that they may make themselves worthy of that same liberty. In my writings I have recommended the study of the civic virtues, without which there can be no redemption. I have also written (and my words have been repeated) that reforms, to be fruitful, must come from above, that those which spring from below are uncertain and insecure movements. Imbued with these ideas, I cannot do less than condemn, and I do condemn, this absurd, savage rebellion, planned behind my back, which dishonors the Filipinos and discredits those who can speak for us. I abominate all criminal actions and refuse any kind of participation in them, pitying with all my heart the dupes who have allowed themselves to be deceived. Go back, then, to your homes, and may God forgive those who have acted in bad faith.
”
”
José Rizal
“
I’m so close to crying, I don’t think I can stop myself. They’re alive. They’re alive and nothing else matters. Tears are already starting to burn my eyes, clouding my vision.
Kiaran looks at me with an expression I’ve never seen on him. It takes me a moment to realize it’s dawning horror. “Kam. Kam, don’t do that. Don’t cry. Don’t—”
Then I’m crying and he puts his arms around me in quite possibly the most awkward, stiff embrace I’ve ever had in my life. And I adore every second of it.
Aithinne speaks from behind us. “I admit to being somewhat unclear on the function of human tears,” she says. “So we’re sad about this? Should I menace someone?”
In lieu of a response, the only thing I can manage is something of a half-laugh, half-sob, because they’re alive and I haven’t felt like this in so long.
“For god’s sake, Aithinne,” Kiaran says, his voice rumbling through his chest, “put the blade away. You’re not going to stab Kam’s idiot friends.” Then, after a moment: “On second thought, the Seer really serves no purpose . . .”
“Oh, shush.” I look up at him, whisking the tears off my cheeks. “Don’t ruin this. It helps if you don’t speak.” Then I press my face back into his chest. “And if you stop responding to my hug like I’m torturing you.”
Kiaran makes some attempt to relax, but he could use lessons in hugging. He ends up with one hand shoved up in my hair and the other giving my back a there there pat, but it’s the thought that counts
”
”
Elizabeth May (The Vanishing Throne (The Falconer, #2))
“
Sir Bird preens next to me, tucking feathers into place with a low noise in his throat almost like he’s talking to himself. A slow smile spreads across Finn’s face as he rubs his knuckles—black and blue with several bruises from Sir Bird’s beak.
“Let’s see,” he says, flipping through his father’s book. “Here! I’ll need some water in a shallow bowl . . . ink . . . yes, I think this is everything.” He gathers the items, then reads over the entry several times, eyebrows knit in concentration. Dipping his pen in the ink, he whispers strange words while writing on the surface of the water. The ink drips down, elongating the form of the symbols that still hover where he wrote them. I recognize one—change. But the rest I haven’t learned yet.
Then, without warning, he lifts up the bowl and dumps the whole thing onto Sir Bird.
Only instead of getting wet, as the water washes over his body, Sir Bird’s feathers turn . . . blue.
Bright, brilliant, shimmering blue.
Squawking in outrage, Sir Bird hops and flies around the room, frantically shaking his feathers. He lands on the desk with a scrabble of clawed feet, then begins trying to bite off the color.
“Ha!” Finn says, pointing at his knuckles. “Now you’re black and blue, too!”
I can’t help but laugh at my poor, panicking bird. Not to mention the ridiculous pettiness of Finn’s magic show. Picking up Sir Bird, I stroke his feathers and speak softly to him. “Hush now. I’ll make him fix you. You’re still very handsome, but blue isn’t your color, is it?”
He caws mournfully, still pulling at his own feathers.
“Finn.”
He puts his hands behind his back, trying to look innocent. “What? He deserved it.”
“He’s a bird. You can’t really find this much satisfaction in revenge against a bird, can you?”
His voice comes out just a tad petulant. “He started it.
”
”
Kiersten White (Illusions of Fate)
“
What do I say to a whale, Galen?" I hiss.
"Tell him to come closer."
"No way."
"Fine. Tell him to back up."
I nod. "Right. Okay." I lace my fingers together to keep from wringing my hands raw. Even more than terror, I feel the insanity of the situation. I'm about to ask a fish the size of my house to make a U-turn. Because Galen, the man-fish behind me, doesn't speak humpback. "Uh, can you please back away from me?" I say. I sound polite, like I'm asking him to buy some Girl Scout cookies.
I feel better in the few moments afterward because Goliath doesn't move. It proves Galen doesn't know what he's talking about. It proves this whale can't understand me, that I'm not some Snow White of the ocean. Except that, Goliath does start to turn away.
I look back at Galen. "That's just a coincidence."
Galen sighs. "You're right. He probably mistook us for a relative or something. Tell him to do something else, Emma.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
I like the bare look, babe. Your little landing strip thingy you have going on is cool, but bare is better. The club sluts always le…….” He stops speaking abruptly; I’m sure, because of the look on my face. Axel stands quickly and mumbles over his shoulder as he leaves the bathroom, “Be back in an hour.” “Where are you going?” I shout at him. “There’s a lady I have to go see again,” I hear as the front door slams behind him. The bouquet of flowers Axel returns with is gorgeous!
”
”
Lola Wright (Axel (The Devil's Angels MC #2))
“
Touching the copper of the ankh reminded me of another necklace, a necklace long since lost under the dust of time. That necklace had been simpler: only a string of beads etched with tiny ankhs. But my husband had brought it to me the morning of our wedding, sneaking up to our house just after dawn in a gesture uncharacteristically bold for him.
I had chastised him for the indiscretion. "What are you doing? You're going to see me this afternoon... and then every day after that!"
"I had to give you these before the wedding." He held up the string of beads. "They were my mother's. I want you to have them, to wear them today.”
He leaned forward, placing the beads around my neck. As his fingers brushed my skin, I felt something warm and tingly run through my body. At the tender age of fifteen, I hadn't exactly understood such sensations, though I was eager to explore them. My wiser self today recognized them as the early stirrings of lust, and . . . well, there had been something else there too. Something else that I still didn't quite comprehend. An electric connection, a feeling that we were bound into something bigger than ourselves. That our being together was inevitable.
"There," he'd said, once the beads were secure and my hair brushed back into place. "Perfect.” He said nothing else after that. He didn't need to. His eyes told me all I needed to know, and I shivered. Until Kyriakos, no man had ever given me a second glance. I was Marthanes' too-tall daughter after all, the one with the sharp tongue who didn't think before speaking. (Shape-shifting would eventually take care of one of those problems but not the other.) But Kyriakos had always listened to me and watched me like I was someone more, someone tempting and desirable, like the beautiful priestesses of Aphrodite who still carried on their rituals away from the Christian priests.
I wanted him to touch me then, not realizing just how much until I caught his hand suddenly and unexpectedly. Taking it, I placed it around my waist and pulled him to me. His eyes widened in surprise, but he didn't pull back. We were almost the same height, making it easy for his mouth to seek mine out in a crushing kiss. I leaned against the warm stone wall behind me so that I was pressed between it and him. I could feel every part of his body against mine, but we still weren't close enough. Not nearly enough.
Our kissing grew more ardent, as though our lips alone might close whatever aching distance lay between us. I moved his hand again, this time to push up my skirt along the side of one leg. His hand stroked the smooth flesh there and, without further urging, slid over to my inner thigh. I arched my lower body toward his, nearly writhing against him now, needing him to touch me everywhere.
"Letha? Where are you at?”
My sister's voice carried over the wind; she wasn't nearby but was close enough to be here soon.
Kyriakos and I broke apart, both gasping, pulses racing. He was looking at me like he'd never seen me before. Heat burned in his gaze.
"Have you ever been with anyone before?" he asked wonderingly.
I shook my head.
"How did you ... I never imagined you doing that...”
"I learn fast.”
He grinned and pressed my hand to his lips. "Tonight," he breathed. "Tonight we ...”
"Tonight," I agreed.
He backed away then, eyes still smoldering. "I love you. You are my life.”
"I love you too." I smiled and watched him go.
”
”
Richelle Mead (Succubus Blues (Georgina Kincaid, #1))
“
After a long and happy life, I find myself at the pearly gates (a sight of great joy; the word for “pearl” in Greek is, by the way, margarita). Standing there is St. Peter. This truly is heaven, for finally my academic questions will receive answers. I immediately begin the questions that have been plaguing me for half a century: “Can you speak Greek? Where did you go when you wandered off in the middle of Acts? How was the incident between you and Paul in Antioch resolved? What happened to your wife?”
Peter looks at me with some bemusement and states, “Look, lady, I’ve got a whole line of saved people to process. Pick up your harp and slippers here, and get the wings and halo at the next table. We’ll talk after dinner.”
As I float off, I hear, behind me, a man trying to gain Peter’s attention. He has located a “red letter Bible,” which is a text in which the words of Jesus are printed in red letters. This is heaven, and all sorts of sacred art and Scriptures, from the Bhagavad Gita to the Qur’an, are easily available (missing, however, was the Reader’s Digest Condensed Version). The fellow has his Bible open to John 14, and he is frenetically pointing at v. 6: “Jesus says here, in red letters, that he is the way. I’ve seen this woman on television (actually, she’s thinner in person). She’s not Christian; she’s not baptized - she shouldn’t be here!”
“Oy,” says Peter, “another one - wait here.”
He returns a few minutes later with a man about five foot three with dark hair and eyes. I notice immediately that he has holes in his wrists, for when the empire executes an individual, the circumstances of that death cannot be forgotten.
“What is it, my son?” he asks.
The man, obviously nonplussed, sputters, “I don’t mean to be rude, but didn’t you say that no one comes to the Father except through you?”
“Well,” responds Jesus, “John does have me saying this.” (Waiting in line, a few other biblical scholars who overhear this conversation sigh at Jesus’s phrasing; a number of them remain convinced that Jesus said no such thing. They’ll have to make the inquiry on their own time.) “But if you flip back to the Gospel of Matthew, which does come first in the canon, you’ll notice in chapter 25, at the judgment of the sheep and the goats, that I am not interested in those who say ‘Lord, Lord,’ but in those who do their best to live a righteous life: feeding the hungry, visiting people in prison . . . ”
Becoming almost apoplectic, the man interrupts, “But, but, that’s works righteousness. You’re saying she’s earned her way into heaven?”
“No,” replies Jesus, “I am not saying that at all. I am saying that I am the way, not you, not your church, not your reading of John’s Gospel, and not the claim of any individual Christian or any particular congregation. I am making the determination, and it is by my grace that anyone gets in, including you. Do you want to argue?”
The last thing I recall seeing, before picking up my heavenly accessories, is Jesus handing the poor man a Kleenex to help get the log out of his eye.
”
”
Amy-Jill Levine (The Misunderstood Jew: The Church and the Scandal of the Jewish Jesus)
“
While Keith negotiated the large, echoing room and over-sized elevator buttons, Carrot Top tagged along behind him, staring up at the ceiling and occasionally picking his nose.
“Stop that,” Keith said.
“It’s part of my character,” Carrot Top replied. “It’s what boys do.”
Keith watched Carrot Top twist his hand around to get what appeared to be a deeply satisfying dig on. Then, as if possessed by some innate reflex, he dope-slapped the leprechaun in the back of the head.Carrot Top whipped around, furious, but before he could speak, Keith said, “It’s what fathers do.
”
”
Nicole Kimberling (Charmed and Dangerous)
“
You can begin a story in the middle and create confusion by striking out boldly, backward and forward. You can be modern, put aside all mention of time and distance and, when the whole thing is done, proclaim, or let someone else proclaim, that you have finally, at the last moment, solved the space-time problem. Or you can declare at the very start that it is impossible to write a novel nowadays, but then, behind your own back so to speak, give birth to a whopper, a novel to end all novels. I have also been told that it makes a good impression, an impression of modesty so to speak, if you begin by saying that a novel can't have a hero anymore because there are no more individualists, because individuality is a thing of the past, because man- each men and all men together- is alone in his loneliness and no one is entitled to individual loneliness, and all men lumped together make up a "lonely mass" without names and without heroes. (...) I shall begin far away from me, for no one ought to tell the story of his life who hasn't the patience to say a word or two at least half of his grandparents before plunging into his own existence. And so to you personally, dear reader, who are no doubt leading a muddled life outside this institution, to you my friends and weekly visitors, I introduce Oskar's maternal grandmother
”
”
Günter Grass
“
He looks up.
Our eyes lock,and he breaks into a slow smile. My heart beats faster and faster. Almost there.He sets down his book and stands.And then this-the moment he calls my name-is the real moment everything changes.
He is no longer St. Clair, everyone's pal, everyone's friend.
He is Etienne. Etienne,like the night we met. He is Etienne,he is my friend.
He is so much more.
Etienne.My feet trip in three syllables. E-ti-enne. E-ti-enne, E-ti-enne. His name coats my tongue like melting chocolate. He is so beautiful, so perfect.
My throat catches as he opens his arms and wraps me in a hug.My heart pounds furiously,and I'm embarrassed,because I know he feels it. We break apart, and I stagger backward. He catches me before I fall down the stairs.
"Whoa," he says. But I don't think he means me falling.
I blush and blame it on clumsiness. "Yeesh,that could've been bad."
Phew.A steady voice.
He looks dazed. "Are you all right?"
I realize his hands are still on my shoulders,and my entire body stiffens underneath his touch. "Yeah.Great. Super!"
"Hey,Anna. How was your break?"
John.I forget he was here.Etienne lets go of me carefully as I acknowledge Josh,but the whole time we're chatting, I wish he'd return to drawing and leave us alone. After a minute, he glances behind me-to where Etienne is standing-and gets a funny expression on hs face. His speech trails off,and he buries his nose in his sketchbook. I look back, but Etienne's own face has been wiped blank.
We sit on the steps together. I haven't been this nervous around him since the first week of school. My mind is tangled, my tongue tied,my stomach in knots. "Well," he says, after an excruciating minute. "Did we use up all our conversation over the holiday?"
The pressure inside me eases enough to speak. "Guess I'll go back to the dorm." I pretend to stand, and he laughs.
"I have something for you." He pulls me back down by my sleeve. "A late Christmas present."
"For me? But I didn't get you anything!"
He reaches into a coat pocket and brings out his hand in a fist, closed around something very small. "It's not much,so don't get excited."
"Ooo,what is it?"
"I saw it when I was out with Mum, and it made me think of you-"
"Etienne! Come on!"
He blinks at hearing his first name. My face turns red, and I'm filled with the overwhelming sensation that he knows exactly what I'm thinking. His expression turns to amazement as he says, "Close your eyes and hold out your hand."
Still blushing,I hold one out. His fingers brush against my palm, and my hand jerks back as if he were electrified. Something goes flying and lands with a faith dink behind us. I open my eyes. He's staring at me, equally stunned.
"Whoops," I say.
He tilts his head at me.
"I think...I think it landed back here." I scramble to my feet, but I don't even know what I'm looking for. I never felt what he placed in my hands. I only felt him. "I don't see anything! Just pebbles and pigeon droppings," I add,trying to act normal.
Where is it? What is it?
"Here." He plucks something tiny and yellow from the steps above him. I fumble back and hold out my hand again, bracing myself for the contact. Etienne pauses and then drops it from a few inches above my hand.As if he's avoiding me,too.
It's a glass bead.A banana.
He clears his throat. "I know you said Bridgette was the only one who could call you "Banana," but Mum was feeling better last weekend,so I took her to her favorite bead shop. I saw that and thought of you.I hope you don't mind someone else adding to your collection. Especially since you and Bridgette...you know..."
I close my hand around the bead. "Thank you."
"Mum wondered why I wanted it."
"What did you tell her?"
"That it was for you,of course." He says this like, duh.
I beam.The bead is so lightweight I hardly feel it, except for the teeny cold patch it leaves in my palm.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Those clothes are Susie's,' my father said calmly when he reached him.
Buckley looked down at my blackwatch dress that he held in his hand.
My father stepped closer, took the dress from my brother, and then, without speaking, he gathered the rest of my clothes, which Buckley had piled on the lawn. As he turned in silence toward the house, hardly breathing, clutching my clothes to him, it sparked.
I was the only one to see the colors. Just near Buckley's ears and on the tips of his cheeks and chin he was a little orange somehow, a little red.
Why can't I use them?' he asked.
It landed in my father's back like a fist.
Why can't I use those clothes to stake my tomatoes?'
My father turned around. He saw his son standing there, behind him the perfect plot of muddy, churned-up earth spotted with tiny seedlings. 'How can you ask me that question?'
You have to choose. It's not fair,' my brother said.
Buck?' My father held my clothes against his chest.
I watched Buckley flare and light. Behind him was the sun of the goldenrod hedge, twice as tall as it had been at my death.
I'm tired of it!' Buckley blared. 'Keesha's dad died and she's okay?'
Is Keesha a girl at school?'
Yes!'
My father was frozen. He could feel the dew that had gathered on his bare ankles and feet, could feel the ground underneath him, cold and moist and stirring with possibility.
I'm sorry. When did this happen?'
That's not the point, Dad! You don't get it.' Buckley turned around on his heel and started stomping the tender tomato shoots with his foot.
Buck, stop!' my father cried.
My brother turned.
You don't get it, Dad,' he said.
I'm sorry,' my father said. These are Susie's clothes and I just... It may not make sense, but they're hers-something she wore.'
...
You act like she was yours only!'
Tell me what you want to say. What's this about your friend Keesha's dad?'
Put the clothes down.'
My father laid them gently on the ground.
It isn't about Keesha's dad.'
Tell me what it is about.' My father was now all immediacy. He went back to the place he had been after his knee surgery, coming up out of the druggie sleep of painkillers to see his then-five-year-old son sitting near him, waiting for his eyes to flicker open so he could say, 'Peek-a-boo, Daddy.'
She's dead.'
It never ceased to hurt. 'I know that.'
But you don't act that way.' Keesha's dad died when she was six. Keesha said she barely even thinks of him.'
She will,' my father said.
But what about us?'
Who?'
Us, Dad. Me and Lindsey. Mom left becasue she couldn't take it.'
Calm down, Buck,' my father said. He was being as generous as he could as the air from his lungs evaporated out into his chest. Then a little voice in him said, Let go, let go, let go. 'What?' my father said.
I didn't say anything.'
Let go. Let go. Let go.
I'm sorry,' my father said. 'I'm not feeling very well.' His feet had grown unbelievably cold in the damp grass. His chest felt hollow, bugs flying around an excavated cavity. There was an echo in there, and it drummed up into his ears. Let go.
My father dropped down to his knees. His arm began to tingle on and off as if it had fallen asleep. Pins and needles up and down. My brother rushed to him.
Dad?'
Son.' There was a quaver in his voice and a grasping outward toward my brother.
I'll get Grandma.' And Buckley ran.
My father whispered faintly as he lay on his side with his face twisted in the direction of my old clothes: 'You can never choose. I've loved all three of you.
”
”
Alice Sebold
“
Before departing, he addressed Chase. “If you hurt her, in even the slightest way, I will eviscerate you.” “Understood.” “I mean it, Reynaud. In fact, gutting would be too good for you. I will subject you to my cat.” “Your cat?” Chase laughed. “To mewl at me, I suppose.” “Trust me. We’re not speaking of the average cat.” Alexandra spoke up. “I can attest to this.” “I’ll strip you bare, tie your hands behind your back, smear salmon on your manly bits, and lock the two of you in a wardrobe. Once he’s clawed your ballocks to shreds, I’ll crush whatever remains of you to a bloody, formless pulp.
”
”
Tessa Dare (The Governess Game (Girl Meets Duke, #2))
“
I Knew a Woman"
I knew a woman, lovely in her bones,
When small birds sighed, she would sigh back at them;
Ah, when she moved, she moved more ways than one:
The shapes a bright container can contain!
Of her choice virtues only gods should speak,
Or English poets who grew up on Greek
(I’d have them sing in chorus, cheek to cheek).
How well her wishes went! She stroked my chin,
She taught me Turn, and Counter-turn, and Stand;
She taught me Touch, that undulant white skin;
I nibbled meekly from her proffered hand;
She was the sickle; I, poor I, the rake,
Coming behind her for her pretty sake
(But what prodigious mowing we did make).
Love likes a gander, and adores a goose:
Her full lips pursed, the errant note to seize;
She played it quick, she played it light and loose;
My eyes, they dazzled at her flowing knees;
Her several parts could keep a pure repose,
Or one hip quiver with a mobile nose
(She moved in circles, and those circles moved).
Let seed be grass, and grass turn into hay:
I’m martyr to a motion not my own;
What’s freedom for? To know eternity.
I swear she cast a shadow white as stone.
But who would count eternity in days?
These old bones live to learn her wanton ways:
(I measure time by how a body sways).
”
”
Theodore Roethke (The Collected Poems)
“
So you and St. Clair seemed pretty friendly at breakfast."
"Um." Is she threatened by me?
"I wouldn't get any ideas if I were you," she continues. "Not even you're pretty enough to steal him from his girlfriend. They've been together forever."
Was that a compliment? Or not? Her emphasizing is really getting on my nerves. (My nerves.)
Amanda gives a fake, bored yawn. "Interesting hair."
I touch it self-consciously. "Thanks. My friend bleached it." Bridge added the thick band to my dark brown hair just last week. Normally, I keep the stripe tucked behind my right ear, but tonight it's back in a ponytail.
"Do you like it?" she asks. Universal bitch-speak for I think it's hideous.
I drop my hand. "Yeah.That's why I did it."
"You know,I wouldn't pull it back like that. You kinda look like a skunk."
"At least she doesn't reek like one." Rashmi appears behind me. She'd been visiting Meredith; I'd heard their muffled voices through my walls. "Delightful perfume, Amanda. Use a little more next time. I don't know if they can smell you in London.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Universe,
tell me about the time when the world was kind,
when words didn't shatter the soul
and leave people bleeding into the crease of their smile.
tell me about the time when people wouldn't hide behind sarcasm or humor to mask themselves from dying slowly on the inside.
Universe,
tell me the names of all the stars in your sky, because I may have met one the other night.
His presence in my thoughts, his touch in my heart and no longer a dream but laying next to me now.
There are marks on my body from the energy of our light.
He is broken, like me, a fallen star. Yet, aspires to soar and believes he can fly.
I too believe in dreams.
Universe,
do you think you can do something
about all the lonely souls? the broken? the fallen stars?
There are so many of us.
And what about the hurt? the pain? the restlessness?
Or
is this all part of something bigger,
a lesson to be learnt? so we can become a part of you?
Universe,
it’s me,
Please hear my soul speak, my heart beat,
I've learnt my lesson.
Forgive me.
Offer me redemption or bring me back to you.
Universe,
are you there?
”
”
Rina Nath
“
I will always speak the truth to you, Herb Asher," the boy continued. "There is no deceit in God. I want you to live. I made you live once before, when you lay in psychological death. God does not desire any living thing's death; God takes no delight in nonexistence. Do you know what God is, Herb Asher? God is He Who causes to be. Put another way, if you seek the basis of being that underlies everything you will surely find God. You can work back to God from the phenomenal universe, or you can move from the Creator to the phenomenal universe. Each implies the other. The Creator would not be the Creator if there were no universe, and the universe would cease to be if the Creator did not sustain it. The Creator does not exist prior to the universe in time; he does not exist in time at all. God creates the universe constantly; he is with it, not above or behind it. This is impossible to understand for you because you are a created thing and exist in time. But eventually you will return to your Creator and then you will again no longer exist in time. You are the breath of your Creator, and as he breathes in and out, you live. Remember that, for that sums up everything that you need to know about your God. There is first an exhalation from God, on the part of all creation; and then, at a certain point, it starts its journey back, its inhalation. This cycle never ceases. You leave me; you are away from me; you start back; you rejoin me. You and everything else. It is a process, an event. It is an activity - my activity. It is the rhythm of my own being, and it sustains you all.
”
”
Philip K. Dick (The Divine Invasion)
“
I used to have a pretty dim view of humanity,” Tony said. “But since I started traveling—particularly to places where I anticipated being treated badly—I am on balance pretty convinced that generally speaking the human race are doing the best they can to be as good as they can, under the circumstances, whatever they may be. I guess my hope is the more people see of the world, in person hopefully, or even on television, they see ordinary people doing ordinary things, so when news happens at least they have a better idea of who we’re talking about. Put a face to some empathy, to some kinship, to some understanding. This surely is a good thing. I hope it’s a useful thing.” “And this is why a show like yours is terrific,” the president said. “Because it reminds people that actually there’s a whole bunch of the world that on a daily basis is going about its business, eating at restaurants, taking their kids to school, trying to make ends meet, playing games. The same way we are back home.
”
”
Tom Vitale (In the Weeds: Around the World and Behind the Scenes with Anthony Bourdain)
“
You've a sentimental streak along with that iron,Keeley."
"Yes,I do.And a latent romantic one."
"Is that so?" he murmured, a little surprised when she turned and ran her hands up his chest.
"Apparently.I didn't think you for riding to my rescue last night."
"I don't recall riding anywhere." His lips twitched as she backed him out of the box.
"In a manner of speaking.You cut a bully down to size for me.I was upset and worried about the gelding, so I didn't really think about it at the time.But I did later,and I wanted to thank you."
"Well, you're welcome."
"I haven't finished thanking you." She bit lightly on his bottom lip, heard his quick indrawn breath.
"If that's what you have in mind, you could finish thanking me up in my bedroom."
"Why don't I just show you what I have in mind? Right here."
She had his shirt unbuttoned before he realized they were standing in an empty stall, freshly bedded with hay. "Here?" He laughed, taking both her hands to tug her out again. "I don't think so."
"Here." She countered his move by ramming his back against the side wall. "I know so."
"Don't be ridiculous." His lungs were clogged, and his mind insisted on following suit. "Anyone could come along?"
"Live dangerously." She pulled the stall door shut behind them.
"I have been,since I first set eyes on you.
”
”
Nora Roberts (Irish Rebel (Irish Hearts, #3))
“
I think I'll say goodnight here," Jack said.
"My dad's not so bad."
"Oh yeah,he was great...right up until the time I started dating his daughter."
I'd seen how my dad had become considerably colder toward Jack. There were little clues,like the other evening when out of nowhere he told Jack about how every football player he went to high school with had gotten fat after graduation.We'd been talking about what to make for dinner.
"Okay," I said. "Maybe next time." I leaned over to peck him on the cheek, but he grabbed my face in both of his hands and kissed me. His breath tasted like the mints the chaperones had passed out when the dance was over, and when he parted his lips against mine, I shivered, but not because of the cold. I pressed against him even more and hoped the dark inside the car obscured my dad's view.
But I knew better than to push it.As I was about to break away,Jack put his hands behind my waist and pulled me even closer,practically lifting me over the center console,so I was sitting in his lap.
I pulled back. "My dad's going to love that-"
He put his finger over my lips, cutting me off. "Please don't talk about your dad when I'm kissing you. Besides, unless he's enacted a law against it-"
"Which he may well do after tonight," I interrupted.
He smiled and then brought my face to his again for a few moments before finally releasing me.
"After that kiss,we'd better dream of the same thing tonight," he said with a smirk.
My face got even warmer,but I tried to speak in a calm voice. "I'll probably dream my usual dream,where I show up to school without any clothes on."
"Me too." Jack chuckled.I gave his shoulder a playful shove.
”
”
Brodi Ashton (Everneath (Everneath, #1))
“
I still stared at Daemon, completely aware that everyone else except him was watching me. Closely. But why wouldn’t he look at me? A razor-sharp panic clawed at my insides. No. This couldn’t be happening. No way.
My body was moving before I even knew what I was doing.
From the corner of my eye, I saw Dee shake her head and one of the Luxen males step forward, but I was propelled by an inherent need to prove that my worst fears were not coming true.
After all, he’d healed me, but then I thought of what Dee had said, of how Dee had behaved with me. What if Daemon was like her? Turned into something so foreign and cold? He would’ve healed me just to make sure he was okay.
I still didn’t stop.
Please, I thought over and over again. Please. Please. Please. On shaky legs, I crossed the long room, and even though Daemon hadn’t seemed to even acknowledge my existence, I walked right up to him, my hands trembling as I placed them on his chest.
“Daemon?” I whispered, voice thick.
His head whipped around, and he was suddenly staring down at me. Our gazes collided once more, and for a second I saw something so raw, so painful in those beautiful eyes. And then his large hands wrapped around my upper arms. The contact seared through the shirt I wore, branding my skin, and I thought—I expected—that he would pull me against him, that he would embrace me, and even though nothing would be all right, it would be better.
Daemon’s hands spasmed around my arms, and I sucked in an unsteady breath.
His eyes flashed an intense green as he physically lifted me away from him, setting me back down a good foot back.
I stared at him, something deep in my chest cracking. “Daemon?”
He said nothing as he let go, one finger at a time, it seemed, and his hands slid off my arms. He stepped back, returning his attention to the man behind the desk.
“So . . . awkward,” murmured the redhead, smirking.
I was rooted to the spot in which I stood, the sting of rejection burning through my skin, shredding my insides like I was nothing more than papier-mâché.
“I think someone was expecting more of a reunion,” the Luxen male behind the desk said, his voice ringing with amusement. “What do you think, Daemon?”
One shoulder rose in a negligent shrug. “I don’t think anything.”
My mouth opened, but there were no words. His voice, his tone, wasn’t like his sister’s, but like it had been when we first met. He used to speak to me with barely leashed annoyance, where a thin veil of tolerance dripped from every word.
The rift in my chest deepened.
For the hundredth time since the Luxen arrived, Sergeant Dasher’s warning came back to me. What side would Daemon and his family stand on? A shudder worked its way down my spine. I wrapped my arms around myself, unable to truly process what had just happened.
“And you?" the man asked. When no one answered, he tried again. “Katy?”
I was forced to look at him, and I wanted to shrink back from his stare. “What?” I was beyond caring that my voice broke on that one word.
The man smiled as he walked around the desk. My gaze flickered over to Daemon as he shifted, drawing the attention of the beautiful redhead. “Were you expecting a more personal greeting?” he asked. “Perhaps something more intimate?”
I had no idea how to answer. I felt like I’d fallen into the rabbit hole, and warnings were firing off left and right. Something primal inside me recognized that I was surrounded by predators.
Completely.
”
”
Jennifer L. Armentrout (Opposition (Lux, #5))
“
I scurry out to the three-way mirror. With an extra-large sweatshirt over the top, you can hardly tell that they are Effert’s jeans. Still no Mom. I adjust the mirror so I can see reflections of reflections, miles and miles of me and my new jeans. I hook my hair behind my ears. I should have washed it. My face is dirty. I lean into the mirror. Eyes after eyes after eyes stare back at me. Am I in there somewhere? A thousand eyes blink. No makeup. Dark circles. I pull the side flaps of the mirror in closer, folding myself into the looking glass and blocking out the rest of the store. My face becomes a Picasso sketch, my body slicing into dissecting cubes. I saw a movie once where a woman was burned over eighty percent of her body and they had to wash all the dead skin off. They wrapped her in bandages, kept her drugged, and waited for skin grafts. They actually sewed her into a new skin.
”
”
Laurie Halse Anderson (Speak)
“
I prayed to a mystery.
Sometimes I was simply aware of the mystery. I saw a flash of it during a trip to New York that David and I took before we were married. We were walking on a busy sidewalk in Manhattan. I don't remember if it was day or night. A man with a wound on his forehead came toward us. His damp, ragged hair might have been clotted with blood, or maybe it was only dirt. He wore deeply dirty clothes. His red, swollen hands, cupped in half-fists, swung loosely at his sides. His eyes were focused somewhere past my right shoulder. He staggered while he walked. The sidewalk traffic flowed around him and with him. He was strange and frightening, and at the same time he belonged on the Manhattan sidewalk as much as any of us. It was that paradox -- that he could be both alien and resident, both brutalized and human, that he could stand out in the moving mass of people like a sea monster in a school of tuna and at the same time be as much at home as any of us -- that stayed with me. I never saw him again, but I remember him often, and when I do, I am aware of the mystery.
Years later, I was out on our property on the Olympic Peninsula, cutting a path through the woods. This was before our house was built. After chopping through dense salal and hacking off ironwood bushes for an hour or so, I stopped, exhausted. I found myself standing motionless, intensely aware of all of the life around me, the breathing moss, the chattering birds, the living earth. I was as much a part of the woods as any millipede or cedar tree. At that moment, too, I was aware of the mystery.
Sometimes I wanted to speak to this mystery directly. Out of habit, I began with "Dear God" and ended with "Amen". But I thought to myself, I'm not praying to that old man in the sky. Rather, I'm praying to this thing I can't define. It was sort of like talking into a foggy valley.
Praying into a bank of fog requires alot of effort. I wanted an image to focus on when I prayed. I wanted something to pray *to*. but I couldn't go back to that old man. He was too closely associated with all I'd left behind.
”
”
Margaret D. McGee
“
For one who sets himself to look at all earnestly, at all in purpose toward truth, into the living eyes of a human life: what is it he there beholds that so freezes and abashes his ambitious heart? What is it, profound behind the outward windows of each one of you, beneath touch even of your own suspecting, drawn tightly back at bay against the backward wall and blackness of its prison cave, so that the eyes alone shine of their own angry glory, but the eyes of a trapped wild animal, or of a furious angel nailed to the ground by his wings, or however else one may faintly designate the human 'soul,' that which is angry, that which is wild, that which is untamable, that which is healthful and holy, that which is competent of all advantaging within hope of human dream, that which most marvelous and most precious to our knowledge and most extremely advanced upon futurity of all flowerings within the scope of creation is of all these the least destructible, the least corruptible, the most defenseless, the most easily and multitudinously wounded, frustrated, prisoned, and nailed into a cheating of itself: so situated in the universe that those three hours upon the cross are but a noble and too trivial an emblem how in each individual among most of the two billion now alive and in each successive instant of the existence of each existence not only human being but in him the tallest and most sanguine hope of godhead is in a billionate choiring and drone of pain of generations upon generations unceasingly crucified and is bringing forth crucifixions into their necessities and is each in the most casual of his life so measurelessly discredited, harmed, insulted, poisoned, cheated, as not all the wrath, compassion, intelligence, power of rectification in all the reach of the future shall in the least expiate or make one ounce more light: how, looking thus into your eyes and seeing thus, how each of you is a creature which has never in all time existed before and which shall never in all time exist again and which is not quite like any other and which has the grand stature and natural warmth of every other and whose existence is all measured upon a still mad and incurable time; how am I to speak of you as 'tenant' 'farmers,' as 'representatives' of your 'class,' as social integers in a criminal economy, or as individuals, fathers, wives, sons, daughters, and as my friends and as I 'know' you?
”
”
James Agee (Let Us Now Praise Famous Men)
“
Jack didn't try to speak to me the following day. Or the day after.Or the day after that.
But he was in Mrs. Stone's classroom, in the seat next to mine, every day for an hour after school, the only sounds coming from our pencils scratching against our papers. And the days passed like this quickly. Too quickly.
I stole glances at him.Sometimes he tucked his hair behind one ear, but mostly it hung loose around his face. Sometimes he had stubble,as if he were shaving every other day.Sometimes I was sure he could feel me staring.His lip would twitch,and I'd know he was about to turn toward me,so I would hurry and look at my paper.
And sometimes I would read the same sentence in the textbook over and over, and at the end of the hour, the only thing I'd learned was that Jack liked to tap his eraser on his desk when he was stumped, and when he would stretch forward,his shirt lifted,exposing a tiny bit of skin on his back.
”
”
Brodi Ashton (Everneath (Everneath, #1))
“
Here, let me do it,” Peter says, coming up close behind me.
I jerk away from him. “No no, I’ll do it,” I say, and he shakes his head and tries to take the measuring cup from me, but I won’t let go, and flour poufs out of the cup and into the air. It dusts us both. Peter starts cracking up and I let out an outraged shriek. “Peter!”
He’s laughing too hard to speak.
I cross my arms. “I’d better still have enough flour.”
“You look like a grandma,” he says, still laughing.
“Well, you look like a grandpa,” I counter. I dump the flour in my mixing bowl back into the flour canister.
“Actually, you’re really a lot like my granny,” Peter says. “You hate cussing. You like to bake. You stay at home on Friday nights. Wow, I’m dating my granny. Gross.”
I start measuring again. One, two. “I don’t stay home every Friday night.” Three.
“I’ve never seen you out. You don’t go to parties. We used to hang out back in the day. Why’d you stop hanging out?”
Four. “I…I don’t know. Middle school was different.” What does he want me to say? That Genevieve decided I wasn’t cool enough so I got left behind? Why is he so clueless?
“I always wondered why you stopped hanging out with us.”
Was I on five or six? “Peter! You made me lose my count again!”
“I have that effect on women.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
The door handle turned. Someone knocked, and a man's voice called, "Uh, hello?"
Valkyrie looked at Skulduggery, looked back at the others, looked at Skulduggery again.
"Hello," Skulduggery said, speaking loudly to be heard over the alarm.
"Hi," said the man. "The door's locked."
"Is it?"
"Yes."
"That's funny" said Skulduggery. "Hold on a moment." He reached out, jiggled the handle a few times, then stepped back. "Yes, it's locked. You wouldn't happen to have the key, would you?"
There was a delay in response from the other side. "I'm sorry," the man called, "Who am I speaking with?"
Skulduggery tilted his head. "Who am I speaking with?"
"This is Oscar Nightfall."
"Are you sure?"
"What?"
"Are you sure you are who you say you are? This is the Great Chamber, after all. It's a very important place for very important people. It is not beyond the realms of possibility that someone, and I'm not saying that this applies to you in particular, but someone could conceivably lie about who they are in order to gain access to this room. I have to be vigilant, especially now. There's a war on, you know."
Oscar Nightfall sounded puzzled. Who are you?"
"Me? I'm nobody. I'm a cleaner. I'm one of the cleaners. I was cleaning the thrones and the door shut behind me. Now I can't get out. Could you try and find a key?"
"What's your name? Give me you name."
"No. It's mine."
"Tell me your name!"
"My name is Oscar Nightfall."
"What? No it isn't. That's my name."
"Is it? Since when?"
"Since I took it!"
"You didn't ask me if you could take it. I was using it first."
"Open this door immediately."
"I don't have the key."
"I'll fetch the Cleavers."
"I found the key. It was in the keyhole. It's always the last place you look isn't it? I'm unlocking the door now. Here we go."
Skulduggery relaxed the air pressure, opened the door, and pulled Oscar Nightfall inside. Valkyrie stuck out her foot, and Oscar stumbled over it and Vex shoved him to Ghastly and Ghastly punched him. Oscar fell down and didn't get up again. Skulduggery closed the door once more.
”
”
Derek Landy (Last Stand of Dead Men (Skulduggery Pleasant, #8))
“
The faeries took no notice of my cry. No doubt they were used to lost travelers screaming for help. One of them grabbed me by my cloak and wrenched me painfully back and forth, like an animal wishing to drag me to the ground. But I did not need to call for Wendell again.
He stepped out from behind a tree---or perhaps from the tree; I didn't see. He reached a hand out and snapped the neck of the faerie gripping me, which I had not expected, and I staggered back from both him and the crumpling body. He saw the mark on my neck, and his entire face darkened with something that seemed to go beyond fury and made him look like some feral creature. The faeries scattered like leaves, though they were too intrigued and too stupid to run.
"Are you hurt?"
"No." I don't know how I made myself speak. I have seen Wendell angry before, but this was something that seemed to surge through him like lightning, threatening to burn everything in its path.
He moved his hand, and a hideous tree rose up from the snow, dark and terrifying, all thorns and knife-sharp branches. The boughs darted out, and he skewered the faeries on them. Once they were all immobilized, held squirming and screaming above the ground, he moved from one to the other, tearing them apart with perfect, calm brutality. Limbs, hearts, other organs I did not recognize scattered the snow. He did not rush, but killed them methodically while the others howled and writhed.
”
”
Heather Fawcett (Emily Wilde's Encyclopaedia of Faeries (Emily Wilde, #1))
“
I want to be successful, but I also want to be happy. I want to be loving and patient with my kids instead of cold, angry, or irritable. I want to have harmony, intimacy, deep sharing, and passionate sex with my wife. I don’t want to be distant, live like roommates, bicker, criticize, or have hurtful fights that involve attacking each other’s vulnerabilities. I want to be an inspiring leader in my business. I want my team to speak freely, challenge me, support me, and have fun working with me. I don’t want them to fear me, secretly dislike me, degrade me behind my back, and wish they had a better job. I want my clients and customers to feel cared about, inspired, challenged, and respected. I want them to feel like they got so much value out of their investment that they can’t put a dollar amount on how much better their lives are now. I don’t want them to feel let down, uncared for, like a bother, and that their growth and success is irrelevant to me. In short, I want to be a “good person” too. However you define that in your world, I’d imagine it’s pretty similar.
”
”
Aziz Gazipura (Not Nice: Stop People Pleasing, Staying Silent, & Feeling Guilty... And Start Speaking Up, Saying No, Asking Boldly, And Unapologetically Being Yourself)
“
Warm tingles trail under my skin, and I shiver.
“Please,” he says, dropping my hands so he can tuck one of his into my hair and tilt my head up to him. “Come with me to the symposium. And then come with me to the pub and the museum, to the park, to the sunset, to the sky.”
His cinnamon breath is warm on my lips, and I remember the night on the balcony under the stars when I wanted so badly for him to close the distance between us.
“You speak like a poet,” I whisper.
When he laughs, I feel the rumble of it where my hands rest against his chest, and my whole body trembles.
“Just say yes!” Lucy cries from behind the curtain. “For Artist’s sake, Myra!”
“Go to sleep!” I shout back, not taking my eyes from August.
”
”
Jessica S. Olson (A Forgery of Roses)
“
(From Danielle Raver's short story THE ENCHANTRESS)
Thick chains attached to the wall hold a metal collar and belt, restraining most of the tiger's movements. Open, bloody slashes cover his face and back, but he shows no loss of strength as he pulls on the chains and tries to rip the flesh of the surrounding humans with his deadly claws. Out of his reach, I kneel down before him, and his lightning-blue eyes cross my space for a moment.
“Get her out of there!” I hear from behind me.
“Numnerai,” I speak urgently to the tiger. “They will kill you!”
He growls and gnashes his teeth, but I sense he is responding to me.
“Great white tiger, your duty is to protect the prince. But how can you do that if they sink the end of a spear into your heart?” He looks at me for a longer moment. The fighters respond to this by growing still. In their desperation, they are overlooking my foolishness for a chance to save their fellows' lives. I crouch on my feet and begin to nudge closer to him. The tiger growls a warning, but does not slash out at me. “Think of the prince, protector of the palace. Right now he prays for you to live.
”
”
D.M. Raver (The Story Tellers' Anthology)
“
Kvothe?” Auri said softly. I clenched my teeth against the sobbing and lay still as I could, hoping she would think I was asleep and leave. “Kvothe?” she called again. “I brought you—” There was a moment of silence, then she said, “Oh.” I heard a soft sound behind me. The moonlight showed her tiny shadow on the wall as she climbed through the window. I felt the bed move as she settled onto it. A small, cool hand brushed the side of my face. “It’s okay,” she said quietly. “Come here.” I began to cry quietly, and she gently uncurled the tight knot of me until my head lay in her lap. She murmured, brushing my hair away from my forehead, her hands cool against my hot face. “I know,” she said sadly. “It’s bad sometimes, isn’t it?” She stroked my hair gently, and it only made me cry harder. I could not remember the last time someone had touched me in a loving way. “I know,” she said. “You have a stone in your heart, and some days it’s so heavy there is nothing to be done. But you don’t have to be alone for it. You should have come to me. I understand.” My body clenched and suddenly the taste of plum filled my mouth again. “I miss her,” I said before I realized I was speaking. Then I bit it off before I could say anything else. I clenched my teeth and shook my head furiously, like a horse fighting its reins. “You can say it,” Auri said gently. I shook again, tasted plum, and suddenly the words were pouring out of me. “She said I sang before I spoke. She said when I was just a baby she had the habit of humming when she held me. Nothing like a song. Just a descending third. Just a soothing sound. Then one day she was walking me around the camp, and she heard me echo it back to her. Two octaves higher. A tiny piping third. She said it was my first song. We sang it back and forth to each other. For years.” I choked and clenched my teeth. “You can say it,” Auri said softly. “It’s okay if you say it.” “I’m never going to see her again,” I choked out. Then I began to cry in earnest. “It’s okay,” Auri said softly. “I’m here. You’re safe.
”
”
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
“
EVERYTHING SMELLED LIKE POISON. Two days after leaving Venice, Hazel still couldn’t get the noxious scent of eau de cow monster out of her nose. The seasickness didn’t help. The Argo II sailed down the Adriatic, a beautiful glittering expanse of blue; but Hazel couldn’t appreciate it, thanks to the constant rolling of the ship. Above deck, she tried to keep her eyes fixed on the horizon—the white cliffs that always seemed just a mile or so to the east. What country was that, Croatia? She wasn’t sure. She just wished she were on solid ground again. The thing that nauseated her most was the weasel. Last night, Hecate’s pet Gale had appeared in her cabin. Hazel woke from a nightmare, thinking, What is that smell? She found a furry rodent propped on her chest, staring at her with its beady black eyes. Nothing like waking up screaming, kicking off your covers, and dancing around your cabin while a weasel scampers between your feet, screeching and farting. Her friends rushed to her room to see if she was okay. The weasel was difficult to explain. Hazel could tell that Leo was trying hard not to make a joke. In the morning, once the excitement died down, Hazel decided to visit Coach Hedge, since he could talk to animals. She’d found his cabin door ajar and heard the coach inside, talking as if he were on the phone with someone—except they had no phones on board. Maybe he was sending a magical Iris-message? Hazel had heard that the Greeks used those a lot. “Sure, hon,” Hedge was saying. “Yeah, I know, baby. No, it’s great news, but—” His voice broke with emotion. Hazel suddenly felt horrible for eavesdropping. She would’ve backed away, but Gale squeaked at her heels. Hazel knocked on the coach’s door. Hedge poked his head out, scowling as usual, but his eyes were red. “What?” he growled. “Um…sorry,” Hazel said. “Are you okay?” The coach snorted and opened his door wide. “Kinda question is that?” There was no one else in the room. “I—” Hazel tried to remember why she was there. “I wondered if you could talk to my weasel.” The coach’s eyes narrowed. He lowered his voice. “Are we speaking in code? Is there an intruder aboard?” “Well, sort of.” Gale peeked out from behind Hazel’s feet and started chattering. The coach looked offended. He chattered back at the weasel. They had what sounded like a very intense argument. “What did she say?” Hazel asked. “A lot of rude things,” grumbled the satyr. “The gist of it: she’s here to see how it goes.” “How what goes?” Coach Hedge stomped his hoof. “How am I supposed to know? She’s a polecat! They never give a straight answer. Now, if you’ll excuse me, I’ve got, uh, stuff…” He closed the door in her face. After breakfast, Hazel stood at the port rail, trying to settle her stomach. Next to her, Gale ran up and down the railing, passing gas; but the strong wind off the Adriatic helped whisk it away. Hazel
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
He approached her, his voice taking on a seductive tenor. "Shall we seal it with a kiss, then?"
Callie caught her breath and stiffened at the question. Ralston smiled at her obvious nerves. He ran a finger along the edge of her hairline, tucking a rogue lock of hair behind her ear gently. She looked up at him with her wide brown eyes, and he felt a burst of tenderness in his chest. He leaned close, moving slowly, as though she might scare at any moment, and his firm mouth brushed across hers, settling briefly, barely touching before she jumped back, one hand flying to her lips.
He leveled her with a frank gaze and waited for her to speak. When she didn't, he asked, "Is there a problem?"
"N-No!" she said, a touch too loudly. "Not at all, my lord. That is- Thank you."
His breath exhaled on a half laugh. "I'm afraid that you have mistaken the experience." He paused, watching the confusion cross her face. "You see, when I agree to something, I do it wholeheartedly. That was not the kiss for which you came, little mouse."
Callie wrinkled her nose at his words, and at the nickname he had used for her. "It wasn't?"
"No."
Her nervousness flared, and she resumed toying with her cloak tassel. "Oh, well. It was quite nice. I find I am quite satisfied that you have held up your end of our bargain."
"Quite nice isn't what you should be aiming for," he said, taking her restless hands into his own and allowing his voice to deepen. "Neither should the kiss leave you satisfied."
She tugged briefly, giving up when he would not free her and instead pulled her closer, setting her hands upon his shoulders. He trailed his fingers down her neck, leaving her breathless, her voice a mere squeak when she replied, "How should it leave me?"
He kissed her then. Really kissed her.
He pulled her against him and pressed his mouth to hers, possessing, owning in a way she could never have imagined. His lips, firm and warm, played across her own, tempting her until she was gasping for breath. He captured the sound in his mouth, taking advantage of her open lips to run his tongue along them, tasting her lightly until she couldn't bear the teasing. He seemed to read her thoughts, and just when she couldn't stand another moment, he gathered her closer and deepened the kiss, changing the pressure. He delved deeper, stroked more firmly.
And she was lost.
Callie was consumed, finding herself desperate to match his movements. Her hands seemed to move of their own volition, running along his broad shoulders and wrapping around his neck. Tentatively, she met Ralston's tongue with her own and was rewarded with a satisfied sound from deep in his throat as he tightened his grip, sending another wave of heat through her. He retreated, and she followed, matching his movements until his lips closed scandalously around her tongue and he sucked gently- the sensation rocked her to her core. All at once she was aflame.
”
”
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
“
I stepped forward, and didn't give Lucien time to step back as I hugged him tightly. 'Thank you,' I said, trying not to think about all the steel on him- if he'd need to use it.
'It was time,' Lucien said quietly, giving me a squeeze. 'For me to do something.'
I pulled away, surveying his scarred face. 'Thank you,' I said again. It was all I could think of to say.
Rhys extended a hand to Lucien.
Lucien studied it- then my mate's face. I could nearly see all the hateful words they'd spoken. Dangling between them, between that outstretched hand and Lucien's own.
But Lucien took Rhys's hand. That silent offer of not only transportation.
Before that dark wind swept in, Lucien looked back.
Not to me, I realised- to someone behind me.
Pale and thin, Elain stood atop the stairs.
Their gazes locked and held.
But Elain said nothing. Did not so much as take one step downward.
Lucien inclined his head in a bow, the movement hiding the gleam in his eye- the longing and sadness.
And when Lucien turned to signal to Rhys to go... He did not glance back at Elain.
Did not see the half step she took toward the stairs- as if she'd speak to him. Stop him.
Then Rhys was gone, and Lucien with him.
When I turned to offer Elain breakfast, she'd already walked away.
”
”
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
“
She narrowed her eyes at him. She wanted to tell him that it was his fault, that she would never have tripped if he’d just stayed the same old Jay he’d always been, gangly and childlike. But she knew that she was being irrational. He was bound to grow up eventually; she’d just never imagined that he’d grow up so well. Instead she accused him: “Well, maybe if you hadn’t pushed me I wouldn’t have fallen.” She made the outlandish accusation with a completely straight face.
He shook his head. “You’ll never be able to prove it. There were no witnesses—it’s just your word against mine.”
She giggled and hopped down. “Yeah, well, who’s gonna believe you over me? Weren’t you the one who shoplifted a candy bar from the Safeway?” She limped over to the sink while she taunted him with her words, and she washed the dirt from the minor scrapes on her palms.
“Whatever! I was seven. And I believe you were the one who handed it to me and told me to hide it in my sleeve. Technically that makes you the mastermind of that little operation, doesn’t it?” He came up behind her, and reaching around her, he poured some of the antibacterial wash onto her hands.
She was taken completely off guard by the intimate gesture. She froze as she felt his chest pressing against her back until that was all she could think about for the moment and the temporarily forgot how to speak. She watched as the red scrapes fizzed with white bubbles from the disinfectant. He leaned over her shoulder, setting the bottle down and pulling her hands up toward him. He blew on them too. Violet didn’t even notice the sting this time.
And then it was over. He released her hands, and as she stood there, dazed, he handed her a clean towel to dry them on.
When she turned around to face him, she realized that she had been the only one affected by the moment, that his touch had been completely innocent.
He was looking at her like he was waiting for her to say something, and she was suddenly aware that her mouth was still open. She finally gathered her wits enough to speak again. “Yeah, well, maybe if you hadn’t done it right in front of the cashier, we might have gotten away with it. Instead, you got both of us grounded for stealing.”
He didn’t miss a beat, and he seemed unaware of her temporary lapse. “And some might say that our grounding saved us from a life of crime.”
She hung the towel over the oven’s door handle. “Maybe it saved me, but the jury’s still out on you. I always thought you were kind of a bad seed.”
He gave her a questioning look. “Seriously, a ‘bad seed’, Vi? When did you turn ninety and start saying things like ‘bad seed’?”
She pushed him as she walked by, even though he really wasn’t in her way. He gave her a playful shove from behind and teased her, “Don’t make me trip you again.”
Now more than ever, Violet hoped that this crush of hers passed soon, so she could get back to the business of being just friends. Otherwise, this was going to be a long—and painful—year.
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))
“
Did you forgive her?"
I looked at her with a start.
Jack dropped his salad back in the bucket. "What?"
"Did you forgive Nikki?"
"Umm,Mary,I don't think you-" I started, but Jack interrupted me.
"No,it's okay.What do you mean, Mary?" He spoke slowly. "Did I forgive Nikki for what?"
Mary frowned and reached under the separation glass and touched Jack's gloved hand. "Did you forgive her for leaving you?"
Jack's lower lip sank,and his eyebrows lifted.He looked like he was about to speak,but no words came out of his open mouth.
Mary leaned even closer and whispered, "I have a theory. A theory about anchors."
"Oh," Jack finally said,his forehead now creased with confusion. "Anchors."
The people in line behind Mary shifted impatiently.
"Um,Mary,you're holding up the line," I said. Mary looked at me as I continued. "Why don't you go grab a table,and I'll eat with you."
The tension slipped from her face. "Okay. But hurry. My tee time's at one."
She started down the line again.Jack's hand still rested in the lettuce, so I nudged him with my elbow, and he seemed to restart. "Don't worry about her," I said. "She gets confused easily."
"That wasn't confusion." Jack kept his eyes on my face as he served the salad. "It was like she knew me. Knew us.Did you talk to her about us?"
"Of course not.She also knows about anchors,apparently.And she's late for her tee time.None of it makes sense.
”
”
Brodi Ashton (Everneath (Everneath, #1))
“
It was raining and I had to walk on the grass. I’ve got mud all over my shoes. They’re brand-new, too.”
“I’ll carry you across the grass on the return trip, if you like,” Colby offered with twinkling eyes. “It would have to be over one shoulder, of course,” he added with a wry glance at his artificial arm.
She frowned at the bitterness in his tone. He was a little fuzzy because she needed glasses to see at distances.
“Listen, nobody in her right mind would ever take you for a cripple,” she said gently and with a warm smile. She laid a hand on his sleeve. “Anyway,” she added with a wicked grin, “I’ve already given the news media enough to gossip about just recently. I don’t need any more complications in my life. I’ve only just gotten rid of one big one.”
Colby studied her with an amused smile. She was the only woman he’d ever known that he genuinely liked. He was about to speak when he happened to glance over her shoulder at a man approaching them. “About that big complication, Cecily?”
“What about it?” she asked.
“I’d say it’s just reappeared with a vengeance. No, don’t turn around,” he said, suddenly jerking her close to him with the artificial arm that looked so real, a souvenir of one of his foreign assignments. “Just keep looking at me and pretend to be fascinated with my nose, and we’ll give him something to think about.”
She laughed in spite of the racing pulse that always accompanied Tate’s appearances in her life. She studied Colby’s lean, scarred face. He wasn’t anybody’s idea of a pinup, but he had style and guts and if it hadn’t been for Tate, she would have found him very attractive. “Your nose has been broken twice, I see,” she told Colby.
“Three times, but who’s counting?” He lifted his eyes and his eyebrows at someone behind her. “Well, hi, Tate! I didn’t expect to see you here tonight.”
“Obviously,” came a deep, gruff voice that cut like a knife.
Colby loosened his grip on Cecily and moved back a little. “I thought you weren’t coming,” he said.
Tate moved into Cecily’s line of view, half a head taller than Colby Lane. He was wearing evening clothes, like the other men present, but he had an elegance that made him stand apart. She never tired of gazing into his large black eyes which were deep-set in a dark, handsome face with a straight nose, and a wide, narrow, sexy mouth and faintly cleft chin. He was the most beautiful man. He looked as if all he needed was a breastplate and feathers in his hair to bring back the heyday of the Lakota warrior in the nineteenth century. Cecily remembered him that way from the ceremonial gatherings at Wapiti Ridge, and the image stuck stubbornly in her mind.
“Audrey likes to rub elbows with the rich and famous,” Tate returned. His dark eyes met Cecily’s fierce green ones. “I see you’re still in Holden’s good graces. Has he bought you a ring yet?”
“What’s the matter with you, Tate?” Cecily asked with a cold smile. “Feeling…crabby?”
His eyes smoldered as he glared at her. “What did you give Holden to get that job at the museum?” he asked with pure malice.
Anger at the vicious insinuation caused her to draw back her hand holding the half-full coffee cup, and Colby caught her wrist smoothly before she could sling the contents at the man towering over her.
Tate ignored Colby. “Don’t make that mistake again,” he said in a voice so quiet it was barely audible. He looked as if all his latent hostilities were waiting for an excuse to turn on her. “If you throw that cup at me, so help me, I’ll carry you over and put you down in the punch bowl!”
“You and the CIA, maybe!” Cecily hissed. “Go ahead and try…!”
Tate actually took a step toward her just as Colby managed to get between them. “Now, now,” he cautioned.
Cecily wasn’t backing down an inch. Neither was Tate.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
She sat at her dressing table, eyeing her reflection warily. Her hair was loose, spilling over her shoulders, a few shades darker than the dress. She gathered a handful and began to braid.
“I hear you’re going to the ball tonight.”
Kestrel glanced in the mirror to see Arin standing behind her. Then she focused on her own shadowed eyes. “You’re not allowed in here,” Kestrel said. She didn’t look again at him, but sensed him waiting. She realized that she was waiting, too--waiting for the will to send him away.
She sighed and continued to braid.
He said, “It’s not a good idea for you to attend the ball.”
“I hardly think you’re in a position to advise me on what I should or shouldn’t do.” She glanced back at his reflection. His face frayed her already sheer nerves. The braid slipped from her fingers and unraveled. “What?” she snapped. “Does this amuse you?”
The corner of his mouth lifted, and Arin looked like himself, like the person she had grown to know since summer’s end. “‘Amuse’ isn’t the right word.”
Heavy locks fell forward to curtain her face. “Lirah usually does my hair,” she muttered. She heard Arin inhale as if to speak, but he didn’t.
Then, quietly, he said, “I could do it.”
“What?”
“I could braid your hair.”
“You?”
“Yes.”
Kestrel’s pulse bit at her throat. She opened her mouth, but before she could say anything he had crossed the room and swept her hair into his hands. His fingers began to move.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Are my friends dead?” Kestrel demanded. “Tell me.”
“I will tell you after I have set you on that horse and you haven’t fought me, and after I am seated behind you and you don’t have any clever ideas to shove me off or throw us both. I’ll tell you when we’ve made it to the harbor.” He came close. She didn’t say anything, and he must have decided that she agreed, or maybe he didn’t want to hear her voice any more than she wanted to speak, because he didn’t wait for an answer. He lifted Kestrel onto Javelin, then settled behind her in a swift, fluid movement. Kestrel felt the lines of his body fit along hers.
His closeness was a shock. Kestrel decided, however, to agree to the bargain. She didn’t signal Javelin to rear. She didn’t drive her head back into Arin’s jaw. She decided to behave. She focused on what mattered.
That kiss had meant nothing. Nothing. What remained was the hand she had drawn, and how she would play it.
The horses burst from the stables.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
She opened the book.
“Don’t,” said Arin. “Please.”
But she had already seen the inscription.
For Arin, it read, from Amma and Etta, with love.
This was Arin’s home. This house had been his, this library his, this book his, dedicated to him by his parents, some ten years ago.
Kestrel breathed slowly. Her fingers rested on the page, just below the black line of writing. She lifted her gaze to meet Irex’s smirk.
Her mind chilled. She assessed the situation as her father would a battle. She knew her objective. She knew her opponent’s. She understood what she could afford to lose, and what she could not.
Kestrel closed the book, set it on a table, and turned her back to Arin. “Lord Irex,” she said, her voice warm. “It is but a book.”
“It is my book,” Irex said.
There was a choked sound behind her. Without looking, Kestrel said in Herrani, “Do you wish to be removed from the room?”
Arin’s answer was low. “No.”
“Then be silent.” She smiled at Irex. In their language, she said, “This is clearly not a case of theft. Who would dare steal from you? I’m certain he meant only to look at it. You can’t blame him for being curious about the luxuries your house holds.”
“He shouldn’t have even been inside the library, let alone touching its contents. Besides, there were witnesses. A judge will rule in my favor. This is my property, so I will decide the number of lashes.”
“Yes, your property. Let us not forget that we are also discussing my property.”
“He will be returned to you.”
“So the law says, but in what condition? I am not eager to see him damaged. He holds more value than a book in a language no one has any interest in reading.”
Irex’s dark eyes flicked to look behind Kestrel, then returned to her. They grew sly. “You take a decided interest in your slave’s well-being. I wonder to what lengths you will go to prevent a punishment that is rightfully mine to give.” He rested a hand on her arm. “Perhaps we can settle the matter between us.”
Kestrel heard Arin inhale as he understood Irex’s suggestion. She was angry, suddenly, at the way her mind snagged on the sound of that sharp breath. She was angry at herself, for feeling vulnerable because Arin was vulnerable, and at Irex for his knowing smile. “Yes.” Kestrel decided to twist Irex’s words into something else. “This is between us, and fate.”
Having uttered the formal words of a challenge to a duel, Kestrel stepped back from Irex’s touch, drew her dagger, and held it sideways at the level of her chest like a line drawn between him and her.
“Kestrel,” Irex said. “That isn’t what I had in mind when I said we might solve the matter.”
“I think we’ll enjoy this method more.”
“A challenge.” He tsked. “I’ll let you take it back. Just this one.”
“I cannot take it back.”
At that, Irex drew his dagger and imitated Kestrel’s gesture. They stood still, then sheathed their blades.
“I’ll even let you choose the weapons,” Irex said.
“Needles. Now it is to you to choose the time and place.”
“My grounds. Tomorrow, two hours from sunset. That will give me time to gather the death-price.”
This gave Kestrel pause. But she nodded, and finally turned to Arin.
He looked nauseated. He sagged in the senators’ grip. It seemed they weren’t restraining him, but holding him up.
“You can let go,” Kestrel told the senators, and when they did, she ordered Arin to follow her. As they left the library, Arin said, “Kestrel--”
“Not a word. Don’t speak until we are in the carriage.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Hey, doll face…”
“Haidyn?” I yank the phone from Kashton’s hands and look at the screen to see it’s a video. He’s sitting on my couch, dressed in nothing but a pair of jeans. The phone is propped up against something on the coffee table.
I place my hand over my mouth to hold in my sob at the sight of him. This was last night…when I saw my phone on the coffee table when he stood in front of the floor-to-ceiling windows in my living room.
“This isn’t how I wanted to tell you goodbye. But in our life, we rarely get what we want.” A soft smile tugs at his lips. “You were my exception.”
He bows his head, his right hand twirling his wedding ring around his finger as he looks at it. “I knew that you were too good for me the moment I first saw you. That I’d never live up to the man you’d deserve. So I let you go…but when you were placed back in my life, I couldn’t stop myself.” He looks back at the phone and gives a soft smile.
Back in his life?
“I’ve done a lot of unforgivable shit in my life, but the best thing I ever did was make you my wife. I wish I could have done it differently. You deserved so much more than what I gave you. I should have gotten down on one knee and begged you to spend the rest of your life with me. I should have told you how much you changed me. That you showed me what being alive truly felt like. I always felt like I was missing something…my life was boring. Same thing over and over. And then you walked into my life with that amazing smile and when I looked into your eyes—I saw a future that I never thought existed…not for a man like me, anyway.”
A lump forms in my throat, and I blink to clear the tears from my eyes so I can see him on the screen.
“I knew you’d never give a man like me the chance at forever. So I forced your hand. I had to have Adam help me.” I look up at Adam, and his green eyes are already on mine. Blinking the fresh tears away, I drop mine back to the phone. “Because I knew that’d be the only way I’d ever get you. And I just couldn’t pass up the opportunity to be your husband.” He looks away from the camera as if he can’t look at me, and my chest tightens.
How dare he leave me this memory? Why break my heart twice? When I found him in the living room and asked if he regretted marrying me…he had just left me this video. He knew then exactly what he was going to do.
His blue eyes come back to the screen, meeting mine once again. “I’m sorry I couldn’t give you the forever you deserved, doll face. But I promise I gave you all I had left to offer.”
The knot grows in my throat, and I can’t hold back the sob anymore as I remember what he said when I told him I chose to be with him forever. To some, forever is only a matter of seconds.
“Please know that I loved you more than anything in this world…and when I walk out this door, I’m leaving a piece of myself behind with you because nothing short of forever would have been enough." He smiles, and I try to catch my breath. "You'll be safe at Carnage and my brothers will protect you." He leans forward and picks up the phone before speaking. "I love you, Charlotte.
”
”
Shantel Tessier (Madness (L.O.R.D.S., #6))
“
How came you to tumble down the stairs as soon as my back was turned?' ... The Earl slipped his arm behind her, and raised the hand he was still holding to his lips ... Miss Morville, finding his shoulder so invitingly close, was glad to rest her head against it ... Her overstrained nerves then found relief in a burst of tears. But as the Earl chose to kiss her at this moment, she was obliged to stop crying, the merest civility compelling her to return his embrace. As soon as she was able to speak, she said, however, in a voice meant only for his ears: 'Oh, no! Pray do not! It was all my folly, behaving in this missish way! You felt yourself obliged to comfort me! I assure you, I don't regard it - shall never think of it again! ... You would become disgusted with my odious commonsense. Try as I will, I *cannot* be romantic!' said Miss Morville despairingly.
His eyes danced. 'Oh, I forbid you to try! Your practical observations, my absurd robin, are the delight of my life!'
Miss Morville looked at him. Then, with a deep sigh, she laid her hand in his. But what she said was: 'You mean a sparrow!'
'I will not allow you to dictate to me, now or ever, Miss Morville! I mean a robin!' said the Earl firmly, lifting her hand to his lips.
This interlude, which was watched with interest by the three servants, with complacence by Mrs Morville, critically by the Viscount, who was trying to unravel the puzzle just set before him, and with hostility by the Dowager and Mr Morville, seemed to break the spell which had hitherto held the rest of the company silent.
”
”
Georgette Heyer (The Quiet Gentleman)
“
Speaking of makeovers, anyone notice Hort’s looking even juicier than he did at school?” chirped Dot, biting into the cocoa-pizza she’d swiped off the floor. “Saw him when we came in and he has this swarthy tan from working the moors and mud stains on his cheeks, like he’s Captain Lumberjack or something. But you know how I like woodsy types, with my crush on Robin Hood and all. Anyway, I sneak behind and give him a good sniff and notice he smells like a man now, nothing like that boy who used to wear frog pajamas and reek of baby powder, and all I could think was since there aren’t too many rooms in this place, I wonder if I can get Merlin to put me and him in the same—” “Over my dead body,” bellowed Hort, who stuck his head out from around the corner. Hester glared back, demon twitching. “That can be arranged.” Hort muttered something obscene and vanished behind the wall. Hester saw Dot goggling at her. “What now?” “Did you just defend me?” “Only because you look so stupid in that crown,” Hester grumped. All the girls laughed, even Dot.
”
”
Soman Chainani (The Last Ever After (The School for Good and Evil, #3))
“
I looked back and forth between them, feeling the heat of their anger, the unspoken words swelling in the air like smoke. Jerry took a slow sip from his beer and lit another cigarette. "You don't know anything about that little girl," he told Nona. "You're just jealous because Cap belongs to her now."
I could see Nona's heartbeat flutter beneath her t-shirt, the cords tightening in her neck. "Her mommy and daddy might have paid for him," she whispered. "But he's mine."
I waited for Jerry to cave in to her, to apologize, to make things right between them. But he held her gaze, unwavering. "He's not."
Nona stubbed her cigarette out on the barn floor, then stood. "If you don't believe me," she whispered, "I'll show you."
My sister crossed the barn to Cap's stall and clicked her tongue at him. His gold head appeared in the doorway and Nona swung the stall door open. "Come on out." she told him.
Don't!" I said, but she didn't pause.
Cap took several steps forward until he was standing completely free in the barn. I jumped up, blocking the doorway so that he couldn't bolt. Jerry stood and widened himself beside me, stretching out his arms. "What the hell are you doing?" he asked.
Nona stood beside Cap's head and lifted her arms as though she was holding an invisible lead rope. When she began to walk, Cap moved alongside her, matching his pace to hers.
Whoa," Nona said quietly and Cap stopped. My sister made small noises with her tongue, whispering words we couldn't hear. Cap's ears twitched and his weight shifted as he adjusted his feet, setting up perfectly in showmanship form. Nona stepped back to present him to us, and Jerry and I dropped our arms to our sides.
Ta da!" she said, clapping her hands at her own accomplishment.
Very impressive," Jerry said in a low voice. "Now put the pony away."
Again, Nona lifted her hands as if holding a lead rope, and again, Cap followed. She stepped into him and he turned on his heel, then walked beside her through the barn and back into his stall. Once he was inside, Nona closed the door and held her hands out to us. She hadn't touched him once.
Now," she said evenly. "Tell me again what isn't mine."
Jerry sank back into his chair, cracking open a fresh beer. "If that horse was so important to you, maybe you shouldn't have left him behind to be sold off to strangers."
Nona's face constricted, her cheeks and neck darkening in splotches of red. "Alice, tell him," she whispered. "Tell him that Cap belongs to me."
Sheila Altman could practice for the rest of her life, and she would never be able to do what my sister had just done. Cap would never follow her blindly, never walk on water for her. But my eyes traveled sideways to Cap's stall where his embroidered halter hung from its hook. If the Altmans ever moved to a different town, they would take Cap with them. My sister would never see him again. It wouldn't matter what he would or wouldn't do for her.
My sister waited a moment for me to speak, and when I didn't, she burst into tears, her shoulders heaving, her mouth wrenching open. Jerry and I glanced at each other, startled by the sudden burst of emotion.
You can both go to hell," Nona hiccuped, and turned for the house. "Right straight to hell.
”
”
Aryn Kyle (The God of Animals)
“
Rowan didn’t speak as she turned on her heel and strode to the door. Didn’t speak as she opened it, exited, and shut it behind her with a gentle click. Then he swiveled in his chair and leveled Sean with a dark glare.
“What the hell just happened?”
“That’s called a strikeout,” Sean said with a grin. “I’ve never seen you crash and burn like that, my friend.”
“I know. Embarrassing is what it is. I mean, really.”
Rowan tangled his fingers through his hair. “You got a better response than I did.”
“Please, I got nothing, same as you.”
Rowan offered him a sheepish smile. “I know. But I felt the heat pulsing off you the moment she stepped into the office. Then I saw the fantasies you were weaving about her and decided to throw you a bone. So you want her, huh?”
Sean lost his grin but managed to shrug. “Doesn’t matter. Unless you picked up on her weaving fantasies about me?”
A sigh. “Sorry. Her mind was a blank slate to me. I didn’t pick up on a single thought, emotion, or desire. It’s like she operates on a completely different frequency than the rest of the world.”
She probably did, with all those wires and chips in her head.
“Still,” Rowan continued, “we can call Bill and tell him you’re the one who should be—”
“Nope.” The word burned his tongue, and he hated himself for saying it, but he didn’t take it back. Success was too important. “I don’t exactly inspire trust in the women I date. The opposite, in fact. Something about me makes people distrust every word and action.” His affiliation with the shadows, with darkness, most likely. They must have sensed it on some level. “You’re better at romancing and I’m better at killing.
”
”
Gena Showalter (The Bodyguard (Includes: T-FLAC, #14.5))
“
What did I do now?” He reluctantly pulled the car the curb.
I needed to get out of this car – like now. I couldn’t breathe.
I unbuckled and flung open the door.
“Thanks for the ride. Bye.”
I slammed the door shut and began down the sidewalk. Behind me, I heard the engine turn off and his door open and shut. I quickened my stride as James jogged up to me. I slowed down knowing I couldn’t escape his long legs anyway. Plus, I didn’t want to get home all sweaty and have to explain myself.
“What happened?” James asked, matching my pace.
“Leave me alone!” I snapped back. I felt his hand grab my elbow, halting me easily.
“Stop,” he ordered.
Damn it, he’s strong!
“What are you pissed about now?” He towered over me. I was trapped in front of him, if he tugged a bit, I’d be in his embrace.
“It’s so funny huh? I’m that bad? I’m a clown, I’m so funny!” I jerked my arm, trying to break free of his grip. “Let me go!”
“No!” He squeezed tighter, pulling me closer.
“Leave me alone!” I spit the words like venom, pulling my arm with all my might.
“What’s your problem?” James demanded loudly. His hand tightened on my arm with each attempt to pull away. My energy was dwindling and I was mentally exhausted. I stopped jerking my arm back, deciding it was pointless because he was too strong; there was no way I could pull my arm back without first kneeing him in the balls.
We were alone, standing in the dark of night in a neighborhood that didn’t see much traffic.
“Fireball?” he murmured softly.
“What?” I replied quietly, defeated.
Hesitantly, he asked, “Did I say something to make you sad?”
I wasn’t going to mention the boyfriend thing; there was no way.
“Yes,” I whimpered.
That’s just great, way to sound strong there, now he’ll have no reason not to pity you!
“I’m sorry,” came his quiet reply.
Well maybe ‘I’m sorry’ just isn’t good enough. The damage is already done!
“Whatever.”
“What can I do to make it all better?”
“There’s nothing you could–” I began but was interrupted by him pulling me against his body. His arms encircled my waist, holding me tight. My arms instinctively bent upwards, hands firmly planted against his solid chest. Any resentment I had swiftly melted away as something brand new took its place: pleasure.
Jesus!
“What do you think you’re doing?” I asked him softly; his face was only a few inches from mine.
“What do you think you’re doing?” James asked back, looking down at my hands on his chest. I slowly slid my arms up around his neck.
I can’t believe I just did that!
“That’s better.”
Our bodies were plastered against one another; I felt a new kind of nervousness touch every single inch of my body, it prickled electrically.
“James,” I murmured softly.
“Fireball,” he whispered back.
“What do you think you’re doing?” I repeated; my brain felt frozen. My heart had stopped beating a mile a minute instead issuing slow, heavy beats.
James uncurled one of his arms from my waist and trailed it along my back to the base of my neck, holding it firmly yet delicately. Blood rushed to the very spot he was holding, heat filled my eyes as I stared at him.
“What are you doing?” My bewilderment was audible in the hush.
I wasn’t sure I had the capacity to speak anymore. That function had fled along with the bitch. Her replacement was a delicate flower that yearned to be touched and taken care of. I felt his hand shift on my neck, ever so slightly, causing my head to tilt up to him. Slowly, inch by inch, his face descended on mine, stopping just a breath away from my trembling lips.
I wanted it. Badly. My lips parted a fraction, letting a thread of air escape.
“Can I?” His breath was warm on my lips.
Fuck it!
“Yeah,” I whispered back. He closed the distance until his lush lips covered mine.
My first kiss…damn!
His lips moved softly over mine. I felt his grip on my neck squeeze as his lips pressed deeper into
”
”
Sarah Tork (Young Annabelle (Y.A #1))
“
Jude never loved Locke.” My face feels hot, but my shame
is an excellent cover to hide behind. “She loved someone else.
He’s the one she’d want dead.”
I am pleased to see Cardan flinch. “Enough,” he says before
I can go on. “I have heard all I care to on this subject—”
“No!” Nicasia interrupts, causing everyone under the hill to
stir a little. It is immense presumption to interrupt the High
King. Even for a princess. Especially for an ambassador. A
moment after she speaks, she seems to realize it, but she goes
on anyway. “Taryn could have a charm on her, something that
makes her resistant to glamours.”
Cardan gives Nicasia a scathing look. He does not like her
undermining his authority. And yet, after a moment, his anger
gives way to something else. He gives me one of his most
awful smiles. “I suppose she’ll have to be searched.”
Nicasia’s mouth curves to match his. It feels like being back
at lessons on the palace grounds, conspired against by the
children of the Gentry.
I recall the more recent humiliation of being crowned the
Queen of Mirth, stripped in front of revelers. If they take my
gown now, they will see the bandages on my arms, the fresh
slashes on my skin for which I have no good explanation.
They will guess I am not Taryn.
I can’t let that happen. I summon all the dignity I can
muster, trying to imitate my stepmother, Oriana, and the way
she projects authority. “My husband was murdered,” I say.
“And whether or not you believe me, I do mourn him. I will
not make a spectacle of myself for the Court’s amusement
when his body is barely cold.”
Unfortunately, the High King’s smile only grows. “As you
wish. Then I suppose I will have to examine you alone in my
chambers.
”
”
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
“
There are human boys here somewhere?” Zoey asked.
Aurox’s face scrunched up as he frowned at her. “Not here. Outside—out there. ” He pointed in the general direction of the door to the field house behind them.
“Outside the field house!” she almost yelled.
“Zo, sometimes I think you don’t listen so good,” Aurox said. Still frowning at her, he continued speaking slowly, as if trying to get her to understand a foreign language.
“Two boys. Outside the wall. With the keg. And cups. They. Want. Hot. Vampyre. Chicks.”
“Okay, I think I get it.” Stark grabbed Aurox’s arm and started to drag him toward the door and away from Z
before she went for his throat, although that would have been funny as hell. “You found two kids, with beer, trying to get over the wall, right?”
“See, you listen better.” Aurox patted him on the back, almost knocking Stark over. “But they’re just looking through the hole for vampyre pussy, not trying to get over the wall.”
“If you say pussy one more time I’m going to smack the crap out of you,” Zoey said, coming after them.
“You can’t come!” Aurox stumbled to a stop. “You have legs and tits!”
“Oh. My. Goddess. I’m going to kill him!” Stark stepped between the two of them. He faced Zoey.
She’d gone from pale to bright red in zero-point-nothing seconds. “Z, I think this is something that a Warrior needs to handle.”
Behind him, Aurox belched, sending a wave of beer air wafting over them.
Zoey narrowed her eyes and pointed at Aurox. “You have never been able to drink!” Then she spun around and stomped back to the basement entrance, slamming the door behind her.
“She seems mad. Should we bring her a beer?” Aurox said.
Stark covered his laugh with a cough. “Ur, no. Z doesn’t like beer.”
“Doesn’t like beer? She should. It would make her head feel bubbly and happy.”
Stark didn’t bother to cover his laugh a second time. “I wish it worked that way with her, but it doesn’t.”
“Because she has legs and tits?”
Stark knew it was wrong, but he couldn’t stop himself.
“I’m not sure. Maybe you should ask her next time you see her.”
Aurox nodded, looking as serious as a drunk could look. “I will.”
“That should be fun. But until then, show me where these humans are, and while we’re going there, start back at the beginning and tell me exactly what happened before and after you were introduced to the red Solo cup.
”
”
Kristin Cast (Revealed (House of Night, #11))
“
I’ll start in the air,” I said, far more steadily than I thought I could, considering. I knelt to tie the shirt around his thigh, cinching it tight above the wound; he stiffened but let me finish the knot. “The air first, the airship, and then-then I’ll dive.”
“You can’t swim,” broke in Armand. “You told me that you can’t.”
“Maybe I can now. If I’m a dragon.”
“Don’t be an idiot! If you can’t swim, you can’t swim, Eleanore! You’ll drown out there, and what the bloody hell do you think you’re going to do anyway to a U-boat? Bite it open?”
I stood again. “Yes! If I must! I don’t hear you coming up with a better-“
“You’ll die out there!”
“Or we’ll all die here!”
“We’re going to find another way!”
“You two work on that. I’m off.” I fixed them both with one last, vehement look, the Turn rising inside me.
Remember this. Remember them, this moment, this heartbreak, these two boys. Remember that they loved you.
Armand had reached for my shoulders. “I forbid-Eleanore, please, no-“
“No,” echoed Jesse, speaking at last. “You’re not going after the submarine, Lora. You won’t need to.”
Armand and I paused together, glancing down at him. I stood practically on tiptoe, so ready to become my other self.
Jesse climbed clumsily to his feet. When he swayed, we both lunged to catch him.
“Armand will take me to the shore. I’ll handle the U-boat.”
“How?” demanded Armand at once.
But I understood. I could read him so well now, Jesse-of-the-stars. I understood what he meant to do, and what it would cost him.
I felt myself shaking my head. Above us, the airship propellers thumped louder and louder.
“Yes,” said Jesse, smiling his lovely smile at me. “I already sense your agreement. Death and the Elemental were stronger joined than apart, remember? This is our joining. Don’t waste any more time quarreling with me about it. That’s not your way.” He leaned down to me, a hand tangled in my hair. His mouth pressed to mine, and for the first time ever I didn’t feel bliss at his touch.
I felt misery.
“Go on, Lora-of-the-moon,” he murmured against my lips. “You’re going to save us. I know you will.”
I glared past him to the harsh, baffled face of Armand. “Will you help him? Do you swear it?”
“I-yes, I will. I do.”
I disentangled Jesse’s hand, kissed it, stepped back, and let the Turn consume me, smoke rising and rising, leaving the castle and all I loved behind me for the wild open sky.
”
”
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
“
Suddenly with a single bound he leaped into the room. Winning a way past us before any of us could raise a hand to stay him. There was something so pantherlike in the movement, something so unhuman, that it seemed to sober us all from the shock of his coming. The first to act was Harker, who with a quick movement, threw himself before the door leading into the room in the front of the house. As the Count saw us, a horrible sort of snarl passed over his face, showing the eyeteeth long and pointed. But the evil smile as quickly passed into a cold stare of lion-like disdain. His expression again changed as, with a single impulse, we all advanced upon him. It was a pity that we had not some better organized plan of attack, for even at the moment I wondered what we were to do. I did not myself know whether our lethal weapons would avail us anything. Harker evidently meant to try the matter, for he had ready his great Kukri knife and made a fierce and sudden cut at him. The blow was a powerful one; only the diabolical quickness of the Count's leap back saved him. A second less and the trenchant blade had shorn through his heart. As it was, the point just cut the cloth of his coat, making a wide gap whence a bundle of bank notes and a stream of gold fell out. The expression of the Count's face was so hellish, that for a moment I feared for Harker, though I saw him throw the terrible knife aloft again for another stroke. Instinctively I moved forward with a protective impulse, holding the Crucifix and Wafer in my left hand. I felt a mighty power fly along my arm, and it was without surprise that I saw the monster cower back before a similar movement made spontaneously by each one of us. It would be impossible to describe the expression of hate and baffled malignity, of anger and hellish rage, which came over the Count's face. His waxen hue became greenish-yellow by the contrast of his burning eyes, and the red scar on the forehead showed on the pallid skin like a palpitating wound. The next instant, with a sinuous dive he swept under Harker's arm, ere his blow could fall, and grasping a handful of the money from the floor, dashed across the room, threw himself at the window. Amid the crash and glitter of the falling glass, he tumbled into the flagged area below. Through the sound of the shivering glass I could hear the "ting" of the gold, as some of the sovereigns fell on the flagging. We ran over and saw him spring unhurt from the ground. He, rushing up the steps, crossed the flagged yard, and pushed open the stable door. There he turned and spoke to us. "You think to baffle me, you with your pale faces all in a row, like sheep in a butcher's. You shall be sorry yet, each one of you! You think you have left me without a place to rest, but I have more. My revenge is just begun! I spread it over centuries, and time is on my side. Your girls that you all love are mine already. And through them you and others shall yet be mine, my creatures, to do my bidding and to be my jackals when I want to feed. Bah!" With a contemptuous sneer, he passed quickly through the door, and we heard the rusty bolt creak as he fastened it behind him. A door beyond opened and shut. The first of us to speak was the Professor. Realizing the difficulty of following him through the stable, we moved toward the hall. "We have learnt something… much! Notwithstanding his brave words, he fears us. He fears time, he fears want! For if not, why he hurry so? His very tone betray him, or my ears deceive. Why take that money? You follow quick. You are hunters of the wild beast, and understand it so. For me, I make sure that nothing here may be of use to him, if so that he returns.
”
”
Bram Stoker (Dracula)
“
Girls, I was dead and down
in the Underworld, a shade,
a shadow of my former self, nowhen.
It was a place where language stopped,
a black full stop, a black hole
Where the words had to come to an end.
And end they did there,
last words,
famous or not.
It suited me down to the ground.
So imagine me there,
unavailable,
out of this world,
then picture my face in that place
of Eternal Repose,
in the one place you’d think a girl would be safe
from the kind of a man
who follows her round
writing poems,
hovers about
while she reads them,
calls her His Muse,
and once sulked for a night and a day
because she remarked on his weakness for abstract nouns.
Just picture my face
when I heard -
Ye Gods -
a familiar knock-knock at Death’s door.
Him.
Big O.
Larger than life.
With his lyre
and a poem to pitch, with me as the prize.
Things were different back then.
For the men, verse-wise,
Big O was the boy. Legendary.
The blurb on the back of his books claimed
that animals,
aardvark to zebra,
flocked to his side when he sang,
fish leapt in their shoals
at the sound of his voice,
even the mute, sullen stones at his feet
wept wee, silver tears.
Bollocks. (I’d done all the typing myself,
I should know.)
And given my time all over again,
rest assured that I’d rather speak for myself
than be Dearest, Beloved, Dark Lady, White Goddess etc., etc.
In fact girls, I’d rather be dead.
But the Gods are like publishers,
usually male,
and what you doubtless know of my tale
is the deal.
Orpheus strutted his stuff.
The bloodless ghosts were in tears.
Sisyphus sat on his rock for the first time in years.
Tantalus was permitted a couple of beers.
The woman in question could scarcely believe her ears.
Like it or not,
I must follow him back to our life -
Eurydice, Orpheus’ wife -
to be trapped in his images, metaphors, similes,
octaves and sextets, quatrains and couplets,
elegies, limericks, villanelles,
histories, myths…
He’d been told that he mustn’t look back
or turn round,
but walk steadily upwards,
myself right behind him,
out of the Underworld
into the upper air that for me was the past.
He’d been warned
that one look would lose me
for ever and ever.
So we walked, we walked.
Nobody talked.
Girls, forget what you’ve read.
It happened like this -
I did everything in my power
to make him look back.
What did I have to do, I said,
to make him see we were through?
I was dead. Deceased.
I was Resting in Peace. Passé. Late.
Past my sell-by date…
I stretched out my hand
to touch him once
on the back of the neck.
Please let me stay.
But already the light had saddened from purple to grey.
It was an uphill schlep
from death to life
and with every step
I willed him to turn.
I was thinking of filching the poem
out of his cloak,
when inspiration finally struck.
I stopped, thrilled.
He was a yard in front.
My voice shook when I spoke -
Orpheus, your poem’s a masterpiece.
I’d love to hear it again…
He was smiling modestly,
when he turned,
when he turned and he looked at me.
What else?
I noticed he hadn’t shaved.
I waved once and was gone.
The dead are so talented.
The living walk by the edge of a vast lake
near, the wise, drowned silence of the dead.
”
”
Carol Ann Duffy (The World's Wife)
“
Tell me, could you love me?' he asks, seemingly out of nowhere.
'Of course.' I laugh, not sure of the answer I am supposed to give. But the question is so oddly phrased that I can hardly deny him. I love my parents' murderer; I suppose I could love anyone. I'd like to love him.
'I wonder,' he says. 'What would you do for me?'
'I don't know what you mean.' This riddling figure with flinty eyes isn't the Locke who stood on the rooftop of his estate and spoke so gently to me or who chased me, laughing, through its halls. I am not quite sure who this Locke is, but he has put me entirely off balance.
'Would you forswear a promise for me?' He is smiling at me as though he's teasing.
'What promise?' He sweeps me around him, my leather slippers pirouetting over the packed earth. In the distance, a piper begins to play.
'Any promise,' he says lightly, although it is no light thing he is asking.
'I guess it depends,' I say, because the real answer, a flat no, isn't what anyone wants to hear.
'Do you love me enough to give me up?' I am sure my expression is stricken. He leans closer. 'Isn't that a test of love?'
'I- I don't know,' I say. All this must be leading up to some declaration on his part, either of affection or of a lack of it.
'Do you love me enough to weep over me?' The words are spoken against my neck. I can feel his breath, making the tiny hairs stand up, making me shudder with an odd combination of desire and discomfort.
'You mean if you were hurt?'
'I mean if I hurt you.'
My skin prickles. I don't like this. But at least I know what to say. 'If you hurt me, I wouldn't cry. I would hurt you back.'
His step falters as we sweep over the floor. 'I'm sure you'd-'
And then he breaks off speaking, looking behind him. I can barely think. My face is hot. I dread what he will say next.
'Time to change partners,' a voice says, and I look to see that it's the worst possible person: Cardan. 'Oh,' he says to Locke. 'Did I steal your line?
”
”
Holly Black (The Cruel Prince (The Folk of the Air, #1))
“
She sat and watched the dockhand when it was sunny and she sat and watched him when it rained. Or when it was foggy, which is what it was nearly every morning at eight o’clock. This morning was none of the above. This morning was cold. The pier smelled of fresh water and of fish. The seagulls screeched overhead, a man’s voice shouted. Where is my brother to help me, my sister, my mother? Pasha, help me, hide in the woods where I know I can find you. Dasha, look what’s happened. Do you even see? Mama, Mama. I want my mother. Where is my family to ask things of me, to weigh on me, to intrude on me, to never let me be silent or alone, where are they to help me through this? Deda, what do I do? I don’t know what to do. This morning the dockhand did not go over to see his friend at the next pier for a smoke and a coffee. Instead, he walked across the road and sat next to her on the bench. This surprised her. But she said nothing, she just wrapped her white nurse’s coat tighter around herself, and fixed the kerchief covering her hair. In Swedish he said to her, “My name is Sven. What’s your name?” After a longish pause, she replied. “Tatiana. I don’t speak Swedish.” In English he said to her, “Do you want a cigarette?” “No,” she replied, also in English. She thought of telling him she spoke little English. She was sure he didn’t speak Russian. He asked her if he could get her a coffee, or something warm to throw over her shoulders. No and no. She did not look at him. Sven was silent a moment. “You want to get on my barge, don’t you?” he asked. “Come. I will take you.” He took her by her arm. Tatiana didn’t move. “I can see you have left something behind,” he said, pulling on her gently. “Go and retrieve it.” Tatiana did not move. “Take my cigarette, take my coffee, or get on my barge. I won’t even turn away. You don’t have to sneak past me. I would have let you on the first time you came. All you had to do was ask. You want to go to Helsinki? Fine. I know you’re not Finnish.” Sven paused. “But you are very pregnant. Two months ago it would have been easier for you. But you need to go back or go forward. How long do you plan to sit here and watch my back?” Tatiana stared into the Baltic Sea. “If I knew, would I be sitting here?” “Don’t sit here anymore. Come,” said the longshoreman. She shook her head. “Where is your husband? Where is the father of your baby?” “Dead in the Soviet Union,” Tatiana breathed out. “Ah, you’re from the Soviet Union.” He nodded. “You’ve escaped somehow? Well, you’re here, so stay. Stay in Sweden. Go to the consulate, get yourself refugee protection. We have hundreds of people getting through from Denmark. Go to the consulate.” Tatiana shook her head. “You’re going to have that baby soon,” Sven said. “Go back, or move forward.” Tatiana’s hands went around her belly. Her eyes glazed over. The dockhand patted her gently and stood up. “What will it be? You want to go back to the Soviet Union? Why?” Tatiana did not reply. How to tell him her soul had been left there? “If you go back, what happens to you?” “I die most likely,” she barely whispered. “If you go forward, what happens to you?” “I live most likely.” He clapped his hands. “What kind of a choice is that? You must go forward.” “Yes,” said Tatiana, “but how do I live like this? Look at me. You think, if I could, I wouldn’t?” “So you’re here in the Stockholm purgatory, watching me move my paper day in and day out, watching me smoke, watching me. What are you going to do? Sit with your baby on the bench? Is that what you want?” Tatiana was silent. The first time she laid eyes on him she was sitting on a bench, eating ice cream. “Go forward.” “I don’t have it in me.” He nodded. “You have it. It’s just covered up. For you it’s winter.” He smiled. “Don’t worry. Summer’s here. The ice will melt.” Tatiana struggled up from the bench. Walking away, she said in Russian, “It’s not the ice anymore, my seagoing philosopher. It’s the pyre.
”
”
Paullina Simons (Tatiana and Alexander (The Bronze Horseman, #2))
“
What do we have here?” Grant slurs at me. He seems different and it raises flags in my mind. His fingers wrap around a section of my hair and it scares me. His face is flushed red and his eyes are glassy and bright. I can smell the smoky scent of whiskey or scotch rolling off his tongue as he speaks and breathes heavily.
“I’m lost and I need a ride home.” My voice wavers as I speak and I hate it. I fist my hands in the hem of my blazer.
“I’ll get Albert for you, but first spend some time with me,” he slurs again, sounding like his tongue is too large for his mouth. As if sensing my attention, the tip of his tongue sneaks out and slides along his supple bottom lip. He smiles as he tastes the alcohol that’s staining his mouth. His eyes are bright and shiny and glazed over. He has a smirk on his face that shows off his dimple. It no longer reminds me of Whitt. It seems sinister and dangerous- promising something I’m not ready to experience.
The feel of his fingers playing with my hair gives me goosebumps and I shiver as my scalp tightens, sucking up the pleasant attention. I do my first stupid-girl moment of my life. I shameless crush on a guy and let it turn my thoughts to mush.
“Okay, if you promise to call Albert first.” I try to negotiate with him and he gives me a naughty smirk for agreeing.
He backs me up with his physical presence. His front touches mine- chest-to-chest. His lips part and breathes the smoky, whiskey scent onto my chin. My back hits the door behind me with an audible thump. He reaches around me and I don’t wince. I anticipate him touching me and crave it. Instead, his hand twists the doorknob by my hip and I fall backwards.
I’m pushed into a dark room until my legs connect with the edge of a bed. I can’t see anything, and the only sound is our combined breathing. I feel alive with caution. I’m aware of every hair, every nerve on my flesh. My senses are so in-tuned that I can feel my system pumping the blood through my veins nourishing my whole body.
”
”
Erica Chilson (Jaded (Mistress & Master of Restraint, #5))
“
But how…how am I a dragon? How are you a starman?”
“I don’t think of myself as a starman, exactly,” he said soberly, though I sensed he wanted to smile. His hand released mine, the bridge broken; he moved to hang the lantern on a shiny new hook dug into the wall behind us. “I was born here, on earth. Not even far from here, in fact. Just over in Devon. My parents died young, when I was only five. Hastings is my great-uncle and he took me in, and I’ve lived here ever since. But I’ve always known what I am, as far back as I can remember. I’ve always been able to do the things I do. The stars have always spoken to me.”
“And you…speak back to them?”
“Yes,” he said simply.
“But not to people.”
“No. Just to Hastings, and to you.”
A shiver took me; I crossed my arms over my chest. “What do the stars say?”
“All manner of things. Amazing things. Secret things. Things great and small, things profound and insignificant. They told me that, throughout time, there’ve been only a scattering of people like me, folk of both flesh and star. That even the whisper of their magic in my blood could annihilate me if I didn’t learn to control it. That I’d crisp to ash without control. Or, worse, crisp someone else.” His smile broke through. “And they told me about you. That you were born and would come to me when the time was right.”
“Did you summon me here?” The muted echo of my voice rebounded against the firefly walls: here-here-here. “To Iverson, I mean?”
…mean-mean-mean…
He didn’t answer at first. He looked at his feet, then walked to the edge of the embankment and squatted down, raking his fingers through the bright water near the toes of his boots.
“We are such stuff as dreams are made on,” he said softly to the water. “Both infinite and finite, human and not. I’m of comet and clay and the sparks of sun across the ocean waves.” He sighed. “I know what it’s like to doubt yourself, to comprehend that you’re so unique you’re forced to wonder about…everything. But, yes, I called you to Iverson.
”
”
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
“
When we pull back into the castle courtyard, James is waiting. And he does not look happy. Actually he looks like a blond Hulk . . . right before he goes smash. Sarah sees it too.
“He’s miffed.”
“Yep.”
We get out of the car and she turns so fast there’s a breeze. “I should go find Penny. ’Bye.”
I call after her. “Chicken!”
She just waves her hand over her shoulder.
Slowly, I approach him. Like an explorer, deep in the jungles of the Amazon, making first contact with a tribe that has never seen the outside world. And I hold out my peace offering.
It’s a Mega Pounder with cheese.
“I got you a burger.”
James snatches it from my hand angrily. But . . . he doesn’t throw it away.
He turns to one of the men behind him. “Mick, bring it here.”
Mick—a big, truck-size bloke—brings him a brown paper bag. And James’s cold blue eyes turn back to me.
“After speaking with your former security team, I had an audience with Her Majesty the Queen last year when you were named heir. Given your history of slipping your detail, I asked her permission to ensure your safety by any means necessary, including this.”
He reaches into the bag and pulls out a children’s leash—the type you see on ankle-biters at amusement parks, with a deranged-looking monkey sticking its head out of a backpack, his mouth wide and gaping, like he’s about to eat whoever’s wearing it.
And James smiles. “Queen Lenora said yes.”
I suspected Granny didn’t like me anymore; now I’m certain of it.
“If I have to,” James warns, “I’ll connect this to you and the other end to old Mick here.”
Mick doesn’t look any happier about the fucking prospect than I am.
“I don’t want to do that, but . . .” He shrugs, no further explanation needed. “So the next time you feel like ditching? Remember the monkey, Your Grace.”
He puts the revolting thing back in its bag. And I wonder if fire would kill it.
“Are we good, Prince Henry?” James asks.
I respect a man willing to go balls-to-the-wall for his job. I don’t like the monkey . . . but I respect it.
I flash him the okay sign with my fingers.
“Golden.
”
”
Emma Chase (Royally Matched (Royally, #2))
“
Torin began to fold the plaid, in the same way he liked to fold his own. He brought it behind her, then across her chest before cinching it in place at her right shoulder.
Yes, he thought. It was perfect on her.
He stepped back to regard Mirin’s handiwork. Sidra glanced down at it, and she still appeared confused until Torin laid his palm over her chest, where the plaid now granted her protection. He could feel the enchantment within the pattern, holding firm, like steel. He touched the place she had been kicked, where her bruises had been slow to heal, as if her heart had shattered beneath her skin and bones.
She understood now.
She gasped and glanced up at him. Again, he wished that he could speak to her. Their last conversation still rattled in his mind, and he didn’t like the distance that had come between them.
Let my secret guard your heart, he thought.
“Thank you,” Sidra whispered, as if she had heard him.
It renewed his hope, and he sat at the table before his knees gave out. His gaze snagged on a pie, whose center had been eaten away in a perfect circle, the spoon still in the dish. He pointed to the gaping hole, brow arched.
Sidra smiled. “The middle is the best part.”
No, the crust is. He shook his head, reaching for the spoon to eat the crisp places she had left behind.
He was halfway done when there came a bark, followed by a knock on the open door.
”
”
Rebecca Ross (A River Enchanted (Elements of Cadence, #1))
“
Behind her, the door to the stairwell opens, and Tobias steps out with Marcus and Caleb behind him, because I have trained myself to notice him. I watch his shoes as he comes closer. They are black sneakers with chrome eyelets for the laces. They stop right next to me, and he crouches by my shoulder.
I look at him, expecting to find his eyes cold and unyielding.
But I don’t.
Evelyn is still talking, but her voice fades for me.
“You were right,” Tobias says quietly, balancing on the balls of his feet. He smiles a little. “I do know who you are. I just needed to be reminded.”
I open my mouth, but I don’t have anything to say.
Then all the screens in the Erudite lobby--at least those that weren’t destroyed in the attack--flicker on, including a projector positioned over the wall where Jeanine’s portrait used to be.
Evelyn stops in the middle of whatever sentence she was speaking. Tobias takes my hand and helps me to my feet.
“What is this?” Evelyn demands.
“This,” he says, only to me, “is the information that will change everything.”
My legs shake with relief and apprehension.
“You did it?” I say.
“You did it,” he says. “All I did was force Caleb to cooperate.”
I throw my arm around his neck, and press my lips to his. He holds my face in both hands and kisses me back. I press into the distance between us until it is gone, crushing the secrets we have kept and the suspicions we have harbored--for good, I hope.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
They passed each other at the door, she going out, and he returning from work. Unselfconsciously she put one hand up to his left cheek and, in passing, kissed him on the other.
He was astonished, and, by the time that she reached the entrance to the yard, so wass she, because it was not until then that she suddenly realized what she had done. She stopped dead, as though having walked straight into a metaphysical but palpable stone wall. She felt her blood rising to the roots of her hair, and realised that she did not dare look back at him. Undoubtedly he too would be rooted to the spot. She could almost feel his eyes travelling from her feet to her head, finally settling upon the back of her head in the expectation that she would turn around. He called out, as she knew he would, 'Kyria Pelagia.'
'What?' she demanded curtly, as though an effort to be short with him could cancel out the hideously simple way in which she had betrayed her affection without even thinking about it.
'What's for dinner?'
'Don't tease me.'
'Would I tease you?'
'Don't make anything of it. I thought you were my father. I always kiss him like that when he comes in.'
'Very understandable. We are both old and small.'
'If you are going to tease me, I shall never speak to you again.'
He came up behind her and around her, and threw himself upon his knees before her. 'O no,' he cried, 'anything but that.' He bowed his head to the ground and moaned piteously, 'Have mercy. Shoot me, flog me, but don't say you'll never speak to me.' He grasped her abou the knees and pretended to weep.
'The whole village is looking,' she protested, 'stop it at once. You are so embarrassing, get off me.'
'My heart is broken,' he wailed, and he grasped her hand and began to smatter it with kisses.
'Stupid goat, you are deranged.'
'I am tormented, I am burning, I am broken into pieces, my eyes spout forth with tears.' He leaned back and gestured poetically with his fingers to portray the extraordinary cascade of invisible tears that he intended her to envisage. 'Don't laugh at me,' he continued, having struck upon a new tack. 'O, light of my eyes, do not mock poor Antonio in his affliction.'
'Are you drunk again?'
'Drunk with sorrow, drunk with agony. Speak to me.'
'Did your battery win another football match?
”
”
Louis de Bernières (Corelli’s Mandolin)
“
Matt’s housekeeper let him in with a grimace.
“I’m harmless today,” Tate assured the woman as she led the way to where Matt Holden was standing just outside the study door.
“Right. You and two odd species of cobra,” Matt murmured sarcastically, glaring at his son from a tanned face. “What do you want, a bruise to match the other one?”
Tate held up both hands. “Don’t start,” he said.
Matt moved out of the way with reluctance and closed the study door behind them. “Your mother’s gone shopping,” he said.
“Good. I don’t want to talk to her just yet.”
Matt’s eyebrows levered up. “Oh?”
Tate dropped into the wing chair across from the senator’s bulky armchair. “I need some advice.”
Matt felt his forehead. “I didn’t think a single malt whiskey was enough to make me hallucinate,” he said to himself.
Tate glowered at him. “You’re not one of my favorite people, but you know Cecily a little better than I seem to lately.”
“Cecily loves you,” Matt said shortly, dropping into his chair.
“That’s not the problem,” Tate said. He leaned forward, his hands clasped loosely between his splayed knees. “Although I seem to have done everything in my power to make her stop.”
The older man didn’t speak for a minute or two. “Love doesn’t die that easily,” he said. “Your mother and I are a case in point. We hadn’t seen each other for thirty-six years, but the instant we met again, the years fell away. We were young again, in love again.”
“I can’t wait thirty-six years,” Tate stated. He stared at his hands, then he drew in a long breath. “Cecily’s pregnant.”
The other man was quiet for so long that Tate lifted his eyes, only to be met with barely contained rage in the older man’s face.
“Is it yours?” Matt asked curtly.
Tate glowered at him. “What kind of woman do you think Cecily is? Of course it’s mine!”
Matt chuckled. He leaned back in the easy chair and indulged the need to look at his son, to find all the differences and all the similarities in that younger version of his face. It pleased him to find so many familiar things.
“We look alike,” Tate said, reading the intent scrutiny he was getting. “Funny that I never noticed that before.”
Matt smiled. “We didn’t get along very well.”
“Both too stubborn and inflexible,” Tate pointed out.
“And arrogant.”
Tate chuckled dryly. “Maybe.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
A few silent moments later, Peter tells me it’s time to go. He barely looks at me, scowls at the back wall instead. I suppose it would have been too much to ask, to see a friendly face this morning. I stand, and together we walk down the hallway.
My toes are cold. My feet stick to the tiles. We turn a corner, and I hear muffled shouts. At first I can’t tell what the voice is saying, but as we draw closer, it takes shape.
“I want to…her!” Tobias. “I…see her!”
I glance at Peter. “I can’t speak to him one last time, can I?”
Peter shakes his head. “There’s a window, though. Maybe if he sees you he’ll finally shut up.”
He takes me down a dead-end corridor that’s only six feet long. At the end is a door, and Peter is right, there’s a small window near the top, about a foot above my head.
“Tris!” Tobias’s voice is even clearer here. “I want to see her!”
I reach up and press my palm to the glass. The shouts stop, and his face appears behind the glass. His eyes are red; his face, blotchy. Handsome. He stares down at me for a few seconds and then presses his hand to the glass so it lines up with mine. I pretend I can feel the warmth of it through the window.
He leans his forehead against the door and squeezes his eyes shut.
I take my hand down and turn away before he can open his eyes. I feel pain in my chest, worse than when I got shot in the shoulder. I clutch the front of my shirt, blink away tears, and rejoin Peter in the main hallway.
“Thank you,” I say quietly. I meant to say it louder.
“Whatever.” Peter scowls again. “Let’s just go.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
hot and close. The walls were hung with deep-dyed tapestries and old weapons kept gleaming by servants. Achilles walked past them and knelt at his father’s feet. “Father, I come to ask your pardon.” “Oh?” Peleus lifted an eyebrow. “Speak then.” From where I stood his face looked cold and displeased. I was suddenly fearful. We had interrupted; Achilles had not even knocked. “I have taken Patroclus from his drills.” My name sounded strange on his lips; I almost did not recognize it. The old king’s brows drew together. “Who?” “Menoitiades,” Achilles said. Menoitius’ son. “Ah.” Peleus’ gaze followed the carpet back to where I stood, trying not to fidget. “Yes, the boy the arms-master wants to whip.” “Yes. But it is not his fault. I forgot to say I wished him for a companion.” Therapon was the word he used. A brother-in-arms sworn to a prince by blood oaths and love. In war, these men were his honor guard; in peace, his closest advisers. It was a place of highest esteem, another reason the boys swarmed Peleus’ son, showing off; they hoped to be chosen. Peleus’ eyes narrowed. “Come here, Patroclus.” The carpet was thick beneath my feet. I knelt a little behind Achilles. I could feel the king’s gaze on me. “For many years now, Achilles, I have urged companions on you and you have turned them away. Why this boy?” The question might have been my own. I had nothing to offer such a prince. Why, then, had he made a charity case of me? Peleus and I both waited for his answer. “He is surprising.” I looked up, frowning. If he thought so, he was the only one. “Surprising,” Peleus echoed. “Yes.” Achilles explained no further, though I hoped he would. Peleus rubbed his nose in thought. “The boy is an exile with a stain upon him. He will add no luster to your reputation.” “I do not need him to,” Achilles said. Not proudly or boastfully. Honestly. Peleus acknowledged this. “Yet other boys will be envious that you have chosen such a one. What will you tell them?” “I will tell them nothing.” The answer came with no hesitation, clear and crisp. “It is not for them to say what I will do.” I found my pulse beating thickly in my veins, fearing Peleus’ anger. It did not come. Father and son met each other’s gaze, and the faintest touch of amusement bloomed at the corner of Peleus’ mouth. “Stand up, both of you.” I did so, dizzily. “I pronounce your sentence. Achilles, you
”
”
Madeline Miller (The Song of Achilles)
“
PANOTII LOOKS PUT OUT ABOUT BEING LEFT BEHIND AND dogs my steps as I stow his tack under the deep overhang on the south side of the wizard’s hovel. There’s plenty of grass here, water at the lake, and it’s not that cold yet, despite the shift in seasons. If the rains start before we get back, the horses can take shelter under the overhang. I’m not worried about them wandering off. Not one of them has stepped outside of the large makeshift corral of God Bolt pits since we got here.
“You can’t come with us,” I tell him. “It’ll be cold and slippery. And big monsters will want to eat you.” He tosses his head, snorting. “Really big monsters. There might be Dragons. And the Hydra. And I can’t vouch for the friendliness of the Ipotane toward regular horses.” I blow gently into his nose. Panotii chuffs back. “You’ll be safe here, and if anyone tries to steal you, Grandpa Zeus will throw down a thunderbolt. Boom! No more horse thief.”
“Zeus may have better things to do than babysit our horses,” Flynn says, stowing his own equine gear next to mine.
I glance northward toward the Gods’ mountain home and speak loudly. “In that case, I’m announcing right now that I’ll make an Olympian stink if anything happens to my horse.” Flynn looks nervous and moves away from me like he’s expecting a God Bolt to come thundering down.
“She’s not kidding.” Sunlight glints off Griffin’s windblown hair. Thick black stubble darkens his jaw. He flashes me a smile that brings out the slight hook in his nose, and something tightens in my belly.
I turn back to Panotii and scratch under his jaw. “You’re in charge here.” His enormous ears flick my way. “You keep the others in line.” Panotii nods. I swear to the Gods, my horse nods.
Brown Horse raises his head and pins me with a gimlet stare. I roll my eyes. “Fine. You can help. You’re both in charge.” Apparently satisfied, Griffin’s horse goes back to grazing, shearing the grass around him with neat, organized efficiency. Griffin and Brown Horse were made for each other.
Panotii shoves his nose into my shoulder, knocking me back a step. Taking a handful of his chestnut mane, I stretch up on my toes to whisper into one of his donkey ears. “Seriously, you’re in charge. I’ll bet you can even rhyme.”
Carver and Kato chuckle as they walk past. Griffin bands his arms around my waist from behind, surprising me. “I heard that.
”
”
Amanda Bouchet (Breath of Fire (Kingmaker Chronicles, #2))
“
She canted her wings and soared toward the top of it, where she could see a never-ending line of trees tossing violently in the wind. The hurricane made one more effort to throw her back into the sea, but she fought with her last reserves until she felt earth beneath her talons. She collapsed forward, clutching the wet soil for a moment, grateful to be alive. Keep going. They’re not safe yet. Clearsight pushed herself up and faced the trees. They were coming. The first two dragons she would meet in this strange new world. What would it be like to face unfamiliar tribes, completely different from the ones she knew? There wouldn’t be any NightWings like her here. No sand dragons, no sea dragons, no ice dragons. She’d glimpsed what these new dragons would look like, but she didn’t know anything yet about their tribes . . . or whether they would trust her. They stepped out of the trees, eyeing her with wary curiosity. Oh, they’re beautiful, she thought. One was dark forest green, the color of the trees all around them. His wings curved gracefully like long leaves on either side of him, and mahogany-brown underscales glinted from his chest. But it was the other who took Clearsight’s breath away. His scales were iridescent gold layered over metallic rose and blue, shimmering through the rain. He outshone even the RainWings she’d occasionally seen in the marketplace, and those were the most beautiful dragons in Pyrrhia. Not only that, but his wings were startlingly weird. There were four of them instead of two; a second pair at the back overlapped the front ones, tilting and dipping at slightly different angles from the first pair to give the dragon extra agility in the air. Like dragonflies, she realized, remembering the delicate insects darting across the ponds in the mountain meadows. Or butterflies, or beetles. She sat up and spread her front talons to show that she was harmless. “Hello,” she said in her very least threatening voice. The green one circled her slowly. The iridescent one sat down and gave her a small smile. She smiled back, although her heart was pounding. She knew she had to wait for them to make the first move. “Leefromichou?” said the green dragon finally, in a deep, calm voice. “Wayroot?” Take a breath. You knew it would be like this at first. “My name is Clearsight,” she said, touching her forehead. “I am from far over the sea.” She pointed at the churning ocean stretching way off to the east behind her. “Anyone speak Dragon?
”
”
Tui T. Sutherland (Darkstalker (Wings of Fire: Legends, #1))
“
My, my,” Chloe murmured, studying the chocolate she held. “I do believe this one’s gone off. It stinks like a cesspit.” Her eyes lifted. “Oh, wait. It’s only the guttersnipe.”
“Or perhaps it’s your perfume,” I said cordially. “You always smell like a whore.”
“It’s French,” retorted Runny-Nose, before Chloe could speak.
“Then she smells like a French whore.”
“Aren’t you the eloquent young miss.” Chloe’s gaze cut to Sophia, standing close behind me. “Slumming, little sister? I can’t confess I’m surprised.”
“I’m merely here for the show,” Sophia said breezily. “Something tells me it’s going to be good.”
I took the brooch from my pocket and let it slide down my index finger, giving it a playful twirl. “A fine try. But, alas, no winner’s prize for you, Chloe. I’m sure you’ve been waiting here for Westcliffe to raise the alarm about her missing ring, ready with some well-rehearsed story about how you saw me sneaking into her office and sneaking out again, and oh, look isn’t that Eleanore’s brooch there on the floor? But I’ve news for you, dearie. You’re sloppy. You’re stupid. And the next time you go into my room and steal from me, I’ll make certain you regret it for the rest of your days.”
“How dare you threaten me, you little tart!”
“I’m not threatening. You have no idea how easy it would be to, say, pour glue on your hair while you sleep. Cut up all your pretty dresses into ribbons.”
Chloe dropped her half-eaten chocolate back into its box, turning to her toadies. “You heard her! You all head her! When Westcliffe finds out about this-“
“I didn’t hear a thing,” piped up Sophia. “In fact, I do believe that Eleanore and I aren’t even here right now. We’re both off in my room, diligently studying.” She sauntered to my side, smiling. “And I’ll swear to that, sister. Without hesitation. I have no misgivings about calling you all liars right to Westcliffe’s face.”
“What fun,” I said softly, into the hush. “Shall we give it a go? What d’you say, girls? Up for a bit of blood sport?”
Chloe pushed to her feet, kicking the chocolates out of her way. All the toadies cringed.
“You,” she sneered, her gaze scouring me. “You with your ridiculous clothing and that preposterous bracelet, acting as if you actually belong here! Really, Eleanore, I wonder that you’ve learned nothing of real use yet. Allow me to explain matters to you. You may have duped Sophia into vouching for you, but your word means nothing. You’re no one. No matter what you do here or who you may somehow manage to impress, you’ll always be no one. How perfectly sad that you’re allowed to pretend otherwise.”
“I’m the one he wants,” I said evenly. “No one’s pretending that.”
I didn’t have to say who.
She stared at me, silent, her color high. I saw with interest that real tears began to well in her eyes.
“That’s right.” I gave the barest smile. “Me, not you. Think about that tomorrow, when I’m with him on the yacht. Think about how he watches me. How he listens to me. Another stunt like this”-I held up the circlet-“and you’ll be shocked at what I’m able to convince him about you.”
“As if you could,” she scoffed, but there was apprehension behind those tears.
“Try me.”
I brought my foot down on one of the chocolates, grinding it into a deep, greasy smear along the rug.
“Cheerio,” I said to them all, and turned around and left.
”
”
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
“
You’re afraid you have no talent. You’re afraid you’ll be rejected or criticized or ridiculed or misunderstood or—worst of all—ignored. You’re afraid there’s no market for your creativity, and therefore no point in pursuing it. You’re afraid somebody else already did it better. You’re afraid everybody else already did it better. You’re afraid somebody will steal your ideas, so it’s safer to keep them hidden forever in the dark. You’re afraid you won’t be taken seriously. You’re afraid your work isn’t politically, emotionally, or artistically important enough to change anyone’s life. You’re afraid your dreams are embarrassing. You’re afraid that someday you’ll look back on your creative endeavors as having been a giant waste of time, effort, and money. You’re afraid you don’t have the right kind of discipline. You’re afraid you don’t have the right kind of work space, or financial freedom, or empty hours in which to focus on invention or exploration. You’re afraid you don’t have the right kind of training or degree. You’re afraid you’re too fat. (I don’t know what this has to do with creativity, exactly, but experience has taught me that most of us are afraid we’re too fat, so let’s just put that on the anxiety list, for good measure.) You’re afraid of being exposed as a hack, or a fool, or a dilettante, or a narcissist. You’re afraid of upsetting your family with what you may reveal. You’re afraid of what your peers and coworkers will say if you express your personal truth aloud. You’re afraid of unleashing your innermost demons, and you really don’t want to encounter your innermost demons. You’re afraid your best work is behind you. You’re afraid you never had any best work to begin with. You’re afraid you neglected your creativity for so long that now you can never get it back. You’re afraid you’re too old to start. You’re afraid you’re too young to start. You’re afraid because something went well in your life once, so obviously nothing can ever go well again. You’re afraid because nothing has ever gone well in your life, so why bother trying? You’re afraid of being a one-hit wonder. You’re afraid of being a no-hit wonder . . . Listen, I don’t have all day here, so I’m not going to keep listing fears. It’s a bottomless list, anyhow, and a depressing one. I’ll just wrap up my summary this way: SCARY, SCARY, SCARY. Everything is so goddamn scary. Defending Your Weakness Please understand that the only reason I can speak so authoritatively about fear is that I know it so intimately.
”
”
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
“
So, my dear…”
She faced him with thudding heart, the crystal piece clutched desperately in her hand, but she was hardly aware that she even held it.
“… You say I have let another man into my bed.”
Erienne opened her mouth to speak. Her first impulse was to chatter some inanity that could magically take the edge from his callous half statement, half question. No great enlightenment dawned, however, and her dry, parched throat issued no sound of its own. She inspected the stopper closely, turning it slowly in her hand rather than meet the accusing stare.
From behind the mask, Lord Saxton observed his wife closely, well aware that the next moments would form the basis for the rest of his life or leave it an empty husk. After this, there could be no turning back.
“I think, my dear,” his words made her start, “that whatever the cost, ’tis time you met the beast of Saxton Hall.”
Erienne swallowed hard and clasped the stopper with whitened knuckles, as if to draw some bit of courage from the crystal piece.
As she watched, Lord Saxton doffed his coat, waistcoat, and stock, and she wondered if it was a trick of her imagination that he seemed somewhat lighter of frame. After their removal, he caught the heel of his right boot over the toe of the left and slowly drew the heavy, misshapen encumbrance from his foot. She frowned in open bemusement, unable to detect a flaw. He flexed the leg a moment before slipping off the other boot. His movements seemed pained as he shed the gloves, and Erienne’s eyes fastened on the long, tan, unscarred hands that rose to the mask and, with deliberate movements, flipped the lacings loose. She half turned, dropping the stopper and colliding with the desk as he reached to the other side of the leather helm and lifted it away with a single motion.
She braved a quick glance and gasped in astonishment when she found translucent eyes calmly smiling at her.
“Christopher! What…?”
She could not form a question, though her mind raced in a frantic search for logic. He rose from the chair with an effort.
“Christopher Stuart Saxton, lord of Saxton Hall.”
His voice no longer bore a hint of a rasp. “Your servant, my lady.”
“But… but where is…?”
The truth was only just beginning to dawn on her, and the name she spoke sounded small and thin.
“… Stuart?”
“One and the same, madam.”
He stepped near, and those translucent eyes commanded her attention.
“Look at me, Erienne. Look very closely.”
He towered over her, and his lean, hard face bore no hint of humor.
“And tell me again if you think I would ever allow another man in your bed while I yet breathe.”
-Christopher & Erienne
”
”
Kathleen E. Woodiwiss (A Rose in Winter)
“
What I cannot understand is how your uncle could consider these two men suitable when they aren’t. Not one whit!”
“We know that,” Elizabeth said wryly, bending down to pull a blade of grass from between the flagstones beneath the bench, “but evidently my ‘suitors’ do not, and that’s the problem.” As she said the words a thought began to form in her mind; her fingers touched the blade, and she went perfectly still. Beside her on the bench Alex drew a breath as if to speak, then stopped short, and in that pulsebeat of still silence the same idea was born in both their fertile minds.
“Alex,” Elizabeth breathed, “all I have to-“
“Elizabeth,” Alex whispered, “it’s not as bad as it seems. All you have to-“
Elizabeth straightened slowly and turned.
In that prolonged moment of silence two longtime friends sat in a rose garden, looking raptly at each other while time rolled back and they were girls again-lying awake in the dark, confiding their dreams and troubles and inventing schemes to solve them that always began with “If only…”
“If only,” Elizabeth said as a smile dawned across her face and was matched by the one on Alex’s, “I could convince them that we don’t suit-“
“Which shouldn’t be hard to do,” Alex cried enthusiastically, “because it’s true!”
The joyous relief of having a plan, of being able to take control of a situation that minutes before had threatened her entire life, sent Elizabeth to her feet, her face aglow with laughter. “Poor Sir Francis,” she chuckled, looking delightedly from Bentner to Alex as both grinned at her. “I greatly fear he’s in for the most disagreeable surprise when he realizes what a-a” she hesitated, thinking of everything an old roué would most dislike in his future wife-“a complete prude I am!”
“And,” Alex added, “what a shocking spendthrift you are!”
“Exactly!” Elizabeth agreed, almost twirling around in her glee. Sunlight danced off her gilded hair and lit her green eyes as she looked delightedly at her friends. “I shall make perfectly certain to give him glaring evidence I am both. Now then, as to the Earl of Canford…”
“What a pity,” Alex said in a voice of exaggerated gloom, “you won’t be able to show him what a capital hand you are with a fishing pole.
“Fish?” Elizabeth returned with a mock shudder. “Why, the mere thought of those scaly creatures positively makes me swoon!”
“Except for that prime one you caught yesterday,” Bentner put in wryly.
“You’re right,” she returned with an affectionate grin at the man who’d taught her to fish. “Will you find Berta and break the news to her about going with me? By the time we come back to the house she ought to be over her hysterics, and I’ll reason with her.” Bentner trotted off, his threadbare black coattails flapping behind him.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
She took my wings,' he whispered. Tamlin's green eyes flickered and I knew right then, that the faerie was going to die. Death wasn't just hovering in this hall; it was counting down the faerie's remaining heartbeats.
I took one of the faerie's hands in mine. The skin there was almost leathery, and, perhaps more of a reflex than anything, his long fingers wrapped around mine, covering them completely. 'She took my wings,' he said again, his shaking subsiding a bit.
I brushed the long, damp hair from the faerie's half-turned face, revealing a pointed nose and a mouth full of sharp teeth. His dark eyes shifted to mine, beseeching, pleading.
'It will be all right,' I said, and hoped he couldn't smell the lies the way the Suriel was able to. I stroked his limp hair, its texture like liquid night- another I would never be able to paint but would try to, perhaps forever. 'It will be all right.' The faerie closed his eyes, and I tightened my grip on his hand.
Something wet touched my feet, and I didn't need to look down to see that his blood had pooled around me. 'My wings,' the faerie whispered.
'You'll get them back.'
The faerie struggled to open his eyes. 'You swear?'
'Yes,' I breathed. The faerie managed a slight smile and closed his eyes again. My mouth trembled. I wished for something else to say, something more to offer him than my empty promises. The first false vow I'd ever sworn. But Tamlin began speaking, and I glanced up to see him take the faerie's other hand.
'Cauldron save you,' he said, reciting the words of a prayer that was probably older than the mortal realm. 'Mother hold you. Pass through the gates, and smell that immortal land of milk and honey. Fear no evil. Feel no pain.' Tamlin's voice wavered, but he finished. 'Go, and enter eternity.'
The faerie heaved one final sigh, and his hand went limp in mine. I didn't let go, though, and kept stroking his hair, even when Tamlin released him and took a few steps from the table.
I could feel Tamlin's eyes on me, but I wouldn't let go. I didn't know how long it took for a soul to fade from the body. I stood in the puddle of blood until it grew cold, holding the faerie's spindly hand and stroking his hair, wondering if he knew I'd lied when I'd sworn he would get his wings back, wondering if, wherever he had now gone, he had gotten them back.
A clock chimed somewhere in the house, and Tamlin gripped my shoulder. I hadn't realised how cold I'd become until the heat of his hand warmed me through my nightgown. 'He's gone. Let him go.'
I studied the faerie's face- so unearthly, so inhuman. Who could be so cruel to hurt him like that?
'Feyre,' Tamlin said, squeezing my shoulder. I brushed the faerie's hair behind his long, pointed ear, wishing I'd known his name, and let go.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
But Harry had eyes only for the man who stood in the largest portrait directly behind the headmaster’s chair. Tears were sliding down from behind the half-moon spectacles into the long silver beard, and the pride and the gratitude emanating from him filled Harry with the same balm as phoenix song.
At last, Harry held up his hands, and the portraits fell respectfully silent, beaming and mopping their eyes and waiting eagerly for him to speak. He directed his words at Dumbledore, however, and chose them with enormous care. Exhausted and bleary-eyed though he was, he must make one last effort, seeking one last piece of advice.
“The thing that was hidden in the Snitch,” he began, “I dropped it in the forest. I don’t know exactly where, but I’m not going to go looking for it again. Do you agree?”
“My dear boy, I do,” said Dumbledore, while his fellow pictures looked confused and curious. “A wise and courageous decision, but no less than I would have expected of you. Does anyone else know where it fell?”
“No one,” said Harry, and Dumbledore nodded his satisfaction.
“I’m going to keep Ignotus’s present, though,” said Harry, and Dumbledore beamed.
“But of course, Harry, it is yours forever, until you pass it on!”
“And then there’s this.”
Harry held up the Elder Wand, and Ron and Hermione looked at it with a reverence that, even in his befuddled and sleep-deprived state, Harry did not like to see.
“I don’t want it,” said Harry.
“What?” said Ron loudly. “Are you mental?”
“I know it’s powerful,” said Harry wearily. “But I was happier with mine. So…”
He rummaged in the pouch hung around his neck, and pulled out the two halves of holly still just connected by the finest thread of phoenix feather. Hermione had said that they could not be repaired, that the damage was too severe. All he knew was that if this did not work, nothing would.
He laid the broken wand upon the headmaster’s desk, touched it with the very tip of the Elder Wand, and said, “Reparo.”
As his wand resealed, red sparks flew out of its end. Harry knew that he had succeeded. He picked up the holly and phoenix wand and felt a sudden warmth in his fingers, as though wand and hand were rejoicing at their reunion.
“I’m putting the Elder Wand,” he told Dumbledore, who was watching him with enormous affection and admiration, “back where it came from. It can stay there. If I die a natural death like Ignotus, its power will be broken, won’t it? The previous master will never have been defeated. That’ll be the end of it.”
Dumbledore nodded. They smiled at each other.
“Are you sure?” said Ron. There was the faintest trace of longing in his voice as he looked at the Elder Wand.
“I think Harry’s right,” said Hermione quietly.
“That wand’s more trouble than it’s worth,” said Harry. “And quite honestly,” he turned away from the painted portraits, thinking now only of the four-poster bed lying waiting for him in Gryffindor Tower, and wondering whether Kreacher might bring him a sandwich there, “I’ve had enough trouble for a lifetime.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
They passed each other at the door, she going out, and he returning from work. Unselfconsciously she put one hand up to his left cheek and, in passing, kissed him on the other.
He was astonished, and, by the time that she reached the entrance to the yard, so was she, because it was not until then that she suddenly realized what she had done. She stopped dead, as though having walked straight into a metaphysical but palpable stone wall. She felt her blood rising to the roots of her hair, and realised that she did not dare look back at him. Undoubtedly he too would be rooted to the spot. She could almost feel his eyes travelling from her feet to her head, finally settling upon the back of her head in the expectation that she would turn around. He called out, as she knew he would, 'Kyria Pelagia.'
'What?' she demanded curtly, as though an effort to be short with him could cancel out the hideously simple way in which she had betrayed her affection without even thinking about it.
'What's for dinner?'
'Don't tease me.'
'Would I tease you?'
'Don't make anything of it. I thought you were my father. I always kiss him like that when he comes in.'
'Very understandable. We are both old and small.'
'If you are going to tease me, I shall never speak to you again.'
He came up behind her and around her, and threw himself upon his knees before her. 'O no,' he cried, 'anything but that.' He bowed his head to the ground and moaned piteously, 'Have mercy. Shoot me, flog me, but don't say you'll never speak to me.' He grasped her about the knees and pretended to weep.
'The whole village is looking,' she protested, 'stop it at once. You are so embarrassing, get off me.'
'My heart is broken,' he wailed, and he grasped her hand and began to smatter it with kisses.
'Stupid goat, you are deranged.'
'I am tormented, I am burning, I am broken into pieces, my eyes spout forth with tears.' He leaned back and gestured poetically with his fingers to portray the extraordinary cascade of invisible tears that he intended her to envisage. 'Don't laugh at me,' he continued, having struck upon a new tack. 'O, light of my eyes, do not mock poor Antonio in his affliction.'
'Are you drunk again?'
'Drunk with sorrow, drunk with agony. Speak to me.'
'Did your battery win another football match?
”
”
Louis de Bernières (Corelli’s Mandolin)
“
Under a Torremolinos Sky (Psalm 116)8 For Jim The first thing I notice is not the bed, oddly angled as all hospital beds are nor the pillowcase, covered in love notes. Not the table filled with pill bottles nor the sterile tools of a dozen indignities. I’ll notice these things later, on my way out perhaps. But first, my wide-angle lens pulls narrow, as eyes meet eyes and I am seen. How is it, before a word is spoken, you make me know I am known and welcome? What can I give back to God for the blessings he’s poured out on me? I’ll lift high the cup of salvation—a toast to God! You smile behind the plastic that keeps you alive, and as I rest my hand on your chest we conspire together to break the rules. The rhythm of your labored breathing will decide our seconds, our minutes, our hours. Tears to laughter and back again always in that order and rightly so. We bask under a Torremolinos sky and hear the tongues of angels sing of sins forgiven long before the world was made. I’ll pray in the name of God; I’ll complete what I promised God I’d do, and I’ll do it together with his people. Talk turns to motorcycles and mortuaries, to scotch and sons who wear their father’s charm like a crown, daughters who quicken the pulse with just a glance. Time flies and neither of us has time to waste. I’ll make a great looking corpse, you say because we of all people must speak of these things, because we of all people refuse to pretend. This doesn’t bring tears—not yet. Instead a giggle, a shared secret that life is and is not in the body. Soul, you’ve been rescued from death; Eye, you’ve been rescued from tears; And you, Foot, were kept from stumbling. Your chest still rises and falls but you grow weary, my hand tells me so. It’s too soon to ever say goodbye. When it’s my turn, brother, I will find you where the streets shimmer and tears herald only joy where we wear our true names and our true faces. Promise me, there, the dance we never had. When they arrive at the gates of death, God welcomes those who love him. Oh, God, here I am, your servant, your faithful servant: set me free for your service! I’m ready to offer the thanksgiving sacrifice and pray in the name of God. I’ll complete what I promised God I’d do, and I’ll do it in company with his people, In the place of worship, in God’s house, in Jerusalem, God’s city.
”
”
Karen Dabaghian (A Travelogue of the Interior: Finding Your Voice and God's Heart in the Psalms)
“
No one but she had realized that the ballroom bore a rather startling resemblance to the gardens at Charise Dumont’s country house, and that the arbor at the side, with its trellised entrance, was a virtual replica of the place where she and Ian had first waltzed that long-ago night.
Across the room, the vicar was standing with Jake Wiley, Lucinda, and the Duke of Stanhope, and he raised his glass to her. Elizabeth smiled and nodded back. Jake Wiley watched the silent communication and beamed upon his little group of companions. “Exquisite bride, isn’t she?” he pronounced, not for the first time. For the past half-hour, the three men had been merrily congratulating themselves on their individual roles in bringing this marriage about, and the consumption of spirits was beginning to show in Duncan and Jake’s increasingly gregarious behavior.
“Absolutely exquisite,” Duncan agreed.
“She’ll make Ian an excellent wife,” said the duke. “We’ve done well, gentlemen,” he added, lifting his glass in yet another congratulatory toast to his companions. “To you, Duncan,” he said with a bow, “for making Ian see the light.”
“To you, Edward,” said the vicar to the duke, “for forcing society to accept them.” Turning to Jake, he added, “And to you, old friend, for insisting on going to the village for the servingwomen and bringing old Attila and Miss Throckmorton-Jones with you.”
That toast belatedly called to mind the silent duenna who was standing stiffly beside them, her face completely devoid of expression. “And to you, Miss Throckmorton-Jones,” said Duncan with a deep, gallant bow, “for taking that laudanum and spilling the truth to me about what Ian did two years ago. ‘Twas that, and that alone, which caused everything else to be put into motion, so to speak. But here,” said Duncan, nonplussed as he waved to a servant bearing a tray of champagne, “you do not have a glass, my dear woman, to share in our toasts.”
“I do not take strong spirits,” Lucinda informed Duncan. “Furthermore, my good man,” she added with a superior expression that might have been a smile or a smirk, “I do not take laudanum, either.” And on that staggering announcement, she swept up her unbecoming gray skirts and walked off to dampen the spirits of another group. She left behind her three dumbstruck, staring men who gaped at each other and then suddenly erupted into shouts of laughter.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
He got in beside her and impatiently reached for her seat belt, snapping it in place. “You always forget,” he murmured, meeting her eyes.
Her breath came uneasily through her lips as she met that level stare and responded helplessly to it. He was handsome and sexy and she loved him more than her own life. She had for years. But it was a hopeless, unreturned adoration that left her unfulfilled. He’d never touched her, not even in the most innocent way. He only looked.
“I should close my door to you,” she said huskily. “Refuse to speak to you, refuse to see you, and get on with my life. You’re a constant torment.”
Unexpectedly he reached out and touched her soft cheek with just his fingertips. They smoothed down to her full, soft mouth and teased the lower lip away from the upper one. “I’m Lakota,” he said quietly. “You’re white.”
“There is,” she said unsteadily, “such a thing as birth control.”
His face was very solemn and his eyes were narrow and intent on hers. “And sex is all you want from me, Cecily?” he asked mockingly. “No kids, ever?”
It was the most serious conversation they’d ever had. She couldn’t look away from his dark eyes. She wanted him. But she wanted children, too, eventually. Her expression told him so.
“No, Cecily,” he continued gently. “Sex isn’t what you want at all. And what you really want, I can’t give you. We have no future together. If I marry one day, it’s important to me that I marry a woman with the same background as my own. And I don’t want to live with a young, and all too innocent, white woman.”
“I wouldn’t be innocent if you’d cooperate for an hour,” she muttered outrageously.
His dark eyes twinkled. “Under different circumstances, I would,” he said, and there was suddenly something hot and dangerous in the way he looked at her as the smile faded from his chiseled lips, something that made her heart race even faster. “I’d love to strip you and throw you onto a bed and bend you like a willow twig under y body.”
“Stop!” she whispered theatrically. “I’ll swoon!” And it wasn’t all acting.
His hand slid behind her nape and contracted, dragging her rapt face just under his, so close that she could smell the coffee that clung to his clean breath, so close that her breasts almost touched his jacket.
“You’ll tempt me once too often,” he bit off. “This teasing is more dangerous than you realize.”
She didn’t reply. She couldn’t. She was throbbing, aroused, sick with desire. In all her life, there had been only this man who made her feel alive, who made her feel passion. Despite the traumatic experience of her teens, she had a fierce physical attraction to Tate that she was incapable of feeling with any other man.
She touched his lean cheek with cold fingertips, slid them back, around his neck into the thick mane of long hair that he kept tightly bound-like his own passions.
“You could kiss me,” she whispered unsteadily, “just to see how it feels.”
He tensed. His mouth poised just above her parted lips. The silence in the car was pregnant, tense, alive with possibilities and anticipation. He looked into her wide, pale, eager green eyes and saw the heat she couldn’t disguise. His own body felt the pressure and warmth of hers and began to swell, against his will.
“Tate,” she breathed, pushing upward, toward his mouth, his chiseled, beautiful mouth that promised heaven, promised satisfaction, promised paradise.
His dark fingers corded in her hair. They hurt, and she didn’t care. Her whole body ached.
“Cecily, you little fool,” he ground out.
Her lips parted even more. He was weak. This once, he was weak. She could tempt him. It could happen. She could feel his mouth, taste it, breathe it. She felt him waver. She felt the sharp explosion of his breath against her lips as he let his control slip. His mouth parted and his head bent. She wanted it. Oh, God, she wanted it, wanted it, wanted it…
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
Whoa, whoa, calm down, everyone!” I said. “Lemme try to talk to them and see what’s up?” “What’s up? Don’t you see what’s up?” said Devlin. “They’re about to fire on us!” “But they haven’t yet. Just chill and let me salvage this.” I stepped out in front of Devlin’s shield. “I said do not take one step further!” yelled the announcer. “Hey, hey, remember me?” I said. “It’s Steve.” “You! What’s the meaning of this?!” “Of what?” “This army! Why did you bring an army to our doorstep?!” yelled the announcer. “Uh, I’m here on business. Is the Skeleton King in? Can I speak to him?” I asked. “I speak for our king! Now tell me what’s the meaning of this army?! Is it war you want?!” “What?! No, no, not at all! I’m telling you, we’re here on business!” “What kind of business?! The hostile takeover business?!” “No, no, you got it all wrong!” “We were kind to your people. We took you in and this is how you repay us? With a hostile takeover?!” “No! I’m serious! We’re not here to overthrow you!” “Why else would you bring such a huge army?!” “They’re here for another fight!” “Yeah, right! You mean the fight that’s going to start right after we let you past our walls?!” “What?! No!” Then the announcer turned around and said, “Bring out the golem!” “The golem? Is he talking about Bob?” I said to Devlin. “Probably,” replied the paladin. Then Alex came up to me. “Steve, you need to deescalate this situation quickly before it gets out of hand.” I nodded. “You’re right, yeah.” Some skeleton guards brought out Bob to the front of the wall. He was all chained up. “Bob!” I yelled at the sight of my friend in bindings. “Steve! What’s going on?!” said Bob. “They think we’re here to fight them,” I said. “Now tell us the truth or we’ll beat this golem!” said the announcer. Bob chuckled. “Beat me? It’s not like you guys could hurt me.” “Bob, be quiet!” I yelled. “You’re not helping. Just let me deal with them.” “Quit your stalling and start explaining!” yelled the announcer. “Dude! We’re not here to fight. We’re not here to take over your home. I’m telling you the truth! This is a huge misunderstanding,” I explained. “Bring out the girl!” yelled the announcer. “The girl? Is he talking about Emily?” I said softly. “She’ll make him speak the truth!” Some skeleton guards dragged out Emily. She was kicking and screaming all over the place. Her arms were also tied behind her back like Bob’s. “Unhand me, you stupid skeletons!” yelled Emily. “Emily!” I yelled. “Steve!” “Let her go!” “Tell me the truth, or else she’s going to get it!” yelled the announcer as he drew out a stone sword and pointed it at Emily’s throat.
”
”
Steve the Noob (Diary of Steve the Noob 43 (An Unofficial Minecraft Book) (Diary of Steve the Noob Collection))
“
Is it Randall?” Oscar sounded out the name with care, as if testing dangerous waters. Camille closed her eyes and turned her face away from him, not wanting to have to see him when she said what she needed to say.
“I have a duty, Oscar, just like my mother did. She failed at hers and look what happened; she destroyed so much. My father asked me not to say anything, but if I don’t marry Randall…I’m sorry, Oscar, I just have to.”
Camille tried to edge by him, but Oscar held her back with his arm.
“Do you think I’m a fool, Camille? Don’t try to blame marrying Randall on some duty you think you have.”
She parted her lips to insist he was wrong. He cut her off.
“If this is how you really feel, then you had no right to ask me to stay with you that night. You gave me a taste of what being with you might be like, and now you’re asking me to walk away. Who do you think you are?”
Camille shook her head. He wasn’t listening. He had no idea how difficult it was for her, too, to have that one taste, that single moment of pure bliss to feed off of for the rest of her life.
“I don’t have a choice-“
He slammed his fist against the pantry shelf behind her.
“I don’t have a bank vault filled with money, or ten suits hanging in my closet to choose from each morning. I know I couldn’t give you all the things he could, but I can give you something he’ll never be able to. I love you, Camille,” he said, his mouth so close to hers his breath moistened her lips. “I love you. Not your last name or your pretty face or all the business opportunities you could bring me.” He laid his palm just beneath her neck, his thumb caressing the skin above where her heart lay. “Just you.”
She stared at him, unblinking, unable to breathe, let alone speak. Oscar’s arm fell away.
“You do have a choice, Camille. Or should I already be calling you Mrs. Jackson?”
He stormed from the pantry, Camille on his heels. Promise or no promise to her father, she had to tell Oscar everything.
“Please, Oscar, wait, if you’ll just listen-“
The companionway steps rattled, and Ira bounded into the galley. Oscar scooped up his shirt and shoved his arms inside the sleeves as Ira kicked out a bench at the table and sat down.
“I’ve never been so friggin’ tried in my life,” Ira said, grabbing a mug for coffee. “And I once played a game of poker that lasted two days.
Camille ignored him, Oscar’s anger still stinging. She’d created a massive mass. Ira peered at her, then at Oscar.
“Why’re you two all red in the face?” he asked. Then his cheeks drew up and his teeth glistened. Oscar caught him before he could speak.
“Save it, Ira,” he said, quickly glancing at Camille. She couldn’t plead with him to listen to her explain with Ira there. Oscar buttoned his shirt and left the galley. Ira directed his wily grin toward her.
“Save it, Ira,” she echoed, and resumed scrubbing the floor.
”
”
Angie Frazier (Everlasting (Everlasting, #1))
“
Eena worried to Ian in her thoughts. (You’re not going to let him walk away thinking what I think he’s thinking, are you?)
(You won't change his mind. The evidence is a little suggestive. You should have just stayed behind me.)
(Oh, this is all my fault?)
(Well, you were the one swimming in your underwear.)
(And you’re the one who took your shirt off!)
(You think the alternative would have been better?)
She shuttered at the thought of the Braetic stumbling across her in her underclothes.
“Cale,” Eena said in another attempt to convince the stranger. Somehow she managed to sidestep Ian’s effort to halt her, and she approached the man. “I am not messing around with my protector. I am, and always have been, true and faithful to Derian. It’s just……a lot of weird things have happened lately.”
The Braetic looked willing to consider a good excuse. “Such as?”
“Well,” she started, casting a furtive glance at Ian. He was shaking his head, conveying strong disapproval. She ignored him.
“Okay, well…..I’ve been fighting these immortals who are bent on using me to break free from an imprisoning gem where they were sentenced to stayed locked up for eternity. They nearly annihilated a world of Viiduns—that’s how awful they are! But one of these immortals has control over my necklace, and her brother keeps transporting me and my protector all over Moccobatra in search of pieces to a star-shaped platform they intend to use to free their bodies which have been trapped for over three-thousand years now. We were sent here at an inopportune—and highly embarrassing—moment to find the final piece to the platform. It’s been a nightmare just trying to stay alive!”
“Wow,” Cale breathed, not looking half as concerned as Eena thought he ought to. “So these immortals are using you and trying to kill you at the same time?”
She shook her head. “No, no, only the dragons are trying to kill me…or they were trying to kill me until Naga put a stop to them.” Eena heard Ian’s hand smack against his forehead. She saw humor sweep over the Braetic’s face. It made her angry.
“Dragons too, huh?” Cale snickered.
“It’s the truth!” she insisted.
(Eena, just forget it. You’re only making it worse.)
She ignored her protector’s advice again. “Cale, I’m telling you the honest-to-goodness truth. Do you know the story of Wanyaka Cave? The red-gemmed prison and the two spirit sisters?”
Completely out of patience, Ian broke into the conversation, rudely speaking over his queen. “We’ll be on our way now, sir. We apologize for trespassing.”
With a big grin on his face, the Braetic offered a friendly alternative. “Why don’t the pair of you accompany me home. I’m sure my wife can round up some suitable clothing for you. Those immortals must have a ripe sense of humor, leaving you alone in the woods without any decent attire.” He caught a chuckle in his throat. “That is unless it was the dragons who took the shirt off your back.”
“Dragons are immortals!” Eena snapped, as if any fool ought to know it.
Ian flashed her a harsh look. “We would greatly appreciate the help, sir.”
“Oh, it’ll cost you something,” Cale informed them, “but we can discuss that on our way.
”
”
Richelle E. Goodrich (Eena, The Two Sisters (The Harrowbethian Saga #4))
“
There," he said, admiring his own handiwork. "Good as new."
Violet glanced at the ridiculously huge Band-Aids on her knees and looked at him doubtfully. "You really think so? 'Good as new'?"
He smiled. "I think I did pretty good. It's not my fault you can't walk."
She narrowed her eyes at him. She wanted to tell him that it was his fault, that she would never have tripped if he'd just stayed the same old Jay he'd always been, gangly and childlike. But she knew that she was being irrational. He was bound to grow up eventually; she'd just never imagined that he'd grow up so well. Instead she accused him: "Well, maybe if you hadn't pushed me I wouldn't have fallen." She made the outlandish accusation with a completely straight face.
He shook his head. "You'll never be able to prove it. There were no witnesses-it's just your word against mine."
She giggled and hopped down. "Yeah, well, who's gonna believe you over me? Weren't you the one who shoplifted a candy bar from the Safeway?" She limped over to the sink while she taunted him with her words, and she washed the dirt from the minor scrapes on her palms.
"Whatever! I was seven. And I believe you were the one who handed it to me and told me to hide it in my sleeve. Technically that makes you the mastermind of that little operation, doesn't it?" He came up behind her, and reaching around her, he poured some of the antibacterial wash onto her hands.
She was taken completely off guard by the intimate gesture. She froze as she felt his chest pressing against her back until that was all she could think about for the moment and she temporarily forgot how to speak. She watched as the red scrapes fizzed with white bubble from the disinfectant. He leaned over her shoulder, setting the bottle down and pulling her hands up toward him. He blew on them too. Violet didn't even notice the sting this time.
And then it was over. He released her hands, and as she stood there, dazed, he handed her a clean towel to dry them on.
When she turned around to face him, she realized that she had been the only one affected by the moment, that his touch had been completely innocent.
He was looking at her like he was waiting for her to say something, and she was suddenly aware that her mouth was still open. She finally gathered her wits enough to speak again. "Yeah, well, maybe if you hadn't done it right in front of the cashier, we might have gotten away with it. Instead, you go both of us grounded for stealing."
He didn't miss a beat, and he seemed unaware of her temporary lapse. "And some might say that our grounding saved us from a life of crime."
She hung the towel over the oven's door handle. "Maybe it saved me, but the jury's still out on you. I always though you were kind of a bad seed."
He gave her a questioning look. "Seriously, a 'bad seed,' Vi? When did you turn ninety and start saying things like 'bad seed'?"
She pushed him as she walked by, even though he really wasn't in her way. He gave her a playful shove from behind and teased her, "Don't make me trip you again."
Now more than ever, Violet hoped that this crush of hers passed soon, so she could get back to the business of being just fiends. Otherwise, this was going to be a long-and painful-year.
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))
“
I work as fast as I can. Binah will come soon looking for me. It’s Mother, however, who descends the back steps into the yard. Binah and the other house slaves are clumped behind her, moving with cautious, synchronized steps as if they’re a single creature, a centipede crossing an unprotected space. I sense the shadow that hovers over them in the air, some devouring dread, and I crawl back into the green-black gloom of the tree. The slaves stare at Mother’s back, which is straight and without give. She turns and admonishes them. “You are lagging. Quickly now, let us be done with this.” As she speaks, an older slave, Rosetta, is dragged from the cow house, dragged by a man, a yard slave. She fights, clawing at his face. Mother watches, impassive. He ties Rosetta’s hands to the corner column of the kitchen house porch. She looks over her shoulder and begs. Missus, please. Missus. Missus. Please. She begs even as the man lashes her with his whip. Her dress is cotton, a pale yellow color. I stare transfixed as the back of it sprouts blood, blooms of red that open like petals. I cannot reconcile the savagery of the blows with the mellifluous way she keens or the beauty of the roses coiling along the trellis of her spine. Someone counts the lashes—is it Mother? Six, seven. The scourging continues, but Rosetta stops wailing and sinks against the porch rail. Nine, ten. My eyes look away. They follow a black ant traveling the far reaches beneath the tree—the mountainous roots and forested mosses, the endless perils—and in my head I say the words I fashioned earlier. Boy Run. Girl Jump. Sarah Go. Thirteen. Fourteen . . . I bolt from the shadows, past the man who now coils his whip, job well done, past Rosetta hanging by her hands in a heap. As I bound up the back steps into the house, Mother calls to me, and Binah reaches to scoop me up, but I escape them, thrashing along the main passage, out the front door, where I break blindly for the wharves. I don’t remember the rest with clarity, only that I find myself wandering across the gangplank of a sailing vessel, sobbing, stumbling over a turban of rope. A kind man with a beard and a dark cap asks what I want. I plead with him, Sarah Go. Binah chases me, though I’m unaware of her until she pulls me into her arms and coos, “Poor Miss Sarah, poor Miss Sarah.” Like a decree, a proclamation, a prophecy. When I arrive home, I am a muss of snot, tears, yard dirt, and harbor filth. Mother holds me against her, rears back and gives me an incensed shake, then clasps me again. “You must promise never to run away again. Promise me.” I want to. I try to. The words are on my tongue—the rounded lumps of them, shining like the marbles beneath the tree. “Sarah!” she demands. Nothing comes. Not a sound. I remained mute for a week. My words seemed sucked into the cleft between my collar bones. I rescued them by degrees, by praying, bullying and wooing. I came to speak again, but with an odd and mercurial form of stammer. I’d never been a fluid speaker, even my first spoken words had possessed a certain belligerent quality, but now there were ugly, halting gaps between my sentences, endless seconds when the words cowered against my lips and people averted their eyes. Eventually, these horrid pauses began to come and go according to their own mysterious whims. They might plague me for weeks and then remain away months, only to return again as abruptly as they left.
”
”
Sue Monk Kidd (The Invention of Wings)
“
I believe that if, like me, you have privilege and are equipped with the resources and knowledge to have these conversations, it is your job to educate those who have no idea how to navigate this information, define these resources, and to challenge their own preconceived ideas. It is not solely the responsibility of marginalised people to advocate for their own rights, to explain their own oppression, or to hold hands with the very people undermining them. This is a reminder that each and every one of us has arrived at our current worldview because of people who took the time to explain things, who performed labour to educate us. We need to pay that forward, not sit on high horses. I know I am the product of the people closest to me, and that our debates and occasional conflicts are at the crux of my self-development, reflection, and empowerment.
It isn’t your job to engage in harmful conversations with those committed to misunderstanding you but it isn’t helpful to demonise people whose views do not mirror your own or whose progress is slower. It isn’t effective to shut down and to turn your back on those with other worldviews once you believe you know better. We shouldn’t pull the ladder up behind us when we decided we’re in the right place. We shouldn’t be shutting up shop. This is the ultimate opportunity to use what we have learned to ensure marginalised people do not have to have these conversations. We don’t need to speak on behalf of anyone but we can direct people to resources, we can push back on problematic language and views, and we can use our knowledge and privilege for change-making. If you hold the privileges that I do, a White woman claiming to be a feminist, your fear is not enough of a barrier. I know that is a confronting statement but it is something we must interrogate. It is vital to note that there are many circumstances where breaking your silence, challenging the status quo, and speaking out pose a threat. I want to be clear that this is not a call to subject yourself to devastating outcomes, or dangerous conversations, or situations that pose a threat to your safety or security. But if the only thing standing between you and change is fear of causing your friends discomfort, or lowering the mood by calling out something that may be considered taboo, you must walk through that fear. History depends on it. Change is contingent on your voice. If you want to identify as a feminist. If you want to claim this space and that you are #doingthework, this is exactly what that work looks like. Having difficult conversations, being brave, and challenging widely held assumptions. Turning up to the protest. Putting your money toward causes you claim to stand for. Buying the book and using what you’ve learned to ensure this work does not remain the sole responsibility of the impacted, marginalised communities, but becomes something that those without lied experiences understand and advocate for. Doing all this, is more than half the battle.
The next time you bookend a conversation with “it is not my job to educate you”, I think it is really important to remember that, actually, it kind of is. Your privilege means you have access to people and influence over them. You are considered by society to be more palatable in your anger, and your advocacy, and people are more willing to hear you speak to difficult topics. It is your job to educate yourself, and to use that inherent privilege to educate others, or to at least have a go. It is your job, as the feminist you claim to be, to act as a barricade for people experiencing compounding marginalisations. It is your job to educate yourself and others. It is as simple as that.
”
”
Hannah Ferguson (Bite Back: Feminism, Media, Politics, and Our Power to Change It All)